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Drugs - heroin importation. | 0:00:02 | 0:00:03 | |
Farr's arrested and charged. Why do you want her? | 0:00:03 | 0:00:06 | |
Anyone who spits in my eye is my kind of brief. | 0:00:06 | 0:00:09 | |
I will not work for that man. | 0:00:09 | 0:00:10 | |
-CW. -Are you looking to move? | 0:00:10 | 0:00:13 | |
Well, I'm bloody lonely. I want a friend. | 0:00:13 | 0:00:15 | |
If we were looking for prosecutors, | 0:00:15 | 0:00:16 | |
then Caroline Warwick may not be the way to go. | 0:00:16 | 0:00:18 | |
Fatima Ali. | 0:00:18 | 0:00:20 | |
The brother tried to calm her, she lashed out with a broken bottle... | 0:00:20 | 0:00:23 | |
He's dead because of me. | 0:00:23 | 0:00:24 | |
Prosecute, and you'll walk into silk. | 0:00:24 | 0:00:27 | |
I'm really counting on you here. | 0:00:27 | 0:00:29 | |
It's Billy. | 0:01:02 | 0:01:03 | |
Nine o'clock. | 0:01:04 | 0:01:06 | |
It's me. | 0:01:09 | 0:01:10 | |
Nine o'clock. | 0:01:10 | 0:01:12 | |
Come on... | 0:01:25 | 0:01:28 | |
SIREN WAILS | 0:01:37 | 0:01:41 | |
Tap water. Clean and cold. | 0:01:50 | 0:01:52 | |
DOOR SQUEAKS | 0:01:57 | 0:01:58 | |
What are you doing here? | 0:02:03 | 0:02:05 | |
Sit down. | 0:02:05 | 0:02:06 | |
-No. -Think you should. | 0:02:06 | 0:02:08 | |
-What do you want? Where's Billy? -It's almost embarrassing - | 0:02:08 | 0:02:11 | |
you saying no. | 0:02:11 | 0:02:13 | |
So, if the middle man's not getting it done... | 0:02:13 | 0:02:16 | |
I've only ever been properly embarrassed once. | 0:02:20 | 0:02:23 | |
I used to nip off with Hustler magazine | 0:02:23 | 0:02:25 | |
for an early playtime in the boys' toilets. | 0:02:25 | 0:02:28 | |
Five minutes with myself. | 0:02:28 | 0:02:30 | |
Waitress... | 0:02:32 | 0:02:34 | |
Bye, Micky. | 0:02:41 | 0:02:42 | |
I have to tell you this. This is something you have to hear. | 0:02:42 | 0:02:46 | |
He knocked on my cubicle door. | 0:02:49 | 0:02:51 | |
"Michael Joy. I know you're in there and I know what you're doing." Mr Wilson. | 0:02:51 | 0:02:55 | |
And what did you do? | 0:02:55 | 0:02:57 | |
Opened the door, kicked his stupid head in and went out to play. | 0:02:57 | 0:03:01 | |
What would you like? | 0:03:01 | 0:03:02 | |
Double espresso. | 0:03:02 | 0:03:04 | |
Double espresso. | 0:03:04 | 0:03:06 | |
I told my dad the teacher had tried to feel me up in the toilets. He went berserk. | 0:03:06 | 0:03:10 | |
School was on the back foot from the start. | 0:03:10 | 0:03:13 | |
Teacher lost his job. | 0:03:13 | 0:03:14 | |
The Archway Road took him three months later. | 0:03:14 | 0:03:16 | |
-Took him? -It's the A1, technically. | 0:03:16 | 0:03:19 | |
So, if hitting the tarmac from 100 foot, doesn't kill you, | 0:03:19 | 0:03:21 | |
the first northbound vehicle will. | 0:03:21 | 0:03:24 | |
Thank you. | 0:03:25 | 0:03:28 | |
Have you ever seen an institution lose confidence? | 0:03:28 | 0:03:31 | |
Watching it happen, | 0:03:31 | 0:03:33 | |
taught me everything I know about power. | 0:03:33 | 0:03:35 | |
Power is control of the story. | 0:03:35 | 0:03:39 | |
Only two people from the school went to the crematorium - me and The Head. | 0:03:39 | 0:03:43 | |
He was representing the school, I was curious. | 0:03:43 | 0:03:47 | |
He took me for a cup of tea and a cupcake afterwards, | 0:03:47 | 0:03:50 | |
and got very heavy about guilt and shame and forgiveness - | 0:03:50 | 0:03:54 | |
all that Catholic bollocks. | 0:03:54 | 0:03:55 | |
It was the hardest ten minutes of his career and he knew it, | 0:03:55 | 0:03:59 | |
but what he didn't know | 0:03:59 | 0:04:02 | |
was that a piece of pink icing | 0:04:02 | 0:04:05 | |
was stuck to the lower part of his bottom lip. | 0:04:05 | 0:04:07 | |
And it moved as he spoke. | 0:04:09 | 0:04:11 | |
It turned him from what he wanted to be - | 0:04:11 | 0:04:15 | |
a man with gravitas and moral authority - into something... | 0:04:15 | 0:04:19 | |
..embarrassing. | 0:04:22 | 0:04:23 | |
Give that to Billy, will you? | 0:04:28 | 0:04:31 | |
-What is it? -£3,000 in used notes. | 0:04:31 | 0:04:33 | |
Jody Farr's proof of evidence. | 0:04:36 | 0:04:38 | |
Miss. | 0:04:46 | 0:04:47 | |
You were here. | 0:04:49 | 0:04:51 | |
Don't you ever do that again. | 0:04:53 | 0:04:56 | |
You'd have said no if I'd... | 0:04:56 | 0:04:57 | |
I'm still saying no. | 0:04:57 | 0:04:58 | |
That's not what Micky says. | 0:04:58 | 0:05:01 | |
BAGGAGE SCANNER BLEEPS | 0:05:02 | 0:05:05 | |
There's nothing to be afraid of. | 0:05:19 | 0:05:21 | |
Are they here? | 0:05:26 | 0:05:27 | |
Your father and your brother. | 0:05:27 | 0:05:30 | |
Today is for us lawyers to sort out bits of housekeeping. | 0:05:32 | 0:05:35 | |
All you have to do is enter a plea of not guilty - nothing else. | 0:05:35 | 0:05:38 | |
-Is she here? -Yeah. -Good. | 0:05:47 | 0:05:50 | |
They're going to nick her. | 0:05:50 | 0:05:51 | |
Why? | 0:05:51 | 0:05:52 | |
-Breach of bail. -Oh, Christ. What? -Contacting a prosecution witness. | 0:05:52 | 0:05:57 | |
-Does she want to surrender now or afterwards? -Wait, wait. Who? | 0:05:57 | 0:06:00 | |
-The brother. Ibrahim. -What sort of contact? -Phone calls. | 0:06:00 | 0:06:03 | |
33 of them. | 0:06:03 | 0:06:05 | |
All hours of the day and night. | 0:06:05 | 0:06:07 | |
Well, I mean, she's his sister. | 0:06:07 | 0:06:09 | |
She's never been apart from her family before, so.. | 0:06:09 | 0:06:11 | |
Yeah. You know what? | 0:06:11 | 0:06:13 | |
In all the rush to characterize Little Miss Muslim | 0:06:13 | 0:06:16 | |
as the real victim, | 0:06:16 | 0:06:18 | |
shall we try and remember she drank 15 whiskies | 0:06:18 | 0:06:21 | |
and she stuck a jagged bottle so hard into her brother's neck, | 0:06:21 | 0:06:23 | |
-she could have killed him twice. -Still, it's a bit harsh to... | 0:06:23 | 0:06:26 | |
Fight me if you want. | 0:06:26 | 0:06:29 | |
It's what we're here for. | 0:06:29 | 0:06:30 | |
33 phone calls. | 0:06:34 | 0:06:36 | |
Why? | 0:06:36 | 0:06:37 | |
He's my brother. | 0:06:37 | 0:06:39 | |
You know this is very serious... | 0:06:39 | 0:06:42 | |
He's my brother. | 0:06:43 | 0:06:45 | |
He's always looked after me. | 0:06:45 | 0:06:48 | |
Of course she thinks they look after her. | 0:06:48 | 0:06:51 | |
It's what they've been telling her all her life. It's brainwashing. | 0:06:51 | 0:06:54 | |
-She'll be remanded in custody. -Don't let that happen. | 0:06:54 | 0:06:57 | |
It's a murder, George. I'm not a miracle worker. | 0:06:57 | 0:06:59 | |
-Have you ever seen a more frightened human? -It doesn't help with bail. | 0:06:59 | 0:07:02 | |
She's a woman. | 0:07:02 | 0:07:04 | |
Do that thing you do with women, Clive. | 0:07:04 | 0:07:07 | |
-...On one piece of paper? -Yes, ma'am. | 0:07:11 | 0:07:13 | |
-I need to talk to you. -Me first. | 0:07:13 | 0:07:15 | |
