Episode 5 The Great Pottery Throw Down


Episode 5

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Transcript


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Six potters remain, and this week they have got to step back

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from the kilns as we turn back the clock some 30,000 years.

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That's some winding.

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Our potters go all BC on us - before ceramics -

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in a 24-hour pit fire challenge.

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Do you think they'll let me cook me sausage?

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Last time -

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it was round and round the garden...

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Roses are red, your face is, too.

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..as the potters constructed water features.

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It's like the World's Strongest Man competition.

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Freya turned on her waterworks to win Pot of the Week.

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But Elaine's lack of tiers...

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Nothing to see here, judges.

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You ARE good, and that's what so frustrating.

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..meant she had to leave the pottery.

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Not good news, really.

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Tonight, the competition catches fire

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with a Main Make...

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What's going on with this, then? It's massive.

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..that's twice the work of anything the potters have attempted so far...

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-Engineering and focus, and planning.

-God, yeah.

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..a throw-down that sees the potters go on the attack...

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SARA GASPS

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..and a Spot Test...

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The grapes of wrath, as they say.

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..that's good enough to eat.

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But who will make it through an all-night firing...?

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Who's going to wee on the campfire?

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..and who will survive...

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Listen. Listen. Listen carefully.

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..the biggest shock of the competition so far?

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That's a blow.

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-ALL:

-Oh!

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It's like being in the Colosseum, this is -

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the Colosseum of Clay.

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# Making time

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# Shooting lines

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# People have their uses

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# People have their uses... #

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The six remaining potters are about to begin

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the most extraordinary and ancient challenge

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the competition has ever seen.

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It's pit firing.

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We make massive pots, we get to build bonfires -

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what could be better?

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It's really exciting.

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You know, you're out in nature burning some pots.

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I'm going to have a dance

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round the campfire.

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Last week was a bit of a dark week for me,

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but I think the slump's over.

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Let's get cracking.

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-Morning, potters. ALL:

-Morning.

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For this week's Main Make, Kate and Keith

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would like you to throw two vases.

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You are pit-firing them.

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After that, you will choose your absolute favourite

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to present to the judges.

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These vases are going to be thrown at the wheel.

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They need to be strong and robust enough to withstand that pit-firing.

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They need to be 60 centimetres high.

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You won't actually be decorating your vases,

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you will be choosing materials to burn in the pit with your pieces

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that will affect the surface of your pots.

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We want your vases to be beautiful.

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You have 2.5 hours to throw your two vases,

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and your time starts now.

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Let's do it.

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60...

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even the biggest pot in my dad's workshop was 50,

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and I thought I could sit in it. It's huge.

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The potters have been tasked with throwing big and wide before,

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but now they face throwing up.

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This is definitely the biggest thing I've ever thrown.

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Throwing big isn't really my strong point.

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Creating tall, elegant yet sturdy structures requires strength,

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subtlety and consummate skill at the wheel.

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Having large hands, it does help.

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Pit firing -

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it's almost like we're going back to the dawn of time.

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But it is the most magical process,

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and it's been used for thousands of years -

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putting a pot in a fire, getting smoke effects.

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We are asking them to create something really quite large.

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The width is their choice, but 60 centimetres, that's a big pot.

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And it can't really be thrown in one.

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So they're going to be throwing it in sections.

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And each section is going to be joined together.

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And those joins could quite easily open up.

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The more pieces, the more zones for danger.

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Throwing big objects is not what I'm best of.

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That's why I break it down in three sections.

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So, I'm going to do two tiers on this, hopefully.

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Even though I'm officially Irish, I was actually born in Zimbabwe,

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and I grew up there.

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When I was a kid, I used to practise balancing water pots on our heads.

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Cait's water pot inspired vases

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will be constructed from more sections than anyone else's.

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I've given myself the job of making ten parts.

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-Ten?

-Yeah.

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I lacked confidence in my ability to throw tall,

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so I made a design that would be made up of lots of wee parts.

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In a way, that's kind of good.

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But five pieces per case, ten pieces altogether, it's quite a bit.

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It's a lot of joins.

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A lot of joins, a lot of pieces.

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I love throwing big stuff.

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I don't do much, but when I do, it's a challenge.

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And that challenge, you do always relish.

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I am going for a bulbous shape called a moon jar.

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Cage fighter Nam will wrestle two sections together

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to form a moon jar -

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a centuries-old traditional Korean pot used to store rice.

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He is adding a ribbed neck to bring it up to height.

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I love your little potter's nod that you've got there.

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-Do I have a potter nod?

-Yes.

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Some go sideways...

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The only reason why I do it is not because of a pottery thing,

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it's because in boxing we sway.

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-When you're sparring?

-Yeah.

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-You don't want to get hit in the face.

-Where was your defence?

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-I could have had you.

-I know.

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Ryan's constructing his vases

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out of the least sections of all the potters - just two.

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What's going on with this, then? It's massive.

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-How are you approaching this Main Make, Ryan?

-Wrestling it!

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You're wrestling it?

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Have you done it before where you make something big

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-out of two big pieces?

-Not this big.

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-I've done if you double tiers before, but not 60cm.

-OK.

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That's pretty high for me.

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Ryan's hoping to fire a sleek, straight-sided contemporary vase,

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and another with a round-bellied base.

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Really excited to be camping. Especially with Nam.

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I think he's going to have some great camp stories.

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Any opportunity to go camping, I will jump on it.

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Apparently, Ryan said he's going to turn up in his onesie

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with his little bears on it.

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I'm looking forward to seeing that.

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History buff Richard is going back to the present

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with two modern-shaped vases, each comprising of three sections.

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It's a fairly contemporary shape.

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So the elegance is in the vase itself.

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And have you thought about how you're joining these together, yeah?

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I've had many a sleepless night

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-thinking about joining them and making sure...

-Yeah, he's only 22(!)

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THEY LAUGH

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To stiffen off their sections for this challenge,

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the drying room is now as crucial as the wheel.

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Sara, seeing as you're by the door, do you mind opening the door?

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-Oh, yeah, course.

-You're very kind. Thanks.

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The sooner the potters can get their sections in there,

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the drier they can become,

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reducing the risk of them collapsing when they join together.

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Keep it open, Sara. Thanks.

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Oh! Ha-ha-ha!

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Thank you, thank you, thank you.

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Under the bless of the throwing fairy,

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I've made the tallest sculpture I've ever made,

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which is in the drying room right now.

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Clover is aiming for two lightweight and delicate vases,

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despite making them from three sections each.

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I've always wanted to throw in section, you know,

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but I just didn't have a chance to practise

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before this task actually happened.

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-OK, so, this is going to be your debut?

-Yes.

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So, out of your six sections, how many have you done?

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I have done four, I'm on the fifth one.

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-OK.

-So far, I think I'm on schedule right now.

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Whilst Clover tries to stick to her plan, true to form,

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last week's winner of Pot of the Week isn't quite so disciplined.

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My initial idea was just to make it from two pieces,

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but I might make it from one, two, three or four pieces.

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Freya's making sections loosely based on African drums.

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She'll make a feature of where they join,

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but hasn't decided on a combination that will reach the required height.

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60 centimetres, when you say it, doesn't sound that huge,

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but I'm starting to realise the scale of this.

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-Yeah, it's about that high.

-I've never done one that big before.

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-And have you joined stuff together before?

-No, I haven't.

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-I always get my maths wrong.

-That's why you're making a feature.

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Exactly.

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But in this challenge, a little arithmetic is essential.

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I took the shrinkage into calculation,

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so I'm just going to add 5% more height.

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Richard over there has told me it's 5% shrinkage on this clay,

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so if anything happens, I'm blaming him.

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That's it, blame me for the calculations.

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If it's not right, Richard, I'll be after you.

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We've got to take responsibility for ourselves.

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Width is just as important as height,

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as each section needs to align perfectly.

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Potters, I know it's the pits,

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but you're already halfway through your time.

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One hour and 15 minutes remaining.

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Ohhhhhhhh!

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I've got quite a lot to do.

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I'm not too sure that I'll be able to make all the cracks I need.

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This is a tricky one.

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-It's a lot about engineering and focus and planning.

-Oh, gosh, yeah.

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Engineering, focus or planning aren't your middle names, are they?

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No, they're not in my name at all.

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With just two sections per vase, Ryan's already finished throwing.

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I wonder if I should just join mine up.

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Joining them now could give him more time to finesse his vases later,

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but it's a gamble as the clay could still be moist and unstable.

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I'm not joining it, it's not hard enough. It won't take the weight.

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I'm not risking it.

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-I think it's too soft.

