Compilation Show The Graham Norton Show


Compilation Show

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Transcript


LineFromTo

-Hi, I'm Tom Cruise.

-Hello, I'm Jennifer Lawrence.

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-And I'm Chris Pratt.

-I'm Danny DeVito.

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-And I'm Miranda Hart.

-Hi. I'm Nicole Kidman.

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Hi, I'm Chris from Coldplay.

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-Good evening, I'm Tom Hiddleston.

-Hey, I'm Whoopi Goldberg.

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-I'm Eddie Redmayne.

-And I'm Benedict Cumberbatch.

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I'm Tom Hanks and this is The Graham Norton Show.

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This programme contains some strong language.

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Hello!

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Hello, oh!

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What a lovely welcome.

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That is... That's... Oh!

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No, thank you.

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What a mature, seasoned welcome that was.

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And welcome to this special look back at some of

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the highlights from the past series.

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So many wonderful moments, starting with this.

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We need to settle a little controversy. Little controversy.

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There was a picture...

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You've probably seen this, it was on the internet and in

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the papers and things, and it's this picture here.

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-Now...

-Oh, yeah!

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So, people were trying to decide if that was Bill Murray or Tom Hanks.

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Right.

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Well, I've been doing a pale imitation of Bill Murray

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for most of my career, so it actually works out.

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I know that it's not me because I did not take that picture.

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Listen, I've had a cranial plate shift that, you know, is medicinal.

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-That's not me.

-But even looking at you, it does look very like you.

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It does. Yeah, I could make that face.

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-But don't you have a thing where you think you've got sides?

-Oh, I do.

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Oh, we all know what our good side is. I'll show it

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-if you can come close...

-OK.

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-..in a hideously-embarrassing close-up.

-OK.

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I'll show you right now.

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-Should I start with the good side or the bad side?

-Good side.

-Really?

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-Yeah.

-OK, all right.

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This is my good side.

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Now, I don't know why, but I have a jaw and I have a chin and,

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you know, back of the...

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Actually, could you come around sort of like three quarters-ish

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a little bit? OK, there. OK, there, there, is that it?

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Come in a little tighter, please. Little tighter.

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All right, so far we're still doing OK. It's all right, it's not bad.

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All right, now, stay there and just watch this.

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LAUGHTER

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Oh, dear, look at that!

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The neck goes away, the nose becomes this malformed thing,

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I've got half a cheek sticking out right here.

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So, I essentially kind of go from Richard Gere to Richard Nixon.

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LAUGHTER DROWNS SPEECH

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APPLAUSE

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You have nothing but good sides.

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We just thought, while you're here, to settle things,

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to avoid confusion in the future, we might re-enact that...

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-Oh, do you have an orange jumper?

-I do. I am fully costumed.

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Oh, great.

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-I've got some orange things there.

-OK.

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Now, Gemma, would you mind being...?

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I think she's the mother of the baby.

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So, there's some sunglasses there.

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And, now, would you mind being the baby?

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Absolutely!

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Oh, you can do that? Actually, that's better.

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-That's better, why didn't we think of that?

-All right.

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-OK, so I'm, like, here?

-You're down in there. Down you go. There you go.

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-Squeeze in, squeeze in.

-Like that?

-Like that, smiling.

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There we go, that is really good!

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CHEERING AND APPLAUSE

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That is good!

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Is the hey, hey game still popular in your family?

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Well, we've sort of suspended the hey, hey game temporarily.

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The hey, hey game, it was a really strange thing

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and it's this bizarre universal truth, right?

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And we've tested it on many continents.

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And if you walk up behind a person and you, you know,

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you stick your finger, you know, in...

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You know, you just sort of ram your finger...

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Up their butthole.

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Everybody in every language in the world says, "Hey, hey!"

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LAUGHTER

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I'm telling you, right? I'm telling you, try it.

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Try it.

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Somebody's here from Botswana, right?

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I'm telling you, try it, and they'll be, "Hey, hey!"

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-We've just...

-And how many times have you been arrested?

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LAUGHTER

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APPLAUSE

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OK, now, we don't want to make anyone cry,

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but sad days in the publishing world in Australia.

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I don't know if you're aware of this, but I'm afraid...

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Dolly magazine has shut its doors, Nicole.

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Dolly magazine is no more.

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Dolly magazine was very important to you when you

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were starting out, wasn't it?

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-Yeah.

-Yeah.

-Yeah.

-I got on the cover of Dolly magazine.

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-There you are on the cover.

-Oh, no!

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Yeah! Looking stunning.

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-They've got a giant...

-Are you being facetious?

-No, you...

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-No, you look fabulous!

-Mm.

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They dyed my hair red. I was only, like, 14.

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-Is your...?

-It wasn't red like that.

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Everyone always thinks it was that red and it wasn't.

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No, they dyed it red.

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-Inside there was some fabulous high fashion shots of you.

-Oh, God!

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No, this is beautiful!

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This just gives you an idea of the quality of fashion

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in Dolly magazine.

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-That is a lovely...

-Yes!

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It's a lovely shiny jacket and I have to say, these rope seams...

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I'm not sure they ever caught on, the rope seams.

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I've never seen it before in my life.

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-But this next picture, this is...

-Oh, God, you're brutal!

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So, no, there's only one more, only one more. So...

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I honestly wish my hair was like that now. It's so dreadful.

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Because, I have to say, anyone that has curly hair that's young,

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keep your curly hair, don't straighten it,

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-because after a while. you don't get your curls back.

-Really?

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No, they, kind of, become just frizz mass.

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I mean, that is frizz mass, but I, kind of, like that.

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Yeah, it's gone, so I'm like an old woman now, where I say,

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"Don't dye your hair and don't straighten your curls!"

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Well, you know, with photographers in movies when they're doing

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a fashion shoot and everyone's like, "Oh, look sexy," or,

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"give me something, give me this,"

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-or, you know, "try this," da, da, da...

-Yeah.

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-What had the photographer said...

-You're so mean!

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-..before this picture?

-Why aren't you doing this to anybody else?

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LAUGHTER

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APPLAUSE

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You look great!

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"Is this the sort of thing you're after?"

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Here's the thing, cos, Chris, you worked in restaurants, didn't you?

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Oh, yeah. Oh, yeah.

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So, you worked in Hawaii, but then you worked in LA, as well.

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-Yes, I worked at a restaurant in Beverly Hills.

-So, posh?

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It was, it tried to be. It was...

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Look, it was a terrible restaurant and...

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It was. It was just awful and I was a major contributing factor

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to how terrible this restaurant was.

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It was... It had... It was just real garbage. It's been revamped now.

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-But I loved it...

-Tell us the name.

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-They'll give you free meals!

-Oh, I mean, they will give me...

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That's how I ate.

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I mean, when you're in Hollywood, and in other places, like,

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you need a job that gives you your days free

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so you can try to audition for projects.

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So, I'd work weekends and I'd work the nights and that would...

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I had no money and no-one was coming to the restaurant,

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so I wasn't making any tips.

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I'd make, like, 20 or 30 bucks a day, maybe.

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-And so it was really a place I'd go to...

-Nourishment.

-To eat, yeah.

