Browse content similar to 08/10/2013. Check below for episodes and series from the same categories and more!
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Yeah that's him, that's Gareth O'Connor. | 0:00:24 | 0:00:27 | |
He knew he was going to his own execution. | 0:00:27 | 0:00:30 | |
He gave himself up to protect Nicole and their baby. | 0:00:31 | 0:00:35 | |
Why would Billy want to kill him? | 0:00:35 | 0:00:36 | |
He might've worked for him, maybe he crossed him, same as Gareth. | 0:00:36 | 0:00:39 | |
Rhodes never worked for Billy. | 0:00:39 | 0:00:41 | |
What about all the phone calls? | 0:00:41 | 0:00:43 | |
Who's she? | 0:00:50 | 0:00:52 | |
I'm his wife. | 0:00:52 | 0:00:54 | |
Given recent events, | 0:00:54 | 0:00:55 | |
the organisation require a change in who they deal with. | 0:00:55 | 0:00:58 | |
Mr Murdoch will take over day to day control. | 0:00:58 | 0:01:01 | |
You'll answer to him. | 0:01:01 | 0:01:03 | |
Are they still out there? Yep. | 0:03:58 | 0:04:01 | |
This is really starting to freak me out. | 0:04:01 | 0:04:02 | |
They've been there all night. | 0:04:02 | 0:04:04 | |
What if they are something to do with Billy Kennedy? I reckon they're polis. | 0:04:04 | 0:04:07 | |
Don't know if that makes me feel better or worse. | 0:04:07 | 0:04:09 | |
Maybe they think he's going to come back or... Whoa, just calm down, all right? | 0:04:09 | 0:04:13 | |
We're getting carried away. | 0:04:13 | 0:04:16 | |
Look, I need to nip down the cop shop this morning anyway. | 0:04:16 | 0:04:18 | |
I'll find out what's going on. | 0:04:18 | 0:04:20 | |
Are we not going to go and get Nicole and Grace? | 0:04:20 | 0:04:22 | |
I kind of thought that maybe you could do that. On my own? | 0:04:22 | 0:04:25 | |
I promised Nic that I would try and find Gareth. | 0:04:25 | 0:04:27 | |
I want to keep my word. | 0:04:27 | 0:04:29 | |
Gabriel, you've looked everywhere. | 0:04:29 | 0:04:31 | |
I know. But I reckon it's worth talking to the polis. | 0:04:31 | 0:04:35 | |
They've got to be watching Kennedy, right? | 0:04:35 | 0:04:37 | |
So maybe they've come across Gareth while they've been at it. | 0:04:37 | 0:04:39 | |
Someone doesn't just disappear. | 0:04:39 | 0:04:42 | |
He clearly doesn't want anything to do with Nicole or the baby. | 0:04:42 | 0:04:46 | |
Look, I don't like this situation any more than you do. | 0:04:46 | 0:04:49 | |
You know how I feel about O'Connor. | 0:04:49 | 0:04:51 | |
But for Nic's sake, she needs him around - | 0:04:51 | 0:04:54 | |
at least until she's on her feet and used to being a mum. | 0:04:54 | 0:04:56 | |
Just promise me you'll be here when we get home. | 0:04:56 | 0:04:59 | |
I don't want me and Nicole here on our own. | 0:04:59 | 0:05:01 | |
Sure. But just stop worrying, eh? We're safe. | 0:05:01 | 0:05:05 | |
If you say so. | 0:05:05 | 0:05:07 | |
That's the postmortem on Gareth O'Connor. | 0:05:21 | 0:05:25 | |
What we got? | 0:05:25 | 0:05:26 | |
Just what we thought - bullet fired from close range, | 0:05:28 | 0:05:31 | |
tissue damage suggests a silencer. | 0:05:31 | 0:05:34 | |
No evidence of struggle or force - some historical bruising. | 0:05:34 | 0:05:38 | |
Maybe they took him by surprise? | 0:05:40 | 0:05:41 | |
It wasn't an ambush. It was an execution. | 0:05:41 | 0:05:44 | |
He knew it was coming. In fact, the only surprise is | 0:05:44 | 0:05:47 | |
that he was clean and sober when he hit the deck. | 0:05:47 | 0:05:50 | |
I reckon if I was walking to the gallows, | 0:05:50 | 0:05:52 | |
I'd have needed a bit of Dutch courage. | 0:05:52 | 0:05:55 | |
Boy had guts, I'll give him that. | 0:05:55 | 0:05:56 | |
Shame he didn't have the guile to avoid Billy Kennedy. | 0:05:58 | 0:06:01 | |
Yeah, tell me about it. | 0:06:01 | 0:06:02 | |
We'll get him for this, Sir. | 0:06:03 | 0:06:06 | |
Will we? | 0:06:06 | 0:06:07 | |
Any joy scaring up some relatives? | 0:06:10 | 0:06:12 | |
The lads are still working on it, but nothing so far. | 0:06:12 | 0:06:15 | |
I think we'll be drawing blank on that one, Sir. | 0:06:15 | 0:06:18 | |
Coming up to 19 and not a soul in the world. | 0:06:18 | 0:06:22 | |
Well, there is Nicole Brodie. | 0:06:22 | 0:06:24 | |
Maybe it's time to tell her, Sir. | 0:06:25 | 0:06:27 | |
Yeah. | 0:06:29 | 0:06:30 | |
Remind me again what it is I like about this job? | 0:06:31 | 0:06:34 | |
PHONE RINGS | 0:06:34 | 0:06:36 | |
CID. | 0:06:36 | 0:06:38 | |
Yeah. | 0:06:38 | 0:06:40 | |
OK, I'll tell him. | 0:06:41 | 0:06:43 | |
That's Gabriel Brodie to see you, Sir, about Gareth O'Connor. | 0:06:44 | 0:06:47 | |
HE SIGHS | 0:06:47 | 0:06:50 | |
So, what can I do for you, Mr Brodie? | 0:07:01 | 0:07:03 | |
Well, I need to find him. | 0:07:03 | 0:07:05 | |
Gareth O'Connor. | 0:07:05 | 0:07:07 | |
Nicole, she's home from the hospital today and she needs him home. | 0:07:08 | 0:07:13 | |
Look, take a seat. You're all right. | 0:07:13 | 0:07:15 | |
Look, if I don't find him, she's going to go looking for him herself | 0:07:16 | 0:07:20 | |
and I don't even want to think where that's going to lead her. | 0:07:20 | 0:07:23 | |
How's she doing anyway? | 0:07:23 | 0:07:24 | |
Oh, aye. She's a 17-year-old girl with a brand-new baby | 0:07:24 | 0:07:27 | |
and a boyfriend that's AWOL. She's tickety-boo, thanks. | 0:07:27 | 0:07:31 | |
Look, come on, help me out here. | 0:07:32 | 0:07:35 | |
You keep going on about how yous're all over Kennedy | 0:07:35 | 0:07:37 | |
so you must have a fair idea where his boys are. | 0:07:37 | 0:07:41 | |
Look, I'm really sorry, Mr Brodie, but Gareth O'Connor's dead. | 0:07:41 | 0:07:45 | |
(What?) | 0:07:45 | 0:07:47 | |
Three days? | 0:07:52 | 0:07:53 | |
Well, we've a duty to inform the next of kin first. | 0:07:53 | 0:07:56 | |
But we're having trouble tracking some down. | 0:07:56 | 0:07:58 | |
I mean how hard can that be? | 0:07:58 | 0:08:00 | |
Well, not all families are as close as yours, Mr Brodie. | 0:08:00 | 0:08:02 | |
Look, I'm breaching protocol even having this conversation. | 0:08:03 | 0:08:07 | |
The only reason I'm doing it is for Nicole. | 0:08:07 | 0:08:09 | |
So, this information goes no further, OK? | 0:08:09 | 0:08:11 | |
All right, all right. | 0:08:11 | 0:08:13 | |
So, tell me, how did it happen? | 0:08:14 | 0:08:17 | |
Sorry. I can't go into details. | 0:08:17 | 0:08:19 | |
Not while there's a criminal investigation ongoing. | 0:08:19 | 0:08:21 | |
Criminal? So it wasn't an accident? | 0:08:21 | 0:08:24 | |
Mr Brodie... Kennedy. | 0:08:24 | 0:08:26 | |
OK, I think we're done here. | 0:08:26 | 0:08:28 | |
Kennedy took him out, didn't he? | 0:08:28 | 0:08:30 | |
I mean, he's round at Leyla's, stabbing a photo of O'Connor | 0:08:30 | 0:08:32 | |
into the door and a couple of days later he turns up dead. | 0:08:32 | 0:08:35 | |
Mr Brodie... I'm right, aren't I? | 0:08:35 | 0:08:37 | |
