Browse content similar to Puppet on a Chain. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
RADIO: 'No score. New York Mets are batting in the bottom of the first inning at Shea Stadium. | 0:00:02 | 0:00:09 | |
'The Mets and the Cubs will play tomorrow afternoon. We'll be broadcasting the game at 2pm. | 0:00:09 | 0:00:15 | |
'Tom Lara, hitting 289 for the year. 22 home runs, 95 runs batted in. | 0:00:15 | 0:00:21 | |
'It's a perfect hit! One man past the plate! | 0:00:21 | 0:00:25 | |
'Ball's going all the way to the wall!' | 0:00:25 | 0:00:28 | |
RADIO OFF | 0:00:28 | 0:00:31 | |
AGH! | 0:01:22 | 0:01:24 | |
FLIGHT ANNOUNCEMENT IN DUTCH | 0:03:43 | 0:03:47 | |
'Your attention, please. KLM flight KL644 from New York and London | 0:03:54 | 0:04:00 | |
'has just landed at Gate 24.' | 0:04:00 | 0:04:03 | |
LOUD GUNSHOT | 0:04:37 | 0:04:39 | |
A-A-AGH! | 0:04:48 | 0:04:51 | |
CROWD TALKS EXCITEDLY | 0:04:51 | 0:04:54 | |
'This is a staff announcement. Security staff and medical team, | 0:05:19 | 0:05:24 | |
'please go at once to Gate 24, Flight Arrivals. | 0:05:24 | 0:05:28 | |
'I repeat... | 0:05:28 | 0:05:31 | |
'Security staff and medical team | 0:05:31 | 0:05:34 | |
'please go at once to Gate 24, Flight Arrivals.' | 0:05:34 | 0:05:39 | |
I resent letters which order me to co-operate with strangers and junior members of a foreign police force. | 0:05:48 | 0:05:55 | |
-I'm sorry, sir, but I didn't write that letter. -Why are you Americans interested in our drug rackets? | 0:05:55 | 0:06:02 | |
-Most of the heroin from Holland comes to the States. -You're implying that, since we haven't stopped it, | 0:06:02 | 0:06:09 | |
-you've come here to do so, hmm? -No-one has implied that, sir, I can assure you. -Hmph! Can you indeed?! | 0:06:09 | 0:06:16 | |
-All right, Sherman, what is your side of it? -Two days ago, three people were professionally murdered | 0:06:16 | 0:06:23 | |
-because they intercepted and stole a consignment of heroin we know came from here. -How do you know? | 0:06:23 | 0:06:30 | |
-They worked for a firm - Schulster - which imports entirely from Holland. -You call this proof? -No, sir. | 0:06:30 | 0:06:37 | |
What do you hope to achieve in Amsterdam? | 0:06:37 | 0:06:41 | |
-To find the source. -Oh. | 0:06:41 | 0:06:43 | |
Is that all(?) | 0:06:43 | 0:06:46 | |
We haven't done very well so far, Mr Sherman. | 0:06:46 | 0:06:50 | |
We know the stuff comes in in bulk and goes out broken up. But where, or how, we've no idea. | 0:06:50 | 0:06:57 | |
Well, we can all sit back and let our American allies solve it for us - like in the War. | 0:06:57 | 0:07:03 | |
-It's a beautiful city. -Oh, I am glad you're enjoying yourself, after such an eventful day(!) | 0:07:03 | 0:07:09 | |
-I didn't kill Duclos, Colonel. -Oh, that was quite clear at the airport. But we found out very little | 0:07:09 | 0:07:17 | |
-about him, except his name and the fact he came from London three weeks ago. He was meeting your plane. -Yes. | 0:07:17 | 0:07:24 | |
-He was one of our men. -But, sir, Duclos must have been onto SOMETHING. -And now we've lost it. | 0:07:24 | 0:07:31 | |
Perhaps. | 0:07:32 | 0:07:34 | |
They tell me you used to be Dutch. | 0:07:38 | 0:07:41 | |
Yes. We, uh, moved to the States when I was quite young. | 0:07:42 | 0:07:46 | |
-Sherman...what sort of Dutch name is THAT? -Oh, we changed it. | 0:07:46 | 0:07:51 | |
-Easier to pronounce. -Uh-huh? | 0:07:51 | 0:07:54 | |
How does one apologise for other people? | 0:08:01 | 0:08:05 | |
He retires soon, Mr Sherman, that's the trouble. The thought of growing tulips doesn't much appeal to him. | 0:08:05 | 0:08:12 | |
Sherman... | 0:08:13 | 0:08:15 | |
we're acquainted with your methods, | 0:08:15 | 0:08:18 | |
but, here, we are all subject to the law, myself included, and you're no exception. | 0:08:18 | 0:08:25 | |
PIPE ORGAN PLAYS | 0:08:28 | 0:08:31 | |
Uh, you have a reservation for me. Sherman. | 0:08:41 | 0:08:45 | |
Now, we've done the Anne Frank House. How about the Rijksmuseum? | 0:08:45 | 0:08:50 | |
We've SEEN the Rijksmuseum. That's where the Rembrandts are. | 0:08:50 | 0:08:54 | |
-Welcome to Amsterdam, Mr Sherman. -Thank you. | 0:08:54 | 0:08:57 | |
METALLIC SQUEAKING | 0:09:08 | 0:09:11 | |
-Room 616, Mr Sherman. -Thank you. | 0:09:14 | 0:09:17 | |
