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This film contains strong language. | 0:00:02 | 0:00:08 | |
# ..I want you to put on your pretty summer dress, yeah | 0:00:09 | 0:00:15 | |
# You can wear your Easter clothes Sunday bonnet and all the rest | 0:00:15 | 0:00:21 | |
# But I want to make love to you Yes, yes, yes, yes | 0:00:21 | 0:00:26 | |
# When the healing has begun | 0:00:27 | 0:00:30 | |
-# When the healing has begun... # -Fuckin' deadly, you are, mate. | 0:00:34 | 0:00:37 | |
Don't fuckin'... | 0:00:44 | 0:00:46 | |
I'm just tying me lace, man, you know what I mean? | 0:00:46 | 0:00:49 | |
# Mmmm... # | 0:00:51 | 0:00:53 | |
I swear to you, you fucking go near that, I'm after you right straight away. So fuck off, right? | 0:00:54 | 0:01:00 | |
Hell, I'm just tying my fuckin' lace, know what I mean? | 0:01:00 | 0:01:02 | |
Fuck's sake. Look here. Here. | 0:01:02 | 0:01:04 | |
Play us Aslan, will you? | 0:01:04 | 0:01:07 | |
All right, mate. You're fuckin' rapid, you are. | 0:01:07 | 0:01:09 | |
Thanks. | 0:01:09 | 0:01:10 | |
# Oh, yeah, la, la, la | 0:01:14 | 0:01:19 | |
# Mmm... # | 0:01:20 | 0:01:22 | |
-Hold that will you? -Yeah. -Thanks. | 0:01:26 | 0:01:28 | |
GASPING | 0:01:42 | 0:01:45 | |
Anton, fucking hell, man! | 0:01:48 | 0:01:50 | |
Come on, give me that. | 0:01:50 | 0:01:52 | |
Give me the case. | 0:01:52 | 0:01:54 | |
What are you fucking at, man? | 0:01:54 | 0:01:57 | |
For fuck's sake! | 0:01:57 | 0:01:58 | |
-I'm... -What are you at, man? | 0:01:58 | 0:02:00 | |
I'm sorry, man, I'm just fucking dying sick, I am, | 0:02:00 | 0:02:03 | |
you know what I mean? Here, I'll go on and help you. | 0:02:03 | 0:02:06 | |
Oh, fuck. | 0:02:06 | 0:02:07 | |
There's all your money. I'm just dying sick and all. | 0:02:10 | 0:02:12 | |
Look there's 20 cent. Look it. | 0:02:12 | 0:02:14 | |
Look, don't fucking rob me. | 0:02:15 | 0:02:18 | |
I'm down there trying to fucking make a living like anyone else. | 0:02:18 | 0:02:20 | |
The two of us is on the same team, man. I'm sorry, right? | 0:02:20 | 0:02:22 | |
I'm sorry, man. But you're right. You're rapid, you are. | 0:02:22 | 0:02:26 | |
You want money, just fucking... Just ask me for it. | 0:02:26 | 0:02:28 | |
Don't have me chase you all the way up the street for it. | 0:02:28 | 0:02:31 | |
Want to give us that fiver then, do you? | 0:02:31 | 0:02:35 | |
Oh, for fuck's sake. Here. | 0:02:35 | 0:02:38 | |
How's your ma? | 0:02:38 | 0:02:39 | |
She's dead, man. | 0:02:39 | 0:02:41 | |
Well, how's your old fella? | 0:02:41 | 0:02:44 | |
-Fair play to ya, right? -I'll see you later, all right. | 0:02:44 | 0:02:46 | |
Look, there's two euros, look. Fair play to ya, right? | 0:02:46 | 0:02:50 | |
See you, good luck, man. | 0:02:50 | 0:02:52 | |
# Scratching at the surface now | 0:03:16 | 0:03:19 | |
# And I'm trying hard to work it out | 0:03:23 | 0:03:27 | |
# And so much has gone misunderstood | 0:03:29 | 0:03:33 | |
# And this mystery only leads to doubt | 0:03:36 | 0:03:39 | |
# And I didn't understand | 0:03:42 | 0:03:45 | |
# When you reached down to take my hand | 0:03:49 | 0:03:52 | |
# And if you have something to say | 0:03:55 | 0:03:59 | |
# You'd better say it now | 0:04:02 | 0:04:05 | |
# Cos this is what you've waited for | 0:04:05 | 0:04:09 | |
# Your chance to even up the score | 0:04:12 | 0:04:16 | |
# And as these shadows fall | 0:04:18 | 0:04:21 | |
# On me now | 0:04:21 | 0:04:24 | |
# I'll win somehow, yeah | 0:04:24 | 0:04:29 | |
# Cos I'm picking up a message, Lord | 0:04:31 | 0:04:35 | |
# That I'm closer than I've ever been before | 0:04:37 | 0:04:41 | |
# So if you have something to say | 0:04:43 | 0:04:47 | |
# Say it to me now | 0:04:47 | 0:04:50 | |
-# -Just say it to me no-ow-ow, now | 0:04:53 | 0:04:57 | |
# Oh, oh, oh, oh | 0:05:00 | 0:05:02 | |
# Oh, oh | 0:05:04 | 0:05:07 | |
# Oh, oh. # | 0:05:07 | 0:05:09 | |
Thanks. | 0:05:22 | 0:05:25 | |
Ten cents. Brilliant. Thanks. | 0:05:25 | 0:05:27 | |
Excuse me? | 0:05:27 | 0:05:29 | |
Sorry. | 0:05:29 | 0:05:31 | |
Big Issue? | 0:05:32 | 0:05:34 | |
Can't afford it. | 0:05:34 | 0:05:36 | |
This song you just play, you write it? | 0:05:38 | 0:05:40 | |
Working on it. | 0:05:40 | 0:05:41 | |
It's not an established song? | 0:05:41 | 0:05:44 | |
No, it's not an established song. | 0:05:44 | 0:05:47 | |
How come you don't play it during daytime? I see you every day. | 0:05:47 | 0:05:49 | |
You know, during the day, people want to hear songs they know | 0:05:49 | 0:05:52 | |
just songs that they recognise, otherwise, I wouldn't make any money. | 0:05:52 | 0:05:55 | |
I play these songs at night. They wouldn't listen. | 0:05:55 | 0:05:57 | |
-I -listen. | 0:05:57 | 0:05:59 | |
Yeah, but you gave me...ten cents. | 0:05:59 | 0:06:01 | |
You do it for money, then? | 0:06:01 | 0:06:04 | |
Why don't you get a job in a shop? | 0:06:04 | 0:06:06 | |
I have a job in a shop. | 0:06:06 | 0:06:09 | |
Listen, I'm going to get back to this, yeah? | 0:06:09 | 0:06:11 | |
-Nice to meet you. -Who'd you write that song for, please? | 0:06:11 | 0:06:15 | |
No-one. | 0:06:15 | 0:06:17 | |
Bullshit. | 0:06:21 | 0:06:23 | |
Where is she? | 0:06:23 | 0:06:26 | |
She's gone. | 0:06:26 | 0:06:28 | |
She's dead? | 0:06:28 | 0:06:30 | |
No, she's not dead, she's gone. | 0:06:30 | 0:06:33 | |
You love her still? | 0:06:33 | 0:06:35 | |
Jesus, man! | 0:06:35 | 0:06:36 | |
HE MOUTHS | 0:06:38 | 0:06:40 | |
You're over her? | 0:06:42 | 0:06:43 | |
Rubbish. | 0:06:43 | 0:06:45 | |
No-one who would write this song is over her. I'm telling you. | 0:06:45 | 0:06:48 | |
You play this marvellous song to her, you get her back. | 0:06:48 | 0:06:51 | |
I don't want her back. | 0:06:51 | 0:06:54 | |
I see. | 0:06:54 | 0:06:56 | |
What shop you work in? | 0:06:56 | 0:06:58 | |
I work in a Hoover repair shop. | 0:06:58 | 0:07:00 | |
-A Hoover? -You know, like a vacuum cleaner. Whhzzz. | 0:07:00 | 0:07:04 | |
-You fix vacuum cleaners? -I do. | 0:07:04 | 0:07:07 | |
-I -have a broken vacuum cleaner! | 0:07:07 | 0:07:10 | |
-You fix it for me? -Yeah. | 0:07:10 | 0:07:12 | |
-I bring it tomorrow, then? -OK. | 0:07:12 | 0:07:14 | |
This is great. Tomorrow? | 0:07:14 | 0:07:16 | |
-Right. -OK, bye. | 0:07:16 | 0:07:18 | |
Good luck. | 0:07:18 | 0:07:20 | |
# You have broken me all the way down | 0:07:22 | 0:07:28 | |
# Down upon my knees | 0:07:29 | 0:07:32 | |
# And you have broken me all the way now... # | 0:07:36 | 0:07:42 | |
RINGING TONE | 0:07:43 | 0:07:45 | |
'Hi. This is Catherine. Leave a message and I'll get back to you.' | 0:07:51 | 0:07:55 | |
# ..When I pushed you away | 0:07:55 | 0:08:01 | |
# From me | 0:08:02 | 0:08:05 | |
# And every morning | 0:08:05 | 0:08:07 | |
# When you're turning | 0:08:07 | 0:08:10 | |
# I'll be far to sea | 0:08:10 | 0:08:17 | |
# And you have broken me | 0:08:18 | 0:08:21 | |
# All the way down... # | 0:08:21 | 0:08:24 | |
-That job's ready for collection now, Dad. -OK, son. | 0:08:24 | 0:08:26 | |
