Browse content similar to Dracula. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
"The Diary of Jonathan Harker | 0:01:59 | 0:02:02 | |
"3rd of May, 1885. | 0:02:02 | 0:02:04 | |
"At last my long journey is drawing to its close. | 0:02:05 | 0:02:08 | |
"What the eventual end will be, I cannot foresee. | 0:02:09 | 0:02:12 | |
"But whatever may happen, I can rest secure | 0:02:12 | 0:02:15 | |
"that I will have done all in my power to achieve success. | 0:02:15 | 0:02:19 | |
"The last lap of my journey from the village of Klausenberg | 0:02:19 | 0:02:22 | |
"proved to be more difficult than I had anticipated... | 0:02:22 | 0:02:25 | |
"due to the reluctance on the part of the coach driver to take me all the way. | 0:02:25 | 0:02:29 | |
"As there was no other transport available, | 0:02:29 | 0:02:32 | |
"I was forced to travel the last few kilometres on foot | 0:02:32 | 0:02:35 | |
"before arriving at Castle Dracula. | 0:02:35 | 0:02:37 | |
"The castle appeared innocuous enough in the warm afternoon sun, | 0:02:37 | 0:02:41 | |
"and all seemed normal, | 0:02:41 | 0:02:42 | |
"but for one thing - there were no birds singing. | 0:02:42 | 0:02:45 | |
"As I crossed the wooden bridge and entered the gateway, | 0:02:47 | 0:02:51 | |
"it suddenly seemed to become much colder, | 0:02:51 | 0:02:53 | |
"due no doubt to the icy waters of the mountain torrent | 0:02:53 | 0:02:56 | |
"I had just crossed. | 0:02:56 | 0:02:58 | |
"However, I deemed myself lucky to have secured this post... | 0:02:58 | 0:03:02 | |
"and did not intend to falter in my purpose." | 0:03:02 | 0:03:05 | |
DOOR CREAKS | 0:03:21 | 0:03:22 | |
CLOCK TICKS | 0:04:14 | 0:04:16 | |
DISHES CLANG | 0:05:30 | 0:05:32 | |
I'm sorry. I didn't hear you come in. | 0:05:55 | 0:05:57 | |
My name's Jonathan Harker. I'm the new librarian. | 0:06:02 | 0:06:07 | |
You will help me, won't you? | 0:06:07 | 0:06:09 | |
Say you will, please! | 0:06:11 | 0:06:14 | |
-How can -I -help you? -Get me away from here. | 0:06:14 | 0:06:17 | |
-But why? -He is keeping me prisoner. | 0:06:17 | 0:06:20 | |
Who is? Count Dracula? | 0:06:20 | 0:06:23 | |
I'm afraid I don't understand. | 0:06:25 | 0:06:27 | |
Please. Please help me to escape! | 0:06:27 | 0:06:31 | |
Mr Harker. I am glad that you have arrived safely. | 0:06:57 | 0:07:01 | |
Count Dracula? | 0:07:01 | 0:07:03 | |
I am Dracula. And I welcome you to my house. | 0:07:03 | 0:07:05 | |
I must apologise for not being here to greet you personally... | 0:07:05 | 0:07:08 | |
but I trust you've found everything you needed. | 0:07:08 | 0:07:10 | |
Thank you, sir. It was most thoughtful. | 0:07:10 | 0:07:13 | |
It was the least I could do after such a journey. | 0:07:13 | 0:07:15 | |
Yes, it is a long journey. | 0:07:15 | 0:07:17 | |
And tiring for you, no doubt. Permit me to show you to your room. | 0:07:17 | 0:07:20 | |
Thank you, sir. | 0:07:20 | 0:07:21 | |
No, please, allow me. | 0:07:34 | 0:07:35 | |
Unfortunately, my housekeeper is away at the moment. | 0:07:37 | 0:07:40 | |
-A family bereavement, you understand? -Of course. | 0:07:40 | 0:07:42 | |
However, I think you will find everything has been prepared for your comfort. | 0:07:42 | 0:07:45 | |
How soon may I start work, sir? | 0:07:45 | 0:07:47 | |
As soon as you wish. There are a | 0:07:47 | 0:07:48 | |
large number of volumes to be indexed. | 0:07:48 | 0:07:51 | |
Is there anything else you require, Mr Harker? | 0:08:09 | 0:08:11 | |
I don't think so. You've been very kind. | 0:08:11 | 0:08:14 | |
On the contrary, it is entirely my privilege. | 0:08:14 | 0:08:16 | |
I consider myself fortunate to have | 0:08:16 | 0:08:18 | |
found such a distinguished scholar to act as my librarian. | 0:08:18 | 0:08:21 | |
I like quiet and seclusion. | 0:08:21 | 0:08:22 | |
This house, I think, offers that. | 0:08:23 | 0:08:26 | |
Then we are both satisfied. An admirable arrangement. | 0:08:26 | 0:08:28 | |
There is just one more thing, Mr Harker. | 0:08:30 | 0:08:32 | |
I have to go out and will not be back until after sundown tomorrow. | 0:08:32 | 0:08:36 | |
Until then, please look upon this house as your own. | 0:08:36 | 0:08:39 | |
-Good night, Mr Harker. -Good night, sir. | 0:08:41 | 0:08:43 | |
As I shall be away for so long, I think it better that | 0:09:15 | 0:09:18 | |
-you should have the key of the library. -Thank you. | 0:09:18 | 0:09:20 | |
You will find the library to the left of the hall. | 0:09:20 | 0:09:23 | |
-May I? -Yes, certainly. | 0:09:24 | 0:09:26 | |
-Your wife? -No, my fiancee. | 0:09:29 | 0:09:31 | |
You are a very fortunate man, Mr Harker. May I ask her name? | 0:09:31 | 0:09:35 | |
Lucy. Lucy Holmwood. | 0:09:35 | 0:09:37 | |
-Charming, charming. -You are very kind. | 0:09:39 | 0:09:42 | |
Good night. | 0:09:44 | 0:09:46 | |
Sleep well, Mr Harker. | 0:09:47 | 0:09:48 | |
LOCK CLICKS | 0:09:54 | 0:09:56 | |
"At last I have met Count Dracula. | 0:10:29 | 0:10:31 | |
"He accepts me as a man who has agreed | 0:10:37 | 0:10:41 | |
"to work among his books, as I intended. | 0:10:41 | 0:10:44 | |
"It only remains for me now to await the daylight hours..." | 0:10:49 | 0:10:53 | |
"..when, with God's help... | 0:10:57 | 0:11:00 | |
