May the Spoon Be with You The Apprentice USA


May the Spoon Be with You

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Last time on All-Star Celebrity Apprentice, teams were tasked

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with designing a luxury suite in Brooklyn's Barclays centre.

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-Go, do a beautiful job, have fun.

-OK, thank you.

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On Plan B, Penn Jillette dug deep into his rolodex

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for project manager Lisa Rinna.

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-I will get Lisa Lampanelli.

-I like that idea.

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-You want Teller?

-Yes, I want 'em all.

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Penn has connections up the wazoo.

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While on Team Power, project manager

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Marilu Henner was consumed with the detail.

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-The hell are you getting?

-I'm getting a mirror.

-OK.

-I am.

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Where you going to put a mirror at?

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I'm going to put a mirror in here, I want one.

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-You guys...

-No, I got you, that's why I'm trying to keep you on track.

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And Trace Adkins was at his wits' end.

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Dude has seven more hours here!

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Can't do this any more!

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I feel like the substitute teacher who has the detention class.

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Penn's big guns showed up for the party, and Plan B was a success...

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Teller's east-Indian needle mystery!

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..while Team Power played chess...

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You know, what is better and more royal for a king than a chess game?

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You don't normally see that at a hot, happening party.

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..ensuring Lisa's second win as project manager.

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Lisa, you're going to be very happy.

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Your team did a far better job.

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-Yes!

-That's 100,000 for St Jude.

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Left in the hot seat, Trace had to defend himself.

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You should fire Trace. He was very curmudgeon-y.

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He dropped out three tasks ago.

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Trace...what's wrong with him?

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Funny, they've used my ideas on the last three tasks.

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But his time wasn't up yet.

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They didn't like the suite,

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they didn't like the chess, and you're the project manager.

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Marilu, you're fired.

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Now, the final four will have to battle each other,

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because tonight, two will be left standing to face their final task.

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Oh, my gosh.

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Here's lookin' at you, kid.

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Here's lookin' at you, kid.

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We have made it as far as two people

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ever have without a negative word about the other.

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I hear Trace's voice, so it's Marilu.

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-The final four, huh?

-That's it.

-Congratulations.

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Congratulations. Congratulations, Trace.

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-Congratulations.

-I don't feel like I should be congratulated.

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I made the final four.

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Congratulations.

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'To be with Trace Adkins, Penn Jillette and Lil Jon,'

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I am proud. I think it's cool as can be.

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Whoa, Marilu... She threw me under the bus, didn't she?

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-Yeah.

-"Fire him!"

-Did she?

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Yeah, she said, who do you think you should...?

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Who do you, who would you fire? She said Trace.

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-I'm a curmudgeon!

-She also said crabby. Curmudgeon I understood,

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crabby I went, "What is he, six?"

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'I've been called a lot worse than a curmudgeon,

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'but I'll say this.'

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I didn't come up here to just dick around, I came up here to win.

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PHONE RINGS

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-Uh-oh, that's Mr Trump.

-Yes? Should I answer it?

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BLEEP.

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-Hello.

-'Mr Trump would like you all back in the boardroom right away.'

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All right, we'll be right there.

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Boys, Mr Trump would like to see us back in the boardroom.

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You never want to go back in the boardroom on the same night!

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Let's go.

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And we just went, "Uh-oh, now what?"

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# Money, money, money, money

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# Money!

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# Money, money, money, money

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# Money!

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# Some people got to have it

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# Yeah

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# Some people really need it

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# Listen to me, y'all

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# Do things, do things, do things, bad things, baby

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# Dollar bills, y'all

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# Come on

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# That mean, old lean

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# Mean green

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# Almighty dollar!

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# I know that money

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# Give me a nickel, brother, can you spare a dime?

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# Money can drive some people out of their minds

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# No good, no good

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# Money!

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# Money, money, money, money

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# Money! #

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Congratulations, you're the final four. You've done an amazing job.

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-Thank you.

-There are no losers in this room.

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Unfortunately, two of you will be fired.

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Trace, why should you be in the finals?

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Well, I believe there is a final task,

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which, in a lot of years has been a fundraising task.

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I brought two six-guns with me to this gunfight

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and I may have fired five rounds.

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What does that mean, exactly? You have to explain that.

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I got some bullets left.

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And you were the highest fundraiser

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of anyone who sits in this room today.

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Yes.

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It's very impressive.

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How did you do as project manager, Trace?

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I won twice.

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I think that...

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How did you do overall?

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Well, I was doing pretty dang good till I got over here on Power,

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and then, uh, not so great.

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You did five and five.

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Lil Jon, why should you be in the finals?

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Oh, because I'm a strong player,

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I'm an excellent leader,

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very creative,

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excellent at marketing, branding,

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and just, I'm really good at every aspect

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-of this game.

-I agree, but you had a very bad record.

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-Right?

-That's not totally my fault.

-Well...

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-I had one and one...

-You were in

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a bad team, but you did have a bad record.

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-Right.

-And as project manager you lost and won.

-Yes.

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I did.

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-I mean, I'm pretty strong...

-Should you remain in the room?

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Definitely should remain in the room.

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So, Lisa, why should you be in the final two?

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Well, I believe I am the second highest earner

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-at 505,000.

-Correct.

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And...I believe that I have fought hard and I am a great leader

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and I have proven myself this time around.

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I'm creative and I'm a fighter,

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and I didn't give up, I came back here and I fought

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and I'm sitting in this final four,

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and I believe I deserve to be in the final two.

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I am the second-highest earner.

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Mr Trump, I think it is interesting to note that

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although project managers Trace and Lisa

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brought in the most money,

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that I was their second when I wasn't project manager,

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and, um,

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I, uh...

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I think that matters, that matters somewhat, too.

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OK, fine.

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And why should you be in the finals?

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I don't think anyone handles pressure better than I do.

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In my career with Teller,

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we deal with, uh,

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quite literally life-and-death situations

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and I would, um, ask you

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not to confuse, uh,

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self-control and self-restraint with a lack of passion.

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I want to do this as much as anyone, or more,

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and I also think that being able to control one's self

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is the first step, and I haven't had any conflict with anyone.

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I think I've had some very good ideas,

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and it seems like when it's tick-tock

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and down to the last second, I don't tremble.

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OK.

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Trace...

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..Lil Jon...

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Lisa...

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Penn...

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you're the best of the best, and that's been a smart bunch.

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But we're far from over.

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And what I'm going to do right now is fire one person from each team.

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You've all done a fantastic job,

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and remember, there are no losers in this room.

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-Ivanka?

-I guess I'd be curious to hear from each of you

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what you did differently this season relative to

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the first one and how it worked for you.

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-I mean, Lisa...

-Especially you, Lisa!

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-But it is interesting.

-She made the greatest comeback by far.

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Everyone else has done well, but she really made a comeback.

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I'm sure everyone learns something,

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-especially watching themselves.

-It's a great question.

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-I love that question.

-Great question. Well, for me, uh,

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I'm a different person than I was two years go,

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I would say.

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And I, I had to leave my fear at home.

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I had to come here fearless.

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-And I think that's probably...

-Were you nervous coming the second time?

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I was... I didn't want to come,

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but I knew it was something that I needed to do.

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-For myself...

-Because you had a bad experience the first time.

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I had a really bad experience, and it scarred me.

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-Was that hard on you?

-Yeah, it was.

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-It was very hard.

-You're fully recovered.

-Well, I am now!

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-You're a patient who has fully recovered.

-I am now.

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-A lot different, right?

-A lot different.

-Oh, I see,

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-so that had a big impact, being so early out.

-Yes, it did, actually.

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-More than I realised.

-I can understand that.

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Did you take heat?

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-Yes, I did.

-Not from your husband, though.

-No, of course not.

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But, yeah, of course I took heat.

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You did. Yeah, I can understand.

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-I did.

-Well, you won't be taking heat any longer.

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How do you respond to that question, Penn? Ivanka's question.

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You know, no-one has more experience collaborating than I do.

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38 years working with Teller.

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And I came in last time with so much experience

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working in a group

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and so little experience working with different people.

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And I came in treating everyone like they were Teller.

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And, uh, although, to me, that felt like respect,

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it was also a little bit brusque and a little bit aggressive.

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And this time I tried to keep the same amount of respect

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but just not be quite as domineering. I mean, uh,

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after 38 years, Teller and I can say anything to each other.

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Four words in one idea, we can say, "That's no good",

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and the other one understands everything, it's been a long time.

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And now I realise this time,

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I didn't change much,

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except I tried to remember that everybody hadn't been

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working with me for 38 years.

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Lil Jon, respond to that question.

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Um, I think this time I'm motivated for more personal reasons.

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-Why?

-My mother had a stroke due to diabetes

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and I didn't even know she was still suffering with her diabetes.

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I just remembered her having the diabetes

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when I was younger and I thought

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it went in remission. And a couple of weeks

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before I'm supposed to come and do the show

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she had a stroke and, due to complications,

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like, it affected her recovery.

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Like, she still isn't able to speak and she's not conscious, really.

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So, I mean, I came, you know...

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People don't know how bad diabetes can be.

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Yeah, it's really bad.

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-People just don't understand how bad.

-I came back,

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you know, I'm fighting for my mom, so I have a personal push, you know,

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this time, you know,

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I just have more personal motivation.

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Trace, how would you respond to Ivanka's question?

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I don't think I dramatically played the game any differently

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than I played it the first season I was on here.

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You know, I came in, I said I want to be project manager

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on the first task,

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and that's the way I started the game

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and that's the way I've played it. I brought my A game to every task,

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I've come up with the best ideas I could come up with,

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but at the same time I never got sucked into any of the drama.

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I kept my integrity. You know...

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Honestly, I'd say that's true for everybody here.

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I think you've all done amazingly and you've all kept your integrity.

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Thank you.

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Lil Jon, who would you fire?

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Lisa or Penn?

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Everybody here deserves to be here right now.

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That's true, I agree. That's why they're here.

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-Um...

-Who would you fire?

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I guess...

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I've seen Penn do a lot and I think in the last task,

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I wasn't in the room, so I don't know, I might be wrong,

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but it seems like Penn took over the last task.

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-He did very well.

-So it seems like Lisa

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might be the one I would go with,

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because I just haven't seen her really just step out there

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and do something, like, step up to be project manager or whatever.

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Trace, who would you fire from that team?

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Hm.

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Uh, it would be...

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-..Lisa, I would say.

-Why? Why?

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Just going forward, I'm looking at the last task

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and I think you ought to have...

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the two big guns going at it.

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And, uh, if I was really just wanting to win

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the game at all costs,

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I'd say, you know, let me go up against Lisa.

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But I want it to be a great show,

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I want it to be fireworks. I want to go against Penn.

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Lil Jon, do you think Penn is stronger than Lisa?

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I don't really know their team like that,

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but, I mean, from what it appears to me,

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I think Penn is definitely super-strong.

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But Lisa is very strong, too, I mean, to do, to stay this long

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after what she went through the last time,

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I've been commending her every day.

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I've been very impressed with her, too,

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the times I've got to work with her.

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-Thank you.

-I'm impressed with her, too.

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-Your husband's going to be so proud of you, Lisa.

-I know.

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Boy, did you make a great decision.

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You probably walked around for two years like a loser, right?

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You made such a great decision.

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No, is that true? Did you make a good decision coming back?

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I made a great decision.

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I made an excellent decision coming back,

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and it wasn't an easy one, but I'm really glad I made it.

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Hey, Lisa, I have a question for you.

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Jon sort of alluded to it a little but, he said,

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"Hey, I saw Penn sort of be the star the last time", even though

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you were project manager. I mean, it sounded a little bit like he was

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saying maybe you were riding on Penn's coat-tails.

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What do you have to say to that? How do you answer that?

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This is going to be a differentiator going forward.

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I don't believe that to be true.

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I believe we worked as a team, a very strong team.

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So I disagree with that.

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Forgive me for speaking up,

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but she was project manager and acted that way.

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I think I helped her an awful lot,

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and I think it's undeniable that I worked as hard as I could

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in every task regardless of who was project manager,

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but she was the leader, she was not riding on my coat-tails.

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Now, Lisa, you know that I've been your biggest booster.

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I've been your biggest fan.

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-Other than your husband, there's no bigger fan.

-Thank you.

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And I think you've done an amazing job, and you certainly are

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the comeback player of the decade as far as

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Celebrity Apprentice or Apprentice is concerned.

