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Asking the questions, Jeremy Paxman. | 0:00:23 | 0:00:26 | |
APPLAUSE | 0:00:26 | 0:00:29 | |
Hello. 28 teams qualified for this contest, | 0:00:29 | 0:00:32 | |
16 made it to the second round, | 0:00:32 | 0:00:34 | |
and eight have been through the mill of the quarterfinals. | 0:00:34 | 0:00:37 | |
Now only the four best remain, | 0:00:37 | 0:00:40 | |
competing in two semifinal matches, the first of which is tonight. | 0:00:40 | 0:00:44 | |
The winners will, of course, go through to the final. | 0:00:44 | 0:00:47 | |
The team from Emmanuel College, Cambridge | 0:00:47 | 0:00:49 | |
have a flawless record so far. | 0:00:49 | 0:00:51 | |
The opponents whose hopes they so cheerfully dashed were | 0:00:51 | 0:00:54 | |
Nottingham University, the School of Oriental and African Studies, | 0:00:54 | 0:00:58 | |
and in the quarterfinals, | 0:00:58 | 0:00:59 | |
the University of Warwick and Corpus Christi College, Oxford. | 0:00:59 | 0:01:03 | |
With an average age of 22, let's meet the Emmanuel team again. | 0:01:03 | 0:01:08 | |
Hello, I'm Tom Hill, I'm from London, and I'm reading History. | 0:01:08 | 0:01:12 | |
Hello, my name's Leah Ward, | 0:01:12 | 0:01:14 | |
I'm originally from Oxfordshire, and I'm studying Maths. | 0:01:14 | 0:01:17 | |
And this is their captain. | 0:01:17 | 0:01:18 | |
Hello, my name's Bobby Seagull. | 0:01:18 | 0:01:20 | |
I'm from East Ham in the London Borough of Newham. | 0:01:20 | 0:01:22 | |
I'm studying for a Masters in Education, specialising in Maths. | 0:01:22 | 0:01:26 | |
Hi, I'm Bruno, I'm from Wandsworth in south-west London, | 0:01:26 | 0:01:28 | |
and I'm studying Physics. | 0:01:28 | 0:01:30 | |
APPLAUSE | 0:01:30 | 0:01:32 | |
The team from Wolfson College, Cambridge, also had a victory | 0:01:35 | 0:01:39 | |
against the School of Oriental and African Studies, | 0:01:39 | 0:01:41 | |
and then beat Jesus College, Cambridge, | 0:01:41 | 0:01:43 | |
followed by Balliol College, Oxford, | 0:01:43 | 0:01:46 | |
although Balliol are also through to this stage. | 0:01:46 | 0:01:48 | |
They then lost to Edinburgh University | 0:01:48 | 0:01:51 | |
before redeeming themselves with a win over the University of Warwick. | 0:01:51 | 0:01:55 | |
With an average age of 25, let's meet the Wolfson team again. | 0:01:55 | 0:01:59 | |
Hi, my name is Justin Yang, I'm from Vancouver, Canada, | 0:01:59 | 0:02:02 | |
and I'm studying for a PhD in Public Health and Primary Care. | 0:02:02 | 0:02:05 | |
Hi, I'm Ben Chaudhri, I'm from near Cockermouth in Cumbria, | 0:02:05 | 0:02:08 | |
and I'm studying Natural Sciences. | 0:02:08 | 0:02:10 | |
And this is their captain. | 0:02:10 | 0:02:11 | |
Hello, my name is Eric Monkman, and I'm from Oakville, Canada, | 0:02:11 | 0:02:15 | |
and I'm studying Economics. | 0:02:15 | 0:02:16 | |
Hi, I'm Paul Cosgrove. I'm from Cookstown in Northern Ireland, | 0:02:16 | 0:02:20 | |
and I'm doing an MPhil in Nuclear Energy. | 0:02:20 | 0:02:22 | |
APPLAUSE | 0:02:22 | 0:02:25 | |
Well, you all know the rules. | 0:02:28 | 0:02:29 | |
Fingers on the buzzers, here's your first starter for 10. | 0:02:29 | 0:02:33 | |
The discovery of a lost will at the end of a novel | 0:02:33 | 0:02:36 | |
is an example of what plot-resolving...? | 0:02:36 | 0:02:38 | |
BELL RINGS | 0:02:38 | 0:02:40 | |
Deus ex machina? | 0:02:40 | 0:02:41 | |
Correct. | 0:02:41 | 0:02:42 | |
APPLAUSE | 0:02:42 | 0:02:44 | |
Your bonuses, the first set of bonuses in this contest, Emmanuel, | 0:02:45 | 0:02:48 | |
are on the German-born art historian Erwin Panofsky. | 0:02:48 | 0:02:53 | |
Firstly, for five points, | 0:02:53 | 0:02:54 | |
Panofsky was a major exponent of which field of art history, | 0:02:54 | 0:02:58 | |
defined as the identification and interpretation of | 0:02:58 | 0:03:01 | |
the subject matter of the figurative arts? | 0:03:01 | 0:03:04 | |
Subject matter, what...? | 0:03:04 | 0:03:05 | |
-I actually don't know. -No idea. -Subject matter. | 0:03:05 | 0:03:08 | |
-Say realist. -Realist. -Just like some random "ist!" | 0:03:08 | 0:03:11 | |
Yeah, erm, realist. | 0:03:11 | 0:03:12 | |
No, it's iconography. | 0:03:12 | 0:03:14 | |
Secondly, in an essay of 1934, | 0:03:14 | 0:03:16 | |
Panofsky made a noted analysis of the symbolism of which | 0:03:16 | 0:03:20 | |
15th-century painting in the National Gallery, identifying it as | 0:03:20 | 0:03:23 | |
a visual contract testifying to an act of marriage? | 0:03:23 | 0:03:27 | |
Is it the Arnolfini...? | 0:03:27 | 0:03:28 | |
Of course it is, yeah. The Arnolfini Portrait. | 0:03:28 | 0:03:30 | |
That's correct. And, finally, in 1943, | 0:03:30 | 0:03:33 | |
Panofsky published a work on which artist of the Northern Renaissance? | 0:03:33 | 0:03:37 | |
