Browse content similar to 17/01/1978. Check below for episodes and series from the same categories and more!
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MUSIC: The Honeysuckle And The Bee | 0:00:02 | 0:00:04 | |
# You are my honey, honeysuckle | 0:00:06 | 0:00:10 | |
# I am the bee | 0:00:10 | 0:00:14 | |
# I'd like to sip the honey sweet | 0:00:14 | 0:00:18 | |
# From those red lips you see | 0:00:18 | 0:00:21 | |
# I love you dearly, dearly | 0:00:21 | 0:00:25 | |
# And I want you to love me | 0:00:25 | 0:00:29 | |
# You are my honey, honeysuckle | 0:00:29 | 0:00:33 | |
# I am the bee. # | 0:00:33 | 0:00:38 | |
FANFARE PLAYS | 0:00:42 | 0:00:47 | |
CHEERING | 0:00:47 | 0:00:49 | |
Once again, | 0:00:57 | 0:00:59 | |
good evening, ladies and gentlemen! | 0:00:59 | 0:01:04 | |
-AUDIENCE: -Good evening! | 0:01:04 | 0:01:06 | |
Kinetiscopically... | 0:01:07 | 0:01:10 | |
Ooh... | 0:01:10 | 0:01:11 | |
..cosmopolitan... | 0:01:11 | 0:01:13 | |
LAUGHTER | 0:01:13 | 0:01:14 | |
Our kaleidoscopic carnivalia... | 0:01:14 | 0:01:17 | |
CHEERING | 0:01:17 | 0:01:18 | |
That means "hurly-burly". | 0:01:20 | 0:01:23 | |
LAUGHTER | 0:01:23 | 0:01:25 | |
Formidable, farouche, frenetique - | 0:01:25 | 0:01:30 | |
the Players' Theatre! | 0:01:30 | 0:01:33 | |
MUSIC: Offenbach's Can Can | 0:01:40 | 0:01:44 | |
# I'd like to go again | 0:02:22 | 0:02:24 | |
# To Paris on the Seine | 0:02:24 | 0:02:25 | |
# For Paris is a proper pantomime | 0:02:25 | 0:02:28 | |
# And if they'd only take the 'Ackney Road and plant it over there | 0:02:28 | 0:02:32 | |
# I'd like to be in Paris all the time | 0:02:32 | 0:02:34 | |
# La-la-la-la-la-la-la-la-la | 0:02:36 | 0:02:39 | |
# Paris is a pantomime | 0:02:39 | 0:02:42 | |
# La-la-la-la-la-la-la-la-la | 0:02:42 | 0:02:44 | |
# I'd like to be in Paris all the time | 0:02:46 | 0:02:49 | |
# The continon, the continon | 0:02:49 | 0:02:51 | |
# That very, very place, Marie | 0:02:51 | 0:02:53 | |
# And I'm so glad that dear old Dad | 0:02:53 | 0:02:54 | |
# He took me there to see | 0:02:54 | 0:02:56 | |
# The madames all sweet with pretty little feet | 0:02:56 | 0:02:58 | |
# They smile as you trip along | 0:02:58 | 0:03:00 | |
# I didn't know what he was doing for me | 0:03:00 | 0:03:02 | |
# When he took me to the continon | 0:03:02 | 0:03:03 | |
INSTRUMENTAL | 0:03:03 | 0:03:06 | |
# I didn't know what he was doing for me | 0:03:14 | 0:03:15 | |
# When he took me to the continon | 0:03:15 | 0:03:17 | |
# Parisienne | 0:03:22 | 0:03:26 | |
# It's a lover's dance And I'll find romance | 0:03:26 | 0:03:29 | |
# Parisienne | 0:03:29 | 0:03:33 | |
# Oh, I love it so I don't want to go | 0:03:33 | 0:03:34 | |
# We won't stop to take a rest | 0:03:36 | 0:03:39 | |
# I know you can stand the test | 0:03:39 | 0:03:40 | |
# Watch the couples slide | 0:03:42 | 0:03:44 | |
# See them as they glide | 0:03:44 | 0:03:45 | |
# While they're swaying they are saying | 0:03:45 | 0:03:48 | |
# Parisienne | 0:03:49 | 0:03:52 | |
# Watch the couples slide See them as they glide | 0:03:52 | 0:03:55 | |
# Parisienne | 0:03:55 | 0:03:59 | |
# Hear that sweet refrain There it goes again | 0:03:59 | 0:04:02 | |
# You can have your turkey trot and grizzly bear | 0:04:02 | 0:04:05 | |
# If you love Parisienne I won't care | 0:04:05 | 0:04:08 | |
# Most everybody's dancing it | 0:04:08 | 0:04:12 | |
# Everybody's dancing it. # | 0:04:15 | 0:04:18 | |
MUSIC: Offenbach's Can Can | 0:04:22 | 0:04:24 | |
APPLAUSE | 0:04:50 | 0:04:51 | |
Now will you go home and practise? | 0:05:05 | 0:05:07 | |
LAUGHTER | 0:05:07 | 0:05:08 | |
Impudent ambiguities, | 0:05:08 | 0:05:11 | |
disarming dubieties, | 0:05:11 | 0:05:14 | |
incorrigible innuendo incarnate! | 0:05:14 | 0:05:20 | |
Who, but the one and only | 0:05:20 | 0:05:22 | |
Mr John Inman? | 0:05:22 | 0:05:24 | |
CHEERING | 0:05:24 | 0:05:26 | |
MUSIC: With My Little Wigger-wagger | 0:05:28 | 0:05:30 | |