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That kitchen fed me for, like, the time that I was there.

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I used to just...

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Oh, man, do you ever do this, where, like,

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a lady would come in and she'd be like, "What do you recommend?"

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And I'm like, "32oz porterhouse."

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LAUGHTER

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And so, I'd always tell them.

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I said, "Listen, here's how you want it - medium rare,

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"with some mushrooms on the side, I can get you some mashed potato.

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"You're going to love this, ma'am."

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And she's like, you know, a 90-year-old woman.

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And so, I'd bring the steak out to this lady, she...

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I'm hiding in the corner, watching, like, how much is she eating?

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How much do I get? You know?

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I'd go back and she was like, "I can't eat another bite."

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I was like, "Yes!" Maybe 80% of the steak is left.

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And we had this thing called the tunnel, which is an area between

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the dining room and the kitchen, where they'd keep

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all the soft drinks and, like, the silverware and stuff, and that's...

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I'd been busted so many times eating off people's plates

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that they were like, "You have to stop doing that.

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"Like, it's really, really bad."

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So, anything I ate, I had to eat in the tunnel.

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-Because it was my safe zone, where...

-Safe zone!

-From judgment.

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From judgment!

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The customers aren't going to see me eat their food

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and the chef's not going to yell at me for eating the food.

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So, it was like... I had about 14, maybe,

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ounces of steak that I had to get down in about ten feet.

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I was straight up like a komodo dragon.

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LAUGHTER

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And I'd wolf this steak down, you know?

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And I'd get it and I'm like, "Ha-ha, cha-cha-cha, that's, like,

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"three days' worth of protein right there."

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And I'd walk back out and the lady was like,

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"Listen, I'd love to get that steak to go."

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And I'm like...

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"Oh, oh, gosh, ma'am... Let me go check."

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And I was like, "Oh, what do I do? What do I do?"

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And I said, "I'm so sorry, I already threw it in the trash.

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"I threw it in the trash."

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And she said, "It's for my dog. It's fine.

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"If you don't mind, just fish it out, put it in a box.

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"It's my dog who'll eat it." I was like, "You bet, you bet.

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"Of course, ma'am, absolutely. Will do."

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And I walked in like, "Freddie! I need a porterhouse on the fly, man!

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"Don't ask any questions, just give me one right now!"

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And so he started cooking the steak and I was like...

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I was so full of shit I went up to her and I was like,

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"Ma'am, I'm going to get you that steak.

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"They just took the garbage out to the dumpster.

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"I'm going to roll up my sleeves, jump in that dumpster,

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"and I'm going to get it for you because... What kind of dog?

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"Pomeranian, no way, I love that. So sweet."

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And so I walked out and I'm like, "Freddie, where's that steak?"

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And she ended up being so, like,

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happy that I would be willing to dig through the garbage for her dog

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that she gave me a giant tip, and she left early because

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she couldn't wait for the steak to be done, so I got another steak.

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CHEERING AND APPLAUSE

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We all have our dance moves that we break out, right?

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So we were asking the audience about kind of their signature dance moves.

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-So... Yes.

-I see cameras turning around.

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-Everybody got really giggly all of a sudden.

-I see everyone... Yeah.

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-OK, OK, let's do this.

-Yeah.

-Where's Caleb? There's Caleb!

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Caleb's is really specific.

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What's... Oh, take out your gum.

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It's called spit the gum. It's...

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It's really good.

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Classy, Caleb, cos who knew I was coming to you next?

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"They're doing that dancing item they told me about."

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Was that in a tissue or anything or is your friend just holding that?

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LAUGHTER

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You're a good friend!

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APPLAUSE

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I've got to say, though, Caleb, I respect your humility.

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Because you decided there's no way you could possibly do this

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dance move and chew gum at the same time.

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I respect that humility. He wants to nail the dance move.

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-OK, let's hear it then. It is complicated.

-OK.

-OK, Caleb.

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Tonight, Caleb will be attempting....

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The daddy box step, with the Robert De Niro.

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That's a lot! That's a lot.

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OK, Caleb, out into the aisle.

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Let's see if he can actually do this.

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CHEERING

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Dad box step with De Niro.

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OK.

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-OK, let's start the music.

-I need a second.

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Oh, he needs a second! Stop the music!

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-I just need to get the face going.

-OK.

-Oh, man!

-OK.

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Oh!

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OK, start the music, start the music, here we go.

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MUSIC: Can't Stop The Feeling by Justin Timberlake

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Very good!

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Caleb, everybody!

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CHEERING

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You know what?

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You can't...

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He is so cool, he is so cool, doing that.

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You can't...

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-While you chew gum, you can't do it.

-No!

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Sorry, that's the best bit. She's just offered it back to him.

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LAUGHTER DROWNS SPEECH

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APPLAUSE

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Emma and Ryan, everyone loves you together in La La Land,

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but this isn't the first time you've worked together.

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You worked together in Gangster Squad...

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In Crazy, Stupid, Love, we've even seen you dance together before.

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Interesting pose on me.

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I notice you're shirtless.

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It's a double whammy.

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But now, what happened?

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-Because the dancing didn't go to plan in Crazy, Stupid, Love.

-Uh, no.

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Oh, yeah.

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-You mean the Dirty Dancing lift?

-That's what I mean.

-Yeah.

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-Well...

-We were meant to do that and then... What happened?

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-Oh, you don't remember?

-Well, I remember, but I'd like to hear you.

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-You'd like to hear me tell it.

-Your version of it.

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Listen, when I was...

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LAUGHTER

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-Quick story.

-When I was about seven years old... Quick story.

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When I was about seven years old, I was in gymnastics class

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and I was on these parallel bars

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that are about six feet off the ground,

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and I was standing on the top of the bars and the teacher was

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holding me by the ankles.

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And somehow or other, she let go.

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And I was standing on this bar and I felt myself beginning to tip forward

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and I put my arms in like this and I fell six feet

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-to the ground and I broke both of my arms at the same time.

-Wow.

-Yeah.

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And so I... You know, I spent a whole summer...

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I lived in Arizona, which is, like, 120 degrees, which...

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-I don't know what that is in Celsius.

-Hot.

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Quite hot. So...

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I had a cast and all the... You know, it was miserable.

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It was the day before the last day of school.

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Anyway, I had internalised this experience -

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that's a really important part of this story.

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It's an important detail.

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I really know how to tell a story(!)

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So, anyway...

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GRAHAM LAUGHS

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Years later we do Crazy, Stupid, Love.

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I know that we're going to do the Dirty Dancing lift.

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I don't know, however, that I have an internalised phobia of being,

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you know, lifted over someone's head at the height of about six feet.

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So I run to do the lift and Ryan lifts me over his head and I...

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What did I do, Ryan?

0:15:150:15:18

I've never had this happen, but I imagine if

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a possum fell out of a tree and tried to scratch your eyes out...

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..it would be something similar.

0:15:270:15:29

It was a lot. And then, it was like a full meltdown.

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-I mean, I had like a real meltdown.

-Yeah, you had to go...

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You crawled in bed and watched...

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-Labyrinth.

-Labyrinth.

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We were in a house and she was like, "I have to go watch Labyrinth."