His prints include Melencolia and Knight, Death and the Devil. | 0:03:37 | 0:03:41 | |
Of course. Durer. | 0:03:41 | 0:03:42 | |
Correct. 10 points for this. | 0:03:42 | 0:03:44 | |
Holbeche House near Dudley is now a nursing home. | 0:03:44 | 0:03:47 | |
In the early 17th century it was surrounded by | 0:03:47 | 0:03:49 | |
a posse led by the Sheriff of Worcestershire. | 0:03:49 | 0:03:52 | |
Robert Catesby and several others were killed in the ensuing... | 0:03:52 | 0:03:55 | |
BUZZ | 0:03:55 | 0:03:56 | |
The Gunpowder Plot? | 0:03:56 | 0:03:57 | |
Correct. APPLAUSE | 0:03:57 | 0:04:00 | |
So, your first bonuses, Wolfson, are on property. | 0:04:02 | 0:04:05 | |
"So long as the great majority of men are not deprived of | 0:04:05 | 0:04:08 | |
"either property or honour, they are satisfied." | 0:04:08 | 0:04:10 | |
Which political philosopher made that statement in a work of 1513? | 0:04:10 | 0:04:14 | |
-Oh, is...? -Hobbes? -No, it can't be Hobbes, it's too early. | 0:04:14 | 0:04:18 | |
-I would say Thomas More. -Yeah. -Thomas More? | 0:04:18 | 0:04:21 | |
No, it was Machiavelli. | 0:04:21 | 0:04:23 | |
"The great and chief end of men's uniting into commonwealths is | 0:04:23 | 0:04:27 | |
"the preservation of their property." | 0:04:27 | 0:04:29 | |
Who wrote this in his Second Treatise of civil government? | 0:04:29 | 0:04:33 | |
-Locke. -Locke. -Locke. | 0:04:33 | 0:04:34 | |
John Locke is right. | 0:04:34 | 0:04:36 | |
Finally, "There is something that governments care far more for | 0:04:36 | 0:04:39 | |
"than human life, and that is the security of property, | 0:04:39 | 0:04:42 | |
"and so it is through property that we shall strike the enemy." | 0:04:42 | 0:04:46 | |
Who said that in a speech at the Albert Hall in 1912? | 0:04:46 | 0:04:49 | |
1912, Albert Hall? Erm... | 0:04:49 | 0:04:51 | |
-Some communist? -That's probably... | 0:04:51 | 0:04:53 | |
-Lenin? -No, it's probably Lloyd George. | 0:04:53 | 0:04:55 | |
Lloyd George? The Slimehouse Speech? Lloyd George? | 0:04:55 | 0:04:58 | |
No, it wasn't, he was a victim of it, actually. | 0:04:58 | 0:05:01 | |
It was Emmeline Pankhurst. 10 points for this. | 0:05:01 | 0:05:03 | |
What name was shared by the NASA space probes designated 1 and 2, | 0:05:03 | 0:05:08 | |
and launched in 1977 within...? | 0:05:08 | 0:05:10 | |
BUZZ | 0:05:10 | 0:05:11 | |
Er, Voyager. | 0:05:11 | 0:05:13 | |
Voyager is correct. | 0:05:13 | 0:05:14 | |
APPLAUSE | 0:05:14 | 0:05:15 | |
You take the lead, and you get a set of bonuses on terms | 0:05:15 | 0:05:19 | |
that begin with the same Greek prefix. | 0:05:19 | 0:05:21 | |
In each case, give the term from the definition. | 0:05:21 | 0:05:24 | |
Firstly, an informal term for extreme anger. | 0:05:24 | 0:05:28 | |
Formerly it served as a generic term for | 0:05:28 | 0:05:30 | |
a cerebro-vascular accident or stroke. | 0:05:30 | 0:05:33 | |
-Trauma? -Extreme anger, er, Greek term, so... | 0:05:33 | 0:05:36 | |
Erm, extreme anger, erm... | 0:05:37 | 0:05:39 | |
-Extreme anger... -Apoplectic. -Apoplexia. | 0:05:39 | 0:05:42 | |
Apoplexia? | 0:05:42 | 0:05:43 | |
I'll accept that, yes. | 0:05:43 | 0:05:44 | |
Apoplexy is what we normally render it in English. | 0:05:44 | 0:05:47 | |
So, secondly, for five points, | 0:05:47 | 0:05:48 | |
a grammatical term for the main clause of a conditional sentence. | 0:05:48 | 0:05:52 | |
For example, the last two words of the sentence, | 0:05:52 | 0:05:55 | |
"If you want to please the viewers, confer audibly." | 0:05:55 | 0:05:59 | |
-Is this apostrophe? -No, I think it's an appositive. -OK. | 0:05:59 | 0:06:03 | |
-Nominate Yang. -Appositive? | 0:06:03 | 0:06:05 | |
No, it's an apodosis. | 0:06:05 | 0:06:07 | |
Finally, a term for the New Testament Book of Revelation | 0:06:07 | 0:06:10 | |
from its opening words in the Vulgate. | 0:06:10 | 0:06:12 | |
Is it Apocalypsis Johannis? | 0:06:12 | 0:06:14 | |
Apocalypsis Johannis? | 0:06:16 | 0:06:18 | |
Apocalypse was all I wanted, that's correct. | 0:06:18 | 0:06:21 | |
Right, 10 points for this. | 0:06:21 | 0:06:22 | |
In a phrase coined by G.E. Moore | 0:06:22 | 0:06:25 | |
in his 1903 work Principia Ethica, | 0:06:25 | 0:06:27 | |
what adjective is used to describe the fallacy of treating | 0:06:27 | 0:06:31 | |
the term "good" as if it were the name of an...? | 0:06:31 | 0:06:33 | |
BELL RINGS | 0:06:33 | 0:06:35 | |
Naturalistic fallacy? | 0:06:35 | 0:06:36 | |
Correct. APPLAUSE | 0:06:36 | 0:06:38 | |
These bonuses, Emmanuel, are on Davis Cup tennis. | 0:06:41 | 0:06:45 | |
France won six consecutive Davis Cup titles from 1927-32 | 0:06:45 | 0:06:51 | |
through the combined efforts of the so-called Four Musketeers. | 0:06:51 | 0:06:55 | |