Now, wait a minute, there's a car parked outside our place. | 0:08:39 | 0:08:43 | |
Are they coppers? | 0:08:43 | 0:08:44 | |
Protection officers. | 0:08:44 | 0:08:46 | |
So, what, you still think we're in danger? No, no, no. | 0:08:46 | 0:08:48 | |
Now that we've found O'Connor, I'll put in to have them removed. | 0:08:48 | 0:08:53 | |
Well, here's a radical suggestion for you. | 0:08:53 | 0:08:55 | |
Why don't you get Kennedy removed? | 0:08:55 | 0:08:56 | |
I mean, what does the guy need to do? | 0:08:56 | 0:08:58 | |
Wipe out half the city before yous arrest him? | 0:08:58 | 0:09:00 | |
Mr Brodie, I'm very sorry for your loss. You have our condolences. | 0:09:02 | 0:09:05 | |
Thanks. But I'd rather have Kennedy behind bars. | 0:09:05 | 0:09:08 | |
I'm so sorry I wasn't here for you. | 0:09:51 | 0:09:54 | |
It's OK. | 0:09:54 | 0:09:55 | |
You look exhausted. | 0:10:00 | 0:10:01 | |
I mean, of course you do, you've just a baby. | 0:10:01 | 0:10:05 | |
That was the easy bit. | 0:10:05 | 0:10:07 | |
I just woke up and she was here. | 0:10:07 | 0:10:09 | |
And now? What are they saying? | 0:10:09 | 0:10:11 | |
Are you all right? | 0:10:11 | 0:10:13 | |
Yeah, I'm fine. | 0:10:13 | 0:10:14 | |
Well, I will be if I can ever get in touch with Gareth. | 0:10:14 | 0:10:17 | |
He's not here? | 0:10:19 | 0:10:20 | |
I don't know. He was here, but I haven't heard from him since. | 0:10:22 | 0:10:30 | |
Right... Where's Grace? | 0:10:30 | 0:10:34 | |
She's in my room. I just can't get a reception in there. | 0:10:34 | 0:10:37 | |
And that's all right, is it? You not being in with her? | 0:10:39 | 0:10:43 | |
Yeah, the midwives are in and out all the time. | 0:10:43 | 0:10:45 | |
Come on then, are you going to take me to meet my new granddaughter? | 0:10:47 | 0:10:51 | |
Never thought I'd hear myself saying that at this age. | 0:10:52 | 0:10:55 | |
Nic, she's gorgeous, I can't take my eyes off of her. | 0:11:05 | 0:11:09 | |
So sorry I'm late... | 0:11:09 | 0:11:12 | |
Oh! | 0:11:12 | 0:11:13 | |
There's a welcome! Oh, my goodness! | 0:11:13 | 0:11:17 | |
I'm so happy you're home. | 0:11:17 | 0:11:19 | |
Like I wasn't going to get on the first flight I could. | 0:11:19 | 0:11:21 | |
Has Gabriel found Gareth yet? | 0:11:21 | 0:11:24 | |
Erm, you know, he's working on it. | 0:11:24 | 0:11:28 | |
So, no, he hasn't found him? | 0:11:28 | 0:11:31 | |
He's not going be there when I get home. | 0:11:31 | 0:11:33 | |
Nic, don't worry. | 0:11:33 | 0:11:34 | |
If Gareth's half the guy you say he is, he'll show up. | 0:11:34 | 0:11:38 | |
Yeah. You're right. | 0:11:38 | 0:11:40 | |
Hey! | 0:12:07 | 0:12:08 | |
Gareth O'Connor's dead. | 0:12:11 | 0:12:13 | |
I know. | 0:12:13 | 0:12:14 | |
And when did anybody think of telling me the big secret? | 0:12:14 | 0:12:17 | |
I came to you looking for him! Did you know then? | 0:12:17 | 0:12:20 | |
Or were you just telling me porkies? Is this going somewhere? | 0:12:20 | 0:12:22 | |
It was Kennedy, wasn't it? | 0:12:22 | 0:12:24 | |
How would I know? | 0:12:24 | 0:12:26 | |
Oh, come on, man, it's me you're talking to. | 0:12:26 | 0:12:28 | |
I worked for you lot, I know how you operate. | 0:12:28 | 0:12:30 | |
Do your own maths then. | 0:12:30 | 0:12:31 | |
So what happened? What, are you saying he ripped off Kennedy? | 0:12:32 | 0:12:35 | |
Cutting up the gear? What? What difference does it make? | 0:12:35 | 0:12:39 | |
So, what, he was taken out? | 0:12:39 | 0:12:40 | |
Believe what you want. Oh, God! | 0:12:42 | 0:12:44 | |
Who else knows about this? You, the polis, who else? | 0:12:45 | 0:12:50 | |
Nicole needs to hear this from me, Lenny, not somebody else. | 0:12:50 | 0:12:54 | |
How long have I got? | 0:12:54 | 0:12:56 | |
Better out than in, eh? | 0:12:56 | 0:12:58 | |
Is that all this is to you? What, it's just a big joke? | 0:12:58 | 0:13:01 | |
A boy gets washed up, it's all just in a day's work for you, eh? | 0:13:01 | 0:13:05 | |
Just water off a duck's back. | 0:13:05 | 0:13:06 | |
Look, I'm sorry you've got bad news to break all right? | 0:13:06 | 0:13:10 | |
But it's not my problem. | 0:13:10 | 0:13:11 | |
It never, is it? But, hey, don't let me keep you. | 0:13:11 | 0:13:14 | |
You're probably feeling the cold. | 0:13:14 | 0:13:16 | |
You better get back to Kennedy's nice, warm pocket. | 0:13:16 | 0:13:19 | |
You tell Nicole I'm sorry for her loss. | 0:13:21 | 0:13:23 | |
If there's anything I can do. Nah, there's not. | 0:13:24 | 0:13:27 | |
Stevie. | 0:13:47 | 0:13:49 | |
GROGGILY: What? | 0:13:50 | 0:13:52 | |
Wake up. | 0:13:52 | 0:13:54 | |
What time is it? Time we were at work. | 0:13:58 | 0:14:01 | |
Five minutes. No! | 0:14:02 | 0:14:04 | |
You dressed? | 0:14:07 | 0:14:08 | |
Aye, I've been up for ages. | 0:14:08 | 0:14:10 | |
What for? Get back in here. | 0:14:10 | 0:14:13 | |
No, we've not got time. | 0:14:13 | 0:14:16 | |
Stella, I can do fast. | 0:14:16 | 0:14:18 | |
Stop it, see you over the road. | 0:14:20 | 0:14:22 | |
I'll fire some clothes on. | 0:14:28 | 0:14:30 | |
Erm... No, I'll go over first, then you can come over. | 0:14:30 | 0:14:34 | |
We can't keep this a secret for ever. | 0:14:34 | 0:14:37 | |
How not? | 0:14:37 | 0:14:38 | |
Well, we're serious, aren't we? | 0:14:38 | 0:14:40 | |
Aye, of course we are. It's just... It's complicated, isn't it? | 0:14:40 | 0:14:46 | |
No, it's not. Before, that was complicated. This is simple. | 0:14:46 | 0:14:51 | |
We love each other. We want to be together. We are together. End of. | 0:14:52 | 0:14:56 | |
You make it sound dead easy. | 0:14:57 | 0:14:59 | |
HE SIGHS | 0:14:59 | 0:15:00 | |
I don't want to hide how I feel about you. | 0:15:00 | 0:15:03 | |
No' any more. | 0:15:03 | 0:15:04 | |
I know, but what if we tell everybody | 0:15:04 | 0:15:07 | |
and then it all goes wrong again? | 0:15:07 | 0:15:08 | |
It won't. | 0:15:08 | 0:15:09 | |
I love you. | 0:15:12 | 0:15:13 | |
I love you too. | 0:15:13 | 0:15:14 | |
Come here. | 0:15:18 | 0:15:20 | |
Are you all right there, Liz? | 0:15:43 | 0:15:45 | |
I've just realised that I left the card I've bought for Nicole | 0:15:45 | 0:15:49 | |
and the baby on the counter in the Mini Market. | 0:15:49 | 0:15:52 | |
Honestly, think I'm losing the plot. | 0:15:52 | 0:15:54 | |
I don't think there's any chance of that. | 0:15:54 | 0:15:57 | |
I'm just going to pop back and get it | 0:15:57 | 0:15:59 | |
cos they'll be home from the hospital this morning you know. | 0:15:59 | 0:16:02 | |
Oh, so the baby's doing well, then? | 0:16:02 | 0:16:04 | |
Yes. Fine, from what I hear. | 0:16:04 | 0:16:06 | |
What about you and Stevie? | 0:16:06 | 0:16:10 | |
What? | 0:16:10 | 0:16:12 | |
Well, what are you thinking... baby-wise? | 0:16:12 | 0:16:17 | |
I was assuming that you'd be sending a card or even | 0:16:19 | 0:16:23 | |