"I will for ever end | 0:11:00 | 0:11:02 | |
"this man's reign of terror." | 0:11:02 | 0:11:05 | |
DOOR SHUTS | 0:12:47 | 0:12:49 | |
-Mr Harker, you will help me? -If it's at all possible. | 0:12:52 | 0:12:56 | |
But tell me, why is Count Dracula keeping you prisoner? | 0:12:57 | 0:13:00 | |
-I cannot tell you that. -But if I am to help you, I must know. | 0:13:00 | 0:13:04 | |
I'm sorry, it's not possible. | 0:13:04 | 0:13:08 | |
You make it very difficult for me. | 0:13:08 | 0:13:10 | |
After all, I am a guest here. If I'm to help you I must have a reason. | 0:13:10 | 0:13:13 | |
A reason? You ask for a reason! | 0:13:13 | 0:13:16 | |
Is it not it reason enough that he | 0:13:16 | 0:13:18 | |
locks me in this house, holds me against my will? | 0:13:18 | 0:13:20 | |
You can have no idea what an evil man he is! | 0:13:22 | 0:13:25 | |
Or what terrible things he does! | 0:13:25 | 0:13:27 | |
I could not... Dare not try to leave on my own. | 0:13:29 | 0:13:33 | |
He would find me again, I know. | 0:13:34 | 0:13:36 | |
But with you to help me, I would have a chance. | 0:13:37 | 0:13:41 | |
You must help me! You must! You're my only hope! | 0:13:41 | 0:13:45 | |
You must! | 0:13:45 | 0:13:47 | |
I'll help you, I promise. | 0:13:47 | 0:13:49 | |
Please don't distress yourself. | 0:13:54 | 0:13:56 | |
Thank you. | 0:13:59 | 0:14:01 | |
Oh, thank you. | 0:14:01 | 0:14:02 | |
COUNT DRACULA SHRIEKS | 0:14:15 | 0:14:17 | |
SHE SCREAMS | 0:14:21 | 0:14:22 | |
SHE GRUNTS AND SOBS | 0:14:36 | 0:14:39 | |
MR HARKER CHOKES | 0:14:45 | 0:14:46 | |
SHE WAILS | 0:14:59 | 0:15:00 | |
HE EXHALES | 0:15:45 | 0:15:47 | |
"I have become a victim of Dracula and the woman in his power. | 0:17:41 | 0:17:45 | |
"It may be that I am doomed to be one of them. | 0:17:49 | 0:17:52 | |
"If that is so, I can only pray... | 0:17:53 | 0:17:57 | |
"..that whoever finds my body... | 0:17:59 | 0:18:01 | |
"..will possess the knowledge... | 0:18:04 | 0:18:06 | |
"..to do what is necessary... | 0:18:11 | 0:18:12 | |
".. to release my soul. | 0:18:14 | 0:18:16 | |
"I have lost a day. Soon it will be dark. | 0:18:20 | 0:18:24 | |
"While my senses are still my own, I must do what I set out to do. | 0:18:26 | 0:18:31 | |
"I must find the resting place of Dracula... | 0:18:34 | 0:18:37 | |
"..and there end his existence for ever." | 0:18:38 | 0:18:41 | |
"Soon it will be sundown, and they will walk again. | 0:18:58 | 0:19:01 | |
"I do not have much time. | 0:19:04 | 0:19:06 | |
SHE SCREAMS IN AGONY | 0:20:27 | 0:20:29 | |
SHE GROANS | 0:20:31 | 0:20:33 | |
HE DROPS STAKE | 0:21:36 | 0:21:37 | |
DOOR SLAMS | 0:21:52 | 0:21:53 | |
MUSIC BOX PLAYS | 0:22:00 | 0:22:02 | |
-Good day, sir. -Good day. | 0:22:33 | 0:22:35 | |
-May I have a brandy, please? -Certainly, sir. | 0:22:42 | 0:22:45 | |
-Travelling far? -Not much farther, I hope. | 0:22:46 | 0:22:49 | |
-Is it possible to have a meal? -Yes, sir. | 0:22:58 | 0:23:03 | |
Inga! | 0:23:03 | 0:23:04 | |
Only a simple one, I'm afraid, sir. | 0:23:04 | 0:23:06 | |
-Your change, sir. -Thank you. | 0:23:11 | 0:23:13 | |
We don't get many travellers in these parts. Not that stop, anyway. | 0:23:13 | 0:23:18 | |
You had one a few days ago, I believe. A Mr Harker. | 0:23:18 | 0:23:20 | |
-Harker, sir? -Yes. | 0:23:22 | 0:23:24 | |
He's a friend of mine. | 0:23:24 | 0:23:26 | |
-He wrote to me from this address. -Not here, sir. | 0:23:26 | 0:23:29 | |
I remember the gentleman. He gave me a letter to post. | 0:23:29 | 0:23:32 | |
Hold your tongue, girl! | 0:23:32 | 0:23:33 | |
Was this the letter? | 0:23:33 | 0:23:35 | |
-I'm not sure. -Perhaps you remember the name. | 0:23:37 | 0:23:39 | |
Dr Van Helsing. | 0:23:39 | 0:23:40 | |
I'm not sure. | 0:23:41 | 0:23:43 | |
Go and prepare a meal for this gentleman. At once. Do you hear me? | 0:23:43 | 0:23:46 | |
What are you afraid of? | 0:23:52 | 0:23:53 | |
-I don't understand you. -Why all these garlic flowers? | 0:23:55 | 0:23:58 | |
And over the window? | 0:23:58 | 0:24:00 | |
And up here? | 0:24:06 | 0:24:07 | |
They're not for decoration, are they? | 0:24:08 | 0:24:10 | |
-I don't know what you're talking about. -I think you do. | 0:24:10 | 0:24:13 | |
And I think you know something about my friend. | 0:24:13 | 0:24:15 | |
He came here with a purpose, to help you. | 0:24:15 | 0:24:18 | |
We haven't asked for any help. | 0:24:18 | 0:24:20 | |
You need it all the same. | 0:24:20 | 0:24:21 | |
Look, sir. You're a stranger here in Klausenberg. | 0:24:21 | 0:24:25 | |
Some things are best left alone... | 0:24:25 | 0:24:27 | |
such as interfering in things which are beyond our powers. | 0:24:27 | 0:24:31 | |
Please, don't misunderstand me. | 0:24:31 | 0:24:33 | |
This is more than a superstition, I know. The danger is very real. | 0:24:33 | 0:24:37 | |
If the investigation that Mr Harker and I are engaged upon | 0:24:37 | 0:24:40 | |
is successful...not only you, but the whole world will benefit. | 0:24:40 | 0:24:43 | |
Castle Dracula is somewhere here in Klausenberg. | 0:24:43 | 0:24:46 | |
Will you tell me how I get there? | 0:24:46 | 0:24:49 | |
You ordered a meal, sir. As an innkeeper, it's my duty to serve you. | 0:24:49 | 0:24:53 | |