Jean Borotra, Jacques Brugnon, Henri Cochet, and which player, | 0:06:55 | 0:06:59 | |
nicknamed "the Crocodile"? | 0:06:59 | 0:07:01 | |
Is it Lacoste, like, you know the crocodile on the shirts? | 0:07:01 | 0:07:04 | |
-I've no idea. -Lacoste? | 0:07:04 | 0:07:05 | |
It was Jean Rene Lacoste. | 0:07:05 | 0:07:07 | |
Before Andy Murray in 2015, | 0:07:07 | 0:07:10 | |
who was the last player to win three live rubbers in a Davis Cup final? | 0:07:10 | 0:07:14 | |
He achieved this feat in 1995 when the United States played Russia. | 0:07:14 | 0:07:19 | |
-So it's either going to be Sampras or Agassi. -Yeah. | 0:07:19 | 0:07:21 | |
-More likely to be... -Sampras? -Yeah, Sampras, yeah. Sampras? | 0:07:21 | 0:07:25 | |
Pete Sampras is right. | 0:07:25 | 0:07:26 | |
When Great Britain won the Davis Cup in 2015, | 0:07:26 | 0:07:29 | |
it did so for the first time since what year? | 0:07:29 | 0:07:32 | |
-You can have a year either way. -So it'd be like the... | 0:07:32 | 0:07:34 | |
-'30, Fred Perry. -'36, '37, like, around Austin, Perry, '36? | 0:07:34 | 0:07:38 | |
-I reckon '36. -'36, yeah? | 0:07:38 | 0:07:41 | |
Er, 1936? | 0:07:41 | 0:07:42 | |
-That's correct. -Oh! | 0:07:42 | 0:07:44 | |
APPLAUSE | 0:07:44 | 0:07:46 | |
Right, 10 points for this starter question. | 0:07:47 | 0:07:49 | |
Using Planck's Quantum Theory, | 0:07:49 | 0:07:51 | |
which French physicist proposed in 1923 that electrons exist...? | 0:07:51 | 0:07:55 | |
BUZZ | 0:07:55 | 0:07:57 | |
De Broglie. | 0:07:57 | 0:07:58 | |
De Broglie is correct, yes. | 0:07:58 | 0:07:59 | |
APPLAUSE | 0:07:59 | 0:08:01 | |
That puts you on level pegging again, and you get a set of | 0:08:03 | 0:08:05 | |
bonuses on a scientific constant and a list of units of measurement. | 0:08:05 | 0:08:10 | |
You should answer with the numerical exponents of the units | 0:08:10 | 0:08:14 | |
used to measure the constant. | 0:08:14 | 0:08:16 | |
So, for speed of light, metres and seconds, you would answer | 0:08:16 | 0:08:20 | |
one, minus one, corresponding to metres per second. | 0:08:20 | 0:08:24 | |
-Understand? -It's in the dimensions... -Good, OK. | 0:08:24 | 0:08:27 | |
Firstly, the ideal gas constant, joules, kelvins and moles. | 0:08:27 | 0:08:32 | |
It's joules per mole per kelvin, so it's one, minus one, minus one. | 0:08:32 | 0:08:36 | |
-Can I nominate you? -Yeah, sure. -Nominate Cosgrove. | 0:08:36 | 0:08:39 | |
One, minus one, minus one? | 0:08:39 | 0:08:40 | |
Correct. Secondly, the Stefan-Boltzmann constant, | 0:08:40 | 0:08:43 | |
watts, metres and kelvins. | 0:08:43 | 0:08:45 | |
It's temperatures... | 0:08:45 | 0:08:47 | |
Watts per metre, or is it per square metre, | 0:08:47 | 0:08:50 | |
-per kelvin to the four? -Yeah. | 0:08:50 | 0:08:52 | |
So it's one, minus one, minus four. | 0:08:52 | 0:08:55 | |
Yeah, one, minus one, minus four. | 0:08:55 | 0:08:56 | |
-Plus four. -No, minus four, cos it's... | 0:08:56 | 0:08:59 | |
-You're getting watts at the end. -OK. -Nominate Cosgrove. | 0:08:59 | 0:09:02 | |
One, minus two, minus four. | 0:09:02 | 0:09:04 | |
That's correct, yes, you caught yourself there, well done. | 0:09:04 | 0:09:08 | |
And finally the Planck constant, joules and seconds. | 0:09:08 | 0:09:12 | |
-It's joules-seconds, so it's one, one. -Yeah. | 0:09:12 | 0:09:14 | |
-Nominate Cosgrove. -One, one. | 0:09:14 | 0:09:16 | |
One, one is right, yes. | 0:09:16 | 0:09:18 | |
APPLAUSE | 0:09:18 | 0:09:20 | |
We're going to take a picture round. For your picture starter, | 0:09:21 | 0:09:24 | |
you'll see a map of the world with two cities marked. | 0:09:24 | 0:09:26 | |
For 10 points, what is the single English word that translates | 0:09:26 | 0:09:29 | |
the name element that these cities have in common? | 0:09:29 | 0:09:33 | |
BUZZ | 0:09:35 | 0:09:37 | |
Peace? | 0:09:37 | 0:09:38 | |
Peace is right, yes, it's La Paz and Dar es Salaam. | 0:09:38 | 0:09:41 | |
So you get picture bonuses. They are three more maps, | 0:09:42 | 0:09:45 | |
this time with three cities or towns highlighted, | 0:09:45 | 0:09:48 | |
all of which have names whose meanings or etymological roots | 0:09:48 | 0:09:51 | |
when translated into English have a word or concept in common. | 0:09:51 | 0:09:55 | |
You have to identify them for five points apiece. Firstly... | 0:09:55 | 0:09:59 | |
Erm, that's, that's... | 0:10:01 | 0:10:04 | |
Capital city, capital city and capital... | 0:10:04 | 0:10:07 | |
-It's Amsterdam. -Amsterdam. That's Vladivostok, and... | 0:10:07 | 0:10:11 | |
-Is that Kyoto? -Kyoto? That's probably, like, Belgium, Brussels. | 0:10:11 | 0:10:16 | |
-No, Tokyo, sorry. -Er... | 0:10:16 | 0:10:18 | |
-What do you think? -Vladivostok? | 0:10:18 | 0:10:20 | |
That isn't what I asked you for. | 0:10:20 | 0:10:22 | |