-What? -Jody Farr. | 0:07:15 | 0:07:17 | |
-You're prosecuting it. -I need a junior. | 0:07:17 | 0:07:19 | |
-You're offering me the junior brief in Jody Farr? -It'll be like America, darling. | 0:07:19 | 0:07:23 | |
We can wear beautiful suits | 0:07:23 | 0:07:24 | |
and arrive at court every morning in bright sunshine. | 0:07:24 | 0:07:27 | |
Publicity will blaze. | 0:07:27 | 0:07:29 | |
When? | 0:07:29 | 0:07:30 | |
Monday. I need you to take some witnesses. | 0:07:30 | 0:07:33 | |
-We'll be a team. -This won't be finished. | 0:07:33 | 0:07:35 | |
The trial starts on Wednesday. It's five days. | 0:07:35 | 0:07:38 | |
And you're committed to her? | 0:07:38 | 0:07:40 | |
TANNOY RINGS | 0:07:40 | 0:07:42 | |
Yes, I am. | 0:07:42 | 0:07:44 | |
Tell me about Ms Ali. | 0:07:46 | 0:07:48 | |
Break my heart. | 0:07:48 | 0:07:50 | |
I don't think I've ever seen a more frightened human. | 0:07:50 | 0:07:52 | |
Broken heart. Wait there. | 0:07:52 | 0:07:54 | |
RELIEVED SIGH | 0:08:01 | 0:08:03 | |
-Anything interesting? -He was present at a robbery. | 0:08:14 | 0:08:16 | |
Staff member went for the alarm. One of the other robbers shot her dead. | 0:08:16 | 0:08:19 | |
-Mandatory death penalty. -What? | 0:08:19 | 0:08:21 | |
Life and death in the Caribbean. | 0:08:21 | 0:08:23 | |
-Right. -The case law - Pratt and Morgan. | 0:08:23 | 0:08:26 | |
Their Lordships decided that five years on death row | 0:08:26 | 0:08:30 | |
equals cruel and unusual punishment - | 0:08:30 | 0:08:33 | |
which means you can't be executed. | 0:08:33 | 0:08:35 | |
Survive more than five years | 0:08:35 | 0:08:37 | |
and your death sentence gets commuted to life imprisonment. | 0:08:37 | 0:08:41 | |
It's weird, isn't it? Final court of appeal for death penalty cases | 0:08:41 | 0:08:44 | |
-for thousands of miles away here in... -In Parliament Square, W1. | 0:08:44 | 0:08:48 | |
I mean, it's a complete anachronism. | 0:08:48 | 0:08:50 | |
It's indefensible that we kept this power over the legal systems | 0:08:50 | 0:08:53 | |
of former colonies. But thank God we have. | 0:08:53 | 0:08:56 | |
So, has he done his five years? | 0:08:56 | 0:08:59 | |
No. | 0:08:59 | 0:09:00 | |
23 hours a day | 0:09:02 | 0:09:05 | |
in a cell | 0:09:05 | 0:09:07 | |
the size of a chicken coop. | 0:09:07 | 0:09:09 | |
Television? | 0:09:09 | 0:09:11 | |
No. | 0:09:11 | 0:09:12 | |
Books? | 0:09:12 | 0:09:14 | |
Just your own thoughts. | 0:09:14 | 0:09:16 | |
They say when you have been sentenced to death, | 0:09:17 | 0:09:21 | |
you have nothing to lose, so - | 0:09:21 | 0:09:23 | |
you are, by definition, a dangerous prisoner. | 0:09:23 | 0:09:26 | |
Visits? | 0:09:26 | 0:09:28 | |
Once a month. | 0:09:28 | 0:09:30 | |
No touching. | 0:09:32 | 0:09:33 | |
(HALTINGLY) I haven't | 0:09:34 | 0:09:36 | |
hugged my son in two years. | 0:09:36 | 0:09:40 | |
I want to hug him. | 0:09:41 | 0:09:42 | |
My whole body tells me I have to hug him. | 0:09:45 | 0:09:49 | |
He's my child. | 0:09:51 | 0:09:52 | |
I cannot. | 0:09:55 | 0:09:56 | |
When you execute a man... | 0:09:59 | 0:10:02 | |
...you end the lives of his whole family. | 0:10:03 | 0:10:07 | |
What will I tell my nine-year-old daughter? | 0:10:08 | 0:10:11 | |
What will I say to her... | 0:10:13 | 0:10:16 | |
..when they break his neck? | 0:10:17 | 0:10:19 | |
You know the law. | 0:10:20 | 0:10:22 | |
Because your son hasn't used the appeals process | 0:10:22 | 0:10:26 | |
and only two years have passed since he was sentenced... | 0:10:26 | 0:10:30 | |
I want you to tell the judges two years - | 0:10:30 | 0:10:35 | |
they may as well be 20. Two years... | 0:10:35 | 0:10:38 | |
..is a lifetime. | 0:10:40 | 0:10:42 | |
PHONES RING, PEOPLE CHATTER | 0:10:45 | 0:10:50 | |
Thank you, bye-bye. | 0:10:50 | 0:10:52 | |
-What's this? Jackson Henderson? -That's a Michael Connolly freebie, sir. | 0:10:52 | 0:10:55 | |
It's a death penalty appeal from the Caribbean. She's doing the con now. | 0:10:55 | 0:10:59 | |
Con? How? | 0:10:59 | 0:11:00 | |
-His mother. -Blow it out. | 0:11:00 | 0:11:02 | |
-It's a death row case, Billy. -Yeah. Return it. | 0:11:02 | 0:11:04 | |
And when Connolly comes out the con | 0:11:04 | 0:11:06 | |
tell him to go elsewhere with his grim work. | 0:11:06 | 0:11:09 | |
-A man will be executed... -I've had it with you answering me back! | 0:11:09 | 0:11:12 | |
I'm the senior clerk in here! | 0:11:12 | 0:11:15 | |
What's the matter with you? | 0:11:17 | 0:11:19 | |
Why hasn't Jackson used the appeals process? | 0:11:21 | 0:11:25 | |
Who knows what goes through a man's mind. | 0:11:26 | 0:11:28 | |
Locked in a cell with only death to talk to, Mrs Costello. | 0:11:28 | 0:11:32 | |
Oh, I'm sorry. I'm not Mrs. I'm a Miss. | 0:11:32 | 0:11:35 | |
A woman like you? | 0:11:35 | 0:11:38 | |
A woman as beautiful as you? | 0:11:38 | 0:11:42 | |
My, my... | 0:11:42 | 0:11:44 | |
what a world. | 0:11:44 | 0:11:46 | |
MOBILE PHONE RINGS | 0:11:48 | 0:11:51 | |
Hello, Billy. | 0:11:51 | 0:11:53 | |
Yes. No. We're just... | 0:11:53 | 0:11:55 | |
What? But we just had the con. | 0:11:56 | 0:11:59 | |
What are you doing? What the hell are you doing?! | 0:12:02 | 0:12:06 | |
-Not now, Miss. -Not now? | 0:12:06 | 0:12:07 | |
What do you mean, not now? | 0:12:07 | 0:12:09 | |
A man is scheduled to die in a few days time and what? | 0:12:09 | 0:12:11 | |
This isn't a good time for you? | 0:12:11 | 0:12:13 | |
Where are you going? Don't walk away from me. | 0:12:13 | 0:12:15 | |
Don't you dare turn your back on this. | 0:12:15 | 0:12:17 | |
I've seen what it does - this work. | 0:12:17 | 0:12:20 | |
It will corrupt your every waking moment and most of your sleep. | 0:12:20 | 0:12:24 | |
And when you lose, | 0:12:24 | 0:12:26 | |
I don't want that for you. | 0:12:26 | 0:12:28 | |
I came to the Bar to do this kind of work. | 0:12:28 | 0:12:32 | |
-I am doing it, Billy. -Doing pro bono work | 0:12:32 | 0:12:35 | |
-for Michael Connolly won't get you the kudos... -Whoa, what? | 0:12:35 | 0:12:38 | |
-Or the attention. -Or the career development? | 0:12:38 | 0:12:41 | |
One last time, I will NOT represent Jody Farr. | 0:12:41 | 0:12:46 | |
This is not about THAT. | 0:12:46 | 0:12:47 | |
How can you ask me to represent that man | 0:12:47 | 0:12:49 | |
and in the same breath tell me I can't try and save a... | 0:12:49 | 0:12:52 | |
-Miss! -If you mention him to me again | 0:12:52 | 0:12:55 | |
I will take that as a direct challenge to my being here. | 0:12:55 | 0:12:58 | |
And if that happens, | 0:12:58 | 0:13:00 | |
I will fight you for the right to stay at Shoe Lane. | 0:13:00 | 0:13:03 | |
The Crown understands the wider context | 0:13:08 | 0:13:10 | |
surrounding this tragic death, | 0:13:10 | 0:13:11 | |
and we are prepared to accept the psychiatric report's finding | 0:13:11 | 0:13:15 | |
that defendant's state of mind was substantially impaired. | 0:13:15 | 0:13:18 | |
