Browse content similar to 04/02/2014. Check below for episodes and series from the same categories and more!
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You cannae just help yourself. | 0:00:21 | 0:00:22 | |
It's not as if I was stealing anything. | 0:00:22 | 0:00:24 | |
Technically it is, aye. I'm gonnae have to give you your notice. | 0:00:24 | 0:00:28 | |
I made a mistake! I know that, And I'm sorry, I'll no dae it again. | 0:00:28 | 0:00:31 | |
I just want a chance to provide for my family like any mother would. | 0:00:31 | 0:00:35 | |
This whole thing could be a way to get back at you. | 0:00:35 | 0:00:37 | |
-I know. -She could've set out to trap me? | 0:00:37 | 0:00:40 | |
I took out one of they quick loans... | 0:00:40 | 0:00:43 | |
and then I took out another one. | 0:00:43 | 0:00:45 | |
Now they're both after me and I cannae pay them back. | 0:00:45 | 0:00:47 | |
SONG: "Who Will Sing Me Lullabies" by Kate Rusby | 0:00:51 | 0:00:55 | |
# Lay me down gently | 0:01:08 | 0:01:12 | |
# Lay me down low | 0:01:12 | 0:01:16 | |
# I fear I am broken | 0:01:16 | 0:01:20 | |
# And won't mend, I know | 0:01:20 | 0:01:24 | |
# There's one thing I ask when the stars light the skies | 0:01:24 | 0:01:32 | |
# Who now will sing me lullabies? | 0:01:34 | 0:01:40 | |
# Oh, who now will sing me lullabies? | 0:01:40 | 0:01:48 | |
# In this big world I'm lonely | 0:01:49 | 0:01:53 | |
# For I am but small | 0:01:53 | 0:01:56 | |
# Oh, angels in heaven | 0:01:57 | 0:02:01 | |
# Don't you care for me at all? | 0:02:01 | 0:02:06 | |
# You've heard my heart breaking | 0:02:06 | 0:02:10 | |
# For it rung through the skies | 0:02:10 | 0:02:15 | |
# So why won't you sing me lullabies? | 0:02:15 | 0:02:22 | |
# Oh, why won't you sing me lullabies? | 0:02:22 | 0:02:30 | |
# Oh, lullabies... # | 0:02:34 | 0:02:40 | |
-TV: -Struggling to make ends meet? Money worries stressing you out? | 0:03:03 | 0:03:06 | |
At MTL Mini Markets, we believe in a better deal for our customers. | 0:03:06 | 0:03:10 | |
And that's why we're working to bring you more, | 0:03:10 | 0:03:13 | |
at prices that won't leave you with less. | 0:03:13 | 0:03:15 | |
MTL Mini Markets. Investing in people... | 0:03:15 | 0:03:17 | |
DOOR BELL RINGS | 0:03:17 | 0:03:18 | |
..investing in communities. | 0:03:18 | 0:03:21 | |
-Mrs Mullen? -What is this? | 0:03:35 | 0:03:37 | |
This is harassment! | 0:03:48 | 0:03:49 | |
How can you come round here this time in the morning? | 0:03:49 | 0:03:52 | |
I've got weans in there. How can you justify charging me that? | 0:03:52 | 0:03:54 | |
-I'm only doing my job. -I don't care if you're just doing your job or not. | 0:03:54 | 0:03:57 | |
Get off my veranda before I fling you off! | 0:03:57 | 0:03:59 | |
And don't come back round here! I mean it! | 0:03:59 | 0:04:02 | |
-Awright, Ma? -Bubba. What you doing up? | 0:04:08 | 0:04:11 | |
-I heard the door. Who was it? -Eh, nothing, just a mix up. | 0:04:11 | 0:04:16 | |
It was a guy from the lecky company. | 0:04:16 | 0:04:17 | |
I told him we're on a card now. | 0:04:17 | 0:04:20 | |
That wake you up as well, aye? | 0:04:20 | 0:04:22 | |
Well, not exactly. I was already up. | 0:04:22 | 0:04:24 | |
I'm going to fetch you some breakfast, all right? | 0:04:24 | 0:04:27 | |
Well, thank you for letting us know. | 0:04:34 | 0:04:37 | |
Ah, thanks. | 0:04:37 | 0:04:38 | |
That was the electrician. | 0:04:40 | 0:04:43 | |
He says the whole place might need re-wiring. | 0:04:43 | 0:04:46 | |
-That could take weeks. -Weeks? That's a bit much. | 0:04:46 | 0:04:52 | |
Eileen can't be expected to put us up for that long. | 0:04:52 | 0:04:55 | |
Well, if that's the way it's got to be... | 0:04:55 | 0:04:57 | |
Well, it's very good of you, dear. | 0:04:57 | 0:04:59 | |
But perhaps you could let us help you out around the house a bit more. | 0:04:59 | 0:05:04 | |
Aye, and you can start by letting us take care of dinner tonight. | 0:05:04 | 0:05:08 | |
Liz'll cook. | 0:05:08 | 0:05:09 | |
Yes, of course I could. But I've to be up town this afternoon, | 0:05:09 | 0:05:15 | |
I don't know if I'd have time to pick anything up. | 0:05:15 | 0:05:18 | |
Well, I can do that. I'll pop into the Mini Market later. | 0:05:18 | 0:05:22 | |
How does steak sound? | 0:05:22 | 0:05:25 | |
Are you sure you're up to it? | 0:05:25 | 0:05:27 | |
You can write me out a list, it's only a wee bit of shopping. | 0:05:27 | 0:05:30 | |
I'll get it later. | 0:05:31 | 0:05:32 | |
-Ma? -Oh, God! Creeping up on me like that! | 0:05:40 | 0:05:44 | |
Nearly gave me a heart attack! | 0:05:44 | 0:05:46 | |
I wasn't creeping up on you. Are you all right? | 0:05:46 | 0:05:48 | |
I'm fine. Right, there's toast for Bob. Bubba! | 0:05:48 | 0:05:52 | |
Cheers, Ma. Nice one. | 0:05:52 | 0:05:54 | |
Oh, and by the way, never mind my lunch today. | 0:05:54 | 0:05:56 | |
You should get back to your kip. Try and catch up. | 0:05:56 | 0:05:59 | |
-See you later. -See you. | 0:05:59 | 0:06:00 | |
-Are you no' sleeping again? -I'm fine! What are you pair like? | 0:06:01 | 0:06:06 | |
You're worse than some mother hens. | 0:06:06 | 0:06:08 | |
Are you wanting this toast? | 0:06:08 | 0:06:09 | |
No, I'm OK. I'll pick something up later. | 0:06:09 | 0:06:11 | |
Eileen's wanting me in early, she's got a big meeting in town. | 0:06:11 | 0:06:14 | |
Right, so are you going to tell me what this letter is? | 0:06:14 | 0:06:16 | |
"Retail loss prevention." What is this? | 0:06:21 | 0:06:24 | |
It's from some debt collection agency from the Mini Market. | 0:06:24 | 0:06:28 | |
-About they meals I took. -What about them? | 0:06:28 | 0:06:30 | |
They're wanting me to pay 186 quid. | 0:06:30 | 0:06:33 | |
To recover their losses. | 0:06:33 | 0:06:36 | |
Recover their losses? | 0:06:36 | 0:06:37 | |
-But that stuff was halfway in the bin when you took them. -I know. | 0:06:37 | 0:06:40 | |
No, this isn't right. | 0:06:40 | 0:06:43 | |
And it's not fair they're just telling you about it the now. | 0:06:43 | 0:06:45 | |
The guy says I would have been sent a letter. | 0:06:45 | 0:06:48 | |
But I was getting that many, Kelly. | 0:06:48 | 0:06:50 | |
I knew I couldn't pay it. | 0:06:50 | 0:06:52 | |
Then after a while I just stopped opening them. | 0:06:53 | 0:06:56 | |
Ma, how bad are things? | 0:06:56 | 0:06:58 | |
Do you even know? | 0:07:00 | 0:07:02 | |
Ma, gonnae talk to me? I'm only trying to help you here. | 0:07:02 | 0:07:05 | |
