Browse content similar to Youth Without Youth. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This film contains some scenes of a sexual nature | 0:00:11 | 0:00:18 | |
(TICKING CLOCK) | 0:00:19 | 0:00:22 | |
(HEAVY BREATHING) | 0:00:33 | 0:00:35 | |
(HEAVY BREATHING) | 0:01:10 | 0:01:12 | |
Sometimes I admit to myself that it is possible I will never | 0:01:43 | 0:01:47 | |
be able to finish my life's work. | 0:01:47 | 0:01:49 | |
My one and only book. | 0:01:54 | 0:01:57 | |
And that in the end, without her... | 0:01:57 | 0:02:00 | |
..there will be nothing. | 0:02:07 | 0:02:09 | |
I will die alone. | 0:02:09 | 0:02:12 | |
(SOBS) | 0:02:16 | 0:02:18 | |
What are you doing here, Dominic? | 0:02:28 | 0:02:30 | |
I have a migraine. I thought a walk might help. | 0:02:32 | 0:02:36 | |
In your pyjamas on Christmas Eve? | 0:02:36 | 0:02:39 | |
Don't catch cold. Look. | 0:02:39 | 0:02:41 | |
At the first opportunity I will... | 0:02:43 | 0:02:45 | |
What will you do at the first opportunity? | 0:02:48 | 0:02:52 | |
The first opportunity I have - | 0:02:52 | 0:02:54 | |
I have saved - | 0:02:58 | 0:03:00 | |
First opportunity. | 0:03:00 | 0:03:02 | |
I will open the blue envelope. | 0:03:02 | 0:03:05 | |
Not here, in Piatra Neamt, where everyone knows me, | 0:03:05 | 0:03:09 | |
but somewhere far away. | 0:03:09 | 0:03:11 | |
Bucharest, perhaps. | 0:03:15 | 0:03:17 | |
(BELL TOLLING) | 0:04:26 | 0:04:28 | |
Universul! | 0:04:40 | 0:04:42 | |
Universul. War clouds over Romania. | 0:04:56 | 0:05:00 | |
(BELL TOLLING) | 0:05:28 | 0:05:31 | |
'Call for some help.' | 0:05:33 | 0:05:35 | |
'Who knows what sins he has committed that God would strike | 0:05:36 | 0:05:40 | |
on Easter Sunday?' | 0:05:40 | 0:05:41 | |
'They say whoever dies during Easter goes straight to heaven.' | 0:05:41 | 0:05:44 | |
Dominic. | 0:05:52 | 0:05:54 | |
I wish - You know what I mean. | 0:06:02 | 0:06:04 | |
I will love you until the day I die. | 0:06:06 | 0:06:10 | |
Your eyes seem intact, | 0:06:21 | 0:06:24 | |
but I don't know if he is blind or not. | 0:06:24 | 0:06:27 | |
I don't even know if he is conscious. | 0:06:29 | 0:06:31 | |
If he hears or if he understands what he hears. | 0:06:31 | 0:06:36 | |
If you understand what I say, | 0:06:37 | 0:06:40 | |
squeeze my finger. | 0:06:40 | 0:06:42 | |
I'm Dr Roman Stanciulescu. | 0:06:54 | 0:06:57 | |
I'm here to help you. | 0:06:57 | 0:06:59 | |
Good. | 0:07:02 | 0:07:03 | |
We wish to find out your age. | 0:07:03 | 0:07:06 | |
For every ten years, squeeze my finger once. | 0:07:06 | 0:07:10 | |
Ten. | 0:07:14 | 0:07:16 | |
20. | 0:07:18 | 0:07:21 | |
30. | 0:07:21 | 0:07:23 | |
40. | 0:07:25 | 0:07:28 | |
50. | 0:07:28 | 0:07:29 | |
60. | 0:07:31 | 0:07:33 | |
70. | 0:07:36 | 0:07:38 | |
70 years old. | 0:07:39 | 0:07:41 | |
70. I would have thought less. | 0:07:42 | 0:07:45 | |
Well, in this larval state, | 0:07:46 | 0:07:51 | |
it is hard to estimate. | 0:07:51 | 0:07:53 | |
'I've never met anyone like you. | 0:08:07 | 0:08:10 | |
You want to know absolutely everything.' | 0:08:10 | 0:08:14 | |
Laura, try to imagine conceiving a passion for something, | 0:08:14 | 0:08:18 | |
having one desire and dedicating your life to it and then failing. | 0:08:18 | 0:08:22 | |
I'm 26, I have no accomplishments. | 0:08:22 | 0:08:25 | |
I've made no discoveries, I am a failure. | 0:08:25 | 0:08:29 | |
Do you have a wife? | 0:08:29 | 0:08:32 | |
No. | 0:08:32 | 0:08:34 | |
Nephew? | 0:08:34 | 0:08:36 | |
-Yes. -Nephew. | 0:08:38 | 0:08:40 | |
Do you want us to inform your nephew about your condition? | 0:08:40 | 0:08:44 | |
Let us know the first letter of your name. | 0:08:46 | 0:08:50 | |
I am going to say the alphabet. | 0:08:50 | 0:08:52 | |
A, | 0:08:52 | 0:08:53 | |
B, | 0:08:53 | 0:08:55 | |
C, | 0:08:55 | 0:08:56 | |
D. | 0:08:56 | 0:08:59 | |
D. | 0:08:59 | 0:09:00 | |
He doesn't live in Bucharest. | 0:09:00 | 0:09:04 | |
He has only one relative, a distant one. | 0:09:04 | 0:09:07 | |
He has no wife. | 0:09:07 | 0:09:10 | |
Thank you. | 0:09:10 | 0:09:12 | |
He will accept any test, | 0:09:15 | 0:09:18 | |
no matter how dangerous or painful | 0:09:18 | 0:09:22 | |
to verify whether the optic nerve was damaged. | 0:09:22 | 0:09:25 | |
That is interesting. | 0:09:28 | 0:09:30 | |
-How old did he say he was? -70. | 0:09:42 | 0:09:44 | |
He is hiding his age. | 0:09:46 | 0:09:47 | |
He is a young man in the prime of his life. | 0:09:47 | 0:09:50 | |
< What did you think about the lecture? | 0:10:00 | 0:10:02 | |
< Professor Matei is getting senile. | 0:10:02 | 0:10:04 | |
He told us the same thing three or four times. | 0:10:04 | 0:10:07 | |
< I didn't notice, I was asleep. | 0:10:07 | 0:10:09 | |
Is it true? | 0:10:13 | 0:10:15 | |
Failure, success. | 0:10:18 | 0:10:21 | |
Such extremes, Dominic. | 0:10:21 | 0:10:23 | |
You yourself told me about Chandrakirti. | 0:10:23 | 0:10:25 | |
The concept of tetralimologic, the four possibilities. | 0:10:25 | 0:10:28 | |
What you say is so, or it is not so. | 0:10:28 | 0:10:31 | |
It is also so and not so combined. | 0:10:31 | 0:10:34 | |
Or it is neither so nor not so combined. | 0:10:34 | 0:10:37 | |
I have never told you this, but after Chavannes' lecture in Paris, | 0:10:38 | 0:10:41 | |
I waited to see him. | 0:10:41 | 0:10:43 | |
I was hoping that he would accept me as a student. | 0:10:43 | 0:10:46 | |
He told me that if I did not master Chinese, Sanskrit, Tibetan | 0:10:47 | 0:10:51 | |
and Japanese, I would never become a great Orientalist. | 0:10:51 | 0:10:57 | |
But didn't you tell him you wanted to study only the Chinese language? | 0:10:57 | 0:11:01 | |
I did. When I told him I had been studying Chinese for six months, | 0:11:01 | 0:11:04 | |
six hours a day, he stepped up to the blackboard and wrote 20 characters. | 0:11:04 | 0:11:09 | |
He asked me to pronounce them one by one and then translate the passage. | 0:11:09 | 0:11:14 | |
In order to master Chinese, one must have the memory of a Mandarin. | 0:11:14 | 0:11:20 | |
Photographic memory. | 0:11:20 | 0:11:23 | |
A memory of a Mandarin. | 0:11:23 | 0:11:26 | |
I remember hearing about another case, a priest hit by lightning, | 0:11:28 | 0:11:33 | |
burned over his whole body. | 0:11:33 | 0:11:35 | |
He survived many years afterwards. | 0:11:35 | 0:11:38 | |
He was left blind and mute, bizarre memories also probably. | 0:11:38 | 0:11:42 | |
Don't talk so loud. Maybe he can hear you. | 0:11:42 | 0:11:45 | |
I want him to hear me. | 0:11:45 | 0:11:47 | |
Let's see how he'll react. Maybe he isn't mute at all. | 0:11:47 | 0:11:50 | |
No... not... mute! | 0:11:50 | 0:11:53 | |
Not mute! | 0:11:54 | 0:11:57 | |
Try to pronounce any word, anything. | 0:11:57 | 0:12:02 | |
Blue. | 0:12:03 | 0:12:05 | |
Envelope. | 0:12:06 | 0:12:07 | |
Blue envelope? | 0:12:07 | 0:12:09 | |
Envelope. | 0:12:09 | 0:12:11 | |
Your teeth, they're barely holding. | 0:12:13 | 0:12:15 | |
Call the dentist right now and see if the X-rays are ready. | 0:12:15 | 0:12:19 | |
-What's next? -Romania may be forced to negotiate with Hitler. | 0:12:26 | 0:12:29 | |
France is abandoning us to the Nazis. | 0:12:29 | 0:12:33 | |
His X-rays have come in. | 0:12:34 | 0:12:36 | |
You really should take a look at them. | 0:12:36 | 0:12:38 | |
The roots are healthy, but they are being pushed up by new ones. | 0:12:38 | 0:12:43 | |
We feel you are out of danger. | 0:12:47 | 0:12:50 | |
Only now do you begin to become an interesting case. | 0:12:52 | 0:12:54 | |
You understand why, don't you? | 0:12:54 | 0:12:57 | |
The way the lightning struck you, | 0:12:57 | 0:12:59 | |
you have to have been killed on the spot, | 0:12:59 | 0:13:01 | |
or else to have died of asphyxiation. | 0:13:01 | 0:13:03 | |
At best, you would be left paralysed... | 0:13:04 | 0:13:08 | |
..mute or blind. | 0:13:10 | 0:13:13 | |