a gift from the pub? | 0:16:23 | 0:16:26 | |
Right, aye, probably. We'll sort something out. | 0:16:27 | 0:16:30 | |
Well, don't go relying on the Mini Market for your card. | 0:16:30 | 0:16:34 | |
They have a very limited selection. | 0:16:34 | 0:16:36 | |
SHE LAUGHS | 0:16:36 | 0:16:38 | |
What's happening there? | 0:17:09 | 0:17:12 | |
A new pharmacy. Opening any day. | 0:17:12 | 0:17:14 | |
Just in time! | 0:17:14 | 0:17:16 | |
Oh, here they come! | 0:17:22 | 0:17:24 | |
Let me see! | 0:17:27 | 0:17:29 | |
Welcome home! | 0:17:29 | 0:17:30 | |
Aw, isn't she gorgeous, Malcolm? Look at her! | 0:17:30 | 0:17:37 | |
So precious and delicate, and so tiny. | 0:17:39 | 0:17:43 | |
Yeah, tell me about it. | 0:17:43 | 0:17:45 | |
Listen, this is nothing fancy just a wee outfit, so | 0:17:45 | 0:17:50 | |
if it doesn't fit just let me know, I've got the receipt somewhere. | 0:17:50 | 0:17:54 | |
Thanks, you didn't have to do that. | 0:17:54 | 0:17:57 | |
Not at all. The least we could do. | 0:17:57 | 0:17:59 | |
You know, I always feel we should be more than neighbours. | 0:17:59 | 0:18:02 | |
What with Gabriel being her great-uncle... | 0:18:02 | 0:18:07 | |
I just feel she's practically family. | 0:18:07 | 0:18:10 | |
Yeah, OK. | 0:18:10 | 0:18:12 | |
What did you call her in the end? | 0:18:12 | 0:18:14 | |
Grace. | 0:18:14 | 0:18:15 | |
Aw, lovely. You cannae beat a nice old-fashioned name, eh? | 0:18:15 | 0:18:20 | |
Yes, all the rage these days. Oh, my goodness! | 0:18:20 | 0:18:25 | |
Leyla! You're back from your holiday. | 0:18:25 | 0:18:27 | |
Yeah, I wasn't really on holiday Liz, I was visiting my mum and dad. | 0:18:27 | 0:18:32 | |
Right, shall we take little Grace inside? | 0:18:32 | 0:18:35 | |
Please. My arm's going to drop off. | 0:18:35 | 0:18:37 | |
Now, listen, Nicole, if there's anything you need, dear, | 0:18:38 | 0:18:42 | |
just let us know, anything. | 0:18:42 | 0:18:44 | |
Thanks. But I'll be fine. I've got Leyla. | 0:18:44 | 0:18:46 | |
And Gareth'll be back soon. | 0:18:46 | 0:18:48 | |
Och, has he been away too? | 0:18:48 | 0:18:50 | |
I better go. But thanks again for the present. | 0:18:50 | 0:18:53 | |
No bother. | 0:18:53 | 0:18:55 | |
Yes, no, as long as I get it before 12 that's fine. | 0:18:59 | 0:19:02 | |
OK, fine. | 0:19:02 | 0:19:04 | |
Robbie, check this out. | 0:19:04 | 0:19:07 | |
Who's she? | 0:19:07 | 0:19:08 | |
That is your 12 o'clock. | 0:19:08 | 0:19:10 | |
But you better not botch her highlights or you'll | 0:19:10 | 0:19:13 | |
lose your kneecaps. | 0:19:13 | 0:19:14 | |
It's him! I've seen him in the pub. He gives me the heebie-jeebies. | 0:19:14 | 0:19:17 | |
Of course he knows Lenny, and he's just out the jail. | 0:19:17 | 0:19:20 | |
You know the classiest people(!) | 0:19:20 | 0:19:22 | |
Welcome, hello. Come on in. | 0:19:23 | 0:19:27 | |
Mandy Kennedy. I've an appointment at 12. | 0:19:30 | 0:19:32 | |
I'm Robbie, pleased to meet you. | 0:19:32 | 0:19:34 | |
Why don't we take a wee seat | 0:19:34 | 0:19:36 | |
and we can have a chat about what you want done? OK. | 0:19:36 | 0:19:38 | |
Kelly Marie will see to you. | 0:19:38 | 0:19:40 | |
Hi, over this way. | 0:19:40 | 0:19:41 | |
Oh! Oh! I've been trying to get you all morning. | 0:19:50 | 0:19:53 | |
Is that right? Come on, get in. | 0:19:53 | 0:19:55 | |
A prior engagement, mate. | 0:19:55 | 0:19:57 | |
Have you heard anything? | 0:19:57 | 0:19:59 | |
About what? | 0:19:59 | 0:20:00 | |
O'Connor. Where the police are with it? | 0:20:00 | 0:20:03 | |
All I know is that the polis have no' come knocking. | 0:20:03 | 0:20:05 | |
How? What have you heard? Nothing. | 0:20:05 | 0:20:07 | |
There you go, then, no news is good news. | 0:20:07 | 0:20:10 | |
Right, Robbie'll be with you in a minute. | 0:20:18 | 0:20:21 | |
Can I get you a tea or coffee or anything? | 0:20:21 | 0:20:23 | |
No, thanks. OK. | 0:20:23 | 0:20:25 | |
Was there something else? | 0:20:26 | 0:20:28 | |
No. Sorry. I'll just go and my own stuff. | 0:20:28 | 0:20:30 | |
Oh, no, you don't. | 0:20:30 | 0:20:32 | |
Just hear me out, eh? I'm no' interested. | 0:20:32 | 0:20:34 | |
I know. If the shoe was on the other foot I'd feel exactly the same. | 0:20:34 | 0:20:37 | |
But we've got to put things right here. Not possible. | 0:20:37 | 0:20:40 | |
We can talk in here in front of people or we can step outside. | 0:20:40 | 0:20:44 | |
Right, you've got 30 seconds. | 0:20:51 | 0:20:53 | |
Look, I don't want or need your sympathy, but what about Cal? | 0:20:53 | 0:20:56 | |
He wants to see his granda. | 0:20:56 | 0:20:58 | |
Every time I go near him, he's getting dragged away. The boy's confused. | 0:20:58 | 0:21:01 | |
Why don't I go behind the desk and get a wee violin for you(?) | 0:21:01 | 0:21:04 | |
It's one thing you trying to protect him. | 0:21:04 | 0:21:06 | |
It's another thing, him thinking I don't want to spend time with him any more. | 0:21:06 | 0:21:09 | |
I'm no psychologist but him thinking his granda's ditched him, | 0:21:09 | 0:21:14 | |
that's not going to do him much good, is it? | 0:21:14 | 0:21:15 | |
He doesnae think that. | 0:21:15 | 0:21:17 | |
Are you sure? | 0:21:17 | 0:21:18 | |
Lenny, you blew it. | 0:21:20 | 0:21:21 | |
Aye, all right, all right. And I'm sorry. | 0:21:21 | 0:21:23 | |
But you punishing me, you're punishing Cal as well. | 0:21:23 | 0:21:26 | |
Right, are we done here? | 0:21:26 | 0:21:29 | |
Kelly. What? | 0:21:29 | 0:21:32 | |
Nobody's ever going to hurt Cal ever again. | 0:21:32 | 0:21:34 | |
I'm going to see to it. | 0:21:41 | 0:21:43 | |
The fastenings are so fiddly. | 0:21:46 | 0:21:47 | |
And every time I try to get her arms in, I feel like I'm going to break them off. | 0:21:47 | 0:21:52 | |
You'll get used to it. | 0:21:52 | 0:21:54 | |
In a couple of weeks you'll wonder what you were worried about. | 0:21:54 | 0:21:57 | |
Maybe. | 0:21:57 | 0:21:58 | |
Still nothing? | 0:22:01 | 0:22:02 | |
Gabriel promised he'll find him. | 0:22:02 | 0:22:04 | |
You know, the thing is, Nic, | 0:22:07 | 0:22:09 | |
someone like Gareth could be really hard to find. | 0:22:09 | 0:22:11 | |
He could be anywhere. | 0:22:11 | 0:22:12 | |
Now that we're home, he'll be back. Yeah, but... | 0:22:14 | 0:22:17 | |
Tell you what, why don't you go and have a lie down and then | 0:22:17 | 0:22:19 | |
we can go into town and register Grace? | 0:22:19 | 0:22:21 | |
Well, I was kind of hoping I would do that with Gareth. | 0:22:21 | 0:22:25 | |
Nic, I know you're really into him but do you really want to be | 0:22:25 | 0:22:28 | |
with a guy who has to be hunted down and made to come home? | 0:22:28 | 0:22:31 | |
Thanks, Zinnie. I've got this one. | 0:22:31 | 0:22:33 | |
Do you think I am being stupid? Wanting him to come back? | 0:22:39 | 0:22:42 | |
Nic, you've just had a baby. | 0:22:44 | 0:22:46 | |