Well, you cannae help me, all right? | 0:07:05 | 0:07:07 | |
Look, I'll figure something out, OK? | 0:07:07 | 0:07:11 | |
I don't need you two giving me grief about it. | 0:07:12 | 0:07:15 | |
Hello? | 0:07:47 | 0:07:49 | |
Erm, yes. I'm calling about the advertisement in the paper. | 0:07:49 | 0:07:53 | |
For the Customer Sales Representative...? | 0:07:53 | 0:07:56 | |
Aye. Well, I've, erm... | 0:07:56 | 0:08:01 | |
I'm dead good with the public and I've got loads of experience... | 0:08:01 | 0:08:05 | |
No' exactly with sales, erm... | 0:08:06 | 0:08:09 | |
But I've worked in a pub before. | 0:08:12 | 0:08:14 | |
I suppose that stuff sells itself but, doesn't it? | 0:08:14 | 0:08:16 | |
Eh... | 0:08:16 | 0:08:18 | |
References? | 0:08:18 | 0:08:20 | |
Eh... | 0:08:20 | 0:08:21 | |
Thing is, me and my last boss, | 0:08:21 | 0:08:24 | |
erm, employer didn't exactly see eye to eye so... | 0:08:24 | 0:08:28 | |
no. | 0:08:28 | 0:08:29 | |
Aye. I understand that, aye. | 0:08:30 | 0:08:33 | |
Aye, of course. | 0:08:33 | 0:08:36 | |
Aye, right, suit yourself. | 0:08:36 | 0:08:38 | |
Aye, hello. I'm calling about the advertisement in the paper | 0:09:05 | 0:09:11 | |
for a part-time dog walker... Uh-huh. | 0:09:11 | 0:09:14 | |
Have I got experience working with animals? | 0:09:15 | 0:09:18 | |
Have you met my family? I'm only joking... | 0:09:18 | 0:09:21 | |
Hello? | 0:09:21 | 0:09:22 | |
Hello? | 0:09:22 | 0:09:25 | |
Are you still there? | 0:09:25 | 0:09:26 | |
Cheeky pig! | 0:09:28 | 0:09:30 | |
MUSIC PLAYS | 0:09:43 | 0:09:46 | |
With the success... | 0:10:20 | 0:10:21 | |
-I don't get it. What is it? -It's a scandal, that's what it is. | 0:10:29 | 0:10:33 | |
Right, if you say so, but I still don't get what it is. | 0:10:33 | 0:10:37 | |
It's the Mini Market. They're having some kind of big PR do out there. | 0:10:37 | 0:10:40 | |
Investing in Communities, they're calling it. | 0:10:40 | 0:10:42 | |
And look who is supporting it... | 0:10:42 | 0:10:45 | |
-Right, well, she never told me about it. -I bet she didn't. | 0:10:45 | 0:10:48 | |
Happy to take her 30 pieces of silver and keep quiet about it. | 0:10:48 | 0:10:51 | |
-Ma, calm down, would you? -After the way that lot have treated me? | 0:10:51 | 0:10:55 | |
She shouldn't be putting her name on that. | 0:10:55 | 0:10:56 | |
She's helping them rub my nose in it. | 0:10:56 | 0:10:58 | |
-Right, so what do you want me to do about it? -Speak to her. | 0:10:58 | 0:11:02 | |
Tell her what they're really like. | 0:11:02 | 0:11:03 | |
Great. So you can get me fired as well as Bob? | 0:11:03 | 0:11:06 | |
Ma, sorry. I didn't mean that. | 0:11:08 | 0:11:09 | |
No, it's fine, Kelly, it's fine. I know I've made mistakes. | 0:11:09 | 0:11:13 | |
But see that lot out there? They have branded me a thief. | 0:11:13 | 0:11:16 | |
And now I can't get a job, and I can't get a reference. | 0:11:16 | 0:11:20 | |
And all I want to do is take care of my family. | 0:11:20 | 0:11:22 | |
Ma! Wait. | 0:11:23 | 0:11:25 | |
Hello, Councillor Donachie's office, how can I help you? | 0:11:29 | 0:11:32 | |
Sorry to drop by unannounced. I was in the neighbourhood. | 0:11:45 | 0:11:48 | |
Thought I'd pop in. | 0:11:48 | 0:11:50 | |
-Hi there. -Hi. | 0:11:51 | 0:11:53 | |
Is there any news? | 0:11:53 | 0:11:54 | |
There's no news per se. I just... | 0:11:55 | 0:11:57 | |
-I just wanted to see how you're doing? -Well, erm... | 0:11:57 | 0:12:00 | |
We're OK, I guess. | 0:12:00 | 0:12:02 | |
I know how difficult it can be, you know, all the waiting. | 0:12:04 | 0:12:07 | |
What about your lawyer? Have you heard from them? | 0:12:08 | 0:12:10 | |
Eh, yes, I have. | 0:12:10 | 0:12:13 | |
Annabelle Soren. | 0:12:13 | 0:12:15 | |
Likely she'll be wanting to collect pre-trial statements. | 0:12:15 | 0:12:18 | |
Just witness accounts from Nicole, from yourself, Leyla. | 0:12:18 | 0:12:22 | |
-Me? -Yeah, it's nothing to worry about. | 0:12:22 | 0:12:24 | |
Just be as frank and open as you can, and I'm sure you'll be fine. | 0:12:24 | 0:12:30 | |
Well, look, if there's anything else, just let me know. | 0:12:30 | 0:12:34 | |
I'll leave you to it. | 0:12:34 | 0:12:35 | |
Detective Donald? | 0:12:50 | 0:12:51 | |
Everything OK? | 0:12:53 | 0:12:55 | |
I just wanted to ask... | 0:12:57 | 0:12:59 | |
How important are these witness statements? | 0:12:59 | 0:13:02 | |
Well, in cases such as this, we need to corroborate your story. | 0:13:02 | 0:13:05 | |
So they're very important. | 0:13:05 | 0:13:07 | |
Why do you ask? | 0:13:07 | 0:13:08 | |
Just, erm... | 0:13:08 | 0:13:10 | |
I don't know how much help Leyla's going to be. | 0:13:10 | 0:13:13 | |
If she's up to it. | 0:13:14 | 0:13:15 | |
It can be difficult for family members too. | 0:13:15 | 0:13:17 | |
Watching a loved one go back over the trauma | 0:13:17 | 0:13:20 | |
of something that's happened. | 0:13:20 | 0:13:21 | |
Some of the stuff she's said... I don't think she even believes me. | 0:13:23 | 0:13:28 | |
And if I can't convince her, how am I going to convince a jury? | 0:13:28 | 0:13:30 | |
It's bad luck, to put shoes on the table. | 0:13:49 | 0:13:52 | |
I thought that was hats. | 0:13:52 | 0:13:53 | |
Hats on beds, shoes on tables. I think. | 0:13:53 | 0:13:58 | |
Hats, shoes...doesn't bother me. | 0:13:58 | 0:14:01 | |
I think you make your own luck in life. Look at them. | 0:14:01 | 0:14:04 | |
I can see your face in them. | 0:14:04 | 0:14:06 | |
What's the occasion? | 0:14:06 | 0:14:08 | |
The occasion? What do you think? | 0:14:08 | 0:14:12 | |
The trial's a week away, Jamie. | 0:14:12 | 0:14:14 | |
Yeah, and what am I supposed to do? You don't want me at the bar. | 0:14:14 | 0:14:20 | |
All I'm doing is sitting around here getting myself worked up | 0:14:20 | 0:14:22 | |
about what to say. | 0:14:22 | 0:14:23 | |
Yeah, well, you're not going to be saying anything. | 0:14:23 | 0:14:26 | |
Actually, I've been thinking about that... | 0:14:26 | 0:14:28 | |
I know the lawyer said I shouldn't take the stand, | 0:14:28 | 0:14:30 | |
but, I mean, won't the jury think it's weird | 0:14:30 | 0:14:32 | |
I'm not standing up for myself? | 0:14:32 | 0:14:34 | |
Look... | 0:14:34 | 0:14:36 | |
I know that makes sense in your head. | 0:14:36 | 0:14:39 | |
But Galbraith knows what she's doing. | 0:14:39 | 0:14:41 | |
When Malick recommended her, he said, and I quote, | 0:14:41 | 0:14:44 | |
"If Galbraith advises you to step off a cliff, | 0:14:44 | 0:14:47 | |