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But Penn has really been the star so far,

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and I really do want to see him in the final.

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Lisa, you're fired.

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And congratulations, great job.

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-Thank you.

-Thank you very much.

-Thank you.

-I'm so sorry, Lisa.

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-Aw, it's OK, baby. Thank you very much.

-DONALD JR:

-Well done, Lisa.

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-You really did a great job.

-Thank you so much.

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Congratulations.

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-This has been awesome.

-Thank you.

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And don't forget, you've won 505,000 for your charity...

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-Thank you.

-..so you can be very, very proud.

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-I am so proud.

-Thank you.

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-Great job, Lisa.

-Thank you so much.

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-Love you.

-Love you.

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I came so far.

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To me it was such a win-win...win, win, win situation

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in so many ways. And just the message that it puts out,

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I think, to everyone. Not to give up, ever.

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I mean, look at how far you can come if you set your mind to it.

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-OK, so, Penn, congratulations.

-Well thank you.

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Trace, Lil Jon,

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one of you will be fired.

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Penn, who would you fire on the other team?

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It would be Lil Jon. He's the only one I've not worked with,

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So I don't have enough information,

0:17:200:17:22

and from ignorance I would go with Lil Jon.

0:17:220:17:24

What about Trace?

0:17:240:17:25

Uh, Trace, from the beginning, from the first day I met him,

0:17:250:17:28

I thought he was the strongest, he was fabulous.

0:17:280:17:32

But Lil Jon I've never worked with, so it's an unfair answer.

0:17:320:17:35

So, Trace, after admitting that you checked out for three weeks,

0:17:350:17:40

and you sort of did,

0:17:400:17:41

why should I choose you to be in the finals?

0:17:410:17:44

Marilu said I checked out, I didn't say I checked out,

0:17:440:17:47

I just said I wasn't in love with the ideas I'd come up with.

0:17:470:17:50

And I wasn't, I mean, it's not for lack of trying,

0:17:500:17:53

I just haven't hit home runs.

0:17:530:17:54

Should they have used your ideas?

0:17:540:17:56

Did they make a mistake in not using your ideas?

0:17:560:17:58

They did use my ideas.

0:17:580:18:00

They used my ideas on every task for the last four tasks,

0:18:000:18:03

they were always my ideas.

0:18:030:18:05

I just didn't think they were the best ones

0:18:050:18:07

I'd ever come up with, and that happens sometimes.

0:18:070:18:09

And tomorrow, maybe it'll be better,

0:18:090:18:11

you know, but you don't give up just because...

0:18:110:18:13

Why should I keep you over Lil Jon?

0:18:130:18:14

Well, uh...

0:18:170:18:19

..I just think that, going forward,

0:18:200:18:23

that I'm going to bring big guns to the last show, that's all I know.

0:18:230:18:27

I'm going to go out on that stage and put

0:18:270:18:29

a boot in somebody's ass.

0:18:290:18:31

That's what I've been playing towards the whole time.

0:18:310:18:34

Lil Jon, that's a very good answer. How do you respond to that?

0:18:350:18:39

I'm similar, like, um,

0:18:390:18:41

I look at myself as, when I'm put under pressure,

0:18:410:18:44

I can change direction if I need to and adjust

0:18:440:18:47

and adapt to the situation and roll with the punches

0:18:470:18:52

and still complete the task.

0:18:520:18:54

I feel I'm very strong, very intelligent, underestimated...

0:18:540:18:57

-And...

-I don't think you're underestimated any more,

0:18:570:19:00

to be honest with you.

0:19:000:19:02

I think maybe in the first season, you may have been, years ago,

0:19:020:19:05

but you've proven yourself to me,

0:19:050:19:06

you've proven yourself to a lot of people.

0:19:060:19:09

-Thank you.

-You're a smart guy, you've done an amazing job.

0:19:090:19:12

So we're going to have a big task next week.

0:19:120:19:14

Do you think you're going to bring in money,

0:19:140:19:16

do you think you're going to bring in star power?

0:19:160:19:18

-I can bring in money, I can bring in star power.

-Who would the star power be that you'd bring in?

0:19:180:19:22

I don't know, it depends on what kind of task it is.

0:19:220:19:24

You have to kind of cater the celebrity

0:19:240:19:26

to the task that you're dealt.

0:19:260:19:28

Well, a lot of the victory is going to be who you bring in.

0:19:280:19:31

One of the reasons your team lost last time is because

0:19:310:19:34

-it wasn't the same as what Penn was able to bring in.

-Right.

0:19:340:19:37

-You understand that.

-Yeah.

0:19:370:19:38

I'm going to do everything in my power to bring celebrities

0:19:380:19:43

to whatever the event is.

0:19:430:19:45

I got some bullets left in my gun, too.

0:19:450:19:47

Who would you bring in, star power?

0:19:480:19:50

Who do you think you'd be able to bring in, Trace?

0:19:500:19:52

-Everybody I could, I mean...

-They all want to be on the show.

0:19:520:19:55

I have all their phone numbers.

0:19:550:19:56

The good news is, it's easy. They all want to be on the show,

0:19:560:19:59

so in that sense it's really very easy.

0:19:590:20:01

Trace, you seem a little bit quiet, a little but more subdued.

0:20:010:20:04

You get the opportunity to talk about who you'd be bringing in,

0:20:040:20:07

isn't now the time to really impress?

0:20:070:20:10

I know everybody that's a star in Nashville.

0:20:100:20:12

I know 'em all. So I'll bring as many of em as I can possibly get.

0:20:120:20:17

I'm not going to limit myself or I'm not going to...

0:20:170:20:20

..make too grandiose a promise.

0:20:220:20:24

So, Lil Jon, what's Trace's biggest weakness?

0:20:240:20:28

I think Trace's weakness is

0:20:280:20:31

sometimes he's a little distant from the team.

0:20:310:20:33

Like, he doesn't show a lot of his weaknesses.

0:20:330:20:36

-If he has 'em, he doesn't show 'em all.

-OK.

0:20:360:20:38

-That's good.

-But I'm not scared of anyone.

-I know you're not.

0:20:380:20:40

-I can go up against anyone.

-I can see that.

0:20:400:20:42

I can, I can bet on that.

0:20:420:20:44

Trace, what do you think of what Lil Jon just said about you?

0:20:440:20:47

He's correct. He can't find my weakness.

0:20:480:20:51

You sort of said that, Lil Jon. It's OK, it's a complement.

0:20:530:20:57

What about Lil Jon, what's his weakness, Trace?

0:20:570:21:01

I just don't know if, going forward, he'll bring in the names.

0:21:010:21:04

I don't know, I mean,

0:21:040:21:06

it's not always as easy to get 'em here as you think it is.

0:21:060:21:09

That's interesting.

0:21:090:21:11

Penn, I guess I'd like to hear from you. You can't probably speak to

0:21:140:21:17

Lil Jon as quite as easily, but knowing you're friends with Trace,

0:21:170:21:21

what do you see as his biggest weakness?

0:21:210:21:23

Uh, I think that Trace's...

0:21:230:21:27

..biggest weakness is, uh, he,

0:21:300:21:34

he occasionally fades.

0:21:340:21:36

He is the smartest, he is the best player, he understands the game,

0:21:360:21:41

but occasionally he will pull back a little bit.

0:21:410:21:44

I don't know if that's strategy, I don't know if that's, uh...

0:21:440:21:48

emotional.

0:21:480:21:50

So I would say that that's the only weakness I saw and...

0:21:500:21:54

He has really good ideas.

0:21:540:21:56

He's really smart.

0:21:560:21:58

He really knows what's going on.

0:21:580:22:00

Lil Jon, how do I get over the fact

0:22:000:22:02

that you lost as project manager?

0:22:020:22:05

-Now, Trace was 2-0, he won both times as project manager...

-Right.

0:22:050:22:08

..and as project manager you lost and won.

0:22:080:22:11

-Yes.

-And you won 40,000,

0:22:110:22:15

he won 710,000, so that's a big difference.

0:22:150:22:18

-Well, I mean, he went first, he went first...

-And he had a better team.

0:22:180:22:22

And he had a better team, he picked his team.

0:22:220:22:24

-By the way, which is a great tribute to him.

-Right.

0:22:240:22:27

-He picked his team.

-Um...

0:22:270:22:29

-I brought in...

-Would you give him credit for picking that team,

0:22:290:22:32

which was a good team, that I took him away from his own team?

0:22:320:22:34

Yeah, I definitely can give him credit.

0:22:340:22:36

Would you give yourself credit for that, Trace?

0:22:360:22:39

The man that's left in here is the guy that I picked first.

0:22:390:22:43

Because I knew that he and I together

0:22:430:22:45

were going to be formidable. Unstoppable.

0:22:450:22:49

Lil Jon, how do I get over the fact

0:22:530:22:55

that he raised more money than anybody?

0:22:550:22:58

That he had a great record,

0:22:580:23:00

that he had a fantastic project manager record, undefeated,

0:23:000:23:03

and you WERE defeated?

0:23:030:23:04

-It's tough, right?

-I mean, I've still been a tough player.

0:23:040:23:07

You can't judge me on my team.

0:23:070:23:10

If you're a superstar on a losing team,

0:23:100:23:11

you can't do nothing about that

0:23:110:23:13

-till they give you a good supporting cast.

-That could be true.

0:23:130:23:16

I agree. Ivanka, go ahead.

0:23:180:23:19

-I think this is very difficult.

-Very tough.

0:23:210:23:23

-I think that...

-Very tough.

-..you're both incredibly intelligent

0:23:230:23:26

and couldn't be more different in terms of style.

0:23:260:23:29

Yet you're both highly creative.

0:23:290:23:31

So, I think you bring a lot of the same skillset to the table

0:23:310:23:36

but you do so in a totally different way.

0:23:360:23:39

I agree!

0:23:410:23:42

Well, what I'm going to do is very tough for me, I'll be honest.

0:23:420:23:46

Because I think you're both outstanding.

0:23:460:23:48

I think Penn is outstanding, but I think you're both outstanding.

0:23:480:23:51

And...

0:23:520:23:54

we have to never lose sight of the fact

0:23:540:23:57

that the Celebrity Apprentice/Apprentice,

0:23:570:24:01

which is one of the most successful shows on television,

0:24:010:24:03

has great credibility,

0:24:030:24:05

and it is about winning, and it is about record.

0:24:050:24:09

And his record HAS been better than your record.

0:24:100:24:13

What I'm going to do is, because I believe so much

0:24:130:24:15

in what you're doing for diabetes,

0:24:150:24:17

I'm going to give you an extra 20,000.

0:24:170:24:21

-I think you are absolutely fantastic, Lil Jon.

-Thank you.

0:24:210:24:25

But you're fired.

0:24:250:24:26

-Thank you.

-You did a fantastic job, thank you.

-Congratulations, bro.

0:24:310:24:35

-Thank you.

-Congratulations.

0:24:350:24:36

Well done, Jon.

0:24:380:24:39

Good guy.

0:24:490:24:50

-He's a good man.

-Great guy.

0:24:500:24:52

I wish I'd gotten to work with him.

0:24:520:24:53

I would have loved to have been in the final two,

0:24:560:24:58

I want to go in there and kick the boardroom table over,

0:24:580:25:01

because I'm supposed to be in the final two.

0:25:010:25:03

But, you know what? I played a great game

0:25:030:25:05

and I stepped up when needed, so,

0:25:050:25:07

you can tweet Mr Trump right now and tell him

0:25:070:25:09

I should have been in the final two. Why don't y'all do that?

0:25:090:25:11

Congratulations, you've done a fantastic job.

0:25:140:25:17

You're in the finals of Celebrity Apprentice All-Star.

0:25:170:25:21

You really competed against some very talented, wonderful people,

0:25:210:25:25

but some really talented people.

0:25:250:25:27

Smart people.

0:25:270:25:28

You're going to win a lot of money for your charity.

0:25:280:25:31

250,000 at least. That's big money.

0:25:310:25:35

And it could be substantially more than that.

0:25:350:25:37

So, good luck, go back to your suite.

0:25:370:25:40

I'll see you tomorrow morning at the Trump building at 40 Wall Street.

0:25:400:25:44

We're going to have some fun.

0:25:440:25:45

-All right.

-Thank you.

-Thank you so much.

-Great going.

-Well done, guys.

0:25:450:25:49

We're going to fight here first? No, you go ahead.

0:25:500:25:53

This is probably the biggest final you've ever had.