-What I asked you for was the concept they had in common. -Oh, east. | 0:10:22 | 0:10:27 | |
Well, east is right, | 0:10:27 | 0:10:28 | |
-but that isn't the answer you gave me first off, I'm afraid. -OK. | 0:10:28 | 0:10:31 | |
So it was Vladivostok, Ostend and Tokyo. So, secondly... | 0:10:31 | 0:10:35 | |
-Is that Rome? -Rome. No, it can't be, it's Addis... | 0:10:37 | 0:10:41 | |
-It's not? -St Petersburg, is it, erm...? | 0:10:41 | 0:10:45 | |
I think that's St Petersburg, so is it, erm... | 0:10:45 | 0:10:48 | |
-I mean, Rome is like the eternal city. -Eternal city? Eternal? | 0:10:48 | 0:10:51 | |
Yeah, eternal? Eternal city? | 0:10:51 | 0:10:53 | |
No, that's Naples, in fact, anyway. | 0:10:53 | 0:10:55 | |
-It's new. -Oh. -Oh! | 0:10:55 | 0:10:57 | |
Novgorod, Naples and Addis Ababa. And finally... | 0:10:57 | 0:11:01 | |
OK, so that's... | 0:11:03 | 0:11:04 | |
Hull or something? | 0:11:04 | 0:11:06 | |
Erm... Sarajevo? | 0:11:06 | 0:11:08 | |
-Marrakech? -Marrakech? It's like... | 0:11:11 | 0:11:15 | |
Market town? Market town? | 0:11:16 | 0:11:17 | |
-I think just say market. -Market? | 0:11:17 | 0:11:19 | |
No, it's white. | 0:11:19 | 0:11:21 | |
They were in fact Casablanca, Belgrade and Whitby in the UK. | 0:11:21 | 0:11:25 | |
Right, 10 points for this. | 0:11:25 | 0:11:27 | |
I need a precise seven-letter name in this answer. | 0:11:27 | 0:11:30 | |
What is described on its official website as | 0:11:30 | 0:11:32 | |
"neither tower nor pyramid, a little bit cubic, | 0:11:32 | 0:11:35 | |
"a little bit spherical, halfway between sculpture and architecture"? | 0:11:35 | 0:11:39 | |
102 metres high and made of steel, | 0:11:39 | 0:11:42 | |
it was designed by Andre Waterkeyn for the 1958 World Fair in Brussels. | 0:11:42 | 0:11:47 | |
BUZZ | 0:11:47 | 0:11:49 | |
The Atomium? | 0:11:49 | 0:11:50 | |
That is correct, yes. | 0:11:50 | 0:11:52 | |
APPLAUSE | 0:11:52 | 0:11:54 | |
Your bonuses are on stained glass in north-west England. | 0:11:56 | 0:12:00 | |
Firstly, for five points, St Leonard's Church in Middleton, | 0:12:00 | 0:12:03 | |
near Rochdale, has an early 16th-century window, | 0:12:03 | 0:12:07 | |
once thought to be an early war memorial depicting a row of archers. | 0:12:07 | 0:12:11 | |
It's popularly named after which battle of 1513, | 0:12:11 | 0:12:15 | |
at which James IV of Scotland was killed? | 0:12:15 | 0:12:17 | |
-Flodden Field? -Yeah. | 0:12:17 | 0:12:19 | |
Flodden Field? | 0:12:19 | 0:12:20 | |
Flodden is correct, yes. | 0:12:20 | 0:12:22 | |
Lauded by Nikolaus Pevsner, | 0:12:22 | 0:12:23 | |
the windows of St Martin's Church in Brampton, Cumbria, | 0:12:23 | 0:12:27 | |
are a collaboration between Sir Edward Burne-Jones | 0:12:27 | 0:12:30 | |
and the firm of which artist, the founder of the Kelmscott Press? | 0:12:30 | 0:12:34 | |
-Is this, erm, is this, like, Morris? -William Morris? -Morris? | 0:12:34 | 0:12:37 | |
-Sure, go for it. -Morris? | 0:12:37 | 0:12:39 | |
It is William Morris, yes. | 0:12:39 | 0:12:41 | |
And finally, All Saints' Church in Daresbury, Cheshire, has a stained | 0:12:41 | 0:12:44 | |
glass memorial of which writer, born in the village parsonage in 1832? | 0:12:44 | 0:12:49 | |
Its images include a rabbit, a dodo, and a stylised royal figure. | 0:12:49 | 0:12:53 | |
Lewis Carroll. | 0:12:53 | 0:12:54 | |
Correct. 10 points for this... | 0:12:54 | 0:12:56 | |
APPLAUSE | 0:12:56 | 0:12:58 | |
Lady Of Quality, Venetia, and Regency Buck... | 0:12:58 | 0:13:03 | |
BELL RINGS | 0:13:03 | 0:13:04 | |
Georgette Heyer? | 0:13:04 | 0:13:05 | |
Yes. APPLAUSE | 0:13:05 | 0:13:07 | |
Right, these bonuses are on silent comedy now, Emmanuel College. | 0:13:10 | 0:13:14 | |
Which prominent star of the silent era is noted for the 1923 film | 0:13:14 | 0:13:19 | |
Safety Last, in which he is seen hanging from a clock | 0:13:19 | 0:13:22 | |
several storeys above a city street? | 0:13:22 | 0:13:24 | |
-Buster Keaton, yeah? -Yeah. -Er, Buster Keaton. | 0:13:24 | 0:13:26 | |
No, that was Harold Lloyd. | 0:13:26 | 0:13:28 | |
Released in 1931, after the arrival of films with sound, | 0:13:28 | 0:13:32 | |
which silent romantic comedy stars Charlie Chaplin as the Little Tramp, | 0:13:32 | 0:13:36 | |
and Virginia Cherrill as the flower girl he befriends? | 0:13:36 | 0:13:40 | |
Er, so it's not Modern Times. What's the other one? Er... | 0:13:40 | 0:13:44 | |
-I can't remember. -Oh, I can't remember. | 0:13:45 | 0:13:47 | |
-Say Modern Times, then. -Modern Times? | 0:13:47 | 0:13:49 | |
No, it's City Lights. | 0:13:49 | 0:13:50 | |
Who starred in and co-directed the 1920s silent comedies | 0:13:50 | 0:13:54 | |
Our Hospitality, The Navigator and The General? | 0:13:54 | 0:13:58 | |
