Browse content similar to Guys and Dolls. Check below for episodes and series from the same categories and more!
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# When you see a guy Reach for stars in the sky | 0:00:13 | 0:00:17 | |
# You can bet That he's doin' it for some doll | 0:00:17 | 0:00:21 | |
# When you spot a John Waiting out in the rain | 0:00:21 | 0:00:26 | |
# Chances are he's insane As only a John can be for a Jane | 0:00:26 | 0:00:30 | |
# When you meet a Gent Paying all kinds of rent | 0:00:30 | 0:00:34 | |
# For a flat That could flatten the Taj Mahal | 0:00:34 | 0:00:37 | |
# Call it sad, call it funny But it's better than even money | 0:00:37 | 0:00:41 | |
# That the guy's only doin' it for some doll. # | 0:00:41 | 0:00:45 | |
# Your eyes are the eyes | 0:00:49 | 0:00:52 | |
# Of a woman in love | 0:00:52 | 0:00:55 | |
# And, oh, how they give you away | 0:00:55 | 0:01:02 | |
# Why try to deny | 0:01:02 | 0:01:05 | |
# You're a woman in love | 0:01:05 | 0:01:09 | |
# When I know very well | 0:01:09 | 0:01:12 | |
# What I say... # | 0:01:12 | 0:01:15 | |
HE WHISTLES | 0:03:23 | 0:03:25 | |
TYRES SCREECH | 0:04:28 | 0:04:30 | |
HE BLOWS WHISTLE | 0:04:48 | 0:04:50 | |
BUGLE PLAYS FANFARE | 0:05:21 | 0:05:25 | |
# I got the horse right here The name is Paul Revere | 0:05:27 | 0:05:30 | |
# And here's a guy that says If the weather's clear | 0:05:30 | 0:05:33 | |
# Can do Can do | 0:05:33 | 0:05:36 | |
# This guy says the horse can do | 0:05:36 | 0:05:39 | |
# If he says the horse can do | 0:05:39 | 0:05:42 | |
# Can do Can do | 0:05:42 | 0:05:44 | |
# I'm pickin' Valentine | 0:05:44 | 0:05:46 | |
# Cos on the mornin' line The guy has got him figured | 0:05:46 | 0:05:49 | |
# At five-to-nine | 0:05:49 | 0:05:50 | |
# But make it epitaph He wins it by a half | 0:05:50 | 0:05:53 | |
# According to this here In the telegraph | 0:05:53 | 0:05:56 | |
# For Paul Revere, I'll bite I hear his foot's all right | 0:05:56 | 0:05:59 | |
# Of course it all depends If it rained last night | 0:05:59 | 0:06:02 | |
# I know it's Valentine The morning work looked fine | 0:06:02 | 0:06:05 | |
# You know, the jockey's brother's A friend of mine | 0:06:05 | 0:06:08 | |
# And just a minute, boys, I got the feedbox noise | 0:06:08 | 0:06:11 | |
# It says the great-grandfather Was equipoise | 0:06:11 | 0:06:14 | |
# I tell you, Paul Revere Now this is no bum steer | 0:06:14 | 0:06:16 | |
# It's from a handicapper That's real sincere | 0:06:16 | 0:06:19 | |
# I'm pickin' Valentine Cos on the mornin' line | 0:06:19 | 0:06:22 | |
# The guy has got him figured At five-to-nine | 0:06:22 | 0:06:25 | |
# So make it epitaph He wins it by a half | 0:06:25 | 0:06:28 | |
# According to this here In the telegraph | 0:06:28 | 0:06:31 | |
-# Epitaph -Valentine -Paul Revere | 0:06:31 | 0:06:34 | |
ALL: # I got the horse | 0:06:34 | 0:06:36 | |
ALL: # Right | 0:06:36 | 0:06:37 | |
ALL: # Here! # | 0:06:37 | 0:06:43 | |
BUGLE PLAYS FANFARE | 0:06:43 | 0:06:46 | |
Extra! Read all about it! | 0:06:51 | 0:06:53 | |
# Follow the fold and stray no more | 0:06:53 | 0:06:57 | |
# Stray no more | 0:06:57 | 0:06:59 | |
# Stray no more | 0:06:59 | 0:07:01 | |
# Put down the bottle and we'll say no more | 0:07:01 | 0:07:05 | |
# Follow, follow the fold | 0:07:05 | 0:07:07 | |
# Before you take another swallow | 0:07:07 | 0:07:09 | |
# Follow the fold and stray no more | 0:07:09 | 0:07:13 | |
# Stray no more | 0:07:13 | 0:07:15 | |
# Stray no more | 0:07:15 | 0:07:17 | |
# Tear up your poker deck and play no more | 0:07:17 | 0:07:21 | |
# Follow, follow the fold. # | 0:07:21 | 0:07:24 | |
Friends, my name is Sarah Brown. | 0:07:28 | 0:07:30 | |
This is no place to make a speech, | 0:07:30 | 0:07:32 | |
and I'm not going to try. | 0:07:32 | 0:07:35 | |
You don't want to be told how unhappy you are, | 0:07:35 | 0:07:38 | |
you don't want to be told about the emptiness of your lives. | 0:07:38 | 0:07:41 | |
You who drink too much, | 0:07:41 | 0:07:43 | |
you who gamble at cards, dice, and horse racing, | 0:07:43 | 0:07:46 | |
let us help you | 0:07:46 | 0:07:48 | |
not to lose your hard-earned money | 0:07:48 | 0:07:50 | |
in gambling dens and bookie joints. | 0:07:50 | 0:07:52 | |
This doll has captured my attention. | 0:07:52 | 0:07:54 | |
Let us give you the strength to stop your drinking, your gambling. | 0:07:54 | 0:07:57 | |
She has lost me. | 0:07:57 | 0:07:59 | |
Let us welcome you to the save-a-soul mission. | 0:07:59 | 0:08:01 | |
Come to me! Come to me! | 0:08:01 | 0:08:03 | |
Folks, you're going to call me a liar, | 0:08:03 | 0:08:05 | |
think I ain't tellin' the truth | 0:08:05 | 0:08:07 | |
because today I'm giving away | 0:08:07 | 0:08:09 | |
solid gold watches for 1.00 each. | 0:08:09 | 0:08:11 | |
That's right, my friends, | 0:08:11 | 0:08:12 | |
a solid gold watch for one buck. | 0:08:12 | 0:08:15 | |
All that glitters is not gold. | 0:08:15 | 0:08:16 | |
More to be desired are the judgments of heaven. | 0:08:16 | 0:08:20 | |
-Gold is not enough. -You say it's not enough? | 0:08:20 | 0:08:22 | |
Today only I'll include a nailbrush | 0:08:22 | 0:08:25 | |
with a solid ivory top | 0:08:25 | 0:08:26 | |
and a built-in, genuine magnetic compass. | 0:08:26 | 0:08:29 | |
There you are. | 0:08:29 | 0:08:30 | |
When you're brushing your nails, | 0:08:30 | 0:08:32 | |
do you wonder where you're going? | 0:08:32 | 0:08:34 | |
Which way is north, east, south, west? | 0:08:34 | 0:08:36 | |
Which way are you going - | 0:08:36 | 0:08:38 | |
down, down, down, or up to salvation? | 0:08:38 | 0:08:40 | |
Find out at the mission absolutely free. | 0:08:40 | 0:08:43 | |
The nailbrush absolutely free! Don't crowd. Don't push. | 0:08:43 | 0:08:46 | |
There's plenty of room for everybody. | 0:08:46 | 0:08:48 | |
There's room for everybody in the kingdom of heaven, too. | 0:08:48 | 0:08:52 | |
Now, folks, I don't care whether you buy or not. | 0:08:52 | 0:08:56 | |
Let's pack up. | 0:08:56 | 0:08:58 | |
Did you notice how this time a lot of them stayed | 0:09:00 | 0:09:02 | |
till you were almost halfway through your talk? | 0:09:02 | 0:09:05 | |
If we could only sell them salvation for a buck - | 0:09:05 | 0:09:07 | |
solid gold with an ivory top and a built-in compass. | 0:09:07 | 0:09:10 | |
Sarah, you don't suppose those watches | 0:09:10 | 0:09:12 | |
could really be solid gold? | 0:09:12 | 0:09:14 | |
Uncle Arvide, don't you dare. | 0:09:14 | 0:09:16 | |
That's right, my friends, a solid gold watch for one buck! | 0:09:16 | 0:09:20 | |
Harry the horse! | 0:09:25 | 0:09:27 | |
Benny Southstreet. | 0:09:30 | 0:09:32 | |
Since when do you yell out the name of a person | 0:09:32 | 0:09:35 | |
in the open air, which is full of police? | 0:09:35 | 0:09:37 | |
It was a friendly impulse. I lost my head. | 0:09:37 | 0:09:40 | |
If I do not like you so much, this would now be a fact. | 0:09:40 | 0:09:43 | |
You know Nicely-Nicely Johnson. | 0:09:43 | 0:09:44 | |
Of course. How goes everything? | 0:09:44 | 0:09:46 | |
Nicely-nicely, thank you. | 0:09:46 | 0:09:48 | |
I have been waiting to hear from Nathan Detroit | 0:09:48 | 0:09:51 | |
what will be the location of his crap game. | 0:09:51 | 0:09:55 | |
We don't know yet. Nathan's been looking around. | 0:09:55 | 0:09:57 | |
But as you know, he's very hard to please. | 0:09:57 | 0:09:59 | |
Confidentially, the heat is on very hot. | 0:09:59 | 0:10:01 | |
-And it is making Nathan sweat. -That's too bad. | 0:10:01 | 0:10:03 | |
I would dislike to take my trade elsewhere, | 0:10:03 | 0:10:06 | |
but I'm loaded and looking for action. | 0:10:06 | 0:10:09 | |
I've just acquired 5,000 fish. | 0:10:09 | 0:10:11 | |
5,000? If it can be told, where did you take on | 0:10:11 | 0:10:15 | |
-this fine bundle of lettuce? -I have nothing to hide. | 0:10:15 | 0:10:19 | |
I collected the reward on my father. | 0:10:20 | 0:10:23 | |
It is an advantage to have a successful father. | 0:10:30 | 0:10:34 | |
Nobody wanted my old man for as much as 500. | 0:10:34 | 0:10:37 | |
I'm worried about Nathan. Harry's not the only one. | 0:10:37 | 0:10:40 | |
There's a lot of loose money around now. | 0:10:40 | 0:10:42 | |
Everybody's looking for some action. | 0:10:42 | 0:10:44 | |
-If Nathan doesn't find a place... -SHOP BELL JINGLES | 0:10:44 | 0:10:47 | |
Why, Lieutenant Brannigan. Mr Southstreet, | 0:10:51 | 0:10:53 | |
it is Lieutenant Brannigan of the New York City police department. | 0:10:53 | 0:10:57 | |
Have either of you seen Nathan Detroit? | 0:11:02 | 0:11:05 | |
Which Nathan Detroit is that? | 0:11:05 | 0:11:07 | |
Your boss Nathan Detroit. | 0:11:07 | 0:11:09 | |
The Nathan Detroit who runs a floating crap game. | 0:11:09 | 0:11:12 | |
-Floating crap game? -On a boat? | 0:11:12 | 0:11:14 | |
A crap game that moves to different spots | 0:11:14 | 0:11:16 | |
so the police can't find it. | 0:11:16 | 0:11:18 | |
Sounds like a very difficult thing to do. | 0:11:18 | 0:11:21 | |
You should know since it's your job | 0:11:21 | 0:11:22 | |
to rustle up the customers and tell 'em where it is. | 0:11:22 | 0:11:25 | |
Especially with a famous detective like you putting on the heat. | 0:11:25 | 0:11:28 | |
You can give just that message to Detroit. | 0:11:28 | 0:11:30 | |
Tell him Brannigan says | 0:11:30 | 0:11:31 | |
he's not finding a spot for his crap game | 0:11:31 | 0:11:33 | |
because everybody knows Brannigan's put on the heat, | 0:11:33 | 0:11:36 | |
and Brannigan's breathing down everybody's neck. | 0:11:36 | 0:11:39 | |
Nathan, you're lucky. You just missed Brannigan. | 0:11:48 | 0:11:50 | |
I'm lucky. I just missed Brannigan. | 0:11:50 | 0:11:52 | |
He left a message. He said to tell you... | 0:11:52 | 0:11:54 | |
I am not going to find a place | 0:11:54 | 0:11:56 | |
for my crap game, because everybody knows | 0:11:56 | 0:11:59 | |
Brannigan's turned on the heat. | 0:11:59 | 0:12:00 | |
Brannigan's breathing down everybody's neck. | 0:12:00 | 0:12:03 | |
That's what he said. | 0:12:03 | 0:12:04 | |
Won't any of the regular places take a chance, | 0:12:21 | 0:12:24 | |
-seeing it's you? -Seeing it's me, no. | 0:12:24 | 0:12:26 | |
Except one. Joey Biltmore's garage. | 0:12:26 | 0:12:28 | |
Joey said he might take a chance...for 1,000. | 0:12:28 | 0:12:32 | |
-1,000! -In advance and in cash. | 0:12:32 | 0:12:35 | |
He would not even take my marker. | 0:12:35 | 0:12:37 | |
This I do not believe! Joey Biltmore will not take your marker. | 0:12:37 | 0:12:41 | |
You've got no idea what a breath this Brannigan has got. | 0:12:41 | 0:12:44 | |
Alter all, a marker's not just a paper saying, | 0:12:44 | 0:12:46 | |
"I owe you 1,000, signed Nathan Detroit." | 0:12:46 | 0:12:48 | |
A marker is the one pledge a guy cannot Welsh on. Never. | 0:12:48 | 0:12:53 | |
It's like not saluting the flag. | 0:12:53 | 0:12:55 | |
It does not seem possible - me without a livelihood. | 0:12:57 | 0:13:01 | |
Why, I've been running the crap game since I was a juvenile delinquent. | 0:13:03 | 0:13:06 | |
But, Nathan, the situation's desperate. | 0:13:07 | 0:13:10 | |
You have got to think of something. | 0:13:10 | 0:13:12 | |
My only thought costs 1,000. | 0:13:12 | 0:13:15 | |
I cannot even afford to think. | 0:13:15 | 0:13:17 | |
I'm broke. I'm so broke I couldn't even buy a present for Adelaide today. | 0:13:17 | 0:13:21 | |
Is it her birthday? | 0:13:21 | 0:13:22 | |
It is mine and Adelaide's 14th anniversary. | 0:13:22 | 0:13:27 | |
We are engaged 14 years today. | 0:13:27 | 0:13:30 | |
Nathan, you must concentrate on a game. | 0:13:30 | 0:13:32 | |
The town's up to here with high players. The Greek's in town. | 0:13:32 | 0:13:35 | |
-Brandy Bottle-base. -Scranton slim. -I know. I know. | 0:13:35 | 0:13:38 | |
I could make a fortune, but to make a fortune, I need a fortune. | 0:13:38 | 0:13:42 | |
1,000 bucks. Where do I get it? | 0:13:42 | 0:13:46 | |
# The Biltmore garage wants a grand | 0:13:50 | 0:13:53 | |
# But we ain't got a grand on hand | 0:13:53 | 0:13:56 | |
# And they now have a lock on the door | 0:13:56 | 0:13:59 | |
# To the gym at public school 84 | 0:13:59 | 0:14:02 | |
# There's the stockroom behind McCloskey's bar | 0:14:02 | 0:14:05 | |
# But Mrs McCloskey ain't a good scout | 0:14:05 | 0:14:08 | |
# And things bein' how they are | 0:14:08 | 0:14:11 | |
# The back of the police station is out | 0:14:11 | 0:14:15 | |
BOTH: # So the Biltmore garage is the spot | 0:14:15 | 0:14:18 | |
# But the 1,000 bucks we ain't got | 0:14:18 | 0:14:21 | |
# Why, it's good old reliable Nathan | 0:14:21 | 0:14:25 | |
# Nathan, Nathan Nathan Detroit | 0:14:25 | 0:14:28 | |
# If you're lookin' for action He'll furnish the spot | 0:14:28 | 0:14:32 | |
# Even when the heat is on It's never too hot | 0:14:32 | 0:14:35 | |
# Not for good old reliable Nathan | 0:14:35 | 0:14:39 | |
# For it's always just a short walk | 0:14:39 | 0:14:42 | |
# To the oldest established Permanent floating | 0:14:42 | 0:14:46 | |
# Crap game in New York | 0:14:46 | 0:14:51 | |
# There are well-heeled shooters Everywhere, everywhere | 0:14:51 | 0:14:54 | |
# There are well-heeled shooters everywhere | 0:14:54 | 0:14:58 | |
# And an awful lot of lettuce | 0:14:58 | 0:14:59 | |
# For the fella who can get us there | 0:14:59 | 0:15:02 | |
# If we only had a lousy little grand | 0:15:02 | 0:15:04 | |
# We could be a millionaire | 0:15:04 | 0:15:06 | |
# That's good old reliable Nathan | 0:15:06 | 0:15:09 | |
# Nathan, Nathan Nathan Detroit | 0:15:09 | 0:15:13 | |
# If the size of your bundle You want to increase | 0:15:13 | 0:15:17 | |
# I'll arrange that you go broke In quiet and peace | 0:15:17 | 0:15:20 | |
# In a hideout provided by Nathan | 0:15:20 | 0:15:23 | |
# Where there are no neighbours to squawk | 0:15:23 | 0:15:26 | |
# It's the oldest established Permanent floating | 0:15:26 | 0:15:30 | |
# Crap game in New York | 0:15:30 | 0:15:34 | |
# Where's the action? Where's the game? | 0:15:34 | 0:15:38 | |
# Gotta have the game or we'll die from shame | 0:15:38 | 0:15:43 | |
# It's the oldest established | 0:15:44 | 0:15:47 | |
# Permanent floating | 0:15:47 | 0:15:50 | |
# Crap game | 0:15:50 | 0:15:52 | |
# In | 0:15:52 | 0:15:54 | |
# New York! # | 0:15:54 | 0:16:01 | |
Gentlemen, I am deeply touched by your faith and loyalty. | 0:16:05 | 0:16:09 | |
Gentlemen, do not worry. | 0:16:09 | 0:16:12 | |
Nathan Detroit's crap game will float again. | 0:16:12 | 0:16:15 | |
Nathan, guess who's sitting in Mindy's right now | 0:16:22 | 0:16:25 | |
-eating a steak breakfast? -Hitler. -Wrong. Sky Masterson. | 0:16:25 | 0:16:30 | |
Sky Masterson's in town. | 0:16:30 | 0:16:32 | |
This should be the greatest crap game of your career. | 0:16:32 | 0:16:35 | |
Where's it going to be? | 0:16:35 | 0:16:37 | |
City hall. Mayor's office. | 0:16:37 | 0:16:38 | |
-What time? -We will leave you know, Angie. | 0:16:40 | 0:16:43 | |
Sky Masterson, the highest player of them all. | 0:16:46 | 0:16:49 | |
What a spot I'm in. | 0:16:49 | 0:16:50 | |
Does he bet higher than the Greek? | 0:16:50 | 0:16:52 | |
Why do you think they call him Sky? | 0:16:52 | 0:16:54 | |
Once, with my own eyes, I saw him bet 5,000 bucks | 0:16:54 | 0:16:57 | |
that one raindrop would beat another down the window. | 0:16:57 | 0:17:00 | |
Another time he was sick, and he would not take penicillin. | 0:17:05 | 0:17:08 | |
He bet his fever would go to 104. Always makes crazy bets like that. | 0:17:08 | 0:17:11 | |
Did he win? | 0:17:11 | 0:17:13 | |
Him and his crazy bets, he got lucky. It went to 106. | 0:17:13 | 0:17:17 | |
So why don't I bet him? | 0:17:17 | 0:17:21 | |
Why don't I bet him 1,000 on something? | 0:17:21 | 0:17:23 | |
Max, what's the matter, no Danish today? | 0:17:26 | 0:17:28 | |
It's a holiday in Denmark, how do I know? | 0:17:28 | 0:17:31 | |
All these years, you've brought me Danish. | 0:17:31 | 0:17:34 | |
So we ain't got Danish today. | 0:17:34 | 0:17:35 | |
Today I'm bringing you cheesecake. You want strudel instead? | 0:17:35 | 0:17:38 | |
-I'll bring you strudel. -I don't like strudel. | 0:17:38 | 0:17:40 | |
So eat the cheesecake. Live it up a little. | 0:17:40 | 0:17:44 | |
I do not understand you, Nathan. | 0:17:44 | 0:17:46 | |
Everybody's crazy about Mindy's cheesecake and strudel. | 0:17:46 | 0:17:49 | |
-They must sell thousands of portions every day. -That's just it. | 0:17:49 | 0:17:52 | |
Everybody's on cheesecake and strudel. | 0:17:52 | 0:17:54 | |