-It's a bit on the soft side.

-It's too soft.

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Look at it go. Oh!

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-No, Ryan!

-It's too soft.

-You're doing the right thing.

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He did the right thing to save it.

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-What happened?

-I just put it on too early.

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-I thought it was strong enough.

-Is it fixable?

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-If I'm quick, yeah.

-OK.

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Potters, you've got 15 minutes left. 15 minutes left.

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If constructing the first perfectly-joined vase

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wasn't hard enough,

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the potters have to do it all over again for their second.

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I'm just throwing another one, because that one's useless.

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I'm just going to quickly try and throw another one

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in less than 15 minutes.

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Oh! Oh! Oh! Losing it, losing it, losing it, losing it.

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With time running out...

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I'm too short and we have about seven minutes left.

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..Cait has only managed to throw eight of the ten pieces she needs.

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Not really where I need to be.

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Potters, you've got five minutes left.

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At the end of the five minutes,

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I need all your pieces in the drying room, please.

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Rushing's not going to be good.

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-Ooh, sorry.

-I nearly locked you in there then.

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-Ooh!

-Thank you.

-Steady, lady.

-Sorry.

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Four! Got to be stricter. Three! Two! One!

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-That's a good one.

-Well done! You can have a break, all right?

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Go and get some fresh air,

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we'll see you back here shortly for the Throw Down.

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Well done.

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I'd planned to join at least one of the pots together,

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but they were too wet.

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I saw what happened to Ryan's

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and I thought discretion's the better part of valour on this one.

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I was just trying to rush and get ahead of the game.

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It backfired on me. Unlucky me.

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I am a bit worried about the height.

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That's why I've got a lot of components. Clever!

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I knew it was going to be difficult.

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I've not managed to make two vases.

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Whilst the vase sections dry so they can be trimmed for a pit-firing,

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Keith and Kate have raided ancient history once again,

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with a Throw Down that involves a form that's thousands of years' old.

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This week, Kate and Keith would like you to throw

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as many goblets as you can.

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Two pounds of clay.

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Now, when you're making a goblet, get it nice and evenly centred.

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And, then, in one fluid movement,

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you're bringing it up and making your stem.

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The best thing to do is to make the top

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while the stem is still fairly strong.

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So I'm just pulling out the bowl.

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I'm really focusing on the rim.

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We want to drink out of these, so the rim is incredibly important.

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Just thin out that stem a bit.

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It's all to do with the evenness of pressure on the stem.

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Then I'm just going to rib up the side,

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just to make it a nice fluent shape at the top.

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You want that foot to be fairly substantial.

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To be robust enough to be able to take it off the wheel

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without distorting it.

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Wire it off...

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and take it off the wheel.

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APPLAUSE

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OK, the judges are looking for quantity as well as quality, OK?

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They are after consistency of shape and size.

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Any that don't measure up, they'll end up dumped in the Bin of Doom!

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Head back to your workbenches, please, and get yourselves ready.

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OK, potters, you have 15 minutes to throw as many goblets as you can.

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Potters, Throw Down!

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Oh, come on!

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Spend a bit of time on that stem

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because it will come back to bite you otherwise.

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Feel that clay between your hands.

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Nice fluent shape.

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-Have you done one already, Nam?

-Er...yep.

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-Ooh!

-Come on, Cait.

-You can do it, come on.

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They need to be consistent in shape and size. Think about that.

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And she's popped out three already. Go, Clover!

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-Come on, Nam, number four.

-Have you made a goblet before?

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I didn't even know what a goblet was until Keith made one!

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Focus, peeps, focus.

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Aaaaah!

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-How come you're so good at this, Nam?

-I'm not.

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-I-I-I don't know what I'm doing.

-What do you mean?

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You're on your fifth one. That's incredible!

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Five minutes left on the Throw Down.

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Nam, you've got the speed there, have you got the quality?

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I've got you, I've got you.

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-Nice consistency, Cait.

-But there are only two.

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Yeah. Ha-ha-ha-ha-ha!

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Ohhhhhhh!

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Ohhh! I didn't do anything!

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I hadn't even approached you then.

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This one's going to be amazing, all right?

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-Oh, dear!

-What are you on to now, your tenth, Nam?

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-No!

-Ha-ha-ha-ha!

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Don't tell people that!

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And she's on 32.

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Well done, Freya, at the front there.

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LAUGHTER

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-What?!

-32!

-Keep pushing.

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Don't look at the clock, Cait, we know you can't tell the time(!)

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CAIT LAUGHS

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We are on three minutes, people. Keep going.

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Should be able to get two out of your three minutes.

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-That's pretty ambitious!

-Come on, Richard!

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Freya, you've got to take Nam down, do you hear me?

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You're doing this for the whole of womanhood!

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Oh! SARA LAUGHS

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-Sorry. My bad, my bad.

-Can Cait have another ten minutes?

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CAIT LAUGHS

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One minute left of your Throw Down.

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You're catching up with Nam, Clover! Come on!

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Ten...nine...eight...

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..seven... Go on, Ryan!

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..six...five...

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KEITH LAUGHS ..four...three...

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..two...one. Time's up!

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Step back from the wheels.

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Well done! That was awesome!

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APPLAUSE

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Wow!

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The potters were asked to throw as many consistently-sized

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and shaped goblets as they could in 15 minutes.

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Any that fail to meet the judges' exacting standard

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will be thrown into the Bin of Doom and not be counted.

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-So, Mr Brymer Jones...?

-Well, I reckon that one is nil points.

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It's very clumsy.

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And then the other one is that one.

0:16:400:16:42

That's like an hourglass, isn't it?

0:16:420:16:44

The only other one is this wavering rim. Sorry, Clover.

0:16:440:16:48

BOOING

0:16:480:16:50

You can imagine drinking out of these, can't you, Kate?

0:16:520:16:54

-Yeah, you can. I'm looking at this end one here, Keith.

-Oh, OK.

0:16:540:16:57

-Its stem and its foot.

-Yeah. So we're putting that one in.

0:16:570:17:01

Are you going to say it or shall I?

0:17:030:17:05

-I know, it's going in the bucket, isn't it?

-It's going in the bucket.

0:17:050:17:08

-There's that one, isn't there, at the back?

-Yeah.

0:17:080:17:10

Goes with the other ones. A pair!

0:17:100:17:12

-That's got a wobbly top.

-No, I think we're going to go...

0:17:120:17:15

Yeah, it's going to go.

0:17:150:17:16

Boo!

0:17:160:17:17

LAUGHTER

0:17:170:17:18

I'm still thinking about this one on the end.

0:17:180:17:20

-I'm sorry, Ryan, but I have to be tough, you know.

-Take it away.

0:17:200:17:23

-GASPS

-Oh!

0:17:230:17:27

It's like being in the Coliseum, this is. The Coliseum of clay!

0:17:270:17:30

Let me count them. Ahem.

0:17:300:17:32

Won't take a while.

0:17:320:17:33

One, two, three, four, five, six, seven, eight, nine, ten.

0:17:330:17:36

16, judges. LAUGHTER

0:17:360:17:38

That one's a bit messy, but I think I might just let you off that one.

0:17:380:17:42

-Really?

-You've basically gone for quality, rather than quantity.

0:17:420:17:46

Quite obviously.

0:17:460:17:47

I wouldn't want to drink

0:17:490:17:50

out of that one. There's no kind of logic to the rim at all.

0:17:500:17:53

That's got to go in the bin.

0:17:530:17:55

And then, that last one there, it's not very fluid, is it?

0:17:560:18:00

It's a shame cos the foot's the best of your feet, but no.

0:18:000:18:03

Look at all these!

0:18:030:18:05

You knocked up a fair few there, didn't you?

0:18:050:18:07

Trying to take Nam out.

0:18:070:18:09

There's some obvious wrong 'uns here, aren't there?

0:18:090:18:11

Certainly that one.

0:18:110:18:13

That looks like a column, with a bit of a...

0:18:130:18:15

Yeah, that's not very good either.

0:18:150:18:18

That stem, it has got this bulge that we've...

0:18:180:18:21

-LAUGHTER

-Boo!

0:18:210:18:25

That was vicious, that one.

0:18:250:18:28

-Trying to get Nam, here.

-All the rest are fine.

0:18:280:18:31

'After a punishing judging,

0:18:310:18:34

'which potter has managed to throw the most goblets?'

0:18:340:18:37

In sixth place, with four goblets, Cait.

0:18:370:18:42

In fifth place, with five goblets, is Ryan.

0:18:420:18:46

'Richard and Clover both made six goblets,

0:18:460:18:49

'putting them in joint third place.'