-Oh, leave those. One of the boys can bring them up. -It's OK, I don't mind. | 0:09:17 | 0:09:22 | |
BOAT'S HORN SOUNDS | 0:09:55 | 0:09:59 | |
Room 616. | 0:10:24 | 0:10:26 | |
PIPE ORGAN PLAYS | 0:11:05 | 0:11:08 | |
Hello, love. ..Oh! | 0:13:13 | 0:13:16 | |
Hello, love. American? | 0:13:25 | 0:13:28 | |
English? 30 guilders to you, love. | 0:13:28 | 0:13:32 | |
Come on. | 0:13:35 | 0:13:37 | |
CONVERSATION INAUDIBLE | 0:13:56 | 0:13:59 | |
Well? Did he contact anyone? | 0:14:57 | 0:15:00 | |
I lost him. | 0:15:00 | 0:15:02 | |
-You mean he knew he was being followed, and lost YOU? -Yes. | 0:15:04 | 0:15:08 | |
That's very clever(!) | 0:15:08 | 0:15:11 | |
You won't get a second chance. You know his reputation - efficient, never makes mistakes, ruthless! | 0:15:11 | 0:15:18 | |
-Who is it? -Sherman. | 0:15:41 | 0:15:43 | |
Sherman? | 0:15:44 | 0:15:46 | |
Hello...SHERMAN. | 0:15:51 | 0:15:53 | |
-It was "Paul" last time we saw each other. -Hmm. | 0:15:55 | 0:15:59 | |
-When did you get in? -Lunchtime plane. | 0:15:59 | 0:16:03 | |
Absolutely packed. You know, they'd only provide first-class transportation for... | 0:16:03 | 0:16:10 | |
-Were you followed here? -Someone tried. Were YOU? -No. | 0:16:11 | 0:16:16 | |
Yes, of course - no-one outside of Washington knows you're on this job. | 0:16:16 | 0:16:22 | |
How many know about YOU? | 0:16:22 | 0:16:25 | |
Naturally, the local police chief, name of De Graaf. Besides him... | 0:16:25 | 0:16:30 | |
only Jim Duclos. | 0:16:30 | 0:16:33 | |
Well, neither of them would talk. | 0:16:34 | 0:16:37 | |
Paul, something's bothering you. | 0:16:39 | 0:16:42 | |
Jimmy Duclos is dead. | 0:16:43 | 0:16:45 | |
Shot. Meeting me at the airport. | 0:16:46 | 0:16:49 | |
SHE SIGHS | 0:16:49 | 0:16:51 | |
The police say there was a girl with him. | 0:16:51 | 0:16:55 | |
Could you find out who she was? | 0:16:55 | 0:16:57 | |
I'll try. | 0:16:57 | 0:16:59 | |
Any lead on the man who was following you? | 0:16:59 | 0:17:03 | |
-He went to a warehouse at the docks. Had the name "Morgenstern" outside. -Morgenstern. Do you want me to go? | 0:17:03 | 0:17:10 | |
No, I'll do it. I want to keep you strictly undercover. Not even the police here must know about you. | 0:17:10 | 0:17:17 | |
These people, whoever they are, are murdering wholesale. | 0:17:17 | 0:17:22 | |
It's going to be a rough one, Maggie. | 0:17:24 | 0:17:27 | |
How's Joanna? | 0:17:30 | 0:17:32 | |
-She's extremely happy. -That's nice. | 0:17:34 | 0:17:38 | |
Yeah. We got a divorce last year. | 0:17:38 | 0:17:40 | |
I'll get started on looking for Jimmy's girlfriend. | 0:17:43 | 0:17:47 | |
PIPE ORGAN PLAYS LOUDLY | 0:17:47 | 0:17:50 | |
INAUDIBLE | 0:17:58 | 0:18:01 | |
PAPERS ARE SHUFFLED | 0:19:08 | 0:19:11 | |
Freeze. | 0:19:14 | 0:19:16 | |
Don't move. | 0:19:16 | 0:19:18 | |
Put your hands on the table. | 0:19:18 | 0:19:21 | |
Who sent you? | 0:19:38 | 0:19:40 | |
All right... | 0:19:43 | 0:19:45 | |
turn around. | 0:19:45 | 0:19:47 | |
I asked you a question. Who sent you? | 0:19:55 | 0:19:59 | |
Right, put your hands up. | 0:20:01 | 0:20:03 | |
Above your head. | 0:20:03 | 0:20:06 | |
STRAIGHT! | 0:20:06 | 0:20:08 | |
Now, turn around. | 0:20:10 | 0:20:12 | |
Agh! | 0:20:33 | 0:20:34 | |
Oh... Agh! | 0:20:34 | 0:20:37 | |
Now, for the last time, who sent you? | 0:20:41 | 0:20:44 | |
A-A-ARGH! | 0:20:50 | 0:20:53 | |
Agh! Oh...! | 0:20:53 | 0:20:55 | |
Enjoy your meal. | 0:22:24 | 0:22:26 | |
-MALE TOURIST: -Let me see that book. It should be somewhere around here. | 0:22:33 | 0:22:38 | |
616, please. | 0:22:38 | 0:22:41 | |
-Mr Sherman. -My key, please. | 0:22:42 | 0:22:45 | |
Thanks. | 0:22:50 | 0:22:52 | |
-We could go on a boat tour of the canals. -I get sick on boats. | 0:22:54 | 0:22:59 | |
I suppose we shall have to stay in tonight, that's all. | 0:22:59 | 0:23:03 | |
-We could have gone out for a drink. -That's all you ever think about! | 0:23:04 | 0:23:09 | |
A-A-A-AGH! | 0:23:12 | 0:23:14 | |
Is anybody phoning the police or an ambulance? Get a blanket, will you? | 0:23:27 | 0:23:32 | |
She met Jimmy Duclos two weeks ago. Her name is Astrid Lemay, | 0:23:32 | 0:23:37 | |
and she works at the Bellanova nightclub. | 0:23:37 | 0:23:40 | |
-What does she do - take 'em off? -I'd say more "puts them on". -Puts what on? -The customers. | 0:23:42 | 0:23:48 | |