"you better take a running jump." | 0:14:47 | 0:14:48 | |
Yeah, but it's my decision here. It's my life. | 0:14:48 | 0:14:52 | |
And if you don't want to lose six to ten years of it, | 0:14:52 | 0:14:54 | |
you'll listen to someone who knows what they're talking about. | 0:14:54 | 0:14:57 | |
What do you think? | 0:15:08 | 0:15:09 | |
I got this for the trial. I got it yesterday. | 0:15:13 | 0:15:16 | |
Oh. Right. | 0:15:16 | 0:15:18 | |
Is it not maybe a bit...tight? | 0:15:18 | 0:15:22 | |
No, it's fine. | 0:15:22 | 0:15:24 | |
It looks good on you. Stylish. | 0:15:24 | 0:15:27 | |
That's what I mean. It's not a fashion show. | 0:15:27 | 0:15:30 | |
It's a suit. What else is she supposed wear? | 0:15:30 | 0:15:33 | |
It's not Zinnie's fault she's got a nice figure. | 0:15:33 | 0:15:36 | |
Anyway, they're hardly expecting you to turn up wearing a bin bag, | 0:15:36 | 0:15:39 | |
-are they? -I dunno. I... | 0:15:39 | 0:15:42 | |
I don't want anyone prejudging me. | 0:15:42 | 0:15:45 | |
It might be a bit late for that. | 0:15:45 | 0:15:47 | |
I think she knows that everyone's going to be judging her. | 0:15:56 | 0:15:59 | |
I don't think she needs to hear it from you as well. | 0:15:59 | 0:16:01 | |
So, you missed a good photo opportunity today. | 0:16:06 | 0:16:09 | |
I think we can safely describe it as a huge success. | 0:16:09 | 0:16:12 | |
Bodes well for the launch on Friday. | 0:16:12 | 0:16:14 | |
Yeah, sorry I missed it. | 0:16:14 | 0:16:16 | |
I would much rather have been here than stuck with the old boy network. | 0:16:16 | 0:16:20 | |
Well, thanks for all your help, and sorry I can't stay. | 0:16:20 | 0:16:23 | |
That's OK, we'll see you tomorrow anyway. | 0:16:23 | 0:16:25 | |
And then we can go through the arrangements for the launch. | 0:16:25 | 0:16:28 | |
-Thanks for that. And I'll get this. -Oh, great. | 0:16:29 | 0:16:32 | |
Are you not at the office? | 0:16:47 | 0:16:48 | |
I'm allowed to take a break, aren't I? | 0:16:48 | 0:16:50 | |
Anyway, I was wanting to speak to you about this. | 0:16:50 | 0:16:52 | |
It's great, isn't it? | 0:16:52 | 0:16:54 | |
Great? Aye, well, it's a good publicity stunt, if you ask me. | 0:16:54 | 0:16:57 | |
I just want to know what it's all about. | 0:16:57 | 0:17:00 | |
Well, the Mini Market chain are looking to reach out | 0:17:00 | 0:17:02 | |
into their local communities. | 0:17:02 | 0:17:04 | |
Participate in their projects. | 0:17:05 | 0:17:06 | |
It's going to be a real boost to the area. | 0:17:06 | 0:17:09 | |
Well, I'm not sure everybody'll agree with that. | 0:17:09 | 0:17:11 | |
My mum came by earlier. | 0:17:11 | 0:17:13 | |
She saw this. She's not happy about it. | 0:17:13 | 0:17:15 | |
Especially when she saw you were attached. | 0:17:15 | 0:17:17 | |
Well, I can't see how it's gonnae affect Scarlett. | 0:17:17 | 0:17:19 | |
It's not how it affects her, it's about the company | 0:17:19 | 0:17:22 | |
and the way they've already treated her. | 0:17:22 | 0:17:24 | |
Eileen, have you got any idea what kind of people you're | 0:17:24 | 0:17:26 | |
-getting into bed with here? -Whoa, just a wee minute. | 0:17:26 | 0:17:28 | |
First of all, I'm not "getting into bed" with anybody. | 0:17:28 | 0:17:31 | |
And second, while I appreciate | 0:17:31 | 0:17:33 | |
that Scarlett may not be their number one fan, | 0:17:33 | 0:17:35 | |
she did get fired for stealing. | 0:17:35 | 0:17:38 | |
Stealing? | 0:17:38 | 0:17:39 | |
Eileen, those meals that she took were already going in the bin. | 0:17:39 | 0:17:43 | |
What, they were out of date? | 0:17:43 | 0:17:45 | |
Aye. They have sent debt collectors to her door. | 0:17:45 | 0:17:48 | |
-Debt collectors? -They're wanting nearly 200 quid. | 0:17:48 | 0:17:51 | |
For food that's worth 40, even if it was out of date. | 0:17:51 | 0:17:54 | |
OK, that does seem pretty unfair. | 0:17:54 | 0:17:56 | |
Unfair? It's plain extortion. | 0:17:56 | 0:17:59 | |
Look, I'm sorry. I hadn't realised any of this. | 0:18:00 | 0:18:03 | |
But these companies have got rules. | 0:18:03 | 0:18:05 | |
And anyway, they're talking about new investments in the areas. | 0:18:05 | 0:18:08 | |
I can't just jeopardise that because of Scarlett. | 0:18:08 | 0:18:11 | |
I just don't think you should be supporting a business | 0:18:11 | 0:18:13 | |
that treats people like that. | 0:18:13 | 0:18:16 | |
It's too late now. My hands are tied. | 0:18:16 | 0:18:19 | |
Oh, hello. You all right? | 0:18:34 | 0:18:37 | |
How was school? | 0:18:38 | 0:18:39 | |
Listen, you want to run ahead, darlin'? | 0:18:39 | 0:18:41 | |
I'll have a quick chat with your mum. | 0:18:41 | 0:18:43 | |
-What is it? -Everything all right? You're looking awful tired. | 0:18:43 | 0:18:46 | |
I'm fine. What do you want to talk about? | 0:18:46 | 0:18:48 | |
-It's just Madonna, at the school... she's been fighting. -Fighting? | 0:18:48 | 0:18:51 | |
Aye, with some of the other girls. They said that she started it. | 0:18:51 | 0:18:54 | |
-And what did she say? -Well, I've not spoke to her about it yet, | 0:18:54 | 0:18:57 | |
but it's not like her. | 0:18:57 | 0:18:58 | |
I thought we could maybe set up a meeting, have it out with them. | 0:18:58 | 0:19:02 | |
Aye, Jimmy, it's just I've got a lot on my plate the now. | 0:19:02 | 0:19:04 | |
A lot on your plate? | 0:19:04 | 0:19:06 | |
Scarlett, I'm not being funny but you've no' been working for weeks. | 0:19:07 | 0:19:10 | |
This is Madonna we're talking about. Surely you've got time for her? | 0:19:10 | 0:19:13 | |
I do, I've just got better things to worry about. | 0:19:13 | 0:19:15 | |
Better than some stupid wee lassies telling tales. | 0:19:15 | 0:19:18 | |
Scarlett, I know you've had your stresses, but she needs you. | 0:19:18 | 0:19:21 | |
Aye, milk, butter, eggs, potatoes... | 0:19:29 | 0:19:35 | |
Ach, no bother. | 0:19:35 | 0:19:37 | |
Right, that's just about me away now, dear. | 0:19:37 | 0:19:40 | |
Have you got everything you need? | 0:19:40 | 0:19:42 | |
-Aye, aye, I'm fine. -Wallet? | 0:19:42 | 0:19:44 | |
-Keys? -Aye, there you are. | 0:19:44 | 0:19:46 | |
Shopping list? | 0:19:46 | 0:19:48 | |
Aw, Liz, I'm way ahead of you. Now, will you just get on? | 0:19:48 | 0:19:51 | |
My Malcolm, man of the house. | 0:19:52 | 0:19:55 | |
I'm very proud of you, you know. | 0:19:56 | 0:19:59 | |
Honestly, Liz. It's just a wee bit of shopping. | 0:19:59 | 0:20:02 | |
