Funny Girl

Line	From	To
Hello, gorgeous.	0:03:24	0:03:26
PICKS OUT OPENING NOTES OF "People"	0:04:02	0:04:04
STOPS PLAYING	0:04:11	0:04:12
APPLAUSE ECHOES	0:04:28	0:04:29
IMITATES MACHINE GUN	0:04:34	0:04:36
FOOTSTEPS	0:05:04	0:05:06
< Miss Fanny?	0:05:06	0:05:08
Miss Fanny?	0:05:08	0:05:09
Down here, Emma. Third row.	0:05:09	0:05:11
I came in early to tidy up. The doorman said you were in.	0:05:11	0:05:16
What you doin' out there?	0:05:16	0:05:18
It's the one place in the theatre I've never sat.	0:05:19	0:05:22
Maybe things look different from here.	0:05:25	0:05:27
This is the day, isn't it?	0:05:28	0:05:31
Yeah.	0:05:31	0:05:33
< Any word yet?	0:05:34	0:05:36
No, the wire just said tonight.	0:05:36	0:05:38
Are you nervous?	0:05:39	0:05:41
Nervous, happy, scared, excited...	0:05:41	0:05:44
I'll make some fresh coffee. Coming?	0:05:47	0:05:50
No, I think I'll sit here for a while.	0:05:50	0:05:54
< I'll be in the dressing room if you want me.	0:05:54	0:05:58
Oh, Mr Ziegfeld wants to see you.	0:05:58	0:06:00
When you feel like it, he says. He'll be waiting in his office.	0:06:00	0:06:05
Thanks, Em.	0:06:05	0:06:07
Did you hear that, Mrs Strakosh?	0:06:15	0:06:17
Ziegfeld is waiting for me.	0:06:20	0:06:22
-For -me.	0:06:25	0:06:27
See, you were wrong, Mrs Strakosh.	0:06:29	0:06:32
No, Fanny, darling, I'm not wrong. >	0:06:35	0:06:38
For a girl, for average, you're a pleasure.	0:06:38	0:06:41
But when people pay good money in the theatre...	0:06:41	0:06:45
-especially the -male -element, they want something extra to look at.	0:06:45	0:06:49
But if a girl isn't...	0:06:49	0:06:52
If a girl isn't what?	0:06:52	0:06:54
# If a girl isn't pretty	0:06:55	0:06:58
# Like a Miss Atlantic City	0:06:58	0:07:00
# All she gets from life is pity and a pat	0:07:00	0:07:04
# Kindly name a star who hasn't won a contest or a pageant	0:07:04	0:07:09
# If she hasn't, she just never gets to bat... #	0:07:09	0:07:13
-ITALIAN ACCENT -# ..She musta shine in every detail	0:07:14	0:07:17
# Like a ring you're buying retail... #	0:07:17	0:07:19
-IRISH ACCENT -# ..Be a standard size	0:07:19	0:07:21
# That fits a standard dress	0:07:21	0:07:23
# When a girl's incidentals	0:07:23	0:07:26
# Are no bigger than two lentils	0:07:26	0:07:29
# Then, to me, it doesn't spell success... #	0:07:29	0:07:33
They'll still look at me. The whole world will look at me and be stunned.	0:07:33	0:07:39
Fine when you were a child making funny faces. THEN you were cute.	0:07:39	0:07:44
My condolences, darling. You're no longer cute.	0:07:44	0:07:48
# From three faces that could cause you	0:07:48	0:07:50
# To have temporary nausea	0:07:50	0:07:52
# Do I have to hear a lecture such as that?	0:07:52	0:07:57
# Is a nose with deviation such a crime against the nation?	0:07:57	0:08:01
# Should I throw her into jail or drown the cat... #	0:08:01	0:08:04
Ma!	0:08:04	0:08:06
Bye.	0:08:06	0:08:07
Bye.	0:08:07	0:08:09
# ..So she looks a bit off balance	0:08:09	0:08:12
# She possesses golden talents	0:08:12	0:08:15
# Or is that a pill too bitter to digest? #	0:08:15	0:08:19
Ruff, ruff!	0:08:23	0:08:25
MARKET TRADERS' CRIES	0:08:35	0:08:37
Wait a minute, wait a minute!	0:08:47	0:08:49
No, I'm one of the 8 Beautiful Girls 8.	0:08:49	0:08:51
The make-up helps a lot.	0:08:54	0:08:56
Really.	0:08:56	0:08:58
ORIENTAL-SOUNDING PIANO	0:09:00	0:09:02
# Ay-yai-yai!	0:09:02	0:09:04
# Ay-yai-yai... #	0:09:05	0:09:07
< Sell it! Sell it!	0:09:09	0:09:11
# ..Aaaaaaaaaaaaah	0:09:15	0:09:18
# Ay-yai-yai	0:09:19	0:09:21
# Ay-yai-yai... #	0:09:23	0:09:25
Get in there, Fanny!	0:09:29	0:09:32
Knees high. High! Way up there!	0:09:34	0:09:37
< Hold it, Eddie.	0:09:47	0:09:50
Hold it!	0:09:50	0:09:52
You, with the skinny legs.	0:09:52	0:09:54
You. Yes, you with the bloomers!	0:09:56	0:09:58
Yeah?	0:10:00	0:10:01
< You're fired.	0:10:01	0:10:03
What?	0:10:03	0:10:04
You call that a replacement, Eddie?	0:10:04	0:10:07
-Did you owe someone a favour? -It seemed like a funny idea.	0:10:07	0:10:10
-What's funny about it? -That's what I say.	0:10:10	0:10:12
Everybody back at four.	0:10:12	0:10:13
Listen, Mr Keeney, you're making a mistake.	0:10:13	0:10:16
I've been on the stage since I was 10!	0:10:16	0:10:19
Amateur contests, repertory, professional companies.	0:10:19	0:10:23
I played a daughter and her own father a 60-year-old Indian chief.	0:10:23	0:10:28
-Listen, girl... -How!	0:10:28	0:10:30
You've got to face facts.	0:10:30	0:10:32
You don't look like the other girls.	0:10:32	0:10:34
You stick out - you ARE out. Eddie!	0:10:34	0:10:37
I'm just trying to tell you something	0:10:37	0:10:40
Out! Out!	0:10:40	0:10:42
Look, Mr Keeney, suppose you only ever ate onion rolls,	0:10:48	0:10:52
and suddenly, in walks a bagel.	0:10:52	0:10:54
You say, "What is that?!"	0:10:54	0:10:56
Until you TRY it! That's my trouble.	0:10:56	0:10:59
What's your trouble?	0:10:59	0:11:00
I'm a bagel surrounded by onion rolls!	0:11:00	0:11:03
Nobody recognises me.	0:11:03	0:11:05
I've got 36 expressions sweet-as-pie to tough-as-leather.	0:11:05	0:11:10
# That's six expressions more than all the Barrymores put together... #	0:11:10	0:11:13
Come on.	0:11:13	0:11:15
# ..Instead of kicking me, why don't they give me a lift?	0:11:15	0:11:18
# It must be a plot Cos they're scared that I got	0:11:18	0:11:21
# Such a gift... #	0:11:21	0:11:23
Oh, sure. Let's go.	0:11:23	0:11:25
# ..Well, I'm miffed	0:11:25	0:11:26
# Cos I'm...	0:11:26	0:11:30
# The greatest star	0:11:30	0:11:32
# I am by far	0:11:33	0:11:35
# But no-one knows it	0:11:36	0:11:39
Wait! # They're going to hear a voice	0:11:39	0:11:42
# A silver flute	0:11:42	0:11:44
# Tra-la, tra-la!	0:11:44	0:11:46
# They'll cheer each toot, terrific!	0:11:46	0:11:48
# When I expose it	0:11:48	0:11:50
# Now can't you see to look at me	0:11:50	0:11:52
# That I'm a natural Camille	0:11:52	0:11:58
# As Camille I just feel	0:11:58	0:12:01
# I've so much to offer... #	0:12:01	0:12:03
Hey, listen, kid, I know I'd be divine because...	0:12:03	0:12:06
# ..I'm a natural cougher... #	0:12:06	0:12:09
COUGHS	0:12:09	0:12:12
# ..Some ain't got it not a lump	0:12:12	0:12:14
# I'm a great big clump of talent	0:12:14	0:12:17
# Laugh? They'll bend in half... #	0:12:17	0:12:19
Hear about the travelling salesman?	0:12:19	0:12:22
# ..A thousand jokes stick around for the jokes	0:12:22	0:12:25
# A thousand faces	0:12:25	0:12:28
# I reiterate	0:12:29	0:12:30
# When you're gifted Then you're gifted	0:12:30	0:12:33
# These are facts I've got no axe to grind	0:12:33	0:12:38
# Hey, what are you, blind?	0:12:38	0:12:40
# In all of the world so far	0:12:40	0:12:44
# I'm the greatest star.#	0:12:44	0:12:46
No autographs, please.	0:12:48	0:12:50
What did she say?	0:12:50	0:12:52
You think beautiful girls will be in style forever?	0:12:52	0:12:55
They're going to be finished!	0:12:55	0:12:57
-Then it'll be my turn! -Mom, Mom!	0:12:57	0:13:00
# Who is the pip with pizzazz?	0:13:00	0:13:03
# Who is all ginger and jazz?	0:13:03	0:13:06
# Who is as glamorous as	0:13:06	0:13:09
# Who's an American beauty rose	0:13:09	0:13:12
# With an American beauty NOSE	0:13:12	0:13:14
# And ten American beauty toes?	0:13:14	0:13:17
# Eyes on the target and wham!	0:13:17	0:13:19
# One shot, one gunshot and bam!	0:13:20	0:13:23
Hey, Mr Keeney!	0:13:25	0:13:27
# Here I am!	0:13:29	0:13:30
# I'm the greatest star	0:13:39	0:13:44
# I am by far	0:13:44	0:13:47
# But no-one knows it	0:13:47	0:13:50
# That's why I was born	0:13:50	0:13:55
# I'll blow my horn	0:13:55	0:13:59
# Till someone blows it	0:13:59	0:14:03
# I light up like a light	0:14:03	0:14:07
# Right up like a light	0:14:07	0:14:09
# I'll flicker then flare up	0:14:09	0:14:12
# All the world's going to stare up	0:14:13	0:14:17
# Looking down you'll never see me	0:14:17	0:14:20
# Try the sky cos that'll be ME!	0:14:20	0:14:22
# I can make 'em cry	0:14:22	0:14:25
# I can make 'em sigh	0:14:25	0:14:27
# Some day they'll clamour for my drama	0:14:27	0:14:32
# Have you guessed yet?	0:14:32	0:14:34
# Who's the best yet?	0:14:34	0:14:36
# If you ain't I'll tell you one more time	0:14:36	0:14:42
# You bet your last dime	0:14:42	0:14:44
# In all of the world so far I am the greatest, greatest	0:14:44	0:14:51
# Star! #	0:14:51	0:14:58
ONE PERSON CLAPPING	0:15:00	0:15:01
SNIFFS	0:15:11	0:15:13
You're no chorus girl!	0:15:17	0:15:20
You're a singer. And a comic.	0:15:21	0:15:24
Yeah. With skinny legs.	0:15:24	0:15:26
So why did you try out for the chorus?	0:15:28	0:15:31
That's what you were looking for.	0:15:31	0:15:33
If you were looking for a juggler I'd have been a juggler.	0:15:33	0:15:38
I got to get on the stage somehow.	0:15:38	0:15:40
How come you hired me?	0:15:42	0:15:44
Because you wanted it so much.	0:15:46	0:15:49
Are you sure you're tough enough for show business?	0:15:50	0:15:53
Maybe not. Say, can you roller-skate?	0:15:55	0:15:58
You had a sudden urge to go skating?	0:15:58	0:16:01
I'm trying out a novelty number tomorrow. Be here at noon.	0:16:01	0:16:05
What about Keeney?	0:16:05	0:16:06
By the time he arrives, the number will be in the show.	0:16:06	0:16:10
-He'll kill you! He might even fire you. -Not if you're good.	0:16:10	0:16:13
Are you sure you can roller-skate?	0:16:13	0:16:15
-Can -I -roller-skate?	0:16:19	0:16:21
-Weeeeee! -Weeeeee!	0:16:23	0:16:26
I thought you could skate!	0:16:26	0:16:27
I didn't know I couldn't.	0:16:27	0:16:29
-Norah! -Audrey! -Jerry! -Thelma!	0:16:29	0:16:31
-Ruthie! -Pauline!	0:16:31	0:16:32
Fanny!	0:16:32	0:16:35
LAUGHTER	0:16:35	0:16:37
THEY SING A SQUEAKY DITTY	0:16:41	0:16:43
Go on, get out of there!	0:16:57	0:16:59
Aaaaaaaaaaaa!	0:16:59	0:17:01
LAUGHTER	0:17:01	0:17:03
-Thank you! That's really... -Hey, you!	0:17:10	0:17:13
LAUGHTER	0:17:14	0:17:17
SHRIEKS OF LAUGHTER	0:17:29	0:17:31
APPLAUSE	0:17:35	0:17:37
Aaaaaaaaaaaaaaaaa!	0:18:02	0:18:04
SCREAMS	0:18:09	0:18:10
CHEERS AND WHISTLING	0:18:15	0:18:17
-Wait, lady! -What are you doing?!	0:18:20	0:18:23
Stay there.	0:18:23	0:18:25
Fanny, they like it. Go back out there.	0:18:25	0:18:27
Go ahead, honey!	0:18:27	0:18:29
It's MY show!	0:18:29	0:18:31
No, you don't!	0:18:31	0:18:32
Her! On her! Over there!	0:18:40	0:18:42
AUDIENCE FALLS SILENT	0:18:48	0:18:51
# I'd rather be blue	0:18:53	0:18:56
# Thinking of you	0:18:56	0:18:58
# I'd...rather be blue	0:18:58	0:19:01
# Over you	0:19:01	0:19:03
# Than be happy with somebody else... #	0:19:03	0:19:09
(Smile!)	0:19:09	0:19:11
# I'm crazy about you without you	0:19:11	0:19:17
# For you I'm strong	0:19:17	0:19:20
# I can't do without you	0:19:20	0:19:23
# Howcha ma gowcha	0:19:23	0:19:25
# Don't stay too long	0:19:26	0:19:29
# I need a little ah, little ooh, little oh, and I'm knocking on wood	0:19:29	0:19:35
KNOCK KNOCK	0:19:35	0:19:37
# Oh, honey, hurry up, hurry up, hurry up!	0:19:37	0:19:41
# It's so hard to be good	0:19:41	0:19:46
# I'd rather be blue thinking of you	0:19:46	0:19:49
# I'd rather be blue over you	0:19:49	0:19:54
# Than be happy with somebody else	0:19:54	0:20:02
# Will I be good? Will I be bad?	0:20:03	0:20:06
# Don't be a fool, you fool... #	0:20:06	0:20:09
WHISTLING	0:20:09	0:20:11
