Shall We Dance?


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Shall We Dance?

Romantic comedy in which a bored estate lawyer John Clark embarks on a love affair with ballroom dancing when he signs up for classes with beautiful teacher Paulina.


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'A million and a half people ride the L trains every day.

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'Over 20 years, I've written wills for...

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'about 8,000 of 'em.

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'I've sat with 'em as they've combed through their assets,

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'figured out which kid gets the painting over the fireplace,

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'which one gets the antique spoon collection.

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'Last thanks, parting shots, confessions...

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'People try to fit it all in.

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'And once I've finished,

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'another life has been summed up -

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'assets and debts tallied, then zeroed out.

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'You initial here and there, you sign at the bottom.

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'Then, if you're like most clients,

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'you look up, smile,

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'and you ask the question I've heard for 20 years...

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'"Is that it, then?"

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'"That's it for the paperwork," I tell 'em.

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'"The rest is up to you."'

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# Happy birthday to you

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# Happy birthday to you

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# Happy birthday, dear Dad

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# Happy birthday to you. #

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Ohh, wow. Beautiful.

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All right, make a wish.

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MOBILE-PHONE JINGLE

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Sorry. I just have to take this call.

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< Did you win? "Take this call"?

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She's 14. How can she be "taking calls"?

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Jen, not now. Now's not the time.

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Remind me. Why was it we agreed to give her the phone?

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- Emergencies. - Which this is, by the way.

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Serious problem over there.

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Get off, Jen. Now, please. Come on.

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- All right! - Come on, get off.

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Yeah, my dad's just gonna blow out about a million candles. Bye.

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All right, everyone, are we all happy now?

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Thank you. Thank you. >

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Thank you. Thank you very much.

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Thank you. Thank you.

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- Sorry about the bathrobe. - What do you mean?

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Oh, I just had such a hard time getting you a present.

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I love this bathrobe.

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I think the problem is that you never really want anything.

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That's not true. That's true.

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Tell me one thing that you really want. What you gave me tonight.

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Evan coming home, everyone's at dinner, that cake you make...

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Tell me one thing that you want that comes in a box.

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I rest my case.

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Yes. That's it. That's it!

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That's what we needed.

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Good night, Mary. I left the Anderson will on your desk.

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'Night, Bill.

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'Next stop, Sedgwick.'

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Hello. I'm home.

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FEMALE LAUGHTER

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SHRIEKS BURST OF MUSIC

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There's a female bonding ritual going on in the den.

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I know. What are they doing in there?

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Tattooing "I love Satan" on their foreheads,

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piercing their bellybuttons, stuff like that.

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What did you say about that?

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I said, "Don't get any blood on the couch."

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I worry about Jenna. She's too beautiful. That's your fault.

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Here, sign this. What is it?

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It's your mom's birthday card. Oh, God! Thank you.

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How was your workout? Same. How are you?

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Fine. You know, ordering the spring line at the store, yada-yada.

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I've got to get going. > I thought you just got here.

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Yeah, but it's the fundraiser at Jen's school.

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So your dinner's in the oven, and the girls have already eaten.

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Can we go see a movie sometime?

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Yeah.

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Or at least we could look at the ads in the paper together!

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How are you doing?

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Fine.

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Check on them now and then, OK?

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Don't wait up.

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SHRIEKING Get out of here, Dad!

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DANCE MUSIC PLAYS

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MUSIC STOPS

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Bev?

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It's not true that I don't want anything.

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Bev?

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'Doors open on the right.'

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'Doors closing. Next stop, Sedgwick.' Excuse me.

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Oh, my God! What are you doing? What are you doing?

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You know what? I'm gonna just go up.

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Oh, my God.

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LAUGHTER AND CHATTER

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'That was a great class!'

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Come on.

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Are we goin' up, or what? I'm just trying to...

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Here.

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OK, don't do that. Do what?

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Stand there looking dumb. It's just not cute in a guy your age.

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Be a doll and help me carry my clothes.

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Come on! And stop lookin' at my ass.

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I'll try.

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T...a...n-g-o...

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T...a...n-g-o...

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T...a...n-g...oh!

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I found him at the bottom of the stairs.

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Um...er... Paulina, could you help?

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Excuse me.

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May I help you?

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The sign said, "Feel free to watch."

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Are you here for lessons?

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Yes.

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Mr...? Clark.

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Are you registering as a couple or as a single?

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Single. I mean, not that I'm...

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Single. Yeah, just me.

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Single privates are 45 an hour.

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If you buy six at a time, the price per class drops 5.

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Have you ever danced before? No. No. But I'm a fast learner.

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We're starting a new intro ballroom series for singles.

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I recommend that beginners start with that. There's still room in the class.

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It meets every Wednesday at 7.30, for eight weeks.

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All right.

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Right, Wednesdays, 7.30. Great.

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Great. Well...

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I'll come back then. Thank you. Mr Clark?

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Where are you going? The class starts tonight.

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Tonight?

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Oh, right, yeah. Wednesday, 7.30.

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You can wait over there. We'll begin shortly.

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OK...

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LATIN MUSIC PLAYS

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Hey. I'm Vern.

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John.

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You beginning ballroom?

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Yeah, looks that way. Yeah.

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Chic. Hey.

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Hey.

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So, you dance much?

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High-school prom.

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Stairway To Heaven.

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You?

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Not even a prom. I didn't go.

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Anybody see any girls?

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I mean, I'm here for the babes, right.

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I mean, it can't be just us, can it?

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Guys dancin' with guys ain't my kinda thing, you know?

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No offence, sir.

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None taken.

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Hi. Hi.

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See the slinky one with the eyebrows?

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That's me - if you don't mind.

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I know you won't mind.

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Be my guest. All right.

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CHIC: Work the goods.

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'Oh, yeah. Here they come. Come to Papa.

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'Here they...'

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Ouch.

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Memories of high school, huh, boys?

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SHE LAUGHS

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Good evening, gentlemen,

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and welcome to the beginners' ballroom class.

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My name is Miss Mitzi.

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I am the owner of this dancing establishment,

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and I am going to be your teacher.

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Disappointed that I'm older?

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Yes. I mean, no. I mean...

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Hey, you look... experienced.

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Forward, side, close... Back, side, close.

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Very good, Chic. Is it "Chick" or "Sheek"?

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Oh, "Chick". "Chick".

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- Yes. Very good. - Easy.

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Remember to use the balls of your feet.

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Wait a minute, Vern. Where is your right foot?

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It's right back there. See?

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Yes, I know. It hasn't moved, has it? Not yet.

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- Well, now would be a good time. - OK.

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OK. Close. Close...

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Excellent. Very good!

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All right. Forward, side, close. Back, side, close.

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One, two, three, rise.

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CHIC: Hey, hey, hey! You guys saw that?

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Excellent, gentlemen. Excellent.

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Keep your sticks up.

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Promenade. And...

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counter-promenade.

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Let me see what you're doing. Ah!

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Miss Mitzi, I'm sorry. Sorry. God. Jesus!

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I said I'm sorry. Put the stick down.

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We re not gonna play with these sticks any more if you boys won't behave.

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A little faster this time. And...

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Heel, toe, toe-toe, toe, heel, toe-toe.

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Excuse me. When we go forward, is it heel-toe or toe...

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It's forward, heel, toe, toe...

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JOHN: So it's back...

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Uh...!

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< Harder than it looks, isn't it, gentlemen?

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Well, you've all done very, very well

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for your first lesson.

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And before you leave tonight,

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I'm gonna give you a little incentive

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to keep on dancing.

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Paulina? Would you and Francesco

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mind giving our new students a little demonstration?

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Certainly, Miss Mitzi.

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Daphne?

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MUSIC: Moon River

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Thank you, Paulina.

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Whoo. Whoo!

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That was beautiful.

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You all right? Yeah, I'm good.

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Hey, guys, wait up! I'm comin'.

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Great. How lucky for us.

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Hey. Where are we goin'?

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- Somewhere close. - Yeah. I haven't got long.

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Anyway, you guys, don't go to Jim's.

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They got a bad roach problem there around the corner.

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You're gonna go anywhere after class, you come here, OK? ..Thank you.

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Why'd you guys decide to take dance, anyway?

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I'm gettin' married in September. Nice.

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Yeah. My bride said she'd like to see me lose a few pounds.

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She thinks the dancing will help. I said it won't. ..Thank you.

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I think you'll win that argument.

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I m taking classes to impress the ladies.

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You know what they say about guys who can dance, right?

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- That they're great in bed. - Yeah, baby!

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Where'd you get that stupid crap?

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Everywhere. What do you think?

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Everybody knows a guy who can move on the dance floor can move in the sack.

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Most guys, they can't dance at all.