You know, sometimes I wonder if you're not the one | 0:20:02 | 0:20:04 | |
that's going doolally instead of me. | 0:20:04 | 0:20:06 | |
SCANNER BEEPS | 0:20:15 | 0:20:16 | |
PHONE BEEPS | 0:20:26 | 0:20:28 | |
PHONE RINGS | 0:20:30 | 0:20:31 | |
SCANNER BEEPS | 0:20:38 | 0:20:40 | |
PHONE RINGS | 0:20:41 | 0:20:44 | |
Oh! | 0:20:47 | 0:20:48 | |
Liz? | 0:20:59 | 0:21:01 | |
Liz... | 0:21:03 | 0:21:04 | |
Liz? | 0:21:05 | 0:21:06 | |
The eggs! | 0:21:43 | 0:21:45 | |
Oh, no! | 0:21:45 | 0:21:47 | |
PHONE RINGS | 0:22:02 | 0:22:05 | |
PHONE RINGS | 0:22:07 | 0:22:10 | |
BELL RINGS | 0:22:12 | 0:22:14 | |
CAR HORN BLARES | 0:22:17 | 0:22:19 | |
Malcolm! You OK? | 0:22:21 | 0:22:23 | |
Are you OK? | 0:22:23 | 0:22:24 | |
Eh... | 0:22:24 | 0:22:25 | |
Eh, aye, aye. | 0:22:25 | 0:22:28 | |
Just for a minute there I forgot where I was going. | 0:22:28 | 0:22:32 | |
You want to be careful, Malcolm. | 0:22:32 | 0:22:33 | |
There are some inconsiderate drivers on the road these days. | 0:22:33 | 0:22:36 | |
Aye. Aye, thanks, Raymond. | 0:22:36 | 0:22:38 | |
Here, Malcolm, do you know where you're going? | 0:22:40 | 0:22:43 | |
Eh... | 0:22:43 | 0:22:45 | |
Eh, aye, oh, shopping! | 0:22:45 | 0:22:48 | |
Aye, Liz has asked me to go and get the messages in. | 0:22:49 | 0:22:52 | |
I've got a list here... | 0:22:52 | 0:22:55 | |
Right, well, in that case it's that way. And be careful. | 0:22:55 | 0:23:00 | |
Thanks, Raymond. You're a true gentleman. | 0:23:00 | 0:23:03 | |
Something the matter, son? | 0:23:27 | 0:23:28 | |
It's crucial that I do the talking, OK? | 0:23:47 | 0:23:49 | |
Ms Galbraith. I didn't realise we were seeing you. | 0:23:55 | 0:23:58 | |
You weren't. But your brother here called me round for this... | 0:23:58 | 0:24:02 | |
intervention. | 0:24:02 | 0:24:04 | |
Right. | 0:24:04 | 0:24:06 | |
So are you going to tell me what this is about? | 0:24:06 | 0:24:09 | |
I just figured that if I can't get you to listen to reason... | 0:24:09 | 0:24:13 | |
I'll leave you to it. | 0:24:14 | 0:24:16 | |
-If this is about the stand... -It is. And you're not. | 0:24:25 | 0:24:28 | |
As a Queen's Counsel, with over 15 years at the bar, | 0:24:32 | 0:24:36 | |
I strongly advise you do not take the stand next week. | 0:24:36 | 0:24:40 | |
But why? I'm innocent. The jury needs to hear that from me. | 0:24:40 | 0:24:42 | |
I can assure you they absolutely do not. | 0:24:42 | 0:24:46 | |
Look, the prosecution's case is built on three key elements. | 0:24:46 | 0:24:50 | |
First, that sex did in fact take place - you've both admitted that. | 0:24:50 | 0:24:54 | |
Second, that there was a lack of consent, | 0:24:54 | 0:24:56 | |
and third, that there was some degree of malicious intent on your part. | 0:24:56 | 0:25:00 | |
That you forced her. | 0:25:00 | 0:25:02 | |
Now, the bruising on her wrist might be viewed as some | 0:25:02 | 0:25:04 | |
corroboration of that but, really, it's weak. | 0:25:04 | 0:25:08 | |
Ultimately, this case will be decided on the credibility | 0:25:08 | 0:25:11 | |
of Miss Hassoun as a witness. | 0:25:11 | 0:25:13 | |
Fine. Then let me go up there. | 0:25:13 | 0:25:15 | |
Tell them what a manipulative, scheming whore she really is. | 0:25:15 | 0:25:19 | |
And that is exactly why I don't want you on the stand... | 0:25:19 | 0:25:22 | |
Look, Miss Hassoun's credibility won't be difficult to pick apart. | 0:25:24 | 0:25:28 | |
Not given her past. | 0:25:28 | 0:25:30 | |
But as soon as you get up there, | 0:25:30 | 0:25:31 | |
the focus then becomes about your credibility too. | 0:25:31 | 0:25:35 | |
It becomes a straight fight between the two of you, | 0:25:35 | 0:25:38 | |
and in the end it may simply come down to who the jury likes more. | 0:25:38 | 0:25:43 | |
And, hard as this may be to believe, Mr McAllister, | 0:25:43 | 0:25:47 | |
not everyone finds your charms irresistible. | 0:25:47 | 0:25:50 | |
All right. | 0:25:51 | 0:25:52 | |
So I'm supposed to just sit there and take it | 0:25:53 | 0:25:55 | |
while she says what she likes about me? | 0:25:55 | 0:25:57 | |
You're supposed to let me defend you. | 0:25:57 | 0:26:00 | |
Because let me assure you... | 0:26:00 | 0:26:02 | |
Once I am through with Miss Hassoun, | 0:26:02 | 0:26:05 | |
it won't just be the jury who don't believe her... | 0:26:05 | 0:26:08 | |
I will have her doubting herself. | 0:26:08 | 0:26:11 | |
Ma, I'm sorry, I...? | 0:26:47 | 0:26:48 | |
It's Madonna. | 0:27:00 | 0:27:02 | |
The school says she's been fighting with the all the other wee lassies. | 0:27:02 | 0:27:06 | |
It's all my fault. | 0:27:06 | 0:27:08 | |
Your fault? I don't see why. | 0:27:08 | 0:27:11 | |
-Have you tried talking to her? -What kind of example am I to her? | 0:27:12 | 0:27:16 | |
Ma, you shouldn't give yourself a hard time. | 0:27:16 | 0:27:19 | |
I mean, we all make mistakes. | 0:27:19 | 0:27:22 | |
I've let things get into such a mess. | 0:27:22 | 0:27:26 | |
I've got to stop thinking about myself | 0:27:26 | 0:27:28 | |
and I've got to start doing right by everybody else. | 0:27:28 | 0:27:30 | |
Look, Mum... | 0:27:34 | 0:27:37 | |
If things are really that bad, then I think that you should... | 0:27:37 | 0:27:42 | |
I think you should look into bankruptcy. | 0:27:42 | 0:27:44 | |
Do you not think it's bad enough the way folk look at me now, | 0:27:51 | 0:27:54 | |
without giving them another label to stick on me? | 0:27:54 | 0:27:56 | |
I know it's not ideal, but it's a way to get back in control. | 0:27:56 | 0:28:00 | |
And, you know, sometimes it's all right to admit when you're beaten. | 0:28:00 | 0:28:04 | |
Aye, maybe. | 0:28:06 | 0:28:08 | |
Good. | 0:28:08 | 0:28:09 | |
Mum... You should speak to Madonna. | 0:28:18 | 0:28:20 | |
Nip this in the bud before it gets any worse. | 0:28:20 | 0:28:23 | |
What're you doing, darling? Is it for school? | 0:28:38 | 0:28:41 | |
-It's a project. -Oh, aye. What's it on? | 0:28:41 | 0:28:46 | |
Mary Barbour. They're putting up a statue of her. | 0:28:46 | 0:28:49 | |
Oh, I see. Can I have a wee look? | 0:28:49 | 0:28:52 | |
"Mary Barbour was an ordinary working woman | 0:28:59 | 0:29:02 | |
"who stood up for the rights of her community | 0:29:02 | 0:29:04 | |
"and fought the bailiffs, | 0:29:04 | 0:29:06 | |
"becoming Glasgow's first female councillor." | 0:29:06 | 0:29:10 | |
She sounds amazing, doesn't she? | 0:29:12 | 0:29:14 | |
Madonna? | 0:29:19 | 0:29:20 | |
Nothing. You finish up there and I'll go make your tea. | 0:29:28 | 0:29:31 | |