# There's one thing about me There's no doubt | 0:05:38 | 0:05:41 | |
# I look a masher when I'm walking out | 0:05:42 | 0:05:45 | |
# People stare and I don't know why | 0:05:45 | 0:05:47 | |
# Perhaps it is because I wear a collar and a tie | 0:05:49 | 0:05:51 | |
# No joke, my poke Though a trifle red | 0:05:52 | 0:05:56 | |
# Doesn't make them look at me a lot | 0:05:56 | 0:05:58 | |
# But there's one thing people seem to think quite funny | 0:05:59 | 0:06:02 | |
# And I'll tell you what it is Just what | 0:06:02 | 0:06:05 | |
# It's me... | 0:06:07 | 0:06:09 | |
# Little wigger-wagger in me hand | 0:06:09 | 0:06:11 | |
# That makes me such a dandy | 0:06:13 | 0:06:16 | |
# It's not my strut Nor my face, tut tut | 0:06:16 | 0:06:19 | |
# Nor me brand-new cady Like a pimple on my nut | 0:06:20 | 0:06:23 | |
# Maidies and the ladies | 0:06:24 | 0:06:27 | |
# I meet when I am walking in the Strand | 0:06:27 | 0:06:29 | |
# They all look at me And I shout "I'm free" | 0:06:31 | 0:06:33 | |
# Cos I've me little wigger-wagger in me hand | 0:06:34 | 0:06:39 | |
# Dee da... | 0:06:39 | 0:06:40 | |
# While down on the beach in Margate way | 0:06:45 | 0:06:47 | |
# I took a swim in Pegwell Bay | 0:06:49 | 0:06:53 | |
# Left my clothes on the sandy beach | 0:06:53 | 0:06:56 | |
# I put them where I reckoned that the water wouldn't reach | 0:06:56 | 0:07:00 | |
# Long stroke, side stroke I began to swim | 0:07:00 | 0:07:03 | |
# Bobbing in the water like a boat | 0:07:03 | 0:07:07 | |
# And on my cane I tied a pair of bladders | 0:07:07 | 0:07:09 | |
# Just keep me up and make me float | 0:07:10 | 0:07:12 | |
# With me... # | 0:07:15 | 0:07:17 | |
Wait for it, wait for it! | 0:07:18 | 0:07:19 | |
# With me... | 0:07:21 | 0:07:24 | |
# Little wigger-wagger in my hand | 0:07:24 | 0:07:25 | |
# I left the salt seawater | 0:07:27 | 0:07:31 | |
# I felt a jay cos to my dismay | 0:07:31 | 0:07:35 | |
# The tide had carried all my toggery away! | 0:07:35 | 0:07:37 | |
# I there felt a pie there | 0:07:38 | 0:07:42 | |
# For all the girls were standing on the sand | 0:07:42 | 0:07:45 | |
# As I left the sea They all shouted, "Are you free?" | 0:07:45 | 0:07:48 | |
# Cos I'd me little wigger-wagger in me hand! | 0:07:48 | 0:07:52 | |
# With my little wigger-wagger in my hand | 0:07:52 | 0:07:56 | |
# By George, I'm such a dandy | 0:07:56 | 0:07:59 | |
# It's not my strut Nor my face, tut tut | 0:07:59 | 0:08:03 | |
# Nor me brand-new cady Like a pimple on my nut | 0:08:03 | 0:08:05 | |
# Ladies and the maidies | 0:08:07 | 0:08:10 | |
# I meet when I am walking in the Strand | 0:08:10 | 0:08:12 | |
# They all look at me And I shout, "I'm free" | 0:08:13 | 0:08:16 | |
# Cos I've me little wigger-wagger in me hand. # | 0:08:17 | 0:08:20 | |
I promise you, you will have Mr John Inman later on in the programme. | 0:08:34 | 0:08:38 | |
But now, | 0:08:38 | 0:08:40 | |
continentally contributory, | 0:08:40 | 0:08:41 | |
implementing implausibility with... | 0:08:42 | 0:08:45 | |
Ooh...! | 0:08:45 | 0:08:46 | |
..implausibility with immaculacy, | 0:08:46 | 0:08:49 | |
a transcendent tour de force, | 0:08:49 | 0:08:52 | |
of prestidigitational... | 0:08:52 | 0:08:54 | |
Ooh! | 0:08:54 | 0:08:56 | |
..legerdemain. | 0:08:56 | 0:08:59 | |
Tricks! | 0:08:59 | 0:09:00 | |
LAUGHTER | 0:09:00 | 0:09:01 | |
From Poland, | 0:09:01 | 0:09:02 | |
Salvano! | 0:09:02 | 0:09:04 | |
FANFARE AND APPLAUSE | 0:09:04 | 0:09:07 | |
BAND PLAYS INSTRUMENTAL | 0:09:13 | 0:09:17 | |
APPLAUSE | 0:10:15 | 0:10:17 | |
APPLAUSE | 0:10:32 | 0:10:35 | |
APPLAUSE | 0:10:51 | 0:10:54 | |
MUSIC BECOMES MORE UPBEAT | 0:11:13 | 0:11:15 | |
APPLAUSE | 0:11:37 | 0:11:38 | |
Voila. | 0:11:44 | 0:11:46 | |
Another way. | 0:11:46 | 0:11:47 | |
Another way, now. | 0:11:47 | 0:11:48 | |
A special way. | 0:11:49 | 0:11:50 | |
DRUMROLL | 0:12:40 | 0:12:44 | |
Cheers. Zum wohl. | 0:12:49 | 0:12:51 | |
A votre sante. Salute. | 0:12:51 | 0:12:52 | |
Na zdrowie. | 0:12:52 | 0:12:54 | |
This, here. | 0:12:54 | 0:12:55 | |
Horrible. | 0:12:57 | 0:12:58 | |
Want to try it? No? | 0:13:03 | 0:13:04 | |
Sedulous celebrant of seasonal festivities... | 0:14:47 | 0:14:53 | |
Ooh! | 0:14:53 | 0:14:54 | |
Palpably pneumatic | 0:14:55 | 0:14:58 | |
in amplitudinous principal-boy plumaciousness. | 0:14:58 | 0:15:04 | |
Hooray! | 0:15:04 | 0:15:06 | |
Miss Norma Dunbar! | 0:15:06 | 0:15:09 | |
APPLAUSE | 0:15:09 | 0:15:11 | |
MUSIC: Daisy Bell by Harry Dacre | 0:15:11 | 0:15:13 | |
-OPERATIC TONE: -# There is a flower within my heart | 0:15:24 | 0:15:29 | |
# Daisy, Daisy | 0:15:29 | 0:15:34 | |
# Planted one day by a glancing dart | 0:15:34 | 0:15:38 | |
# Planted by Daisy Bell | 0:15:38 | 0:15:42 | |
# Whether she loves me Or loves me not | 0:15:43 | 0:15:48 | |
# Sometimes it's hard to tell | 0:15:48 | 0:15:53 | |
# Yet I am longing to share the lot | 0:15:53 | 0:15:58 | |
# Of beautiful Daisy Bell | 0:15:58 | 0:16:05 | |
-BELTING IN COCKNEY ACCENT: -# Daisy, Daisy | 0:16:06 | 0:16:11 | |
# Give me your answer, do | 0:16:11 | 0:16:13 | |
AUDIENCE JOINS IN | 0:16:13 | 0:16:15 | |
