Browse content similar to Octane. Check below for episodes and series from the same categories and more!
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RAIN DRIPPING | 0:00:27 | 0:00:29 | |
WIPERS SCRAPING | 0:00:29 | 0:00:31 | |
BREATHING HEAVILY | 0:00:36 | 0:00:38 | |
CD SKIPPING | 0:00:45 | 0:00:47 | |
SCREAMING | 0:00:53 | 0:00:55 | |
Shit! | 0:00:58 | 0:01:00 | |
Help me! Help me! | 0:01:02 | 0:01:04 | |
OK. Try not to move. What's your name, sir? | 0:01:04 | 0:01:08 | |
Get me out of here. | 0:01:08 | 0:01:09 | |
What do we got? | 0:01:09 | 0:01:10 | |
This one was thrown from the car. | 0:01:10 | 0:01:11 | |
I can't move. | 0:01:11 | 0:01:12 | |
Caucasian male, mid-thirties, | 0:01:12 | 0:01:15 | |
Open rib fracture, massive head trauma! | 0:01:15 | 0:01:18 | |
Aah! | 0:01:18 | 0:01:19 | |
I'm not getting a pulse here. | 0:01:19 | 0:01:20 | |
OK. I need a collar and a saline drip. | 0:01:20 | 0:01:23 | |
Where does it hurt? | 0:01:23 | 0:01:24 | |
Legs. I can't move my fucking legs. | 0:01:24 | 0:01:27 | |
Shit! I want to get a line in before he loses consciousness! | 0:01:27 | 0:01:30 | |
14 gauge or brown? | 0:01:30 | 0:01:31 | |
14. In the bag! Now! | 0:01:31 | 0:01:34 | |
Come on! Come on! | 0:01:34 | 0:01:37 | |
I'm gonna give you something for the pain. | 0:01:37 | 0:01:40 | |
Gonna get you out of here. | 0:01:41 | 0:01:43 | |
Keep calm. | 0:01:43 | 0:01:44 | |
-Aah! -That's good. | 0:01:44 | 0:01:46 | |
-Good. -Aah! | 0:01:46 | 0:01:48 | |
Move it. Move it! | 0:01:48 | 0:01:51 | |
Shit! | 0:01:51 | 0:01:52 | |
SIRENS APPROACHING | 0:01:52 | 0:01:55 | |
MUFFLED YELLING | 0:01:55 | 0:01:57 | |
TYRES SQUEALING | 0:02:11 | 0:02:13 | |
TECHNO MUSIC PLAYING | 0:02:13 | 0:02:15 | |
SIRENS | 0:02:18 | 0:02:20 | |
RADIO CRACKLING | 0:02:39 | 0:02:40 | |
No pulse on this one! | 0:02:40 | 0:02:43 | |
No one's in the car. | 0:02:43 | 0:02:45 | |
MUSIC STOPS | 0:02:46 | 0:02:47 | |
MUSIC PLAYING | 0:02:51 | 0:02:53 | |
SIZZLING | 0:03:39 | 0:03:41 | |
INHALING | 0:03:50 | 0:03:53 | |
MUFFLED YELLING | 0:03:53 | 0:03:55 | |
CD PLAYER WHIRS | 0:04:07 | 0:04:09 | |
RAP MUSIC STARTS | 0:04:09 | 0:04:10 | |
# Bitch-ass motherfucker | 0:04:10 | 0:04:13 | |
# He a high-ass nigga | 0:04:13 | 0:04:16 | |
# Stand on your own... # | 0:04:16 | 0:04:17 | |
Nat, could you turn that off, please? | 0:04:17 | 0:04:19 | |
# How the fuck you gonna bite somebody else's dick, nigga? | 0:04:19 | 0:04:21 | |
# Yours ain't long enough to put in your mouth, boy... # | 0:04:21 | 0:04:23 | |
Come on, Nat. | 0:04:23 | 0:04:24 | |
# What's up with that shit, mutha? | 0:04:24 | 0:04:26 | |
# Make it rough... # | 0:04:26 | 0:04:28 | |
RAPPING | 0:04:28 | 0:04:30 | |
BEEP | 0:04:36 | 0:04:37 | |
How can you listen to that stuff? | 0:04:37 | 0:04:39 | |
"Cuttin' up my ho"? | 0:04:39 | 0:04:41 | |
It's just words. | 0:04:41 | 0:04:42 | |
It's not like anybody takes them seriously. | 0:04:42 | 0:04:44 | |
That's what I'm worried about. | 0:04:44 | 0:04:45 | |
Besides, it's the only way | 0:04:45 | 0:04:46 | |
I'll ever get to hear them. | 0:04:46 | 0:04:48 | |
Oh, please, don't go on about that concert, OK? | 0:04:48 | 0:04:50 | |
It's a music festival. | 0:04:50 | 0:04:52 | |
Festival, whatever it is, you're not going. | 0:04:52 | 0:04:53 | |
But all of my friends are going. | 0:04:53 | 0:04:56 | |
You never let me do anything I want to do. | 0:04:58 | 0:05:01 | |
That's not completely true. | 0:05:01 | 0:05:02 | |
You got to do what you wanted today, right? | 0:05:02 | 0:05:04 | |
While I sat waiting in front of your father's house | 0:05:04 | 0:05:06 | |
In the car for two hours. | 0:05:06 | 0:05:08 | |
SCOFFS | 0:05:08 | 0:05:10 | |
RADIO: You're listening to your favorite radio station, WSNP. | 0:05:13 | 0:05:16 | |
MUSIC PLAYING | 0:05:16 | 0:05:19 | |
-MAN: -You're an easy target. | 0:05:24 | 0:05:25 | |
Don't make him your pimp. Don't be his prostitute. | 0:05:25 | 0:05:28 | |
What is going on around here? | 0:05:28 | 0:05:30 | |
POLICE RADIO CRACKING | 0:05:30 | 0:05:33 | |
LIGHT BUZZING | 0:05:34 | 0:05:36 | |
SENGA: What is going on up there? | 0:05:55 | 0:05:57 | |
It's a delay or something. | 0:06:03 | 0:06:05 | |
Thank you, Nat. | 0:06:05 | 0:06:06 | |
What am I, like, X-ray Vision Man? | 0:06:06 | 0:06:08 | |
POLICE RADIO CRACKLING | 0:06:13 | 0:06:15 | |
SENGA: Oh, shit! | 0:06:28 | 0:06:30 | |
What? Oh, my God! Is somebody dead? | 0:06:30 | 0:06:33 | |
I-I don't know. I don't want to know. | 0:06:33 | 0:06:34 | |
I do! | 0:06:34 | 0:06:36 | |
RADIO: All units respond. | 0:06:36 | 0:06:38 | |
BRAKES SQUEAL | 0:06:39 | 0:06:41 | |
Sorry. | 0:06:41 | 0:06:43 | |
CAMERA CLICKS | 0:06:45 | 0:06:46 | |
OFFICER ON RADIO: Ten-22 on six-0-three-seven-f. | 0:06:46 | 0:06:49 | |
Stand-by units available. | 0:06:49 | 0:06:51 | |
All ten-six on the nine-0-one-C. | 0:06:51 | 0:06:54 | |
We're technically free for the coroner. | 0:06:54 | 0:06:57 | |
Have you got an ETA on the coroner? | 0:06:57 | 0:06:59 | |
45-313, ETA on 901-C | 0:06:59 | 0:07:03 | |
is approximately 20 minutes. | 0:07:03 | 0:07:06 | |