It's natural not to want to be on your own. | 0:22:46 | 0:22:49 | |
It's more than that. | 0:22:49 | 0:22:52 | |
I love him. | 0:22:52 | 0:22:54 | |
I know. | 0:22:54 | 0:22:55 | |
How about I put this in the bins | 0:22:57 | 0:23:00 | |
and we can sit down and have a proper catch up? | 0:23:00 | 0:23:02 | |
Thanks, Leyla. | 0:23:02 | 0:23:04 | |
I'm glad you're back. | 0:23:04 | 0:23:06 | |
Yeah, so am I. | 0:23:06 | 0:23:09 | |
Oh, hi, Stella. | 0:23:29 | 0:23:32 | |
Hiya, I was just going to shove that through the letter box for Nicole. | 0:23:32 | 0:23:36 | |
Oh, that's really kind of you. | 0:23:36 | 0:23:37 | |
Why don't you take it in to her? | 0:23:37 | 0:23:39 | |
I need to get back to work. | 0:23:39 | 0:23:40 | |
It'll only take a minute. I think she could use a visitor. | 0:23:40 | 0:23:44 | |
OK, just two minutes, then. | 0:23:44 | 0:23:45 | |
Absolutely. Go on in. She's in the living room. | 0:23:45 | 0:23:49 | |
How long have you been there for? | 0:23:59 | 0:24:01 | |
I'm really sorry. | 0:24:01 | 0:24:03 | |
But after the last few days, you're a sight for sore eyes. | 0:24:03 | 0:24:06 | |
Zinnie said the same thing. Didn't realise I was so indispensable. | 0:24:06 | 0:24:10 | |
Who'd have thought it, eh? | 0:24:10 | 0:24:11 | |
So...how have you been? | 0:24:15 | 0:24:17 | |
Good. Really good. | 0:24:17 | 0:24:20 | |
Look, I just want to put everything that happened behind us. | 0:24:21 | 0:24:24 | |
I'm here to look after Nicole and Grace. They're all that matters now. That's fine by me. | 0:24:24 | 0:24:28 | |
But they're going to need you now, more than you know. | 0:24:28 | 0:24:32 | |
Why? What's happened? | 0:24:32 | 0:24:34 | |
Gareth O'Connor, he's dead. | 0:24:36 | 0:24:38 | |
What? | 0:24:41 | 0:24:42 | |
She's beautiful, Nicole. She's so teeny! | 0:24:43 | 0:24:47 | |
Thanks for the card, that's lovely. | 0:24:48 | 0:24:50 | |
No, nae bother. | 0:24:50 | 0:24:51 | |
So, is Gareth in? | 0:24:55 | 0:24:58 | |
No, he's away out. | 0:24:58 | 0:25:00 | |
All right, OK. | 0:25:00 | 0:25:02 | |
So, does this mean you and Stevie are a couple again, then? | 0:25:02 | 0:25:05 | |
What?! | 0:25:05 | 0:25:07 | |
Just cos it says it's from you and Stevie. | 0:25:07 | 0:25:11 | |
All right, aye. | 0:25:13 | 0:25:16 | |
Sorry, Stevie wrote it. | 0:25:16 | 0:25:17 | |
It's supposed to be from the pub, not just me and him. | 0:25:17 | 0:25:20 | |
Oh, right. | 0:25:20 | 0:25:22 | |
Wouldn't bother me if you are together. I'm with Gareth now, so... | 0:25:23 | 0:25:27 | |
We're no' a couple. It's... | 0:25:27 | 0:25:31 | |
We're just pals, OK? | 0:25:31 | 0:25:33 | |
Erm...I'm going to need to get back to work anyway. | 0:25:33 | 0:25:36 | |
But congratulations again. | 0:25:36 | 0:25:39 | |
From all of us. | 0:25:39 | 0:25:41 | |
DOOR OPENS AND CLOSES | 0:25:41 | 0:25:42 | |
Baby's gorgeous. | 0:25:45 | 0:25:47 | |
Thanks. See you about, eh? | 0:25:47 | 0:25:49 | |
Nic, have you got a sec? | 0:25:53 | 0:25:56 | |
Check out all these cards. Folk are nice, eh? | 0:25:56 | 0:26:00 | |
Nic, come and sit down. | 0:26:00 | 0:26:02 | |
I don't even know half these people. | 0:26:02 | 0:26:03 | |
This one's from one of Dad's old friends. | 0:26:03 | 0:26:05 | |
Nicole... | 0:26:05 | 0:26:07 | |
I'm so sorry. | 0:26:11 | 0:26:12 | |
It's not good. | 0:26:15 | 0:26:17 | |
Gareth... | 0:26:20 | 0:26:21 | |
He died three days ago. | 0:26:23 | 0:26:24 | |
I'm so sorry... | 0:26:26 | 0:26:28 | |
Stop! | 0:27:07 | 0:27:08 | |
I hate him! | 0:27:08 | 0:27:11 | |
No! How could he leave us? | 0:27:11 | 0:27:13 | |
PIANO MUSIC, VOICES INDISTINCT | 0:27:15 | 0:27:17 | |
I put some sugar in it. I thought it might help with the shock. | 0:28:05 | 0:28:08 | |
Right, well. You probably want some time to yourself. | 0:28:11 | 0:28:16 | |
I don't know. Do you? | 0:28:19 | 0:28:20 | |
OK, I'll go and check on Grace. | 0:28:25 | 0:28:28 | |
I knew there was something wrong. | 0:28:32 | 0:28:35 | |
I've known it all along. | 0:28:37 | 0:28:38 | |
He would never leave us. | 0:28:39 | 0:28:41 | |
SHE SIGHS | 0:28:44 | 0:28:46 | |
What am I supposed to do without him? | 0:28:48 | 0:28:50 | |
Grace is so, so tiny! | 0:28:52 | 0:28:55 | |
I can't even pick her up in case I drop her. | 0:28:55 | 0:28:58 | |
Gareth was going to help me. He said he was brilliant with kids. | 0:28:58 | 0:29:03 | |
He was going to be the best dad. | 0:29:04 | 0:29:06 | |
And you're going to be a brilliant mum, I promise you. | 0:29:06 | 0:29:10 | |
I haven't got a clue! | 0:29:10 | 0:29:11 | |
None of us have a clue at the start. | 0:29:11 | 0:29:14 | |
But you're not on your own. We're all here to help. | 0:29:14 | 0:29:18 | |
He tried to talk to me, you know. | 0:29:21 | 0:29:23 | |
He tried to explain all this. | 0:29:25 | 0:29:27 | |
But I wouldn't listen. | 0:29:28 | 0:29:30 | |
When I found out about Molly I was just so angry, and... | 0:29:31 | 0:29:34 | |
..now it's my fault that he's dead. | 0:29:36 | 0:29:38 | |
No, Nic, don't think that, no. | 0:29:38 | 0:29:41 | |
He knew I didn't want him working for Billy Kennedy, so... | 0:29:42 | 0:29:45 | |
OK, but what's that got to do with anything? | 0:29:46 | 0:29:50 | |
Gareth was working for the police. | 0:29:52 | 0:29:54 | |
He was a...a grass. | 0:29:56 | 0:29:57 | |
He thought he could get Kennedy put away for good. | 0:29:59 | 0:30:03 | |
Are you sure about that? | 0:30:04 | 0:30:06 | |
Why do you think he's dead? | 0:30:07 | 0:30:10 | |
Kennedy obviously found out. | 0:30:10 | 0:30:12 | |
Can I have a word? | 0:30:20 | 0:30:22 | |
Did you see Gareth when you were over there? | 0:30:28 | 0:30:30 | |
No, he was out. Out where? | 0:30:30 | 0:30:32 | |
I don't know. What was all that about with the card? | 0:30:32 | 0:30:34 | |
The way you signed it. | 0:30:36 | 0:30:38 | |
Nicole thought it was from me and you. It was. | 0:30:38 | 0:30:40 | |
It was supposed to be from the pub. | 0:30:40 | 0:30:43 | |
She's guessed that we're together, by the way, | 0:30:43 | 0:30:45 | |
so if that was your plan then it worked. | 0:30:45 | 0:30:47 | |
I never thought, I just wrote the thing! | 0:30:47 | 0:30:49 | |
I know. | 0:30:49 | 0:30:51 | |
It's just, see since we talked this morning, | 0:30:51 | 0:30:53 | |
I feel as if everybody's trying to out us. | 0:30:53 | 0:30:55 | |
I'm sure Nicole's got enough on her plate to be gossiping about us. | 0:30:55 | 0:30:58 | |
Aye, I suppose. | 0:30:58 | 0:31:00 | |
Maybe this'll make up for it, though. | 0:31:01 | 0:31:03 | |
How do you fancy an all-expenses-paid | 0:31:03 | 0:31:07 | |
weekend in Amsterdam? | 0:31:07 | 0:31:09 | |
What, seriously? | 0:31:09 | 0:31:10 | |
What's that? | 0:31:13 | 0:31:15 | |
A letter from the brewery. | 0:31:15 | 0:31:16 | |
It turns out The Tall Ship's one of their best customers | 0:31:16 | 0:31:19 | |