His deadpan expression earned him the nickname "the Great Stoneface". | 0:13:58 | 0:14:01 | |
I guess you've got to say Buster Keaton this time. | 0:14:01 | 0:14:04 | |
Yeah, go for it? Buster Keaton? | 0:14:04 | 0:14:05 | |
Buster Keaton is correct. 10 points for this. | 0:14:05 | 0:14:08 | |
Fully assembled by the early Permian period about 290 million years ago, | 0:14:08 | 0:14:13 | |
which super...? BELL RINGS | 0:14:13 | 0:14:15 | |
Pangaea. | 0:14:15 | 0:14:17 | |
Pangaea is right, yes. | 0:14:17 | 0:14:18 | |
APPLAUSE | 0:14:18 | 0:14:20 | |
These bonuses are on criticisms, Emmanuel College. | 0:14:21 | 0:14:25 | |
The Polish philosopher Leszek Kolakowski | 0:14:25 | 0:14:28 | |
was a fierce critic of which body of doctrine named in the title of | 0:14:28 | 0:14:31 | |
his three-volume work first published in 1976, | 0:14:31 | 0:14:35 | |
and described by him as "the greatest fantasy of our century"? | 0:14:35 | 0:14:39 | |
I don't know, like, is it a political movement? | 0:14:39 | 0:14:42 | |
-Communism, or...? -Doctrine like communism, maybe? | 0:14:42 | 0:14:45 | |
You know, '76, communism was still around then? Communism? | 0:14:45 | 0:14:48 | |
No, it's Marxism. | 0:14:48 | 0:14:50 | |
Distrusting the official Marxism of theorists such as | 0:14:50 | 0:14:53 | |
Louis Althusser, which French thinker attacked classical Marxism | 0:14:53 | 0:14:57 | |
in his 1973 work The Mirror Of Production? | 0:14:57 | 0:15:02 | |
-French thinker. -We don't know this. -You don't know this, yeah? -No. | 0:15:02 | 0:15:05 | |
No, nothing? | 0:15:05 | 0:15:07 | |
Er, Henri. | 0:15:07 | 0:15:08 | |
No, that was Jean Baudrillard. | 0:15:08 | 0:15:10 | |
And finally, which Russian anarchist believed that Marxist regimes | 0:15:10 | 0:15:14 | |
would lead to what he called "the despotic control of the populace | 0:15:14 | 0:15:18 | |
"by a new and not-at-all numerous aristocracy"? | 0:15:18 | 0:15:21 | |
-So, is this, like...? Russian, is it? Lenin? No, anarchist. -Anarchist. | 0:15:21 | 0:15:25 | |
-Chomsky, but... -Is he...? -No, he's not Russian. | 0:15:25 | 0:15:28 | |
-Was Tolstoy kind of anarchist? -Tolstoy, yeah, let's go for that? | 0:15:28 | 0:15:31 | |
-He was kind of like... It's not really anarchist, but... -Tolstoy? | 0:15:31 | 0:15:35 | |
No, it was Bakunin. Mikhail Bakunin. | 0:15:35 | 0:15:38 | |
We're going to take a music round. For your music starter, | 0:15:38 | 0:15:41 | |
you're going to hear part of a song cycle by a British composer. | 0:15:41 | 0:15:44 | |
10 points if you can identify the composer. | 0:15:44 | 0:15:47 | |
# In the third class seat | 0:15:47 | 0:15:51 | |
# Sat the journeying boy... # | 0:15:51 | 0:15:59 | |
BELL RINGS | 0:15:59 | 0:16:01 | |
Britten? | 0:16:01 | 0:16:03 | |
It is Benjamin Britten, yes. | 0:16:03 | 0:16:04 | |
APPLAUSE | 0:16:04 | 0:16:06 | |
Midnight On The Great Western. | 0:16:07 | 0:16:09 | |
It was a setting by Britten of a poem by Thomas Hardy. | 0:16:09 | 0:16:12 | |
Your music bonuses are three more settings by Britten | 0:16:12 | 0:16:15 | |
of well-known poems. This time, in each case, | 0:16:15 | 0:16:18 | |
I want the name of the poet whose work has been set. | 0:16:18 | 0:16:21 | |
Firstly, for five... | 0:16:21 | 0:16:22 | |
# Death be not proud... # | 0:16:22 | 0:16:28 | |
Oh, er, Death Be Not Proud. | 0:16:28 | 0:16:29 | |
So, that's Donne. Donne. | 0:16:29 | 0:16:31 | |
John Donne is right. Secondly... | 0:16:31 | 0:16:34 | |
# I wander thro' each charter'd street | 0:16:34 | 0:16:41 | |
# Near where the charter'd Thames does flow... # | 0:16:42 | 0:16:50 | |
Near where the what? | 0:16:50 | 0:16:52 | |
# And mark in every face I meet... # | 0:16:52 | 0:16:56 | |
Oh, yeah. It is Blake, definitely. No, it's, "In every... | 0:16:56 | 0:17:00 | |
-"Signs of weakness, signs of woe." -Yeah, I... | 0:17:00 | 0:17:03 | |
-Is that Blake? -I don't know. | 0:17:03 | 0:17:04 | |
Blake? We'll just have to... Blake. | 0:17:04 | 0:17:06 | |
-It was William Blake, yes. -Excellent, Bruno. -Finally... | 0:17:06 | 0:17:10 | |
# What passing bells for these who die as cattle? | 0:17:10 | 0:17:17 | |
# Only the monstrous anger of the guns | 0:17:20 | 0:17:24 | |
# Only the stuttering rifles' rapid rattle... # | 0:17:27 | 0:17:31 | |
-I don't recognise it at all. -Shakespeare? | 0:17:31 | 0:17:34 | |
No, it was Wilfred Owen, part of his Anthem For Doomed Youth, | 0:17:34 | 0:17:37 | |
in his War Requiem, Britten's War Requiem. 10 points for this. | 0:17:37 | 0:17:41 | |
Often known by a three-letter abbreviation, | 0:17:41 | 0:17:43 | |
what term denotes the area roughly 240km long and 4km wide, | 0:17:43 | 0:17:49 | |
lying roughly along the 38th parallel...? | 0:17:49 | 0:17:51 | |
BUZZ | 0:17:51 | 0:17:53 | |