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Guys who can, they get their pick of the litter.

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When I'm done with this class, babes will drop at my feet.

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They're gonna be droppin' dead at your feet!

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When you took your shoes off in class today,

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I had to run to the window for air.

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What kind of person says something like that

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to somebody they don't even know?

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Hey, man, I'm doin' you a favour.

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I'm telling you something obnoxious about yourself that you might not be aware of.

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If there's something obnoxious about me that you don't think I'm aware of,

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you-all should feel free to say something about it to me.

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Shooting fish in a barrel.

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- Where are all the ladies? - I don't know what I'm talking about.

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The ladies, they all go and take the classes down at Doctor Dance -

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that's, like, the hip place to go downtown.

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Ditzy Mitzi's is only hangin' on by a thread.

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Only reason I go there is she lets me rehearse whenever I want for free.

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I m gonna compete in the Chicago Taittinger Trophy.

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Soon as I find a partner.

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So...that leaves you.

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Leaves me. How? What?

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Leaves you as the only one here

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who hasn't said why he's dancing yet.

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Oh. Well, I'm dancing for exercise, like Vern. Bull.

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Because I'm lousy in bed, like Chic. There, I've said it.

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That is bull. I didn't say I was bad in bed.

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You didn't have to. Come on, why?

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Is there any pepper here? Could I have some?

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That's what I thought.

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She was a Blackpool finalist, you know.

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CHIC: Who?

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The princess. The other teacher, Paulina.

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What's Blackpool?

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Every year, all the best dancers from all over the world

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go to England to compete there.

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She was there last year with her partner -

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who they say was much more to her than just her partner.

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Anyway, he dumped her. That's the only reason she came back here to teach -

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mad at the world, boo-hoo-hoo and all that.

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- Why'd he dump her? - Yeah.

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How the hell should I know?

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God, they say WOMEN gossip. Golly!

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Hello! I'm home.

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LATIN MUSIC PLAYS

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Great. Great, Vern.

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Slow. The mambo is slow.

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Slide that hand one inch south of the equator,

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and I will bust you on your ass, twinkle-toes.

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Let's get something straight.

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I don't like the tropics any more than you do, OK?

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MISS MITZI: Five, six, seven, eight...

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Arms. And basic. And cross over.

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Right.

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One more time, and walk around.

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And basic.

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Watch out.

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And big ending.

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THEY LAUGH

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Look at you, John!

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That was pretty good.

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MISS MITZI: You were really good.

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Hey, I'm sorry I'm late. I'm gonna go up and change.

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Right.

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Dad work late tonight? Yeah, looks that way.

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Guess whatever he's working on, he must like it.

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Why do you say that?

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He seems happier lately.

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Does he?

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I called the Halston people in New York.

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We're gonna have trouble getting more stock in.

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Everything's on back-order.

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Look, Carolyn, I'm gonna need you

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to go to New York and sweet-talk them.

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Can you leave tomorrow? No.

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Why not?

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My husband is having an affair.

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How do you know that?

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I picked up the receiver last night to phone a friend,

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not knowing that Greg was already on the other line in the den.

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He was whispering.

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What was he whispering? >

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I don't know.

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I was so scared, I hung up before I could hear anything.

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Well, there's lots of other reasons

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why he could be whispering.

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I mean, maybe he didn't wanna wake up the kids. Huh?

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Or he could be planning a surprise for you.

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I mean, your birthday's coming up, isn't it?

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In two weeks.

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SHE GASPS WITH RELIEF

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That's it.

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Take a breath, go get yourself a brownie in the kitchen, just chill.

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It's gonna be fine.

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OK.

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Euh!

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You silly goose, you.

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She'll be divorced by Easter.

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JAZZ AND LATIN FUSION

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Come on, John. Join the warm-up.

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Ow! Jesus. I'm sorry!

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What, you think you own this floor?

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I'll have a bruise the size of Texas tomorrow!

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Go away! Go away? You go away!

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Take your stupid music with you. I can't dance to that crap.

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You just gonna stand there and let that fat cow insult you?

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I'm sorry. What did you say?

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Nothing. She didn't say anything.

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SHE SCREAMS

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Sorry.

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These are the teeth I wear for the Latin.

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It gets your smile out there. Just a little bit bigger smile.

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Bam. Gets the judges right in the eye, catches the light.

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And then the make-up - you know, the make-up.

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Swish-Butt, Fancy Pants, Pinky Boy...

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all these names, all these names I've been called ever since I was eight years old

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and dancing around to my mother's rumba records.

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You know what the worst of it is, huh?

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I'm not gay.

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Can you imagine how much easier my life would be if I were?

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I mean, a straight man who likes to dance around in sequins

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walks a very lonely road, I got news for you.

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Look, you're not gonna tell anybody in the office, are you?

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No, I wouldn't do that. Look, I'm in the same boat, aren't I?

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No, you're not. You're not. Why not?

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Because...people like you.

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You know what I mean? You're charming.

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I'm Linky Link. They would crucify me if they found out.

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I'm the sports trivia king.

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I'm the super sports fan, you know? You don't like football?

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I...you know.

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Run three yards, fall down, pile up.

0:23:470:23:49

Run three yards, fall down, pile up.

0:23:490:23:51

I mean, four months of that, I'm ready to put a gun to my head.

0:23:510:23:53

Fooled me. I know. I fooled everybody.

0:23:530:23:56

You know what my dream is? What?

0:23:560:23:59

My dream...

0:24:010:24:03

is to be able to dance free and proud.

0:24:030:24:06

Under my own name for all the world to see.

0:24:060:24:10

That's my dream.

0:24:100:24:12

Did I get it all?

0:24:120:24:14

Hey, Andy. It's Bev.

0:24:190:24:21

Look, I'm sorry to call you so late. I was just trying to find John.

0:24:210:24:24

Called the office at six and Betsy said that he'd left for the day,

0:24:240:24:28

and I was just...

0:24:280:24:29

You got home by five? How did you manage that, you lucky dog?

0:24:290:24:32

Ah, there's the door. OK. See you. Bye.

0:24:320:24:35

Sorry I'm late. I got hung up at the office.

0:24:350:24:38

I wish you'd call. We were looking all over for your car keys for ever...

0:24:380:24:40

I thought you were shopping with Jenna. That was weeks ago.

0:24:400:24:43

I called the office and Betsy said you left for the day at six.

0:24:430:24:46

Yeah, I did - for a sandwich. Then I came back.

0:24:460:24:48

Oh. Well, I called your private line a few times. Nobody picked up.

0:24:480:24:51

That's because I wasn't working in my office, I was in Andy's.

0:24:510:24:53

Oh. How is Andy?

0:24:530:24:55

We're working on a really big estate plan together.

0:24:550:24:58

So he was there?

0:24:580:25:00

What?

0:25:000:25:01

Was Andy there?

0:25:010:25:03

Why are you asking me all these questions?

0:25:030:25:05

I don't know.

0:25:050:25:07

Anyway, I stopped off for a bite on the way home with Link Peterson.

0:25:070:25:12

< Remember him? Interesting guy.

0:25:120:25:14

Not what you'd think.

0:25:140:25:17

How was your day?

0:25:170:25:18

Great.

0:25:180:25:21

JOHN: (One, two, three, four...

0:25:270:25:29

(One, two, three...)

0:25:320:25:33

Mom? >

0:25:500:25:52

Dad's acting weird.

0:25:520:25:55

They met five years ago

0:26:010:26:04

in a chat room for gardeners.

0:26:040:26:07

He says they're in love.

0:26:090:26:12

He's moving out Saturday.

0:26:120:26:14

He'll be back. He loves those kids.

0:26:140:26:17

I thought we were happy.

0:26:170:26:19

He seemed happy to me.

0:26:190:26:23

I didn't know anything.

0:26:230:26:25

I didn't know.

0:26:270:26:29

SHE PANTS

0:26:310:26:34

Ohh... TOILET FLUSHES

0:26:370:26:39

< Hi.

0:26:390:26:41

I, er...

0:26:410:26:42

I give free consultations during my lunch hour.

0:26:420:26:46

You sure you don't wanna come in?

0:26:460:26:48

So he comes home late on Wednesdays,

0:26:480:26:50

and when he comes home his shirts smell like perfume.

0:26:500:26:53

He's been seen making strange body movements,

0:26:530:26:55

and you feel he has a secret.

0:26:550:26:56

That's correct. Ever think about just asking him?

0:26:560:26:59

Yes, I've thought about it... Mrs Clark...

0:26:590:27:01

things happen in long marriages to the best of people.

0:27:020:27:06

And sometimes the thing that happens doesn't mean anything.

0:27:060:27:09

Doesn't need an investigator,

0:27:090:27:10

just needs somebody to look the other way for a while.