Makes me feel like I'm playing a favourite. | 0:17:54 | 0:17:57 | |
Playing the favourite... | 0:17:57 | 0:18:01 | |
Nicely, Benny... I want you to go into the kitchen, | 0:18:01 | 0:18:04 | |
and find out exactly how many pieces of cheesecake they sold yesterday. | 0:18:04 | 0:18:07 | |
Also, how many pieces of strudel. | 0:18:07 | 0:18:10 | |
How much cheesecake? How much strudel? | 0:18:10 | 0:18:12 | |
Why do you want to know? | 0:18:12 | 0:18:14 | |
I'm investigating for the FBI. Go! | 0:18:14 | 0:18:18 | |
Brannigan! Stop breathing down my neck. | 0:18:34 | 0:18:36 | |
-Why, Nathan. -Adelaide. Doll. | 0:18:36 | 0:18:39 | |
How could you think I was Lieutenant Brannigan? | 0:18:39 | 0:18:41 | |
We don't even use the same perfume. | 0:18:41 | 0:18:44 | |
I was kind of daydreaming, I guess. | 0:18:44 | 0:18:47 | |
I don't dream about detectives, even in the daytime. | 0:18:47 | 0:18:51 | |
Do you know what I dream about? | 0:18:51 | 0:18:54 | |
You. And your career as a businessman | 0:18:54 | 0:18:56 | |
in a normal business, and our career together | 0:18:56 | 0:18:59 | |
as a normal husband and wife. | 0:18:59 | 0:19:03 | |
-Ah-choo! -Gesundheit! -Thank you. | 0:19:03 | 0:19:06 | |
Your cold does not seem to be getting better. | 0:19:06 | 0:19:08 | |
It comes and goes. It's just a chronic condition. | 0:19:08 | 0:19:11 | |
Even if it is, it sure hangs on. | 0:19:11 | 0:19:14 | |
Nathan, speaking of chronic conditions... | 0:19:14 | 0:19:20 | |
Happy Anniversary. | 0:19:20 | 0:19:22 | |
Guess what's inside. | 0:19:25 | 0:19:28 | |
-1,000 bucks? -I only wish it was. | 0:19:28 | 0:19:31 | |
Go on, open it up. | 0:19:31 | 0:19:33 | |
"Mr Nathan Detroit, General Manager." | 0:19:38 | 0:19:41 | |
-General Manager of what? -Whatever you set your mind on. | 0:19:41 | 0:19:46 | |
I have faith. | 0:19:46 | 0:19:48 | |
Adelaide, I... I do not have a present for you. | 0:19:48 | 0:19:53 | |
I don't mind if you don't give me a present. | 0:19:53 | 0:19:56 | |
It makes me feel like we were married. | 0:19:56 | 0:19:59 | |
Nathan, darling, there isn't anything I couldn't do without, | 0:19:59 | 0:20:02 | |
just as long as you don't start running that crap game again. | 0:20:02 | 0:20:07 | |
Crap game? Adelaide, didn't I promise you? | 0:20:07 | 0:20:11 | |
-1,200 cheesecake, 1,500 strudel. -What? | 0:20:11 | 0:20:14 | |
Yesterday Mindy's sold 1,200 cheesecake and 1,500 strudel. | 0:20:14 | 0:20:18 | |
More strudel than cheesecake. Are you sure? | 0:20:18 | 0:20:20 | |
-Straight from the baker's mouth. -What's this all about? | 0:20:20 | 0:20:23 | |
Statistics. Things a businessman has to have at his fingertips. | 0:20:23 | 0:20:27 | |
-Hey, any news yet? -I will leave you know. | 0:20:27 | 0:20:29 | |
I'm getting impatient, Detroit. | 0:20:29 | 0:20:31 | |
-And what was that about? -His wife's having a baby. | 0:20:31 | 0:20:37 | |
-But why is he asking you? -He's nervous. It's his first wife. | 0:20:37 | 0:20:42 | |
Look, Adelaide, | 0:20:48 | 0:20:49 | |
I'm expecting a fellow on an important business conference. | 0:20:49 | 0:20:52 | |
Suddenly I get a suspicion you are trying to get rid of me. | 0:20:52 | 0:20:54 | |
-No, doll, no, it's just this fella does big business. -Supermarkets? | 0:20:54 | 0:20:58 | |
Super super. With him, business is business. Dolls make him nervous. | 0:20:58 | 0:21:01 | |
Besides, you're late for your rehearsal. | 0:21:01 | 0:21:04 | |
Nicely, you and Benny take Adelaide by cab. | 0:21:04 | 0:21:06 | |
It's only a couple blocks. | 0:21:06 | 0:21:08 | |
The streets are covered with tourists. | 0:21:08 | 0:21:11 | |
I do not want you molested. | 0:21:11 | 0:21:13 | |
Nathan, darling, you are the most thoughtful man that ever lived. | 0:21:13 | 0:21:17 | |
-But who's going to pay for the cab? -I am, of course. | 0:21:17 | 0:21:21 | |
Sky Masterson. | 0:21:39 | 0:21:41 | |
-Detroit. -Can I believe my eyes, is it really you? | 0:21:41 | 0:21:44 | |
How goes your percentage of life, Nathan? | 0:21:44 | 0:21:46 | |
-Not bad. And you? -Healthy at the moment. | 0:21:46 | 0:21:49 | |
Sit for a minute. Relax. Talk. Maybe you're in a hurry. | 0:21:49 | 0:21:52 | |
My daddy always said there's only one time a man should be in a hurry, | 0:21:52 | 0:21:56 | |
when the cops are coming up the stairs. | 0:21:56 | 0:21:58 | |
How about some coffee? Maybe a piece of cheesecake? | 0:21:58 | 0:22:01 | |
No, thanks. I'm pleased to hear things go well. | 0:22:01 | 0:22:04 | |
From communiques received in Las Vegas, | 0:22:04 | 0:22:07 | |
we understood Brannigan was corking up the town. | 0:22:07 | 0:22:09 | |
Ah, who worries about Brannigan? How was Vegas? | 0:22:09 | 0:22:13 | |
Paradise for two weeks. | 0:22:13 | 0:22:16 | |
For two weeks I gambled in green pastures... | 0:22:16 | 0:22:18 | |
the dice were my cousins, and the dolls were agreeable, | 0:22:18 | 0:22:21 | |
with nice teeth and no last names. | 0:22:21 | 0:22:22 | |
Sure I cannot offer you cheesecake or maybe strudel? | 0:22:22 | 0:22:26 | |
No, thanks. I just ate. | 0:22:26 | 0:22:28 | |
How long will you be in town? | 0:22:28 | 0:22:31 | |
Only for tonight. Tomorrow I fly to Havana. | 0:22:31 | 0:22:34 | |
Sky. | 0:22:34 | 0:22:36 | |
Don't think I am a pest, | 0:22:36 | 0:22:38 | |
but eat this last bite of cheesecake. | 0:22:38 | 0:22:41 | |
Honestly, I couldn't swallow a mouthful. | 0:22:41 | 0:22:45 | |
-How is Adelaide? -Fine, fine. | 0:22:45 | 0:22:48 | |
I suppose one day you'll be getting married. | 0:22:48 | 0:22:51 | |
-We all got to go sometime. -But, Nathan, we can fight it. | 0:22:51 | 0:22:55 | |
The companionship of a doll is a pleasant thing | 0:22:55 | 0:22:58 | |
even for a period running into months. | 0:22:58 | 0:23:01 | |
But for a lifelong relationship, | 0:23:01 | 0:23:03 | |
no doll can take the place of aces back to back. | 0:23:03 | 0:23:06 | |
Still, you'll admit Mindy's cheesecake | 0:23:06 | 0:23:08 | |
is the greatest cheesecake alive. | 0:23:08 | 0:23:10 | |
Gladly. | 0:23:11 | 0:23:13 | |
Furthermore, I'm quite partial to Mindy's cheesecake. | 0:23:13 | 0:23:16 | |
And although you might disagree, many people prefer Mindy's strudel. | 0:23:16 | 0:23:20 | |
Do you disagree? | 0:23:20 | 0:23:21 | |
It is my understanding that the United States constitution | 0:23:21 | 0:23:25 | |
allows everybody their free choice between cheesecake and strudel. | 0:23:25 | 0:23:28 | |
I would be interested to hear... | 0:23:28 | 0:23:32 | |
offhand, would you say | 0:23:32 | 0:23:34 | |
that Mindy's sells more cheesecake or more strudel? | 0:23:34 | 0:23:37 | |
Going strictly by my personal preference, | 0:23:37 | 0:23:40 | |
I'd say more cheesecake than strudel. | 0:23:40 | 0:23:42 | |
For how much? | 0:23:42 | 0:23:44 | |
-What? -For how much? | 0:23:44 | 0:23:46 | |
Why, Nathan, I never knew you to lay money on the line. | 0:23:48 | 0:23:52 | |
You always take your bite off the top. | 0:23:52 | 0:23:54 | |
1,000 bucks says yesterday Mindy's sold more strudel than cheesecake. | 0:23:54 | 0:23:59 | |
Nathan, let me tell you a story. | 0:23:59 | 0:24:01 | |
Have we got a bet? | 0:24:01 | 0:24:03 | |
On the day I left home to make my way in the world, | 0:24:03 | 0:24:05 | |
my daddy took me to one side. | 0:24:05 | 0:24:08 | |
"Son," my daddy says to me, | 0:24:08 | 0:24:10 | |
"I'm sorry I'm not able to bankroll you | 0:24:10 | 0:24:13 | |
"to a very large start. | 0:24:13 | 0:24:15 | |
"But not able to get you rolling, | 0:24:15 | 0:24:18 | |
"instead, I'll stake you to some valuable advice. | 0:24:18 | 0:24:21 | |
"One day in your travels, | 0:24:21 | 0:24:23 | |
"a guy will show you a brand-new deck of cards | 0:24:23 | 0:24:27 | |
"on which the seal is not yet broken. | 0:24:27 | 0:24:29 | |
"Then he'll offer to bet you | 0:24:29 | 0:24:31 | |
"that he can make the Jack of spades | 0:24:31 | 0:24:34 | |
"jump out and squirt cider on your ear. | 0:24:34 | 0:24:37 | |
"Son, you do not accept this bet, | 0:24:37 | 0:24:40 | |
"because as sure as you stand there | 0:24:40 | 0:24:42 | |
"you're going to wind up with an ear full of cider." | 0:24:42 | 0:24:46 | |
Now, I do not suggest | 0:24:46 | 0:24:48 | |
you've been clocking Mindy's cheesecake. | 0:24:48 | 0:24:50 | |
Would I do such a thing? | 0:24:50 | 0:24:52 | |
However, if you're really looking for action, | 0:24:52 | 0:24:54 | |
I will bet you the same 1,000 | 0:24:54 | 0:24:56 | |
you cannot name the colour tie you have on. | 0:24:56 | 0:25:00 | |
Have we got a bet? | 0:25:01 | 0:25:03 | |
No bet. | 0:25:05 | 0:25:07 | |
Polka dots. | 0:25:09 | 0:25:10 | |
In the whole world, nobody but Nathan Detroit | 0:25:10 | 0:25:13 | |
could blow 1,000 bucks on polka dots. | 0:25:13 | 0:25:16 | |
-Hi, Sky. -How goes it, Sky? | 0:25:20 | 0:25:22 | |
Healthy at the moment. And with you, Nicely? | 0:25:22 | 0:25:25 | |
Nicely-nicely, thanks. Nathan? What's wrong? You look sick. | 0:25:25 | 0:25:30 | |
A temporary disorder. The cheesecake backed up on him. | 0:25:30 | 0:25:33 | |
Maybe that's why they said they sell more strudel. | 0:25:33 | 0:25:37 | |
Adelaide gave us a message. | 0:25:37 | 0:25:39 | |
Pick her up after the show and don't be late. | 0:25:39 | 0:25:43 | |
Yes, dear. I mean, OK. | 0:25:43 | 0:25:45 | |
"Yes, dear"? This is husband talk. | 0:25:45 | 0:25:48 | |
Nathan, you are trapped. Adelaide is the kind of doll | 0:25:48 | 0:25:52 | |
-most difficult to unload. -I don't want to unload her. I love her. | 0:25:52 | 0:25:57 | |
If a guy does not have a doll, who would holler on him? | 0:25:57 | 0:26:00 | |
A doll is a necessity. | 0:26:00 | 0:26:02 | |
Like I told you, I'm not putting the knock on dolls. | 0:26:02 | 0:26:04 | |
It's just that they are something to have around when they come in handy, | 0:26:04 | 0:26:07 | |
like cough drops. And the proof that I am right is that dolls are | 0:26:07 | 0:26:11 | |
available all over the place as far as the eye can see. | 0:26:11 | 0:26:13 | |
Not dolls like Adelaide. | 0:26:13 | 0:26:15 | |
Nathan, nothing personal, | 0:26:15 | 0:26:16 | |
and no offence, but, figuring weight for age, | 0:26:16 | 0:26:19 | |
all dolls are the same. | 0:26:19 | 0:26:20 | |
All dolls are the same? | 0:26:20 | 0:26:22 | |
As far as the eye can see. | 0:26:22 | 0:26:25 | |
It seems a doll would come in handy on a trip to Havana. | 0:26:25 | 0:26:30 | |
This being the case, how come you ain't got one? | 0:26:30 | 0:26:33 | |
How come you're going alone? | 0:26:33 | 0:26:34 | |
A matter of choice. If I wish to take a doll, | 0:26:34 | 0:26:38 | |
the supply is more than Woolworth has beads. | 0:26:38 | 0:26:41 | |
-Not high-class dolls. -There's only one class - | 0:26:41 | 0:26:43 | |
indivisible, interchangeable. | 0:26:43 | 0:26:45 | |
A doll is a doll. All dolls. Any doll. You name her. | 0:26:45 | 0:26:48 | |
Any doll? Will you bet on that? | 0:26:48 | 0:26:50 | |
Would you bet 1,000 bucks that if I name a doll, | 0:26:50 | 0:26:52 | |
you can take the same doll to Havana with you tomorrow? | 0:26:52 | 0:26:54 | |
You've got yourself a bet. | 0:26:54 | 0:26:56 | |
MISSION BAND PLAYS | 0:26:58 | 0:27:02 | |
I name her. | 0:27:05 | 0:27:07 | |
-Her? -Sergeant Sarah Brown. | 0:27:08 | 0:27:12 | |
Daddy... I got cider in my ear. | 0:27:25 | 0:27:28 | |
It is my fault, you know. | 0:27:31 | 0:27:34 | |
It's not the mission, it's me. | 0:27:34 | 0:27:37 | |
I can't do the job that has to be done. I'm a failure. | 0:27:37 | 0:27:41 | |
I'd be doing the right thing | 0:27:41 | 0:27:44 | |
if I resigned and went home to Boston. | 0:27:44 | 0:27:48 | |
Sarah. Should you be able to bend a solid gold watch? | 0:27:48 | 0:27:53 | |
-Of course not. -That's what I thought. | 0:27:53 | 0:27:56 | |
Why do you want to go home, | 0:28:01 | 0:28:03 | |
because there aren't any sinners in Boston? | 0:28:03 | 0:28:05 | |
What have I accomplished here? | 0:28:05 | 0:28:07 | |
Surrounded by thousands depraved characters, | 0:28:07 | 0:28:09 | |
and after months of hard work an empty mission. | 0:28:09 | 0:28:12 | |
Sarah, I'm ashamed of you. | 0:28:12 | 0:28:14 | |
Just because the riffraff of Broadway didn't break down that door | 0:28:14 | 0:28:17 | |
the minute they heard you were in charge of mission. | 0:28:17 | 0:28:20 | |
These aren't small-town delinquents who drink too much Saturday night. | 0:28:20 | 0:28:24 | |
You're up against the devil's first-string troops, | 0:28:24 | 0:28:27 | |
an army of devil's disciples. | 0:28:27 | 0:28:29 | |
Do you take sinners here? | 0:28:30 | 0:28:32 | |
At any time of day or night, son. Come right in and sit down. | 0:28:32 | 0:28:36 | |
-Cup of coffee and a doughnut? -Just coffee, thanks. | 0:28:36 | 0:28:39 | |
I'm not here because I'm poor and hungry... | 0:28:39 | 0:28:42 | |
not for food, that is. | 0:28:42 | 0:28:44 | |
"Blessed are they which do hunger after righteousness." | 0:28:44 | 0:28:47 | |
"Hunger and thirst after righteousness." Yes, sir, that's it. | 0:28:47 | 0:28:51 | |
My name's Arvide Abernathy. | 0:28:51 | 0:28:53 | |
The young lady is Sergeant Sarah Brown. | 0:28:53 | 0:28:56 | |
-To you, brother Arvide and sister Sarah. Sit down, son. -How do you do? | 0:28:56 | 0:29:00 | |
Brother Sky. Hello, sister Sarah. | 0:29:00 | 0:29:02 | |
-Is that your name? Sky? -Sky Masterson. | 0:29:02 | 0:29:06 | |
-What is it that troubles you, Mr Masterson? -Brother Sky. | 0:29:06 | 0:29:09 | |
Brother Sky. I gather you're not in need of money. | 0:29:09 | 0:29:13 | |
I'm healthy at the moment. It can change. | 0:29:13 | 0:29:15 | |
Are only the unhappy poor welcome here? | 0:29:15 | 0:29:18 | |
What are you unhappy about, son? | 0:29:18 | 0:29:20 | |
Ahem. Gambling. | 0:29:20 | 0:29:23 | |
Well, apparently you are a successful gambler. | 0:29:23 | 0:29:26 | |
Is it wrong to gamble or only to lose? | 0:29:27 | 0:29:31 | |
I better come back for help when I'm broke. | 0:29:31 | 0:29:34 | |
Oh, please don't misunderstand. | 0:29:34 | 0:29:35 | |
It's just unusual for a successful sinner | 0:29:35 | 0:29:38 | |
to be unhappy about sin. | 0:29:38 | 0:29:40 | |
Besides, my unhappiness came up very suddenly. Maybe it'll go away. | 0:29:40 | 0:29:43 | |
We can keep you unhappy. Give us a chance. | 0:29:43 | 0:29:46 | |
You don't look like a gambler at heart. What made you take it up? | 0:29:46 | 0:29:51 | |
Evil companions. | 0:29:51 | 0:29:52 | |
Evil companions who are always offering sucker bets. | 0:29:52 | 0:29:55 | |
Just what is a sucker bet? | 0:29:55 | 0:29:58 | |
A bet that's reserved for suckers. | 0:29:58 | 0:30:00 | |
For a gambler, getting sucked in is most humiliating, | 0:30:00 | 0:30:04 | |
but losing means you're marked as a chump. | 0:30:04 | 0:30:07 | |
So you must go all out to win such a bet. | 0:30:07 | 0:30:09 | |
Is that so terrible, being marked as a chump? | 0:30:09 | 0:30:13 | |
Among my people, being a chump is like losing your citizenship. | 0:30:13 | 0:30:16 | |
A chump is an outsider, | 0:30:16 | 0:30:18 | |
a yokel who'll buy anything with varnish on it. | 0:30:18 | 0:30:21 | |
-Like a solid gold watch for 1.00? -This is a real chump. | 0:30:21 | 0:30:25 | |
Well, I think I'll get some rest before we go out again. | 0:30:25 | 0:30:28 | |
Brother Sky, I'm glad you found us. | 0:30:28 | 0:30:31 | |
You can stay here and talk to sister Sarah. | 0:30:31 | 0:30:33 | |
Whatever your problems are, she'll have the answer. | 0:30:33 | 0:30:35 | |
-I hope so. -I know so. | 0:30:35 | 0:30:38 | |
If there's one thing sister Sarah never fails in, | 0:30:38 | 0:30:41 | |
it's solving other people's problems. | 0:30:41 | 0:30:45 | |
What did he mean by that? | 0:30:50 | 0:30:52 | |
The way he said it - you never fail solving other people's problems. | 0:30:52 | 0:30:56 | |
Haven't we changed places, Mr Masterson? | 0:30:56 | 0:30:58 | |
Brother Sky. Why do you have trouble calling me brother Sky? | 0:30:58 | 0:31:02 | |
Brother Sky, aren't we supposed to be discussing your problems? | 0:31:02 | 0:31:05 | |
It just struck me that maybe nonsinners also have problems. | 0:31:05 | 0:31:08 | |
If you're sincerely interested in giving up gambling, | 0:31:08 | 0:31:11 | |
Mr... Brother Sky, reading these pamphlets will help you. | 0:31:11 | 0:31:15 | |
My daddy always said reading pamphlets never made anybody give up anything. | 0:31:15 | 0:31:19 | |
I had a more personal help in mind. | 0:31:19 | 0:31:21 | |
We're having a midnight prayer meeting Thursday. | 0:31:21 | 0:31:24 | |