# I'm half crazy | 0:16:16 | 0:16:21 | |
# All for the love of you | 0:16:21 | 0:16:25 | |
# It won't be a stylish marriage | 0:16:25 | 0:16:30 | |
# I can't afford a carriage | 0:16:30 | 0:16:35 | |
# But you'll look sweet upon the seat | 0:16:35 | 0:16:40 | |
# Of a bicycle built for two | 0:16:40 | 0:16:44 | |
-OPERATIC TONE: -# I will stand by you | 0:16:49 | 0:16:53 | |
# In wheel or woe | 0:16:53 | 0:16:54 | |
# Daisy, Daisy | 0:16:54 | 0:16:59 | |
# You'll be the bell which I'll ring you know | 0:16:59 | 0:17:04 | |
# My beautiful Daisy Bell | 0:17:04 | 0:17:08 | |
# You'll take the lead in each trip we take | 0:17:08 | 0:17:14 | |
# Then if I don't do well | 0:17:14 | 0:17:18 | |
# I will permit you to use the brake | 0:17:18 | 0:17:23 | |
# My beautiful Daisy | 0:17:23 | 0:17:27 | |
# Bell... | 0:17:27 | 0:17:35 | |
-BELTING IN COCKNEY ACCENT AGAIN: -# Daisy, Daisy | 0:17:38 | 0:17:43 | |
# Give me your answer, do... # | 0:17:43 | 0:17:45 | |
AUDIENCE JOINS IN | 0:17:45 | 0:17:46 | |
Mr Chairman! | 0:17:46 | 0:17:48 | |
# I'm half crazy... # | 0:17:48 | 0:17:52 | |
Hello, darlin'! | 0:17:52 | 0:17:53 | |
AUDIENCE CONTINUES TO SING | 0:17:53 | 0:17:54 | |
Here, Mr Chairman, look at this lovely daisy I found! Ooh! | 0:17:54 | 0:17:58 | |
# It won't be a stylish marriage | 0:17:58 | 0:18:02 | |
# I can't afford... # | 0:18:02 | 0:18:04 | |
Coo-ee! | 0:18:04 | 0:18:05 | |
# ..a carriage | 0:18:05 | 0:18:07 | |
# But you'll look sweet upon the seat | 0:18:07 | 0:18:12 | |
# Of a bicycle built for two... # | 0:18:12 | 0:18:15 | |
Altogether now! | 0:18:15 | 0:18:17 | |
# Daisy, Daisy | 0:18:17 | 0:18:22 | |
# Give me your answer, do... # | 0:18:22 | 0:18:25 | |
Well, let's hear you! | 0:18:25 | 0:18:27 | |
# I'm half crazy... # | 0:18:27 | 0:18:30 | |
Lovely! | 0:18:30 | 0:18:32 | |
# All for the love of you | 0:18:32 | 0:18:36 | |
# It won't be a stylish marriage | 0:18:36 | 0:18:41 | |
# I can't afford a carriage | 0:18:41 | 0:18:46 | |
# But you'll look sweet upon the seat | 0:18:46 | 0:18:50 | |
# Of a bicycle built for two. # | 0:18:50 | 0:18:58 | |
CHEERING AND APPLAUSE | 0:18:58 | 0:19:01 | |
You see... | 0:19:13 | 0:19:15 | |
LAUGHTER | 0:19:15 | 0:19:17 | |
Principal boys aren't born. | 0:19:17 | 0:19:20 | |
LAUGHTER | 0:19:20 | 0:19:21 | |
They're built! | 0:19:21 | 0:19:22 | |
LAUGHTER | 0:19:22 | 0:19:23 | |
Verisimilitudinous... | 0:19:26 | 0:19:28 | |
Ooh... | 0:19:28 | 0:19:30 | |
It just means life-like. | 0:19:30 | 0:19:31 | |
LAUGHTER | 0:19:31 | 0:19:33 | |
Like you. | 0:19:33 | 0:19:34 | |
..ventriloquacity. | 0:19:36 | 0:19:38 | |
Engagingly endearing ornithological anthropomorphism. | 0:19:38 | 0:19:45 | |
LAUGHTER | 0:19:45 | 0:19:47 | |
A talking bird. | 0:19:48 | 0:19:50 | |
LAUGHTER | 0:19:50 | 0:19:51 | |
Mr Keith Harris! | 0:19:51 | 0:19:54 | |
CHEERING AND APPLAUSE | 0:19:54 | 0:19:56 | |
Thank you very, very much indeed. Good evening, ladies and gentlemen. | 0:20:06 | 0:20:09 | |
I found... | 0:20:09 | 0:20:11 | |
Yes. | 0:20:11 | 0:20:13 | |
Believe it or not, I found this little bird, here, | 0:20:13 | 0:20:16 | |
outside the stage door and he said can he come in because, you see, | 0:20:16 | 0:20:19 | |
he wants to be in showbusiness. | 0:20:19 | 0:20:20 | |
-AUDIENCE: -Aww! -Yes. | 0:20:20 | 0:20:22 | |
I think he's rather shy, | 0:20:22 | 0:20:24 | |
but I'll get him to turn round and have a look at you. Just a minute. | 0:20:24 | 0:20:26 | |
Will you turn round and have a look? | 0:20:26 | 0:20:28 | |
I can't. | 0:20:28 | 0:20:29 | |
LAUGHTER | 0:20:29 | 0:20:30 | |
You can't? | 0:20:32 | 0:20:33 | |
I can't. | 0:20:33 | 0:20:35 | |
Why not? | 0:20:35 | 0:20:36 | |
They...they're laughing at me. | 0:20:36 | 0:20:39 | |
No, they're not laughing at you. | 0:20:39 | 0:20:41 | |
I heard them. | 0:20:41 | 0:20:42 | |
Look, it's all right. Come on, turn around and have a look. | 0:20:42 | 0:20:45 | |
He's a little bit shy. Turn around. | 0:20:45 | 0:20:46 | |
-I'll have a look, then. -Have a look. | 0:20:46 | 0:20:48 | |
-AUDIENCE: -Aww! | 0:20:48 | 0:20:49 | |
They're laughing now! | 0:20:51 | 0:20:53 | |
Oh, come on, come on. | 0:20:53 | 0:20:55 | |
He's very shy, very shy. | 0:20:55 | 0:20:56 | |
Look, it's all right. Come on. You see? | 0:20:56 | 0:20:58 | |
Now, what's your name? | 0:20:58 | 0:20:59 | |
-Pardon? -What's your name? | 0:20:59 | 0:21:01 | |
-Orville. -Orville? -Yes. | 0:21:01 | 0:21:03 | |
I see. And what are you going to do, Orville, for all the ladies and | 0:21:03 | 0:21:06 | |
gentlemen, now you're here? What would you like to do? | 0:21:06 | 0:21:08 | |
I-I'm going to do some impressions. | 0:21:08 | 0:21:10 | |
Impressions? | 0:21:10 | 0:21:12 | |
