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This programme contains scenes which some viewers may find upsetting. | 0:00:02 | 0:00:07 | |
There was this roof. Gustavo used to walk along the top. El Gran Gustavo, he'd call himself. | 0:00:07 | 0:00:13 | |
He said a girl couldn't do it. | 0:00:13 | 0:00:16 | |
So, of course... | 0:00:16 | 0:00:19 | |
A compound fracture to | 0:00:20 | 0:00:21 | |
the radius and the ulna. | 0:00:21 | 0:00:23 | |
I was furious with him, | 0:00:23 | 0:00:26 | |
so I dumped him. | 0:00:26 | 0:00:27 | |
We were nine years old. | 0:00:27 | 0:00:29 | |
That's your answer? He was The One? | 0:00:29 | 0:00:32 | |
Your boyfriend when you were nine? | 0:00:32 | 0:00:34 | |
And 12, and 14, and 15, and 17... | 0:00:34 | 0:00:37 | |
There wasn't a time when I didn't know Gustavo Aguirre. | 0:00:38 | 0:00:42 | |
But, you know, you grow up, | 0:00:42 | 0:00:45 | |
the world gets bigger, the roofs get higher. | 0:00:45 | 0:00:50 | |
So, have you made a decision, Luisa? | 0:00:50 | 0:00:53 | |
I want to be a pathologist, Nikki, but, I have to go home. | 0:00:53 | 0:00:59 | |
I have to do it there, | 0:00:59 | 0:01:01 | |
at least for a while. | 0:01:01 | 0:01:02 | |
It's funny... | 0:01:04 | 0:01:05 | |
We talk about everything, Luisa, | 0:01:05 | 0:01:08 | |
but you never talk about home. | 0:01:08 | 0:01:10 | |
MUSIC: Sheila Take A Bow by The Smiths | 0:01:14 | 0:01:18 | |
No, no, no. | 0:02:11 | 0:02:13 | |
SHE GASPS | 0:02:14 | 0:02:16 | |
# Testator silens | 0:02:21 | 0:02:27 | |
# Costestes e spiritu | 0:02:29 | 0:02:36 | |
# Silentium. # | 0:02:36 | 0:02:44 | |
I spoke to Luisa's father, he said he'd like me to be there, | 0:02:48 | 0:02:52 | |
so it's the least I can do. | 0:02:52 | 0:02:54 | |
The funeral's Thursday, I'll be back for work Monday, I promise. | 0:02:54 | 0:02:57 | |
You take your time. You're going all that way. | 0:02:57 | 0:03:01 | |
Besides, I don't want you back here | 0:03:01 | 0:03:03 | |
brandishing scalpels | 0:03:03 | 0:03:04 | |
-and head saws all jet-lagged and... -I'll be fine, Thomas. | 0:03:04 | 0:03:07 | |
Do the police have anything more? | 0:03:07 | 0:03:10 | |
A car-jacking. | 0:03:10 | 0:03:12 | |
But Luisa knew it was a dangerous area, | 0:03:12 | 0:03:15 | |
I suppose that's why she chose to volunteer there. | 0:03:15 | 0:03:18 | |
We deal with this stuff every day, don't we? | 0:03:18 | 0:03:22 | |
Yeah, but that's work. You were friends. | 0:03:22 | 0:03:25 | |
She was meant to live, Thomas. | 0:03:25 | 0:03:27 | |
She was meant to achieve something. | 0:03:27 | 0:03:29 | |
I felt that in her. | 0:03:29 | 0:03:31 | |
We all did. | 0:03:31 | 0:03:32 | |
Taxi's waiting. | 0:03:32 | 0:03:34 | |
-Bye. -Bye. | 0:03:36 | 0:03:38 | |
'Before I started this internship with you,' | 0:04:01 | 0:04:04 | |
I never understood why anyone would want to specialise in death. | 0:04:04 | 0:04:08 | |
But what you do isn't about death, is it? | 0:04:10 | 0:04:14 | |
It's about the value we place on a life. | 0:04:15 | 0:04:18 | |
'That's what I've learnt from you, Clarissa, Jack and Thomas.' | 0:04:19 | 0:04:24 | |
Mr Herrera? | 0:04:35 | 0:04:38 | |
I'm Nikki. | 0:04:38 | 0:04:40 | |
Oh, Nikki. | 0:04:40 | 0:04:42 | |
I'm so sorry. | 0:04:43 | 0:04:45 | |
Thank you for coming. | 0:04:47 | 0:04:49 | |
We couldn't have an open coffin. | 0:05:07 | 0:05:09 | |
Her face was... | 0:05:11 | 0:05:13 | |
Follow me. | 0:05:18 | 0:05:20 | |
'You're lucky, Nikki, to be from here. | 0:05:29 | 0:05:32 | |
'There's nothing in England that can kill you. | 0:05:32 | 0:05:35 | |
'No snakes, no spiders, no jellyfish,' | 0:05:35 | 0:05:38 | |
no tornadoes, no volcanoes, no mud-slides, | 0:05:38 | 0:05:41 | |
'no malaria. All so nice.' | 0:05:41 | 0:05:45 | |
-'So, where is he now, El Gran Gustavo? -Eh, who knows?' | 0:05:49 | 0:05:53 | |
Probably a fat dentist in Chihuahua. | 0:05:53 | 0:05:56 | |
LAUGHTER | 0:05:56 | 0:05:58 | |
When she came back, | 0:06:09 | 0:06:10 | |
I hoped we would get a chance to get to know each other again. | 0:06:10 | 0:06:14 | |
'She said she was volunteering at a clinic.' | 0:06:20 | 0:06:23 | |
'Yeah, Proyecto Reunido.' | 0:06:23 | 0:06:24 | |
Those people help victims of the cartels. | 0:06:26 | 0:06:29 | |
'I didn't know. | 0:06:31 | 0:06:32 | |
'We kept in touch for a while, but...' | 0:06:34 | 0:06:37 | |
She didn't tell me either. | 0:06:37 | 0:06:39 | |
'No, Luisa hadn't given birth.' | 0:06:52 | 0:06:55 | |
'We couldn't have an open coffin. | 0:07:31 | 0:07:35 | |
'Her face was...' | 0:07:35 | 0:07:37 | |
'Compound fracture to the radius and the ulna.' | 0:07:50 | 0:07:53 | |
That's why I wanted you here. | 0:07:55 | 0:07:57 | |
Where is my daughter's body? | 0:07:58 | 0:08:01 | |
I've been speaking to the coroner and the state pathologist. | 0:08:04 | 0:08:08 | |
They both confirm that the woman they examined | 0:08:08 | 0:08:10 | |
had indeed given birth | 0:08:10 | 0:08:11 | |
and there was no scar on the left forearm. | 0:08:11 | 0:08:14 | |
I don't know what to say. | 0:08:14 | 0:08:16 | |
So, where is Luisa Herrera? | 0:08:16 | 0:08:18 | |
I think this must have been a confusion in the mortuary. | 0:08:18 | 0:08:21 | |
Unfortunately, it's a very busy place, | 0:08:21 | 0:08:24 | |
many bodies with similar injuries to Miss Herrera. | 0:08:24 | 0:08:27 | |
Luisa's body must have been, um, written up under the wrong name. | 0:08:27 | 0:08:32 | |
But she is in your mortuary, isn't she? | 0:08:33 | 0:08:35 | |
Her father has a funeral planned for tomorrow. | 0:08:37 | 0:08:40 | |
I am very sorry for Mr Herrera. | 0:08:40 | 0:08:42 | |
Are there any suspects yet in Luisa's case? | 0:08:45 | 0:08:48 | |
Miss Herrera was driving unaccompanied in an area | 0:08:48 | 0:08:51 | |
where armed gangs are known to operate. | 0:08:51 | 0:08:53 | |
She was murdered in the course of a robbery. | 0:08:53 | 0:08:56 | |
I've told Mr Herrera I will let him know | 0:08:56 | 0:08:59 | |
as soon as we have anything new. | 0:08:59 | 0:09:01 | |
There is something else that I don't understand, Commander. | 0:09:03 | 0:09:07 | |
Luisa's father said that when he was first informed that | 0:09:07 | 0:09:10 | |
his daughter's car was found abandoned on the road, | 0:09:10 | 0:09:13 | |
there was no mention of a body. | 0:09:13 | 0:09:15 | |