-Diminished. -We'll offer no evidence on the murder | 0:13:18 | 0:13:21 | |
if she pleads to manslaughter. | 0:13:21 | 0:13:24 | |
Is the judge going to buy this? | 0:13:24 | 0:13:25 | |
I did a four month fraud last summer in front of him. | 0:13:25 | 0:13:27 | |
The air conditioning had broken down and he took to wearing | 0:13:27 | 0:13:30 | |
-nothing under his robes. -How do you know? | 0:13:30 | 0:13:32 | |
I know. And he'll buy this if I tell him to. | 0:13:32 | 0:13:35 | |
Nothing to do with cracking this trial | 0:13:35 | 0:13:37 | |
so that you and me are free for Jody Farr? | 0:13:37 | 0:13:39 | |
It is the duty of a prosecutor to be fair. | 0:13:39 | 0:13:42 | |
And that means working against the urge to win just because you can. | 0:13:42 | 0:13:46 | |
Fatima Ali isn't a murderer. We can all see that. | 0:13:46 | 0:13:50 | |
Amazing. | 0:13:54 | 0:13:56 | |
Yeah. Wasn't easy. She doesn't roll over for just anyone. | 0:13:56 | 0:14:00 | |
Still, it's as good a deal as you could hope for. | 0:14:00 | 0:14:03 | |
It's almost a shame we have to say no. | 0:14:03 | 0:14:06 | |
Don't even tell her about the offer? Is that what you're saying? | 0:14:08 | 0:14:11 | |
-My job is to get her to think for herself. -In the meantime, you tell her what to think. | 0:14:11 | 0:14:15 | |
-Isn't that what everyone's been doing to her all her life? -I want her to think for herself. | 0:14:15 | 0:14:19 | |
-She needs to choose now. -It wouldn't be a real choice. She's not ready. She just feels guilty. | 0:14:19 | 0:14:23 | |
OK, OK. Her best interests. What are they? | 0:14:23 | 0:14:26 | |
Going through with a trial in public? | 0:14:26 | 0:14:28 | |
How humiliating would that be? | 0:14:28 | 0:14:29 | |
And if she's convicted, she gets life. | 0:14:29 | 0:14:31 | |
If we're acting in her best interests, then pleading guilty | 0:14:31 | 0:14:34 | |
-to manslaughter, avoiding a trial and having half a shout... -What? | 0:14:34 | 0:14:37 | |
Half a shout at a mental health disposal? | 0:14:37 | 0:14:40 | |
-How about we send an abused woman to the funny farm? -George... | 0:14:40 | 0:14:43 | |
Why should she plead guilty? | 0:14:43 | 0:14:45 | |
We can do this. I know we can. | 0:14:46 | 0:14:48 | |
Do what? | 0:14:48 | 0:14:49 | |
Give this woman enough self respect and strength to fight back. | 0:14:49 | 0:14:53 | |
Imagine what the Court of Appeal would say. The appellant was never told about the offer? | 0:14:53 | 0:14:56 | |
-They'd go mad and they'd be right to. -I thought you were a fighter. | 0:14:56 | 0:15:00 | |
Yeah, well... | 0:15:00 | 0:15:01 | |
I know what we'll do. | 0:15:03 | 0:15:05 | |
It's a very good offer. | 0:15:06 | 0:15:09 | |
But it's too much to take in now. | 0:15:09 | 0:15:11 | |
So here's what we think you should do. | 0:15:11 | 0:15:14 | |
Plead not guilty today | 0:15:14 | 0:15:15 | |
and then I'll make sure the offer's is still on the table | 0:15:15 | 0:15:18 | |
when we come back for trial on Wednesday. | 0:15:18 | 0:15:20 | |
That way you'll have had time to think about it and decide. | 0:15:20 | 0:15:23 | |
Prawn cocktail? | 0:15:34 | 0:15:35 | |
Is that why you followed me round here? | 0:15:35 | 0:15:38 | |
-No. -So why did you? | 0:15:39 | 0:15:41 | |
I was just checking you were OK with the initials on the pigeonholes. | 0:15:43 | 0:15:47 | |
Like, who's who. | 0:15:47 | 0:15:49 | |
I'm fine. And any I don't know I can just figure it out. | 0:15:49 | 0:15:52 | |
OK. Good. | 0:15:55 | 0:15:56 | |
-I'll see you back in the clerk's room. -OK. | 0:15:58 | 0:16:01 | |
-Jake? -Yes? | 0:16:04 | 0:16:05 | |
Did you want to ask me out? | 0:16:05 | 0:16:07 | |
Me? | 0:16:07 | 0:16:08 | |
No. | 0:16:08 | 0:16:10 | |
No. Not at all. | 0:16:10 | 0:16:13 | |
Not guilty for now, | 0:17:03 | 0:17:05 | |
-but she'll plead on Wednesday. -Are you sure? -Yep. | 0:17:05 | 0:17:07 | |
Because she always does what the men in her life tell her to do? | 0:17:07 | 0:17:10 | |
Shall we have our fight about bail? | 0:17:10 | 0:17:12 | |
"Do not contact any member of your family directly or indirectly | 0:17:14 | 0:17:19 | |
"or you will be remanded in custody." Quote, unquote. | 0:17:19 | 0:17:23 | |
It is a kind of arrogance, | 0:17:23 | 0:17:25 | |
frankly, to ignore a judicial warning of such clarity. | 0:17:25 | 0:17:29 | |
Does she think the law doesn't apply to her? | 0:17:29 | 0:17:32 | |
There's a cultural problem here, your honour. | 0:17:32 | 0:17:35 | |
Fatima has failed to understand that what the judge says | 0:17:35 | 0:17:38 | |
has to take precedence over her profound need to talk to her family. | 0:17:38 | 0:17:41 | |
She gets it now. I've explained it to her in no uncertain terms. | 0:17:41 | 0:17:44 | |
If you grant her bail, I'm sure she won't let anyone down again. | 0:17:44 | 0:17:47 | |
Bail is refused. | 0:17:47 | 0:17:49 | |
But I'm going to bend over backwards to help Ms Ali. | 0:17:49 | 0:17:53 | |
I've had another trial collapse this morning. | 0:17:53 | 0:17:55 | |
Is there any reason why this trial can't start tomorrow? | 0:17:55 | 0:17:58 | |
I'll see you tonight. | 0:18:02 | 0:18:04 | |
Will you? | 0:18:04 | 0:18:06 | |
Seven o'clock. | 0:18:06 | 0:18:08 | |
Do me a favour and accuse me of being a loose cannon. | 0:18:08 | 0:18:10 | |
Oh. Your interview. Yes. | 0:18:10 | 0:18:12 | |
And remember, George Duggan is for Christmas. | 0:18:12 | 0:18:16 | |
Silk is for life. | 0:18:16 | 0:18:18 | |
They make their own coffins on death row. In the corridor outside. | 0:18:21 | 0:18:26 | |
That's the most constructive thing they do. | 0:18:26 | 0:18:29 | |
We have heard all these arguments on past occasions. | 0:18:29 | 0:18:32 | |
We are sympathetic. | 0:18:32 | 0:18:35 | |
And that is why this court made the five year rule. | 0:18:35 | 0:18:39 | |
Move on, please. | 0:18:39 | 0:18:40 | |
Nine, 11, 13 and 16. Jackson Henderson's four sisters. | 0:18:40 | 0:18:48 | |
For the last two years, they have witnessed their mother | 0:18:48 | 0:18:51 | |
and their father's anguish | 0:18:51 | 0:18:53 | |
and they have struggled to understand the sentence | 0:18:53 | 0:18:56 | |
passed on their elder brother and they have not understood. | 0:18:56 | 0:18:59 | |
If Jackson dies in a few days time, | 0:19:01 | 0:19:05 | |
his sisters will be condemned to live their lives | 0:19:05 | 0:19:09 | |
with unimaginably ugly thoughts and feelings. | 0:19:09 | 0:19:13 | |
Does this court want to punish those children? | 0:19:14 | 0:19:17 | |
I have had the privilege to get to know Florence Henderson, | 0:19:20 | 0:19:24 | |
the appellant's mother, | 0:19:24 | 0:19:26 | |
and I have seen at close hand her extraordinary courage | 0:19:26 | 0:19:30 | |
in dealing with what is happening to her son. | 0:19:30 | 0:19:33 | |
You refute your own argument. | 0:19:33 | 0:19:35 | |
