Browse content similar to 29/10/2013. Check below for episodes and series from the same categories and more!
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HE GROANS | 0:00:01 | 0:00:01 | |
You brought that thief Greg into our home, and he took every last penny! | 0:00:22 | 0:00:27 | |
I hired you because I'm separated from my wife, and I don't want | 0:00:27 | 0:00:30 | |
to complicate my life with other relationships at the moment. | 0:00:30 | 0:00:33 | |
You're married? | 0:00:33 | 0:00:35 | |
Gareth left it. For you and Grace. | 0:00:35 | 0:00:38 | |
Maybe it'll help you with the funeral. | 0:00:38 | 0:00:40 | |
I've just got to get my dad's money back to him. | 0:00:40 | 0:00:43 | |
There's nothing anybody can do. | 0:00:43 | 0:00:45 | |
Yes, there is. I'll lend you the money. | 0:00:45 | 0:00:47 | |
Was that nice? | 0:00:58 | 0:00:59 | |
Gina, it was wonderful. | 0:01:01 | 0:01:03 | |
Really? Did you like it? | 0:01:03 | 0:01:05 | |
It was great. | 0:01:05 | 0:01:07 | |
Ach, I'm glad I've not lost my touch. | 0:01:09 | 0:01:11 | |
Mind you, you know I'm a sucker for a decent bit of black pudding. | 0:01:11 | 0:01:16 | |
I'm glad you enjoyed it. I got it on special. | 0:01:16 | 0:01:19 | |
It's a Stornoway. | 0:01:20 | 0:01:21 | |
A Stornoway! You've spoiled me this morning. | 0:01:21 | 0:01:24 | |
You shouldn't have gone to this much trouble. | 0:01:24 | 0:01:27 | |
There was no need. Yes, there was. | 0:01:27 | 0:01:29 | |
This doesn't go halfway to saying thank you for what you're doing. | 0:01:30 | 0:01:33 | |
The money, the difference it's going to make, | 0:01:35 | 0:01:37 | |
it'll keep you in black pudding for a while. HE CHUCKLES | 0:01:37 | 0:01:41 | |
Well, maybe now you can put this business with Greg behind you, | 0:01:41 | 0:01:44 | |
look to the future again. | 0:01:44 | 0:01:45 | |
Ach, don't. The thought of having something to look forward to. | 0:01:47 | 0:01:52 | |
These past few weeks... | 0:01:52 | 0:01:54 | |
I've just not been able to imagine it. Now you can. | 0:01:54 | 0:01:56 | |
Maybe we both can? | 0:01:59 | 0:02:00 | |
Yeah. Maybe. | 0:02:02 | 0:02:03 | |
Anyway, I brought this over. | 0:02:06 | 0:02:08 | |
Now, you don't want to be carrying that much money around | 0:02:10 | 0:02:14 | |
with you all day, so you better go see Murdoch as soon as you can. | 0:02:14 | 0:02:17 | |
The estate agents themselves said the Oyster is a good prospect. | 0:02:18 | 0:02:21 | |
Or it will be once Murdoch's out the picture. | 0:02:21 | 0:02:24 | |
You'll find a buyer within six months, | 0:02:24 | 0:02:26 | |
you'll be able to pay me back - and your dad. | 0:02:26 | 0:02:28 | |
More tea? | 0:02:33 | 0:02:34 | |
I can't find that amount of money, not all at once. | 0:02:39 | 0:02:42 | |
So what'll happen? | 0:02:42 | 0:02:43 | |
What? What does that even mean? | 0:02:46 | 0:02:47 | |
Right... | 0:02:48 | 0:02:50 | |
RADIO PLAYS | 0:02:50 | 0:02:52 | |
Right, well, thanks for nothing. | 0:02:52 | 0:02:54 | |
I don't believe it. | 0:02:54 | 0:02:56 | |
Two days before the service and they're calling me now? | 0:02:56 | 0:02:58 | |
What is it? What's happened? | 0:02:58 | 0:03:00 | |
That was the funeral director's. | 0:03:00 | 0:03:02 | |
They're cancelling Gareth's service | 0:03:02 | 0:03:04 | |
unless the outstanding balance is paid up front. | 0:03:04 | 0:03:07 | |
It's nearly two grand. | 0:03:07 | 0:03:08 | |
What happened to the money that Gareth left you? | 0:03:09 | 0:03:12 | |
It's gone. | 0:03:12 | 0:03:14 | |
After all the baby stuff I had to buy...it barely covered the deposit. | 0:03:14 | 0:03:18 | |
Oh, Nic... | 0:03:18 | 0:03:19 | |
I'm sorry, I wish I could help you out. | 0:03:20 | 0:03:23 | |
So, what happens now? | 0:03:23 | 0:03:24 | |
They said because Gareth's got no family, no estate, | 0:03:26 | 0:03:29 | |
he'll get a public health funeral. | 0:03:29 | 0:03:31 | |
No memorial. | 0:03:33 | 0:03:34 | |
Not even a headstone. | 0:03:35 | 0:03:36 | |
SHE SIGHS I need some space. | 0:03:38 | 0:03:40 | |
Can you look after Grace for a bit? I just need to go out. | 0:03:40 | 0:03:43 | |
I'm meant to be going to a meeting in town, I'm sorry, I can't. | 0:03:43 | 0:03:46 | |
It's fine. I'll take her with me. Hey. | 0:03:46 | 0:03:49 | |
What's soured her milk? | 0:03:53 | 0:03:55 | |
A bit more sympathy, please. She's having a hard time of it lately. | 0:03:58 | 0:04:01 | |
Right, OK. | 0:04:01 | 0:04:02 | |
Oh, really? | 0:04:04 | 0:04:06 | |
On the table where we eat? That is what causes salmonella. | 0:04:07 | 0:04:11 | |
Or botulism, or something. | 0:04:11 | 0:04:13 | |
Wow, I can see all those years of medical training | 0:04:14 | 0:04:17 | |
you gave up really paid off. | 0:04:17 | 0:04:18 | |
I'm just saying. This place is a right state. | 0:04:19 | 0:04:22 | |
Look, I'm sorry, I know this isn't an ideal situation for you. | 0:04:23 | 0:04:28 | |
That's an understatement. | 0:04:28 | 0:04:30 | |
Things have been so hectic we hardly seem to talk any more. | 0:04:30 | 0:04:32 | |
There's not been much to say. | 0:04:34 | 0:04:36 | |
Oh, I don't know. | 0:04:36 | 0:04:37 | |
I couldn't help but notice you going out all glammed up the other week. | 0:04:37 | 0:04:40 | |
Thought there might be a new guy on the scene. | 0:04:40 | 0:04:42 | |
I need to go and wash my hands. | 0:04:42 | 0:04:44 | |
Thanks, Gina. Thanks for going to so much effort. | 0:04:51 | 0:04:54 | |
Ach, wheesht, Murray, it's the least I could do. | 0:04:54 | 0:04:57 | |
Well, maybe we can have lunch some time. I'll see you later. | 0:04:57 | 0:05:00 | |
DOOR CLOSES | 0:05:12 | 0:05:14 | |
PHONE RINGS | 0:05:14 | 0:05:15 | |
Morning. | 0:05:19 | 0:05:20 | |
Morning. Was that Murray away there? | 0:05:21 | 0:05:24 | |
Uh-huh. | 0:05:24 | 0:05:26 | |
You two were very quiet last night, I didn't hear a thing. | 0:05:26 | 0:05:28 | |
GINA SIGHS | 0:05:28 | 0:05:29 | |
Eileen... So, have you sealed the deal? | 0:05:31 | 0:05:35 | |
Get a grip, you! | 0:05:36 | 0:05:38 | |
He just came round to bring the money over. | 0:05:38 | 0:05:40 | |
We had breakfast, is all. | 0:05:40 | 0:05:42 | |
It was the only chance I had to see him. | 0:05:42 | 0:05:44 | |
Oh, right. I just thought... | 0:05:44 | 0:05:46 | |
Well, you certainly put on a fair show. | 0:05:46 | 0:05:48 | |
What do you want from me? | 0:05:50 | 0:05:51 | |
The man is lending me ?30,000. | 0:05:51 | 0:05:54 | |
Do you not think I should show him a bit of gratitude? Of course. | 0:05:54 | 0:05:58 | |
But we both know how far Murray's hoping that gratitude will go. | 0:05:58 | 0:06:02 | |
He's doing this because he's a decent guy and he cares. | 0:06:02 | 0:06:05 | |
Anyway, I'll see you later. Stella wants me downstairs. | 0:06:08 | 0:06:10 | |
Hey, you forgetting something? | 0:06:13 | 0:06:16 | |
Oh! | 0:06:16 | 0:06:17 | |
Mmm. | 0:06:23 | 0:06:24 | |
Cheers, Gina, I know you've got a lot on the day, | 0:06:26 | 0:06:28 | |
it's just that Mark's lost his key. You're fine, darling. I'm here now. | 0:06:28 | 0:06:32 | |
Won't be long, all right? OK. | 0:06:32 | 0:06:34 | |
Have you got nothing to say to me? No? | 0:06:56 | 0:06:59 | |