When you have eaten, I ask you to go and leave us in peace. | 0:24:53 | 0:24:57 | |
Your meal will be ready in a minute, sir, if you'd like to take a seat. | 0:24:57 | 0:25:00 | |
Thank you. | 0:25:01 | 0:25:02 | |
This was found at the crossroads near that place. | 0:25:15 | 0:25:18 | |
He told me to burn it. | 0:25:18 | 0:25:19 | |
But your friend was such a nice gentleman, I couldn't. | 0:25:19 | 0:25:22 | |
HOOVES APPROACHING | 0:25:57 | 0:25:58 | |
Harker? | 0:26:26 | 0:26:27 | |
Harker! | 0:26:38 | 0:26:39 | |
Harker! | 0:26:46 | 0:26:47 | |
Harker! | 0:26:55 | 0:26:56 | |
I'm sorry, Mr Holmwood, but I really cannot tell you | 0:29:03 | 0:29:06 | |
anything more about how he died. | 0:29:06 | 0:29:07 | |
Cannot or will not? | 0:29:07 | 0:29:09 | |
Whichever you wish. | 0:29:09 | 0:29:11 | |
Dr Van Helsing, I am not at all satisfied. | 0:29:11 | 0:29:13 | |
You suddenly appear and tell us that Jonathan Harker is dead. | 0:29:15 | 0:29:19 | |
Yet you will not tell us where or how he died. | 0:29:19 | 0:29:21 | |
-I find it extremely suspicious. -Arthur! | 0:29:21 | 0:29:25 | |
-You have the death certificate. -Yes. Signed by you. | 0:29:25 | 0:29:29 | |
When did he die, Doctor? | 0:29:29 | 0:29:32 | |
-Ten days ago, Mrs Holmwood. -Ten days ago! | 0:29:32 | 0:29:35 | |
-Where was he buried? -He was cremated. | 0:29:35 | 0:29:38 | |
-By whose authority? -His own. | 0:29:38 | 0:29:40 | |
As his friend and colleague, he told me some time ago he would wish it. | 0:29:41 | 0:29:44 | |
You must know that Jonathan was going to marry my sister Lucy. | 0:29:47 | 0:29:50 | |
Surely you could have written. | 0:29:50 | 0:29:52 | |
I felt it would be less of a shock if I came and told her personally. | 0:29:52 | 0:29:56 | |
I would rather you didn't see my sister. | 0:29:56 | 0:30:00 | |
My wife and I will tell her. | 0:30:00 | 0:30:01 | |
Very well. I'm sorry. | 0:30:02 | 0:30:05 | |
Will you please express my sympathy to Miss Lucy? | 0:30:05 | 0:30:08 | |
If she wishes to get in touch with me, I am at her service. | 0:30:08 | 0:30:11 | |
Gerda. Dr Van Helsing is leaving. Will you show him to the door? | 0:30:13 | 0:30:16 | |
-Yes, sir. -Good day. Sir. | 0:30:16 | 0:30:18 | |
Why all this secrecy? Why wouldn't he tell us? | 0:30:30 | 0:30:33 | |
Darling, Dr Van Helsing is a very eminent man. | 0:30:33 | 0:30:36 | |
Whatever his motives, you can be sure he had a good reason for them. | 0:30:38 | 0:30:41 | |
In any case, we can't help poor Jonathan now. | 0:30:42 | 0:30:45 | |
Lucy is the one we must think of. | 0:30:46 | 0:30:48 | |
Is she well enough to be told? | 0:30:49 | 0:30:51 | |
-It will be a terrible blow for her. -She must know sometime. | 0:30:52 | 0:30:56 | |
We won't disturb her afternoon rest. We'll see how she is this evening. | 0:30:57 | 0:31:01 | |
Jonathan will be home soon, I know it. Then I'll get better, you'll see. | 0:31:02 | 0:31:06 | |
I won't be a trouble to Dr Seward or any of you. | 0:31:06 | 0:31:09 | |
Lucy, you're no trouble to anyone. Now rest, get some sleep. | 0:31:09 | 0:31:12 | |
You've got to get some colour back into those cheeks. | 0:31:13 | 0:31:17 | |
-Good night, Lucy. -Good night, Mina. | 0:31:17 | 0:31:19 | |
Good night, Arthur. | 0:31:19 | 0:31:21 | |
-Sleep well. -I'll try. | 0:31:38 | 0:31:41 | |
WIND HOWLS | 0:32:15 | 0:32:17 | |
-RECORDING OF HIS VOICE: -'Research on vampires. Certain basic facts established. | 0:32:59 | 0:33:04 | |
'One - light. | 0:33:04 | 0:33:05 | |
'The vampire allergic to light. | 0:33:06 | 0:33:09 | |
'Never ventures forth in the daytime. | 0:33:09 | 0:33:12 | |
'Sunlight fatal. Repeat, fatal. | 0:33:13 | 0:33:16 | |
'Would destroy them. | 0:33:17 | 0:33:19 | |
'Two - garlic. | 0:33:19 | 0:33:21 | |
'Vampires repelled by odour of garlic. | 0:33:23 | 0:33:26 | |
'Memo - check final arrangements with | 0:33:28 | 0:33:29 | |
'Harker before he leaves for Klausenberg. | 0:33:29 | 0:33:31 | |
'Three - the crucifix. | 0:33:33 | 0:33:37 | |
'Symbolizing the power of good over evil. | 0:33:37 | 0:33:40 | |
KNOCK ON DOOR | 0:33:40 | 0:33:41 | |
'The power of the crucifix in these cases...' | 0:33:41 | 0:33:45 | |
-HE TURNS OFF RECORDING -Come in. | 0:33:45 | 0:33:47 | |
-You rang, sir? -Oh, yes. | 0:33:48 | 0:33:51 | |
I want this letter delivered first thing in the morning. | 0:33:51 | 0:33:54 | |
-Will you see to that? -Yes. | 0:33:54 | 0:33:57 | |
-Thank you. -Thank you, sir. | 0:33:57 | 0:33:59 | |
Anything the matter? | 0:34:03 | 0:34:04 | |
What is it? | 0:34:05 | 0:34:06 | |
Well, sir, to tell you the truth, | 0:34:06 | 0:34:08 | |
when I was outside I thought I heard you talking to someone. | 0:34:08 | 0:34:12 | |
Of course you did, I was talking to myself. | 0:34:12 | 0:34:14 | |
You won't forget that letter, will you? | 0:34:14 | 0:34:16 | |
No, sir. | 0:34:16 | 0:34:17 | |
Yes, sir. | 0:34:18 | 0:34:19 | |
HE SWITCHES RECORDING BACK ON | 0:34:32 | 0:34:33 | |
'The power of the crucifix in these cases is twofold. | 0:34:37 | 0:34:40 | |
'It protects the normal human being... | 0:34:41 | 0:34:45 | |
'but reveals the vampire | 0:34:45 | 0:34:47 | |
' - or victim of this vile contagion - | 0:34:47 | 0:34:50 | |
'when in advanced stages.' | 0:34:50 | 0:34:53 | |
