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-It's Billy. -'I'm going to say the word.' | 0:00:02 | 0:00:05 | |
Probably you haven't but possibly you have...cancer. | 0:00:05 | 0:00:08 | |
Jamie Slotover. | 0:00:08 | 0:00:10 | |
Thought you might need a bit of help. | 0:00:10 | 0:00:12 | |
Non-disclosure of evidence is as serious as it gets. | 0:00:12 | 0:00:15 | |
-I've had a letter from the Bar Standards Board. -This is the end of your career, Reader. | 0:00:15 | 0:00:19 | |
'Drugs?' | 0:00:19 | 0:00:20 | |
'Jody Farr's been arrested and charged.' | 0:00:20 | 0:00:22 | |
'Just say your defendants were part of a big crime family.' | 0:00:22 | 0:00:25 | |
Where would Jody Farr be in the hierarchy? | 0:00:25 | 0:00:27 | |
He would be the number two. | 0:00:27 | 0:00:28 | |
You know it's six weeks since Brendan Kay was murdered. | 0:00:28 | 0:00:31 | |
I don't know you've got the nerve to smile. | 0:00:31 | 0:00:33 | |
I will not represent Jody Farr. | 0:00:33 | 0:00:35 | |
I'll give you the slam dunk... | 0:00:35 | 0:00:38 | |
He walks. | 0:00:38 | 0:00:39 | |
'Take this from me, and you're free to start on Monday morning.' | 0:00:39 | 0:00:42 | |
-What is it? -Tomorrow it's Jody Farr. | 0:00:42 | 0:00:45 | |
DETECTOR BEEPS | 0:01:34 | 0:01:37 | |
-So... -Cigarette? | 0:02:32 | 0:02:34 | |
You're not allowed to smoke in here. | 0:02:41 | 0:02:44 | |
Why don't you sit where you're supposed to sit? | 0:02:59 | 0:03:02 | |
Police officers are bent, evidence isn't strong enough, | 0:03:19 | 0:03:22 | |
people get off - but everybody's guilty. | 0:03:22 | 0:03:24 | |
Your life is made up of dishonest negotiations. | 0:03:25 | 0:03:28 | |
You and your clients trying to work out how to skirt round the guilt question | 0:03:28 | 0:03:31 | |
so you don't get embarrassed. | 0:03:31 | 0:03:33 | |
We're not going to do that. | 0:03:33 | 0:03:36 | |
It's humiliating. | 0:03:36 | 0:03:37 | |
-Be careful what you say. -Better than that, I'll be straight with you. | 0:03:38 | 0:03:42 | |
I'm innocent. On my word. | 0:03:42 | 0:03:44 | |
You haven't been straight with me so far. | 0:03:44 | 0:03:46 | |
What you mean? | 0:03:48 | 0:03:49 | |
Him on the wrong side of the table, | 0:03:49 | 0:03:51 | |
the performance with the cigarette, your pet prison officer. | 0:03:51 | 0:03:55 | |
-Recalibration. -Sorry? -Of the way you think. | 0:03:55 | 0:03:59 | |
I've never liked it - barristers taking control of the room, | 0:03:59 | 0:04:02 | |
like it's a God-given right. | 0:04:02 | 0:04:05 | |
That won't happen here. | 0:04:05 | 0:04:07 | |
We want this to be an equal relationship of mutual respect. | 0:04:07 | 0:04:10 | |
Respect? | 0:04:10 | 0:04:11 | |
Yeah. | 0:04:11 | 0:04:13 | |
I'll do my job as a lawyer but you can't have anything else. | 0:04:13 | 0:04:18 | |
What does Martha Costello, the lawyer, think? | 0:04:18 | 0:04:20 | |
-We've got some strong points to make. -Put your mortgage on it - | 0:04:22 | 0:04:24 | |
one way or the other? | 0:04:24 | 0:04:26 | |
-I think we've got a run. -Put your life on it. | 0:04:28 | 0:04:30 | |
I'm not ready to say. | 0:04:33 | 0:04:35 | |
On the night you weren't at Birchanger services | 0:04:43 | 0:04:46 | |
overseeing the transfer of £4 million worth of heroin, | 0:04:46 | 0:04:50 | |
where were you? | 0:04:50 | 0:04:51 | |
I'm not ready to say. | 0:04:53 | 0:04:54 | |
Not you in the Hummer, on the bridge, overlooking the motorway? | 0:04:56 | 0:04:59 | |
-Not me. -The ID evidence must be mistaken or invented. | 0:04:59 | 0:05:03 | |
Must be. | 0:05:03 | 0:05:04 | |
-The cigarette from the scene? -No. | 0:05:04 | 0:05:06 | |
-Your DNA on the cigarette from the scene. -No. | 0:05:06 | 0:05:10 | |
What's your relationship with the co-defendant? | 0:05:10 | 0:05:13 | |
He's a courier. | 0:05:14 | 0:05:15 | |
-So you don't know him? -Martin Conti has worked for me, | 0:05:16 | 0:05:19 | |
he works for other people too. | 0:05:19 | 0:05:21 | |
He has a wife and two small children. | 0:05:21 | 0:05:24 | |
The drugs are not mine. | 0:05:26 | 0:05:28 | |
Someone else's consignment and the police fit you up? | 0:05:28 | 0:05:30 | |
I gave you my word I'd be straight with you. Please, don't doubt me. | 0:05:30 | 0:05:35 | |
-Why would they go to all that trouble? -SHOUTS: -Do you know who I am? | 0:05:35 | 0:05:39 | |
Can I have a cigarette? | 0:05:48 | 0:05:50 | |
Were you straight with Brendan Kay? | 0:06:04 | 0:06:07 | |
He let me down. | 0:06:10 | 0:06:11 | |
And you had him killed. | 0:06:12 | 0:06:14 | |
You and me, Martha Costello... | 0:06:29 | 0:06:31 | |
..all the way. | 0:06:32 | 0:06:33 | |
Say what you like to me... | 0:06:38 | 0:06:41 | |
anything at all... | 0:06:41 | 0:06:42 | |
..but don't you DARE touch me again. | 0:06:43 | 0:06:45 | |
He looks me in the eye, he tells me he's not guilty | 0:07:05 | 0:07:07 | |
and he wants me to believe him. | 0:07:07 | 0:07:09 | |
It's just another trial, Miss. | 0:07:09 | 0:07:11 | |
Wave to the opposition. | 0:07:18 | 0:07:20 | |
We need to get silk on the back of this - Lady Macbeth joins Chambers. | 0:07:22 | 0:07:25 | |
Overnight, we become something that I don't want to clerk. | 0:07:25 | 0:07:29 | |
You blow them out of the water, Miss. | 0:07:29 | 0:07:31 | |
You win this trial and we'll be all right. | 0:07:31 | 0:07:34 | |
Then I can get back to...loving him. | 0:07:34 | 0:07:37 | |
And I win playing it the way Micky and Jody want it played? | 0:07:38 | 0:07:41 | |
Where does that leave me? | 0:07:43 | 0:07:44 | |
What made you change your mind about representing him? | 0:07:46 | 0:07:50 | |
-I can't tell you. -Yours and Micky's secret? | 0:07:52 | 0:07:55 | |
She might not be comfortable now | 0:08:04 | 0:08:06 | |
-but when the trial starts she'll fight like she always fights. -Which is? | 0:08:06 | 0:08:10 | |
Mother leopard with a broken leg protecting her newborn cub. | 0:08:10 | 0:08:14 | |
I got this for my birthday and I've no idea what to do with it. | 0:08:16 | 0:08:19 | |
-Could you put some songs on it for me? -What sort of thing? | 0:08:19 | 0:08:22 | |
Your Desert Island discs, maybe. | 0:08:22 | 0:08:25 | |
OK. | 0:08:27 | 0:08:28 | |
-Why would I give you Daniel? -You've been against him. | 0:08:31 | 0:08:34 | |
-Oh, and you want for professional reasons? -You're jealous. | 0:08:34 | 0:08:37 | |
So you do like him. | 0:08:37 | 0:08:39 | |