I'm going to head into town. | 0:08:26 | 0:08:28 | |
Should I turn this around for you? | 0:08:31 | 0:08:33 | |
-What'll I get for dinner? -The fish, maybe. | 0:08:35 | 0:08:38 | |
# And what chance | 0:08:46 | 0:08:49 | |
# Have we got? | 0:08:49 | 0:08:51 | |
# When we missed every shot | 0:08:51 | 0:08:56 | |
# For me | 0:08:58 | 0:09:01 | |
# And in the morning... # | 0:09:01 | 0:09:03 | |
-Hello. -How are you? How's it going? | 0:09:03 | 0:09:06 | |
I bring you my Hoover. | 0:09:06 | 0:09:09 | |
All right. | 0:09:11 | 0:09:14 | |
What's wrong with it? | 0:09:14 | 0:09:15 | |
It is fucked. | 0:09:15 | 0:09:17 | |
It doesn't suck up the dirt. | 0:09:17 | 0:09:19 | |
Well, there's nothing I can do, I don't have any of my tools with me. | 0:09:19 | 0:09:23 | |
I'm going on me break now. Can you bring it in tomorrow or something? | 0:09:23 | 0:09:27 | |
Well, no, I bring it today. | 0:09:27 | 0:09:30 | |
-You, you... -Yeah, but there's nothing I can do with it, love. | 0:09:30 | 0:09:33 | |
-It's like I'd have to bring it home. -If I come on break, you have a look at it at least? | 0:09:33 | 0:09:37 | |
-Yeah, but you don't understand. -I come with you, then? | 0:09:39 | 0:09:42 | |
For lunch? | 0:09:42 | 0:09:44 | |
-Yeah, all right. -Yes, we go together? | 0:09:44 | 0:09:46 | |
-Yeah. -OK. Thank you. | 0:09:46 | 0:09:50 | |
-You hungry? -I'm always hungry. | 0:09:50 | 0:09:52 | |
So...you know a bit about music, then? | 0:10:01 | 0:10:05 | |
My father used to play in the orchestra back at home. | 0:10:07 | 0:10:11 | |
He played violin. | 0:10:11 | 0:10:14 | |
But he got arthritis then and he killed himself. | 0:10:14 | 0:10:17 | |
Really? | 0:10:17 | 0:10:19 | |
But before he go, he teach me how to play piano. | 0:10:19 | 0:10:22 | |
"It's not so hard on the fingers," he said. | 0:10:22 | 0:10:24 | |
Do you get to play much? | 0:10:24 | 0:10:27 | |
Mm. No, I don't I don't have a piano at home. | 0:10:27 | 0:10:30 | |
I can't get one in Ireland, it's so much money. | 0:10:30 | 0:10:33 | |
I can't afford it. | 0:10:33 | 0:10:35 | |
Yeah, it's expensive, all right. | 0:10:35 | 0:10:37 | |
I play in a piano shop. | 0:10:46 | 0:10:48 | |
This man lets me play one hour per day at lunch. | 0:10:48 | 0:10:51 | |
Somewhere around here? | 0:10:51 | 0:10:54 | |
-You want to hear me play? -Yeah. | 0:10:54 | 0:10:56 | |
-Now? -Yeah. -OK. | 0:10:56 | 0:10:59 | |
Can we come in? | 0:11:03 | 0:11:05 | |
This is the man I was telling you about. He's a real gentleman. | 0:11:14 | 0:11:17 | |
-Hi. OK. -OK, for me to play today? -Yeah, that's fine. -Thanks. | 0:11:17 | 0:11:21 | |
-Not the baby Yamaha, though. She's sold. -Okey-dokey. -Mm-hm. | 0:11:21 | 0:11:24 | |
Now, which one today? | 0:11:30 | 0:11:33 | |
SHE PLAYS A CLASSICAL PIECE | 0:11:33 | 0:11:36 | |
That kind of thing. | 0:12:45 | 0:12:48 | |
It's amazing. | 0:12:48 | 0:12:50 | |
Did you write that? | 0:12:50 | 0:12:52 | |
-No, no, Mendelssohn did. -It's good. | 0:12:52 | 0:12:55 | |
It's good, yes! | 0:12:55 | 0:12:58 | |
-Play me another of your songs. -No. -Please. -Not here. -Why? | 0:12:58 | 0:13:03 | |
-Here, Billy doesn't mind. -You think it would be all right? -Yes. | 0:13:03 | 0:13:07 | |
-OK. Let's put that there, yeah? -Mm-hm. | 0:13:09 | 0:13:12 | |
-This is in C, yeah? -Yeah, OK. I can see that. | 0:13:15 | 0:13:19 | |
So it goes, um... | 0:13:20 | 0:13:22 | |
# Da... # It goes... | 0:13:22 | 0:13:24 | |
# Da, da, da, da | 0:13:24 | 0:13:27 | |
# Da, da, da, da | 0:13:27 | 0:13:31 | |
# Da, da, da, da, da... # | 0:13:31 | 0:13:34 | |
-Yeah? -Mm-hm. -And then there's a bit in there. Can you do that? | 0:13:34 | 0:13:37 | |
SHE PLAYS THE MELODY HE SANG | 0:13:37 | 0:13:40 | |
Brilliant. And then there's another part that goes, uh... | 0:13:45 | 0:13:49 | |
# Ba, ba, pa-pa, pa | 0:13:49 | 0:13:52 | |
# Ba, ba, pa-pa, pa | 0:13:52 | 0:13:55 | |
# Ba, ba, pa-pa, pa... # | 0:13:55 | 0:13:59 | |
Yeah? And then the chorus. Let's see, you have those two bits? | 0:13:59 | 0:14:02 | |
-Mm-hm. -And the chorus goes... | 0:14:02 | 0:14:04 | |
# Da, da, da, da, da | 0:14:04 | 0:14:08 | |
# Ba, ba, ba, ba | 0:14:08 | 0:14:11 | |
# Ba, ba, ba...ba-ba... | 0:14:11 | 0:14:18 | |
# Da-dah. # | 0:14:18 | 0:14:20 | |
That's it. Perfect. Brilliant. | 0:14:21 | 0:14:23 | |
-So do you want to give it a spin? -Yes, try it. -OK. | 0:14:23 | 0:14:26 | |
Two, three, four... | 0:14:27 | 0:14:30 | |
# I don't know you but I want you | 0:14:44 | 0:14:51 | |
# All the more for that | 0:14:51 | 0:14:56 | |
SHE SINGS IN HARMONY # And words fall through me | 0:14:59 | 0:15:02 | |
# And always fool me | 0:15:02 | 0:15:05 | |
# And I can't react... # | 0:15:05 | 0:15:10 | |
We change here. | 0:15:10 | 0:15:13 | |
# ..And games that never amount | 0:15:13 | 0:15:18 | |
# To more than they're meant | 0:15:18 | 0:15:21 | |
# Will play themselves out... # | 0:15:21 | 0:15:25 | |
Hold it. And the chorus. | 0:15:25 | 0:15:29 | |
# ..Take this sinking boat | 0:15:31 | 0:15:35 | |
# And point it home | 0:15:35 | 0:15:38 | |
# We've still got time | 0:15:38 | 0:15:45 | |
# Raise your hopeful voice | 0:15:45 | 0:15:49 | |
# You had the choice | 0:15:49 | 0:15:52 | |
# You've made it now | 0:15:52 | 0:16:00 | |
# Falling slowly, eyes that know me | 0:16:02 | 0:16:09 | |
# And I can't go back | 0:16:09 | 0:16:13 | |
# Moods that take me and erase me | 0:16:16 | 0:16:24 | |
# And I'm painted black | 0:16:24 | 0:16:28 | |
# Well, you have suffered enough | 0:16:31 | 0:16:35 | |
# And warred with yourself | 0:16:35 | 0:16:39 | |
# It's time that you won... # | 0:16:39 | 0:16:43 | |
Again. | 0:16:45 | 0:16:47 | |
# ..Take this sinking boat | 0:16:49 | 0:16:53 | |
# And point it home | 0:16:53 | 0:16:57 | |
# We've still got time | 0:16:57 | 0:17:03 | |
# Raise your hopeful voice | 0:17:03 | 0:17:07 | |
# You had the choice | 0:17:07 | 0:17:11 | |
# You've made it now | 0:17:11 | 0:17:18 | |
# Uh-huh | 0:17:23 | 0:17:25 | |
# Uh-huh, uh-huh | 0:17:25 | 0:17:28 | |
# Yeah | 0:17:31 | 0:17:33 | |
# Take this sinking boat | 0:17:33 | 0:17:38 | |
# And point it home | 0:17:38 | 0:17:41 | |
# We've still got time | 0:17:41 | 0:17:47 | |
# Raise your hopeful voice | 0:17:47 | 0:17:52 | |
# You had the choice | 0:17:52 | 0:17:55 | |
# You've made it now | 0:17:55 | 0:18:01 | |
# Falling slowly, sing your melody | 0:18:01 | 0:18:09 | |
# I'll sing along | 0:18:09 | 0:18:18 | |
# La, la, la, la | 0:18:21 | 0:18:26 | |
# Call and I'll sing along. # | 0:18:37 | 0:18:41 | |
I moved back in about a year ago, after me ma died, just to help me dad out you know. | 0:19:10 | 0:19:15 | |
So tell me about her. | 0:19:16 | 0:19:18 | |
Who, me ma? | 0:19:19 | 0:19:21 | |
No, the girl, the special girl you write these songs for. | 0:19:21 | 0:19:24 | |
Hmm. No. | 0:19:24 | 0:19:26 | |