You are lucky, I'll give you that. | 0:13:16 | 0:13:20 | |
Yes. | 0:13:23 | 0:13:24 | |
We had ordered a set of dentures to allow you to eat and, above all, | 0:13:24 | 0:13:28 | |
to speak normally. | 0:13:28 | 0:13:31 | |
But, the X-rays show that a new set of teeth are ready to appear. | 0:13:31 | 0:13:37 | |
Impossible. | 0:13:39 | 0:13:41 | |
Yes, it is simply impossible. | 0:13:41 | 0:13:44 | |
And yet, the X-rays are clear. | 0:13:46 | 0:13:49 | |
You are getting new teeth. | 0:13:50 | 0:13:52 | |
This is no longer a case of a living dead man, but of something else. | 0:13:54 | 0:13:59 | |
What exactly... we still don't know. | 0:13:59 | 0:14:04 | |
Your recovery is amazing. | 0:14:04 | 0:14:09 | |
I don't want to tire you out. | 0:14:11 | 0:14:14 | |
Get some rest, I'll be back tomorrow. | 0:14:14 | 0:14:16 | |
News stories and feature articles are starting to appear | 0:14:22 | 0:14:26 | |
in different papers. | 0:14:26 | 0:14:28 | |
The majority of them, absurd, ridiculous. | 0:14:28 | 0:14:32 | |
What are you doing? | 0:14:34 | 0:14:36 | |
New teeth! | 0:14:45 | 0:14:47 | |
But you must help us understand this. | 0:14:48 | 0:14:51 | |
We have to know more about you, who you are, what your profession is. | 0:14:53 | 0:14:57 | |
What is your real age? | 0:14:57 | 0:15:00 | |
Please co-operate a little more. | 0:15:00 | 0:15:03 | |
Were you so stubborn when you were young? | 0:15:05 | 0:15:08 | |
Always. | 0:15:10 | 0:15:11 | |
What is this you insist on writing? | 0:15:11 | 0:15:15 | |
I have almost finished with antiquity, the Middle Ages | 0:15:15 | 0:15:19 | |
and the most exciting part, the origins. | 0:15:19 | 0:15:23 | |
The origins of language. | 0:15:23 | 0:15:25 | |
But when will you finish it? | 0:15:25 | 0:15:27 | |
He needs ten lifetimes to do it all. | 0:15:27 | 0:15:29 | |
The origins of language, human consciousness, | 0:15:29 | 0:15:32 | |
even the idea of time itself. | 0:15:32 | 0:15:34 | |
This will call for years of research. | 0:15:34 | 0:15:36 | |
What with the inexperience of our provincial librarians... | 0:15:36 | 0:15:40 | |
I am terribly sorry, Professor. | 0:15:41 | 0:15:45 | |
I have an appointment. I really must run. | 0:15:45 | 0:15:48 | |
He is brilliant. Brilliant, but... | 0:15:51 | 0:15:55 | |
Laura, I am so sorry. | 0:15:57 | 0:15:59 | |
I completely forgot. | 0:15:59 | 0:16:01 | |
We have to talk. | 0:16:01 | 0:16:02 | |
It is very important for both of us and I can't hide it any longer. | 0:16:02 | 0:16:06 | |
Of course. It's snowing, shall we go to the Cafe Select? | 0:16:06 | 0:16:10 | |
No. And please don't interrupt. | 0:16:10 | 0:16:13 | |
It's not what you think. | 0:16:13 | 0:16:15 | |
I feel that you are not mine, | 0:16:24 | 0:16:27 | |
that you are never here with me, | 0:16:27 | 0:16:29 | |
that you live in another time. | 0:16:29 | 0:16:32 | |
I'm not thinking of your research, | 0:16:34 | 0:16:36 | |
which in spite of what you believe, does interest me. | 0:16:36 | 0:16:39 | |
I wanted to help you with that, | 0:16:39 | 0:16:41 | |
but you keep yourself shut away in an alien world, one I can't enter. | 0:16:41 | 0:16:46 | |
So, for my sake and yours, we should break our engagement and separate. | 0:16:48 | 0:16:54 | |
No. Laura, no. | 0:16:54 | 0:16:56 | |
We are still young. | 0:16:56 | 0:16:59 | |
We both love life. | 0:16:59 | 0:17:01 | |
You will have more time for your research. | 0:17:04 | 0:17:08 | |
Use the letter. | 0:17:09 | 0:17:11 | |
'Tell the professor what he wants to know. | 0:17:44 | 0:17:47 | |
Tell him you need a new identity.' | 0:17:47 | 0:17:50 | |
All right, you can go, I will be here all afternoon. | 0:17:57 | 0:18:00 | |
I understand that you are willing to speak to me candidly. | 0:18:09 | 0:18:13 | |
You don't have to make a great effort. | 0:18:15 | 0:18:17 | |
The words you cannot pronounce, you can write. | 0:18:17 | 0:18:20 | |
My name... is Dominic Matei. | 0:18:27 | 0:18:32 | |
On January 8th, I reached the age of 70. | 0:18:35 | 0:18:40 | |
I am a teacher at Piatra Neamt. | 0:18:40 | 0:18:42 | |
I live on Strada Pieskopie at No 18. | 0:18:42 | 0:18:47 | |
It is my house. | 0:18:47 | 0:18:49 | |
It contains a library of some... | 0:18:50 | 0:18:56 | |
8,000 volumes... | 0:18:56 | 0:18:59 | |
which I have willed to the Lycee. | 0:19:02 | 0:19:06 | |
You are 70 years old? | 0:19:09 | 0:19:11 | |
Extraordinary. | 0:19:17 | 0:19:20 | |
If you require further proof, | 0:19:20 | 0:19:23 | |
I can tell you the titles of the books on my desk or any other - | 0:19:23 | 0:19:27 | |
There is an album of photographs somewhere? | 0:19:28 | 0:19:32 | |
More precisely, with pictures of you when you were young. | 0:19:32 | 0:19:36 | |
And some clothing? | 0:19:36 | 0:19:40 | |
I implore you to be very discreet. | 0:19:40 | 0:19:43 | |
Agents from the Secret Service will never believe I am past 70 | 0:19:43 | 0:19:46 | |
and therefore will never believe I am who I say I am. | 0:19:46 | 0:19:51 | |
Of course. We'll be very careful. | 0:19:51 | 0:19:54 | |
Anything can happen if you're interrogated by them. | 0:19:54 | 0:19:57 | |
I won't let that happen. | 0:19:57 | 0:19:59 | |
It is true, though, these are difficult times in Romania. | 0:19:59 | 0:20:03 | |
In truth... | 0:20:06 | 0:20:08 | |
I came here with the intention of committing suicide. | 0:20:11 | 0:20:15 | |
I had saved an envelope with enough strychnine in it | 0:20:15 | 0:20:18 | |
to end my empty life. | 0:20:18 | 0:20:20 | |
Please... | 0:20:21 | 0:20:24 | |
..could you find me a fictitious identity? | 0:20:24 | 0:20:28 | |
That is not a problem. | 0:20:28 | 0:20:30 | |
When your beard comes off, | 0:20:30 | 0:20:33 | |
you will look like a man of 35 or 40 at most. | 0:20:33 | 0:20:38 | |
Don't worry. | 0:20:47 | 0:20:49 | |
You're handsome without the beard. | 0:20:57 | 0:21:01 | |
I have your jacket. | 0:21:04 | 0:21:06 | |
If you like, you can take me to the movie sometime. | 0:21:12 | 0:21:17 | |
The sleeves are too short and the tie is no good. | 0:21:22 | 0:21:26 | |
They look like an old man's clothes. | 0:21:26 | 0:21:28 | |
(GIGGLES) | 0:21:30 | 0:21:32 | |
Go with him. | 0:21:44 | 0:21:46 | |
I have seen that car before. | 0:21:53 | 0:21:55 | |
Last night, in my dream. | 0:21:55 | 0:21:58 | |
Some people might say it is a bad omen. | 0:21:58 | 0:22:00 | |
I am not superstitious. | 0:22:01 | 0:22:03 | |
They are waiting for us. | 0:22:04 | 0:22:07 | |
Professor. | 0:22:42 | 0:22:44 | |
Welcome. | 0:22:50 | 0:22:51 | |
Thank you, Doctor. | 0:22:51 | 0:22:53 | |
There's wild roses somewhere. | 0:22:57 | 0:23:01 | |
I want you to note down all that passes through your mind. | 0:23:06 | 0:23:10 | |
All the books you have read, all the languages you know, | 0:23:13 | 0:23:16 | |
everything, all the memories, no matter how insignificant. | 0:23:16 | 0:23:20 | |
If you are not in the mood to write, or if you have too much to say, | 0:23:20 | 0:23:23 | |
use this device. | 0:23:23 | 0:23:25 | |
German, I'm sorry to say. | 0:23:30 | 0:23:32 | |
A wire recorder. | 0:23:34 | 0:23:36 | |
How do I operate this? | 0:23:42 | 0:23:44 | |
'How do I operate this?' | 0:23:49 | 0:23:51 | |
(TICKING CLOCK) | 0:24:17 | 0:24:19 | |
My memory. | 0:24:27 | 0:24:29 | |
My memory is unbelievable. | 0:24:32 | 0:24:34 | |
(SPEAKING FOREIGN LANGUAGE) | 0:24:37 | 0:24:39 | |
(MUTTERS IN FOREIGN LANGUAGE) | 0:24:48 | 0:24:50 | |
(SPEAKING FOREIGN LANGUAGE) | 0:25:02 | 0:25:04 | |
I have a surprise for you. | 0:25:11 | 0:25:13 | |
Soon you will receive all the things from your home in Piatra Neamt. | 0:25:13 | 0:25:18 | |
Your reference books, dictionaries, personal belongings. | 0:25:18 | 0:25:22 | |
The watch she gave me. | 0:25:30 | 0:25:32 | |
I have brought your family album. | 0:25:32 | 0:25:36 | |
The one with your pictures from Lycee and the university. | 0:25:36 | 0:25:40 | |