Thursday's the day after tomorrow. | 0:31:24 | 0:31:26 | |
Who's going to help me between now and then? | 0:31:26 | 0:31:27 | |
Well, our doors are always open. Come in anytime. | 0:31:27 | 0:31:31 | |
You know what I think, sister Sarah? | 0:31:33 | 0:31:35 | |
I think you not only don't want to help me, | 0:31:35 | 0:31:38 | |
-but for some reason, you're against me. -I'm afraid that's true. | 0:31:38 | 0:31:41 | |
I don't trust you, Mr Masterson. | 0:31:41 | 0:31:44 | |
-Brother Sky. -Mr Masterson. | 0:31:44 | 0:31:46 | |
-You don't believe I'm a sinner, do you? -I prepared to believe you're | 0:31:46 | 0:31:50 | |
the biggest sinner I've ever met in my life. | 0:31:50 | 0:31:53 | |
But you don't believe I want to repent. | 0:31:53 | 0:31:56 | |
Is that it? | 0:31:58 | 0:31:59 | |
All of a sudden you want a cup of coffee. | 0:32:03 | 0:32:09 | |
Did it ever occur to you | 0:32:09 | 0:32:10 | |
some people could be all repentance and no sin? | 0:32:10 | 0:32:13 | |
I may start a chain of missions to help your kind. | 0:32:13 | 0:32:17 | |
"Come all ye repenters. | 0:32:17 | 0:32:18 | |
"and us bring a little sin into your life." | 0:32:18 | 0:32:21 | |
"There is no peace onto the wicked. Proverbs." | 0:32:21 | 0:32:25 | |
This is wrong. | 0:32:25 | 0:32:26 | |
Let's say it's a matter of opinion, shall we? | 0:32:26 | 0:32:29 | |
I made a statement of fact. It's wrong. | 0:32:29 | 0:32:32 | |
How dare you? | 0:32:32 | 0:32:33 | |
Even if it's not a church, it is a mission! | 0:32:33 | 0:32:37 | |
-How dare you blaspheme? -How dare you misquote the bible? | 0:32:37 | 0:32:41 | |
-It's Isaiah, not proverbs. -Of course it's proverbs. -Isaiah. | 0:32:41 | 0:32:46 | |
Chapter 57, verse 20 or 21. | 0:32:46 | 0:32:49 | |
Would you like to bet on it? | 0:32:51 | 0:32:53 | |
Not money, just a nice sociable bet. | 0:32:53 | 0:32:55 | |
Isaiah? | 0:32:58 | 0:33:00 | |
Isaiah. | 0:33:00 | 0:33:01 | |
I imagine there's only one thing that's been in as many hotel rooms | 0:33:01 | 0:33:04 | |
as I have, the Gideon bible. Never tangle with me on the good book. | 0:33:04 | 0:33:08 | |
I must've read it through at least a dozen times. | 0:33:08 | 0:33:11 | |
-If that didn't help... -Who says it wasn't? | 0:33:11 | 0:33:14 | |
Once I found a three-horse parlay - | 0:33:14 | 0:33:17 | |
Shadrach, Meshach, and Abednego. | 0:33:17 | 0:33:19 | |
Mr Masterson, why did you come in here? | 0:33:19 | 0:33:22 | |
I told you, I'm an unhappy sinner. | 0:33:22 | 0:33:24 | |
-Excuse me, but you're a liar. -Excuse me, but lying is not my sin. | 0:33:24 | 0:33:27 | |
I'm not interested in a 1.00 gold watch. | 0:33:27 | 0:33:30 | |
We'll lay it on the line. We'll deal the hand open. | 0:33:30 | 0:33:34 | |
-Could you say that in English? -Sergeant, I'm sure you've earned | 0:33:34 | 0:33:37 | |
your stripes courageously in active combat against the devil. | 0:33:37 | 0:33:40 | |
-There's no need to be sarcastic. -But not on this particular battlefield | 0:33:40 | 0:33:43 | |
against the devil's first-line troops. | 0:33:43 | 0:33:46 | |
Because you can't get at the enemy. Sergeant, | 0:33:46 | 0:33:48 | |
-this mission is laying an egg. -You have no way of knowing that. | 0:33:48 | 0:33:50 | |
I've got lots of ways of knowing. | 0:33:50 | 0:33:52 | |
You are stuck with a storeful of repentance and no customers. | 0:33:52 | 0:33:54 | |
Without sinners, what is repentance? It doesn't exist. | 0:33:54 | 0:33:57 | |
So you're stuck with a storeful of nothing. | 0:33:57 | 0:33:59 | |
-Now, do I give you fair rundown? -I wouldn't know. | 0:33:59 | 0:34:03 | |
-I've never had a rundown. -Would you be open to a proposition? | 0:34:03 | 0:34:07 | |
I've had those. No. | 0:34:07 | 0:34:09 | |
Don't flatter yourself. I'm talking business. | 0:34:09 | 0:34:12 | |
I'm in a position to supply you | 0:34:12 | 0:34:14 | |
with the raw material you need for your work, namely sinners. | 0:34:14 | 0:34:17 | |
-How? -That's my work. | 0:34:17 | 0:34:20 | |
When is this big midnight meeting? | 0:34:20 | 0:34:22 | |
Thursday, day after tomorrow. | 0:34:22 | 0:34:23 | |
I guarantee to supply that meeting | 0:34:23 | 0:34:26 | |
with at least one dozen genuine sinners. | 0:34:26 | 0:34:28 | |
Whether they repent is up to you. | 0:34:28 | 0:34:29 | |
Thank you. That seems to be a fair rundown. | 0:34:29 | 0:34:32 | |
Now, if you will excuse me. | 0:34:32 | 0:34:35 | |
Just a minute, sister Sarah. | 0:34:35 | 0:34:37 | |
This is not charity contribution I'm making. This is a business | 0:34:37 | 0:34:41 | |
transaction. Something you want for something I want. | 0:34:41 | 0:34:43 | |
And what is that? | 0:34:43 | 0:34:45 | |
Have dinner with me tomorrow night. | 0:34:48 | 0:34:51 | |
Why should that be something you want? | 0:34:54 | 0:34:58 | |
Maybe because I think I'll be hungry tomorrow night. | 0:34:58 | 0:35:01 | |
-Keep this. My marker. -Your what? | 0:35:01 | 0:35:04 | |
My IOU for at least one dozen genuine sinners | 0:35:04 | 0:35:06 | |
delivered as described. | 0:35:06 | 0:35:08 | |
-I'll pick you up tomorrow at noon. -At noon for dinner? | 0:35:08 | 0:35:12 | |
It takes time to get to the El Cafe Cabano. | 0:35:12 | 0:35:16 | |
-El cafe Cabano. Where's that? -Havana. | 0:35:16 | 0:35:19 | |
-Havana, Cuba? -What other Havanas are there? | 0:35:19 | 0:35:22 | |
You're taking me to dinner in Havana, Cuba? | 0:35:22 | 0:35:25 | |
They eat in Cuba, same as we do. | 0:35:25 | 0:35:27 | |
What do you take me for, a... a chump? | 0:35:27 | 0:35:30 | |
-Ah-ah! Isaiah's on the back. -You get out of here! | 0:35:30 | 0:35:32 | |
What are they worth to you? | 0:35:32 | 0:35:34 | |
At least one dozen genuine sinners ready for salvation. | 0:35:34 | 0:35:36 | |
What are they worth to you, a chicken salad in a tearoom? | 0:35:36 | 0:35:40 | |
One last word, sergeant. | 0:35:40 | 0:35:42 | |
I don't want you walking out of here thinking the reason you're upset | 0:35:42 | 0:35:45 | |
is because some black-hearted sinner made improper advances... | 0:35:45 | 0:35:48 | |
It's none of your business. | 0:35:48 | 0:35:50 | |
..to a virtuous young lady with a shining white soul. | 0:35:50 | 0:35:53 | |
Any sinful thoughts present in this room come out of you, doll, not me. | 0:35:53 | 0:35:59 | |
You're quite right. I'm nothing but a repressed, neurotic girl. | 0:35:59 | 0:36:02 | |
I've read two whole books on the subject. Abnormally attracted to sin | 0:36:02 | 0:36:06 | |
and therefore, abnormally afraid of it. | 0:36:06 | 0:36:08 | |
You're not the first to try that approach. | 0:36:08 | 0:36:11 | |
I'm happy to know that I am not the first man | 0:36:11 | 0:36:13 | |
to ever try to approach you at all. | 0:36:13 | 0:36:15 | |
You're not even close. | 0:36:15 | 0:36:17 | |
I imagine by now you've succeeded in blocking all possible approaches, | 0:36:17 | 0:36:20 | |
-haven't you? -Except for a few you wouldn't know about I'm afraid. | 0:36:20 | 0:36:23 | |
Well, of course, I only know the ones on the outskirts of society. | 0:36:23 | 0:36:27 | |
What are the approaches like on the inskirts? | 0:36:27 | 0:36:30 | |
All paved with honourable intentions? | 0:36:30 | 0:36:32 | |
-I wonder what he'll be like. -Who? | 0:36:32 | 0:36:35 | |
That upright, downright, forthright square with his close-shaved chin up | 0:36:35 | 0:36:41 | |
who, right now somewhere, is marching along the proper approach | 0:36:41 | 0:36:45 | |
to proper you. What'll he be like? | 0:36:45 | 0:36:47 | |
He will not be a gambler. | 0:36:47 | 0:36:50 | |
I know better than you what he won't be. But what will he be? | 0:36:50 | 0:36:54 | |
-How will you know when he gets to you? -Don't worry, I'll know. | 0:36:54 | 0:36:59 | |
# For I've imagined every bit of him | 0:36:59 | 0:37:03 | |
# From his strong moral fibre | 0:37:03 | 0:37:06 | |
# To the wisdom in his head | 0:37:06 | 0:37:09 | |
# To the homey aroma of his pipe | 0:37:09 | 0:37:14 | |
# You have wished yourself A small-town Galahad | 0:37:14 | 0:37:17 | |
# The breakfast-eating four-button type | 0:37:17 | 0:37:20 | |
# And I shall meet him When the time is ripe | 0:37:20 | 0:37:27 | |
# I'll know | 0:37:27 | 0:37:30 | |
# When my love comes along | 0:37:30 | 0:37:33 | |
# I won't | 0:37:33 | 0:37:35 | |
# Take a chance | 0:37:35 | 0:37:38 | |
# For, oh | 0:37:38 | 0:37:42 | |
# He'll be just what I need | 0:37:42 | 0:37:45 | |
# Not some fly-by-night Broadway romance | 0:37:45 | 0:37:49 | |
# And you'll know at a glance By the two pair of pants | 0:37:49 | 0:37:54 | |
# I'll know | 0:37:54 | 0:37:57 | |
# By his calm, steady voice | 0:37:57 | 0:38:00 | |
# Those feet on the ground | 0:38:00 | 0:38:05 | |
# I'll know | 0:38:05 | 0:38:09 | |
# As I run to his arms | 0:38:09 | 0:38:13 | |
# That at last I've come home | 0:38:13 | 0:38:16 | |
# Safe and sound | 0:38:16 | 0:38:20 | |
# Until then I shall wait | 0:38:20 | 0:38:24 | |
# Until then I'll be strong | 0:38:24 | 0:38:31 | |
# For I'll know | 0:38:32 | 0:38:36 | |
# When my love | 0:38:36 | 0:38:41 | |
# Comes along | 0:38:41 | 0:38:45 | |
# Mine will come As a surprise to me | 0:38:45 | 0:38:50 | |
# Mine I leave to chance And chemistry. # | 0:38:51 | 0:38:56 | |
Chemistry? | 0:38:56 | 0:38:58 | |
Yeah, chemistry. | 0:38:58 | 0:39:00 | |
# Suddenly I'll know | 0:39:00 | 0:39:04 | |
# When my love comes along | 0:39:04 | 0:39:08 | |
# I'll know Then and there | 0:39:08 | 0:39:12 | |
# I'll know | 0:39:12 | 0:39:15 | |
# At the sight of her face | 0:39:15 | 0:39:18 | |
# How I care, how I care How I care | 0:39:18 | 0:39:23 | |
# And I'll stop And I'll stare | 0:39:23 | 0:39:29 | |
# And I'll know | 0:39:29 | 0:39:33 | |
# Long before we can speak I'll know | 0:39:33 | 0:39:37 | |
# In my heart I'll know | 0:39:37 | 0:39:43 | |
# And I won't ever ask Am I right? | 0:39:43 | 0:39:47 | |
# Am I wise? Am I smart? | 0:39:47 | 0:39:50 | |
# But I'll stop And I'll stare | 0:39:50 | 0:39:54 | |
# At that face In the throng | 0:39:54 | 0:40:01 | |
# Yes, I'll know | 0:40:03 | 0:40:08 | |
# When my love | 0:40:08 | 0:40:11 | |
# Comes along. # | 0:40:11 | 0:40:16 | |
Mm-hmm. Well, that makes it necessary for me to drop back again. | 0:40:55 | 0:41:01 | |
Matthew 5:39. Don't bother looking it up. | 0:41:01 | 0:41:05 | |
It's the bit about the other cheek. | 0:41:05 | 0:41:08 | |
I know, Joey, | 0:41:37 | 0:41:38 | |
but the 1,000 bucks is guaranteed. | 0:41:38 | 0:41:41 | |
What? It's a bet I cannot lose. | 0:41:41 | 0:41:44 | |
I bet Sky Masterson | 0:41:44 | 0:41:45 | |
he could not take a certain doll to Havana. | 0:41:45 | 0:41:49 | |
Not this doll. Not this doll. | 0:41:49 | 0:41:51 | |
Now the grand finale of our round-the-world revue. | 0:41:53 | 0:41:56 | |
The Hotbox takes you out to the alley | 0:41:56 | 0:41:59 | |
with Miss Adelaide and her Alley Kittens. | 0:41:59 | 0:42:01 | |
Meow! | 0:42:04 | 0:42:08 | |
Meow! | 0:42:12 | 0:42:14 | |
Meow! | 0:42:17 | 0:42:18 | |
-CORKS POP -Meow! | 0:42:25 | 0:42:28 | |
-ALL: -Hello! | 0:42:36 | 0:42:37 | |
-ALL: -Prrr! | 0:42:43 | 0:42:44 | |
-ALL: -Prrr! | 0:42:45 | 0:42:47 | |
-ALL: -Ohh! | 0:43:05 | 0:43:06 | |
# One meow, two meow three meow, scat | 0:43:20 | 0:43:22 | |
# What's the initial of my pet tomcat? | 0:43:22 | 0:43:24 | |
# Is it A-B-C-D-E-F-G? | 0:43:24 | 0:43:26 | |
# Is it H or J or L-M-N-O-P? | 0:43:26 | 0:43:29 | |
# Is it L-M-N-O-P-Q-R-S-T? | 0:43:29 | 0:43:31 | |
# No, it's U You're the cat for me! # | 0:43:31 | 0:43:34 | |
-ALL: -Meow! | 0:43:45 | 0:43:47 | |
-ALL: -Meow! | 0:43:47 | 0:43:49 | |
-ALL: -Uh-uh. | 0:43:53 | 0:43:55 | |
# You know you've been mean to me | 0:44:05 | 0:44:08 | |
# And you know when you're mean to me | 0:44:08 | 0:44:12 | |
# How it always makes me wanna roam | 0:44:12 | 0:44:18 | |
# And you know there's a danger | 0:44:18 | 0:44:21 | |
# That some gentle stranger | 0:44:21 | 0:44:26 | |
# Might pick me up | 0:44:27 | 0:44:29 | |
# And make me feel at home | 0:44:29 | 0:44:34 | |
# So pet me, papa papa, pet me nice | 0:44:34 | 0:44:37 | |
# Meow Meow | 0:44:37 | 0:44:39 | |
# Ooh, pet me, papa Papa, melt the ice | 0:44:39 | 0:44:42 | |
# And you know how | 0:44:42 | 0:44:44 | |
# If you don't want me out roamin' the city | 0:44:44 | 0:44:47 | |
# Talk to me pretty Here, kitty kitty | 0:44:47 | 0:44:49 | |
# And pet me, papa Papa, pet me nice | 0:44:49 | 0:44:52 | |
# Ooh, pet me, papa Papa, pet me good | 0:44:53 | 0:44:56 | |
# Meow Meow | 0:44:56 | 0:44:58 | |
# Pet me, papa Proper, like you should | 0:44:58 | 0:45:01 | |
# And you know how | 0:45:01 | 0:45:04 | |
# If you care to keep me Home by the fire | 0:45:04 | 0:45:06 | |
# 'Specially when it's time to retire | 0:45:06 | 0:45:09 | |
# Then pet me, papa Papa, pet me good | 0:45:09 | 0:45:12 | |
# Warm up my saucer of milk And maybe I'll purr | 0:45:13 | 0:45:18 | |
# Lay out my cushion of silk Don't rumple my fur. # | 0:45:18 | 0:45:22 | |
THEY HISS | 0:45:22 | 0:45:23 | |
# Just reach over and | 0:45:23 | 0:45:25 | |
# Pet me, papa Papa, melt the ice | 0:45:25 | 0:45:29 | |
# If you don't want me out roamin' the city | 0:45:29 | 0:45:32 | |
# Talk to me pretty Here, kitty kitty | 0:45:32 | 0:45:34 | |
# And pet me, papa That's my good advice | 0:45:34 | 0:45:39 | |
# Pet me, papa Meow | 0:45:39 | 0:45:42 | |
# Pet me, papa Rrruff! | 0:45:42 | 0:45:44 | |
# Pet me, papa Papa, pet me... | 0:45:44 | 0:45:48 | |
# That'll get me! | 0:45:48 | 0:45:49 | |
# Pet me, papa Papa, pet me nice! # | 0:45:49 | 0:45:56 | |
CHEERING AND APPLAUSE | 0:45:56 | 0:45:58 | |
Look, Joey, I gotta hang up. Can I at least tell the guys that the | 0:45:58 | 0:46:02 | |
game will be at your garage tomorrow night? | 0:46:02 | 0:46:04 | |
Joey, I would gladly pay you in advance, | 0:46:04 | 0:46:07 | |
but I will not get the money until tomorrow. | 0:46:07 | 0:46:09 | |
I got to have time to spread the word around. | 0:46:09 | 0:46:13 | |
Joey, listen to... | 0:46:13 | 0:46:15 | |
Yes, Joey. | 0:46:15 | 0:46:17 | |
Yes, Joey. | 0:46:17 | 0:46:18 | |
Drop dead, Joey. | 0:46:18 | 0:46:20 | |
Yes, Joey. | 0:46:20 | 0:46:22 | |
Oh, Nathan, darling. | 0:46:27 | 0:46:29 | |
You got here early. It's so thrilling | 0:46:29 | 0:46:32 | |
to find you waiting for me | 0:46:32 | 0:46:34 | |
just like we were married and I was coming home from work. | 0:46:34 | 0:46:38 | |
You wouldn't make me stop working, would you? | 0:46:38 | 0:46:41 | |
That would be cruel. | 0:46:41 | 0:46:43 | |
A doll like you could earn good money | 0:46:43 | 0:46:44 | |
for another ten years, easy. | 0:46:44 | 0:46:46 | |
Sweet. And you were reading my book, too. | 0:46:46 | 0:46:49 | |
See? I told you reading don't make people go blind. | 0:46:49 | 0:46:53 | |
-It's very interesting, isn't it? -What is? | 0:46:53 | 0:46:57 | |
Oh, the book. Yeah. | 0:46:57 | 0:46:58 | |
The doctor gave it to me. | 0:46:58 | 0:47:00 | |
He thought it might help me get rid of my cold. | 0:47:00 | 0:47:03 | |
With a book? | 0:47:03 | 0:47:05 | |
The doctor thinks my cold | 0:47:05 | 0:47:06 | |
might possibly be caused by psychology. | 0:47:06 | 0:47:09 | |
Ah... How does he know you got psychology? | 0:47:09 | 0:47:13 | |
Nathan, everybody has got it. And female psychology explains | 0:47:13 | 0:47:18 | |
why certain girls do certain kinds of things. | 0:47:18 | 0:47:22 | |
It's all in the book. | 0:47:22 | 0:47:24 | |
Must be some book. | 0:47:26 | 0:47:28 | |
Uh... would it tell you | 0:47:29 | 0:47:31 | |
what kind of a doll would go for a guy | 0:47:31 | 0:47:35 | |
which you wouldn't think she would do so? | 0:47:35 | 0:47:37 | |
Nathan, no matter how terrible a fella seems, | 0:47:37 | 0:47:42 | |
you can never be sure that some girl won't go for him. | 0:47:42 | 0:47:45 | |
Take us. | 0:47:45 | 0:47:48 | |
Get dressed. We'll go eat. | 0:47:48 | 0:47:50 | |
Uh... starting next week, Nathan, I will be getting a raise in salary. | 0:47:52 | 0:47:57 | |
Where does it say what different dolls will do? | 0:47:57 | 0:48:00 | |
-You're not even listening to me! Ah-choo! -Gesundheit. | 0:48:00 | 0:48:05 | |
I'll be making enough for us to finally get married. | 0:48:05 | 0:48:09 | |
What do you think? | 0:48:09 | 0:48:10 | |
Hmm? Oh, of course we'll get married... | 0:48:10 | 0:48:13 | |
sooner or later. | 0:48:13 | 0:48:14 | |
Nathan, after 14 years, it is already too late to be sooner, | 0:48:14 | 0:48:17 | |
and if it gets much later, soon, it will be too late even to be later. | 0:48:17 | 0:48:21 | |