Come on. What did she do to you? | 0:19:28 | 0:19:30 | |
Well... | 0:19:34 | 0:19:36 | |
# Ten years ago, I fell in love | 0:19:37 | 0:19:43 | |
# With an Irish girl She took my heart | 0:19:43 | 0:19:47 | |
# But she went and screwed some guy that she knew | 0:19:48 | 0:19:53 | |
# And now I'm in Dublin with a broken heart | 0:19:53 | 0:19:58 | |
# Oh, broken-hearted Hoover-fixer, sucker guy | 0:19:58 | 0:20:04 | |
# Oh, broken-hearted Hoover-fixer, sucker | 0:20:04 | 0:20:08 | |
# Sucker guy | 0:20:08 | 0:20:10 | |
# One day I'll go there and win her once again | 0:20:10 | 0:20:15 | |
# But until then I'm just a sucker of a guy... # | 0:20:15 | 0:20:20 | |
So she's with him now? | 0:20:28 | 0:20:31 | |
-No. -Where is she? | 0:20:31 | 0:20:33 | |
# She's in old London town | 0:20:34 | 0:20:39 | |
# Living somewhere around Chiswick. # | 0:20:41 | 0:20:45 | |
I miss her. It's just sort of... You know. | 0:20:48 | 0:20:50 | |
-You're not going to go get her? No? -No. Fuck her. | 0:20:54 | 0:21:01 | |
# Fuck her, fuck her, fuck her She's gone | 0:21:01 | 0:21:05 | |
# Fuck her, she's gone for ever | 0:21:05 | 0:21:07 | |
# She fucking fucked it up! # Sorry. | 0:21:07 | 0:21:10 | |
# Fucking fucked it up She fucking fucked it up! | 0:21:10 | 0:21:17 | |
# And now she's gonna die. # | 0:21:17 | 0:21:20 | |
Give us the sharp eight there, son. | 0:21:29 | 0:21:32 | |
And the Phillips. Come on. | 0:21:37 | 0:21:40 | |
Your son is a very talented man, sir. | 0:21:42 | 0:21:46 | |
-Well, he should be. I trained him meself. -Oh, no. | 0:21:46 | 0:21:49 | |
-I meant the songs. -Oh, right. Is he? | 0:21:49 | 0:21:52 | |
-Very. -OK, that's done. You can take it back with you. | 0:21:52 | 0:21:56 | |
It was just the belt, so it should be all right now. | 0:21:56 | 0:21:58 | |
Thank you. How much do I owe you? | 0:21:58 | 0:22:00 | |
-Oh, you're fine there, it's free. -Nothing's for free. How much? | 0:22:00 | 0:22:03 | |
Say four euro, love. | 0:22:05 | 0:22:07 | |
OK. I'm going to head upstairs, Dad. Is there anything else you need? | 0:22:11 | 0:22:14 | |
-No, I'm grand. -OK. -A pleasure to meet you, sir. | 0:22:14 | 0:22:19 | |
-And you. -Take care. -Good. | 0:22:19 | 0:22:23 | |
Come on in. | 0:22:32 | 0:22:34 | |
There you are. | 0:22:39 | 0:22:41 | |
MUSIC PLAYS | 0:22:44 | 0:22:48 | |
Wow. | 0:23:00 | 0:23:02 | |
Can you transfer this stuff onto disc for me so I can listen? | 0:23:02 | 0:23:06 | |
-Yeah. -I have to go now. | 0:23:06 | 0:23:08 | |
-Do you want to stay? -What do you mean? | 0:23:09 | 0:23:13 | |
Stay the night? | 0:23:13 | 0:23:16 | |
What? | 0:23:16 | 0:23:17 | |
Fuck this. Thanks for the Hoover, yeah? | 0:23:22 | 0:23:24 | |
-See you. -See you around. | 0:23:24 | 0:23:26 | |
Fuck. | 0:23:29 | 0:23:31 | |
Flowers? Flowers? | 0:23:35 | 0:23:38 | |
-Hey. -Hey. -How's it going? | 0:23:43 | 0:23:46 | |
Hey, where you going? | 0:23:47 | 0:23:48 | |
I wanted to give you the CDs that I made for you. | 0:23:48 | 0:23:51 | |
I'm really... I'm just really lonely and you're gorgeous | 0:23:53 | 0:23:56 | |
and I just... I'm sorry. I fucked up. I'm sorry. | 0:23:56 | 0:23:59 | |
I... I don't know what to say. It won't happen again. | 0:23:59 | 0:24:04 | |
-Do you have a CD player? -Yeah. | 0:24:09 | 0:24:12 | |
Here you go. Batteries are pretty low, but it should work. | 0:24:12 | 0:24:18 | |
-I give it back. -No problem. Keep it. | 0:24:18 | 0:24:22 | |
I have to go now. I'll talk to you later. | 0:24:23 | 0:24:26 | |
You don't want to get a cup of tea or something? | 0:24:26 | 0:24:28 | |
-I'd love to...just talk to you a bit more. -I have responsibilities. I have to go home. | 0:24:28 | 0:24:32 | |
Is it OK to walk along with you then? | 0:24:32 | 0:24:35 | |
-Yeah? -Yeah. -Cool. Cool. | 0:24:35 | 0:24:37 | |
-So how was it today? -Selling good. | 0:24:37 | 0:24:39 | |
And today is a really good day for me because I got a job in a big house, cleaning. | 0:24:39 | 0:24:46 | |
-This lady is going to pay me some money, so I'm very happy. -That's brilliant. I'm delighted. | 0:24:46 | 0:24:53 | |
-This is where I live. -Oh, yeah? Cool. All right then. | 0:25:00 | 0:25:07 | |
Do you want to come in? | 0:25:07 | 0:25:09 | |
Can I? Yeah. Cool. | 0:25:10 | 0:25:13 | |
-Hi, guys. -Hello. -How are you today? -Not bad, not bad. | 0:25:13 | 0:25:18 | |
-How is work? -It's great. -See you later. | 0:25:18 | 0:25:22 | |
Ah, hi. | 0:26:00 | 0:26:01 | |
This is my friend. This is my mother. | 0:26:04 | 0:26:06 | |
How are you? Nice to meet you. How's it going? | 0:26:06 | 0:26:11 | |
THEY SPEAK CZECH | 0:26:11 | 0:26:15 | |
This is my daughter, Ivonka. Come on. | 0:26:15 | 0:26:19 | |
Hello, Ivonka. | 0:26:19 | 0:26:21 | |
Hello. | 0:26:21 | 0:26:22 | |
THEY SPEAK CZECH | 0:26:22 | 0:26:26 | |
-That's dinner. Do you want to stay for dinner? -Yeah. Thank you. | 0:26:35 | 0:26:39 | |
-Want to sit down? -Yeah. | 0:26:51 | 0:26:53 | |
THEY SPEAK IN CZECH | 0:26:53 | 0:26:57 | |
Well, what did she say? | 0:27:17 | 0:27:19 | |
-She says you're handsome. -She what? -Says you're handsome. | 0:27:19 | 0:27:24 | |
How do I say thanks? | 0:27:24 | 0:27:26 | |
THEY SPEAK CZECH | 0:27:26 | 0:27:30 | |
She says you're welcome. | 0:27:30 | 0:27:31 | |
-Cool. Thanks. -Try to speak a little English, Mama. -No, thank you. | 0:27:31 | 0:27:36 | |
-Careful. Careful, Ivonka. Don't do that. -She's grand. She's grand. | 0:27:38 | 0:27:42 | |
-Where's her dad? -He doesn't live here. -Why not? | 0:27:45 | 0:27:51 | |
He's at home. | 0:27:53 | 0:27:54 | |
OK. | 0:27:54 | 0:27:57 | |
Hello. Hi. | 0:28:01 | 0:28:02 | |
-These are from next door. They come in to watch telly. -Yeah. -Hi, guys. -Hi. | 0:28:02 | 0:28:06 | |
There's only one telly in the building. | 0:28:06 | 0:28:10 | |
We watch Fair City together. | 0:28:10 | 0:28:11 | |
Fair City we love. We learn English from Fair City. | 0:28:11 | 0:28:16 | |
Are you not pregnant? How are you, man? | 0:28:16 | 0:28:22 | |
What is the hurry? | 0:28:22 | 0:28:24 | |
-Just put her in there. -OK. | 0:28:35 | 0:28:37 | |
There you go, dearie. OK. | 0:28:43 | 0:28:46 | |
She likes you. | 0:28:46 | 0:28:47 | |
MUFFLED MUSIC FROM HEADPHONES | 0:29:07 | 0:29:11 | |
You have no lyrics for this one? | 0:29:20 | 0:29:22 | |
It's really good. I like it. | 0:29:24 | 0:29:26 | |
-I've got a few, but they're not right. -Huh? | 0:29:27 | 0:29:32 | |
I've got a few, but they're not right. | 0:29:34 | 0:29:36 | |
-What? Do you like it? -It's great. | 0:29:38 | 0:29:42 | |
Would you be into trying... Trying to write lyrics for it? | 0:29:42 | 0:29:45 | |
Really? I could? | 0:29:45 | 0:29:47 | |
-Yeah. Do you like that idea? -Yeah. | 0:29:47 | 0:29:49 | |
Cool. Cool. That would be good. | 0:29:49 | 0:29:51 | |
I can keep machine and write it? | 0:29:51 | 0:29:52 | |
Yeah. Do. I was having a bit of trouble with it. | 0:29:52 | 0:29:55 | |
It's too romantic for me. | 0:29:55 | 0:29:57 | |