0:27:100:27:12

My husband is a serious man, Mr Devine.

0:27:120:27:14

If he's having an affair, it is not casual.

0:27:140:27:16

In which case, the sooner I know, the better.

0:27:160:27:19

All right. Give me a moment

0:27:200:27:22

while I call in my associate Mr Harcourt.

0:27:220:27:25

Scottie! >

0:27:250:27:27

Scottie Harcourt, this is Mrs Clark.

0:27:270:27:29

She suspects her husband's up to no good.

0:27:290:27:32

"To catch a husband is an art. To hold him is a job."

0:27:320:27:36

Simone de Beauvoir said that.

0:27:360:27:37

It's very nice to meet you, Mrs Clark. Same here.

0:27:370:27:40

I think we can start this investigation

0:27:400:27:42

without too much cost to Mrs Clark.

0:27:420:27:44

Yes. Follow that husband around for a few days,

0:27:440:27:46

take some pictures, see what's up.

0:27:460:27:48

But I have to warn you, if it goes to trial it's gonna be...

0:27:480:27:50

Trial?

0:27:500:27:51

In the event of a divorce.

0:27:540:27:55

But we don't know if he's having an affair.

0:27:550:27:58

I mean, he could just be involved with...

0:27:580:28:01

I don't know...

0:28:010:28:03

People who get together to invest things,

0:28:030:28:06

and...and the place that they invest things

0:28:060:28:10

is filled with potpourri,

0:28:100:28:12

and that's why his shirts smell so sweet when he comes home.

0:28:120:28:16

It's possible.

0:28:160:28:17

Yeah, it's possible. > It's possible.

0:28:170:28:19

It's possible we could find your husband

0:28:190:28:21

neck-deep in potpourri, investing things.

0:28:210:28:24

Not likely.

0:28:240:28:25

Look, this is what we'll do.

0:28:300:28:32

We start out gently.

0:28:340:28:36

We look for the potpourri.

0:28:410:28:43

And if we find it and it smells like flowers,

0:28:430:28:46

then 2,000 ought to cover my time.

0:28:460:28:48

But if we find the potpourri

0:28:480:28:50

and there's something big and stinky in the pot,

0:28:500:28:52

then you and I renegotiate, OK?

0:28:520:28:54

That sound good?

0:28:540:28:56

OK.

0:28:560:28:58

- Hey. - Hi.

0:29:030:29:05

- How you doin'? - Good.

0:29:050:29:07

I can tell, you know.

0:29:090:29:11

Tell what? That you've been dancing.

0:29:110:29:13

Your posture, it's a dead giveaway.

0:29:130:29:15

You're kidding! No.

0:29:150:29:19

How much you been practising, anyway? Just in class.

0:29:190:29:22

No. Should be five to one. Five-to-one ratio.

0:29:220:29:25

Five hours of practice for every one hour of class.

0:29:250:29:29

Doctor Dance has an open dance party every Thursday.

0:29:320:29:35

Anybody can go and practise. Even you.

0:29:350:29:38

Ballroom is all or nothing, John.

0:29:390:29:41

I'm draggin' your ass out of class and onto a real dance floor.

0:29:410:29:45

We'll go straight there after work.

0:29:450:29:47

Link? Yeah?

0:29:470:29:50

Can you really tell?

0:29:500:29:52

Yeah.

0:29:520:29:53

LOUD UP-TEMPO LATIN BEAT

0:30:010:30:03

Having fun?

0:30:150:30:17

What are you doing here? Spying.

0:30:170:30:20

MUSIC ENDS

0:30:420:30:44

Excuse me. We were dancing together.

0:30:460:30:49

Dude, she does not wanna dance with you. Now back off.

0:30:490:30:52

Hey, you know, I...

0:30:520:30:54

MUSIC: Shall We Dance?

0:30:540:30:58

Link always insists on dancing

0:30:580:30:59

with the youngest girls.

0:30:590:31:02

I've never seen him with his perfect partner.

0:31:020:31:04

Not that those are easy to find.

0:31:040:31:07

Have you ever found one?

0:31:070:31:09

Once.

0:31:090:31:11

He was my dancing partner for 15 years.

0:31:110:31:13

We were husband and wife for 14. Wow.

0:31:130:31:16

Yeah. He was my perfect partner.

0:31:160:31:18

Doesn't happen twice in a lifetime.

0:31:180:31:21

I'm lucky it even happened once.

0:31:210:31:23

Ah!

0:31:230:31:25

At last, a song I know. Oh, I love this song.

0:31:250:31:30

# Da da-da da...

0:31:300:31:32

# Shall we still be together

0:31:320:31:34

# With our arms around each other

0:31:340:31:36

# And shall you be my new romance?

0:31:360:31:41

# On the clear understanding

0:31:410:31:43

# That this kind of thing can happen

0:31:430:31:45

# Shall we dance? Shall we dance? Shall we dance? #

0:31:450:31:50

It's The King And I. Yul Brynner and Deborah Kerr.

0:31:500:31:52

Do you remember that?

0:31:520:31:54

They held hands like this. Oh, come on, John, let's try it.

0:31:540:31:57

No. No, no, no, I can't. No way. I can't. Why not?

0:31:570:31:59

Oh, John, come on. Come on.

0:31:590:32:01

I don't... No, I don't want to...

0:32:010:32:04

MITZI SINGS ALONG

0:32:040:32:07

Let go, John.

0:32:110:32:13

That's it, John.

0:32:200:32:22

Whoa. Sorry! I wasn't watching. Hi. How are you?

0:32:250:32:29

- It doesn't matter. We're finished anyway. - What do you mean?

0:32:290:32:33

No offence, but I can't be your dance partner.

0:32:330:32:35

Why? You're too much of a freak.

0:32:350:32:37

I mean, look at your palms. They're bright orange from self-tanning lotion.

0:32:370:32:40

Don't you know you're supposed to wash your hands after you use that stuff?

0:32:400:32:44

Excuse me.

0:32:510:32:52

Miss Mitzi couldn't make it tonight, so I'll be your teacher.

0:33:170:33:20

I'm Paulina.

0:33:200:33:22

And you're Chic and Vern and...

0:33:220:33:27

- Tom. - John. It's John.

0:33:290:33:31

What would you like to work on tonight?

0:33:340:33:37

Well, in my opinion - Chic -

0:33:370:33:38

I think since we're beginners, a good idea would be...

0:33:380:33:42

Waltz.

0:33:420:33:44

Maybe the waltz.

0:33:440:33:47

OK. Um...

0:33:490:33:51

I'll work with you one at a time,

0:33:510:33:53

and you can be first.

0:33:530:33:56

OK. All right.

0:33:560:33:58

Oops. I'm sorry.

0:34:390:34:41

So are you really a reporter for the Times,

0:35:310:35:34

or are you just pickin' up on her like everybody else?

0:35:340:35:37

I'm a reporter. Plus, she's not my type.

0:35:370:35:40

I like a woman built for comfort, not for speed.

0:35:400:35:44

Really? Why don't you put the camera down

0:35:450:35:48

and take me out on the dance floor?

0:35:480:35:50

Two reasons, I'm working and this is not my type of dance.

0:35:500:35:53

Well, how do you know if you've never tried?

0:35:530:35:55

Come on, put the camera down. Come on, give me a shot.

0:35:550:35:58

Oh, dear. Sorry, sorry!

0:35:580:36:02

I'm sorry. It's gonna stain.

0:36:040:36:07

Don't...worry. I'll take care of it.

0:36:070:36:10

Would you like to use this? Excuse me?

0:36:300:36:33

Just to wipe your coat, or...

0:36:330:36:37

Go ahead, just take it. Please. Go ahead.

0:36:370:36:41

It's silly, but it's my favourite coat. I'm sorry.

0:36:410:36:44

It's vintage.

0:36:440:36:47

But this part's real suede, so now it's ruined.

0:36:470:36:50

You sure? Maybe they can fix that.

0:36:500:36:53

No. I know about stains. It's...

0:36:530:36:57

You know, I never understood that. I never understood -

0:36:570:37:00

live cows get dirty all the time, they don't get stained.

0:37:000:37:04

All that leather stands in the mud, nothing happens.

0:37:040:37:07

Go figure. What is that?

0:37:070:37:08

Exactly.

0:37:080:37:11

Get a little sauce on your coat and look.

0:37:120:37:17

Why is that? I don't know.

0:37:170:37:19

We'll have to ask the next cow that comes by.

0:37:190:37:22

A man with a handkerchief.

0:37:320:37:34

Wow. I didn't know they made those any more.

0:37:340:37:38

I haven't eaten yet.

0:37:430:37:45

If you haven't eaten yet, maybe we can go and... get a bite.