0:18:490:18:52

In joint first place, with eight goblets each, are Nam and Freya.

0:18:520:18:57

-Well done.

-APPLAUSE

0:18:570:19:00

We came joint, so I don't mind sharing it.

0:19:010:19:05

But next time, I'm going to get him.

0:19:050:19:07

I was just absolutely devastated inside. I was raging with anger.

0:19:070:19:10

It was a hard one for Ryan to take, being so low down.

0:19:100:19:14

He's starting to feel the heat, shall we say?

0:19:140:19:17

'After three hours of drying,

0:19:170:19:19

'the potters collect the sections of their vases.'

0:19:190:19:22

Oh! Bloody heavy!

0:19:220:19:24

'They have 90 minutes to turn, trim, and join both of them together.

0:19:240:19:28

'But Cait has only enough sections to create just one.

0:19:280:19:31

'And if they aren't joined correctly,

0:19:310:19:33

'an explosion during pit firing will leave her vase-less...'

0:19:330:19:37

I'm hoping I'll have one that works and to the right height.

0:19:370:19:42

'..whereas everyone else has two chances to get it right.'

0:19:420:19:46

It's not perfect. It's a little bit off-centre at the top.

0:19:460:19:49

I'm trying to trim,

0:19:490:19:51

so that the top bit could join very nicely with the one I'm working on.

0:19:510:19:58

'By trimming and turning, the potters can shape their sections

0:19:580:20:01

'and crucially, cut out any surplus clay.'

0:20:010:20:04

It's a heavy, heavy pot.

0:20:040:20:06

I'm just taking some of the clay away,

0:20:060:20:08

so that when I put this on top, it won't collapse.

0:20:080:20:12

'Excess clay can also trap air and moisture,

0:20:120:20:15

'which will explode in the kiln or pit firing.'

0:20:150:20:18

I am possibly going to join them.

0:20:180:20:21

I'm just gauging how firm they are.

0:20:210:20:24

Still very soft.

0:20:240:20:25

Oh, my God!

0:20:250:20:27

The last one I tried to put on, it was still too wet, so when

0:20:270:20:30

the weight goes down, it collapsed, whereas this is a lot harder.

0:20:300:20:32

'Once they're hard enough,

0:20:320:20:34

'the potters can start putting their sections together.'

0:20:340:20:37

I'm just adding a bit of slip all the way round,

0:20:370:20:39

so it's just going to moisten the edges.

0:20:390:20:41

Just making the surface really rough,

0:20:410:20:43

so it creates a sort of clay Velcro.

0:20:430:20:46

It's going to distort a bit, but...

0:20:460:20:48

Get it on OK, quickly.

0:20:570:20:59

-Straight on?

-Yeah, yeah.

0:20:590:21:01

Tap it. Tap it.

0:21:010:21:03

One's slightly thicker than the other one.

0:21:070:21:10

So what I'm going to do is just press all this down to get

0:21:100:21:12

a nice good seal on there as well.

0:21:120:21:15

Now it's just a case of making sure all the welds are nicely meshed in.

0:21:150:21:19

The join is really weak right now because the bottom section of

0:21:220:21:26

the clay is a little bit too soft.

0:21:260:21:28

I'm going to cut the top, at least it'll release some of the weight.

0:21:300:21:33

I can't cut it.

0:21:380:21:39

I don't really know what's happened to it. It keeps bulging out.

0:21:430:21:46

There's just too much weight.

0:21:460:21:48

This joining area, I'm going to try and blend it in with the light bulb

0:21:480:21:51

and try to press it down, as you can see here.

0:21:510:21:53

I don't want something showing up and looking ugly.

0:21:530:21:56

Lost quite a bit of the top, but don't worry,

0:21:570:22:00

I left enough so I could throw it a little bit more.

0:22:000:22:03

Ah, the clay is soft!

0:22:030:22:06

Or I'm pushing it around too much and what should be this

0:22:060:22:09

beautifully up and down the way thing is becoming a bit kind of...

0:22:090:22:15

a jaunty angle, shall we say?

0:22:150:22:17

'While construction is well under way for most of the potters...'

0:22:180:22:22

How many centimetres is it that we're making these?

0:22:220:22:25

63.

0:22:250:22:27

'..Freya has yet to join any of her sections...'

0:22:270:22:30

God!

0:22:300:22:31

Too short.

0:22:330:22:34

'..as whatever combination she tries,

0:22:340:22:36

'she can't reach the required height.'

0:22:360:22:39

-84.

-Oh! All right. Thanks.

0:22:390:22:42

Oh, my God! I don't even know what the maths is.

0:22:420:22:46

-57 and I haven't joined this yet.

-61.

0:22:460:22:50

'Even if they are the correct height now, during firing,

0:22:500:22:54

'the clay will shrink.'

0:22:540:22:55

I'm just trying to pull some of this clay up to give me

0:22:550:22:58

a few millimetres extra.

0:22:580:23:00

'As some of the potters move on to their second vases,

0:23:020:23:05

'Freya stumbles on a combination that works for her first.'

0:23:050:23:08

Actually, that's 66.

0:23:100:23:13

Actually, that's all right.

0:23:130:23:15

If I just turn this a bit more, it should sit lower on the pot.

0:23:150:23:19

And the other one... I don't even know.

0:23:190:23:24

It's becoming my leaning tower of...Stoke.

0:23:240:23:29

'Ryan's had to put his second vase back on the wheel

0:23:330:23:36

'to pull it up to height.

0:23:360:23:39

'But the pressure he's applying has buckled his join.'

0:23:390:23:42

It's pretty weak. It's still not set yet, so it just didn't work out.

0:23:420:23:45

There's nothing I can do. It's done.

0:23:450:23:48

This one's 61 and a bit.

0:23:480:23:50

-This is what you call slapdash.

-Potters, your five minute call!

0:23:500:23:55

Five minutes!

0:23:550:23:57

Is this as good as I can get?

0:23:570:23:59

It's the wobbliest pot I've ever made.

0:23:590:24:02

-Argh!

-I'm determined to get it done.

0:24:020:24:04

We're running out of time, so I'd rather sacrifice the shape

0:24:040:24:08

and have a vase.

0:24:080:24:10

Potters, you have one minute left now.

0:24:180:24:21

I've got no design on it!

0:24:210:24:22

Five, four, three, two, one.

0:24:260:24:32

-Well done.

-I was improving. It's my throwing. I can't throw quickly.

0:24:320:24:38

Potters, well done, you guys.

0:24:380:24:40

Go home, have a little break, pack up your camping gear,

0:24:400:24:42

practise your campfire songs,

0:24:420:24:44

cos we'll see you back here for the pit firing campout.

0:24:440:24:48

Going camping!

0:24:480:24:49

Potters, dismissed.

0:24:490:24:51

That was a tough old day.

0:24:510:24:54

Oh!

0:24:540:24:56

That was a nightmare.

0:24:560:24:58

End of a tremendous day of making and building.

0:24:580:25:01

I think I just kind of gave myself a bit too much to do

0:25:010:25:05

in the time available.

0:25:050:25:07

Devastating. Yeah, I was absolutely so annoyed with myself.

0:25:070:25:11

Yeah, just failed miserably, deep inside.

0:25:110:25:13

'The vases have been drying for three days under the supervision of

0:25:220:25:25

'kiln man Rich.'

0:25:250:25:27

I'm now going to take these down to the electric kiln.

0:25:270:25:29

They're going to have a biscuit firing to 1,000 degrees and

0:25:290:25:32

that'll turn them from raw lay into ceramic and it'll just help them

0:25:320:25:35

deal with the rigours of the pit firing a little better.

0:25:350:25:39

'They'll be in the kiln for 24 hours.'

0:25:390:25:42

Fingers crossed, they all survive now, after all that!

0:25:420:25:45

'It's day five.

0:25:520:25:53

'The potters' vases have had their first firing

0:25:530:25:56

'and while they cool, Kate has set a Spot Test,

0:25:560:25:59

'unlike anything the competition has ever seen.'

0:25:590:26:03

This Spot Test is really close to my heart.

0:26:030:26:06

My technique is hand building and that means using these

0:26:060:26:10

and a really simple set of tools.

0:26:100:26:12

'Kate's stunning ceramics can be seen in galleries all over the world

0:26:120:26:16

'and this exhibition showcases her greatest passion.'

0:26:160:26:20

When I look at a blackberry, at a pineapple, at a pumpkin,

0:26:200:26:23

I see pots in front of my eyes.

0:26:230:26:25

My objective is to show the wonder of nature.

0:26:250:26:29

And I want the potters to show us their wonder.