# ..My little flat, I'm turning that into a Sunday school	0:20:11	0:20:17
# While you're away, I'm here to say There'll be no ice-man there	0:20:17	0:20:23
# Singing the blues, I'm going to use nothing but Frigidaire	0:20:25	0:20:31
# I'd rather be blue thinking of you	0:20:31	0:20:35
# I'd rather be blue over you	0:20:35	0:20:39
# Than be happy with somebody else	0:20:39	0:20:49
# Blue over you	0:20:49	0:20:52
# I'd rather be blue over you	0:20:52	0:20:56
# Than be hap-hap-hap-happy with somebody else! #	0:20:56	0:21:07
APPLAUSE AND CHEERS	0:21:07	0:21:09
They liked it! Eddie, they liked it!	0:21:25	0:21:28
-They like... Mr Keeney! -Get the next act on!	0:21:28	0:21:30
-Mr Keeney, they like it! -You think I pay you so they shouldn't like it?	0:21:30	0:21:34
I didn't know you were paying me.	0:21:34	0:21:37
Or how much, but it won't be enough!	0:21:37	0:21:39
When I get around to thinking about you, I'll let you know.	0:21:39	0:21:43
Well, well! If it isn't Miss Roller-Skates!	0:21:49	0:21:51
I'm really sorry, girls.	0:21:51	0:21:54
Sure you are! We heard the applause.	0:21:54	0:21:56
I'm sorry I loused up the number but I couldn't help it.	0:21:56	0:22:00
But I'm glad it was a hit.	0:22:00	0:22:01
Who'll see you here? Ziegfeld?	0:22:01	0:22:04
Why not? Maybe I'll spread the word myself.	0:22:04	0:22:08
I know a lady who knows the lady who makes his shirts.	0:22:08	0:22:12
He'll read about me. He's going to hear.	0:22:12	0:22:14
LAUGHTER	0:22:14	0:22:16
Go ahead laugh. One night you'll be here,	0:22:16	0:22:19
laughing just like that, and there'll be a knock on the door...	0:22:19	0:22:22
KNOCK	0:22:22	0:22:23
See? And there he'll be Ziegfeld.	0:22:23	0:22:25
I'm sorry to disappoint you the name's Arnstein.	0:22:31	0:22:35
Did you want to see someone?	0:22:37	0:22:39
Yes. You.	0:22:39	0:22:41
Gorgeous.	0:22:46	0:22:47
I beg your pardon?	0:22:47	0:22:49
Your shirt it's absolutely the most gorgeous thing I've ever seen.	0:22:49	0:22:54
What's it made out of?	0:22:54	0:22:56
Oh, French handkerchief-linen.	0:22:56	0:22:59
-Goes very limp, though. -Yeah, I can see.	0:22:59	0:23:01
Except...it's really beautiful.	0:23:01	0:23:04
All the tail coats I've seen, they were rented.	0:23:04	0:23:07
You know, they all got these stiff shirts.	0:23:07	0:23:10
Well, this one's just for fun. This is probably getting boring...	0:23:10	0:23:15
but I had to tell you how much I enjoyed what you did.	0:23:15	0:23:19
You'd be amazed how boring it isn't.	0:23:19	0:23:22
You're going to be a big star, Miss, er...	0:23:22	0:23:25
Er... Brice. Fanny Brice.	0:23:25	0:23:28
Fanny Brice I'll look for it in lights.	0:23:28	0:23:32
Yeah... What did you say your name was?	0:23:32	0:23:36
Nick Arnstein.	0:23:36	0:23:37
'# Nicky Arnstein, Nicky Arnstein	0:23:37	0:23:39
'# What a beautiful, beautiful name! #'	0:23:39	0:23:44
Got around to thinking about me yet?	0:23:44	0:23:46
Oh, it's you. Hello, Arnstein.	0:23:46	0:23:48
25 a week, take it or leave it.	0:23:48	0:23:50
-I'll take it! -Leave it.	0:23:50	0:23:53
I'm offering 35.	0:23:53	0:23:55
What? Since when are you...?	0:23:55	0:23:57
In show business? I'm not.	0:23:57	0:23:59
One of your competitors authorised me to deal for him...	0:23:59	0:24:04
if I ran across a talent I considered unique.	0:24:04	0:24:07
-So, 35 a week? -40.	0:24:07	0:24:09
-45. -50.	0:24:09	0:24:12
I wasn't authorised to go over 50.	0:24:12	0:24:15
Yours for 50 a week. Congratulations.	0:24:15	0:24:17
Yeah!	0:24:17	0:24:19
50 a week?!	0:24:22	0:24:24
50 a week! I'm practically a millionaire.	0:24:24	0:24:27
Hey, who's the competitor?	0:24:27	0:24:29
There is no competitor.	0:24:29	0:24:31
You were bluffing? Like in poker?	0:24:31	0:24:33
-What would've happened if Keeney stopped first? -You'd have lost.	0:24:33	0:24:38
I'd have lost the job?	0:24:38	0:24:40
I was willing to take a chance.	0:24:40	0:24:42
With my job?	0:24:42	0:24:45
Hey, Nicky!	0:24:45	0:24:47
-Come on! -We're waiting. Hurry up.	0:24:47	0:24:49
Be with you in a minute. >	0:24:49	0:24:51
Wow! Are those yours?	0:24:51	0:24:54
I'm just minding them for a friend.	0:24:54	0:24:56
We're going to Delmonico's. Won't you join us?	0:24:56	0:25:00
We're happy to wait while you change.	0:25:01	0:25:03
I'd have to change too much. Nobody could wait that long.	0:25:03	0:25:07
I'd have a much better time and a lot more laughs.	0:25:09	0:25:12
Well, um...	0:25:13	0:25:15
Thanks, but I'm meeting a gang of people in my mother's saloon.	0:25:15	0:25:19
-Hmm? -Honest!	0:25:19	0:25:22
You want a couple of jokes to take with you?	0:25:25	0:25:28
I'll wait till the next time we meet. Which will be soon, I hope.	0:25:28	0:25:31
'# Nicky Arnstein, Nicky Arnstein #'	0:25:35	0:25:38
'He's got polish on his nails!'	0:25:38	0:25:41
Hey!	0:25:46	0:25:49
Tell whoever washes your shirt to put starch in the last rinse.	0:25:49	0:25:54
Oh...	0:25:56	0:25:58
A little starch in the last rinse?	0:25:58	0:26:02
Thank you, I won't forget.	0:26:02	0:26:04
# Nicky Arnstein...	0:26:09	0:26:13
# Nicky Arnstein...	0:26:13	0:26:15
# I'll never see him	0:26:16	0:26:19
# Again. #	0:26:21	0:26:23
There's a telegram!	0:26:30	0:26:31
-Telegram, telegram! -Telegram for the Brices!	0:26:31	0:26:35
There's a telegram for the Brices Western Union.	0:26:35	0:26:39
That's life for you: someone's dead.	0:26:39	0:26:42
Come on, telegram!	0:26:42	0:26:44
EXCITED MURMURING	0:26:50	0:26:52
What do you think of my new song?	0:27:06	0:27:09
I liked the old one better.	0:27:09	0:27:11
I'm tired of it. I've been singing it for six SIX months.	0:27:11	0:27:15
-So? -So? What?	0:27:15	0:27:17
What's up?	0:27:19	0:27:21
-Oh, look, here's Fanny now. -Shh, let her mama tell her. -Rosie.	0:27:32	0:27:36
Who is it, Momma?	0:27:40	0:27:41
Auntie Blanche or Lou?	0:27:41	0:27:43
Ziegfeld.	0:27:45	0:27:47
He died?	0:27:47	0:27:48
Dear Miss Brice. Stop.	0:27:51	0:27:53
Meet me at the New Amsterdam Theatre on Thursday morning at 11:00. Stop.	0:27:53	0:27:58
Signed Florenz Ziegfeld.	0:27:58	0:28:00
ALL CONGRATULATE HER	0:28:00	0:28:03
Bottoms up, Fanny, darling, bottoms up!	0:28:03	0:28:06
-I knew you could do it. -My stomach aches!	0:28:06	0:28:09
-How could a mother call a boy Florence? -It's Florenzzz.	0:28:09	0:28:13
How could she call him Florenzzz?!	0:28:13	0:28:15
-Is it a job or just an audition? -A job!	0:28:15	0:28:18
You know what I think? Somebody talked to him about me.	0:28:18	0:28:22
I met this guy backstage, with a ruffled shirt on.	0:28:22	0:28:26
The kind of guy who would know Ziegfeld. I bet it was him!	0:28:26	0:28:30
That was what must have happened.	0:28:30	0:28:32
-Ah, my head aches. -No aches you're built like a horse.	0:28:32	0:28:36
I have nothing to wear!	0:28:36	0:28:38
What's she been wearing, towels(?)	0:28:38	0:28:41
It's coming too easy, that's what's got me scared.	0:28:41	0:28:45
Where's all the suffering, and the hard knocks you're supposed to learn from?	0:28:45	0:28:51
This is too quick!	0:28:51	0:28:53
I haven't suffered enough yet.	0:28:53	0:28:56
You haven't got the job yet, either.	0:28:58	0:29:01
And who says you can't lose it?	0:29:01	0:29:03
You'll suffer if you're as bossy with Ziegfeld as you are with me.	0:29:03	0:29:07
I am not bossy with you. Or anyone.	0:29:07	0:29:10
And even if I was, Ziegfeld isn't just anyone.	0:29:10	0:29:14
Believe me, whatever Mr Ziegfeld tells me to do, that's what I'll do.	0:29:14	0:29:20
# Even our piano in the parlour	0:29:20	0:29:26
# Father bought for ten cents on the dollar	0:29:26	0:29:32
# Second-hand pearls, I'm wearing	0:29:32	0:29:36
# Second-hand curls	0:29:36	0:29:38
# I never get a single thing that's new	0:29:38	0:29:43
# Even Jake the plumber he's the man I adore	0:29:45	0:29:52
# He had the nerve to tell me he's been married before	0:29:52	0:29:58
# Everyone knows that I'm just	0:29:58	0:30:02
# Second-hand Rose	0:30:02	0:30:04
# From Second Avenue	0:30:04	0:30:11
# From Second Avenue. #	0:30:11	0:30:17
New?	0:30:17	0:30:20
APPLAUSE	0:30:20	0:30:21
Bravo, Miss Brice. Charming. Delightful.	0:30:24	0:30:27
John, will you get the bride music for Miss Brice?	0:30:27	0:30:30
Yes, sir.	0:30:30	0:30:32
I'm hired? I'm a Ziegfeld girl?	0:30:32	0:30:34
That's exactly what you are.	0:30:34	0:30:36
I'm a Ziegfeld girl.	0:30:38	0:30:40
Miss Brice, you will do A Second-hand Rose in the first act	0:30:40	0:30:44
and this new number in the finale. All right?	0:30:44	0:30:47
Anything you say, Mr Ziegfeld.	0:30:47	0:30:49
Tony will teach it to you.	0:30:49	0:30:51
OK.	0:30:51	0:30:53
John, I'll see the second act right from the top from the balcony.	0:30:53	0:30:57
Turn on the rails.	0:30:57	0:31:00
Right, sir.	0:31:00	0:31:02
Bill, the rails for Mr Ziegfeld, please.	0:31:02	0:31:05
Second act opening.	0:31:05	0:31:08
This way, miss.	0:31:15	0:31:17
Hey!	0:31:19	0:31:21
Paul? Paul?	0:31:21	0:31:23
Mr Ziegfeld? Mr Ziegfeld?	0:31:23	0:31:25
Yoohoo? Mr Ziegfeld?	0:31:25	0:31:28
Mr Ziegfeld?	0:31:28	0:31:30
< Georgia, you're late!	0:31:32	0:31:34
-Sorry, Flo. -Where is he?	0:31:34	0:31:36
He's up above. Like God.	0:31:36	0:31:38
Mr Ziegfeld?	0:31:42	0:31:45
Mr Ziegfeld? Mr Ziegfeld?	0:31:45	0:31:48
Yes, Miss Brice?	0:31:48	0:31:50
I don't want to be in the finale.	0:31:50	0:31:51
EVERYONE FALLS SILENT	0:31:51	0:31:54
< What was that you said?	0:31:58	0:32:00
Well, I just...um...	0:32:01	0:32:03
I can't sing words like...	0:32:03	0:32:05
"I am the beautiful reflection of my love's affection."	0:32:05	0:32:09
COUGHS NERVOUSLY	0:32:09	0:32:11
< Why not?	0:32:11	0:32:12
Well, it's um...embarrassing.	0:32:12	0:32:14
I'll do my first-act number and we'll call it a night. OK?	0:32:14	0:32:19
-< No, it's not OK. -Why not?	0:32:19	0:32:22
Miss Brice, may I remind you you're in MY theatre?	0:32:22	0:32:25
So, nobody argues with the landlord?	0:32:25	0:32:28
LAUGHTER	0:32:28	0:32:30
< Wait there. I'm coming down.	0:32:30	0:32:32
Uh-oh...	0:32:32	0:32:34
Uh, take five. Take five, everybody.	0:32:34	0:32:38
Just uh...take...five.	0:32:38	0:32:41
Is that bad, his coming down?	0:32:45	0:32:47
Only if you want to stay in the show. What's your name?	0:32:47	0:32:51
-Fanny Brice. -I'm Georgia James. Tell him you were wrong.	0:32:51	0:32:54
But I'm not.	0:32:54	0:32:56
Oh. Well, in that case, it was nice to have met you.	0:32:56	0:32:59
< Miss Brice!	0:32:59	0:33:01
Now, what is all this?	0:33:03	0:33:05
Two minutes ago you said, "Anything you say." Remember?	0:33:05	0:33:08
Yes and I'm very sorry.	0:33:08	0:33:10
If I come out telling the audience...	0:33:10	0:33:13
how beautiful I am, I'll be back at Keeney's before the curtain falls.	0:33:13	0:33:17
That won't happen.	0:33:17	0:33:19
I need a strong voice in the finale.	0:33:19	0:33:22
Please take me out of it, Mr Ziegfeld.	0:33:22	0:33:24
Miss Brice, if I take you out of the finale,	0:33:24	0:33:27
I take you out of the Follies.	0:33:27	0:33:29
It's just that simple.	0:33:29	0:33:32
OK, you win.	0:33:40	0:33:42
Thank you.	0:33:43	0:33:45
You don't win fair, but you win.	0:33:45	0:33:48
I'll see the bride number, with Miss Brice.	0:33:50	0:33:55
She can walk through it.	0:33:55	0:33:58