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LAUGHTER

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For an hour, I went and lay down crying, watching Labyrinth.

0:15:480:15:52

"This is so stupid." And then Ryan came in and was like, "Yeah, right?"

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And then the directors came in and were like, "Yeah, right?

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"We're going to use the double." And I was like, "Great.

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"I love the way Jennifer Connelly has a revelation in this."

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LAUGHTER

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Lots of big action sequences and stunts and everything, and,

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Michael Fassbender, you learnt some special skills,

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I believe, for this film.

0:16:140:16:15

That's right, the parkour elements. So I got to perfect the roly-poly.

0:16:150:16:19

LAUGHTER

0:16:190:16:21

Now, you must have known how to do a roly-poly at one time in your life.

0:16:210:16:24

-Think you could do one?

-Not now! I'm 53!

0:16:240:16:28

Back when I was 13 I could do a roly-poly.

0:16:280:16:30

-You think you can do a roly-poly.

-No, I know, cos I have tried.

0:16:300:16:33

What is it? I don't know what is it.

0:16:330:16:34

A roly-poly, it's a head over heels thing.

0:16:340:16:37

-Yeah.

-Do you want to see?

0:16:370:16:40

-Oh, yes, yeah!

-Shall we try a roly-poly?

0:16:400:16:42

CHEERING

0:16:420:16:43

Well, I might tear this suit, though, that's the problem.

0:16:430:16:46

-You'll have to do it with me.

-But I can't do it!

-Yes, you can.

0:16:460:16:49

No, I will look...

0:16:490:16:50

I will look...

0:16:500:16:52

CHEERING

0:16:520:16:54

I will look like...

0:16:540:16:56

It will look like abuse in a nursing home.

0:16:560:16:59

It will look like you've just...

0:16:590:17:01

You've dragged someone out of bed and you're kicking them

0:17:010:17:04

down the corridor.

0:17:040:17:05

-Show her how exactly it works.

-You do it first.

-OK.

0:17:050:17:09

-You do it first.

-So, basically...

0:17:090:17:10

-I'm going to end up off the stage.

-Don't do that.

0:17:100:17:12

-But are you going to do a really fancy one?

-No, no.

0:17:120:17:15

So, basically, you have to keep your hand...

0:17:150:17:17

CHEERING

0:17:170:17:19

I could never do that!

0:17:190:17:21

NEVER do that!

0:17:210:17:23

-Try it.

-No, no, I used to do...

0:17:230:17:24

I thought you were just going to do that thing,

0:17:240:17:26

where you do that and just roll over.

0:17:260:17:28

No, but then you hurt yourself.

0:17:280:17:29

-I could never do that!

-Place your forearm down first

0:17:290:17:32

-and then tuck your head over.

-I can't do that!

-Try it.

0:17:320:17:35

I'll die!

0:17:350:17:37

CHEERING AND APPLAUSE

0:17:370:17:40

This is awful!

0:17:400:17:41

I'll just stand here, in case you go off the edge.

0:17:410:17:44

-But I wasn't really paying attention. So you...

-Yeah, so you...

0:17:440:17:48

-Hand, forearm...

-Yes.

-..and then tuck your shoulder over.

0:17:480:17:51

And stay on that side, don't go straight down your spine.

0:17:510:17:54

-Hand, arm, and just tuck your head in.

-OK.

0:17:540:17:57

Don't think about it too much.

0:17:570:17:59

LAUGHTER

0:17:590:18:01

-Hand... Hang on, hand, arm...

-Yeah.

-And then I just go over?

0:18:010:18:05

-This bit here.

-Yeah.

0:18:050:18:06

-Hand, this bit, and then just roll.

-OK.

0:18:060:18:09

-I won't get over!

-Yeah, you will.

0:18:090:18:11

CHEERING

0:18:130:18:15

That wasn't it.

0:18:150:18:17

That wasn't it!

0:18:170:18:18

APPLAUSE

0:18:180:18:20

That was amazing.

0:18:250:18:26

LAUGHTER

0:18:260:18:29

New Year's resolution.

0:18:290:18:31

I got to see something there from a third person's point of view

0:18:330:18:37

of something that I've been a part of many, many times,

0:18:370:18:39

which was I'm saying to Michael, "I don't think I can keep going,"

0:18:390:18:42

and you're like, "Yeah, you can."

0:18:420:18:43

Just really quietly and confidently telling you you can until you do.

0:18:430:18:48

It looked like an advert for Injury Lawyers 4 U.

0:18:480:18:51

-Have you had an accident at work?

-Yes, I have.

0:18:530:18:55

LAUGHTER

0:18:550:18:57

The thing is, I've heard you in interviews talking about the trials

0:18:570:19:00

-of being in one of those jets.

-Yeah.

-I mean, it's horrific.

0:19:000:19:04

Or would you be better now because you've done...?

0:19:040:19:06

I fly aerobatics now,

0:19:060:19:07

but when you first start flying, you get sick, you know.

0:19:070:19:11

-Like properly sick?

-Yeah, properly. Like, fill a bag sick, you know?

0:19:110:19:14

I know, the first day when... You know, you've flown in...

0:19:140:19:19

-Yeah.

-Yeah.

-You get really sick.

-Yeah.

0:19:190:19:22

Yeah!

0:19:220:19:23

I flew with the Blue Angels and then I went...

0:19:230:19:25

When we were filming, my deal was, when I made my deal I said,

0:19:250:19:28

"I've got to fly in the F-14." I made it with the studio.

0:19:280:19:32

And I had to be filmed in the F-14 live.

0:19:320:19:36

And so I had to go through all the ejector seat training

0:19:360:19:40

and couldn't wait to fly.

0:19:400:19:41

So, in the morning, my first pilot that I flew with,

0:19:410:19:46

-his name was Bozo...

-LAUGHTER

0:19:460:19:49

-Yeah.

-Gives you confidence!

0:19:490:19:52

He says, like, "Hi, how are you? Bozo." "Bozo?"

0:19:520:19:55

When we were up there,

0:19:550:19:56

we had five minutes of film and we had to turn...

0:19:560:19:58

You know, we had to co-ordinate, he and I,

0:19:580:20:00

and we had other aeroplanes coming in on us and there was

0:20:000:20:02

air combat manoeuvres and very detailed briefings and everything.

0:20:020:20:06

So, we're going out and we're just right,

0:20:060:20:09

you know, I don't know,

0:20:090:20:10

a couple of feet off the deck in the desert

0:20:100:20:12

and we're just sweating, I'm sweating in the F-14 and...

0:20:120:20:15

cos we're doing heavy manoeuvres.

0:20:150:20:17

And we did a really heavy manoeuvre, we pulled like 9.5Gs and I...

0:20:170:20:21

You know, you go out, you've got a G suit on, but you,

0:20:210:20:24

you know, you just kind of black out.

0:20:240:20:26

And when I came to, it was like I had my barf bag

0:20:260:20:29

right here on the side of my thing.

0:20:290:20:30

And I was like, "OK, so now I'm going to go get it done,

0:20:300:20:32

"so I can do the next take."

0:20:320:20:34

So I leaned down like this, pulled it out I was like...

0:20:340:20:37

Just went down like this and he at that point decided to pull up!