You know, Gareth had no-one. | 0:07:01 | 0:07:03 | |
No-one in the whole world to look out for him, | 0:07:06 | 0:07:08 | |
but he trusted you, and look where he ended up. | 0:07:08 | 0:07:11 | |
That was quite a piece of cake. | 0:07:29 | 0:07:31 | |
You're a regular Mary Berry, aren't you? | 0:07:31 | 0:07:33 | |
How come you're selling the place? | 0:07:33 | 0:07:35 | |
Just time to move on, I guess. | 0:07:37 | 0:07:38 | |
So you don't come with the premises? | 0:07:40 | 0:07:42 | |
That is a pity. Still, you must have had plenty offers? | 0:07:43 | 0:07:48 | |
No, not yet, but it is early days. | 0:07:48 | 0:07:52 | |
Why, you interested? | 0:07:53 | 0:07:56 | |
No. Not my line, I'm afraid. | 0:07:56 | 0:07:58 | |
But I have some friends in the business world. | 0:08:01 | 0:08:04 | |
I'll mention you around. Thanks. | 0:08:04 | 0:08:06 | |
I could be doing with all the help I can get right now. | 0:08:07 | 0:08:09 | |
Oh, I wouldn't worry. A place like this? | 0:08:09 | 0:08:11 | |
I'm sure someone'll snap it up. | 0:08:13 | 0:08:14 | |
Keep the change. | 0:08:16 | 0:08:18 | |
Still, without you in it, they'd be missing a trick. | 0:08:18 | 0:08:22 | |
It'd be a shame for the Oyster to lose its pearl. | 0:08:25 | 0:08:28 | |
Who's that charmer? | 0:08:34 | 0:08:35 | |
Molly, stay here a minute, OK? | 0:08:39 | 0:08:41 | |
If I'd wanted to make ma own roll and sausage, I'd have stayed at home. | 0:08:46 | 0:08:50 | |
Thanks, cheers. | 0:08:50 | 0:08:52 | |
Dad? You all right? | 0:08:56 | 0:08:58 | |
Oh, aye, aye. Who was that? | 0:08:58 | 0:09:01 | |
Och, just a man giving a quote, nothing to worry about. | 0:09:01 | 0:09:03 | |
It's a wee bit of trouble with the boiler. | 0:09:04 | 0:09:07 | |
They're no too sure what it is. | 0:09:07 | 0:09:09 | |
You're kidding? First the television and now this? | 0:09:09 | 0:09:13 | |
These things happen. It's just bad luck. | 0:09:14 | 0:09:18 | |
If you're looking to see what your pals are up to, | 0:09:25 | 0:09:27 | |
the court pages are at the back. | 0:09:27 | 0:09:29 | |
You wanting something? Or are you just here to annoy me? | 0:09:30 | 0:09:33 | |
You know, you should be grateful I'm here. | 0:09:33 | 0:09:35 | |
I don't usually do this much work pro bono. Oh, yeah? | 0:09:35 | 0:09:39 | |
What's Latin for "beat it"? Up. | 0:09:39 | 0:09:40 | |
Easy, Lenny, I'm only here to help. | 0:09:41 | 0:09:43 | |
Our Spanish friends are paying top dollar for you | 0:09:48 | 0:09:51 | |
to have my, uh, sound business advice. | 0:09:51 | 0:09:53 | |
Keep your eye on me, more like. | 0:09:53 | 0:09:56 | |
Why don't we just get down to it? | 0:09:56 | 0:09:57 | |
As you know, I've been looking into your various going concerns | 0:10:00 | 0:10:03 | |
to see where we might clean some of this cash we have got coming in. | 0:10:03 | 0:10:07 | |
There's the Ship, you live there. | 0:10:08 | 0:10:11 | |
Amber Cabs, you've named after your daughter. | 0:10:11 | 0:10:13 | |
And the arcade? | 0:10:13 | 0:10:15 | |
Your man Brodie isn't exactly squeaky clean, is he? | 0:10:15 | 0:10:18 | |
But this? The Oyster? | 0:10:18 | 0:10:21 | |
I have to say, I think you've been missing a trick. | 0:10:21 | 0:10:24 | |
I've just spent a charming half-hour over there, met the manageress. | 0:10:24 | 0:10:28 | |
You know, she's probably never had a parking ticket. | 0:10:28 | 0:10:30 | |
And have you tried her sponge cake? | 0:10:30 | 0:10:32 | |
I don't know how she gets it so moist. | 0:10:33 | 0:10:35 | |
If you'd been looking properly... | 0:10:37 | 0:10:38 | |
you'd see I've hardly been ignoring the place. | 0:10:38 | 0:10:42 | |
I noticed. The odd touch of creative accounting. | 0:10:42 | 0:10:45 | |
And poor Aunt Bessie over there, she's none the wiser? Obviously. | 0:10:46 | 0:10:49 | |
And she's not likely to twig? | 0:10:49 | 0:10:51 | |
She's been a wee bit... distracted lately. | 0:10:52 | 0:10:55 | |
Well, your heart's in the right place. | 0:10:55 | 0:10:57 | |
But the cash volume we're talking about? | 0:10:57 | 0:11:00 | |
You're going to have to step it up a notch. | 0:11:00 | 0:11:02 | |
And how am I supposed to explain a few extra grand going in the tills? | 0:11:02 | 0:11:06 | |
An upsurge in the sale of biscuits? | 0:11:06 | 0:11:07 | |
The point is not the method, | 0:11:09 | 0:11:11 | |
the point is - that place is above suspicion. | 0:11:11 | 0:11:14 | |
It's like Happy Days over there, all milkshakes and Richie Cunningham. | 0:11:14 | 0:11:20 | |
And Gina? She's your very own Mrs C. She's whiter than white. | 0:11:20 | 0:11:23 | |
She's not all tea and scones. | 0:11:25 | 0:11:27 | |
Tell you, she's got her own problems. | 0:11:27 | 0:11:30 | |
You'll have to fill me in. | 0:11:31 | 0:11:32 | |
Still, I'm telling you, Lenny, that place is your dream. | 0:11:32 | 0:11:37 | |
You'd be a fool to let it slip through your fingers. | 0:11:37 | 0:11:40 | |
No, look, it's fine, if that's the way it's got to be... | 0:11:44 | 0:11:48 | |
Well, I'm sorry too. | 0:11:50 | 0:11:51 | |
Gina! I'm glad I caught you. I'd like to introduce you | 0:11:53 | 0:11:56 | |
to Mr McAllister. I met him at the centre. | 0:11:56 | 0:11:59 | |
He was looking for someone with local knowledge. Please, call me Alex. | 0:11:59 | 0:12:03 | |
He runs bars and restaurants. In fact, he's just bought a bar | 0:12:03 | 0:12:06 | |
in town, and he's looking for opportunities in this area. | 0:12:06 | 0:12:08 | |
So, I told him about the Oyster. | 0:12:08 | 0:12:10 | |
Murray here didn't hold back on singing its praises. | 0:12:10 | 0:12:13 | |
Or yours, for that matter. | 0:12:13 | 0:12:15 | |
I must admit it does sound like a great prospect. | 0:12:15 | 0:12:17 | |
And from the looks of it...it could be the sort of thing | 0:12:17 | 0:12:19 | |
I'm after. Right, well... | 0:12:19 | 0:12:21 | |
That's nice of you to say so. | 0:12:21 | 0:12:23 | |
So, Murray ran through some of the figures, mentioned the asking price. | 0:12:24 | 0:12:29 | |
You've been receiving offers, I take it? | 0:12:29 | 0:12:32 | |
There's been a slight issue with simplifying ownership. | 0:12:32 | 0:12:35 | |
But that's all sorted now. | 0:12:35 | 0:12:36 | |
Actually, Murray, it's not. But it will be today. | 0:12:37 | 0:12:41 | |
What's the hold-up? | 0:12:42 | 0:12:44 | |
There's a partner. Silent. | 0:12:44 | 0:12:47 | |
We're going to have to buy him out. | 0:12:47 | 0:12:49 | |
Might I ask who? | 0:12:49 | 0:12:51 | |
Just a local businessman. Lenny Murdoch? | 0:12:51 | 0:12:53 | |
Ah, I see. | 0:12:54 | 0:12:56 | |
"Businessman" is one way to put it. | 0:12:56 | 0:12:58 | |
So you know him? I do, and I'll be honest with you, | 0:12:59 | 0:13:03 | |
that does put a slightly different spin on things. | 0:13:03 | 0:13:06 | |
Look, if, like you say, you can | 0:13:07 | 0:13:09 | |
remove Lenny from the equation... | 0:13:09 | 0:13:11 | |
..you have my card. | 0:13:13 | 0:13:15 | |
Hopefully see you later. | 0:13:15 | 0:13:17 | |
You said you were going to go see Murdoch first thing! | 0:13:20 | 0:13:22 | |
I was. Look, I'll do it now. I just got held up. | 0:13:22 | 0:13:25 | |