Looks like it's gonna be a long night. | 0:07:06 | 0:07:09 | |
OFFICER: You can say that again. | 0:07:09 | 0:07:11 | |
BANGING Come on! Move it! | 0:07:15 | 0:07:17 | |
HORNS HONKING | 0:07:17 | 0:07:19 | |
RATTLING | 0:07:37 | 0:07:39 | |
ENGINE REVS | 0:07:44 | 0:07:46 | |
SIREN WHOOPS | 0:08:25 | 0:08:28 | |
God. Crazy. | 0:08:35 | 0:08:38 | |
This is 43-three-three-1. | 0:08:38 | 0:08:40 | |
OFFICER TALKING | 0:08:40 | 0:08:42 | |
HORN HONKING | 0:09:02 | 0:09:04 | |
GASPS | 0:09:22 | 0:09:23 | |
What is it?! | 0:09:24 | 0:09:26 | |
It's nothing. | 0:09:28 | 0:09:30 | |
God, Mom! | 0:09:30 | 0:09:31 | |
It was a doll. Somebody must have put a little doll... | 0:09:31 | 0:09:34 | |
You're half asleep. Pull in. | 0:09:39 | 0:09:40 | |
I'm not. I'm fine. | 0:09:40 | 0:09:42 | |
Look, there's a rest stop coming up. | 0:09:42 | 0:09:44 | |
Nat, it's late. I want to get home. | 0:09:44 | 0:09:46 | |
You've got school tomorrow. | 0:09:46 | 0:09:47 | |
Not if I'm dead, I don't! | 0:09:47 | 0:09:49 | |
DOORS HISS | 0:09:49 | 0:09:50 | |
# My one and only prayer_ | 0:09:50 | 0:09:53 | |
# Is that someday you'll care | 0:09:53 | 0:09:56 | |
# My hopes, my dreams come true | 0:09:56 | 0:09:59 | |
# My one and only you | 0:09:59 | 0:10:02 | |
# No-one will ever know | 0:10:02 | 0:10:05 | |
# How much I love you so | 0:10:05 | 0:10:09 | |
# My only prayer will be | 0:10:09 | 0:10:11 | |
# Someday you'll care for me | 0:10:11 | 0:10:13 | |
# But it's o-o-only | 0:10:13 | 0:10:17 | |
# Make believe... # | 0:10:17 | 0:10:23 | |
SHE MOUTHS | 0:10:23 | 0:10:26 | |
Only a Christian could be that happy. | 0:10:26 | 0:10:28 | |
Black coffee, please. | 0:10:28 | 0:10:30 | |
A Red Bull. | 0:10:30 | 0:10:31 | |
SIGHS | 0:10:31 | 0:10:34 | |
Leave it to your father to move six hours away | 0:10:34 | 0:10:36 | |
to make my life easier. | 0:10:36 | 0:10:39 | |
Look, I'm sorry. At least you had a weekend. | 0:10:41 | 0:10:43 | |
I had to spend mine all day yesterday in the office. | 0:10:43 | 0:10:45 | |
It's not our fault your job's not going well. | 0:10:45 | 0:10:47 | |
-Who said it's not going well? -You do. | 0:10:47 | 0:10:50 | |
LAUGHS | 0:10:50 | 0:10:52 | |
PILLS RATTLE | 0:10:53 | 0:10:55 | |
Thank you. | 0:10:57 | 0:11:00 | |
You're going to keep on seeing things | 0:11:06 | 0:11:08 | |
in the middle of the road if you keep taking those. | 0:11:08 | 0:11:10 | |
I had no sleep all last week. | 0:11:10 | 0:11:14 | |
You've changed. | 0:11:16 | 0:11:18 | |
Good. Who wants to be the person I used to be? | 0:11:18 | 0:11:20 | |
The person who had me, you mean? | 0:11:20 | 0:11:23 | |
Oh, Nat. | 0:11:23 | 0:11:25 | |
Where are you going? | 0:11:25 | 0:11:26 | |
To phone Gina. Am I allowed? | 0:11:26 | 0:11:28 | |
You can do it right here, can't you? | 0:11:28 | 0:11:30 | |
I can't get a signal. Any other questions? | 0:11:30 | 0:11:32 | |
No. | 0:11:33 | 0:11:34 | |
SONG ENDS | 0:11:46 | 0:11:47 | |
SIREN WHOOPS | 0:11:51 | 0:11:52 | |
CHAIN RATTLING | 0:11:52 | 0:11:54 | |
CLANKS | 0:11:58 | 0:11:59 | |
If you were in a wreck, would you run away? | 0:12:04 | 0:12:06 | |
Yeah. Prize for GTA - first-degree burns. | 0:12:06 | 0:12:09 | |
He's a well-known carjacker in the area. | 0:12:09 | 0:12:13 | |
Really? Oh, my God. You're kidding. How sad. | 0:12:13 | 0:12:16 | |
MUSIC PLAYING ON VIDEO GAME | 0:12:16 | 0:12:21 | |
GAME: Careless driving. | 0:12:21 | 0:12:23 | |
TYRES SQUEAL | 0:12:23 | 0:12:24 | |
GAME: Final lap! | 0:12:24 | 0:12:26 | |
CRASHING | 0:12:26 | 0:12:29 | |
GAME: Wipeout! Wipeout! | 0:12:29 | 0:12:31 | |
Oh, my God. I totally want to go see that movie. | 0:12:31 | 0:12:34 | |
I want to see it without a doubt. | 0:12:34 | 0:12:37 | |
GAME: Check point! | 0:12:37 | 0:12:38 | |
NAT IS TALKING | 0:12:38 | 0:12:40 | |
TYRES SQUEAL ON GAME | 0:12:40 | 0:12:42 | |
GAME: Wrong way! | 0:12:42 | 0:12:44 | |
LAUGHS | 0:12:45 | 0:12:46 | |
GAME: Wrong way! | 0:12:46 | 0:12:49 | |
COINS CLATTER | 0:12:49 | 0:12:52 | |
COINS ECHOING | 0:13:04 | 0:13:06 | |
Mom. | 0:13:10 | 0:13:11 | |
You ready? | 0:13:12 | 0:13:14 | |
COINS CLATTERING | 0:13:16 | 0:13:18 | |
FOOTSTEPS | 0:13:27 | 0:13:29 | |
POLICE RADIO CRACKLING | 0:13:29 | 0:13:31 | |
OFFICER: Hey, buddy! | 0:13:38 | 0:13:39 | |
Let's go. Wrap it up. | 0:13:45 | 0:13:48 | |
STARTS ENGINE | 0:13:48 | 0:13:49 | |
BEEPING | 0:13:57 | 0:13:59 | |
CAR PASSES | 0:14:03 | 0:14:05 | |
ENGINE STARTS | 0:14:13 | 0:14:15 | |
TRUCK HORN BLOWS | 0:14:24 | 0:14:25 | |
Hey! | 0:14:25 | 0:14:27 | |
Jerk-off! | 0:14:27 | 0:14:29 | |
Hey, Mom. | 0:14:32 | 0:14:34 | |
I told her we wouldn't mind giving her a ride. | 0:14:34 | 0:14:36 | |
Hi. | 0:14:36 | 0:14:38 | |
She's going the same way as us. | 0:14:38 | 0:14:41 | |
MUSIC PLAYING | 0:14:41 | 0:14:43 | |
SCREECH | 0:14:45 | 0:14:47 | |
MAN: Game over. | 0:14:47 | 0:14:50 | |
SCREECH | 0:14:56 | 0:14:58 | |
CRASH | 0:15:04 | 0:15:05 | |
Aah! SCREECH | 0:15:07 | 0:15:08 | |
-NAT: -You got your belly button pierced? | 0:15:10 | 0:15:11 | |
Yeah, I got it done in Rajasthan. | 0:15:11 | 0:15:13 | |
Seatbelt, Nat, please. | 0:15:13 | 0:15:15 | |