No... No, you have made that perfectly clear, | 0:29:41 | 0:29:45 | |
though I fail to understand what the problem is when it was | 0:29:45 | 0:29:49 | |
clearly a genuine mistake. | 0:29:49 | 0:29:51 | |
Yes. | 0:29:53 | 0:29:54 | |
Oh, well. Thanks for nothing. | 0:29:57 | 0:30:00 | |
Liz, what's going on? What's all this? | 0:30:04 | 0:30:06 | |
Oh... | 0:30:06 | 0:30:08 | |
I dropped in at our flat earlier on to let the electrician in, | 0:30:08 | 0:30:14 | |
and found these sitting there. | 0:30:14 | 0:30:17 | |
And then, by the time I got back here, | 0:30:17 | 0:30:21 | |
there was already another couple of bags waiting. | 0:30:21 | 0:30:25 | |
I don't understand. | 0:30:25 | 0:30:27 | |
Well, it seems your father has gone shopping twice and forgotten. | 0:30:27 | 0:30:33 | |
I suppose we should be grateful that he made it back to the right flat | 0:30:35 | 0:30:38 | |
the second time. | 0:30:38 | 0:30:41 | |
-Oh... -I like the way you both assume it was my fault. | 0:30:41 | 0:30:44 | |
I still say they were playing games here. | 0:30:45 | 0:30:48 | |
Have you spoken to the people at the shop? | 0:30:48 | 0:30:50 | |
I went down there and then I spoke to the customer service line, | 0:30:50 | 0:30:56 | |
and they said that they didn't give refunds | 0:30:56 | 0:30:58 | |
unless it was damaged or faulty goods. | 0:30:58 | 0:31:01 | |
But that was £30 worth of shopping. | 0:31:01 | 0:31:04 | |
Do they think we've got money to burn? | 0:31:04 | 0:31:06 | |
Well, it's not the end of the world. We can freeze the extra. | 0:31:06 | 0:31:09 | |
It's the principle of the thing. | 0:31:09 | 0:31:11 | |
I mean, whatever happened to the world when you can't make an honest | 0:31:11 | 0:31:14 | |
mistake without being punished for it? | 0:31:14 | 0:31:16 | |
Well, it's just the way these companies work. | 0:31:16 | 0:31:19 | |
Well, it makes me sick. | 0:31:19 | 0:31:20 | |
Everyone taking advantage to squeeze out a few extra quid. | 0:31:22 | 0:31:25 | |
Whatever happened to common decency? | 0:31:25 | 0:31:27 | |
When people looked out for each other when things went wrong? | 0:31:28 | 0:31:31 | |
Oh, forget it. | 0:31:33 | 0:31:34 | |
Obviously I'm just not cut out for the way the world works nowadays. | 0:31:34 | 0:31:39 | |
Oh, dear. | 0:31:41 | 0:31:42 | |
I knew I should have done it myself. | 0:31:42 | 0:31:46 | |
I can't bear to see your father upset like this. | 0:31:46 | 0:31:49 | |
-Maybe there's something I can do, Liz. -Hmm? | 0:31:49 | 0:31:51 | |
Malcolm? Malcolm? | 0:31:51 | 0:31:55 | |
MUSIC PLAYS FROM TV | 0:32:00 | 0:32:02 | |
Madonna? Cal? | 0:32:59 | 0:33:03 | |
Come and get your breakfast. We need to get ready and go to school. | 0:33:05 | 0:33:09 | |
Oh, look at you all ready to go, Cal, well done. Where's Madonna? | 0:33:11 | 0:33:15 | |
-In there. -Right, sit down. | 0:33:15 | 0:33:18 | |
Madonna, did you not hear me telling you to get ready? | 0:33:20 | 0:33:24 | |
Look, your schoolbag's not even packed yet. | 0:33:27 | 0:33:30 | |
-What's all that about? -I don't want to go. | 0:33:32 | 0:33:34 | |
I thought you liked school. | 0:33:37 | 0:33:40 | |
-Why not, darling? -Everybody picks on me. | 0:33:40 | 0:33:43 | |
Thanks for doing this at such short notice, Jimmy. | 0:33:55 | 0:33:58 | |
Too right it is. They're late as it is. | 0:33:58 | 0:34:00 | |
Did you, eh, speak to the school about...you know? | 0:34:00 | 0:34:03 | |
Madonna, why don't you and Cal just go in the back of the car there? | 0:34:03 | 0:34:06 | |
-Well? Did you? -No. I didn't. | 0:34:09 | 0:34:11 | |
-Scarlett, we spoke about this. -The reason I didn't talk to the school, | 0:34:11 | 0:34:14 | |
is because I talked to Madonna. She admitted it. It's true. | 0:34:14 | 0:34:17 | |
-What? -She said some of the other lassies were picking on her. | 0:34:17 | 0:34:20 | |
You know, about her clothes, and about her not having the right toys. | 0:34:20 | 0:34:23 | |
So she just hit out at them. | 0:34:23 | 0:34:24 | |
-I don't believe this. -I know. It's my fault, Jimmy. | 0:34:24 | 0:34:28 | |
I'm a bad example to her. | 0:34:29 | 0:34:32 | |
I've not been able to provide. That's why this is all happening. | 0:34:32 | 0:34:35 | |
Look, if you were struggling, why did you not come to me? | 0:34:35 | 0:34:38 | |
I know, Jimmy. We're way past that now. | 0:34:38 | 0:34:42 | |
This is about more than just money. | 0:34:42 | 0:34:44 | |
This is about me doing the right thing. | 0:34:44 | 0:34:47 | |
Being a good role model. | 0:34:47 | 0:34:48 | |
I'm her mother, she's supposed to look up to me. | 0:34:48 | 0:34:52 | |
I never had that when I was growing up. | 0:34:53 | 0:34:56 | |
Look, I'm gonnae sort this out. | 0:34:59 | 0:35:02 | |
But I just need to do it my own way. | 0:35:02 | 0:35:04 | |
Dad? | 0:35:23 | 0:35:24 | |
Oh, no! | 0:35:25 | 0:35:28 | |
What are you doing? | 0:35:28 | 0:35:29 | |
She must have hidden it away again. I've looked everywhere. | 0:35:29 | 0:35:34 | |
Where's that tin she keeps? | 0:35:34 | 0:35:37 | |
What are you talking about? | 0:35:37 | 0:35:40 | |
Ah... Your mother! She's been into my pay again. | 0:35:40 | 0:35:43 | |
-I'm down 60 quid. -Mum... | 0:35:43 | 0:35:46 | |
Do you mean Liz? | 0:35:46 | 0:35:48 | |
Ah... Liz. That's what I meant, aye, aye. | 0:35:48 | 0:35:52 | |
She must have tucked it away in that jar she keeps. | 0:35:52 | 0:35:55 | |
Dad, you do realise this isn't your... | 0:35:55 | 0:35:59 | |
-Right, wait. £60? -Aye. | 0:35:59 | 0:36:02 | |
Two lots of 30? | 0:36:02 | 0:36:04 | |
I don't need a maths lesson, I know what 60 quid is. | 0:36:04 | 0:36:06 | |
Dad, are you forgetting about the shopping? | 0:36:06 | 0:36:09 | |
That's what I'm trying to do. | 0:36:09 | 0:36:10 | |
She'll give me dog's abuse if I don't get it in. | 0:36:10 | 0:36:12 | |
Oh... | 0:36:12 | 0:36:14 | |
What? What's the matter with you? | 0:36:15 | 0:36:18 | |
Dad, why don't you and me sit down | 0:36:18 | 0:36:21 | |
and I'll help you figure out what happened to the money. | 0:36:21 | 0:36:23 | |
I don't want to sit down, I want my money back. | 0:36:23 | 0:36:26 | |
And until then, | 0:36:27 | 0:36:28 | |
you can stop treating me like some kind of imbecile! | 0:36:28 | 0:36:31 | |
Oh, no! Where is it? It must be here somewhere! | 0:36:33 | 0:36:37 | |
But that's terrible. And Liz told them about the dementia? | 0:36:41 | 0:36:44 | |
-Yeah. -Do you see now, Eileen, | 0:36:44 | 0:36:46 | |