What are you thinking? | 0:25:45 | 0:25:47 | |
What kind of memories? | 0:25:49 | 0:25:51 | |
What kind of associations? | 0:25:56 | 0:25:59 | |
When I look at that photograph... | 0:26:14 | 0:26:16 | |
I sense the heat... that morning. | 0:26:20 | 0:26:24 | |
The fragrance of the oleander. | 0:26:34 | 0:26:36 | |
Laura's scent. | 0:26:41 | 0:26:43 | |
Soap on her skin. | 0:26:44 | 0:26:46 | |
So unforgettable. | 0:26:49 | 0:26:51 | |
She married someone else. | 0:27:04 | 0:27:06 | |
A year later, she died in childbirth. | 0:27:08 | 0:27:10 | |
It was awful. | 0:27:19 | 0:27:21 | |
It is a kind of amnesia with lateral effects. | 0:27:21 | 0:27:24 | |
Too much. | 0:27:28 | 0:27:30 | |
It's useless. | 0:27:31 | 0:27:34 | |
It seems useless because we don't know yet what to do with it, | 0:27:34 | 0:27:39 | |
with this fantastic recovery of memory. | 0:27:39 | 0:27:43 | |
Useless. | 0:27:46 | 0:27:47 | |
Soon it will be learned that someone, | 0:27:47 | 0:27:49 | |
an old man of unknown origin was struck by lightning | 0:27:49 | 0:27:53 | |
and after ten weeks appeared perfectly healthy and young again. | 0:27:53 | 0:27:58 | |
Let's hope the rest will not be found out. | 0:28:02 | 0:28:05 | |
(SPEAKING GERMAN) | 0:28:27 | 0:28:30 | |
The anterior posterior diameter, 19 centimetres. | 0:28:30 | 0:28:33 | |
(SPEAKING GERMAN) | 0:28:36 | 0:28:38 | |
The height of the face, 12 centimetres. | 0:28:38 | 0:28:41 | |
(SPEAKING GERMAN) | 0:28:48 | 0:28:49 | |
And the length of the nose, six centimetres. | 0:28:49 | 0:28:53 | |
I warned you there would be a sort of international consultation. | 0:29:06 | 0:29:11 | |
They had to see first hand, | 0:29:11 | 0:29:12 | |
they could not believe the reports I published in La Presse Medicale. | 0:29:12 | 0:29:16 | |
I wasn't expecting such questions. | 0:29:16 | 0:29:19 | |
Especially since I was still in a hospital | 0:29:19 | 0:29:22 | |
and I had no way of confirming or ruling out sexual possibilities. | 0:29:22 | 0:29:26 | |
Excuse me. | 0:29:26 | 0:29:29 | |
In your notebooks, you speak of erotic dreams. | 0:29:29 | 0:29:33 | |
Are you sure they were dreams? | 0:29:33 | 0:29:36 | |
I don't know. | 0:29:36 | 0:29:38 | |
But if I have confused erotic dreams with real experiences, | 0:29:38 | 0:29:42 | |
my life is far more interesting than I had imagined. | 0:29:42 | 0:29:45 | |
Good, revalue this information. | 0:29:45 | 0:29:48 | |
Thank you. | 0:29:48 | 0:29:50 | |
But in the case of the young lady in room six, my friend... | 0:29:51 | 0:29:55 | |
..that woman was imposed on us by the Secret Service. | 0:29:57 | 0:30:01 | |
What young lady in room six? | 0:30:05 | 0:30:07 | |
(FRENCH MUSIC PLAYS) | 0:30:11 | 0:30:13 | |
Have we met somewhere before? | 0:30:40 | 0:30:42 | |
Of course we have met before. | 0:30:44 | 0:30:46 | |
Several times, in fact. | 0:30:48 | 0:30:50 | |
I am impressed. You are very discreet. | 0:30:53 | 0:30:56 | |
Where? When? | 0:30:57 | 0:31:01 | |
Most recently last night in room six. | 0:31:03 | 0:31:06 | |
Your room is next door. | 0:31:09 | 0:31:11 | |
Without surgery. | 0:31:26 | 0:31:28 | |
(SPEAKING CHINESE) | 0:31:29 | 0:31:31 | |
(MUSIC) | 0:32:10 | 0:32:12 | |
(SHOUTING) | 0:33:15 | 0:33:17 | |
(GERMAN) | 0:33:21 | 0:33:23 | |
(TICKING CLOCK) | 0:34:11 | 0:34:13 | |
'Don't worry. | 0:34:14 | 0:34:17 | |
It had to happen like this. | 0:34:17 | 0:34:19 | |
For you to be confused with others. | 0:34:19 | 0:34:21 | |
For people to think you can't distinguish dream from reality.' | 0:34:21 | 0:34:25 | |
Who is taking care of me? | 0:34:25 | 0:34:28 | |
'Do you think all you've gone through is due to chance?' | 0:34:28 | 0:34:31 | |
Who is watching out for me? | 0:34:31 | 0:34:33 | |
'It doesn't matter now. You'll find out later. | 0:34:33 | 0:34:36 | |
Besides, you've guessed some of it already.' | 0:34:36 | 0:34:39 | |
Otherwise... | 0:34:39 | 0:34:40 | |
'Why haven't you told the professor about... certain dreams like this?' | 0:34:40 | 0:34:45 | |
Stop. | 0:34:45 | 0:34:46 | |
'If you know someone else exists, | 0:34:46 | 0:34:51 | |
why have you never referred to it?' | 0:34:51 | 0:34:53 | |
I must not think, I must not think I must not think of anything. | 0:34:53 | 0:34:57 | |
I must not think, I must not think of anything. | 0:34:57 | 0:34:59 | |
(I must not think, I must not think of anything.) | 0:34:59 | 0:35:02 | |
'Yes. | 0:35:20 | 0:35:22 | |
You learn more quickly, more profoundly in sleep. | 0:35:22 | 0:35:27 | |
You told the professor that in sleep | 0:35:27 | 0:35:29 | |
you continued your studies of the daytime, | 0:35:29 | 0:35:33 | |
little by little you discovered you had mastered Chinese.' | 0:35:33 | 0:35:37 | |
'Just as later, you discovered you had mastered other languages.' | 0:35:37 | 0:35:41 | |
Beginning to understand what's happening to me. | 0:35:43 | 0:35:46 | |
'Yes. | 0:35:46 | 0:35:48 | |
Good.' | 0:35:48 | 0:35:50 | |
The enormous concentration of electricity | 0:35:52 | 0:35:55 | |
that exploded directly above me | 0:35:55 | 0:36:00 | |
regenerated me and... | 0:36:00 | 0:36:02 | |
..amplified fabulously all my mental faculties. | 0:36:05 | 0:36:08 | |
But this electrical discharge also made possible the emergence | 0:36:08 | 0:36:13 | |
of new personalities, sort of double. | 0:36:13 | 0:36:16 | |
'Yes. | 0:36:18 | 0:36:21 | |
The formula of the double is correct and useful.' | 0:36:21 | 0:36:27 | |
'But don't be in a hurry to tell the professor.' | 0:36:27 | 0:36:31 | |
(SINISTER MUSIC) | 0:36:42 | 0:36:44 | |
(SPEAKING GERMAN) | 0:36:52 | 0:36:54 | |
What can I say? | 0:37:03 | 0:37:05 | |
The man was about to cross the street. | 0:37:05 | 0:37:09 | |
He was 70 or 80 years old. | 0:37:09 | 0:37:12 | |
(SPEAKS GERMAN) | 0:37:12 | 0:37:14 | |
The young lady in room six disappeared two days ago. | 0:37:20 | 0:37:25 | |
Your companion of a night, or several. | 0:37:34 | 0:37:38 | |
I'm afraid it was several. | 0:37:38 | 0:37:40 | |
She recorded all your conversations and transmitted them to the Gestapo. | 0:37:58 | 0:38:03 | |
When she asked you questions in Russian, Polish or German, | 0:38:03 | 0:38:08 | |
you replied without difficulty in all those languages. | 0:38:08 | 0:38:12 | |
It is probable that after listening to the recordings, | 0:38:14 | 0:38:19 | |
someone high up in the Reich decided to kidnap you. | 0:38:19 | 0:38:23 | |
Kidnap me? | 0:38:25 | 0:38:27 | |
You have become the most valuable human specimen existing today | 0:38:27 | 0:38:33 | |
on the face of the Earth. | 0:38:33 | 0:38:35 | |
Come, have your chicken. | 0:38:35 | 0:38:37 | |
All the medical schools in the world would like to study you. | 0:38:39 | 0:38:43 | |
As a sort of guinea pig? | 0:38:43 | 0:38:46 | |
We are doing all we can to prevent that. | 0:38:46 | 0:38:49 | |
Professor. In your office, you must come. | 0:38:49 | 0:38:52 | |
Please, immediately. | 0:38:52 | 0:38:54 | |
We are disturbed over your level of co-operation, Professor. | 0:39:03 | 0:39:07 | |
As you see, your government has instructed you to relinquish | 0:39:07 | 0:39:11 | |
the patient and all relevant files to our custody. | 0:39:11 | 0:39:14 | |
I am sorry. I cannot comply with this. | 0:39:21 | 0:39:24 | |
Cannot comply? | 0:39:24 | 0:39:27 | |
I will not turn over the patient himself as his doctor. | 0:39:27 | 0:39:31 | |
His condition won't allow transfer at this time. | 0:39:31 | 0:39:34 | |
I will return with a German doctor. | 0:39:41 | 0:39:43 | |
'Good. | 0:39:57 | 0:39:58 | |
You're behaving as you should, | 0:39:58 | 0:40:01 | |
in order to create the necessary confusion.' | 0:40:01 | 0:40:04 | |
A double... | 0:40:06 | 0:40:08 | |
..always answers the questions I am ready to ask, | 0:40:08 | 0:40:12 | |
like a true guardian angel. | 0:40:12 | 0:40:14 | |
'That's a correct and useful formula.' | 0:40:14 | 0:40:16 | |
Are there others? | 0:40:18 | 0:40:19 | |