-Ah-choo! -Gesundheit. | 0:48:21 | 0:48:23 | |
Besides, Nathan, I don't know what to do about mother. | 0:48:23 | 0:48:28 | |
Mother? What about your mother? | 0:48:28 | 0:48:30 | |
Nathan, this is something that I haven't told you before, | 0:48:30 | 0:48:33 | |
but my mother, back in Rhode island, | 0:48:33 | 0:48:36 | |
she thinks that...that we are already married. | 0:48:36 | 0:48:40 | |
How could she think such a thing? | 0:48:40 | 0:48:42 | |
Maybe because I wrote her that we were already married. | 0:48:42 | 0:48:46 | |
That would make her think so. | 0:48:46 | 0:48:49 | |
Nathan, in Rhode island, people do not remain engaged for 14 years. | 0:48:49 | 0:48:53 | |
They get married. | 0:48:53 | 0:48:55 | |
So how come it's such a small state? | 0:48:55 | 0:48:58 | |
Furthermore, after about two years... | 0:48:58 | 0:49:00 | |
after about two years, we... | 0:49:00 | 0:49:03 | |
-We got a divorce? -We had a baby. | 0:49:03 | 0:49:06 | |
You wrote your mother we had a baby? | 0:49:06 | 0:49:09 | |
I had to, Nathan. Mother kept after me, | 0:49:09 | 0:49:13 | |
and finally I just ran out of excuses. | 0:49:13 | 0:49:16 | |
-And what type baby was it? -It was a boy. | 0:49:16 | 0:49:19 | |
-I named it after you, Nathan. -Thank you. -You're welcome. | 0:49:19 | 0:49:24 | |
And tell me, what has Nathan Jr been doing all these years? | 0:49:24 | 0:49:28 | |
Well, right now he's in boarding school. | 0:49:28 | 0:49:31 | |
I wrote mother that he won the football game last Saturday. | 0:49:31 | 0:49:36 | |
I wish I had a bet on it. | 0:49:36 | 0:49:39 | |
But, Nathan, that... | 0:49:39 | 0:49:40 | |
..that isn't all. | 0:49:42 | 0:49:44 | |
Don't tell me we also have got an Adelaide Jr? | 0:49:44 | 0:49:48 | |
All these years, Nathan. Mother believes in big families, | 0:49:48 | 0:49:52 | |
and we had such an early start. | 0:49:52 | 0:49:55 | |
Just give me the grand total. | 0:49:55 | 0:49:58 | |
-Five. -Adelaide! | 0:50:00 | 0:50:03 | |
How could you do such a thing | 0:50:03 | 0:50:06 | |
to a nice old broad like your mother? | 0:50:06 | 0:50:08 | |
Nathan, darling, let's just us get married, | 0:50:08 | 0:50:12 | |
and then I'll handle everything else. OK? | 0:50:12 | 0:50:15 | |
OK, doll. When we're ready. | 0:50:15 | 0:50:18 | |
Nathan, we're ready now. We've been ready for 14 years. | 0:50:18 | 0:50:21 | |
All we need now is a license and a blood test. | 0:50:21 | 0:50:26 | |
Blood test? Don't worry, Nathan. You've got blood. | 0:50:26 | 0:50:29 | |
What a city. | 0:50:29 | 0:50:31 | |
First they close my crap game, then they open my veins. | 0:50:31 | 0:50:35 | |
Nathan, you gave up the crap game. | 0:50:35 | 0:50:37 | |
Of course I did, doll. And you know why? For you. | 0:50:37 | 0:50:41 | |
Because I love you. | 0:50:41 | 0:50:43 | |
Can I borrow some earrings? | 0:50:43 | 0:50:45 | |
It is customary, Laverne, | 0:50:45 | 0:50:47 | |
to knock when entering the private dressing room | 0:50:47 | 0:50:51 | |
of an engaged person. | 0:50:51 | 0:50:53 | |
As far as I'm concerned, you are in here by yourself. | 0:50:53 | 0:50:57 | |
May I borrow some earrings? | 0:50:57 | 0:50:59 | |
-Diamonds or pearls? -Diamonds. | 0:50:59 | 0:51:02 | |
In the top drawer of the trunk. The big box. | 0:51:02 | 0:51:05 | |
Aren't they a little long, dear? | 0:51:12 | 0:51:14 | |
Remember, you've got a short neck. | 0:51:14 | 0:51:16 | |
He's a tall man. | 0:51:16 | 0:51:17 | |
You! I'm all dated up with society max tomorrow night, | 0:51:17 | 0:51:22 | |
and he breaks it, on account of your silly crap game! | 0:51:22 | 0:51:25 | |
Adelaide, look at me. I'm on my knees! | 0:51:38 | 0:51:42 | |
Oh, get up. | 0:51:42 | 0:51:43 | |
It reminds me of your crap game. | 0:51:43 | 0:51:46 | |
-Adelaide, doll! -Ah-choo! | 0:51:46 | 0:51:48 | |
-You're getting upset about nothing. -Ah-choo! | 0:51:48 | 0:51:50 | |
-I set it up a long time ago. -Ah-choo! | 0:51:50 | 0:51:54 | |
-Understand? -Ah-choo! | 0:51:54 | 0:51:58 | |
Look, we love each other. We're going to get married. | 0:51:58 | 0:52:01 | |
We'll be happy. | 0:52:01 | 0:52:03 | |
Get out of my life, Nathan Detroit! | 0:52:03 | 0:52:06 | |
-I knew you'd understand. -Ah-choo! -Gesundheit. | 0:52:14 | 0:52:18 | |
It says here... | 0:52:43 | 0:52:44 | |
# The average unmarried female | 0:52:45 | 0:52:49 | |
# Basically insecure | 0:52:49 | 0:52:52 | |
# Due to some long frustration | 0:52:52 | 0:52:55 | |
# May react | 0:52:55 | 0:52:57 | |
# With psychosomatic symptoms | 0:52:58 | 0:53:03 | |
# Difficult to endure | 0:53:03 | 0:53:05 | |
# Affecting the upper respiratory tract | 0:53:05 | 0:53:10 | |
# In other words | 0:53:14 | 0:53:15 | |
# Just from waitin' around | 0:53:15 | 0:53:17 | |
# For that plain little band of gold | 0:53:17 | 0:53:19 | |
# A person Could develop a cold | 0:53:19 | 0:53:23 | |
# You could spray her wherever You figure the streptococci lurk | 0:53:24 | 0:53:29 | |
# You can give her a shot For whatever she's got | 0:53:29 | 0:53:31 | |
# But it just won't work | 0:53:31 | 0:53:33 | |
# If she's tired of gettin' that fish-eye | 0:53:33 | 0:53:36 | |
# From the hotel clerk | 0:53:36 | 0:53:38 | |
# A person | 0:53:38 | 0:53:40 | |
# Can develop a cold. # | 0:53:40 | 0:53:42 | |
It says here... | 0:53:45 | 0:53:47 | |
# The female remaining single | 0:53:47 | 0:53:50 | |
# Constantly in suspense | 0:53:50 | 0:53:53 | |
# Shows a neurotic tendency | 0:53:53 | 0:53:57 | |
# See note. # | 0:53:57 | 0:53:59 | |
See note? Note. | 0:53:59 | 0:54:02 | |
# Chronic organic syndromes | 0:54:02 | 0:54:05 | |
# Toxic or hypertense | 0:54:05 | 0:54:09 | |
# Involving the eye, the ear The nose and throat | 0:54:09 | 0:54:12 | |
# In other words Just from wonderin' whether | 0:54:16 | 0:54:18 | |
# The wedding is on or off | 0:54:18 | 0:54:21 | |
# A person Can develop a cough | 0:54:21 | 0:54:25 | |
# You can feed her all day With the vitamin A | 0:54:26 | 0:54:28 | |
# And the bromo fizz | 0:54:28 | 0:54:31 | |
# But the medicine never gets anywhere near | 0:54:31 | 0:54:33 | |
# Where the trouble is | 0:54:33 | 0:54:35 | |
# If she's gettin' a kind Of a name for herself | 0:54:35 | 0:54:38 | |
# And the name ain't his | 0:54:38 | 0:54:40 | |
# A person Can develop a cough | 0:54:40 | 0:54:45 | |
# And furthermore just from stalling And stalling and stalling | 0:54:45 | 0:54:48 | |
# The wedding trip A person | 0:54:48 | 0:54:51 | |
# Can develop la grippe | 0:54:51 | 0:54:54 | |
# When they get on the train | 0:54:54 | 0:54:57 | |
# For Niagara | 0:54:57 | 0:54:59 | |
# And she can hear church bells chime | 0:54:59 | 0:55:03 | |
# The compartment is air conditioned | 0:55:03 | 0:55:05 | |
# And the mood sublime | 0:55:05 | 0:55:12 | |
# Then they get off at Yonkers racetrack | 0:55:12 | 0:55:15 | |
# For the 14th time | 0:55:15 | 0:55:18 | |
# A person Can develop la grippe | 0:55:18 | 0:55:21 | |
# La grippe La postnasal drip | 0:55:21 | 0:55:25 | |
# With the wheezes And the sneezes | 0:55:25 | 0:55:27 | |
# And a sinus that's really A pip... # | 0:55:27 | 0:55:30 | |
Ah-choo! | 0:55:31 | 0:55:33 | |
# From a lack of community property | 0:55:34 | 0:55:37 | |
# And a feeling she's getting too old | 0:55:37 | 0:55:40 | |
# A person | 0:55:40 | 0:55:42 | |
# Can develop a bad, bad | 0:55:42 | 0:55:45 | |
# Cold! # | 0:55:45 | 0:55:50 | |
# Follow the fold | 0:56:12 | 0:56:13 | |
# And stray no more | 0:56:13 | 0:56:16 | |
# Stray no more | 0:56:16 | 0:56:18 | |
# Stray no more | 0:56:18 | 0:56:20 | |
# Put down the bottle | 0:56:20 | 0:56:22 | |
# And we'll say no more | 0:56:22 | 0:56:24 | |
# Follow. # | 0:56:24 | 0:56:26 | |
Nathan, if you'd arrived one minute earlier, | 0:56:43 | 0:56:46 | |
you would've witnessed Miss Sarah give Sky Masterson a 100% brush-off. | 0:56:46 | 0:56:49 | |
So the 1,000 for Joey Biltmore is practically in your pocket. | 0:56:49 | 0:56:51 | |
-You should be jumping for joy. -I'm jumping. | 0:56:51 | 0:56:54 | |
You got work to do, arrangements to make. | 0:56:54 | 0:56:56 | |
A shave and a hot towel will fix you up. | 0:56:56 | 0:56:59 | |
For who should I have a shave? For who should I have a hot towel? | 0:56:59 | 0:57:02 | |
Do you know what is at stake here? | 0:57:02 | 0:57:04 | |
Nathan Detroit's crap game, because of a doll. | 0:57:04 | 0:57:07 | |
I cannot believe that a businessman like you | 0:57:07 | 0:57:10 | |
could let himself go and fall in love with his own fiancee. | 0:57:10 | 0:57:13 | |
All right! So Adelaide's my weakness. | 0:57:13 | 0:57:16 | |
Can you not be tolerant of my weakness, | 0:57:16 | 0:57:18 | |
especially since it's the sad condition | 0:57:18 | 0:57:21 | |
guys are in all over the world? Look. | 0:57:21 | 0:57:24 | |
# What's playin' at the Roxy? | 0:57:24 | 0:57:26 | |
# I'll tell you what's playin' at the Roxy | 0:57:26 | 0:57:28 | |
# It's a picture about a Minnesota man | 0:57:28 | 0:57:30 | |
# So in love with a Mississippi girl That he sacrifices everything | 0:57:30 | 0:57:33 | |
# And moves all the way to Biloxi | 0:57:33 | 0:57:34 | |
# That's what's playing at the Roxy | 0:57:34 | 0:57:36 | |
# What's in the Daily News? | 0:57:36 | 0:57:38 | |
# I'll tell you what's in the Daily News | 0:57:38 | 0:57:40 | |
# Story about a guy Who bought his wife a small ruby | 0:57:40 | 0:57:43 | |
# With what otherwise would have been his union dues | 0:57:43 | 0:57:46 | |
# That's what's in the Daily News | 0:57:46 | 0:57:49 | |
# What's happenin' all over? | 0:57:49 | 0:57:51 | |
# I'll tell you what's happenin' all over | 0:57:51 | 0:57:53 | |
# Guy sittin' home by a television set | 0:57:53 | 0:57:55 | |
# Who used to be something of a rover | 0:57:55 | 0:57:57 | |
# That's what's happenin' all over | 0:57:57 | 0:58:00 | |
ALL: # Love is a thing that has licked 'em | 0:58:00 | 0:58:03 | |
# And it looks like I'm just another victim. # | 0:58:03 | 0:58:07 | |
Yes, sir. | 0:58:07 | 0:58:09 | |
# When you see a guy Reach for stars in the sky | 0:58:09 | 0:58:13 | |
# You can bet That he's doin' it for some doll | 0:58:13 | 0:58:17 | |
# When you spot a John Waitin' out in the rain | 0:58:17 | 0:58:21 | |
# Chances are he's insane As only a John can be for a Jane | 0:58:21 | 0:58:25 | |
# When you meet a gent Payin' all kinds of rent | 0:58:25 | 0:58:30 | |
# For a flat that could flatten The Taj Mahal | 0:58:30 | 0:58:34 | |
# Call it sad, call it funny But it's better than even money | 0:58:34 | 0:58:38 | |
# That the guy's only doin' it for some doll | 0:58:38 | 0:58:42 | |
# When you see a Joe Savin' half of his dough | 0:58:57 | 0:59:01 | |
# You can bet | 0:59:01 | 0:59:02 | |
# There'll be mink in it For some doll | 0:59:02 | 0:59:05 | |
# When a bum buys wine Like a bum can't afford | 0:59:05 | 0:59:10 | |
All: # It's a cinch that the bum Is under the thumb | 0:59:10 | 0:59:12 | |
# Of some little broad | 0:59:12 | 0:59:14 | |
# When you meet a mug Lately out of the jug | 0:59:14 | 0:59:18 | |
# And he's still liftin' platinum folderol | 0:59:18 | 0:59:22 | |
ALL: # Call it hell, call it heaven It's a probable 12-to-seven | 0:59:22 | 0:59:26 | |
# That the guy's only doin' it for some doll | 0:59:26 | 0:59:30 | |
# When you see a sport And his cash has run short | 0:59:48 | 0:59:52 | |
# You can bet | 0:59:52 | 0:59:53 | |
# He's been blowin' it on some doll | 0:59:53 | 0:59:56 | |
# When a guy wears tails With the front gleaming white | 0:59:56 | 1:00:00 | |
# Who the heck do you think | 1:00:00 | 1:00:02 | |
# He's ticklin' pink on Saturday night | 1:00:02 | 1:00:05 | |
# When some lazy slob Gets a good steady job | 1:00:05 | 1:00:09 | |
# And he smells from Vitalis and Barbasol | 1:00:09 | 1:00:13 | |
ALL: # Call it dumb, call it clever Ah, but you can give odds forever | 1:00:13 | 1:00:17 | |
# That the guy's only doin' it for some doll | 1:00:17 | 1:00:21 | |
# Some doll, some doll | 1:00:21 | 1:00:22 | |
# The guy's only doin' it for some doll! # | 1:00:22 | 1:00:28 | |
Well, I think we finally managed to shake off the prince of darkness. | 1:00:30 | 1:00:35 | |
You certainly did your best to discourage him. | 1:00:35 | 1:00:37 | |
I certainly did. | 1:00:37 | 1:00:39 | |
-Arvide. -General Cartwright, what a pleasant surprise. | 1:00:42 | 1:00:46 | |
We didn't even know you were in town. | 1:00:46 | 1:00:48 | |
Flew in from Boston early this morning. | 1:00:48 | 1:00:51 | |
Important luncheon meeting. | 1:00:51 | 1:00:53 | |
While waiting, thought I'd check our outposts. | 1:00:53 | 1:00:56 | |
I must say, I was surprised to find the mission unattended | 1:00:56 | 1:01:00 | |
in a neighbourhood as unsavoury as this. | 1:01:00 | 1:01:02 | |
Why should you be surprised, general? | 1:01:02 | 1:01:04 | |
You've seen our records. | 1:01:04 | 1:01:05 | |
We can't get anyone in here even to rob us. | 1:01:05 | 1:01:08 | |
Yes. Well, now that you've brought it up, | 1:01:08 | 1:01:12 | |
I must confess I've come for a purpose... | 1:01:12 | 1:01:15 | |
an unhappy one, I'm afraid. | 1:01:15 | 1:01:17 | |
I know it doesn't look as if we're accomplishing anything, | 1:01:17 | 1:01:20 | |
-but in time... -Time is what we can no longer afford. | 1:01:20 | 1:01:24 | |
My good friends, after careful deliberation, | 1:01:24 | 1:01:27 | |
national headquarters has decided | 1:01:27 | 1:01:29 | |
to close this branch of the mission. | 1:01:29 | 1:01:31 | |
-Close the mission? -No, general, please. | 1:01:31 | 1:01:33 | |
Even if I haven't made it a success, someone will. | 1:01:33 | 1:01:37 | |
Sarah, if you can't attract sinners, nobody can. | 1:01:37 | 1:01:40 | |
There are so many calls on us, dear, | 1:01:40 | 1:01:43 | |
other places where our work's needed. | 1:01:43 | 1:01:46 | |
KNOCK ON DOOR | 1:01:46 | 1:01:47 | |
How do you do? I don't believe we've met, | 1:01:47 | 1:01:50 | |
Brother...? | 1:01:50 | 1:01:52 | |
Brother Sky Masterson, former sinner. | 1:01:52 | 1:01:54 | |
I'm general Cartwright, regional director. | 1:01:54 | 1:01:58 | |
Why isn't his name on the progress report? | 1:01:58 | 1:02:00 | |
-What were you doing in there? -I was resting, sister Sarah. | 1:02:00 | 1:02:03 | |
I was going to ask brother Arvide | 1:02:03 | 1:02:06 | |
if he might let me carry the drum this afternoon when we go out | 1:02:06 | 1:02:09 | |
again this afternoon. General, on behalf of future former sinners, | 1:02:09 | 1:02:12 | |
I protest the closing of this mission. | 1:02:12 | 1:02:14 | |
General, I should explain... | 1:02:14 | 1:02:15 | |
Sarah, this man has a right to be heard. Continue, brother Sky. | 1:02:15 | 1:02:21 | |
General, would you be open to a proposition? | 1:02:23 | 1:02:27 | |
The General is flying back to Boston this afternoon. | 1:02:27 | 1:02:29 | |
She will not be available for dinner tonight. | 1:02:29 | 1:02:32 | |
Sarah, what are you talking about? | 1:02:32 | 1:02:35 | |
What have you got in mind, young man? | 1:02:35 | 1:02:37 | |
Faith in Sister Sarah. | 1:02:37 | 1:02:39 | |
I ask you to give her 36 hours to prove | 1:02:39 | 1:02:41 | |
that she can make this mission pay off. | 1:02:41 | 1:02:44 | |
Savings souls shouldn't be referred to as "paying off." | 1:02:44 | 1:02:48 | |
-Why 36 hours? -Because he knows our big meeting in 36 hours | 1:02:48 | 1:02:52 | |
-will be a great success. -Uncle Arvide. | 1:02:52 | 1:02:55 | |
How can you guarantee that, Brother Sky? | 1:02:55 | 1:02:58 | |
Well, let's just say I have a feeling about it. | 1:02:59 | 1:03:03 | |
"If sinners entice thee, consent thou not." | 1:03:03 | 1:03:05 | |
That's the wrong thought. | 1:03:05 | 1:03:07 | |
Where is yesterday's thought for the day? | 1:03:07 | 1:03:10 | |
Top right-hand drawer. | 1:03:10 | 1:03:12 | |
Excuse me, General. | 1:03:14 | 1:03:15 | |
Before going to the expense of a big meeting, | 1:03:15 | 1:03:18 | |
we'd require more than just a feeling that it will be successful. | 1:03:18 | 1:03:22 | |
Oh, it's a very strong feeling, General. | 1:03:22 | 1:03:25 | |
Ah. "There is no peace to the wicked." Isaiah 57:21. | 1:03:25 | 1:03:29 | |
That is correct. | 1:03:29 | 1:03:31 | |
General, my proposition is this - | 1:03:31 | 1:03:33 | |
why don't you come to tomorrow's midnight meeting | 1:03:33 | 1:03:36 | |
and find out for yourself? | 1:03:36 | 1:03:38 | |
Well, if I thought there was a chance of finding definite progress, | 1:03:38 | 1:03:42 | |
any sizable turnout... | 1:03:42 | 1:03:43 | |
What do you think, Sister Sarah? | 1:03:54 | 1:03:56 | |