HE SWITCHES RECORDING OFF | 0:35:01 | 0:35:02 | |
Established... | 0:35:12 | 0:35:14 | |
that victims consciously detest being dominated by vampirism... | 0:35:14 | 0:35:19 | |
but are unable to relinquish the practice. | 0:35:19 | 0:35:23 | |
Similar to addiction to drugs. | 0:35:23 | 0:35:26 | |
Ultimately, death results from loss of blood. | 0:35:27 | 0:35:31 | |
But, unlike normal death, no peace manifests itself... | 0:35:32 | 0:35:36 | |
..for they enter into the fearful state of the undead. | 0:35:37 | 0:35:41 | |
Since the death of Jonathan Harker... | 0:35:43 | 0:35:46 | |
Count Dracula, | 0:35:46 | 0:35:47 | |
the propagator of this unspeakable evil, has disappeared. | 0:35:47 | 0:35:51 | |
He must be found and destroyed. | 0:35:52 | 0:35:56 | |
She seems so much weaker, Doctor. | 0:36:39 | 0:36:41 | |
It's a puzzling case, Mrs Holmwood. | 0:36:41 | 0:36:44 | |
The symptoms are those of anaemia and I'm treating her for this. | 0:36:44 | 0:36:47 | |
It can be a slow process, of course. | 0:36:47 | 0:36:49 | |
But I had hoped for more encouraging signs by now. | 0:36:49 | 0:36:52 | |
-Please, may I see Auntie Lucy? -Not today, Tania. | 0:36:52 | 0:36:55 | |
-Is she very ill? -I'm afraid so. | 0:36:55 | 0:36:58 | |
-Do you know what's wrong with her? -Of course I do. | 0:36:58 | 0:37:01 | |
Then why don't you make her better? | 0:37:01 | 0:37:03 | |
Tania! Tania... | 0:37:03 | 0:37:06 | |
How many times have I told you not to go bothering Mrs Holmwood? | 0:37:06 | 0:37:09 | |
-I'm sorry, ma'am. -That's all right, Gerda. | 0:37:09 | 0:37:11 | |
-A child's logic can be most disconcerting. -Yes. | 0:37:13 | 0:37:17 | |
Would you like a second opinion, Mrs Holmwood? | 0:37:19 | 0:37:22 | |
Thank you, Doctor. I'll think about it. | 0:37:23 | 0:37:25 | |
Well, carry on with the medicine and diet I've prescribed. | 0:37:27 | 0:37:30 | |
-And plenty of fresh air. -Yes, Doctor, I will. | 0:37:30 | 0:37:33 | |
-Good day to you. -Good day. | 0:37:35 | 0:37:36 | |
KNOCK ON DOOR | 0:37:52 | 0:37:53 | |
Come in. | 0:37:53 | 0:37:54 | |
Mrs Holmwood, how very good of you to come. | 0:37:56 | 0:37:59 | |
-Please, will you sit down? -Thank you. | 0:37:59 | 0:38:02 | |
You mentioned in your letter some things of Jonathan's. | 0:38:05 | 0:38:07 | |
Yes, I have them ready. I would have brought them myself, but... | 0:38:07 | 0:38:11 | |
Oh, I do understand. But you must appreciate... | 0:38:11 | 0:38:13 | |
-Mr Holmwood was very upset. -Of course. | 0:38:13 | 0:38:16 | |
I only wish I could have been more helpful. | 0:38:16 | 0:38:19 | |
How did Miss Lucy take the news? | 0:38:19 | 0:38:22 | |
We haven't told her yet. She's ill, very ill. | 0:38:22 | 0:38:25 | |
I'm sorry to hear that. May I ask what's the matter with her? | 0:38:25 | 0:38:29 | |
It was all so sudden. It happened about ten days ago. | 0:38:30 | 0:38:34 | |
Our family doctor says it's anaemia. | 0:38:35 | 0:38:37 | |
I'm very unhappy about it. | 0:38:38 | 0:38:40 | |
I have nothing against Dr Seward, please don't think that, but... | 0:38:40 | 0:38:44 | |
-He did say I could have a second opinion. -I'd like to see her at once. | 0:38:44 | 0:38:48 | |
-Oh, I'd be so grateful. -If you'll excuse me. | 0:38:49 | 0:38:52 | |
Lucy. I've brought someone to see you. | 0:38:55 | 0:38:57 | |
Dr Van Helsing. He's a friend of Jonathan's. | 0:38:58 | 0:39:01 | |
Miss Lucy. | 0:39:01 | 0:39:02 | |
What lovely flowers. | 0:39:06 | 0:39:07 | |
Jonathan's dead, isn't he? | 0:39:08 | 0:39:10 | |
-It's true, isn't it? -I'm sorry. | 0:39:11 | 0:39:15 | |
-Did Arthur tell you? -Nobody told me. I just knew. | 0:39:15 | 0:39:19 | |
-Is that why Dr Helsing is here? -Partly. | 0:39:19 | 0:39:23 | |
Dr Helsing is a specialist. He's come to help you. | 0:39:23 | 0:39:26 | |
Jonathan has told me so many things about you. | 0:39:26 | 0:39:29 | |
-Nice things, I hope. -Very nice. | 0:39:29 | 0:39:32 | |
Now, let's see. | 0:39:32 | 0:39:33 | |
Mm-hmm. | 0:39:35 | 0:39:36 | |
Here. | 0:39:38 | 0:39:39 | |
Now, don't you worry, we'll soon have you well again. | 0:39:48 | 0:39:52 | |
Goodbye, Doctor. | 0:39:52 | 0:39:54 | |
I'm sorry you had a wasted journey - about Jonathan, I mean. | 0:39:54 | 0:39:57 | |
It wasn't wasted, I promise you. Good day, Miss Lucy. | 0:39:57 | 0:40:00 | |
How could she have known of Jonathan's death? | 0:40:10 | 0:40:13 | |
A premonition. It's not uncommon. | 0:40:13 | 0:40:15 | |
But she took it so calmly, it worries me. | 0:40:15 | 0:40:17 | |
I'm afraid there are more urgent things to worry about. | 0:40:17 | 0:40:20 | |
Those marks on her neck, when did they first appear? | 0:40:20 | 0:40:22 | |
I noticed them first shortly after she became ill. | 0:40:22 | 0:40:25 | |
I asked her. She said she thought she'd been stung. | 0:40:25 | 0:40:28 | |
It is quite possible, of course. | 0:40:28 | 0:40:29 | |
Dr Seward said must have plenty of fresh air. Windows are open all the time. | 0:40:29 | 0:40:33 | |
Between the hours of sunset and sunrise, | 0:40:34 | 0:40:36 | |
all the windows in her room | 0:40:36 | 0:40:37 | |
- with the possible exception of a small fanlight for ventilation - | 0:40:37 | 0:40:40 | |
must be kept shut. | 0:40:40 | 0:40:41 | |