0:25:560:25:59

-Oh, by far.

-By a lot!

0:25:590:26:00

200lb and about six inches!

0:26:000:26:03

-Good.

-Let's go, baby.

-Let's do it.

0:26:030:26:06

The biggest finalists there are, it's true.

0:26:060:26:08

I hate to say I told you so.

0:26:080:26:10

PENN LAUGHS

0:26:100:26:12

You love to say I told you so.

0:26:120:26:14

Ah.

0:26:160:26:19

This is the way I wanted it from day one,

0:26:190:26:21

A lot of champagne and two non-drinkers, huh?

0:26:210:26:23

Yes, how about that?

0:26:230:26:25

I wanted to go up against Penn.

0:26:250:26:28

That's the reason I picked him first to be on my team, because I knew

0:26:280:26:31

that he and I together could make it all the way to the end of this game.

0:26:310:26:36

Apple cider.

0:26:360:26:38

Uh, I sure hope the best man doesn't win!

0:26:380:26:40

To the finals.

0:26:440:26:45

I respect Trace, I consider now, after this, Trace a friend,

0:26:450:26:49

but I will be the All-Star Celebrity Apprentice.

0:26:490:26:53

Not just the Celebrity Apprentice, the All-Star Celebrity Apprentice!

0:26:530:26:58

Moi.

0:26:580:26:59

It's just like we're two old men, sitting on the porch.

0:26:590:27:02

PENN LAUGHS

0:27:020:27:03

'I'm going to the matts on this one.'

0:27:030:27:06

I'm going to bring everybody I can bring.

0:27:060:27:08

If I can everybody in Hollywood to this son of a bitch, I'd bring 'em!

0:27:080:27:12

Time to find some celebrities and some money.

0:27:120:27:15

Good luck.

0:27:150:27:16

There's no saving anything for tomorrow here.

0:27:160:27:19

I mean, this is it.

0:27:190:27:21

-Good morning.

-Good morning.

-Good morning. Oh, excuse me one second.

0:27:460:27:50

-Ah, very good.

-I wanted you to remember that the good guy

0:27:510:27:53

will be in the white hat.

0:27:530:27:55

Very good. What do you think of that, huh?

0:27:550:27:57

I like it. All right.

0:27:570:27:58

Penn, Trace, great job.

0:27:580:28:02

Fired 12 people, smart people, talented people,

0:28:020:28:05

you're left.

0:28:050:28:07

Somebody's going to be the All-Star Celebrity Apprentice.

0:28:070:28:10

How do you feel about it, Penn?

0:28:100:28:12

I feel great, I'm having a great time,

0:28:120:28:14

and I couldn't have a better person to play with or against

0:28:140:28:17

than Trace, he's wonderful.

0:28:170:28:18

OK, now,

0:28:180:28:20

we're standing in one of the greatest buildings in New York.

0:28:200:28:23

It's called the Trump Building at 40 Wall Street.

0:28:230:28:27

One of my favourite tenants happens to be Duane Reade.

0:28:270:28:32

Duane Reade is owned by Walgreens, a fantastic company, a hot company,

0:28:320:28:37

and with me today from Walgreens...

0:28:370:28:40

-Joe?

-Continuing its rich tradition of innovation,

0:28:400:28:43

Walgreens introduced Delish ice cream last year.

0:28:430:28:46

For your last and most challenging task,

0:28:460:28:49

you are going to create a unique flavour

0:28:490:28:51

of Walgreens Delish ice cream

0:28:510:28:52

which will be sold in over 8,000 Walgreens

0:28:520:28:54

and Duane Reade locations nationwide.

0:28:540:28:57

Oh, boy!

0:28:570:28:58

When I heard we were tasked with coming up with

0:28:580:29:01

a new flavour of ice cream,

0:29:010:29:03

I thought, "Penn eats a lot of ice cream".

0:29:030:29:05

Advantage Penn.

0:29:050:29:07

In addition to creating the new flavour,

0:29:080:29:10

you will design the packaging, you will create a promotional video

0:29:100:29:12

and you will also sell up to 50 tickets for a VIP event

0:29:120:29:17

that you will be hosting.

0:29:170:29:18

My advisors are Ivanka and the great Joan Rivers.

0:29:190:29:22

Now, Joan, you've won, you're a great winner.

0:29:220:29:25

If they win, one of them will, how are they going to feel?

0:29:250:29:28

For the rest of your life, people will say,

0:29:280:29:30

"I saw you and I wanted you to win on Celebrity Apprentice."

0:29:300:29:33

What it does for your charity,

0:29:330:29:36

you can't even feel it except in your heart, it's amazing.

0:29:360:29:39

It's just wonderful.

0:29:390:29:41

Ivanka?

0:29:410:29:42

You'll be judged based on the following criteria.

0:29:420:29:45

Your ice cream's flavour,

0:29:450:29:46

brand messaging and creativity of

0:29:460:29:49

both the video and the product packaging,

0:29:490:29:52

overall presentation and additional money raised through ticket sales.

0:29:520:29:56

OK. I think you're going to need some helpers.

0:29:570:30:00

Let's bring 'em up!

0:30:000:30:01

-Nice hat!

-Thank you!

-Is this good versus evil?

-Good versus evil.

0:30:050:30:09

S'up, bro?

0:30:100:30:11

You're coming over here? I'm very glad to see that!

0:30:130:30:17

I'm great, thank you.

0:30:170:30:19

All right. I've picked your teams.

0:30:190:30:21

Trace, you've got Lil Jon, Gary and Marilu.

0:30:210:30:26

Penn, you've got Lisa, La Toya and Dennis.

0:30:260:30:29

How do you feel about your team?

0:30:290:30:31

I haven't worked with Dennis and La Toya,

0:30:310:30:33

so I'm thrilled to try that,

0:30:330:30:35

and I am SO, so glad I've got Lisa.

0:30:350:30:37

I can see that. That's why I gave Lisa to you.

0:30:370:30:40

Thank you. That's very kind of you.

0:30:400:30:42

That's all I worried about all last night.

0:30:420:30:44

-Trace, how do you feel about your team?

-Feel good about it.

0:30:440:30:46

I've worked with Jon enough, and of course Marilu.

0:30:460:30:49

If we're going to have some kind of an event,

0:30:490:30:52

I've got the event goddess with me.

0:30:520:30:55

And then Gary, what can you say, you know, he's a legend.

0:30:550:30:59

Gary's doing great.

0:30:590:31:01

I picked the teams because

0:31:010:31:02

I really think they are going to be incredible,

0:31:020:31:05

and you have all done an amazing job.

0:31:050:31:08

There are no losers in this line,

0:31:080:31:10

that I can tell you. OK, the winner

0:31:100:31:13

is going to win 250,000 for your charity.

0:31:130:31:18

All right? Go get em.

0:31:180:31:20

OK, so this is our station.

0:31:320:31:35

These are all ingredients that we get to play with.

0:31:350:31:37

We can start with a base. You know,

0:31:370:31:38

a base like vanilla, chocolate, peanut butter.

0:31:380:31:40

What flavour you thinking of, homie?

0:31:400:31:42

What's your flavour?

0:31:420:31:45

'This is the real deal. We are tasked with'

0:31:450:31:48

coming up with an ice cream flavour

0:31:480:31:50

and then we make a 60-second commercial about it...

0:31:500:31:54

-Jon, you're going to direct the video.

-Really?!

0:31:540:31:56

'..and then we have to have an event'

0:31:560:31:59

to present this new ice cream flavour to the public.

0:31:590:32:02

We all need to start trying to determine

0:32:020:32:05

how many tickets we're each going to need.

0:32:050:32:07

Each ticket has to go for as much as we can get.

0:32:070:32:10

Right.

0:32:100:32:11

I'm going to sell mine from anywhere

0:32:110:32:13

from 5,000 to a quarter of a million dollars apiece.

0:32:130:32:17

Hey, Nancy, hi!

0:32:190:32:21

I'm good, did you get my message?

0:32:220:32:24

At the end of this task, the winner is going to receive,

0:32:240:32:28

in addition to what you raised on your own,

0:32:280:32:31

another quarter of a million dollars.

0:32:310:32:34

And if I win, the money goes to the American Red Cross.

0:32:340:32:38

Last year I was out of town when my house burned,

0:32:380:32:41

and the Red Cross was there when I couldn't be there.

0:32:410:32:44

They looked after the, uh,

0:32:440:32:48

the emotional and physical wellbeing of my family

0:32:480:32:51

after a house fire, and I was 2,000 miles away.

0:32:510:32:56

There is no more noble...

0:32:580:33:01

..charity in this country than the American Red Cross.

0:33:020:33:05

It's not even an option.

0:33:050:33:07

-Losing is not even an option in this deal.

-I know.

0:33:070:33:10

-Oh, look at this!

-Oh, it's a kitchen!

0:33:120:33:14

It's a kitchen! How exciting!

0:33:140:33:17

We're going to be working here, look at all the products.

0:33:170:33:19

Penn, these are the ingredients we're going to be working with.

0:33:190:33:22

It's a whole different kind of feeling on the final task.

0:33:220:33:26

What's your favourite flavour of ice cream, Dennis?

0:33:260:33:28

The typicals.

0:33:280:33:30

I hate to say this, but I'm a chocolate and vanilla guy.

0:33:300:33:33

It's a game up until now, and now for the final task

0:33:330:33:36

it really is about the charity,

0:33:360:33:38

and when I win, that's another quarter million

0:33:380:33:41

that'll go to Opportunity Village,

0:33:410:33:43

and I want to give them that money, I really do.

0:33:430:33:45

I think I can, I have a good shot. I get Vegas.

0:33:450:33:48

Vegas can beat Nashville, right? Sure!

0:33:480:33:50

Can I take a moment with your attention?

0:33:500:33:52

My charity is Opportunity Village.

0:33:520:33:54

-OK.

-And in the early '60s, Wayne Newton, Elvis Presley

0:33:540:33:59

and Colonel Parker

0:33:590:34:01

were very concerned about people with intellectual disabilities.

0:34:010:34:05

The idea of Opportunity Village

0:34:050:34:07

was to take these people, and they'd build kitchens

0:34:070:34:11

and they'd build restrooms and teach them

0:34:110:34:14

-to do jobs.

-Oh, how sweet.

-And they'd go out into society.

0:34:140:34:18

The jobs that you would never take are the jobs they desperately want.

0:34:180:34:22

Penn sat us down and really shared with us

0:34:220:34:25

the genesis of Opportunity Village.

0:34:250:34:29

The fact that Elvis started this

0:34:290:34:31

and that Wayne Newton is a part of it,

0:34:310:34:33

these are, like, icons.

0:34:330:34:35

-It's Elvis' charity, man.

-Wow.

-That's wonderful.

0:34:350:34:37

Think about every one of those scarves,

0:34:370:34:39

every one of those scarves was made at Opportunity Village.

0:34:390:34:43

They would be sewed by them and Elvis would kiss it

0:34:430:34:46

and it went out to the fans.

0:34:460:34:48

I'm sorry, this makes me cry. I mean,

0:34:480:34:50

the pride of someone who has a job...

0:34:500:34:52

Excuse me. ..working in a kitchen is greater than the pride of

0:34:530:34:57

winning an Academy Award.

0:34:570:34:59

Excuse me, I'm so sorry.

0:34:590:35:01

Don't cry.

0:35:010:35:02

To see him get vulnerable,

0:35:020:35:04

that's what it's all about. That's why we're here.

0:35:040:35:07

I love that, I didn't know that's what it was.

0:35:070:35:09

So that's what Opportunity Village is.

0:35:090:35:11

And...it's Elvis' charity!

0:35:110:35:14

I know!

0:35:140:35:16

And...it's Elvis' charity!

0:35:160:35:18

Trace is going to do down home.

0:35:300:35:31

Yeah, and you gotta go the other way.

0:35:310:35:33

I would really like to tie it in with Vegas and with magic.

0:35:330:35:37

We've got to design an ice cream flavour.

0:35:370:35:40

So the one flavour has to be presented by six o'clock.

0:35:400:35:44

And that's going to be based on what the customers like better.

0:35:440:35:47

Then we have to also make an up to 60-second video

0:35:470:35:51

launching our ice cream flavour.

0:35:510:35:54

What Teller and I are known for, you know, is Vegas.

0:35:540:35:57

I think that in the commercial we're going to use Penn & Teller.