'Many.' | 0:40:19 | 0:40:21 | |
For example? | 0:40:21 | 0:40:23 | |
'Along with angels and guardian angels there are powers. | 0:40:23 | 0:40:27 | |
Archangels, seraphim, cherubim... | 0:40:27 | 0:40:31 | |
Intermediary beings par excellence.' | 0:40:32 | 0:40:36 | |
Intermediary between consciousness and unconsciousness? | 0:40:36 | 0:40:41 | |
'Of course. | 0:40:41 | 0:40:43 | |
But also between nature and man, | 0:40:43 | 0:40:46 | |
man and the divine, | 0:40:46 | 0:40:49 | |
reason and Eros. | 0:40:49 | 0:40:51 | |
Feminine and masculine, | 0:40:53 | 0:40:55 | |
darkness and light, matter and spirit.' | 0:40:55 | 0:40:59 | |
So it has come back to my old passion again, | 0:41:02 | 0:41:06 | |
the philosophy of religion. | 0:41:06 | 0:41:08 | |
'Yes. | 0:41:10 | 0:41:12 | |
You will always come back to that.' | 0:41:12 | 0:41:14 | |
I can't believe in the objective reality of the person | 0:41:17 | 0:41:20 | |
with whom I am conversing. | 0:41:20 | 0:41:22 | |
I can only think of him as my double. | 0:41:23 | 0:41:25 | |
'In a sense, that is what he is. | 0:41:28 | 0:41:31 | |
That doesn't mean he doesn't exist in an objective way, independently.' | 0:41:33 | 0:41:39 | |
I'd like to be convinced, but... | 0:41:39 | 0:41:42 | |
'In metaphysical controversies empirical proofs lose their value. | 0:41:42 | 0:41:48 | |
Wouldn't you enjoy receiving a few fresh roses? | 0:41:53 | 0:42:00 | |
Picked from the garden.' | 0:42:00 | 0:42:01 | |
I have always liked roses. | 0:42:01 | 0:42:03 | |
'Well, where would you like me to put them?' | 0:42:04 | 0:42:07 | |
Not in the vase, at any rate. | 0:42:07 | 0:42:10 | |
One right here. | 0:42:13 | 0:42:15 | |
In my hand. | 0:42:16 | 0:42:18 | |
As I am holding it now, open. | 0:42:19 | 0:42:21 | |
And another on my knee. | 0:42:32 | 0:42:34 | |
'The third rose, where do you want me to put the third rose?' | 0:42:40 | 0:42:44 | |
Let's see. | 0:42:46 | 0:42:48 | |
Things are more serious than we thought. | 0:42:51 | 0:42:54 | |
We know now why the Gestapo will try anything, | 0:42:54 | 0:42:58 | |
anything in order to get their hands on you. | 0:42:58 | 0:43:01 | |
Why? | 0:43:03 | 0:43:04 | |
Among the intimates of Goebbels, | 0:43:04 | 0:43:07 | |
there is an enigmatic and unambiguous person, | 0:43:07 | 0:43:10 | |
a certain Dr Josef Rudolf. | 0:43:10 | 0:43:12 | |
Dr Rudolf believes that electrocution by a current | 0:43:17 | 0:43:20 | |
of at least a million volts could produce a radical mutation | 0:43:20 | 0:43:25 | |
of the human species. | 0:43:25 | 0:43:27 | |
Word of this experiment has reached the ear of Adolf Hitler, | 0:43:29 | 0:43:34 | |
who has become personally interested in your case. | 0:43:34 | 0:43:37 | |
They want us to lend you to them for a period of time. | 0:44:09 | 0:44:14 | |
God help me. | 0:44:14 | 0:44:17 | |
Time, Dominic. | 0:44:17 | 0:44:19 | |
We are running out of time. | 0:44:19 | 0:44:21 | |
Geneva. | 0:46:40 | 0:46:41 | |
1941, May 7th. | 0:46:41 | 0:46:43 | |
Dominic Matei, dictation. | 0:46:44 | 0:46:46 | |
The documents in the Geneva safety deposit box summarise my life, | 0:46:53 | 0:46:58 | |
which was profoundly changed in the spring of 1938 | 0:46:58 | 0:47:01 | |
in front of the Gare de Nord railroad station in Bucharest. | 0:47:01 | 0:47:05 | |
My first experiences were described and analysed | 0:47:05 | 0:47:08 | |
by Professor Roman Stanciulescu in reports | 0:47:08 | 0:47:11 | |
which were confiscated by the Nazis. | 0:47:11 | 0:47:13 | |
The war rages around me. | 0:47:18 | 0:47:21 | |
I am a fugitive in neutral Switzerland, | 0:47:21 | 0:47:23 | |
encircled by the Axis powers. | 0:47:23 | 0:47:25 | |
My Romanian homeland has made a pact with the devil, Adolf Hitler. | 0:47:31 | 0:47:36 | |
It may soon be under siege. | 0:47:36 | 0:47:38 | |
I've lost contact with my dear friend, Professor Stanciulescu, | 0:47:42 | 0:47:45 | |
which could mean he has been killed. | 0:47:45 | 0:47:47 | |
I live in fear, dreading what awaits in the alleyways, | 0:47:56 | 0:48:00 | |
eluding capture by my wits, moving from hotel to rooming house, | 0:48:00 | 0:48:04 | |
always working on my book. | 0:48:04 | 0:48:07 | |
November 30th, 1941. | 0:48:09 | 0:48:11 | |
Zurich. Dominic Matei. | 0:48:12 | 0:48:15 | |
I have explained in Portfolio B how I instinctually found the talent | 0:48:15 | 0:48:20 | |
to preserve myself, living like a secret agent. | 0:48:20 | 0:48:24 | |
I discovered abilities to forge documents, | 0:48:24 | 0:48:27 | |
change addresses and prepare disguises. | 0:48:27 | 0:48:30 | |
Shortly before he disappeared, | 0:48:36 | 0:48:38 | |
Professor Stanciulescu arranged a bank account for me in Geneva, | 0:48:38 | 0:48:42 | |
under the name of William Pederson. | 0:48:42 | 0:48:44 | |
Now, without him, these funds will be depleted. | 0:48:45 | 0:48:49 | |
Good morning, Mr Pederson. | 0:48:49 | 0:48:51 | |
I will have to find other means. | 0:48:51 | 0:48:53 | |
February 20th, 1942. | 0:48:55 | 0:48:57 | |
Bern. | 0:48:58 | 0:49:01 | |
I must face the undeniable and chilling truth that I am a mutant. | 0:49:01 | 0:49:06 | |
Like a character in a science-fiction novel, | 0:49:06 | 0:49:09 | |
I am a strange superman of the future. | 0:49:09 | 0:49:14 | |
I have access to knowledge unavailable to mankind, | 0:49:14 | 0:49:19 | |
powers I don't fully understand. | 0:49:19 | 0:49:21 | |
Despite this, I try to behave as an ordinary intellectual, | 0:49:26 | 0:49:30 | |
working to complete my book, | 0:49:30 | 0:49:32 | |
documenting the origin of language and human consciousness. | 0:49:32 | 0:49:36 | |
I began to realise that with any text I had before me, | 0:49:36 | 0:49:40 | |
if I wanted to know the content, I simply... knew it. | 0:49:40 | 0:49:45 | |
Lake Campione, October 23rd, 1942. | 0:49:50 | 0:49:54 | |
I found I could augment my income | 0:49:57 | 0:50:01 | |
winning just enough not to arouse suspicion. | 0:50:01 | 0:50:03 | |
Nothing is as it seems. | 0:50:07 | 0:50:09 | |
I am the proof of that. | 0:50:09 | 0:50:11 | |
Dominic Matei. | 0:50:11 | 0:50:14 | |
Dominic Matei. | 0:50:14 | 0:50:15 | |
I trust no-one. | 0:50:15 | 0:50:17 | |
These were taken at the clinic of Dr Stanciulescu in 1938. | 0:50:22 | 0:50:27 | |
To think, ten months ago, on January 8th, you turned 74 years old. | 0:50:28 | 0:50:35 | |
You're trying to look older too. | 0:50:37 | 0:50:39 | |
Those glasses aren't even prescription. | 0:50:39 | 0:50:41 | |
I still don't know with whom I have the pleasure to be speaking. | 0:50:44 | 0:50:48 | |
Ted Jones Junior, I'm a correspondent for Life magazine. | 0:50:50 | 0:50:54 | |
Listen. | 0:50:54 | 0:50:56 | |
Switzerland is entirely surrounded by the Axis powers. | 0:50:56 | 0:50:59 | |
I am cashing out, thank you. | 0:50:59 | 0:51:01 | |
I'm on special assignment for the US. | 0:51:01 | 0:51:04 | |
I really think you're confusing me with someone else. | 0:51:04 | 0:51:07 | |
We can protect your identity completely. | 0:51:07 | 0:51:09 | |
I have a very powerful organisation behind me. | 0:51:09 | 0:51:12 | |
I know I can be of some service to you. | 0:51:12 | 0:51:15 | |
We can pay you or we can make some arrangements for you, | 0:51:15 | 0:51:18 | |
anything that might help you. | 0:51:18 | 0:51:20 | |
Your English is perfect, but you're not saying anything. | 0:51:27 | 0:51:30 | |
I am afraid I must remain neutral in all of this. | 0:51:34 | 0:51:37 | |
If you will excuse me. | 0:51:37 | 0:51:39 | |
If someone were to tell me that there exist among us authentic magicians, | 0:51:39 | 0:51:44 | |
Saints, sorcerers or anyone endowed with miraculous powers, | 0:51:44 | 0:51:50 | |
I would believe them. | 0:51:50 | 0:51:51 | |
In a certain sense, what you say is true. | 0:51:51 | 0:51:55 | |
You have attained the freedom to accept or reject these new conditions | 0:51:55 | 0:51:59 | |