The demilitarised zone? | 0:17:53 | 0:17:55 | |
Correct, the DMZ, yes. | 0:17:55 | 0:17:56 | |
APPLAUSE | 0:17:56 | 0:17:59 | |
Right, you get a set of bonuses on early 20th-century Nobel laureates. | 0:17:59 | 0:18:04 | |
In each case, I need the specific prize | 0:18:04 | 0:18:07 | |
and the nationality of the recipient. | 0:18:07 | 0:18:10 | |
Firstly, Baroness Bertha von Suttner, the winner in 1905. | 0:18:10 | 0:18:14 | |
-She was from Austria-Hungary and she won it for Peace. -Yeah. | 0:18:14 | 0:18:17 | |
She was from Austria-Hungary and she won it for Peace. | 0:18:17 | 0:18:21 | |
That is correct. | 0:18:21 | 0:18:22 | |
Secondly, Selma Lagerlof, the winner in 1909. | 0:18:22 | 0:18:27 | |
-I don't know whether that would be Literature. -I think she's, erm... | 0:18:27 | 0:18:32 | |
-Swedish? -I think she's Swedish. -OK. Literature and Swedish? | 0:18:32 | 0:18:36 | |
Correct. And finally Grazia Deledda, the winner in 1926. | 0:18:36 | 0:18:42 | |
-Not Peace. -No, no, I think this... Physiology? -Italian and Medicine? | 0:18:42 | 0:18:46 | |
-I think it was... I think so. -Italian and Medicine? | 0:18:46 | 0:18:49 | |
No, it's Literature and Italian. 10 points for this. | 0:18:49 | 0:18:52 | |
Because of its ease of cultivation and anatomical simplicity, | 0:18:52 | 0:18:56 | |
which transparent soil nematode has been used...? | 0:18:56 | 0:18:59 | |
BUZZ | 0:18:59 | 0:19:01 | |
C. elegans. | 0:19:01 | 0:19:02 | |
C. elegans is correct, yes. | 0:19:02 | 0:19:04 | |
APPLAUSE | 0:19:04 | 0:19:06 | |
Your bonuses are on mathematics, Wolfson. | 0:19:07 | 0:19:10 | |
What is the name of the two-dimensional cellular automaton | 0:19:10 | 0:19:14 | |
invented by John Conway | 0:19:14 | 0:19:16 | |
and popularised by Scientific American magazine in 1970? | 0:19:16 | 0:19:20 | |
Game of Life? | 0:19:20 | 0:19:21 | |
Correct. In the Game of Life, what is the two-word term for | 0:19:21 | 0:19:24 | |
a pattern that does not change from one generation to the next? | 0:19:24 | 0:19:28 | |
-Oh... -Stable pattern? Cycle? | 0:19:28 | 0:19:30 | |
-No, no. -Stable pattern? -Er... | 0:19:30 | 0:19:33 | |
Extinction? I don't know. I'll say stable pattern, maybe? | 0:19:33 | 0:19:37 | |
Stable pattern? | 0:19:37 | 0:19:38 | |
No, it's still life. | 0:19:38 | 0:19:39 | |
And finally, again in the Game of Life, | 0:19:39 | 0:19:41 | |
a life pattern with no father pattern is known by | 0:19:41 | 0:19:44 | |
what three-word term referring to a concept in Abrahamic religions? | 0:19:44 | 0:19:50 | |
No father? Erm... | 0:19:50 | 0:19:51 | |
-Adam and Eve. -Oh, yeah, sure. -Adam and Eve? | 0:19:51 | 0:19:54 | |
No, it's the Garden of Eden. 10 points for this. | 0:19:54 | 0:19:57 | |
From an Italian form of the name John, | 0:19:57 | 0:20:00 | |
what short word does Shakespeare use in Love's Labour's Lost | 0:20:00 | 0:20:04 | |
to indicate an assistant clown or buffoon? | 0:20:04 | 0:20:06 | |
BUZZ | 0:20:06 | 0:20:08 | |
Er, zany? | 0:20:08 | 0:20:09 | |
Yes. | 0:20:09 | 0:20:10 | |
APPLAUSE | 0:20:10 | 0:20:12 | |
Right, you get a set of bonuses this time on hill forts | 0:20:14 | 0:20:18 | |
in Britain, Wolfson. | 0:20:18 | 0:20:19 | |
Overlooking the Vale of Edale, | 0:20:19 | 0:20:21 | |
Mam Tor is a hill fort in which national park? | 0:20:21 | 0:20:25 | |
-Dartmoor? -Dartmoor? -Don't know. | 0:20:26 | 0:20:29 | |
Dartmoor? | 0:20:29 | 0:20:30 | |
No, it's the Peak District. | 0:20:30 | 0:20:31 | |
Secondly, Uffington Castle and Ivinghoe Beacon hill fort | 0:20:31 | 0:20:35 | |
both lie on or close to which national trail? | 0:20:35 | 0:20:40 | |
Is it, er, the Scottish...? It's the Scottish, erm... | 0:20:40 | 0:20:42 | |
Would there be a hill fort up there? Scottish northern trail? | 0:20:42 | 0:20:45 | |
-It could be the West Highland Way. -West Highland Way? | 0:20:45 | 0:20:48 | |
West Highland Way? | 0:20:48 | 0:20:49 | |
No, it's the Ridgeway. | 0:20:49 | 0:20:51 | |
And, lastly, Hod Hill, Maiden Castle and Badbury Rings are hill forts | 0:20:51 | 0:20:55 | |
-in which English county? -Could it be Wiltshire? | 0:20:55 | 0:20:58 | |
That's where a lot of the.... | 0:20:58 | 0:21:00 | |
-OK. -Wiltshire? | 0:21:00 | 0:21:02 | |
No, it's Dorset. We're going to take a second picture round now. | 0:21:02 | 0:21:06 | |
For your picture starter you'll see a painting by a Dutch artist. | 0:21:06 | 0:21:09 | |
10 points if you can identify the artist. | 0:21:09 | 0:21:12 | |
BUZZ | 0:21:12 | 0:21:14 | |
Er, Rembrandt. | 0:21:14 | 0:21:15 | |
No. Anyone...? BELL RINGS | 0:21:15 | 0:21:17 | |
Hooch? | 0:21:17 | 0:21:18 | |
No, it's by Franz Hals. | 0:21:18 | 0:21:20 | |
So, picture bonuses in a moment or two, | 0:21:20 | 0:21:22 | |
10 points at stake with this starter question. | 0:21:22 | 0:21:25 | |