-She gets them to buy drinks then promises to meet them outside. -And doesn't? -Not while -I -was watching. | 0:23:48 | 0:23:56 | |
-I want to talk to her. -I'll find her. | 0:23:56 | 0:23:59 | |
BOAT'S HORN BLOWS | 0:23:59 | 0:24:02 | |
Great Rhine barges... the harbour and docks... | 0:24:02 | 0:24:07 | |
..and, over there, the city itself. | 0:24:08 | 0:24:12 | |
That's our royal palace. | 0:24:13 | 0:24:16 | |
Are you married, Mr Sherman? | 0:24:18 | 0:24:21 | |
-I was. -Any children? | 0:24:21 | 0:24:23 | |
No. | 0:24:23 | 0:24:25 | |
You're a wise man. This is no world for the innocent. | 0:24:25 | 0:24:30 | |
-What do you mean? -I'd like to show you something. Come. | 0:24:30 | 0:24:34 | |
Trudi? > | 0:24:35 | 0:24:37 | |
Say hello to Mr Sherman. | 0:24:42 | 0:24:44 | |
-No. -Then you must go to your room. -No, Papa! -Then do as I ask, please. | 0:24:44 | 0:24:49 | |
Hello. | 0:24:51 | 0:24:53 | |
Hello. | 0:24:54 | 0:24:56 | |
Dutch gin. ..Prost! | 0:25:04 | 0:25:07 | |
I don't understand why you brought me here. | 0:25:07 | 0:25:11 | |
She calls me Papa. In fact, she's my brother's daughter. | 0:25:11 | 0:25:16 | |
-He and I worked in Curacao together. He was killed with his wife in a car crash last year. -(How old is she?) | 0:25:16 | 0:25:24 | |
It's all right - she won't understand this. Officially, 24. Mentally... | 0:25:24 | 0:25:29 | |
four, five - something like that. When she was 16, she was an intelligent young girl. | 0:25:29 | 0:25:35 | |
Then someone introduced her to heroin. Within six months, she was on 5 grams a day. | 0:25:35 | 0:25:42 | |
In a year, she was in an oxygen tent, that far from death. They brought her round, but she lost 12 years. | 0:25:42 | 0:25:50 | |
She left hospital a child again. I suppose for ever. | 0:25:50 | 0:25:55 | |
-Trudi? > -Yes, Herta? | 0:25:55 | 0:25:58 | |
Come. | 0:25:58 | 0:26:00 | |
Who's she? Her nurse? | 0:26:06 | 0:26:08 | |
The old retainer, you might say. My parents' housekeeper. From the island of Huyler in the Zuider Zee. | 0:26:08 | 0:26:15 | |
-Well, Mr Sherman... do you feel like working tonight? -Why, of course. -Good. | 0:26:15 | 0:26:21 | |
MELLOW GUITAR MUSIC | 0:26:21 | 0:26:25 | |
How long have you worked in narcotics, Mr Sherman? | 0:26:30 | 0:26:34 | |
-Too long! -Yeah, we all feel that way. | 0:26:34 | 0:26:37 | |
They're the coming thing. | 0:26:39 | 0:26:41 | |
Nice kids. No trouble to anyone. Just a harmless evening smoking pot. | 0:26:43 | 0:26:49 | |
And each one is sure he won't get hooked. They think there's still a future! | 0:26:49 | 0:26:55 | |
Within a year, half of them will be on the hard stuff. And NEXT year, three out of every ten will be dead. | 0:26:55 | 0:27:02 | |
Just came in. | 0:27:04 | 0:27:06 | |
Bjorn Gerber, aged 19. I won't show his face - he's been in the canal too long. | 0:27:06 | 0:27:12 | |
Now, this one is... Let's see... HE SNIFFS | 0:27:14 | 0:27:18 | |
..Hans Volstenmeyer. Hold this, please. | 0:27:18 | 0:27:22 | |
16. | 0:27:23 | 0:27:25 | |
Riddled with heroin. | 0:27:25 | 0:27:28 | |
-16. -What are these bruises? | 0:27:28 | 0:27:31 | |
He fell off a warehouse roof. | 0:27:31 | 0:27:33 | |
-May I? -Mmm. | 0:27:33 | 0:27:36 | |
-What was he doing up there, I wonder? -Who knows? Who knows anything with these wrecks? | 0:27:37 | 0:27:43 | |
-Entrepot Docks. -I'll show you the place if you wish. -No, I think I'll go to bed, Inspector. | 0:27:43 | 0:27:50 | |
Yes, of course. | 0:27:50 | 0:27:52 | |
BOAT'S HORN BLOWS | 0:28:01 | 0:28:03 | |
WIND WHISTLES | 0:28:03 | 0:28:06 | |
CAT HOWLS, DOG BARKS | 0:28:39 | 0:28:42 | |
"Schulster, New York." | 0:28:55 | 0:28:58 | |
Yeah. | 0:28:58 | 0:28:59 | |
TRAIN RATTLES BY | 0:29:21 | 0:29:24 | |
Bibles. | 0:29:32 | 0:29:34 | |
A souvenir warehouse. | 0:29:34 | 0:29:37 | |
That's odd. | 0:29:37 | 0:29:39 | |
"Marianne". | 0:29:43 | 0:29:44 | |
-Where do you get this book? -From the man who was following me. | 0:29:44 | 0:29:49 | |
-How's your famous intuition working? -Very well. | 0:29:49 | 0:29:53 | |
-What does "Marianne" mean, then? -The name of a boat. | 0:29:58 | 0:30:02 | |
Scotch, please. | 0:31:27 | 0:31:30 | |
Thank you. | 0:31:42 | 0:31:44 | |
-Miss Lemay? -Yes! | 0:31:54 | 0:31:57 | |
I had to make sure it was you. | 0:31:57 | 0:32:00 | |
Don't go. ..Please, join me. | 0:32:01 | 0:32:04 | |