0:35:570:36:02

And four showgirls.

0:36:020:36:04

Shut up!

0:36:040:36:05

We then have to host the whole thing, raising money,

0:36:050:36:09

selling 50 tickets to this ice cream social

0:36:090:36:12

to make as much money as we can.

0:36:120:36:13

It's an ice cream social.

0:36:130:36:15

Ice cream social, Vegas-style.

0:36:150:36:18

Ice cream social, Vegas-style. Excellent.

0:36:180:36:19

Now, uh, door prizes,

0:36:190:36:22

you got any great door prizes?

0:36:220:36:24

I would think, like, a sports door prize?

0:36:240:36:27

-This is where I come in at.

-I would think!

0:36:270:36:29

'Trace has a good, solid plan.'

0:36:290:36:31

He's not going to make dirt ice cream.

0:36:310:36:33

He's not going to just plain screw the pooch.

0:36:330:36:34

So there's a lot to do.

0:36:340:36:36

Oh, boy! She's got ice cream!

0:36:360:36:38

Oh, that's some good eatin'.

0:36:380:36:41

-You want a big spoon!

-What are you doing?

0:36:410:36:43

We have such a lovely ice cream wizard and her name is Katie,

0:36:440:36:49

and I like the idea that we have a wizard,

0:36:490:36:51

because Penn is all about magic.

0:36:510:36:54

Penn is really passionate about the macadamia nuts.

0:36:540:36:56

-And the caramel.

-And the caramel.

0:36:560:36:58

-Butter pecan is really good.

-I love that!

-But I'm thinking Sin City.

0:36:580:37:02

Yeah, yeah, I like that.

0:37:020:37:03

We get to do two flavours, then you get to pick one.

0:37:030:37:06

Sin City, buttery, pecan...

0:37:060:37:09

is one of them.

0:37:090:37:10

This is Sin City without a gamble.

0:37:100:37:13

-That's good.

-'But the second flavour of ice cream,

0:37:130:37:15

'we're struggling with it.'

0:37:150:37:17

Vegas Magic Gold.

0:37:170:37:18

We have a little chocolate piece that looks like a turtle.

0:37:180:37:22

Oh, they're cute, look at... They're like little baby turtles!

0:37:220:37:26

They are!

0:37:260:37:27

-And it's filled with caramel.

-Caramel chocolate in vanilla?

0:37:270:37:30

Chocolate makes a difference. It's vanilla base, chocolate swirl...

0:37:300:37:36

-Or revel.

-..and Turtle pieces.

-And Turtle pieces.

0:37:360:37:38

Is that the one with the swirl?

0:37:380:37:39

Cos we could name it Vegas Magic Swirtle!

0:37:390:37:42

-Swirtle!

-Swirtle!

0:37:420:37:44

What a cute idea!

0:37:440:37:46

We could name it Vegas Magic Swirtle!

0:37:460:37:47

It's the one with the swirl!

0:37:470:37:49

-Swirtle!

-Swirtle!

-Swirtle!

0:37:490:37:51

-Swirtle, it's a swirtle!

-You are a genius!

0:37:510:37:54

-Swirtle!

-Swirtle!

0:37:540:37:57

When La Toya said "swirtle",

0:37:570:37:59

which was the swirl of the chocolate,

0:37:590:38:01

with the -rtle of the turtle, I was thrilled to pieces.

0:38:010:38:04

I think that might be my new favourite word.

0:38:040:38:06

Swirtle!

0:38:060:38:08

I think we all do our happy dance.

0:38:080:38:11

Dennis, can you play our little happy dance?

0:38:110:38:13

-No.

-No!

0:38:130:38:15

We had two things going on, but with magic swirtle I felt

0:38:160:38:19

the groove, I felt the needle go...and just fall right in there.

0:38:190:38:23

I'm loving the swirtle.

0:38:230:38:24

What if we get to our taste test and people go, "I hate this"?

0:38:240:38:28

We kill ourselves.

0:38:280:38:29

LAUGHTER

0:38:290:38:30

Let's just go all, just as decadent as we can be.

0:38:350:38:39

We've got peanut butter, the chocolate, the caramel,

0:38:390:38:42

the strawberry, peanut butter, uh, buttercream...

0:38:420:38:45

'We had our dedicated ice cream wizard, Logan.'

0:38:450:38:50

Logan was there to help us develop

0:38:500:38:53

the flavour that we wanted to do.

0:38:530:38:55

If we're going to go dairy, let's go dairy.

0:38:550:38:57

Load it up with that buttercream.

0:38:570:38:59

-It's butter fat.

-Yeah, you could do buttercream...

-Just put fat in it.

0:38:590:39:02

They said we gotta choose two options for the flavour.

0:39:030:39:07

'We have to create two different ice cream flavours'

0:39:070:39:10

and then we're going to let the public try 'em out

0:39:100:39:13

later in the day. Whichever one the public picks

0:39:130:39:15

is the one we'll go with.

0:39:150:39:17

You know those maple nut candies?

0:39:170:39:20

-Yup.

-That's my favourite candy.

0:39:200:39:23

-OK.

-What about red velvet?

-Yup.

-You've got red velvet stuff?

0:39:230:39:26

We've got red velvet background flavour,

0:39:260:39:28

we've got red velvet caramel, so we can really build you

0:39:280:39:30

-a lot of red velvet.

-I like red velvet cake.

-Awesome.

0:39:300:39:33

Yeah, let's do that. We do red velvet

0:39:330:39:35

-and we do maple nut, blah, blah, blah.

-OK.

0:39:350:39:38

'We've come down to two of my own personal favourite things.

0:39:380:39:41

'I like red velvet cake.'

0:39:410:39:44

-What is that?

-That's your red velvet.

0:39:440:39:46

Red velvet, look.

0:39:460:39:48

And my favourite candy is maple nut candy,

0:39:480:39:52

so we went with those two things.

0:39:520:39:53

I haven't tasted ice cream like this, ever.

0:39:530:39:55

I had a little, teeny, tiny, tiny little

0:39:580:40:01

minuscule scoop just to be able to taste to it.

0:40:010:40:04

Gary had his own pint, Gary, he was

0:40:040:40:06

our champion taste-tester on our team.

0:40:060:40:09

May the spoon be with you!

0:40:090:40:11

Especially when you have Delish ice cream.

0:40:110:40:15

# Maple Macadamia, Maple Macadamia

0:40:170:40:20

# Maple Macadamia, get one today! #

0:40:200:40:23

Gary was definitely on a sugar rush for a while.

0:40:230:40:26

Woo!

0:40:260:40:27

But what comes up must come down.

0:40:290:40:31

-Um...

-SNORING

0:40:310:40:33

I just put elephant tranquiliser in Gary's ice cream sample.

0:40:330:40:36

I'm going to the pet store tonight and getting a shocking collar.

0:40:380:40:42

For Gary.

0:40:420:40:43

Well, I don't know what you agree on,

0:40:530:40:55

-cos it seems really good to me.

-Woo!

0:40:550:40:57

Final task is a whopper!

0:40:570:40:59

I need tickets given out to where?

0:40:590:41:02

It's heavily celebrity-driven.

0:41:020:41:05

You get 50 tickets to sell for however much you want.

0:41:050:41:09

-You have people, Lisa?

-OK, oh, my God, it rang.

0:41:090:41:12

You have exactly what we need.

0:41:120:41:14

So, we gotta get a lot of celebrities, a lot of people here.

0:41:140:41:17

Thinking about my jersey and a Derek Jeter jersey.

0:41:170:41:19

And we've got to get ka-ching ka-ching.

0:41:190:41:22

OK, so, what we want to do is, we want to see our images.

0:41:220:41:26

I can't look at these right now, but I'll call Wayne Newton,

0:41:260:41:28

that should not be too long of a call.

0:41:280:41:31

'As far as money is concerned,'

0:41:310:41:32

Trace can cast a very wide net.

0:41:320:41:34

-'Hello.'

-Hello, can I speak to Wayne Newton, please?

0:41:340:41:37

This is Penn, Penn Jillette of Penn & Teller.

0:41:370:41:39

'I'm not wishing I'm going to win, I'm not hoping I'm going to win,'

0:41:390:41:42

I am working as hard as I can so I will win

0:41:420:41:45

250,000 to a charity that is close to my heart.

0:41:450:41:49

Wonderful. I am here with

0:41:500:41:52

Lisa Rinna, La Toya Jackson

0:41:520:41:54

and Dennis Rodman, I think all of whom you know.

0:41:540:41:57

-ALL:

-Hi, Wayne!

0:41:590:42:00

I am a finalist for Opportunity Village, which, of course,

0:42:000:42:02

is your charity,

0:42:020:42:04

and if you would come and deliver a big cheque from Caesars

0:42:040:42:08

and try some ice cream and give, you know, Mr Las Vegas

0:42:080:42:11

a little run in New York City. Can you do that for us Monday?

0:42:110:42:14

'I mean, I'm asking an awful lot'

0:42:290:42:32

of Wayne, an awful lot.

0:42:320:42:34

Well, we hope you can make it, man. We'll look forward to seeing you.

0:42:340:42:37

I wasn't confident that Wayne Newton could make it.

0:42:390:42:42

The more famous the Vegas showperson is

0:42:420:42:47

'the less likely they are to be hanging out in New York.'

0:42:470:42:50

Thanks a lot, Wayne.

0:42:500:42:51

-BOTH:

-Bye, Wayne!

0:42:510:42:53

-Bye-bye.

-Oh, he'll come.

0:42:550:42:56

Team Trace!

0:43:120:43:14

-Hey, hi!

-Hello, hello, hello!

0:43:140:43:16

-It smells great.

-How you doing?

0:43:160:43:18

Hello, my darling.

0:43:180:43:19

'Joan Rivers. She's a feminine mystery

0:43:190:43:22

'and a feminine magical powerhouse.'

0:43:220:43:25

She fixed her hair up like she came from another galaxy.

0:43:250:43:29

She goes for the jugular when it's necessary.

0:43:290:43:32

That's what I respect about her. She doesn't pull punches.

0:43:320:43:35

-And my darling.

-How are you, love?

0:43:350:43:39

This is, oh, look at this, this is why I'm glad I'm not in this team.

0:43:390:43:44

Indulge.

0:43:440:43:45

-Where are you along the line?

-We are either going with

0:43:450:43:48

a Maple Macadamia or...

0:43:480:43:51

red velvet is my favourite cake, so we went with the red velvet cupcake.

0:43:510:43:55

They're going to be....civilians tasting this stuff.

0:43:550:44:00

We'll watch their faces.

0:44:000:44:01

We'll just watch their faces and see what kind of reaction we get.

0:44:010:44:04

-There's three distinct parts, kind of here.

-Right.

0:44:040:44:07

The product, the video, which means your presentation...

0:44:070:44:12

-Right.

-..and then it's the big party.

-Right.

0:44:120:44:14

They probably have a leg up, just because...

0:44:140:44:17

Penn's got the biggest rolodex, ever.

0:44:170:44:19

Penn's got the biggest rolodex I've ever seen.

0:44:190:44:21

So, are you sitting down now and going through your rolodexes

0:44:210:44:24

-and saying...

-Yes.

-Who do you think you can get?

0:44:240:44:27

We're trying to do that.

0:44:270:44:28

So, who have you called on?

0:44:280:44:30

Tim McGraw turned me down, Blake Shelton. Toby's doing Leno that day,

0:44:300:44:35

so he's turned me down.

0:44:350:44:37

'Any time you're doing a fundraising task'

0:44:370:44:39

you're going to worry whether the donors

0:44:390:44:42

and the celebrities are going to show up,

0:44:420:44:44

'but I think I can probably compete with Penn.'

0:44:440:44:48

I wanted Big Show, the biggest wrestler I know, to come,

0:44:480:44:51

but he's in Spain.

0:44:510:44:53

It's very tough.

0:44:530:44:54

It is tough.

0:44:540:44:55

I think Team Trace doesn't have the star access

0:44:550:45:00

that Penn's team has.

0:45:000:45:02

I mean, country and western, Marilu,

0:45:020:45:05

half of her friends are dead already.

0:45:050:45:08

Gary Busey, I don't think his Christmas card list is gigantic.

0:45:080:45:11

-See you at the party.

-Yeah.

-Yes, ma'am.

-Bye.

0:45:110:45:15

OK, now we really have to do this.

0:45:180:45:20

What are the images we want?

0:45:310:45:33

Las Vegas, top hat, bunny.