OK, kids, the bride number.	0:33:58	0:33:59
Mr Ziegfeld?	0:33:59	0:34:01
Mr Ziegfeld!	0:34:02	0:34:04
Now what?	0:34:06	0:34:08
Can I hum it? (HUMS)	0:34:08	0:34:10
You will sing the words exactly as written.	0:34:11	0:34:14
And that, Miss Brice, is the end of this discussion.	0:34:16	0:34:20
Yes, Mr Ziegfeld.	0:34:23	0:34:24
Whatever you say, Mr Ziegfeld.	0:34:26	0:34:28
# The most beautiful bride in the world	0:34:39	0:34:43
# And we are the very lucky gents	0:34:43	0:34:47
# Who'll be standing at the sides of the scintillating brides	0:34:47	0:34:52
# Florenz Ziegfeld now presents	0:34:52	0:35:02
# You are the beautiful reflection of his love's affection	0:35:04	0:35:11
# The walking illustration of his adoration	0:35:11	0:35:17
# His love makes you beautiful	0:35:17	0:35:21
# So beautiful, so beautiful!	0:35:21	0:35:27
# You ask your looking-glass what is it makes you so exquisite?	0:35:27	0:35:32
# The answer to your query comes back, dearie	0:35:32	0:35:38
# His love makes you beautiful	0:35:38	0:35:43
# So beautiful, so beautiful!	0:35:43	0:35:49
# And woman loved is woman glorified	0:35:49	0:35:55
# You make a beautiful, beautiful, beautiful, beautiful bride! #	0:35:55	0:36:05
APPLAUSE	0:36:05	0:36:07
The winter bride is typified...	0:36:37	0:36:38
by Christmas frost and fairies...	0:36:38	0:36:41
and though the weather's changeable,	0:36:41	0:36:44
her virtue never varies.	0:36:44	0:36:47
The springtime bride is starry-eyed.	0:36:57	0:36:59
And poets often say...	0:36:59	0:37:01
..no other bride would dare to dream the dreams that April...	0:37:01	0:37:05
..May.	0:37:05	0:37:07
The summer bride is glorified by Merlin's magic touch.	0:37:07	0:37:11
A lucky man receives the love...	0:37:11	0:37:14
-..of June, -July... -..and such.	0:37:14	0:37:17
The autumn bride is prudent and wise at sweet 16 or 20.	0:37:17	0:37:21
And as a wife, in future life...	0:37:21	0:37:23
she'll hold the horn of plenty.	0:37:23	0:37:26
BELL TOLLS	0:37:26	0:37:28
And now a singing bride...	0:37:34	0:37:36
who vocally encompasses...	0:37:36	0:37:38
the happiness and harmony...	0:37:38	0:37:40
that marriage truly promises.	0:37:40	0:37:43
FANFARE	0:37:43	0:37:45
HILARITY	0:37:54	0:37:56
OVER-REFINED VOICE # I am the beautiful reflection	0:38:01	0:38:08
# Of my love's affection	0:38:10	0:38:13
# A walking illustration	0:38:13	0:38:17
# Of his...	0:38:17	0:38:20
# Adoration	0:38:20	0:38:22
# His love makes you beautiful!	0:38:22	0:38:26
Aaaaaaa!	0:38:26	0:38:27
-# So beautiful... # -SCREAMS OF LAUGHTER	0:38:27	0:38:30
# ..So beautiful!	0:38:30	0:38:31
# I ask my looking-glass	0:38:34	0:38:36
What is it?!	0:38:36	0:38:38
# Makes me so exquisite?	0:38:38	0:38:41
# The answer to your query comes back, dearie	0:38:41	0:38:46
# His love makes you beautiful	0:38:46	0:38:50
# A-ha!	0:38:50	0:38:52
# So beautiful	0:38:52	0:38:53
QUACKS	0:38:53	0:38:55
# So beautiful!	0:38:55	0:38:57
LESS THAN ADEQUATE COLORATURA	0:38:57	0:39:00
Aaargh!	0:39:00	0:39:02
# You are so beautiful	0:39:02	0:39:04
SCRATCHILY: # I am so beautiful!	0:39:06	0:39:10
# You are so beautiful	0:39:10	0:39:14
MUSIC CHANGES TO A FAST WALTZ	0:39:14	0:39:17
# The most beautiful bride in the world! #	0:39:52	0:40:00
APPLAUSE	0:40:00	0:40:03
EXCITED CHATTERING	0:40:07	0:40:09
My friend, the show-stopper! You could have told me!	0:40:13	0:40:16
I didn't know till just before.	0:40:16	0:40:19
I was in my dressing-room and I saw...	0:40:19	0:40:21
I had to do something.	0:40:21	0:40:24
Ladies and gentlemen, thank you.	0:40:26	0:40:30
It went beautifully.	0:40:30	0:40:32
You were all very good and I am proud of you.	0:40:32	0:40:35
Congratulations!	0:40:42	0:40:45
Thank you.	0:40:45	0:40:46
-Wonderful, Florenz! -That finale topped everything.	0:40:46	0:40:49
Mr Ziegfeld, I...	0:40:49	0:40:51
Be quiet!	0:40:51	0:40:53
The bride number was wonderful!	0:40:53	0:40:54
Yes, that WAS fun, wasn't it?	0:40:54	0:40:57
All right, Miss Brice.	0:41:01	0:41:03
I'm waiting.	0:41:06	0:41:07
I don't blame you for being mad. I didn't do it out of spite.	0:41:07	0:41:13
I was sitting here and, "Oh, what do you know?"	0:41:13	0:41:16
I couldn't do it straight they would have laughed at me.	0:41:16	0:41:20
-And they did. -But it was MY joke.	0:41:20	0:41:24
They laughed WITH me, not AT me - I wanted them to laugh.	0:41:24	0:41:28
You know what I mean.	0:41:28	0:41:30
No. Explain it to me.	0:41:30	0:41:32
KNOCK AT DOOR	0:41:32	0:41:33
Miss Brice can't see anyone.	0:41:33	0:41:35
Not even her momma?	0:41:35	0:41:38
Darling, everybody's talking. You were wonderful.	0:41:38	0:41:42
We're so proud of you, we're...ready to bust!	0:41:42	0:41:46
Proud, yes, but surprised, no!	0:41:46	0:41:49
-Mr Ziegfeld, this is my mother. -Oh, the big boss!	0:41:49	0:41:52
Oh, Mr Ziegfeld, you have a hit on your hands.	0:41:52	0:41:56
Especially with my daughter Fanny.	0:41:56	0:41:58
This is Mrs Strakosh, our neighbour.	0:41:58	0:42:01
And Eddie Ryan, my friend...	0:42:01	0:42:03
Oh, Mr Ziegfeld, how do you do?	0:42:03	0:42:06
Mr Ziegfeld, you're a genius!	0:42:08	0:42:09
To put a beautiful wedding gown on a girl that's in the family way!	0:42:09	0:42:15
< Who would think of such a thing?	0:42:15	0:42:17
-Only one person -I -know.	0:42:17	0:42:19
We'd better go Mrs Brice is expecting half the neighbourhood.	0:42:19	0:42:23
Half? All! Free beer.	0:42:23	0:42:25
You come, huh?	0:42:25	0:42:27
Momma, I'll come as soon as I can.	0:42:29	0:42:31
Take your time. I'll be showing off.	0:42:31	0:42:34
You are Henry Street's only Ziegfeld star.	0:42:34	0:42:37
-Bye! -See you later.	0:42:37	0:42:40
Well, you have a charming mother and I have a problem.	0:42:45	0:42:50
I ought to fire you, but I love talent.	0:42:50	0:42:54
And, er...it's hard to quarrel with five curtain calls.	0:42:54	0:42:58
Six.	0:42:58	0:43:00
There you are.	0:43:00	0:43:02
So, I guess I'll have to give you another chance.	0:43:02	0:43:06
Oh, Mr...Ziegfeld.	0:43:06	0:43:09
-Did he fire you? -Not yet.	0:43:09	0:43:11
-But I'll ring the curtain down on you if you -ever -disobey an order of mine again.	0:43:11	0:43:18
I won't. Never, ever.	0:43:18	0:43:20
I'll do it straight tomorrow night.	0:43:20	0:43:22
I mean...without the, er...	0:43:22	0:43:25
pillow.	0:43:25	0:43:26
You'll do it just as you did tonight	0:43:26	0:43:29
You mean you liked it?!	0:43:29	0:43:31
No, but the audience did.	0:43:31	0:43:33
So, I'm giving you another number a new song.	0:43:33	0:43:37
Oh, thank you, Mr Ziegfeld!	0:43:37	0:43:39
The only thing is, about that song.	0:43:39	0:43:41
A song is a very intimate thing.	0:43:41	0:43:44
I mean, it's really between me and the, um...audience.	0:43:44	0:43:49
-So? -So, um...one thing I feel definite about is choosing my own.	0:43:49	0:43:55
Choosing your own what?	0:43:57	0:43:59
Song. Songs.	0:43:59	0:44:00
KNOCK ON DOOR	0:44:00	0:44:02
Good evening. And congratulations. Both of you.	0:44:06	0:44:09
-Oh, hello, Nick. -You! My first ruffled shirt.	0:44:09	0:44:12
Nick, how are they running?	0:44:12	0:44:14
Oh, ahead, Flo. Just like you and this girl.	0:44:14	0:44:17
I had a hunch you two belonged together.	0:44:17	0:44:20
I have it too. And it's ageing me.	0:44:20	0:44:24
Fast.	0:44:24	0:44:26
It WAS you who told him about me.	0:44:26	0:44:28
-I'm afraid not. I wish I had. -I don't believe you.	0:44:28	0:44:32
Have it your own way. As you did on that stage tonight, didn't you?	0:44:32	0:44:37
Six curtain calls...	0:44:37	0:44:39
Only five.	0:44:39	0:44:41
But you stopped the show.	0:44:41	0:44:43
I did? I did! I stopped the Ziegfeld Follies!	0:44:43	0:44:46
I knew you would. I had your flowers ready.	0:44:46	0:44:48
What?	0:44:48	0:44:50
The yellow roses.	0:44:50	0:44:52
Oh, I didn't have a chance to look!	0:44:54	0:44:56
Oh, they're beautiful!	0:44:58	0:45:00
"Dear star...I told you so."	0:45:01	0:45:05
Don't forget I saw you work out!	0:45:05	0:45:07
Where would you like to go? Delmonico's? A party or two?	0:45:07	0:45:11
I've got to meet a gang of people...	0:45:11	0:45:13
"At my mother's saloon." Can't you skip it?	0:45:13	0:45:16
No, it wouldn't be nice.	0:45:16	0:45:18
It's sort of a party um...for me.	0:45:18	0:45:21
You want to come?	0:45:21	0:45:23
I'd love to.	0:45:23	0:45:24
-You mean it? -Of course!	0:45:24	0:45:26
It's only neighbours. It might waste your evening.	0:45:26	0:45:30
I'll be with you, won't I?	0:45:30	0:45:33
Oh.	0:45:35	0:45:37
Go ahead, get dressed.	0:45:37	0:45:39
PIANO AND FIDDLE MUSIC	0:45:49	0:45:51
Candidly, Mrs Brice, THAT'S a good-looking fella.	0:46:14	0:46:18
Oh, gorgeous!	0:46:18	0:46:20
He reminds me of Fanny's poppa, my ex. Also gorgeous.	0:46:20	0:46:24
Wherever he is, he should stay there.	0:46:24	0:46:26
What do you do, between my opening nights?	0:46:30	0:46:34
-Live. -Everybody does that.	0:46:34	0:46:37
Hardly anyone does.	0:46:37	0:46:39
I do. And on the side, I gamble.	0:46:39	0:46:41
You...you just gamble?!	0:46:41	0:46:43
Yes, like you did tonight.	0:46:43	0:46:45
SHE HUMS TO MUSIC	0:46:50	0:46:52
Are you married?	0:46:52	0:46:54
No, Mrs Strakosh, I'm not married.	0:46:54	0:46:57
So, you're Mrs Strakosh's married daughter, Sadie?	0:46:59	0:47:03
To a dentist.	0:47:03	0:47:06
Oh, Mr Arnstein, could I interest you in a little game of poker?	0:47:08	0:47:12
Three cents limit.	0:47:12	0:47:14
I was hoping you'd ask.	0:47:16	0:47:18
Deuces, tens and jokers wild.	0:47:18	0:47:20
We're out for blood!	0:47:22	0:47:24
Would you care to deal?	0:47:27	0:47:29
Oh, look!	0:47:30	0:47:32
That's marvellous!	0:47:32	0:47:35
I think he's played a game of poker before, that Mr Arnstein.	0:47:35	0:47:39
The way he looks to home.	0:47:39	0:47:41
He's a gentleman.	0:47:41	0:47:43
A gentleman fits in any place.	0:47:43	0:47:45
A sponge fits in any place.	0:47:45	0:47:47
To me, when a person's a stranger, they should act a little strange.	0:47:47	0:47:52
I bet.	0:47:52	0:47:55
I call.	0:47:55	0:47:56
I'm afraid you're too good for me.	0:48:16	0:48:18
I see. I got two pair.	0:48:18	0:48:20
Oh, it's yours.	0:48:20	0:48:22
I win, I win, I win.	0:48:22	0:48:24
How much do I owe?	0:48:24	0:48:26
Uh...I think 27 cents.	0:48:26	0:48:28
-Fine bunch of crooks I introduced you to! -11 for me.	0:48:28	0:48:32
We had a little more practice is all.	0:48:32	0:48:35
Fanny, I'm so happy for your success.	0:48:35	0:48:38
Only one thing could make me happier.	0:48:38	0:48:41
To dance at your wedding.	0:48:41	0:48:44
Come on, children, sit down!	0:48:44	0:48:46
Talk a little.	0:48:46	0:48:48
SHE MOUTHS	0:48:49	0:48:51
Should I murder her now or wait till the party's over?	0:48:54	0:48:59
-Now. -No, I like her!	0:48:59	0:49:02
Besides, I've been waiting for a chance to be alone with you.	0:49:02	0:49:06
Where does that go?	0:49:06	0:49:08
Uh...it's the alley.	0:49:08	0:49:10
Come.	0:49:12	0:49:15
Alone at last!	0:49:22	0:49:24
Fanny, congratulations!	0:49:24	0:49:26
Thanks, Mrs Nadler.	0:49:26	0:49:28
I had to get up for the baby.	0:49:28	0:49:29
He's a midnight fisherman!	0:49:29	0:49:32
He'll outgrow it.	0:49:32	0:49:33
Alone at last.	0:49:34	0:49:36
That's Henry Street.	0:49:38	0:49:40