0:26:290:26:32

Potters, I want you to hand coil and pinch a water jug,

0:26:320:26:37

using as your inspiration one of these.

0:26:370:26:40

-Wahey!

-Yay!

0:26:430:26:45

Make the essence of the fruit your water jug.

0:26:460:26:50

'This week's Spot Test will be judged blind.

0:26:500:26:52

'Kate and Keith won't know who has decided to make what.'

0:26:520:26:56

Right, judges, please leave the pottery. Scram.

0:26:560:26:59

See you in a while. Roll up, roll up.

0:26:590:27:02

This is a first come, first served situation, and you've got two hours.

0:27:020:27:06

Time starts now.

0:27:060:27:08

Oh, look! She knew what she wanted!

0:27:100:27:12

You've got to make a water jug that looks like a strawberry now, Nam.

0:27:140:27:17

-No way!

-Yes way.

0:27:170:27:19

-Who wanted the pumpkin?

-I wanted the pumpkin.

-I'm sorry.

0:27:190:27:22

I REALLY wanted the pumpkin!

0:27:220:27:24

This fennel evenly matches my face.

0:27:240:27:26

So I think it's fate.

0:27:260:27:28

I went for the pineapple because I love all the textures.

0:27:280:27:31

Also kind of spiky, like my hair.

0:27:310:27:32

I was aiming for the pineapple, but I went for this one.

0:27:320:27:35

I wanted the pineapple and Ryan snuck in there a bit quicker.

0:27:350:27:40

Basically left with the grapes of wrath, as they say.

0:27:400:27:43

'They have to hand roll these coils and actually, it looks easy,

0:27:450:27:48

'but to roll a good coil'

0:27:480:27:49

is a challenge to do.

0:27:490:27:51

'Hand coiling is the oldest pottery technique there is.'

0:27:510:27:54

When I was little, it was the first thing I started with, really.

0:27:540:27:57

'We've been making vessels out of rolled lengths of clay for

0:27:570:28:00

'over 15,000 years.'

0:28:000:28:02

They build a base and the coils will gradually go up,

0:28:020:28:05

like a brick wall increases in height.

0:28:050:28:08

Your hand skills are laid bare and if you don't judge your clay right,

0:28:080:28:11

the whole thing could collapse.

0:28:110:28:14

I'm looking for a functional jug, right weight, right handle,

0:28:140:28:17

right spout, right rim.

0:28:170:28:19

As the coils are layered, the walls need to be smoothed over

0:28:190:28:23

before the potters can be working on their jug's form.

0:28:230:28:26

Just thinking about what shape this pumpkin can be.

0:28:260:28:29

Um... I want this to be quite big actually.

0:28:290:28:32

It'll be one strawberry cos the strawberry is

0:28:320:28:34

a nice little shape here.

0:28:340:28:35

Nam, you can make a tiny jug!

0:28:350:28:39

Get it done in half an hour.

0:28:390:28:41

Very daunting to have Kate judge our work, yeah.

0:28:410:28:44

I mean these probably lend themselves quite nicely

0:28:440:28:48

to being a spouty bit.

0:28:480:28:50

But this, this is what... I don't know what to do with that bit.

0:28:500:28:53

Basically make the pot and add the grapes to the outside,

0:28:530:28:56

probably use the grapes as a handle. Coiling puts me to sleep.

0:28:560:29:00

-I find it very boring.

-Richard!

-You can't beat the dynamics of throwing!

0:29:000:29:06

'90 minutes left to hand coil an organic water jug.'

0:29:060:29:10

I'm just cutting it, so then I can fold like this

0:29:100:29:14

to create a shape.

0:29:140:29:17

I'm just going to create these sort of spikes.

0:29:170:29:19

This thing has these spikes.

0:29:190:29:20

I need to get going on getting these

0:29:200:29:24

frondy bits developed up the side.

0:29:240:29:27

So, I'm pushing out through there and then pushing back in around it.

0:29:270:29:31

Got to get this bit right, otherwise it's not a pumpkin.

0:29:310:29:34

'And Richard's jug has yet to become a grape.'

0:29:340:29:37

Where are the grapes going to come from?

0:29:370:29:39

Have you still to do put the...? Do the grapes?

0:29:390:29:41

They're not going to be the form, they're going to be the decoration.

0:29:410:29:44

You'd have an awfully small jug for a grape, wouldn't you?

0:29:440:29:47

That's true. Just a drop of water, Madam!

0:29:470:29:50

The easiest one is the pineapple.

0:29:500:29:53

Did you see Freya got the pumpkin, with speed and determination?

0:29:530:29:56

-It's got nothing to do with that Kate loves pumpkins.

-Oh, please!

0:29:560:30:01

-I've always wanted to do a pumpkin.

-What does Kate make? Pumpkins!

0:30:010:30:04

Yeah, but I just love them anyway, whether she makes them or not.

0:30:040:30:07

Whatever, Miss Pumpkin!

0:30:070:30:09

Is it the equivalent of an apple for the teacher,

0:30:090:30:11

but a pumpkin for the teacher, do you think?

0:30:110:30:13

Yeah, I wouldn't got that far, but you're right.

0:30:130:30:16

Freya's like, "Shut up!"

0:30:180:30:20

Everything that I've done, I've kind of leaned towards making a pumpkin.

0:30:200:30:23

To make something that Kate makes is an absolute dream.

0:30:230:30:27

Potters, you're halfway through your time now. One hour left.

0:30:270:30:30

-Nervous?

-Just time really.

0:30:300:30:32

If I hurry up, I've probably got enough time.

0:30:320:30:35

'If they're settled on form, for their jug to function,

0:30:350:30:38

'the potters need a spout...' SHE HARRUMPHS

0:30:380:30:40

'..and a handle.'

0:30:400:30:42

I was thinking of having a traditional roundy handle.

0:30:420:30:45

I'm actually going to use one of the leaves as sort of a spout.

0:30:450:30:48

I'm going to sort of flute it a little bit.

0:30:480:30:50

And then use another leaf, a big one, as a handle.

0:30:500:30:52

Because this is just straight,

0:30:520:30:53

I was wondering if I should have just a straight handle.

0:30:530:30:57

That you kind of...

0:30:570:30:59

I'm making a spout for the water to come out

0:30:590:31:01

because that would work with the shape.

0:31:010:31:02

I've designed my spout to be fairly open, so it's more welcoming.

0:31:020:31:07

That's not a handle, mate.

0:31:070:31:08

Too dry now, too hard.

0:31:100:31:11

My handle is work in progress.

0:31:110:31:14

Like, not much work and bugger all progress.

0:31:140:31:17

LAUGHTER

0:31:170:31:19

So, I want to get a bit more of this going on on the outside,

0:31:210:31:25

so I need to hurry up!

0:31:250:31:27

It's just a bog-standard run of the mill handle.

0:31:270:31:30

There's nothing significant about it.

0:31:300:31:32

I might rethink my handle, make it look a little bit more feminine.

0:31:320:31:35

I think most of the stuff I do is really masculine and Keith

0:31:350:31:39

always says I'm a bit heavy-handed.

0:31:390:31:40

And do you think your strawberry lends itself to, like, ladies?

0:31:400:31:43

Yeah, it does!

0:31:430:31:45

You know, it's a very kind of feminine form in general, you know?

0:31:450:31:48

-Yeah.

-Nice curvatures, you know, smells nice.

0:31:480:31:52

-Smells nice.

-There you go.

-Seeds.

-Yeah, seeds, there you go.

0:31:520:31:56

-Go and tell Kate that.

-Popular at Wimbledon.

0:31:560:31:59

Starting to put something on and a few ideas down.

0:32:020:32:05

Don't want to put a cat amongst the pumpkins here,

0:32:050:32:07

but you do know it's got to be lifted by a human...?

0:32:070:32:09

They're going to lift it? No, they're not going to lift it.

0:32:090:32:12

-..by a human being to pour water out of it.

-It will break.

0:32:120:32:14

And I just chopped one bit of stem, one bit of stem and the ends.

0:32:140:32:17

Cait's making a giant teapot.

0:32:170:32:18

-I don't know what's going on over there.

-Oh, dear.

0:32:180:32:21

Bloody hell, everybody is so good.

0:32:210:32:24

Potters, you have two minutes left.

0:32:240:32:26

-Two minutes!

-Two minutes!

0:32:260:32:28

Argh!

0:32:280:32:30

-Not much pressure, but this is what Kate Malone does.

-I know!

0:32:300:32:34

You don't want to be too good or she might get threatened.