Don't you honestly believe that this mission could be saved | 1:03:56 | 1:04:00 | |
within the next 36 hours? | 1:04:00 | 1:04:02 | |
General Cartwright. | 1:04:07 | 1:04:10 | |
I am in a position to guarantee you personally | 1:04:10 | 1:04:14 | |
at least one dozen genuine sinners. | 1:04:14 | 1:04:16 | |
-Hallelujah! -Hallelujah! | 1:04:16 | 1:04:19 | |
Halle... | 1:04:19 | 1:04:21 | |
lujah. | 1:04:21 | 1:04:24 | |
Be sure you're wearing your carnation. | 1:04:24 | 1:04:26 | |
Remember, nobody gets in the crap game | 1:04:31 | 1:04:34 | |
without they got a red carnation. | 1:04:34 | 1:04:36 | |
It's like a password. Nathan's orders. | 1:04:36 | 1:04:38 | |
-We got the flowers. -Where is the action? | 1:04:38 | 1:04:40 | |
Once Nathan arrives, we're... | 1:04:40 | 1:04:42 | |
He has arrived. Is it all set? | 1:04:44 | 1:04:47 | |
Can I tell the customers it's Joey Biltmore... | 1:04:47 | 1:04:50 | |
Not till I put the 1,000 in Joey's hand. I haven't got it yet. | 1:04:50 | 1:04:53 | |
I sent Nicely to wait for Sky at his hotel. | 1:04:53 | 1:04:55 | |
The minute Sky gives him the money, Nicely's going to bring it to me. | 1:04:55 | 1:04:58 | |
But they won't stick around much longer. They're getting nervous. | 1:04:58 | 1:05:01 | |
I'm not nervous? | 1:05:01 | 1:05:03 | |
Well, Harry the Horse. How's everything in Brooklyn? The same? | 1:05:05 | 1:05:08 | |
I hope you will not spoil our evening, Inasmuch as I | 1:05:08 | 1:05:11 | |
happen to be entertaining a very prominent guest tonight. | 1:05:11 | 1:05:14 | |
I would like you to meet Big Jule from Chicago. | 1:05:14 | 1:05:18 | |
I would like you to meet Big Jule from Chicago. | 1:05:18 | 1:05:21 | |
Big Jule, welcome to our fair city, | 1:05:21 | 1:05:24 | |
in which, as you know, the heat is on. | 1:05:24 | 1:05:27 | |
However, if you will be patient, you will be provided with action. | 1:05:27 | 1:05:31 | |
What do you say, Big Jule, should we stick around or blow? | 1:05:36 | 1:05:39 | |
I come here to shoot crap. Let's shoot crap. | 1:05:39 | 1:05:43 | |
-Order another milkshake and relax. -Nathan. | 1:05:43 | 1:05:46 | |
Do not let the fact that Big Jule drinks milk give you wrong ideas. | 1:05:47 | 1:05:52 | |
Big Jule does not like to be displeased. | 1:05:52 | 1:05:54 | |
Why, Harry, did I give the impression | 1:05:54 | 1:05:57 | |
that I was being rude to a guest who has | 1:05:57 | 1:05:59 | |
such a well-deserved reputation as Big Jule? | 1:05:59 | 1:06:02 | |
Big Jule, I'm sure | 1:06:02 | 1:06:04 | |
that you did not misunderstand my kidding remarks. | 1:06:04 | 1:06:06 | |
It's just that one look at your kindly face, | 1:06:06 | 1:06:10 | |
which is so full of fun, good fellowship... | 1:06:10 | 1:06:13 | |
Could I have a swallow of your milk? | 1:06:14 | 1:06:17 | |
Well, well, well... | 1:06:17 | 1:06:21 | |
what have we here? | 1:06:21 | 1:06:22 | |
The jails must be empty tonight. | 1:06:24 | 1:06:27 | |
Can anybody be missing? | 1:06:28 | 1:06:30 | |
Harry the Horse, Liver Lips Louie, | 1:06:30 | 1:06:34 | |
Angie the Ox, | 1:06:34 | 1:06:37 | |
Society Max... | 1:06:37 | 1:06:38 | |
And here's a face for which I cannot supply a name. | 1:06:39 | 1:06:44 | |
May I ask where you come from? | 1:06:44 | 1:06:46 | |
-East Cicero, Illinois. -And what is your occupation there? | 1:06:46 | 1:06:51 | |
I'm a scoutmaster. | 1:06:54 | 1:06:56 | |
Don't ever help my mother across the street. | 1:06:56 | 1:07:00 | |
Such lovely red carnations. | 1:07:01 | 1:07:04 | |
Is it a funeral? | 1:07:05 | 1:07:07 | |
Did somebody die suddenly that I don't know about yet? | 1:07:07 | 1:07:12 | |
What's on, Nathan? | 1:07:20 | 1:07:22 | |
What brings these senior delinquents together? | 1:07:22 | 1:07:25 | |
They got lonely. How do I know? | 1:07:25 | 1:07:27 | |
And why are they all wearing red carnations? | 1:07:27 | 1:07:30 | |
-They're also all wearing pants. -You're up to no good, Detroit! | 1:07:30 | 1:07:34 | |
Is it now a crime to wear flowers? | 1:07:34 | 1:07:36 | |
Is Mindy's suddenly a hideout for gangsters? | 1:07:36 | 1:07:39 | |
Lieutenant, I'll confess. | 1:07:39 | 1:07:40 | |
We're smuggling hot cheesecake into Canada. | 1:07:40 | 1:07:43 | |
This is all I need. It's complete. | 1:07:48 | 1:07:51 | |
Everybody in the whole world who hates me | 1:07:51 | 1:07:54 | |
is now here. | 1:07:54 | 1:07:56 | |
What's the use, Nathan? Why try to keep it a secret? | 1:08:07 | 1:08:10 | |
-Bite your tongue, Benny! -OK, Southstreet, let's have it. | 1:08:10 | 1:08:13 | |
-What's this all about? -It's A... it's a party, lieutenant. | 1:08:13 | 1:08:16 | |
-What kind of party? -A bachelor dinner for Nathan Detroit. | 1:08:16 | 1:08:20 | |
He's getting married. | 1:08:20 | 1:08:21 | |
# For he's a jolly good fellow | 1:08:21 | 1:08:24 | |
ALL: # For he's a jolly good fellow | 1:08:24 | 1:08:25 | |
# For he's a jolly good fellow | 1:08:25 | 1:08:28 | |
-BIG JULE: -# Which nobody cannot deny! # | 1:08:28 | 1:08:30 | |
Ooh! Oh, Nathan, darling, I'm so thrilled. | 1:08:31 | 1:08:35 | |
Why didn't you tell me? | 1:08:35 | 1:08:37 | |
Well, it was going to be a surprise wedding. | 1:08:37 | 1:08:40 | |
You certainly had me fooled, Detroit. | 1:08:40 | 1:08:42 | |
When is the happy occasion? | 1:08:42 | 1:08:44 | |
It's going to take time to get the blood test and the license. | 1:08:44 | 1:08:48 | |
Gee, wouldn't it be wonderful if we could get married tomorrow night? | 1:08:48 | 1:08:51 | |
I mean, right after the opening of the new show at the hotbox. | 1:08:51 | 1:08:54 | |
Adelaide, according to the laws under which we live, | 1:08:54 | 1:08:57 | |
it's going to take a little time. | 1:08:57 | 1:08:58 | |
-You could elope. -You are telling me to violate the law? | 1:08:58 | 1:09:03 | |
It's legal to elope at your age. | 1:09:03 | 1:09:05 | |
And great state of Maryland will marry you right away. No blood test. | 1:09:05 | 1:09:08 | |
Ain't that unhealthy? | 1:09:08 | 1:09:10 | |
Nathan, the lieutenant has a romantic suggestion | 1:09:10 | 1:09:13 | |
of which I approve. Elope. And for the trip, | 1:09:13 | 1:09:16 | |
I will loan you my getaway car. | 1:09:16 | 1:09:19 | |
That is, my station wagon. | 1:09:19 | 1:09:20 | |
Oh, Nathan, darling, let's do it. Please? | 1:09:22 | 1:09:27 | |
OK. Deal me in. | 1:09:35 | 1:09:38 | |
-Speech, Nathan. -Speech. -Give us a speech. | 1:09:40 | 1:09:44 | |
ALL: Speech! Speech! | 1:09:44 | 1:09:47 | |
# Unaccustomed as I am to getting married | 1:09:50 | 1:09:53 | |
# I am taking this occasion here to say | 1:09:54 | 1:09:58 | |
# That me | 1:10:00 | 1:10:01 | |
# And Adelaide | 1:10:01 | 1:10:04 | |
# Are finally | 1:10:04 | 1:10:06 | |
# Naming the day | 1:10:06 | 1:10:12 | |
# Though she knows deep in her heart | 1:10:12 | 1:10:15 | |
# I'm a phony, and I'm a fake She wants five children to start | 1:10:15 | 1:10:22 | |
# Five's a difficult point to make | 1:10:22 | 1:10:26 | |
# But | 1:10:26 | 1:10:28 | |
# Adelaide Adelaide | 1:10:28 | 1:10:32 | |
# Ever-lovin' Adelaide | 1:10:32 | 1:10:35 | |
# Is takin' a chance on me | 1:10:35 | 1:10:38 | |
# Takin' a chance I'll be respectable and nice | 1:10:40 | 1:10:45 | |
# Give up cards and dice And go for shoes and rice | 1:10:45 | 1:10:50 | |
# So, gentlemen Deal me out | 1:10:50 | 1:10:53 | |
# Do not try to feel me out I got no more evenings free | 1:10:53 | 1:11:00 | |
# Since Adelaide Adelaide | 1:11:01 | 1:11:04 | |
# Ever-lovin' Adelaide Is takin' a chance | 1:11:04 | 1:11:09 | |
# Talk about your long shots | 1:11:09 | 1:11:14 | |
# Takin' a chance on me. # | 1:11:14 | 1:11:17 | |
Well, my congratulations, too, and I certainly hope | 1:11:19 | 1:11:23 | |
there's nothing in heredity. | 1:11:23 | 1:11:26 | |
It might seem unimportant on the night before your wedding, | 1:11:26 | 1:11:29 | |
but your blintzes are getting cold. | 1:11:29 | 1:11:32 | |
Who cares? As long as Nathan stays hot. | 1:11:32 | 1:11:34 | |
Don't forget to bring my purse to the Hotbox. | 1:11:34 | 1:11:38 | |
Darling, I'm so excited. | 1:11:38 | 1:11:40 | |
I don't even want to go back to work. | 1:11:40 | 1:11:43 | |
I've got so much to do before tomorrow night. | 1:11:43 | 1:11:46 | |
What about my mother? I've got to write her. | 1:11:48 | 1:11:51 | |
-What'll I say? -Send a telegram. Date it back 14 years. | 1:11:51 | 1:11:56 | |
# Adelaide | 1:11:59 | 1:12:02 | |
# Adelaide | 1:12:02 | 1:12:04 | |
ALL: # Ever-lovin' Adelaide | 1:12:04 | 1:12:06 | |
# Is takin' a chance on me | 1:12:06 | 1:12:09 | |
# Takin' a chance | 1:12:11 | 1:12:12 | |
-# I'll be respectable and nice -Give up the cards and dice | 1:12:12 | 1:12:18 | |
# And go for shoes and rice | 1:12:18 | 1:12:20 | |
# So, gentlemen, deal me out Do not try to feel me out | 1:12:20 | 1:12:25 | |
ALL: # You got no more evenings free. # | 1:12:25 | 1:12:28 | |
You may scratch me... | 1:12:28 | 1:12:29 | |
# Since Adelaide | 1:12:29 | 1:12:31 | |
# Adelaide | 1:12:31 | 1:12:32 | |
# Ever-lovin' Adelaide | 1:12:32 | 1:12:34 | |
# Is takin' a chance | 1:12:34 | 1:12:36 | |
# Talk about your long shots | 1:12:36 | 1:12:39 | |
# Takin' a chance | 1:12:39 | 1:12:41 | |
# On me. # | 1:12:43 | 1:12:49 | |
Nathan, you are indeed a most lucky fella. | 1:12:51 | 1:12:53 | |
She is a most beautiful doll indeed. | 1:12:53 | 1:12:55 | |
Do you agree, big Jule? | 1:12:55 | 1:12:56 | |
Tell me - how long do you know the doll? | 1:12:56 | 1:12:59 | |
-14 years. -Let's shoot crap. | 1:12:59 | 1:13:01 | |
-Nathan. -You got the money? | 1:13:04 | 1:13:07 | |
Sky wasn't at the hotel or the mission? | 1:13:07 | 1:13:09 | |
I'm trying to tell you. | 1:13:09 | 1:13:11 | |
-He must be with the mission band. -Nathan, wait! | 1:13:11 | 1:13:15 | |
MISSION BAND PLAYS | 1:13:15 | 1:13:17 | |
SINGING IN SPANISH | 1:13:33 | 1:13:37 | |
"This church is for the most part Spanish baroque, | 1:13:57 | 1:14:01 | |
"built of native limestone. | 1:14:01 | 1:14:02 | |
"The original church was built on this site in 1674 | 1:14:02 | 1:14:07 | |
"and reconstructed between 1704 and 1724." | 1:14:07 | 1:14:12 | |
It's almost impossible to believe. | 1:14:12 | 1:14:14 | |
Well, that's not very old for a church. Long before 1674, | 1:14:14 | 1:14:17 | |
-there were missionaries... -What does it say about the moonlight? | 1:14:17 | 1:14:21 | |
The moonlight? | 1:14:21 | 1:14:23 | |
-Mm-hmm. -It's very bright, isn't it? | 1:14:23 | 1:14:26 | |
So bright you're reading your guidebook by it. | 1:14:26 | 1:14:29 | |
Now that you mention it. | 1:14:29 | 1:14:31 | |
What does it say about the music? | 1:14:31 | 1:14:34 | |
-The music? -Mm-hmm. | 1:14:34 | 1:14:36 | |
It's a lovely tune. | 1:14:39 | 1:14:41 | |
Let me read out of Sky Masterson's guidebook about you. | 1:14:41 | 1:14:45 | |
You could be locked away in a room | 1:14:45 | 1:14:48 | |
with no sun, no moon, no laughter, no music, no love, | 1:14:48 | 1:14:52 | |
and you wouldn't care. | 1:14:52 | 1:14:55 | |
You could still be a missionary. | 1:14:55 | 1:14:57 | |
"The cobblestones in this plaza | 1:15:00 | 1:15:03 | |
"are approximately four centuries old. | 1:15:03 | 1:15:05 | |
"They are the very cobblestones that were put down | 1:15:05 | 1:15:08 | |
by the Spanish colonists in 1519." | 1:15:08 | 1:15:11 | |
Buenas tardes. Que van a tomar? | 1:15:20 | 1:15:22 | |
What's your pleasure? | 1:15:22 | 1:15:24 | |
Oh, drinking. | 1:15:24 | 1:15:26 | |
What's your pleasure? | 1:15:26 | 1:15:29 | |
-Milk, please. -Don't make a spectacle of yourself. -Milk. | 1:15:29 | 1:15:34 | |
You're a United States citizen in a foreign country. | 1:15:34 | 1:15:37 | |
Have you no pride in what the world thinks about Americans? | 1:15:37 | 1:15:41 | |
Milk. | 1:15:41 | 1:15:43 | |
Milk. | 1:15:43 | 1:15:45 | |
-Dulce de leche. Dos. -Leche dulce, dos. Si, senor. | 1:15:45 | 1:15:49 | |
What did you order? | 1:15:52 | 1:15:54 | |
Dulce de leche. Dulce is Spanish for sweet. | 1:15:54 | 1:15:57 | |
-De means of. Leche means milk. -Sweet of milk. | 1:15:57 | 1:16:01 | |
Don't they serve it plain? | 1:16:01 | 1:16:03 | |
Only in the mornings. It has to do with the heat. | 1:16:03 | 1:16:07 | |
At night, they put a kind of a preservative in it. | 1:16:07 | 1:16:09 | |
That's interesting. What do they use? | 1:16:09 | 1:16:12 | |
-Bacardi. -Bacardi? -Mm-hmm. | 1:16:12 | 1:16:15 | |
Doesn't that have alcohol in it? | 1:16:16 | 1:16:19 | |
Just enough to keep the milk from turning sour. | 1:16:19 | 1:16:22 | |
That's the same song we heard | 1:16:27 | 1:16:29 | |
being played near the church, isn't it? | 1:16:29 | 1:16:31 | |
Playing the tambourine has developed in you an ear for music. | 1:16:31 | 1:16:35 | |
Mr Masterson, you think I'm an awful prude, don't you? | 1:16:36 | 1:16:41 | |
-Are you? -Well, I wonder sometimes. | 1:16:41 | 1:16:45 | |
For instance, supposing I wasn't in mission work... | 1:16:50 | 1:16:53 | |
Mm-hmm. | 1:16:53 | 1:16:54 | |
Mmm. This is a tasty milkshake. | 1:16:55 | 1:17:00 | |
Do you mind if I have another? | 1:17:00 | 1:17:02 | |
Supposing I was just any girl, | 1:17:06 | 1:17:09 | |
do you think just any girl would be a prude if she refused to go to | 1:17:09 | 1:17:13 | |
Havana with a man she'd never met before? | 1:17:13 | 1:17:16 | |
Oh, I suppose not. | 1:17:17 | 1:17:19 | |
Would you like to try some of my milkshake | 1:17:19 | 1:17:22 | |
while you're waiting for the next one? I haven't even touched it. | 1:17:22 | 1:17:25 | |
Oh, just a sip. | 1:17:25 | 1:17:27 | |
Oh, thanks. | 1:17:29 | 1:17:32 | |
I don't know when I've been so thirsty. | 1:17:33 | 1:17:37 | |
Still, you do think I'm a prude, don't you? | 1:17:38 | 1:17:42 | |
-I don't know what you are. -You must think I'm something. | 1:17:42 | 1:17:45 | |
You're something all buttoned up, all except one button. | 1:17:45 | 1:17:49 | |
Oh, isn't it awful? | 1:17:50 | 1:17:51 | |
It's a nervous habit. It's so silly. | 1:17:51 | 1:17:54 | |
SLURPING | 1:18:05 | 1:18:09 | |
I'm sorry. I just wasn't thinking. It's so delicious. | 1:18:09 | 1:18:12 | |
That Bacardi flavouring certainly makes a difference, doesn't it? | 1:18:12 | 1:18:16 | |
Oh, yeah. nine times out of ten. | 1:18:16 | 1:18:19 | |
You know, this would be a wonderful way | 1:18:19 | 1:18:22 | |
to get children to drink milk. | 1:18:22 | 1:18:24 | |
SAME MELODY CONTINUES TO PLAY | 1:18:26 | 1:18:29 | |
A melody can have the same notes, | 1:18:41 | 1:18:43 | |
but suddenly it's a different song. | 1:18:43 | 1:18:46 | |
-Again, please? -That song. | 1:18:46 | 1:18:49 | |
Before it was just romantic, just silly slush. | 1:18:49 | 1:18:52 | |
Now it's playing inside of me all true and honest, | 1:18:52 | 1:18:57 | |
as if my heart were beating the drum. | 1:18:57 | 1:19:00 | |
How much do you know about life? | 1:19:05 | 1:19:08 | |
Only a little bit around the edges. | 1:19:08 | 1:19:11 | |
-Tell me about life. -All about it? | 1:19:11 | 1:19:14 | |
How to live. Doing what you want, | 1:19:14 | 1:19:17 | |
having what you want, saying what you want. | 1:19:17 | 1:19:20 | |
-Being what you want. -Nobody can. Nobody does. | 1:19:21 | 1:19:25 | |
If you could, you probably wouldn't want to. | 1:19:25 | 1:19:27 | |
You're wrong, brother Sky. You're wrong. | 1:19:27 | 1:19:30 | |
All right. You tell me about life. | 1:19:30 | 1:19:32 | |
You don't believe I could, don't you? | 1:19:32 | 1:19:35 | |
I believe I could. After all, it was you that came to me for help, | 1:19:35 | 1:19:40 | |
isn't that so? Because you were unhappy. | 1:19:40 | 1:19:43 | |
What were you unhappy about, Sky? | 1:19:43 | 1:19:45 | |
I can't remember this minute. | 1:19:45 | 1:19:47 | |
But you do remember I failed you. | 1:19:47 | 1:19:50 | |
I was weighed in the balance and found wanting. | 1:19:50 | 1:19:53 | |
-Daniel 5:27. -For that I am truly sorry. | 1:19:53 | 1:19:58 | |
But I intend to make it up to you. | 1:19:59 | 1:20:02 | |
I intend to give you all the help you will ever require. | 1:20:02 | 1:20:07 | |
You have given me a great deal of help already. | 1:20:07 | 1:20:10 | |
You don't think I remember, don't you? But I do. | 1:20:10 | 1:20:14 | |
Every word, as if you were saying it now. | 1:20:14 | 1:20:17 | |
What? | 1:20:17 | 1:20:19 | |
About having a more... personal help in mind... | 1:20:19 | 1:20:23 | |
..when I gave you those silly old pamphlets, | 1:20:24 | 1:20:27 | |
as if they could take the place of a truly personal help. | 1:20:27 | 1:20:32 | |
SLURPING | 1:20:37 | 1:20:39 | |