Make sure you do. Men like Alex McAllister don't hang around. | 0:13:25 | 0:13:28 | |
Hiya. Hey. | 0:13:31 | 0:13:33 | |
Sorry, Gina. Had to get new keys cut for Mark. | 0:13:33 | 0:13:36 | |
What was that all about? Ach, the guy that was in with Murray, | 0:13:36 | 0:13:39 | |
he might be interested in buying the place. | 0:13:39 | 0:13:41 | |
That's once Lenny Murdoch's out the picture. | 0:13:41 | 0:13:44 | |
That's good, isn't it? A positive. | 0:13:44 | 0:13:46 | |
Yeah, it's been about the only one today. | 0:13:46 | 0:13:49 | |
Ach, I just had the estate agent's on the phone. | 0:13:51 | 0:13:54 | |
They're having second thoughts about the asking price | 0:13:54 | 0:13:56 | |
because of the lack of offers so far. | 0:13:56 | 0:13:59 | |
They want me to drop it. | 0:13:59 | 0:14:01 | |
But I can't. So we agreed to part ways. | 0:14:01 | 0:14:04 | |
Gina, I'm really sorry. None of that should matter. | 0:14:04 | 0:14:07 | |
Not once I've been to see Lenny Murdoch and get this sorted out. | 0:14:07 | 0:14:10 | |
Amber Cabs? | 0:14:16 | 0:14:17 | |
You busy? | 0:14:21 | 0:14:22 | |
I'm here about what we discussed earlier. | 0:14:25 | 0:14:28 | |
About me buying out your share of the Oyster. | 0:14:28 | 0:14:30 | |
So...I won't keep you. | 0:14:31 | 0:14:35 | |
I've got the money. | 0:14:37 | 0:14:38 | |
Cash, just like you said. | 0:14:38 | 0:14:40 | |
It's all there. Three bundles of ten. | 0:14:42 | 0:14:44 | |
Right, so I'll just get out your hair. | 0:14:47 | 0:14:50 | |
I think I'll hold onto them for a wee bit. | 0:14:52 | 0:14:55 | |
See, I've been giving it a bit of thought, | 0:14:56 | 0:14:58 | |
and I'm more attached to the place than I realised. | 0:14:58 | 0:15:01 | |
What?! What are you saying? | 0:15:01 | 0:15:04 | |
Me and the Oyster, we're no ready to part company yet. | 0:15:04 | 0:15:07 | |
But you agreed! Changed my mind. Deal's off. | 0:15:08 | 0:15:12 | |
Lenny, please. | 0:15:14 | 0:15:15 | |
If you knew what this means to me - to my dad. | 0:15:17 | 0:15:20 | |
If you don't, I won't be able to sell, | 0:15:20 | 0:15:22 | |
and then I'll never be able to pay him back! | 0:15:22 | 0:15:24 | |
And that's my problem how? PHONE RINGS | 0:15:24 | 0:15:26 | |
It's my family! | 0:15:26 | 0:15:28 | |
And this is business. Don't confuse the two. | 0:15:29 | 0:15:32 | |
Now, if you don't mind... | 0:15:34 | 0:15:38 | |
Oh, my God, Gina. This is a train wreck. I knew I shouldn't have told you. | 0:15:41 | 0:15:46 | |
Well, I knew something was up when I saw you coming out the cab office. | 0:15:46 | 0:15:49 | |
And the estate agent as well? How could you have let this happen?! | 0:15:49 | 0:15:52 | |
I just thought, you know, once I'd | 0:15:53 | 0:15:55 | |
sorted stuff out with Lenny Murdoch... | 0:15:55 | 0:15:58 | |
Oh, you should've known better than to trust him. The man's a weasel. | 0:15:58 | 0:16:02 | |
This is a disaster. | 0:16:02 | 0:16:03 | |
I'm sorry. | 0:16:05 | 0:16:06 | |
It's not me you should be apologising to. | 0:16:08 | 0:16:10 | |
Do you know what it's going to be like, | 0:16:11 | 0:16:12 | |
watching Dad struggling and worrying? | 0:16:12 | 0:16:16 | |
Him and Liz are sitting over there | 0:16:16 | 0:16:17 | |
with no heating right now, no hot water! | 0:16:17 | 0:16:19 | |
You have to find a way to fix this. | 0:16:21 | 0:16:24 | |
I'm trying. | 0:16:24 | 0:16:25 | |
Try harder. | 0:16:26 | 0:16:27 | |
Hi, Richard, it's Zinnie. | 0:16:56 | 0:16:58 | |
Look, I know you said you didn't want to see me again, but... | 0:16:59 | 0:17:03 | |
Please, I just want to speak to you, ask you a few questions. | 0:17:03 | 0:17:06 | |
So could you just call me back? Please? | 0:17:07 | 0:17:09 | |
You better not screen your calls like that with me. Jamie! | 0:17:19 | 0:17:22 | |
How are we, bro? Good to see you. Likewise. | 0:17:22 | 0:17:25 | |
Don't tell me. | 0:17:27 | 0:17:28 | |
Another jilted ex who can't live without you? | 0:17:28 | 0:17:30 | |
Something like that. You find the place all right? | 0:17:30 | 0:17:33 | |
Yeah, no bother. So, uh, what's the deal? | 0:17:33 | 0:17:35 | |
You dragging me here to go check out some cafe. | 0:17:35 | 0:17:39 | |
What did you think of it? | 0:17:39 | 0:17:40 | |
Yeah, it's nice, a bit small. | 0:17:40 | 0:17:43 | |
Some TALENT in there, though. | 0:17:43 | 0:17:45 | |
As an investment. I'm thinking of putting in an offer. | 0:17:45 | 0:17:47 | |
Yeah, it's not your usual style, but it's good. | 0:17:49 | 0:17:51 | |
So what's the hold-up? | 0:17:52 | 0:17:54 | |
Not like you to hang around once you're interested in something. | 0:17:54 | 0:17:57 | |
That's just it, there's a problem. | 0:17:57 | 0:17:59 | |
Do you remember Lenny Murdoch? | 0:17:59 | 0:18:01 | |
He's got a share in the place. | 0:18:01 | 0:18:03 | |
In fact, he's got his claws into a few businesses round here. | 0:18:03 | 0:18:07 | |
He seems to haunt this street like the smell of drains. | 0:18:07 | 0:18:10 | |
PHONE CHIMES | 0:18:10 | 0:18:13 | |
HE SIGHS | 0:18:13 | 0:18:14 | |
You going to tell me what that's about? | 0:18:17 | 0:18:19 | |
Just some daft wee lassie. | 0:18:19 | 0:18:21 | |
Got the wrong idea that we're something we're not. | 0:18:21 | 0:18:23 | |
Now she won't stop calling. | 0:18:23 | 0:18:25 | |
Why don't you let me, your little brother, the player, | 0:18:25 | 0:18:27 | |
take you out and help you meet some normal girls? | 0:18:27 | 0:18:29 | |
I've neither the time nor the inclination to get involved in | 0:18:29 | 0:18:32 | |
another relationship right now. | 0:18:32 | 0:18:34 | |
Alex, come on. It's time to move on. | 0:18:35 | 0:18:37 | |
It's been nearly two years since you separated. | 0:18:37 | 0:18:40 | |
I'm not going to discuss this. OK, I'm just saying. Leave it! | 0:18:40 | 0:18:42 | |
Look, I need to go. | 0:18:42 | 0:18:46 | |
Why don't you get yourself a drink since you're here? | 0:18:46 | 0:18:48 | |
I just got here. Can you not stay for one? | 0:18:48 | 0:18:50 | |
No, sorry. I've got to take care of something. | 0:18:50 | 0:18:52 | |
See you later, though. | 0:18:52 | 0:18:54 | |
Pippa, it's Alex. | 0:19:04 | 0:19:06 | |
Yeah, listen, you've got a problem with one of your girls. | 0:19:06 | 0:19:09 | |
Yeah, that's the one. | 0:19:09 | 0:19:11 | |
HE GROANS | 0:19:18 | 0:19:20 | |
Oh, Gina! I must have dozed off. | 0:19:22 | 0:19:27 | |
How long have you been sitting there? Not for long. | 0:19:28 | 0:19:30 | |
Dad... | 0:19:32 | 0:19:33 | |
You cannae go through a whole winter like this. You or Liz. | 0:19:34 | 0:19:37 | |
Listen, pet, I've been through a lot tougher times than this. | 0:19:37 | 0:19:41 | |
63, now, that WAS a winter. | 0:19:41 | 0:19:43 | |
And let me tell you, there was no central heating back then. | 0:19:44 | 0:19:48 | |
Aye, and you were a young man. | 0:19:48 | 0:19:49 | |
Aye...I was poor too. | 0:19:50 | 0:19:53 | |
Not least because I didn't have you, Gina. | 0:19:54 | 0:19:57 | |
The main thing is, I've got my family. | 0:19:59 | 0:20:01 | |
And no man is poor if he has that. | 0:20:01 | 0:20:03 | |
Dad, there's something I want you to have. | 0:20:05 | 0:20:08 | |