My God... | 0:08:39 | 0:08:40 | |
Clive Reader, jealous. | 0:08:40 | 0:08:42 | |
Are you all right? | 0:08:44 | 0:08:46 | |
Three months suspension for assault on another member of the bar. | 0:08:51 | 0:08:54 | |
-Disbarred for life if you go down on non-disclosure. -Right. | 0:08:54 | 0:08:58 | |
-What's Milson like? -Camp, posh, whiff of the church. -So you need...? | 0:08:59 | 0:09:04 | |
I was thinking a no-nonsense northern blonde might be good. | 0:09:04 | 0:09:07 | |
-Do you want ask me nicely? -Would you? | 0:09:07 | 0:09:09 | |
Please, Martha? | 0:09:10 | 0:09:11 | |
You mean block a big chunk of time out of my busy diary just for you? | 0:09:11 | 0:09:17 | |
The answer's yes. | 0:09:18 | 0:09:20 | |
HE EXHALES | 0:09:20 | 0:09:22 | |
Can I have Daniel, please? | 0:09:22 | 0:09:24 | |
Who is this? | 0:09:30 | 0:09:31 | |
Daniel Lomas...our pupil. | 0:09:31 | 0:09:34 | |
-How old is he? -29. | 0:09:35 | 0:09:38 | |
What did you do before? | 0:09:39 | 0:09:41 | |
I was a police officer. | 0:09:45 | 0:09:46 | |
I spend my life making snap judgements about people... | 0:09:49 | 0:09:53 | |
I trust him. | 0:09:53 | 0:09:54 | |
-You'd have said no, wouldn't you? -Once a copper, always a copper. | 0:10:01 | 0:10:05 | |
Do you know any of this lot? The officers in this? | 0:10:05 | 0:10:08 | |
-No, I don't know any of them. -So the fit up, it's not personal? | 0:10:08 | 0:10:12 | |
Every police officer's born bent... PHONE RINGS | 0:10:12 | 0:10:14 | |
..it's always personal. Excuse me. | 0:10:14 | 0:10:16 | |
-He doesn't remember me. -Micky? | 0:10:22 | 0:10:25 | |
Yes, I met him once, at a police station I was seconded to. | 0:10:25 | 0:10:28 | |
Like a missile with hot mustard up his arse. | 0:10:28 | 0:10:31 | |
Take your jacket and tie off. | 0:10:35 | 0:10:36 | |
-What? -You're a courier who thought he was driving a consignment of cigarettes, remember? | 0:10:36 | 0:10:40 | |
You're looking too expensive - | 0:10:40 | 0:10:42 | |
there's all the difference in the world between smart and drug dealer smart. Good. | 0:10:42 | 0:10:46 | |
Now the jury will have no interest at all | 0:10:46 | 0:10:48 | |
in the boring man in the white shirt, | 0:10:48 | 0:10:50 | |
so much less important than Giorgio Armani here. | 0:10:50 | 0:10:53 | |
-His previous conviction is for intent to supply. -It wasn't an importation. | 0:10:57 | 0:11:03 | |
But it was the same drug and he was running the business. | 0:11:03 | 0:11:05 | |
Many of the same features as this case. | 0:11:05 | 0:11:08 | |
We all know that if a jury hear about previous conviction, | 0:11:08 | 0:11:10 | |
it doesn't just influence HOW they think | 0:11:10 | 0:11:13 | |
but they stop thinking altogether. | 0:11:13 | 0:11:14 | |
"He's done it before, so he must be guilty now." | 0:11:14 | 0:11:16 | |
I mean, if we put in his form then it's all over. How fair is that? | 0:11:16 | 0:11:19 | |
In reaching my decision, | 0:11:24 | 0:11:26 | |
I've taken into account all of Miss Costello's eloquent arguments... | 0:11:26 | 0:11:30 | |
SHE WHISPERS | 0:11:30 | 0:11:31 | |
Er... | 0:11:31 | 0:11:32 | |
Miss Costello, is there something you'd like to share with us? | 0:11:32 | 0:11:36 | |
-I was just telling my pupil about the judicial sandwich. -I'm sorry? | 0:11:36 | 0:11:40 | |
Thank the loser for eloquence, dish out the bad news, | 0:11:40 | 0:11:44 | |
thank the loser for her eloquence. | 0:11:44 | 0:11:46 | |
I find that the Crown satisfies the requirement under the act. | 0:11:47 | 0:11:51 | |
The jury will hear evidence of Mr Farr's previous conviction. | 0:11:51 | 0:11:56 | |
Don't worry, Ms Costello, | 0:11:56 | 0:11:57 | |
I'll make sure the jury get the proper guidance from me. | 0:11:57 | 0:12:00 | |
Bastard! | 0:12:09 | 0:12:10 | |
-You're angry. -Of course I am, weren't you listening in there? | 0:12:10 | 0:12:13 | |
Yeah, I'm just surprised how worked up you are. | 0:12:13 | 0:12:15 | |
I lost a legal argument I should have won. | 0:12:15 | 0:12:18 | |
-You just can't help yourself, can you? -What? | 0:12:18 | 0:12:20 | |
You're pathologically incapable of not doing your best for your client. | 0:12:20 | 0:12:24 | |
Plea in mitigation for Adolf Hitler, Martha Costello would give it 100%. | 0:12:24 | 0:12:28 | |
Cut me open and I'm all lawyer, is that what you are trying to say? | 0:12:28 | 0:12:31 | |
Anyway, whatever it is, | 0:12:31 | 0:12:32 | |
the upshot is you're fighting hard for a man you despise. | 0:12:32 | 0:12:37 | |
DOOR BUZZES | 0:12:37 | 0:12:38 | |
-'Hello?' -Martha Costello, Counsel for Jody Farr. | 0:12:38 | 0:12:41 | |
'One moment, please.' | 0:12:41 | 0:12:43 | |
With her fool. | 0:12:43 | 0:12:44 | |
We have a rule on my paper. | 0:12:46 | 0:12:47 | |
We're super clear, in the very first line, exactly what the story is. | 0:12:48 | 0:12:52 | |
I'm offering you the inside on the Jody Farr trial. | 0:12:52 | 0:12:55 | |
That's no good to me because I can't report it until it's over. | 0:12:55 | 0:12:57 | |
I can broker you access to Jody, which will give you a scoop. | 0:12:57 | 0:13:00 | |
Jody's a mould breaker, which will give you a book - | 0:13:00 | 0:13:02 | |
and if you've got a book, you've got life not in the gutter. | 0:13:02 | 0:13:07 | |
Don't tell me all you lot don't dream about being proper writers. | 0:13:07 | 0:13:11 | |
What do you want from me? | 0:13:11 | 0:13:13 | |
Oxford. | 0:13:13 | 0:13:15 | |
When you gave Clive Reader the photographs. | 0:13:15 | 0:13:17 | |
He remembers it as being after the trial was over. | 0:13:17 | 0:13:21 | |
Probably around about the same time you gave them to the other side. | 0:13:21 | 0:13:24 | |
If what you give me is good enough, | 0:13:24 | 0:13:26 | |
then maybe I'll remember when I gave your blue-eyed boy the photograph. | 0:13:26 | 0:13:29 | |
-That's not a deal. -That's what I'm offering. | 0:13:29 | 0:13:32 | |
If you make me happy, then you have my word. | 0:13:33 | 0:13:36 | |
I'll honour my commitment to perjure myself. | 0:13:36 | 0:13:39 | |
I've always admired your style of advocacy, Ms Warwick. | 0:13:48 | 0:13:52 | |
-And what's that? -If John McEnroe and Joan Crawford had a love child. | 0:13:52 | 0:13:57 | |
Sometimes I forget you're there. | 0:13:57 | 0:13:59 | |
Then I'm doing my job properly. | 0:14:00 | 0:14:02 | |
But you see everything, don't you? | 0:14:04 | 0:14:06 | |
Everything, Ms Warwick. | 0:14:06 | 0:14:08 | |