0:37:450:37:49

Someplace close. You know, I saw a Chinese over here.

0:37:490:37:52

We could use chopsticks

0:37:520:37:54

and drop an endless variety of things on our clothes.

0:37:540:37:57

I'm sorry, I prefer not to socialise with students.

0:37:570:38:00

Oh, OK. All right.

0:38:000:38:03

I shouldn't have taken this from you.

0:38:030:38:05

I'll buy you a new one. Please.

0:38:050:38:07

I didn't...I didn't mean anything by that.

0:38:070:38:10

I'll buy you a new one.

0:38:100:38:12

Excuse me.

0:38:120:38:13

Mr Clark, I take dance very seriously.

0:38:190:38:22

Miss Mitzi's is a school, not a disco.

0:38:220:38:24

And I hope you didn't join class with me as your goal,

0:38:250:38:27

because you'd be wasting your time.

0:38:270:38:31

Don't dance if that's what you're after.

0:38:310:38:34

Dance lessons. My husband is taking dance lessons?

0:38:510:38:54

Well, I've found a lot worse hiding in the potpourri over the years.

0:38:540:38:57

Consider yourself lucky.

0:38:570:38:58

What's this beautiful young woman? Who's she?

0:38:580:39:01

His substitute teacher. His regular teacher's a much older woman.

0:39:010:39:04

Great legs, but older.

0:39:040:39:06

Mr Devine, what would make a man

0:39:060:39:08

who's done the same thing for the last 20 years

0:39:080:39:10

suddenly do something so completely out of character

0:39:100:39:13

just out of the blue? That's a question for a shrink.

0:39:130:39:15

I'm just a detective. I'm not asking you as a detective.

0:39:150:39:18

I'm asking you as a man.

0:39:180:39:20

Scottie?

0:39:260:39:27

What would cause a man after 20 years

0:39:270:39:29

to do something completely out of character out of the blue?

0:39:290:39:31

Did I get that right? Yeah.

0:39:310:39:33

"The mass of men lead lives of quiet desperation."

0:39:350:39:40

Maybe the desperation can't be quiet any more.

0:39:400:39:42

Bingo.

0:39:420:39:44

That's a wonderful use of Thoreau, Scottie.

0:39:440:39:46

Thank you. Hello again, Mrs Clark.

0:39:460:39:49

Hey.

0:39:490:39:51

Desperation.

0:39:510:39:53

Well, that's a possibility.

0:39:530:39:54

Mrs Clark, the point is your husband's dancing,

0:39:540:39:57

he's not checking into hotel rooms.

0:39:570:39:58

We can continue to keep an eye on things for you,

0:39:580:40:00

but my guess is your husband

0:40:000:40:02

will hang up his dancing shoes shortly anyway.

0:40:020:40:04

What makes you say that?

0:40:040:40:06

Voice of experience. HE CHUCKLES

0:40:060:40:09

You give him some time. He'll be home soon.

0:40:090:40:12

"The rest is up to you," I tell my clients.

0:40:200:40:23

"The rest is up to you."

0:40:230:40:25

Every few years they come back,

0:40:250:40:28

so I have these snapshots in my head

0:40:280:40:30

of how they've changed over the years.

0:40:300:40:32

The ones who've changed the most

0:40:320:40:34

finally bought that boat,

0:40:340:40:36

moved to that island.

0:40:360:40:39

Those who haven't changed,

0:40:390:40:41

I suppose they take comfort in knowing what course their lives are on.

0:40:410:40:46

They like to believe they know what lies ahead.

0:40:460:40:49

Dad!

0:41:170:41:18

Evan! What are you doing here?

0:41:180:41:21

Trying to meet up with some friends. What are you doing here?

0:41:210:41:25

Well, you know, work.

0:41:250:41:27

I had to come to visit a client over here. I had to come by and...

0:41:270:41:29

It's really weird. It is?

0:41:290:41:33

Yeah. Because I've been wanting you

0:41:330:41:35

to meet this girl that I'm crazy about,

0:41:350:41:37

and I'm going to meet her right now

0:41:370:41:39

at this bar with my other friends.

0:41:390:41:41

So can you...? Do you wanna go?

0:41:410:41:45

Of course I do. Lead on, my son.

0:41:450:41:48

DISCO RAPPING

0:41:480:41:51

Come on, let's get out there.

0:42:030:42:06

So, does your dad wanna dance?

0:42:060:42:08

I don't know. Dad, you haven't danced in, what, 90 years?

0:42:080:42:11

You two go. Go. It's been a long day for me.

0:42:110:42:15

MUSIC FADES

0:42:350:42:37

Mr Clark? >

0:42:400:42:42

Mr Clark? >

0:42:420:42:44

Do you wanna dance?

0:42:440:42:46

Yes. Yes, I do.

0:42:490:42:52

OK.

0:42:520:42:53

Could you say goodbye to Evan for me?

0:42:530:42:55

Thank you. Sure.

0:42:550:42:57

LATIN MUSIC

0:43:060:43:09

Sorry I'm late.

0:43:090:43:10

MISS MITZI: Don't let it happen again.

0:43:100:43:12

Join the warm-up, John. >

0:43:140:43:17

LATIN MUSIC PLAYS

0:43:560:43:58

MUSIC DROWNS HER WORDS

0:44:040:44:06

Come on!

0:44:190:44:20

Christ, Vern!

0:44:200:44:22

MUSIC OFF

0:44:220:44:23

You're soaking wet, man! I already had a shower today.

0:44:230:44:26

- Sorry. - You're disgusting!

0:44:260:44:29

You don't have to put it like that. Why not? It's the truth.

0:44:290:44:33

And I prefer to tell the truth, unlike some people who make up stories

0:44:330:44:36

about non-existent fiancees.

0:44:360:44:38

What are you talking about? He's getting married in the fall.

0:44:380:44:40

Oh, come on. What, are ya, dumb?

0:44:400:44:42

People who are engaged take the classes together,

0:44:420:44:44

or what the hell's the point?

0:44:440:44:46

Come on, tell the people the truth.

0:44:460:44:48

You're not engaged, are you?

0:44:480:44:50

Huh?

0:44:500:44:52

Not exactly. Uh-huh.

0:44:520:44:55

I haven't asked her quite yet. Thank you very much.

0:44:550:44:58

Look, I was gonna lose some weight first,

0:45:000:45:04

and then I was gonna take her dancing

0:45:040:45:07

somewhere romantic

0:45:070:45:09

and then maybe pop the question.

0:45:090:45:13

But I guess if I'm sweating all over the place,

0:45:130:45:15

that wouldn't be too romantic, huh?

0:45:150:45:18

< She's a great dancer.

0:45:180:45:21

Well, hey, don't listen to me.

0:45:230:45:25

What, are you...?

0:45:250:45:26

C'mon, don't be a big baby.

0:45:280:45:30

I didn't mean to upset you > or anything. Jesus, Vern!

0:45:300:45:33

I said I was sorry.

0:45:360:45:39

Bobbie!

0:45:400:45:41

Somebody call a doctor.

0:45:420:45:44

Are you all right? She's out.

0:45:440:45:47

It's her electrolytes.

0:45:480:45:50

They get crazy because she overworks herself.

0:45:500:45:52

She's been in here twice before.

0:45:520:45:55

And it's getting so boring, Mom.

0:45:550:45:58

Shut up, Tina. No, you shut up. God, she pisses me off.

0:45:580:46:00

She pulls a 12-hour shift at Jimmy's diner,

0:46:000:46:03

working five till five,

0:46:030:46:04

and then she goes and cooks and cleans for an old feeb in a wheelchair

0:46:040:46:08

to earn extra money for her crazy costumes.

0:46:080:46:09

And then she plays Cinderella every night at dance practice.

0:46:090:46:13

When you should be home, resting. I don't need rest.

0:46:130:46:16

Right. You need to hang out and flirt

0:46:160:46:18

with the shy guy with the nice-smelling sweat.

0:46:180:46:20

She told me all about you. Shut up, Tina.

0:46:200:46:23

I never said his sweat smells nice. I never said...

0:46:230:46:25

She said it was the best-smelling sweat she'd ever smelled.

0:46:250:46:27

OK, kill me now.

0:46:270:46:28

It's all right, Bobbie. I've smelled his sweat, and I agree, it's not bad.

0:46:280:46:33

Well, I mean, it's no field of flowers after a spring rain...

0:46:330:46:36

Yeah, I think we've talked about this enough.

0:46:360:46:38

Maybe we should all go home now and let Bobbie get some rest.

0:46:380:46:41

Yeah. Bye, sweetheart.

0:46:410:46:43

Thank you. Thank you.

0:46:430:46:46

Bobbie needs a partner for the competition.