It is romantic. You have a romantic streak. | 0:29:57 | 0:30:00 | |
I used to have a romantic streak. | 0:30:00 | 0:30:02 | |
When? | 0:30:03 | 0:30:06 | |
When I was your age, I suppose. | 0:30:06 | 0:30:09 | |
I see. You're an old man now. | 0:30:09 | 0:30:11 | |
Yeah. Dying. | 0:30:11 | 0:30:12 | |
Cynical. | 0:30:15 | 0:30:16 | |
You have to go now. | 0:30:20 | 0:30:22 | |
Thanks for the Hoover and food and songs. | 0:30:22 | 0:30:24 | |
No problem. | 0:30:24 | 0:30:26 | |
Thanks for the company. | 0:30:31 | 0:30:33 | |
-I needed it. -Me too. | 0:30:33 | 0:30:35 | |
You don't want to go for late coffee or a walk or something? No? | 0:30:37 | 0:30:41 | |
-I can't. See you. -Bye. | 0:30:41 | 0:30:44 | |
See you. | 0:30:44 | 0:30:47 | |
MUSIC HUMS THROUGH HEADPHONES | 0:31:05 | 0:31:08 | |
Fuck you, batteries. | 0:31:20 | 0:31:23 | |
Jesus. | 0:31:39 | 0:31:40 | |
I'll pay you back. | 0:31:49 | 0:31:51 | |
Come on. | 0:31:53 | 0:31:55 | |
# Are you really here | 0:32:07 | 0:32:09 | |
# Or am I dreaming? | 0:32:11 | 0:32:14 | |
# I can't tell dream from truth | 0:32:14 | 0:32:19 | |
# For it's been so long | 0:32:19 | 0:32:21 | |
# Since I have seen you | 0:32:22 | 0:32:26 | |
# I can hardly remember your face any more | 0:32:26 | 0:32:32 | |
# When I get pretty lonely | 0:32:32 | 0:32:38 | |
# And the distance causes only silence | 0:32:38 | 0:32:44 | |
# I think of you smiling | 0:32:44 | 0:32:50 | |
# With pride in your eyes | 0:32:50 | 0:32:53 | |
# Lover that sighs | 0:32:53 | 0:32:57 | |
# If you want me | 0:32:57 | 0:33:02 | |
# Satisfy me | 0:33:03 | 0:33:09 | |
# If you want me | 0:33:09 | 0:33:15 | |
# Satisfy me | 0:33:15 | 0:33:21 | |
# Are you really sure that you believe me | 0:33:23 | 0:33:30 | |
# When others say I lie? | 0:33:30 | 0:33:35 | |
# I wonder if you could ever despise me | 0:33:35 | 0:33:42 | |
# When you know I really tried | 0:33:42 | 0:33:48 | |
# To be a better one | 0:33:48 | 0:33:51 | |
# To satisfy you | 0:33:51 | 0:33:54 | |
# For you're everything to me | 0:33:54 | 0:34:00 | |
# And I'll do what you ask me | 0:34:00 | 0:34:06 | |
# If you let me be free | 0:34:06 | 0:34:11 | |
# If you want me | 0:34:13 | 0:34:19 | |
# Satisfy me | 0:34:19 | 0:34:25 | |
# If you want me | 0:34:25 | 0:34:31 | |
# Satisfy me | 0:34:31 | 0:34:37 | |
# If you want me | 0:34:50 | 0:34:55 | |
# Satisfy me | 0:34:55 | 0:35:01 | |
# If you want me | 0:35:01 | 0:35:07 | |
# Satisfy me. # | 0:35:07 | 0:35:14 | |
# Escalated, es... # | 0:35:54 | 0:35:56 | |
# Little cracks, they escalated | 0:35:56 | 0:36:04 | |
# From back inside comes | 0:36:05 | 0:36:12 | |
# Lies, lies | 0:36:12 | 0:36:15 | |
# Breaking... | 0:36:16 | 0:36:18 | |
# When will... # | 0:36:19 | 0:36:21 | |
When will you learn? When will you learn? | 0:36:22 | 0:36:24 | |
# I think it's time we give it up | 0:36:28 | 0:36:34 | |
# Figure out what's stopping us | 0:36:36 | 0:36:41 | |
# From breathing easy | 0:36:42 | 0:36:48 | |
# And talking straight | 0:36:48 | 0:36:53 | |
# The way is clear if you're ready now | 0:36:54 | 0:37:01 | |
# The volunteer is slowing down | 0:37:02 | 0:37:08 | |
# And taking time to save himself | 0:37:09 | 0:37:21 | |
# The little cracks they escalated | 0:37:22 | 0:37:29 | |
# Before we knew it was too late | 0:37:29 | 0:37:35 | |
# For making circles | 0:37:35 | 0:37:42 | |
# And telling lies | 0:37:42 | 0:37:48 | |
# You're moving too fast for me | 0:37:50 | 0:37:55 | |
# And I can't keep up with you | 0:37:55 | 0:38:01 | |
# Maybe if you slowed down for me | 0:38:01 | 0:38:06 | |
# I could see you're only telling | 0:38:06 | 0:38:12 | |
# Lies, lies, lies | 0:38:12 | 0:38:17 | |
# Breaking us down with your | 0:38:18 | 0:38:23 | |
# Lies, lies, lies | 0:38:23 | 0:38:29 | |
# When will you learn? | 0:38:29 | 0:38:33 | |
# The little cracks they escalated | 0:38:57 | 0:39:04 | |
# Before we knew it was too late | 0:39:04 | 0:39:10 | |
# For making circles | 0:39:10 | 0:39:17 | |
# And telling lies | 0:39:17 | 0:39:22 | |
# You're moving too fast for me | 0:39:24 | 0:39:29 | |
# And I can't keep up with you | 0:39:29 | 0:39:34 | |
# Maybe if you'd slow down for me | 0:39:34 | 0:39:40 | |
# I could see you're only telling | 0:39:40 | 0:39:45 | |
# Lies, lies, lies | 0:39:45 | 0:39:51 | |
# Breaking us down with your | 0:39:51 | 0:39:56 | |
# Lies, lies, lies | 0:39:56 | 0:40:02 | |
# When will you learn? | 0:40:02 | 0:40:07 | |
# So plant the thought and watch it grow | 0:40:11 | 0:40:16 | |
# Wind it up and let it go... # | 0:40:17 | 0:40:22 | |
-Would you like to buy a flower? -Hi. -Hi. How are you? | 0:40:23 | 0:40:26 | |
How's it going? Pretty good. Pretty good. | 0:40:26 | 0:40:29 | |
-Good to see you. -I'm going to go to London. | 0:40:29 | 0:40:31 | |
-I've decided. -Good. -Yeah. -That's great. | 0:40:31 | 0:40:33 | |
Yeah, it's good, it makes sense. | 0:40:33 | 0:40:35 | |
Well done. | 0:40:35 | 0:40:37 | |
When are you going? | 0:40:37 | 0:40:38 | |
I'm going to go Monday. | 0:40:38 | 0:40:41 | |
Wow, that's...that's soon. | 0:40:41 | 0:40:43 | |
You'll get your girlfriend back and you'll get your record deal and become famous. | 0:40:43 | 0:40:49 | |
Yeah, right. | 0:40:49 | 0:40:51 | |
-Good. -But listen, I was thinking, | 0:40:51 | 0:40:52 | |
I was thinking before I go, I want to make a recording of a few songs. | 0:40:52 | 0:40:54 | |
A couple of the songs I was playing you and I really liked the way you played and your singing. | 0:40:54 | 0:40:59 | |
So if you feel like, would you be into playing along? | 0:40:59 | 0:41:02 | |
-Like what we were playing on? -I would sing and play? -Yeah. | 0:41:02 | 0:41:05 | |
-I'd love that. -Really? Cool. | 0:41:05 | 0:41:07 | |
-So you'd be in my band for a few days. -Yeah. | 0:41:07 | 0:41:10 | |
Well, that's the first thing | 0:41:10 | 0:41:13 | |
I've got sorted out. Now I just need to sort everything else out. | 0:41:13 | 0:41:15 | |
All right, guys, welcome. | 0:41:15 | 0:41:18 | |
Now, so let me give you the tour. | 0:41:20 | 0:41:22 | |
That is your live rooms in there. | 0:41:22 | 0:41:24 | |
This is a new desk. | 0:41:24 | 0:41:26 | |
You got your hard drive and you got your outboard gear. | 0:41:26 | 0:41:29 | |
Now, all in all, we're talking about three grand for a weekend of... | 0:41:29 | 0:41:31 | |
-Three? -Yeah. Three grand, that's pretty good. | 0:41:31 | 0:41:34 | |
You must be crazy. Three thousand. | 0:41:34 | 0:41:36 | |
Well, have a look around. | 0:41:36 | 0:41:39 | |
You've everything you need. | 0:41:39 | 0:41:41 | |
-What do you think? Is it good? -It's pretty good. | 0:41:41 | 0:41:45 | |
We'll give you one. | 0:41:45 | 0:41:48 | |
-I'm sorry. -Have you heard this guy's songs? | 0:41:48 | 0:41:50 | |
-I haven't yet, no. -He's great. | 0:41:50 | 0:41:53 | |
OK, but, uh, listen, I can fill this place in an hour. | 0:41:53 | 0:41:56 | |
One and a half then, that's my limit. | 0:41:59 | 0:42:02 | |