0:45:330:45:36

-There's no mystery here.

-OK.

0:45:360:45:38

But in the bottom of the container - poof, it's gone.

0:45:380:45:44

Cute!

0:45:440:45:46

-I know I am, but it's also a good idea.

-Cute!

0:45:460:45:48

-I know I am but it's also a good idea.

-Cute!

0:45:480:45:51

Super-cute. Super-good.

0:45:510:45:55

One of those extra touches that you just go...

0:45:550:45:58

Poof, it's gone!

0:45:580:45:59

Or disappeared or whatever.

0:45:590:46:01

Those are those beautiful creative moments in advertising

0:46:010:46:04

and branding that just might come through you.

0:46:040:46:07

Poof, it's gone.

0:46:070:46:08

THEY LAUGH

0:46:080:46:11

'I think Penn is a genius writer. It just comes through him.'

0:46:110:46:14

He's better than anybody at it.

0:46:140:46:16

-Ta-da.

-Hello, Joan!

0:46:170:46:20

So are you all just dying cos of calories?

0:46:200:46:23

Takes more calories than you have just to keep me alive for a day.

0:46:230:46:27

Team Penn.

0:46:270:46:29

I love Joan Rivers. She's been there, she's done it.

0:46:290:46:32

To have the only female that's won Celebrity Apprentice come in

0:46:320:46:37

with her wisdom, I mean, please - Joan knows how to work it

0:46:370:46:42

like nobody's business and I admire her greatly.

0:46:420:46:45

Dennis, you know, is very flamboyant.

0:46:450:46:47

He's like a black Liberace.

0:46:470:46:49

LAUGHTER

0:46:490:46:51

-But we had great times working together.

-We sure did. We sure did.

0:46:510:46:56

Dennis, what you see is not what you get.

0:46:560:46:59

-That's right.

-Yeah, I know.

0:46:590:47:01

-So, happy, not happy?

-Deliriously happy, I think.

0:47:010:47:05

We are doing a Vegas magic theme.

0:47:050:47:08

-Which means? Calories disappear?

-Yeah, exactly.

-Yeah!

0:47:080:47:12

We have a delicious new vanilla chocolate magic "swirtle" ice cream.

0:47:120:47:17

And swirtle is a combination,

0:47:170:47:19

a little turtle candy with a swirl of chocolate.

0:47:190:47:22

The other one is sin city, then we got Wayne Newton coming in.

0:47:220:47:25

-To the party?

-Yes.

-That's amazing!

0:47:250:47:29

There is a small problem.

0:47:290:47:32

Wayne Newton said on the phone, "Count on me,"

0:47:320:47:36

BUT he as a parade in Arizona.

0:47:360:47:40

He said, "Count on me..."

0:47:400:47:41

This task, they want celebrities,

0:47:410:47:44

so the wheels are turning and you're going,

0:47:440:47:47

"Wow, is Wayne Newton going to make it?"

0:47:470:47:50

-You just don't know.

-I'll probably have, on top of that,

0:47:500:47:54

Debbie Harry, Dick Cavett, a few other friends coming in.

0:47:540:47:57

-You're all friends?

-Just like you love all the other comics.

0:47:570:48:00

I love all the other comics(!)

0:48:000:48:02

LAUGHTER

0:48:020:48:04

-So you guys are in very good shape, then?

-Yeah, we think so.

0:48:040:48:07

We think so.

0:48:070:48:09

You know, we were originally called Plan B and as you know,

0:48:090:48:13

things always crash and burn and talk to me tomorrow when

0:48:130:48:15

Wayne Newton's fallen through.

0:48:150:48:17

I think Penn's magic, Vegas concept is...brilliant.

0:48:170:48:22

The only negative I saw, really,

0:48:220:48:25

in Penn's group was that we all know celebrities say yes, yes, yes,

0:48:250:48:29

and then suddenly, "Well, I couldn't make it."

0:48:290:48:31

It's wonderful, great, I look forward to the party.

0:48:310:48:35

Yeah, and the ice cream. Which you will eat, what, like a half a spoon?

0:48:350:48:38

Whatever they put in their mouths, I would put in my mouth.

0:48:380:48:42

-And that's your rule for life, isn't it?

-That's my rule for life.

0:48:420:48:45

LAUGHTER

0:48:450:48:47

# Let's go

0:48:570:48:58

# Feeling good

0:48:580:49:00

# Don't believe

0:49:000:49:01

# What you would

0:49:010:49:03

# Do if you didn't have the Maple Macadamia Nut

0:49:030:49:06

# Hey, hey... #

0:49:060:49:08

HE SINGS INCOHERENTLY

0:49:080:49:10

OK, Gary, come on, you and I gotta go to the taste test thing.

0:49:100:49:14

OK.

0:49:140:49:15

Trace decided that he and Gary would go to do the taste test.

0:49:150:49:19

Really, really look at their faces.

0:49:190:49:21

-You know?

-Yeah. That'll give us a good signal what to do.

-Mm-hm.

0:49:210:49:27

So he and Gary went and I said, "Make sure you look at their faces.

0:49:270:49:31

"When somebody tastes the ice cream, make sure you're getting

0:49:310:49:33

"the reaction from the way they're responding to it."

0:49:330:49:37

We're going to Duane Reade,

0:49:370:49:40

we're going to watch them taste our ice cream.

0:49:400:49:43

-OK, we want to watch their faces.

-Yeah, and see which one they prefer.

0:49:430:49:46

I'm really good at watching people's faces, no matter what they're doing,

0:49:460:49:50

to get an expression off of that that I can use in

0:49:500:49:52

my improvisational spontaneity creative art.

0:49:520:49:55

-Repeat that.

-No.

0:49:560:49:58

GARY LAUGHS

0:49:580:50:00

-SHOUTING:

-We have an ice cream tasting contest!

0:50:010:50:05

Right back here in the corner of the store!

0:50:050:50:08

When it came time for us to go to the location and do

0:50:080:50:12

the actual taste test,

0:50:120:50:14

there wasn't even a question in my mind

0:50:140:50:16

I was going to take Gary with me.

0:50:160:50:18

-SHOUTING:

-Feel free to come and eat some free ice cream!

0:50:180:50:22

And your face will tell us how you like it!

0:50:220:50:25

-TRACE LAUGHS

-OK. Good.

0:50:250:50:29

'I was already fairly certain which one I was going to go with,

0:50:290:50:33

'but I wanted to see'

0:50:330:50:35

the reaction of these people.

0:50:350:50:37

Keep control of yourself. Come on, folks.

0:50:370:50:39

This is Red Velvet and this is Maple Macadamia Nut.

0:50:390:50:43

Isn't that good?

0:50:430:50:45

-I like it.

-That's one!

-Yummy, creamy.

0:50:450:50:48

When you walk through the streets, tell people how good

0:50:480:50:51

Delish maple ice cream is.

0:50:510:50:53

-Well, they can't have that yet.

-Huh?

-They can't get that yet.

0:50:530:50:56

-Why can't they?

-They just can't.

0:50:560:50:58

-Why?

-Cos we just invented it.

-Oh, we just invented it.

0:50:580:51:00

-You did not really just invent it.

-Yeah, we did, too.

-Liars.

0:51:000:51:03

Yeah, we did. Another Maple Macadamia.

0:51:030:51:06

Come on up, those who want a free punch of ice cream!

0:51:060:51:10

Which one do you like?

0:51:100:51:11

-Maple.

-See? All right, good.

-OK.

0:51:110:51:16

OK, get ready.

0:51:160:51:18

Change.

0:51:180:51:19

-That's pretty good.

-Mark down maple!

0:51:210:51:23

-What's your favourite?

-I like this one.

0:51:230:51:26

-You like the Red Velvet?

-You like Red Velvet.

-Mm-hm.

0:51:260:51:28

-She's a Red Velvet fan.

-OK. Red Velvet.

0:51:280:51:31

One woman came in, very attractive,

0:51:310:51:34

and she had the honest, authentic look of a Red Velvet queen.

0:51:340:51:40

She liked Red Velvet. Everyone else went for Maple Macadamia.

0:51:400:51:46

It's the Maple Macadamia. 9-1. 9-1 over Red Velvet.

0:51:460:51:51

-Yeah, that's the one we're going with.

-OK. All right, bye.

0:51:510:51:56

Yay!

0:51:560:51:58

# Maple Macadamia

0:51:580:51:59

# Maple Macadamia, get one today! #

0:51:590:52:02

I know you're in a hurry but it'll take two seconds just to sample it

0:52:050:52:08

-and tell me what you think.

-Let me give it a shot.

-OK, great.

0:52:080:52:11

Hold on, sorry, Melissa...

0:52:110:52:13

Oh. Dennis. How we doing?

0:52:130:52:16

Dennis and I went over to Walgreens.

0:52:160:52:19

We want to test the people and see which flavour they prefer -

0:52:190:52:22

Sin City or the Magic Swirtle.

0:52:220:52:25

-Can you tell me what you like about it?

-I like the fudge.

0:52:250:52:29

"I love the fudge."

0:52:290:52:31

Would you like to sample some ice cream?

0:52:310:52:33

-Is there a whopper in there?

-The swirtle is mixed with chocolate.

0:52:330:52:36

-It's so good.

-Right, right?

0:52:360:52:38

Can I just take the whole tub or...?

0:52:380:52:40

Everybody likes the chocolate.

0:52:400:52:42

It's very interesting when people try the ice cream,

0:52:420:52:44

everyone's palate is different.

0:52:440:52:46

-Ice cream...

-This one, it's called the swirtle.

0:52:460:52:48

-Did an excellent job making it.

-Thank you.

0:52:480:52:51

-It's creamy and delicious.

-Look at this guy.

0:52:510:52:53

All the people, everyone loved the Magic Swirtle.

0:52:530:52:56

-Did you make these?

-Yes, we did.

-Today.

0:52:560:52:59

-A new profession for you?

-Yes.

0:52:590:53:01

LAUGHTER

0:53:010:53:02

-I like the swirtle.

-You like the swirtle?

0:53:020:53:04

I thought Magic Swirtle was absolutely great and that was

0:53:040:53:07

my choice. I knew it would win everything.

0:53:070:53:10

-So who's the winner?

-Who do you think?

0:53:100:53:13

You can see it - the swirtle.

0:53:130:53:14

I should call them and let them know.

0:53:140:53:17

-'Hello?'

-Hi, Penn?

0:53:170:53:19

-Yes.

-Basically, everybody loves the swirtle. OK.

0:53:190:53:23

Put a couple on there.

0:53:230:53:25

Everybody loved the swirtle more than the other.

0:53:250:53:28

They loved it for being crunchy and creamy.

0:53:280:53:30

Report back was that people loved the swirtle.

0:53:300:53:33

They were digging the swirtle. They were down with the swirtle.

0:53:330:53:35

They were chillin' with the swirtle.

0:53:350:53:37

The big problem on this is it's a little hard to understand

0:53:370:53:41

-"swirtle" if you don't know "turtle".

-I know.

0:53:410:53:44

But, you know, you don't want to eat something you don't know what it is.

0:53:440:53:47

I don't think we have as strong a name as we thought we did.

0:53:470:53:50

-I hope we have really good ice cream and really a lot of money.

-Yeah.

0:53:500:53:53

All of a sudden I got really worried

0:53:530:53:55

that swirtle would be too mysterious.

0:53:550:53:58

-Swirtle's cute, but I'm a little...

-It is.

-It's cute.

0:53:580:54:02

Still felt like that swirtle was hanging out there all pink and naked

0:54:020:54:05

and I didn't want people to be confused.

0:54:050:54:08

What do you think would be stronger?

0:54:080:54:10

If I do think of something stronger right now I'll just kill myself.

0:54:130:54:17

-Don't do that.

-I mean, that's... We're stuck with swirtle.

0:54:170:54:21

Have we come up with any names?

0:54:270:54:30

Either "ravishing" or something, or something...Maple Macadamia Medley.

0:54:300:54:34

'I like to think of the final task as the greatest hits task.

0:54:340:54:38

'The first day was the ice cream flavour,

0:54:380:54:40

'the second was the commercial and the third was the party.

0:54:400:54:44

'So we had a lot to do in a very short period of time.

0:54:440:54:46

'And Trace knew Lil Jon was going to deliver on the commercial.'

0:54:460:54:50

It was just, what's the commercial going to be?

0:54:500:54:52

And of course that started with the flavour.