0:20:370:20:41

And he pulled up so hard and for so long, I mean,

0:20:410:20:45

I can't do it now, my head, literally, was touching the ground

0:20:450:20:48

with the G-force and my spine.

0:20:480:20:50

And it pushed the togs right here, I was going like this...

0:20:500:20:53

-STRAINED:

-"Bozo, Bozo, Bozo..."

0:20:530:20:55

It was like, you know, I mean, he was going up forever.

0:20:550:20:58

So, finally he levelled off and I just, I had the bag in my hand,

0:20:580:21:01

and I was like, "Bozo!"

0:21:010:21:03

GRAHAM LAUGHS

0:21:030:21:06

"What's...? Didn't you see? I...

0:21:060:21:08

"You could've checked, you didn't tell me you were going to that.

0:21:080:21:10

"My head was, like, what..."

0:21:100:21:12

He says, "Yeah, they don't call me Bozo for nothing!"

0:21:120:21:14

LAUGHTER AND APPLAUSE

0:21:140:21:16

So, I had my barf bag, I held that, you know...

0:21:160:21:18

APPLAUSE

0:21:180:21:20

I see... Kelly, obviously not here, Diane not here.

0:21:220:21:25

So I thought, just a treat, if I...

0:21:250:21:29

I could be Kelly,

0:21:290:21:31

if we could recreate this very, very quickly.

0:21:310:21:34

So, if you stand up and get out...

0:21:340:21:38

No, just to there, just to there.

0:21:390:21:41

So, in what order...?

0:21:410:21:42

So you're down this end. You're down this end, Robert.

0:21:420:21:45

And then what is it? It's Robert, then I'd be in the gap,

0:21:450:21:49

then who's next? Then... Yep, yep.

0:21:490:21:51

-And then you're at the end.

-Yeah.

-OK. Now I do have some props.

0:21:510:21:55

I need to see this a bit clearer.

0:21:550:21:56

Embarrassingly, I'm dressed in almost exactly the same way.

0:21:560:21:59

That's right!

0:21:590:22:00

Did you know we were doing this, Ewan?

0:22:000:22:03

-You're like, "I've shaved my head especially for this!"

-Yeah!

0:22:030:22:06

-I did, yeah!

-That's for you, a little moustache and a cigarette.

0:22:060:22:09

Thank you very much.

0:22:090:22:11

-There's Spud's glasses.

-Wicked.

0:22:110:22:13

Now, Jonny, if you want to go...

0:22:130:22:16

Do you want to go full blonde?

0:22:160:22:18

-How can I not?!

-OK, do it, do it, do it. OK.

0:22:180:22:20

APPLAUSE AND CHEERING

0:22:200:22:23

I've got my Kelly wig.

0:22:250:22:27

OK. You're doing very well. OK, now...

0:22:270:22:30

Now, if we put up the graphics...

0:22:300:22:33

You're... No, no, you're that way. That way.

0:22:350:22:37

I'm this way.

0:22:370:22:38

So you're there.

0:22:380:22:39

Oh, no. Yep, you're good. OK.

0:22:390:22:43

And we're all doing it to that camera.

0:22:430:22:45

So, which one am I leaning against?

0:22:450:22:46

-I'm leaning towards you, aren't I?

-Seductively.

0:22:460:22:49

-Are we all doing it? Are we all doing it?

-Yeah...

0:22:510:22:54

CHEERING

0:22:540:22:56

We did it. Very good. Excellent!

0:22:560:22:59

Now, here's a thing, ladies and gentlemen.

0:23:010:23:04

Whoopi Goldberg, your first big film role,

0:23:040:23:07

-your first Oscar nomination, Color Purple...

-Yes.

0:23:070:23:09

Now, the audition for that, for Steven Spielberg,

0:23:090:23:12

did you do like a whole show for him?

0:23:120:23:14

Yeah, I'd been doing my show in New York,

0:23:140:23:17

and when we were just about finished,

0:23:170:23:20

my manager said,

0:23:200:23:22

"Oh, Steven Spielberg can't make it to the show in New York.

0:23:220:23:27

"He'd like you to come to LA and do your show at Amblin Studios",

0:23:270:23:34

which is his studio.

0:23:340:23:36

And I was like, "What?!"

0:23:360:23:38

They said, "He wants you to come." I said, "But why?"

0:23:390:23:42

They said, "Cos he wants to see the show."

0:23:420:23:45

I said, "Oh, OK."

0:23:460:23:48

Because I thought they were, I thought they were kidding.

0:23:480:23:51

And so, when I got to Los Angeles and got to the studio,

0:23:510:23:56

I thought, "Oh, maybe this... Maybe this is real!"

0:23:560:23:59

And so, I go in...

0:23:590:24:02

his secretary comes and he comes and gets me

0:24:020:24:05

and all I can think of is...

0:24:050:24:07

"Oh, shit!"

0:24:070:24:09

Wait, wait, there's, like, no other people there? I mean...

0:24:090:24:12

-No! It's just...

-There wasn't like a sound stage...

0:24:120:24:15

-No, it was just...

-..in all of the Amblin and friends?

0:24:150:24:18

No, they took me right into his office.

0:24:180:24:20

He's sitting there...

0:24:200:24:21

He's sitting there and he's smiling at me and he said,

0:24:210:24:24

"I want to see your show."

0:24:240:24:25

-Come on!

-I swear to God.

-Come on!

0:24:250:24:28

So, this is what happened.

0:24:280:24:30

So, I did the show and he laughed a lot,

0:24:300:24:33

he liked it, and then he said, "More."

0:24:330:24:35

And I had been instructed not to do any more than the show.

0:24:350:24:39

-So, what happened?

-Well...

0:24:390:24:42

I had one more piece, called Blee Tee,

0:24:420:24:45

B-L-E-E T-E-E,

0:24:450:24:47

about what would happen if ET landed in Oakland.

0:24:470:24:53

Now, Oakland, California, at the time, was a very, you know,

0:24:530:24:58

it was a rough area, you know, phones didn't work, so...

0:24:580:25:01

It was a whole thing, so Blee Tee lands,

0:25:010:25:03

he meets these two kids, they take him to the projects.

0:25:030:25:06

He wants to phone home, no phones work.

0:25:060:25:10

And he then falls in with some guys who are running prostitutes

0:25:100:25:15

and he gets a Jheri curl.

0:25:150:25:18

I don't know if you remember, Jheri curls were...

0:25:180:25:20

Black folks had this thing where we would put this stuff in our hair,

0:25:200:25:24

and it would make it look wet and drippy.

0:25:240:25:27

And he had a powder blue suit and he was running whores.

0:25:270:25:31

And when his people came to get him,

0:25:310:25:34

he shot them up, he killed him, cos he...

0:25:340:25:37

LAUGHTER

0:25:370:25:39

He didn't recognise, he didn't his people.

0:25:390:25:42

And the whole point of doing Blee Tee was to remind people

0:25:420:25:46

that it's OK to assimilate, but you can never forget who you are.

0:25:460:25:51

So, he's on the floor and I'm thinking, "This can't be good."

0:25:510:25:55

And then he said, "I want to talk to you,

0:25:560:25:58

"I want you to play Celie in The Color Purple."