-We can talk about two. -We don't talk. | 0:42:03 | 0:42:07 | |
We shake. We shake on two, yeah? | 0:42:07 | 0:42:09 | |
Shake now? | 0:42:09 | 0:42:11 | |
-All right. -Two thousand. | 0:42:11 | 0:42:14 | |
-She drives a hard bargain. -She's a tough cookie. | 0:42:14 | 0:42:16 | |
So you like this shop? | 0:42:20 | 0:42:23 | |
I buy all my clothes here. | 0:42:23 | 0:42:25 | |
It's good for me, you know? | 0:42:25 | 0:42:27 | |
Cheap. | 0:42:27 | 0:42:29 | |
-Nice fashions. -OK, you ready? | 0:42:29 | 0:42:33 | |
Yeah, I'm ready. | 0:42:33 | 0:42:35 | |
-That's good. That will do. -Do you like it? | 0:42:39 | 0:42:43 | |
-You're gorgeous. -All right, can we go? | 0:42:43 | 0:42:46 | |
# When you reach down and take my heart | 0:42:58 | 0:43:01 | |
# And if you have something to say... # | 0:43:04 | 0:43:08 | |
The quality is poor, | 0:43:10 | 0:43:12 | |
but if we can get a professional tape, I'm satisfied that he can | 0:43:12 | 0:43:18 | |
secure a lucrative deal. | 0:43:18 | 0:43:21 | |
You take it home. You, you listen to it. You play it to your boss. | 0:43:21 | 0:43:25 | |
I'm sure you can get him to approve. | 0:43:25 | 0:43:28 | |
Can I show you something? | 0:43:28 | 0:43:30 | |
# I want to be free | 0:43:30 | 0:43:33 | |
# I want to be me | 0:43:33 | 0:43:35 | |
# I want you to be you | 0:43:37 | 0:43:40 | |
# Do you want me to be me, too? | 0:43:40 | 0:43:44 | |
# I think you do | 0:43:44 | 0:43:47 | |
# I think you do. # | 0:43:47 | 0:43:49 | |
Nice one, lads. | 0:44:06 | 0:44:08 | |
-How's it going? How's it going? -All right. | 0:44:08 | 0:44:10 | |
-Good. How is it today? Is it slow? -Have a look there yourself. | 0:44:10 | 0:44:13 | |
-Is that it? Is that it? -That's it, that's it. That's all that's going at the moment. | 0:44:13 | 0:44:17 | |
-Listen, myself and herself are making a tape... -How's it going? All right? | 0:44:17 | 0:44:21 | |
..of a few songs down at Samson's Studios and I was just wondering | 0:44:21 | 0:44:25 | |
if you were around next weekend, if you'd be interested in doing it. | 0:44:25 | 0:44:28 | |
-A bit of recording? -Bit of recording, yeah. | 0:44:28 | 0:44:30 | |
-Yeah, doing Lizzy stuff or..? -No, it's not Lizzy, it's me own songs. | 0:44:30 | 0:44:33 | |
We only do Lizzy, really. | 0:44:33 | 0:44:36 | |
It's one of our things. That sort of stuff, is it sort of rocky Lizzy stuff or..? | 0:44:36 | 0:44:41 | |
No. No, it's not. | 0:44:41 | 0:44:42 | |
Yeah, singer-songwriter stuff? | 0:44:42 | 0:44:44 | |
It's kind of singer-songwriter, yeah. Kinda... | 0:44:44 | 0:44:47 | |
-Is it any good? -Uh... -It's great. -Is it? | 0:44:47 | 0:44:49 | |
-Like I said, I don't really know much about them, but they seem like nice people. -Yeah. | 0:44:49 | 0:44:53 | |
-I just have to call my mother first. Then we go. -Cool. Great, great. | 0:44:53 | 0:44:56 | |
SHE SPEAKS IN CZECH | 0:44:58 | 0:45:00 | |
-OK, come on, we can go. -Cool. | 0:45:17 | 0:45:19 | |
HUM OF CHATTER | 0:45:25 | 0:45:27 | |
Food's ready! | 0:45:36 | 0:45:38 | |
Everybody get your plates ready! | 0:45:38 | 0:45:40 | |
-Hello? -Hi, how are you? | 0:45:47 | 0:45:49 | |
Come on in, kids! Take a seat! | 0:45:49 | 0:45:52 | |
-Everything all right here, folks? -Yeah, brilliant. -Enjoying the party? | 0:46:06 | 0:46:10 | |
-Yeah. -Great to see you here. Can you sing? | 0:46:10 | 0:46:13 | |
If you can't sing, you're out. | 0:46:13 | 0:46:14 | |
# There's one request | 0:46:14 | 0:46:16 | |
# I'll ask of you | 0:46:16 | 0:46:19 | |
# When your liberty you gain | 0:46:19 | 0:46:22 | |
# Remember Mitchell far away | 0:46:24 | 0:46:28 | |
# A convict bound in chains. # | 0:46:28 | 0:46:32 | |
# Mine | 0:46:35 | 0:46:37 | |
# That once held this heart of mine... # | 0:46:37 | 0:46:43 | |
# And I love her so | 0:46:52 | 0:46:54 | |
# I wouldn't trade her for gold | 0:46:56 | 0:47:00 | |
# I'm walking on moonbeams | 0:47:03 | 0:47:07 | |
# I was born with a silver spoon | 0:47:09 | 0:47:12 | |
# Hell, I'm gonna be me | 0:47:16 | 0:47:18 | |
# I'm gonna be free | 0:47:20 | 0:47:23 | |
# I'm walking on moonbeams | 0:47:26 | 0:47:29 | |
# Staring out to sea | 0:47:31 | 0:47:34 | |
# And if a door be closed | 0:47:39 | 0:47:41 | |
# Then a row of homes start building | 0:47:43 | 0:47:48 | |
# And tear your curtains down | 0:47:51 | 0:47:54 | |
# For sunlight is like gold | 0:47:57 | 0:48:01 | |
# And you better be you | 0:48:04 | 0:48:07 | |
# And do what you can do... # HORN HOOTS | 0:48:09 | 0:48:11 | |
-Hey. How are you? -What are you doing here? | 0:48:15 | 0:48:17 | |
I just came out. Do you want to go for a spin? | 0:48:17 | 0:48:19 | |
-That's your bike? -It's me dad's. | 0:48:19 | 0:48:22 | |
-He absolutely loves it, but I've robbed it off him for the day. If he knew, he'd kill me. -Would he? | 0:48:22 | 0:48:28 | |
So do you fancy a spin, no? | 0:48:28 | 0:48:30 | |
-I'd love to, but I have to go to work. -That's cool. | 0:48:31 | 0:48:35 | |
Another time, yeah? | 0:48:35 | 0:48:37 | |
Just thought while I had it, I'd drive over and see if you were into going out. | 0:48:37 | 0:48:41 | |
Could you have me back by lunch? | 0:48:41 | 0:48:45 | |
Yeah, totally. | 0:48:45 | 0:48:47 | |
-Yeah? -Yeah. Fancy it? | 0:48:47 | 0:48:49 | |
Great. | 0:48:49 | 0:48:51 | |
# And I love her so | 0:48:58 | 0:49:00 | |
# I wouldn't trade her for gold. # | 0:49:04 | 0:49:09 | |
You're what? | 0:49:27 | 0:49:28 | |
You're married. | 0:49:30 | 0:49:31 | |
Does it surprise you? | 0:49:31 | 0:49:33 | |
Fuck's sake. | 0:49:33 | 0:49:36 | |
Yeah. | 0:49:36 | 0:49:39 | |
When? | 0:49:39 | 0:49:41 | |
Two years ago, when I find out I'm pregnant with Ivonka. | 0:49:41 | 0:49:44 | |
So where is he? | 0:49:46 | 0:49:49 | |
He's back in Czech Republic. | 0:49:49 | 0:49:51 | |
It's over now and you know, I come here on my own. | 0:49:51 | 0:49:54 | |
Man. | 0:49:56 | 0:49:58 | |
You all right? | 0:50:01 | 0:50:03 | |
What's the Czech for "ocean"? | 0:50:13 | 0:50:16 | |
-Ocean. -Ott-san. | 0:50:16 | 0:50:18 | |
-Pretty much the same. -Ott-san. | 0:50:18 | 0:50:21 | |
So what are you going to do? | 0:50:23 | 0:50:25 | |
I don't know. | 0:50:27 | 0:50:29 | |
There's such distance between me and him. | 0:50:31 | 0:50:35 | |
He's so much different to me and so much older. | 0:50:35 | 0:50:38 | |
It doesn't really work. | 0:50:38 | 0:50:39 | |
I'm fine on my own, you know? | 0:50:42 | 0:50:44 | |
It's just, I don't want Ivonka to grow up without a father. | 0:50:44 | 0:50:47 | |
-What's the Czech for "Do you love him?" -Milujes ho? | 0:50:53 | 0:50:57 | |
Milujes ho? So... | 0:50:59 | 0:51:02 | |
Milujes ho? | 0:51:02 | 0:51:04 | |
Miluju tebe. | 0:51:06 | 0:51:07 | |
-What? -Come on, let's go. | 0:51:10 | 0:51:12 | |
What'd you say? Tell me. | 0:51:12 | 0:51:16 | |
-You've got to teach me how to ride the bike now, eh? -No way. -Yeah. -No. | 0:51:16 | 0:51:20 | |