But the police report says that | 0:09:15 | 0:09:17 | |
her body was found right next to her car. | 0:09:17 | 0:09:20 | |
We have had 117 abductions and murders | 0:09:20 | 0:09:23 | |
in February alone in Sinaloa. | 0:09:23 | 0:09:26 | |
Many of the victims' remains are never found. | 0:09:26 | 0:09:29 | |
Let's hope Mr Herrera is luckier than that. | 0:09:29 | 0:09:31 | |
Luisa went somewhere she should not have gone. | 0:09:33 | 0:09:36 | |
Please, don't make the same mistake. | 0:09:36 | 0:09:39 | |
TYRES SCREECH | 0:09:48 | 0:09:50 | |
HORN BLARES | 0:09:55 | 0:09:56 | |
TAXI DRIVER SHOUTS IN SPANISH | 0:09:56 | 0:09:58 | |
BOY SHOUTS IN SPANISH | 0:09:58 | 0:10:01 | |
Why are we stopping? | 0:10:12 | 0:10:13 | |
MAN SPEAKS SPANISH | 0:10:13 | 0:10:15 | |
I wanted to go to this place. | 0:10:15 | 0:10:17 | |
Gracias. | 0:10:20 | 0:10:21 | |
-Identificacion! -Perdon. | 0:10:23 | 0:10:26 | |
Identificacion! | 0:10:28 | 0:10:30 | |
I'm looking for Dr Vasquez. Eva Vasquez. | 0:10:30 | 0:10:34 | |
-You're Dr Alexander? -Yes. | 0:10:45 | 0:10:47 | |
-You're Nikki? -Yes. | 0:10:47 | 0:10:49 | |
She talked about you all the time. | 0:10:52 | 0:10:55 | |
Come, Nikki, let me show you around. | 0:10:58 | 0:11:01 | |
So, this is why Luisa wanted to come back. | 0:11:11 | 0:11:13 | |
She was the answer to our prayers, Nikki. | 0:11:13 | 0:11:17 | |
This project is citizen-led, there are no professionals. | 0:11:17 | 0:11:20 | |
The training she had, | 0:11:20 | 0:11:22 | |
the training you gave her was the most amazing gift to us. | 0:11:22 | 0:11:26 | |
That's how we started this whole DNA database, | 0:11:26 | 0:11:30 | |
there are more than 3,000 families on it now. | 0:11:30 | 0:11:33 | |
Luisa was helping to find our missing people. | 0:11:36 | 0:11:39 | |
So, what was she doing on the day she disappeared? | 0:11:39 | 0:11:42 | |
She was collecting DNA samples from families in San Lorenzo. | 0:11:42 | 0:11:46 | |
She had a safe route there and back. | 0:11:46 | 0:11:49 | |
You think she was followed? Targeted? | 0:11:49 | 0:11:52 | |
Her car was found more than 50km off her route home. | 0:11:52 | 0:11:55 | |
The police said it was a dangerous area. | 0:11:55 | 0:11:57 | |
That's what I don't understand. | 0:11:57 | 0:11:59 | |
What was she doing out there? | 0:11:59 | 0:12:01 | |
So, they gave him some other girl's body? | 0:12:03 | 0:12:06 | |
Dios mio. | 0:12:06 | 0:12:08 | |
These sort of mistakes are common? | 0:12:08 | 0:12:10 | |
They're common, but they're not mistakes. | 0:12:10 | 0:12:12 | |
The police don't want to investigate cartel crimes. | 0:12:12 | 0:12:16 | |
So, if the police don't have Luisa's body, then where is she? | 0:12:16 | 0:12:20 | |
Isn't it possible she might still be alive? | 0:12:20 | 0:12:22 | |
Nikki, let me show you something. | 0:12:22 | 0:12:25 | |
The Disappeared. | 0:12:35 | 0:12:37 | |
Officially there are 30,000 in Mexico. | 0:12:37 | 0:12:41 | |
All these people have been taken by the cartels? | 0:12:41 | 0:12:45 | |
Sometimes it takes years for their bodies to show up. | 0:12:45 | 0:12:48 | |
Many never do. | 0:12:48 | 0:12:50 | |
That's what this project is for. | 0:12:50 | 0:12:52 | |
We locate the bodies and bring them back to their families. | 0:12:52 | 0:12:56 | |
And Luisa's one of them now. | 0:13:02 | 0:13:05 | |
So, we might never find her? | 0:13:05 | 0:13:07 | |
It must be hard for you to understand. | 0:13:07 | 0:13:10 | |
Why hide the bodies? | 0:13:10 | 0:13:12 | |
If the cartels aren't afraid of the police, the courts... | 0:13:12 | 0:13:15 | |
To torture us. Without a funeral, our lives stop. | 0:13:15 | 0:13:20 | |
We're all left twisting in the dark. | 0:13:20 | 0:13:23 | |
Who did you lose, Eva? | 0:13:28 | 0:13:30 | |
Miguel, my eldest. Five years ago. | 0:13:32 | 0:13:35 | |
That's how I got involved, that's how this started. | 0:13:35 | 0:13:38 | |
We found him only last summer. | 0:13:38 | 0:13:42 | |
I'm sorry. | 0:13:42 | 0:13:43 | |
Don't be sorry for me. | 0:13:43 | 0:13:45 | |
I got a funeral, a place to bring flowers, to mourn. | 0:13:45 | 0:13:49 | |
Be sorry for the ones still searching. | 0:13:49 | 0:13:52 | |
Be sorry for Senor Herrera. | 0:13:52 | 0:13:54 | |
-LUISA: -'I want to be a pathologist, Nikki, but...' | 0:13:58 | 0:14:02 | |
I have to go home. I have to do it there, | 0:14:02 | 0:14:05 | |
'at least for a while. | 0:14:05 | 0:14:07 | |
'Do you understand?' | 0:14:10 | 0:14:12 | |
You say the police won't have investigated Luisa's case, | 0:14:13 | 0:14:17 | |
maybe I can take a look. | 0:14:17 | 0:14:19 | |
I mean, I am here. I'd like to help. | 0:14:19 | 0:14:21 | |
I already have Luisa's death on my conscience. | 0:14:21 | 0:14:23 | |
Luisa thought it was worth risking her life to find the bodies | 0:14:23 | 0:14:26 | |
and bring them home. | 0:14:26 | 0:14:28 | |
I've got to do something to help find her, haven't I? | 0:14:28 | 0:14:30 | |
-Can't I use what I do? -Nikki, how? With what? | 0:14:30 | 0:14:35 | |
Oi, careful with that. | 0:14:37 | 0:14:38 | |
That's 250 grand's worth of Lyell Centre property. | 0:14:38 | 0:14:41 | |
"One SwiftShot DNA machine." It's on her list. | 0:14:41 | 0:14:44 | |
The project has to send DNA to a lab in Arizona, it takes weeks. | 0:14:44 | 0:14:48 | |
Why do I feel like I'm sending good colleagues after bad? | 0:14:48 | 0:14:50 | |
Does that make me the good colleague for once? | 0:14:50 | 0:14:52 | |
I'm going because she asked. | 0:14:52 | 0:14:53 | |
I'm not sure how I feel about this "projecto" thing. Private citizens, | 0:14:53 | 0:14:56 | |
family members running around digging up dead bodies? | 0:14:56 | 0:14:58 | |
Isn't that our job. | 0:14:58 | 0:14:59 | |
Well, who's going to care more than the families? | 0:14:59 | 0:15:01 | |
I get it, I do, and I want to help too, | 0:15:01 | 0:15:03 | |
but realistically, what can we hope to achieve? | 0:15:03 | 0:15:05 | |
She reckons Luisa was lured into the area, | 0:15:05 | 0:15:08 | |
that the police were colluding with the drug cartels. | 0:15:08 | 0:15:10 | |
The police? Christ! What is she doing? | 0:15:10 | 0:15:14 | |
Something. Anything. I think that's the point. | 0:15:14 | 0:15:16 | |
Look, I go out there for a day or two, OK? We do what we can, | 0:15:16 | 0:15:20 | |