0:25:580:26:01

I said, "Come on, man, what?!"

0:26:010:26:03

And he said "Yeah," and I burst into tears.

0:26:030:26:06

And I said, "I think I could really suck at this."

0:26:060:26:10

And he said, "Have you sucked before?"

0:26:100:26:12

APPLAUSE

0:26:160:26:19

And I said, "I got to tell you, yeah!"

0:26:190:26:21

He said, "Well, then, this one won't bother you."

0:26:220:26:25

-And that's how I got to make that movie.

-Wow, and aren't we glad!

0:26:250:26:29

Yes! APPLAUSE

0:26:290:26:31

Now, very quickly, as it's Christmas time,

0:26:340:26:37

and we have the nearest thing to royalty on our sofa.

0:26:370:26:40

Dame Helen, I wonder, would you do us a little Christmas message?

0:26:400:26:43

An inspirational Christmas message. Now, what we're doing,

0:26:430:26:45

if you move down to the end of the sofa,

0:26:450:26:48

so that the Christmas tree is in behind you.

0:26:480:26:50

-Oh, man!

-OK.

-It's like good production.

0:26:500:26:53

-There are words up there.

-Yes.

-OK.

0:26:530:26:56

-Are you all set. Whoa! Oh! Oh!

-Hey! Hey!

0:26:560:26:59

LAUGHTER AND APPLAUSE

0:26:590:27:01

We're not going to have a hey hey!

0:27:030:27:05

-It has to come when you're not expecting it.

-Yeah, yeah!

0:27:210:27:25

OK. So, if you look down, we've got some suitable music for you.

0:27:250:27:29

-Here we go.

-OK.

0:27:290:27:30

NATIONAL ANTHEM PLAYS

0:27:300:27:34

Hello.

0:27:360:27:38

At this time of celebration and togetherness,

0:27:380:27:41

we have the chance to reflect on the year gone by

0:27:410:27:44

and I think we can all agree

0:27:440:27:46

that 2016 has been a big pile of shit.

0:27:460:27:50

LAUGHTER

0:27:500:27:51

So, my advice to you is drink responsibly and be merry.

0:27:590:28:04

Have a very happy Christmas but, above all,

0:28:040:28:08

go see Collateral Beauty, out on Boxing Day,

0:28:080:28:11

at all good cinemas.

0:28:110:28:14

CHEERING AND APPLAUSE

0:28:140:28:16

And that's Helen. Out.

0:28:170:28:19

Oh, dear.

0:28:240:28:27

Now, a lot of people don't know this,

0:28:270:28:29

but Eddie is in fact a highly-trained master magician.

0:28:290:28:32

-Are you a member of the Magic Circle?

-Um...no.

0:28:320:28:36

LAUGHTER

0:28:360:28:38

-Wow!

-That moment was one of deep despair and loss.

0:28:410:28:46

It was a dream when I was a child, but never happened.

0:28:460:28:48

-Was it really?

-Please tell me you're about to present me

0:28:480:28:51

-with some Magic Circle....

-I know that you can do amazing magic,

0:28:510:28:54

-because we have here just a totally ordinary colouring book.

-Oh!

0:28:540:28:59

-This is totally ordinary.

-Oh!

0:28:590:29:02

But Eddie can do magic with it.

0:29:020:29:06

-Isn't that right, Eddie?

-I mean...

0:29:060:29:08

Are you sitting comfortably, children?

0:29:100:29:13

-No!

-Oh!

0:29:130:29:15

It's totally ordinary,

0:29:150:29:17

-but you mustn't touch it!

-Nothing unusual, at all.

0:29:170:29:19

-OK.

-Eddie's got it.

-So excited.

0:29:210:29:25

So, I loved Paul Daniels.

0:29:250:29:27

You probably won't know who Paul Daniels is.

0:29:270:29:29

The late Paul Daniels was an amazing magician, who used to be on telly

0:29:290:29:32

every Saturday night, and I was obsessed with him.

0:29:320:29:34

This is my moment to be on television doing magic.

0:29:340:29:37

-Ben, are you ready?

-I'm ready.

0:29:370:29:38

This is a colouring book, there is nothing weird, odd or bizarre

0:29:380:29:42

about it, other than it says the word "magic" on the front of it.

0:29:420:29:46

There is actually nothing in the colouring book. I'm showing you.

0:29:460:29:50

-Do you see?

-There is nothing.

-Nothing in it.

0:29:500:29:53

-But, Bryan...

-Yes.

0:29:540:29:56

Will you blow on the colouring book?

0:29:570:29:59

I beg your pardon?

0:30:000:30:02

No, harder than that.

0:30:050:30:07

LAUGHTER

0:30:070:30:10

Come on! Blow hard!

0:30:130:30:14

APPLAUSE

0:30:140:30:16

I'm going to blow hard. OK. Ah!

0:30:160:30:19

Let's see what that's done, shall we?

0:30:190:30:21

Oh! Oh, wow!

0:30:230:30:26

Pictures, don't you know!

0:30:260:30:28

-Wow.

-That is some crazy magic!

0:30:280:30:30

-There's more, there's more.

-More?!

-Don't stop me right there.

0:30:300:30:33

There's more!

0:30:330:30:34

OK, so the next stage is...

0:30:340:30:37

-Now we have pictures, Ben, we have pictures.

-I can see the pictures.

0:30:370:30:41

-Will you blow on it?

-I will.

0:30:410:30:45

-Give me your full Smaug.

-I will blow hard.

0:30:450:30:48

-Pah!

-OK, good.

0:30:480:30:50

Was it hard enough?

0:30:500:30:52

I should do panto! Oh, yes!

0:30:520:30:55

-Was it hard enough?

-Look, Mum. We've talked about this, Mum!

-Let's see.

0:30:550:30:58

-No, it wasn't hard enough.

-Oh!

0:30:580:31:01

But I'm a wizard.

0:31:010:31:03

-And I've got my wand.

-Oh! CHEERING

0:31:030:31:06

That was good!

0:31:070:31:09

-It's been sitting there awkwardly for the whole show.

-Don't spoil it!

0:31:090:31:13

Sorry. And maybe, for full-on Marvel, like, wizarding crossover,

0:31:130:31:21

-the potential for Doctor Strange...

-We might get sued for this.

0:31:210:31:24

Will you give us a spell, Ben?

0:31:240:31:26

-Aza-ka-zham!

-Good!

-Very good.

0:31:270:31:30

Actually, better than I did.

0:31:300:31:33

Drumroll?

0:31:330:31:35

There you go!

0:31:350:31:37

Oh, my! Oh! Oh! Oh!

0:31:390:31:42

APPLAUSE

0:31:420:31:44

That's good!

0:31:450:31:47

Now, Nadiya, so, Bake Off, winning Bake Off, I think...

0:31:470:31:52

I mean, I think... You are everyone's favourite winner.

0:31:520:31:55

-I mean, that final was just so emotional and lovely.

-Yeah.

0:31:550:31:58

-Are you recognised everywhere you go now?

-Yes. Yes.

-Everywhere?

0:31:580:32:04

It's not a bad thing.