to use them to finish your life's work... or not. | 0:51:59 | 0:52:03 | |
Have you decided? | 0:52:04 | 0:52:06 | |
To use them for good? | 0:52:07 | 0:52:10 | |
Or for evil? | 0:52:10 | 0:52:12 | |
Have you decided? | 0:52:13 | 0:52:15 | |
Despite my precautions, | 0:52:33 | 0:52:35 | |
I was afraid I would inadvertently give myself away, | 0:52:35 | 0:52:38 | |
conversing with professors and colleagues at the University. | 0:52:38 | 0:52:41 | |
I knew more than any of them | 0:52:41 | 0:52:43 | |
and understood things they never even suspected existed. | 0:52:43 | 0:52:47 | |
I know you are a good friend of the Romanian Professor Stanciulescu. | 0:53:02 | 0:53:06 | |
I am very sorry. I heard he died in a plane crash, an accident. | 0:53:06 | 0:53:09 | |
We can talk about this when my friend gets here. | 0:53:11 | 0:53:13 | |
I told him to come at 9pm. | 0:53:13 | 0:53:16 | |
-Your friend? -Dr Monroe. | 0:53:16 | 0:53:18 | |
The director of an important foundation. | 0:53:19 | 0:53:22 | |
He is Swiss. | 0:53:24 | 0:53:27 | |
Like me. | 0:53:27 | 0:53:29 | |
(Like you.) | 0:53:31 | 0:53:33 | |
You know, I do have a name. | 0:53:38 | 0:53:40 | |
Would you like to know it? | 0:53:42 | 0:53:44 | |
'Be careful.' | 0:53:54 | 0:53:56 | |
'He knows who you are.' | 0:53:59 | 0:54:01 | |
Hello, I am Dr Monroe. | 0:54:01 | 0:54:03 | |
Head of the foundation investigating materials of Professor Stanciulescu. | 0:54:04 | 0:54:08 | |
I am afraid I have no idea to what you are referring. | 0:54:10 | 0:54:13 | |
The belief that youth and life can be prolonged in any way | 0:54:13 | 0:54:16 | |
other than by the purely biochemical ones. | 0:54:16 | 0:54:19 | |
You do know what I am referring to. | 0:54:19 | 0:54:22 | |
No, I'm sorry. | 0:54:22 | 0:54:23 | |
Methods proposed by the Nazi, Dr Rudolf, | 0:54:23 | 0:54:26 | |
electrocution by means of a million or more volts. | 0:54:26 | 0:54:31 | |
Insane. | 0:54:31 | 0:54:33 | |
Fortunately, I believe that method was never tried. | 0:54:33 | 0:54:36 | |
But our informants said that Professor Stanciulescu had worked | 0:54:36 | 0:54:39 | |
with a case of rejuvenation induced by a bolt of lightning. | 0:54:39 | 0:54:43 | |
We know who you are, Mr Dominic Matei. | 0:54:47 | 0:54:51 | |
I have a prior engagement. | 0:54:51 | 0:54:53 | |
I really must run. I am terribly sorry. | 0:54:53 | 0:54:56 | |
Perhaps we could have dinner later tonight. | 0:54:56 | 0:54:58 | |
Mr Matei. | 0:55:19 | 0:55:22 | |
What do we do with time? | 0:55:22 | 0:55:24 | |
That question, what do we do with time, | 0:55:28 | 0:55:30 | |
expresses the supreme ambiguity of the human condition. | 0:55:30 | 0:55:34 | |
I have no idea what you're talking about. | 0:55:35 | 0:55:38 | |
An opportunity has been given to us. | 0:55:38 | 0:55:41 | |
We, the human race. | 0:55:43 | 0:55:45 | |
We? | 0:55:46 | 0:55:48 | |
No. | 0:55:50 | 0:55:52 | |
You and I both know what is coming. | 0:56:01 | 0:56:03 | |
Atomic warfare. | 0:56:03 | 0:56:04 | |
Cataclysmic destruction. | 0:56:04 | 0:56:06 | |
But, unlike the others, | 0:56:06 | 0:56:07 | |
I am trying to find a meaning to this impending catastrophe. | 0:56:07 | 0:56:12 | |
Think of me as the last European optimist. | 0:56:12 | 0:56:15 | |
This can be our life's work. | 0:56:15 | 0:56:17 | |
Please. | 0:56:17 | 0:56:18 | |
There are a few of us who, since 1938, have known that you exist. | 0:56:22 | 0:56:26 | |
The fact that you appeared all of a sudden | 0:56:27 | 0:56:30 | |
means that you have a special mission | 0:56:30 | 0:56:32 | |
and that you possess means of knowledge much superior | 0:56:32 | 0:56:35 | |
to those available to us. | 0:56:35 | 0:56:37 | |
You are gravely mistaken. | 0:56:37 | 0:56:39 | |
What is indispensable to a truly human existence? | 0:56:41 | 0:56:45 | |
For instance, the occidental artistic treasury. | 0:56:45 | 0:56:50 | |
Music and poetry. | 0:56:50 | 0:56:52 | |
But also a part of classic philosophy and above all, | 0:56:52 | 0:56:58 | |
science. | 0:56:58 | 0:56:59 | |
Post historic manual has been allergic to science | 0:56:59 | 0:57:02 | |
for at least one or two centuries. | 0:57:02 | 0:57:04 | |
No, always science. | 0:57:04 | 0:57:06 | |
Science above all. | 0:57:08 | 0:57:09 | |
Dominic. | 0:57:09 | 0:57:10 | |
I am surprised that you - | 0:57:10 | 0:57:12 | |
Dominic, don't believe anything he says. | 0:57:12 | 0:57:15 | |
Come, Dominic, join me in this work. | 0:57:17 | 0:57:19 | |
He is Dr Josef Rudolf, Hitler's most dedicated scientist. | 0:57:19 | 0:57:24 | |
Adolf Hitler. | 0:57:25 | 0:57:27 | |
If you actually knew him, if you had ever been with him in his presence. | 0:57:31 | 0:57:37 | |
If I could describe it to you. | 0:57:38 | 0:57:42 | |
Oh, well. | 0:57:42 | 0:57:44 | |
(You will meet him soon enough.) | 0:57:44 | 0:57:47 | |
No. | 0:57:51 | 0:57:52 | |
The Gestapo had Stanciulescu killed and Rudolf was the one - | 0:57:52 | 0:57:55 | |
Traitor! | 0:57:55 | 0:57:56 | |
You have no choice in the matter. | 0:57:59 | 0:58:01 | |
Dominic. | 0:58:01 | 0:58:03 | |
Forgive me, please forgive me. | 0:58:08 | 0:58:11 | |
Bitte. | 0:58:11 | 0:58:13 | |
'It is true what he says. | 0:58:15 | 0:58:19 | |
You really have no choice in the matter.' | 0:58:19 | 0:58:21 | |
(GUNSHOT) | 0:59:00 | 0:59:01 | |
(GUNSHOTS / BOMBS) | 0:59:12 | 0:59:14 | |
Geneva, 1955. | 0:59:32 | 0:59:34 | |
20th August at 10:31am. | 0:59:34 | 0:59:37 | |
Dominic Matei. | 0:59:37 | 0:59:39 | |
I have decided to stop making notes in English | 0:59:39 | 0:59:42 | |
and instead to use an artificial language of my own invention. | 0:59:42 | 0:59:46 | |
(CAR HORN) | 1:01:18 | 1:01:20 | |
Hello! | 1:01:21 | 1:01:22 | |
Excuse me. | 1:01:24 | 1:01:26 | |
What is the best way up to the top? | 1:01:26 | 1:01:29 | |
'Is it Laura?' | 1:01:36 | 1:01:37 | |
She is afraid of curvy roads. | 1:01:37 | 1:01:40 | |
I really don't think you should go on. | 1:01:40 | 1:01:42 | |
There's a storm coming in. | 1:01:42 | 1:01:43 | |
We're used to mountain storms. | 1:01:43 | 1:01:46 | |
Anyway, we can't wait. | 1:01:46 | 1:01:48 | |
'It is.' | 1:01:48 | 1:01:50 | |
Our vacation will be over in a few days. | 1:01:54 | 1:01:56 | |
Maybe I can help. | 1:01:56 | 1:01:58 | |
That's it. | 1:02:01 | 1:02:03 | |
I'm Veronica. | 1:02:07 | 1:02:09 | |
What is your name? | 1:02:09 | 1:02:11 | |
Dominic. | 1:02:11 | 1:02:12 | |
'With her you use your real name.' | 1:02:12 | 1:02:14 | |
Thank you. | 1:02:17 | 1:02:18 | |
Be careful. | 1:02:25 | 1:02:27 | |
Goodbye, Dominic! | 1:02:27 | 1:02:28 | |
I can only guess what happened. | 1:02:31 | 1:02:32 | |
When the big storm broke out they were probably on the road | 1:02:32 | 1:02:36 | |
that runs under the mountain wall where most of the lightning struck. | 1:02:36 | 1:02:39 | |
I am afraid they could have been buried in a rockslide | 1:02:39 | 1:02:42 | |
or a close strike of lightning can cause a heart-attack. | 1:02:42 | 1:02:45 | |
Your name? | 1:02:47 | 1:02:49 | |
Martin Ordrecour. | 1:02:49 | 1:02:51 | |
Passport, please? | 1:02:54 | 1:02:56 | |
You know, I can always go in a taxi by myself. | 1:03:02 | 1:03:06 | |
If I need help, I'll call from the first service station. | 1:03:06 | 1:03:11 | |
I don't think they could have had time to reach the shelter. | 1:03:20 | 1:03:23 | |
They could have taken refuge in one of the crevices in the wall. | 1:03:23 | 1:03:27 | |
There's their car. | 1:03:29 | 1:03:31 | |
There is a woman over here. | 1:03:34 | 1:03:36 | |
She is dead. | 1:03:49 | 1:03:51 | |
(SINGING) | 1:04:00 | 1:04:02 | |
Veronica? | 1:04:07 | 1:04:09 | |
What happened? | 1:04:09 | 1:04:11 | |
Are you all right? | 1:04:11 | 1:04:13 | |
'Sanskrit. | 1:04:17 | 1:04:18 | |
'How can it be?' | 1:04:20 | 1:04:21 | |
(SINGING IN SANSKRIT) | 1:04:30 | 1:04:33 | |
(SHOUTING IN FOREIGN LANGUAGE) | 1:04:51 | 1:04:54 | |