There's ten grand there. Wha...? | 0:20:12 | 0:20:14 | |
You could use it for the boiler, for anything you need. | 0:20:16 | 0:20:19 | |
But... Wh-Where did you get this? The bank. | 0:20:19 | 0:20:23 | |
I talked them into a refinancing package. | 0:20:24 | 0:20:27 | |
I'll leave a note for Liz to explain. | 0:20:27 | 0:20:29 | |
So you make sure she sees it, and get that money deposited. | 0:20:29 | 0:20:32 | |
You're not going to have to worry about anything. | 0:20:32 | 0:20:35 | |
Aw, Gina, you're something else. | 0:20:35 | 0:20:38 | |
And always making sure you do the right thing by others. | 0:20:38 | 0:20:41 | |
I just hope you haven't taken any ends you cannae afford to pay back. | 0:20:42 | 0:20:45 | |
Och, of course not. | 0:20:45 | 0:20:47 | |
Miss Brodie. It's not a bad time, is it? | 0:20:53 | 0:20:55 | |
Look, I know Gareth's service isn't for a few days yet, | 0:20:56 | 0:20:59 | |
but I wanted to stop by and offer my condolences. | 0:20:59 | 0:21:01 | |
I figured you wouldn't be too happy | 0:21:01 | 0:21:03 | |
about seeing any of our lot there on the day. | 0:21:03 | 0:21:05 | |
There's not going to be a day. | 0:21:05 | 0:21:06 | |
I had to cancel it because there's no money to pay for it. | 0:21:08 | 0:21:11 | |
No-one cared enough to look out for him when he was alive. | 0:21:11 | 0:21:15 | |
No-one cares now he's dead either. Look, do you mind if I come in? | 0:21:15 | 0:21:18 | |
There's some things I think you should know. About Gareth. | 0:21:19 | 0:21:23 | |
It'll only take a minute. | 0:21:23 | 0:21:24 | |
So, have you done anything yet? | 0:21:41 | 0:21:43 | |
Have you arrested the person that killed him? | 0:21:43 | 0:21:46 | |
We're still pursuing our lines of inquiry. | 0:21:46 | 0:21:47 | |
Is that a joke? | 0:21:49 | 0:21:51 | |
You know exactly who killed him! | 0:21:51 | 0:21:53 | |
If it wasn't for you, then none of this would have happened. | 0:21:53 | 0:21:57 | |
Gareth was working for you, you should have protected him. | 0:21:57 | 0:22:00 | |
You just used him, like everyone else. | 0:22:02 | 0:22:04 | |
You're right. We should have protected him. | 0:22:07 | 0:22:09 | |
Gareth...put his neck on the line for us, and we let him down. | 0:22:09 | 0:22:13 | |
But he knew what he was getting into. | 0:22:14 | 0:22:17 | |
He knew the risks of informing, but he wanted to do it anyway. | 0:22:17 | 0:22:21 | |
Because he knew it was the only way out. | 0:22:21 | 0:22:24 | |
Look, I'm not going to lie to you. | 0:22:24 | 0:22:26 | |
Gareth was involved in some pretty nasty business, and it was him that chose that life. | 0:22:26 | 0:22:29 | |
But, to his credit, he was trying to build something away from that. | 0:22:29 | 0:22:34 | |
Away from people like Lenny Murdoch and Billy Kennedy. | 0:22:34 | 0:22:38 | |
And he was doing that for you, Miss Brodie. For you and your daughter. | 0:22:39 | 0:22:42 | |
Why tell me that now? | 0:22:44 | 0:22:45 | |
Because I think you should know. | 0:22:47 | 0:22:49 | |
Gareth had the chance to walk away, take witness protection. | 0:22:49 | 0:22:51 | |
But he didn't, because he knew that would mean leaving you behind, | 0:22:51 | 0:22:55 | |
maybe leaving you in danger. | 0:22:55 | 0:22:56 | |
Do you think that makes me feel better? | 0:22:58 | 0:23:00 | |
No. | 0:23:03 | 0:23:04 | |
Look, I'm sorry, this was a mistake. | 0:23:06 | 0:23:09 | |
Again, I'm really...sorry for your loss. I'll see myself out. | 0:23:09 | 0:23:14 | |
All right, Gina? | 0:23:26 | 0:23:28 | |
You just missed Murray. He was in looking for you. Right. | 0:23:28 | 0:23:32 | |
Did he say what it was about? No, he didnae. | 0:23:32 | 0:23:35 | |
Is everything all right? | 0:23:38 | 0:23:40 | |
Yeah, darling. I've just been out for a walk. | 0:23:40 | 0:23:43 | |
I take it everything went well with Lenny, then? | 0:23:43 | 0:23:45 | |
Well, he was in earlier on and he dropped the books off. They're behind the counter. | 0:23:45 | 0:23:49 | |
It's funny, innit? I mean, I'm dead happy for you | 0:23:49 | 0:23:52 | |
and all that, but I just cannae imagine this place without you. | 0:23:52 | 0:23:54 | |
It's gonnae be pure weird. | 0:23:54 | 0:23:56 | |
DOOR OPENS | 0:24:16 | 0:24:17 | |
You not heard of knocking? | 0:24:18 | 0:24:20 | |
Do you want to tell me what's going on? | 0:24:20 | 0:24:22 | |
You want to narrow that down? | 0:24:22 | 0:24:24 | |
These books, they're all wrong. | 0:24:24 | 0:24:26 | |
There's too much money going through them. | 0:24:26 | 0:24:29 | |
Maybe you've been shifting more muffins than you realised. | 0:24:29 | 0:24:32 | |
Do you think I'm daft? | 0:24:32 | 0:24:34 | |
There's something dodgy going on. | 0:24:34 | 0:24:35 | |
Or maybe you want me to show them to the police, see what they think? | 0:24:37 | 0:24:41 | |
And why would you do something stupid like that? | 0:24:41 | 0:24:43 | |
Because there's something not right here. | 0:24:44 | 0:24:47 | |
And I'm sure they'd be interested to know. | 0:24:47 | 0:24:49 | |
Let's not get ahead of ourselves here, eh? | 0:24:49 | 0:24:52 | |
I mean, you're still running the place. | 0:24:52 | 0:24:53 | |
Accounting mistakes - now that's your responsibility. | 0:24:53 | 0:24:56 | |
You know this has got nothing to do with me! | 0:24:56 | 0:24:58 | |
Well, I think our little agreement says otherwise. | 0:24:58 | 0:25:00 | |
I mean, you're still the proprietress. | 0:25:00 | 0:25:02 | |
You go running off to the cops, you're as good as reporting yourself. | 0:25:02 | 0:25:05 | |
What, and you think they're going to believe you over me? | 0:25:05 | 0:25:08 | |
I don't care what they believe, it's what they can prove. | 0:25:08 | 0:25:10 | |
But hey-ho, it's no skin off my nose. | 0:25:12 | 0:25:14 | |
It's your books, Gina. | 0:25:14 | 0:25:15 | |
I mean, I could argue that this is you trying to scam me. | 0:25:15 | 0:25:19 | |
Taking advantage of my reputation to cover yourself. | 0:25:19 | 0:25:23 | |
Then you're going to land yourself | 0:25:23 | 0:25:24 | |
with court appearances, legal fees... | 0:25:24 | 0:25:26 | |
Let's face it - you don't really need that hassle right now, eh? | 0:25:27 | 0:25:31 | |
No with your da and that. | 0:25:31 | 0:25:33 | |
So I tell you what. | 0:25:34 | 0:25:37 | |
Why don't you be a good girl, keep your mouth shut... | 0:25:37 | 0:25:41 | |
and there might be something in it for you? | 0:25:41 | 0:25:45 | |
How do you mean? | 0:25:45 | 0:25:46 | |
Well, you turn a blind eye to a few extra grand going through the tills, | 0:25:46 | 0:25:50 | |
and some of it might find its way back to you. | 0:25:50 | 0:25:53 | |
It's certainly going to help you pay off all those debts, eh? | 0:25:53 | 0:25:56 | |
PHONE BEEPS | 0:26:08 | 0:26:10 | |
I got the message. Dad wanted to see me? | 0:26:19 | 0:26:21 | |
I'm sorry, Gina. But when I saw Dad with the money, I had to call. | 0:26:29 | 0:26:33 | |
That's never what it was meant for. | 0:26:34 | 0:26:36 | |
Gina, why did you lie to me, pet? | 0:26:37 | 0:26:40 | |
You told me the money was from the bank! | 0:26:40 | 0:26:42 | |
I... | 0:26:43 | 0:26:44 | |
I was going to tell you. | 0:26:48 | 0:26:49 | |