0:32:040:32:05

You know, people are lovely, people are so nice. Some not so nice,

0:32:050:32:07

but mostly nice.

0:32:070:32:08

-Um... And...

-LAUGHTER

0:32:080:32:11

Yeah, mostly nice.

0:32:110:32:13

But I recently went...

0:32:130:32:15

And I'm not shy, we've all got to do it. I went for my smear test...

0:32:150:32:19

All been there. LAUGHTER

0:32:190:32:21

Yes, yes.

0:32:210:32:23

-And, as you do.

-Yep.

0:32:230:32:25

And it's that God-awful fear, where you think,

0:32:250:32:27

"Oh, I really don't want to go. I just want to get this over with.

0:32:270:32:30

"I've shaved my legs. Let's do this, come on."

0:32:300:32:33

And then, you turn up and I just thought,

0:32:330:32:35

"Please don't recognise me, please don't recognise me.

0:32:350:32:37

"I hope she doesn't recognise me. Just go in, get it done, get out."

0:32:370:32:41

-There I was, speculum...

-LAUGHTER

0:32:410:32:45

..and she said, "So, is Paul Hollywood really that good looking?"

0:32:450:32:49

LAUGHTER

0:32:490:32:50

-That's a way to get you to relax!

-LAUGHTER

0:32:550:32:58

Comes at you with the Eiffel Tower.

0:32:580:33:01

APPLAUSE

0:33:010:33:05

I wonder what made her think of him.

0:33:050:33:08

-The beard?

-LAUGHTER

0:33:080:33:11

-Too much?

-Yeah, maybe!

0:33:130:33:16

But the thing is, we didn't get this. I don't think we got it here,

0:33:160:33:19

called The Voyage Of The Mimi.

0:33:190:33:21

How old were you when you presented Voyage Of The Mimi?

0:33:210:33:23

I did it over a period of time. I'm not sure which clips you have,

0:33:230:33:26

there's some where I'm ten and some where I'm 13.

0:33:260:33:28

-I think this might be a later...

-I was even 14, when I came to England.

0:33:280:33:33

You might be 14 in this one, cos this is in England.

0:33:330:33:35

This is to just give you a taste of Voyage Of The Mimi.

0:33:350:33:38

Hi, I'm Ben Affleck.

0:33:380:33:40

Archaeologists, like the ones in the second Voyage Of The Mimi,

0:33:400:33:43

are a lot like detectives, but their clues are hundreds,

0:33:430:33:46

even thousands, of years old and they can never really be sure

0:33:460:33:49

if they've solved their mysteries, you know,

0:33:490:33:51

never really know what was happening back in the past.

0:33:510:33:54

Well, there's a man here, 60 miles south-west of London, England,

0:33:540:33:57

who's doing some archaeology that might help provide some new clues

0:33:570:34:01

for some old mysteries.

0:34:010:34:02

Oooh. APPLAUSE

0:34:020:34:05

Beautiful work.

0:34:050:34:07

Very relaxed.

0:34:070:34:10

-I knew how to set up a story.

-You just looked really relaxed.

0:34:100:34:13

Those jeans said, "Hands in pockets," didn't they?

0:34:130:34:17

You know when you get a laugh just on saying, "I'm Ben Affleck."

0:34:170:34:21

I was a very gangly young man, who came to England and was...

0:34:210:34:27

There was a documentary, I think, about Greenwich Mean Time.

0:34:270:34:29

I'd never been to England before,

0:34:290:34:31

I was all excited about the time difference.

0:34:310:34:33

-It was a big thrill.

-Now, when you were talking,

0:34:330:34:34

obviously you're a very bright man,

0:34:340:34:36

did you understand what they were saying to you?

0:34:360:34:40

No, it was totally beyond me. I had no idea.

0:34:400:34:43

They worked me to the bone, so I was half asleep all the time.

0:34:430:34:45

They would get to my reaction shots, at the end of the day,

0:34:450:34:47

you know, I was just kind of going like, "Yeah."

0:34:470:34:50

You are a very good actor, but I have to say,

0:34:500:34:52

you do seem a little unengaged in some of your listening shots.

0:34:520:34:56

We just put together a few, a selection.

0:34:560:34:58

Also, so, there are two things to enjoy here.

0:34:580:35:02

It's Ben Affleck's unengaged listening face and the experts, who,

0:35:020:35:07

I don't know who you are, experts, but you are amazing.

0:35:070:35:11

I'm not really involved with the physics of these machines.

0:35:110:35:14

My job is to design these big magnetic devices.

0:35:140:35:19

So those oscillations in skin temperature represent turning on,

0:35:190:35:23

sweating, evaporative cooling.

0:35:230:35:25

Turning off, sweating,

0:35:250:35:27

waiting until the skin temperature gets hot again.

0:35:270:35:29

And then it cycles.

0:35:290:35:31

What happens to us here in the stone yard, Ben,

0:35:310:35:33

is to actually follow the life of one stone in particular,

0:35:330:35:37

right the way from the quarry,

0:35:370:35:39

as we get it here in the rough block...

0:35:390:35:41

Other animals pant,

0:35:410:35:43

breathing rapidly over their tongue and mucous membranes

0:35:430:35:45

to get evaporative cooling there and some through the foot pads.

0:35:450:35:49

There's a little bit of temperature and heat exchange through

0:35:490:35:51

their foot pads, but mostly panting.

0:35:510:35:53

APPLAUSE

0:35:530:35:58

-You did well.

-Yeah, that is my... I still use that face.

0:35:580:36:02

That look is all over Pearl Harbor.

0:36:020:36:05

Animals, I know you've talked about animals a lot,

0:36:050:36:08

because you were very young...

0:36:080:36:10

You always were interested in nature and animals.

0:36:100:36:12

I've always been fascinated with science and nature.

0:36:120:36:14

That's probably my first love, you know,

0:36:140:36:16

before film, or comedy, or even music.

0:36:160:36:19

Yeah, and...

0:36:190:36:20

..I remember when I was about...

0:36:210:36:24

Along with that, growing up in my family,

0:36:240:36:26

everyone was winding everyone up.

0:36:260:36:28

I was the youngest of four, and I remember once when my sister,

0:36:280:36:33

she must've been about, I don't know, 25 or something.

0:36:330:36:36

I was, like, eight.

0:36:360:36:38

And they used to take me out in the woods.

0:36:380:36:40

And I used to be foraging.

0:36:400:36:42

I used to love insects and I knew about space and everything.

0:36:420:36:45

And I found a perfect little discarded snakeskin.

0:36:450:36:50

And I picked it up and my sister was scared of it.

0:36:500:36:52

And I suddenly thought, "I've got her." And I was teasing her.

0:36:520:36:55

And she was going, "Put it down, it's got germs."

0:36:550:36:57

And I was running around chasing her.

0:36:570:36:58

And she went, "You're not coming in the car with that."

0:36:580:37:01

So eventually I left it there. And then when I was about 15,

0:37:010:37:03

I was at home with a few of my mates

0:37:030:37:05

and I decided to wind her up and I started teasing her about

0:37:050:37:08

how she was scared of snakes, I chased her with a snakeskin.