She has had a shock. | 1:04:56 | 1:04:58 | |
She is suffering from amnesia. | 1:04:58 | 1:04:59 | |
What language is that? What is she speaking? | 1:04:59 | 1:05:02 | |
An Indian language, I think. | 1:05:02 | 1:05:05 | |
Her papers identify her as Veronica Buller, aged 25. | 1:05:05 | 1:05:11 | |
Occupation, schoolteacher, living in Lischtal Canton Bal Kan Pang. | 1:05:11 | 1:05:15 | |
Excuse me. | 1:05:15 | 1:05:17 | |
You are the only one who can calm her and speak her language, Mr... | 1:05:17 | 1:05:22 | |
..Ordrecour. I am a student of linguistics. | 1:05:22 | 1:05:25 | |
Good morning. | 1:06:14 | 1:06:16 | |
What can you tell us, Mr Ordrecour? | 1:06:19 | 1:06:22 | |
The young woman believes she is living in north-eastern India, | 1:06:33 | 1:06:37 | |
14 centuries ago. | 1:06:37 | 1:06:40 | |
She feels that she has spent several months in a cave meditating. | 1:06:40 | 1:06:46 | |
This is where she was when a big storm broke out | 1:06:48 | 1:06:50 | |
and she saw lightning strike above her on the mountain. | 1:06:50 | 1:06:54 | |
Many large rocks were dislodged, blocking the mouth of the cave. | 1:06:54 | 1:06:59 | |
Is that all? | 1:07:02 | 1:07:03 | |
She asserts her name is Rupini. | 1:07:03 | 1:07:06 | |
Daughter of Nagapata, | 1:07:07 | 1:07:11 | |
descended from one of the first families to convert to Buddhism. | 1:07:11 | 1:07:16 | |
She became a disciple of the philosopher, Chandrakirti, | 1:07:16 | 1:07:22 | |
which is why she was in the cave, copying down his works. | 1:07:22 | 1:07:27 | |
I see. | 1:07:27 | 1:07:28 | |
Would you mind if I discussed this a moment with my colleagues? | 1:07:30 | 1:07:35 | |
Not at all. | 1:07:35 | 1:07:36 | |
We will invite some doctors from Zurich, Basel and Geneva | 1:07:53 | 1:07:58 | |
to come to see her. | 1:07:58 | 1:08:00 | |
If I might make a suggestion... | 1:08:02 | 1:08:04 | |
Yes? | 1:08:04 | 1:08:06 | |
Perhaps some experts from the Oriental Institute in Rome | 1:08:06 | 1:08:09 | |
might be necessary. | 1:08:09 | 1:08:11 | |
Necessary for what? | 1:08:11 | 1:08:14 | |
To confirm if what she is saying is fact. | 1:08:14 | 1:08:18 | |
Fact? | 1:08:18 | 1:08:20 | |
Exactly. | 1:08:20 | 1:08:21 | |
TRANSLATION: | 1:08:30 | 1:08:32 | |
Professor Tucci, it is an honour. | 1:08:38 | 1:08:40 | |
Before we begin, who wrote the telegram that included | 1:08:48 | 1:08:52 | |
some of the particulars? | 1:08:52 | 1:08:54 | |
I did, Professor. | 1:08:54 | 1:08:56 | |
You're a Sanskritist? | 1:08:56 | 1:08:57 | |
Not exactly. | 1:08:57 | 1:08:59 | |
But I have an interest in Oriental Studies. | 1:08:59 | 1:09:02 | |
I came only because of your report. | 1:09:02 | 1:09:05 | |
Thank you. | 1:09:05 | 1:09:06 | |
We have had some of her remarks translated into English. | 1:09:41 | 1:09:44 | |
The young woman's knowledge of philosophy and her master, | 1:09:46 | 1:09:51 | |
Chandrakirti, is convincing. | 1:09:51 | 1:09:55 | |
The discussion only became delicate whenever Rupini asked | 1:09:55 | 1:09:58 | |
what had happened to her, where she was | 1:09:58 | 1:10:02 | |
and why no-one understood her. | 1:10:02 | 1:10:05 | |
What did you tell her, Professor? | 1:10:05 | 1:10:06 | |
Actually, it is not a dream, I told her. | 1:10:12 | 1:10:15 | |
But it takes part in the illusionary nature of dreaming | 1:10:15 | 1:10:19 | |
because it is the future. | 1:10:19 | 1:10:22 | |
Therefore, time. | 1:10:22 | 1:10:24 | |
Now, time is par excellence unreal. | 1:10:24 | 1:10:27 | |
I don't believe I convinced her, but fortunately she is enthusiastic | 1:10:27 | 1:10:31 | |
about logic and dialectics and that is what we discussed. | 1:10:31 | 1:10:35 | |
Fact? | 1:10:44 | 1:10:46 | |
I would suggest a journey to India, more precisely, | 1:10:49 | 1:10:52 | |
to the province of Uttar Pradesh, | 1:10:52 | 1:10:54 | |
to the caves where Rupini claims to have meditated. | 1:10:54 | 1:10:58 | |
I should think the Oriental Institute of Rome, | 1:10:58 | 1:11:01 | |
of which I am President, would sponsor the expedition. | 1:11:01 | 1:11:05 | |
Young man, I think you should accompany us to India. | 1:11:05 | 1:11:08 | |
I'd be delighted. | 1:11:08 | 1:11:10 | |
Perfecto. | 1:11:10 | 1:11:11 | |
It's been understood that she will be put into a deep sleep | 1:11:11 | 1:11:14 | |
before leaving clinic and will continue to sleep | 1:11:14 | 1:11:17 | |
until we reach the vicinity of the caves. | 1:11:17 | 1:11:21 | |
We are very close to the frontier of Nepal. | 1:12:41 | 1:12:44 | |
According to Rupini's account, | 1:12:44 | 1:12:46 | |
this is where we will find the cave where she would meditate. | 1:12:46 | 1:12:49 | |
We are very fortunate in having a Pandit | 1:13:12 | 1:13:14 | |
familiar with the Madhyamik philosophy. | 1:13:14 | 1:13:17 | |
He will be at her side when she awakens. | 1:13:17 | 1:13:19 | |
Namaste. | 1:13:26 | 1:13:27 | |
Everyone hide themselves. | 1:13:30 | 1:13:32 | |
Stay back, hide yourself. | 1:15:22 | 1:15:25 | |
(SCREAMING) | 1:15:53 | 1:15:55 | |
Oh, God. | 1:15:55 | 1:15:57 | |
Are you all right? | 1:15:57 | 1:15:59 | |
Just be still. | 1:16:08 | 1:16:10 | |
Veronica. | 1:16:12 | 1:16:15 | |
(RUBBLE FALLING) | 1:16:33 | 1:16:36 | |
(CHANTING IN SANSKRIT) | 1:16:48 | 1:16:51 | |
I don't think you'll be needing me... | 1:17:36 | 1:17:39 | |
for a while. | 1:17:39 | 1:17:42 | |
She is awake. | 1:18:04 | 1:18:05 | |
But she has not opened her eyes. | 1:18:05 | 1:18:09 | |
Didn't we ask directions off you today? | 1:18:33 | 1:18:38 | |
"My name is Laura. | 1:18:38 | 1:18:40 | |
"I speak three languages, German, French and English." | 1:18:40 | 1:18:44 | |
"Have you ever tried to learn any oriental language?" | 1:18:44 | 1:18:47 | |
"Never." | 1:18:47 | 1:18:48 | |
"Have you ever read anything about India or Indian culture?" | 1:18:48 | 1:18:53 | |
"Some popular books." | 1:18:53 | 1:18:54 | |
"Like?" | 1:18:54 | 1:18:56 | |
"Rudyard Kipling. | 1:18:56 | 1:18:58 | |
"The Jungle Book." | 1:18:58 | 1:18:59 | |
"Have you ever heard the name, Rupini?" | 1:18:59 | 1:19:03 | |
"No." | 1:19:03 | 1:19:05 | |
"In an earlier existence, Veronica Buller had been Rupini. | 1:19:05 | 1:19:10 | |
"I would say for the vast majority of the orientalists, | 1:19:10 | 1:19:14 | |
"a clear example of the transmigration of the soul. | 1:19:14 | 1:19:19 | |
"Young man, your opinion?" | 1:19:19 | 1:19:21 | |
"As a neophyte orientalist, | 1:19:21 | 1:19:23 | |
"I can only cite some classical Indian conceptions from Upanishads | 1:19:23 | 1:19:26 | |
"to Buddha." | 1:19:26 | 1:19:28 | |
"Excuse me. | 1:19:28 | 1:19:29 | |
"It is precisely to punish us | 1:19:29 | 1:19:32 | |
"in the Brihadaranyaka and Chandogya Upanishad | 1:19:32 | 1:19:34 | |
"that one can find this belief for the first time. | 1:19:34 | 1:19:37 | |
"This is karma, isn't it?" | 1:19:37 | 1:19:40 | |
It is hard for me to believe that I ever existed before. | 1:19:40 | 1:19:43 | |
How did you say? | 1:19:43 | 1:19:45 | |
Metempsychosis. | 1:19:45 | 1:19:49 | |
It absolutely doesn't make sense to me. | 1:19:49 | 1:19:52 | |
Maybe... | 1:19:52 | 1:19:54 | |
What? | 1:19:54 | 1:19:55 | |
Maybe I was possessed by an evil spirit. | 1:19:55 | 1:19:59 | |
Well... | 1:19:59 | 1:20:00 | |
They never leave us alone. | 1:20:00 | 1:20:02 | |
It is all so confusing. | 1:20:02 | 1:20:04 | |
I am afraid I'm going crazy. | 1:20:04 | 1:20:07 | |
Hello, Veronica. Just an interview. | 1:20:17 | 1:20:19 | |
That's enough, let's go. | 1:20:19 | 1:20:22 | |
Taxi! | 1:20:22 | 1:20:23 | |
Just drive, anywhere. | 1:20:27 | 1:20:30 | |
I think we should get away. | 1:21:06 | 1:21:09 | |
I think we should go somewhere, be alone. | 1:21:09 | 1:21:12 | |
We should go somewhere beautiful, a Mediterranean island. | 1:21:12 | 1:21:16 | |
Dominic, that would make me very, very happy. | 1:21:16 | 1:21:20 | |