0:46:580:47:03

Why not you, John?

0:47:030:47:05

Me. Competition? No, no, I can't...

0:47:050:47:08

She'd never go for it anyway. Forget it.

0:47:080:47:11

Why not? What are you talking about?

0:47:110:47:13

You heard her daughter. She likes you.

0:47:130:47:15

And dance begins with the dancers' feelings.

0:47:150:47:19

I'll work with the both of you after class. Two extra hours.

0:47:190:47:22

The Miss Mitzi Special. We've got three months.

0:47:220:47:28

This is good.

0:47:280:47:29

What do you think?

0:47:360:47:37

I think you better stock up on deodorant.

0:47:390:47:42

Anything a client says in a lawyer's office is confidential.

0:47:500:47:54

So I've gotten used to holding onto secrets.

0:47:540:47:57

They're usually nothing incriminating,

0:47:570:48:00

but a lot of people

0:48:000:48:02

have accounts they haven't reconciled,

0:48:020:48:04

things they're just not ready to share.

0:48:040:48:07

I took the liberty of ordering for you.

0:48:150:48:17

Bombay Sapphire, three limes.

0:48:170:48:19

I hired you to watch my husband. You're not supposed to be watching me.

0:48:190:48:22

It's very hard not to, Mrs Clark, with all due respect.

0:48:220:48:24

Are you a married man, Mr Devine?

0:48:240:48:26

I was.

0:48:260:48:27

Oh, what happened? Unfaithful.

0:48:270:48:31

She hired a detective? No, no, no.

0:48:310:48:33

When she found out, I was too far gone, so...

0:48:330:48:36

You're smiling at me.

0:48:360:48:39

You are on a strange journey to redemption, Mr Devine.

0:48:390:48:41

And a very long one, Mrs Clark.

0:48:410:48:44

All these promises that we make and we break.

0:48:480:48:50

Why is it, do you think, that people get married?

0:48:500:48:52

Passion.

0:48:520:48:53

No.

0:48:530:48:55

That's interesting. Because I would've taken you for a romantic. Why, then?

0:48:550:48:59

Because we need a witness to our lives.

0:49:010:49:03

There's a billion people on the planet. I mean, what does any one life really mean?

0:49:030:49:08

But in a marriage,

0:49:080:49:09

you're promising to care about everything...

0:49:090:49:12

The good things, the bad things,

0:49:120:49:15

the terrible things, the mundane things...

0:49:150:49:17

All of it. All the time, every day.

0:49:170:49:19

You're saying, "Your life will not go unnoticed, because I will notice it.

0:49:190:49:26

"Your life will not go unwitnessed, because I will be your witness."

0:49:260:49:30

You can quote me on that, if you like.

0:49:340:49:37

I'm sure I will.

0:49:370:49:38

Anyway, the reason that I called you here today,

0:49:380:49:41

to tell you in person that I won't be needing your services any more.

0:49:410:49:44

Oh.

0:49:440:49:46

I think to continue

0:49:460:49:47

would be an unwarranted invasion of my husband's privacy and...

0:49:470:49:52

Anyway, even though there was a reason...

0:49:520:49:54

I'm sorry for what I've done, and I know enough now, and...

0:49:540:50:00

It's time to stop.

0:50:000:50:03

Thank you for everything and...goodbye.

0:50:030:50:06

Bye.

0:50:060:50:07

Mrs Clark?

0:50:100:50:12

I was right. You are a romantic.

0:50:140:50:17

UP-TEMPO LATIN MUSIC PLAYS

0:50:210:50:23

Bobbie!

0:50:260:50:27

- A new costume. - Yeah.

0:50:270:50:29

I got it from this mermaid dream I had in the hospital.

0:50:290:50:32

Just floated up from my subconscious.

0:50:320:50:34

Where, tragically, it did not stay.

0:50:340:50:36

Come on, partner. > What are you waiting for?

0:50:380:50:41

Divine intervention?

0:50:410:50:43

You're a brave man, John Clark.

0:50:430:50:45

Not just anyone could take on the Bobbinator.

0:50:450:50:48

Yeah. Good luck, man. We're with you.

0:50:480:50:51

Somebody help me up! >

0:50:510:50:53

Please.

0:50:540:50:55

John! >

0:50:560:50:58

OK. 55 days from today,

0:51:000:51:03

you two are gonna win the novice competition.

0:51:030:51:06

That means you're gonna have to master five dances.

0:51:060:51:09

I've asked Paulina to videotape you tonight

0:51:090:51:12

so you can see what you're doing wrong.

0:51:120:51:15

< Let's start with a rumba.

0:51:150:51:16

MUSIC STARTS

0:51:180:51:20

What? What is it?

0:51:420:51:43

MUSIC OFF

0:51:430:51:44

It's the rumba. It's the dance of love.

0:51:440:51:49

And he's just not giving me anything.

0:51:490:51:52

What does she want me to do? I'm doing it exactly the way I was taught.

0:51:520:51:54

You think it's easy...?

0:51:540:51:56

The rumba...

0:51:560:51:57

is a vertical expression of a horizontal wish.

0:51:570:52:01

You have to hold her

0:52:010:52:03

like the skin on her thigh is your reason for living.

0:52:030:52:07

Let her go like your heart's being ripped from your chest.

0:52:070:52:13

Pull her back

0:52:130:52:15

like you're gonna have your way with her,

0:52:150:52:17

right here on the dance floor.

0:52:170:52:19

And then finish... THUD

0:52:190:52:21

..like she's ruined you for life.

0:52:230:52:25

See? Why can't you just do it like that?

0:52:380:52:41

Anyone else care for a glass of water?

0:52:410:52:45

Damn it! ..No, not you.

0:52:480:52:50

Look, I have to call you back.

0:52:500:52:53

No, he's not home yet.

0:52:530:52:55

What was the score at halftime in the NBA playoffs last night?

0:53:020:53:05

Why?

0:53:050:53:06

Why? You said you watched. What was the score?

0:53:060:53:07

I forget now.

0:53:070:53:08

You didn't forget. You didn't watch.

0:53:080:53:10

You don't care about playoffs. You care about dancing!

0:53:100:53:13

Shh. I do not.

0:53:130:53:15

Yeah. Then what's this?

0:53:150:53:18

Give me that. No! Give me that. Give me...

0:53:180:53:21

It's not even mine. It's my mother's.

0:53:210:53:24

At least, it was my mother's

0:53:250:53:27

until I took it to this wonderful alterations guy who had it tailored for me.

0:53:270:53:32

Look, it's not like I've figured this out, either.

0:53:320:53:35

Hey, listen... What?

0:53:350:53:38

Come back to class. No.

0:53:380:53:39

You could take over as Bobbie's partner in the Latin dances.

0:53:390:53:43

You've got those knocked already. There's no way I could learn 'em in time.

0:53:430:53:46

I'm not comin' back as the Bobbinator's partner!

0:53:460:53:49

We'll look like an olive and a toothpick together.

0:53:490:53:51

Besides, she would never dance with me.

0:53:510:53:53

Sure she would. Just the Latin dances.

0:53:530:53:56

I'll still do the waltz and the quickstep.

0:53:560:53:59

She would.

0:53:590:54:01

No!

0:54:010:54:03

Not if he was the last bald, bad-breathed, heterosexual sequin-freak on Earth...

0:54:030:54:07

which he probably is. I'm not doin' it.

0:54:070:54:10

You wanna win the Latin competition or not? It's up to you. I don't care.

0:54:100:54:13

Link already knows the dances,

0:54:130:54:15

and he'll be a good competitor.

0:54:150:54:17

Right, Link? >

0:54:170:54:18

So, finally giving up on the underage bimbettes

0:54:260:54:29

< and gonna go for a real woman. Is that it?

0:54:290:54:31

Yeah, no more underage bimbettes for me.

0:54:310:54:33

Only real women from now on.

0:54:330:54:35

Don't even think about coming near me without a breath mint. You got that?

0:54:350:54:39

And quit lookin' at my ass.

0:54:420:54:44

BOTH: We'll try.

0:54:440:54:46

Vern, you know, there's a joyful freedom in your Latin.

0:54:470:54:51

And, Chic, you have an innate sensuality quite uncommon in a man.

0:54:510:54:57

I've entered you both in the competition, along with John.

0:54:570:55:01

Good. That's settled.

0:55:030:55:04

MUSICAL INTERLUDE

0:55:080:55:10

You...are the frame.

0:55:250:55:27

I'm the frame.

0:55:270:55:29

She is the picture...

0:55:290:55:31

She is the picture...

0:55:310:55:33

..in your frame.

0:55:330:55:35

Everything that you do is to show her off.

0:55:350:55:38

You got that? I didn't hear that.