-It makes it difficult now. -It makes it interesting. | 0:14:17 | 0:14:21 | |
Why would I be anywhere near a motorway service station at two in the morning? | 0:14:21 | 0:14:24 | |
Do I look like a foot soldier? | 0:14:24 | 0:14:26 | |
Interesting how? | 0:14:27 | 0:14:29 | |
I'm the biggest drug dealer you will ever meet... | 0:14:29 | 0:14:32 | |
..and that's what we'll tell the jury. | 0:14:33 | 0:14:35 | |
Those your instructions? | 0:14:35 | 0:14:37 | |
You want me to run that? | 0:14:39 | 0:14:40 | |
All the way. | 0:14:44 | 0:14:46 | |
Three foreign holidays in a year, | 0:14:53 | 0:14:56 | |
a boxing trip to Las Vegas for him and 12 associates, a new house. | 0:14:56 | 0:15:01 | |
-Any evidence of work or a legitimate income? -No. | 0:15:02 | 0:15:06 | |
Is it right that on 12 January 2004 | 0:15:09 | 0:15:12 | |
Mr Farr was convicted of possession with intent to supply heroin | 0:15:12 | 0:15:15 | |
-and sentenced to five years imprisonment? -That is correct. | 0:15:15 | 0:15:19 | |
-So man with a previous conviction of supplying class A drugs? -Yes. | 0:15:19 | 0:15:25 | |
-With huge outgoings... -Yeah. -..and no legitimate income. | 0:15:25 | 0:15:28 | |
-Leaving the big question. -Which is? -Where's he getting the money? | 0:15:28 | 0:15:33 | |
What about the yacht? | 0:15:40 | 0:15:42 | |
Sarcasm isn't appreciated in my court, Miss Costello. | 0:15:42 | 0:15:45 | |
It's 60 foot, front to back, worth £2 million, | 0:15:45 | 0:15:49 | |
and was bought from a Greek charter company just over a year ago. | 0:15:49 | 0:15:53 | |
The Armani suits, the Damien Hirst in the front room. | 0:15:54 | 0:15:57 | |
Oh, it isn't in your notes, officer, but Mr Farr is available | 0:15:58 | 0:16:02 | |
if you require further information on his assets. | 0:16:02 | 0:16:05 | |
High tightrope in a high wig, Marth. Your idea or Jody's? | 0:16:11 | 0:16:15 | |
"Why would you come clean about everything if he's guilty?" | 0:16:15 | 0:16:18 | |
That's what the jury are going to think. | 0:16:18 | 0:16:19 | |
10 minutes into your career at the Bar and you're mind reading a jury at the Bailey? | 0:16:19 | 0:16:23 | |
Feeling under pressure, Clive? Take it out on someone your own call. | 0:16:23 | 0:16:26 | |
He wasn't going to give evidence before his form went in. | 0:16:26 | 0:16:29 | |
I'll be helping the jury understand. | 0:16:29 | 0:16:31 | |
We should stop talking about the case. | 0:16:31 | 0:16:32 | |
Jody has to come clean now, doesn't he? | 0:16:32 | 0:16:34 | |
The jury need to hear it. | 0:16:34 | 0:16:36 | |
My job is making a fortune out of destroying people's lives, | 0:16:36 | 0:16:39 | |
-only this time... -Clive, it's me. | 0:16:39 | 0:16:40 | |
-Don't try and push me around! -Sounds like someone else's already doing that. | 0:16:40 | 0:16:44 | |
-I don't get pushed around. -I sat and watched you defend Brendan Kay with everything you had, | 0:16:44 | 0:16:48 | |
it was the bravest performance I've seen. | 0:16:48 | 0:16:50 | |
What the hell are you doing representing the man who had him killed? | 0:16:50 | 0:16:53 | |
Cab rank rule. | 0:16:54 | 0:16:55 | |
We take what we're given and we do our job. | 0:16:55 | 0:16:57 | |
You prosecute, I defend, the jury decide. | 0:16:57 | 0:17:00 | |
That man, like every other man who stands trial here, | 0:17:00 | 0:17:03 | |
innocent until proven guilty. | 0:17:03 | 0:17:05 | |
Yeah, you've got to say that, haven't you? | 0:17:05 | 0:17:07 | |
Anything else and you really can't look yourself in the mirror. | 0:17:07 | 0:17:11 | |
Bethany? Coffee would be great. | 0:17:26 | 0:17:29 | |
First time I fell in love it was for ever... | 0:17:33 | 0:17:36 | |
..till it wasn't. | 0:17:38 | 0:17:39 | |
I never thought I'd get over it. | 0:17:40 | 0:17:42 | |
Now I know I was way too young and it never would've survived. | 0:17:43 | 0:17:46 | |
-How about you, Billy? -What's that? -First love? | 0:17:49 | 0:17:53 | |
Martha off of Little House On The Prairie. | 0:17:54 | 0:17:57 | |
Then Olivia Newton-John... | 0:17:57 | 0:17:59 | |
and Chris Evert. | 0:17:59 | 0:18:01 | |
Three first loves? | 0:18:01 | 0:18:03 | |
When you come into the world, you come out of your mother's downstairs | 0:18:03 | 0:18:08 | |
like a rocket fired straight into a brick wall about three feet away. | 0:18:08 | 0:18:13 | |
What are you saying? | 0:18:15 | 0:18:16 | |
Make the most of the three feet. | 0:18:18 | 0:18:21 | |
Bethany? | 0:18:30 | 0:18:31 | |
Would you go out with me, to a restaurant? | 0:18:33 | 0:18:36 | |
SHE GIGGLES | 0:18:36 | 0:18:38 | |
Yes, I'd love to. | 0:18:39 | 0:18:41 | |
We saw the carrier vehicle, a green Mercedes lorry, come off the boat. | 0:18:46 | 0:18:50 | |
Then once we picked it up again, leaving the docks, we had it under surveillance the whole time. | 0:18:50 | 0:18:54 | |
What about a recipient vehicle? | 0:18:54 | 0:18:56 | |
The green lorry came off the M11, into Birchanger services, | 0:18:56 | 0:19:00 | |
then, for an hour and a half, no movement, nothing. | 0:19:00 | 0:19:03 | |
We didn't know what the recipient vehicle would be, | 0:19:03 | 0:19:06 | |
we had to make a judgement about that on the ground, on the day. | 0:19:06 | 0:19:09 | |
-How? -By looking at vehicles and how their occupants were behaving. | 0:19:09 | 0:19:13 | |
-Did you identify any candidates? -Not in the car park. | 0:19:13 | 0:19:17 | |
Anywhere else? | 0:19:17 | 0:19:18 | |
The Hummer on the bridge. | 0:19:20 | 0:19:22 | |
Why isn't it Customs? | 0:19:30 | 0:19:32 | |
Why wouldn't drugs importation be Customs? | 0:19:32 | 0:19:34 | |
Because if you're the police and you're fitting someone up, | 0:19:34 | 0:19:37 | |
you don't want another agency anywhere near him. | 0:19:37 | 0:19:39 | |
-Because you don't want anyone to know how badly you're behaving. -More than that... | 0:19:39 | 0:19:43 | |
there's no reference to Customs even being told about the operation. | 0:19:43 | 0:19:46 | |
When and why the police officers get neurotic? | 0:19:46 | 0:19:49 | |
When they got someone on the inside. | 0:19:49 | 0:19:52 | |
There are 75 photographs taken covertly, | 0:19:52 | 0:19:56 | |
of the carrier vehicle, at the service station. | 0:19:56 | 0:19:58 | |
Yes. | 0:19:58 | 0:19:59 | |
How many of the Hummer? | 0:19:59 | 0:20:01 | |
None of the Hummer. | 0:20:01 | 0:20:03 | |