so they're sending me on a mad...promo thing. | 0:31:19 | 0:31:22 | |
It's probably to get us to buy more beer off them, | 0:31:22 | 0:31:24 | |
but I can live with that. | 0:31:24 | 0:31:25 | |
Right. | 0:31:26 | 0:31:27 | |
So, what d'you say? | 0:31:27 | 0:31:29 | |
It sounds brilliant, but we're not going to get the time off together. | 0:31:29 | 0:31:32 | |
Not at the weekend. Aye, we will. I'll fix it with Lenny. | 0:31:32 | 0:31:35 | |
Aye, and say what? | 0:31:35 | 0:31:37 | |
I don't know. The truth, maybe? | 0:31:37 | 0:31:40 | |
I want a weekend away with my beautiful girlfriend. | 0:31:41 | 0:31:44 | |
Ho, we agreed! Oh, come on, Stella! | 0:31:44 | 0:31:46 | |
We're never gonnae get a chance like this again. | 0:31:46 | 0:31:49 | |
It's not as if we can afford it ourselves, is it? | 0:31:49 | 0:31:51 | |
I know, it's just I really don't want anybody | 0:31:51 | 0:31:53 | |
putting two and two together. | 0:31:53 | 0:31:54 | |
Leave it with me. I'll sort it. | 0:31:54 | 0:31:56 | |
You're not going to tell him, are you? No, I'm not. | 0:31:58 | 0:32:00 | |
So, do you live in Spain all year round, then? | 0:32:09 | 0:32:12 | |
Yeah, pretty much. I've got a bar there. | 0:32:12 | 0:32:15 | |
Really? You mean you've actually got a proper job? | 0:32:15 | 0:32:19 | |
Why wouldn't I? | 0:32:19 | 0:32:20 | |
Er... Och, I dunno. Just some women don't, do they? | 0:32:20 | 0:32:24 | |
Especially when you're married to a... | 0:32:24 | 0:32:27 | |
successful guy. | 0:32:27 | 0:32:29 | |
Kelly, is there not some nail polish you need sorting out? | 0:32:29 | 0:32:31 | |
Aye. | 0:32:31 | 0:32:33 | |
Are you married? | 0:32:33 | 0:32:34 | |
Me? Och, no, I wish. | 0:32:34 | 0:32:36 | |
I've had a few near misses, but that's about the extent of it. | 0:32:36 | 0:32:39 | |
Kind of given up where all that's concerned. | 0:32:39 | 0:32:41 | |
Never say never. I was older when I met my husband. | 0:32:41 | 0:32:44 | |
Aye? | 0:32:44 | 0:32:46 | |
At least that way you've got some experience behind you. | 0:32:46 | 0:32:49 | |
When you meet a guy you know what you're getting into. | 0:32:49 | 0:32:51 | |
Either that or you're so desperate you'll settle for anything. Kelly! | 0:32:51 | 0:32:54 | |
Oh! I didnae mean... I'm not saying that's what you did. | 0:32:54 | 0:32:58 | |
Go and see what he wants, will you? Aye, right. | 0:32:58 | 0:33:00 | |
I'm so sorry about her. She's on day release. | 0:33:01 | 0:33:03 | |
You have just saved my bacon. | 0:33:04 | 0:33:06 | |
Yeah? | 0:33:06 | 0:33:07 | |
Aye, he's just finishing up with a client. | 0:33:07 | 0:33:09 | |
Billy Kennedy's wife. | 0:33:09 | 0:33:10 | |
Really? | 0:33:10 | 0:33:12 | |
In fact, speak of the devil. | 0:33:13 | 0:33:14 | |
It's all going on in here this morning, isn't it? | 0:33:16 | 0:33:19 | |
So, shall we book you in for a six-week appointment? | 0:33:20 | 0:33:24 | |
No, thanks. I won't be here. | 0:33:24 | 0:33:26 | |
I'm hoping to get back to Spain soon as. | 0:33:26 | 0:33:28 | |
Oh, that's a shame. | 0:33:28 | 0:33:29 | |
Well, if you're ever back in town, you know where we are. | 0:33:29 | 0:33:32 | |
Yeah, thanks. | 0:33:32 | 0:33:33 | |
BILLY: That you then? | 0:33:33 | 0:33:35 | |
Well, give us a twirl. | 0:33:35 | 0:33:37 | |
Yeah, right. Come on. | 0:33:37 | 0:33:39 | |
Like it? | 0:33:41 | 0:33:43 | |
Looks exactly the same as it did when you came in, | 0:33:43 | 0:33:46 | |
but what do I know? | 0:33:46 | 0:33:47 | |
Either way, petal, you're as lovely as ever. | 0:33:47 | 0:33:50 | |
Keep the change. | 0:33:50 | 0:33:51 | |
Oh, thanks. Very generous. | 0:33:51 | 0:33:54 | |
Adios! | 0:33:54 | 0:33:55 | |
What does she see in him? | 0:33:59 | 0:34:01 | |
HE SIGHS | 0:34:01 | 0:34:03 | |
Search me. | 0:34:03 | 0:34:04 | |
FOOTSTEPS ON THE STAIRS | 0:34:21 | 0:34:23 | |
Can I have a word? | 0:34:27 | 0:34:29 | |
What is it? | 0:34:29 | 0:34:31 | |
Well, I might have some... | 0:34:31 | 0:34:33 | |
staffing issues in the very near future. | 0:34:33 | 0:34:36 | |
Sort it. | 0:34:36 | 0:34:38 | |
Well, me and Stella both need the same weekend off. | 0:34:38 | 0:34:42 | |
Not together, separate - it's just a really random... | 0:34:42 | 0:34:45 | |
coincidence. | 0:34:45 | 0:34:46 | |
Sort it, I said. | 0:34:46 | 0:34:48 | |
Right. I'll do that. | 0:34:49 | 0:34:51 | |
Hey. | 0:34:51 | 0:34:52 | |
Get Scarlett to cover. | 0:34:55 | 0:34:57 | |
Scar...? | 0:34:58 | 0:35:00 | |
You sacked her, but. | 0:35:00 | 0:35:01 | |
Well, un-sack her. | 0:35:03 | 0:35:05 | |
Fair dos. | 0:35:07 | 0:35:08 | |
I cannae believe I didnae work it out. | 0:35:17 | 0:35:19 | |
Gareth could have lied to Nicole, make himself look better? | 0:35:21 | 0:35:25 | |
No. It all makes too much sense. | 0:35:25 | 0:35:28 | |
It explains the cop car out here for the last few days. | 0:35:29 | 0:35:31 | |
All the protection at the hospital. | 0:35:34 | 0:35:36 | |
I mean, what kind of mess was Gareth in that he ended up turning grass? | 0:35:39 | 0:35:42 | |
Maybe he just wanted a normal life? | 0:35:42 | 0:35:45 | |
No. Not possible. | 0:35:45 | 0:35:47 | |
Once Kennedy's in, he's in. | 0:35:47 | 0:35:50 | |
Gareth would have known that. | 0:35:50 | 0:35:52 | |
How is she? | 0:35:55 | 0:35:58 | |
Not great. I've phoned the surgery and spoken to Miriam. | 0:35:58 | 0:36:01 | |
She's prescribed some sleeping pills. | 0:36:01 | 0:36:03 | |
Tattie needs to check on Nic, anyway, | 0:36:03 | 0:36:06 | |
so she's bringing them with her just now. | 0:36:06 | 0:36:08 | |
BABY CRIES GENTLY | 0:36:08 | 0:36:10 | |
That's all we need. | 0:36:10 | 0:36:12 | |
Maybe she's just hungry? | 0:36:12 | 0:36:13 | |
No, she's just had a big feed. | 0:36:13 | 0:36:15 | |
Why don't you take her out for a bit? | 0:36:15 | 0:36:17 | |
She might drop off in the pram. | 0:36:17 | 0:36:19 | |
Hey, no-one's going anywhere. | 0:36:19 | 0:36:21 | |
Gabriel, we can't be prisoners in our own home. | 0:36:21 | 0:36:24 | |
I want everyone where I can see them, all right? | 0:36:24 | 0:36:26 | |
Look, from what you've told me, | 0:36:26 | 0:36:28 | |
it sounds like Kennedy was never interested in us. | 0:36:28 | 0:36:31 | |
It was Gareth he was after. | 0:36:31 | 0:36:34 | |
And even if he does come back, you can't protect us 24/7. | 0:36:34 | 0:36:37 | |
It's just not possible. | 0:36:37 | 0:36:38 | |
Go on. Off you go. | 0:36:38 | 0:36:40 | |
Hey, just once round the block, right? | 0:36:40 | 0:36:43 | |
Sure. | 0:36:43 | 0:36:44 | |
Gabriel, you need to calm down. | 0:36:48 | 0:36:50 | |
I'm not sure I know how to. | 0:36:50 | 0:36:52 | |
There you go. | 0:36:57 | 0:36:59 | |
So, did you talk to Lenny, then? | 0:37:01 | 0:37:03 | |
Sure did. And? | 0:37:03 | 0:37:05 | |
Sorted. It's covered. | 0:37:05 | 0:37:08 | |
What, and he didnae suspect anything? | 0:37:08 | 0:37:09 | |