0:55:380:55:42

Nice. Invite the lady in.

0:55:550:55:58

And...make the connection.

0:55:580:56:01

Projecting to the third balcony.

0:56:040:56:07

911. 911, quick!

0:56:090:56:12

Quick, 911. 9...

0:56:120:56:14

BOTH LAUGH

0:56:140:56:17

And start here with an initial sweep past the crowd.

0:56:170:56:20

Watch.

0:56:200:56:22

And contra-check.

0:56:270:56:29

Excellent.

0:56:380:56:39

Oh, Jesus.

0:57:230:57:26

We wanted something unusual.

0:57:260:57:27

Are you OK? Yeah.

0:57:270:57:28

You sure? No, I'm good.

0:57:280:57:30

But you guys look exhausted.

0:57:300:57:33

I tell you what, why don't we call it a night?

0:57:330:57:36

For your sake, John. You look like you're toast.

0:57:360:57:40

And tomorrow's the big day. Yeah.

0:57:400:57:43

Get home safe. OK.

0:57:430:57:45

I'm wearing you guys out. No. No, no, no. >

0:57:450:57:48

It's good. I like it when my feet hurt.

0:57:480:57:50

Takes my mind off my knees.

0:57:500:57:52

I've just been getting carried away, you know,

0:57:520:57:54

working hard with the two of you.

0:57:540:57:56

< I guess I like it. Feels good, you know?

0:57:560:58:00

For me, too.

0:58:000:58:01

All right. Well, I'm going home.

0:58:020:58:06

Hey, wait.

0:58:060:58:07

I wanted to talk to you

0:58:110:58:13

about that night that you asked me to dinner.

0:58:130:58:15

I'm sorry about how I treated you.

0:58:150:58:18

It's just, you know, that people get the wrong idea about me all the time.

0:58:180:58:22

Paulina, you don't have to explain anything to me, ever.

0:58:220:58:25

Well, I know I don't have to explain anything to anybody

0:58:250:58:28

because I don't care what people think about me.

0:58:280:58:31

Good. Good.

0:58:310:58:32

I mean it.

0:58:320:58:33

Yeah, uh-huh. Good. Good.

0:58:330:58:37

I'm sorry. I shouldn't be here right now.

0:58:450:58:48

No, it's OK. I think I'm just hungry or something.

0:58:480:58:54

Hungry? Very.

0:58:570:59:00

Oh, this is so stupid.

0:59:010:59:03

No. No, not at all. No, no. I cry, too, when I'm hungry.

0:59:030:59:08

For French fries, usually. You?

0:59:080:59:10

Cake.

0:59:110:59:13

BOTH LAUGH

0:59:130:59:16

Careful. Don't spill it on your new coat.

0:59:170:59:20

Old coat, new colour. I had it dyed. Yeah?

0:59:200:59:23

Yeah. My dad did it. He's a dry-cleaner.

0:59:230:59:26

As is my mom, my brother, my two older sisters and me.

0:59:260:59:30

I told you I know about stains.

0:59:300:59:32

You're a dry-cleaner?

0:59:320:59:33

Well, I was. Until I was eight.

0:59:330:59:37

Actually, that's when I started dancing.

0:59:370:59:39

I was helping out in the store one day after school

0:59:390:59:42

when my mom asked me to go in the back and get an order.

0:59:420:59:45

It was this incredibly delicate sequined thing

0:59:450:59:48

held together by a gold thread.

0:59:480:59:51

'Well, I carried the costume like it was gonna break.

0:59:510:59:55

'And then I saw the customer.

0:59:550:59:57

'She was the most beautiful woman

0:59:570:59:59

'I had ever laid eyes on.

0:59:591:00:02

'She invited us to see her dance that night,

1:00:021:00:05

'and my mother said yes.

1:00:051:00:08

'It was like the whole world

1:00:101:00:11

'had suddenly gone from black and white to colour.

1:00:111:00:15

'The beautiful woman and her partner

1:00:151:00:18

'stopped right in front of us and did a waltz pose.

1:00:181:00:21

'She tilted her head back, and she winked at me.

1:00:211:00:25

'And I felt like she was trying to tell me something.

1:00:271:00:30

'I took it as a sign.

1:00:301:00:33

'And from then on, I knew that ballroom dancing would be my life.'

1:00:331:00:38

It wasn't the kind of dream my parents had in mind.

1:00:431:00:47

What made you wanna dance?

1:00:481:00:50

You.

1:00:511:00:52

Looking out that window, right up there.

1:00:541:00:57

You can see it from the train, and...

1:00:591:01:03

every night,

1:01:031:01:04

I'd come home from work and I'd look for you, your face.

1:01:041:01:08

You looked on the outside the way I was feeling on the inside.

1:01:101:01:14

I was watching you, too.

1:01:141:01:16

From the window, I saw you practising on the platform.

1:01:161:01:19

No. Oh...

1:01:191:01:21

That night I said all those things to you,

1:01:251:01:27

I didn't think I'd ever see you again.

1:01:271:01:30

But you kept coming back.

1:01:331:01:35

I didn't want to.

1:01:351:01:37

But I figured if I hadn't, you'd have been right about everything you accused me of.

1:01:381:01:43

Then I started dancing, and I found I really liked it. It made me happy.

1:01:431:01:47

Yes, it shows.

1:01:471:01:49

I mean, I feel excited about something for the first time in such a long time.

1:01:491:01:54

Aren't you? Excited?

1:01:541:01:56

About tomorrow. The competition.

1:01:561:01:58

No, no, no. I'm petrified. I'm...

1:01:581:02:01

I'm gonna forget everything, I won't be able to put one foot in front of the other.

1:02:011:02:06

I'll make a mess of the whole thing. No. I know. I'm just...

1:02:061:02:09

Give me one hour.

1:02:131:02:15

MUSIC: Santa Maria by Gotan Project

1:02:191:02:23

Leave it. Leave the light.

1:02:231:02:26

Don't say anything... and don't think.

1:02:321:02:35

And don't move unless you feel it.

1:02:381:02:40

Be this alive.

1:05:031:05:04

Be this alive tomorrow.

1:05:081:05:10

Thank you.

1:05:241:05:26

God, I'm sorry. I'm sorry, I lost my balance.

1:06:251:06:28

Oh, that's OK. I lost my fiance.

1:06:281:06:29

Lisa. Lisa.

1:06:291:06:31

There you are. Found the earring.

1:06:311:06:33

John Clark. Photo op. Come on.

1:06:381:06:41

Smile, everyone.

1:06:411:06:43

CHIC: Paso doble!

1:06:431:06:44

THEY ALL CHEER

1:06:441:06:46

Good luck, everybody.

1:06:471:06:48

Good luck.

1:06:481:06:50

- Hey. - Yeah.

1:06:501:06:52

So what did I tell you? Girls love guys who can dance, right?

1:06:521:06:55

Even I got a partner. Check it out.

1:06:551:06:57

Cute. But who's the guy?

1:06:581:07:01

Oh, that's her brother.

1:07:011:07:03

Yeah, we play basketball together.

1:07:061:07:08

Aren't they adorable? They're gonna get slaughtered.

1:07:151:07:18

Oh, shh. Don't say that.

1:07:181:07:20

Mr Clark.

1:07:221:07:23

John?

1:07:251:07:27

You look blue. Breathe.

1:07:281:07:31

Thanks.

1:07:361:07:38

Ladies and gentlemen, good evening.

1:07:411:07:44

The Chicago Taittinger Trophy

1:07:441:07:45

Latin competition will now begin.

1:07:451:07:47

< Judges, this is a semi-final round

1:07:471:07:49

< with 11 couples on the floor.

1:07:491:07:52

And now, ladies and gentlemen, your first dance is the cha-cha.

1:07:521:07:55

< Music, please.

1:07:551:07:57

Nice chasse, Vern!

1:08:201:08:22

Oh!

1:08:511:08:52

APPLAUSE

1:09:051:09:07

< Let's hear it for the cha-cha, ladies and gentlemen.

1:09:161:09:18

Who's your favourite couple out there? Let them hear their numbers.

1:09:181:09:21

We danced like...! All you did was worry about that stupid wig!

1:09:221:09:26

Well, what did you expect me to do? You saw...

1:09:261:09:28

I know, he's a pig. But this is Latin.

1:09:281:09:30

The judges are looking at your hips, not your hair.

1:09:301:09:32

So unless that thing looks good on your ass, lose it!

1:09:321:09:35

Fine!

1:09:371:09:38

CHEERING

1:09:411:09:44

MAN: We love you, baldy!

1:09:441:09:46

< Thank you, dancers.

1:09:471:09:49

< Please take your positions for your second and final dance of this competition,

1:09:491:09:52

the paso doble.