Listen carefully, I need two answers here in the given order. | 0:21:25 | 0:21:29 | |
Give the standard five-letter English spelling | 0:21:29 | 0:21:32 | |
first of the capital of Senegal, then of the capital of Bangladesh. | 0:21:32 | 0:21:36 | |
BELL RINGS | 0:21:36 | 0:21:38 | |
D-A-K-A-R. | 0:21:38 | 0:21:39 | |
D-H-A-K-A. | 0:21:39 | 0:21:41 | |
Correct. | 0:21:41 | 0:21:43 | |
APPLAUSE | 0:21:43 | 0:21:44 | |
You'll recall a moment ago that we saw a painting by Franz Hals. | 0:21:45 | 0:21:49 | |
It's one of many works of art mentioned in Proust's | 0:21:49 | 0:21:51 | |
In Search Of Lost Time. | 0:21:51 | 0:21:53 | |
Your picture bonuses are three more works that are substantially | 0:21:53 | 0:21:56 | |
referenced in that novel sequence. | 0:21:56 | 0:21:58 | |
I want the artists in each case - all are Italians. | 0:21:58 | 0:22:01 | |
-Firstly, for five... -Oh, is that...? | 0:22:01 | 0:22:03 | |
Is that what's-his-name, the one who did The Birth of Venus? | 0:22:03 | 0:22:06 | |
-Botticelli. -Botticelli? | 0:22:06 | 0:22:08 | |
Botticelli is right. The Youth of Moses. Secondly... | 0:22:08 | 0:22:11 | |
Ooh. Is that...? Could it be, like, Raphael? No, I don't think... | 0:22:13 | 0:22:18 | |
-Er... -Erm... Oh, I don't know... | 0:22:18 | 0:22:21 | |
-I've no idea. -Oh, I don't know, Giotto... | 0:22:21 | 0:22:24 | |
Raphael? | 0:22:24 | 0:22:26 | |
No, it's Giotto. And finally... | 0:22:26 | 0:22:28 | |
Is that, like, is that Michelangelo, one of the sculptors? | 0:22:30 | 0:22:33 | |
-Oh! -Oh, horned Moses, that's Michelangelo! -Michelangelo. | 0:22:33 | 0:22:36 | |
Michelangelo is right, yes. | 0:22:36 | 0:22:38 | |
Right, we're going to take another starter question now. | 0:22:38 | 0:22:41 | |
Rendered in German, an inscription meaning "We must know, we will know" | 0:22:41 | 0:22:45 | |
appears on the tombstone of which mathematician who died in 1943? | 0:22:45 | 0:22:49 | |
He gives his name to a vector that's used in functional analysis. | 0:22:49 | 0:22:53 | |
BUZZ | 0:22:53 | 0:22:55 | |
Hilbert? | 0:22:55 | 0:22:56 | |
Hilbert is right, yes. | 0:22:56 | 0:22:58 | |
APPLAUSE | 0:22:58 | 0:23:00 | |
Your bonuses are on contemporary figures who appear | 0:23:00 | 0:23:03 | |
in Byron's poem Don Juan. | 0:23:03 | 0:23:06 | |
Whom does Byron call firstly "the best of cut-throats", observing | 0:23:06 | 0:23:10 | |
that "war's a brain-spattering, windpipe-slitting art"? | 0:23:10 | 0:23:15 | |
Napoleon, maybe? | 0:23:15 | 0:23:16 | |
-Sure. -Napoleon? Napoleon? | 0:23:16 | 0:23:18 | |
No, it was Wellington, Arthur Wellesley. | 0:23:18 | 0:23:21 | |
Which politician does Byron call an "intellectual eunuch" | 0:23:21 | 0:23:25 | |
and a "tinkering slave maker" who became Foreign Secretary in 1812? | 0:23:25 | 0:23:30 | |
-Charles James Fox? -Fox, yeah. | 0:23:30 | 0:23:32 | |
Charles James Fox? | 0:23:32 | 0:23:33 | |
No, it's Castlereagh. | 0:23:33 | 0:23:34 | |
Which literary figure does Byron dismiss as "quaint and mouthy"? | 0:23:34 | 0:23:38 | |
He was Poet Laureate from 1813 until his death in 1843. | 0:23:38 | 0:23:43 | |
-That's Wordsworth. -Wordsworth? -Yeah. -Wordsworth? | 0:23:43 | 0:23:46 | |
No, it's Southey. Four minutes to go, ten points for this. | 0:23:46 | 0:23:49 | |
The team captain, a fair-minded person, | 0:23:49 | 0:23:52 | |
readily accepted the referee's decision. | 0:23:52 | 0:23:54 | |
From the Latin for "placing beside," what term describes the phrase | 0:23:54 | 0:23:58 | |
"a fair-minded person" in this sentence? | 0:23:58 | 0:24:01 | |
BUZZ | 0:24:01 | 0:24:03 | |
Apothe... Apostrophe. | 0:24:03 | 0:24:05 | |
No, you lose five points. One of you may buzz from Emmanuel. | 0:24:05 | 0:24:08 | |
BELL RINGS | 0:24:10 | 0:24:13 | |
Apposite? | 0:24:13 | 0:24:14 | |
It's apposition. | 0:24:14 | 0:24:15 | |
Right, we're going to take another starter question now. | 0:24:15 | 0:24:18 | |
"Like my cat, I often simply do what I want to do. | 0:24:18 | 0:24:22 | |
"I am not then using an ability that only persons have." | 0:24:22 | 0:24:25 | |
Which British philosopher wrote those words to introduce | 0:24:25 | 0:24:28 | |
his 1984 work Reasons and Persons? | 0:24:28 | 0:24:32 | |
BUZZ | 0:24:32 | 0:24:34 | |
Berlin? | 0:24:34 | 0:24:35 | |
No. Anyone like to buzz from Emmanuel...? | 0:24:35 | 0:24:37 | |
Freddie Ayer? | 0:24:37 | 0:24:38 | |
No, it was Derek Parfit. 10 points for this. | 0:24:38 | 0:24:41 | |
Answer as soon as your name is called. | 0:24:41 | 0:24:43 | |
How many millimetres of water would you add to a 100ml | 0:24:43 | 0:24:46 | |
0.5 molar solution to make a 50-millimolar solution? | 0:24:46 | 0:24:51 | |
BELL RINGS | 0:24:53 | 0:24:55 | |
100? | 0:24:55 | 0:24:57 | |