0:54:520:54:54

Maple Macadamia Medley. Or Mashup.

0:54:540:54:57

Maple Macadamia Mashup.

0:54:570:55:01

-That's what you said?

-Yeah, Maple Macadamia Mashup.

0:55:010:55:05

That's not bad.

0:55:050:55:07

-Match up?

-Mashup is like a mashup,

0:55:070:55:09

it's like, it's two things put together.

0:55:090:55:11

They put two totally different songs together...

0:55:110:55:13

-What about mix and match...?

-..mashing 'em up.

0:55:130:55:16

Mashup - where you take two flavours,

0:55:160:55:18

two songs or whatever and blend them together.

0:55:180:55:20

Or two anything and blend them together.

0:55:200:55:23

It...sounds like potatoes when I hear it.

0:55:230:55:26

It's not. Not to a younger crowd.

0:55:260:55:28

I think Marilu said mashup or Lil Jon said mashup.

0:55:280:55:32

Yeah, that's cool. It's perfect, actually,

0:55:320:55:35

because of social media, the youth element, it's perfect.

0:55:350:55:40

Think it should be you getting filmed on the viral video.

0:55:400:55:44

Like, people will tweet you doing something with the ice cream...

0:55:440:55:47

to the next person. I just think that makes sense.

0:55:470:55:49

Especially after the dog thing.

0:55:490:55:52

I definitely know how to utilise Gary to the fullest.

0:55:540:55:57

When I heard we had to do a video concept, I was like,

0:55:570:56:00

"We gotta use Gary in it."

0:56:000:56:01

What if he's eating a ice cream and he does it - Gary's eating

0:56:010:56:05

the ice cream and he starts to do the Busey dance.

0:56:050:56:08

Because he likes the ice cream so much.

0:56:080:56:10

And then it turns into a craze.

0:56:100:56:12

I can make up the Busey dance.

0:56:120:56:14

It will scare you and make you laugh.

0:56:140:56:17

"Whoa, God, what is that?!"

0:56:170:56:20

It's definitely realistic for him to be doing something crazy,

0:56:200:56:24

and that's a viral video.

0:56:240:56:26

You should start working on some moves.

0:56:260:56:29

Let me go out here.

0:56:310:56:33

I like that.

0:56:400:56:42

We want Gary to do some kind of goofy dance.

0:56:440:56:47

And then all of a sudden it becomes a viral thing that catches on,

0:56:470:56:51

like Gangnam, that kind of thing.

0:56:510:56:54

I want to put him in Speedo, myself.

0:56:540:56:57

Or a thong!

0:56:570:56:59

Oh, don't worry, it's going to come.

0:56:590:57:01

Oh, my goodness.

0:57:010:57:03

What do you say, you want to dance with me?

0:57:030:57:06

Not yet. I don't think you've hit on it yet.

0:57:060:57:08

It's day two of the final task.

0:57:170:57:19

-So this is our room.

-Hello, everybody.

-Very nice.

0:57:190:57:23

And the task is to design, create an ice cream,

0:57:230:57:26

do all the packaging for the ice cream,

0:57:260:57:28

do a video about the ice cream, and then invite a bunch of people to

0:57:280:57:32

the event to pay ridiculous amounts of money to be around the ice cream.

0:57:320:57:36

-American Atheists coming through.

-Good.

0:57:360:57:39

And we made really good ice cream.

0:57:390:57:42

-Where's...?

-Here we go.

-I like it.

0:57:420:57:46

After I had the name, Vanilla Chocolate Magic Swirtle,

0:57:460:57:50

I was worried people would say, "What is a magic swirtle?"

0:57:500:57:54

So I decided to hang a lantern on that,

0:57:540:57:56

which is what you always do in magic and comedy.

0:57:560:57:59

"What is a swirtle? It's a good, delish, sweet and salty,

0:57:590:58:02

"creamy and crunch, rich Madagascar vanilla ice cream

0:58:020:58:04

"with a sea salt chocolate swirl and chunks of chocolate caramel candy."

0:58:040:58:08

So I put in, "What is a magic swirtle?" as our kind of slogan.

0:58:080:58:12

When you have something you really don't want and you're

0:58:120:58:15

insecure about, you make sure you put it right out in the front

0:58:150:58:18

so no-one else can bust you on it.

0:58:180:58:20

I like it.

0:58:200:58:21

'It's as easy as that.'

0:58:210:58:23

And people will be sucking it down like it were black tar heroin.

0:58:230:58:27

Wow.

0:58:270:58:29

Ah. There's Teller.

0:58:290:58:31

-You're in the right place.

-Oh, great.

-And show folk.

0:58:310:58:34

The showgirls!

0:58:340:58:36

-How you been?

-Great.

-Hi, I'm La Toya.

0:58:360:58:39

'The idea of this commercial,

0:58:390:58:41

'which is the magic and the Las Vegas theme'

0:58:410:58:43

with Penn and Teller, his partner, and of course the Vegas showgirls.

0:58:430:58:47

It's all come together as one, as a swirtle.

0:58:470:58:49

What we need to do is get some idea of what your outfits look like.

0:58:490:58:53

Wonderful. Let's take a look.

0:58:530:58:55

Oh, look at you girls! You look beautiful!

0:58:550:58:58

I love it! Oh, my gosh!

0:58:580:59:00

Vegas versus Nashville at just about anything, Vegas wins.

0:59:000:59:05

I hope that Mr trump says, "OK, they're not kidding around!"

0:59:050:59:09

HE LAUGHS

0:59:090:59:11

Cos look at that.

0:59:110:59:12

I'm excited because I've never seen a showgirl close and personal

0:59:120:59:16

and if I was gay, I would have jumped through the roof.

0:59:160:59:19

Really.

0:59:190:59:21

Penn? It's fantastic.

0:59:210:59:23

And on the monitor it's un-BLEEP-believable.

0:59:230:59:27

The visual of having four showgirls with Penn and Teller sold it. 100%.

0:59:270:59:33

This is like a morning TV show.

0:59:330:59:34

LAUGHTER

0:59:340:59:37

This is it, yep.

0:59:400:59:42

Oh, it is. Oh, so, yeah.

0:59:420:59:43

We have a lot to do. I mean, we have very little time to do it in and if

0:59:430:59:47

I was managing I would be getting

0:59:470:59:50

nervous right about now, but...

0:59:500:59:52

You know, a cowboy's in charge.

0:59:520:59:54

So, first set up - couch, grandfather, granddaughter.

0:59:540:59:59

She explains the mashup to him.

0:59:591:00:02

And he goes, "Oh!

1:00:021:00:04

"You mean like combining a new dance and an old dance?"

1:00:041:00:07

And then he goes, "Oh, so mashup is like combining those two things?"

1:00:071:00:11

And then he does it and she goes, "Wait, wait! Stop!"

1:00:111:00:13

She grabs her phone, says, "Do it again!"

1:00:131:00:16

He does it again. That's where it goes viral.

1:00:161:00:18

That's when her friends start picking it up.

1:00:181:00:21

-You feeling me?

-Mm-hm.

1:00:211:00:23

Huh? How about that what I just said?

1:00:231:00:25

-That was

-BLEEP,

-right, huh? Are you feeling me?

1:00:251:00:27

We had a concept but we didn't have the dance,

1:00:271:00:30

which was going to be the important part of the commercial,

1:00:301:00:33

because the dance is what's supposed to be

1:00:331:00:36

so fabulous that it goes viral.

1:00:361:00:38

You should probably go stretch.

1:00:381:00:40

-Yeah.

-Go stretch.

1:00:401:00:43

GARY GROANS

1:00:481:00:51

Trace tells Gary at one point,

1:00:531:00:55

"Gary, go ahead on over there

1:00:551:00:57

"and stretch so you can be ready."

1:00:571:00:59

And Gary is on this crazy stretching regimen

1:00:591:01:03

and doing all these stretches and talking to himself.

1:01:031:01:06

Whoosh!

1:01:061:01:08

Sometimes something's so off-the-wall,

1:01:081:01:11

we think of as out of the box.

1:01:111:01:13

Gary just thinks of it as normal.

1:01:131:01:16

OK?

1:01:161:01:17

GARY RAMBLES AND GROANS

1:01:171:01:21

Sometimes, those kinds of ideas can be pure genius,

1:01:301:01:37

and that's how you win.

1:01:371:01:39

HE GROANS

1:01:391:01:41

All right, Jon, that's good. Are we ready to shoot?

1:01:511:01:54

We've got to write the script.

1:01:541:01:56

Trace's task this week is to create a new ice-cream flavour

1:01:561:02:01

for the Walgreens Delish brand.

1:02:011:02:06

The dialogue he does at the top with her

1:02:061:02:09

-is about it.

-And that's where we establish the product, too.

1:02:091:02:13

We have only three days to come up with the ice cream,

1:02:131:02:18

shoot a commercial and put on a launch event.

1:02:181:02:21

That's a lot of pressure, people.

1:02:211:02:23

How does your dance look, Jon?

1:02:231:02:25

I think we're still tweaking it.

1:02:251:02:27

Still figuring it out.

1:02:271:02:28

My main duty in this task was to get this video shot and edited,

1:02:281:02:33

because that is one of the main criteria we're getting judged on.

1:02:331:02:37

So I had to really nail it.

1:02:371:02:38

We've got to figure how you can dance with something in your hands.

1:02:381:02:41

Maybe it should be something with your shoulders?

1:02:411:02:44

Elbows. Shoulders or some elbows.

1:02:441:02:46

Can you do this? You're turning up, Gary.

1:02:501:02:53

Mashup was good, because that's what live is.

1:02:531:02:55

Live is a mashup,

1:02:551:02:57

because, in truth, you never know

1:02:571:02:58

where you're going to go.

1:02:581:03:00

Everybody has mashup in them, you know?

1:03:001:03:02

And that's why it'll be a top seller on the show for Walgreens.

1:03:021:03:06

We ought to do something.

1:03:111:03:14

Gary, just going through

1:03:151:03:17

all these different dance moves

1:03:171:03:19

and stuff is pretty classic.

1:03:191:03:21

It's pretty damn funny,

1:03:211:03:23

seeing Gary Busey dancing to a hip-hop beat.

1:03:231:03:26

So I'm going to do the twist, and then I'm going to go...

1:03:261:03:29

That way, you can watch everything in your body.

1:03:331:03:36

What did you do? Did you just fart?

1:03:361:03:37

Did I?!

1:03:371:03:39

That means she did this.

1:03:391:03:40

Mashup, two dances,

1:03:401:03:42

an old dance and a new dance,

1:03:421:03:44

together. Two is tandem.

1:03:441:03:47

Two is powerful.

1:03:471:03:49

Two is one with your God.

1:03:491:03:51

Is Gary awake?

1:03:581:04:00

HE SNORES

1:04:001:04:02

-Marilu?

-Yes?

1:04:021:04:04

Can you help me get our actor on the set?

1:04:041:04:08

Yes, I can.

1:04:081:04:10

Gary?

1:04:101:04:11

Mr Busey, can you please come to the set?

1:04:111:04:15

-What?

-We're going to have a take, OK?

1:04:151:04:17

-HE COUGHS

-Are you OK? Are you OK?

1:04:171:04:19

-Be quick, Gary.

-We're ready for your dance.

1:04:191:04:21

-Oh, God...

-We're ready for your close-up, Mr DeMille(!)

1:04:211:04:25

Can we get Gary's ice cream ready?

1:04:251:04:27

OK... OK!

1:04:271:04:29

Hi. We're Penn and Teller.

1:04:311:04:33

We're also known as sweet and salty.

1:04:331:04:35

Fresh and creamy...

1:04:351:04:37

It's like cream, sugar...

1:04:371:04:39

I need cue cards.

1:04:391:04:41

-You need cue cards?

-Yeah.

-OK.

1:04:411:04:43

Yeah. Cos I don't want to memorise this one thing

1:04:431:04:45

-above everything else.

-Let's do it.

1:04:451:04:47

I can guarantee you that Trace is doing a great job,

1:04:471:04:50

so I can't screw up.

1:04:501:04:52

Have you seen any pieces of cardboard that could be used

1:04:521:04:54

as cue cards around?

1:04:541:04:56

You don't have any whiteboard, do you?

1:04:561:04:58

I actually called Walgreens the wrong name.

1:04:581:05:01

I'm going to try not make the mistake this time.

1:05:011:05:04

So I decided to write on the back of Walgreens' signs.