-Why did you take 75 photographs of the carrier vehicle? -Best evidence. | 0:20:03 | 0:20:09 | |
-The camera doesn't lie. -What are you implying, Miss Costello? | 0:20:09 | 0:20:13 | |
I'm not implying anything, I'm being as explicit as I can. | 0:20:13 | 0:20:18 | |
Detective Sergeant Berwick here is lying. | 0:20:18 | 0:20:21 | |
There are no photos of the Hummer because it wasn't there. | 0:20:21 | 0:20:24 | |
-This is a speech! -It's a full answer | 0:20:24 | 0:20:27 | |
to Your Lordship's very intelligent question. | 0:20:27 | 0:20:30 | |
Jody Farr wasn't there. | 0:20:30 | 0:20:33 | |
-You fitted him up. -That's ridiculous. | 0:20:33 | 0:20:36 | |
This was a carefully organised operation to intercept | 0:20:36 | 0:20:38 | |
-a large-scale importation... -Why wasn't Jody Farr intercepted? | 0:20:38 | 0:20:42 | |
I mean, why wasn't he arrested at the scene? | 0:20:42 | 0:20:45 | |
We had to go in early because we thought the courier had clocked us. | 0:20:45 | 0:20:48 | |
The Hummer drove off while we were seizing the drugs | 0:20:48 | 0:20:50 | |
and arresting the courier. | 0:20:50 | 0:20:52 | |
Just to be clear, | 0:20:52 | 0:20:54 | |
you say the Hummer was on the bridge that spans the motorway, | 0:20:54 | 0:20:57 | |
-overlooking the services? -That's right. | 0:20:57 | 0:20:59 | |
And you made no provision for road blocking it | 0:20:59 | 0:21:04 | |
in your carefully planned operation. | 0:21:04 | 0:21:07 | |
No squad car set to prevent a getaway from the bridge? | 0:21:07 | 0:21:11 | |
We had no idea he would be there, a man of his stature. | 0:21:11 | 0:21:14 | |
Did Mr Conti tell you in interview what he believed he was carrying | 0:21:14 | 0:21:18 | |
in the back of the lorry he was driving? | 0:21:18 | 0:21:20 | |
Yes, he said he thought it was cigarettes. | 0:21:20 | 0:21:22 | |
And did you spend the next 55 minutes of the interview | 0:21:22 | 0:21:25 | |
asking him questions about this defence? | 0:21:25 | 0:21:27 | |
-Yes. -What did he say? | 0:21:27 | 0:21:29 | |
"No comment," 107 times. | 0:21:29 | 0:21:32 | |
If we look at page five of the interview transcript, | 0:21:32 | 0:21:36 | |
was Mr Conti asked about a phone call made at 10.44pm? | 0:21:36 | 0:21:40 | |
"You made a phone call | 0:21:40 | 0:21:42 | |
"to the number we know to be the home number of Jody Farr." | 0:21:42 | 0:21:45 | |
-Let me guess, what was his answer when you put that to him? -"No comment." | 0:21:45 | 0:21:48 | |
When, in terms of the operation as a whole, would this phone call have been made? | 0:21:48 | 0:21:52 | |
After disembarkation at the dock. From a phone box. | 0:21:52 | 0:21:55 | |
Is that in the observation log? | 0:21:57 | 0:21:59 | |
No, there was a short gap in the surveillance | 0:21:59 | 0:22:01 | |
between disembarkation and the green lorry leaving the docks. | 0:22:01 | 0:22:05 | |
A phone call was made, it was from the public phone box of the docks, | 0:22:05 | 0:22:09 | |
it was to the home of Jody Farr. | 0:22:09 | 0:22:11 | |
-You can't say who made it. -It's pretty obvious who it was. | 0:22:11 | 0:22:15 | |
Well, perhaps you can help us all. Where are the fingerprints? | 0:22:15 | 0:22:18 | |
On the phone, in the phone box? | 0:22:18 | 0:22:20 | |
DCI Enright? | 0:22:21 | 0:22:23 | |
It's in the log, did you miss the entry on page 67? | 0:22:23 | 0:22:26 | |
Your client was wearing gloves for driving. | 0:22:27 | 0:22:32 | |
Off to play golf, was he? | 0:22:32 | 0:22:33 | |
If this was a fit up, why wouldn't we make it 100% locked and logged, | 0:22:38 | 0:22:41 | |
-that it was your man making the call? -Rule of bent police work - | 0:22:41 | 0:22:44 | |
don't make evidence too clean. | 0:22:44 | 0:22:45 | |
It's not my man you lot care about, is it? | 0:22:45 | 0:22:48 | |
(Outside.) | 0:22:48 | 0:22:49 | |
It's Conti. | 0:22:54 | 0:22:55 | |
-What? -It has to be. | 0:22:55 | 0:22:57 | |
An organisation that takes that much care for mobile phones | 0:22:57 | 0:23:00 | |
has a courier ring a landline in the middle of an importation? | 0:23:00 | 0:23:02 | |
They need the connection, Jody to the drugs, | 0:23:02 | 0:23:06 | |
just enough to put him on the indictment | 0:23:06 | 0:23:08 | |
so his previous goes in, his finances go in | 0:23:08 | 0:23:11 | |
and suddenly the rolling stone is gathering lots of moss. | 0:23:11 | 0:23:14 | |
So we talk to Jody? | 0:23:17 | 0:23:20 | |
About Conti? | 0:23:20 | 0:23:21 | |
Martha? | 0:23:23 | 0:23:24 | |
You know what happens to people who betray Jody Farr. | 0:23:24 | 0:23:27 | |
Shall I take that, Ms Warwick? | 0:23:38 | 0:23:39 | |
Anything, within the rules, obviously, that I can help you with. | 0:23:57 | 0:24:02 | |
I think I'll be fine. | 0:24:02 | 0:24:04 | |
-Jamie... -Don't...do that. | 0:24:07 | 0:24:10 | |
(No...) | 0:24:13 | 0:24:14 | |
(Absolutely.) | 0:24:15 | 0:24:16 | |
Not my business, | 0:24:18 | 0:24:19 | |
-unless the administration of justice is affected. -Sorry? | 0:24:19 | 0:24:22 | |
As long as you're performing to a silk standard, | 0:24:27 | 0:24:29 | |
I'm prepared to keep it under my wing. | 0:24:29 | 0:24:31 | |
Don't tell me you're pleading. | 0:24:46 | 0:24:48 | |
SHE TITTERS | 0:24:48 | 0:24:50 | |
It's weird, isn't it? | 0:24:50 | 0:24:52 | |
The biggest row we've both ever been in | 0:24:52 | 0:24:53 | |
and we're not allowed to talk about it. | 0:24:53 | 0:24:56 | |
Yeah, well, we should get used to that. | 0:24:56 | 0:24:58 | |
What would you be saying, if we could talk? | 0:25:01 | 0:25:04 | |
I'd ask you why CW is letting her junior do all the work? | 0:25:06 | 0:25:10 | |
No, you wouldn't. That's not why you're here on your own. | 0:25:10 | 0:25:12 | |
Two thirds of the way through a bottle of wine. | 0:25:12 | 0:25:16 | |
What about me? What do you think I'd be asking you, | 0:25:17 | 0:25:19 | |
if we were allowed to talk? | 0:25:19 | 0:25:20 | |
We can do this, Marth. | 0:25:26 | 0:25:27 | |
We can talk about it now | 0:25:29 | 0:25:30 | |
and then forget what we said at the door of the court. | 0:25:30 | 0:25:33 | |
Bugger the rules. | 0:25:33 | 0:25:35 | |
The question would have been, what's it taken? | 0:25:40 | 0:25:42 | |
To corrupt Martha Costello? | 0:25:44 | 0:25:46 | |
See you in court. | 0:25:48 | 0:25:50 | |
It's about political DNA, it's about whose side you're on. | 0:25:56 | 0:25:59 | |
Look, I'm prosecuting now. Is that wrong? | 0:25:59 | 0:26:02 | |