Was that before or after you'd told me you'd dropped the estate agent? | 0:26:49 | 0:26:53 | |
What, you think he wasn't going to find out? That money was meant to | 0:26:54 | 0:26:57 | |
help with the sale of the Oyster. It wasn't to be handed over to Dad. | 0:26:57 | 0:27:00 | |
This really is a new low, Gina. | 0:27:01 | 0:27:05 | |
I mean, what were you thinking? | 0:27:05 | 0:27:07 | |
Giving Murray's money away like that. | 0:27:07 | 0:27:10 | |
It wasn't yours to give! | 0:27:10 | 0:27:11 | |
I'm sorry, Dad, I... | 0:27:13 | 0:27:14 | |
I just didn't want you to worry any more. | 0:27:16 | 0:27:18 | |
I know you were trying to help me, but I mean, | 0:27:19 | 0:27:22 | |
robbing Peter to pay Paul? | 0:27:22 | 0:27:23 | |
Murray gave you that money in good faith. | 0:27:24 | 0:27:26 | |
I thought better of you. | 0:27:27 | 0:27:29 | |
I was going to figure something out! | 0:27:31 | 0:27:33 | |
Dad, I just wanted to make it right. | 0:27:33 | 0:27:36 | |
No matter what the cost to me? | 0:27:36 | 0:27:37 | |
The rest. | 0:27:41 | 0:27:43 | |
Murray, please. The other 20,000, come on. | 0:27:43 | 0:27:46 | |
Murray! | 0:28:04 | 0:28:05 | |
Murray, wait! Just let me explain. | 0:28:11 | 0:28:16 | |
Now, THAT I would like to hear. You know, Liz was right. | 0:28:16 | 0:28:19 | |
What the hell were you thinking?! I don't know. I wasn't. | 0:28:19 | 0:28:22 | |
When Murdoch wouldn't sell, I didn't know what to do. | 0:28:24 | 0:28:26 | |
So you just thought you'd start giving my money away | 0:28:26 | 0:28:28 | |
with no hope of paying it back? | 0:28:28 | 0:28:30 | |
You said six months. I thought I'd find a way. | 0:28:30 | 0:28:33 | |
How, Gina? You just going to magic ?10,000 out of thin air? | 0:28:33 | 0:28:36 | |
Get real. | 0:28:36 | 0:28:37 | |
You know, the worst part of this is I... | 0:28:39 | 0:28:42 | |
I really thought this morning that... | 0:28:42 | 0:28:44 | |
..the two of us... | 0:28:45 | 0:28:47 | |
But now I know you were only interested in the money. | 0:28:49 | 0:28:52 | |
That's not true. I'd never lead you on like that. | 0:28:52 | 0:28:55 | |
Oh, come off it. That big show of making breakfast? | 0:28:55 | 0:28:58 | |
All the talk about the future? | 0:28:58 | 0:28:59 | |
You lied to me, Gina. | 0:29:01 | 0:29:03 | |
And in my book... | 0:29:03 | 0:29:04 | |
..that makes you as bad as Greg. | 0:29:05 | 0:29:07 | |
Well, I think we can say that bridge is officially burned. | 0:29:10 | 0:29:14 | |
You're loving this, aren't you? Of course I'm not! | 0:29:14 | 0:29:17 | |
I've got a lot at stake here too, you know. | 0:29:17 | 0:29:19 | |
Save it. What were you thinking, phoning Murray? | 0:29:19 | 0:29:24 | |
Couldn't you have came to me first? Let me speak to him? | 0:29:24 | 0:29:26 | |
And tell him what? What is going on in your head, Gina? | 0:29:26 | 0:29:30 | |
Look, what's done is done. | 0:29:32 | 0:29:33 | |
What I want to know is what we're going to do now. | 0:29:33 | 0:29:36 | |
Murdoch's made me an offer. Oh, no. No, Gina. | 0:29:38 | 0:29:40 | |
I don't even want to know what for. It's money, Eileen. And we need it. | 0:29:40 | 0:29:44 | |
You know as well as I do that any offer of money from that man comes with trouble attached. | 0:29:44 | 0:29:48 | |
So, what am I supposed to do? I don't know! | 0:29:48 | 0:29:51 | |
But getting in deeper with Lenny Murdoch | 0:29:51 | 0:29:53 | |
isn't going to solve your problems. | 0:29:53 | 0:29:55 | |
It's just going to give you new ones. | 0:29:55 | 0:29:57 | |
TENSE MUSIC PLAYS | 0:30:07 | 0:30:09 | |
PHONE RINGS | 0:30:13 | 0:30:15 | |
I didn't think pimps made house calls. | 0:30:27 | 0:30:29 | |
I'm only going to say this once, Zinnie. Stop calling Richard. | 0:30:29 | 0:30:32 | |
I won't have you scaring away my clients. | 0:30:32 | 0:30:35 | |
And what if I don't want to? What are you going to do about it? | 0:30:35 | 0:30:38 | |
He can't treat me like this. | 0:30:38 | 0:30:40 | |
I only want to talk to him. | 0:30:40 | 0:30:41 | |
He can treat you like this because that's what he paid for. | 0:30:41 | 0:30:44 | |
An escort, not a girlfriend. | 0:30:44 | 0:30:46 | |
I'm not leaving here until you stop acting like a child. | 0:30:48 | 0:30:51 | |
I can wait here all day. | 0:30:51 | 0:30:53 | |
Wait for your family to come back and explain to them exactly what you've been up to. | 0:30:53 | 0:30:56 | |
You wouldn't. Why not? | 0:31:00 | 0:31:03 | |
I don't care what she thinks about me, | 0:31:03 | 0:31:05 | |
but you care what she thinks about you. | 0:31:05 | 0:31:08 | |
Right, OK. I won't call him any more, I promise. Phone. | 0:31:08 | 0:31:13 | |
What? Phone! I want to see you delete his number. | 0:31:13 | 0:31:16 | |
LEYLA: Love you, bye. | 0:31:17 | 0:31:19 | |
OK, there, it's done. | 0:31:20 | 0:31:22 | |
Hey. | 0:31:27 | 0:31:28 | |
Is everything OK? | 0:31:28 | 0:31:30 | |
I don't know. Is it? | 0:31:30 | 0:31:32 | |
Yeah. | 0:31:32 | 0:31:34 | |
Good. Then I was just leaving. | 0:31:34 | 0:31:37 | |
Wow, she had quite the face on her. | 0:31:40 | 0:31:43 | |
What was all that about? | 0:31:44 | 0:31:45 | |
It was nothing. I don't want to talk about it. | 0:31:46 | 0:31:49 | |
RAIN DRUMS OFF WINDOW | 0:32:01 | 0:32:03 | |
Tell him to take the six. | 0:32:12 | 0:32:14 | |
If he doesn't, 6 becomes 12 becomes 2 years | 0:32:14 | 0:32:16 | |
if he talks to the judge like that again. | 0:32:16 | 0:32:19 | |
Yeah. Listen, I'll call you back. | 0:32:19 | 0:32:21 | |
If it isn't the pearl of the Oyster. | 0:32:23 | 0:32:26 | |
What are you doing here? I'm looking for Lenny Murdoch. | 0:32:26 | 0:32:30 | |
Maybe I can help? I'm a business associate of his. | 0:32:30 | 0:32:33 | |
I can pass on a message if you like. | 0:32:33 | 0:32:35 | |
Fine. | 0:32:35 | 0:32:36 | |
If you see him, tell him his offer... | 0:32:37 | 0:32:40 | |
I'm not interested. I've already made some bad decisions today | 0:32:40 | 0:32:43 | |
and I'm not about to make another. | 0:32:43 | 0:32:45 | |
Wait, Gina. Maybe I can help with that too. | 0:32:45 | 0:32:49 | |
Lenny's already filled me in on your problems. | 0:32:49 | 0:32:51 | |
The good news is that I'm here to offer some advice. | 0:32:53 | 0:32:56 | |
For free, of course. | 0:32:57 | 0:32:59 | |
What's this, a lawyer offering free advice? | 0:32:59 | 0:33:02 | |
Must be snowing in hell. Lenny. | 0:33:03 | 0:33:06 | |
What's going on? And who's he? Him? | 0:33:06 | 0:33:08 | |
He just hangs about like a bad smell, telling people what to do. | 0:33:09 | 0:33:13 | |
Of course, he's usually right. | 0:33:13 | 0:33:15 | |
OK, Gina, let me explain to you what is going on here. | 0:33:15 | 0:33:18 | |
I know what's going on! Money laundering. | 0:33:18 | 0:33:22 | |
Your words, Gina, not mine. I prefer to call it... | 0:33:22 | 0:33:26 | |
creative accounting. | 0:33:26 | 0:33:28 | |
Why me? Could you not find some other way? | 0:33:30 | 0:33:33 | |
Gina...the fact you even ask, | 0:33:33 | 0:33:35 | |
it's, uh, sweet. | 0:33:35 | 0:33:38 | |
Take a man like Lenny here. | 0:33:38 | 0:33:41 | |