Not when I tell you that this woman, | 0:19:35 | 0:19:37 | |
more brave and dignified I think than anyone I have ever met, | 0:19:37 | 0:19:42 | |
cries herself to sleep at night. And when she does sleep, | 0:19:42 | 0:19:47 | |
she dreams of hanging. | 0:19:47 | 0:19:50 | |
This is her history, | 0:19:51 | 0:19:54 | |
it's her present, and it's her future. | 0:19:54 | 0:19:58 | |
Does this court endorse that? | 0:19:58 | 0:20:02 | |
Her punishment and that of her young family | 0:20:03 | 0:20:07 | |
is lifelong. | 0:20:07 | 0:20:09 | |
And I submit to this court, | 0:20:10 | 0:20:13 | |
with all your emotional and intellectual intelligence, | 0:20:13 | 0:20:19 | |
that is its cruel, | 0:20:19 | 0:20:20 | |
it is unusual... | 0:20:20 | 0:20:22 | |
..and it must stop. | 0:20:24 | 0:20:26 | |
I think you're right to come in. | 0:20:28 | 0:20:30 | |
-Have you ever had a digital examination before? -No. | 0:20:30 | 0:20:33 | |
-Shall we do that now? -Yeah. | 0:20:33 | 0:20:35 | |
What is that exactly? | 0:20:35 | 0:20:38 | |
Legs a little higher for me, please. | 0:20:42 | 0:20:44 | |
-No, I mean knees closer to your chest. -Oh, sorry. | 0:20:45 | 0:20:48 | |
And relax. | 0:20:50 | 0:20:52 | |
It IS enlarged and it's putting some pressure on your bladder. | 0:21:05 | 0:21:08 | |
What does that mean? | 0:21:09 | 0:21:11 | |
I'm going to say the word, but I don't want you to get worried. | 0:21:11 | 0:21:14 | |
What word? | 0:21:14 | 0:21:16 | |
Cancer. | 0:21:16 | 0:21:17 | |
Probably you haven't, | 0:21:17 | 0:21:20 | |
but possibly you have and I'd like to be sure. | 0:21:20 | 0:21:23 | |
You need to be seen by a specialist. | 0:21:23 | 0:21:25 | |
Now, there is an accelerated referral time. | 0:21:25 | 0:21:30 | |
But only if there are specific factors causing particular concern. | 0:21:30 | 0:21:34 | |
Perhaps you could help me, Mr Lamb. | 0:21:35 | 0:21:39 | |
Have any of your family ever had prostate cancer? | 0:21:41 | 0:21:44 | |
Er...yeah. | 0:21:44 | 0:21:46 | |
Oh. | 0:21:46 | 0:21:47 | |
And who was that? | 0:21:48 | 0:21:49 | |
-My mum. -On the whole, mums don't have prostate glands. | 0:21:49 | 0:21:53 | |
-My sister. -Women don't erm... | 0:21:53 | 0:21:57 | |
-My dad. -OK. Quite young, was he? | 0:21:58 | 0:22:04 | |
-Yeah. -Under 50? | 0:22:04 | 0:22:08 | |
49. | 0:22:08 | 0:22:10 | |
These are weighty issues. | 0:22:14 | 0:22:17 | |
We will adjourn and notify you when we are ready to give judgement. | 0:22:17 | 0:22:21 | |
Well, when? We have to know when. | 0:22:21 | 0:22:24 | |
We will notify you. | 0:22:24 | 0:22:26 | |
-What have you done? -What do you mean? | 0:22:47 | 0:22:51 | |
-Something. You're looking particularly gorgeous. -I had my death row appeal today. | 0:22:51 | 0:22:55 | |
Oh right. Sorry. Yeah I...I forgot. | 0:22:57 | 0:23:00 | |
Judgement soon. | 0:23:00 | 0:23:01 | |
Quiet apart from that? Workwise? | 0:23:02 | 0:23:05 | |
So, why are you leaving your old set? | 0:23:07 | 0:23:09 | |
I say what I think and the boys don't like it. | 0:23:10 | 0:23:13 | |
Have you noticed what people say about loud women? | 0:23:13 | 0:23:16 | |
"Oh, she's got a mouth on her." | 0:23:16 | 0:23:18 | |
What do they say about noisy men? | 0:23:18 | 0:23:20 | |
"He's a good laugh." | 0:23:20 | 0:23:22 | |
Some people think you're a loose cannon. | 0:23:22 | 0:23:25 | |
Do they? Who? Oh, of course you can't say. | 0:23:25 | 0:23:28 | |
Here's what I think. I think the Bar is special | 0:23:29 | 0:23:33 | |
because it's our work to cherish the English language in all its glory. | 0:23:33 | 0:23:38 | |
A row of cannon, all pointing in the same direction and sounding the same, what would that be? | 0:23:38 | 0:23:43 | |
It would be children who don't read books any more. | 0:23:43 | 0:23:46 | |
It would be a world filled with management consultants. | 0:23:46 | 0:23:51 | |
And for us, it would be solicitor advocates, wouldn't it? | 0:23:51 | 0:23:56 | |
Tired and dull and flat. | 0:23:56 | 0:23:59 | |
I think juries deserve better than that. | 0:24:00 | 0:24:02 | |
Does that answer your question? | 0:24:05 | 0:24:07 | |
My last three years' income. | 0:24:13 | 0:24:15 | |
Who earns more at Shoe Lane? My guess is nobody. | 0:24:15 | 0:24:18 | |
And the next two years projected. | 0:24:20 | 0:24:21 | |
Only a dinosaur would say no. | 0:24:22 | 0:24:24 | |
Skeletons, Miss? | 0:24:24 | 0:24:26 | |
Have I slept with any judges? Err...several. | 0:24:27 | 0:24:29 | |
Solicitors? Quite a few. | 0:24:29 | 0:24:32 | |
Senior Clerks? | 0:24:33 | 0:24:35 | |
Not yet. | 0:24:35 | 0:24:37 | |
-Drink? -Love to. | 0:24:37 | 0:24:39 | |
That's what I hear. | 0:24:39 | 0:24:41 | |
This is a drinking profession. | 0:24:43 | 0:24:45 | |
I drink fast and hard | 0:24:45 | 0:24:47 | |
and I get up in the morning sober as a judge and twice as lively. | 0:24:47 | 0:24:50 | |
And what about you? | 0:24:50 | 0:24:51 | |
Anything I should know about Billy Lamb? | 0:24:51 | 0:24:56 | |
I've never felt like this before. | 0:24:58 | 0:25:00 | |
-So this is more difficult for me than I can say. -But you're going to tell me... | 0:25:00 | 0:25:03 | |
I'm going to be brutally honest, George. I think that's best. | 0:25:03 | 0:25:06 | |
We're just not suited. | 0:25:07 | 0:25:09 | |
Fatima needs someone who can... What's the expression? | 0:25:11 | 0:25:14 | |
Do emotion. Now, I wish that was me, but it's not. I'm so sorry. | 0:25:14 | 0:25:18 | |
-It's tomorrow. -I know. I should have said but I didn't because... | 0:25:18 | 0:25:21 | |
-I didn't want to let you down. -What am I supposed to do? | 0:25:21 | 0:25:24 | |
I just keep coming back to Fatima. She's what matters here | 0:25:24 | 0:25:27 | |
and if I'm not giving her what she needs then... | 0:25:27 | 0:25:30 | |
It's not me facing life imprisonment, is it? It's her. | 0:25:30 | 0:25:32 | |
Shit. Shit. Shit. | 0:25:32 | 0:25:34 | |
I'm sorry. | 0:25:34 | 0:25:35 | |
Listen, um... I'll be right back. I'm just going to... | 0:25:38 | 0:25:42 | |
Erm...you know George Duggan. | 0:25:48 | 0:25:50 | |
-Hi. -Yeah. Sorry. I've got to... | 0:25:50 | 0:25:52 | |
So. You in court tomorrow? | 0:25:54 | 0:25:56 | |
Err... No. | 0:25:56 | 0:25:59 | |
How about the rest of the week? | 0:25:59 | 0:26:01 | |
-Apart from receiving a judgement, free. Why? -George...? | 0:26:01 | 0:26:06 | |
-Listen, I'm going to let you two, er... -What, you...? | 0:26:07 | 0:26:10 | |
I've returned Fatima Ali. | 0:26:16 | 0:26:17 | |
Right. Yeah. | 0:26:17 | 0:26:19 | |
So I'm free to prosecute Jody Farr. | 0:26:19 | 0:26:21 | |
-Led by CW. -Who have we returned Fatima to? | 0:26:22 | 0:26:26 | |
Have I got this right? | 0:26:29 | 0:26:31 | |
A senior clerk who can't get his new silk | 0:26:32 | 0:26:35 | |
to defend the biggest brief in town | 0:26:35 | 0:26:37 | |