I'd love to go to India. | 0:15:17 | 0:15:19 | |
Yeah. It totally turned me around. | 0:15:19 | 0:15:21 | |
Really? | 0:15:21 | 0:15:22 | |
Yeah. The people there are cool, you know? | 0:15:22 | 0:15:24 | |
They don't worry about material things. | 0:15:24 | 0:15:26 | |
Not like here where, you know, | 0:15:26 | 0:15:27 | |
travelling's about what kind of car you drive. | 0:15:27 | 0:15:29 | |
You know, it should be about broadening the mind. | 0:15:29 | 0:15:31 | |
Well, that's fine as long as | 0:15:31 | 0:15:33 | |
you've got somebody to do the driving. | 0:15:33 | 0:15:34 | |
I can never wait to get home. | 0:15:34 | 0:15:35 | |
To your husband? | 0:15:35 | 0:15:37 | |
She's divorced. | 0:15:37 | 0:15:38 | |
That's too bad. | 0:15:38 | 0:15:39 | |
Not necessarily. | 0:15:39 | 0:15:41 | |
So what do your folks say about | 0:15:44 | 0:15:46 | |
you going to all these places? | 0:15:46 | 0:15:48 | |
It's funny, isn't it? | 0:15:48 | 0:15:49 | |
In India, they have religious icons in their car. | 0:15:49 | 0:15:52 | |
What do we have? Air fresheners. | 0:15:52 | 0:15:54 | |
LAUGHING | 0:15:54 | 0:15:56 | |
I picked up this really amazing CD out there. | 0:15:56 | 0:15:58 | |
You want to hear it? | 0:15:58 | 0:15:59 | |
Yeah, sure! | 0:15:59 | 0:16:00 | |
MUSIC PLAYING | 0:16:09 | 0:16:11 | |
VOICES OVERLAPPING | 0:16:13 | 0:16:15 | |
So, do you see him? Your dad? | 0:16:54 | 0:16:56 | |
Sometimes. | 0:16:56 | 0:16:57 | |
What kind of music is this, anyway? | 0:16:57 | 0:16:59 | |
Sometimes. What about yours? | 0:16:59 | 0:17:03 | |
-Your family? -We parted ways a long time ago. | 0:17:03 | 0:17:07 | |
You can choose your friends, | 0:17:07 | 0:17:09 | |
but you can't choose your family. | 0:17:09 | 0:17:10 | |
Who says? | 0:17:10 | 0:17:13 | |
Sometimes family chooses you. | 0:17:18 | 0:17:20 | |
You can just drop me off at this picnic area | 0:17:22 | 0:17:25 | |
coming up on the right. | 0:17:25 | 0:17:26 | |
MUSIC STOPS | 0:17:58 | 0:17:59 | |
Here. A very wise person gave that to me once. | 0:18:01 | 0:18:06 | |
He said, "nobody in chains soared up to the sun." | 0:18:06 | 0:18:11 | |
Are you sure we can't take you any further? | 0:18:11 | 0:18:14 | |
No. | 0:18:14 | 0:18:15 | |
-Where are you going? -I'm not sure... | 0:18:15 | 0:18:18 | |
But I never get lost anymore. | 0:18:18 | 0:18:21 | |
So long. | 0:18:24 | 0:18:26 | |
STARTS ENGINE | 0:18:26 | 0:18:28 | |
Nice move. | 0:18:35 | 0:18:36 | |
What? | 0:18:36 | 0:18:38 | |
Oh, no, mom. Her CD! | 0:18:38 | 0:18:40 | |
OK. Don't panic. | 0:18:40 | 0:18:43 | |
CRICKETS CHIRRUP | 0:18:55 | 0:18:57 | |
She's not here. | 0:19:12 | 0:19:13 | |
She must be! Look for her! | 0:19:13 | 0:19:16 | |
Hello? Forgot your cd. | 0:19:29 | 0:19:33 | |
RUSTLING | 0:19:33 | 0:19:35 | |
SOFT BREATHING | 0:19:35 | 0:19:37 | |
Hello? | 0:19:42 | 0:19:44 | |
LEAVES RUSTLE | 0:19:55 | 0:19:57 | |
WIND WHISTLES | 0:20:27 | 0:20:29 | |
BIRD CRIES | 0:20:32 | 0:20:34 | |
EERIE WHISPERING: Senga... | 0:20:37 | 0:20:42 | |
BIRD CRIES | 0:20:49 | 0:20:52 | |
RUSTLING | 0:20:55 | 0:20:57 | |
She's gone. | 0:20:59 | 0:21:01 | |
What are you talking about? | 0:21:01 | 0:21:02 | |
Mom, how could she just disappear in 30 seconds? | 0:21:02 | 0:21:05 | |
Don't worry. She never gets lost. | 0:21:05 | 0:21:08 | |
STARTS ENGINE | 0:21:08 | 0:21:09 | |
Creaks | 0:22:12 | 0:22:14 | |
He's my man | 0:22:39 | 0:22:42 | |
# And I've been doing him wrong | 0:22:42 | 0:22:45 | |
# And praying for the strength not to carry on... # | 0:22:46 | 0:22:52 | |
EERIE SOUND | 0:22:52 | 0:22:54 | |
TURNS VOLUME DOWN | 0:23:10 | 0:23:12 | |
DISTORTED VOICES | 0:23:12 | 0:23:14 | |
CELL PHONE RINGS | 0:23:27 | 0:23:29 | |
Hello? | 0:23:29 | 0:23:31 | |
Oh, hi. | 0:23:31 | 0:23:34 | |
Oh, my god, you're kidding. | 0:23:34 | 0:23:36 | |
Yeah, yeah, of course I do. | 0:23:36 | 0:23:39 | |
Yeah, but what happens if it doesn't arrive in time? | 0:23:39 | 0:23:43 | |
Well, um, we just passed some picnic area | 0:23:45 | 0:23:48 | |
with a grizzly bear statue beside the road. | 0:23:48 | 0:23:50 | |
Are you sure? | 0:23:50 | 0:23:52 | |
OK. We'll do that. Thanks. Bye. | 0:23:52 | 0:23:56 | |
Anything to report? | 0:23:59 | 0:24:01 | |
Yeah, I forgot my birthday present. | 0:24:01 | 0:24:03 | |
But dad said he can bring it to the next rest stop. | 0:24:03 | 0:24:07 | |
You're kidding. | 0:24:07 | 0:24:08 | |
Call him up and tell him to send it in the mail. | 0:24:08 | 0:24:11 | |
Don't be a drag. He said he could meet us in 30 minutes. | 0:24:11 | 0:24:13 | |
After offering a ride to Miss Barefoot Bombay | 0:24:13 | 0:24:16 | |
I don't want to stop again, Nat. | 0:24:16 | 0:24:18 | |
We still have hours to go. | 0:24:18 | 0:24:19 | |
GAME PLAYS ON TV | 0:24:27 | 0:24:30 | |
Waitress: You all right? | 0:24:34 | 0:24:36 | |
Thank you. | 0:24:36 | 0:24:38 | |
So what did your dad get you anyway? | 0:24:53 | 0:24:55 | |
I don't know why you're asking. | 0:24:55 | 0:24:57 | |
It's not like you're interested. | 0:24:57 | 0:24:59 | |
'...breaks down the court. Oh, nice pass. Oh!' | 0:25:06 | 0:25:09 | |
Who are all these people? | 0:25:09 | 0:25:15 | |