No! I played a blinder. | 0:37:09 | 0:37:12 | |
Brilliant! | 0:37:12 | 0:37:13 | |
So, why don't you take these, have a wee gander at them, | 0:37:13 | 0:37:15 | |
see where you want to go when we're there. | 0:37:15 | 0:37:18 | |
OK. | 0:37:18 | 0:37:19 | |
You get my message, then? | 0:37:24 | 0:37:26 | |
yous lot didnae last long, did yous? | 0:37:26 | 0:37:28 | |
What's the matter? Cannae cope without me? | 0:37:28 | 0:37:30 | |
It wasnae me that sacked you, it was Lenny. | 0:37:30 | 0:37:32 | |
I never had you down as a thief. Aye, cos I'm not. | 0:37:32 | 0:37:35 | |
Right, here's my terms - | 0:37:35 | 0:37:36 | |
I want a pay rise, plus a pick of the shifts. | 0:37:36 | 0:37:39 | |
Hold on! It's just the weekend I'm offering you. | 0:37:39 | 0:37:41 | |
We'll see what happens after that. | 0:37:41 | 0:37:43 | |
Before I agree, I want to know who I'm on with, | 0:37:43 | 0:37:45 | |
cos I'm not getting set up again. | 0:37:45 | 0:37:47 | |
It'll just be you, a couple of part-timers. | 0:37:47 | 0:37:50 | |
Me and Stella are both off that weekend. | 0:37:50 | 0:37:53 | |
What? | 0:37:53 | 0:37:54 | |
The manager and the charge hand off at the same time? | 0:37:54 | 0:37:57 | |
Whose bright idea was that? | 0:37:57 | 0:37:59 | |
It's just the way it worked out. | 0:38:00 | 0:38:02 | |
yous are at it again, aren't you? | 0:38:02 | 0:38:04 | |
No! | 0:38:04 | 0:38:05 | |
Have you not done enough damage? | 0:38:05 | 0:38:08 | |
Scarlett, we're not doing anything wrong. | 0:38:08 | 0:38:10 | |
Try telling that to my son! | 0:38:10 | 0:38:12 | |
Oh, this is brilliant, so it is! | 0:38:12 | 0:38:14 | |
Bad enough you've trashed his marriage, | 0:38:14 | 0:38:16 | |
now he cannae have a swally down his local | 0:38:16 | 0:38:18 | |
without watching yous two slobbering over one another! | 0:38:18 | 0:38:21 | |
Rubbing his nose in it! We're not! We wouldnae! | 0:38:21 | 0:38:24 | |
You want cover for your dirty weekend? | 0:38:24 | 0:38:27 | |
You can sing for it, pal! | 0:38:27 | 0:38:28 | |
Aye, nice one(!) | 0:38:32 | 0:38:33 | |
Oh, come on, come on. | 0:38:37 | 0:38:39 | |
This is not "once round the block". | 0:38:39 | 0:38:41 | |
Where've they got to? | 0:38:41 | 0:38:43 | |
How is she? | 0:38:44 | 0:38:45 | |
I've left her a couple of the pills. | 0:38:47 | 0:38:48 | |
You better take the rest. | 0:38:48 | 0:38:50 | |
Sleep might be the best thing for the shock. | 0:38:52 | 0:38:54 | |
Where's baby Grace? | 0:38:56 | 0:38:58 | |
Good question. I'm going to find them. | 0:38:58 | 0:39:00 | |
Look, how many times! I never told her, she sussed it. | 0:39:05 | 0:39:08 | |
At least this way it's out, we can get on with our lives. | 0:39:08 | 0:39:11 | |
Aye, in misery. | 0:39:11 | 0:39:12 | |
She'll get over it. | 0:39:12 | 0:39:14 | |
I'll get somebody else to do the weekend. | 0:39:14 | 0:39:16 | |
I don't know if you should bother. | 0:39:16 | 0:39:18 | |
How not? | 0:39:18 | 0:39:20 | |
A recovering alkie and an ex-junkie | 0:39:20 | 0:39:21 | |
on a brewery tour in the dope capital of Europe? | 0:39:21 | 0:39:24 | |
Sounds like the beginning of a bad joke. | 0:39:24 | 0:39:26 | |
It's not just coffee shops out there. | 0:39:26 | 0:39:28 | |
There's other things and all. Like what? | 0:39:28 | 0:39:31 | |
Like...tulips, and all that. | 0:39:31 | 0:39:33 | |
Well, we're never gonnae know, are we? | 0:39:33 | 0:39:36 | |
Unless we get the weekend off. | 0:39:36 | 0:39:37 | |
Ho! We're waiting on drinks here. | 0:39:37 | 0:39:40 | |
Here you are, one white wine and one whisky. | 0:39:43 | 0:39:46 | |
Thanks very much. | 0:39:46 | 0:39:47 | |
Sorry about that. | 0:39:56 | 0:39:57 | |
Thanks, doll. | 0:39:57 | 0:39:59 | |
PHONE RINGS | 0:40:03 | 0:40:05 | |
I need to take this outside. | 0:40:08 | 0:40:10 | |
Mrs Kennedy. | 0:40:19 | 0:40:20 | |
Thought you might be wanting this back. | 0:40:24 | 0:40:26 | |
You stole my lighter? | 0:40:26 | 0:40:28 | |
I recovered lost property | 0:40:28 | 0:40:30 | |
and now I'm returning it to its rightful owner. | 0:40:30 | 0:40:33 | |
Detective Constable Will Cooper. CID. | 0:40:34 | 0:40:37 | |
And there was me thinking you were chatting me up. | 0:40:37 | 0:40:39 | |
Just hold on to that number. | 0:40:41 | 0:40:44 | |
You might need it. | 0:40:44 | 0:40:45 | |
Funnily enough, my husband doesn't like me taking other men's numbers. | 0:40:45 | 0:40:49 | |
Well, he doesn't need to know. | 0:40:49 | 0:40:52 | |
Why don't we cut the preliminaries | 0:40:52 | 0:40:54 | |
and you tell me what you want to know? | 0:40:54 | 0:40:56 | |
OK. What are you doing here? | 0:40:56 | 0:40:59 | |
I'm on holiday. | 0:40:59 | 0:41:01 | |
October? In Glasgow? | 0:41:01 | 0:41:03 | |
If you're looking to top up your tan, Mrs Kennedy, | 0:41:03 | 0:41:06 | |
you're going to be sorely disappointed. | 0:41:06 | 0:41:09 | |
Don't assume you know me, Mr...Cooper. | 0:41:09 | 0:41:11 | |
Hi. | 0:41:15 | 0:41:17 | |
Has Zinnie been in here with baby Grace? | 0:41:17 | 0:41:19 | |
No, sorry. How, is there a problem? | 0:41:19 | 0:41:21 | |
No, no. It's all good mate. | 0:41:21 | 0:41:23 | |
We having a nice time here? | 0:41:31 | 0:41:33 | |
Bad timing, Gabriel. | 0:41:38 | 0:41:39 | |
Oh. You're telling me. | 0:41:39 | 0:41:41 | |
You know, I've got a niece at home in bits, | 0:41:41 | 0:41:44 | |
while you're sat on your jacksie having a nice wee relax. | 0:41:44 | 0:41:47 | |
Well, I tell you what, why don't you get yourself out there | 0:41:47 | 0:41:49 | |
and figure out who killed Gareth O'Connor? | 0:41:49 | 0:41:52 | |
Like you don't already know. | 0:41:53 | 0:41:54 | |
Nice to see the constabulary has the full confidence of the locals. | 0:41:57 | 0:42:01 | |
What did he want? | 0:42:09 | 0:42:10 | |
He's a copper. Aye, I know. | 0:42:10 | 0:42:13 | |
He was just fishing. | 0:42:13 | 0:42:15 | |
Wanting to know what I'm doing here. What did you tell him? | 0:42:15 | 0:42:17 | |
I told him I'd tell him as soon as I knew myself. | 0:42:18 | 0:42:22 | |
Give me a break, will you? | 0:42:22 | 0:42:24 | |
I'm serious, Billy. | 0:42:24 | 0:42:25 | |
I don't care what you get up to, but when it starts affecting me... | 0:42:25 | 0:42:29 | |
I told you, you'll be back in a couple of weeks. | 0:42:29 | 0:42:33 | |
I've got a few wee problems to sort out. | 0:42:33 | 0:42:35 | |
Then sort them. I want to go home. | 0:42:35 | 0:42:38 | |
Look if it's the price that's a problem, I can do you a deal. | 0:42:47 | 0:42:50 | |
HE SIGHS | 0:42:51 | 0:42:53 | |
All right, well, what are they offering you? | 0:42:53 | 0:42:55 | |
What? | 0:42:57 | 0:42:59 | |
I cannae compete with that. | 0:42:59 | 0:43:01 | |
Aye. Aye, all right. | 0:43:02 | 0:43:04 | |
But if you ever change your mind, you know where I am. | 0:43:05 | 0:43:08 | |
Right, cheers. | 0:43:08 | 0:43:09 | |