-Oh, but Dr Seward... -Mrs Holmwood, you called me in for a second opinion. | 0:40:41 | 0:40:45 | |
If I am to help your sister-in-law, | 0:40:45 | 0:40:47 | |
there are certain things you must do to help me... | 0:40:47 | 0:40:49 | |
-however unorthodox they may appear. -Yes, I know, but... -Madam. | 0:40:49 | 0:40:54 | |
If you love Miss Lucy, be guided by me, I beg you. | 0:40:54 | 0:40:58 | |
I'll do anything to make her well again. | 0:40:59 | 0:41:01 | |
You must get some garlic flowers, as many as you can. | 0:41:04 | 0:41:07 | |
Place them by her windows, her door, and by her bedside. | 0:41:07 | 0:41:10 | |
They may be taken out during the day, but under no circumstances, | 0:41:10 | 0:41:14 | |
even if the patient implores you, must they be removed at night. | 0:41:14 | 0:41:17 | |
I cannot impress upon you strongly enough how important | 0:41:20 | 0:41:23 | |
it is that you obey my instructions. | 0:41:23 | 0:41:25 | |
Do exactly as I say and we may be able to save her. | 0:41:25 | 0:41:28 | |
If you don't, she will die. | 0:41:28 | 0:41:30 | |
I'll be here in the morning. | 0:41:33 | 0:41:35 | |
SHE PANTS AND GROANS | 0:41:47 | 0:41:50 | |
VASE SMASHES | 0:42:04 | 0:42:05 | |
Heavens, child! What is it? | 0:42:07 | 0:42:10 | |
Oh, Gerda. These flowers, I can't stand them! | 0:42:10 | 0:42:13 | |
They do smell strong, but Mrs Holmwood said... | 0:42:13 | 0:42:16 | |
I don't care what she said! Please, take them away, please. | 0:42:16 | 0:42:19 | |
Well... | 0:42:19 | 0:42:21 | |
Please, Gerda, they stifle me. | 0:42:21 | 0:42:23 | |
All right, miss, I'll take them out. | 0:42:26 | 0:42:29 | |
And the windows, you'll open the windows? | 0:42:29 | 0:42:31 | |
Yes, Miss Lucy, if that's what you want. | 0:42:31 | 0:42:34 | |
I'll come back for the rest. | 0:42:53 | 0:42:54 | |
There was nothing I could do to save her. | 0:43:24 | 0:43:27 | |
KNOCK ON DOOR | 0:43:27 | 0:43:28 | |
DOOR OPENS | 0:43:28 | 0:43:29 | |
Dr Van... | 0:43:51 | 0:43:52 | |
Mrs Holmwood, did you do as I told you? | 0:43:56 | 0:43:59 | |
She did. And you have seen the result. | 0:43:59 | 0:44:02 | |
-But, Arthur... -Please, sir! Excuse me, sir. | 0:44:02 | 0:44:05 | |
It was all my fault. She couldn't breathe. She looked so ill. | 0:44:05 | 0:44:09 | |
She begged me to open the windows and throw away the plants. | 0:44:09 | 0:44:12 | |
I know you told me not to, ma'am, but... | 0:44:12 | 0:44:14 | |
Gerda, what time was this? | 0:44:14 | 0:44:16 | |
About midnight. | 0:44:18 | 0:44:20 | |
-I heard a noise... -All right, Gerda... | 0:44:20 | 0:44:22 | |
-you may go now. -Yes, sir, thank you, sir. | 0:44:22 | 0:44:24 | |
Oh, I am so sorry, sir. | 0:44:25 | 0:44:28 | |
Whatever happened, all I know is | 0:44:31 | 0:44:33 | |
that you have brought us nothing but grief. | 0:44:33 | 0:44:35 | |
First Jonathan, and now Lucy. | 0:44:35 | 0:44:38 | |
Whoever you are, whatever your motives, | 0:44:38 | 0:44:40 | |
please go and leave us in peace. | 0:44:40 | 0:44:42 | |
Mr Holmwood, when I told you about Jonathan, I thought it better | 0:44:44 | 0:44:48 | |
for your peace of mind to spare the details | 0:44:48 | 0:44:50 | |
of the dreadful circumstances in which he died. | 0:44:50 | 0:44:52 | |
But the tragic death of your sister is so closely linked with Jonathan's... | 0:44:53 | 0:44:57 | |
that I think you should now know the truth. | 0:44:57 | 0:45:00 | |
I can't expect you to believe me, | 0:45:00 | 0:45:01 | |
but you will, I know, believe Jonathan. | 0:45:01 | 0:45:03 | |
Here are his last words. His diary. | 0:45:05 | 0:45:07 | |
When you have read it, you will understand. | 0:45:08 | 0:45:11 | |
CLOCK CHIMES | 0:45:25 | 0:45:27 | |
What is it, Gerda? | 0:45:37 | 0:45:38 | |
It's a policeman, sir. He's got Tania with him. | 0:45:38 | 0:45:41 | |
Tania? | 0:45:41 | 0:45:43 | |
-Show him in, Gerda. -Very good, sir. | 0:45:43 | 0:45:45 | |
-Good evening, ma'am. Good evening, sir. -What is it, officer? | 0:45:51 | 0:45:54 | |
I found this little girl here. She was very distressed indeed. | 0:45:54 | 0:45:58 | |
-Tell them what you told me. -- I don't want to! | 0:45:59 | 0:46:02 | |
Oh... | 0:46:02 | 0:46:04 | |
Tania. | 0:46:04 | 0:46:06 | |
There's no need to be frightened. | 0:46:06 | 0:46:09 | |
Come on over here, sit with me, and tell me all about it. | 0:46:09 | 0:46:12 | |
You don't want Mr Holmwood to think you're a cry-baby, do you? | 0:46:14 | 0:46:17 | |
You're a big girl now. | 0:46:17 | 0:46:19 | |
Now, come on, tell me what happened. | 0:46:19 | 0:46:23 | |
Well, I was out by myself, and she came up to me. | 0:46:23 | 0:46:27 | |
And she said, "Hello, Tania, shall we go for a little walk?" | 0:46:27 | 0:46:31 | |
I said yes. And we went for a walk. | 0:46:31 | 0:46:35 | |
Then someone came along, and she ran away and left me... | 0:46:35 | 0:46:38 | |
and I was lost. | 0:46:38 | 0:46:40 | |
Who was she? Who did you see? | 0:46:41 | 0:46:44 | |
Come on. Tell me. | 0:46:45 | 0:46:47 | |
Who was she? | 0:46:47 | 0:46:49 | |
Aunt Lucy. | 0:46:50 | 0:46:52 | |
-I heard you call me, Aunt Lucy. -Yes, dear. | 0:48:11 | 0:48:15 | |
Come along. | 0:48:19 | 0:48:20 | |
You're cold. Where are we going? | 0:48:21 | 0:48:24 | |