0:32:340:32:36

Yeah, she's definitely in danger of being threatened

0:32:360:32:39

by my hand building skills.

0:32:390:32:40

Because she is so familiar with this technique,

0:32:400:32:42

-I'm very nervous right now.

-Kate will just eat you alive.

0:32:420:32:46

Eat you like a fruit.

0:32:460:32:48

It may not be Kate's cup of tea.

0:32:480:32:50

OK, here we go, potters.

0:32:500:32:53

Three, two,

0:32:530:32:55

one,

0:32:550:32:56

tools down.

0:32:560:32:58

Please, bring the fruits and vegetables of your labour to

0:32:590:33:02

the front for judging.

0:33:020:33:04

Kate and Keith are looking for a functional jug that's

0:33:060:33:08

a unique interpretation of the potter's fruit or vegetable.

0:33:080:33:11

-Feast your eyes. Doesn't it look gorgeous?

-Fantastic, guys.

0:33:110:33:14

-Wow.

-And they won't know whose jug is whose.

0:33:140:33:18

So, shall we start with the artichoke?

0:33:180:33:20

I'm loving the idea of the jug spout being one of the

0:33:200:33:23

leaves of the artichoke. That's really wonderful.

0:33:230:33:25

The handle, whoever has made it has observed the stem.

0:33:250:33:29

Look at that lovely end there

0:33:290:33:30

and the lines on the stem are echoed.

0:33:300:33:32

And, actually, the overall best bit is the form.

0:33:320:33:35

You've captured, whoever it is, the form of the artichoke.

0:33:350:33:39

-The fennel.

-I was really intrigued on whoever got this one,

0:33:390:33:42

how they would interpret this into a jug.

0:33:420:33:45

And I think I'm loving the spout.

0:33:450:33:47

I think whoever was coiling lost control.

0:33:470:33:50

They were coiling up and it started to sag out.

0:33:500:33:52

Because it started to sag.

0:33:520:33:53

If you look at the original, there's great poise in this.

0:33:530:33:56

The lift underneath and the form.

0:33:560:33:57

It seems to have started to melt.

0:33:570:34:00

Number three, Kate. What do you think?

0:34:000:34:02

We did ask for the whole fruit to be considered as a whole.

0:34:020:34:06

I'm going to eat one of those.

0:34:060:34:08

It is embellished with grapes.

0:34:080:34:09

It is not a grape piece.

0:34:090:34:12

Onto the pineapple. Now, I love it as a form.

0:34:120:34:14

-It's fantastic.

-Whoever made it is in control of their shape.

0:34:140:34:18

You had to have a thickness to create this pinching.

0:34:180:34:21

So, I think it's a good version of coiling.

0:34:210:34:23

And I'm really loving this use of the pineapple leaf flopping over,

0:34:230:34:28

becoming the handle. Practicality-wise?

0:34:280:34:31

Nil points. I don't think that's going to work.

0:34:310:34:33

Quite hard to tell where the actual spout is.

0:34:330:34:36

It would have liked to see a little bit of an accent on there.

0:34:360:34:40

Strawberries.

0:34:400:34:41

Strange, strange lip.

0:34:410:34:43

It's as if it's had a bite out of it.

0:34:430:34:45

-It's almost like brutalist, isn't it?

-Yeah, it is.

0:34:450:34:47

-It's a very strong thing.

-It's a brutalist strawberry.

0:34:470:34:49

It's a brutalist strawberry.

0:34:490:34:51

Of course, you could only fill this jug up to the level of the spout,

0:34:510:34:54

otherwise it would overflow.

0:34:540:34:55

So, it indicates you can't really hold more water than that.

0:34:550:34:59

It's heavy as well.

0:34:590:35:00

So, last but not least, the pumpkin.

0:35:000:35:03

A symbol of fertility and fecundity.

0:35:030:35:06

-What do you think of the jug?

-Well, I'd like to feel the weight of the jug.

-Right, OK.

0:35:060:35:10

Cos, actually, it's a really good example of coiling

0:35:100:35:13

and then pinching and pushing out.

0:35:130:35:16

It's very, very heavy.

0:35:180:35:20

That handle ain't never going to lift this pumpkin, I'm just saying.

0:35:200:35:24

But then I think it just has this character about it

0:35:240:35:27

and it's a fabulous thing.

0:35:270:35:29

Kate and Keith will now rank the jugs from worst to best.

0:35:290:35:32

Sixth-place is...

0:35:320:35:35

The grape jug. Whose is that?

0:35:350:35:37

It's grapes on a jug, not a grape jug.

0:35:370:35:40

Fifth place, the strawberry.

0:35:400:35:43

It is heavy and the spout just seems to be so strange.

0:35:430:35:47

Fourth-place is...

0:35:470:35:49

the pineapple.

0:35:490:35:51

Amazing attention to detail, the handle probably not too practical.

0:35:510:35:56

And in third place...

0:35:560:35:58

is Mr Fennel.

0:35:580:36:01

It's got such character, but it's lost control of the coiling.

0:36:010:36:04

So, in second place...

0:36:040:36:07

..the pumpkin. You've really captured the essence of the pumpkin.

0:36:100:36:15

The handle was just a little bit weak for the whole form.

0:36:150:36:18

So, that means there is a first place

0:36:180:36:20

and it's the artichoke and that's Cait.

0:36:200:36:23

Well done, Cait. Really, you've captured the form brilliantly.

0:36:230:36:27

The handle is great design.

0:36:270:36:29

So, for Kate to have put me in first place is quite flattering.

0:36:310:36:34

So, yeah, won last week and this week's spot test.

0:36:340:36:38

-Quite nice.

-When they picked up my jug, it was hilarious.

0:36:380:36:42

Keith was like...

0:36:420:36:45

I'm crestfallen.

0:36:450:36:47

It's like being trodden into wine.

0:36:470:36:49

I know how a grape feels now.

0:36:490:36:50

The vases have been in the electric kiln for 24 hours.

0:36:520:36:56

I've got everything crossed.

0:36:560:36:58

And it's Rich's job to safely reunite them with the potters

0:36:580:37:02

for a final pit firing that will ultimately decide who will be

0:37:020:37:05

awarded Potter of the Week and who will be leaving the competition.

0:37:050:37:09

Both the pots and the potters have a long way to go.

0:37:110:37:15

For an authentic pit firing,

0:37:210:37:23

we're heading deep into the Staffordshire countryside.

0:37:230:37:26

It's really nice to come out of the countryside and have hills around.

0:37:260:37:30

Everyone is really happy and jolly today.

0:37:300:37:32

You know, we're outside in the sun. You know, at one with nature.

0:37:320:37:35

It's like we are entering the jungle.

0:37:350:37:37

Beautiful scenery, countryside, fresh air.

0:37:370:37:40

You couldn't want for more.

0:37:400:37:43

This ancient, unpredictable process will take all day and all night.

0:37:430:37:48

Each potter has their own pit

0:37:480:37:49

and they'll be solely responsible for the firing.

0:37:490:37:52

To remain in the competition, they must ensure that one of their

0:37:520:37:56

vases survives and can be presented to the judges.

0:37:560:38:00

THEY GASP

0:38:000:38:02

-That one totally went down.

-Good grief.

-It's still in one piece.

0:38:060:38:10

-SHE KNOCKS ON VASE

-Ah, nice sound.

0:38:100:38:12

One of the vases came out perfectly fine. I'm happy with it.

0:38:120:38:15

One of them, had a fairly big explosion on the bottom

0:38:150:38:18

and lost the base. So, there was still moisture within the bottom

0:38:180:38:21

-and it exploded.

-This is what I was hoping to show to the judges,

0:38:210:38:24

but the base has exploded. I've still got a base,

0:38:240:38:28

but it's a bit wobbly. Mm.

0:38:280:38:31

It's in one piece, which is good.

0:38:310:38:34

Considerably less than 60 centimetres.

0:38:340:38:37

I'm not too sure if that join's going to last on fire.

0:38:370:38:40

Before lighting their fires...

0:38:400:38:42

I feel like I'm digging my own grave.

0:38:420:38:44

..the potters can customise their pit.

0:38:440:38:46

I'm conscious of needing to get the temperature up,

0:38:460:38:50

but also keep the temperature as well.

0:38:500:38:52

I was thinking about digging a channel in the middle,

0:38:520:38:56

-to, kind of, help the air flow around a bit.

-OK.

0:38:560:39:00

The only way the potters will be able to create colour and

0:39:000:39:03

decoration is to add combustible materials to the surface of

0:39:030:39:06

their vases and their pit.

0:39:060:39:09

What combustibles are you going to use?