DNA testing, first-stage forensics of the crime scene, | 0:15:20 | 0:15:22 | |
-give them a start, at least. -That's not why I'm letting you go. | 0:15:22 | 0:15:25 | |
I'm sending you to bring Nikki home, Jack. | 0:15:25 | 0:15:27 | |
You take whatever you want, but bring her home, OK? | 0:15:27 | 0:15:32 | |
Your flight connection in Houston is barely 40 minutes, | 0:15:36 | 0:15:41 | |
so you'll have to run. | 0:15:41 | 0:15:44 | |
Jack... | 0:15:44 | 0:15:45 | |
I know. I will be. | 0:15:46 | 0:15:49 | |
Don't worry. | 0:15:50 | 0:15:51 | |
Her car was found here? | 0:15:56 | 0:15:57 | |
We must be, what, 30km from the nearest town? | 0:15:59 | 0:16:02 | |
She had no reason to be out here. Nobody comes here. | 0:16:02 | 0:16:06 | |
Why? | 0:16:06 | 0:16:08 | |
Why kill her? | 0:16:08 | 0:16:09 | |
Why kill any of them? | 0:16:09 | 0:16:11 | |
If everyone is terrified, who will stand up to them? | 0:16:12 | 0:16:15 | |
One day we will wake up and discover they own every city | 0:16:15 | 0:16:18 | |
and town in Mexico. | 0:16:18 | 0:16:20 | |
MEN SHOUT IN SPANISH | 0:16:20 | 0:16:24 | |
Do you know him? | 0:16:24 | 0:16:26 | |
Jack. | 0:16:26 | 0:16:27 | |
So, we're the yellow team, are we? | 0:16:27 | 0:16:29 | |
They're the Autodefensas, a resistance group. | 0:16:29 | 0:16:31 | |
They're like us, pushing back against the cartels. | 0:16:31 | 0:16:34 | |
Yeah, but you use DNA swabs, not guns. | 0:16:34 | 0:16:36 | |
So, the car was burnt out. Why? To destroy evidence? | 0:16:36 | 0:16:39 | |
They don't seem to care much about evidence. | 0:16:39 | 0:16:42 | |
She was travelling this direction. | 0:16:42 | 0:16:44 | |
There's no skid marks, | 0:16:44 | 0:16:46 | |
so it seems like the car came to a controlled stop. | 0:16:46 | 0:16:50 | |
To look at a map, her phone? | 0:16:50 | 0:16:51 | |
In the middle of the road? Unlikely. | 0:16:51 | 0:16:54 | |
Maybe there was something in the road. | 0:16:55 | 0:16:57 | |
Or someone. | 0:17:03 | 0:17:05 | |
They knew she was coming. | 0:17:13 | 0:17:15 | |
They were waiting for her. | 0:17:15 | 0:17:17 | |
What about her personal effects? | 0:17:17 | 0:17:19 | |
I suggest we start searching the roadsides by quadrants. | 0:17:19 | 0:17:22 | |
Maybe the Norwich City reserves can help us out? | 0:17:22 | 0:17:25 | |
Oh, to be in England now that summer's here. | 0:17:28 | 0:17:31 | |
You're not afraid of snakes, then? | 0:17:33 | 0:17:36 | |
MAN SHOUTS IN SPANISH | 0:17:36 | 0:17:38 | |
Gracias. | 0:17:38 | 0:17:40 | |
Is it hers? | 0:17:42 | 0:17:44 | |
GUNSHOTS | 0:17:44 | 0:17:47 | |
I can't unlock it, but I've got the data stream. | 0:17:47 | 0:17:49 | |
She called this number, 7.16pm. | 0:17:49 | 0:17:52 | |
The call lasted three seconds. She ended the call. | 0:17:52 | 0:17:54 | |
Do you recognise the number? | 0:17:54 | 0:17:56 | |
I'm having it checked. | 0:17:56 | 0:17:57 | |
The previous call was five hours earlier. This number. | 0:17:57 | 0:18:00 | |
She leaves San Lorenzo and heads east instead of south for home. | 0:18:00 | 0:18:05 | |
-But why? -Don't know. Wait. Here. | 0:18:05 | 0:18:09 | |
She stops here for three hours. | 0:18:09 | 0:18:12 | |
There's nothing there. | 0:18:12 | 0:18:14 | |
There's some small farms nearby, | 0:18:14 | 0:18:16 | |
but they're all the other side of the river. | 0:18:16 | 0:18:17 | |
-Can we go there? -No. -No, why? | 0:18:17 | 0:18:19 | |
Nikki, it's not our... | 0:18:19 | 0:18:21 | |
I'm just talking about taking a look. | 0:18:21 | 0:18:23 | |
The number, the one Luisa called, | 0:18:23 | 0:18:25 | |
it's Stavo. El Profesor. | 0:18:25 | 0:18:29 | |
He's the head of the Autodefensas. | 0:18:29 | 0:18:31 | |
No, I didn't get a call from Luisa, | 0:18:32 | 0:18:34 | |
and there's no sign of it on my call log. | 0:18:34 | 0:18:36 | |
No voicemail? No message? | 0:18:36 | 0:18:38 | |
Where we are going, the area you say Luisa stopped, it's dangerous, | 0:18:38 | 0:18:41 | |
so let me and the men go first, OK? | 0:18:41 | 0:18:43 | |
THEY SPEAK SPANISH | 0:18:43 | 0:18:47 | |
HE CHUCKLES | 0:18:47 | 0:18:49 | |
HE SPEAKS SPANISH | 0:18:49 | 0:18:52 | |
El Profesor. | 0:19:06 | 0:19:08 | |
So, you're a teacher, right? | 0:19:08 | 0:19:09 | |
I haven't set foot in a classroom for five years, | 0:19:09 | 0:19:12 | |
but they still call me teacher. They think it's funny. | 0:19:12 | 0:19:14 | |
A teacher with a gun is pretty funny. | 0:19:14 | 0:19:17 | |
I came up from Mexico City to teach in Culiacan. | 0:19:17 | 0:19:20 | |
One day the Templarios Cartel got into the school | 0:19:20 | 0:19:22 | |
and took seven teachers. | 0:19:22 | 0:19:24 | |
They left their heads on a dirt road for | 0:19:24 | 0:19:26 | |
the kids to find on their way home. | 0:19:26 | 0:19:28 | |
Stavo and his men helped the people set up safe zones in their towns. | 0:19:28 | 0:19:32 | |
Every town the Autodefensas turn away from the cartels, | 0:19:32 | 0:19:35 | |
the people come to us, they lead us to the burial sites. | 0:19:35 | 0:19:38 | |
Where else in the world could a pathologist lead a revolution? | 0:19:38 | 0:19:42 | |
Is that how she saw it? Luisa? | 0:19:43 | 0:19:46 | |
That's it. Up on the hill. | 0:19:48 | 0:19:50 | |
The greenhouses. | 0:19:50 | 0:19:51 | |
CHATTERING IN SPANISH | 0:19:58 | 0:20:03 | |
They're rotting. | 0:20:09 | 0:20:11 | |
Where is everyone? | 0:20:11 | 0:20:13 | |
We shouldn't be here. | 0:20:14 | 0:20:15 | |
Weedkiller. | 0:20:16 | 0:20:18 | |
Killed everything in here. | 0:20:19 | 0:20:21 | |
What is it? | 0:20:30 | 0:20:31 | |
It's from the project. | 0:20:31 | 0:20:33 | |
No Luisa. | 0:20:35 | 0:20:37 | |
HE SPEAKS SPANISH | 0:20:37 | 0:20:39 | |
Luisa was here. | 0:20:39 | 0:20:41 | |
Maybe someone in San Lorenzo told her | 0:20:45 | 0:20:47 | |
the farmworkers here would be willing to give DNA. | 0:20:47 | 0:20:51 | |
Why wouldn't she have told you she was coming here? | 0:20:51 | 0:20:54 | |
Because I would have told her not to. | 0:20:54 | 0:20:56 | |
Jack. | 0:21:03 | 0:21:04 | |
Butane. Look, there's blood on it. | 0:21:04 | 0:21:07 | |
Got more blood here. | 0:21:10 | 0:21:12 | |
When they got Luisa, they must have found the forms, the samples. | 0:21:19 | 0:21:23 | |
They knew what she'd been doing, where she'd been. | 0:21:23 | 0:21:27 | |
The DNA forms led them straight here. | 0:21:27 | 0:21:29 | |