Everybody worries about everybody.	0:49:40	0:49:43
But it is my home, and I love people caring about me.	0:49:43	0:49:46
How could anyone HELP caring about you?	0:49:46	0:49:49
-Why, because I'm funny? -Well, that's part of it.	0:49:51	0:49:55
You know, it's a funny thing.	0:49:59	0:50:01
I've imagined you practically all over the world.	0:50:01	0:50:05
Paris, London, the Delaware Water Gap.	0:50:05	0:50:07
Every place except Henry Street.	0:50:07	0:50:10
-And here you are. -You've imagined me?	0:50:10	0:50:13
Well, I mean, I thought about you a lot.	0:50:13	0:50:16
Maybe it was your ruffled shirt.	0:50:16	0:50:19
You're like a character in a book to me, and I haven't read many books.	0:50:19	0:50:24
So, that makes you kind of um...	0:50:24	0:50:26
I talk a lot, don't I?	0:50:28	0:50:30
Yes. But it's one of the things I like best about you.	0:50:30	0:50:35
Boy, have you got good manners!	0:50:35	0:50:37
Your turn say something.	0:50:39	0:50:41
All right.	0:50:41	0:50:43
All these people who care about you by the blockfull and theatrefull...	0:50:43	0:50:47
doesn't it ever narrow down to just one special person?	0:50:47	0:50:52
You mean like a boyfriend? LAUGHS	0:50:52	0:50:55
I haven't had time.	0:50:55	0:50:58
Don't get me wrong I know a million guys. After all, I am in the theatre.	0:50:58	0:51:03
Oh, yes.	0:51:03	0:51:06
Well, see...	0:51:06	0:51:08
I've been very busy and, uh...	0:51:08	0:51:10
HE CHUCKLES	0:51:10	0:51:12
How about you? Hundreds of girls?	0:51:12	0:51:15
Oh, thousands.	0:51:15	0:51:16
All gorgeous.	0:51:16	0:51:18
All gorgeous.	0:51:18	0:51:20
Well, tonight should be a nice change for you.	0:51:20	0:51:23
It is.	0:51:27	0:51:28
-Thousands. Wow! -That way I don't get too involved.	0:51:35	0:51:38
I like to feel free.	0:51:38	0:51:40
You can get lonesome being that free.	0:51:41	0:51:44
You can get lonesome being that busy.	0:51:44	0:51:47
Who would think to look at us that we've got the same problem?	0:51:49	0:51:53
# We travel single, oh...	0:51:55	0:51:57
# Maybe we're lucky	0:52:00	0:52:02
# But I don't know	0:52:03	0:52:05
# With them, just let one kid fall down	0:52:07	0:52:10
# And seven mothers faint	0:52:10	0:52:12
# I guess we're both happy	0:52:14	0:52:17
# But maybe...	0:52:18	0:52:21
# We ain't	0:52:21	0:52:23
# People	0:52:29	0:52:30
# People who need people	0:52:33	0:52:37
# Are the luckiest people in the world	0:52:39	0:52:49
# We're children needing other children	0:52:51	0:53:00
# And yet letting our grown-up pride	0:53:00	0:53:07
# Hide all the need inside	0:53:07	0:53:11
# Acting more like children	0:53:11	0:53:16
# Than children	0:53:16	0:53:19
# Lovers	0:53:23	0:53:26
# Are very special people	0:53:26	0:53:31
# They're the luckiest people in the world	0:53:32	0:53:42
# With one person	0:53:42	0:53:46
# One very special person	0:53:47	0:53:52
# A feeling deep in your soul says you were half, now you're whole	0:53:52	0:54:01
# No more hunger and thirst	0:54:01	0:54:06
# But first, be a person who needs people	0:54:06	0:54:11
# People who need people	0:54:11	0:54:18
# Are the luckiest people	0:54:18	0:54:26
# In the world. #	0:54:26	0:54:34
Fanny, you're an enchanting girl.	0:54:49	0:54:52
I wish I could get to know you better.	0:54:52	0:54:55
So, give me six good reasons why not.	0:54:55	0:54:59
Just one. I have to catch a train for Kentucky early in the morning.	0:54:59	0:55:05
What's in Kentucky?	0:55:06	0:55:08
Oh, a half interest in a little farm.	0:55:08	0:55:11
I breed horses.	0:55:11	0:55:13
They can't do it alone?	0:55:13	0:55:14
CHUCKLES	0:55:14	0:55:16
Hey, are you all packed?	0:55:19	0:55:21
It's late. I'll walk you to your car.	0:55:21	0:55:23
-I should say good night. -No, I'll say it for you.	0:55:23	0:55:27
You know, if you weren't in a show, I think I'd have asked you to come.	0:55:33	0:55:38
What with the Follies and an indecent proposal, it's been quite a night.	0:55:38	0:55:44
It WAS indecent, wasn't it?	0:55:45	0:55:47
Very.	0:55:47	0:55:49
Thank God. I can tell Mrs Strakosh things are looking up.	0:55:49	0:55:53
May I call you when I come back?	0:55:53	0:55:55
Yeah, sure. When's that?	0:55:55	0:55:57
I don't know exactly.	0:55:57	0:55:59
I may go on to Europe. Or the coast.	0:55:59	0:56:03
I never have definite plans they make me feel too tied down.	0:56:05	0:56:09
But I'll call you.	0:56:09	0:56:11
Goodbye.	0:56:52	0:56:54
HUMS QUIETLY	0:57:26	0:57:28
# A feeling deep in your soul	0:57:39	0:57:44
# Says you were half, now you're whole	0:57:44	0:57:49
# No more hunger and thirst	0:57:49	0:57:54
# But first, be a person who needs people	0:57:54	0:58:01
# People who need people	0:58:01	0:58:08
# Are the luckiest...	0:58:08	0:58:13
# People	0:58:13	0:58:15
# In the world. #	0:58:17	0:58:28
-Are you the Ziegfeld girls? -You can't tell?!	0:58:56	0:58:59
All right, line up over here. Over there, that's it.	0:58:59	0:59:03
Conductor, baby, what time is it and where are we?	0:59:03	0:59:07
It's 7:00am, Miss, and we're in Baltimore.	0:59:07	0:59:11
Baltimore?	0:59:11	0:59:13
Girls, just a second now.	0:59:13	0:59:15
All right, girls, that's it.	0:59:15	0:59:17
Smile pretty. Hold it.	0:59:17	0:59:19
Good! All right, girls, hold it!	0:59:19	0:59:23
Now, where's that new star...	0:59:23	0:59:25
uh...Fanny Brice?	0:59:25	0:59:27
Enter the star(!)	0:59:27	0:59:29
Miss Brice? Hold it. Perfect. This should just take a minute.	0:59:29	0:59:33
How about a smile, Miss Brice?	0:59:37	0:59:39
So shoot the picture!	0:59:47	0:59:50
Now!	0:59:50	0:59:52
-Oh, very good! -Great!	0:59:52	0:59:54
Perfect. I love it.	0:59:54	0:59:56
Fanny!	1:00:19	1:00:20
Fanny...	1:00:20	1:00:22
How wonderful to see you!	1:00:22	1:00:24
And how wonderful you look.	1:00:24	1:00:27
You look good, too. First time I've seen you in daylight.	1:00:28	1:00:32
You haven't changed. And I'm glad. Do you know how long it's been?	1:00:32	1:00:36
Just a year.	1:00:36	1:00:38
And two weeks.	1:00:38	1:00:40
-What are you doing here? -Waiting for the New York train.	1:00:42	1:00:45
-My train? -That's right.	1:00:45	1:00:48
Fanny, will you have dinner with me tonight,	1:00:48	1:00:51
tell me all about Mrs Strakosh? And about you.	1:00:51	1:00:55
Well, when a fella gets up at seven to...	1:00:55	1:00:57
No, I came to meet another girl.	1:00:57	1:00:59
Elsie.	1:00:59	1:01:01
That's good, because I have other plans. Have dinner with her.	1:01:01	1:01:05
It'll be very dull.	1:01:05	1:01:07
Hmm?	1:01:07	1:01:09
There she is now.	1:01:09	1:01:10
Thanks, Jack. I'll see you at the stables.	1:01:16	1:01:20
-That's my girl Elsie. -Skinny legs, like mine.	1:01:20	1:01:23
How about dinner? Will you, Fanny?	1:01:28	1:01:31
You always ask me out, don't you?	1:01:31	1:01:34
Whenever you happen to run into me.	1:01:34	1:01:36
I've never known anyone so polite.	1:01:36	1:01:39
-Fanny, I... -But I still have other plans.	1:01:39	1:01:42
And I really must go. Thanks, anyway.	1:01:42	1:01:45
Fanny?	1:01:45	1:01:47
I can't give up this easily. We've such a lot to catch up on.	1:01:47	1:01:52
Where are you staying? Majestic?	1:01:52	1:01:55
There's a nice little private dining room downstairs.	1:01:55	1:01:59
I'll reserve it for 8 o'clock.	1:01:59	1:02:01
I'll be waiting.	1:02:01	1:02:03
No law against waiting.	1:02:04	1:02:06
People do it all the time.	1:02:06	1:02:08
"No law against waiting," I said.	1:02:15	1:02:17
"People do it all the time."	1:02:17	1:02:19
You should have heard me!	1:02:21	1:02:23
For once in my life, just once, I didn't say too much or too little.	1:02:23	1:02:27
I said just enough. Then I walked.	1:02:27	1:02:29
Do you like these flowers in my hair?	1:02:31	1:02:34
Why should I have dinner with him? I'm not even hungry.	1:02:34	1:02:38
Even if I was hungry I don't need him to buy my dinner.	1:02:38	1:02:42
Then why are you going?	1:02:42	1:02:44
Huh?	1:02:44	1:02:46
-I said wh... -Who said I was going?	1:02:46	1:02:49
Won't you please come in?	1:03:13	1:03:15
May I take your wrap?	1:03:22	1:03:24
That colour looks wonderful with your eyes.	1:03:29	1:03:32
Just my right eye I hate what it does to the left.	1:03:32	1:03:37
Are you planning to make advances?	1:03:45	1:03:48
I wasn't planning it... but it does seem possible.	1:03:52	1:03:55
Before dinner or after dinner?	1:03:58	1:04:00
You look beautiful.	1:04:00	1:04:02
Don't make leading-lady dialogue for me! I'm a comic.	1:04:05	1:04:08
On stage.	1:04:08	1:04:09
That's where I live. On stage.	1:04:09	1:04:12
Then you're missing too much.	1:04:12	1:04:14
Well, uh...you said we had a lot to catch up on.	1:04:15	1:04:19
The Follies have a week here and a week in Chicago.	1:04:19	1:04:23
Then we rehearse a new show. And you?	1:04:23	1:04:25
My girl Elsie's running in Baltimore next Friday.	1:04:25	1:04:29
After that I'm not sure because...	1:04:29	1:04:34
You never have definite plans. I remember.	1:04:31	1:04:34
Somebody laid an egg on your table.	1:04:36	1:04:39
What is it?	1:04:39	1:04:41
A blue marble egg. I got it in Rome.	1:04:41	1:04:44
It's one of my favourite things, so I thought you might like it.	1:04:44	1:04:49
Blue marble egg and...yellow roses.	1:04:55	1:04:58
You went to a lot of trouble even though you weren't sure I would come.	1:04:58	1:05:03
I hoped you would. Just as I hope you like very dry sherry.	1:05:03	1:05:08
I wouldn't know dry from wet.	1:05:08	1:05:10
GURGLES	1:05:34	1:05:36
Fanny, what are you so angry about?	1:05:39	1:05:42
GASPING Who's angry?	1:05:42	1:05:44
Who's angry?	1:05:45	1:05:48
Sorry to disappoint you, but what did you expect?	1:05:48	1:05:52
You didn't answer my question. Why are you so angry?	1:05:52	1:05:54
I am not angry! You answer this.	1:05:54	1:05:58
Did you think I should be flattered	1:05:58	1:06:00
because this time your train isn't leaving in the morning?	1:06:00	1:06:04
I'm not a kid at Keeney's. You're not slumming any more.	1:06:04	1:06:08
I never was.	1:06:08	1:06:09
-Don't holler at me! -I'm not hollering you are.	1:06:09	1:06:12
Well, I'm a natural hollerer.	1:06:12	1:06:14
Anyway, I answered your silly question.	1:06:14	1:06:17
Let's get to the point,	1:06:17	1:06:19
which is - why didn't I call you when I got back from Kentucky?	1:06:19	1:06:24
Well, you got busy.	1:06:25	1:06:27
You, uh...forgot.	1:06:27	1:06:29
There could be a hundred reasons.	1:06:29	1:06:32
Just one.	1:06:32	1:06:34
I wanted to stay away from you.	1:06:34	1:06:37
We were heading to something...	1:06:40	1:06:43
you couldn't possibly have known how to handle.	1:06:43	1:06:47
What makes you think I do now?	1:06:51	1:06:54
If you don't, it's time you learned.	1:06:56	1:06:59
Um...	1:07:06	1:07:09
maybe we should order now?	1:07:09	1:07:11
Are you sure you want to stay?	1:07:21	1:07:24
Well, uh...	1:07:24	1:07:27
..I might as well have dinner.	1:07:28	1:07:30
Very sensible.	1:07:31	1:07:33
KNOCK ON DOOR	1:07:33	1:07:34
Come in.	1:07:34	1:07:36
Ah, Paul, I think we're about ready now.	1:07:36	1:07:39
Madame.	1:07:39	1:07:41
Caviar to begin with?	1:07:41	1:07:44
No, I don't think so.	1:07:44	1:07:46
Pate Strasbourg?	1:07:47	1:07:48
-Mmm. -Good.	1:07:48	1:07:51
Then we'll have filet de boeuf, sauce bordelaise.	1:07:53	1:07:55