Who are you? How did you know I was here? | 0:32:12 | 0:32:15 | |
-I was told. -Well, what do you want? | 0:32:15 | 0:32:19 | |
Jimmy Duclos was a friend of mine. | 0:32:21 | 0:32:24 | |
I simply wanted to meet the last person to speak to him. | 0:32:24 | 0:32:29 | |
-I -don't know who killed him! | 0:32:29 | 0:32:32 | |
I don't want to know WHO. I want to know WHY. | 0:32:32 | 0:32:35 | |
For the same reason YOU will be if you don't stop asking questions! | 0:32:35 | 0:32:40 | |
CHURCH BELL CHIMES | 0:32:53 | 0:32:56 | |
ORGAN PLAYS SLOWLY | 0:33:41 | 0:33:45 | |
ORGAN PLAYS LOUDLY | 0:34:57 | 0:35:01 | |
Ladies and gentlemen, this statue is of a much later date than the church, and the artist now lives in Italy. | 0:35:24 | 0:35:31 | |
Oh, we must rejoin our bus on the corner of the gardens. We have just enough time for lunch... | 0:35:31 | 0:35:38 | |
Mesdames et monsieurs, alors, venez avec moi... | 0:35:38 | 0:35:43 | |
-She came straight here. The only one she spoke to was some woman in charge. -What's she like? | 0:35:57 | 0:36:03 | |
-A spinster with a very grim face. -I'll take a look inside later. | 0:36:03 | 0:36:08 | |
Mr Sherman? | 0:36:08 | 0:36:10 | |
Oh! Hello, Mr Sherman! | 0:36:12 | 0:36:15 | |
Hello, Trudi! | 0:36:15 | 0:36:17 | |
What are you doing here? Are you alone? Where's Herta? | 0:36:17 | 0:36:22 | |
Herta's gone! | 0:36:22 | 0:36:24 | |
Hello! | 0:36:27 | 0:36:29 | |
-Hello. -Who are you? -I'm just a tourist. | 0:36:29 | 0:36:33 | |
-Are you Mr Sherman's friend? -Who? | 0:36:33 | 0:36:37 | |
-I'm Sherman. I'd better take you home, Trudi. -I don't want to go. | 0:36:37 | 0:36:42 | |
-How about a taxi ride? -Oh, can we go in a taxi? A taxi! | 0:36:42 | 0:36:46 | |
FUNKY MUSIC | 0:36:50 | 0:36:53 | |
-All right? -Uh-huh. Champagne. | 0:37:23 | 0:37:26 | |
CONVERSATION INAUDIBLE | 0:37:47 | 0:37:50 | |
Scotch, please. | 0:37:55 | 0:37:57 | |
-I'm not giving him any more money. -And you're going out to meet him to tell him that? -He has to understand. | 0:38:10 | 0:38:17 | |
-It can't go on, I'm getting into debt! -You can have all the money you need for George...and yourself. | 0:38:17 | 0:38:24 | |
I'm always generous when it comes to something...I really want. | 0:38:24 | 0:38:29 | |
PIPE ORGAN PLAYS | 0:39:07 | 0:39:10 | |
George... I need it, I need it! | 0:39:14 | 0:39:17 | |
You asked me to meet you! I know you've got something! | 0:39:17 | 0:39:22 | |
Oh! If you won't give me it, I'll get it somewhere else - but I'll get it! | 0:39:22 | 0:39:27 | |
-Why don't you stop following me?! -Right, next time, I'll let you get mugged! | 0:39:27 | 0:39:33 | |
He wasn't a thief. He was my brother. Now leave us alone! | 0:39:33 | 0:39:38 | |
SOBBING AND PANTING | 0:40:00 | 0:40:02 | |
HEAVY BREATHING | 0:40:04 | 0:40:07 | |
Oh, God! | 0:40:11 | 0:40:13 | |
Where is it? Where is it? Oh...! | 0:40:17 | 0:40:20 | |
HE SOBS | 0:40:21 | 0:40:24 | |
-Lemay? -Agh! | 0:40:27 | 0:40:30 | |
< Excuse me... | 0:41:12 | 0:41:14 | |
-is there something wrong? -No, why? -I thought I heard noises in the church. | 0:41:14 | 0:41:19 | |
-Church? -My church. I'm the pastor. I thought someone was in there! | 0:41:19 | 0:41:24 | |
-Not me, Reverend. Haven't been in church in years. -Is that a friend? -Yeah. -What is the matter with him? | 0:41:24 | 0:41:31 | |
-Oh, a few drinks too many, that's all. -Oh, perhaps I can help? | 0:41:31 | 0:41:36 | |
That's all right. ..Would you mind? | 0:41:36 | 0:41:39 | |
You may not believe this, but I found him in a church. | 0:41:46 | 0:41:50 | |
George, you fool. You bloody fool! Go on - get out! | 0:41:51 | 0:41:55 | |
-Can't you see I'm trying to help you? -How can YOU help me? | 0:41:59 | 0:42:04 | |
Do you want to spend your life being blackmailed, lead Duclos to his death, get George his fix? | 0:42:04 | 0:42:11 | |
-I didn't know they were going to kill Jimmy! -But they did. | 0:42:11 | 0:42:15 | |
-You set him up. You were the only one to know he'd be at the airport to meet me. -What else could I do?! | 0:42:15 | 0:42:23 | |
I can't just let my brother die! | 0:42:23 | 0:42:25 | |
-Why did they kill Duclos? What had he found out? -I don't know! | 0:42:25 | 0:42:30 | |
-I think you do. -I don't. I swear I don't! -You swear easily, don't you? | 0:42:30 | 0:42:35 | |