What are they all doing here? | 0:25:15 | 0:25:17 | |
What are WE doing here? | 0:25:20 | 0:25:23 | |
MUSIC CHIMES ON TV | 0:25:31 | 0:25:33 | |
It's natural to be afraid of failure. | 0:25:37 | 0:25:41 | |
But it doesn't have to limit us... | 0:25:41 | 0:25:44 | |
Or keep us from realizing our own potential. | 0:25:44 | 0:25:48 | |
From creating opportunities for success in the boardroom, | 0:25:48 | 0:25:52 | |
on the playing fields, and in the bedroom. | 0:25:52 | 0:25:56 | |
We are bombarded with answers, | 0:25:56 | 0:25:58 | |
but are we asking the right questions? | 0:25:58 | 0:26:01 | |
Now, I want you to do something for me. | 0:26:01 | 0:26:06 | |
Close your eyes. | 0:26:06 | 0:26:07 | |
Go on. Just for a minute. | 0:26:07 | 0:26:11 | |
Close your eyes. | 0:26:11 | 0:26:15 | |
I want you to visualize a door. | 0:26:15 | 0:26:22 | |
Now, reach into your pocket where there is a key. | 0:26:22 | 0:26:30 | |
Feel it? | 0:26:30 | 0:26:32 | |
That key in your pocket... | 0:26:32 | 0:26:36 | |
Unlocks the door. | 0:26:36 | 0:26:38 | |
Only you can open the door. | 0:26:38 | 0:26:43 | |
Behind the door is the truth. | 0:26:43 | 0:26:48 | |
Go on... unlock the door. | 0:26:48 | 0:26:52 | |
Look inside. Face the truth... | 0:26:52 | 0:26:57 | |
Senga. | 0:26:57 | 0:26:59 | |
CELLPHONE RINGS | 0:26:59 | 0:27:01 | |
Hi, Dad! | 0:27:01 | 0:27:02 | |
Um, yeah, OK. I'll see you outside. | 0:27:04 | 0:27:08 | |
Uh, stay here. I'll be back in a minute. | 0:27:08 | 0:27:12 | |
PILLS RATTLE | 0:27:21 | 0:27:23 | |
Hey! | 0:27:42 | 0:27:44 | |
Hi, honey. Here. | 0:27:44 | 0:27:47 | |
Oh, dad, thanks. | 0:27:47 | 0:27:50 | |
I can't believe I forgot them. | 0:27:50 | 0:27:52 | |
CHATTING AND LAUGHING | 0:27:52 | 0:27:55 | |
Senga, thanks for waiting. | 0:27:57 | 0:27:59 | |
Which time? | 0:27:59 | 0:28:01 | |
Well, let's see it, then. | 0:28:02 | 0:28:03 | |
Come on. Show me the present, Nat. | 0:28:06 | 0:28:07 | |
Well, this is great. Not only do you lie to me, | 0:28:11 | 0:28:14 | |
But you go straight to your father and sweet-talk him. | 0:28:14 | 0:28:16 | |
I didn't lie. He asked me what I wanted. | 0:28:16 | 0:28:18 | |
It's not my fault if you... | 0:28:18 | 0:28:20 | |
No, wait, wait. I didn't realize you two already talked about this. | 0:28:20 | 0:28:24 | |
Well, you think she's old enough to go off on her own | 0:28:24 | 0:28:25 | |
-for the whole weekend in the wilderness? -She's not a kid anymore. | 0:28:25 | 0:28:28 | |
Well, she's not exactly an adult, either, Marek. | 0:28:28 | 0:28:31 | |
If you spent more time with her, you'd understand that. | 0:28:31 | 0:28:33 | |
Now, if you want to go with her, | 0:28:33 | 0:28:34 | |
I don't have a problem in the world with this. | 0:28:34 | 0:28:36 | |
It's not about you and me anymore, Senga. | 0:28:36 | 0:28:37 | |
-If you want to make a scene, -do it without me, ok? | 0:28:37 | 0:28:40 | |
This is something you two have to sort out. | 0:28:40 | 0:28:42 | |
God, how familiar this sounds! | 0:28:42 | 0:28:44 | |
Dad, we talked about this. Tell her what you think. | 0:28:44 | 0:28:47 | |
I'll call you, sweetheart. | 0:28:49 | 0:28:51 | |
See you. We'll do something special. | 0:28:51 | 0:28:55 | |
Dad! | 0:28:55 | 0:28:57 | |
STARTS ENGINE | 0:28:57 | 0:28:59 | |
I'm going and you can't stop me! | 0:29:00 | 0:29:02 | |
You wanna bet? | 0:29:02 | 0:29:04 | |
-CRYING: -Dad! | 0:29:05 | 0:29:07 | |
Get used to it, Nat. | 0:29:07 | 0:29:09 | |
Bailing out's the only thing your father knows how to do well. | 0:29:09 | 0:29:11 | |
I'm not fucking surprised with you! | 0:29:11 | 0:29:14 | |
Why is it only your way is right | 0:29:14 | 0:29:15 | |
and nobody else has a say in the matter?! | 0:29:15 | 0:29:17 | |
No wonder you screwed up your marriage! | 0:29:17 | 0:29:19 | |
Stop it. | 0:29:19 | 0:29:21 | |
You're afraid I might get pregnant young | 0:29:21 | 0:29:22 | |
and screw up my life like you did? | 0:29:22 | 0:29:24 | |
Well, I'm not that stupid. | 0:29:24 | 0:29:26 | |
-Get in the car. -No! | 0:29:26 | 0:29:28 | |
Nat, get in the car now! | 0:29:28 | 0:29:32 | |
Fuck you! I hate you! | 0:29:32 | 0:29:35 | |
CLICK | 0:30:20 | 0:30:22 | |
MUSIC PLAYS | 0:30:57 | 0:30:59 | |
GIRL GIGGLES | 0:31:01 | 0:31:02 | |
GASPS | 0:31:11 | 0:31:12 | |
Nat? | 0:31:13 | 0:31:15 | |
My daughter - she has long hair. | 0:31:20 | 0:31:22 | |
We were sitting right over there a few minutes ago. | 0:31:22 | 0:31:23 | |
Have you seen her? | 0:31:23 | 0:31:24 | |
HE SPEAKS SPANISH | 0:31:24 | 0:31:25 | |
Miss? Pretty face, long hair? | 0:31:25 | 0:31:27 | |
Yes! Yes, that's her. | 0:31:27 | 0:31:29 | |
-I'm sure she went that way with her friend. -What? | 0:31:29 | 0:31:31 | |
Natasha! | 0:31:35 | 0:31:36 | |
Natasha! | 0:31:39 | 0:31:41 | |
Nat... | 0:31:58 | 0:32:00 | |
Nat! | 0:32:03 | 0:32:05 | |
Oh! Oh, god! | 0:32:05 | 0:32:08 | |
Nat! | 0:32:08 | 0:32:11 | |
Oh! Nat? | 0:32:16 | 0:32:19 | |
SOBBING | 0:32:23 | 0:32:25 | |
You've gotta help me. | 0:32:40 | 0:32:41 | |
It's my daughter. These people took her. | 0:32:41 | 0:32:43 | |