Saignant?	1:07:55	1:07:57
Saignant. Pommes soufflees, salade d'endives.	1:07:57	1:08:01
Avec une vinaigrette?	1:08:01	1:08:02
-Very good, Paul. -Et comme dessert, fraises de bois?	1:08:02	1:08:05
Very good. Thank you.	1:08:05	1:08:07
All right?	1:08:09	1:08:10
I would have ordered roast beef and potatoes.	1:08:10	1:08:14
I did.	1:08:15	1:08:16
What's the matter?	1:08:21	1:08:23
If I can't tell what you're ordering,	1:08:23	1:08:25
how will I know when you're making advances?	1:08:25	1:08:28
I'll be much more direct.	1:08:28	1:08:30
You...	1:08:30	1:08:32
# Are woman	1:08:32	1:08:35
# I am man	1:08:35	1:08:38
# You are smaller	1:08:38	1:08:41
# So I can be taller than	1:08:41	1:08:45
# You are softer to the touch	1:08:46	1:08:52
# It's a feeling I like feeling very much	1:08:53	1:08:59
# You are someone I've admired	1:09:02	1:09:09
# Still, our friendship leaves something to be desired	1:09:09	1:09:15
# Does it take more explanation than this?	1:09:17	1:09:21
# You are woman, I am man	1:09:23	1:09:26
# Let's kiss... #	1:09:27	1:09:29
KNOCK AT DOOR	1:09:31	1:09:32
'# Isn't this the height of nonchalance?	1:09:40	1:09:44
'# Furnishing a bed in restaurants!	1:09:44	1:09:47
'# Well, a bit of dinner never hurt	1:09:47	1:09:50
'# But guess who is going to be dessert!	1:09:50	1:09:54
'# Do good girls do just what Momma says	1:09:54	1:09:58
'# When Momma's not around?	1:09:58	1:10:00
'# It's a feeling Oy vey, what a feeling! #'	1:10:00	1:10:05
A bit of pate?	1:10:05	1:10:06
I drink it all day!	1:10:06	1:10:08
'# Should I do the things he'll tell me to?	1:10:08	1:10:12
'# In this pickle what would Sadie do?	1:10:12	1:10:15
'# In my soul I feel an inner lack	1:10:15	1:10:19
'# Just suppose he wants his dinner back?	1:10:19	1:10:22
'# Just some dried-out toast in a sliver	1:10:29	1:10:33
'# On the top... a little chopped liver! Oh! #	1:10:33	1:10:38
Oh.	1:10:40	1:10:42
HUMS UNEASILY	1:10:44	1:10:47
# How many girls become a sinner	1:10:50	1:10:54
# While waiting for a roast beef dinner?	1:10:54	1:10:56
# Though most girls slip in ordinary ways	1:10:56	1:11:01
# I got style, I do it bordelaise	1:11:01	1:11:06
# Well, at least you think I'm special	1:11:06	1:11:08
# You ordered a la carte	1:11:08	1:11:10
# It's a feeling...	1:11:10	1:11:13
# I like feeling very...	1:11:13	1:11:15
# I feel the feeling down to my toes	1:11:15	1:11:19
# Now I feel that there's a fire here	1:11:19	1:11:23
# Ooh! Try that once a little higher, dear	1:11:23	1:11:26
# What a beast, to ruin such a pearl	1:11:26	1:11:30
# Would a convent take a Jewish girl?	1:11:30	1:11:33
# Does it take more explanation than this?	1:11:57	1:12:03
'# Ooh, the thrills and chills going through me!	1:12:07	1:12:15
'# If I stop him now... #	1:12:15	1:12:17
'Can he sue me?'	1:12:17	1:12:19
# You are woman	1:12:20	1:12:23
# You are man... #	1:12:23	1:12:27
(Let's...)	1:12:27	1:12:29
I'm calling you. What have you got?	1:12:42	1:12:44
Ace of diamonds...	1:12:46	1:12:48
jack of spades...	1:12:48	1:12:50
nine of hearts, four of clubs and two of diamonds.	1:12:50	1:12:54
Take it. I thought you were bluffing.	1:12:54	1:12:57
What do you hear from Fanny?	1:12:59	1:13:01
This morning she telephoned long distance.	1:13:01	1:13:04
How did she sound?	1:13:04	1:13:06
Huh! Three months on the road how do you think she sounded?	1:13:06	1:13:10
-She sounded tired. -She didn't sound tired.	1:13:10	1:13:14
Excuse me, I made a mistake.	1:13:14	1:13:16
She sounded silly. She kept laughing.	1:13:16	1:13:18
Maybe something take her comical?	1:13:18	1:13:20
A mother says, "How are you?" That's so comical?	1:13:20	1:13:24
She breaks out laughing.	1:13:24	1:13:25
And Fanny, on the road, she lives like a mouse.	1:13:25	1:13:29
Theatre, hotel never any fresh air.	1:13:29	1:13:32
Suddenly, she's running up and down streets.	1:13:32	1:13:35
Museums, race tracks, graveyards.	1:13:35	1:13:38
Graveyards?!	1:13:38	1:13:40
Do you think it could be a fella?	1:13:40	1:13:42
-Think? I know. -Who?	1:13:42	1:13:45
The ruffled shirt!	1:13:47	1:13:49
Lady, if you're game for this one, he's on the house.	1:13:57	1:14:00
Nobody in history ever had three.	1:14:00	1:14:04
Start boiling the water!	1:14:05	1:14:07
I'm so proud to think I introduced you to your first lobster.	1:14:17	1:14:21
Among other things...	1:14:21	1:14:24
Behave yourself!	1:14:24	1:14:26
I get so mad when I think of what I missed before I met you.	1:14:34	1:14:39
I played Baltimore before,	1:14:39	1:14:41
but never realised it was the most beautiful city in the world.	1:14:41	1:14:46
I wish you'd come with us tomorrow - see what you can do for Chicago.	1:14:46	1:14:50
I was going to. I decided yesterday.	1:14:50	1:14:53
Now I can't.	1:14:53	1:14:55
What happened between then and now?	1:14:57	1:15:00
You were there!	1:15:00	1:15:01
Elsie lost the Baltimore Handicap, and I lost Elsie and my shirt.	1:15:01	1:15:05
But I was watching you - you didn't blink an eye.	1:15:07	1:15:11
You didn't lose your ruffled shirt?	1:15:11	1:15:13
No, darling, I never lose that. Nor my gambling money.	1:15:13	1:15:17
Just about everything else.	1:15:17	1:15:18
So, I have to take a train for New York at midnight...	1:15:18	1:15:22
and the Berengaria for Europe tomorrow night.	1:15:22	1:15:25
Stop boiling the water I just lost my appetite.	1:15:31	1:15:34
What's in Europe?	1:15:36	1:15:38
It's what's on the boat TO Europe.	1:15:38	1:15:41
A lot of bored men with nothing to do but play cards.	1:15:41	1:15:45
You are going to Europe, so you can play cards on the BOAT?	1:15:48	1:15:52
Fanny, that's how I live.	1:15:52	1:15:54
I told you that on Henry Street and the first night we were here.	1:15:54	1:15:59
Yes, yes.	1:15:59	1:16:01
I know. I know it by heart.	1:16:01	1:16:03
And uh... you don't have to worry.	1:16:05	1:16:08
You're not involved.	1:16:08	1:16:10
But I AM involved!	1:16:10	1:16:12
With a girl who has her own work, is too busy to get lonesome.	1:16:12	1:16:18
So, we wave to each other from boats and trains?	1:16:20	1:16:23
I'd better get to the theatre.	1:16:26	1:16:28
Yes, sir.	1:16:33	1:16:35
GULLS CRY	1:16:37	1:16:39
Fanny, please don't look sad.	1:16:49	1:16:51
You walk back into my life, change everything and walk out again?	1:16:52	1:16:56
How should I look, happy?	1:16:56	1:16:58
I'll be back in your life very soon.	1:16:58	1:17:00
Yeah, like last time.	1:17:00	1:17:02
-Not a bit like last time. -So, what's different?	1:17:02	1:17:06
I love you.	1:17:06	1:17:08
Do you mean that?	1:17:10	1:17:12
You're not just trying to be polite?	1:17:13	1:17:16
You do mean it! What do you know?	1:17:24	1:17:27
It's been the most beautiful week in my life.	1:17:31	1:17:34
Fanny...I should hurry if I'm to drop you and catch that train.	1:17:39	1:17:45
Well, why don't you...um... pick me up at the theatre?	1:17:45	1:17:49
I'll go to the station with you.	1:17:49	1:17:51
Why not? Are you afraid I'll cry?	1:17:51	1:17:53
No, I'm afraid I will.	1:17:53	1:17:55
So, where have you been since six o'clock this morning?	1:18:26	1:18:30
Walking. Just walking.	1:18:30	1:18:32
Honey, if you're going to die every time you say goodbye to a man...	1:18:34	1:18:38
Calling Miss Brice! Miss Fanny Brice?	1:18:38	1:18:39
Right here!	1:18:39	1:18:41
-Miss Brice? -Yeah.	1:18:41	1:18:43
You feel better now?	1:18:49	1:18:52
Yeah. Yeah. Better.	1:18:52	1:18:55
Thank you. Wait a minute.	1:18:56	1:18:59
Thank you.	1:18:59	1:19:01
-Thank you. -Thank you.	1:19:01	1:19:04
-Thank you! -Ten dollars?!	1:19:04	1:19:06
From the last five-cent tipper?	1:19:06	1:19:08
I should have made it twenty.	1:19:08	1:19:11
Emma! Emma! Where's Emma?	1:19:11	1:19:13
What is it, Fanny? >	1:19:13	1:19:15
I am not going to die, that's all.	1:19:16	1:19:18
And I'm not going to Chicago, either.	1:19:18	1:19:21
Are you out of your mind? >	1:19:21	1:19:23
What will you tell Ziegfeld?	1:19:23	1:19:24
I don't know. Get him on the phone?	1:19:24	1:19:28
Emma! Emma! Where's Emma? Have you seen her? Where is she?	1:19:28	1:19:32
Miss Fanny?	1:19:32	1:19:33
Be an angel. Hold these.	1:19:33	1:19:35
I'm only taking that bag and that one I'm not going to Chicago.	1:19:35	1:19:39
What do you mean not go to Chicago?	1:19:39	1:19:42
Well, where are you going?	1:19:42	1:19:44
-ANNOUNCER: -"Empire Limited, departing for New York at 8:30am."	1:19:44	1:19:49
Fanny!	1:19:49	1:19:51
-"Now boarding at track 14." -I told him.	1:19:51	1:19:54
Talk to her, Miss Georgia. Please!	1:19:54	1:19:57
You can't talk to Fanny about anything.	1:19:57	1:20:00
-Who's she talking to? -Ziegfeld.	1:20:00	1:20:03
Flo, you don't need me.	1:20:03	1:20:05
You have four other good names and the tour ends in two weeks.	1:20:05	1:20:09
Flo... Flo!	1:20:09	1:20:11
That's the most unprofessional...	1:20:11	1:20:13
Flo!	1:20:13	1:20:15
SCREECH OF FEEDBACK	1:20:15	1:20:17
Hello?	1:20:17	1:20:19
Flo, simmer down and spare your ulcer.	1:20:19	1:20:22
That's funny. YOU gave me that ulcer!	1:20:22	1:20:25
Now, listen, Flo. I love applause, but you can't take an audience home.	1:20:25	1:20:31
I want a personal life, and I'm going to have it.	1:20:31	1:20:35
-What did he say? -He hung up.	1:20:42	1:20:44
Ladies of the ensemble, adieu!	1:20:47	1:20:50
What?! Where are you going?	1:20:50	1:20:52
-New York. -Why?	1:20:52	1:20:54
I'm going to Europe with Nick.	1:20:54	1:20:55
Fanny, you're kidding!	1:20:55	1:20:57
I'm not. I've met a guy I want.	1:20:57	1:20:59
Fanny, did Nick ask you to go?	1:20:59	1:21:01
No, but er... When he sees me, he'll be glad. I hope.	1:21:03	1:21:08
Fanny!	1:21:08	1:21:10
One ticket on the Empire Limited, now boarding at track 14.	1:21:12	1:21:16
Fanny, haven't you any pride?	1:21:16	1:21:18
I guess not. I want to be with him.	1:21:18	1:21:21
-You're making a fool of yourself. -I'm doing it. It's right for me.	1:21:21	1:21:25
But is it right for Nick?	1:21:25	1:21:28
I'll MAKE it right for him!	1:21:28	1:21:29
CHORUS OF REMONSTRATION	1:21:29	1:21:31
Don't tell me!	1:21:34	1:21:37
# Don't tell me not to live, just sit and putter	1:21:37	1:21:39
# Life's candy and the sun's a ball of butter	1:21:39	1:21:42
# Don't bring around a cloud to rain on my parade!	1:21:42	1:21:48
# Don't tell me not to fly I've simply got to	1:21:48	1:21:51
# If someone takes a spill It's me and not you	1:21:51	1:21:54
# Who told you you're allowed to rain on my parade?	1:21:54	1:21:58
# I'll march my band out	1:21:58	1:22:00
# I'll beat my drum	1:22:00	1:22:04
# And if I'm fanned out	1:22:04	1:22:07
# Your turn at bat, sir	1:22:07	1:22:09
# At least I didn't fake it	1:22:09	1:22:11
# Hat, sir I guess I didn't make it	1:22:11	1:22:14
# But whether I'm the rose of sheer perfection	1:22:14	1:22:17
# A freckle on the nose of life's complexion	1:22:17	1:22:20
# The cinder or the shiny apple of its eye	1:22:20	1:22:26
# I got to fly once I got to try once	1:22:26	1:22:29
# Only can die once right, sir?	1:22:29	1:22:32
# Ooh, life is juicy Juicy and you'll see	1:22:32	1:22:35
# I gotta have my bite, sir	1:22:35	1:22:38
# Get ready for me, love Cos I'm a comer	1:22:38	1:22:41
# I've simply got to march My heart's a drummer	1:22:41	1:22:44
# Don't bring around a cloud to rain on my parade!	1:22:44	1:22:50
# I'm gonna live and live now	1:22:50	1:22:53
# Get what I want I know how	1:22:53	1:22:57
# One roll for the whole shebang	1:22:57	1:22:59
# One throw, that bell will go clang	1:22:59	1:23:02
# Eye on the target and wham!	1:23:02	1:23:05
# One shot, one gunshot and bam!	1:23:05	1:23:08
# Hey, Mister Arnstein	1:23:08	1:23:13
# Here I am!	1:23:13	1:23:18
TUG'S HORN	1:23:42	1:23:44