Look. That bird. | 1:22:08 | 1:22:10 | |
What kind of birds do they have in Malta? | 1:22:10 | 1:22:13 | |
That's a Maltese falcon. | 1:22:13 | 1:22:16 | |
Thank you. | 1:22:36 | 1:22:38 | |
It's fine, thank you. | 1:22:43 | 1:22:46 | |
Thanks very much. | 1:22:51 | 1:22:54 | |
Finally alone. | 1:22:57 | 1:23:00 | |
Dominic, it is beautiful here. | 1:23:04 | 1:23:07 | |
Yes, it is. | 1:23:07 | 1:23:09 | |
When I first opened my eyes and saw you... | 1:23:18 | 1:23:22 | |
..I confess I was thinking... | 1:23:24 | 1:23:28 | |
"If I were three or four years older and... | 1:23:28 | 1:23:35 | |
"if he were to ask me to marry him... | 1:23:35 | 1:23:41 | |
"I would say yes." | 1:23:41 | 1:23:44 | |
Veronica. | 1:23:54 | 1:23:55 | |
My love. | 1:24:09 | 1:24:11 | |
Is it true? | 1:24:13 | 1:24:15 | |
Yes. | 1:24:22 | 1:24:24 | |
I have always loved you. | 1:24:32 | 1:24:36 | |
Veronica. | 1:25:03 | 1:25:04 | |
(SPEAKS IN FOREIGN LANGUAGE) | 1:25:22 | 1:25:25 | |
'Do you understand it?' | 1:25:49 | 1:25:52 | |
I don't know this language. | 1:25:52 | 1:25:55 | |
Ancient. | 1:25:55 | 1:25:58 | |
Beyond. | 1:25:58 | 1:26:00 | |
'Why else did you have to know her?' | 1:26:00 | 1:26:06 | |
(GROANS) | 1:26:32 | 1:26:35 | |
(SCREAMS) | 1:26:38 | 1:26:40 | |
Veronica. | 1:26:58 | 1:26:59 | |
(HISSES) | 1:27:05 | 1:27:07 | |
I've got you. | 1:27:23 | 1:27:26 | |
I've got you, darling. | 1:27:26 | 1:27:28 | |
I've got you, Laura. | 1:27:28 | 1:27:31 | |
I've got you. | 1:27:34 | 1:27:35 | |
I've got you, darling. | 1:27:35 | 1:27:36 | |
I've got you, Laura. | 1:27:36 | 1:27:40 | |
I love you, darling. | 1:27:42 | 1:27:44 | |
I love you. | 1:27:44 | 1:27:46 | |
(TAPE-RECORDING OF VERONICA'S FOREIGN SPEAKING) | 1:28:00 | 1:28:04 | |
Was that Rupini's voice? | 1:28:48 | 1:28:50 | |
Yes. | 1:28:50 | 1:28:52 | |
She is moving back in time from Sanskrit to earlier languages. | 1:28:52 | 1:28:58 | |
That was Egyptian. | 1:28:58 | 1:29:00 | |
Perhaps you'll take us back to a time before history. | 1:29:04 | 1:29:09 | |
The origins of language, | 1:29:09 | 1:29:11 | |
which is where I have always wanted to go but never could. | 1:29:11 | 1:29:15 | |
It is helping me finish my work. | 1:29:15 | 1:29:17 | |
Good. | 1:29:17 | 1:29:19 | |
Good, I want to help you. | 1:29:20 | 1:29:22 | |
You know, I'm... | 1:29:22 | 1:29:25 | |
I'm 88 years old really. | 1:29:25 | 1:29:29 | |
If I added up all the years Rupini lived, I'd be older than you. | 1:29:34 | 1:29:39 | |
Then let's go dancing. | 1:29:39 | 1:29:43 | |
(FIREWORKS) | 1:29:47 | 1:29:48 | |
Thank you. | 1:30:11 | 1:30:13 | |
I don't think we'll be recognised, | 1:30:31 | 1:30:33 | |
even with our pictures in all those magazines. | 1:30:33 | 1:30:36 | |
Our pictures are still appearing. | 1:30:36 | 1:30:38 | |
Let me see. | 1:30:38 | 1:30:40 | |
What is the matter? | 1:30:58 | 1:30:59 | |
I feel tired all the time. | 1:31:06 | 1:31:09 | |
I don't understand why. | 1:31:09 | 1:31:12 | |
Something is happening inside me. | 1:31:12 | 1:31:14 | |
I can feel it. | 1:31:14 | 1:31:17 | |
'She's right. | 1:31:17 | 1:31:19 | |
'The para medium mystic excesses have exhausted her.' | 1:31:19 | 1:31:23 | |
Champagne? | 1:31:26 | 1:31:28 | |
Veronica? | 1:33:02 | 1:33:03 | |
Veronica! | 1:33:11 | 1:33:13 | |
No! Veronica! Don't! | 1:33:33 | 1:33:36 | |
Veronica! | 1:33:38 | 1:33:39 | |
I was so worried. | 1:33:40 | 1:33:43 | |
What is it? | 1:33:43 | 1:33:44 | |
It was a dream. (SOBS) | 1:33:44 | 1:33:46 | |
Bad dream. | 1:33:46 | 1:33:48 | |
What was it? | 1:33:50 | 1:33:52 | |
I was somewhere beside a river and someone, | 1:33:54 | 1:33:57 | |
a stranger with a head like a dog was coming towards me. | 1:33:57 | 1:34:01 | |
In his hand he had... | 1:34:01 | 1:34:06 | |
Explain it to me! | 1:34:06 | 1:34:07 | |
I want to know what Rupini knows. | 1:34:07 | 1:34:10 | |
She knows things that we don't understand yet. | 1:34:10 | 1:34:15 | |
No! | 1:34:15 | 1:34:17 | |
Don't ever leave me. | 1:34:17 | 1:34:19 | |
I'll never leave you. | 1:34:19 | 1:34:20 | |
Never leave you. | 1:34:20 | 1:34:22 | |
Don't ever leave me. | 1:34:22 | 1:34:24 | |
Never leave you. | 1:34:24 | 1:34:26 | |
Veronica. | 1:35:10 | 1:35:11 | |
The stranger in your dream was probably Shiva. | 1:35:20 | 1:35:26 | |
And in his hands a skull. | 1:35:26 | 1:35:30 | |
For Shiva is both creator and destroyer combined. | 1:35:30 | 1:35:35 | |
Dominic. | 1:36:28 | 1:36:29 | |
There is someone who looks like you spying on us. | 1:36:29 | 1:36:32 | |
I didn't notice anyone. | 1:36:32 | 1:36:34 | |
By the gate. | 1:36:34 | 1:36:36 | |
Come and look. | 1:36:36 | 1:36:37 | |
There's no one there. | 1:36:46 | 1:36:49 | |
Maybe I was mistaken. | 1:36:55 | 1:36:57 | |
You've been in the sun too long. | 1:37:00 | 1:37:01 | |
Let's go inside. | 1:37:01 | 1:37:03 | |
I am 88 years old really. | 1:37:25 | 1:37:29 | |
'She is in a hyper suggestive state. | 1:38:13 | 1:38:17 | |
'Tell her you love her. | 1:38:17 | 1:38:20 | |
'Tell her that you've always loved her.' | 1:38:20 | 1:38:23 | |
I love you. | 1:38:25 | 1:38:29 | |
I have always loved you. | 1:38:29 | 1:38:31 | |
(SPEAKING FOREIGN LANGUAGE) | 1:38:38 | 1:38:41 | |
'That is Sumarien.' | 1:38:43 | 1:38:45 | |
No, it is Babylonian. | 1:38:54 | 1:38:55 | |
'After Egyptian and Babylonian, | 1:39:10 | 1:39:12 | |
'there followed probably a sample of Proto-Elamite and one of Sumarien. | 1:39:12 | 1:39:17 | |
'She is descending deeper and deeper into the past.' | 1:39:17 | 1:39:22 | |
How far back will she go? | 1:39:22 | 1:39:25 | |
'Your life's work will finally have what was missing.' | 1:39:25 | 1:39:28 | |
Every night for two weeks, Veronica went further back in time. | 1:39:30 | 1:39:35 | |
Through unknown languages... | 1:39:35 | 1:39:38 | |
..unwritten history... | 1:39:42 | 1:39:44 | |
..getting closer and closer... | 1:39:53 | 1:39:58 | |
..to the inarticulate moment of the beginning. | 1:39:58 | 1:40:03 | |
But at what cost? | 1:40:14 | 1:40:15 | |
Madame is not suffering from anything, anything at all. | 1:40:17 | 1:40:20 | |
Are you sure, Doctor? | 1:40:20 | 1:40:22 | |
Yes. | 1:40:22 | 1:40:23 | |
I have prescribed a series of vitamins and minerals. | 1:40:23 | 1:40:27 | |
Perhaps it is a nervous condition | 1:40:27 | 1:40:32 | |
that precedes menopause in certain woman. | 1:40:32 | 1:40:37 | |
Just how old do you take her to be, Doctor? | 1:40:37 | 1:40:40 | |
Late forties, more or less. | 1:40:40 | 1:40:44 | |
She is 25. | 1:40:44 | 1:40:45 | |
Where have all the mirrors gone? | 1:41:04 | 1:41:08 | |
Bring one to me. | 1:41:14 | 1:41:17 | |
Veronica, you are not well. | 1:41:17 | 1:41:20 | |
Bring a mirror to me, Dominic, please. | 1:41:20 | 1:41:24 | |
Maybe that one. | 1:41:26 | 1:41:28 | |
(GASPS) | 1:42:06 | 1:42:07 | |
I should have understood this from the beginning. | 1:42:45 | 1:42:48 | |
'One more regression and she will reach the Proto-language. | 1:42:48 | 1:42:52 | |
'Your life's work will be complete. | 1:42:52 | 1:42:56 | |
'You know I'm right.' | 1:42:56 | 1:42:58 | |
Dominic? | 1:43:17 | 1:43:18 | |
Dominic? | 1:43:20 | 1:43:21 | |
Look. | 1:43:28 | 1:43:30 | |
Come sit with me. | 1:43:35 | 1:43:37 | |
Come sit with me. | 1:43:40 | 1:43:42 | |
Veronica, I'm to blame for this. | 1:43:47 | 1:43:49 | |
No, it's me. | 1:43:49 | 1:43:50 | |
Listen to me and don't interrupt. | 1:43:50 | 1:43:52 | |
It's me. | 1:43:52 | 1:43:54 | |
Listen to me. | 1:43:54 | 1:43:56 | |
If I continue to live with you, by autumn you will have perished. | 1:43:56 | 1:44:00 | |
I can't tell you more, but I assure you. | 1:44:00 | 1:44:03 | |
In reality, you haven't aged. | 1:44:03 | 1:44:06 | |
The moment I disappear from your life your youth and beauty will return. | 1:44:06 | 1:44:10 | |
Don't leave me, Dominic. | 1:44:10 | 1:44:11 | |
Please, don't leave me. | 1:44:11 | 1:44:13 | |