So, come on, can I have a go? | 0:51:20 | 0:51:22 | |
-No. -Please. | 0:51:22 | 0:51:23 | |
No, leave it alone, will you? | 0:51:23 | 0:51:27 | |
But teach me how to drive it, will you? | 0:51:27 | 0:51:30 | |
-Come on, just once. -No, it's not mine. Me dad would go fucking crazy. | 0:51:30 | 0:51:33 | |
-But he's not here now. -Be careful, will you! Be careful, for fuck's sake. | 0:51:33 | 0:51:36 | |
-Look, he's not here now. Just teach me. -Look my dad... | 0:51:36 | 0:51:38 | |
-Look... No. no. no. -No? -No. | 0:51:38 | 0:51:40 | |
-Please? -No. | 0:51:40 | 0:51:43 | |
Me dad will go bleedin' mental. He totally loves this thing. | 0:51:43 | 0:51:46 | |
Yeah, but you drive it. | 0:51:46 | 0:51:48 | |
Yeah, he doesn't know I have it. | 0:51:48 | 0:51:49 | |
-He doesn't? -No. | 0:51:49 | 0:51:51 | |
Well, then he won't know I had it too. | 0:51:51 | 0:51:54 | |
No. You can't have a go on it. | 0:51:56 | 0:51:57 | |
-Just once. -No. -Turn it on for me. | 0:51:57 | 0:52:00 | |
No. | 0:52:00 | 0:52:03 | |
-No. -Come on, give us the keys. -No. -I'll do it myself. | 0:52:03 | 0:52:06 | |
The key's in it. | 0:52:06 | 0:52:08 | |
Thank you for the ride. I'll see you tomorrow, yeah? | 0:52:17 | 0:52:20 | |
-For rehearsals. -OK, yeah. -OK. | 0:52:20 | 0:52:21 | |
-Thank you. -Thank you. | 0:52:21 | 0:52:23 | |
HE TOOTS MOTORBIKE HORN | 0:52:28 | 0:52:29 | |
# Trying to pull myself away | 0:52:37 | 0:52:40 | |
# I'm caught in a pattern and I can't escape | 0:52:45 | 0:52:49 | |
# I'm trying to pull myself away | 0:52:53 | 0:52:57 | |
# Lately, when I get back there's this thing I know | 0:53:04 | 0:53:09 | |
# Everything comes to you, way to go | 0:53:09 | 0:53:13 | |
# Even a heart has something to learn... # | 0:53:13 | 0:53:17 | |
Thanks, Dad. | 0:53:17 | 0:53:20 | |
Guys, this is Eamon. He's going to take care of you for the weekend. | 0:53:23 | 0:53:27 | |
Eamon, this is everyone. Kit's set up. | 0:53:27 | 0:53:29 | |
Piano is waiting for you in the live room. | 0:53:29 | 0:53:31 | |
Tea and coffee in the kitchen as you came in. | 0:53:31 | 0:53:34 | |
Help yourselves. You'll need plenty. | 0:53:34 | 0:53:36 | |
-And there is a nice little burrito place around the corner if you want a snack. All right? -Great. | 0:53:36 | 0:53:40 | |
OK, Eamon, leave it to you. Good luck, everyone. Enjoy. | 0:53:40 | 0:53:42 | |
-And I might pop in later, all right? -Cheers, man. | 0:53:42 | 0:53:45 | |
-Cheers. thanks. -OK, guys, good to meet you. | 0:53:45 | 0:53:49 | |
We've a few little bits and pieces to set up. | 0:53:49 | 0:53:52 | |
-I want to check the drums inside. -We've already set up the kit. | 0:53:52 | 0:53:55 | |
Yeah, I just want to, you know, check them for sound. | 0:53:55 | 0:53:58 | |
I check them every day. It's fine. | 0:53:58 | 0:54:00 | |
OK. We need to set up mics on them for recording, yeah? | 0:54:00 | 0:54:04 | |
-Oh. -Have you done much recording? -No. | 0:54:04 | 0:54:07 | |
No. No. | 0:54:07 | 0:54:09 | |
-Right. Let's get cracking. -Yeah. | 0:54:09 | 0:54:11 | |
ALL TRY OUT INSTRUMENTS | 0:54:21 | 0:54:24 | |
I can't do it now, love. I'm stuck here in the studio with this bunch of fucking oddballs. | 0:54:38 | 0:54:42 | |
Can you hang on a second? | 0:54:42 | 0:54:44 | |
Just one second. | 0:54:44 | 0:54:45 | |
OK, are you ready to rock? | 0:54:47 | 0:54:48 | |
-Are we ready? -Yep. | 0:54:48 | 0:54:52 | |
So, Al and Timmy on the second verse, just... This is pretty much simple enough thing. | 0:54:52 | 0:54:57 | |
It's in five/four and the second verse, I'll give you a nod to come in there, yeah? Is that all right? | 0:54:57 | 0:55:01 | |
And you're in from the top with me, yeah? And you know what you're doing. | 0:55:01 | 0:55:04 | |
All right, then so, uh... | 0:55:04 | 0:55:07 | |
Whenever you're ready, yeah. | 0:55:10 | 0:55:12 | |
All right, later. | 0:55:18 | 0:55:20 | |
OK, we're ready. Fire one. | 0:55:20 | 0:55:22 | |
You sure you're ready? | 0:55:22 | 0:55:23 | |
OK, listen now for the click track, everybody. | 0:55:23 | 0:55:26 | |
And away we go. This is track one, take one, yeah. | 0:55:26 | 0:55:33 | |
All right, lads, here we go. This is it, yeah. | 0:55:33 | 0:55:35 | |
# So | 0:55:53 | 0:55:54 | |
# If you want something | 0:55:57 | 0:55:59 | |
# And you call, call | 0:55:59 | 0:56:03 | |
# Then I'll come running | 0:56:03 | 0:56:08 | |
# To fight | 0:56:08 | 0:56:10 | |
# And I'll be at your door | 0:56:12 | 0:56:14 | |
# When there's nothing worth running for | 0:56:16 | 0:56:22 | |
# When your mind's made up | 0:56:23 | 0:56:27 | |
# When your mind's made up | 0:56:27 | 0:56:31 | |
# There's no point trying to change it | 0:56:31 | 0:56:34 | |
# When your mind's made up | 0:56:34 | 0:56:37 | |
# When your mind's made up | 0:56:38 | 0:56:42 | |
#There's no point trying to stop it | 0:56:42 | 0:56:46 | |
# You see | 0:56:46 | 0:56:47 | |
# You're just like everyone | 0:56:49 | 0:56:51 | |
# When the shit falls | 0:56:54 | 0:56:57 | |
# All you want to do is run away | 0:56:57 | 0:57:02 | |
# And hide all by yourself | 0:57:05 | 0:57:07 | |
# When you're far from me | 0:57:09 | 0:57:13 | |
# There's nothing else | 0:57:13 | 0:57:16 | |
# When your mind's made up | 0:57:16 | 0:57:20 | |
# When your mind's made up | 0:57:20 | 0:57:24 | |
# There's no point trying to change it | 0:57:24 | 0:57:28 | |
# When your mind's made up | 0:57:28 | 0:57:31 | |
# When your mind's made up | 0:57:31 | 0:57:35 | |
# There's no point even talking | 0:57:35 | 0:57:39 | |
# When your mind's made up | 0:57:39 | 0:57:43 | |
# When your mind's made up | 0:57:43 | 0:57:47 | |
# There's no point trying to fight it | 0:57:47 | 0:57:50 | |
# When your mind's | 0:57:50 | 0:57:53 | |
# Your mind's | 0:57:55 | 0:57:58 | |
# Made up | 0:58:03 | 0:58:05 | |
# Ah | 0:58:07 | 0:58:09 | |
# There's no point trying to change it | 0:58:21 | 0:58:24 | |
# When your... | 0:58:24 | 0:58:26 | |
# Oh, ohh-ohh | 0:58:26 | 0:58:32 | |
# Ooohhh | 0:58:50 | 0:58:52 | |
# So | 0:58:59 | 0:59:01 | |
# If you ever want something | 0:59:03 | 0:59:04 | |
# And you call, call | 0:59:06 | 0:59:10 | |
# Then I'll come running. # | 0:59:10 | 0:59:15 | |
OK. | 0:59:21 | 0:59:23 | |
Wow. | 0:59:24 | 0:59:25 | |
That was nice. | 0:59:25 | 0:59:26 | |
-Did you write that? -Yeah. | 0:59:28 | 0:59:31 | |
# You must have fallen from the sky | 0:59:38 | 0:59:40 | |
# You must have shattered in the wrong way | 0:59:42 | 0:59:45 | |
# You brought so many to the light | 0:59:46 | 0:59:49 | |
# Now you're by yourself | 0:59:50 | 0:59:54 | |
# There's a point in every fight | 0:59:54 | 0:59:59 | |
# When giving up is only OK | 0:59:59 | 1:00:03 | |
# You never want to sacrifice | 1:00:03 | 1:00:07 | |
# Now you caught yourself | 1:00:07 | 1:00:10 | |
# You need somewhere to fall apart | 1:00:12 | 1:00:16 | |
# Somewhere to fall apart | 1:00:16 | 1:00:20 | |
# Somewhere to fall apart | 1:00:20 | 1:00:26 | |
# Well the ruins of man The bloody rag | 1:00:26 | 1:00:30 | |
# That fools the bull The powdered hag | 1:00:30 | 1:00:34 | |
# The nights that make | 1:00:34 | 1:00:36 | |
# The rattle rag | 1:00:36 | 1:00:39 | |
# The wolves that follow the ousted man | 1:00:39 | 1:00:43 | |
# The falling star The way we are | 1:00:43 | 1:00:47 | |
# Divine | 1:00:47 | 1:00:51 | |
# The rules that never ever multiply | 1:00:51 | 1:00:57 | |
# You must have fallen from the sky. # | 1:00:58 | 1:01:03 | |
OK, what do you think? | 1:01:12 | 1:01:14 | |