# I'll march my band out	1:23:44	1:23:49
# I'll beat my drum	1:23:49	1:23:54
# And if I'm fanned out	1:23:54	1:23:58
# Your turn at bat, sir	1:23:58	1:24:00
# At least I didn't fake it	1:24:00	1:24:01
# Hat, sir guess I didn't make it	1:24:01	1:24:03
# Get ready for me, love, cos I'm a comer	1:24:03	1:24:06
# I simply got to march, my heart's a drummer	1:24:06	1:24:08
# Nobody, no, nobody	1:24:08	1:24:12
# Is gonna rain on my	1:24:12	1:24:20
# Parade! #	1:24:20	1:24:28
Would you like all of these out, sir?	1:24:44	1:24:46
Just these two, please.	1:24:46	1:24:49
KNOCK ON DOOR	1:24:49	1:24:51
Fanny!	1:25:06	1:25:09
Darling!	1:25:09	1:25:10
If you hadn't looked the way you did, this could have been embarrassing!	1:25:21	1:25:27
You crazy girl! What are you doing here?	1:25:31	1:25:35
Well, I figured that... if I waited for to make...	1:25:35	1:25:40
your fortune, how would you know I wasn't after you for your money?	1:25:40	1:25:44
Nick, I promise I'll never tie you down. I promise.	1:25:44	1:25:48
< COUGHS DISCREETLY	1:25:51	1:25:54
Will that be all, sir?	1:25:54	1:25:56
Yes, steward, thank you.	1:25:56	1:25:57
Thank you, sir.	1:25:57	1:26:00
I say, I caught your show last time I was in port. You were marvellous.	1:26:00	1:26:05
IMITATING HIS ACCENT Oh, thank you.	1:26:05	1:26:07
Just ring if you need me, Mr Brice.	1:26:07	1:26:09
STRING QUARTET	1:26:15	1:26:17
Thank you.	1:26:40	1:26:42
Chivas, Mr Arnstein?	1:26:42	1:26:43
Yes, perfect. And...	1:26:43	1:26:45
-creme de menthe frappe. -Yes, sir.	1:26:45	1:26:48
-All right? -Oui, oui, mon cheri.	1:26:48	1:26:51
Mmm! I like that captain's beard. Makes him look trustworthy.	1:26:51	1:26:55
He wants me to bring you to his cabin tomorrow for cocktails.	1:26:55	1:27:00
-You're a success, and that's off stage. -I'm with you.	1:27:00	1:27:03
-I don't know how I ever thought of going without you. -Me neither.	1:27:05	1:27:08
-Nick, um... -Yes?	1:27:10	1:27:12
Go on, say it.	1:27:12	1:27:13
Oh. Well... You went to good schools, I went to no schools.	1:27:13	1:27:18
You're Park Avenue, I'm Lower East Side.	1:27:18	1:27:20
Now, now, don't be a snob.	1:27:20	1:27:22
No, what I am...trying to say is...	1:27:24	1:27:27
And you don't have to. I mean, I'm all yours anyway.	1:27:27	1:27:31
But...um... Well, where I come from, on Henry Street, when two people...	1:27:31	1:27:38
-..sort of...love each other... -Mm-hm?	1:27:39	1:27:43
Oh, never mind, nothing.	1:27:44	1:27:46
Well, what do they do when they sort of love each other?	1:27:46	1:27:50
Oh...one of them says... "Why don't we get married?"	1:27:53	1:27:56
Is that so?	1:27:57	1:28:00
-Yeah. Sometimes it's even the man. -Really?	1:28:01	1:28:04
Look, forget the whole thing. Forget I mentioned it.	1:28:04	1:28:07
All right. Ah, thank you.	1:28:08	1:28:10
You know, it's pretty much the same where I come from.	1:28:13	1:28:16
Would you stop making jokes and say it? Say it!	1:28:21	1:28:24
Then I can think it over or ask my mother or turn you down.	1:28:24	1:28:28
I've got a better idea.	1:28:28	1:28:30
What's that?	1:28:30	1:28:32
-Have your drink. -Have my drink!	1:28:32	1:28:34
Look, why don't we, er...	1:28:35	1:28:37
get married?	1:28:37	1:28:39
When? Here? Tonight? That captain looks like a rabbi.	1:28:42	1:28:46
How? When? Tonight?	1:28:46	1:28:48
When I make a bankroll.	1:28:48	1:28:50
-No, I don't care about that. -I intend to be head of this family.	1:28:50	1:28:54
-You will be you're smarter. -It will be as I say or not at all.	1:28:54	1:28:57
Well, could you win what you need in that poker game tonight?	1:28:57	1:29:01
-It's possible. -So go play cards! I want to be a Sadie.	1:29:02	1:29:06
What?	1:29:06	1:29:08
You met Mrs Strakosh's married daughter Sadie.	1:29:08	1:29:12
That's a married lady.	1:29:12	1:29:14
-Oh, I see! -Can I come and watch with you?	1:29:14	1:29:16
My future depends on it. Please!	1:29:19	1:29:21
Can you watch with no expression at all, whatever happens?	1:29:25	1:29:29
Can I watch with no expression?	1:29:31	1:29:33
I pass.	1:29:34	1:29:37
I'll call.	1:29:39	1:29:41
I call.	1:29:41	1:29:43
I pass.	1:29:43	1:29:44
I call.	1:29:44	1:29:46
I'll call.	1:29:46	1:29:49
-Cards? -Just one, please.	1:29:49	1:29:52
One. Thank you.	1:29:52	1:29:53
Three here.	1:29:57	1:29:58
-Three. -Two.	1:29:58	1:29:59
Two.	1:30:01	1:30:03
The dealer takes three.	1:30:03	1:30:05
Up to the opener.	1:30:06	1:30:08
Opener checks.	1:30:13	1:30:15
Oh, I'll bet a thousand.	1:30:16	1:30:18
I'm out.	1:30:22	1:30:24
All right.	1:30:28	1:30:30
1,000 and...	1:30:31	1:30:33
2,000 more.	1:30:35	1:30:37
I'm out.	1:30:40	1:30:42
Well, I think you are bluffing, Mr Arnstein.	1:30:55	1:30:58
So I'll see you.	1:31:05	1:31:07
I've got three kings here.	1:31:09	1:31:11
I thought you were bluffing!	1:31:14	1:31:17
In this distinguished and expert company? I wouldn't dare.	1:31:17	1:31:21
-I'm afraid this is dull for you, darling. -Oh, yeah.	1:31:23	1:31:28
-Gentlemen, I'll be right back. -Good night.	1:31:28	1:31:30
-ALL: -Good night.	1:31:30	1:31:32
Quit, quit, quit!	1:31:34	1:31:36
It's against my religion to break a winning streak.	1:31:36	1:31:39
Goodbye, Sadie.	1:31:43	1:31:44
Sorry, gentlemen.	1:31:48	1:31:50
Agh!	1:32:01	1:32:03
What happened?	1:32:15	1:32:17
It's a beautiful night.	1:32:18	1:32:21
-I had a little stroll round the deck. Did me a lot of good. -Nick!	1:32:21	1:32:25
It's terribly late, Sadie. You should be in bed.	1:32:29	1:32:33
How could I go to bed? I've been sitting, waiting...	1:32:33	1:32:36
D-d-did you say Sadie?	1:32:43	1:32:46
GIGGLES IN EXCITEMENT	1:32:54	1:32:57
BELLS PEAL OUT OVER THE MUSIC	1:32:59	1:33:00
# Mrs Arnstein! Mrs Arnstein!	1:33:00	1:33:04
# What a beautiful, beautiful name!	1:33:04	1:33:09
# Sadie, Sadie, married lady	1:33:17	1:33:22
# See what's on my hand	1:33:24	1:33:29
# There's nothing quite as touching	1:33:31	1:33:34
# As a...	1:33:36	1:33:39
# As a...simple wedding band	1:33:39	1:33:42
# Oh how that marriage licence works	1:33:42	1:33:47
# On chambermaids and hotel clerks	1:33:47	1:33:51
# The honeymoon was such delight	1:33:51	1:33:54
# That we got married that same night	1:33:54	1:33:58
# I'm Sadie, Sadie, married lady	1:33:58	1:34:03
# Sadie, you did the trick!	1:34:03	1:34:05
# Not every girl can get herself	1:34:07	1:34:11
# A guy who looks like Nick	1:34:11	1:34:15
# To tell the truth, it hurt my pride	1:34:15	1:34:19
# The groom was prettier than the bride	1:34:20	1:34:24
# I'm Sadie, Sadie, married lady that's me!	1:34:24	1:34:29
# We're sailing home, so, Rosie, dear	1:34:36	1:34:40
# Bring chicken soup down to the pier	1:34:40	1:34:44
# Sadie, Sadie, married lady that's me! #	1:34:44	1:34:49
Honey, if this is a hotel I don't think they're ready for us.	1:35:06	1:35:11
Oh, Nick!	1:35:12	1:35:14
Oh, Nick!	1:35:14	1:35:16
It must have cost a fortune.	1:35:16	1:35:18
I made a fortune on the Epsom Derby.	1:35:18	1:35:21
I should make another with the Florida deal. So don't worry!	1:35:21	1:35:25
Who's worried? Anyway, it's the perfect house for a millionaire.	1:35:25	1:35:28
# And for Sadie, Sadie, married lady	1:35:28	1:35:33
# Meet our mortgagee	1:35:33	1:35:36
# The owner of an ice-box	1:35:36	1:35:39
# With a ten-year guarantee	1:35:39	1:35:42
# Oh, sit me in the softest seat	1:35:43	1:35:47
# Quick, a cushion for my feet!	1:35:47	1:35:51
# Do for me, buy for me! Lift me, carry me!	1:35:51	1:35:55
# Finally got a guy to marry me	1:35:55	1:35:58
# I do my nails, read up on sales	1:35:58	1:36:02
# All day the records play	1:36:02	1:36:05
# Then he comes home, I tell him...	1:36:05	1:36:08
# Oy, what a day I had today!	1:36:08	1:36:12
# I swear I'll do my wifely job	1:36:12	1:36:16
# Just sit at home, become a slob	1:36:16	1:36:19
# A husband, a house	1:36:26	1:36:30
# And a beautiful reflection	1:36:30	1:36:36
# Of my love's affection	1:36:36	1:36:42
# Sadie, Sadie	1:36:42	1:36:45
# Married lady	1:36:48	1:36:51
# That's me. #	1:36:51	1:36:54
BABY CRYING	1:36:59	1:37:01
Nice baby. Look at your daddy.	1:37:01	1:37:04
Here, baby. Here, baby.	1:37:06	1:37:07
Baby!	1:37:07	1:37:09
Here, I bought her something. A pearl necklace.	1:37:13	1:37:16
A tooth necklace...	1:37:16	1:37:18
Oh, Nick, you are absolutely crazy!	1:37:18	1:37:21
She won't be able to wear this till she's grown up.	1:37:21	1:37:24
Having it will give her confidence.	1:37:24	1:37:26
And if you play your cards right, she might loan it to you until then.	1:37:26	1:37:31
Mmm, you bet she will! Won't you?	1:37:31	1:37:35
-One more! -Oh, please! -16...	1:37:35	1:37:38
Look at me, I'm breathing like a whale.	1:37:38	1:37:42
The way that baby slowed me down I ought to sue her!	1:37:42	1:37:45
She's so pretty, isn't she, Eddie?	1:37:45	1:37:48
Frances? She's the cutest! Alive, alert...	1:37:48	1:37:51
But she's pretty.	1:37:51	1:37:53
Yes, Fan, she's pretty. Very pretty. Come on.	1:37:53	1:37:57
Ziegfeld made no mistake hiring you.	1:37:57	1:38:00
Heard from Nick lately?	1:38:00	1:38:02
Yeah, he calls me every night.	1:38:02	1:38:04
-From Oklahoma?! -With the bills, he better strike oil!	1:38:04	1:38:08
Come on, let's try this.	1:38:09	1:38:11
Let's go. One-two-three, one-two-three.	1:38:13	1:38:15
One, two, three, four!	1:38:15	1:38:17
-Ooh, I'm giddy! -One-two-three...	1:38:17	1:38:19
CAR ENGINE	1:38:25	1:38:28
Nick!	1:38:30	1:38:31
Nick!	1:38:39	1:38:41
I can't believe this!	1:38:48	1:38:49
-There you are. -Thank you very much.	1:38:51	1:38:53
BABY GRUMBLES	1:38:53	1:38:55
Is that ghastly sound coming from my daughter?	1:38:55	1:38:59
What is it, honey? sweetheart!	1:38:59	1:39:02
-Welcome home, Mr Arnstein. -Emma, it's good to see you.	1:39:02	1:39:05
What happened, what happened? Look who's here!	1:39:05	1:39:08
Frances, that's not attractive, dear. I wish you'd stop.	1:39:08	1:39:13
Thank you, sweetheart.	1:39:15	1:39:17
You stayed blonde, you clever girl.	1:39:18	1:39:21
Miss Fanny, we'll be late.	1:39:21	1:39:23
A few more minutes. Em, would you take the baby up to Hilda?	1:39:23	1:39:27
-Goodbye, my love. -Say bye-bye.	1:39:29	1:39:31
Do you know what? This time, I think maybe you lost your ruffled shirt.	1:39:36	1:39:41
We struck sand and rock and water...	1:39:45	1:39:48
I think we even struck champagne.	1:39:48	1:39:50
The thing we didn't strike was oil.	1:39:50	1:39:52
You'll think of something bigger and better relaxing here.	1:39:52	1:39:57
It is beautiful, isn't it?	1:40:01	1:40:03
I tell you, it's been murder going to and from the theatre each day.	1:40:08	1:40:13
You've guessed it.	1:40:16	1:40:18
We'd better look for an apartment. On Fifth Avenue.	1:40:20	1:40:23
Even on Sixth I wouldn't be insulted.	1:40:23	1:40:25