about the kind of swine that they are? | 0:36:46 | 0:36:49 | |
Well, it certainly made me think twice | 0:36:49 | 0:36:50 | |
about who I'm getting involved with. | 0:36:50 | 0:36:52 | |
And then there's the way they treated you. | 0:36:52 | 0:36:55 | |
Kelly Marie told me about the debt collectors | 0:36:55 | 0:36:57 | |
and the out-of-date meals. Scarlett, I had no idea. | 0:36:57 | 0:37:01 | |
Aye, well, I didn't want it shouted from the rooftops, did I? | 0:37:01 | 0:37:04 | |
It's bad enough getting called a thief. | 0:37:04 | 0:37:06 | |
Well, as I say, it got me thinking... | 0:37:06 | 0:37:08 | |
So I spoke to a friend on the Enquirer. | 0:37:08 | 0:37:11 | |
He's running a story on the company, and from what he tells me | 0:37:11 | 0:37:15 | |
you're not the only person they've treated this way. | 0:37:15 | 0:37:18 | |
It seems it suits them to have a high turnover of staff. | 0:37:18 | 0:37:22 | |
Suits them? But why? | 0:37:22 | 0:37:24 | |
Don't they want good workers? Loyal workers? | 0:37:24 | 0:37:27 | |
Loyal workers means pension schemes, holiday pay... | 0:37:27 | 0:37:31 | |
It's the same with these zero-hour contracts they've been using. | 0:37:31 | 0:37:34 | |
It's all a way for them to avoid their obligations. | 0:37:34 | 0:37:37 | |
But there have been people taking them to court on this | 0:37:37 | 0:37:40 | |
and winning settlements. | 0:37:40 | 0:37:42 | |
What are you suggesting? | 0:37:43 | 0:37:44 | |
I've got a meeting later with one of the regional managers, | 0:37:44 | 0:37:48 | |
I think you might know her. Barbara Rooney? | 0:37:48 | 0:37:50 | |
Oh, aye, I know her. | 0:37:50 | 0:37:52 | |
Well, if you like, you can come along, | 0:37:52 | 0:37:55 | |
and you can put your side of the story to her. | 0:37:55 | 0:37:57 | |
Maybe even try and get your job back. | 0:37:59 | 0:38:01 | |
I'd have more chance nailing jelly to a tree. | 0:38:01 | 0:38:04 | |
Well, I wouldn't be so sure. | 0:38:04 | 0:38:07 | |
They have got a lot at stake with this big launch coming up. | 0:38:08 | 0:38:11 | |
And they're not going to want anything negative coming out. | 0:38:11 | 0:38:14 | |
Why are you doing this? | 0:38:15 | 0:38:17 | |
I mean, Kelly Marie said you weren't interested yesterday. | 0:38:17 | 0:38:20 | |
Let's just say I've had a change of heart. | 0:38:22 | 0:38:24 | |
I've realised it's part of my job. | 0:38:26 | 0:38:28 | |
-Leyla, this is Ms Soren. -Annabelle, please. | 0:38:37 | 0:38:40 | |
-Hi. -Don't be nervous, Mrs Brodie. I won't bite. | 0:38:40 | 0:38:43 | |
-May I? -Oh, yes, of course. | 0:38:45 | 0:38:48 | |
So, as I say, there really is nothing to be nervous about. | 0:38:54 | 0:38:57 | |
Thanks. It's not nerves so much as... | 0:38:58 | 0:39:02 | |
I'm not really sure what's expected of me. | 0:39:02 | 0:39:05 | |
Well, as I explained on the phone, | 0:39:05 | 0:39:07 | |
all I need is your version of events as you saw them. | 0:39:07 | 0:39:10 | |
It's basically to determine your usefulness as a witness | 0:39:10 | 0:39:12 | |
-at the trial. -You mean I might have to speak in court? | 0:39:12 | 0:39:15 | |
That's what we're here to find out. | 0:39:15 | 0:39:17 | |
I'm not sure... | 0:39:17 | 0:39:19 | |
I mean, I didn't really see that much. | 0:39:19 | 0:39:22 | |
What do you want me to say? | 0:39:23 | 0:39:25 | |
Only the truth, Mrs Brodie. | 0:39:25 | 0:39:27 | |
OK. So... | 0:39:35 | 0:39:39 | |
Now we arrive at the next time you encountered Miss Hassoun. | 0:39:39 | 0:39:42 | |
-Which would be...? -Lunchtime. The next day. | 0:39:42 | 0:39:46 | |
The next day. So you never saw her returning home? | 0:39:46 | 0:39:49 | |
Well, I didn't wait up. We had a three-month-old in the house, | 0:39:49 | 0:39:52 | |
-I knew I'd have to be up early. -But you weren't concerned? | 0:39:52 | 0:39:55 | |
Concerned? | 0:39:55 | 0:39:57 | |
Well, Miss Hassoun's shift finished at one | 0:39:57 | 0:39:59 | |
and yet she didn't return home until after three. | 0:39:59 | 0:40:01 | |
That didn't trouble you? | 0:40:01 | 0:40:03 | |
When she didn't come home I just assumed... | 0:40:03 | 0:40:05 | |
You know, that she'd stayed out drinking | 0:40:05 | 0:40:07 | |
or found someone else to go home with. | 0:40:07 | 0:40:09 | |
Leyla! | 0:40:09 | 0:40:10 | |
Sorry, I didn't mean it like that. | 0:40:10 | 0:40:12 | |
So, lunchtime the next day. | 0:40:13 | 0:40:17 | |
And how would you describe Miss Hassoun's demeanour | 0:40:17 | 0:40:20 | |
when you encountered her? Did she seem upset? Distressed? | 0:40:20 | 0:40:23 | |
Oh, look, I don't know. Upset...distressed, confused? | 0:40:23 | 0:40:27 | |
How am I supposed to know what was going on in her head? | 0:40:27 | 0:40:30 | |
Mrs Brodie, I'm not here to trip you up here. | 0:40:32 | 0:40:35 | |
This is simply about giving the jury a clear picture of events. | 0:40:35 | 0:40:38 | |
Look, I understand that. I'm just... | 0:40:38 | 0:40:41 | |
I'm not sure I've got that clear a picture of them myself. | 0:40:41 | 0:40:44 | |
I think we'll leave it there just now. | 0:40:49 | 0:40:50 | |
-Perhaps we can pick this up another time. -OK. | 0:40:50 | 0:40:53 | |
Hello, it's Scarlett Mullen to see Mrs Rooney. | 0:41:23 | 0:41:27 | |
I'm a wee bit early, but erm... | 0:41:28 | 0:41:30 | |
Councillor Donachie will be along shortly. | 0:41:30 | 0:41:33 | |
-Will I take a seat? -Yes. | 0:41:36 | 0:41:37 | |
SHE PRESSES KEYS ON HER PHONE | 0:42:23 | 0:42:25 | |
Hello, Eileen? Where are you? | 0:42:34 | 0:42:36 | |
What? | 0:42:40 | 0:42:41 | |
You're joking. | 0:42:41 | 0:42:43 | |
No, of course. | 0:42:43 | 0:42:45 | |
Aye. No, you do what you have to do. | 0:42:46 | 0:42:48 | |
No, no, I'm fine. See you later. | 0:42:50 | 0:42:52 | |
Mrs Mullen, | 0:42:58 | 0:43:00 | |
Councillor Donachie informed us she was bringing you along, | 0:43:00 | 0:43:03 | |
but er...no Councillor? | 0:43:03 | 0:43:05 | |
She's a wee bit late, but she's on her way. | 0:43:05 | 0:43:08 | |
Perhaps she's decided to stand you up? | 0:43:08 | 0:43:10 | |
No, I told you, she's just running a wee bit late. | 0:43:10 | 0:43:12 | |
I just spoke to her a minute ago. | 0:43:12 | 0:43:13 | |
Well, I suppose since you're here... | 0:43:13 | 0:43:16 | |
But, please, no repeats of last time. | 0:43:16 | 0:43:18 | |
I don't want to have to call security again. | 0:43:18 | 0:43:20 | |
Let's be honest, I was less than thrilled | 0:43:32 | 0:43:35 | |