He's a little rough around the edges, draws attention to himself. | 0:33:41 | 0:33:44 | |
He makes an impression. | 0:33:45 | 0:33:47 | |
And that's the last thing you want when you're involved in something... | 0:33:47 | 0:33:51 | |
not entirely above board. | 0:33:51 | 0:33:52 | |
But you, Gina... | 0:33:54 | 0:33:55 | |
..you hardly make an impression at all. | 0:33:58 | 0:34:01 | |
You are entirely uninteresting. And that's why you're perfect for us. | 0:34:01 | 0:34:06 | |
Why no-one would even bother giving you a second look. | 0:34:08 | 0:34:11 | |
Police included. | 0:34:11 | 0:34:13 | |
I don't have to listen to this. | 0:34:15 | 0:34:17 | |
Ah, but then maybe you should. | 0:34:17 | 0:34:19 | |
For the sake of your poor father if no-one else. | 0:34:19 | 0:34:22 | |
What was it, Lenny? Dementia? Aye. That's right. | 0:34:22 | 0:34:26 | |
A time bomb, really. You never know when that can progress. | 0:34:29 | 0:34:32 | |
I'm sure that extra money could go a long way | 0:34:34 | 0:34:36 | |
to putting your mind at ease. | 0:34:36 | 0:34:38 | |
It's criminal. | 0:34:40 | 0:34:41 | |
HE SCOFFS | 0:34:41 | 0:34:43 | |
Just think of it as helping Lenny to turn his dirty, | 0:34:43 | 0:34:47 | |
illegitimate money into nice, clean, taxable money. | 0:34:47 | 0:34:51 | |
In a way, you'd be doing society a favour. | 0:34:52 | 0:34:55 | |
Oh, yeah. I wonder if the police would see it that way. | 0:34:55 | 0:34:59 | |
I must say, I think it'd be a shame for you to waste this opportunity. | 0:35:01 | 0:35:05 | |
And I know Lenny here will be disappointed. | 0:35:05 | 0:35:07 | |
God knows how he'll react. | 0:35:07 | 0:35:09 | |
Don't make me regret this. | 0:35:14 | 0:35:16 | |
Cos it's hardly buttons. | 0:35:17 | 0:35:19 | |
There's 12 grand there. | 0:35:19 | 0:35:21 | |
I want you to put it through your till over a month. | 0:35:21 | 0:35:25 | |
I'm not your... Lenny's a very busy man, Gina. | 0:35:30 | 0:35:33 | |
But I can assure you, we're both of one mind on this. | 0:35:33 | 0:35:36 | |
So if you don't mind... | 0:35:36 | 0:35:38 | |
You better be right about this. | 0:35:47 | 0:35:48 | |
Relax, she'll do as she's told. | 0:35:49 | 0:35:52 | |
What else is she going to do with it? | 0:35:52 | 0:35:54 | |
I don't know. I hear Rio's nice this time of year. | 0:35:54 | 0:35:57 | |
On 12 grand? Maybe a month or two tops, but then what? | 0:35:59 | 0:36:03 | |
She'll realise she can't hide. | 0:36:04 | 0:36:07 | |
Besides... she's just not interesting enough. | 0:36:07 | 0:36:10 | |
You watch, she'll fall into line. | 0:36:12 | 0:36:14 | |
She has no choice. | 0:36:15 | 0:36:16 | |
GINA: 'This is a train wreck, train wreck...' | 0:36:22 | 0:36:24 | |
LIZ: 'I mean, what were you thinking, thinking, thinking... | 0:36:24 | 0:36:28 | |
MURRAY: 'You lied to me, Gina... lied to me, Gina...lied to me... | 0:36:28 | 0:36:32 | |
'In my book, that makes you as bad as Greg...bad as Greg... | 0:36:32 | 0:36:35 | |
MALCOLM: 'I thought better of you.' | 0:36:35 | 0:36:37 | |
Gina? | 0:36:43 | 0:36:45 | |
Gina, you OK? I've been looking for you. | 0:36:48 | 0:36:50 | |
What's the matter? | 0:36:52 | 0:36:54 | |
I dropped by the Oyster because you never called... | 0:36:54 | 0:36:57 | |
I take it things didn't go too well with Lenny? | 0:36:58 | 0:37:01 | |
He's using you, isn't he? As a front. | 0:37:02 | 0:37:05 | |
What can I do? | 0:37:05 | 0:37:07 | |
I mean, he won't let go. | 0:37:07 | 0:37:09 | |
I don't know, Gina. I don't know. | 0:37:10 | 0:37:12 | |
But I do know that he'll keep hold for as long as you're useful to him. | 0:37:14 | 0:37:18 | |
I come across people like this all the time - users. they're parasites. | 0:37:18 | 0:37:23 | |
All you can do is make sure you and yours are safe from them. | 0:37:24 | 0:37:28 | |
Is that what you do? | 0:37:28 | 0:37:29 | |
I do what I can. | 0:37:30 | 0:37:31 | |
Gina, you've seen behind the curtain. | 0:37:34 | 0:37:36 | |
You can't un-see it. | 0:37:36 | 0:37:38 | |
Look, I am still interested in the place. | 0:37:39 | 0:37:41 | |
If you find a way to make things change... | 0:37:41 | 0:37:44 | |
call me. | 0:37:44 | 0:37:45 | |
DRAMATIC MUSIC PLAYS | 0:38:31 | 0:38:33 | |
Right... | 0:38:36 | 0:38:37 | |
..let's see how much use I'm going to be to him. | 0:38:39 | 0:38:42 | |
KNOCK ON WINDOW | 0:38:57 | 0:38:58 | |
We're closed! | 0:38:58 | 0:38:59 | |
KNOCK ON WINDOW | 0:39:01 | 0:39:02 | |
I said, we're closed! | 0:39:02 | 0:39:04 | |
Hiya, Will. Everything all right? | 0:39:22 | 0:39:23 | |
Hi, Gina, sorry to bother you. Do you mind if I come in? No. | 0:39:23 | 0:39:27 | |
This better no' take long. | 0:39:34 | 0:39:36 | |
No, shouldn't take too long. | 0:39:37 | 0:39:38 | |
I realise Cash In The Attic is on soon. | 0:39:38 | 0:39:40 | |
I know that's a big favourite of yours(!) | 0:39:40 | 0:39:43 | |
So? So I was in the area, thought I'd pay you a visit. | 0:39:43 | 0:39:46 | |
DC Cooper is over at the Oyster having a chat with Gina Hamilton. | 0:39:46 | 0:39:49 | |
I don't take much to do with the place. | 0:39:51 | 0:39:53 | |
Right, so there'll be no problem with you handing over | 0:39:53 | 0:39:56 | |
any paperwork relating to it. | 0:39:56 | 0:39:58 | |
It's just your co-owner's finances | 0:39:58 | 0:40:00 | |
have come under a little bit of scrutiny. | 0:40:00 | 0:40:02 | |
Seems an unusually large amount was deposited in her bank | 0:40:02 | 0:40:05 | |
yesterday afternoon. Really? | 0:40:05 | 0:40:07 | |
Hmm. I'm sure it's nothing to worry about, | 0:40:07 | 0:40:09 | |
we just need to look over the accounts, | 0:40:09 | 0:40:12 | |
make sure there's no... | 0:40:12 | 0:40:13 | |
irregularities at the business end. | 0:40:13 | 0:40:16 | |
So it was you that deposited it, wasn't it? Yeah. That's right. So you must know the money's source. | 0:40:16 | 0:40:21 | |
Where did the money come from? | 0:40:25 | 0:40:26 | |
I'm sorry, Will, I... | 0:40:29 | 0:40:31 | |
just don't know what to tell you. | 0:40:31 | 0:40:33 | |
Gina, I don't think you understand. | 0:40:35 | 0:40:38 | |
I'm not accusing you of anything, | 0:40:38 | 0:40:39 | |
but you are required by law to tell me where the money came from. | 0:40:39 | 0:40:42 | |
Sorry, I just don't know what to say. | 0:40:46 | 0:40:48 | |
Well, perhaps we should discuss it down at the station, then? | 0:40:50 | 0:40:54 | |
Yeah, OK. | 0:40:54 | 0:40:55 | |
Gina, what you're telling me doesn't make any sense. | 0:41:02 | 0:41:05 | |
So I'm going to ask you again. | 0:41:05 | 0:41:07 | |
Where did the money come from? | 0:41:07 | 0:41:09 | |
I told you, I found it. HE SIGHS | 0:41:09 | 0:41:11 | |
It came through the letter box. | 0:41:12 | 0:41:14 | |
I thought it might be from Greg. | 0:41:15 | 0:41:17 | |
You know, a guilty conscience, or something. | 0:41:17 | 0:41:19 | |
We have the Oyster's accounts, OK? | 0:41:21 | 0:41:23 | |
So you're not telling me that if we go through them, the numbers will add up? | 0:41:23 | 0:41:26 | |
No, they won't, because I've changed them. | 0:41:26 | 0:41:28 | |
I've been cooking them, the books. | 0:41:30 | 0:41:33 | |
Feeding extra money through. | 0:41:33 | 0:41:35 | |