Hilario Lopez. | 0:21:42 | 0:21:45 | |
Hilario Lopez! | 0:21:45 | 0:21:47 | |
-HE SHOUTS: -Hilario Lopez! | 0:21:50 | 0:21:52 | |
Hilario Lopez. Eh? | 0:21:54 | 0:21:57 | |
HE CHUCKLES | 0:22:03 | 0:22:05 | |
HE CHUCKLES | 0:22:05 | 0:22:07 | |
WOMAN SCREAMS | 0:22:07 | 0:22:08 | |
Anyone who works for us, anyone who gives us DNA, | 0:22:10 | 0:22:13 | |
everyone's a target now. | 0:22:13 | 0:22:15 | |
MAN SPEAKS SPANISH | 0:22:15 | 0:22:18 | |
They're here, aren't they? | 0:22:22 | 0:22:24 | |
No, tell them to wait. | 0:22:25 | 0:22:27 | |
SHE SPEAKS SPANISH | 0:22:27 | 0:22:30 | |
Get back! Get back! | 0:22:30 | 0:22:32 | |
THEY SPEAK SPANISH | 0:22:32 | 0:22:34 | |
Oh, my God! | 0:22:48 | 0:22:49 | |
Six. | 0:23:00 | 0:23:01 | |
All gunshot wounds to the head. All men. | 0:23:01 | 0:23:04 | |
Luisa is not here? You're sure of it? | 0:23:04 | 0:23:06 | |
They took out the ones they thought that were strong, | 0:23:06 | 0:23:08 | |
-so the rest would go quietly. -He owns the main farm. | 0:23:08 | 0:23:10 | |
He had 28 workers here for the harvest. | 0:23:10 | 0:23:13 | |
Hadn't he noticed they'd gone missing? | 0:23:13 | 0:23:15 | |
They were only due to go back to the main farm tomorrow. | 0:23:15 | 0:23:18 | |
They hadn't been missed. | 0:23:18 | 0:23:19 | |
Six dead. 22 unaccounted for. | 0:23:19 | 0:23:22 | |
And Luisa. | 0:23:22 | 0:23:24 | |
They could be anywhere. | 0:23:24 | 0:23:26 | |
She could be anywhere. | 0:23:26 | 0:23:28 | |
OK. Ciao. | 0:23:41 | 0:23:43 | |
We have a room ready for you. | 0:23:43 | 0:23:45 | |
It's not what you're used to. | 0:23:45 | 0:23:46 | |
What was this place? | 0:23:46 | 0:23:48 | |
It was built 100 years ago as a leper colony. | 0:23:48 | 0:23:51 | |
Now, we are the lepers - the untouchables. | 0:23:51 | 0:23:54 | |
Body one of six. | 0:23:58 | 0:24:00 | |
The body is that of a man in his early 30s, | 0:24:00 | 0:24:03 | |
apparently well-nourished. | 0:24:03 | 0:24:05 | |
There are external indications of blunt instrument trauma to | 0:24:06 | 0:24:11 | |
the feet and ankles. | 0:24:11 | 0:24:13 | |
There is scorching to the skin, | 0:24:17 | 0:24:20 | |
but it only reaches through some of the epidermal layers. | 0:24:20 | 0:24:23 | |
They've got a new toy. | 0:24:23 | 0:24:24 | |
The burns are partial thickness. | 0:24:28 | 0:24:30 | |
Full thickness burns destroy the nerves as well. | 0:24:30 | 0:24:32 | |
That's not what they wanted. | 0:24:32 | 0:24:34 | |
They wanted this to hurt. | 0:24:34 | 0:24:35 | |
The burns would have caused excruciating pain, | 0:24:35 | 0:24:38 | |
but it's unlikely that they were cause of death. | 0:24:38 | 0:24:40 | |
They're high, drunk most of the time. | 0:24:40 | 0:24:43 | |
They get off on it. | 0:24:43 | 0:24:45 | |
There are nine distinct bullet wounds, to the neck, | 0:24:47 | 0:24:50 | |
face and head. | 0:24:50 | 0:24:52 | |
Massive trauma to the lower jaw and upper teeth, | 0:24:53 | 0:24:56 | |
presumably to inhibit identification. | 0:24:56 | 0:24:58 | |
Jack, DNA swabs ready for the SwiftShot. | 0:25:11 | 0:25:14 | |
I've been through Luisa's phone. | 0:25:14 | 0:25:16 | |
There's nothing much of note, except for this, | 0:25:16 | 0:25:18 | |
on the morning she was taken. | 0:25:18 | 0:25:19 | |
She was called from that number? | 0:25:19 | 0:25:21 | |
It's a call box in San Lorenzo. | 0:25:21 | 0:25:23 | |
The call lasted less than a minute. Mean anything to you? | 0:25:23 | 0:25:25 | |
It's probably nothing. | 0:25:25 | 0:25:27 | |
What's that sound? | 0:25:31 | 0:25:33 | |
INDISTINCT PRAYING | 0:25:33 | 0:25:36 | |
The farmworkers were from Chilapa. | 0:25:36 | 0:25:39 | |
The families heard that we found bodies. | 0:25:39 | 0:25:41 | |
They're praying. | 0:25:43 | 0:25:45 | |
Until now it's taken us four weeks to get a single DNA match. | 0:25:47 | 0:25:51 | |
In an hour and a half they'll know. | 0:25:54 | 0:25:56 | |
I see why Luisa wanted to be here. | 0:26:06 | 0:26:09 | |
Back home, what we do is important, but here... | 0:26:09 | 0:26:12 | |
Without Luisa... | 0:26:12 | 0:26:14 | |
We need to think about going home, Nikki. | 0:26:16 | 0:26:18 | |
Maybe we come back when there's something new, | 0:26:18 | 0:26:20 | |
when they get a lead on Luisa. | 0:26:20 | 0:26:22 | |
Of course, it's always possible we'll leave something behind, | 0:26:24 | 0:26:27 | |
-like that dinky SwiftShot... -Senor Herrera. -..machine. | 0:26:27 | 0:26:31 | |
-Hi, Nikki. -You came. | 0:26:31 | 0:26:34 | |
This is where I belong, isn't it? With people like me? | 0:26:34 | 0:26:38 | |
Eva. | 0:26:41 | 0:26:42 | |
Eva, this is Senor Herrera. Eva Vasquez. | 0:26:42 | 0:26:46 | |
SHE SPEAKS SPANISH | 0:26:46 | 0:26:48 | |
SHE SPEAKS SPANISH | 0:26:59 | 0:27:02 | |
-LUISA: -'What you do isn't about death, is it? | 0:27:25 | 0:27:29 | |
'It's about the value we place' | 0:27:29 | 0:27:31 | |
on a life. | 0:27:31 | 0:27:32 | |
Nikki. | 0:27:34 | 0:27:36 | |
Where is everybody? | 0:27:41 | 0:27:42 | |
MAN SPEAKS SPANISH | 0:27:44 | 0:27:48 | |
This is Chilapa. | 0:27:48 | 0:27:50 | |
-Chilapa? -Mm-hm. -This is where the farmworkers were from. | 0:27:50 | 0:27:53 | |
MAN SPEAKS SPANISH | 0:27:53 | 0:27:56 | |
What's he saying? | 0:28:02 | 0:28:04 | |
He's saying not to be afraid. | 0:28:05 | 0:28:06 | |
We are as strong as the cartels. | 0:28:06 | 0:28:08 | |
"They took 28 of our young men and women and they killed them. | 0:28:10 | 0:28:15 | |
"They won't stop until we say, enough, no more. | 0:28:16 | 0:28:19 | |
"They can't kill our children, they can't steal from us, no more. | 0:28:22 | 0:28:26 | |
"Whoever wants to be a volunteer to lift up their hands." | 0:28:30 | 0:28:34 | |
SHOUTING | 0:28:36 | 0:28:39 | |
We didn't say he could use our report for this. | 0:28:51 | 0:28:53 | |
Sometimes people need to be shocked into action. | 0:28:53 | 0:28:56 | |
Aren't you afraid? Especially now? | 0:28:56 | 0:29:00 | |
I'm always afraid, Nikki. But he's right, we have a choice. | 0:29:00 | 0:29:05 | |
We need to say, "Yes, we're afraid and, no, we're not going to stop." | 0:29:05 | 0:29:10 | |
Jack? | 0:29:19 | 0:29:21 | |
GUNSHOT | 0:29:32 | 0:29:34 | |
GUNSHOT | 0:29:35 | 0:29:37 | |
THEY SPEAK SPANISH | 0:29:37 | 0:29:40 | |
GUNSHOTS | 0:29:40 | 0:29:42 | |