0:39:090:39:11

-Blood, fish and bones.

-Blood, fish and bone.

0:39:110:39:13

Trying to find my wire wool.

0:39:130:39:15

Did you just go under your kitchen sink and do this, basically?

0:39:150:39:17

-Just grabbed it from your kitchen.

-Yeah, that's what I do.

0:39:170:39:20

I've put on some chards of stainless steel here.

0:39:200:39:22

This is to deflect the flame, so it doesn't carbonate

0:39:220:39:25

so much in one area. I've got loads of hardwoods,

0:39:250:39:27

which burn a lot slower. I've got mahogany and oak here,

0:39:270:39:29

so I'm going to actually strap some of these on the pot.

0:39:290:39:32

And then I've got some hessian that I left in some salt.

0:39:320:39:35

So, hopefully, this will create a nice effect.

0:39:350:39:37

I'm going to put some cobalt carbonate around as well,

0:39:370:39:39

to give it some bluey colours.

0:39:390:39:41

I'm really quite excited about Ryan's decorative techniques that

0:39:410:39:45

he's putting on the side of his vase.

0:39:450:39:46

I mean, he really is throwing everything at it.

0:39:460:39:48

Clover's got some really interesting combustibles

0:39:480:39:51

and she's also masking off with these ferns.

0:39:510:39:54

It would be lovely to see a shadow of the fern.

0:39:540:39:55

But she's trying to use it as a resist.

0:39:550:39:57

I'm not convinced that the fern is actually going to withstand

0:39:570:40:00

the heat enough at the right temperature.

0:40:000:40:03

I'm throwing in banana skin and citrus peel.

0:40:030:40:07

I'm going to put copper carbonate around here.

0:40:070:40:12

I'm going to poor ferric chloride on it.

0:40:120:40:15

It gives wonderful pink colours.

0:40:150:40:17

Ferris is iron, isn't it? And it's very exciting to see.

0:40:170:40:21

It was very strong. He did it on both of them.

0:40:210:40:23

He's not hedging his bets.

0:40:230:40:25

Having committed to covering both vases with ferric chloride...

0:40:250:40:28

Around this one I shall be putting steel wool.

0:40:280:40:30

..when it comes to the pit,

0:40:300:40:32

Richard will be giving one of them a unique firing.

0:40:320:40:35

A little bit of copper carbonate and then we wrap this up in tinfoil.

0:40:350:40:39

Should be two totally different pots.

0:40:390:40:40

The one not wrapped in foil,

0:40:400:40:42

the hops and the peel should affect it colour-wise.

0:40:420:40:46

The one wrapped in foil is already cocooned in its own little furnace

0:40:460:40:50

and we will see how we do.

0:40:500:40:52

But when it comes to a unique firing,

0:40:520:40:54

Freya might just have the edge.

0:40:540:40:57

Here she is,

0:40:570:40:58

at one with her cabbage leaves.

0:40:580:41:01

It gives off like a smouldering greeny colour, which is what I want.

0:41:010:41:05

Is that going to be whiffy, that cabbage, when it burns?

0:41:050:41:08

It stinks, yeah. It stinks already.

0:41:080:41:10

-You know you're sleeping nearby?

-Yeah, I know.

0:41:100:41:12

I plan to keep all the potters up with the smell.

0:41:120:41:14

Finally, the vases need to be covered with wood,

0:41:170:41:19

sawdust and paper.

0:41:190:41:21

Do you want to get your safety gear on before you start your fires?

0:41:230:41:26

Gloves and goggles and arm things.

0:41:260:41:28

Cait, if you want to start off, please. Light your fire.

0:41:280:41:31

If the potters have prepared their pits correctly,

0:41:350:41:38

the fires will reach 1,100 degrees centigrade...

0:41:380:41:41

Watch your bum.

0:41:410:41:43

..the optimum temperature to create reactions from their combustibles

0:41:430:41:46

and deliver the organic colours that Kate and Keith will be looking for.

0:41:460:41:51

It's mostly about a well orchestrated fire.

0:41:540:41:57

You've got your combustible materials in the bottom,

0:41:570:42:00

which is usually something like sawdust,

0:42:000:42:02

and that's going to give a slow burn and lots of carbon.

0:42:020:42:05

You've then got paper or something intensely combustible

0:42:050:42:07

and that goes up like a rocket.

0:42:070:42:11

And then you've got the bulk of your combustible material on top,

0:42:110:42:13

which is going to burn down and create heavy embers.

0:42:130:42:16

It's going to give you sustained heat,

0:42:160:42:17

to allow all of those combustible materials,

0:42:170:42:19

the potassium in the banana skins, the things they've added in,

0:42:190:42:22

to really get hot and work their magic.

0:42:220:42:24

Once the fires have burned for an hour, there is more work to be done.

0:42:290:42:33

I'm going to put my tin on, hopefully,

0:42:330:42:35

to get some reduction in there.

0:42:350:42:36

It's important to get a good seal,

0:42:390:42:41

so the flames die down.

0:42:410:42:42

You know, the oxygen is used up.

0:42:420:42:44

Some of the potters decided to put a very heavy seal around the tin,

0:42:440:42:49

which is going to create a very intense reduction atmosphere.

0:42:490:42:53

And generally,

0:42:530:42:55

reduction is associated with blacks and darker colours. So, it's going

0:42:550:42:58

to be interesting to see how these atmospheres fume

0:42:580:43:00

and what the materials do inside that kiln

0:43:000:43:03

when the pots are out in the morning.

0:43:030:43:05

Oh, well, we shall soon find out.

0:43:050:43:07

Just as their ancient potting ancestors would have done,

0:43:150:43:18

the potters will stay with their precious work all night.

0:43:180:43:21

-This would be a good combustible, no?

-Yeah!

0:43:210:43:24

-I wonder if we did marshmallows.

-Sticky sugar.

0:43:240:43:27

After 17 hours of hard at it today, I think we've earnt an early night.

0:43:270:43:31

-I'm absolutely knackered.

-Who's going to wee on the campfire?

0:43:310:43:35

-Goodnight, everybody. Goodnight.

-Let's go to sleep. Goodnight!

0:43:350:43:38

-Night-night, everybody.

-Night, Cait.

-Night, Cait.

0:43:380:43:41

Goodnight! Sleep well.

0:43:410:43:44

Morning, guys.

0:43:510:43:53

It's Judgment Day.

0:43:530:43:55

Morning.

0:43:550:43:56

Everything now rests on how the

0:43:560:43:58

vases have faired in the pits overnight.

0:43:580:44:00

Their work now needs to be cooled enough to be cleaned and presented.

0:44:000:44:04

But any sudden change in temperature will lead to thermal shock,

0:44:040:44:08

cracking and destroying five days work.

0:44:080:44:11

Can't believe yours, Nam. It's still smoking.

0:44:130:44:15

Yeah, let's cook breakfast on there, mate.

0:44:150:44:17

So, I guess it's going to be an issue, potentially,

0:44:170:44:19

because we've got to get these pots out for judging.

0:44:190:44:21

So, we're going to have to take some drastic action at some

0:44:210:44:23

point, I guess. The biggest concern would be cooling it.

0:44:230:44:26

-Too hot.

-Yeah.

0:44:260:44:28

I think we need to maybe just remove the tin a bit more,

0:44:280:44:30

-so the fire can burn its way out.

-Yeah.

0:44:300:44:33

Scraping some of the embers away from the pot,

0:44:330:44:35

-so the pot can start to cool.

-Mine is stone-cold.

0:44:350:44:38

Cait, are you ready to do it?

0:44:380:44:42

Wow.

0:44:420:44:44

Oh, there are some nice reds going on.

0:44:440:44:47

A bit of black, which is nice.

0:44:470:44:49

-She's got so much pink there.

-Yeah.

-I'm just hoping it's in one piece.

0:44:490:44:53

Oh!

0:44:530:44:54

Wa-hey it's in one piece. That's good.

0:44:540:44:57

Whoo!

0:44:570:44:58

THEY APPLAUD AND CHEER

0:44:580:44:59

Nice.

0:44:590:45:01

Wow.

0:45:040:45:07

Wow, that's beautiful.

0:45:070:45:09

Yellow colour, I got yellow! Orange.

0:45:090:45:12

-Oh, my God, I've got orange.

-Well done.

0:45:120:45:15

That's from the cabbage.

0:45:150:45:16

-You see all this red?

-Yeah.

0:45:160:45:19

That was red iron and it looks like it hasn't cooked onto

0:45:190:45:22

the pot, which means it's coming off in my hands,

0:45:220:45:25

which means it probably didn't reach temperature.