I don't know who they are, but she's gone! Jesus, she's only 15. | 0:32:43 | 0:32:46 | |
Ma'am, you gotta take it easy. | 0:32:46 | 0:32:48 | |
No, they just took her! | 0:32:48 | 0:32:50 | |
Ma'am, I can't help you if I can't understand what you're saying. | 0:32:50 | 0:32:54 | |
Now, what does your daughter look like? | 0:32:54 | 0:32:57 | |
She's tall and skinny | 0:32:57 | 0:32:58 | |
with medium brown hair to here. | 0:32:58 | 0:33:01 | |
Here, I've got a picture. | 0:33:01 | 0:33:03 | |
Here. | 0:33:03 | 0:33:06 | |
What was she wearing? | 0:33:07 | 0:33:08 | |
A denim jacket and blue jeans. | 0:33:08 | 0:33:11 | |
-Please get out there and do something! -Please bear with me. | 0:33:11 | 0:33:14 | |
I need to ask these questions in order to be able to help you. | 0:33:14 | 0:33:17 | |
-What's her full name? -Wilson. Natasha Wilson. | 0:33:17 | 0:33:20 | |
That's Nat. | 0:33:20 | 0:33:22 | |
Was she upset in any way? Has she done this kind of thing before? | 0:33:27 | 0:33:29 | |
No, no! They took her, ok? | 0:33:29 | 0:33:32 | |
It was a backpacker and a couple in an RV. | 0:33:32 | 0:33:36 | |
LOW CONVERSATION | 0:33:36 | 0:33:38 | |
Ok, Mrs Wilson, you stay put so we know where to find you. | 0:33:39 | 0:33:42 | |
A local unit will be coming shortly to get your full statement. | 0:33:42 | 0:33:45 | |
What if they leave the freeway? What if they get away? | 0:33:45 | 0:33:47 | |
My vehicle does 150 miles per hour, ma'am. They won't get away. | 0:33:47 | 0:33:52 | |
RADIO CRACKLES | 0:33:52 | 0:33:54 | |
GASPS | 0:34:25 | 0:34:27 | |
Are you familiar with the words of Jesus Christ? | 0:34:29 | 0:34:32 | |
Are you familiar with the words "fuck off"?! | 0:34:32 | 0:34:35 | |
STARTS ENGINE | 0:34:42 | 0:34:44 | |
SIREN WAILS | 0:34:54 | 0:34:56 | |
DIALLING | 0:35:03 | 0:35:05 | |
CELL PHONE RINGS | 0:35:08 | 0:35:10 | |
Shit! God! | 0:35:10 | 0:35:13 | |
BRAKES | 0:36:13 | 0:36:15 | |
DISTANT TRAIN HORN BLOWS | 0:36:41 | 0:36:43 | |
ENGINE STARTS | 0:37:20 | 0:37:21 | |
RATTLES | 0:37:33 | 0:37:34 | |
Nat? | 0:37:34 | 0:37:36 | |
MAN: Thanks, man. | 0:37:45 | 0:37:47 | |
Nat? | 0:37:59 | 0:38:00 | |
Oh! | 0:38:12 | 0:38:13 | |
GIRL: I don't like talking about my past life | 0:38:38 | 0:38:42 | |
because it hurts me. | 0:38:42 | 0:38:43 | |
Really, do we have to talk about this? | 0:38:43 | 0:38:46 | |
-MAN: -And your father? | 0:38:46 | 0:38:47 | |
I-I don't even know who my dad was. | 0:38:47 | 0:38:50 | |
Not that my mother even knew his last name. | 0:38:50 | 0:38:54 | |
Um, when my mother died... | 0:38:54 | 0:38:56 | |
My parents? They were nice. | 0:38:59 | 0:39:03 | |
But they were fucking boring. | 0:39:03 | 0:39:05 | |
I mean, really fucking boring, ok? | 0:39:05 | 0:39:08 | |
And my brother, we were, you know, real close. | 0:39:08 | 0:39:13 | |
And we got along, but we see life totally different. | 0:39:13 | 0:39:17 | |
I mean, he's like a mechanic, | 0:39:17 | 0:39:19 | |
and he's going to be that his whole life, | 0:39:19 | 0:39:22 | |
and I don't see life like that. | 0:39:22 | 0:39:24 | |
Shh. | 0:39:40 | 0:39:42 | |
KEYS JINGLE | 0:39:46 | 0:39:48 | |
ENGINE STARTS | 0:41:19 | 0:41:21 | |
BREATHING HEAVILY | 0:41:55 | 0:41:57 | |
Fuck. | 0:42:01 | 0:42:03 | |
Aah! | 0:42:29 | 0:42:31 | |
Tires squealing | 0:42:31 | 0:42:33 | |
Aah! | 0:42:33 | 0:42:34 | |
Punch it or I'll rip your fucking neck off! | 0:42:34 | 0:42:36 | |
Put your foot down, bitch! | 0:42:38 | 0:42:40 | |
Come on, put your foot down! | 0:42:40 | 0:42:42 | |
I want my daughter! | 0:42:42 | 0:42:43 | |
Shut the fuck up and put your fucking foot down! | 0:42:43 | 0:42:46 | |
ENGINE REVS | 0:42:46 | 0:42:48 | |
Aah! | 0:42:48 | 0:42:50 | |
Aah! | 0:42:50 | 0:42:53 | |
Punch it! | 0:42:53 | 0:42:55 | |
TRUCK RUMBLES | 0:43:17 | 0:43:19 | |
BRAKES HISS | 0:43:23 | 0:43:26 | |
45-three-four-7. Civilian call on 902. | 0:43:48 | 0:43:51 | |
Possible crashed or abandoned vehicle | 0:43:51 | 0:43:54 | |
by the side of the freeway, approximately three miles | 0:43:54 | 0:43:56 | |
east of junction 37. | 0:43:56 | 0:43:57 | |
Described as a dark SUV or similar. | 0:43:57 | 0:44:01 | |
-Man: -Vehicle remains upright. | 0:44:01 | 0:44:03 | |
Unknown if persons inside. | 0:44:03 | 0:44:06 | |
Relax. If you get any stiffer, | 0:44:21 | 0:44:23 | |
rigor mortis'll set in. | 0:44:23 | 0:44:25 | |
Come on, Nat. Relax. I know how you feel. | 0:44:29 | 0:44:32 | |
I had to go through it myself. | 0:44:32 | 0:44:34 | |
You see now, there's this whole community of people... | 0:44:34 | 0:44:38 | |
Just like us. | 0:44:38 | 0:44:40 | |
You know, it's like an extended family. | 0:44:40 | 0:44:43 | |
Only better. | 0:44:43 | 0:44:46 | |
It seems like ever since I met the father, | 0:44:46 | 0:44:48 | |
my old life feels like it belongs to someone else. | 0:44:48 | 0:44:51 | |
He makes us feel special, like we finally fit in, | 0:44:51 | 0:44:54 | |
or belong to something bigger than ourselves. | 0:44:54 | 0:44:57 | |
He's the reason we're all here together. | 0:44:57 | 0:44:59 | |