-Yes. -Yes, I see. | 0:21:12 | 0:21:14 | |
Erm, who... | 0:21:14 | 0:21:15 | |
-They're laughing with us. -Yes, we know. | 0:21:16 | 0:21:18 | |
Who are you going to do your impressions of? | 0:21:20 | 0:21:23 | |
Percy Edwards. | 0:21:23 | 0:21:25 | |
LAUGHTER | 0:21:25 | 0:21:26 | |
Yes...Percy Edwards. | 0:21:26 | 0:21:29 | |
All right... | 0:21:29 | 0:21:30 | |
You mean you're going to do some bird impressions, are you? | 0:21:35 | 0:21:37 | |
-I'd like to. -You would? | 0:21:37 | 0:21:39 | |
-Yeah. -Yes, all right. Well, you can. | 0:21:39 | 0:21:41 | |
-Thank you. -Yes. | 0:21:41 | 0:21:44 | |
Ladies and gentlemen, Orville will now do his bird impressions. | 0:21:44 | 0:21:47 | |
-Go on, then. -Are you ready? -Yeah. | 0:21:47 | 0:21:49 | |
-First one. -First one. -Yeah. -Yeah. | 0:21:49 | 0:21:51 | |
LOUD GULP | 0:21:52 | 0:21:53 | |
LAUGHTER | 0:21:53 | 0:21:55 | |
-Is that it? -Yes. | 0:21:55 | 0:21:56 | |
What was that? | 0:21:57 | 0:21:58 | |
A swallow. | 0:21:58 | 0:21:59 | |
A swallow? | 0:22:02 | 0:22:03 | |
Yes, that was a very good impression. | 0:22:08 | 0:22:09 | |
-Did, did you like it? -I liked it, yes. | 0:22:09 | 0:22:12 | |
W-where's my prize? | 0:22:12 | 0:22:14 | |
LAUGHTER | 0:22:14 | 0:22:16 | |
Where's what? | 0:22:16 | 0:22:17 | |
Where's my prize? | 0:22:17 | 0:22:18 | |
-Your prize? -Yes. | 0:22:18 | 0:22:20 | |
Well, you don't get a prize for doing that. | 0:22:20 | 0:22:23 | |
I...I-I thought you did. | 0:22:23 | 0:22:25 | |
LAUGHTER | 0:22:25 | 0:22:27 | |
Oh, no, sorry. No prizes. | 0:22:27 | 0:22:30 | |
-Oh... -No, no. | 0:22:30 | 0:22:31 | |
Aww... | 0:22:31 | 0:22:32 | |
You see, you see... | 0:22:32 | 0:22:34 | |
-What? -You see, | 0:22:34 | 0:22:35 | |
if you want to do something better... | 0:22:35 | 0:22:38 | |
Why don't you do some flying? That would be marvellous. | 0:22:38 | 0:22:40 | |
You could fly around the theatre, here. | 0:22:40 | 0:22:42 | |
You could fly all around here, you see? You could do some aerobatics, | 0:22:42 | 0:22:45 | |
and that would be fantastic... | 0:22:45 | 0:22:47 | |
-No? -I can't. | 0:22:47 | 0:22:48 | |
You can't? | 0:22:49 | 0:22:51 | |
-I can't. -You can't...you can't what? | 0:22:51 | 0:22:53 | |
Fly. | 0:22:53 | 0:22:55 | |
Aww... | 0:22:55 | 0:22:57 | |
I can't! | 0:22:57 | 0:22:58 | |
I can't! | 0:23:02 | 0:23:03 | |
-You can't? -No. | 0:23:07 | 0:23:09 | |
But how did you get here from London? | 0:23:09 | 0:23:11 | |
-I walked. -Did you? | 0:23:11 | 0:23:13 | |
Walked! | 0:23:13 | 0:23:15 | |
Where's my prize? | 0:23:15 | 0:23:16 | |
-You don't get a prize. -No. | 0:23:16 | 0:23:18 | |
But I'll tell you what I can do. I can't give you a prize, but listen - | 0:23:18 | 0:23:21 | |
I can teach you how to fly. Would you like to? | 0:23:21 | 0:23:23 | |
-I'd like that. -OK. | 0:23:23 | 0:23:24 | |
-Thank you very muchly. -All right. | 0:23:24 | 0:23:26 | |
All you've got to do - it's very simple - | 0:23:26 | 0:23:28 | |
you just flap your wings. Go on, flap your wings. | 0:23:28 | 0:23:30 | |
-I will. -Go on, then. That's it. | 0:23:30 | 0:23:31 | |
Aww! | 0:23:31 | 0:23:32 | |
-You see, Orville? -Yeah? | 0:23:32 | 0:23:34 | |
You've got to do it faster. | 0:23:34 | 0:23:36 | |
-Faster? -Yes. -I will. -Go on, then. That's it. | 0:23:36 | 0:23:39 | |
That's it, go on! | 0:23:39 | 0:23:40 | |
Faster, faster! | 0:23:40 | 0:23:42 | |
ORVILLE PANTS | 0:23:42 | 0:23:44 | |
-What? -I'm out of puff now! | 0:23:44 | 0:23:46 | |
LAUGHTER | 0:23:46 | 0:23:48 | |
Out of puff! | 0:23:48 | 0:23:49 | |
-Yeah. -Look, it's all right. | 0:23:49 | 0:23:51 | |
Come on - look, you flap those wings. I've got hold of you. | 0:23:51 | 0:23:53 | |
I've got hold of your, your... | 0:23:53 | 0:23:54 | |
Well, I've got hold of you, anyway. | 0:23:54 | 0:23:56 | |
I'm going to take my hand away, OK? | 0:23:56 | 0:23:58 | |
-OK. -That's it - flap those wings and I will take my hand away. | 0:23:58 | 0:24:01 | |
Are you ready? Here we go! | 0:24:01 | 0:24:03 | |
Waa... | 0:24:03 | 0:24:04 | |
Wahey! | 0:24:04 | 0:24:05 | |
Yeah, I flew! | 0:24:13 | 0:24:16 | |
Yes, and I took my hand away. | 0:24:17 | 0:24:18 | |
It's a good job you didn't take your other hand away, wasn't it? | 0:24:18 | 0:24:22 | |
Ha-ha! You flew. | 0:24:22 | 0:24:25 | |
Where's my prize now? | 0:24:25 | 0:24:27 | |
Listen, you must be very pleased - | 0:24:27 | 0:24:29 | |
you can go home now and you can tell all your friends you can fly. | 0:24:29 | 0:24:32 | |
And you can tell your mummy and daddy you can fly, | 0:24:32 | 0:24:34 | |
-and just think how happy they'll be, won't they? -Aww... | 0:24:34 | 0:24:37 | |