How can a sinner hope to be saved | 1:20:39 | 1:20:42 | |
by maybe one hour of help, | 1:20:42 | 1:20:44 | |
when for 23 he must fight temptation alone? | 1:20:44 | 1:20:47 | |
-How indeed? -It's been done with people who drink too much. | 1:20:47 | 1:20:52 | |
Help day and night, night and day. Anywhere, anytime. | 1:20:52 | 1:20:56 | |
-That's a full-time job. -You're a full-time sinner. | 1:20:56 | 1:21:00 | |
Maybe a little time off for good behaviour? | 1:21:00 | 1:21:02 | |
Pal, you're not going to fight alone anymore. | 1:21:02 | 1:21:06 | |
What if it's against mission policies? | 1:21:06 | 1:21:08 | |
Private lessons in salvation? | 1:21:08 | 1:21:10 | |
Because I'm going to be with you. | 1:21:10 | 1:21:11 | |
A one-woman mission for the personal salvation of me? | 1:21:11 | 1:21:14 | |
Day and night. Night and day. | 1:21:14 | 1:21:16 | |
Sister Sarah, why would you want to? | 1:21:16 | 1:21:20 | |
Whatever you do, wherever you go. | 1:21:20 | 1:21:22 | |
-Why, Sister Sarah, why? -I want to be with you. | 1:21:22 | 1:21:26 | |
The world's full of souls | 1:21:26 | 1:21:27 | |
-closer to salvation than mine. -Anytime, anywhere. | 1:21:27 | 1:21:30 | |
Easier to save and much more worth saving. | 1:21:30 | 1:21:33 | |
You, you... | 1:21:33 | 1:21:35 | |
Please say something. | 1:21:45 | 1:21:48 | |
I've got to know what you're thinking. | 1:21:48 | 1:21:51 | |
I'm thinking... | 1:21:59 | 1:22:02 | |
..it's time you had your dinner. | 1:22:02 | 1:22:05 | |
SAME MELODY: # Hay en tu mirar | 1:22:08 | 1:22:11 | |
# Cierta luz del amor | 1:22:11 | 1:22:14 | |
# La luz que quieres apagar | 1:22:14 | 1:22:20 | |
# Yo se, bien yo se | 1:22:20 | 1:22:23 | |
# Esta luz del amor | 1:22:23 | 1:22:26 | |
# Cuando alumbra cual sol | 1:22:26 | 1:22:28 | |
# Tu mirar | 1:22:28 | 1:22:31 | |
# Porque, porque ignorar | 1:22:31 | 1:22:35 | |
# Este amor sin igual? | 1:22:35 | 1:22:38 | |
# Porque es mi amor acultar | 1:22:38 | 1:22:43 | |
# Hay en tu mirar | 1:22:43 | 1:22:46 | |
# Cierta luz del amor | 1:22:46 | 1:22:49 | |
# Y brillara | 1:22:49 | 1:22:51 | |
# Para mi mirar | 1:22:51 | 1:22:55 | |
# Y brillara para mi mirar. # | 1:22:55 | 1:23:01 | |
Ay! Mira, Mira! | 1:25:12 | 1:25:15 | |
SHOUTING AND CRASHING | 1:25:54 | 1:25:57 | |
SCREAMING | 1:26:08 | 1:26:10 | |
BELL RINGS | 1:26:40 | 1:26:42 | |
BELL CONTINUES RINGING | 1:26:45 | 1:26:48 | |
-Oh. -Still dizzy? | 1:26:53 | 1:26:55 | |
You won't believe me, but with my head underwater, | 1:26:55 | 1:27:00 | |
-I actually heard bells ringing. -I'll believe you. | 1:27:00 | 1:27:03 | |
Ask me how do I feel? | 1:27:05 | 1:27:07 | |
How do you feel? | 1:27:07 | 1:27:09 | |
# Ask me now that we're cozy and clinging | 1:27:09 | 1:27:17 | |
# Well, sir All I can say | 1:27:17 | 1:27:19 | |
# Is if I were a bell I'd be ringing | 1:27:19 | 1:27:24 | |
# From the moment we kissed tonight | 1:27:25 | 1:27:29 | |
# That's the way I've just got to behave | 1:27:29 | 1:27:33 | |
# Boy, if I were a lamp I'd light | 1:27:33 | 1:27:37 | |
# And if I were a banner I'd wave | 1:27:37 | 1:27:41 | |
# Ask me how do I feel | 1:27:41 | 1:27:43 | |
# Little me with my quiet upbringing | 1:27:43 | 1:27:48 | |
# Well, sir All I can say | 1:27:48 | 1:27:51 | |
# Is if I were a gate I'd be swinging | 1:27:51 | 1:27:57 | |
# And if I were a watch I'd start | 1:27:57 | 1:28:00 | |
# Popping my springs | 1:28:00 | 1:28:04 | |
# Or | 1:28:04 | 1:28:05 | |
# If I were a bell I'd go | 1:28:05 | 1:28:07 | |
# Ding dong ding dong ding | 1:28:07 | 1:28:10 | |
# Ask me how do I feel | 1:28:12 | 1:28:14 | |
# From this chemistry lesson I'm learning... # | 1:28:14 | 1:28:18 | |
-Chemistry? -Yeah, chemistry! | 1:28:18 | 1:28:21 | |
# All I can say is if I were a bridge | 1:28:21 | 1:28:24 | |
# I'd be burning | 1:28:24 | 1:28:26 | |
# Yes, I knew my morale would crack | 1:28:27 | 1:28:31 | |
# From the wonderful way that you looked | 1:28:31 | 1:28:35 | |
# Boy, if I were a duck, I'd quack | 1:28:35 | 1:28:39 | |
# Or if I were a goose, I'd be cooked | 1:28:39 | 1:28:43 | |
# Ask me how do I feel | 1:28:43 | 1:28:45 | |
# Ask me now that we're fondly caressing | 1:28:45 | 1:28:50 | |
# Pal, if I were a salad | 1:28:50 | 1:28:52 | |
# I know I'd be splashing my dressing | 1:28:52 | 1:28:57 | |
# Ask me how to describe this whole | 1:28:57 | 1:29:01 | |
# Beautiful thing | 1:29:01 | 1:29:03 | |
# Well, if I were a bell I'd go | 1:29:05 | 1:29:09 | |
# Ding dong ding dong | 1:29:09 | 1:29:12 | |
# Ding! # | 1:29:12 | 1:29:17 | |
We just got time to catch the last plane to New York. | 1:29:38 | 1:29:41 | |
-People miss planes. It happens. -Yeah. | 1:29:41 | 1:29:45 | |
It also happens that people win with loaded dice. | 1:29:47 | 1:29:51 | |
-I know what I'm doing. -Do ya, kid? | 1:29:51 | 1:29:54 | |
I don't. | 1:29:56 | 1:29:58 | |
Suddenly I'm playing by a whole new book of rules. | 1:30:01 | 1:30:04 | |
You make me feel | 1:30:04 | 1:30:05 | |
as if I were a dishonest horse race or something. | 1:30:05 | 1:30:10 | |
The bells rang. They really rang. | 1:30:10 | 1:30:12 | |
They weren't magical bells for lovers full of rum, | 1:30:12 | 1:30:15 | |
and music on a make-believe island. | 1:30:15 | 1:30:17 | |
They rang to tell us what time it is. | 1:30:17 | 1:30:20 | |
Shall we synchronise our watches? | 1:30:20 | 1:30:22 | |
I know the night-time. I live in it. | 1:30:22 | 1:30:25 | |
It does funny things to you. | 1:30:25 | 1:30:28 | |
You must be trying to tell me I'd hate myself in the morning. | 1:30:30 | 1:30:34 | |
I look as if I'd been in a fight or something. | 1:30:37 | 1:30:41 | |
You know, you're the most mixed-up man | 1:30:41 | 1:30:44 | |
-I've ever met in my life. -Easily. | 1:30:44 | 1:30:47 | |
All that nonsense about night-time, daytime, rule books and such. | 1:30:47 | 1:30:51 | |
Sarah... | 1:30:53 | 1:30:55 | |
You know why I brought you to Havana? | 1:30:57 | 1:31:00 | |
Because I made a bet that I could. | 1:31:00 | 1:31:03 | |
That's why I came to the mission, to win a bet. | 1:31:03 | 1:31:07 | |
Why not? You're a gambler. | 1:31:07 | 1:31:10 | |
And, darling... | 1:31:10 | 1:31:12 | |
..you are also a chump. | 1:31:13 | 1:31:16 | |
We're blocks from the mission. | 1:31:56 | 1:31:59 | |
Come on. A little walk will do you good. | 1:31:59 | 1:32:02 | |
-What time is it? -It's dawn any minute. | 1:32:02 | 1:32:06 | |
What makes the light so strange and white? | 1:32:11 | 1:32:14 | |
Because only in Times Square, | 1:32:14 | 1:32:17 | |
the dawn gets turned on by an electrician. | 1:32:17 | 1:32:20 | |
Listen. | 1:32:23 | 1:32:24 | |
What? | 1:32:24 | 1:32:26 | |
Footsteps. | 1:32:26 | 1:32:28 | |
Now is the time you can hear footsteps on Broadway. | 1:32:30 | 1:32:33 | |
A cup of coffee? | 1:33:21 | 1:33:23 | |
No. | 1:33:23 | 1:33:25 | |
Doughnut? | 1:33:25 | 1:33:28 | |
No. | 1:33:28 | 1:33:29 | |
Dulce de leche? | 1:33:29 | 1:33:31 | |
# Do dum # | 1:33:36 | 1:33:37 | |
# Ba ba bum # | 1:33:37 | 1:33:39 | |
# Da da dee da da... # | 1:33:39 | 1:33:42 | |
You remember that tune pretty well. | 1:33:42 | 1:33:44 | |
It keeps running through my heart. | 1:33:44 | 1:33:47 | |
It's got words, you know. | 1:33:47 | 1:33:49 | |
Something about "amor, amor", I'll bet. | 1:33:50 | 1:33:53 | |
It's about you. | 1:33:54 | 1:33:56 | |
About you right now. | 1:34:00 | 1:34:02 | |
# Your eyes are the eyes | 1:34:03 | 1:34:07 | |
# Of a woman in love | 1:34:07 | 1:34:11 | |
# And, oh how they give you away | 1:34:11 | 1:34:19 | |
# Why try to deny | 1:34:19 | 1:34:23 | |
# You're a woman in love | 1:34:23 | 1:34:26 | |
# When I know very well | 1:34:26 | 1:34:30 | |
# What I say | 1:34:30 | 1:34:33 | |
# I say no moon in the sky | 1:34:33 | 1:34:37 | |
# Ever lent such a glow | 1:34:37 | 1:34:41 | |
# Some flame deep within made them shine | 1:34:41 | 1:34:47 | |
# Those eyes are the eyes of a woman in love | 1:34:50 | 1:34:57 | |
# And may they gaze evermore | 1:34:57 | 1:35:02 | |
# Into mine | 1:35:02 | 1:35:05 | |
# Tenderly gaze | 1:35:05 | 1:35:09 | |
# Evermore into mine | 1:35:09 | 1:35:15 | |
# And what about you? | 1:35:15 | 1:35:19 | |
# It's got you too | 1:35:19 | 1:35:24 | |
# Your eyes are the eyes | 1:35:25 | 1:35:30 | |
# Of a man who's in love | 1:35:30 | 1:35:33 | |
# That same flame deep within made them shine | 1:35:33 | 1:35:41 | |
# Your eyes are the eyes | 1:35:41 | 1:35:45 | |
-# Of a man who's in love -Woman in love | 1:35:45 | 1:35:49 | |
BOTH: # And may they gaze evermore Into mine | 1:35:49 | 1:35:58 | |
# Crazily gaze | 1:35:58 | 1:36:04 | |
# Evermore | 1:36:04 | 1:36:07 | |
# Into mine. # | 1:36:07 | 1:36:14 | |
MISSION DRUM BEATS | 1:36:16 | 1:36:18 | |
-Uncle Arvide, where have you been? -Good morning, Sarah. Good morning, Brother Sky. | 1:36:25 | 1:36:32 | |
We took your advice. | 1:36:32 | 1:36:34 | |
We've been out all night on a crusade against the devil. | 1:36:34 | 1:36:36 | |
SIREN | 1:36:36 | 1:36:38 | |
Come on, fellas! Cheese it, it's the cops. Come on, guys. Let's go! | 1:36:48 | 1:36:51 | |
SIRENS GETTING CLOSER | 1:36:54 | 1:36:57 | |
-Nathan, what is this? -Bingo. | 1:36:59 | 1:37:02 | |
Wait a minute. Where are you all going? I'm out ten Gs. | 1:37:02 | 1:37:06 | |
It's no use. They were tipped off. | 1:37:19 | 1:37:22 | |
I suppose you can explain all this, Miss Brown. | 1:37:22 | 1:37:26 | |
Explain? Explain what? | 1:37:26 | 1:37:28 | |
I guess it was just a coincidence the mission was open and empty all | 1:37:28 | 1:37:32 | |
night while everybody suddenly took off on an all-night crusade. | 1:37:32 | 1:37:36 | |
But you yourself didn't go on the crusade, and you weren't here. | 1:37:36 | 1:37:41 | |
Now maybe that's two coincidences. | 1:37:41 | 1:37:44 | |
Masterson, I had you in my big-time book. | 1:37:44 | 1:37:48 | |
Now I suppose I'll have to reclassify you | 1:37:48 | 1:37:51 | |
under "shills and decoys". | 1:37:51 | 1:37:53 | |
You certainly do know the night-time, don't you, | 1:38:14 | 1:38:17 | |
and the funny things it does? | 1:38:17 | 1:38:19 | |
-It certainly did them to me, didn't it? -Answer only one question. | 1:38:19 | 1:38:23 | |
It didn't do much thanks to you, not me. Just more than enough. | 1:38:23 | 1:38:27 | |
-Answer one question. -Any question. | 1:38:27 | 1:38:29 | |
-Am I now supposed to prove to you... -There's nothing to prove. | 1:38:29 | 1:38:32 | |
You're taking for granted I'm guilty as charged. | 1:38:32 | 1:38:35 | |
Everything that was to be proved has already been proved. | 1:38:35 | 1:38:38 | |
If I hadn't gone with you, this would never have happened. | 1:38:38 | 1:38:40 | |
-You went with me to help the mission. -Did I? | 1:38:40 | 1:38:42 | |
I can't remember that far back. | 1:38:43 | 1:38:46 | |
Oh, Sarah. | 1:38:46 | 1:38:49 | |
Is that really why I went with you, to help the mission? | 1:38:49 | 1:38:53 | |
Is that really why you took me? | 1:38:53 | 1:38:55 | |
To win the bet, I told you! | 1:38:55 | 1:38:57 | |
Was that all of the bet, Sky? | 1:38:57 | 1:39:00 | |
-What do you take me for? -Or was there more, much more? | 1:39:00 | 1:39:05 | |
Did you win the bet? Did you truly win all of the bet? | 1:39:05 | 1:39:10 | |
What do you take yourself for? | 1:39:10 | 1:39:12 | |
What kind of doll are you? | 1:39:12 | 1:39:14 | |
A daytime doll. A mission doll. | 1:39:14 | 1:39:17 | |
TIN CAN RATTLES | 1:39:39 | 1:39:41 | |
APPLAUSE | 1:39:50 | 1:39:52 | |
And now the feature attraction of our all new Four-D Follies, | 1:39:52 | 1:39:56 | |
the Hotbox proudly presents miss Adelaide and her debutantes. | 1:39:56 | 1:40:00 | |
-Nicely, nicely, thank you. -I didn't ask how you are. -Don't. | 1:40:04 | 1:40:08 | |
-What are you doing here? Where's Nathan? -Nathan. | 1:40:08 | 1:40:10 | |
That's what I'm doing here. I'm supposed to bring miss Adelaide a | 1:40:10 | 1:40:13 | |
message from him. I wish Nathan would bring his own messages. | 1:40:13 | 1:40:16 | |
# He bought me the fur thing | 1:40:28 | 1:40:31 | |
# Five winters ago | 1:40:31 | 1:40:32 | |
# And the gown the following fall | 1:40:32 | 1:40:35 | |
# Then the necklace, the bag the hat and the shoes | 1:40:35 | 1:40:39 | |
# Oh, what generous gifts I recall | 1:40:39 | 1:40:44 | |
# Then last night in his apartment | 1:40:44 | 1:40:49 | |
# He tried to remove them all | 1:40:49 | 1:40:53 | |
# And I said as I ran down the hall | 1:40:53 | 1:40:59 | |
# Take back your mink | 1:41:02 | 1:41:05 | |
# Take back your pearls | 1:41:05 | 1:41:07 | |
# What made you think | 1:41:07 | 1:41:10 | |
# That I was one of those girls? | 1:41:10 | 1:41:13 | |
# Take back the gown | 1:41:15 | 1:41:18 | |
# The shoes and the hat | 1:41:18 | 1:41:21 | |
# I may be down But I'm not flat as all that | 1:41:21 | 1:41:26 | |
# I thought that each expensive Gift you'd arranged | 1:41:28 | 1:41:31 | |
# Was a token of your esteem | 1:41:31 | 1:41:34 | |
# Now when I think of what you want in exchange | 1:41:34 | 1:41:38 | |
# It all seems a horrible dream | 1:41:38 | 1:41:45 | |
# So take back your mink | 1:41:45 | 1:41:49 | |
# To from whence it came | 1:41:49 | 1:41:52 | |
# And tell them to shorten the sleeves | 1:41:52 | 1:41:57 | |
# For some other dame | 1:41:57 | 1:42:01 | |
# Take back your mink take back your pearls | 1:42:04 | 1:42:09 | |
# What made you think that I was one of those girls? | 1:42:09 | 1:42:13 | |
# I'm screamin' take back the gown | 1:42:13 | 1:42:17 | |
# Take back the hat I may be down | 1:42:17 | 1:42:22 | |
# But I'm not flat as all that | 1:42:22 | 1:42:24 | |
# I thought that each expensive gift you'd arranged | 1:42:24 | 1:42:27 | |
# Was a token of your esteem | 1:42:27 | 1:42:30 | |
# But when I think of what you want in exchange | 1:42:30 | 1:42:32 | |
# It all seems a horrible dream | 1:42:32 | 1:42:35 | |
# Oh, take back your mink those old worn-out pelts | 1:42:35 | 1:42:40 | |
# And go shorten the sleeves | 1:42:40 | 1:42:43 | |
# For somebody else | 1:42:43 | 1:42:46 | |
# Well, wouldn't you? # | 1:43:44 | 1:43:46 | |
I cannot do it, Sky. | 1:43:59 | 1:44:01 | |
I simply cannot bring myself to tell miss Adelaide | 1:44:01 | 1:44:04 | |
that Nathan is not going to elope with her tonight. | 1:44:04 | 1:44:06 | |
And this time she is really counting on it. | 1:44:06 | 1:44:08 | |
Nathan is what he is. She ought to know better. | 1:44:08 | 1:44:10 | |
I thought the game broke up last night. | 1:44:10 | 1:44:12 | |
Big Jule, being a large loser, | 1:44:12 | 1:44:13 | |
is most insistent that the game goes on. | 1:44:13 | 1:44:15 | |
-So we find another place, the game goes on. -Where? | 1:44:15 | 1:44:18 | |
It's too hard to describe. I could take you there, | 1:44:18 | 1:44:20 | |
but I must deliver this message first. | 1:44:20 | 1:44:22 | |
I'll deliver it. Meet me outside. | 1:44:22 | 1:44:24 | |
If you're looking for action, the boys are pretty tired. | 1:44:24 | 1:44:27 | |
No, I'm leaving town tonight. But I gave my marker to somebody. | 1:44:27 | 1:44:31 | |
I want to make it good before I leave. | 1:44:31 | 1:44:34 | |
You know something, Sky? Suddenly I'm embarrassed. | 1:44:41 | 1:44:44 | |
I don't know which etiquette I should use. | 1:44:44 | 1:44:47 | |
-Etiquette? -Your being here tonight | 1:44:47 | 1:44:49 | |
must have something to do with the wedding. | 1:44:49 | 1:44:52 | |
Nathan must've sent you as one of his seconds or something. | 1:44:52 | 1:44:56 | |
-Nathan didn't exactly send me. -Then I don't understand. | 1:44:56 | 1:45:00 | |
I'm supposed to give you a message from him. | 1:45:00 | 1:45:03 | |
He's out there, isn't he? | 1:45:03 | 1:45:05 | |
-I mean, Nathan's here tonight in the Hotbox? -No. | 1:45:05 | 1:45:09 | |
But tonight... | 1:45:11 | 1:45:13 | |
Sky, we're eloping tonight. | 1:45:13 | 1:45:16 | |
We're getting married tonight. | 1:45:16 | 1:45:18 | |
In front of people, we talked about it. | 1:45:18 | 1:45:21 | |
-Oh, Sky, he's just got to be here. -He isn't. | 1:45:21 | 1:45:24 | |
It seems that one of Nathan's close relatives... | 1:45:24 | 1:45:27 | |
-er... -His aunt in Pittsburgh. | 1:45:27 | 1:45:29 | |
-That's the one. -His floating aunt in Pittsburgh. | 1:45:29 | 1:45:34 | |
It's the crap game again. | 1:45:35 | 1:45:38 | |
-Does it surprise you? You know Nathan. -He promised to change. | 1:45:38 | 1:45:41 | |
Change, change. Who do you love? | 1:45:41 | 1:45:43 | |
Nathan, or what you want to make out of him? | 1:45:43 | 1:45:46 | |