Anyone like to buzz from Wolfson? | 0:24:57 | 0:24:59 | |
BUZZ | 0:24:59 | 0:25:01 | |
50! | 0:25:01 | 0:25:02 | |
No, it's 900. | 0:25:02 | 0:25:03 | |
Right, 10 points for this. | 0:25:03 | 0:25:05 | |
Which English National Park is the location of noted caves | 0:25:05 | 0:25:08 | |
including Stump Cross, White Scar, Gaping Gill, and...? | 0:25:08 | 0:25:11 | |
BELL RINGS | 0:25:11 | 0:25:13 | |
The Yorkshire Dales. | 0:25:13 | 0:25:15 | |
Correct. | 0:25:15 | 0:25:16 | |
APPLAUSE | 0:25:16 | 0:25:19 | |
Right, Emmanuel College, | 0:25:19 | 0:25:20 | |
these bonuses are on the Galilean moons of Jupiter. | 0:25:20 | 0:25:25 | |
Firstly, slightly larger than Earth's moon and noted for its | 0:25:25 | 0:25:28 | |
unusually smooth surface, which is the smallest of the Galilean moons? | 0:25:28 | 0:25:32 | |
-Ooh... -Galileo? -So, it's Europa, Io, Callisto, Ganymede, right? | 0:25:32 | 0:25:37 | |
-So, Callisto is smooth? -I think Ganymede is the smallest. | 0:25:37 | 0:25:39 | |
-Ganymede's the biggest. -Ganymede's the biggest. Try Callisto. | 0:25:39 | 0:25:42 | |
Callisto? | 0:25:42 | 0:25:43 | |
No, it's Europa. Secondly, the most volcanically active body | 0:25:43 | 0:25:47 | |
-in the Solar System... -Io! | 0:25:47 | 0:25:48 | |
Io is correct. | 0:25:48 | 0:25:49 | |
Which of the Galilean moons | 0:25:49 | 0:25:51 | |
is the only moon known to have its own magnetosphere? | 0:25:51 | 0:25:54 | |
Would that be Ganymede because it's so big? | 0:25:54 | 0:25:56 | |
-Er, yeah, go for it. -Yeah? Ganymede? | 0:25:56 | 0:25:58 | |
Ganymede is right. 10 points for this. | 0:25:58 | 0:26:00 | |
Which film of 1950 by Akira Kurosawa gives its name to an effect | 0:26:00 | 0:26:05 | |
in which the same event...? BUZZ | 0:26:05 | 0:26:07 | |
Rashomon. | 0:26:07 | 0:26:08 | |
Rashomon is correct. | 0:26:08 | 0:26:10 | |
APPLAUSE | 0:26:10 | 0:26:12 | |
Your bonuses this time, Wolfson College, are on Latin terms. | 0:26:13 | 0:26:16 | |
All three include a verb in the present subjunctive. | 0:26:16 | 0:26:19 | |
Firstly, a safeguard against arbitrary imprisonment, which law | 0:26:19 | 0:26:22 | |
of 1679 requires a defendant to be brought physically before a court? | 0:26:22 | 0:26:27 | |
-Habeas corpus? -Yeah. -Habeas corpus? | 0:26:27 | 0:26:29 | |
Correct. Widely used in mottos by educational institutions, | 0:26:29 | 0:26:33 | |
which two short Latin words from the Vulgate | 0:26:33 | 0:26:35 | |
are rendered in the King James Bible as "Let there be light"? | 0:26:35 | 0:26:39 | |
-Fiat lux? -Yeah. | 0:26:39 | 0:26:41 | |
Fiat lux? | 0:26:41 | 0:26:42 | |
Correct. Used as a direction in a proof or manuscript, | 0:26:42 | 0:26:45 | |
-what short single word means "let it stand"? -Stet. | 0:26:45 | 0:26:49 | |
-Yeah. -Stet. Stet. | 0:26:49 | 0:26:51 | |
Stet is correct. 10 points for this. | 0:26:51 | 0:26:53 | |
In what was his most sustained effort on a single site, from 1892, | 0:26:53 | 0:26:58 | |
Claude Monet painted more than 30 views of which French cathedral? | 0:26:58 | 0:27:03 | |
-BELL RINGS -Rouen. | 0:27:03 | 0:27:05 | |
Rouen is right. | 0:27:05 | 0:27:07 | |
APPLAUSE | 0:27:07 | 0:27:08 | |
Your bonuses are on the Second South African War. | 0:27:08 | 0:27:12 | |
All three answers can be found in UK street names. | 0:27:12 | 0:27:15 | |
Firstly, the Boer siege of which diamond mining centre, | 0:27:15 | 0:27:19 | |
now in Northern Cape, | 0:27:19 | 0:27:21 | |
was relieved by General John French in February 1900? | 0:27:21 | 0:27:24 | |
Is that Kimberley or Mafeking? Mafeking? | 0:27:24 | 0:27:26 | |
No, it was Kimberley. | 0:27:26 | 0:27:28 | |
Named after the wife of the Governor of Cape Colony, | 0:27:28 | 0:27:30 | |
which town in KwaZulu-Natal...? | 0:27:30 | 0:27:32 | |
GONG | 0:27:32 | 0:27:34 | |
And at the gong, Emmanuel College have 140, | 0:27:34 | 0:27:37 | |
Wolfson College, Cambridge have 170. | 0:27:37 | 0:27:40 | |
APPLAUSE | 0:27:40 | 0:27:42 | |
Well, I will say only that you guys, all of you, | 0:27:44 | 0:27:48 | |
of whatever gender, you're very, very clever. | 0:27:48 | 0:27:52 | |
And it was a pleasure to watch this match. Thank you very much indeed. | 0:27:52 | 0:27:56 | |
Emmanuel, sadly you have to go home now. | 0:27:56 | 0:27:58 | |
Wolfson, congratulations, you're now through to the final. | 0:27:58 | 0:28:01 | |
We'll look forward to seeing you there. | 0:28:01 | 0:28:03 | |
And I hope you can join us next time for the second semifinal, | 0:28:03 | 0:28:06 | |
but until then it's goodbye from Emmanuel College, Cambridge. | 0:28:06 | 0:28:09 | |
-ALL: -Bye. | 0:28:09 | 0:28:10 | |
It's goodbye from Wolfson College, Cambridge. | 0:28:10 | 0:28:12 | |
-ALL: -Goodbye. | 0:28:12 | 0:28:13 | |
And it's goodbye from me. Goodbye. | 0:28:13 | 0:28:15 |