1:05:041:05:07

OK.

1:05:071:05:08

Someone has the hardest job in the world doing these cue cards for me.

1:05:081:05:12

-I can do it.

-Yeah.

1:05:121:05:13

Penn felt more comfortable

1:05:131:05:15

having cue cards.

1:05:151:05:16

-Can you see it? Is it level?

-Uh...no.

1:05:161:05:18

So I then became the cue card girl.

1:05:181:05:21

"Sugar! Madagascar vanilla!"

1:05:211:05:24

You've got to go faster on that one.

1:05:241:05:26

"Do try this at home."

1:05:261:05:28

You were behind me on a lot of them.

1:05:281:05:30

I'm very sorry. Was I behind you?

1:05:301:05:32

-OK.

-You don't have the right card.

1:05:321:05:33

I do... I took the wrong one, sorry!

1:05:331:05:35

'I've never held cue cards.'

1:05:351:05:37

There is an art to it.

1:05:371:05:39

The way they write them and hold them.

1:05:391:05:41

-Do you want to do it on the chair? Would it be easier for you?

-No.

1:05:411:05:44

Well, what I need is someone next to me to hand off to.

1:05:441:05:47

"We better show you the secret of

1:05:471:05:49

"delicious crunchy vanilla-chocolate Magic Swirtle."

1:05:491:05:53

That was perfect.

1:05:531:05:54

It was challenging, but I got it down.

1:05:541:05:57

That's good. OK.

1:05:571:05:58

The same spot we were talking about.

1:06:021:06:05

Action, Gary.

1:06:071:06:09

Grandpa, I just found this new ice cream.

1:06:091:06:12

It's delish. Try it.

1:06:121:06:14

-"Maple Macadamia Mashup"? What is a mashup?

-Hmm...

1:06:141:06:17

And cut!

1:06:171:06:19

The first set-up is where the main part

1:06:191:06:22

of our commercial happens,

1:06:221:06:24

so of course we are going to be there longer.

1:06:241:06:27

OK!

1:06:301:06:32

And we've got to get all the different camera angles

1:06:341:06:36

and, you know, POVs

1:06:361:06:38

and reverses.

1:06:381:06:40

Sometimes you shoot 10, 20 takes.

1:06:401:06:43

So that's pretty tough, especially for Gary.

1:06:481:06:51

Cut!

1:06:511:06:53

You can space out a little bit, cos this is wide.

1:06:531:06:55

-Yeah.

-So we've got a wide framing?

1:06:551:06:58

-Yeah.

-What size do you have on?

1:06:581:06:59

-I'm shooting at an 8mm...

-Thanks very much. That's why.

1:06:591:07:03

So, yeah.

1:07:031:07:04

There are no words to describe Gary Busey.

1:07:041:07:06

He's hilarious and he comes up with

1:07:061:07:08

so many crazy things,

1:07:081:07:10

but when you get him in his right element,

1:07:101:07:13

oh, my gosh, he's a genius.

1:07:131:07:14

-GARY:

-I was doing this...

1:07:141:07:16

..and then twist.

1:07:181:07:20

And now I'm thinking this, twist.

1:07:201:07:23

Yeah, that's better. That's better.

1:07:231:07:24

We'll quicken it. That'll give you time to get in there.

1:07:241:07:27

-All right. Are you all ready?

-Thank you very much.

1:07:271:07:30

And he threw himself into this whole dance idea,

1:07:301:07:32

and then you really got to see him act as well.

1:07:321:07:36

'It was great to see that brilliance being used.'

1:07:361:07:40

-Lil Jon!

-Yes, sir!

1:07:401:07:41

Do we need Rachel holding an ice cream?

1:07:411:07:44

No. Uh...yeah.

1:07:441:07:46

She's got to start from there.

1:07:461:07:48

-You got her dance into frame.

-Yeah.

1:07:481:07:50

When he's given an opportunity to shine

1:07:501:07:52

in the things that he does well, he's the brightest star.

1:07:521:07:56

-TRACE:

-OK, that's a wrap.

1:07:561:07:57

Ladies and gentlemen, that's a wrap on Gary.

1:07:571:08:00

Great! Whoo!

1:08:001:08:02

Yeah. All right. Thank you, everybody.

1:08:021:08:04

What is a Magic Swirtle?

1:08:101:08:12

Well, let's tell you.

1:08:121:08:13

-We're Penn and Teller, also known as sweet and salty.

-Looks good.

1:08:131:08:16

We're working with Walgreens

1:08:161:08:18

to create and launch

1:08:181:08:19

an ice-cream flavour.

1:08:191:08:21

This is, like, the biggest task of all,

1:08:211:08:23

because the commercial is the major part of the judging criteria.

1:08:231:08:27

We have to make sure that we get it right.

1:08:271:08:29

Let's try that again so I know what I'm doing.

1:08:291:08:31

'Teller and I had a pretty good idea.'

1:08:311:08:33

We are going to do a magic trick,

1:08:331:08:35

and the problem was,

1:08:351:08:37

how to turn the ingredients into the finished ice cream.

1:08:371:08:39

It's better if we show you how you make it.

1:08:391:08:41

You start with the freshest ingredients,

1:08:411:08:43

a little bit of cream and a little bit of salted...

1:08:431:08:45

'I said to Teller,

1:08:451:08:47

'we've got to change the ingredients into ice cream.'

1:08:471:08:49

What kind of switch do you want to do?

1:08:491:08:51

We had several choices.

1:08:511:08:53

One was called the duck pan we were going to use,

1:08:531:08:55

one was called the temple screen.

1:08:551:08:57

We decided to do a Slydini lapping version,

1:08:571:09:00

although lapping is never done with liquid,

1:09:001:09:02

because lapping involves dropping stuff into your lap.

1:09:021:09:05

So we may need someone down there to catch.

1:09:051:09:07

We need Dennis. Or somebody.

1:09:071:09:09

Just someone to play the part of Dennis.

1:09:091:09:11

-Come over here, Dennis.

-Dennis! Come!

1:09:111:09:14

I thought, well, I don't know sports,

1:09:141:09:17

but I know that Dennis Rodman is able to catch stuff.

1:09:171:09:20

When I show the whole commercial,

1:09:201:09:22

we'll say, "Penn and Teller and the showgirls starred in that.

1:09:221:09:24

"What you probably didn't realise, we also had Dennis Rodman."

1:09:241:09:27

Then we'll tip it at the actual party, too.

1:09:271:09:29

We'll do the whole commercial and then a final after-punch.

1:09:291:09:32

Penn wanted to use me

1:09:321:09:33

in a different kind of way,

1:09:331:09:35

which I didn't really care.

1:09:351:09:36

I wasn't doing anything anyway, so why not get messy?

1:09:361:09:38

You've got to get low.

1:09:381:09:40

-Probably lying down.

-Like this?

1:09:401:09:41

Yeah. You're right between their legs, Dennis.

1:09:411:09:44

-We're going to drop this on you.

-You're going to drop...

-OK?

1:09:441:09:47

Dennis was probably in hog heaven,

1:09:471:09:49

lying on the floor looking up at those showgirls.

1:09:491:09:51

Da-da-da-dum.

1:09:511:09:53

Ba-ba-ba-bum!

1:09:531:09:55

And...

1:09:551:09:56

That's what it's going to look like.

1:09:561:09:59

That was very easy,

1:09:591:10:00

I tell you that real quick!

1:10:001:10:02

And then the magic happens.

1:10:021:10:04

See, Teller has made it appear

1:10:041:10:06

and we will make it disappear.

1:10:061:10:09

-BLEEP.

-Can we get a towel for Dennis?

1:10:091:10:11

He needs help?

1:10:111:10:13

Here, I got it.

1:10:131:10:15

Oh, Dennis. Look at you.

1:10:151:10:17

Dennis got ice cream spilled all over him,

1:10:171:10:19

but creaming his pants

1:10:191:10:21

was about the best visual ever.

1:10:211:10:23

You know you have one of the best NBA rebounders catching your...

1:10:231:10:28

THEY LAUGH

1:10:281:10:30

I'm not having a good day, am I?

1:10:301:10:31

-Do you want to shoot me now?

-Yeah.

-OK.

1:10:341:10:36

Our thing's, like, we're backstage, or something?

1:10:361:10:39

Yeah. We're going to shoot... I know we're losing light.

1:10:391:10:42

Yeah. It's going to be dark in a little while.

1:10:421:10:44

-Oh...

-Don't worry about it.

1:10:441:10:45

So it could be night.

1:10:451:10:46

-OK.

-Yeah.

1:10:461:10:48

To do what we do,

1:10:481:10:49

it takes some people a week.

1:10:491:10:52

We're doing all of this stuff in five, six hours.

1:10:521:10:55

Coming up with the concept,

1:10:551:10:57

writing the script

1:10:571:10:59

and shooting the commercial,

1:10:591:11:00

and then editing the commercial,

1:11:001:11:02

so we're doing a lot in a short, short, short amount of time,

1:11:021:11:06

with no room for error.

1:11:061:11:07

Camera set?

1:11:071:11:09

Action.

1:11:091:11:10

THEY LAUGH

1:11:101:11:12

-Good.

-Great.

1:11:141:11:15

-Now, audio.

-Cut!

1:11:151:11:17

I'm going to go ahead and go to the edit studio

1:11:171:11:20

with Gary Busey. Lil Jon's directing,

1:11:201:11:23

and they just keep getting stuff done

1:11:231:11:25

and send it to me, and hopefully I can have it pretty much done

1:11:251:11:28

when they get there.

1:11:281:11:29

You've only got one minute to set this up.

1:11:291:11:31

I don't want this on my waist.

1:11:311:11:33

You're just going to have to put it...

1:11:331:11:34

Cos you won't see it. You're going to be on the couch.

1:11:341:11:37

I don't want it there.

1:11:371:11:38

It pulls funny and it's got a weird kind of thing.

1:11:381:11:40

I want to put it up on my bra.

1:11:401:11:42

Just put it next to the other one.

1:11:421:11:44

Marilu's saying she's trying to make

1:11:441:11:45

all these changes. I'm like,

1:11:451:11:47

"Marilu, no."

1:11:471:11:49

This light has got to fly in in 30 seconds or we're not going to

1:11:491:11:52

use it, like, for real.

1:11:521:11:54

"We've got to shoot this right now

1:11:541:11:55

"so you just get your little ice cream, eat it...

1:11:551:11:59

"and we're rolling the damn camera."

1:11:591:12:02

Three, two, one.

1:12:021:12:03

Roll!

1:12:031:12:05

What is that thing in the lower right-hand corner?

1:12:051:12:07

-That's the, uh...

-Oh, I see.

1:12:071:12:09

Do you want me closer?

1:12:091:12:10

-No, let's go over there.

-What? Oh, you're going to move.

1:12:101:12:14

Sit in the corner of the couch,

1:12:141:12:15

-like where you was at.

-Way back?

1:12:151:12:17

-Yeah.

-But I want to be able to get up easily.

1:12:171:12:19

-Don't you want me up?

-You don't have to get up.

1:12:191:12:22

I'm not dancing?!

1:12:221:12:23

-Well, I mean, I don't know how we're going to shoot it right there.

-OK.

1:12:231:12:27

I'm not about to be stressing over putting a couch

1:12:271:12:30

a little to the right or to the left.

1:12:301:12:32

Put a lamp. Put a lamp right here.

1:12:321:12:33

We didn't have a good lamp.

1:12:331:12:35

I think we're good on the intensity there.

1:12:351:12:36

We have nothing? No lamp?

1:12:361:12:38

Come on, Marilu, let's go!

1:12:381:12:39

We've got ten minutes. Let's shoot. Let's shoot.

1:12:391:12:42

That's good. Let's roll.

1:12:421:12:44

Marilu definitely gets caught up on tiny little details

1:12:441:12:48

that the average person is not going to see.

1:12:481:12:51

And that's a wrap on Marilu, and everybody else in this.

1:12:511:12:54

CHEERING AND APPLAUSE

1:12:541:12:56

Can I see the girls' positions?

1:12:591:13:01

Final looks.

1:13:011:13:02

-Lisa, we look good?

-Yeah.

1:13:021:13:04

38 years Penn and Teller

1:13:041:13:05

have been together.

1:13:051:13:08

To watch them work together

1:13:081:13:09

is mesmerising.

1:13:091:13:10

Presto!