I want to marry and live normal like people. | 1:45:46 | 1:45:49 | |
I want a normal home with wallpaper and bookends. | 1:45:49 | 1:45:52 | |
Then fall in love with people, not with gamblers. | 1:45:52 | 1:45:58 | |
Adelaide, my daddy once told me, | 1:46:04 | 1:46:06 | |
"No matter who you get married to, | 1:46:06 | 1:46:10 | |
"you wake up married to somebody else." | 1:46:10 | 1:46:12 | |
It's probably true. You take it the way the dice falls. | 1:46:12 | 1:46:15 | |
But a guy doesn't want to feel from the very beginning that he's | 1:46:15 | 1:46:17 | |
just like a piece of dress material a woman's going to cut up and sew | 1:46:17 | 1:46:20 | |
according to the way they wear husbands this year. | 1:46:20 | 1:46:23 | |
It's easy for you to talk. You're not in love with Nathan. | 1:46:23 | 1:46:27 | |
No, I'm not. | 1:46:27 | 1:46:30 | |
Wait till you fall in love with somebody you shouldn't. | 1:46:31 | 1:46:35 | |
Wait till it happens to you. | 1:46:35 | 1:46:37 | |
Yeah. | 1:46:38 | 1:46:41 | |
Must be tough to take. | 1:46:43 | 1:46:45 | |
Sarah, I don't believe Sky Masterson had any more to do | 1:46:54 | 1:46:57 | |
with what happened here last night than I did. | 1:46:57 | 1:46:59 | |
That's why you buy solid gold watches for 1.00. | 1:46:59 | 1:47:03 | |
-Do you believe it? -Whether he had anything to do with it or not... | 1:47:03 | 1:47:07 | |
-Do you believe it? -They used our mission last night for their | 1:47:07 | 1:47:10 | |
-filthy crap game. -But if Sky had nothing to do with it... | 1:47:10 | 1:47:13 | |
Don't you understand? All I could see was him running away | 1:47:13 | 1:47:17 | |
from the police with the rest of that trash. | 1:47:17 | 1:47:20 | |
All I could see was he was one of them. | 1:47:20 | 1:47:24 | |
And I never saw till now how much in love with him you are. | 1:47:27 | 1:47:31 | |
I'll get over it. | 1:47:31 | 1:47:33 | |
Why would anyone want to get over | 1:47:33 | 1:47:35 | |
the one thing you hope for from the minute you're born | 1:47:35 | 1:47:37 | |
-and remember till the day you die? -I'll get over it. | 1:47:37 | 1:47:40 | |
Why? Because it's the greatest reward | 1:47:40 | 1:47:42 | |
that woman or man can have on this earth? | 1:47:42 | 1:47:45 | |
To love and to be loved? | 1:47:45 | 1:47:47 | |
I just want to remind you, | 1:47:53 | 1:47:55 | |
you hold my marker for 12 or more sinners | 1:47:55 | 1:47:57 | |
-by midnight tonight. -Forget about it. | 1:47:57 | 1:48:00 | |
I do not forget a marker. | 1:48:00 | 1:48:02 | |
Well, last night the mission was filled with your friends. | 1:48:03 | 1:48:07 | |
Let's say we're even. | 1:48:07 | 1:48:09 | |
If you don't make that marker good, | 1:48:17 | 1:48:19 | |
I'll buzz it all over town you're a welsher. | 1:48:19 | 1:48:22 | |
Nicely, time's running out. Where's the crap game? | 1:48:33 | 1:48:36 | |
-Only about a ten-minute walk. -Which way? -This way. | 1:48:36 | 1:48:40 | |
Craps! | 1:49:20 | 1:49:21 | |
Craps! | 1:49:23 | 1:49:25 | |
Craps! | 1:51:53 | 1:51:54 | |
Wait a minute. Where are you all going? | 1:52:13 | 1:52:14 | |
I come here to shoot crap. | 1:52:14 | 1:52:16 | |
I've had enough. | 1:52:16 | 1:52:18 | |
-How many days we been here? -As you can see Big Jule, | 1:52:18 | 1:52:21 | |
the boys are slightly fatigued from weariness, | 1:52:21 | 1:52:24 | |
having been shooting crap for quite a while now. | 1:52:24 | 1:52:27 | |
Namely, 24 hours. | 1:52:27 | 1:52:28 | |
I don't care who's tired. I'm out 25 Gs. Nobody leaves. | 1:52:28 | 1:52:32 | |
I am half dead. | 1:52:32 | 1:52:34 | |
Shut up, or Jule will arrange the other half. | 1:52:34 | 1:52:37 | |
Since I've been cleaned out of cash, | 1:52:37 | 1:52:40 | |
I announce that I will now play on credit. | 1:52:40 | 1:52:43 | |
Big Jule, you cannot imagine how exhausted they are, | 1:52:45 | 1:52:48 | |
especially on a non-cash basis. | 1:52:48 | 1:52:51 | |
Me? Personally, I'm fresh as a daisy. | 1:52:51 | 1:52:53 | |
Then I'll play with you. | 1:52:53 | 1:52:55 | |
But I am not a player. I am merely the operator. | 1:52:55 | 1:52:57 | |
You've been raking down out of every pot. | 1:52:57 | 1:52:59 | |
You must have by now quite a bundle. | 1:52:59 | 1:53:01 | |
Being I assume the risk, is it not fair I assume some dough? | 1:53:01 | 1:53:04 | |
Detroit, I'm going to roll you, willy or nilly. | 1:53:04 | 1:53:09 | |
If I lose, I'll give you my marker. | 1:53:09 | 1:53:12 | |
And if I lose? | 1:53:12 | 1:53:14 | |
You will give him cash. | 1:53:14 | 1:53:17 | |
-Let me hear from big Jule. -You'll give me cash. | 1:53:17 | 1:53:21 | |
I heard. | 1:53:21 | 1:53:23 | |
Here's my marker. Put up your dough. | 1:53:23 | 1:53:26 | |
Anything wrong? | 1:53:26 | 1:53:28 | |
"I owe you 1,000, signed X." | 1:53:28 | 1:53:31 | |
How is it you can write 1,000 but not your signature? | 1:53:31 | 1:53:34 | |
I was good in arithmetic, but I stunk in English. | 1:53:34 | 1:53:38 | |
Here. This will put you through Harvard. | 1:53:39 | 1:53:42 | |
I'm rolling the whole 1,000. | 1:53:42 | 1:53:44 | |
And to change my luck, I'm going to use my own dice. | 1:53:47 | 1:53:52 | |
-Your own dice? -Yeah, had 'em made especially for me in Chicago. | 1:53:52 | 1:53:57 | |
-I do not wish to seem petty, but may I have a look at those dice? -Here. | 1:53:57 | 1:54:01 | |
But...these dice ain't got no spots on 'em. They're blank. | 1:54:05 | 1:54:08 | |
Oh, I had 'em removed for luck, | 1:54:08 | 1:54:10 | |
but I remember where they formerly were. | 1:54:10 | 1:54:12 | |
You are going to roll blank dice | 1:54:12 | 1:54:14 | |
and remember where the spots formerly were? | 1:54:14 | 1:54:16 | |
Detroit, do you doubt my memory? | 1:54:18 | 1:54:21 | |
Big Jule, I have great trust in you. | 1:54:21 | 1:54:25 | |
Ha! Five and a five. Ten. My point's ten. | 1:54:27 | 1:54:31 | |
At least I got a chance. He remembered a hard point. | 1:54:31 | 1:54:34 | |
Ha! Ten! I win. six and a four. | 1:54:34 | 1:54:37 | |
Which is which? | 1:54:37 | 1:54:39 | |
Either way. I'm rolling to 2,000. | 1:54:39 | 1:54:41 | |
Ha! Seven. I win. | 1:54:47 | 1:54:49 | |
I could have sworn he'd remember that one. | 1:54:49 | 1:54:52 | |
Detroit, I'm gonna take it easy with you this time. | 1:54:52 | 1:54:57 | |
I'm shooting 1.00. | 1:54:57 | 1:54:59 | |
I'll cover all of it. | 1:55:01 | 1:55:03 | |
Ha! How do you like that? Snake eyes. I lose. | 1:55:05 | 1:55:09 | |
I won't even bother picking it up. Benny, pick it up. | 1:55:09 | 1:55:13 | |
Here's your chance to get even. | 1:55:13 | 1:55:15 | |
I'm rolling three Gs. | 1:55:15 | 1:55:17 | |
Three Gs? But that's my whole bankroll. | 1:55:17 | 1:55:20 | |
Three Gs. Get it up. | 1:55:20 | 1:55:22 | |
Well, here we go... | 1:55:24 | 1:55:26 | |
Down memory lane. | 1:55:26 | 1:55:29 | |
Ha! Lucky me. 11. I win. | 1:55:32 | 1:55:36 | |
I'm clean. | 1:55:36 | 1:55:38 | |
Seeing that I'm on a lucky streak, | 1:55:39 | 1:55:42 | |
I will now roll the rest of you guys. | 1:55:42 | 1:55:45 | |
Wait a minute. Wait a minute. | 1:55:45 | 1:55:47 | |
You have got to give me a chance to get even. | 1:55:47 | 1:55:49 | |
I will now roll you with my dice. | 1:55:49 | 1:55:51 | |
What are you gonna use for money? | 1:55:51 | 1:55:52 | |
I will give you my marker. | 1:55:52 | 1:55:55 | |
And against your marker, you want big Jule puts up cash? | 1:55:55 | 1:55:59 | |
-Nathan done it. -Yeah, I done it. What kind of a deal is this anyway? | 1:55:59 | 1:56:02 | |
-Take it easy, Nathan. -Him and his no-spot dice. | 1:56:02 | 1:56:05 | |
Somebody ought to knock the spots off of him. | 1:56:05 | 1:56:08 | |
Nathan, do not make big Jule have to do something to you. | 1:56:08 | 1:56:10 | |
Detroit, I'm on vacation. Don't louse it up. | 1:56:10 | 1:56:13 | |
What could you do me? Shoot me? Put me in cement? | 1:56:13 | 1:56:17 | |
At least I would know where I am. | 1:56:17 | 1:56:19 | |
Here I risked my neck to set up this crap game, | 1:56:19 | 1:56:21 | |
I even promised to get married on account of it. | 1:56:21 | 1:56:23 | |
And where do I wind up? Broke. In a sewer. | 1:56:23 | 1:56:26 | |
Believe me, my tough friend from Chicago, | 1:56:26 | 1:56:28 | |
there's nothing you could do that would not cheer me up. | 1:56:28 | 1:56:31 | |
Here they are. | 1:56:31 | 1:56:33 | |
And how is everybody down here? | 1:56:34 | 1:56:37 | |
Ah! I smell fresh blood. Looking for some action? | 1:56:37 | 1:56:40 | |
Not at the moment. I just came underground to talk to some of my | 1:56:40 | 1:56:43 | |
-friends. -We ain't talkin', we're shooting crap. | 1:56:43 | 1:56:45 | |
-It'll only take a minute. -We're shooting crap. | 1:56:45 | 1:56:48 | |
Gentlemen, I would like to talk to you about Sarah Brown's mission | 1:56:50 | 1:56:53 | |
where you were so rudely interrupted last night. | 1:56:53 | 1:56:56 | |
What kind of characters walk around the sewers of New York? | 1:56:56 | 1:56:59 | |
-Who is this joker? -He is the guy who's trying to take the mission | 1:56:59 | 1:57:03 | |
-doll to Havana. -Oh, him. | 1:57:03 | 1:57:06 | |
I suggest you return to where you came, | 1:57:06 | 1:57:09 | |
back to your praying tomato. | 1:57:09 | 1:57:10 | |
Around here your presence is slowing up the action. | 1:57:10 | 1:57:13 | |
If you are so eager for action, | 1:57:13 | 1:57:15 | |
would you care to make a small wager on a proposition? | 1:57:15 | 1:57:18 | |
Pray tell, what's the proposition? | 1:57:18 | 1:57:20 | |
An old one my daddy taught me. | 1:57:20 | 1:57:22 | |
Now, am I right-handed or left-handed? | 1:57:22 | 1:57:26 | |
Now, how would I know a thing like that? | 1:57:26 | 1:57:28 | |
Well, I'll give you a clue. | 1:57:28 | 1:57:30 | |
Give me that gu... | 1:57:39 | 1:57:42 | |
Now, to continue with what I was talking about. | 1:57:42 | 1:57:45 | |
Tonight at Miss Sarah Brown's mission, they are holding a | 1:57:45 | 1:57:48 | |
midnight prayer meeting. I promised to supply that meeting | 1:57:48 | 1:57:51 | |
with some sinners. Now, when it comes to sinners, | 1:57:51 | 1:57:54 | |
no sewer anywhere could provide such a congregation. | 1:57:54 | 1:57:58 | |
I would consider it a very great personal favour. | 1:58:01 | 1:58:05 | |
I don't wanna spend no time in no hallelujah joint. | 1:58:05 | 1:58:09 | |
If not as a favour to me, how about as a favour to yourselves? | 1:58:11 | 1:58:13 | |
I guarantee you the air in the mission smells cleaner than it does | 1:58:13 | 1:58:17 | |
down here. Rusty Charlie? | 1:58:17 | 1:58:19 | |
Society Max? | 1:58:21 | 1:58:22 | |
If anybody else would go, I would also go, Sky, | 1:58:23 | 1:58:26 | |
but you know me, I'd go anywhere. | 1:58:26 | 1:58:28 | |
Well, thanks, Nathan, but just you alone is not enough. | 1:58:28 | 1:58:32 | |
Well, I tried. | 1:58:34 | 1:58:36 | |
Uh, Sky... | 1:58:36 | 1:58:38 | |
about that Havana business. | 1:58:38 | 1:58:41 | |
I regret I temporarily do not have the 1,000 to pay you. | 1:58:41 | 1:58:45 | |
I'm glad you reminded me, Nathan. You won the bet. | 1:58:45 | 1:58:49 | |
But I thought you took Miss Sarah to Havana. You thought wrong. | 1:58:50 | 1:58:55 | |
On your feet, big Jule. I'll roll you again. | 1:58:57 | 1:59:00 | |
-This time with real dice. -Nothin' doin'. With honest dice, | 1:59:00 | 1:59:03 | |
big Jule cannot make a pass to save his soul. | 1:59:03 | 1:59:06 | |
What did you say? | 1:59:06 | 1:59:08 | |
I only said that with real dice, big Jule cannot make a pass to save his soul. | 1:59:08 | 1:59:12 | |
That's very interesting. | 1:59:12 | 1:59:15 | |
Maybe with honest dice, | 1:59:15 | 1:59:17 | |
I can make a pass to save his soul. | 1:59:17 | 1:59:20 | |
And yours. And yours and yours. | 1:59:20 | 1:59:23 | |
I'm gonna roll these dice. | 1:59:25 | 1:59:27 | |
One roll, | 1:59:27 | 1:59:29 | |
and I'll bet each of you 1,000 against your soul. | 1:59:29 | 1:59:32 | |
1,000 cash against a marker for your soul. | 1:59:34 | 1:59:37 | |
If I win, all of you show at the mission tonight. Have I got a bet? | 1:59:37 | 1:59:42 | |
ALL TALK AT ONCE | 1:59:42 | 1:59:43 | |
Let me get this. | 1:59:43 | 1:59:45 | |
If you lose, | 1:59:45 | 1:59:46 | |
then you've got to give us each 1,000 bucks. | 1:59:46 | 1:59:49 | |
But if you win, then we all show up at the mission doll's cabaret? | 1:59:49 | 1:59:53 | |
Save-a-soul mission, midnight tonight. One meeting. | 1:59:53 | 1:59:56 | |
If you lose, 1,000 apiece? | 1:59:56 | 1:59:58 | |
1,000 apiece. | 1:59:58 | 1:59:59 | |
-Well, that's OK by me. -What have I got to lose? | 1:59:59 | 2:00:02 | |
THEY TALK AMONGST THEMSELVES | 2:00:02 | 2:00:04 | |
What's the delay, Sky? You turning chicken? | 2:00:09 | 2:00:12 | |
You know better than that, Horse. | 2:00:12 | 2:00:14 | |
You've seen me roll for twice as much. | 2:00:14 | 2:00:16 | |
Only I got a lot more than money riding on this one. | 2:00:20 | 2:00:25 | |
# They call you | 2:00:30 | 2:00:32 | |
# Lady luck | 2:00:32 | 2:00:34 | |
# But there is room for doubt | 2:00:34 | 2:00:37 | |
# At times you have A very unladylike way | 2:00:37 | 2:00:43 | |
# Of runnin' out | 2:00:43 | 2:00:45 | |
# You're on this date with me | 2:00:45 | 2:00:49 | |
# The pickings have been lush | 2:00:49 | 2:00:53 | |
# And yet before This evening is over you might | 2:00:53 | 2:00:58 | |
# Give me the brush You might forget your manners | 2:00:58 | 2:01:02 | |
# You might refuse to stay | 2:01:02 | 2:01:05 | |
# And so the best That I can do | 2:01:05 | 2:01:10 | |
# Is pray | 2:01:10 | 2:01:13 | |
# Luck, be a lady tonight | 2:01:14 | 2:01:17 | |
# Luck, be a lady tonight | 2:01:17 | 2:01:20 | |
# Luck, if you've ever Been a lady to begin with | 2:01:20 | 2:01:24 | |
# Luck, be a lady tonight | 2:01:24 | 2:01:28 | |
# Luck, let a gentleman see | 2:01:28 | 2:01:31 | |
# How nice a dame you can be | 2:01:31 | 2:01:34 | |
# I know the way you've treated Other guys you've been with | 2:01:34 | 2:01:37 | |
# Luck, be a lady with me | 2:01:37 | 2:01:41 | |
# A lady doesn't leave her escort | 2:01:41 | 2:01:45 | |
# It isn't fair It isn't nice | 2:01:45 | 2:01:48 | |
# A lady doesn't wander all over the room | 2:01:48 | 2:01:51 | |
# And blow on some other guy's dice | 2:01:51 | 2:01:54 | |
# So let's keep the party polite Never get out of my sight | 2:01:54 | 2:02:00 | |
# Stick with me, baby I'm the fella you came in with | 2:02:00 | 2:02:03 | |
# Luck, be a lady | 2:02:03 | 2:02:05 | |
# Luck, be a lady | 2:02:05 | 2:02:09 | |
# Luck, be a lady tonight | 2:02:09 | 2:02:11 | |
# A lady wouldn't flirt with strangers | 2:02:40 | 2:02:43 | |
# She'd have a heart She'd have a soul | 2:02:43 | 2:02:46 | |
# A lady wouldn't make Little snake eyes at me | 2:02:46 | 2:02:49 | |
# When I bet my life on this roll | 2:02:49 | 2:02:52 | |
# So let's keep the party polite Why don't he shoot? | 2:02:52 | 2:02:56 | |
-# Never get out of my sight -Come on, quit stallin' | 2:02:56 | 2:02:58 | |
# Stick with me, baby I'm the fella you came in with | 2:02:58 | 2:03:01 | |
-# Luck, be a lady -Sky's turnin' yellow | 2:03:01 | 2:03:04 | |
-# Luck, be a lady -What are you scared of? | 2:03:04 | 2:03:07 | |
# Luck, be a lady | 2:03:07 | 2:03:10 | |
-# Tonight -Comin' out, comin' out. # | 2:03:10 | 2:03:15 | |
ALL: Ha! | 2:03:15 | 2:03:17 | |
I tell ya, I don't wanna go there. | 2:03:20 | 2:03:23 | |
But, big Jule, you give your marker. | 2:03:23 | 2:03:25 | |
If you welsh, this will cause me no little embarrassment. | 2:03:25 | 2:03:28 | |
I am sure you do not want to cause me embarrassment. | 2:03:28 | 2:03:31 | |
Well, if it ever gets back to Chicago | 2:03:31 | 2:03:33 | |
that I went to a prayer meeting, no decent person will talk to me. | 2:03:33 | 2:03:38 | |
Oop. | 2:03:49 | 2:03:51 | |
Adelaide! | 2:03:51 | 2:03:52 | |
How clumsy of me. So sorry. An awkward coincidence. | 2:03:52 | 2:03:56 | |
Adelaide, listen. | 2:03:56 | 2:03:57 | |
I sent Nicely especially to explain about tonight. | 2:03:57 | 2:04:00 | |
If you knew what I've been through... | 2:04:00 | 2:04:03 | |
Please. Let us not have a vulgar scene. | 2:04:03 | 2:04:06 | |
After all, we're civilised people. | 2:04:06 | 2:04:08 | |
We do not have to conduct ourselves like a slob. | 2:04:08 | 2:04:11 | |
Adelaide, what is this? How can you be so upset | 2:04:14 | 2:04:17 | |
over one lousy elopement? | 2:04:17 | 2:04:19 | |
I am not upset. | 2:04:19 | 2:04:21 | |
I have succeeded in your not being able to upset me no more. | 2:04:21 | 2:04:24 | |