when I heard that Eileen was bringing you along. | 0:43:35 | 0:43:38 | |
But the councillor has been a strong supporter | 0:43:38 | 0:43:40 | |
of our communities launch, so here you are... | 0:43:40 | 0:43:42 | |
Now, you have five minutes. | 0:43:43 | 0:43:46 | |
Five... | 0:43:46 | 0:43:48 | |
Well, I don't need to tell you about what happened. | 0:43:50 | 0:43:52 | |
Mrs Mullen, we have been over this. | 0:43:53 | 0:43:56 | |
You broke company guidelines that are absolutely clear. | 0:43:56 | 0:43:59 | |
I'm not here to talk about company guidelines, | 0:43:59 | 0:44:03 | |
I'm here to talk about what's right. | 0:44:03 | 0:44:05 | |
The company won't entertain rehiring an employee that stole from us. | 0:44:05 | 0:44:09 | |
I'm sorry if you've wasted your time. | 0:44:09 | 0:44:10 | |
Stole from you? Gonnae stop saying it like that? | 0:44:10 | 0:44:13 | |
Look, I've got a daughter. Madonna. | 0:44:13 | 0:44:17 | |
She's six and she's my life. | 0:44:17 | 0:44:21 | |
And she's already seen me slung out of a job, and labelled a thief. | 0:44:21 | 0:44:25 | |
Do you know how hard it is to try and get a job | 0:44:26 | 0:44:29 | |
when you're called a thief? | 0:44:29 | 0:44:31 | |
And what for? | 0:44:32 | 0:44:34 | |
For some poxy ready meals that were going in the bin anyway. | 0:44:34 | 0:44:37 | |
If you had to choose between company guidelines | 0:44:38 | 0:44:42 | |
and feeding your weans... | 0:44:42 | 0:44:43 | |
..what would you choose? | 0:44:44 | 0:44:45 | |
Scarlett, I am sorry. | 0:44:48 | 0:44:49 | |
But actions have to have consequences. | 0:44:49 | 0:44:52 | |
Surely you understand that? | 0:44:52 | 0:44:53 | |
I understand that. But what about the consequences for me? | 0:44:53 | 0:44:57 | |
I'm not here about the money. | 0:44:57 | 0:44:59 | |
I am here to say my piece. | 0:44:59 | 0:45:01 | |
Look, if you could just give me my job back, Mrs Rooney... | 0:45:01 | 0:45:06 | |
KNOCK ON THE DOOR | 0:45:06 | 0:45:07 | |
Eileen. Please, come in. | 0:45:07 | 0:45:09 | |
Caught in traffic? | 0:45:09 | 0:45:10 | |
No, actually. I had a family matter to sort out. | 0:45:10 | 0:45:14 | |
Something you and I are going to have a wee talk about. | 0:45:14 | 0:45:19 | |
Eileen, you can back me up. | 0:45:19 | 0:45:21 | |
It's not just your staff you treat like dirt, | 0:45:21 | 0:45:24 | |
it's your customers an' all. | 0:45:24 | 0:45:26 | |
Eileen, what's she talking about? | 0:45:26 | 0:45:28 | |
She's talking about my dad, Barbara. But we'll get to that. | 0:45:28 | 0:45:31 | |
First we're going to discuss Scarlett's job. | 0:45:31 | 0:45:34 | |
Then we're going to talk about some of your policies, | 0:45:34 | 0:45:36 | |
especially those relating to refunds and what happened to my father. | 0:45:36 | 0:45:40 | |
Then we're going to talk about your launch on Friday, | 0:45:40 | 0:45:43 | |
and whether you still expect the Council to stay involved | 0:45:43 | 0:45:46 | |
with a company who have the ethics of a bag of weasels. | 0:45:46 | 0:45:50 | |
And then we're going to leave you to think about | 0:45:50 | 0:45:52 | |
how a community-spirited company like yours should respond. | 0:45:52 | 0:45:56 | |
What did you want for dinner? I was thinking chicken. | 0:46:11 | 0:46:14 | |
Or we've got prawns? | 0:46:14 | 0:46:16 | |
How can you stand there and ask me that? | 0:46:16 | 0:46:19 | |
What? | 0:46:19 | 0:46:20 | |
Standing there acting like everything's normal. | 0:46:20 | 0:46:24 | |
Like nothing's happened. | 0:46:24 | 0:46:25 | |
Look, Zinnie, I'm sorry if I didn't say everything I was supposed to. | 0:46:25 | 0:46:28 | |
-I just got nervous, OK? -Nervous? | 0:46:28 | 0:46:32 | |
You practically jumped down her throat | 0:46:32 | 0:46:33 | |
every time she asked you a question. | 0:46:33 | 0:46:35 | |
You were meant to be backing me up. | 0:46:35 | 0:46:37 | |
All right. Well, I'm sorry if I let you down. | 0:46:37 | 0:46:40 | |
What did you mean when you said you weren't clear on events? | 0:46:44 | 0:46:48 | |
-Hmm? -You said it earlier. | 0:46:48 | 0:46:51 | |
That you didn't have a clear picture of events. | 0:46:51 | 0:46:54 | |
-What did you mean? -I didn't mean anything. | 0:46:54 | 0:46:57 | |
Well, you must have meant something. You said it, didn't you? | 0:46:57 | 0:47:01 | |
I just... | 0:47:01 | 0:47:02 | |
I think that it can be difficult sometimes to know | 0:47:03 | 0:47:06 | |
exactly what somebody is really thinking or feeling. | 0:47:06 | 0:47:10 | |
What they meant to do, what they didn't... | 0:47:10 | 0:47:12 | |
Look, sometimes things can get confused in people's heads. | 0:47:12 | 0:47:15 | |
No, not for me. | 0:47:15 | 0:47:18 | |
I know exactly what happened. | 0:47:18 | 0:47:21 | |
Do you? | 0:47:21 | 0:47:22 | |
Look, I just think that since what you did... | 0:47:24 | 0:47:28 | |
That since then that maybe some of your ideas about sex | 0:47:29 | 0:47:33 | |
have become confused. | 0:47:33 | 0:47:35 | |
That the regrets you have over sleeping with a man for money, | 0:47:36 | 0:47:39 | |
-might have... -Go on. | 0:47:39 | 0:47:42 | |
Might have got confused with your regrets over sleeping with Jamie. | 0:47:42 | 0:47:45 | |
I don't believe this. | 0:47:47 | 0:47:48 | |
You know the one person I thought I could count on to help me | 0:47:49 | 0:47:53 | |
through this was you. | 0:47:53 | 0:47:54 | |
So what's the point in me even carrying on | 0:47:56 | 0:47:59 | |
if you won't believe me? | 0:47:59 | 0:48:01 | |
-VOICE MAIL: -'You've reached Detective Chief Inspector Craig Donald. | 0:48:27 | 0:48:30 | |
'I can't take your call right now but please leave a message.' | 0:48:30 | 0:48:33 | |
DCI Donald, it's Zinnie. | 0:48:33 | 0:48:36 | |
Erm... | 0:48:36 | 0:48:38 | |
I'm not really sure why I'm calling. | 0:48:38 | 0:48:40 | |
I...guess I wanted to speak to you. Erm... | 0:48:40 | 0:48:44 | |
I hate leaving these things. | 0:48:46 | 0:48:47 | |
I wanted to say thank you for yesterday. | 0:48:49 | 0:48:51 | |
Today didn't go so well... | 0:48:55 | 0:48:59 | |
with Leyla... | 0:48:59 | 0:49:01 | |
I'm not really sure I can count on her. | 0:49:02 | 0:49:05 | |
It's just making me wonder whether this whole thing is even worth it. | 0:49:05 | 0:49:09 | |
But then I think, why should it be so easy for them? | 0:49:20 | 0:49:24 | |
Why should they get to go on with their lives | 0:49:25 | 0:49:27 | |
when I have to live with this every day? | 0:49:27 | 0:49:29 | |