1:13:101:13:12

So, to see Penn and Teller together

1:13:121:13:14

is seeing them in their greatness.

1:13:141:13:16

Let's reset and do it once more.

1:13:161:13:18

But now we've got it.

1:13:181:13:19

I need for the girls, just before he says "presto",

1:13:191:13:22

when he gets the ice cream...

1:13:221:13:24

What's the word before your "presto",

1:13:241:13:26

when you have the ice cream?

1:13:261:13:28

Say that line.

1:13:281:13:30

That's when he does the ice cream. T-Tsch!

1:13:301:13:32

Because I need for you guys...

1:13:321:13:34

When they see that, get ready for "presto".

1:13:341:13:36

Yeah, get ready for your cue.

1:13:361:13:38

Dennis and La Toya don't know the whole back tory

1:13:381:13:42

of Penn and Teller,

1:13:421:13:43

and they don't know that Teller doesn't speak.

1:13:431:13:46

Yeah. On "presto", as La Toya said,

1:13:461:13:49

you know, give us a "presto".

1:13:491:13:52

That's the whole thing. He never speaks.

1:13:521:13:55

They had no clue.

1:13:551:13:56

We are done on this set.

1:13:561:13:58

-Thank you all so much. I believe we are going over to edit.

-Oh.

1:13:581:14:02

He kills me the way he whispers all the time.

1:14:021:14:04

'I think Teller is so adorable.'

1:14:041:14:07

He reminds me of a little baby

1:14:071:14:09

because he never talks.

1:14:091:14:11

He just wants to...smile.

1:14:111:14:12

Just to be clear,

1:14:121:14:14

if you trust us on the edit,

1:14:141:14:16

you can be done for the day.

1:14:161:14:18

-It's up to you.

-Yeah. You're welcome to.

1:14:181:14:20

The decision to let Dennis head home was not a big decision.

1:14:201:14:24

Dennis wants to be dressed rather flamboyantly tomorrow.

1:14:241:14:27

I want to give him some time to do that.

1:14:271:14:30

And I'm thrilled that I did.

1:14:301:14:31

Are you always this quiet, Teller?

1:14:311:14:33

-Teller doesn't speak.

-What, he doesn't say a word?

-No!

1:14:331:14:36

-I learned that early on.

-You did?

-Mm-hm.

1:14:361:14:40

That gives Penn more time to speak.

1:14:401:14:42

It does that.

1:14:421:14:44

It's interesting that Teller never speaks

1:14:441:14:47

but Penn talks all the time,

1:14:471:14:49

so I think it's a dynamic

1:14:491:14:50

that works for them.

1:14:501:14:52

After all, it's been 30 years, hasn't it?

1:14:521:14:54

-Dennis is great.

-Yeah.

1:14:541:14:55

And then he has that incredible thing where he's able to turn

1:14:551:14:58

into Teller at will.

1:14:581:15:00

THEY LAUGH

1:15:001:15:02

I love how that happened.

1:15:021:15:03

'Cut!'

1:15:161:15:17

A very important part of the project is the editing.

1:15:171:15:21

Me in a task,

1:15:241:15:26

it's automatic, focus on the situation in hand.

1:15:261:15:31

You know I have those little black things that are about that long

1:15:311:15:33

and about that wide, and you go, "Tch!" And he goes,

1:15:331:15:35

"Eee-yee-yee!" and has a little tone on the top,

1:15:351:15:39

and you...

1:15:391:15:41

HE RAMBLES INCOHERENTLY

1:15:411:15:43

No more nose hair.

1:15:431:15:45

It's called scrambled eggs between the ears.

1:15:451:15:48

Man!

1:15:481:15:49

I feel like I can control Gary

1:15:491:15:52

about as good as anybody can control Gary, you know?

1:15:521:15:55

Am I not wanted any more?

1:15:551:15:57

If you're trying to make him do something he don't want to do,

1:15:571:15:59

you're going to have trouble.

1:15:591:16:01

-You want to go?

-Well, I'm ready.

1:16:011:16:04

-All right.

-Our job was in front of the camera.

1:16:061:16:08

Your job is in the back of the camera.

1:16:081:16:10

-All right.

-Trace, God bless you. Love you.

1:16:101:16:13

So, I had pretty much made my mind up that I was going to send

1:16:131:16:17

Gary home for the day.

1:16:171:16:19

-You're an excellent dancer.

-Thank you, sir.

1:16:191:16:21

GARY CHUCKLES

1:16:231:16:25

I've got a couple of phone calls that I need to make.

1:16:251:16:29

I'm concentrating on celebrities and donors

1:16:291:16:33

and selling these tickets.

1:16:331:16:35

This is going to be critical for me to get as many celebrities

1:16:381:16:42

and as much money as I possibly can,

1:16:421:16:45

because I'm going up against Penn Jillette,

1:16:451:16:47

and Penn has an extensive Rolodex,

1:16:471:16:50

knows everybody.

1:16:501:16:51

He works for Caesars, for God's sakes.

1:16:511:16:54

PHONE RINGS OUT

1:16:541:16:56

-You know what?

-BLEEP

-him, man.

1:16:561:16:59

If I don't at least match Penn

1:16:591:17:02

with the amount of money that he raises,

1:17:021:17:05

you know, I could lose again.

1:17:051:17:07

He ain't answering the damn phone.

1:17:071:17:10

Nice to see you again, sir.

1:17:151:17:17

Have you got everything loaded in?

1:17:171:17:18

-Yeah.

-We're heading to the edit suite now.

1:17:181:17:21

I feel really good about what we shot.

1:17:211:17:22

The second take of the wide shot,

1:17:221:17:24

I say "cut", and Dennis Rodman stands up.

1:17:241:17:29

'It's good! It's good!'

1:17:291:17:32

That's actually part of the bit.

1:17:321:17:34

Teller was perfect. Lisa was perfect. La Toya was perfect.

1:17:341:17:37

And Dennis was perfect. And I'd done a pretty good job.

1:17:371:17:40

I feel pretty good about it.

1:17:401:17:41

We're not planning on this taking a long time.

1:17:411:17:44

-It's pretty much laid out, won't you say?

-Yeah.

1:17:441:17:46

-Oh!

-So let's take that take,

1:17:461:17:48

pop in real tight on...

1:17:481:17:50

Your close-up, when you bring it up...

1:17:501:17:52

Yeah. And that's all I really need for close-ups, for sure.

1:17:521:17:56

Her crotch is too much.

1:17:561:17:59

-It

-BLEEP

-it up.

1:17:591:18:00

I mean, I love a bedazzled crotch more than anyone,

1:18:001:18:03

but I don't think it belongs with Walgreens.

1:18:031:18:06

-That's trouble right there.

-It's too prominent.

1:18:061:18:09

Just let me see it for a moment,

1:18:091:18:11

and then do a digital zoom

1:18:111:18:13

and come in tighter on that.

1:18:131:18:14

In order to get a shot of the sugar going in,

1:18:141:18:17

we had two spangled showgirl crotches behind us.

1:18:171:18:22

If you're going to do anything, you show the ice-cream container

1:18:221:18:25

-and that's it.

-Let's take that out and call that a bad idea.

1:18:251:18:28

That scene, well, to me, wonderful.

1:18:281:18:30

But maybe not exactly right for Good & Delish.

1:18:301:18:33

This is about to be hilarious.

1:18:381:18:40

Check this out. Look at Gary.

1:18:401:18:42

TRACE GUFFAWS

1:18:441:18:46

Gary had so many good reactions to eating the ice cream,

1:18:491:18:52

I kind of missed that.

1:18:521:18:53

Are you kidding me? This is what they want.

1:18:531:18:56

I always want the best for what we're doing.

1:18:561:18:58

Maybe there's a better take to sell the story.

1:18:581:19:01

I hear you, but we don't have that luxury.

1:19:011:19:05

We should get that good reaction, though.

1:19:051:19:07

Marilu, I hear you but we just don't have time of day for it.

1:19:071:19:10

That's the only thing I'm saying.

1:19:101:19:12

Marilu can get stuck in a groove,

1:19:121:19:15

like an old 33-and-a-third LP record.

1:19:151:19:19

Oh, that's weird. Did you see that?

1:19:191:19:21

And you...and you...and you...

1:19:211:19:25

We need lots of reaction.

1:19:251:19:26

-We've got a lot of stuff to do.

-OK. Fine, fine, fine.

1:19:261:19:30

You have to kind of bump the needle a little bit.

1:19:301:19:33

You've got to, "Pssh!", get her on past that.

1:19:331:19:35

I think that music makes it sound creepy.

1:19:351:19:37

Kids today have no idea what that reference means.

1:19:371:19:40

We get to the end of the day, I feel really good

1:19:451:19:48

about the commercial

1:19:481:19:49

because we achieved what we tried to achieve.

1:19:491:19:52

We came up with an entertaining piece.

1:19:521:19:55

THEY LAUGH

1:19:551:19:57

I can't afford to slack off

1:19:571:19:59

because we have to have an event to present this new ice-cream flavour

1:19:591:20:04

to the public.

1:20:041:20:06

You've never seen anybody happier than Gary was to go home

1:20:061:20:09

-a while ago.

-Aw.

1:20:091:20:11

-He was ready to go.

-When he sees this final product,

1:20:111:20:13

he's going to be like, "This was so worth it."

1:20:131:20:16

Wait till you see him sing Fade Away tomorrow night.

1:20:161:20:19

Um...

1:20:191:20:21

So I decided that using tomorrow night,

1:20:211:20:24

let him sing a Buddy Holly song

1:20:241:20:27

because I want people to just feel like dancing, cos that's our thing.

1:20:271:20:31

He may be just completely uncontrollable at that point.

1:20:311:20:35

I just hope he doesn't die.

1:20:351:20:38

It could be like his...

1:20:381:20:40

-Wow.

-Damn, Marilu, what's up with...

-Why do you have to go there?

1:20:401:20:45

Why do you have to...you know?

1:20:451:20:48

You could see this, like, blaze of glory.

1:20:481:20:50

'Gary is a brilliant actor,'

1:20:501:20:52

but he's not the kind of person

1:20:521:20:53

that you want to give a lot

1:20:531:20:55

of responsibility to.

1:20:551:20:56

We're ready.

1:20:561:20:58

Because you have no idea how it's going to turn out.

1:20:581:21:00

You did a great job, you guys.

1:21:001:21:02

So good. So, so good.

1:21:021:21:03

This is either going to be crazy good or just crazy.

1:21:031:21:06

All right. Good job.

1:21:061:21:07

-Good luck.

-Thank you.

1:21:071:21:09

By the time I grab the goblet, it has to be in one shot.

1:21:201:21:24

'It's good! It's good!'

1:21:261:21:28

And he drank it. That's so cute.

1:21:301:21:31

-Where are we now?

-1.12.

1:21:311:21:33

After we've cut it, it's put together.

1:21:381:21:40

We're timing it.

1:21:401:21:41

Something happened in that timing.

1:21:411:21:44

We're longer than 60 seconds. We're in trouble.

1:21:441:21:47

When it goes to the carton,

1:21:471:21:49

let's come back and take out...

1:21:491:21:51

We might be able to take out a second or two there.

1:21:511:21:53

We've got to cut it,

1:21:531:21:55

but to cut 12 seconds of a product,

1:21:551:21:58

of the shots that you've done?

1:21:581:22:00

Impossible.

1:22:001:22:01

1:09:15.

1:22:011:22:04

1:09:15?

1:22:041:22:05

OK. We've got to be under 60.

1:22:051:22:07

That's a lot to cut out.

1:22:071:22:09

We were sunk. Terrible.

1:22:091:22:10

We were long, and there was no way

1:22:101:22:12

to do that with little cutting.

1:22:121:22:14

And you have to play the magic kind of in one take.

1:22:141:22:18

When you've got magic,

1:22:181:22:20

if you move the camera this much,

1:22:201:22:22

if you cut once,

1:22:221:22:23

the entire house of cards falls apart.

1:22:231:22:27

So we... Big, big, big, big, big trouble,

1:22:271:22:30

when we're over, trying to go back to a minute.

1:22:301:22:33

I really, really want to win.

1:22:331:22:36

I want to win a real lot,

1:22:361:22:38

but you can't get that idea down to a minute. We're in trouble.

1:22:381:22:43

OK. We can take out...

1:22:431:22:45

We can go to product. We can go to close-up...

1:22:451:22:50

We're done.

1:22:501:22:52

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