SHOUTING IN SPANISH | 0:29:48 | 0:29:52 | |
Where are you taking them? Hey! Hey! Hey! | 0:29:58 | 0:30:00 | |
Where are you taking them? | 0:30:00 | 0:30:02 | |
Huh? Wait. Where are you taking them? | 0:30:02 | 0:30:04 | |
What are you going to do with...? What are you doing with them? | 0:30:04 | 0:30:07 | |
Wait. Wait. | 0:30:07 | 0:30:09 | |
Please! Don't kill them! | 0:30:09 | 0:30:11 | |
Stavo! Stop. Stop, please, stop, stop them. | 0:30:14 | 0:30:18 | |
I think these are the guys who took Luisa. From the torch. | 0:30:18 | 0:30:21 | |
THEY SPEAK SPANISH | 0:30:25 | 0:30:29 | |
GUNSHOTS | 0:30:30 | 0:30:32 | |
Who are they? | 0:30:38 | 0:30:40 | |
The women led my men to them. | 0:30:40 | 0:30:42 | |
This one here is called El Buitre. | 0:30:44 | 0:30:47 | |
El Buitre? | 0:30:47 | 0:30:48 | |
The Vulture. He kills for them. | 0:30:48 | 0:30:51 | |
That's him? | 0:30:51 | 0:30:52 | |
INDISTINCT SHOUTING | 0:31:01 | 0:31:05 | |
POLICE SIREN BLARES | 0:31:11 | 0:31:13 | |
I thought you said the police weren't going to help. | 0:31:19 | 0:31:21 | |
They're not here to help. Not us, anyway. | 0:31:21 | 0:31:23 | |
What's going on? | 0:31:25 | 0:31:26 | |
They're accusing us of kidnapping these men. | 0:31:26 | 0:31:28 | |
He wants us to release them into his care. | 0:31:28 | 0:31:31 | |
They're going to take our weapons. | 0:31:37 | 0:31:39 | |
But isn't it good? They'll lock them up. | 0:31:41 | 0:31:43 | |
At the best they will keep them for a couple of days | 0:31:43 | 0:31:46 | |
and release them back to their friends. | 0:31:46 | 0:31:48 | |
Dr Alexander, what are you doing here? | 0:31:53 | 0:31:55 | |
Do you have any idea what you're getting involved in? | 0:31:55 | 0:31:57 | |
I'm not involved in anything, Commander. | 0:31:57 | 0:31:59 | |
That man, it's possible he's responsible for | 0:31:59 | 0:32:01 | |
my friend's disappearance. | 0:32:01 | 0:32:02 | |
I'd like to get a DNA sample from him before you take him away. | 0:32:02 | 0:32:04 | |
Are you serious? | 0:32:04 | 0:32:06 | |
SHE GASPS | 0:32:06 | 0:32:08 | |
Thanks. That's all I need. | 0:32:10 | 0:32:13 | |
INDISTINCT SHOUTING | 0:32:17 | 0:32:21 | |
HE SHOUTS IN SPANISH | 0:32:21 | 0:32:23 | |
INDISTINCT SHOUTING | 0:32:37 | 0:32:41 | |
POLICE SIRENS BLARE | 0:32:43 | 0:32:47 | |
APPLAUSE AND CHEERING | 0:32:52 | 0:32:56 | |
THEY CHANT IN SPANISH | 0:32:56 | 0:33:00 | |
CHATTERING | 0:33:02 | 0:33:06 | |
SHE SPEAKS SPANISH | 0:33:06 | 0:33:08 | |
To us. | 0:33:08 | 0:33:09 | |
-Salud. -ALL: -Salud. | 0:33:09 | 0:33:12 | |
You're one of us now, like it or not. | 0:33:12 | 0:33:15 | |
To absent friends. | 0:33:15 | 0:33:17 | |
Can I help? | 0:33:21 | 0:33:22 | |
We ran the tests. | 0:33:22 | 0:33:23 | |
That man's DNA is on at least four of the bodies we found at | 0:33:23 | 0:33:27 | |
the greenhouses. The butane canisters, the bullet casings. | 0:33:27 | 0:33:31 | |
El Buitre. You're sure? | 0:33:31 | 0:33:34 | |
Tell me. What would you have done if the police hadn't taken him off you? | 0:33:34 | 0:33:39 | |
We didn't bring this craziness. | 0:33:39 | 0:33:42 | |
But the cartel needs to know we can be just as crazy as them. | 0:33:42 | 0:33:45 | |
The police made a mistake by taking them in. | 0:33:48 | 0:33:51 | |
Now, if they fail to investigate | 0:33:51 | 0:33:53 | |
we can take it to the International Forums. | 0:33:53 | 0:33:55 | |
The Inter-American Court have judicial oversight, | 0:33:55 | 0:33:58 | |
-and they can force an... -You sound just like Luisa. | 0:33:58 | 0:34:01 | |
An inferno of optimism. | 0:34:01 | 0:34:03 | |
Was she always like that? | 0:34:04 | 0:34:06 | |
Even back then? | 0:34:09 | 0:34:11 | |
El Gran Gustavo, right? | 0:34:11 | 0:34:13 | |
I only realised it today. Gustavo Aguirre. | 0:34:13 | 0:34:18 | |
"The One." She came here for you. | 0:34:19 | 0:34:22 | |
I told her not to. | 0:34:22 | 0:34:24 | |
You also told her not to walk across the roof. | 0:34:24 | 0:34:27 | |
I'm sorry. | 0:34:29 | 0:34:31 | |
I can't begin to think what you must have been going through. | 0:34:32 | 0:34:35 | |
Nobody knows about us, except for Eva. | 0:34:37 | 0:34:39 | |
I need to keep it that way. | 0:34:39 | 0:34:41 | |
Why? | 0:34:43 | 0:34:45 | |
You remember Alice In Wonderland? | 0:34:45 | 0:34:47 | |
I used to teach it to my tenth grade students. | 0:34:47 | 0:34:49 | |
Everything you know about reality, except it's upside down. | 0:34:49 | 0:34:53 | |
Here, what people know about you, they can use. | 0:34:53 | 0:34:58 | |
Who you love, your family, your friends. | 0:34:58 | 0:35:03 | |
Love is weakness here. | 0:35:03 | 0:35:05 | |
How do you bear it? | 0:35:07 | 0:35:09 | |
Until it happens, none of us know how we will be, | 0:35:09 | 0:35:13 | |
what it will do to us. | 0:35:13 | 0:35:15 | |
For me, it's just... | 0:35:16 | 0:35:18 | |
..silence. | 0:35:20 | 0:35:22 | |
Your friend, Jack, he wants you to go home. He's right. | 0:35:25 | 0:35:28 | |
You should leave, so you never find out how it will be for you. | 0:35:28 | 0:35:33 | |
We're already a target for the cartels, and after today, | 0:35:33 | 0:35:36 | |
who knows how they'll hit back? | 0:35:36 | 0:35:38 | |
But they will? | 0:35:38 | 0:35:40 | |
Nesto! | 0:35:56 | 0:35:58 | |
Mama. | 0:35:58 | 0:36:00 | |
This is my baby Nesto, the college student. | 0:36:04 | 0:36:09 | |
-Nesto, this is Doctor... -Nikki. | 0:36:09 | 0:36:13 | |
Oh, it's a pleasure to meet you. Your mother is a force of nature. | 0:36:13 | 0:36:16 | |
You're telling me! Why do you think I moved to the city? | 0:36:16 | 0:36:19 | |
Monito! | 0:36:19 | 0:36:21 | |
THEY SPEAK SPANISH | 0:36:21 | 0:36:24 | |
How long can you stay? | 0:36:29 | 0:36:31 | |
Well, I have to be at the dig in the morning, they're expecting me. | 0:36:31 | 0:36:34 | |
Dig? | 0:36:34 | 0:36:36 | |
Well, yeah, we're excavating Cahita's burial mounds on the coast, | 0:36:36 | 0:36:39 | |
-3,000 years old. -Wow! | 0:36:39 | 0:36:41 | |
Crazy cannibals, the Cahitas. | 0:36:41 | 0:36:44 | |
When they had you for dinner, they really had you for dinner. | 0:36:44 | 0:36:47 | |
The Cahitas were farmers, not fighters. They grew corn. | 0:36:47 | 0:36:49 | |
But my mum, she's been trying to scare me | 0:36:49 | 0:36:52 | |
and my brother with these stories ever since we were kids. | 0:36:52 | 0:36:55 | |