# Gotta stop criticizin' | 0:45:03 | 0:45:07 | |
# Better start sympathizin' | 0:45:07 | 0:45:10 | |
# Everybody fits right in | 0:45:10 | 0:45:14 | |
# Give up | 0:45:14 | 0:45:16 | |
# Give up | 0:45:16 | 0:45:18 | |
# Give up | 0:45:18 | 0:45:19 | |
# Give up... # | 0:45:19 | 0:45:20 | |
How do you feel? | 0:45:44 | 0:45:45 | |
I feel... | 0:45:46 | 0:45:49 | |
different. | 0:45:49 | 0:45:50 | |
# Give up... # | 0:45:50 | 0:45:51 | |
Do you want to look different? | 0:45:51 | 0:45:54 | |
Yeah. | 0:45:54 | 0:45:55 | |
Then come on. | 0:45:55 | 0:45:57 | |
Aah! | 0:46:31 | 0:46:33 | |
You all right? | 0:46:33 | 0:46:34 | |
They just ran my car off the road. | 0:46:34 | 0:46:38 | |
Really? | 0:46:38 | 0:46:41 | |
A lot of maniacs out here. | 0:46:41 | 0:46:44 | |
You're alive. That's the main thing. | 0:46:46 | 0:46:49 | |
Look, could you just... | 0:46:56 | 0:46:58 | |
Please get my car on the road? | 0:46:58 | 0:47:01 | |
Why don't you come with me? | 0:47:01 | 0:47:04 | |
It's not safe out on the freeway. | 0:47:04 | 0:47:06 | |
'52-three-two-7, possible commercial burg | 0:47:10 | 0:47:14 | |
'in progress at 4917 Prospect Avenue.' | 0:47:14 | 0:47:18 | |
Man: 'Ten-4. Any closer units?' | 0:47:18 | 0:47:21 | |
'52-three-two-7, unit 316 is about two miles away. | 0:47:21 | 0:47:25 | |
'Checking eta right now.' | 0:47:25 | 0:47:27 | |
You should see to that cut. | 0:47:27 | 0:47:29 | |
Who is this? | 0:47:40 | 0:47:42 | |
That's my sister. | 0:47:42 | 0:47:43 | |
What's her name? | 0:47:43 | 0:47:45 | |
Christine. She's dead. | 0:47:45 | 0:47:48 | |
Want to use my phone? Call your husband? | 0:47:59 | 0:48:03 | |
No. | 0:48:03 | 0:48:05 | |
He's worried about you. | 0:48:05 | 0:48:07 | |
I said no, all right? | 0:48:07 | 0:48:08 | |
When I make the next stop, | 0:48:27 | 0:48:29 | |
you can report your accident to the police. | 0:48:29 | 0:48:31 | |
They can help you find your daughter. | 0:48:31 | 0:48:35 | |
Mm-hmm. The Bradford district. | 0:49:07 | 0:49:10 | |
Uh-huh. | 0:49:10 | 0:49:14 | |
Right. | 0:49:14 | 0:49:16 | |
Thanks a lot. Right. | 0:49:16 | 0:49:19 | |
Mrs Wilson, there's no record of a reported abduction. | 0:49:32 | 0:49:36 | |
In fact, there's nothing matching your daughter's description. | 0:49:36 | 0:49:38 | |
Of course not. She's not a real police officer. | 0:49:38 | 0:49:40 | |
Do you have a photograph of your daughter? | 0:49:40 | 0:49:42 | |
No. That woman took it. I told you. | 0:49:42 | 0:49:44 | |
But I saw a picture of another girl | 0:49:44 | 0:49:46 | |
in the pickup truck with the recovery man, | 0:49:46 | 0:49:48 | |
and then I saw a cassette of the very same girl... | 0:49:48 | 0:49:50 | |
-What does this got to do with your daughter? -Well, think about it for a minute, | 0:49:50 | 0:49:53 | |
you'd see they're all in it together - the recovery man, the backpacker, | 0:49:53 | 0:49:57 | |
the couple with the RV... | 0:49:57 | 0:49:59 | |
Mrs Wilson, we have no record of an officer responding, no radio... | 0:49:59 | 0:50:02 | |
Why aren't you calling the FBI right now | 0:50:02 | 0:50:05 | |
and reporting my daughter missing? | 0:50:05 | 0:50:06 | |
These people are deranged! | 0:50:06 | 0:50:08 | |
That what they are? Deranged? | 0:50:08 | 0:50:11 | |
That's her father. My ex-husband. | 0:50:19 | 0:50:21 | |
That's his cell phone. Call him. | 0:50:21 | 0:50:23 | |
DIALLING | 0:50:24 | 0:50:26 | |
Mr Wilson? Sorry to trouble you. | 0:50:31 | 0:50:33 | |
Detective Stephens here from Bradford police division. | 0:50:33 | 0:50:35 | |
I'm sitting here with a woman - Senga Wilson. | 0:50:35 | 0:50:39 | |
She says she's your ex-wife. | 0:50:39 | 0:50:41 | |
'Look, detective, before you go any further, | 0:50:41 | 0:50:44 | |
'there's something you need to know about my ex-wife. | 0:50:44 | 0:50:47 | |
'This isn't exactly the first time | 0:50:47 | 0:50:48 | |
'I've gotten a call like this from the police. | 0:50:48 | 0:50:51 | |
'Especially at this hour. | 0:50:51 | 0:50:52 | |
'She's been on medication since the divorce. | 0:50:52 | 0:50:55 | |
'She's delusional. | 0:50:55 | 0:50:56 | |
I understand you have a 15-year-old daughter, | 0:50:56 | 0:50:58 | |
Natasha. Is that correct? | 0:50:58 | 0:51:00 | |
'Yes. My daughter's here with me now. | 0:51:00 | 0:51:02 | |
'She's been with me all weekend. | 0:51:02 | 0:51:04 | |
-Ok. -'I'm afraid Senga's wasting everyone's time.' | 0:51:04 | 0:51:07 | |
OK. | 0:51:07 | 0:51:08 | |
'Sorry I can't be of more help, detective.' | 0:51:08 | 0:51:10 | |
Thank you for your time, Mr Wilson. | 0:51:10 | 0:51:12 | |
Your husband has just told me that your daughter is safe at home with him. | 0:51:12 | 0:51:17 | |
Mrs Wilson... | 0:51:19 | 0:51:21 | |
Now, Mrs Wilson, you're obviously very upset, | 0:51:21 | 0:51:23 | |
but filing a fraudulent police report is a crime. | 0:51:23 | 0:51:26 | |
You do realize that? | 0:51:26 | 0:51:27 | |
Now, look... | 0:51:27 | 0:51:29 | |
If you're in a domestic situation, that's ok. | 0:51:29 | 0:51:32 | |
Talk to one of our female officers. | 0:51:32 | 0:51:35 | |
SOBBING | 0:51:41 | 0:51:44 | |
God damn it! | 0:51:44 | 0:51:46 | |
DIALLING | 0:51:53 | 0:51:55 | |
Ohh! | 0:51:58 | 0:52:00 | |