Did you know about this? | 0:43:12 | 0:43:14 | |
Ma, I'm trying to work here. | 0:43:14 | 0:43:15 | |
Never mind that. | 0:43:15 | 0:43:17 | |
Stella and Stevie are back together. | 0:43:17 | 0:43:20 | |
Oh, right. | 0:43:20 | 0:43:21 | |
Is that it? | 0:43:22 | 0:43:24 | |
Is that's all you've got to say about it? | 0:43:24 | 0:43:26 | |
You're just gonnae take it? I don't have a choice, do I? | 0:43:26 | 0:43:29 | |
She's not my wife anymore. | 0:43:29 | 0:43:30 | |
Maybe she would be if you'd a bit more gumption about you. | 0:43:30 | 0:43:33 | |
Wow. | 0:43:37 | 0:43:38 | |
Thanks for that. | 0:43:38 | 0:43:40 | |
I'm sorry. I'm just saying you're too soft. | 0:43:40 | 0:43:43 | |
And it's no' just you. | 0:43:43 | 0:43:45 | |
They two are making a fool out of us. | 0:43:45 | 0:43:47 | |
Stevie's just tried to trick me into covering the bar for him, | 0:43:47 | 0:43:50 | |
so's he can take Stella away on a dirty weekend. | 0:43:50 | 0:43:52 | |
Ma, I'm not interested. | 0:43:52 | 0:43:54 | |
What about when they're canoodling behind that bar in front of all of us? | 0:43:54 | 0:43:57 | |
Rubbing your nose in it? Will you be interested then? | 0:43:57 | 0:44:00 | |
No, cos I've got more important things to worry about, all right?! | 0:44:00 | 0:44:03 | |
Fine, if you're not wanting to stick up for yourself, | 0:44:03 | 0:44:05 | |
we'll just to do it for you. Family meeting tonight. The Ship. | 0:44:05 | 0:44:08 | |
Six o'clock. What? Why? | 0:44:08 | 0:44:11 | |
I'd like to see them trying to paw one another | 0:44:11 | 0:44:13 | |
when we're all sat on the other side of the bar. | 0:44:13 | 0:44:15 | |
Will you just let it go? | 0:44:15 | 0:44:17 | |
No. Nobody's making a monkey out of my Bubba. | 0:44:17 | 0:44:20 | |
You be there...or no'. It's up to you. | 0:44:20 | 0:44:23 | |
Whoa, whoa! | 0:44:38 | 0:44:39 | |
You all right there? | 0:44:41 | 0:44:43 | |
Wait, wait. Just want a swatch at the wee yin. | 0:44:45 | 0:44:49 | |
Oh, she's a wee doll. You're a wee doll. | 0:44:52 | 0:44:54 | |
Isn't she, Mandy? | 0:44:54 | 0:44:56 | |
Yeah. She's gorgeous. Lovely. | 0:44:58 | 0:44:59 | |
I have to go. | 0:44:59 | 0:45:00 | |
Wait, wait, wait. I've got something for her. | 0:45:00 | 0:45:04 | |
I'm sorry I've not got any silver. It's just gonnae be paper. | 0:45:06 | 0:45:10 | |
Listen, pet, I hope there are no hard feelings about that wee visit | 0:45:12 | 0:45:19 | |
I paid yous the other day, it was just business. | 0:45:19 | 0:45:22 | |
Hey, hey, you stay away from that baby! | 0:45:23 | 0:45:26 | |
And stay away from my family, d'you understand? | 0:45:28 | 0:45:31 | |
What's going on? Unprovoked assault, that's what's going on! | 0:45:31 | 0:45:34 | |
What do you mean unprovoked assault?! Where'd you want to start? | 0:45:34 | 0:45:37 | |
How about with Gareth O'Connor? | 0:45:37 | 0:45:39 | |
Think, think about what you're doing. | 0:45:39 | 0:45:41 | |
You all right, Billy, d'you need a help? | 0:45:43 | 0:45:46 | |
Don't touch us, ya pig. | 0:45:46 | 0:45:47 | |
What, are you just gonnae take that from him, aye? | 0:45:47 | 0:45:51 | |
See? This is why we're here with all this. | 0:45:51 | 0:45:53 | |
Because he gets to stroll about as if he owns the place | 0:45:53 | 0:45:56 | |
and all you lot, you won't do anything! What is it, Will? | 0:45:56 | 0:45:58 | |
Are you scared of him or has he got you in his inside pocket? | 0:45:58 | 0:46:02 | |
Gabriel! That's enough, just pack it in, right? | 0:46:02 | 0:46:05 | |
Come on. We're going. | 0:46:07 | 0:46:09 | |
Any of you want me, you know where I am. | 0:46:09 | 0:46:12 | |
Go. | 0:46:12 | 0:46:13 | |
Are you OK? | 0:46:17 | 0:46:19 | |
Michael, this one needs took up to town. | 0:46:19 | 0:46:21 | |
I don't need... | 0:46:21 | 0:46:23 | |
Just... Just beat it. | 0:46:23 | 0:46:24 | |
Look, I'm sorry, right? But somebody had to do it. | 0:46:45 | 0:46:48 | |
No! No, they didn't! | 0:46:48 | 0:46:50 | |
I saw him... leaning over wee Gracie's pram. | 0:46:50 | 0:46:53 | |
There was no way I was having that! | 0:46:53 | 0:46:55 | |
You're up? | 0:46:57 | 0:46:59 | |
I woke up and she wasn't there. | 0:46:59 | 0:47:01 | |
You needn't have worried, she's been absolutely fine. | 0:47:01 | 0:47:04 | |
Well, I think I'll just take her upstairs. | 0:47:04 | 0:47:07 | |
Put her in her Moses basket. | 0:47:07 | 0:47:09 | |
You're going to need to get her out of those outdoor things. | 0:47:09 | 0:47:12 | |
I know. I can manage. | 0:47:12 | 0:47:14 | |
D'you know what Kennedy said? | 0:47:22 | 0:47:23 | |
Right before you went and punched him in the face? | 0:47:23 | 0:47:25 | |
He said he didn't have any hard feelings with us. | 0:47:25 | 0:47:27 | |
He was going to leave us alone. | 0:47:27 | 0:47:29 | |
All right. I get it. I blew it. | 0:47:29 | 0:47:32 | |
Look, I need to bolt up that door. | 0:47:35 | 0:47:36 | |
Well, that was an interesting little display out there. | 0:47:44 | 0:47:47 | |
I told you to watch him. That Brodie doesn't know what he's done. | 0:47:47 | 0:47:50 | |
How d'you no' see him coming? | 0:47:50 | 0:47:52 | |
Don't worry. He'll no' see me either. | 0:47:52 | 0:47:55 | |
No. This ends here. | 0:47:55 | 0:47:57 | |
Last thing we need is any more police attention. | 0:47:57 | 0:48:00 | |
Or another body turning up. | 0:48:00 | 0:48:02 | |
You tend to your business, son, and I'll tend to mine. | 0:48:02 | 0:48:05 | |
I don't have any business, Billy, except to keep things running smoothly. | 0:48:05 | 0:48:08 | |
Which is why I'm telling you to let this go. | 0:48:08 | 0:48:11 | |
Or what? | 0:48:11 | 0:48:13 | |
Gabriel Brodie is an irritant. Nothing more. | 0:48:13 | 0:48:17 | |
Don't let him distract you from the matter in hand. | 0:48:17 | 0:48:19 | |
I make my own decisions. | 0:48:19 | 0:48:21 | |
As long as you understand they'll have consequences. | 0:48:21 | 0:48:25 | |
For everyone. | 0:48:25 | 0:48:26 | |
Now d'you get why I didn't want anybody to know? | 0:48:40 | 0:48:44 | |
I'm sorry. | 0:48:44 | 0:48:45 | |
So you keep saying. | 0:48:45 | 0:48:47 | |
Well, this is tense. | 0:48:48 | 0:48:50 | |
Aye, well, you reap what you sow. | 0:48:52 | 0:48:54 | |
They've sowed. Now they can reap. | 0:48:54 | 0:48:56 | |
Ma, what are you even talking about? | 0:48:56 | 0:48:58 | |
I cannae stop them humiliating Bubba behind closed doors. | 0:48:58 | 0:49:01 | |
But I won't let them dae it in front of a whole pub. | 0:49:01 | 0:49:03 | |
Not on my watch. | 0:49:03 | 0:49:04 | |
Right, so...what? | 0:49:04 | 0:49:05 | |
You're going to park yourself here for the rest of your days? | 0:49:05 | 0:49:08 | |
Ach, who cares as long as there's a bevy in it? | 0:49:08 | 0:49:11 | |
Time for another round. Who's paying? | 0:49:11 | 0:49:14 | |
I'm going home. | 0:49:14 | 0:49:15 | |