I was in love with Jimmy. | 0:42:36 | 0:42:39 | |
If you change your mind... | 0:42:42 | 0:42:45 | |
call me at this number. | 0:42:45 | 0:42:47 | |
DOOR OPENS AND CLOSES | 0:42:49 | 0:42:52 | |
-Sherman! -Oh, good morning, Colonel. -I want a word with you. | 0:43:09 | 0:43:13 | |
-What are these men doing? -I asked for a search at the Morgenstern warehouse. -Who gave permission? | 0:43:15 | 0:43:21 | |
-Inspector Van Gelder. -My force has better things to do on a Sunday than to run around playing games! | 0:43:21 | 0:43:27 | |
-It's imperative to our case... -OUR case?! Since when have -I -been consulted? -Colonel de Graaf, | 0:43:27 | 0:43:35 | |
since I arrived, you've resented my presence. I've reason to believe that this warehouse is linked | 0:43:35 | 0:43:42 | |
with the transportation of heroin to the States! May I get on with it? | 0:43:42 | 0:43:47 | |
Do it quickly. | 0:43:50 | 0:43:52 | |
Thank you, sir. | 0:43:52 | 0:43:54 | |
If it helps... | 0:43:55 | 0:43:58 | |
-Morgenstern's been to prison. -Thank you. It does. | 0:43:58 | 0:44:02 | |
I'd be grateful if you took charge, Colonel. | 0:44:04 | 0:44:08 | |
That WOULD make it look more official. | 0:44:08 | 0:44:11 | |
-Boy, I hope you know what you're doing! -I want to give the appearance of a search. | 0:44:11 | 0:44:18 | |
What I really want are the invoices, giving a list of all the suppliers of souvenir items to the warehouse. | 0:44:18 | 0:44:24 | |
Have you seen this, sir? | 0:44:24 | 0:44:27 | |
-Is he in? -Yes, sir. -Right, let's go. | 0:44:30 | 0:44:33 | |
-Police, sir. Routine search. -Wait a minute! Why? -I apologise for what is, I'm sure, a waste of time. | 0:44:39 | 0:44:47 | |
-But I am interested in that puppet dangling from your hoisting beam. -What?! -Come with me. I'll show you. | 0:44:47 | 0:44:54 | |
-150 years, our families have been...have been respected by all the tradesmen in Amsterdam! -Uh-huh? | 0:44:54 | 0:45:02 | |
-Go on - search! Search all you want. -Don't you want to know what we're searching FOR? | 0:45:02 | 0:45:08 | |
Why? We have nothing to hide! | 0:45:08 | 0:45:11 | |
-But who put it there, Morgenstern, and why? -I don't know, sir! | 0:45:24 | 0:45:30 | |
Some maniac! I have to find out. I will dismiss the man responsible. | 0:45:30 | 0:45:35 | |
You do that. | 0:45:35 | 0:45:37 | |
Well, did you get what you wanted? | 0:45:43 | 0:45:46 | |
-Yes. -You did? ..Morgenstern's never been mixed up with anything as big as drugs before. | 0:45:46 | 0:45:53 | |
-Do you think he knew about that doll up there? -Yes, I'm sure he did. | 0:45:53 | 0:45:58 | |
-Why? -I saw him last night with Duclos' girlfriend. -You didn't tell me that! | 0:45:58 | 0:46:05 | |
-It's her face on the doll. -Maybe you'd be kind enough to tell me just what you think that means. | 0:46:06 | 0:46:13 | |
You tell ME. | 0:46:15 | 0:46:17 | |
CHILDREN LAUGH AND SHOUT | 0:46:20 | 0:46:23 | |
CONVERSATION INAUDIBLE | 0:46:39 | 0:46:42 | |
INAUDIBLE | 0:46:50 | 0:46:53 | |
I wonder if your ceaseless activities in Amsterdam have taken you across the path of George Lemay. | 0:47:04 | 0:47:11 | |
-Yes, I know him. -George Lemay was taken in charge last night. | 0:47:11 | 0:47:17 | |
What for? | 0:47:17 | 0:47:19 | |
-For being dead, Sherman. -What happened? -One injection too many. | 0:47:19 | 0:47:25 | |
-His heart acknowledged the futility of going on. -It wasn't murder? -No! | 0:47:25 | 0:47:30 | |
Surprising, isn't it, since you're involved(?) ..Stop here. | 0:47:30 | 0:47:35 | |
I thought, uh... I thought you might be interested to know. | 0:47:37 | 0:47:42 | |
Thank you, Colonel. | 0:47:42 | 0:47:45 | |
HE KNOCKS AGAIN | 0:48:18 | 0:48:20 | |
-Miss Lemay? -GLASS BREAKS | 0:48:20 | 0:48:23 | |
SIREN WAILS | 0:49:19 | 0:49:22 | |
20 years in this business... and this kind of insanity still turns my stomach. | 0:49:24 | 0:49:30 | |
I want your report tonight. Yes, sir. | 0:49:30 | 0:49:33 | |
-What kind of man...? -An addict, if he had to earn his ampoule. Who was she? -Astrid Lemay, sir. | 0:49:33 | 0:49:40 | |
-Duclos' girlfriend. -Oh, I'm sorry. | 0:49:40 | 0:49:43 | |
Maybe De Graaf was right. | 0:49:43 | 0:49:46 | |
Death follows me around. | 0:49:47 | 0:49:50 | |
The dolls come from Huyler. So does Herta, and the barge, Marianne. | 0:49:51 | 0:49:56 | |