MACHINE BEEPING | 0:52:57 | 0:52:59 | |
GASPS | 0:53:08 | 0:53:10 | |
GASPS | 0:53:10 | 0:53:11 | |
DIALLING | 0:53:22 | 0:53:24 | |
Come on, come on. | 0:53:24 | 0:53:25 | |
-Woman: -Hi, you've reached Lois and Marek. | 0:53:25 | 0:53:27 | |
Bastard! | 0:53:27 | 0:53:28 | |
It's natural to be afraid of failure. | 0:53:28 | 0:53:31 | |
LINE BLEEPS | 0:53:31 | 0:53:33 | |
'I remember what you remember.' | 0:53:33 | 0:53:36 | |
But it doesn't have to limit us... | 0:53:36 | 0:53:39 | |
or keep us from realizing our own potential. | 0:53:39 | 0:53:43 | |
From creating the opportunities for success in the boardroom, | 0:53:43 | 0:53:48 | |
on the playing fields and in the bedroom. | 0:53:48 | 0:53:51 | |
We are bombarded with answers, | 0:53:51 | 0:53:53 | |
but are we asking the right questions? | 0:53:53 | 0:53:58 | |
Now, I want you to do something for me. | 0:53:58 | 0:54:03 | |
CELL PHONE RINGS | 0:54:06 | 0:54:07 | |
Close your eyes. | 0:54:08 | 0:54:11 | |
Go on. | 0:54:11 | 0:54:13 | |
Just for a minute. | 0:54:15 | 0:54:17 | |
Face the truth. | 0:54:17 | 0:54:20 | |
She's gone. | 0:54:20 | 0:54:24 | |
She's with me now. | 0:54:24 | 0:54:26 | |
I know your secrets. | 0:54:26 | 0:54:30 | |
I remember what you remember... | 0:54:30 | 0:54:33 | |
Senga. | 0:54:33 | 0:54:34 | |
Aah! | 0:54:35 | 0:54:36 | |
CELL PHONE RINGS | 0:54:36 | 0:54:38 | |
Hello? | 0:54:38 | 0:54:40 | |
Hi! Yeah. How are you? | 0:54:40 | 0:54:44 | |
-What have you done with my daughter? Where is she?! -Ma'am! | 0:54:48 | 0:54:52 | |
Whoa, whoa, ma'am! What are you doing? | 0:54:52 | 0:54:54 | |
Tell me where she is! | 0:54:54 | 0:54:56 | |
Ma'am, you have to leave the restaurant right now! | 0:54:56 | 0:54:59 | |
I know what you're doing. | 0:55:02 | 0:55:04 | |
LINE BEEPS | 0:55:14 | 0:55:17 | |
'We're sorry. | 0:55:23 | 0:55:26 | |
'Your call cannot be completed as dialed. | 0:55:26 | 0:55:28 | |
'We're sorry. | 0:55:28 | 0:55:29 | |
'Your call cannot be completed as dialed. | 0:55:29 | 0:55:31 | |
'We're sorry. | 0:55:31 | 0:55:33 | |
'Your call cannot be completed as dialed. | 0:55:33 | 0:55:35 | |
'We're sorry...' | 0:55:35 | 0:55:37 | |
LOCK CLICKS | 0:55:44 | 0:55:47 | |
DISHES CLATTER | 0:56:03 | 0:56:05 | |
Ohh! | 0:56:07 | 0:56:09 | |
SENGA PANTS | 0:56:33 | 0:56:35 | |
TRUCK ENGINE STARTS | 0:56:39 | 0:56:41 | |
LIGHTER CLICKS | 0:57:15 | 0:57:17 | |
Before I met the father, | 0:57:37 | 0:57:40 | |
the only thing that ever gave me a rush was joyridin'. | 0:57:40 | 0:57:43 | |
He's got this amazing power to work out | 0:57:45 | 0:57:48 | |
all the fucked-up shit in your life. | 0:57:48 | 0:57:50 | |
But, yo... don't get me wrong. | 0:57:51 | 0:57:55 | |
I still got a soft spot for jackin' cars. | 0:57:55 | 0:57:58 | |
BREATHING HEAVILY | 0:58:07 | 0:58:09 | |
He's gonna love you. | 0:58:48 | 0:58:51 | |
TRANCE HOUSE MUSIC PLAYS | 0:59:01 | 0:59:03 | |
BRAKES HISS | 0:59:57 | 0:59:59 | |
Hey, he's ready. | 1:00:54 | 1:00:57 | |
Wait, but I don't know. | 1:00:57 | 1:00:59 | |
I mean, what's gonna happen? | 1:00:59 | 1:01:00 | |
Nothing. Nothing, unless you want it to. | 1:01:00 | 1:01:03 | |
Wait, no. I-I feel weird. | 1:01:38 | 1:01:40 | |
No, it's good. You'll be fine. | 1:01:40 | 1:01:44 | |
Just have fun, you know? | 1:01:44 | 1:01:46 | |
Come on. Heh. | 1:01:46 | 1:01:48 | |
It's ok. Come on. | 1:01:50 | 1:01:54 | |
DOOR CLOSES | 1:01:56 | 1:01:58 | |
WINDOW OPENS | 1:02:51 | 1:02:54 | |
Hey. | 1:02:54 | 1:02:55 | |
"Nobody in chains | 1:02:57 | 1:02:59 | |
"ever soared up to the sun." | 1:02:59 | 1:03:01 | |
I read that. | 1:03:04 | 1:03:07 | |
HE CHUCKLES | 1:03:07 | 1:03:09 | |
Cast off those chains, Nat. | 1:03:22 | 1:03:23 | |
You know, love's the warmest place to be | 1:03:30 | 1:03:33 | |
when it's cold outside. | 1:03:33 | 1:03:35 | |
Heh. I wrote that. | 1:03:36 | 1:03:39 | |
FAN WHIRRS | 1:03:43 | 1:03:45 | |
DOOR SLAMS | 1:06:57 | 1:06:59 | |
CLICK | 1:07:12 | 1:07:14 | |
Aah! | 1:07:32 | 1:07:33 | |
Beeping | 1:07:34 | 1:07:36 | |
Aah! | 1:07:37 | 1:07:38 | |
Uhh! | 1:07:39 | 1:07:41 | |
Uhh! | 1:08:42 | 1:08:43 | |
Fuck! | 1:08:43 | 1:08:45 | |
Nat, get out of the car now! | 1:08:48 | 1:08:50 | |
Get out! Come with me now! | 1:08:50 | 1:08:51 | |
-Let go of me! -Nat, there's no time! | 1:08:51 | 1:08:53 | |
What are you doing here? | 1:08:54 | 1:08:56 | |
Get out of here! Let me go! | 1:08:56 | 1:08:59 | |
Let me out! | 1:09:01 | 1:09:02 | |
Mom! | 1:09:02 | 1:09:03 | |
Nat...run. | 1:09:03 | 1:09:05 | |
Nat, leave now! Please! | 1:09:06 | 1:09:09 | |
Aah! | 1:09:09 | 1:09:10 | |
CLOSES DOOR | 1:09:33 | 1:09:34 | |
This time...kill her. | 1:09:39 | 1:09:43 | |
Uhh! | 1:10:27 | 1:10:28 | |
Uhh! | 1:10:36 | 1:10:38 | |
CHUCKLES | 1:11:08 | 1:11:09 | |
It's all right, Nat. | 1:11:16 | 1:11:18 | |
You don't have to go with her. | 1:11:18 | 1:11:21 | |
You don't have to do anything you don't want to. | 1:11:21 | 1:11:25 | |
You're free now. | 1:11:27 | 1:11:30 | |
Senga: Nat?! Where are you? | 1:11:31 | 1:11:34 | |
Senga: Say something! | 1:11:37 | 1:11:39 | |
Father: Nobody's gonna hurt you, Nat. | 1:11:40 | 1:11:43 | |