For a little walk. I know somewhere nice and quiet where we can play. | 0:48:24 | 0:48:28 | |
Is it much further, Aunt Lucy? I'm so tired. | 0:49:00 | 0:49:05 | |
We're nearly there, my darling. | 0:49:05 | 0:49:07 | |
Lucy! | 0:49:07 | 0:49:09 | |
Arthur, dear brother! | 0:49:14 | 0:49:16 | |
Lucy... | 0:49:16 | 0:49:17 | |
Dear Arthur, why didn't you come sooner? | 0:49:17 | 0:49:21 | |
Come, let me kiss you. | 0:49:23 | 0:49:25 | |
SHE GASPS | 0:49:25 | 0:49:28 | |
SIZZLING | 0:49:34 | 0:49:35 | |
SHE SCREAMS | 0:49:35 | 0:49:36 | |
Put this on. | 0:50:00 | 0:50:02 | |
-Please, I want to go home. -And so you shall. | 0:50:04 | 0:50:08 | |
I'll just fetch Mr Holmwood and then we can all go home together. | 0:50:08 | 0:50:11 | |
-Not Aunt Lucy. -No, not Aunt Lucy. Now you sit there. | 0:50:11 | 0:50:16 | |
Be a good girl. | 0:50:16 | 0:50:18 | |
You look like a teddy bear now. Will you wear this pretty thing? | 0:50:18 | 0:50:22 | |
Isn't that lovely? | 0:50:24 | 0:50:27 | |
-You promise not to run away? -I promise. | 0:50:27 | 0:50:29 | |
Good. | 0:50:29 | 0:50:30 | |
If you watch over there, you'll see the sun come up. | 0:50:32 | 0:50:35 | |
BIRDSONG | 0:50:35 | 0:50:37 | |
Keep warm. | 0:50:37 | 0:50:38 | |
You understand now? | 0:50:55 | 0:50:56 | |
-But why Lucy? -Because of Jonathan. | 0:50:58 | 0:51:01 | |
You read my note in his diary about the woman he found at Klausenberg. | 0:51:02 | 0:51:05 | |
This is Dracula's revenge. | 0:51:05 | 0:51:08 | |
-Lucy is to replace that woman. -Oh, no! | 0:51:08 | 0:51:10 | |
I've watched her tomb each night | 0:51:10 | 0:51:12 | |
since she was interred three days ago. | 0:51:12 | 0:51:15 | |
Tonight she ventured out for the first time. | 0:51:15 | 0:51:17 | |
Holmwood, I know your one wish is that Lucy should rest in peace. | 0:51:17 | 0:51:21 | |
I promise to fulfil that wish. But first... | 0:51:21 | 0:51:25 | |
if I have your consent, she can lead us to Dracula. | 0:51:25 | 0:51:28 | |
How can you suggest such a thing? | 0:51:29 | 0:51:32 | |
That she should be possessed by this evil for another second? | 0:51:32 | 0:51:35 | |
What about Gerda's child out there, and the others she will defile? | 0:51:37 | 0:51:41 | |
No, I couldn't! I couldn't! | 0:51:41 | 0:51:43 | |
Of course. | 0:51:50 | 0:51:52 | |
Will you take that child home and meet me back here in an hour? | 0:51:52 | 0:51:55 | |
It's all right. | 0:51:57 | 0:51:58 | |
It's nearly dawn, she won't leave the coffin again. | 0:51:58 | 0:52:01 | |
Is there no other way? | 0:52:14 | 0:52:15 | |
But it's horrible! | 0:52:17 | 0:52:18 | |
Please, try and understand. | 0:52:19 | 0:52:22 | |
This is not Lucy, the sister you loved. It's only a shell. | 0:52:22 | 0:52:25 | |
Possessed and corrupted by the evil of Dracula! | 0:52:25 | 0:52:28 | |
To liberate her soul and give it eternal peace... | 0:52:28 | 0:52:31 | |
we must destroy that shell for all time! | 0:52:31 | 0:52:33 | |
Believe me, there is no other way. | 0:52:36 | 0:52:38 | |
SHE SCREAMS | 0:53:01 | 0:53:03 | |
SHE MOANS | 0:53:08 | 0:53:10 | |
-Drink this. -I'm all right now. | 0:54:17 | 0:54:20 | |
-Drink it. -Thanks. | 0:54:20 | 0:54:22 | |
There's so much in Jonathan's diary I don't understand. | 0:54:28 | 0:54:31 | |
Can Dracula really be as old as it says here? | 0:54:31 | 0:54:35 | |
We believe it's possible. | 0:54:35 | 0:54:36 | |
Vampires are known to have gone on from century to century. | 0:54:36 | 0:54:39 | |
Records show that Count Dracula could be 500 or 600 years old. | 0:54:39 | 0:54:42 | |
Another thing. | 0:54:44 | 0:54:46 | |
I always understood that if there were such things... | 0:54:46 | 0:54:49 | |
they could change themselves into bats or wolves. | 0:54:49 | 0:54:51 | |
That's a common fallacy. | 0:54:53 | 0:54:55 | |
Holmwood, the study of these creatures has been my life's work. | 0:54:55 | 0:54:59 | |
I did research with some of the greatest authorities in Europe. | 0:54:59 | 0:55:02 | |
And yet, we've only just scratched the surface. | 0:55:02 | 0:55:05 | |
You see, a great deal is known about the vampire bat. | 0:55:05 | 0:55:08 | |
But details of these reanimated bodies of the dead... | 0:55:08 | 0:55:11 | |
the "undead", as we call them, | 0:55:11 | 0:55:14 | |
are so obscure that many biologists will not believe they exist. | 0:55:14 | 0:55:17 | |
Of course you are shocked and bewildered. | 0:55:20 | 0:55:23 | |
How can you expect to understand in so short a time? | 0:55:23 | 0:55:26 | |
But you've read and experienced enough to know | 0:55:26 | 0:55:28 | |
that this unholy cult must be wiped out. | 0:55:28 | 0:55:32 | |
-I hope perhaps that you will help me. -I'll do anything you say. | 0:55:32 | 0:55:36 | |
Thank you. | 0:55:37 | 0:55:39 | |
Of course, we do know certain things. | 0:55:39 | 0:55:42 | |
You witnessed one a little while ago. | 0:55:42 | 0:55:44 | |
And we also know that during the day, | 0:55:44 | 0:55:47 | |
the vampire must rest in his native soil. | 0:55:47 | 0:55:50 | |
Now, when I went to Castle Dracula, | 0:55:50 | 0:55:53 | |
a hearse came tearing through the gates. | 0:55:53 | 0:55:55 | |
In that hearse was a coffin. | 0:55:55 | 0:55:58 | |