You'd forgive Jody Farr his sins because he's from a broken home but that's everybody. | 0:26:02 | 0:26:06 | |
That's every criminal that's ever been. | 0:26:06 | 0:26:08 | |
-Does he come from a broken home? -Oh, Jesus. -It was a joke! | 0:26:08 | 0:26:11 | |
We're lawyers, we can't represent Joan of Arc every time. | 0:26:11 | 0:26:14 | |
-Temporary insanity. -What?! | 0:26:14 | 0:26:16 | |
Voices in her head and no appropriate adult in interview, | 0:26:16 | 0:26:19 | |
which is a serious breach of PACE. I'd have got her off. | 0:26:19 | 0:26:21 | |
Where do we go from here? | 0:26:24 | 0:26:26 | |
My place? | 0:26:28 | 0:26:29 | |
If we cut the courier's throat, | 0:26:31 | 0:26:33 | |
it means his throat will actually get cut? | 0:26:33 | 0:26:36 | |
You have to do your best for your client. | 0:26:38 | 0:26:40 | |
That's where your responsibility begins and ends. | 0:26:40 | 0:26:43 | |
-The consequences of what we do in court's none of our business. -Court's open... -Come on, talk to me. | 0:26:43 | 0:26:48 | |
-Miss. -Billy. | 0:26:54 | 0:26:57 | |
I'll go and check on tomorrow's witnesses. | 0:26:57 | 0:27:00 | |
-Glad to see you found someone to hold your hand. -He's just... -Your pupil. | 0:27:06 | 0:27:12 | |
I know this guy. | 0:27:23 | 0:27:25 | |
-Lodder? -Used to be a custody sergeant. | 0:27:26 | 0:27:29 | |
He made a list of all the solicitors in London, | 0:27:29 | 0:27:31 | |
rating them out of 100, like a league table - | 0:27:31 | 0:27:34 | |
with the trickiest at the top and the softest at the bottom. | 0:27:34 | 0:27:36 | |
Bosses didn't like it, he's a motorcycle cop now. | 0:27:36 | 0:27:39 | |
-What's the harm in that? -Well, it got out. | 0:27:39 | 0:27:42 | |
Solicitors got to hear of it. | 0:27:42 | 0:27:44 | |
Micky Joy took it up with Lodder personally. | 0:27:44 | 0:27:46 | |
I think he was angry about only being second in the table. | 0:27:49 | 0:27:52 | |
Micky and Lodder? | 0:27:54 | 0:27:56 | |
He said he didn't know any of them. | 0:27:59 | 0:28:02 | |
I asked him... | 0:28:02 | 0:28:04 | |
he told me. | 0:28:04 | 0:28:05 | |
Why, what's the matter? | 0:28:06 | 0:28:08 | |
It's not Conti. | 0:28:09 | 0:28:10 | |
-I'm not sure about this. -Aren't you? | 0:28:19 | 0:28:22 | |
The contents of this | 0:28:22 | 0:28:23 | |
bring the total money you've accepted from me to £43,000. | 0:28:23 | 0:28:27 | |
So...the night of June 9... | 0:28:29 | 0:28:30 | |
-Where was I, who was I with? -Good boy. DOOR OPENING | 0:28:33 | 0:28:37 | |
Our alibi. | 0:28:39 | 0:28:40 | |
It's locked. | 0:29:14 | 0:29:15 | |
-Yeah. -Once a Catholic? | 0:29:17 | 0:29:21 | |
You still in touch with him, up there? | 0:29:23 | 0:29:25 | |
The words go up. | 0:29:26 | 0:29:27 | |
-What about you? -I don't believe in God. | 0:29:29 | 0:29:32 | |
I don't even like him. | 0:29:32 | 0:29:33 | |
Jealous, self obsessed...cruel. | 0:29:33 | 0:29:37 | |
-What -do -you believe in? | 0:29:37 | 0:29:39 | |
Human decency. | 0:29:39 | 0:29:41 | |
Billy will go in the witness box and lie for us... | 0:29:41 | 0:29:44 | |
-..and you will facilitate that, won't you? -No, Micky. | 0:29:45 | 0:29:48 | |
It's over. | 0:29:48 | 0:29:49 | |
I'm out of this. | 0:29:51 | 0:29:52 | |
You can't. | 0:29:56 | 0:29:58 | |
Calling a witness I know is going to lie | 0:29:58 | 0:30:01 | |
is not part of our deal. | 0:30:01 | 0:30:03 | |
And I won't do it. | 0:30:04 | 0:30:05 | |
£43,000 in total. | 0:30:05 | 0:30:08 | |
What? | 0:30:08 | 0:30:10 | |
The brown envelope you just saw on his desk. | 0:30:10 | 0:30:12 | |
The last of 17 envelopes | 0:30:13 | 0:30:15 | |
accepted by your senior clerk from me. | 0:30:15 | 0:30:18 | |
If his career was to end, it would kill him, wouldn't it? | 0:30:18 | 0:30:21 | |
And I know how much you love him. | 0:30:21 | 0:30:23 | |
Knowing you is the closest I've ever come | 0:30:26 | 0:30:28 | |
to believing in good and evil. | 0:30:28 | 0:30:30 | |
And which side are you on? | 0:30:30 | 0:30:31 | |
Free will, Martha. | 0:30:33 | 0:30:34 | |
We all have a choice. | 0:30:36 | 0:30:37 | |
TELEPHONE RINGS | 0:30:50 | 0:30:53 | |
You've been worrying about my co-defendant. | 0:31:07 | 0:31:10 | |
He's not a grass. | 0:31:10 | 0:31:12 | |
No. | 0:31:12 | 0:31:14 | |
How do you know? | 0:31:14 | 0:31:15 | |
I asked him. We had a talk. | 0:31:15 | 0:31:17 | |
-The gap in surveillance when the phone call was made. -Pretend gap. | 0:31:20 | 0:31:23 | |
-With a real phone call in it. -Made by? -A police officer. | 0:31:23 | 0:31:26 | |
Alan Cowdrey wants to put Conti in the box. | 0:31:27 | 0:31:29 | |
-No choice really. -Which is what the prosecution want. | 0:31:29 | 0:31:33 | |
The courier in the box denying he made the call | 0:31:33 | 0:31:35 | |
but looking guilty as hell under cross examination. | 0:31:35 | 0:31:37 | |
Connecting you to the drugs | 0:31:37 | 0:31:38 | |
and undermining you by being rubbish. | 0:31:38 | 0:31:41 | |
Conti knew it wasn't cigarettes, he knew it was heroin. | 0:31:41 | 0:31:45 | |
End of story. Except for one thing, obviously. | 0:31:45 | 0:31:48 | |
That the drugs are not yours. | 0:31:48 | 0:31:49 | |
Where were you that night? | 0:31:53 | 0:31:55 | |
You know who the alibi is. | 0:31:55 | 0:31:56 | |
You weren't with Billy, were you? | 0:31:58 | 0:32:00 | |
-I need him. -Where were you? | 0:32:01 | 0:32:04 | |
I'm the number two in the Farr family. | 0:32:07 | 0:32:09 | |
What's that got to do with it? | 0:32:09 | 0:32:11 | |
I was with a woman. | 0:32:11 | 0:32:13 | |
-She's married. -Right. | 0:32:13 | 0:32:15 | |
To my brother. | 0:32:15 | 0:32:17 | |
The number one. | 0:32:18 | 0:32:20 | |
And saying that in court? | 0:32:21 | 0:32:23 | |
I don't think so. | 0:32:23 | 0:32:24 | |
So, Conti. | 0:32:29 | 0:32:31 | |
Clive Reader is good. He'll do him over in the witness box. | 0:32:32 | 0:32:35 | |
It's a problem for us. | 0:32:35 | 0:32:36 | |
Not any more it isn't. | 0:32:36 | 0:32:38 | |
My Lord, can the indictment be put to my client again, please? | 0:32:41 | 0:32:45 | |
THEY WHISPER | 0:32:49 | 0:32:51 | |
Do you plead guilty or not guilty? | 0:32:51 | 0:32:53 | |
Guilty. | 0:32:54 | 0:32:56 | |
You'll be remanded in custody till the end of the trial, | 0:32:56 | 0:32:59 | |
when you'll be brought back for sentencing. Take him down. | 0:32:59 | 0:33:02 | |
Ten minutes to re-group. | 0:33:04 | 0:33:06 | |