This is Mexico. Heaven and hell. | 0:36:55 | 0:36:57 | |
Cannibals and vegetarians! | 0:36:57 | 0:36:59 | |
You think I want him in my jail? | 0:37:02 | 0:37:04 | |
You think I want that sort of trouble, | 0:37:04 | 0:37:06 | |
the attention from the cartel? | 0:37:06 | 0:37:08 | |
No, I think you want to release him, | 0:37:08 | 0:37:10 | |
like you released the other Navajas members | 0:37:10 | 0:37:11 | |
two hours after you brought them in here. | 0:37:11 | 0:37:13 | |
-There was no evidence against those men. -Not like this man. | 0:37:13 | 0:37:16 | |
What does he call himself? | 0:37:16 | 0:37:18 | |
El Buitre. Vulture. | 0:37:18 | 0:37:21 | |
What do you want? What do you want from all this? | 0:37:21 | 0:37:24 | |
It's selfish. | 0:37:24 | 0:37:26 | |
I want to find my friend. | 0:37:26 | 0:37:28 | |
He knows where she's buried. | 0:37:28 | 0:37:30 | |
Has he said anything? | 0:37:30 | 0:37:32 | |
What do you think? | 0:37:32 | 0:37:34 | |
Can we talk to him? | 0:37:34 | 0:37:36 | |
You can have five minutes. | 0:37:44 | 0:37:46 | |
I want to talk to you about Luisa Herrera. | 0:37:58 | 0:38:00 | |
You speak English, right? | 0:38:01 | 0:38:03 | |
We know you speak English. | 0:38:03 | 0:38:05 | |
I've been hearing about you. | 0:38:06 | 0:38:09 | |
Your mother was killed by the Templarios Cartel. | 0:38:09 | 0:38:12 | |
You must have been, what, no more than seven? | 0:38:12 | 0:38:16 | |
Nikki. | 0:38:21 | 0:38:22 | |
-Shit! -Oh, God! | 0:38:29 | 0:38:31 | |
We need help in here! Paramedic! | 0:38:31 | 0:38:33 | |
He's non-responsive, but he's alive. | 0:38:33 | 0:38:35 | |
Pulse is rapid, breathing is shallow. | 0:38:37 | 0:38:39 | |
He's sweating like crazy. | 0:38:39 | 0:38:41 | |
What have they done to him? | 0:38:41 | 0:38:42 | |
-It's some sort of adrenaline response. -Anaphylaxis? | 0:38:42 | 0:38:46 | |
I think it's a coma. | 0:38:46 | 0:38:48 | |
-He has diabetes. -Shit. | 0:38:50 | 0:38:52 | |
Right. Right. We need glucagon. | 0:38:52 | 0:38:55 | |
We need glucagon. He has diabetes. | 0:38:55 | 0:38:57 | |
-He could die. -Hurry! | 0:38:57 | 0:38:59 | |
Medic! We need a medic! | 0:39:01 | 0:39:02 | |
Glucagon. I need glucagon. | 0:39:02 | 0:39:04 | |
Do you speak English? Does anybody here speak English? | 0:39:04 | 0:39:08 | |
English? | 0:39:08 | 0:39:09 | |
Come on, come on. Shit! | 0:39:13 | 0:39:15 | |
Ah...! | 0:39:16 | 0:39:18 | |
Ah, shit! | 0:39:18 | 0:39:20 | |
Gracias. | 0:39:25 | 0:39:27 | |
-Any change? -Pulse is slowing. | 0:39:33 | 0:39:36 | |
You have diabetes? | 0:39:44 | 0:39:46 | |
You inject insulin, yes? | 0:39:46 | 0:39:48 | |
Insulina? | 0:39:48 | 0:39:50 | |
You nearly died. She saved your life. | 0:39:50 | 0:39:52 | |
He's got diabetes. Type 1. | 0:39:56 | 0:39:58 | |
I imagine rapid withdrawal from whatever | 0:39:58 | 0:39:59 | |
he was on - methamphetamine, crack cocaine - | 0:39:59 | 0:40:02 | |
led to the hypo, that's why he fell unconscious. | 0:40:02 | 0:40:04 | |
Does he have medical records? | 0:40:04 | 0:40:05 | |
This pendejo probably doesn't even have a birth certificate. | 0:40:05 | 0:40:08 | |
He didn't mention the diabetes? He'll need care. | 0:40:08 | 0:40:11 | |
Insulin shots, at least twice daily. | 0:40:11 | 0:40:12 | |
I have no doctors here, no paramedics. | 0:40:12 | 0:40:14 | |
None of my men want to touch him. | 0:40:14 | 0:40:16 | |
He can self-administer, I imagine that's what he's been doing. | 0:40:16 | 0:40:18 | |
Give him a needle? Supply him with a weapon? I can't do that. | 0:40:18 | 0:40:22 | |
He can't die in my jail cell, you understand? | 0:40:22 | 0:40:25 | |
He can't die here. | 0:40:25 | 0:40:27 | |
-You're scared of them. -I live here. | 0:40:27 | 0:40:29 | |
You're not going to use this to release him. | 0:40:29 | 0:40:31 | |
-I'll do it. -What now? | 0:40:32 | 0:40:34 | |
I'll inject him twice a day until you find the evidence to charge him. | 0:40:34 | 0:40:37 | |
We have insulin at the clinic. Are you sure you're OK with this? | 0:40:40 | 0:40:44 | |
Do I have a choice? He dies, it's no good for anyone. | 0:40:44 | 0:40:47 | |
That Hippocrates has a lot to answer for. | 0:40:47 | 0:40:50 | |
How can I help? | 0:40:52 | 0:40:54 | |
You can get a couple of beers out of the fridge. | 0:40:54 | 0:40:56 | |
Ah, that's a great idea. | 0:40:56 | 0:40:58 | |
Have you lived here for long? | 0:41:01 | 0:41:03 | |
I never intended to stay in this house. | 0:41:03 | 0:41:06 | |
KNOCK AT DOOR | 0:41:06 | 0:41:08 | |
THEY SPEAK SPANISH | 0:41:08 | 0:41:11 | |
-This happen to you a lot? -What? | 0:41:15 | 0:41:18 | |
Strange men bringing you flowers? | 0:41:18 | 0:41:20 | |
THEY SPEAK SPANISH | 0:41:20 | 0:41:22 | |
I'm really sorry. | 0:41:22 | 0:41:24 | |
HE SPEAKS SPANISH | 0:41:24 | 0:41:27 | |
-What was all that about? -I don't know. -He just left. | 0:41:31 | 0:41:34 | |
I didn't even ask his name. I... | 0:41:34 | 0:41:37 | |
Eva? | 0:41:41 | 0:41:43 | |
Are you OK? | 0:41:52 | 0:41:54 | |
Eva? | 0:42:02 | 0:42:04 | |
Oh, my God! Help! Somebody help! | 0:42:06 | 0:42:09 | |
HE SPEAKS SPANISH | 0:42:18 | 0:42:20 | |
Is it his? | 0:42:34 | 0:42:36 | |
Christ! | 0:42:47 | 0:42:49 | |
Poor Ernesto. | 0:42:50 | 0:42:52 | |
The body is that of an adult male, | 0:43:10 | 0:43:13 | |
apparently well-nourished, | 0:43:13 | 0:43:15 | |
approximately 70 kilos. | 0:43:15 | 0:43:17 | |
The skin is 90-95% burned, | 0:43:19 | 0:43:24 | |
the burns are partial thickness, | 0:43:24 | 0:43:26 | |
consistent with the systematic use of a naked flame, | 0:43:26 | 0:43:30 | |
potentially a butane torch. | 0:43:30 | 0:43:32 | |
KNOCK ON DOOR | 0:43:40 | 0:43:43 | |
I have to tell Antonio, he doesn't know. Ernesto's father. | 0:43:47 | 0:43:51 | |
Do you want me to call him? | 0:43:52 | 0:43:54 | |
I have a cellphone number somewhere. | 0:43:54 | 0:43:57 | |
It's OK. It's late. | 0:43:57 | 0:43:59 | |
I sent Ernesto to the city, away from me. | 0:44:00 | 0:44:03 | |
I thought he would be safe. | 0:44:05 | 0:44:07 | |
Ernesto...his tattoos... | 0:44:09 | 0:44:12 | |
For me, tattoos are for cartel members, my boy's skin was clean. | 0:44:12 | 0:44:17 | |
The man in Ernesto's car had tattoos. | 0:44:19 | 0:44:22 | |
-They say he was burned completely. -He was. | 0:44:23 | 0:44:28 | |