Listen to what you're saying. | 0:41:38 | 0:41:40 | |
What you're admitting to is money laundering, | 0:41:41 | 0:41:44 | |
but then using money you're telling me | 0:41:44 | 0:41:46 | |
was yours in the first place - it doesn't make any sense! | 0:41:46 | 0:41:50 | |
Yeah, I know. | 0:41:50 | 0:41:51 | |
When I found the money, I didn't want questions being asked. | 0:41:52 | 0:41:56 | |
So I just put it through the till. | 0:41:56 | 0:41:59 | |
I needed it for my dad. | 0:41:59 | 0:42:00 | |
But then I got nervous about money lying around. | 0:42:02 | 0:42:04 | |
So I just banked it all in one go. | 0:42:04 | 0:42:06 | |
It's no secret that Murdoch has a stake in your business. | 0:42:10 | 0:42:13 | |
Are you covering for him? Is he threatening you in any way? | 0:42:13 | 0:42:16 | |
No, no, he isn't. I just made a mistake, is all. | 0:42:16 | 0:42:19 | |
So, I've said everything I need to, so if you're going to charge me or... | 0:42:23 | 0:42:28 | |
..whatever, then just hurry up and do it, eh? | 0:42:29 | 0:42:32 | |
You know, I cannae believe that stupid cow dumped it all at once. I mean, what was she thinking?! | 0:42:37 | 0:42:42 | |
The cops are gonnae be all over me now. | 0:42:42 | 0:42:45 | |
She's probably down there spilling her guts right now. | 0:42:45 | 0:42:47 | |
Actually, I'm not so sure. | 0:42:47 | 0:42:49 | |
Gina knew what would happen if she banked that money all in one go. | 0:42:49 | 0:42:53 | |
So? So she won't talk because she's already got what she wants. | 0:42:53 | 0:42:57 | |
Look at it from Gina's angle. | 0:43:00 | 0:43:02 | |
She knew you needed her to be cleaner than clean. | 0:43:02 | 0:43:05 | |
And by dumping that money she's just put herself | 0:43:05 | 0:43:07 | |
firmly on the police's radar. | 0:43:07 | 0:43:09 | |
The Oyster's useless to you now, you might as well let that go. | 0:43:10 | 0:43:13 | |
She's got what she wanted, | 0:43:15 | 0:43:17 | |
and she's managed to keep a clean slate with you. | 0:43:17 | 0:43:19 | |
I'm impressed. I never thought Aunt Bessie had it in her. | 0:43:20 | 0:43:23 | |
Nah. She's not clever enough. Or brave. | 0:43:28 | 0:43:32 | |
We'll see if I'm wrong. | 0:43:32 | 0:43:34 | |
But either way, you're going to have to let that one go. | 0:43:34 | 0:43:37 | |
There are some other avenues I'm pursuing anyway | 0:43:38 | 0:43:41 | |
with regards your little laundering problem. | 0:43:41 | 0:43:44 | |
But they'll require you to free up some capital. | 0:43:44 | 0:43:47 | |
All right, just give us it. | 0:43:47 | 0:43:50 | |
You need to sell something, and there's one prime candidate... | 0:43:50 | 0:43:53 | |
Brodie's Arcade. | 0:43:53 | 0:43:55 | |
It's an underachiever, the turnover's too low. | 0:43:55 | 0:43:58 | |
One wee problem there. | 0:43:58 | 0:44:00 | |
I've got a partner. Who, Gabriel Brodie? | 0:44:00 | 0:44:02 | |
He owns what, 10%? | 0:44:03 | 0:44:05 | |
I should think he'll have very little say in the matter. | 0:44:06 | 0:44:08 | |
It's the man's livelihood. | 0:44:08 | 0:44:10 | |
It's business, Lenny. | 0:44:10 | 0:44:12 | |
It's the profit motive, and it's no different | 0:44:13 | 0:44:15 | |
to the call you made on Gina. Just try to keep that in mind. | 0:44:15 | 0:44:18 | |
And what if I say no? | 0:44:19 | 0:44:20 | |
These are my businesses we're talking about here. | 0:44:22 | 0:44:25 | |
You think I don't know other ways to clean cash? | 0:44:25 | 0:44:27 | |
Well, it's not just a question of that any more. | 0:44:27 | 0:44:29 | |
Our Spanish friends are willing to advance another shipment | 0:44:31 | 0:44:34 | |
to help you pay off your debt quicker. | 0:44:34 | 0:44:37 | |
But...they're going to need money for the carriage up front. | 0:44:37 | 0:44:40 | |
So, unless you've any better ideas? | 0:44:40 | 0:44:43 | |
Good. Then that's settled. | 0:44:45 | 0:44:47 | |
Do what you need to do with Brodie, | 0:44:54 | 0:44:56 | |
and then we can proceed with the sale. I'll be in touch. | 0:44:56 | 0:45:00 | |
You wanted to see me? | 0:45:08 | 0:45:11 | |
Aye, aye. We need to chat. | 0:45:11 | 0:45:13 | |
A chat, really? | 0:45:13 | 0:45:15 | |
If we're just exchanging pleasantries, I'd rather skip it. | 0:45:15 | 0:45:18 | |
Whoa! Who peed in your porridge? I've no' even said anything yet. | 0:45:18 | 0:45:21 | |
I'll tell you what. I spent most of yesterday comforting my niece | 0:45:21 | 0:45:25 | |
because her boyfriend's gonnae get buried | 0:45:25 | 0:45:27 | |
in a pauper's grave, that's what. | 0:45:27 | 0:45:28 | |
And? What's that got to do with me? | 0:45:30 | 0:45:32 | |
Come on, Lenny. | 0:45:32 | 0:45:33 | |
Gareth worked for you, and I know what that means. | 0:45:33 | 0:45:36 | |
You should have stepped up, taken care of it. | 0:45:36 | 0:45:39 | |
The boy deserved better. Yeah, well, I'm sorry, | 0:45:39 | 0:45:41 | |
my employee care disnae stretch to funeral cover. | 0:45:41 | 0:45:44 | |
Hey, you were hardly singing his praises when he was alive. | 0:45:44 | 0:45:48 | |
All right, I admit it. I wasn't his biggest fan. | 0:45:48 | 0:45:51 | |
But he was loyal to you, I'll give him that much. | 0:45:51 | 0:45:54 | |
You'd think you would've shown him the same respect. | 0:45:54 | 0:45:57 | |
Hey, wait. There's still something needs to be said here. | 0:45:57 | 0:46:01 | |
Me and you. This place. | 0:46:04 | 0:46:06 | |
We're going to have to part ways. | 0:46:06 | 0:46:08 | |
What? I'm putting it up for sale, | 0:46:08 | 0:46:10 | |
thought I'd give you the heads-up. In case you want to put in an offer. | 0:46:10 | 0:46:14 | |
You're kidding me on, right? | 0:46:14 | 0:46:15 | |
You seriously think I can afford to put an offer in | 0:46:15 | 0:46:17 | |
when I couldn't even help Nicole with Gareth's funeral? | 0:46:17 | 0:46:20 | |
That's why I'm telling you now. Give you a chance to find the cash. | 0:46:20 | 0:46:24 | |
I'll give you an advance on your share. Two grand. | 0:46:24 | 0:46:27 | |
Five. Come on. I'm already being generous here. | 0:46:30 | 0:46:32 | |
And I'm only trying to put right what you should have | 0:46:32 | 0:46:35 | |
done in the first place. Like helping out Nicole? | 0:46:35 | 0:46:38 | |
All right. Five grand. This place? | 0:46:38 | 0:46:43 | |
You've got seven days. | 0:46:43 | 0:46:45 | |
Well, she's sticking to her story, sir, | 0:46:52 | 0:46:54 | |
even if it doesn't make any sense. | 0:46:54 | 0:46:55 | |
You think he's got her scared? | 0:46:55 | 0:46:57 | |
That's just it, Gina, she's sticking to her guns throughout. | 0:46:59 | 0:47:02 | |
You said yourself that Lenny's face dropped when you told him | 0:47:02 | 0:47:06 | |
we'd brought her in, so... I don't know. | 0:47:06 | 0:47:09 | |
If she's sticking to her story, there's nothing else we can do. | 0:47:10 | 0:47:13 | |
Just give her a caution. But warn her. | 0:47:13 | 0:47:16 | |
We'll be keeping a very close eye on her accounts from now on, OK? Sir. | 0:47:16 | 0:47:20 | |
I'll take it from the fact that I've | 0:47:52 | 0:47:54 | |
no' had the police at my door again that you've done the right thing? | 0:47:54 | 0:47:57 | |
Kept your mouth shut. | 0:47:57 | 0:47:58 | |