All rise. | 0:33:06 | 0:33:07 | |
See you in there. | 0:33:12 | 0:33:13 | |
Did you tell him where Jody was on the night? | 0:33:19 | 0:33:22 | |
Daniel? Of course. | 0:33:23 | 0:33:25 | |
He's my junior. I can't keep things from him. | 0:33:25 | 0:33:28 | |
No. | 0:33:28 | 0:33:30 | |
# I leaned on you today | 0:34:06 | 0:34:10 | |
# I regularly hurt but never say | 0:34:13 | 0:34:17 | |
# I nearly wore the window through... # | 0:34:21 | 0:34:25 | |
RINGING TONE | 0:34:25 | 0:34:27 | |
# Where was air sea rescue? | 0:34:28 | 0:34:34 | |
# The cavalry with tea and sympathy? | 0:34:36 | 0:34:41 | |
# You were there | 0:34:43 | 0:34:46 | |
# Puncture repair | 0:34:46 | 0:34:50 | |
# I leaned on you today. # | 0:34:52 | 0:34:56 | |
Why don't you sit this morning out? | 0:35:24 | 0:35:26 | |
I have to get in to Shoe Lane. You owe me that. | 0:35:29 | 0:35:31 | |
You wouldn't be here if it weren't for me. | 0:35:31 | 0:35:34 | |
Go home, Caroline. | 0:35:36 | 0:35:37 | |
I went up onto the bridge on my motorbike. | 0:35:47 | 0:35:49 | |
I knew I only had one go at the Hummer. | 0:35:49 | 0:35:51 | |
-One go? -One ride past. | 0:35:51 | 0:35:53 | |
I was approaching the bridge from the west, | 0:35:53 | 0:35:56 | |
so I was face on to the Hummer. | 0:35:56 | 0:35:58 | |
I went as slowly as I dared, | 0:35:58 | 0:35:59 | |
and made a mental note of the registration number. | 0:35:59 | 0:36:02 | |
And were you able to see anyone inside the vehicle? | 0:36:02 | 0:36:04 | |
The windows are smoked glass so you can't see inside. | 0:36:04 | 0:36:06 | |
But as I rode past, the nearside window opened. | 0:36:06 | 0:36:09 | |
And what did you see? | 0:36:09 | 0:36:10 | |
Mr Farr. | 0:36:10 | 0:36:11 | |
He was flicking a cigarette end out. | 0:36:11 | 0:36:14 | |
How would you describe the opportunity you had to look at Mr Farr? | 0:36:14 | 0:36:17 | |
I got a good look at him. | 0:36:17 | 0:36:19 | |
And after the Hummer drove away, what did you do? | 0:36:20 | 0:36:22 | |
-I went back onto the bridge. -Why? | 0:36:22 | 0:36:25 | |
For the cigarette. | 0:36:25 | 0:36:27 | |
Exhibit PL 14, My Lord. | 0:36:27 | 0:36:31 | |
How could you be sure this was the cigarette | 0:36:31 | 0:36:34 | |
you'd seen the defendant flick out of the window? | 0:36:34 | 0:36:37 | |
I couldn't, which is why we had DNA tests done on it, | 0:36:37 | 0:36:39 | |
which established that it was his. | 0:36:39 | 0:36:41 | |
Thank you, Sergeant Lodder. | 0:36:42 | 0:36:44 | |
The window opened as you rode past. | 0:36:46 | 0:36:48 | |
-Yes. -Right on cue. What a stroke of luck. | 0:36:48 | 0:36:52 | |
Well, you earn your luck in life. | 0:36:52 | 0:36:54 | |
It must have been the briefest of looks you had, what? | 0:36:54 | 0:36:57 | |
A second? Maybe two? | 0:36:57 | 0:37:00 | |
I know the face. Can I say that? | 0:37:00 | 0:37:02 | |
Looks like you've said it. Which is fine by me, | 0:37:02 | 0:37:06 | |
because it was Jody Farr's face you were seeing every step of the way. | 0:37:06 | 0:37:10 | |
His was the face that fitted, wasn't it? | 0:37:10 | 0:37:13 | |
How many Hummers are there on the roads in Britain? | 0:37:13 | 0:37:15 | |
-What are the chances that... -You know what car he has and you know it's a Hummer | 0:37:15 | 0:37:19 | |
and you know what the registration is, | 0:37:19 | 0:37:21 | |
so stop answering the wrong question. | 0:37:21 | 0:37:22 | |
This jury aren't stupid, | 0:37:22 | 0:37:25 | |
they won't think that if you get it right about Jody Farr's shoe size | 0:37:25 | 0:37:30 | |
then he must have been there. | 0:37:30 | 0:37:31 | |
Can you confirm | 0:37:32 | 0:37:34 | |
that you actually got the registration slightly wrong? | 0:37:34 | 0:37:37 | |
-Yes, I did. -To make it look true. | 0:37:37 | 0:37:39 | |
It's the little mistakes in detail that make the fit up believable. | 0:37:39 | 0:37:44 | |
What was that? Popping up for another shot in the middle of my re-examination? | 0:37:50 | 0:37:53 | |
-It's what I'll say in my speech anyway. -Well, keep it where it belongs. | 0:37:53 | 0:37:56 | |
Did I step into your look-at-me, give-me-silk limelight, Clive? | 0:37:56 | 0:38:00 | |
You can't win because you can't explain the DNA on the cigarette | 0:38:00 | 0:38:03 | |
and juries love DNA evidence. Hmm? | 0:38:03 | 0:38:05 | |
Watching a no comment interview? | 0:38:32 | 0:38:34 | |
They clear the ashtrays between interviews. | 0:38:34 | 0:38:37 | |
I've been calling you. | 0:38:52 | 0:38:55 | |
I know. | 0:38:55 | 0:38:57 | |
You're trapped... aren't you? | 0:39:05 | 0:39:09 | |
HE SIGHS | 0:39:10 | 0:39:12 | |
And you? | 0:39:16 | 0:39:18 | |
We all want to be better people than we are. | 0:39:21 | 0:39:24 | |
I'm so sorry. | 0:39:27 | 0:39:28 | |
Me too. | 0:39:30 | 0:39:32 | |
Fat lady? | 0:39:34 | 0:39:36 | |
She hasn't sung yet. | 0:39:36 | 0:39:38 | |
One question. Who else knows about you and your brother's wife? | 0:39:54 | 0:39:57 | |
Nobody. Why? | 0:39:57 | 0:40:00 | |
You all right? You look a bit tense. | 0:40:22 | 0:40:25 | |
-Have you got a ciggy? -Yeah. | 0:40:26 | 0:40:28 | |
It's how I got started. | 0:40:35 | 0:40:36 | |
Carrying a pack around with me for clients. | 0:40:36 | 0:40:40 | |
Clerkenwell Mags, Marlborough Street. Those were the days. | 0:40:40 | 0:40:43 | |
Both hotels now. | 0:40:43 | 0:40:44 | |
I just sort of joined in, the smoking. | 0:40:47 | 0:40:49 | |
There's a thin line between all of us, I sometimes think. | 0:40:51 | 0:40:55 | |
-Sergeant Lodder. -Miss Costello. | 0:40:58 | 0:41:01 | |
Tosser. | 0:41:01 | 0:41:02 | |
Just before I got banged up in 2004 I saw this thing. | 0:41:23 | 0:41:27 | |
A 12-year-old girl working as a prostitute. | 0:41:27 | 0:41:30 | |
Not some paedophile ring, just a girl on the street | 0:41:30 | 0:41:32 | |
like all the other street prostitutes, only 12 years old. | 0:41:32 | 0:41:36 | |
She was a chickenhead. | 0:41:36 | 0:41:38 | |
-What's that? -It's a girl who works just for crack. | 0:41:38 | 0:41:41 | |
She doesn't see any of the money, | 0:41:41 | 0:41:43 | |
the pimp takes all that, and pays her with crack. | 0:41:43 | 0:41:45 | |
She was with this other girl, a bit older than her, | 0:41:45 | 0:41:49 | |
maybe 16, and the pimp threw them a rock, | 0:41:49 | 0:41:52 | |
like they were dogs. | 0:41:52 | 0:41:53 | |
And they fought for it like they were going to kill each other. | 0:41:54 | 0:41:58 | |