No. I know I'm doing the right thing now. | 0:49:39 | 0:49:42 | |
Jamie has to pay for what he did. | 0:49:43 | 0:49:45 | |
Right, here's your hot chocolate. | 0:50:08 | 0:50:11 | |
Now, wait till it cools down before you drink it. | 0:50:12 | 0:50:15 | |
So, what's with the get-up? An interview? | 0:50:15 | 0:50:18 | |
Well, not exactly. But I was seeing about a job. | 0:50:18 | 0:50:21 | |
See today, Jimmy, | 0:50:21 | 0:50:22 | |
I just thought I couldn't go on with folk looking down on me | 0:50:22 | 0:50:25 | |
like I'm some poor wee debt-ridden single mammy... | 0:50:25 | 0:50:28 | |
so I've done something about it. Not just for me, | 0:50:28 | 0:50:30 | |
-but for everybody I care about. -Well, that's great. | 0:50:30 | 0:50:33 | |
But have you made any decision about work and the loans? | 0:50:33 | 0:50:36 | |
No, not really. But do you know what? | 0:50:36 | 0:50:38 | |
I'm gonnae be fine. | 0:50:38 | 0:50:40 | |
Cos I've got plenty of folk around that're gonnae help. | 0:50:40 | 0:50:42 | |
-DOOR BELL RINGS -I'll get that. | 0:50:42 | 0:50:44 | |
There's somebody here to see you. | 0:50:49 | 0:50:51 | |
-Eileen. -I had a visitor. | 0:50:51 | 0:50:55 | |
Afternoon, Mrs Mullen. | 0:50:55 | 0:50:56 | |
Good afternoon. | 0:50:56 | 0:50:58 | |
Barbara came round to give me some news. | 0:50:58 | 0:51:00 | |
She wanted me just to pass it on to you, | 0:51:00 | 0:51:01 | |
but I felt it was important that you heard it from her. | 0:51:01 | 0:51:05 | |
Hello. You must be Madonna. | 0:51:07 | 0:51:10 | |
Your mummy's told me all about you. | 0:51:10 | 0:51:12 | |
Aye, well, what was it you want to say to me? | 0:51:12 | 0:51:14 | |
Well, first, I'd like to clear up what happened with Eileen's father. | 0:51:15 | 0:51:19 | |
The company has admitted its error, | 0:51:19 | 0:51:21 | |
and we will be issuing a full refund and an apology. | 0:51:21 | 0:51:24 | |
Aye, I should think so. | 0:51:24 | 0:51:26 | |
And also we've reconsidered our position | 0:51:26 | 0:51:30 | |
with regards your dismissal. | 0:51:30 | 0:51:32 | |
-What do you mean? -Well, we... | 0:51:32 | 0:51:34 | |
I felt that you raised a number of valid points at our meeting, | 0:51:35 | 0:51:39 | |
and I put them as such to management. | 0:51:39 | 0:51:41 | |
What you said made a lot of sense, Mrs Mullen. | 0:51:42 | 0:51:45 | |
And perhaps we were a little hasty in letting go such a valued | 0:51:45 | 0:51:48 | |
member of the community. | 0:51:48 | 0:51:52 | |
So what are you saying, like? | 0:51:52 | 0:51:53 | |
That we'd like to offer Scarlett her job back. | 0:51:53 | 0:51:56 | |
It would only be probationary, for the first three months, | 0:51:57 | 0:52:00 | |
but I'm sure it could lead to something more permanent. | 0:52:00 | 0:52:02 | |
Eh, well...you know what, I'll consider it. | 0:52:06 | 0:52:11 | |
Well, we'd be delighted if you did. | 0:52:11 | 0:52:13 | |
Now, I really ought to be going. | 0:52:14 | 0:52:16 | |
-Thank you. -What about the meals? | 0:52:17 | 0:52:20 | |
-The meals? -Aye. The company's still charging me 200 quid for them. | 0:52:21 | 0:52:25 | |
Well, I'm sure we can look to clearing that debt. | 0:52:25 | 0:52:27 | |
Aye, but what about your policy? | 0:52:27 | 0:52:29 | |
We don't want this happening to anybody else, do we, Eileen? | 0:52:29 | 0:52:32 | |
No. We don't. | 0:52:32 | 0:52:33 | |
Your mummy's a very persuasive lady, isn't she? | 0:52:34 | 0:52:36 | |
Well, I can't promise anything, but I'll look into it. | 0:52:36 | 0:52:39 | |
Goodbye, Mrs Mullen. I'm sure we'll run into each other again. | 0:52:41 | 0:52:45 | |
Aye, right. Thanks. | 0:52:45 | 0:52:46 | |
I cannae believe it! | 0:52:55 | 0:52:57 | |
You all right, Kelly? | 0:53:23 | 0:53:25 | |
You look like somebody's just pulled out your batteries. | 0:53:25 | 0:53:28 | |
Come here, you! | 0:53:28 | 0:53:30 | |
Congratulations, Ma, I just heard. How did you manage to do it, though? | 0:53:30 | 0:53:34 | |
Making them change a decision like that? | 0:53:34 | 0:53:35 | |
I just went down there, and I told them the truth. | 0:53:35 | 0:53:38 | |
Ma, I'm so chuffed for you. | 0:53:38 | 0:53:40 | |
Hopefully this'll be the start of things to get back on track. | 0:53:40 | 0:53:44 | |
Aye, hopefully. | 0:53:44 | 0:53:46 | |
Listen, Kelly, I was thinking about what you said. | 0:53:46 | 0:53:49 | |
You know what, the job's going to help but it's not enough. | 0:53:49 | 0:53:54 | |
I need to take control. | 0:53:55 | 0:53:57 | |
And if that means declaring myself bankrupt... | 0:53:58 | 0:54:00 | |
..that's what I've got to do. | 0:54:01 | 0:54:03 | |
Ma, I know it's not an easy decision to make, but I'm glad. | 0:54:03 | 0:54:07 | |
Kel, listen, there's something I've got to do. | 0:54:08 | 0:54:12 | |
You all right, sweetheart? | 0:54:15 | 0:54:16 | |
Listen. | 0:54:18 | 0:54:19 | |
There's something we need to talk about. | 0:54:22 | 0:54:25 | |
It's about they lassies at school. | 0:54:25 | 0:54:28 | |
Now, I know I told you just to ignore them, and you should, | 0:54:29 | 0:54:33 | |
but there's something else you need to do an' all. | 0:54:34 | 0:54:38 | |
If they ever say anything to you again, you come straight to me | 0:54:38 | 0:54:41 | |
because your mammy's always here for you. | 0:54:41 | 0:54:44 | |
Right? | 0:54:46 | 0:54:47 | |
SONG: "She" by Laura Mvula | 0:54:58 | 0:55:00 | |
# She walked towards you with her head down low | 0:55:00 | 0:55:05 | |
# She wondered if there's a way out of the blue | 0:55:05 | 0:55:10 | |
# Who's gonna take her home this time? | 0:55:10 | 0:55:13 | |
# She knew that this time wouldn't be the last time | 0:55:15 | 0:55:18 | |
# There she waits looking for a saviour | 0:55:39 | 0:55:42 | |
# Someone to save her from her dying self | 0:55:44 | 0:55:47 | |
# Always taking ten steps back and one step forward | 0:55:48 | 0:55:54 | |
# She's tired but she don't stop... # | 0:55:54 | 0:55:57 | |
Just remember you've got to look respectable, sympathetic. | 0:56:14 | 0:56:17 | |
Cool. | 0:56:17 | 0:56:18 | |
-He needs to look innocent. -He IS innocent. | 0:56:18 | 0:56:22 | |
In all likelihood, | 0:56:22 | 0:56:23 | |
they will somehow imply that you are or have been a prostitute. | 0:56:23 | 0:56:27 | |
It's just knowing that they've got my life in their hands. | 0:56:28 | 0:56:32 | |
Yours is in Galbraith's hands. | 0:56:32 | 0:56:34 | |
The accused, James McAllister, maintains a plea of not guilty. | 0:56:34 | 0:56:39 |