I kept you out of it, if that's what you mean. | 0:47:58 | 0:48:01 | |
You know, I'm going to take it at face value that what you've done the day was just stupidity. | 0:48:05 | 0:48:11 | |
Because if I ever find out you were playing me... | 0:48:11 | 0:48:13 | |
Oh, and by the way, I've changed my mind. | 0:48:16 | 0:48:19 | |
The papers are all arranged, the place is all yours again. | 0:48:19 | 0:48:23 | |
If you ever sell the dump, you can give me my share then. | 0:48:23 | 0:48:26 | |
Plus the 12 grand you owe. | 0:48:26 | 0:48:28 | |
KEYS CLATTER | 0:48:28 | 0:48:30 | |
Hello, Mr McAllister? It's Gina. | 0:48:45 | 0:48:47 | |
I'm ready to do business with you. | 0:48:49 | 0:48:51 | |
Congratulations, Gina, you did it. | 0:48:58 | 0:49:01 | |
I have to say, I'm glad. | 0:49:01 | 0:49:03 | |
I think myself and the Oyster are going to be very happy together. | 0:49:03 | 0:49:07 | |
And are you sure I can't persuade you to stay on as manageress? | 0:49:07 | 0:49:10 | |
Thanks, Alex, but no. | 0:49:10 | 0:49:12 | |
Besides, you couldn't find a better pair of hands than Stella. | 0:49:12 | 0:49:16 | |
She'll do you proud. I'll keep that in mind. | 0:49:16 | 0:49:19 | |
Seriously, though, I'm impressed. | 0:49:19 | 0:49:21 | |
Taking the blame to get Lenny to back off. It's a bold move. | 0:49:21 | 0:49:26 | |
I just hope it doesn't come at too great a cost to yourself. | 0:49:26 | 0:49:30 | |
Ach, I'll be all right. | 0:49:30 | 0:49:32 | |
Once I get over the embarrassment of being lifted by the police. | 0:49:32 | 0:49:35 | |
That's not exactly what I meant. | 0:49:35 | 0:49:38 | |
I trust you're not forgetting that was Lenny Murdoch you took on today? | 0:49:38 | 0:49:41 | |
He's not one to forgive these things lightly. | 0:49:41 | 0:49:44 | |
No, he isn't, is he? | 0:49:45 | 0:49:47 | |
You know, it's just like you say, Alex, these folk... | 0:49:50 | 0:49:53 | |
..they go about as if they're decent and normal, but they're not. | 0:49:54 | 0:49:57 | |
This is my home. | 0:49:59 | 0:50:01 | |
And it's been taken over by rats. | 0:50:02 | 0:50:04 | |
They're behind the walls. | 0:50:07 | 0:50:08 | |
You want to get rid of them, but you can't. | 0:50:11 | 0:50:14 | |
Try and forget them, but they're still there. | 0:50:14 | 0:50:17 | |
I don't know. What do you do? | 0:50:20 | 0:50:22 | |
You move out. | 0:50:25 | 0:50:26 | |
And let them win. | 0:50:29 | 0:50:30 | |
I'm not being forced out. | 0:50:33 | 0:50:35 | |
I want to go. I choose not to live with the rats. | 0:50:35 | 0:50:38 | |
What about your family? | 0:50:40 | 0:50:41 | |
They're not aware of them. | 0:50:44 | 0:50:46 | |
And if I stay, they might be. | 0:50:47 | 0:50:49 | |
So, no, I don't want to risk that. | 0:50:50 | 0:50:54 | |
You're very brave. | 0:50:59 | 0:51:01 | |
Gabriel! Gabe. | 0:51:11 | 0:51:13 | |
It was you, wasn't it? What? | 0:51:15 | 0:51:17 | |
I just got a phone call from the funeral director's. | 0:51:17 | 0:51:20 | |
The account's been paid off, so the service can go ahead. | 0:51:20 | 0:51:23 | |
That's great news. I'm happy for you. | 0:51:23 | 0:51:26 | |
It was you. But how? Ah, you know. | 0:51:27 | 0:51:30 | |
Moved some cash, cut a few deals. | 0:51:30 | 0:51:32 | |
The important thing is, it's happening. Come here. | 0:51:32 | 0:51:36 | |
Thank you. | 0:51:37 | 0:51:38 | |
Just try not to upset him any more. | 0:51:55 | 0:51:57 | |
You've put everyone through quite enough already. | 0:51:59 | 0:52:01 | |
Dad, all right if I sit down? | 0:52:11 | 0:52:13 | |
HE MUTTERS UNCERTAINLY | 0:52:13 | 0:52:15 | |
You're going to have to help me out here, pet, | 0:52:23 | 0:52:25 | |
I just don't know what's been going on. | 0:52:25 | 0:52:28 | |
I know. | 0:52:28 | 0:52:30 | |
First that business with Murray, now this, and...what's happened today? | 0:52:30 | 0:52:34 | |
It's not like you. | 0:52:35 | 0:52:36 | |
Ach, Dad, I don't know what to tell you. | 0:52:38 | 0:52:41 | |
Today... | 0:52:42 | 0:52:44 | |
There's a lot of things I regret about today, | 0:52:45 | 0:52:48 | |
a lot of things I'd like to take back. | 0:52:48 | 0:52:50 | |
But, Dad, the main thing is, you're going to get your money back. | 0:52:52 | 0:52:58 | |
All of it. I've sold the Oyster. | 0:52:58 | 0:53:00 | |
Obviously I don't know what to think. I'm obviously glad, but... | 0:53:03 | 0:53:09 | |
I take no pleasure in it. | 0:53:09 | 0:53:10 | |
I mean, I know what that place meant to you, Gina. | 0:53:10 | 0:53:14 | |
I just hope things can get back to normal now. | 0:53:16 | 0:53:18 | |
Hiya. Hi. | 0:53:55 | 0:53:56 | |
Listen, I just want to say... | 0:53:58 | 0:54:01 | |
Congratulations. You did it. | 0:54:01 | 0:54:02 | |
Och, Eileen... No, I mean it, Gina. | 0:54:04 | 0:54:06 | |
I don't know how you did it, but you did. | 0:54:06 | 0:54:08 | |
And I promise I'll let it go now. | 0:54:08 | 0:54:10 | |
I thought you could use this after the day you've had. | 0:54:12 | 0:54:15 | |
And now that we've got an excuse to celebrate. | 0:54:17 | 0:54:19 | |
And by way of being an apology. | 0:54:20 | 0:54:22 | |
Apology for what? | 0:54:23 | 0:54:25 | |
Just... I've not made things easy for you recently. | 0:54:25 | 0:54:29 | |
Och, don't worry about it. No, Gina... | 0:54:29 | 0:54:32 | |
I've got a big mouth and I get carried away. | 0:54:32 | 0:54:34 | |
I was just so worried about Dad. | 0:54:36 | 0:54:38 | |
But I do realise what you've been going through. | 0:54:40 | 0:54:42 | |
What that man put you through. | 0:54:44 | 0:54:45 | |
Och, Eileen... | 0:54:54 | 0:54:56 | |
EILEEN LAUGHS | 0:54:56 | 0:54:58 | |
Oh, you've been so strong, Gina. | 0:54:58 | 0:55:00 | |
I don't know how I would've coped if it was me. | 0:55:00 | 0:55:02 | |
I'm just so happy this weight has been lifted | 0:55:04 | 0:55:06 | |
and we can just get on with our lives. Yeah. | 0:55:06 | 0:55:11 | |
Now Dad'll have his care and he'll have us to support him. | 0:55:11 | 0:55:13 | |
That's what matters. | 0:55:15 | 0:55:16 | |
What? What is it? | 0:55:23 | 0:55:27 | |
SHE SIGHS | 0:55:27 | 0:55:28 | |
Nothing. Right, come on, drink up. | 0:55:32 | 0:55:34 | |
Gina, do you want some breakfast? | 0:55:48 | 0:55:50 | |
Oh, oh... | 0:55:52 | 0:55:54 | |
SHE LAUGHS | 0:55:54 | 0:55:56 | |
Did we really drink a bottle of wine each? | 0:55:56 | 0:55:58 | |
Gina? | 0:55:59 | 0:56:00 | |
SOMBRE MUSIC PLAYS | 0:56:01 | 0:56:04 | |
You know the deal - cash today or we go with another buyer. | 0:57:19 | 0:57:22 | |
You know how much work I've put into that place. Business is business. | 0:57:22 | 0:57:26 | |
This is one of the big questions in life answered. | 0:57:26 | 0:57:29 | |
I know what I'm going to die of. | 0:57:29 | 0:57:30 | |
I cannae afford to just lose my job like that. | 0:57:30 | 0:57:33 | |
You know, if you're that desperate Gabriel, I could throw | 0:57:33 | 0:57:35 | |
a bit of driving work your way, with the cabs. | 0:57:35 | 0:57:37 | |
Your first driving job. Chauffeur my wife about. | 0:57:37 | 0:57:41 | |
No, thanks. I'm afraid you don't get to say no. | 0:57:41 | 0:57:44 | |
Subtitles by Red Bee Media Ltd | 0:57:47 | 0:57:50 |