No. | 0:24:37 | 0:24:39 | |
But, but... | 0:24:39 | 0:24:40 | |
-Why not? -I can't. | 0:24:40 | 0:24:42 | |
You can't tell them? | 0:24:42 | 0:24:43 | |
No. | 0:24:43 | 0:24:45 | |
And why can't you tell your mummy and daddy that you can fly? | 0:24:45 | 0:24:48 | |
Cos I ha-haven't got a mummy or daddy... | 0:24:48 | 0:24:51 | |
Aww...! | 0:24:51 | 0:24:53 | |
You, you... | 0:24:55 | 0:24:56 | |
You haven't got a mummy or daddy? | 0:24:56 | 0:24:59 | |
No. | 0:24:59 | 0:25:00 | |
No? | 0:25:00 | 0:25:01 | |
No. | 0:25:01 | 0:25:03 | |
-No friends? -No. | 0:25:03 | 0:25:05 | |
-No. -Aww... | 0:25:05 | 0:25:07 | |
I-I-I've got no-one to phone. | 0:25:07 | 0:25:10 | |
-No-one to pho...? -LAUGHTER | 0:25:10 | 0:25:13 | |
No. | 0:25:17 | 0:25:19 | |
-And no friends? -No friends. | 0:25:19 | 0:25:22 | |
No mummy. | 0:25:22 | 0:25:23 | |
-No mummy. -Aww! | 0:25:23 | 0:25:25 | |
No daddy. | 0:25:25 | 0:25:26 | |
Aww! | 0:25:26 | 0:25:28 | |
-In fact... -Yes? | 0:25:28 | 0:25:30 | |
..I'm nobody's child. | 0:25:30 | 0:25:32 | |
Aww... | 0:25:32 | 0:25:33 | |
You tell us all about it. | 0:25:34 | 0:25:37 | |
-I will. -Come on. | 0:25:37 | 0:25:38 | |
# I'm nobody's child | 0:25:40 | 0:25:44 | |
# I'm nobody's child | 0:25:44 | 0:25:47 | |
# I'm like a flower | 0:25:49 | 0:25:52 | |
# I'm, I'm just growing wild | 0:25:52 | 0:25:55 | |
# Oh, no daddy's kisses | 0:25:56 | 0:26:00 | |
# And no mummy's smile | 0:26:00 | 0:26:04 | |
# You see, nobody loves me... # | 0:26:04 | 0:26:07 | |
Don't they? | 0:26:07 | 0:26:08 | |
# Cos I'm, I'm nobody's child. # | 0:26:08 | 0:26:12 | |
Listen, come on. | 0:26:12 | 0:26:13 | |
I tell you what - look, we'll all try and sing it... | 0:26:13 | 0:26:15 | |
We'll all sing it with him, eh? | 0:26:15 | 0:26:17 | |
Make him feel better. | 0:26:17 | 0:26:18 | |
# He's nobody's child... # | 0:26:21 | 0:26:24 | |
ORVILLE WHIMPERS | 0:26:24 | 0:26:26 | |
# He's nobody's child | 0:26:26 | 0:26:29 | |
Just like a flower... | 0:26:29 | 0:26:30 | |
# Just like a flower | 0:26:30 | 0:26:33 | |
I'm growing wild. | 0:26:33 | 0:26:34 | |
# He's growing wild | 0:26:34 | 0:26:37 | |
Nobody loves me. | 0:26:37 | 0:26:39 | |
# Nobody wants him | 0:26:39 | 0:26:42 | |
And nobody's smile. | 0:26:42 | 0:26:44 | |
# And nobody's smile | 0:26:44 | 0:26:46 | |
You see, nobody loves me. | 0:26:46 | 0:26:48 | |
# Nobody loves him | 0:26:48 | 0:26:50 | |
Cos I'm... | 0:26:50 | 0:26:52 | |
# He's nobody's child. # | 0:26:52 | 0:26:55 | |
ORVILLE WHIMPERS | 0:26:55 | 0:26:56 | |
It's all right now, Come on. | 0:26:56 | 0:26:58 | |
I'm sure everybody here - you all love him, don't you? | 0:26:58 | 0:27:00 | |
-AUDIENCE: -Yes! | 0:27:00 | 0:27:02 | |
-Did you hear that? -Well... | 0:27:02 | 0:27:04 | |
# Somebody loves me | 0:27:04 | 0:27:08 | |
# I'm somebody's child. # | 0:27:08 | 0:27:14 | |
CHEERING AND APPLAUSE | 0:27:14 | 0:27:17 | |
Thank you. | 0:27:18 | 0:27:19 | |
Superlatively sophisticate | 0:27:34 | 0:27:37 | |
in a sartorial... | 0:27:37 | 0:27:39 | |
Ooh... | 0:27:39 | 0:27:41 | |
(Clothing.) | 0:27:41 | 0:27:42 | |
..spectacle of synchronised | 0:27:42 | 0:27:46 | |
simultaneity. | 0:27:46 | 0:27:47 | |
CHEERING | 0:27:47 | 0:27:48 | |
That dashing duplicity, | 0:27:48 | 0:27:51 | |
Messrs Ray and Tutor Davies! | 0:27:51 | 0:27:55 | |
APPLAUSE | 0:27:55 | 0:27:57 | |
MUSIC: Elegance by Jerry Herman | 0:27:57 | 0:28:00 | |
# Have you noticed when I doff my hat my air remains quite bold? | 0:28:03 | 0:28:09 | |
# Have you noticed when I check my cuffs the studs are made of gold? | 0:28:09 | 0:28:15 | |
-# Have you noticed? -Yes I've noticed | 0:28:15 | 0:28:18 | |
# We have no need to be told that... | 0:28:18 | 0:28:23 | |
# We've got elegance | 0:28:23 | 0:28:25 | |
# We've got built in elegance | 0:28:25 | 0:28:28 | |
# And with elegance, elegance | 0:28:28 | 0:28:32 | |
# We're gonna carry it off! | 0:28:34 | 0:28:35 | |
# Here we are The two of us | 0:28:41 | 0:28:43 | |
# Won't be long Before you're through with us | 0:28:43 | 0:28:46 | |
# We live life in the vernacular | 0:28:46 | 0:28:49 | |
# Every day is quite spectacular | 0:28:49 | 0:28:52 | |
# What a thrill To be with us | 0:28:52 | 0:28:55 | |
# People queue just to have tea with us | 0:28:55 | 0:28:58 | |
# We've got elegance | 0:28:58 | 0:29:00 | |
# Without style and elegance | 0:29:00 | 0:29:03 | |
# You will never ever carry it off | 0:29:03 | 0:29:07 | |
# All who are well-bred agree Little Ray | 0:29:12 | 0:29:17 | |
# Has pedigree | 0:29:17 | 0:29:18 | |
# Even though