0:37:080:37:10

And she chose that time to tell me that I'd actually been running

0:37:100:37:14

around with a used condom.

0:37:140:37:16

LAUGHTER

0:37:160:37:18

So, yeah...

0:37:270:37:29

"Look, it left its poison!"

0:37:290:37:31

Fifty Shades Darker, but, actually, this isn't darker.

0:37:340:37:37

It's more romantic, I would say.

0:37:370:37:39

Yeah, I think that's probably true, yeah.

0:37:390:37:42

Yes. There's probably more sex in it...

0:37:420:37:45

GIGGLING

0:37:450:37:46

LAUGHTER

0:37:460:37:49

More sex?! Jamie doesn't speak.

0:37:490:37:52

No.

0:37:520:37:54

I make noises.

0:37:540:37:55

I make, like...American-accented noises throughout. No...

0:37:580:38:02

Yeah, that's actually a question, though - do they let you do that?

0:38:020:38:05

When you're doing the scenes, does the director say,

0:38:050:38:10

"More vocalisation" or do they say less?

0:38:100:38:13

-There's often stuff...

-JAMIE CHUCKLES

0:38:130:38:16

-It's like...

-KEANU SCREAMS

0:38:160:38:19

-They're like, "No, that's not good."

-No-one comes like that.

0:38:190:38:22

LAUGHTER AND APPLAUSE

0:38:220:38:24

Yeah, they do. Yeah, they do, man.

0:38:260:38:30

There are some scenes where they will play music, maybe...

0:38:300:38:35

If it's a wide shot and it's not all...

0:38:350:38:39

It's the closest we get to sort of, kind of,

0:38:390:38:41

just going for it in one piece. They'll play music or something.

0:38:410:38:46

My temptation is always just to try to make Dakota laugh.

0:38:460:38:49

Sometimes I'll do things like...

0:38:490:38:51

When there's a moment where I'm meant to, you know, orgasm,

0:38:510:38:55

I'll be like...

0:38:550:38:56

# Doodle-do do-do-do! #

0:38:560:38:58

LAUGHTER

0:38:580:39:00

See, people do THAT, Keanu.

0:39:010:39:03

Which, by the way, if they don't, they should.

0:39:030:39:06

It's like a Ryanair flight when a Ryanair flight lands,

0:39:060:39:09

# Doodle-do do-do-do. #

0:39:090:39:10

-Yeah.

-APPLAUSE

0:39:150:39:17

And actually there's a link between Mo and Tom.

0:39:190:39:21

Because the last time you were on, you remember those memes

0:39:210:39:25

-people would do, the Mo Farah running away from things?

-Yeah.

0:39:250:39:28

-So, Mo Farah running away from a bear.

-Oh!

0:39:280:39:31

Mo Farah in a bull run.

0:39:320:39:34

Mo Farah in the Sound Of Music.

0:39:350:39:38

And there is one of Mo Farah running away from Forrest Gump.

0:39:400:39:44

-I like that.

-One of the reasons, like,

0:39:500:39:52

I'll always remember Tom and obviously it's amazing what he does,

0:39:520:39:55

is when you go out for a run, "Run, Forrest, run!"

0:39:550:39:58

-But it's a nice thing, it's a compliment.

-It's lovely.

0:40:000:40:03

You've got to think, you've gone to all that trouble of becoming

0:40:030:40:05

a famous runner, and they're still calling you another name.

0:40:050:40:08

How hard is Mo?

0:40:080:40:10

Run, Farah, run. Maybe that could work. See, there you go.

0:40:110:40:14

-Run, Farah, run. Take it, folks. It is my gift unto you.

-They are.

0:40:140:40:21

Actually, could you do a lovely thing, Tom,

0:40:210:40:23

could you do a lovely thing?

0:40:230:40:24

Just cos Mo's here - he's the greatest runner in the world.

0:40:240:40:27

Could you do the line from Forrest Gump where

0:40:270:40:29

he suddenly discovers how much he likes running?

0:40:290:40:32

I would be happy to do it,

0:40:320:40:34

but you must show the lady with the cue card,

0:40:340:40:36

cos otherwise people will think that I've actually memorised this.

0:40:360:40:39

Show the lady with the cue card, cut over to her. Just show... See?

0:40:390:40:42

There she is. She's there.

0:40:420:40:45

I will in fact do it. OK, it is...

0:40:450:40:47

-This is for you, Mo.

-This is for you, Mo.

0:40:470:40:50

"Now you wouldn't believe me if I told you, but I could run

0:40:500:40:53

"like the wind blows.

0:40:530:40:55

"From that day on, if I was going somewhere, I was RUNNING."

0:40:550:41:01

CHEERING AND APPLAUSE

0:41:010:41:03

It's going to haunt you for the rest of your days.

0:41:030:41:07

Don't embrace it too much.

0:41:070:41:09

It makes us all so happy. It makes us happy!

0:41:090:41:11

And the interview where you talked about your approach to the race,

0:41:140:41:17

the phrases you used in that -

0:41:170:41:19

so, explain to people what you said in that.

0:41:190:41:22

-Do you know which one?

-Which one?

-What did we say?

0:41:220:41:24

-About going A to B as fast as you can.

-Oh, yeah.

-Yeah.

0:41:240:41:26

It is a fairly simple sport, like.

0:41:260:41:29

There's a start line and a finish line.

0:41:310:41:33

Don't complicate things, like.

0:41:330:41:35

People do complicate it, like.

0:41:350:41:37

Your man says "go" at the start, and there's a hooter at the finish,

0:41:370:41:39

and if you can get from "go" to the hooter,

0:41:390:41:42

-then...

-No bullshit, like.

-Yeah.

0:41:420:41:44

And then this thing about closing your eyes and pull like a dog.

0:41:460:41:49

-Yeah.

-That phrase, who came up with that?

0:41:490:41:51

-That was Paul.

-That was mine, yeah.

0:41:510:41:53

-Is "pull like a dog" - is that a phrase?

-No!

0:41:530:41:55

It is now, apparently!

0:41:550:41:57

It's everywhere now in Ireland.

0:41:590:42:01

-Yeah.

-It is.

-Like, you'll be walking down the street, there,

0:42:010:42:04

in Dublin or somewhere,

0:42:040:42:05

and a fella would shout across the road, like, "Pull like a dog."

0:42:050:42:07

-"Pull like a dog," yeah.

-The best ever!

0:42:070:42:10

Lads will be encouraging inside a nightclub,

0:42:100:42:12

"Close your eyes and pull like a dog."

0:42:120:42:15

Have you ever had a member of your desired sex

0:42:190:42:23

tell you to pull like a dog?

0:42:230:42:25

LAUGHTER

0:42:270:42:28

The questions are getting harder now.

0:42:300:42:33

But... But wasn't there a guy that came up to you in a...?

0:42:330:42:36

That's right. Some fella came up to Paul inside a nightclub

0:42:360:42:39

-in Skibbereen, like, and he had a...

-Oh, a tattoo, yeah!

0:42:390:42:41

Like proper ink tattoo, like,

0:42:410:42:43

across his full forearm saying, "Pull like a dog".

0:42:430:42:46

-Wow.

-I was like, that was nuts, like.

0:42:460:42:49

He may live to regret that.