I think it's fucking weird. | 1:01:14 | 1:01:16 | |
There's a couple of little tech bits we can probably fix them but, | 1:01:18 | 1:01:21 | |
you know, it's 4 o'clock in the morning so it's up to you guys. | 1:01:21 | 1:01:25 | |
Do you want to push through, or go for another one? | 1:01:25 | 1:01:27 | |
I'd love to keep going if everybody is into it. | 1:01:27 | 1:01:30 | |
Get a cup of tea or something first. | 1:01:30 | 1:01:32 | |
Can I have a cup of tea or something first? | 1:01:32 | 1:01:34 | |
-Yeah, you want to take 10 or 15, yeah? -Sure. -I'll tweak what I can. | 1:01:34 | 1:01:37 | |
You guys take ten. | 1:01:37 | 1:01:40 | |
Guys, why do you think there are no blonde priests? | 1:01:40 | 1:01:42 | |
I don't know. | 1:01:44 | 1:01:46 | |
This is great. | 1:02:07 | 1:02:09 | |
How's it going? | 1:02:32 | 1:02:34 | |
Good. | 1:02:36 | 1:02:37 | |
I don't think we're supposed to be here though. | 1:02:37 | 1:02:40 | |
Ah, it's all right. This is beautiful, isn't it? | 1:02:40 | 1:02:44 | |
Yeah it's a beautiful piano, like a Baldwin. It's a perfect piano. | 1:02:44 | 1:02:47 | |
-Yeah? -Mmm-hmm. | 1:02:47 | 1:02:49 | |
-Play us one of your songs. -Hmm... | 1:02:49 | 1:02:51 | |
Go on. | 1:02:51 | 1:02:52 | |
They're all half-written and more ideas. | 1:02:54 | 1:02:57 | |
Go on, I'd love to hear one. | 1:02:57 | 1:02:58 | |
OK, I have one, but... | 1:03:01 | 1:03:03 | |
it's not finished and I... I don't really... | 1:03:04 | 1:03:07 | |
-Just play it, I know. -OK, but the lyrics are very rough, OK? | 1:03:07 | 1:03:10 | |
-It'll be great. -OK. | 1:03:10 | 1:03:11 | |
# Walking up the hill tonight | 1:03:27 | 1:03:32 | |
# When you have closed your eyes | 1:03:32 | 1:03:37 | |
# I wish I didn't have to make | 1:03:41 | 1:03:45 | |
# All those mistakes and be wise | 1:03:45 | 1:03:50 | |
# But please try to be patient | 1:03:54 | 1:03:59 | |
# And know that I'm still learning | 1:03:59 | 1:04:04 | |
# I'm sorry that you have to see | 1:04:08 | 1:04:13 | |
# The strength inside me burning | 1:04:13 | 1:04:17 | |
# And where are you my angel now? | 1:04:22 | 1:04:27 | |
# Don't you see me crying? | 1:04:27 | 1:04:32 | |
# I know that you can't do it all | 1:04:35 | 1:04:40 | |
# But you can't say I'm not trying | 1:04:40 | 1:04:45 | |
# And I'm letting myself down | 1:04:49 | 1:04:54 | |
# By satisfying you | 1:04:54 | 1:04:59 | |
# I really wish that you could see | 1:05:03 | 1:05:08 | |
# I... # | 1:05:08 | 1:05:10 | |
You all right? | 1:05:23 | 1:05:24 | |
Did you write that for your husband? | 1:05:26 | 1:05:28 | |
Yes, I did and he didn't like it. | 1:05:28 | 1:05:30 | |
-What an idiot. -Yeah, he's an idiot. | 1:05:30 | 1:05:34 | |
Come on away to London with me. | 1:06:00 | 1:06:01 | |
Come on, we'll write loads of songs and live in a nice flat. | 1:06:02 | 1:06:05 | |
You can bring Ivonka over, it'll be brilliant. Come on. | 1:06:05 | 1:06:08 | |
Yeah we'll go to London. And no-one will ever find us again. | 1:06:08 | 1:06:12 | |
-No-one. -No-one. -We'll have a brilliant band. We'll sell out places, it'll be great. | 1:06:12 | 1:06:16 | |
And we'll make an album together? | 1:06:16 | 1:06:18 | |
I'd love that, come on. | 1:06:18 | 1:06:19 | |
Yeah, and I'll do the backing vocals on it? | 1:06:19 | 1:06:22 | |
-Yeah, and play the piano. -Mmm-hmm. | 1:06:22 | 1:06:24 | |
Come on, I'm serious. | 1:06:24 | 1:06:26 | |
Can I bring my mother? | 1:06:26 | 1:06:27 | |
Well, we should go back to work. | 1:06:35 | 1:06:36 | |
Yeah. | 1:06:38 | 1:06:39 | |
OK. | 1:06:39 | 1:06:40 | |
# When will you learn? # | 1:06:40 | 1:06:45 | |
What day is it today? | 1:06:59 | 1:07:02 | |
Monday. I think it's time we did the car test. | 1:07:02 | 1:07:07 | |
What's the car test, Eamon? | 1:07:07 | 1:07:10 | |
We've been listening back on these big studio speakers. | 1:07:10 | 1:07:13 | |
So it's time we had a go on some shitty speakers. So... | 1:07:13 | 1:07:16 | |
All right let's go. Let's go for a spin and have a listen in me car. | 1:07:16 | 1:07:20 | |
Great, man. | 1:07:20 | 1:07:22 | |
-Yeah. Go have a ride, yeah? -Let's go. | 1:07:22 | 1:07:24 | |
We'll clear this up later. | 1:07:26 | 1:07:28 | |
Timmy! | 1:07:28 | 1:07:31 | |
Timmy! Timmy! Come on. | 1:07:32 | 1:07:34 | |
Beauty. | 1:07:43 | 1:07:45 | |
All right. | 1:07:45 | 1:07:47 | |
MUSIC PLAYS | 1:07:50 | 1:07:55 | |
# So... | 1:08:05 | 1:08:08 | |
# If you want something | 1:08:08 | 1:08:10 | |
# And you call, call | 1:08:13 | 1:08:16 | |
# Then I'll come running | 1:08:16 | 1:08:19 | |
# To fight | 1:08:20 | 1:08:22 | |
# And I'll be at your door | 1:08:23 | 1:08:27 | |
# When there's nothing | 1:08:27 | 1:08:31 | |
# Worth running for | 1:08:31 | 1:08:35 | |
# When your mind's made up | 1:08:35 | 1:08:39 | |
# When your mind's made up | 1:08:39 | 1:08:43 | |
# There's no point trying to change it | 1:08:43 | 1:08:46 | |
# When your mind's made up | 1:08:46 | 1:08:50 | |
# When your mind's made up | 1:08:50 | 1:08:54 | |
# There's no point trying to stop it | 1:08:54 | 1:08:59 | |
# You see... | 1:08:59 | 1:09:01 | |
# You're just like everyone | 1:09:02 | 1:09:05 | |
# When the shit falls | 1:09:06 | 1:09:10 | |
# All you want to do is run away | 1:09:10 | 1:09:15 | |
# And hide all by yourself | 1:09:16 | 1:09:19 | |
# When you're far from me | 1:09:21 | 1:09:25 | |
# There's nothing else | 1:09:25 | 1:09:27 | |
# When your mind's made up | 1:09:29 | 1:09:32 | |
# When your mind's made up | 1:09:32 | 1:09:36 | |
# There's no point trying to change it | 1:09:36 | 1:09:40 | |
# When your mind's made up | 1:09:40 | 1:09:44 | |
# When your mind's made up | 1:09:44 | 1:09:48 | |
# There's no point even talking | 1:09:48 | 1:09:51 | |
# When your mind's made up... # | 1:09:51 | 1:09:56 | |
There they are. | 1:09:56 | 1:09:57 | |
-Listen man, fucking... -Well done. | 1:09:57 | 1:09:59 | |
It sounds fucking brilliant. Thanks a lot for your help. | 1:09:59 | 1:10:02 | |
-Lots of luck with those. -Nice one. | 1:10:02 | 1:10:04 | |
-I just pushed the buttons. It was great. -Nice, man, thank you. Cool. | 1:10:04 | 1:10:07 | |
You two go and get some sleep. | 1:10:07 | 1:10:08 | |
-Right nice one. And thanks very very much. -See you. | 1:10:08 | 1:10:12 | |
So this is it. | 1:10:19 | 1:10:20 | |
Yeah. | 1:10:20 | 1:10:21 | |
We did it. | 1:10:21 | 1:10:22 | |
It sounds great. | 1:10:22 | 1:10:23 | |