0:45:250:45:28

But there's even worse news for Ryan.

0:45:280:45:30

Was that not meant to happen?

0:45:300:45:32

It broke at the join I think.

0:45:320:45:33

I think it was already broken, so as I just pulled it out,

0:45:330:45:36

it was in two halves.

0:45:360:45:37

-Oh!

-Oh, no!

0:45:390:45:42

Obviously, the weakness is in the joint.

0:45:420:45:44

That's a blow.

0:45:440:45:46

Wow.

0:45:460:45:47

-That's amazing, Clover.

-I'm sure it's a happy accident.

0:45:490:45:52

I can't even remember what I put in. All this colour.

0:45:520:45:56

-Wow.

-Whoa!

0:45:560:45:57

To make the most of the colours that the pit firing has created,

0:45:580:46:02

each vase need to be cleaned and waxed.

0:46:020:46:05

Nice interesting bits in some areas.

0:46:050:46:08

And then I don't how hot it got really at all, cos, I mean,

0:46:080:46:11

that's still the same colour it was when it went in.

0:46:110:46:15

I never expected this orange.

0:46:150:46:18

Hopefully, some of it has sunk into the actual pot.

0:46:180:46:21

But for some, cleaning will have to wait.

0:46:210:46:24

So, this one, are you going to go at it both ends

0:46:240:46:26

and just go really steady?

0:46:260:46:28

-I shall leave it in there.

-You're going to leave it in there

0:46:280:46:31

-for a bit?

-Yeah, forever.

-I don't want to get mine out either.

0:46:310:46:34

You can't go on strike, potters, and refuse to get them out,

0:46:340:46:36

cos you're scared of damaging them.

0:46:360:46:39

Ryan, Richard and Nam have only one surviving vase.

0:46:390:46:43

I was trying to touch it a few minutes ago.

0:46:430:46:44

-How hot is it?

-Pretty hot.

0:46:440:46:46

-Ooh. Got it.

-Gentle. Slow, slow, slow.

0:46:490:46:53

Up.

0:46:530:46:55

There's not as much colour as I'd have hoped,

0:46:550:46:57

but there's some really nice effects around the top and around this side.

0:46:570:47:00

Oh, my goodness. How beautiful!

0:47:000:47:04

Totally made up. I think it's wonderful.

0:47:040:47:06

Four days, 13 hours later...

0:47:090:47:11

HE LAUGHS

0:47:110:47:13

-Are you ready to get your vase out?

-Yeah, yeah.

0:47:130:47:15

-Are you sure you're happy?

-Yeah, I'm happy with it.

0:47:150:47:17

OK. Slowly, gently, gently.

0:47:170:47:19

I'm just going to take it to the table.

0:47:190:47:23

-Still in one piece?

-Still in one piece.

0:47:230:47:25

There's a bit of streaks, a bit of copper, flaring.

0:47:250:47:29

Right then, guys. It's time to get these pots wrapped up,

0:47:300:47:32

take them up to Middleport for judging.

0:47:320:47:35

Very pleased with the intact vase.

0:47:350:47:38

The colours, I think, are marvellous.

0:47:380:47:40

I've managed to avoid all that horrible dark carbon.

0:47:400:47:43

I knew I put these combustible materials to get these colours,

0:47:430:47:45

but I didn't expect that the colour would be so dramatic.

0:47:450:47:48

I'd like to see some more reds and orangey colours in there.

0:47:480:47:51

I just feel like it doesn't stand out compared to the others.

0:47:510:47:54

I don't feel confident about them at all.

0:47:540:47:58

I'm feeling uncertain.

0:47:580:48:00

Potters, welcome back to the pottery

0:48:180:48:20

and before we started the judging process,

0:48:200:48:22

what exactly were you looking for with these vases, please?

0:48:220:48:25

We wanted two vases, robust enough to withstand a pit firing.

0:48:250:48:29

We wanted you then to choose one of them to bring us for judging.

0:48:290:48:34

We also wanted to see that your decoration is showing pit firing to

0:48:340:48:38

its very best on the surface of your vase.

0:48:380:48:41

OK, so choose your favourite vase, please.

0:48:410:48:43

Clover, you're up first.

0:48:430:48:45

-I don't know which one to bring.

-Decision time.

0:48:450:48:47

You don't know which one to pick? KATE GASPS

0:48:470:48:49

Gut feeling.

0:48:490:48:50

THEY LAUGH

0:48:500:48:53

You should've picked that one. No, no, I'm joking.

0:48:590:49:01

-No, no, no, you chose.

-I've chosen it.

0:49:010:49:03

-You chose.

-This one is not as well-made as the other,

0:49:030:49:05

but it shows what pit firing could do for you.

0:49:050:49:08

It's a brilliant weight.

0:49:100:49:12

It's a brilliant weight.

0:49:120:49:14

A pot, a vase, has a weight that suits it.

0:49:140:49:17

You know, you have a feeling of how it should be

0:49:170:49:19

and it was right when you picked it up. You're right, Keith.

0:49:190:49:22

I like the fluency and I like the fact that it springs up.

0:49:220:49:26

I would have liked to have seen more finish on the rim.

0:49:260:49:29

The rim just looks like it sort of stops.

0:49:290:49:31

It's got a sort of night and day side, hasn't it?

0:49:310:49:33

It's like there is the moon shining in the night and as we turn it,

0:49:330:49:37

we've got gingers from irons, we've got all sorts of coppers and greens.

0:49:370:49:41

The surface is brilliant.

0:49:410:49:43

Beautiful use of pit firing materials.

0:49:430:49:45

Well done.

0:49:450:49:47

Freya.

0:49:500:49:52

OK.

0:49:520:49:54

I'm having a really hard time deciding,

0:49:550:49:58

but I think I'm going to go for this one.

0:49:580:50:00

What is your heart saying, Freya? What's your instinct saying?

0:50:000:50:02

Well, that's my favourite one, but it's too short. Oh, no.

0:50:020:50:06

I feel like I'm walking to my grave.

0:50:060:50:08

Walk to your grave.

0:50:080:50:10

You can see that you're very, very competent at throwing.

0:50:130:50:16

These accents that you got here, which are the points of where you've

0:50:160:50:20

joined it together, brilliant.

0:50:200:50:22

Really, really, really good.

0:50:220:50:24

I don't think the surface is brilliant,

0:50:240:50:26

as far as pit firing is concerned.

0:50:260:50:27

There is a consistency of it,

0:50:270:50:29

but I'm trying to find the depth that you can find in pit firing.

0:50:290:50:33

So, I'm not as thrilled with the surface as I'd like to be.

0:50:330:50:35

That...

0:50:350:50:38

-I knew he'd look at your bottom.

-It was too heavy and it exploded.

0:50:380:50:41

-Yeah.

-It was too thick and untrimmed.

-Yeah.

0:50:410:50:43

You know, if that was dry enough,

0:50:430:50:45

I would have turned it upside down and trimmed that.

0:50:450:50:47

You needed to trim that off, didn't you?

0:50:470:50:49

I'm being harsh on you, Freya, because you are really good,

0:50:490:50:52

but, you know, that's why that is a really silly mistake.

0:50:520:50:56

Why did you choose this one over your other one?

0:51:060:51:08

My other one, sadly, exploded from the bottom.

0:51:080:51:11

Also the curvature on the other one wasn't exactly flowing either.

0:51:110:51:15

I would have probably liked to have seen a bit more reaction with the

0:51:150:51:18

combustibles, but I really like the shape and the form.

0:51:180:51:21

I love the way that you change the accent at the top.

0:51:210:51:24

There's a sense of modernity about this.

0:51:240:51:27

The bold lines are like some kind of modern, abstract painting,

0:51:270:51:30

-a Ruscha painting or something.

-Yeah.

0:51:300:51:32

And I like it for that. I think it was very bold.

0:51:320:51:35

In my eyes, the make lets you down.

0:51:390:51:41

And I think the surface, kind of, brings it up again.

0:51:410:51:45

You're the only one who actually tried

0:51:450:51:47

to use a geometric pattern.

0:51:470:51:49

I mean, there are areas here that are quite bland, but,

0:51:490:51:52

at the same time, there is this gorgeous heart.

0:51:520:51:54

-The black heart here.

-I usually like consistency and uniformity.

0:51:540:51:59

As a make, the fact that it's, for another word, wonky,

0:51:590:52:02

it kind of works for me.

0:52:020:52:04

But it's wonky because of the bad making, not because it was intended.

0:52:040:52:08

-But is there still a bit of beauty in the wonk?

-There is.

0:52:080:52:11

-Why did you choose this one, Richard?