our father drives a bus | 0:29:18 | 0:29:21 | |
# Silver spoons were used for feeding us | 0:29:21 | 0:29:24 | |
# We have got What's known as chic | 0:29:24 | 0:29:27 | |
# Do it all on three and six a week | 0:29:27 | 0:29:30 | |
# We've got elegance | 0:29:30 | 0:29:32 | |
# Without style and elegance | 0:29:32 | 0:29:35 | |
# You will never ever carry it off | 0:29:35 | 0:29:39 | |
# Have you noticed when I hold my cup my finger never moves? | 0:30:33 | 0:30:38 | |
# And the way I keep my pinky up indubitably proves | 0:30:38 | 0:30:44 | |
# That... | 0:30:44 | 0:30:46 | |
# We've got elegance | 0:30:46 | 0:30:47 | |
# We've got built in elegance | 0:30:48 | 0:30:50 | |
# And with elegance, elegance Elegance, elegance, elegance | 0:30:51 | 0:30:56 | |
# We're gonna carry it | 0:30:56 | 0:30:59 | |
# Yes, we'll even marry it | 0:30:59 | 0:31:02 | |
# If we can get it retail We're prepared to cash and carry it | 0:31:02 | 0:31:08 | |
# We can carry it | 0:31:08 | 0:31:11 | |
# Off! # | 0:31:11 | 0:31:17 | |
Perambulatory... | 0:31:36 | 0:31:38 | |
-AUDIENCE: -Ooh! | 0:31:38 | 0:31:39 | |
..peripatetic peregrinatory... | 0:31:39 | 0:31:42 | |
Ooh! | 0:31:42 | 0:31:44 | |
..pedestrianism. | 0:31:44 | 0:31:45 | |
LAUGHTER | 0:31:45 | 0:31:47 | |
Hiking. LAUGHTER | 0:31:47 | 0:31:49 | |
Once again, | 0:31:49 | 0:31:50 | |
Mr John Inman! | 0:31:50 | 0:31:53 | |
CHEERING AND APPLAUSE | 0:31:53 | 0:31:55 | |
MUSIC: Who's Your Lady Friend? by Robert Stolz | 0:31:55 | 0:31:58 | |
LAUGHTER | 0:32:05 | 0:32:08 | |
HE BELCHES | 0:32:18 | 0:32:19 | |
Oh, no - I think there's one or two more of them...left in there. | 0:32:23 | 0:32:28 | |
Ee, I've had a time, do you know? I have. | 0:32:28 | 0:32:30 | |
I haven't passed one pub from here to Batley. | 0:32:30 | 0:32:32 | |
Straight in, I was. | 0:32:32 | 0:32:33 | |
I'm the daddy of all the hikers, you know? I'm 82. | 0:32:37 | 0:32:40 | |
HE LAUGHS | 0:32:40 | 0:32:41 | |
82. I would have been 83, but me father were a bit shy. | 0:32:43 | 0:32:46 | |
How can you look so clean and laugh so dirty? | 0:32:56 | 0:32:58 | |
LAUGHTER | 0:32:58 | 0:33:01 | |
APPLAUSE | 0:33:01 | 0:33:05 | |
HE BELCHES | 0:33:11 | 0:33:12 | |
I went in the pub. I said to the landlord, I said, | 0:33:14 | 0:33:17 | |
"That beer's a bit thin." He said, | 0:33:17 | 0:33:18 | |
"Aye, you'd be thin if you'd come up same pipe as this has." | 0:33:18 | 0:33:24 | |
Ee... | 0:33:24 | 0:33:26 | |
Oh, he were a grand fellow, my dad, though, he was. | 0:33:26 | 0:33:28 | |
95 when he went. | 0:33:28 | 0:33:30 | |
Should be here by now. | 0:33:31 | 0:33:32 | |
He got married when he was my age. | 0:33:36 | 0:33:38 | |
He did! | 0:33:38 | 0:33:40 | |
Nice girl - 18, she was. | 0:33:40 | 0:33:41 | |
Well, she wanted a baby, you see? | 0:33:44 | 0:33:45 | |
He went to the doctor's - he says, "How do I stand?" | 0:33:49 | 0:33:52 | |
He said, "It's a miracle." | 0:33:52 | 0:33:53 | |
He says, "Well, I... | 0:33:58 | 0:33:59 | |
"I've got this young wife. She wants a baby. What shall I do?" | 0:33:59 | 0:34:02 | |
He says, "Well, you'd better get a lodger." | 0:34:02 | 0:34:06 | |
You know, two months later there was a baby on the way? | 0:34:06 | 0:34:09 | |
He was thrilled by that. He went dashing back to the doctor. | 0:34:09 | 0:34:12 | |
He says, "Hey! My wife's having a baby!" | 0:34:12 | 0:34:15 | |
He said, "Did you get a lodger?" | 0:34:15 | 0:34:16 | |
He says, "Aye, and I think she's having one an' all!" | 0:34:16 | 0:34:19 | |
Oh, I tell you... | 0:34:30 | 0:34:31 | |
I've just been in a pub, now. I was in a pub now. I was standing there, | 0:34:32 | 0:34:36 | |
I said to the barmaid, I said, "It's three years since I came in here." | 0:34:36 | 0:34:40 | |
She said, "Well, I'm serving as fast as I can!" | 0:34:40 | 0:34:42 | |
I said, "Mine's a light," | 0:34:51 | 0:34:53 | |
and she chucked a bucket of water over me head. | 0:34:53 | 0:34:55 | |
I felt a bit, you know... | 0:35:06 | 0:35:07 | |
I got taken short in there cos I'd had one or two of... | 0:35:07 | 0:35:10 | |
HE BELCHES | 0:35:10 | 0:35:11 | |
Ooh, I felt one coming on, then. It surprised me. | 0:35:12 | 0:35:16 | |
I went to the doings and I, I'd just got a pint, you see? | 0:35:16 | 0:35:20 | |
LADY IN AUDIENCE CACKLES | 0:35:20 | 0:35:22 | |
She'll be off to the doings an' all in a minute! | 0:35:23 | 0:35:26 | |
I'd just got a pint. | 0:35:31 | 0:35:32 | |
I put it on the bar. I wrote a note in it - | 0:35:34 | 0:35:37 | |
"I have spit in this ale." | 0:35:37 | 0:35:39 | |