manages to get golden balls to prosecute it? | 0:26:37 | 0:26:39 | |
It's under control. I'll sort it out. | 0:26:39 | 0:26:42 | |
I said, I'll sort it. | 0:26:45 | 0:26:48 | |
That's more like it. | 0:26:50 | 0:26:52 | |
Why are you here? | 0:27:03 | 0:27:04 | |
You don't sleep, I don't sleep. | 0:27:06 | 0:27:09 | |
Where's Mrs Henderson staying? | 0:27:11 | 0:27:14 | |
She's flown home. | 0:27:14 | 0:27:16 | |
If the appeal is refused, | 0:27:16 | 0:27:17 | |
then she wouldn't have time to get back before they execute him. | 0:27:17 | 0:27:21 | |
-Are you OK, Miss? -Do me a favour, Billy. | 0:27:25 | 0:27:28 | |
Don't be nice to me. | 0:27:29 | 0:27:30 | |
Are you going to save him? | 0:27:37 | 0:27:39 | |
I don't know. | 0:27:41 | 0:27:43 | |
Call me the second any news comes in. | 0:27:44 | 0:27:47 | |
Even if I'm in court. Get me. | 0:27:47 | 0:27:49 | |
-Pleading to manslaughter? -No. | 0:27:54 | 0:27:57 | |
What? But Clive said that... | 0:27:57 | 0:28:00 | |
Do I look like a big public schoolboy, Caroline? | 0:28:00 | 0:28:03 | |
When do you think this will finish? | 0:28:06 | 0:28:08 | |
It'll go into Monday, at least. | 0:28:08 | 0:28:11 | |
She's not ready. | 0:28:15 | 0:28:16 | |
Clive was going to carve it, wasn't he? | 0:28:18 | 0:28:20 | |
Clive? It's me. You're dumped. | 0:28:28 | 0:28:31 | |
A wild night of drinking and a return home | 0:28:33 | 0:28:37 | |
with a three quarters empty bottle of scotch. | 0:28:37 | 0:28:40 | |
Her older brother tried to take the bottle, to stop her drinking more. | 0:28:40 | 0:28:43 | |
And what did she do? | 0:28:43 | 0:28:45 | |
She broke the bottle and she went for him. | 0:28:45 | 0:28:48 | |
He lifted and turned his head to avoid the lunge | 0:28:48 | 0:28:52 | |
and the jagged, lethal, broken glass went into his neck, | 0:28:52 | 0:28:57 | |
with sufficient force to sever the carotid artery. | 0:28:57 | 0:29:03 | |
Mustapha Ali bled to death | 0:29:05 | 0:29:08 | |
before any medical attention could reach him. | 0:29:08 | 0:29:12 | |
There is an alternative count on this indictment. Manslaughter. | 0:29:14 | 0:29:19 | |
But make no mistake about it, | 0:29:19 | 0:29:22 | |
the Crown is and always has been very clear - | 0:29:22 | 0:29:26 | |
this is a murder. | 0:29:26 | 0:29:28 | |
And that is the verdict we will be asking you to return. | 0:29:30 | 0:29:35 | |
I was upstairs. | 0:29:35 | 0:29:37 | |
-Doing what? -On the phone. | 0:29:37 | 0:29:39 | |
To who? | 0:29:39 | 0:29:40 | |
I don't remember. I heard a smashing of a glass and a few seconds later, a scream. | 0:29:40 | 0:29:44 | |
-Who screamed? -My mother. | 0:29:44 | 0:29:46 | |
What did you do? | 0:29:46 | 0:29:48 | |
I ran downstairs. | 0:29:48 | 0:29:50 | |
When I reached the door of the kitchen | 0:29:50 | 0:29:52 | |
I saw Mustapha lying on the floor. He was twitching and writhing. | 0:29:52 | 0:29:55 | |
It looked like he was having some kind of fit. | 0:29:55 | 0:29:58 | |
Later I learned he was choking on his own blood. | 0:29:58 | 0:30:01 | |
Stick to what you yourself saw and heard, please. | 0:30:01 | 0:30:04 | |
I realised it wasn't a fit | 0:30:04 | 0:30:07 | |
when I saw the blood coming out of his neck. | 0:30:07 | 0:30:09 | |
Was anyone else in the room? | 0:30:09 | 0:30:11 | |
My mother, father, my sister, Fatima. | 0:30:11 | 0:30:13 | |
And what was she doing? | 0:30:13 | 0:30:14 | |
She was bent over the table, like she was exhausted or something. | 0:30:14 | 0:30:18 | |
Later I learned she... | 0:30:18 | 0:30:19 | |
No, no, forget about later. | 0:30:19 | 0:30:21 | |
Just tell us what you saw. | 0:30:21 | 0:30:24 | |
She was holding the bottle. It was broken. | 0:30:24 | 0:30:28 | |
It fell out of her hand. My brother stopped moving. | 0:30:28 | 0:30:32 | |
I knew he was dead. | 0:30:33 | 0:30:35 | |
What did you do? | 0:30:35 | 0:30:37 | |
I couldn't breathe, I had to get out. | 0:30:37 | 0:30:39 | |
You were upstairs. So you can't help us with the immediate context. | 0:30:39 | 0:30:44 | |
She'd been out, she came back. | 0:30:44 | 0:30:45 | |
-She was drunk. -Did you see her go out? -No. | 0:30:45 | 0:30:48 | |
-Did you see her come back? -No. -Did you see her drinking? | 0:30:48 | 0:30:51 | |
-The police officer told me... -Yes. | 0:30:51 | 0:30:53 | |
Did you see her drinking? You, yourself. | 0:30:53 | 0:30:58 | |
-No. -So, like I said, no context. | 0:30:58 | 0:31:02 | |
What you've been told, yes, assumptions you've made, yes, | 0:31:02 | 0:31:05 | |
but actual evidence of what went on, no. | 0:31:05 | 0:31:09 | |
Where did you go when you left the house? | 0:31:09 | 0:31:11 | |
-I just felt I had to get away. -Where did you go? | 0:31:11 | 0:31:14 | |
I wandered around. | 0:31:14 | 0:31:17 | |
Did you love your brother? | 0:31:17 | 0:31:19 | |
Of course. | 0:31:19 | 0:31:20 | |
-Did you call 999? -No. | 0:31:20 | 0:31:22 | |
-Why not? -I don't know, I couldn't think. | 0:31:22 | 0:31:24 | |
-Did you do anything to help him? -I told you, he was dead. | 0:31:24 | 0:31:29 | |
What else could I do? | 0:31:29 | 0:31:30 | |
And how do you think he'd died? | 0:31:30 | 0:31:32 | |
-It was obvious. -Was it? Why? | 0:31:32 | 0:31:34 | |
The blood, the bottle in her hand. | 0:31:34 | 0:31:36 | |
Have I got this straight? | 0:31:36 | 0:31:37 | |
You left the house with your brother dead or dying, your sister, | 0:31:37 | 0:31:42 | |
whom you believed to be the killer still in there... | 0:31:42 | 0:31:44 | |
You better stop this.. | 0:31:44 | 0:31:45 | |
-..and both your parents hysterical? -Enough! | 0:31:45 | 0:31:48 | |
Enough of what? | 0:31:48 | 0:31:50 | |
Questions you can't answer? | 0:31:51 | 0:31:52 | |
-You listen to me... -Mister Ali. | 0:31:52 | 0:31:55 | |
I will not let her insult my dead brother in this way. | 0:31:55 | 0:31:59 | |
-I'm sorry you think it's insulting. -Then why don't you back off? | 0:31:59 | 0:32:02 | |
When did you come back from your wander? | 0:32:03 | 0:32:06 | |
My wander? | 0:32:06 | 0:32:08 | |
Your word. | 0:32:08 | 0:32:10 | |
My brother's blood in our kitchen and my sister drunk. | 0:32:10 | 0:32:13 | |
Have you any idea what that felt like? | 0:32:13 | 0:32:15 | |
These two things, do they provoke the same emotion in you? | 0:32:15 | 0:32:19 | |
Dead brother, drunk sister? | 0:32:19 | 0:32:22 | |
I will not answer that. | 0:32:22 | 0:32:23 | |
I know you'd like to say my religion is against women. | 0:32:23 | 0:32:26 | |
I will not talk to someone as ignorant as you. | 0:32:26 | 0:32:28 | |
What do you know? Who are you? | 0:32:28 | 0:32:30 | |
Are you an angry man, Mister Ali? | 0:32:32 | 0:32:34 | |
Was your brother? | 0:32:36 | 0:32:38 | |
-You lied to me. -I was trying to manage a situation. | 0:32:40 | 0:32:43 | |
The only time I have to meet a barrister for the first time. | 0:32:43 | 0:32:45 | |