I have got you completely out of my... | 2:04:24 | 2:04:27 | |
Ah-choo! | 2:04:28 | 2:04:29 | |
Gesundheit. | 2:04:29 | 2:04:31 | |
..system. | 2:04:31 | 2:04:32 | |
Oh, Nathan! | 2:04:34 | 2:04:36 | |
SHE SOBS | 2:04:36 | 2:04:37 | |
Adelaide, baby, don't do that to me. | 2:04:37 | 2:04:40 | |
I can't stand it when you cry. | 2:04:40 | 2:04:43 | |
Look. We'll get married. I promise you. | 2:04:43 | 2:04:46 | |
We'll have what you always wanted... | 2:04:46 | 2:04:49 | |
A little white house with a green fence, | 2:04:49 | 2:04:51 | |
just like the Whitney colours. | 2:04:51 | 2:04:53 | |
Oh, Nathan, if I could only believe you. | 2:04:53 | 2:04:58 | |
We could still make everything all right. | 2:04:58 | 2:05:01 | |
-We could elope right now. -Adelaide, could we? | 2:05:01 | 2:05:05 | |
-I almost forgot. But right at this time I cannot. -Why not? | 2:05:11 | 2:05:14 | |
I'm gonna tell you the truth, but you will not believe me. | 2:05:14 | 2:05:18 | |
Nathan, why can't we elope? | 2:05:18 | 2:05:20 | |
I have to go to a prayer meeting. | 2:05:20 | 2:05:23 | |
That is the biggest, | 2:05:23 | 2:05:24 | |
and most unforgivable lie you've ever told me! | 2:05:24 | 2:05:26 | |
It's true! I promise you. | 2:05:26 | 2:05:28 | |
# You promise me this you promise me that | 2:05:28 | 2:05:30 | |
# You promise me everything under the sun | 2:05:30 | 2:05:32 | |
# But you give me a kiss And you're grabbin' your hat | 2:05:32 | 2:05:34 | |
# And you're off to the races again | 2:05:34 | 2:05:36 | |
-# When I think of the time gone by -Adelaide... | 2:05:36 | 2:05:39 | |
-# And I think of the way I tried -Adelaide... | 2:05:39 | 2:05:41 | |
# I could honestly die | 2:05:41 | 2:05:45 | |
# Call a lawyer and sue me Sue me | 2:05:46 | 2:05:51 | |
# What can you do me? I love you | 2:05:51 | 2:05:55 | |
# Give a holler and hate me Hate me | 2:05:55 | 2:05:59 | |
# Go ahead, hate me, I love you | 2:05:59 | 2:06:00 | |
# The best years of my life I was a fool to give to you | 2:06:00 | 2:06:04 | |
# All right, already I'm just a no-goodnik | 2:06:04 | 2:06:08 | |
# All right, already It's true | 2:06:08 | 2:06:10 | |
# So nu So sue me, sue me | 2:06:10 | 2:06:15 | |
# What can you do me? I love you | 2:06:15 | 2:06:19 | |
# But you gamble it here you gamble it there | 2:06:19 | 2:06:21 | |
# You gamble on everything all except me | 2:06:21 | 2:06:23 | |
# And I'm sick of you keeping me up in the air | 2:06:23 | 2:06:25 | |
# Till you're back in the money again | 2:06:25 | 2:06:27 | |
# When I think of the time gone by | 2:06:27 | 2:06:28 | |
-# Adelaide... -And I think of the way I tried | 2:06:28 | 2:06:32 | |
-# Adelaide... -I could honestly die. # | 2:06:32 | 2:06:36 | |
SHE CRIES | 2:06:36 | 2:06:39 | |
# Serve a paper and sue me Sue me | 2:06:45 | 2:06:51 | |
# What can you do me? I love you! # | 2:06:51 | 2:06:54 | |
Ah-choo! | 2:06:54 | 2:06:55 | |
# Give a holler and hate me Hate me | 2:06:55 | 2:06:59 | |
-# Go ahead, hate me, I love you -When you wind up in jail | 2:06:59 | 2:07:02 | |
# Don't come to me to bail you out | 2:07:02 | 2:07:05 | |
# All right, already So call a policeman | 2:07:05 | 2:07:08 | |
# All right, already It's true, so nu | 2:07:08 | 2:07:11 | |
# So sue me, sue me | 2:07:11 | 2:07:15 | |
# What can you do me? I love you | 2:07:15 | 2:07:23 | |
# You're at it again You're running the game | 2:07:25 | 2:07:27 | |
# I'm not gonna play second fiddle to that | 2:07:27 | 2:07:29 | |
# I'm sick and I'm tired of stalling around | 2:07:29 | 2:07:31 | |
# I'm telling you now that we're through | 2:07:31 | 2:07:33 | |
# When I think of the time gone by | 2:07:33 | 2:07:35 | |
-# And I think of the way I tried -Adelaide! | 2:07:35 | 2:07:38 | |
# I could honestly die | 2:07:38 | 2:07:42 | |
# Sue me Sue me | 2:07:44 | 2:07:48 | |
# Shoot bullets through me | 2:07:48 | 2:07:52 | |
# I love you! # | 2:07:52 | 2:07:59 | |
Ah-choo! | 2:08:05 | 2:08:06 | |
According to my wrist chronometer, it's well past midnight. | 2:08:14 | 2:08:18 | |
It seems to me that if this big meeting | 2:08:18 | 2:08:20 | |
were going to be as big as you'd hoped, | 2:08:20 | 2:08:21 | |
-by now, somebody... -you're quite right, General. | 2:08:21 | 2:08:24 | |
-Sarah. -Why keep pretending? | 2:08:24 | 2:08:27 | |
It's childish of us to think we could make sinners appear | 2:08:27 | 2:08:30 | |
for this big meeting | 2:08:30 | 2:08:32 | |
when we've failed so miserably up to now. | 2:08:32 | 2:08:34 | |
When I say we, I mean I failed. | 2:08:34 | 2:08:37 | |
INDISTINCT CHATTER | 2:08:37 | 2:08:39 | |
Welcome, brothers! Welcome! Come in. Come in. | 2:08:42 | 2:08:46 | |
Come on. Move in. Move in, everybody. Hats off. | 2:08:46 | 2:08:50 | |
Step along. You, too, big Jule. | 2:08:50 | 2:08:52 | |
Move it. Come on, kid. | 2:08:52 | 2:08:55 | |
Keep moving. Come on. | 2:08:58 | 2:09:00 | |
Is everybody accounted for? | 2:09:03 | 2:09:06 | |
-Where's Nathan Detroit? -Present. -All right. | 2:09:07 | 2:09:10 | |
Well, I made good my marker. I ought to ask you to return it, | 2:09:17 | 2:09:21 | |
but it would break up your pretty set of thoughts for today. | 2:09:21 | 2:09:24 | |
When you get around to it, mark it "paid in full." | 2:09:24 | 2:09:27 | |
-Would you gentlemen sit down? -DISAPPROVING CHATTER | 2:09:27 | 2:09:30 | |
Sit down. Do as you're told! | 2:09:30 | 2:09:32 | |
On behalf of General Cartwright, Sergeant Sarah Brown, | 2:09:38 | 2:09:41 | |
-and the rest of us... -The army's certainly changed. | 2:09:41 | 2:09:44 | |
In the next war, I wanna be a red cross nurse. | 2:09:44 | 2:09:47 | |
-LAUGHTER -Quiet! Quiet! | 2:09:47 | 2:09:49 | |
I remind you, gentlemen, | 2:09:49 | 2:09:51 | |
you're no longer on your knees in a sewer, | 2:09:51 | 2:09:54 | |
but sitting in a mission. | 2:09:54 | 2:09:56 | |
I trust there will be no further unpleasantness. | 2:09:56 | 2:09:58 | |
Now, since I depart to move on to other places, | 2:09:58 | 2:10:01 | |
I'm appointing Nathan Detroit as my deputy. | 2:10:01 | 2:10:04 | |
Nathan, I hand you herewith their markers | 2:10:04 | 2:10:07 | |
to be returned when they are made good. | 2:10:07 | 2:10:09 | |
And anybody who does not play out this hand | 2:10:09 | 2:10:11 | |
strictly according to Hoyle, will answer to me personally. | 2:10:11 | 2:10:13 | |
And that means in person. | 2:10:13 | 2:10:15 | |
What a remarkable young man. | 2:10:20 | 2:10:22 | |
I will add nothin' to what Sky said except to say that there are many | 2:10:26 | 2:10:29 | |
here upon who, if they get out of line, I would squeal with pleasure. | 2:10:29 | 2:10:35 | |
Brother Arvide, your dice. | 2:10:35 | 2:10:37 | |
Gentlemen, our meeting tonight will be conducted | 2:10:40 | 2:10:43 | |
by the regional director of the Save-a-soul mission, | 2:10:43 | 2:10:45 | |
General Cartwright. | 2:10:45 | 2:10:47 | |
I have rarely attended a meeting in any of our branches | 2:10:51 | 2:10:56 | |
which could boast of so many evil-looking sinners. | 2:10:56 | 2:10:59 | |
Now, surely your hearts must be heavy | 2:11:01 | 2:11:02 | |
with sins to which you want to confess. | 2:11:02 | 2:11:04 | |
Who will be the first to start the ball rolling by giving testimony? | 2:11:04 | 2:11:08 | |
Benny Southstreet, give testimony. | 2:11:08 | 2:11:10 | |
I plead the fifth commandment. | 2:11:10 | 2:11:12 | |
Come, brothers, we know how difficult it is. | 2:11:12 | 2:11:15 | |
But if one of you will open his heart, the others will follow. | 2:11:15 | 2:11:19 | |
Benny, this is an order. Tell the people what a bum you are. | 2:11:19 | 2:11:23 | |
Well, I was always a bad guy. | 2:11:26 | 2:11:29 | |
I was even a bad gambler. | 2:11:29 | 2:11:31 | |
I would like to be a good guy and a good gambler. | 2:11:31 | 2:11:34 | |
I thank you. | 2:11:34 | 2:11:36 | |
Who will be next? | 2:11:36 | 2:11:37 | |
Big Jule. | 2:11:37 | 2:11:39 | |
What's the pitch? | 2:11:39 | 2:11:41 | |
Tell the people all the terrible things you've done, | 2:11:41 | 2:11:44 | |
but you ain't gonna do no more. And watch your language. | 2:11:44 | 2:11:48 | |
Well, I used to be bad when I was a kid. | 2:11:50 | 2:11:53 | |
But ever since then, I've gone straight, | 2:11:53 | 2:11:55 | |
as you can prove by my record - 33 arrests and no convictions. | 2:11:55 | 2:12:01 | |
-Horse. -No! | 2:12:04 | 2:12:05 | |
-Harry the horse. -Go ahead. Go ahead. | 2:12:05 | 2:12:08 | |
Well, when Sky was rolling us against our souls... | 2:12:08 | 2:12:14 | |
I beg your pardon? | 2:12:14 | 2:12:15 | |
Sky Masterson - he rolled us 1,000 against our souls. | 2:12:15 | 2:12:19 | |
-That's why we're here. -I don't understand. | 2:12:19 | 2:12:21 | |
I'll interpret for you. | 2:12:21 | 2:12:23 | |
He means they're here only because Sky Masterson | 2:12:23 | 2:12:26 | |
won them in a dice game. | 2:12:26 | 2:12:29 | |
Then this whole meeting, in a way, | 2:12:29 | 2:12:31 | |
is the result of gambling. | 2:12:31 | 2:12:34 | |
Fire fought with fire. | 2:12:34 | 2:12:36 | |
Sergeant Sarah, you are to be congratulated. | 2:12:36 | 2:12:39 | |
Congratulations, Sarah! | 2:12:39 | 2:12:41 | |
THEY CHEER | 2:12:43 | 2:12:44 | |
-Thank you so much. -Hey! Hey! Hey! | 2:12:44 | 2:12:47 | |
I ain't finished my testimony yet. | 2:12:47 | 2:12:50 | |
So my sin is that when Sky was rolling us, | 2:12:50 | 2:12:54 | |
I wished that I could win the 1,000 instead of having to come here. | 2:12:54 | 2:12:59 | |
Now that I'm here... I still wish it! | 2:12:59 | 2:13:02 | |
Something very funny has been happening to me, | 2:13:05 | 2:13:08 | |
sitting here, I mean. Like I'm remembering a dream. | 2:13:08 | 2:13:11 | |
You... | 2:13:13 | 2:13:15 | |
Tell us, Nicely. Tell us in your own words. | 2:13:18 | 2:13:21 | |
Yeah, that's it - a dream. | 2:13:21 | 2:13:24 | |
# I dreamed last night | 2:13:24 | 2:13:26 | |
# I got on the boat to heaven | 2:13:26 | 2:13:28 | |
# And by some chance I had brought my dice along | 2:13:28 | 2:13:32 | |
# And there I stood And I hollered, someone, fade me | 2:13:32 | 2:13:35 | |
# But the passengers They knew right from wrong | 2:13:35 | 2:13:42 | |
# For the people all said sit down Sit down, you're rockin' the boat | 2:13:42 | 2:13:46 | |
# People all said sit down Sit down, you're rockin' the boat | 2:13:46 | 2:13:48 | |
# And the devil will drag you under | 2:13:48 | 2:13:50 | |
# By the sharp lapel of your checkered coat | 2:13:50 | 2:13:53 | |
# Sit down, sit down, sit down, | 2:13:53 | 2:13:54 | |
# Sit down, sit down, you're rockin' the boat | 2:13:54 | 2:13:57 | |
# I sailed away On that little boat to heaven | 2:13:59 | 2:14:02 | |
# And by some chance Found a bottle in my fist | 2:14:02 | 2:14:05 | |
# And there I stood Nicely passing out the whiskey | 2:14:05 | 2:14:09 | |
# But the passengers were bound to resist | 2:14:09 | 2:14:15 | |
# For the people all said Beware, you're on a heavenly trip | 2:14:15 | 2:14:19 | |
# People all said, beware Beware, you'll scuttle the ship | 2:14:19 | 2:14:22 | |
# And the devil will drag you under | 2:14:22 | 2:14:23 | |
# By the fancy tie round your wicked throat | 2:14:23 | 2:14:25 | |
# Sit down, sit down, sit down, sit down | 2:14:25 | 2:14:27 | |
# Sit down, you're rockin' the boat | 2:14:27 | 2:14:29 | |
# And as I laughed | 2:14:29 | 2:14:31 | |
# At those passengers to heaven | 2:14:31 | 2:14:33 | |
# Ha ha ha ha! | 2:14:33 | 2:14:36 | |
# A great big wave came And washed me overboard | 2:14:36 | 2:14:39 | |
# And as I sank And I hollered, someone save me | 2:14:39 | 2:14:42 | |
# That's the moment I woke up | 2:14:42 | 2:14:45 | |
-# Thank the lord -ALL: -Thank the lord | 2:14:45 | 2:14:49 | |
-ALL: -# Thank the lord | 2:14:49 | 2:14:52 | |
# And I said to myself, sit down Sit down, you're rockin' the boat | 2:14:52 | 2:14:55 | |
# Said to myself sit down Sit down, you're rockin' the boat | 2:14:55 | 2:14:58 | |
# And the devil will drag you under | 2:14:58 | 2:15:00 | |
# With a soul so heavy you'd never float | 2:15:00 | 2:15:02 | |
# Sit down, sit down, sit down, sit down | 2:15:02 | 2:15:03 | |
# Sit down, you're rockin' the boat Sit down, you're rockin' | 2:15:03 | 2:15:06 | |
# Sit down, sit down, sit down you're rockin' the boat | 2:15:06 | 2:15:08 | |
# Sit down, you're rockin' | 2:15:08 | 2:15:10 | |
# Sit down, sit down, sit down, you're rockin' the boat | 2:15:10 | 2:15:12 | |
-# Sit down -ALL: -# You're rockin' the boat. # | 2:15:12 | 2:15:17 | |
Now, Brother Brannigan, What can we do for you? | 2:15:26 | 2:15:29 | |
Maybe you would like to testify? | 2:15:29 | 2:15:31 | |
I'll do my testifying in court, | 2:15:31 | 2:15:34 | |
where I will testify you ran a crap game | 2:15:34 | 2:15:36 | |
here in the mission last night. | 2:15:36 | 2:15:38 | |
A crap game! In the mission? | 2:15:38 | 2:15:41 | |
Miss Sarah, you were standing right there | 2:15:41 | 2:15:44 | |
when they ran out. You saw them. Aren't these the men? | 2:15:44 | 2:15:47 | |
You must be mistaken, lieutenant. | 2:15:55 | 2:15:57 | |
I never saw these gentlemen before in my life. | 2:15:58 | 2:16:02 | |
There's a right broad. | 2:16:03 | 2:16:06 | |
If you'll excuse us, lieutenant, we'd like to go on with our meeting. | 2:16:06 | 2:16:11 | |
Tell me something. | 2:16:17 | 2:16:19 | |
Is my name Brannigan? | 2:16:19 | 2:16:21 | |
When last seen. | 2:16:21 | 2:16:23 | |
Thanks. I was beginning to wonder. | 2:16:23 | 2:16:27 | |
On behalf of everybody concerned, thanks, Miss Sarah. | 2:16:33 | 2:16:37 | |
Also at this time, | 2:16:37 | 2:16:39 | |
I would like to personally make a confession. | 2:16:39 | 2:16:42 | |
General, we did shoot crap here last night, | 2:16:42 | 2:16:44 | |
but unbeknownst to anybody connected with the mission. | 2:16:44 | 2:16:47 | |
And for this, we're all sorry. Ain't we, boys? | 2:16:47 | 2:16:51 | |
Ain't we, boys? | 2:16:53 | 2:16:54 | |
-ALL: -Yeah. Sure. Oh, yeah. -I'm really sorry. | 2:16:54 | 2:16:57 | |
I did another terrible thing. I bet a certain guy | 2:16:59 | 2:17:02 | |
that he could not take a certain doll away with him to Havana. | 2:17:02 | 2:17:05 | |
I know this I should not have done, | 2:17:05 | 2:17:07 | |
although it did not do no harm because, well, I won the bet. | 2:17:07 | 2:17:12 | |
You won the bet? | 2:17:12 | 2:17:14 | |
Sure. The guy told me he did not take the doll away. | 2:17:14 | 2:17:18 | |
And for this I feel much better. | 2:17:18 | 2:17:21 | |
-CARTWRIGHT: -Gentlemen, we will now sing number 244, | 2:17:22 | 2:17:26 | |
Follow the Fold. You will find it on page 27. | 2:17:26 | 2:17:30 | |
# Follow the fold and stray no more | 2:17:36 | 2:17:40 | |
# Stray no more | 2:17:40 | 2:17:42 | |
# Stray no more | 2:17:42 | 2:17:44 | |
# Put down the bottle and we'll say no more | 2:17:44 | 2:17:48 | |
# Follow, follow the fold. # | 2:17:48 | 2:17:52 | |
CHEERING | 2:18:44 | 2:18:47 | |
Brothers and sisters, as you all know, | 2:20:37 | 2:20:39 | |
traffic is very heavy this time of night, | 2:20:39 | 2:20:41 | |
so our ceremony will be brief. | 2:20:41 | 2:20:44 | |
Do you, Sarah Brown, take Sky Masterson | 2:20:45 | 2:20:48 | |
-to be your wedded husband? -I do. | 2:20:48 | 2:20:51 | |
Do you, Sky Masterson, take Sarah Brown | 2:20:51 | 2:20:54 | |
-to be your wedded wife? -I do. | 2:20:54 | 2:20:57 | |
Do you, Miss Adelaide, take Nathan Detroit | 2:20:57 | 2:20:59 | |
-to be your wedded husband? -I do. | 2:20:59 | 2:21:02 | |
Do you, Nathan Detroit, take Miss Adelaide to be your wedded wife? | 2:21:02 | 2:21:06 | |
-Ah-choo! -That means he does. -He's gotta say it. | 2:21:09 | 2:21:12 | |
I do. | 2:21:12 | 2:21:13 | |
Then under the authority granted me | 2:21:13 | 2:21:15 | |
by the state, county, and city of New York, | 2:21:15 | 2:21:17 | |
I hereby pronounce you men and wives! | 2:21:17 | 2:21:20 | |
CHEERING | 2:21:20 | 2:21:24 | |
# When you see a guy | 2:21:43 | 2:21:45 | |
# Reach for stars in the sky | 2:21:45 | 2:21:47 | |
# You can bet That he's doing it for some doll | 2:21:47 | 2:21:51 | |
# When you spot a John Waiting out in the rain | 2:21:51 | 2:21:55 | |
# Chances are he's insane As only a John can be for a Jane | 2:21:55 | 2:22:00 | |
# When you meet a Gent Paying all kinds of rent | 2:22:00 | 2:22:03 | |
# For a flat That could flatten The Taj Mahal | 2:22:03 | 2:22:09 | |
# Call it sad, call it funny | 2:22:12 | 2:22:14 | |
# But it's better than even money | 2:22:14 | 2:22:18 | |
# That the guy's only doing it | 2:22:18 | 2:22:23 | |
# For some doll. # | 2:22:23 | 2:22:28 |