You know what bothers me more than losing the house?	1:40:25	1:40:28
I seem to have lost my poker face.	1:40:28	1:40:31
Just to me, honey. Come on.	1:40:32	1:40:35
MURMUR OF CONVERSATION	1:40:35	1:40:36
Nick!	1:40:57	1:40:59
Tom! The place looks wonderful.	1:40:59	1:41:02
A church can look cute, but a gambling house must look honest.	1:41:02	1:41:05
-And -be -honest!	1:41:05	1:41:07
Come on in here.	1:41:07	1:41:10
Say, Nick, I was sorry to hear about those oil wells.	1:41:10	1:41:13
Is it all over town, Tom?	1:41:16	1:41:18
Even made the papers.	1:41:18	1:41:21
But that doesn't mean anything.	1:41:21	1:41:23
It's funny, though.	1:41:23	1:41:25
I once lost 20,000 on Monday, made 30,000 on Tuesday.	1:41:25	1:41:29
In absolute privacy. The news travels much faster these days.	1:41:29	1:41:33
That big spotlight on your wife lights you up too.	1:41:33	1:41:36
Any action in the back room?	1:41:42	1:41:45
Now? Yeah, there's a game but...	1:41:45	1:41:47
Nick.	1:41:47	1:41:50
Just by way of limbering up. And I have an hour to kill.	1:41:50	1:41:54
I hear they haven't been running too well.	1:41:54	1:41:56
It'll change.	1:41:56	1:41:57
He's not in his seat!	1:42:01	1:42:03
I looked during the number. He's not in his seat!	1:42:03	1:42:06
Maybe he ran into an old friend. Or his watch stopped.	1:42:06	1:42:10
You're getting excited over nothing.	1:42:10	1:42:12
Nothing?! People get run over!	1:42:12	1:42:14
They have accidents, don't they?	1:42:14	1:42:16
Emma, call the hospitals, every one.	1:42:16	1:42:18
He could be lying in the street.	1:42:18	1:42:21
Do you see my eye-liner?	1:42:21	1:42:23
Hurry up and get dressed, will you?	1:42:23	1:42:25
I'll call 300.	1:42:28	1:42:30
500. Better.	1:42:37	1:42:39
No, not for me.	1:43:07	1:43:09
Have a bite, gentlemen. Food and liquor, right over there.	1:43:18	1:43:22
Nick, it's after nine o'clock.	1:43:30	1:43:31
Why don't you get out of here?	1:43:31	1:43:34
No, Tom, thank you. I'll watch it.	1:43:34	1:43:36
Telephone for you, Mr Arnstein.	1:43:36	1:43:39
It's your wife's maid at the theatre.	1:43:39	1:43:42
Look, tell her... tell her I've been detained.	1:43:42	1:43:46
I'll be there for the second act. Thank you.	1:43:46	1:43:50
MUSIC: Swan Lake	1:43:50	1:43:53
YIDDISH ACCENT: Are you shooting your swans?	1:44:58	1:45:02
These lovelies my swans? What, are you dumb?	1:45:02	1:45:06
# Can't you see when you look on me	1:45:06	1:45:09
# What a lovely creature is a swan	1:45:09	1:45:12
# I'm all-over fluffy, white	1:45:12	1:45:14
# I wouldn't peck at you or bite	1:45:14	1:45:16
# And have teeny, twinkle toes to dance upon	1:45:16	1:45:18
Oh, was that good!	1:45:23	1:45:24
Prince?	1:45:27	1:45:28
Was that necessary?	1:45:30	1:45:33
You couldn't walk over here like a person?	1:45:33	1:45:35
Where was I? Oh, I was here.	1:45:35	1:45:38
# So, you just...	1:45:38	1:45:42
# Gotta have a swan or you're out of luck	1:45:42	1:45:45
# Cos a chicken wouldn't do he would only cluck	1:45:45	1:45:50
# And besides, you couldn't say	1:45:50	1:45:52
# I saw Chicken Lake ballet	1:45:52	1:45:54
# They would think you know nothing	1:45:54	1:45:56
# You are missing a button	1:45:56	1:45:58
# Cos a chicken's only good for consomme	1:45:58	1:46:00
# Whereupon, whereupon, whereupon, whereupon...	1:46:00	1:46:04
# A chicken or a duck is a mistake	1:46:04	1:46:08
# When...you...do...	1:46:08	1:46:11
# Swan Lake. #	1:46:11	1:46:15
CYMBALS CRASH	1:47:07	1:47:09
JANGLE OF KEYS	1:47:34	1:47:36
DOOR OPENS	1:47:36	1:47:37
I'm sorry, darling.	1:48:02	1:48:03
How did it go?	1:48:07	1:48:09
Good reviews?	1:48:12	1:48:14
Wow!	1:48:24	1:48:26
"All any show needs is Fanny Brice."	1:48:26	1:48:29
"New York audiences continue their love affair with Fanny."	1:48:32	1:48:36
Darling, I'm so happy for you.	1:48:36	1:48:39
How was the party?	1:48:44	1:48:46
Hmph! How was the party?	1:48:49	1:48:51
There was no party.	1:48:52	1:48:54
The guests didn't think the hostess was in the mood for a party.	1:48:54	1:48:58
Not without the host.	1:48:59	1:49:02
Look, let's not fight about this.	1:49:02	1:49:04
Why not?	1:49:04	1:49:06
Isn't your spoiling my opening night worth fighting about?	1:49:06	1:49:10
How do you think I felt out there, trying to be funny?	1:49:10	1:49:13
I'm trying to make them laugh,	1:49:14	1:49:17
my own husband not caring enough to be there.	1:49:17	1:49:20
-You didn't let me affect your performance? -Damn right I didn't!	1:49:20	1:49:24
But how do you think I felt?	1:49:24	1:49:26
What could I say to people?	1:49:26	1:49:28
That your lousy poker game was more important than my opening?	1:49:28	1:49:33
To hell with your opening!	1:49:33	1:49:35
Why shouldn't a poker game be as important to me as your opening?	1:49:35	1:49:38
It's my work, and I haven't had a smash hit for a long time.	1:49:38	1:49:42
I was winning. I couldn't've left that game!	1:49:43	1:49:47
I thought maybe, finally, at last...	1:49:47	1:49:49
my luck had changed.	1:49:49	1:49:51
Only it hadn't.	1:49:55	1:49:56
SNIFFS So it'll change tomorrow.	1:50:02	1:50:05
The way it has a hundred other times.	1:50:05	1:50:07
Everyone has a run of bad luck now and then. Doesn't mean a thing.	1:50:11	1:50:15
How would you know, darling? You never lose.	1:50:17	1:50:20
LAUGHS >	1:50:37	1:50:39
Oh, that was my crazy husband on the phone.	1:50:43	1:50:47
Some guy had a deal for me and gave Nick 1,000 to put in a word.	1:50:47	1:50:52
He passed it on to a waiter he never saw before!	1:50:52	1:50:55
And he just put in a word.	1:50:57	1:51:00
CLEARS THROAT	1:51:02	1:51:04
You want to play? Get a deck.	1:51:08	1:51:11
Fanny, I never butted in your life, did I?	1:51:13	1:51:16
Sure. When I was a kid you made me wear long underwear.	1:51:18	1:51:22
When you want to talk serious to your kids, I hope they make jokes.	1:51:22	1:51:26
I'm sorry! I thought you were starting on Nick.	1:51:26	1:51:30
Why would I criticise Nick?	1:51:30	1:51:32
It's you I'm surprised at.	1:51:32	1:51:34
-Why? -When you look at him, you only see what you want to see.	1:51:37	1:51:42
I see him as he is! I love him as he is!	1:51:44	1:51:47
Fanny, love him a little less.	1:51:47	1:51:49
Help him a little more.	1:51:49	1:51:51
Momma, he doesn't need any help. He's not a child.	1:51:53	1:51:56
The man owes money everywhere. He doesn't know which way to turn.	1:51:56	1:52:00
What?	1:52:03	1:52:05
How do you know that?	1:52:05	1:52:07
Everybody knows. Only you don't.	1:52:07	1:52:10
Fanny, are you so wrapped up in the show you can't see anything else?	1:52:10	1:52:14
Why wouldn't he tell me?	1:52:15	1:52:17
He can have anything I've got.	1:52:17	1:52:20
That's not what he needs.	1:52:20	1:52:22
Darling, you're his wife.	1:52:22	1:52:24
Sit down with him, talk to him.	1:52:24	1:52:26
Think together what he should do.	1:52:26	1:52:29
Some of that for me, Nick?	1:52:44	1:52:46
It won't make a dent in what I owe you, but if you can't wait...	1:52:46	1:52:50
I could wait, I could even forget.	1:52:50	1:52:52
In return for what?	1:52:54	1:52:56
I need a front man someone like you who could talk.	1:52:58	1:53:02
For a bond deal I'm putting together	1:53:02	1:53:05
You could make yourself a mint.	1:53:05	1:53:07
Thanks, but uh... I don't think so.	1:53:07	1:53:09
OK. I guess with Fanny Brice for a meal ticket you don't get so hungry.	1:53:09	1:53:15
Nicky! Hey...	1:53:15	1:53:17
I'm sorry, Peterson.	1:53:19	1:53:20
Meal ticket? That's MY joke.	1:53:22	1:53:25
Sure.	1:53:26	1:53:28
Boo!	1:53:37	1:53:38
Is Mr Branca here yet?	1:53:40	1:53:42
Not yet, Mr Arnstein.	1:53:42	1:53:44
I'm expecting him. This yelled through the window of FAO Schwarz.	1:53:44	1:53:47
"Take me home to Frances!" Will you give it to her, please?	1:53:47	1:53:52
-Yes, Mr Arnstein. -Thank you.	1:53:52	1:53:54
Oh, Hilda...	1:53:55	1:53:57
You and the cook have been very patient.	1:53:57	1:54:00
It's time I paid your salaries two months, I believe.	1:54:00	1:54:03
Miss Brice paid us, sir. All that was owed and three months in advance.	1:54:03	1:54:08
I mean, Mrs Arnstein paid us.	1:54:08	1:54:11
Miss Brice paid you.	1:54:11	1:54:13
BUZZER	1:54:15	1:54:17
I'll get it. Thank you.	1:54:17	1:54:19
-There you are! -Am I late?	1:54:20	1:54:22
No, I just beat you in.	1:54:22	1:54:23
I'll mix us a drink and you can tell me your plans.	1:54:23	1:54:26
All right.	1:54:26	1:54:28
Hey! Nice place, Nick.	1:54:28	1:54:31
It's comfortable and very convenient Water or soda, Tom?	1:54:31	1:54:35
Straight. I haven't got much time.	1:54:35	1:54:37
The place gets crowded earlier and earlier.	1:54:37	1:54:39
Doing that well is good trouble.	1:54:39	1:54:43
That's what I want to talk about.	1:54:43	1:54:45
-Nick, I didn't know you were home! -Hello, darling.	1:54:45	1:54:48
Mr Branca, I haven't seen you for ages.	1:54:48	1:54:51
I've been dying to see your show.	1:54:51	1:54:53
But I've been so busy. I dropped by to make Nick a proposition.	1:54:53	1:54:57
Unless it's a new way of marking cards, Nick, don't listen!	1:54:57	1:55:00
I'll leave you to it. Though I'm dying of curiosity.	1:55:02	1:55:05
Come back, silly! Come and sit down. All right with you, Tom?	1:55:05	1:55:10
Of course! All in the family.	1:55:10	1:55:12
-Then start propositioning. -All right.	1:55:12	1:55:15
Well, as I told you, the place...	1:55:18	1:55:21
No, thanks. The place is doing awfully well.	1:55:21	1:55:24
So well, that a couple of money men approached me about opening another.	1:55:24	1:55:28
You know, it's getting fashionable.	1:55:28	1:55:31
I'd like to, Nick, but I can't run two places single-handed.	1:55:31	1:55:36
And those people don't know anything about this business.	1:55:36	1:55:40
So I told them about you, and we want you to be a partner.	1:55:40	1:55:45
With an extra cut for running the place. How does it strike you?	1:55:45	1:55:48
Pleasantly.	1:55:48	1:55:50
I'm flattered, naturally.	1:55:50	1:55:52
It's no secret there's no place I'd rather be than a gambling club.	1:55:52	1:55:57
Except the theatre on opening night.	1:55:57	1:56:00
Anyway, it does sound like something you'd be awfully good at.	1:56:02	1:56:05
I've always had a yen to run a club. And lots of ideas for it.	1:56:05	1:56:08
Great! Then it's a deal.	1:56:08	1:56:10
Wait! Wait a minute!	1:56:10	1:56:11
It would have to depend on...	1:56:13	1:56:15
how much I'd have to put up for the partnership. I...	1:56:15	1:56:20
Nick, we don't need your money. We need you.	1:56:20	1:56:22
Well, how much are the rest of you putting in?	1:56:22	1:56:25
50,000.	1:56:26	1:56:28
And for me it's free?	1:56:28	1:56:31
Tom, I can't let you put up my share!	1:56:31	1:56:35
I'm not! I swear I'm not.	1:56:35	1:56:38
Look, our thinking is that with your know-how and your...class...	1:56:38	1:56:44
you'll attract all the right people.	1:56:44	1:56:46
We'll make our money back in no time!	1:56:46	1:56:49
Full partnership for nothing?	1:56:53	1:56:55
Oh, except my "class".	1:56:55	1:56:58
Plus a cut for running the place?	1:56:58	1:57:00
That's a very generous offer.	1:57:02	1:57:04
Too generous.	1:57:06	1:57:07
Fanny.	1:57:11	1:57:12
How much were you going to put in?	1:57:15	1:57:17