I believe it contained Dracula and a bed of his own earth. | 0:55:58 | 0:56:01 | |
To get here, that hearse would have | 0:56:01 | 0:56:03 | |
to come via the frontier at Ingstadt. | 0:56:03 | 0:56:05 | |
They'll have a record of where it was going. | 0:56:05 | 0:56:07 | |
We need that address. Will you come with me to Ingstadt? | 0:56:07 | 0:56:10 | |
How Long will it take? I must let Mina know. | 0:56:13 | 0:56:16 | |
With any luck, we should be back by tomorrow morning. | 0:56:16 | 0:56:18 | |
I'm afraid that is quite out of the question, sir. Against regulations. | 0:56:29 | 0:56:32 | |
All we want to know is where the coffin was going. | 0:56:32 | 0:56:34 | |
I can't give away information without proper authority. | 0:56:34 | 0:56:37 | |
-This is a matter of great urgency, I am a doctor. -I'm sorry, sir. | 0:56:37 | 0:56:40 | |
There's a young lad with a message for you. | 0:56:42 | 0:56:44 | |
Personal, he said. He wouldn't give it to me. | 0:56:44 | 0:56:46 | |
All right, Gerda, I'll see him. | 0:56:46 | 0:56:48 | |
-Yes? -You're Mrs Holmwood? | 0:56:58 | 0:57:00 | |
-I am. -Got a message for you. | 0:57:00 | 0:57:02 | |
You're to go to 49 Frederickstrasse right away, he says. | 0:57:02 | 0:57:05 | |
-And you're not to tell anyone. -Who says? | 0:57:05 | 0:57:07 | |
Arthur Holmwood, he calls himself. Said you'd know him. | 0:57:07 | 0:57:11 | |
But that's impossible. My husband has gone to Ingstadt. | 0:57:11 | 0:57:14 | |
Not if he gave me this message, he hasn't. And he gave me this message. | 0:57:14 | 0:57:17 | |
Good night. | 0:57:17 | 0:57:18 | |
You need permission from the ministry in writing. | 0:57:21 | 0:57:23 | |
I have my orders and I must obey them. | 0:57:23 | 0:57:26 | |
It is laid down in the government regulations that under no circumstances... | 0:57:26 | 0:57:30 | |
..may an unauthorised person be permitted to examine... | 0:57:32 | 0:57:37 | |
Of course, in the case of an emergency, | 0:57:39 | 0:57:41 | |
we do sometimes make an exception. | 0:57:41 | 0:57:43 | |
And seeing this gentleman is a doctor... | 0:57:43 | 0:57:48 | |
HE COUGHS | 0:57:48 | 0:57:49 | |
-When did you say it was, sir? -December the 1st. | 0:57:51 | 0:57:53 | |
Klausenberg to Karlstadt. Let me see. | 0:57:55 | 0:57:58 | |
Here it is. One hearse, one coffin. | 0:58:00 | 0:58:03 | |
J Marx, 49 Frederickstrasse, Karlstadt. | 0:58:03 | 0:58:08 | |
BELL RINGS | 0:58:08 | 0:58:10 | |
Arthur? | 0:58:29 | 0:58:31 | |
Arthur? | 0:58:40 | 0:58:41 | |
Are you sure I can't get you anything to eat, sir? | 0:59:06 | 0:59:09 | |
No, thank you, Gerda. We haven't time. | 0:59:10 | 0:59:12 | |
But I would like a word with Mrs Holmwood before we go. | 0:59:12 | 0:59:15 | |
-Would you go up and see if she's awake yet? -Yes, sir. | 0:59:15 | 0:59:18 | |
Are you ready? | 0:59:27 | 0:59:28 | |
-She's not there, sir. -Not there? | 0:59:37 | 0:59:40 | |
No, sir. | 0:59:40 | 0:59:41 | |
Good morning. | 0:59:41 | 0:59:43 | |
Mina, you gave me quite a fright. | 0:59:46 | 0:59:49 | |
Where have you been at this hour of the morning? | 0:59:49 | 0:59:51 | |
It was such a lovely day, I got up early | 0:59:51 | 0:59:53 | |
and went for a walk in the garden. | 0:59:53 | 0:59:54 | |
-I didn't expect you back so soon. -I'm afraid I have to go out again. | 0:59:54 | 0:59:58 | |
Oh... | 0:59:58 | 0:59:59 | |
-When will you be back? -I can't say for sure. | 0:59:59 | 1:00:02 | |
Mina, you look pale. Are you all right? | 1:00:03 | 1:00:06 | |
Arthur, darling, don't fuss. I feel perfectly well. | 1:00:06 | 1:00:09 | |
Goodbye, darling. | 1:00:11 | 1:00:12 | |
DOOR CLOSES | 1:00:20 | 1:00:21 | |
HOOVES APPROACHING | 1:00:31 | 1:00:34 | |
Perhaps you'd better let me lead the way, these steps can be dangerous. | 1:00:44 | 1:00:49 | |
We don't want to have an accident, do we? No, we don't. | 1:00:49 | 1:00:54 | |
Do you know, an old man came here once to see his dear departed | 1:00:54 | 1:00:57 | |
and he fell down these stairs. CHUCKLING: It was quite amusing. | 1:00:57 | 1:01:01 | |
He came to pay his last respects, and he remained to share them. | 1:01:01 | 1:01:05 | |
Quite amusing. | 1:01:06 | 1:01:08 | |
Now, where are we? Where are we? | 1:01:10 | 1:01:12 | |
It's around the back, somewhere. | 1:01:13 | 1:01:16 | |
It's been here so long it's bound to be at the back, isn't it? | 1:01:16 | 1:01:19 | |
This way, gentlemen. You follow me. | 1:01:19 | 1:01:22 | |
I know where it was. This way. | 1:01:22 | 1:01:24 | |
Well, now, this is extraordinary! | 1:01:26 | 1:01:30 | |
It was there. I know it was, because I saw it only yesterday. | 1:01:30 | 1:01:34 | |
I really don't understand who could have moved it. | 1:01:34 | 1:01:37 | |
The hearse driver might've lied to the frontier official | 1:01:44 | 1:01:46 | |
about where he was going. | 1:01:46 | 1:01:48 | |
Yes, but the fellow at the morgue wasn't lying. | 1:01:48 | 1:01:50 | |
He was really surprised when he saw the coffin wasn't there. | 1:01:50 | 1:01:53 | |
He must have had it sometime. | 1:01:53 | 1:01:54 | |
I think he's still somewhere in Karlstadt. | 1:01:54 | 1:01:57 | |
But where? This is a big town. | 1:01:57 | 1:01:59 | |
Not many places he could hide, don't forget. | 1:02:00 | 1:02:02 | |