1:09:521:09:55

Music, please.

1:09:551:09:56

Looks like he got rid of a lot more than the wig.

1:10:211:10:24

'Ladies and gentlemen, I have the final results for the Latin competition.'

1:11:291:11:33

Your finalists are... couple 102...

1:11:331:11:35

We did it. Lisa, we did it, we did it!

1:11:381:11:41

Couple 104.

1:11:411:11:42

Oh, my God. Oh, my God!

1:11:461:11:47

'Couple 106.

1:11:471:11:49

'Couple 109.'

1:11:491:11:51

Couple 110.

1:11:511:11:53

And couple 105...

1:11:531:11:56

has been disqualified.

1:11:561:11:58

What?!

1:11:581:11:59

CHEERING

1:11:591:12:01

I thought Slick Willy was pretty good.

1:12:051:12:07

Bad attitude. Ungentlemanly behaviour.

1:12:071:12:09

It's a British sport, after all.

1:12:091:12:11

The man was working it. Well...

1:12:111:12:14

< Immediately following, the standard competition.

1:12:141:12:16

Ladies and gentlemen,

1:12:161:12:17

the Chicago Taittinger Trophy standard competition

1:12:171:12:20

will now begin.

1:12:201:12:21

'Judges, this is a semi-final round with ten couples on the floor.

1:12:211:12:25

'They'll be dancing the waltz and the quickstep.

1:12:251:12:27

'Now, ladies and gentlemen, let's bring our dancers out

1:12:271:12:30

'with a nice big round of applause.

1:12:301:12:32

'Couple 115.'

1:12:321:12:34

Couple 116.

1:12:361:12:37

'Couple number 117.

1:12:411:12:43

'Couple number 118.

1:12:451:12:47

'Couple number 119.

1:12:491:12:50

'Couple 120.

1:12:521:12:53

'Couple 121...'

1:12:541:12:56

Wow.

1:13:001:13:01

Come on, come on, > we're gonna be late.

1:13:011:13:05

Hey, you're not gonna choke on me, are you?

1:13:061:13:08

I think my feet are asleep, I don't remember anything...

1:13:081:13:11

You're great. You look beautiful.

1:13:111:13:12

And finally, couple number 126.

1:13:121:13:15

There they are.

1:13:281:13:29

Yeah. They look nervous.

1:13:291:13:31

No, not them. Them.

1:13:311:13:33

You invited them?

1:13:371:13:39

She said she wanted to be a witness to her husband's life.

1:13:391:13:42

I thought she should witness this.

1:13:421:13:44

So you're a marriage counsellor now?

1:13:441:13:45

But could you at least bill Mrs Clark for that?

1:13:451:13:49

'As our dancers take their positions...' There he is.

1:13:501:13:54

'I'd like to remind the judges that you'll be recalling six couples for the final round.

1:13:541:13:58

'Ladies and gentlemen, your first dance is the waltz.'

1:14:001:14:03

Music, please.

1:14:061:14:07

APPLAUSE

1:14:261:14:27

Well done!

1:14:321:14:34

He's awesome.

1:14:431:14:46

Dad is awesome!

1:14:461:14:49

Spectacular.

1:15:181:15:21

It's spectacular.

1:15:211:15:23

MUSIC ENDS

1:15:441:15:45

116!

1:15:531:15:54

Whoo!

1:15:541:15:56

Way to go, Dad!

1:16:041:16:07

COMPERE: Such a beautiful waltz.

1:16:111:16:13

We weren't terrible. I can't believe it.

1:16:131:16:15

Of course we weren't. You were dancing with me, you big nut.

1:16:151:16:18

..the second and final dance of this competition, the quickstep!

1:16:181:16:21

DRUM AND TRUMPET INTRO

1:16:211:16:24

Hey, is your daughter here tonight? No. Why?

1:16:291:16:33

I thought I heard someone yell at you, "Go, Dad."

1:16:331:16:36

Yes!

1:16:591:17:01

126!

1:17:161:17:18

Go, Dad! >

1:17:181:17:21

Way to go, Dad!

1:17:281:17:30

SUDDEN SILENCE

1:17:321:17:33

GASPS AND SOME LAUGHTER

1:17:381:17:40

Beverly! Dad?

1:18:321:18:34

Wait a minute. Wait, wait. Dad, you were terrific.

1:18:341:18:37

Get in the car, Jen. Just get in the car.

1:18:371:18:40

Beverly, how did you know?

1:18:401:18:42

Because I hired a detective. I thought you were having an affair.

1:18:421:18:45

It's ridiculous, I know. OK. I feel...

1:18:451:18:47

Hey, listen, that was really bad luck.

1:18:471:18:49

Don't worry. There's always next year.

1:18:491:18:51

Oh, "There's always next year." Thanks.

1:18:511:18:53

Well, I have a whole year to prepare for it.

1:18:531:18:55

Beverly, please, can we talk...?

1:18:551:18:57

No, there's nothing to talk about.

1:18:571:18:58

Please... Will you please stay...?

1:18:581:19:00

HORN BLARES

1:19:031:19:04

Stop. No.

1:19:041:19:06

Please, will you talk to me?

1:19:071:19:08

Then start by explaining what was it that I just saw? What did I witness?

1:19:081:19:12

I'm not having an affair. There was no aff...

1:19:121:19:15

What's goin' on?! HORN BLARES

1:19:151:19:17

Let's go! > They're new friends.

1:19:171:19:19

You could've told me about it, couldn't you?

1:19:191:19:21

You just completely left me out.

1:19:211:19:22

Why didn't you tell me, John? You've gotta answer that.

1:19:221:19:25

I was ashamed. Ashamed of what? Of dancing?

1:19:251:19:28

No, no... Well, then of what?

1:19:281:19:30

Of wanting to be happier...

1:19:311:19:33

..when we have so much.

1:19:341:19:36

HORN BLARES

1:19:391:19:40

And it's not your fault.

1:19:401:19:43

Hey, Fred Astaire! >

1:19:431:19:45

You're blocking traffic!

1:19:451:19:46

< Finally. Thank you!

1:19:531:19:56

'The reading of a will

1:20:091:20:11

'can actually come as a kind of relief.

1:20:111:20:16

'After the initial shock wears off

1:20:161:20:18

'about that trust fund for the family dog

1:20:181:20:20

'or the opera seats left to the gardener,

1:20:201:20:23

'there is at least the sense

1:20:231:20:25

'that everything is finally out on the table.'

1:20:251:20:29

This... You are not gonna believe this, guys. Louis! Louis!

1:20:311:20:34

"Link started dancing in 1985.

1:20:341:20:37

"It soon became his passion, and he started dancing six days a week.

1:20:371:20:41

"Lawyer by day and dancer by night,

1:20:411:20:43

"Link really lights up the floor with all of his energy."

1:20:431:20:46

'See. I told you. I knew it. I knew Link Peterson was...'

1:20:461:20:50

I think Linky Link might be batting for the other team,

1:20:501:20:53

you know what I mean?

1:20:531:20:55

WOMAN: Could those pants be any tighter? Look at his package!

1:20:551:20:58

Somebody get a magnifying glass!

1:20:581:21:00

There is nothing wrong with ballroom dancing.

1:21:001:21:05

Sorry.

1:21:131:21:15

Oh...

1:21:171:21:19

SHE SQUEAKS

1:21:201:21:21

And football sucks.

1:21:301:21:32

LINK: Hey, how you doin'? Hey.

1:21:431:21:45

Surprise. This is gorgeous.

1:21:451:21:48

Yeah, it's a pretty spot. Thanks.

1:21:481:21:51

John, we just wanted to talk to you for a minute.

1:21:511:21:53

Yeah, I just hope you weren't staying away from class on account of me.

1:21:531:21:55

I'm not mad about you ripping my dress or anything - seriously.

1:21:551:21:58

I know you always wanted to look at my ass, and you picked a pretty weird time to do it, but I forgive you.

1:21:581:22:04

Thanks. Thank you. Honestly. OK?

1:22:041:22:06

- Can we tell Miss Mitzi you're coming back? - I'm sorry. I'm not coming back.

1:22:061:22:10

It's...it's... I'm done with that now.

1:22:101:22:14

But thanks a lot for coming out here. I really appreciate that.

1:22:141:22:18

John, look...

1:22:181:22:20

Paulina, you know,

1:22:201:22:21

she's gonna go to England to study dance,

1:22:211:22:24

and we're havin' a little, you know, going-away party for her,

1:22:241:22:28

and we'd love for you to come.

1:22:281:22:30

Really love it if you would come by.

1:22:301:22:33

She gave me this to give to you, so...

1:22:331:22:36

Anyway, we hope that we see you there.

1:22:401:22:43

All right?

1:22:431:22:44

All right, come on.