It does, doesn't it? | 1:10:23 | 1:10:24 | |
Could I have one? | 1:10:24 | 1:10:25 | |
Yeah, yeah totally. | 1:10:25 | 1:10:27 | |
Thank you. | 1:10:27 | 1:10:28 | |
I've got to go this way. | 1:10:28 | 1:10:29 | |
Really? | 1:10:29 | 1:10:31 | |
Where you going? | 1:10:33 | 1:10:34 | |
Home. | 1:10:34 | 1:10:35 | |
You don't want to come back? I'll make you breakfast. We could listen to the CD, no? | 1:10:35 | 1:10:40 | |
No. I have to go see Ivonka and organise things. | 1:10:40 | 1:10:43 | |
So do you. | 1:10:43 | 1:10:45 | |
Yeah. | 1:10:45 | 1:10:46 | |
You're leaving. | 1:10:46 | 1:10:47 | |
To London. | 1:10:47 | 1:10:49 | |
What do you have to organise? What's that about? | 1:10:49 | 1:10:52 | |
I spoke to my husband last night. He's coming over. | 1:10:52 | 1:10:56 | |
-Ah, brilliant. Fair play. Great. I'm really happy for you. -It's good. -Yeah. | 1:10:56 | 1:11:00 | |
We'll try to make it work. | 1:11:00 | 1:11:01 | |
-It's for the best. -Yeah. Come back and hang out, have a cup of tea. | 1:11:01 | 1:11:05 | |
It's the last day. We'll hang out. | 1:11:05 | 1:11:07 | |
Whatever, breakfast, whatever. | 1:11:08 | 1:11:10 | |
Listen to the tunes. Or you can come over later, whatever. | 1:11:10 | 1:11:13 | |
For what? | 1:11:13 | 1:11:15 | |
What do you mean what? Just hang, come and hang out. | 1:11:16 | 1:11:18 | |
But we done our work. Why would I go over? | 1:11:18 | 1:11:21 | |
We'd just hanky panky if I come now. | 1:11:21 | 1:11:23 | |
-What? -Hanky panky? | 1:11:26 | 1:11:29 | |
It won't be for hanky panky. | 1:11:29 | 1:11:31 | |
I know it would. | 1:11:31 | 1:11:34 | |
And that would be nice. | 1:11:35 | 1:11:37 | |
-Would it? Hanky... Would it? -It would be interesting. -Would it? | 1:11:37 | 1:11:42 | |
Be worthless though. | 1:11:42 | 1:11:45 | |
Come back later. | 1:11:48 | 1:11:49 | |
Mmm... | 1:11:52 | 1:11:53 | |
-OK, I'll come. -Yeah? | 1:11:58 | 1:12:00 | |
I'll come later, yeah? | 1:12:00 | 1:12:01 | |
Brilliant. You sure? | 1:12:03 | 1:12:04 | |
Brilliant. All right then... | 1:12:04 | 1:12:06 | |
Cool. See you after. Well done. | 1:12:06 | 1:12:08 | |
You too. | 1:12:08 | 1:12:10 | |
# When will you love? | 1:12:57 | 1:13:03 | |
# So plant a thought | 1:13:07 | 1:13:09 | |
# And watch it grow | 1:13:10 | 1:13:13 | |
# Wind it up | 1:13:13 | 1:13:16 | |
# And let it go. # | 1:13:16 | 1:13:21 | |
Well, what do you think? | 1:13:28 | 1:13:29 | |
You like it? | 1:13:34 | 1:13:35 | |
It's just a demo, you know. | 1:13:35 | 1:13:38 | |
-It's fucking brilliant. -Really? | 1:13:38 | 1:13:40 | |
Fantastic stuff. | 1:13:40 | 1:13:42 | |
That'll be a hit, no question. | 1:13:42 | 1:13:44 | |
When are you off? | 1:13:45 | 1:13:47 | |
What? | 1:13:47 | 1:13:49 | |
Well I've a few hundred quid for you. | 1:13:49 | 1:13:52 | |
For a deposit on a place. | 1:13:52 | 1:13:55 | |
Going to come over and see you when you're settled in. | 1:13:55 | 1:13:58 | |
When do you think you'll be able to go? | 1:13:59 | 1:14:02 | |
-I'm going tomorrow, Dad. -Good man. | 1:14:04 | 1:14:08 | |
About time. | 1:14:08 | 1:14:10 | |
Will you be all right? | 1:14:13 | 1:14:15 | |
What do you mean? | 1:14:15 | 1:14:18 | |
I was all right for years before you came along, wasn't I? | 1:14:18 | 1:14:21 | |
-I don't have to go now. I can put this thing off for a few months. -Go. | 1:14:23 | 1:14:26 | |
And the best of luck, son. | 1:14:28 | 1:14:30 | |
Thanks, Dad. | 1:14:30 | 1:14:31 | |
Make your ma proud. | 1:14:31 | 1:14:33 | |
Now play it again. | 1:14:37 | 1:14:39 | |
-OK. -'That's good.' -Yeah. I recorded a few songs. | 1:14:42 | 1:14:46 | |
'Oh yeah? What are they like?' | 1:14:46 | 1:14:47 | |
They're good. I'm happy with them. | 1:14:47 | 1:14:49 | |
'Great. | 1:14:49 | 1:14:52 | |
'I've missed you.' | 1:14:52 | 1:14:53 | |
Yeah, me too. | 1:14:53 | 1:14:56 | |
'Do you want me to meet you at the airport?' | 1:14:56 | 1:14:59 | |
No. I'll come find you. | 1:14:59 | 1:15:02 | |
'I'm glad you've decided to come.' | 1:15:02 | 1:15:04 | |
BEEPING | 1:15:04 | 1:15:07 | |
Listen I'm going to get cut off here, all right? | 1:15:07 | 1:15:09 | |
Money's running out. | 1:15:09 | 1:15:11 | |
'Hurry up.' | 1:15:11 | 1:15:13 | |
BEEPING | 1:15:13 | 1:15:16 | |
-How are you? -Hello, handsome. | 1:15:53 | 1:15:56 | |
-Ahoy. -Ahoy. | 1:15:56 | 1:15:57 | |
-Is herself in? -No, no. | 1:15:57 | 1:15:59 | |
Oh. Great. | 1:15:59 | 1:16:01 | |
You don't know where she is, do you? | 1:16:03 | 1:16:04 | |
She's working. | 1:16:04 | 1:16:06 | |
She coming back evening. | 1:16:06 | 1:16:08 | |
Oh, OK. | 1:16:08 | 1:16:11 | |
Will you tell her I'm going away? | 1:16:11 | 1:16:13 | |
Will you tell her I'll call her? | 1:16:13 | 1:16:15 | |
Oh... Sorry. No telephone here. | 1:16:15 | 1:16:16 | |
You don't have a telephone? | 1:16:16 | 1:16:18 | |
No telephone here, no. | 1:16:18 | 1:16:19 | |
Damn. I'll write her yeah? | 1:16:20 | 1:16:22 | |
You write a letter? Yeah? | 1:16:22 | 1:16:24 | |
Yeah I'll write her a letter, yeah yeah. | 1:16:24 | 1:16:27 | |
You go? No. | 1:16:27 | 1:16:29 | |
-Yeah? -Yeah. OK. -OK. -Bye. | 1:16:29 | 1:16:32 | |
-See you, Ivonka. -Bye. -Oh. Ciao. -I'm sorry. | 1:16:32 | 1:16:35 | |
Hey, how's it going? | 1:17:14 | 1:17:15 | |
-Could I have a word with you about something back here? -Yeah, sure. | 1:17:15 | 1:17:18 | |
# I don't know you | 1:17:22 | 1:17:25 | |
# But I want you | 1:17:25 | 1:17:29 | |
# All the more for that | 1:17:29 | 1:17:32 | |
# And words fall through me | 1:17:36 | 1:17:39 | |
# And always fool me | 1:17:39 | 1:17:43 | |
# And I can't react | 1:17:43 | 1:17:47 | |
# And games that never amount | 1:17:49 | 1:17:54 | |
# To more than they're meant | 1:17:54 | 1:17:57 | |
# Will play themselves out | 1:17:57 | 1:18:01 | |
# Take this sinking boat | 1:18:07 | 1:18:11 | |
# And point it home | 1:18:11 | 1:18:15 | |
# We've still got time | 1:18:15 | 1:18:21 | |
# Raise your hopeful voice | 1:18:21 | 1:18:25 | |
# You had the choice | 1:18:25 | 1:18:29 | |
# You've made it now | 1:18:29 | 1:18:36 | |
# Falling slowly | 1:18:39 | 1:18:42 | |
# Eyes that know me | 1:18:42 | 1:18:46 | |
# And I can't go back | 1:18:46 | 1:18:50 | |
# The moods that take me | 1:18:54 | 1:18:57 | |
# And erase me | 1:18:57 | 1:19:00 | |
# And I'm painted black | 1:19:00 | 1:19:04 | |
# Well you have suffered enough | 1:19:08 | 1:19:12 | |
# And warred with yourself | 1:19:12 | 1:19:16 | |
# It's time that you bond | 1:19:16 | 1:19:19 | |
# Take this sinking boat | 1:19:25 | 1:19:30 | |
# And point it home | 1:19:30 | 1:19:33 | |
# We've still got time | 1:19:33 | 1:19:39 | |
# Raise your hopeful voice | 1:19:39 | 1:19:43 | |
# You had the choice | 1:19:43 | 1:19:46 | |
# You've made it now | 1:19:46 | 1:19:52 | |
# Falling slowly | 1:19:52 | 1:19:55 | |
# Sink your melody | 1:19:55 | 1:20:00 | |
# I'll sing it loud | 1:20:00 | 1:20:09 | |
# A-a-h. # | 1:20:12 | 1:20:25 |