But ink from tattoos collects in the lymph nodes over time. | 0:44:28 | 0:44:31 | |
You're sure that Ernesto didn't have any tattoos? | 0:44:31 | 0:44:34 | |
Then, the man I examined is not your son. | 0:44:37 | 0:44:41 | |
I had my doubts. | 0:44:43 | 0:44:45 | |
The man from the car seemed older than Ernesto. | 0:44:45 | 0:44:47 | |
I need to examine him further, but... | 0:44:47 | 0:44:49 | |
Did you hear me, Eva? | 0:44:51 | 0:44:53 | |
It's not Ernesto. | 0:44:55 | 0:44:56 | |
Discolouration to the liver. | 0:45:02 | 0:45:04 | |
It appears yellowed, | 0:45:04 | 0:45:06 | |
suggesting the presence of some sort of contaminant. | 0:45:06 | 0:45:09 | |
-What are you doing, Nikki? -What does it look like I'm doing? | 0:45:10 | 0:45:13 | |
-It's a postmortem. It's my job, isn't it? -Nope. | 0:45:13 | 0:45:15 | |
This has got nothing to do with us. What's your game plan? | 0:45:15 | 0:45:18 | |
Stay here, give insulin shots twice a day to a mass murderer? | 0:45:18 | 0:45:22 | |
Perform PMs on all the bodies they find for you? | 0:45:22 | 0:45:24 | |
It's not your job, and this is not our fight. | 0:45:24 | 0:45:27 | |
Maybe...we are making this worse. | 0:45:29 | 0:45:32 | |
Did you ever consider that? | 0:45:32 | 0:45:34 | |
That our being here is just another provocation, | 0:45:34 | 0:45:38 | |
another reason for them to kill. | 0:45:38 | 0:45:40 | |
You think it's hopeless. | 0:45:40 | 0:45:42 | |
I don't know if it's possible to win this thing. | 0:45:45 | 0:45:48 | |
We have a DNA match for this man. | 0:45:50 | 0:45:53 | |
From the database? That's great. Thanks, Gnomo. | 0:45:54 | 0:45:58 | |
De nada, signora. | 0:45:58 | 0:45:59 | |
Javier Rodriguez, 47 years old. | 0:46:01 | 0:46:04 | |
He was one of the farmworkers, taken with Luisa... | 0:46:04 | 0:46:07 | |
-Jesus! -What? | 0:46:09 | 0:46:12 | |
He was alive. | 0:46:12 | 0:46:14 | |
He was still alive in the car. | 0:46:14 | 0:46:16 | |
-If they kept him alive until now... -Luisa, Ernesto, the others... | 0:46:18 | 0:46:21 | |
they could still be alive too. | 0:46:21 | 0:46:23 | |
I know about you and Luisa. | 0:46:28 | 0:46:30 | |
I know what this means to you. | 0:46:30 | 0:46:31 | |
That's why we wanted to talk to you first. | 0:46:31 | 0:46:34 | |
Is there anything on the body that might suggest a location? | 0:46:34 | 0:46:37 | |
There is something in the liver. | 0:46:37 | 0:46:39 | |
It suggests exposure to some sort of toxin. | 0:46:39 | 0:46:42 | |
They were drugged? | 0:46:42 | 0:46:44 | |
There's nothing to suggest that. | 0:46:44 | 0:46:45 | |
The damage is more gradual, minimal, so I'd say | 0:46:45 | 0:46:49 | |
the exposure occurred between him being taken from | 0:46:49 | 0:46:51 | |
the farm and his death. | 0:46:51 | 0:46:53 | |
If we can identify the toxin, then... | 0:46:53 | 0:46:55 | |
It might lead to where he was held. | 0:46:55 | 0:46:57 | |
-To Ernesto, the others. Luisa, maybe. -What are you talking about? | 0:46:57 | 0:47:01 | |
Lead to Ernesto? Where? | 0:47:01 | 0:47:03 | |
We're clutching at straws here, Eva. | 0:47:03 | 0:47:05 | |
You said a toxin? What sort of thing? | 0:47:05 | 0:47:07 | |
Perhaps from a storage facility or a chemical dump. | 0:47:07 | 0:47:10 | |
The contaminant could be in the earth around them... | 0:47:10 | 0:47:12 | |
They could be underground. | 0:47:12 | 0:47:14 | |
Whatever it is, I haven't come across it. | 0:47:14 | 0:47:16 | |
So, it must be rare or maybe out of use, banned in the UK. | 0:47:16 | 0:47:20 | |
Rare is good. | 0:47:20 | 0:47:21 | |
If we can find this stuff, we could find them. | 0:47:21 | 0:47:23 | |
They're...alive? | 0:47:23 | 0:47:26 | |
I don't want to give you false hope. | 0:47:28 | 0:47:30 | |
If the men who took the farmworkers also took Ernesto, | 0:47:30 | 0:47:33 | |
it's logical he might be alive too. | 0:47:33 | 0:47:35 | |
What is it? | 0:47:37 | 0:47:39 | |
I got a call from Father Cadena, the priest in Chilapa, yesterday. | 0:47:39 | 0:47:42 | |
He knows people in the cartel. | 0:47:42 | 0:47:45 | |
He's acted as an intermediary for us in the past. | 0:47:45 | 0:47:49 | |
BELLS RING | 0:47:51 | 0:47:54 | |
I think it's better I go in on my own. | 0:47:57 | 0:47:59 | |
PHONE RINGS | 0:48:01 | 0:48:03 | |
-Hello. -I got the sample you sent that says, "Urgent". | 0:48:06 | 0:48:09 | |
'It is.' | 0:48:09 | 0:48:10 | |
-Try Gary, will you see if he can put a rush on it, please? -'Sure.' | 0:48:10 | 0:48:13 | |
So, it's not a presumptive test? | 0:48:13 | 0:48:15 | |
No, and I'm all out of ideas. | 0:48:15 | 0:48:17 | |
It's some sort of toxin, possibly industrial. | 0:48:17 | 0:48:20 | |
Are you all right, Nikki? | 0:48:21 | 0:48:22 | |
Me? I'm fine. | 0:48:22 | 0:48:25 | |
Are you OK? What's wrong? | 0:48:31 | 0:48:35 | |
What did he tell you? Eva... | 0:48:38 | 0:48:40 | |
He wanted me to pray with him. | 0:48:40 | 0:48:42 | |
For my son. | 0:48:43 | 0:48:45 | |
He says they're alive, Nikki. | 0:48:48 | 0:48:51 | |
That's got to be good, hasn't it? | 0:48:52 | 0:48:55 | |
He says their fate is in our hands. | 0:48:55 | 0:48:57 | |
If we give up, if we stop, then they can come... | 0:48:57 | 0:49:02 | |
..home. | 0:49:06 | 0:49:08 | |
What, they'd give them back? | 0:49:08 | 0:49:10 | |
Ernesto, Luisa, the others? | 0:49:10 | 0:49:12 | |
SHE RETCHES | 0:49:12 | 0:49:15 | |
Eva! | 0:49:15 | 0:49:16 | |
Can I get you something? Water? | 0:49:16 | 0:49:19 | |
Negotiate with them, at least try. | 0:49:23 | 0:49:25 | |
It's killing her. And I know it's killing you. | 0:49:25 | 0:49:28 | |
Let's say for a moment you're right, | 0:49:28 | 0:49:29 | |
let's say for a moment they will release them all. | 0:49:29 | 0:49:31 | |
You say that like it's nothing. | 0:49:31 | 0:49:33 | |
They'll never stop. If not our loved ones, someone else's. | 0:49:33 | 0:49:36 | |
It doesn't stop. I don't have time for this. | 0:49:36 | 0:49:39 | |
We're meant to be out there looking for them. | 0:49:39 | 0:49:41 | |
Maybe he'll talk to you. | 0:49:41 | 0:49:43 | |
Hey, wait up. | 0:49:43 | 0:49:45 | |
-You don't understand... -No, I think I do. | 0:49:45 | 0:49:47 | |
I saw you in Chilapa. | 0:49:47 | 0:49:49 | |
You talked to them, a whole town listened to you and believed you. | 0:49:49 | 0:49:52 | |
-I know it's a lot of responsibility. -You mean a lot to live up to? | 0:49:52 | 0:49:55 | |