-You promised her. -That's what I thought at that time. | 0:32:45 | 0:32:48 | |
You were trying to carve it from the start. | 0:32:48 | 0:32:50 | |
I'm not an idiot, Clive. | 0:32:50 | 0:32:52 | |
Don't you dare do that. | 0:32:55 | 0:32:57 | |
-What? -Sexy puppy dog bollocks. | 0:32:57 | 0:32:59 | |
Can a puppy be sexy? | 0:33:00 | 0:33:02 | |
Detective Sergeant, were there any injuries | 0:33:02 | 0:33:05 | |
on the deceased that you could call defence wounds? | 0:33:05 | 0:33:07 | |
No. | 0:33:07 | 0:33:09 | |
Thank you. What about signs of injury on the accused? | 0:33:09 | 0:33:13 | |
She had a mark around her wrist. | 0:33:13 | 0:33:14 | |
Consistent with having a hand held tight around it? | 0:33:14 | 0:33:18 | |
Could've been consistent with the deceased | 0:33:18 | 0:33:20 | |
trying to get the bottle away from the accused. | 0:33:20 | 0:33:22 | |
Or with Fatima trying to defend herself from him? | 0:33:22 | 0:33:25 | |
Or him trying to defend himself from her attack on him. | 0:33:25 | 0:33:28 | |
This is all a bit like ping pong, Your Honour. | 0:33:28 | 0:33:30 | |
My learned friend can't seem to go | 0:33:30 | 0:33:33 | |
more than two minutes without hearing the sound of her own voice. | 0:33:33 | 0:33:36 | |
Let's keep things civilised, shall we, ladies? | 0:33:36 | 0:33:38 | |
-Ladies? -Ladies? | 0:33:38 | 0:33:40 | |
There's no evidence of where she'd been before returning home. | 0:33:44 | 0:33:48 | |
-No. -Where did the bottle come from? | 0:33:48 | 0:33:50 | |
It didn't really seem the most important... | 0:33:50 | 0:33:54 | |
We focused our inquiry on the scene and the forensics, | 0:33:54 | 0:33:57 | |
which kind of spoke for themselves. | 0:33:57 | 0:34:00 | |
Did they? The alcohol in her blood, | 0:34:00 | 0:34:02 | |
-a reading like that, between ten and 15 shots of whisky? -Yes. | 0:34:02 | 0:34:08 | |
-And the whisky in her hair? -Yes. -And all down her front? -Yes. | 0:34:08 | 0:34:11 | |
-Quite a session? -You said it. | 0:34:11 | 0:34:13 | |
But you chose not to find out where she'd been drinking? | 0:34:13 | 0:34:17 | |
It was quite clear what had happened here. | 0:34:17 | 0:34:20 | |
Is it right that a neighbour called the police at 10.40 pm. | 0:34:20 | 0:34:26 | |
-Yes. -And what action was taken? -It was a shout the neighbour heard. | 0:34:26 | 0:34:31 | |
Could've been anything. We get those calls all the time. | 0:34:31 | 0:34:34 | |
It wasn't a priority. | 0:34:34 | 0:34:35 | |
Then at 11.04, the 999 call came in which was a priority. | 0:34:35 | 0:34:42 | |
Who made that call? | 0:34:43 | 0:34:46 | |
-Mister Ali. -The father. | 0:34:46 | 0:34:48 | |
24 minutes later than the first call. | 0:34:48 | 0:34:53 | |
What did you think about your daughter's behaviour? | 0:34:53 | 0:34:56 | |
I didn't like it. | 0:34:56 | 0:34:58 | |
Going out? Dressing the way she was dressing? | 0:34:58 | 0:35:00 | |
-Yes. -And Ibrahim? | 0:35:00 | 0:35:03 | |
He didn't like it. | 0:35:05 | 0:35:06 | |
Mustapha? | 0:35:06 | 0:35:08 | |
We three men all agreed it was wrong and we spoke to her. | 0:35:08 | 0:35:11 | |
Do you think that women deserve punishment from their husbands? | 0:35:11 | 0:35:15 | |
Sometimes. | 0:35:15 | 0:35:17 | |
Did you ever punish your wife? | 0:35:17 | 0:35:19 | |
Yes. | 0:35:19 | 0:35:20 | |
What was the offence? | 0:35:20 | 0:35:23 | |
I will not dishonour her name or mine | 0:35:23 | 0:35:25 | |
by recalling an event that is passed and forgotten. | 0:35:25 | 0:35:29 | |
What was the punishment? | 0:35:32 | 0:35:33 | |
According to the Koran. | 0:35:33 | 0:35:35 | |
-A quiet word? -Yes. | 0:35:35 | 0:35:38 | |
Then a withdrawal of sexual services from the marital bed. | 0:35:38 | 0:35:41 | |
Yes. | 0:35:41 | 0:35:43 | |
Then a light beating? | 0:35:43 | 0:35:45 | |
It did not reach that point. | 0:35:45 | 0:35:47 | |
And it is a wilful misinterpretation of the Koran that you rely on. | 0:35:47 | 0:35:52 | |
Did Fatima do what she was told after you spoke with her? | 0:35:52 | 0:35:56 | |
No. | 0:35:56 | 0:35:57 | |
And how did that make you all feel? | 0:35:57 | 0:36:00 | |
Humiliated? | 0:36:00 | 0:36:02 | |
-Angry? -I wanted what was best for my daughter. | 0:36:02 | 0:36:06 | |
Best according to who? | 0:36:06 | 0:36:08 | |
Her father. Our religion. | 0:36:08 | 0:36:09 | |
-She needed guidance. -She needed choice. | 0:36:09 | 0:36:14 | |
She needed freedom to decide how to live. | 0:36:14 | 0:36:17 | |
You think they've made a choice? These western women? | 0:36:17 | 0:36:20 | |
You think women who drink so much they fall over in the street | 0:36:20 | 0:36:23 | |
and go out wearing the clothes of prostitutes | 0:36:23 | 0:36:25 | |
and paint their faces, have an independent mind? | 0:36:25 | 0:36:29 | |
This is freedom? This is your freedom? | 0:36:29 | 0:36:32 | |
I am asking you a question. | 0:36:32 | 0:36:34 | |
Mister Ali... | 0:36:34 | 0:36:35 | |
She asks me many, many questions. I cannot ask her one? | 0:36:36 | 0:36:40 | |
It isn't a choice, you're right. It's a form of tyranny. | 0:36:40 | 0:36:44 | |
Real freedom is the ability to choose. | 0:36:44 | 0:36:48 | |
Whenever that is lost or taken away, we must fight it. | 0:36:49 | 0:36:56 | |
-It's your mother next. -No. | 0:36:58 | 0:37:01 | |
Why not? | 0:37:02 | 0:37:03 | |
Fatima? | 0:37:05 | 0:37:06 | |
It will be too hard for her. | 0:37:06 | 0:37:07 | |
I don't have any brothers or sisters. | 0:37:13 | 0:37:16 | |
I come from a small, close family. | 0:37:16 | 0:37:18 | |
My mum, my dad and me. | 0:37:18 | 0:37:22 | |
My dad was a lot older than my mum and when I was 16, | 0:37:22 | 0:37:25 | |
he started to lose his memory. | 0:37:25 | 0:37:27 | |
It wasn't too bad at first. | 0:37:27 | 0:37:29 | |
Repeated questions. | 0:37:29 | 0:37:31 | |
Forgetting why he'd come into the room. | 0:37:31 | 0:37:33 | |
But the doctors were very clear, that it would get worse | 0:37:35 | 0:37:39 | |
and he would need looking after. | 0:37:39 | 0:37:42 | |
And when I left school, well, he deteriorated quite a lot. | 0:37:42 | 0:37:46 | |
He couldn't remember what order to put his clothes on. | 0:37:46 | 0:37:50 | |
Anyway, I wanted to go to university. | 0:37:50 | 0:37:54 | |
And I got in. | 0:37:54 | 0:37:55 | |
And two weeks before I was due to start, | 0:37:57 | 0:38:00 | |
my mum asked me the big question. | 0:38:00 | 0:38:03 | |
-What? -She asked me not to go. | 0:38:03 | 0:38:06 | |
-What happened? -I went. | 0:38:09 | 0:38:11 | |
And when I came home half way through the first term, | 0:38:12 | 0:38:17 | |
my dad didn't recognise me. | 0:38:17 | 0:38:19 | |
Has she forgiven you? | 0:38:21 | 0:38:23 | |
That's her own question. | 0:38:23 | 0:38:24 | |
She wanted me to stay at home | 0:38:26 | 0:38:29 | |
because she needed me to be there to help with my dad, | 0:38:29 | 0:38:31 | |
but she also wanted me to stay at home, | 0:38:31 | 0:38:34 | |