50,000.	1:57:26	1:57:28
Tom, I'm sorry your time's been wasted.	1:57:42	1:57:45
Nick, it is a good idea.	1:57:46	1:57:48
Was a good idea.	1:57:48	1:57:49
Don't blame Tom. I talked him into it.	1:57:49	1:57:52
Thanks for everything.	1:57:54	1:57:55
Nick...	1:58:19	1:58:21
I was just trying to help.	1:58:24	1:58:26
I don't WANT that kind of help!	1:58:26	1:58:28
Going behind my back, sinking money into me to make me look good.	1:58:28	1:58:32
Fanny, I...	1:58:34	1:58:36
I just wish you hadn't done it.	1:58:38	1:58:40
You'd better go.	1:58:42	1:58:44
You'll be late for the theatre.	1:58:44	1:58:46
I...	1:58:47	1:58:49
I...can't go.	1:58:49	1:58:50
Not like this.	1:58:50	1:58:51
Darling, listen, please.	1:58:53	1:58:55
Once I saw how...unhappy you are	1:58:55	1:58:58
I knew I had to do something.	1:58:58	1:59:01
I guess I did it wrong. You know how dumb I can be.	1:59:01	1:59:04
Fanny, you don't have to tell me you did it out of love. I know that.	1:59:04	1:59:08
Murray Hill 4119.	2:00:17	2:00:19
Peterson?	2:00:23	2:00:24
Arnstein.	2:00:26	2:00:29
APPLAUSE	2:00:29	2:00:31
Something wrong?	2:00:56	2:00:58
It's Nick.	2:01:00	2:01:02
-He's hurt? -No, no. He's in trouble.	2:01:03	2:01:07
He's gotten himself mixed up in a phoney bond deal.	2:01:07	2:01:10
So... Well, what do I do?	2:01:14	2:01:17
-I call a lawyer? -No, he's got a lawyer.	2:01:17	2:01:20
Branca got him Fallon, the best criminal attorney in New York City.	2:01:20	2:01:26
Criminal?	2:01:27	2:01:28
Fanny, embezzlement is a criminal charge.	2:01:30	2:01:33
Fallon advised him to give himself up, and he did, a few hours ago.	2:01:33	2:01:37
He gave himself up?	2:01:40	2:01:42
You mean he's in jail?	2:01:47	2:01:49
Uh-huh.	2:01:49	2:01:50
Nick...	2:01:50	2:01:52
I've got to see him.	2:01:54	2:01:56
You can't, honey. They won't let you.	2:01:56	2:01:58
I've just got to.	2:01:58	2:02:00
Miss Fanny, can I do something?	2:02:00	2:02:02
Fanny... Fanny, look...	2:02:02	2:02:04
He doesn't want to see you.	2:02:04	2:02:07
It's understandable, dear the man's humiliated, ashamed.	2:02:07	2:02:11
Of what?! This is Nick Arnstein, not some hood.	2:02:11	2:02:14
If these bonds were phoney you don't think he knew it, do you?	2:02:14	2:02:18
Fallon's taking that line that he was an innocent dupe.	2:02:19	2:02:23
-Fallon's going to call you at home. -I'd better go, then.	2:02:23	2:02:27
There are reporters at the stage door.	2:02:27	2:02:30
Come up to my office and out the front.	2:02:30	2:02:32
Why? There's nothing to hide.	2:02:33	2:02:36
Do you want me to go with you, Fan?	2:02:36	2:02:38
No.	2:02:38	2:02:40
EXCITED VOICES	2:02:45	2:02:46
BARRAGE OF QUESTIONS	2:02:51	2:02:53
Will you answer a few questions, Miss Brice?	2:02:53	2:02:57
SQUEAKY VOICE: Sure, but I don't talk very good yet!	2:02:57	2:02:59
Did you know Nick was giving himself up?	2:02:59	2:03:02
Anything to avoid coming home for dinner!	2:03:02	2:03:05
Peterson says Nick was the mastermind.	2:03:05	2:03:09
Nick couldn't mastermind a light bulb out of a socket.	2:03:09	2:03:12
Fanny, what about these stocks?	2:03:12	2:03:14
I only know about summer stock.	2:03:14	2:03:17
-What's your husband's story? -There is no story my dope was a dupe!	2:03:17	2:03:22
Or...my dupe was an innocent dope.	2:03:22	2:03:24
-Did he try to sell you any bonds? -That much of a dope he ain't!	2:03:24	2:03:27
-You realise he may go to prison? -I'll know where he is nights!	2:03:27	2:03:31
Do you still love him, Miss Brice?	2:03:31	2:03:33
The name is Arnstein. Mrs Arnstein.	2:03:34	2:03:37
Mrs Arnstein, do you still love him?	2:03:38	2:03:40
Next case.	2:04:10	2:04:11
The People versus Arnstein.	2:04:11	2:04:13
The defendant is charged with embezzlement, according to Statute 119 of the Penal Code.	2:04:13	2:04:20
How does the defendant plead?	2:04:20	2:04:22
I move for a postponement.	2:04:22	2:04:24
Why, Mr Fallon?	2:04:24	2:04:26
My client has been in custody only 24 hours.	2:04:26	2:04:29
I've been unable to acquaint him fully with the charges.	2:04:29	2:04:32
I submit he is unable to enter a plea	2:04:32	2:04:35
Nick, please!	2:04:35	2:04:37
There is no need for a postponement. I understand the charge.	2:04:37	2:04:42
I knew exactly what I was doing.	2:04:42	2:04:43
Nick!	2:04:43	2:04:45
So I wish to plead guilty.	2:04:45	2:04:47
I'll see the Deputy District Attorney and Mr Fallon in my chambers.	2:04:59	2:05:03
I'm sorry. You have only a few minutes.	2:05:14	2:05:18
Nick.	2:05:25	2:05:28
(Oh, Nick!)	2:05:28	2:05:30
What happened in there?	2:05:31	2:05:33
The minimum sentence two years.	2:05:35	2:05:37
With luck I'll be out in 18 months.	2:05:37	2:05:40
With luck?	2:05:44	2:05:45
Why, Nick?	2:05:46	2:05:48
You had a chance.	2:05:48	2:05:50
All you had to do was say that Peterson tricked you.	2:05:51	2:05:54
-I couldn't say that. -Why not?	2:05:55	2:05:58
Because he didn't.	2:05:58	2:05:59
I want you to divorce me.	2:06:01	2:06:02
W-what are you saying?	2:06:06	2:06:08
We're just no good for each other. Everybody knows that.	2:06:11	2:06:15
Look, my darling, I may not be good for you,	2:06:17	2:06:20
but nobody has the right to say what's good for me. Not even you.	2:06:20	2:06:25
You think I don't know all that went wrong was my fault? I know that!	2:06:27	2:06:32
It's no use, Fanny!	2:06:32	2:06:34
I've tried to tell myself I'll catch up with you.	2:06:36	2:06:39
But there's no way I can catch up with you.	2:06:39	2:06:42
I don't want to run any more. Not in a race I can't win.	2:06:44	2:06:47
-Let me go, Fanny. Let me be myself again. -I can't!	2:06:49	2:06:53
I can't let you go off to prison and say that's that.	2:06:53	2:06:56
Why not? It's good publicity.	2:06:56	2:06:58
KNOCK ON DOOR	2:07:06	2:07:08
I'll be with you in a minute.	2:07:08	2:07:09
I'm sorry, darling. That's what I've turned into.	2:07:13	2:07:17
Nick, you think you mean this.	2:07:19	2:07:22
And maybe you do.	2:07:22	2:07:24
But maybe it's just because of all that's happened.	2:07:24	2:07:28
So, uh...	2:07:28	2:07:30
why don't we just leave it for now?	2:07:30	2:07:32
And if you still feel the same way when you come home,	2:07:32	2:07:36
I won't fight you. OK?	2:07:36	2:07:39
OK.	2:07:44	2:07:45
OK.	2:07:46	2:07:49
You take care of yourself.	2:08:00	2:08:03
Go out, see people, do things. Enjoy yourself.	2:08:03	2:08:06
I don't worry about you.	2:08:06	2:08:09
The moment you're on that stage nothing bothers you.	2:08:09	2:08:13
Nothing.	2:08:13	2:08:15
You're the strongest woman in the whole world, did you know that?	2:08:17	2:08:22
Yeah, sure. Everybody knows that.	2:08:24	2:08:27
So long, funny girl.	2:08:49	2:08:51
# Funny	2:09:13	2:09:17
Did you hear that?	2:09:17	2:09:19
# Funny	2:09:21	2:09:24
# Yeah, the guy said "Honey...	2:09:26	2:09:29
# You're a funny girl	2:09:32	2:09:38
# That's me, I just keep them	2:09:38	2:09:43
# In stitches	2:09:44	2:09:47
# Doubled in half	2:09:48	2:09:52
# And though I may be all wrong for the guy	2:09:53	2:09:59
# I'm good for a laugh	2:10:00	2:10:03
# I guess it's not funny	2:10:03	2:10:08
# Life is far from sunny	2:10:09	2:10:15
# When the laugh is over	2:10:15	2:10:20
# And the joke's on you	2:10:20	2:10:28
# A girl ought to have a sense of humour	2:10:28	2:10:34
# That's one thing you really need for sure	2:10:34	2:10:41
# When you're a funny girl	2:10:41	2:10:49
# A fella said a funny girl	2:10:49	2:10:57
# Funny...	2:10:59	2:11:01
# How it ain't so funny	2:11:01	2:11:09
# Funny girl. #	2:11:09	2:11:16
< DOOR OPENS	2:11:16	2:11:19
It cleaned up fine.	2:11:38	2:11:41
Have you been sitting in that theatre all this time?	2:11:42	2:11:45
-Uh-huh. -Are you all right?	2:11:45	2:11:48
Then would you see Mr Ziegfeld? He's outside.	2:11:48	2:11:52
Yeah. Flo, come on in.	2:11:52	2:11:53
I'll get your props for you.	2:11:54	2:11:56
-Any word from Nick? -No, not yet.	2:11:56	2:11:59
-I've been worried about you, Fanny. -I'm sorry you've been worried.	2:12:02	2:12:06
-Flo? -What?	2:12:06	2:12:08
I don't even know if Nick wants us to go on, but...	2:12:09	2:12:12
..if he does...I don't want to make the same mistakes.	2:12:14	2:12:20
If it means giving up the theatre,	2:12:20	2:12:22
I hope you'll be a sport about it.	2:12:22	2:12:24
Well, I won't be.	2:12:24	2:12:26
But I won't worry about it till it happens.	2:12:26	2:12:31
-Fifteen minutes, Miss Brice. -Thank you.	2:12:31	2:12:33
I'll let you get dressed.	2:12:33	2:12:35
Be happy, dear.	2:12:39	2:12:41
Hello, Fanny.	2:13:17	2:13:19
You must be that fella I met at Keeney's one night.	2:13:28	2:13:32
You must be that girl from Henry St.	2:13:34	2:13:37
I feel like a kid on a blind date.	2:13:44	2:13:46
Did you...see the baby, darling?	2:14:29	2:14:31
No.	2:14:31	2:14:33
I came straight here.	2:14:33	2:14:34
Well, she's gorgeous.	2:14:36	2:14:37
Getting to look just like you.	2:14:39	2:14:41
Who says I'm not lucky?	2:14:45	2:14:47
Fanny, I...	2:14:55	2:14:58
I've had 18 months to think about us.	2:15:00	2:15:04
You want to hear something funny?	2:15:04	2:15:06
I've had the same 18 months, and I never thought about us.	2:15:06	2:15:10
Oh, I mean I...	2:15:12	2:15:15
I simmered, I stewed... I cried my eyes out.	2:15:15	2:15:18
But I never really...thought.	2:15:20	2:15:23
Not until today.	2:15:26	2:15:28
And I saw that you were right.	2:15:39	2:15:41
You did a lot for me, Nick.	2:15:48	2:15:50
And that's what I'm going to remember.	2:15:51	2:15:54
What did I ever do for you, darling?	2:15:56	2:15:58
What did I ever give you that you couldn't have gotten yourself?	2:15:58	2:16:02
A blue marble egg.	2:16:05	2:16:08
No-one would have given me that but you.	2:16:10	2:16:13
And you...	2:16:15	2:16:16
You made me feel sort of...	2:16:17	2:16:19
..beautiful, you know. For a very long time.	2:16:21	2:16:24
You are beautiful.	2:16:36	2:16:38
KNOCK	2:16:50	2:16:51
Five minutes.	2:16:51	2:16:53
There are a lot of people waiting.	2:16:55	2:16:57
Goodbye, Fanny.	2:17:10	2:17:13
Bye, Nick.	2:17:24	2:17:26
QUAVERING VOICE: # Oh, my man, I love him so	2:17:54	2:17:57
# He'll never know	2:17:59	2:18:01
# All my life is just despair	2:18:03	2:18:05
# But I don't care	2:18:08	2:18:10
# When he takes me in his arms	2:18:12	2:18:14
# The world	2:18:16	2:18:18
# Is bright	2:18:19	2:18:21
# All right	2:18:22	2:18:24
# What's the difference if I say	2:18:33	2:18:35
# I'll go away?	2:18:37	2:18:39
# When I know I'll come back	2:18:43	2:18:45
# On my knees some day	2:18:48	2:18:50
# For whatever my man is	2:18:51	2:18:53
# I am his	2:18:55	2:18:57
# For evermore!	2:18:57	2:19:03
# Oh, my man, I love him so	2:19:03	2:19:06
# He'll never know	2:19:06	2:19:09
# All my life is just despair	2:19:09	2:19:12
# But I don't care	2:19:12	2:19:16
# When he takes me in his arms	2:19:16	2:19:20
# The world is bright	2:19:20	2:19:24
# All right	2:19:24	2:19:29
# What's the difference if I say	2:19:29	2:19:32
# I'll go away?	2:19:33	2:19:35
# When I know I'll come back on my knees some day	2:19:35	2:19:42
# For whatever my man is	2:19:42	2:19:46
# I am his	2:19:46	2:19:49
# For	2:19:49	2:19:52
# Evermore. #	2:19:52	2:20:00

Funny Girl

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