The heroin is sent, in the dolls, to the Morgenstern warehouse, the main supply centre. From there, | 0:49:56 | 0:50:03 | |
it's dispatched to its distributors abroad, either in the dolls, bibles or pendulum weights of the clocks. | 0:50:03 | 0:50:10 | |
One more thing. The girl, Trudi, always carries one of the dolls. | 0:50:10 | 0:50:15 | |
Could be they're using the kid as an unwitting messenger. ..I'm proceeding to Huyler. | 0:50:15 | 0:50:22 | |
If I fail to make next contact, our schedules suggest Emergency Fatality Procedure. | 0:50:22 | 0:50:28 | |
End of Dispatch Number Three - Sherman, Amsterdam. | 0:50:28 | 0:50:32 | |
-Why did you wait till now to go to Huyler? -Because today... | 0:50:47 | 0:50:53 | |
..is the 18th. | 0:50:54 | 0:50:56 | |
Oh, I see. 0600 on the 19th. Six o'clock tomorrow morning. | 0:50:56 | 0:51:01 | |
-Right. -And the other figures are a map reference? -Very good. You don't miss much, do you? | 0:51:01 | 0:51:08 | |
I missed YOU. | 0:51:10 | 0:51:12 | |
I always meant to write... | 0:51:16 | 0:51:19 | |
but you know how things were. | 0:51:19 | 0:51:21 | |
I understand. | 0:51:24 | 0:51:26 | |
That's Huyler. | 0:51:32 | 0:51:34 | |
The lion's den. | 0:51:34 | 0:51:37 | |
THUNDER RUMBLES | 0:51:44 | 0:51:47 | |
LIGHTNING CRASHES | 0:52:18 | 0:52:21 | |
Paul... | 0:52:27 | 0:52:29 | |
what are you thinking? | 0:52:29 | 0:52:32 | |
I was, um... | 0:52:33 | 0:52:35 | |
-thinking about my ex-wife, as a matter of fact. -Oh. | 0:52:35 | 0:52:40 | |
Sorry I asked. | 0:52:40 | 0:52:43 | |
I was thinking about how you and she have absolutely nothing in common. | 0:52:57 | 0:53:02 | |
What was she like? | 0:53:06 | 0:53:08 | |
Very affectionate... | 0:53:08 | 0:53:11 | |
-with other men. -Oh. | 0:53:11 | 0:53:14 | |
My fault. I was never there. | 0:53:16 | 0:53:19 | |
I don't know if I'd like to be married to you or not. | 0:53:22 | 0:53:26 | |
We'll see. | 0:53:26 | 0:53:29 | |
Promises, promises! | 0:53:29 | 0:53:31 | |
-What's there? -That's what I hope to find out. -How? | 0:53:38 | 0:53:43 | |
I'm going back to Amsterdam tonight. | 0:53:43 | 0:53:46 | |
Six o'clock on the 19th - it's a rendezvous time. | 0:53:46 | 0:53:51 | |
-I'd bet my... -My life on it? | 0:53:51 | 0:53:53 | |
The Marianne... | 0:53:57 | 0:54:00 | |
picks up the bulk heroin... | 0:54:00 | 0:54:02 | |
-there, and I want to be there when they make the pick-up. She brings it in here. -Why here? | 0:54:02 | 0:54:09 | |
Because the Marianne is from Huyler. If I'm right... | 0:54:09 | 0:54:13 | |
-I'll be back in Huyler tomorrow morning. -And if you're wrong? | 0:54:13 | 0:54:18 | |
Now... | 0:54:20 | 0:54:22 | |
you're a tourist... | 0:54:22 | 0:54:24 | |
..doing the Zuider. | 0:54:26 | 0:54:29 | |
Let's take a look at the other map. | 0:54:32 | 0:54:34 | |
There's a doll factory... | 0:54:34 | 0:54:37 | |
On the north of the island, a quarter of a mile from the castle. There's a moat... | 0:54:37 | 0:54:43 | |
..that surrounds the castle... and a drawbridge. | 0:54:47 | 0:54:52 | |
And, on the south side of the island, there's a hotel... | 0:54:55 | 0:54:59 | |
WIND WHISTLES | 0:55:34 | 0:55:37 | |
A-AGH! | 0:56:46 | 0:56:48 | |
BOAT'S HORN TOOTS | 0:57:06 | 0:57:09 | |
Agh! | 0:58:16 | 0:58:18 | |
Oh...! | 0:58:19 | 0:58:21 | |
CHOKING | 0:59:10 | 0:59:13 | |
COUGHING AND SPLUTTERING | 0:59:13 | 0:59:16 | |
GUNSHOT | 0:59:22 | 0:59:24 | |
ENGINE CHUGS | 0:59:32 | 0:59:35 | |
DISTANT WHIR OF HELICOPTER | 1:00:49 | 1:00:52 | |
-Hello! -Oh, hello! | 1:01:58 | 1:02:01 | |
-I saw you at the church. -Yes. -Mr Sherman was there. | 1:02:01 | 1:02:06 | |
-He's my friend. -Yes, I remember. | 1:02:06 | 1:02:09 | |
INAUDIBLE CONVERSATION | 1:02:12 | 1:02:15 | |
-Are you here alone? -Herta had to go away. | 1:02:20 | 1:02:23 | |
-Before she comes back, would you like to see my dolls? -What kind of dolls? -They make them on the island. | 1:02:23 | 1:02:30 | |
-Please...let me show them to you. -I really haven't much time. -But it's not far to the castle. | 1:02:30 | 1:02:37 | |
-And I haven't any other friends to show them to. -All right, I'll come. | 1:02:37 | 1:02:42 | |
Please? | 1:03:14 | 1:03:16 | |
FOLK MUSIC PLAYS | 1:03:24 | 1:03:28 | |
Oh...! Dance! | 1:03:28 | 1:03:31 | |
MUSIC CONTINUES | 1:04:05 | 1:04:08 | |
They're lovely. | 1:04:08 | 1:04:10 | |
-Where do you get them? -They're mine! | 1:04:10 | 1:04:13 | |