She's just terrified of letting you go. | 1:11:43 | 1:11:46 | |
Having your own life... | 1:11:46 | 1:11:48 | |
Your own dreams... | 1:11:48 | 1:11:51 | |
She just wants to take you away | 1:11:51 | 1:11:53 | |
from the ones who understand you. | 1:11:53 | 1:11:55 | |
Don't listen to him, Nat! | 1:11:55 | 1:11:58 | |
You always knew she was crazy, didn't you, Nat? | 1:12:00 | 1:12:03 | |
Unhinged... | 1:12:03 | 1:12:05 | |
Illogical...a fantasist... | 1:12:05 | 1:12:09 | |
Liar. | 1:12:09 | 1:12:10 | |
We want to give you a real family... | 1:12:11 | 1:12:15 | |
with no lies, no pills... | 1:12:15 | 1:12:19 | |
No restrictions... | 1:12:19 | 1:12:21 | |
No screaming matches... | 1:12:21 | 1:12:24 | |
Just love. | 1:12:24 | 1:12:26 | |
That's bullshit, Nat. | 1:12:26 | 1:12:28 | |
I'm here. I can see you. | 1:12:28 | 1:12:30 | |
They want to kill you! | 1:12:30 | 1:12:32 | |
Funny you should mention that, Senga. | 1:12:32 | 1:12:35 | |
Isn't that exactly what you tried to do? | 1:12:35 | 1:12:38 | |
She tried to kill you. | 1:12:38 | 1:12:40 | |
Did you know that, Nat? | 1:12:42 | 1:12:43 | |
No. | 1:12:43 | 1:12:44 | |
Before you were even born. | 1:12:44 | 1:12:45 | |
She wanted an abortion, Nat. | 1:12:46 | 1:12:49 | |
Tried to flush you away. | 1:12:50 | 1:12:51 | |
Sorry. | 1:12:57 | 1:13:00 | |
I'm sorry. | 1:13:00 | 1:13:01 | |
I remember what you remember, Senga. | 1:13:03 | 1:13:06 | |
Gotta hang on. | 1:13:10 | 1:13:13 | |
Cos the truth is with us in the house tonight. | 1:13:17 | 1:13:20 | |
Close your eyes. | 1:13:23 | 1:13:26 | |
See that door. | 1:13:28 | 1:13:31 | |
Hold that key. | 1:13:31 | 1:13:36 | |
You don't have to fight anymore. | 1:13:37 | 1:13:41 | |
It's over. | 1:13:41 | 1:13:44 | |
Come on... | 1:13:44 | 1:13:48 | |
Come into the light. | 1:13:48 | 1:13:51 | |
Nat... | 1:14:52 | 1:14:55 | |
I'm sorry you had to see it, | 1:14:55 | 1:14:57 | |
But I had to show you through the hypocrisy and the lies. | 1:14:57 | 1:15:02 | |
Pain is all in the past, not in the future. | 1:15:02 | 1:15:06 | |
All you have to do is meet me halfway. | 1:15:08 | 1:15:10 | |
Where is my daughter? | 1:15:21 | 1:15:22 | |
-Hey, hey! -I want my daughter back! | 1:15:22 | 1:15:24 | |
What have you done with my daughter?! | 1:15:24 | 1:15:26 | |
Listen! You've gotta trust me. | 1:15:26 | 1:15:29 | |
Nat was the only way I could find him. | 1:15:30 | 1:15:33 | |
There's something you should see first. | 1:15:42 | 1:15:45 | |
They kill people by knocking them off the road. | 1:15:53 | 1:15:57 | |
Your husband didn't even get five miles past the rest stop. | 1:15:57 | 1:16:01 | |
Oh, come on, Nat. Don't lose your faith. | 1:16:08 | 1:16:12 | |
Join us. | 1:16:12 | 1:16:15 | |
What'd you do with her? | 1:16:22 | 1:16:24 | |
Nat? | 1:16:36 | 1:16:37 | |
You just don't get it, do you? | 1:16:40 | 1:16:42 | |
This man is not who he says he is. | 1:16:42 | 1:16:44 | |
FATHER: Don't listen to them, Nat. They're full of lies. | 1:16:44 | 1:16:48 | |
CELL PHONE RINGS | 1:16:50 | 1:16:52 | |
I'm calling Marek. | 1:16:52 | 1:16:55 | |
He killed your father. | 1:16:55 | 1:16:57 | |
Wait, Nat! | 1:16:59 | 1:17:01 | |
Hey, Senga... | 1:17:01 | 1:17:02 | |
See you on the other side. | 1:17:02 | 1:17:04 | |
You stole my sister. | 1:17:06 | 1:17:09 | |
She was my sister, too. | 1:17:09 | 1:17:11 | |
Hey, Senga, I'm here to fill the void... | 1:17:20 | 1:17:24 | |
The void you created | 1:17:24 | 1:17:26 | |
by not listening to who Nat really is. | 1:17:26 | 1:17:29 | |
Nat! | 1:17:29 | 1:17:30 | |
Get a mighty grip! This is how he works. | 1:17:30 | 1:17:35 | |
He's got them so fucked up, they're killing people for blood. | 1:17:35 | 1:17:38 | |
It was too late for Christine. | 1:17:42 | 1:17:45 | |
I had to kill her... | 1:17:45 | 1:17:46 | |
to stop her from killing anybody else. | 1:17:46 | 1:17:48 | |
DOOR SLAMS | 1:17:48 | 1:17:50 | |
EXPLOSION | 1:17:50 | 1:17:53 | |
You're lucky you're alive. | 1:17:54 | 1:17:56 | |
CRASH | 1:18:00 | 1:18:02 | |
Why can't you just leave me alone? | 1:18:18 | 1:18:20 | |
ENGINE STARTS | 1:18:22 | 1:18:23 | |
REVVING | 1:18:23 | 1:18:26 | |
I'm your mother. | 1:18:26 | 1:18:28 | |
I don't always get things right, | 1:18:28 | 1:18:30 | |
but, please, Nat, you have to trust me now. | 1:18:30 | 1:18:33 | |
REVVING | 1:18:33 | 1:18:36 | |
Let's get out of here. | 1:18:37 | 1:18:39 | |
Let's go! | 1:18:40 | 1:18:42 | |
Mom! | 1:18:48 | 1:18:49 | |
Here! Now! | 1:18:49 | 1:18:51 | |
Unh! | 1:18:58 | 1:18:59 | |
-Come on, Nat! -Wait! | 1:19:00 | 1:19:03 | |
Unh! | 1:19:04 | 1:19:05 | |
You killed Christine. Now I'm gonna kill you. | 1:19:05 | 1:19:08 | |
She was already dead when I found her. | 1:19:08 | 1:19:11 | |
Not dead - free. | 1:19:11 | 1:19:13 | |
Oh! | 1:19:26 | 1:19:27 | |
The day you tried to murder your daughter | 1:19:31 | 1:19:33 | |
is the day you let me in. | 1:19:33 | 1:19:37 | |
Truth is in the house tonight, Senga. | 1:19:37 | 1:19:41 | |
Fuck you. | 1:19:53 | 1:19:55 | |
Fuck you! | 1:19:56 | 1:19:58 | |
ELECTRICITY BUZZES | 1:20:17 | 1:20:19 | |
BIRDS CHIRPING | 1:20:33 | 1:20:35 |