because she was lonely and bitter, and she wanted me to be the same. | 0:38:34 | 0:38:40 | |
I was in my bedroom, and I saw Fatima arriving home. | 0:38:42 | 0:38:47 | |
Was she holding anything? | 0:38:47 | 0:38:49 | |
No. | 0:38:49 | 0:38:50 | |
Are you sure? | 0:38:50 | 0:38:51 | |
Yes. | 0:38:52 | 0:38:54 | |
It was dark. | 0:38:54 | 0:38:55 | |
She stopped at the end of the path and looked up at the sky. | 0:38:55 | 0:38:59 | |
It was a clear night. There was nothing in her hands. | 0:38:59 | 0:39:03 | |
Do you have any alcohol in the house? | 0:39:05 | 0:39:08 | |
Me? No. | 0:39:08 | 0:39:10 | |
Does anyone? | 0:39:10 | 0:39:11 | |
Your husband? | 0:39:14 | 0:39:16 | |
You are under oath. | 0:39:18 | 0:39:19 | |
My husband. | 0:39:22 | 0:39:24 | |
Gin? | 0:39:24 | 0:39:26 | |
Vodka? | 0:39:27 | 0:39:29 | |
Whisky? | 0:39:29 | 0:39:31 | |
What time did Fatima arrive home? | 0:39:36 | 0:39:39 | |
10.30. | 0:39:39 | 0:39:41 | |
And how can you be so sure? | 0:39:41 | 0:39:43 | |
I go to bed every night at the same time, always 10.30. | 0:39:43 | 0:39:50 | |
-Was she walking in a straight line? -Yes. | 0:39:50 | 0:39:53 | |
So if Fatima wasn't drinking before she came home.. | 0:39:53 | 0:39:58 | |
she would've had to have drunk three quarters of a bottle of whisky | 0:39:58 | 0:40:02 | |
in a short period of time, to reach the levels of alcohol... | 0:40:02 | 0:40:06 | |
This witness can't possibly be expected to comment on that. | 0:40:06 | 0:40:11 | |
No, quite. | 0:40:11 | 0:40:13 | |
-Martha... -I think you're wanted, Miss Costello. | 0:40:13 | 0:40:17 | |
Please leave her alone. | 0:40:24 | 0:40:26 | |
Well, this might be a good moment to adjourn for the day. | 0:40:28 | 0:40:32 | |
-Definitely the same night? -Yes. | 0:40:42 | 0:40:44 | |
He's got a bag. And he's on the phone. | 0:40:44 | 0:40:46 | |
Where have you been all my life, Daniel Lomas? | 0:40:48 | 0:40:51 | |
Six minutes after the call from the neighbour, | 0:40:51 | 0:40:53 | |
and Ibrahim is making a phone call. | 0:40:53 | 0:40:55 | |
Is that you? | 0:41:05 | 0:41:07 | |
Yes. | 0:41:07 | 0:41:08 | |
Who were you calling? | 0:41:08 | 0:41:10 | |
Not 999. Not home. | 0:41:10 | 0:41:14 | |
-I don't know. -You don't know? | 0:41:14 | 0:41:16 | |
Your brother dead or dying, | 0:41:16 | 0:41:18 | |
your drunk sister apparently responsible. | 0:41:18 | 0:41:21 | |
And you were on the phone! | 0:41:21 | 0:41:22 | |
-Who would you be calling, Ibrahim Ali? -I don't remember. | 0:41:22 | 0:41:25 | |
Or are you lying to me and this jury? | 0:41:25 | 0:41:28 | |
-What's in the bag? -You don't understand anything about this. -I think I do. | 0:41:32 | 0:41:36 | |
I think I'm getting there. | 0:41:36 | 0:41:38 | |
What is in the bag? | 0:41:40 | 0:41:43 | |
Shut up. Shut up! | 0:41:43 | 0:41:44 | |
Are you an angry man, Mr Ali? | 0:41:44 | 0:41:46 | |
Yes, I was angry with her. | 0:41:46 | 0:41:48 | |
-She came home smelling. -You were upstairs. -She'd done it before. This was the same. | 0:41:48 | 0:41:51 | |
-Done what before? -Come home smelling of. -Of what? -Of sex. She's a whore! | 0:41:51 | 0:41:55 | |
She's the liar. | 0:41:57 | 0:41:58 | |
Thank you, Mr Ali. | 0:42:00 | 0:42:02 | |
PHONE VIBRATES | 0:42:08 | 0:42:09 | |
Look, normally, I would never leave without going down and seeing her. | 0:42:15 | 0:42:19 | |
You know that, but... | 0:42:19 | 0:42:22 | |
I just have to today. Sorry. | 0:42:22 | 0:42:25 | |
Marth, shall I come with you? | 0:42:25 | 0:42:26 | |
No. Thank you. | 0:42:26 | 0:42:29 | |
Just relax. | 0:42:46 | 0:42:47 | |
The, er...the letter that they sent me said that it's interesting | 0:42:49 | 0:42:54 | |
-and instructive. -Erm, yeah. | 0:42:54 | 0:42:57 | |
It's just a squirt of local anaesthetic. | 0:42:57 | 0:42:59 | |
-Might feel a little bit cold. -OK. | 0:42:59 | 0:43:03 | |
Here we go. | 0:43:03 | 0:43:04 | |
You all right? | 0:43:06 | 0:43:07 | |
So, the uncomfortable part | 0:43:11 | 0:43:14 | |
is when the camera's in and I have to get it past the sphincter muscle. | 0:43:14 | 0:43:17 | |
I thought the sphincter was... | 0:43:17 | 0:43:20 | |
You sure you got the right opening here, doc? | 0:43:20 | 0:43:23 | |
The sphincter wants to keep the camera out. | 0:43:23 | 0:43:27 | |
And, er, we need to get it in. | 0:43:27 | 0:43:30 | |
Ready? | 0:43:30 | 0:43:31 | |
Jesus Christ. | 0:43:39 | 0:43:41 | |
Breathe. | 0:43:41 | 0:43:42 | |
Yeah, there are some issues here. | 0:43:53 | 0:43:54 | |
Do you want me to call her? | 0:44:44 | 0:44:45 | |
Florence? It's Martha. | 0:45:07 | 0:45:10 | |
I don't know what to say. | 0:45:13 | 0:45:15 | |
Our only chance now is for you to give evidence. | 0:45:21 | 0:45:25 | |
Fatima? | 0:45:27 | 0:45:29 | |
My father died ten years ago. | 0:45:46 | 0:45:49 | |
I miss him. | 0:45:49 | 0:45:51 | |
I sometimes wish I'd been at home to look after him. | 0:45:53 | 0:45:56 | |
But it wasn't my fault that I wanted more. | 0:45:59 | 0:46:02 | |
And I won't feel guilty about that. Ever. | 0:46:02 | 0:46:05 | |
Because guilt eats you up and then you don't have a life. | 0:46:07 | 0:46:10 | |
And I want my life. | 0:46:13 | 0:46:14 | |
Call Fatima Ali. | 0:46:18 | 0:46:20 | |
His name is Lloyd Naysmith. | 0:46:27 | 0:46:29 | |
He's a local councillor and he offered to help me. | 0:46:31 | 0:46:34 | |
So I went to his house. | 0:46:36 | 0:46:38 | |
And what happened? | 0:46:38 | 0:46:40 | |
He was kind to me. | 0:46:40 | 0:46:42 | |
He said he would look at the law for me | 0:46:44 | 0:46:46 | |
and see if the arranged marriage could be stopped. | 0:46:46 | 0:46:48 | |
He made me feel my life could be different. | 0:46:51 | 0:46:54 | |
I didn't feel I could say no to him. | 0:46:57 | 0:46:59 | |
No to what? | 0:47:03 | 0:47:06 | |
Fatima? | 0:47:06 | 0:47:07 | |
To what he wanted. | 0:47:11 | 0:47:13 | |
Point of law, your honour. | 0:47:14 | 0:47:16 | |
Jury out, please. | 0:47:18 | 0:47:20 | |
None of this, not one bit of it, is in the defence case statement. | 0:47:27 | 0:47:31 | |
How is the Crown supposed to react to a defence case | 0:47:31 | 0:47:35 | |
that hasn't been put to any prosecution witness, | 0:47:35 | 0:47:38 | |
that comes out of the blue nine tenths of the way through the trial | 0:47:38 | 0:47:41 | |
and is, basically, an ambushing of justice? | 0:47:41 | 0:47:43 | |
Of course it isn't in the defence case statement. | 0:47:43 | 0:47:45 | |
Do you know how hard it is for this woman | 0:47:46 | 0:47:49 | |
to stand up there today in the witness box? Do you? | 0:47:49 | 0:47:52 | |
My learned friend is becoming very personal. | 0:47:52 | 0:47:54 | |
Well, maybe sometimes it is personal. | 0:47:54 | 0:47:57 | |
So, let's hear it now. From the witness. Once and for all. | 0:47:58 | 0:48:03 | |
Ms Warwick. You may cross examine | 0:48:03 | 0:48:06 | |