Of course they're yours - I'm not going to take them. But you can tell me. I'm your friend. | 1:04:13 | 1:04:20 | |
They're not really mine! | 1:04:20 | 1:04:22 | |
Sometimes I have to give them away to people as...presents. | 1:04:24 | 1:04:28 | |
Trudi... | 1:04:30 | 1:04:32 | |
..let's you and I share a little secret, all right? | 1:04:33 | 1:04:37 | |
Who gives you the dolls? | 1:04:37 | 1:04:40 | |
I do. > | 1:04:40 | 1:04:42 | |
I do. | 1:04:42 | 1:04:44 | |
Trudi...you were told never to bring anyone in here. | 1:04:44 | 1:04:49 | |
But she's my friend. | 1:04:49 | 1:04:52 | |
But so am I! Why don't you leave your two friends together? | 1:04:52 | 1:04:58 | |
-Herta is waiting downstairs. -Oh, please, I don't want to go. | 1:04:58 | 1:05:02 | |
Please. | 1:05:02 | 1:05:04 | |
You will come and see me again, won't you? | 1:05:07 | 1:05:11 | |
Yes. | 1:05:11 | 1:05:13 | |
Thank you so much for looking after her. | 1:05:22 | 1:05:26 | |
Let me show you a way out. I can find my own way, thank you. | 1:05:28 | 1:05:32 | |
No, not that way. That leads to the courtyard. It would interfere with the dance. Please, this way. | 1:05:32 | 1:05:39 | |
Thank you. | 1:05:41 | 1:05:43 | |
No! No! Oh...! | 1:05:57 | 1:06:00 | |
Let me...go, please! No, no! | 1:06:01 | 1:06:05 | |
Oh, help me! Somebody! | 1:06:05 | 1:06:08 | |
Somebody, please, help me! | 1:06:08 | 1:06:11 | |
No...! | 1:06:12 | 1:06:14 | |
Don't be frightened. Ssh, ssh, ssh! | 1:06:14 | 1:06:17 | |
Don't be frightened. | 1:06:17 | 1:06:20 | |
There's nothing to worry about. Everything's going to be all right. | 1:06:23 | 1:06:28 | |
Look... | 1:06:30 | 1:06:32 | |
No! | 1:06:38 | 1:06:39 | |
No...! | 1:06:39 | 1:06:41 | |
NO! | 1:06:41 | 1:06:43 | |
NO-O-O-O-O! | 1:06:43 | 1:06:46 | |
SHE SCREAMS | 1:06:46 | 1:06:49 | |
SILENCE | 1:06:51 | 1:06:53 | |
CREAKING | 1:07:03 | 1:07:05 | |
MUSIC CONTINUES | 1:07:10 | 1:07:13 | |
You...bastards! | 1:09:59 | 1:10:02 | |
YOU BASTARD...! | 1:10:03 | 1:10:05 | |
CLOCKS TICK | 1:10:18 | 1:10:21 | |
Good morning, Mr Sherman. | 1:10:21 | 1:10:24 | |
Welcome to my castle. I trust you found what you were looking for. | 1:10:24 | 1:10:30 | |
But, uh...we've met, of course, before. Haven't we? | 1:10:33 | 1:10:38 | |
Who killed her? | 1:10:40 | 1:10:43 | |
Ah... | 1:10:44 | 1:10:45 | |
Miss Lemay, you mean? | 1:10:45 | 1:10:48 | |
Well, it amused me... | 1:10:49 | 1:10:52 | |
Also... | 1:10:52 | 1:10:54 | |
she was about to be most indiscreet... | 1:10:54 | 1:10:58 | |
..after her brother died. | 1:10:59 | 1:11:01 | |
-That didn't suit us. -Who killed Maggie?! -Hmm? | 1:11:01 | 1:11:05 | |
Oh... | 1:11:05 | 1:11:07 | |
your other young lady. It was your fault she had to die. | 1:11:07 | 1:11:13 | |
Beautiful girl. | 1:11:13 | 1:11:15 | |
I am afraid we recognised her today | 1:11:16 | 1:11:19 | |
as the girl who had attended... one of our services...the other day. | 1:11:19 | 1:11:26 | |
I'm going to kill you, Meegeren. | 1:11:26 | 1:11:29 | |
Isn't it simply beautiful? | 1:11:29 | 1:11:32 | |
And we knew... you'd be along sooner or later. | 1:11:32 | 1:11:36 | |
I'm going to kill you. | 1:11:36 | 1:11:38 | |
Yes... | 1:11:40 | 1:11:42 | |
you are trespassing, my friend. | 1:11:42 | 1:11:45 | |
You also killed two friends of mine. | 1:11:46 | 1:11:49 | |
If only people would live and let live! Interference! Mixing with each other's affairs! | 1:11:51 | 1:11:58 | |
Why do they do it? If you'd stayed out of it, nobody would have got hurt! | 1:11:58 | 1:12:04 | |
I'm going to kill you. | 1:12:04 | 1:12:07 | |
I tried to help the ladies. I did, I... | 1:12:07 | 1:12:11 | |
I did try to make it beautiful for them. | 1:12:11 | 1:12:15 | |
Ah! | 1:12:16 | 1:12:17 | |
You may be interested in the castle guidebook. | 1:12:17 | 1:12:22 | |
Listen... | 1:12:22 | 1:12:24 | |
"You are now in the celebrated Castle of the Clocks - | 1:12:24 | 1:12:28 | |
"the finest collection in Europe... | 1:12:28 | 1:12:31 | |
"some say, in the world. For the entertainment of visitors, | 1:12:31 | 1:12:36 | |
"a recorded device has been installed to give some idea of what it sounds like when every clock strikes...12... | 1:12:36 | 1:12:44 | |
"..simultaneously." | 1:12:45 | 1:12:47 | |
Oh, would you like to hear it, Mr Sherman? | 1:12:47 | 1:12:51 | |