What happens when we fail? We have very little time. | 0:49:55 | 0:49:58 | |
If this is a revolution, and I don't know that we can call it that yet, | 0:49:58 | 0:50:01 | |
-we have a very small window. -Until what? | 0:50:01 | 0:50:03 | |
As soon as they start sending more of the hostages back dead, | 0:50:03 | 0:50:06 | |
the people of Chilapa are going to start blaming us. | 0:50:06 | 0:50:08 | |
It's not just about that though, is it? | 0:50:08 | 0:50:11 | |
Everything starts clean, pure. | 0:50:16 | 0:50:20 | |
A cry from the heart. | 0:50:20 | 0:50:22 | |
But it always ends up the same - complicated, corrupt. | 0:50:22 | 0:50:25 | |
They're going to get inside us, | 0:50:25 | 0:50:27 | |
they're going to hit us where we're weak, | 0:50:27 | 0:50:28 | |
and then we're going destroy ourselves from the inside. | 0:50:28 | 0:50:31 | |
It's just a matter of time. | 0:50:31 | 0:50:32 | |
That's why I walk so fast. Vamonos. | 0:50:32 | 0:50:34 | |
I know they're alive. | 0:50:53 | 0:50:55 | |
Why don't you tell me where? | 0:50:55 | 0:50:56 | |
-Where are they? -Just give him his shot, Nikki. | 0:51:09 | 0:51:11 | |
You haven't had a shot in 24 hours, | 0:51:11 | 0:51:13 | |
your body will start to shut down, DKA. | 0:51:13 | 0:51:16 | |
Who'll save you this time? | 0:51:16 | 0:51:18 | |
-Nikki, give him the shot. -Why? | 0:51:18 | 0:51:19 | |
I've seen the wounds of six men you killed, | 0:51:21 | 0:51:24 | |
you burned their skin with a torch. | 0:51:24 | 0:51:26 | |
Why would I waste good medicine on you? Where is Luisa? | 0:51:26 | 0:51:30 | |
Where have they got them? | 0:51:30 | 0:51:32 | |
Tell me. | 0:51:33 | 0:51:35 | |
Damn you to hell! | 0:51:36 | 0:51:38 | |
Uno for uno, Doctor. | 0:51:40 | 0:51:43 | |
If your friends don't stop, we send them home... | 0:51:43 | 0:51:47 | |
..one by one. | 0:51:49 | 0:51:52 | |
I was doing what you should be doing! Getting him to talk! | 0:51:57 | 0:52:00 | |
By withholding vital medication? | 0:52:00 | 0:52:03 | |
He knows where they are! | 0:52:03 | 0:52:04 | |
They're alive, and you're not even looking for them! | 0:52:04 | 0:52:06 | |
What about Ernesto Vasquez? | 0:52:06 | 0:52:08 | |
He was taken less than 24 hours ago. Ernesto Vasquez. | 0:52:08 | 0:52:11 | |
You know who he is. His mother... | 0:52:11 | 0:52:13 | |
We warned Dr Vasquez that she and her family were at risk. | 0:52:13 | 0:52:16 | |
You warned her? | 0:52:16 | 0:52:17 | |
You're as bad as them! You're protecting them! | 0:52:17 | 0:52:20 | |
You stand there in that uniform... What does that badge say? | 0:52:20 | 0:52:23 | |
-Justice?! -Where are you going? | 0:52:23 | 0:52:25 | |
-To give the prisoner his insulin. -You're not going near my prisoner! | 0:52:25 | 0:52:29 | |
-I thought you said... -He can do it! -What? | 0:52:29 | 0:52:30 | |
He seems less...emotional. | 0:52:30 | 0:52:32 | |
-Wait, let's just... -She doesn't come back in my building! | 0:52:32 | 0:52:37 | |
I'm not helping them. | 0:52:47 | 0:52:49 | |
I lost my temper. | 0:52:50 | 0:52:52 | |
Yeah, that was fun. | 0:52:52 | 0:52:53 | |
They all think I'm the sensible one now. | 0:52:53 | 0:52:56 | |
Gustavo was right, it's all upside down. | 0:52:57 | 0:52:59 | |
The sun's coming up. | 0:53:01 | 0:53:02 | |
It does that. | 0:53:04 | 0:53:05 | |
Every day. | 0:53:06 | 0:53:08 | |
Come on. You need sleep. Hm? | 0:53:17 | 0:53:22 | |
BELL RINGS | 0:53:27 | 0:53:30 | |
Nikki! Nikki! | 0:53:39 | 0:53:41 | |
'Jack, are you with Gustavo? | 0:53:42 | 0:53:44 | |
'Eva's had a call. A tip-off. | 0:53:44 | 0:53:46 | |
'It's about Ernesto.' | 0:53:46 | 0:53:48 | |
-Did you know the voice? -No. | 0:53:48 | 0:53:51 | |
She said she recognised Ernesto from the project website. | 0:53:51 | 0:53:54 | |
She said she saw two men take Ernesto from a car into a house. | 0:53:54 | 0:53:59 | |
When? | 0:53:59 | 0:54:01 | |
This morning. She says they're still there. | 0:54:01 | 0:54:03 | |
She says the men are drunk. | 0:54:05 | 0:54:07 | |
DOG BARKS | 0:54:13 | 0:54:16 | |
RADIO CHATTER | 0:54:16 | 0:54:19 | |
GUNSHOT | 0:54:44 | 0:54:46 | |
What if it is him? | 0:54:51 | 0:54:53 | |
What if they bring him home? | 0:54:53 | 0:54:56 | |
-Eva, you can't... -How can't I? | 0:54:56 | 0:54:59 | |
Don't you understand? I'd give my life for him. | 0:54:59 | 0:55:03 | |
I'd give all our lives for him. | 0:55:03 | 0:55:06 | |
I'm sorry. I can't wait here. | 0:55:09 | 0:55:11 | |
I have to go to him. | 0:55:12 | 0:55:14 | |
Wait, I'll come with you. | 0:55:14 | 0:55:16 | |
What the...?! | 0:55:53 | 0:55:55 | |
Gustavo? Gustavo? | 0:55:56 | 0:55:59 | |
CHATTERING IN SPANISH | 0:56:00 | 0:56:02 | |
What's going on? Where is he? | 0:56:02 | 0:56:06 | |
-There's no-one here. -What? | 0:56:06 | 0:56:08 | |
THEY SPEAK IN SPANISH | 0:56:08 | 0:56:11 | |
-There's no-one here. -So what? | 0:56:11 | 0:56:14 | |
-It's a set-up. -For what? | 0:56:14 | 0:56:15 | |
HE SPEAKS SPANISH | 0:56:15 | 0:56:18 | |
-We need to go now. -It's an ambush? -Yes. | 0:56:18 | 0:56:20 | |
SHOUTING IN SPANISH | 0:56:20 | 0:56:24 | |
GUNSHOT | 0:56:26 | 0:56:28 | |
There's no ambush. No safe-house. | 0:56:38 | 0:56:41 | |
Why bring us out here? | 0:56:41 | 0:56:42 | |
Why not? They're just screwing with us. | 0:56:42 | 0:56:45 | |
I recognise that car. That's Eva's car. | 0:56:47 | 0:56:51 | |
Jack. Jack...! No! | 0:56:51 | 0:56:54 | |
-Eva! -Jack! -Eva! | 0:56:55 | 0:56:59 | |
You don't know what's in the car, Jack. | 0:56:59 | 0:57:01 | |
Eva, Eva? Eva, it's OK, it's OK. It's OK. Don't move. | 0:57:01 | 0:57:04 | |
Don't move. What happened? | 0:57:04 | 0:57:06 | |
I was driving, then... | 0:57:06 | 0:57:09 | |
-Is Nikki OK? -Nikki?! | 0:57:09 | 0:57:11 | |
Where is she? | 0:57:11 | 0:57:12 | |
Eva, you're confused. Nikki is at the compound. | 0:57:12 | 0:57:14 | |
-She was with me. She was here. -What? | 0:57:14 | 0:57:18 | |
Nikki was with... | 0:57:18 | 0:57:20 | |
Shit. Stay with her. | 0:57:21 | 0:57:25 | |
-HE SHOUTS: -Nikki! | 0:57:34 | 0:57:37 | |
THUMP Ow! | 0:57:45 | 0:57:47 | |
BANGING | 0:57:54 | 0:57:56 | |
SHE SCREAMS | 0:57:56 | 0:57:58 | |
SHE SCREAMS | 0:57:58 | 0:58:00 | |
BANGING | 0:58:00 | 0:58:02 | |
# Testator silens | 0:58:25 | 0:58:31 | |
# Costestes e spiritu | 0:58:33 | 0:58:40 | |
# Silentium. # | 0:58:40 | 0:58:47 |