I think they would have done if I hadn't stepped in. | 0:41:58 | 0:42:01 | |
And what did you do? | 0:42:03 | 0:42:04 | |
Stopped it. | 0:42:04 | 0:42:05 | |
And how did that make you feel? | 0:42:06 | 0:42:08 | |
-I stopped it for business reasons. -I'm sorry? | 0:42:08 | 0:42:10 | |
I was the pimp. | 0:42:12 | 0:42:13 | |
I didn't want my products damaged. | 0:42:15 | 0:42:17 | |
That's when I knew I had to get out. | 0:42:19 | 0:42:21 | |
Then I got nicked. | 0:42:23 | 0:42:25 | |
Are you a drugs dealer now? | 0:42:29 | 0:42:31 | |
Yes. | 0:42:31 | 0:42:32 | |
What kind of drugs dealer? | 0:42:32 | 0:42:34 | |
All the drugs I sell are high quality. | 0:42:34 | 0:42:36 | |
I'm not ripping anyone off with low-grade. | 0:42:36 | 0:42:39 | |
Nobody dies producing the drugs I sell, or importing them. | 0:42:39 | 0:42:43 | |
I'm very insulted by the idea that I would bring in | 0:42:43 | 0:42:45 | |
a consignment of heroin like the one in this trial. | 0:42:45 | 0:42:48 | |
-Why? -It's bad heroin. | 0:42:48 | 0:42:49 | |
How do you bring your drugs in? | 0:42:50 | 0:42:53 | |
Through embassies. | 0:42:53 | 0:42:55 | |
Do you ship drugs into this country through Felixstowe? | 0:42:55 | 0:42:59 | |
No. | 0:42:59 | 0:43:00 | |
Have you ever been to Birchanger services on the M11? | 0:43:00 | 0:43:03 | |
Never. | 0:43:03 | 0:43:05 | |
Which embassies, Jody Farr? | 0:43:17 | 0:43:21 | |
I can't tell you that, Clive St John Reader. | 0:43:21 | 0:43:24 | |
So you're selective in your openness. | 0:43:29 | 0:43:32 | |
-Sorry? -Straight with the jury when it suits you, | 0:43:32 | 0:43:36 | |
and then you scurry back down your hole and hide when it doesn't. | 0:43:36 | 0:43:39 | |
Can I suggest you ask me questions, rather than issuing threats? | 0:43:39 | 0:43:43 | |
Well, here's a question. | 0:43:46 | 0:43:48 | |
And when you answer it, instead of eyeballing me, | 0:43:48 | 0:43:50 | |
why don't you look at the jury? | 0:43:50 | 0:43:52 | |
Where were you on the night of June 9th, last year? | 0:43:52 | 0:43:57 | |
Are you all right? | 0:44:06 | 0:44:08 | |
Everyone gets nervous. | 0:44:09 | 0:44:11 | |
Sure. | 0:44:11 | 0:44:12 | |
-Shall we... -I'll be there in a second. | 0:44:12 | 0:44:15 | |
I was with Jody Farr, from about three in the afternoon | 0:44:26 | 0:44:30 | |
till after two the next morning. | 0:44:30 | 0:44:33 | |
Where? | 0:44:33 | 0:44:34 | |
My house. | 0:44:34 | 0:44:36 | |
What were you doing? | 0:44:36 | 0:44:38 | |
Eleven hours of snooker. | 0:44:38 | 0:44:40 | |
Who won? | 0:44:40 | 0:44:42 | |
It was twelve frames each at midnight. | 0:44:42 | 0:44:44 | |
We had a laugh about that. All the twelves. | 0:44:44 | 0:44:47 | |
And then? | 0:44:47 | 0:44:49 | |
I let him have the last frame. | 0:44:49 | 0:44:51 | |
-Because you're prepared to do whatever it takes, aren't you? -Excuse me? | 0:44:55 | 0:44:58 | |
Jody has to win so he's happy, | 0:44:58 | 0:45:00 | |
his solicitor's happy and you've done your job. | 0:45:00 | 0:45:03 | |
It was a snooker match. | 0:45:03 | 0:45:05 | |
How do you feel about consorting with criminals? | 0:45:05 | 0:45:08 | |
It's a sacrifice I make to bring in work, so you can consort with them. | 0:45:08 | 0:45:12 | |
We don't consort with them, we represent them, | 0:45:12 | 0:45:16 | |
or we prosecute them. | 0:45:16 | 0:45:18 | |
There's a difference. | 0:45:20 | 0:45:23 | |
I wonder. | 0:45:23 | 0:45:25 | |
When did you agree to be Jody Farr's alibi witness? | 0:45:25 | 0:45:28 | |
Yesterday. | 0:45:28 | 0:45:29 | |
Do you mind if I say something? | 0:45:37 | 0:45:40 | |
I'm a Senior Clerk. Ducking and diving is what I do. | 0:45:42 | 0:45:48 | |
It goes with the job. | 0:45:48 | 0:45:49 | |
Any clerk who doesn't duck and dive is worse than useless. | 0:45:49 | 0:45:52 | |
But this here, | 0:45:52 | 0:45:54 | |
the number one criminal court in the country, | 0:45:55 | 0:45:58 | |
this is what it's all about. | 0:45:58 | 0:46:00 | |
I can't tell you how proud I am to see you two appearing here. | 0:46:02 | 0:46:05 | |
I would never stand here, on oath, and lie | 0:46:05 | 0:46:08 | |
to one of my own. I think you know that, sir. | 0:46:08 | 0:46:11 | |
Telling the truth on oath? That's what your evidence is based on? | 0:46:12 | 0:46:17 | |
Absolutely. | 0:46:17 | 0:46:19 | |
Then perhaps you can explain | 0:46:20 | 0:46:22 | |
how Mr Farr could be in two places at once. | 0:46:22 | 0:46:25 | |
I don't understand? | 0:46:25 | 0:46:27 | |
In bed with his brother's wife | 0:46:27 | 0:46:30 | |
and playing snooker with you. | 0:46:30 | 0:46:33 | |
Sex with a married woman in the first part of the evening, | 0:46:37 | 0:46:41 | |
Birchanger Services later on. | 0:46:41 | 0:46:43 | |
Who were you with late last night in Chambers? | 0:47:00 | 0:47:02 | |
Micky Joy. Jody Farr's solicitor. | 0:47:02 | 0:47:05 | |
Doing what? | 0:47:05 | 0:47:06 | |
He was taking a statement from me. | 0:47:06 | 0:47:09 | |
Anything else? | 0:47:11 | 0:47:13 | |
You gave him a statement. | 0:47:17 | 0:47:20 | |
Did he give you anything? | 0:47:22 | 0:47:23 | |
Billy? | 0:47:26 | 0:47:27 | |
We don't do first name terms in my court, Miss Costello. | 0:47:27 | 0:47:31 | |
Billy? | 0:47:31 | 0:47:33 | |
He gave me a brown envelope. | 0:47:39 | 0:47:41 | |
And was it the first brown envelope? | 0:47:44 | 0:47:47 | |
No. | 0:47:48 | 0:47:49 | |
And what was in the brown envelopes? | 0:47:49 | 0:47:52 | |
I can wait as long as it takes for you to answer my question. | 0:47:58 | 0:48:01 | |
Because this really, really matters. | 0:48:01 | 0:48:07 | |
He was paying me for favours. | 0:48:15 | 0:48:17 | |
So, let's be very clear here. Who was? | 0:48:20 | 0:48:24 | |
Micky Joy. | 0:48:24 | 0:48:25 | |
Again? | 0:48:25 | 0:48:27 | |
Micky Joy. | 0:48:27 | 0:48:29 | |
Why are you saying this now? | 0:48:29 | 0:48:31 | |
Because it's right. Because I want my integrity back. | 0:48:31 | 0:48:37 | |
Because I can't tell you how good it feels at this moment, | 0:48:39 | 0:48:42 | |
in this place, to tell you the truth. | 0:48:42 | 0:48:44 | |
-Billy... -You're dead. You know that? | 0:49:00 | 0:49:02 | |
Stay here. I'll do this on my own. | 0:49:06 | 0:49:10 | |
-Your pupil. -Once a copper... | 0:49:19 | 0:49:22 | |
I didn't tell him. | 0:49:22 | 0:49:24 | |
But you said... | 0:49:29 | 0:49:30 | |
Yeah. That's what I said. You and me, Micky. | 0:49:30 | 0:49:35 | |