I admit I've adjusted the machine just a little, just for you. ..Agh! | 1:12:51 | 1:12:56 | |
I'm severely displeased with you, Mr Sherman, but I want you to die beautifully. | 1:12:56 | 1:13:02 | |
You're an artist, too. | 1:13:02 | 1:13:05 | |
I'm giving you the best I have. | 1:13:05 | 1:13:07 | |
The most divine sound... | 1:13:07 | 1:13:10 | |
that I love. | 1:13:10 | 1:13:13 | |
-Can you hear me? -I'm going to kill you and whoever told you to kill Maggie. | 1:13:25 | 1:13:30 | |
VOICE REVERBERATES: I was told the sound can send a man insane in 15 minutes! | 1:13:30 | 1:13:36 | |
And dead in 20! | 1:13:36 | 1:13:38 | |
I wonder how long will you last, Mr Sherman. | 1:13:38 | 1:13:42 | |
We'll try. Try! | 1:13:42 | 1:13:44 | |
CLOCKS TICK LOUDLY | 1:13:50 | 1:13:53 | |
BELLS CHIME | 1:13:53 | 1:13:56 | |
LOUD CUCKOO CLOCK | 1:13:56 | 1:13:58 | |
MORE CLOCKS TICK AND CHIME | 1:13:58 | 1:14:01 | |
VOLUME INCREASES | 1:14:01 | 1:14:04 | |
VOLUME AND PITCH INCREASE | 1:14:05 | 1:14:08 | |
AGH! | 1:14:11 | 1:14:13 | |
HE STRUGGLES AND PANTS | 1:14:15 | 1:14:19 | |
-I am going back to Amsterdam. -Yes, sir. -Get rid of the body later. | 1:14:22 | 1:14:28 | |
Agh! | 1:14:28 | 1:14:29 | |
Oh...! | 1:14:42 | 1:14:43 | |
Oh... OH! | 1:14:47 | 1:14:50 | |
CRASH! | 1:14:59 | 1:15:01 | |
FOOTSTEPS | 1:15:08 | 1:15:10 | |
ENGINE ROARS | 1:15:38 | 1:15:41 | |
ENGINE STOPS | 1:16:24 | 1:16:26 | |
SHIP'S HORN SOUNDS | 1:18:14 | 1:18:17 | |
SQUAWK! | 1:20:26 | 1:20:28 | |
GUNSHOT | 1:20:28 | 1:20:29 | |
CLOCK CHIMES IN DISTANCE | 1:21:45 | 1:21:48 | |
BOAT'S HORN SOUNDS | 1:22:00 | 1:22:03 | |
HORN SOUNDS | 1:22:12 | 1:22:15 | |
HORN SOUNDS | 1:22:22 | 1:22:25 | |
BOOM! | 1:23:46 | 1:23:48 | |
PHONE RINGS | 1:23:52 | 1:23:54 | |
Yes? | 1:23:54 | 1:23:56 | |
I see. At the castle? | 1:24:01 | 1:24:04 | |
And Meegeren's dead? | 1:24:04 | 1:24:06 | |
Well, in that case, you'd better go ahead. | 1:24:07 | 1:24:11 | |
No. | 1:24:12 | 1:24:14 | |
No, let me take care of that. | 1:24:14 | 1:24:17 | |
Sergeant? | 1:24:17 | 1:24:19 | |
-Sir? -I don't want to be disturbed - not by anyone. -Very good, sir. | 1:24:28 | 1:24:34 | |
-I'll explain in the car. -Where are we going? -You want the bastard in charge. -Yes, but who is it? -Come on. | 1:24:37 | 1:24:45 | |
TYPING > | 1:24:57 | 1:24:59 | |
Morgenstern? | 1:25:20 | 1:25:22 | |
Are you serious?! | 1:25:22 | 1:25:25 | |
Everything... Everything leads to this warehouse. Meegeren worked for him. They all did. | 1:25:27 | 1:25:33 | |
-Where's your evidence? What have you got? -Enough. | 1:25:33 | 1:25:37 | |
-Morgenstern! -Hmm? What do you want? -Police. -What do you want? -You're under arrest. -Why? On what charge? | 1:25:44 | 1:25:52 | |
-You're under arrest. -I'm not taking the blame... | 1:25:52 | 1:25:55 | |
GUNSHOT | 1:25:55 | 1:25:57 | |
Good evening...Mr Sherman. | 1:26:05 | 1:26:08 | |
We all knew it wasn't Morgenstern, didn't we? | 1:26:08 | 1:26:11 | |
-We had a good system until YOU came. -No wonder De Graaf got nowhere. | 1:26:13 | 1:26:18 | |
The distribution going on right under his nose... | 1:26:18 | 1:26:22 | |
in Trudi's doll. | 1:26:22 | 1:26:24 | |
Oh, I enjoyed it. I enjoyed every minute of it. | 1:26:24 | 1:26:29 | |
-Most regrettable end to a promising career. I shall say so at your funeral. -Why, Van Gelder? | 1:26:30 | 1:26:37 | |
Why all of this? | 1:26:37 | 1:26:39 | |
Here's one 60,000 reason why. | 1:26:39 | 1:26:42 | |
-NO! -GUNSHOTS | 1:26:42 | 1:26:44 | |
LIGHTS! | 1:26:48 | 1:26:50 | |
GUNSHOT | 1:26:50 | 1:26:51 | |
-Where is he? -He didn't come this way, Sherman. | 1:27:11 | 1:27:15 | |
-The roof! -He'll make for the river! -Yeah, if you let him! | 1:27:15 | 1:27:20 | |
Two cars! Block the east gate. We'll take the other end. | 1:27:23 | 1:27:27 | |
SIREN WAILS | 1:27:41 | 1:27:44 | |
-Do we go up, sir? -No, not yet. | 1:27:53 | 1:27:56 | |
WIND WHISTLES | 1:28:04 | 1:28:08 | |
Sherman! Stop the chain! | 1:31:32 | 1:31:35 | |
Sherman! SHERMAN! Switch it off! | 1:31:38 | 1:31:42 | |
SHERMAN! | 1:31:42 | 1:31:44 | |
Please! For God's sake! Switch it off! Sherman! SHERMAN! SHERMAN! | 1:31:44 | 1:31:49 | |
Please, Sherman! Switch it... | 1:31:49 | 1:31:52 | |
Switch it off! Sherman! Switch it off! | 1:31:52 | 1:31:56 | |
Agh! AGH! | 1:31:56 | 1:31:58 | |
SIREN WAILS | 1:32:33 | 1:32:35 |