on her failure to mention any of this before now. | 0:48:06 | 0:48:09 | |
You may also cross examine | 0:48:09 | 0:48:10 | |
on her failure to include it in her defence case statement. | 0:48:10 | 0:48:14 | |
Jury back, please. | 0:48:14 | 0:48:16 | |
Fatima. | 0:48:32 | 0:48:33 | |
Tell us what happened that night in your home | 0:48:36 | 0:48:42 | |
with your family. | 0:48:42 | 0:48:43 | |
Sorry. | 0:49:15 | 0:49:17 | |
Tell me. | 0:49:19 | 0:49:20 | |
You can do it for me. | 0:49:24 | 0:49:26 | |
Mustapha pushed me down on the table. | 0:49:37 | 0:49:40 | |
I couldn't fight him. | 0:49:44 | 0:49:46 | |
He held my mouth open with one hand... | 0:49:50 | 0:49:52 | |
..and he poured the whisky into my mouth with the other. | 0:49:56 | 0:49:59 | |
It went all over me and down my throat. | 0:50:04 | 0:50:06 | |
I thought I was going to drown. | 0:50:09 | 0:50:11 | |
He stopped to shout at me. | 0:50:15 | 0:50:18 | |
He called me a whore. | 0:50:21 | 0:50:23 | |
I grabbed the bottle from him. | 0:50:24 | 0:50:27 | |
I smashed it on the table... | 0:50:27 | 0:50:30 | |
..so he couldn't pour any more whisky down me. | 0:50:31 | 0:50:36 | |
Then he came at me. | 0:50:41 | 0:50:44 | |
Sorry. | 0:50:48 | 0:50:51 | |
I'm so sorry! | 0:50:51 | 0:50:54 | |
Too late. | 0:51:07 | 0:51:09 | |
BANGING | 0:51:16 | 0:51:18 | |
I know about the Ali family. | 0:51:47 | 0:51:49 | |
What? | 0:51:49 | 0:51:51 | |
They're on Jody's patch. | 0:51:51 | 0:51:53 | |
Oh, don't tell me. Jody doesn't like non-whites? | 0:51:53 | 0:51:55 | |
Jody doesn't like competition. | 0:51:55 | 0:51:57 | |
Competition? | 0:51:57 | 0:51:58 | |
What are you doing? | 0:51:59 | 0:52:01 | |
High quality heroin. | 0:52:05 | 0:52:07 | |
-Where did that come from? -This bag left the Ali house with the younger brother | 0:52:07 | 0:52:10 | |
after the unfortunate incident with the bottle | 0:52:10 | 0:52:13 | |
and before the arrival of the emergency service. | 0:52:13 | 0:52:16 | |
The 24 minute gap. | 0:52:16 | 0:52:18 | |
They're all over it - fingerprints, DNA. Bag and contents. | 0:52:18 | 0:52:23 | |
I won't ask how you... | 0:52:23 | 0:52:24 | |
No, you won't. | 0:52:24 | 0:52:26 | |
What do you want? | 0:52:28 | 0:52:29 | |
I'll give you the slam dunk. | 0:52:29 | 0:52:32 | |
Fatima walks. | 0:52:32 | 0:52:34 | |
-And what's in it for you? -Take this from me | 0:52:34 | 0:52:37 | |
and you're free to start the Jody Farr trial on Monday morning. | 0:52:37 | 0:52:40 | |
Do you think I'd make a good clerk? | 0:52:40 | 0:52:41 | |
If this is a drugs thing, why weren't the police interested | 0:52:43 | 0:52:46 | |
when I told them about the black bag leaving with Ibrahim? | 0:52:46 | 0:52:49 | |
Last thing they want is a domestic like this blowing open the whole story. | 0:52:49 | 0:52:52 | |
Story? | 0:52:52 | 0:52:54 | |
The Ali's import heroin. | 0:52:54 | 0:52:56 | |
They have all sorts of connections in all sorts of places. | 0:52:56 | 0:52:59 | |
The police haven't finished looking at those connections, | 0:52:59 | 0:53:02 | |
working out how big it all is. | 0:53:02 | 0:53:03 | |
End of trial. | 0:53:05 | 0:53:06 | |
If you say yes to Jody. | 0:53:06 | 0:53:10 | |
Counsel to counsel. | 0:53:52 | 0:53:54 | |
You and me and nobody else. | 0:53:54 | 0:53:56 | |
-The police had the Ali house under surveillance. -What? | 0:53:59 | 0:54:02 | |
-Drugs. -What? They didn't... | 0:54:02 | 0:54:04 | |
They didn't tell you or anyone because they haven't finished yet. | 0:54:04 | 0:54:09 | |
How the hell do you know? | 0:54:09 | 0:54:10 | |
I can't tell you. | 0:54:10 | 0:54:12 | |
-So how do I know it's true? -Would I lie to you? | 0:54:12 | 0:54:16 | |
And if you really don't believe me, then go and ask the drugs squad. | 0:54:16 | 0:54:19 | |
Bloody hell. | 0:54:19 | 0:54:21 | |
So we can recall all the police witnesses | 0:54:21 | 0:54:23 | |
and I can cross examine them on their failure | 0:54:23 | 0:54:26 | |
to disclose any of this | 0:54:26 | 0:54:27 | |
and we can recall Ibrahim and cross examine him | 0:54:27 | 0:54:30 | |
on being a major drug dealer. | 0:54:30 | 0:54:33 | |
Oh, and then the jury can see | 0:54:33 | 0:54:34 | |
what nasty pieces of work Fatima's been living with. | 0:54:34 | 0:54:37 | |
Or I can stop this trial right now | 0:54:39 | 0:54:40 | |
and throw the book at a bunch of bastard coppers | 0:54:40 | 0:54:43 | |
who think they can get away with whatever they want. | 0:54:43 | 0:54:46 | |
I'm a prosecutor through and through, Martha, | 0:54:46 | 0:54:49 | |
but I will not tolerate being lied to by anyone. | 0:54:49 | 0:54:51 | |
I quite like your way of doing it. | 0:54:52 | 0:54:54 | |
They didn't tell me, they didn't tell the CPS, | 0:54:59 | 0:55:02 | |
the defence has been kept in the dark | 0:55:02 | 0:55:04 | |
about the real character of prosecution witnesses, | 0:55:04 | 0:55:07 | |
which is about as unfair and unjust as it's possible to get. | 0:55:07 | 0:55:12 | |
End of trial...ladies. | 0:55:14 | 0:55:16 | |
Now, listen to me. | 0:55:41 | 0:55:43 | |
This is very important. | 0:55:44 | 0:55:46 | |
There's going to be a great deal of fuss over the next days | 0:55:47 | 0:55:50 | |
and weeks to come, about how the police have behaved here. | 0:55:50 | 0:55:52 | |
And it really matters. | 0:55:52 | 0:55:54 | |
But I don't want it to get in the way of the most important thing. | 0:55:54 | 0:56:00 | |
You are an innocent woman. You are not guilty of anything. | 0:56:00 | 0:56:05 | |
And that's everything. You've got a new start in your life. | 0:56:05 | 0:56:09 | |
Take it. | 0:56:09 | 0:56:11 | |
Drink with me. | 0:56:57 | 0:56:59 | |
Please. | 0:56:59 | 0:57:01 | |
You OK? | 0:57:33 | 0:57:35 | |
It's six o'clock in the Caribbean. | 0:57:36 | 0:57:38 | |
To the Caribbean. | 0:57:40 | 0:57:42 | |
-You have to laugh, don't you? -Or what? | 0:57:45 | 0:57:48 | |
Or you go home and sit there and cry your bloody heart out. | 0:57:48 | 0:57:52 | |
What is it? | 0:57:56 | 0:57:58 | |
Nothing. | 0:57:58 | 0:57:59 | |
Tomorrow is another day. | 0:58:01 | 0:58:02 | |
Tomorrow is Jody Farr. | 0:58:06 | 0:58:08 | |
Police officers are bent. | 0:58:09 | 0:58:12 | |
The evidence isn't strong enough. People get off. | 0:58:12 | 0:58:15 | |
You're trapped. | 0:58:16 | 0:58:18 | |
-Aren't you? -Everybody's guilty. | 0:58:19 | 0:58:21 | |
When and why do police officers get neurotic? | 0:58:21 | 0:58:24 | |
-When they've got someone on the inside. -You're dead. You know that? | 0:58:24 | 0:58:27 | |
I watched you defend Brendan Kay with everything you had. | 0:58:27 | 0:58:30 | |
-What are you doing representing his killer? -We all have a choice. | 0:58:30 | 0:58:33 | |
What's it taken? | 0:58:33 | 0:58:34 | |
To corrupt Martha Costello? | 0:58:34 | 0:58:36 | |
Subtitles by Red Bee Media Ltd | 0:58:58 | 0:59:01 |