When I came back somebody had written underneath "So have I." | 0:35:42 | 0:35:48 | |
I'm going to a funeral in a minute. | 0:35:48 | 0:35:49 | |
I were at one the other day. | 0:35:56 | 0:35:58 | |
I were standing by the graveside, the vicar came up to me. | 0:35:58 | 0:36:01 | |
He said, "How old are you?" I said, "I'm 82." | 0:36:01 | 0:36:04 | |
He said, "Well, it's hardly worth you going home, is it?" | 0:36:04 | 0:36:07 | |
MUSIC: I'm Happy When I'm Hiking by Ralph Butler and Raymond Wallace | 0:36:08 | 0:36:11 | |
# I'm happy when I'm hiking | 0:36:11 | 0:36:15 | |
# A pack upon my back | 0:36:15 | 0:36:17 | |
# I'm happy when I'm hiking | 0:36:19 | 0:36:22 | |
# Off the beaten track | 0:36:22 | 0:36:25 | |
# Out in the open country | 0:36:26 | 0:36:30 | |
# Going all o'er the road | 0:36:30 | 0:36:33 | |
# With a real good friend To the journey's end | 0:36:33 | 0:36:37 | |
# 10, 20, 30, 40, 50 miles away... # | 0:36:37 | 0:36:41 | |
Now, on! | 0:36:41 | 0:36:42 | |
-# I'm happy when I'm hiking... # -AUDIENCE JOINS IN | 0:36:45 | 0:36:49 | |
# A pack upon my back | 0:36:49 | 0:36:53 | |
# I'm happy when I'm hiking | 0:36:53 | 0:36:56 | |
# Off the beaten track | 0:36:56 | 0:37:00 | |
# Out in the open country... # | 0:37:00 | 0:37:04 | |
-AUDIENCE CONTINUES -Very nice! | 0:37:04 | 0:37:07 | |
# With a real good friend To the journey's end | 0:37:07 | 0:37:11 | |
# 10, 20, 30, 40, 50 miles away. # | 0:37:11 | 0:37:15 | |
Hey! | 0:37:15 | 0:37:16 | |
CHEERING AND APPLAUSE | 0:37:18 | 0:37:20 | |
Ineffable for your ineluctable... | 0:37:38 | 0:37:43 | |
Ooh! | 0:37:43 | 0:37:44 | |
..effulgance, enchanting.. | 0:37:44 | 0:37:47 | |
..in aural... | 0:37:48 | 0:37:51 | |
LAUGHTER | 0:37:51 | 0:37:52 | |
..and ocular edification, | 0:37:52 | 0:37:56 | |
your own Miss Lyn Kennington! | 0:37:56 | 0:38:00 | |
CHEERING AND APPLAUSE | 0:38:00 | 0:38:02 | |
MUSIC: My Hero by Oscar Straus and Stanislaus Stange | 0:38:02 | 0:38:05 | |
# I have a true and noble lover | 0:38:15 | 0:38:20 | |
# He is my sweetheart All my own | 0:38:20 | 0:38:25 | |
# His like on Earth who shall discover? | 0:38:25 | 0:38:30 | |
# His heart is mine and mine alone | 0:38:30 | 0:38:37 | |
# We pledged our troth Each to the other | 0:38:37 | 0:38:41 | |
# And for our happiness I pray | 0:38:41 | 0:38:46 | |
# Our lives belong to one another | 0:38:46 | 0:38:54 | |
# Oh, happy happy wedding day | 0:38:54 | 0:39:01 | |
# Oh, happy happy wedding day | 0:39:01 | 0:39:10 | |
# Come, come | 0:39:12 | 0:39:16 | |
# I love you only | 0:39:16 | 0:39:20 | |
# My love is true | 0:39:20 | 0:39:26 | |
# Come, come | 0:39:26 | 0:39:29 | |
# My life is lonely | 0:39:29 | 0:39:33 | |
# I long for you | 0:39:33 | 0:39:39 | |
# Come, come | 0:39:39 | 0:39:43 | |
# Naught can efface you | 0:39:43 | 0:39:47 | |
# My arms are aching | 0:39:47 | 0:39:51 | |
# Now to embrace you | 0:39:51 | 0:39:57 | |
# Thou art divine | 0:39:57 | 0:40:03 | |
# Come, come | 0:40:03 | 0:40:07 | |
# I love you only | 0:40:07 | 0:40:12 | |
# Come | 0:40:12 | 0:40:14 | |
# Hero mine. # | 0:40:14 | 0:40:24 | |
CHEERING AND APPLAUSE | 0:40:24 | 0:40:27 | |
MUSIC: In The Gloaming by Annie Fortescue Harrison and Meta Orred | 0:40:37 | 0:40:41 | |
# In the gloaming | 0:40:53 | 0:40:57 | |
# Oh, my darling | 0:40:57 | 0:41:01 | |
# When the lights are dim and low | 0:41:01 | 0:41:07 | |
# And the quiet shadows falling | 0:41:07 | 0:41:15 | |
# Softly come and softly go | 0:41:15 | 0:41:21 | |
# When the winds are sobbing faintly | 0:41:21 | 0:41:27 | |
# With a gentle unknown woe | 0:41:27 | 0:41:36 | |
# Will you think of me and love me | 0:41:36 | 0:41:46 | |
# As you did once long ago? | 0:41:46 | 0:41:52 | |
# In the gloaming | 0:42:07 | 0:42:10 | |
# Oh, my darling | 0:42:10 | 0:42:14 | |
# Think not bitterly of me | 0:42:14 | 0:42:20 | |
# Though I went away in silence | 0:42:20 | 0:42:27 | |
# Left you lonely Set you free | 0:42:27 | 0:42:33 | |
# For my heart was crushed with longing | 0:42:33 | 0:42:38 | |
# What had been could never be | 0:42:38 | 0:42:47 | |
# It was best to leave you thus dear | 0:42:47 | 0:42:57 | |
# Best for you and best for me | 0:42:57 | 0:43:05 | |
# It was best to leave you thus | 0:43:05 | 0:43:13 | |
# Best for you | 0:43:13 | 0:43:17 | |
# And best | 0:43:17 | 0:43:22 | |
# For me. # | 0:43:22 | 0:43:28 | |
APPLAUSE | 0:43:30 | 0:43:33 | |
In happy homage to Mr Bobby Howes, | 0:43:57 | 0:44:01 | |
those exhilarating harbingers of halcyon harmonies... | 0:44:01 | 0:44:06 | |
CHEERING | 0:44:06 | 0:44:08 | |
..the Players' Theatre! | 0:44:08 | 0:44:10 | |