-This was always going to

0:52:180:52:21

be my main pot, but my second pot decided to hate me and broke.

0:52:210:52:24

-Let's have a feel.

-It's great, great, Richard. Really good.

0:52:240:52:28

It feels nice in your hands when you pick it up.

0:52:280:52:31

The structure of it is really nice.

0:52:310:52:34

In fact, for a rim that isn't a rim, it just sort of stops.

0:52:340:52:37

It's quite abrupt. It actually works quite well,

0:52:370:52:40

because this proportion here actually works with the rest of the

0:52:400:52:43

body of the pot.

0:52:430:52:45

The join is more or less invisible and I think the surface...

0:52:450:52:50

-I'm speechless.

-That's never happened before.

0:52:500:52:53

Because it is lighter in colour, it's lifted the pot up as well

0:52:530:52:57

and it's made the pot less heavy to look at.

0:52:570:53:00

Well, it was a conscious effort not to have it too dark.

0:53:000:53:03

Well, you've succeeded, lovey.

0:53:030:53:05

Is this is where the tinfoil, do you think, touched the surfaces?

0:53:050:53:08

-Yes, yes.

-It's almost like a marble effect, isn't it?

-It is, yes.

0:53:080:53:11

It is, yes. This is...

0:53:110:53:14

-extraordinary surface.

-Thank you.

0:53:140:53:17

Ryan, you're up next, please.

0:53:180:53:21

Oh, sorry, wrong one.

0:53:210:53:23

So, I like the top half. I'm not so keen on the bottom half.

0:53:290:53:32

It, sort of, loses its shape for me.

0:53:320:53:35

It looks like that, for me. And it doesn't really flow.

0:53:350:53:39

-It's got a bit of a dad bod, hasn't it?

-Yeah, yeah.

0:53:390:53:42

It's very, very heavy. It is very heavy, isn't it?

0:53:420:53:45

Do you feel that you could have turned and trimmed

0:53:450:53:48

-a bit more off it?

-Definitely. Yeah, definitely.

0:53:480:53:51

I completely rushed with the joining process and turning process, yeah.

0:53:510:53:54

I really like this top bit.

0:53:540:53:56

I mean, it's quite black.

0:53:560:53:57

I quite like this shadowing here of these blocks of wood

0:53:570:54:00

-that you've applied on there.

-And there's this shiny area here.

0:54:000:54:03

-I love that bit. That's my favourite bit.

-What was that?

0:54:030:54:06

Probably just that hardwood really burning into the piece.

0:54:060:54:09

It's heavy and that's a lack of good meeting at the day.

0:54:090:54:12

I don't think you were on form on the day.

0:54:120:54:14

And I would have liked to have seen a bit more colour

0:54:140:54:17

and a bit more reaction.

0:54:170:54:19

Who has caught your eye for Potter of the Week?

0:54:300:54:33

The minute I picked up Clover's vase... I'm getting emotional now,

0:54:330:54:37

but she's made this vase and it was quite incredible

0:54:370:54:39

in its weight and size.

0:54:390:54:41

And the surface. The greens and the honeys and the mustards,

0:54:410:54:46

very beautiful.

0:54:460:54:47

Richard's left me speechless. I mean, really.

0:54:470:54:50

That is such a unique surface.

0:54:500:54:52

He set out to do a fairly contemporary vase and, as we know,

0:54:520:54:56

Richard is stuck in the 17th century.

0:54:560:54:58

And it was fantastic.

0:54:580:55:00

Somebody has to leave the pottery.

0:55:000:55:02

Who's in the danger zone for you?

0:55:020:55:03

Annoyingly, it's Freya.

0:55:030:55:05

She's such a good thrower, but the bottom of her pot blew out.

0:55:050:55:08

She was just not totally on the ball.

0:55:080:55:11

Ryan's make, he had such a heavy bottom.

0:55:110:55:14

He didn't turn and trim that away.

0:55:140:55:15

And then he did all this combustibles.

0:55:150:55:17

I was thinking, "Wow, this is going to be fantastic.

0:55:170:55:20

"He's throwing everything at this thing," and we end up with

0:55:200:55:23

-a black and white vase.

-And who else are you worried about?

0:55:230:55:26

-Cait.

-Cait.

0:55:260:55:27

She's got this great ambition and great vision,

0:55:270:55:30

but she just can't carry it through.

0:55:300:55:31

Normally, by this point,

0:55:310:55:33

I can, kind of, have a feeling for who's going to be leaving the pottery,

0:55:330:55:36

but, I've got to be honest, I can't work it out with you two this week.

0:55:360:55:39

Oh! Very hard.

0:55:390:55:41

Very hard today.

0:55:410:55:42

Well, potters, your performance this week has really fanned the flames of

0:55:460:55:51

discussion with the judges

0:55:510:55:52

and we are going to start with the happy bit.

0:55:520:55:55

So, Pot of the Week, please.

0:55:550:55:58

So, Pot of the Week this week is...

0:55:580:56:00

..Richard.

0:56:040:56:06

-THEY CHEER

-Wow!

0:56:060:56:08

-Go, Richard.

-Well done.

0:56:080:56:10

-Well done.

-Thank you.

0:56:100:56:13

So, now to the less happy job,

0:56:130:56:17

because somebody does have to leave the pottery.

0:56:170:56:19

And the person leaving the pottery this week...

0:56:190:56:23

is...

0:56:230:56:24

It's no-one.

0:56:310:56:33

-Really?

-It was really, really hard.

0:56:350:56:38

It was such a dilemma. You've got positives and you've got negatives.

0:56:400:56:43

Now, listen, listen, listen carefully.

0:56:430:56:48

Freya, I'm really frustrated. You had this blowout. And, frankly,

0:56:480:56:53

the decoration is really boring.

0:56:530:56:56

Cait, you're way short of the 60 centimetres.

0:56:560:56:59

Your joins were really poor and the fact that it's leaning to one

0:56:590:57:03

side wasn't purposeful, it was accidental.

0:57:030:57:06

Ryan, you've had a pretty bad week.

0:57:060:57:08

The decorative surface on your vase is really lacking.

0:57:080:57:13

And the weight of the vase is extremely heavy.

0:57:130:57:16

Next week, we want you to really focus on all points, please.

0:57:160:57:20

Really listen to what the judges have got to say, guys,

0:57:200:57:22

because next week two of you will be leaving the pottery.

0:57:220:57:26

Kate and I just really couldn't agree on the one potter that was

0:57:290:57:32

going to leave this week.

0:57:320:57:33

Keith and I were at loggerheads, almost,

0:57:330:57:36

about what was going to happen.

0:57:360:57:37

They all had such strengths and weaknesses.

0:57:370:57:41

They've got so much talent there.

0:57:410:57:43

They've just got to really show it to us. Well done, mate.

0:57:430:57:46

-Thank you.

-Mwah!

0:57:460:57:47

Keith kissed me.

0:57:470:57:49

I've got to live that one down yet.

0:57:490:57:52

Richard's vase is the fifth piece to make it into our gallery.

0:57:520:57:56

There really are some really good potters here

0:57:560:57:58

and it's quite an honour, really, isn't it, to be on display.

0:57:580:58:01

Just sort yourselves out.

0:58:010:58:03

I'm relieved that I'm not going home,

0:58:050:58:07

but I'm not particularly happy about this situation.

0:58:070:58:10

I don't want to be on the cusp of being kicked out.

0:58:100:58:13

It's nervy.

0:58:150:58:17

I didn't expect that.

0:58:170:58:18

Although Clover told me that that's exactly what she predicted.

0:58:180:58:22

So, I think she's got a career in fortune-telling perhaps.

0:58:220:58:25

No-one wants to leave.

0:58:270:58:29

We're all excited to stay and be a part of this competition,

0:58:290:58:33

so I will be disappointed if I go next week.

0:58:330:58:35

Next time...

0:58:350:58:37

This will be the last time the six of us will be together.

0:58:370:58:40

-..it's the quarterfinal...

-They have to get this right.

0:58:400:58:42

..and with four Russian dolls to make...

0:58:420:58:44

I need to start again.

0:58:440:58:45

-..the cracks are beginning to show...

-Argh!

0:58:450:58:48

-..but there's no way to hide...

-I'm getting worried now.

0:58:480:58:50

..as two potters must leave.

0:58:500:58:52

I have my suitcase packed.

0:58:520:58:54

But who will survive and make it to the semifinals?

0:58:540:58:56

I think I'm going home.

0:58:560:58:58

Just sort yourselves out.

0:58:580:58:59

GASPING

0:58:590:59:01

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