You stay where you are! Show her you're not bothered. | 0:49:15 | 0:49:18 | |
I'm no' bothered. | 0:49:18 | 0:49:19 | |
How can you no' be? | 0:49:19 | 0:49:21 | |
Ma, me and Stella are finished. | 0:49:21 | 0:49:24 | |
There's nothing I can do about it, even if I wanted to - which I don't. | 0:49:24 | 0:49:27 | |
So just...live with it, eh? | 0:49:27 | 0:49:28 | |
There's something I want to watch on the telly. See yous later. | 0:49:31 | 0:49:34 | |
Is that clear enough for you? | 0:49:36 | 0:49:37 | |
And anyway, you shouldn't be turning down good work, | 0:49:37 | 0:49:40 | |
not on a stupid principle. | 0:49:40 | 0:49:41 | |
Stevie? | 0:49:42 | 0:49:43 | |
Don't you dare! Aye? | 0:49:43 | 0:49:46 | |
My ma will cover the bar for you, when you and Stella are away. | 0:49:46 | 0:49:49 | |
Won't you, Ma? | 0:49:49 | 0:49:50 | |
Aye. If I have to. | 0:49:52 | 0:49:53 | |
Sorry, Scarlett, but when you said no, I got somebody else in. | 0:49:53 | 0:49:57 | |
Fine! I don't want your poxy job anyway. | 0:50:00 | 0:50:04 | |
Come on, you. Come on, we're going up the road. | 0:50:04 | 0:50:08 | |
I'm waiting for my top-up. | 0:50:08 | 0:50:09 | |
Thanks anyway, Stevie. You didn't have to offer her work. | 0:50:11 | 0:50:14 | |
It wasn't my idea. It was Lenny's. | 0:50:14 | 0:50:17 | |
Whatever. | 0:50:19 | 0:50:20 | |
Scarlett, wait! | 0:50:24 | 0:50:25 | |
I'm sorry. All right? I'm really sorry. | 0:50:26 | 0:50:28 | |
Oh aye, and that covers it? | 0:50:28 | 0:50:30 | |
No. But I mean it. | 0:50:30 | 0:50:32 | |
I'm sorry that me and Bob messed up. | 0:50:32 | 0:50:34 | |
Bob? Bob never jumped into bed with Stevie Burns! | 0:50:34 | 0:50:37 | |
No, but we both screwed up our marriage. | 0:50:37 | 0:50:39 | |
Did you ever love him? | 0:50:44 | 0:50:46 | |
You know I did. | 0:50:48 | 0:50:50 | |
Don't know what I know any more. | 0:50:50 | 0:50:52 | |
Was there something more I could have done? | 0:50:56 | 0:50:58 | |
How d'you mean? | 0:50:58 | 0:51:00 | |
I know we didn't get on all the time. | 0:51:00 | 0:51:02 | |
I know I gave myself a pure showing up at your wedding... | 0:51:02 | 0:51:05 | |
But I made sure you were part of our family, didn't I? | 0:51:05 | 0:51:09 | |
Didn't I? | 0:51:12 | 0:51:13 | |
I never knew what a proper family was until yous took me in. | 0:51:17 | 0:51:19 | |
There was nothing more you could have done. | 0:51:19 | 0:51:23 | |
None of this is your fault. | 0:51:24 | 0:51:26 | |
Just like none of it can be fixed. | 0:51:26 | 0:51:28 | |
All I want to do is get on with the rest of my life. | 0:51:28 | 0:51:30 | |
And if I know Bob, that's what he wants an' all. | 0:51:30 | 0:51:32 | |
I need to get home. Jimmy's got Madonna. | 0:51:36 | 0:51:40 | |
See you. | 0:51:43 | 0:51:44 | |
Everything all right? | 0:51:53 | 0:51:55 | |
Aye, fine. C'mon. | 0:51:55 | 0:51:57 | |
She said she wanted to talk to the police so I called them. | 0:52:06 | 0:52:09 | |
Have you lost the plot? | 0:52:09 | 0:52:10 | |
If she talks out against Kennedy, she'll be as dead as Gareth. | 0:52:10 | 0:52:13 | |
She's not talking out against Kennedy. | 0:52:13 | 0:52:16 | |
She's asking if she can bury Gareth. | 0:52:16 | 0:52:18 | |
Sorry! | 0:52:19 | 0:52:21 | |
I'll call you once I get back to the station. | 0:52:21 | 0:52:23 | |
Let you know where we are. | 0:52:23 | 0:52:24 | |
Thanks very much. | 0:52:24 | 0:52:25 | |
If they don't find any next of kin then the body can be released to me. | 0:52:28 | 0:52:31 | |
And I can start organising something. | 0:52:31 | 0:52:34 | |
You're just out of hospital, Nic, you need to take it easy. | 0:52:34 | 0:52:36 | |
I don't need your opinion on this, Gabriel. I'm doing it. | 0:52:36 | 0:52:40 | |
Just let me know what needs to be done and I'll do it. | 0:52:42 | 0:52:44 | |
Thanks again. | 0:52:44 | 0:52:45 | |
Actually, I'm glad you're here. | 0:52:49 | 0:52:51 | |
I made a bit of a mistake earlier. | 0:52:51 | 0:52:53 | |
Understatement. | 0:52:53 | 0:52:55 | |
You heard? | 0:52:55 | 0:52:56 | |
Your kamikaze mission is the talk of the station. | 0:52:56 | 0:52:58 | |
Somebody had to take a stand. | 0:52:58 | 0:53:00 | |
We are going to get him. | 0:53:00 | 0:53:02 | |
Yeah, so you keep saying. | 0:53:03 | 0:53:05 | |
I'll leave you to it. | 0:53:05 | 0:53:07 | |
You know where we are if you need us. | 0:53:07 | 0:53:10 | |
I think I'll have those protection officers reinstated, don't you? | 0:53:10 | 0:53:13 | |
Long term we might want to think about having a panic button installed. | 0:53:13 | 0:53:16 | |
Thanks. | 0:53:16 | 0:53:17 | |
Here. | 0:53:40 | 0:53:41 | |
What's that? | 0:53:42 | 0:53:44 | |
Gareth left it, for you and Grace. | 0:53:44 | 0:53:46 | |
Maybe it'll help you with the funeral. | 0:53:49 | 0:53:51 | |
And here. | 0:53:54 | 0:53:55 | |
And this. | 0:53:57 | 0:53:58 | |
Where was that? | 0:54:03 | 0:54:05 | |
He left it downstairs. | 0:54:05 | 0:54:06 | |
He did love me. | 0:54:24 | 0:54:27 | |
And Grace. | 0:54:27 | 0:54:28 | |
Yeah. Yeah, he did. | 0:54:28 | 0:54:31 | |
Leave it, Billy. | 0:54:37 | 0:54:38 | |
I'll leave you to it. | 0:55:17 | 0:55:19 | |
Upstairs now. | 0:55:31 | 0:55:32 | |
Why? | 0:55:32 | 0:55:34 | |
Just go, please. | 0:55:34 | 0:55:35 | |
Go. | 0:55:35 | 0:55:37 | |
DOOR BELL RINGS | 0:55:47 | 0:55:48 | |
What do you want? | 0:55:59 | 0:56:01 | |
You never took the money. | 0:56:03 | 0:56:05 | |
I don't want it. | 0:56:05 | 0:56:06 | |
It's not yours to refuse. It's for the baby. | 0:56:06 | 0:56:09 | |
It's just... It's just my way of making things up to her. | 0:56:09 | 0:56:13 | |
You're all right. | 0:56:13 | 0:56:15 | |
What's your game? | 0:56:17 | 0:56:18 | |
I've not got one. | 0:56:18 | 0:56:20 | |
No? | 0:56:20 | 0:56:22 | |
Here. | 0:56:24 | 0:56:25 | |
You'll keep. | 0:56:28 | 0:56:29 | |
I think you should stay. | 0:57:09 | 0:57:11 | |
And...I thought that maybe you could bring your stuff over here an' all. | 0:57:12 | 0:57:16 | |
Mind if I come in for a minute? | 0:57:16 | 0:57:18 | |
Oh, my God, is it Mark? | 0:57:18 | 0:57:19 | |
Nice wee lassie down the job centre helped me print this up. | 0:57:19 | 0:57:23 | |
So, when do I start? | 0:57:23 | 0:57:25 | |
Is there any chance I could stay tonight? | 0:57:25 | 0:57:27 | |
Me and St... Look don't bother yourself. | 0:57:27 | 0:57:30 | |
I know the drill, boyfriend first, family last. | 0:57:30 | 0:57:33 | |
Sadie's boy's going to bring it round on Thursday morn... | 0:57:35 | 0:57:38 | |
Oh... | 0:57:40 | 0:57:42 | |
Malcolm! | 0:57:42 | 0:57:44 | |
My wee brother would never hurt anybody. | 0:57:44 | 0:57:45 | |
Of course he would, he's a lying, thieving junkie. | 0:57:45 | 0:57:48 | |
He'll dae anything! | 0:57:48 | 0:57:49 | |
Are you seriously asking me to choose between him and you? | 0:57:49 | 0:57:52 | |
Subtitles by Red Bee Media Ltd | 0:58:00 | 0:58:03 |