I was doomed to lose everything that I love. | 1:44:13 | 1:44:15 | |
But I would rather lose you young and beautiful, | 1:44:15 | 1:44:18 | |
the way you were and will be again, without me, | 1:44:18 | 1:44:22 | |
than to watch you perish in my arms. | 1:44:22 | 1:44:23 | |
You promised me you would never leave me. | 1:44:23 | 1:44:27 | |
I am... going to leave you. | 1:44:27 | 1:44:32 | |
If you leave me, I will die without you. | 1:44:32 | 1:44:36 | |
If, in a few months, you don't find yourself as you were last autumn, | 1:44:36 | 1:44:40 | |
I'll come back the minute I receive your telegram, I'll come back. | 1:44:40 | 1:44:44 | |
Three or four months, just wait. | 1:44:44 | 1:44:48 | |
Somewhere. | 1:44:51 | 1:44:55 | |
Far away from me. | 1:44:55 | 1:44:56 | |
Don't leave me, please. | 1:45:00 | 1:45:02 | |
Please. | 1:45:02 | 1:45:03 | |
Dominic. | 1:45:35 | 1:45:36 | |
Dominic. | 1:45:37 | 1:45:38 | |
-(TANOY) -The 3:10 train from Ploiesti will depart in five minutes. | 1:46:00 | 1:46:04 | |
The 3:10 train from Ploiesti will depart in five minutes. | 1:46:06 | 1:46:11 | |
Good evening. | 1:46:27 | 1:46:30 | |
Ordrecour. | 1:46:30 | 1:46:32 | |
Sign here, please. | 1:46:32 | 1:46:34 | |
Thank you. | 1:46:34 | 1:46:35 | |
On the second floor, room 19. | 1:46:37 | 1:46:39 | |
By the way, do you know if the Cafe Select still exists? | 1:46:39 | 1:46:44 | |
How could it not exist? It is an historic monument. | 1:46:44 | 1:46:47 | |
Of course. | 1:46:47 | 1:46:48 | |
Have you heard of Professor Dominic Matei? | 1:46:48 | 1:46:50 | |
I was born here. | 1:46:50 | 1:46:53 | |
Then you know that he frequented Cafe Select | 1:46:53 | 1:46:56 | |
the whole time he was professor here in Piatra Neamt. | 1:46:56 | 1:46:59 | |
That's right. | 1:46:59 | 1:47:00 | |
Here's your key. | 1:47:00 | 1:47:01 | |
-19? -Second floor. | 1:47:03 | 1:47:05 | |
Welcome home. | 1:47:09 | 1:47:10 | |
Cafe Select. | 1:47:16 | 1:47:18 | |
Maman. Maman. | 1:47:56 | 1:48:00 | |
Maman. Maman! | 1:48:03 | 1:48:04 | |
(SPEAKING FRENCH) | 1:48:06 | 1:48:08 | |
Couldn't even lose their meaning in the absolute. | 1:48:31 | 1:48:35 | |
Being coincides with non being. | 1:48:35 | 1:48:38 | |
'Yes, but what no one dares to say | 1:48:38 | 1:48:39 | |
'is that in the horizon of these philosophies, atomic wars must be, | 1:48:39 | 1:48:43 | |
'if not justified, at least accepted.' | 1:48:43 | 1:48:45 | |
I reject that. | 1:48:45 | 1:48:46 | |
'The true meaning of nuclear catastrophe can only be this. | 1:48:46 | 1:48:49 | |
'The mutation of the human species and the arrival of the new man.' | 1:48:49 | 1:48:52 | |
Yes, but atomic wars will destroy populations, civilisations. | 1:48:52 | 1:48:56 | |
'That is the price to be paid.' | 1:48:56 | 1:48:58 | |
How can you even say that? | 1:48:58 | 1:49:00 | |
'The resulting electromagnetic pulse will create unlimited potential | 1:49:00 | 1:49:04 | |
'for post historic man.' | 1:49:04 | 1:49:05 | |
But it could go the other way and provoke a regression in the species. | 1:49:05 | 1:49:09 | |
'All that matters is knowledge and the perfection of the human being.' | 1:49:09 | 1:49:13 | |
So you're saying that the end justifies the means? | 1:49:13 | 1:49:17 | |
'There is no other way.' | 1:49:17 | 1:49:18 | |
Just as there was no other way for Veronica. | 1:49:18 | 1:49:20 | |
Just ageing and suffering and then death. | 1:49:20 | 1:49:23 | |
'There was no other way. That's why you've never finished your book. | 1:49:23 | 1:49:26 | |
'Why you will always be a failure.' | 1:49:26 | 1:49:28 | |
No. | 1:49:28 | 1:49:29 | |
'Dominic, what have you done? | 1:49:32 | 1:49:35 | |
'Dominic, save me, save me, Dominic. | 1:49:35 | 1:49:39 | |
'Dominic, what have you done? | 1:49:42 | 1:49:44 | |
'(SPEAKING FOREIGN LANGUAGE)' | 1:49:47 | 1:49:50 | |
And the third rose. | 1:51:15 | 1:51:17 | |
(Where shall I put the third rose?) | 1:51:22 | 1:51:26 | |
(Where shall I put it?) | 1:51:29 | 1:51:31 | |
Dominic? | 1:52:53 | 1:52:54 | |
Dominic Matei? | 1:52:57 | 1:52:59 | |
Is it you? | 1:53:08 | 1:53:10 | |
Praise God. | 1:53:14 | 1:53:16 | |
You have returned. | 1:53:16 | 1:53:18 | |
Dr Neculache, look. | 1:53:18 | 1:53:20 | |
He is back. | 1:53:20 | 1:53:22 | |
Dominic is here. | 1:53:24 | 1:53:27 | |
'In other words, the story begins all over again. | 1:53:27 | 1:53:30 | |
'I am dreaming. | 1:53:34 | 1:53:35 | |
'I am dreaming. | 1:53:35 | 1:53:37 | |
'When I wake up, it will seem like I have just begun to dream indeed.' | 1:53:37 | 1:53:42 | |
It's like the story of Zhuangzi and the Butterfly. | 1:53:42 | 1:53:48 | |
The story of Zhuangzi and the Butterfly? | 1:53:48 | 1:53:51 | |
Yes. | 1:53:51 | 1:53:52 | |
A king was dreaming that he was a butterfly | 1:53:52 | 1:53:56 | |
that dreamed it was a king that dreamed it was a butterfly. | 1:53:56 | 1:54:01 | |
I know very well that I am dreaming | 1:54:01 | 1:54:05 | |
and in a minute or two I will wake up. | 1:54:05 | 1:54:08 | |
You are awake, Dominic. | 1:54:08 | 1:54:10 | |
But you are tired. | 1:54:10 | 1:54:11 | |
In fact, you look very tired. | 1:54:11 | 1:54:14 | |
All right. | 1:54:14 | 1:54:15 | |
Between December 20th, 1938 and this evening, many things have happened. | 1:54:15 | 1:54:21 | |
That is when it is happening. | 1:54:21 | 1:54:23 | |
This is December 20th, 1938. | 1:54:23 | 1:54:26 | |
I don't dare tell you what year we are really living in, | 1:54:26 | 1:54:30 | |
we who are outside this dream. | 1:54:30 | 1:54:32 | |
I know that if I were to make the effort, I would wake up. | 1:54:32 | 1:54:36 | |
You are not dreaming. | 1:54:36 | 1:54:38 | |
You are here with us, your friends. | 1:54:38 | 1:54:41 | |
You're at the Cafe Select. | 1:54:41 | 1:54:43 | |
This is what you imagine would happen. | 1:54:43 | 1:54:45 | |
When Dominic comes to his senses, when he recovers, you will see. | 1:54:45 | 1:54:51 | |
He will go straight to the Cafe Select. | 1:54:51 | 1:54:53 | |
But if I am not dreaming, then you would know about... Hiroshima. | 1:54:55 | 1:55:01 | |
Of the hydrogen bomb. | 1:55:01 | 1:55:03 | |
Of Neil Armstrong, | 1:55:03 | 1:55:05 | |
the astronaut who landed and walked on the moon. | 1:55:05 | 1:55:10 | |
Last summer in July. | 1:55:10 | 1:55:13 | |
Dominic. | 1:55:14 | 1:55:16 | |
It is true. | 1:55:18 | 1:55:19 | |
You have come back. | 1:55:19 | 1:55:21 | |
Welcome. | 1:55:23 | 1:55:24 | |
You look good. | 1:55:34 | 1:55:35 | |
Welcome, old friend. | 1:55:35 | 1:55:38 | |
It is like that story of the Chinese philosopher, | 1:55:38 | 1:55:42 | |
the one I told you about many times. | 1:55:42 | 1:55:44 | |
Which Chinese philosopher? | 1:55:44 | 1:55:46 | |
The name escapes me now. | 1:55:46 | 1:55:49 | |
The one with the butterfly. | 1:55:49 | 1:55:52 | |
It is too long to repeat. | 1:55:55 | 1:55:56 | |
I'll call for a sleigh to take you home. | 1:55:56 | 1:55:59 | |
I don't need a sleigh. | 1:55:59 | 1:56:02 | |
I'm going on foot. | 1:56:02 | 1:56:04 | |
The next time the problem arises, I shall know how to answer. | 1:56:07 | 1:56:13 | |
What problem, dear Dominic? | 1:56:15 | 1:56:18 | |
The problem which worries all of us. | 1:56:22 | 1:56:27 | |
Dominic? | 1:56:30 | 1:56:32 | |
Is it your teeth? | 1:56:32 | 1:56:35 | |
Should I lock up the door? | 1:56:52 | 1:56:54 | |
They guest in room 19 hasn't come back yet. | 1:56:54 | 1:56:56 | |
He went to the Cafe Select. | 1:56:56 | 1:56:58 | |
I'll call. | 1:56:58 | 1:56:59 | |
Yes, he came here. | 1:57:02 | 1:57:04 | |
He went into the back room. | 1:57:04 | 1:57:05 | |
No one was there, so he stayed only a few minutes | 1:57:05 | 1:57:09 | |
and left without saying good night. | 1:57:09 | 1:57:12 | |
He was holding his hand to his mouth. | 1:57:12 | 1:57:15 | |
-(VERONICA) -'And the third? | 1:58:25 | 1:58:27 | |
'Where do you want me to put the third rose?' | 1:58:29 | 1:58:34 |