MUSIC: Spread A Little Happiness by Vivian Ellis | 0:44:10 | 0:44:13 | |
# Even when the darkest clouds are in the sky | 0:44:21 | 0:44:25 | |
# You mustn't sigh and you mustn't cry | 0:44:25 | 0:44:28 | |
# Just spread a little happiness as you go by | 0:44:28 | 0:44:33 | |
# Please try | 0:44:33 | 0:44:36 | |
# What's the use of worrying or feeling blue? | 0:44:36 | 0:44:39 | |
# When days are long keep on smiling through | 0:44:39 | 0:44:43 | |
# And spread a little happiness till dreams come true | 0:44:43 | 0:44:48 | |
# Surely you'll be wise to make the best of every blues day | 0:44:50 | 0:44:56 | |
# Don't you realise you'll find next Monday or next Tuesday | 0:44:57 | 0:45:03 | |
# Your golden shoes day? | 0:45:03 | 0:45:07 | |
# Even when the darkest clouds are in the sky | 0:45:08 | 0:45:12 | |
# You mustn't sigh and you mustn't cry | 0:45:12 | 0:45:15 | |
# Spread a little happiness as you go by | 0:45:15 | 0:45:21 | |
# Spread a little happiness | 0:45:21 | 0:45:23 | |
# Got a date with an angel | 0:45:35 | 0:45:38 | |
# Going to meet her at seven | 0:45:38 | 0:45:40 | |
# Got a date with an angel | 0:45:42 | 0:45:45 | |
# And I'm on my way to heaven | 0:45:45 | 0:45:48 | |
# She'll be sweet when I meet her | 0:45:49 | 0:45:52 | |
# She'll be sweet when I greet her | 0:45:53 | 0:45:55 | |
# I just feel proud like St Peter | 0:45:57 | 0:46:00 | |
# Cos I'm on my way to heaven | 0:46:00 | 0:46:03 | |
# Soon I'll hear the bells ring out | 0:46:04 | 0:46:06 | |
# And the choir will sing out | 0:46:08 | 0:46:10 | |
# And the pearly gates swing out | 0:46:11 | 0:46:14 | |
# She'll beckon to me | 0:46:14 | 0:46:18 | |
# I've been waiting a lifetime | 0:46:19 | 0:46:23 | |
# For this evening at seven | 0:46:23 | 0:46:27 | |
# Got a date with an angel | 0:46:27 | 0:46:30 | |
# And I'm on my way to heaven | 0:46:30 | 0:46:33 | |
# Life is just a bowl of cherries | 0:46:36 | 0:46:39 | |
# Don't be mysterious | 0:46:39 | 0:46:41 | |
# Life's far too serious | 0:46:41 | 0:46:43 | |
# You work, you slave You worry so | 0:46:43 | 0:46:47 | |
# But you can't take your dough When you go, go, go | 0:46:47 | 0:46:52 | |
# Keep repeating it's the berries | 0:46:52 | 0:46:55 | |
# The strongest oak must fall | 0:46:55 | 0:46:59 | |
# The sweet things in life To you are just loaned | 0:46:59 | 0:47:03 | |
# How can you lose what you've never owned? | 0:47:03 | 0:47:07 | |
# Life is just a bowl of cherries | 0:47:07 | 0:47:10 | |
# So live and laugh at it all | 0:47:10 | 0:47:13 | |
# Life is just a bowl of cherries | 0:47:15 | 0:47:18 | |
# Don't be so serious | 0:47:18 | 0:47:20 | |
# Life's too mysterious | 0:47:20 | 0:47:22 | |
# You work, you slave You worry so | 0:47:22 | 0:47:26 | |
# But you can't take your dough When you go, go, go | 0:47:26 | 0:47:30 | |
# Keep repeating it's the berries | 0:47:30 | 0:47:34 | |
# The strongest oak must fall | 0:47:34 | 0:47:38 | |
# The sweet things in life To you are just loaned | 0:47:38 | 0:47:42 | |
# So how can you lose what you've never owned? | 0:47:42 | 0:47:46 | |
# Life is just a bowl of cherries | 0:47:46 | 0:47:49 | |
# So live and laugh at it all | 0:47:49 | 0:47:53 | |
# When the darkest clouds are in the sky | 0:47:54 | 0:47:58 | |
# You mustn't sigh and you mustn't cry | 0:47:58 | 0:48:02 | |
# Spread a little happiness | 0:48:02 | 0:48:04 | |
# As you go by. # | 0:48:04 | 0:48:11 | |
And now, there's just time | 0:48:30 | 0:48:33 | |
to ask Mr John Inman to lead the company and yourselves | 0:48:33 | 0:48:35 | |
in the last chorus for tonight - Down At The Old Bull And Bush. | 0:48:35 | 0:48:38 | |
Ladies and gentlemen, Mr John Inman, the entire company, | 0:48:38 | 0:48:41 | |
Mr Bernard Hermann and the entire and indefatigable orchestra! | 0:48:41 | 0:48:46 | |
CHEERING AND APPLAUSE | 0:48:46 | 0:48:48 | |
But, this time, chiefly, | 0:48:48 | 0:48:51 | |
-yourselves! AUDIENCE: -Yourselves! | 0:48:51 | 0:48:53 | |
MUSIC: Down At The Old Bull And Bush | 0:48:53 | 0:48:57 | |
# Come, come, come and make eyes at me | 0:48:57 | 0:49:01 | |
# Down at the Old Bull And Bush Da, da, da, da, da | 0:49:01 | 0:49:05 | |
# Come, come, drink some port wine with me | 0:49:05 | 0:49:07 | |
# Down at the Old Bull And Bush | 0:49:09 | 0:49:11 | |
# Hear the little German band | 0:49:13 | 0:49:15 | |
# Da, da-da-da, da, da, da | 0:49:15 | 0:49:16 | |
# Just let me hold your hand dear | 0:49:16 | 0:49:20 | |
# Do, do, come and have a drink or two | 0:49:20 | 0:49:24 | |
# Down at the Old Bull and Bush. | 0:49:24 | 0:49:28 | |
# Bush, Bush! # | 0:49:28 | 0:49:29 |