There is that, of course. | 1:02:02 | 1:02:04 | |
What are you two being so mysterious about over there? | 1:02:04 | 1:02:06 | |
We'll be with you in a moment, my darling. | 1:02:06 | 1:02:09 | |
There is an old neglected graveyard about three miles from here. | 1:02:11 | 1:02:16 | |
Somewhere in this area. | 1:02:16 | 1:02:18 | |
St Joseph's. | 1:02:18 | 1:02:20 | |
Just one moment. | 1:02:21 | 1:02:23 | |
Mina, my dear, don't think I'm being silly... | 1:02:27 | 1:02:30 | |
but I'd feel much happier if during my absence you'd wear this. | 1:02:30 | 1:02:35 | |
Please don't ask me why, but just wear it for my sake. | 1:02:35 | 1:02:38 | |
-Arthur, I... -Please, Mina. | 1:02:40 | 1:02:44 | |
SHE GASPS | 1:02:47 | 1:02:49 | |
You said Lucy would lead us to Dracula, why didn't I listen to you?! | 1:03:21 | 1:03:25 | |
This would never have happened. | 1:03:25 | 1:03:27 | |
You mustn't blame yourself for that, | 1:03:27 | 1:03:28 | |
but you must have the courage to let Mina lead us now. | 1:03:28 | 1:03:31 | |
We'll give her every protection we can. | 1:03:31 | 1:03:33 | |
Tonight we'll watch the windows of her room. | 1:03:33 | 1:03:35 | |
-They face two sides of the house, don't they? -Yes. | 1:03:35 | 1:03:38 | |
I know I ask a great deal of you, but you mustn't weaken now. | 1:03:40 | 1:03:44 | |
We have it within our power to rid the world of this evil. | 1:03:44 | 1:03:47 | |
And with God's help, we'll succeed. | 1:03:51 | 1:03:54 | |
WIND HOWLS | 1:04:02 | 1:04:03 | |
WOLF HOWLS | 1:04:17 | 1:04:19 | |
WOLF HOWLS | 1:04:26 | 1:04:27 | |
OWL SHRIEKS | 1:06:16 | 1:06:18 | |
Mina's safe now, but we must Keep watch again tonight. Get some rest. | 1:06:43 | 1:06:46 | |
-What about you? -I'll be all right in there, if I may. -Right. | 1:06:46 | 1:06:50 | |
-I'll get you a rug from our room. -Thank you. | 1:06:50 | 1:06:53 | |
Mina! | 1:07:01 | 1:07:02 | |
(That's fine.) | 1:08:12 | 1:08:14 | |
Just sit still like that for a minute. | 1:08:18 | 1:08:20 | |
Thank you. | 1:08:37 | 1:08:38 | |
-Will she be all right? -I think so. | 1:08:48 | 1:08:50 | |
Let me see your arm. | 1:08:57 | 1:08:59 | |
Steady! | 1:09:00 | 1:09:01 | |
Are you all right? | 1:09:02 | 1:09:04 | |
ARTHUR SIGHS | 1:09:04 | 1:09:05 | |
Yes, yes, it's very good. | 1:09:08 | 1:09:10 | |
You'll need plenty of fluid. Tea, coffee, or better still, wine. | 1:09:15 | 1:09:18 | |
Go down and have some now, there's a good fellow. | 1:09:18 | 1:09:20 | |
Don't worry, Gerda and I will take care of her. | 1:09:33 | 1:09:36 | |
Just bathe her forehead, Gerda, will you? | 1:09:49 | 1:09:51 | |
-Eau de Cologne or something. -Yes, sir. | 1:09:51 | 1:09:53 | |
-How is she now? -She's reacted very well. | 1:10:10 | 1:10:13 | |
Thank God! | 1:10:13 | 1:10:14 | |
How did he get in? We watched the house all night. | 1:10:16 | 1:10:20 | |
Your theory must be wrong, he CAN change into something else. | 1:10:20 | 1:10:23 | |
He must be able to, how else could he have got in? | 1:10:23 | 1:10:25 | |
I wish I knew. | 1:10:27 | 1:10:28 | |
-Madam is sleeping now, sir. -She mustn't be left. | 1:10:31 | 1:10:34 | |
I'll go up to her. I'd like to. | 1:10:34 | 1:10:37 | |
You stay and rest, and have some wine. I'm sure you need both. | 1:10:37 | 1:10:40 | |
-Gerda, will you fetch another bottle? -Sir, I don't like to. | 1:10:41 | 1:10:45 | |
You know what happened last time | 1:10:45 | 1:10:46 | |
when I disobeyed Mrs Holmwood's orders. | 1:10:46 | 1:10:48 | |
What do you mean? | 1:10:48 | 1:10:50 | |
Madam told me the other day that I must, | 1:10:50 | 1:10:52 | |
on no account, go down to the cellar. | 1:10:52 | 1:10:53 | |
Holmwood! Holmwood! | 1:11:18 | 1:11:21 | |
Holmwood! | 1:11:22 | 1:11:24 | |
WOMAN SCREAMS | 1:11:32 | 1:11:34 | |
Gerda, what happened? | 1:11:37 | 1:11:41 | |
-HYSTERICAL: -You said to come back to madam, so I came up here. | 1:11:42 | 1:11:45 | |
-And he looked like the devil! -Now what happened? | 1:11:45 | 1:11:48 | |
He came in here and picked madam up like she was a baby! | 1:11:50 | 1:11:54 | |
Calm yourself, calm yourself. | 1:11:55 | 1:11:56 | |
There's only one place he can make for now- his home. | 1:11:56 | 1:11:59 | |
It's a coach driver. He's been dead about half an hour. | 1:12:15 | 1:12:18 | |
Hyah! | 1:12:26 | 1:12:27 | |
You think Dracula killed that coachman? | 1:12:30 | 1:12:32 | |
Of course he did, without a coach he'd never get home before sunrise. | 1:12:32 | 1:12:35 | |
-He'd be dead. -Even if he does get home... | 1:12:35 | 1:12:36 | |
He'd hide in the castle vaults for years. | 1:12:36 | 1:12:38 | |
-We'd lose him there. -And Mina? | 1:12:38 | 1:12:41 | |
HORSE WHINNIES | 1:12:52 | 1:12:53 | |
HE GASPS | 1:12:53 | 1:12:55 | |
Oh... | 1:13:05 | 1:13:07 | |
Hey! | 1:13:08 | 1:13:10 | |
HE COUGHS | 1:13:10 | 1:13:12 | |
Halt! | 1:13:25 | 1:13:26 | |
Halt! | 1:13:26 | 1:13:28 | |
HORSES WHINNY | 1:13:28 | 1:13:29 | |
It's getting light. | 1:13:38 | 1:13:40 | |
SHE SCREAMS | 1:14:02 | 1:14:03 | |
Ho! | 1:14:11 | 1:14:13 | |
Look! | 1:14:13 | 1:14:14 | |
VAN HELSING GRUNTS | 1:15:04 | 1:15:07 | |
HE SCREAMS | 1:15:47 | 1:15:50 | |
HE CROAKS | 1:15:53 | 1:15:55 | |
WIND HOWLS | 1:16:59 | 1:17:01 |