We're the only ones who knew. | 0:49:36 | 0:49:39 | |
Hey, Jody? It's me. | 0:49:49 | 0:49:50 | |
I wouldn't lie to you, you know that. | 0:49:53 | 0:49:55 | |
-How long have you known Sergeant Lodder? -What? | 0:49:56 | 0:50:01 | |
I never met him until... | 0:50:01 | 0:50:03 | |
Have a cigarette. Do you want a cigarette? | 0:50:07 | 0:50:09 | |
Do you want to put some tar in your lungs | 0:50:09 | 0:50:11 | |
and some of your DNA on the butt? Give him a cigarette, Micky. | 0:50:11 | 0:50:15 | |
Your hand's shaking. | 0:50:15 | 0:50:17 | |
Leave it now. Don't humiliate him. | 0:50:17 | 0:50:21 | |
-Hey, Jody... -Sshh, shh, shh. | 0:50:22 | 0:50:24 | |
No. | 0:50:27 | 0:50:30 | |
His own solicitor, an informant for the police. | 0:50:34 | 0:50:37 | |
It's impossible for him now or in the future to have a fair trial. | 0:50:37 | 0:50:41 | |
Mr Reader? | 0:50:43 | 0:50:44 | |
The Crown has no option but to offer no further evidence, Your Honour. | 0:50:44 | 0:50:49 | |
Police protection for Mr Joy. | 0:50:49 | 0:50:50 | |
And a criminal trial for perverting the course of justice? | 0:50:50 | 0:50:54 | |
You might be persuaded to prosecute that one. | 0:51:01 | 0:51:04 | |
I'd need a good junior. | 0:51:05 | 0:51:06 | |
-Jody, Jamie Slotover. -Hello. | 0:51:15 | 0:51:17 | |
They had me. The Old Bill. | 0:51:40 | 0:51:42 | |
Same as I had you. | 0:51:44 | 0:51:46 | |
The lengths you went to. | 0:51:46 | 0:51:47 | |
The bigger noise I made about working for Jody, | 0:51:47 | 0:51:49 | |
the more he trusted me. | 0:51:49 | 0:51:51 | |
So when the time came to send him down, he wouldn't think it was me. | 0:51:51 | 0:51:54 | |
You went after her, you weren't acting that. | 0:51:54 | 0:51:57 | |
She was my only hope. | 0:52:00 | 0:52:01 | |
I had to hit Jody. | 0:52:01 | 0:52:05 | |
I had to sink him during the trial. That's what the police wanted from me. | 0:52:07 | 0:52:10 | |
But then rely on Martha to save your boy. | 0:52:15 | 0:52:18 | |
Yeah. | 0:52:18 | 0:52:20 | |
But she was even better than that. | 0:52:20 | 0:52:22 | |
Yeah, she was. | 0:52:23 | 0:52:24 | |
The implant always works, and it always stops working. | 0:52:33 | 0:52:38 | |
How long? | 0:52:45 | 0:52:47 | |
When it stops working, | 0:52:47 | 0:52:49 | |
because of where the hot spots in your body are, | 0:52:49 | 0:52:53 | |
it will be over quickly. | 0:52:53 | 0:52:54 | |
How long? | 0:53:02 | 0:53:03 | |
I've known patients go for seven years. | 0:53:03 | 0:53:07 | |
And I've known it be twelve months. | 0:53:07 | 0:53:09 | |
There's one more thing you should know - | 0:53:16 | 0:53:18 | |
the implant takes away your capacity to produce testosterone. | 0:53:18 | 0:53:22 | |
So? | 0:53:24 | 0:53:25 | |
Well, you'll become less... Manly. | 0:53:25 | 0:53:30 | |
You don't know me. | 0:53:41 | 0:53:43 | |
-What do you want? -I look after Clive Reader. | 0:53:43 | 0:53:45 | |
Look after? | 0:53:46 | 0:53:48 | |
-I'm his clerk and you're about to do exactly what I tell you. -I've got a better idea. | 0:53:48 | 0:53:52 | |
Why don't you take your machismo | 0:53:52 | 0:53:54 | |
back to your grubby little chambers and tell him | 0:53:54 | 0:53:56 | |
I can't wait to end his career. | 0:53:56 | 0:53:59 | |
Put it away. | 0:53:59 | 0:54:00 | |
Terry? There's an oik outside... | 0:54:02 | 0:54:04 | |
I'm a clerk, and I'm a man. | 0:54:07 | 0:54:10 | |
My name is Billy Lamb. | 0:54:10 | 0:54:12 | |
When he gets down here, you tell your clerk | 0:54:12 | 0:54:14 | |
that you're dropping it against my boy, or I will end your life. | 0:54:14 | 0:54:18 | |
Do you understand me? | 0:54:19 | 0:54:21 | |
Caroline Warwick, yes or no? Reminder of the rules - | 0:54:30 | 0:54:33 | |
two thirds of chambers need to vote in favour | 0:54:33 | 0:54:36 | |
for a new member to get in. Those in favour? | 0:54:36 | 0:54:39 | |
Those against? | 0:54:44 | 0:54:46 | |
Nineteen for, ten against. Clive, are you abstaining? | 0:54:50 | 0:54:56 | |
At the moment she's one vote short. | 0:54:56 | 0:54:58 | |
Excuse me. Mr Reader, sir? | 0:54:58 | 0:55:00 | |
Er, just one... | 0:55:00 | 0:55:02 | |
You went for me in court because your ambition told you | 0:55:02 | 0:55:05 | |
that winning was more important than Uncle Billy. | 0:55:05 | 0:55:08 | |
You were lying in the witness box. A bent solicitor paid you to do it. | 0:55:08 | 0:55:11 | |
-But I forgive you. -You forgive me? | 0:55:11 | 0:55:13 | |
Because I love you unconditionally. | 0:55:13 | 0:55:15 | |
You see this is what happens every time, isn't it? | 0:55:15 | 0:55:17 | |
You behave as badly as you want and then you cover it up | 0:55:17 | 0:55:20 | |
with big declarations of sentimental bollocks. | 0:55:20 | 0:55:22 | |
Words, words, words. It's what you do that matters. | 0:55:22 | 0:55:25 | |
You're a free man, and from this moment on | 0:55:25 | 0:55:27 | |
your Senior Clerk will support you in whatever you do. | 0:55:27 | 0:55:30 | |
What do you mean "free man"? | 0:55:30 | 0:55:33 | |
The Bar Standards Board. I've made it go away. | 0:55:33 | 0:55:37 | |
What? How? | 0:55:37 | 0:55:40 | |
Used some words. But mostly it's what I did. | 0:55:40 | 0:55:44 | |
What are you saying? | 0:55:44 | 0:55:45 | |
You made one mistake with Milson. | 0:55:45 | 0:55:47 | |
You didn't hit him hard enough. | 0:55:47 | 0:55:51 | |
I've saved your career, sir. | 0:55:51 | 0:55:53 | |
Er, Caroline Warwick... | 0:55:54 | 0:55:56 | |
..is nothing we can't manage. | 0:55:56 | 0:55:59 | |
Miss Warwick? Yeah. | 0:56:09 | 0:56:11 | |
Welcome aboard. | 0:56:13 | 0:56:14 | |
I've kept it all. | 0:56:17 | 0:56:19 | |
His money, it's all there. | 0:56:19 | 0:56:20 | |
Once I'd taken it the first time I knew I was trapped. | 0:56:22 | 0:56:25 | |
I also knew somewhere, somehow there'd be a way out. | 0:56:26 | 0:56:32 | |
It's not over. Perjury, taking bribes. They'll come for you, Billy. | 0:56:32 | 0:56:38 | |
But we're OK, | 0:56:44 | 0:56:47 | |
aren't we, Martha? | 0:56:47 | 0:56:49 | |
You know, that's the first time | 0:56:50 | 0:56:52 | |
you've called me Martha in 17 years. | 0:56:52 | 0:56:54 | |
I must be going soft. | 0:56:54 | 0:56:56 | |
Are you all right? | 0:57:01 | 0:57:03 | |
Will you do something for me? | 0:57:05 | 0:57:06 | |
What? | 0:57:06 | 0:57:08 | |
Hold my hand. | 0:57:08 | 0:57:09 | |
Subtitles by Red Bee Media Ltd | 0:57:41 | 0:57:46 |