0:42:490:42:51

Probably wanking away, there.

0:42:510:42:54

APPLAUSE

0:42:550:42:58

And the dance troupe you were in, can you tell us about it?

0:43:050:43:08

Because, apparently, young dancers, they can be quite vicious.

0:43:080:43:12

It's a cut-throat business.

0:43:120:43:14

And I had to get out.

0:43:140:43:16

LAUGHTER

0:43:160:43:17

I was on some kind of a Canadian Star Search,

0:43:170:43:22

and I somehow made it to the finals,

0:43:220:43:24

and my main competition were these two...

0:43:240:43:28

twins who were tap dancers,

0:43:280:43:30

-and they were dancing to Phil Collins' Two Hearts.

-Ooh!

0:43:300:43:34

And they had big heart-shaped bows and they were just...

0:43:340:43:37

They were the ones to beat so...

0:43:370:43:41

I remember wishing them luck and going on stage

0:43:410:43:44

and I was getting ready to start.

0:43:440:43:46

I was dancing to Everybody Dance Now by C+C Music Factory, of course.

0:43:460:43:49

-Mm, yeah.

-And I'm getting ready to start.

0:43:490:43:51

This is how you start a winning dance number, if you want to know.

0:43:510:43:56

I'm going to get out of your hand's way. Go ahead, go up.

0:43:560:43:59

And I look up into the...

0:43:590:44:01

just off stage and the two twins are standing there

0:44:010:44:04

like the twins from The Shining.

0:44:040:44:08

And they're just going like this...

0:44:080:44:09

LAUGHTER

0:44:090:44:11

APPLAUSE

0:44:110:44:14

And I was like, "All right, this means war," so I just shimmied

0:44:160:44:22

my way all the way to that trophy, to that tiny little trophy.

0:44:220:44:27

No, because, is this the same troupe?

0:44:270:44:29

I was going to say it's an all-girl troupe but obviously it's not,

0:44:290:44:31

-you're in it.

-Right.

-But...

0:44:310:44:34

-Thank you.

-But you are the only boy in it.

0:44:340:44:37

-Yeah, that was the...

-Was that the...?

0:44:370:44:39

-That was the point.

-That was the gimmick.

0:44:390:44:41

They let me dance there for free because I was a guy,

0:44:410:44:43

because if you had a guy, you would win.

0:44:430:44:47

-Oh, OK.

-Yeah.

-So are you ready to see...?

0:44:470:44:50

AUDIENCE: Yes!

0:44:500:44:53

I believe you're dancing to Cathy Dennis' classic Touch Me.

0:44:530:44:57

And how old are you in this one?

0:44:590:45:02

Old enough to know better.

0:45:020:45:03

LAUGHTER

0:45:030:45:05

Enjoy.

0:45:050:45:07

LAUGHTER

0:45:150:45:17

CHEERING AND APPLAUSE

0:45:250:45:28

Hey, it's nearly time to go,

0:45:320:45:34

but we've just got time to go for the visit

0:45:340:45:38

-to the Big Red Chair. Hello!

-Hello.

0:45:380:45:40

-Hello! Hi, what's your name?

-James.

0:45:400:45:42

-James, lovely James. And what do you do?

-I'm a civil servant.

0:45:420:45:45

A civil servant, lovely. In London here?

0:45:450:45:47

-Yes, in London.

-And are you from the London area?

0:45:470:45:50

No, I live in London, but I'm originally from Suffolk.

0:45:500:45:53

-Oh... Oh!

-Yeah, mate!

-It's a Suffolk massive.

0:45:530:45:56

LAUGHTER

0:45:560:45:58

What school did you go to?

0:45:580:45:59

Erm, so I went to Brandeston.

0:45:590:46:02

Oh, sweet, yeah. I went there for primary school.

0:46:020:46:05

-Yeah.

-OK.

-Did we know each other?

-Yeah.

0:46:050:46:08

-Did we?

-LAUGHTER AND APPLAUSE

0:46:080:46:10

I'm not wearing my glasses.

0:46:100:46:12

-Have a look.

-I'm not wearing my glasses.

0:46:120:46:14

-What was it, James?

-Hello, yeah.

-James.

0:46:140:46:17

-Yes.

-Mee?!

0:46:170:46:18

-That's the one.

-What the fuck?!

0:46:180:46:20

LAUGHTER AND APPLAUSE

0:46:200:46:23

-You do know him?

-He was my best mate growing up!

-You're kidding?

0:46:230:46:26

He was my best mate growing up!

0:46:260:46:27

-And now you're talking to him on a monitor.

-I'm not...

0:46:270:46:30

-I'm not wearing my specs, and he's like...

-Oh, my God.

0:46:300:46:33

What the hell? Can we not flip him and just get out here?

0:46:330:46:35

-Yeah, do you have a story or...?

-Yeah, I did, but it's up to you.

0:46:350:46:39

-JOSH:

-Please let it be about Ed.

-It is about Ed.

0:46:390:46:41

-OK, tell your story...

-OK, cool.

0:46:410:46:43

-..then we'll flip you and...

-I'm going to sit with you.

0:46:430:46:45

Oh, OK. Tell the story, tell the story.

0:46:450:46:47

OK, cool. So, yeah, as Ed was saying...

0:46:470:46:49

-This is so random, mate!

-I know, it's really weird.

0:46:490:46:51

Yeah, when we were younger, Ed used to come round my house,

0:46:510:46:54

and, yeah, like you were saying, we used to be quite good mates.

0:46:540:46:56

-Best mates.

-And I remember one time,

0:46:560:46:58

one time he was coming round for tea,

0:46:580:47:00

and I had forgotten to tell Mum he was a vegetarian.

0:47:000:47:03

At that point, anyway.

0:47:030:47:04

So Mum cooked, I think it was sausages and mash for tea.

0:47:040:47:07

And Ed said, you know, after the meal,

0:47:070:47:09

"These are the best sausages I've ever tasted,

0:47:090:47:11

"where did you get them from?"

0:47:110:47:13

And Mum had to lie, cos she had no clue,

0:47:130:47:15

and so, yeah...

0:47:150:47:17

-That was the first...

-16 years later, I'm really sorry!

0:47:170:47:19

The first time I ever had meat.

0:47:190:47:21

And also the first time I ever watched a Simpsons episode

0:47:210:47:23

-was round your house as well.

-Yeah, that's right.

0:47:230:47:25

-OK. Well done, we're going to flip you now.

-Come in!

0:47:250:47:28

We can be reunited back stage, OK?

0:47:280:47:29

-Put him on the couch!

-OK. OK, there he goes.

0:47:290:47:33

-APPLAUSE

-That's nuts.

0:47:330:47:35

Bring him on, bring him on, he wants to meet him.

0:47:360:47:39

I feel like Cilla Black on Surprise Surprise.

0:47:390:47:41

There he is!

0:47:420:47:44

APPLAUSE AND CHEERING

0:47:440:47:46

Come on! Have a seat, have a seat, have a seat, do!

0:47:480:47:51

LAUGHTER

0:47:510:47:54

APPLAUSE

0:47:540:47:58

APPLAUSE AND CHEERING

0:48:180:48:21

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