1:22:441:22:46

Bye, John. Bye.

1:22:461:22:48

"I hope you're not upset about what happened with you and Bobbie,

1:22:551:22:59

"because you were wonderful that night.

1:22:591:23:02

"I'd hate to think that what happened

1:23:021:23:04

"would make you give it all up.

1:23:041:23:06

"You looked so graceful and brave out there -

1:23:071:23:10

"a different person from the one

1:23:101:23:12

"who first walked into Miss Mitzi's studio.

1:23:121:23:15

"But a lot has changed for both of us over the last few months.

1:23:151:23:19

"When my partner and I went to Blackpool last year,

1:23:221:23:25

"we were so excited to make it to the finals.

1:23:251:23:28

"Everyone was convinced that we were going to win,

1:23:301:23:34

"and we wanted to prove them right.

1:23:341:23:36

"We'd been together as a couple for as long as we'd been partners.

1:23:361:23:40

"But we began training too hard, pushing each other, expecting too much.

1:23:401:23:46

"Well, we didn't win.

1:23:481:23:49

"Not even close.

1:23:491:23:50

"I came back without my trophy or my partner.

1:23:541:23:58

"And all this time, I've been hiding out at Miss Mitzi's,

1:23:581:24:02

"angry at myself, frustrated and embarrassed.

1:24:021:24:07

"But coaching you and Bobbie,

1:24:091:24:10

"seeing how alive you were out there,

1:24:101:24:14

"made me realise just how much I'd given up.

1:24:141:24:17

"And now, for the first time in a long time...

1:24:421:24:46

"..I want to dance again.

1:24:481:24:50

"So I need to thank you - thank you for helping me to see this.

1:24:521:24:57

"I hope I get to see you and dance with you once more before I leave.

1:25:021:25:06

"Paulina."

1:25:091:25:11

Thanks.

1:25:231:25:24

By the way, I'm not going to this party.

1:25:271:25:30

Oh, OK. But you're not giving up dancing, are you?

1:25:301:25:34

You could... teach me to dance.

1:25:391:25:42

Beverly, I'm not dancing any more.

1:25:451:25:47

Why not, Dad?

1:25:481:25:50

Why don't you teach Mom how to dance?

1:25:521:25:55

The one thing I am proudest of in my whole life...

1:26:131:26:18

..is that you are happy with me.

1:26:191:26:21

If I couldn't... >

1:26:231:26:25

If I couldn't tell you that I was unhappy sometimes,

1:26:251:26:28

it was because I didn't want to risk hurting the one person I treasure most.

1:26:281:26:33

I'm so sorry.

1:26:361:26:38

# The book of love

1:27:051:27:07

# is long and boring

1:27:071:27:10

# And no-one can lift the damn thing

1:27:101:27:15

# It's full of charts

1:27:151:27:17

# And facts and figures

1:27:171:27:20

# And instructions for dancing

1:27:211:27:24

# But I...

1:27:251:27:26

# I love it when you read to me

1:27:311:27:34

# And you-ou

1:27:351:27:38

# You can read me anything

1:27:411:27:45

# The book of love

1:27:461:27:48

# has music in it

1:27:481:27:51

# In fact, that's where music comes from

1:27:521:27:56

# Some of it's just transcendental

1:27:571:28:00

# Some of it's just really dumb

1:28:021:28:06

# But I... #

1:28:061:28:08

So, John, I'll see you at the party, huh?

1:28:091:28:12

# I love it when you sing to me

1:28:121:28:15

# And you-ou

1:28:171:28:19

# You can sing me anything

1:28:231:28:27

# The book of love is long and boring

1:28:281:28:32

# and written very long ago

1:28:331:28:36

# It's full of flowers and heart-shaped boxes

1:28:381:28:43

# and things we're all too young to know

1:28:441:28:48

# But I-I...

1:28:481:28:51

# I love it when you give me things

1:28:541:28:59

# And you-ou

1:28:591:29:01

# You ought to give me wedding rings

1:29:051:29:09

# The book of love has music in it

1:29:151:29:19

# In fact, that's where music comes from

1:29:211:29:24

# Some of it's just transcendental... #

1:29:261:29:29

I like this palette. It looks lovely.

1:29:291:29:31

I just am now worried, though, that these guys are too dark...

1:29:311:29:35

# But I-I...

1:29:351:29:38

# I love it when you sing to me

1:29:411:29:46

# And you-ou

1:29:461:29:49

# You can sing me anything. #

1:29:521:29:55

It's a silly rose.

1:30:111:30:13

It's beautiful.

1:30:131:30:15

Why aren't you at the party?

1:30:171:30:19

Oh, because it's a dance and, to dance, you need a partner.

1:30:191:30:23

My partner is right here.

1:30:251:30:28

Beverly...dance with me.

1:30:371:30:40

I don't know how.

1:30:411:30:43

Yeah, you do. No, I don't.

1:30:431:30:44

You've been dancing with me for 19 years.

1:30:441:30:48

But I don't know the steps.

1:30:481:30:49

I'll teach you.

1:30:511:30:54

Here?

1:30:561:30:58

Right now.

1:30:591:31:01

# And you-ou

1:31:011:31:03

# You ought to give me wedding rings

1:31:061:31:10

# And I-I...

1:31:101:31:13

# I love it when you give me things

1:31:161:31:21

# And you-ou

1:31:211:31:23

# You ought to give me wedding rings

1:31:271:31:31

# You ought to give me

1:31:381:31:41

# ..wedding rings. #

1:31:411:31:44

APPLAUSE

1:31:461:31:47

And now Paulina will choose her partner for her special farewell dance.

1:31:511:31:55

ALL: Aw-w-w...

1:31:551:31:57

Paulina.

1:31:581:32:00

- You taught me well. Come on! - It'd be my pleasure.

1:32:011:32:04

Let me show you how much I learned.

1:32:041:32:06

< I'm available.

1:32:061:32:08

BOBBIE: There's John!

1:32:101:32:13

MUSIC: Shall We Dance?

1:32:161:32:19

Come on! Come on!

1:32:201:32:22

Shall we dance, Mr Clark?

1:32:361:32:38

I would love to.

1:32:381:32:40

Beverly, this is Paulina. Hi. Nice to meet you.

1:33:211:33:23

C'mon, c'mon. C'mon, c'mon, c'mon. Thank you.

1:33:231:33:26

Come on, let's go dance.

1:33:261:33:28

WHOOPING

1:33:281:33:31

# When marimba rhythms start to play

1:33:331:33:37

# Dance with me

1:33:371:33:38

# Make me sway

1:33:381:33:41

# Like a lazy ocean hugs the shore

1:33:411:33:44

# Hold me close

1:33:441:33:46

# Sway me more

1:33:461:33:48

# Like a flower bending in the breeze

1:33:481:33:51

# Bend with me

1:33:511:33:53

# Sway with ease

1:33:531:33:55

# When we dance, you have a way with me

1:33:551:33:58

# Stay with me

1:33:581:34:00

# Sway with me

1:34:001:34:03

# Other dancers may be on the floor

1:34:031:34:06

# Dear, but my eyes will see only you

1:34:061:34:10

# Only you have that magic technique

1:34:101:34:14

# When we sway, I go weak

1:34:141:34:16

# I go so weak

1:34:161:34:17

# I can hear the sound of violins

1:34:171:34:20

# Long before it begins

1:34:201:34:25

# Make me thrill as only you know how

1:34:251:34:27

# Sway me smooth, sway me now

1:34:271:34:32

# Mi amore

1:34:321:34:33

# Sway me

1:34:331:34:35

# Take me

1:34:351:34:37

# Thrill me

1:34:371:34:39

# Hold me

1:34:391:34:41

# Bend me

1:34:411:34:42

# Ease me

1:34:421:34:44

# You have a way with me

1:34:441:34:47

# Yeah, yeah

1:34:521:34:53

# Sway me

1:34:531:34:55

# Other dancers may be on the floor

1:35:011:35:05

# Dear, but my eyes will see only you

1:35:051:35:08

# Only you have that magic technique

1:35:081:35:12

# When we sway, I go weak

1:35:121:35:16

# I go weak

1:35:161:35:19

# I can hear the sound of violins

1:35:191:35:22

# Long before it begins

1:35:221:35:27

# Make me thrill as only you know how

1:35:271:35:30

# Sway me smooth, sway me now

1:35:301:35:34

# Make me thrill as only you know how

1:35:481:35:52

# Sway me smooth, sway me now. #

1:35:521:35:56

MUSIC: Santa Maria by Gotan Project

1:35:591:36:02

Romantic comedy in which bored businessman John Clark embarks on a love affair with ballroom dancing when he signs up for classes with sultry teacher Paulina.