Once


Once

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This film contains strong language.

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# ..I want you to put on your pretty summer dress, yeah

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# You can wear your Easter clothes Sunday bonnet and all the rest

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# But I want to make love to you Yes, yes, yes, yes

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# When the healing has begun

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-# When the healing has begun... #

-Fuckin' deadly, you are, mate.

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Don't fuckin'...

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I'm just tying me lace, man, you know what I mean?

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# Mmmm... #

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I swear to you, you fucking go near that, I'm after you right straight away. So fuck off, right?

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Hell, I'm just tying my fuckin' lace, know what I mean?

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Fuck's sake. Look here. Here.

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Play us Aslan, will you?

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All right, mate. You're fuckin' rapid, you are.

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Thanks.

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# Oh, yeah, la, la, la

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# Mmm... #

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-Hold that will you?

-Yeah.

-Thanks.

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GASPING

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Anton, fucking hell, man!

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Come on, give me that.

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Give me the case.

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What are you fucking at, man?

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For fuck's sake!

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-I'm...

-What are you at, man?

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I'm sorry, man, I'm just fucking dying sick, I am,

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you know what I mean? Here, I'll go on and help you.

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Oh, fuck.

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There's all your money. I'm just dying sick and all.

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Look there's 20 cent. Look it.

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Look, don't fucking rob me.

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I'm down there trying to fucking make a living like anyone else.

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The two of us is on the same team, man. I'm sorry, right?

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I'm sorry, man. But you're right. You're rapid, you are.

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You want money, just fucking... Just ask me for it.

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Don't have me chase you all the way up the street for it.

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Want to give us that fiver then, do you?

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Oh, for fuck's sake. Here.

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How's your ma?

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She's dead, man.

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Well, how's your old fella?

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-Fair play to ya, right?

-I'll see you later, all right.

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Look, there's two euros, look. Fair play to ya, right?

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See you, good luck, man.

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# Scratching at the surface now

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# And I'm trying hard to work it out

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# And so much has gone misunderstood

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# And this mystery only leads to doubt

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# And I didn't understand

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# When you reached down to take my hand

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# And if you have something to say

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# You'd better say it now

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# Cos this is what you've waited for

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# Your chance to even up the score

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# And as these shadows fall

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# On me now

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# I'll win somehow, yeah

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# Cos I'm picking up a message, Lord

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# That I'm closer than I've ever been before

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# So if you have something to say

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# Say it to me now

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-#

-Just say it to me no-ow-ow, now

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# Oh, oh, oh, oh

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# Oh, oh

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# Oh, oh. #

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Thanks.

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Ten cents. Brilliant. Thanks.

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Excuse me?

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Sorry.

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Big Issue?

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Can't afford it.

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This song you just play, you write it?

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Working on it.

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It's not an established song?

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No, it's not an established song.

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How come you don't play it during daytime? I see you every day.

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You know, during the day, people want to hear songs they know

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just songs that they recognise, otherwise, I wouldn't make any money.

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I play these songs at night. They wouldn't listen.

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-I

-listen.

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Yeah, but you gave me...ten cents.

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You do it for money, then?

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Why don't you get a job in a shop?

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I have a job in a shop.

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Listen, I'm going to get back to this, yeah?

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-Nice to meet you.

-Who'd you write that song for, please?

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No-one.

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Bullshit.

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Where is she?

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She's gone.

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She's dead?

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No, she's not dead, she's gone.

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You love her still?

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Jesus, man!

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HE MOUTHS

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You're over her?

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Rubbish.

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No-one who would write this song is over her. I'm telling you.

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You play this marvellous song to her, you get her back.

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I don't want her back.

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I see.

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What shop you work in?

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I work in a Hoover repair shop.

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-A Hoover?

-You know, like a vacuum cleaner. Whhzzz.

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-You fix vacuum cleaners?

-I do.

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-I

-have a broken vacuum cleaner!

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-You fix it for me?

-Yeah.

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-I bring it tomorrow, then?

-OK.

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This is great. Tomorrow?

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-Right.

-OK, bye.

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Good luck.

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# You have broken me all the way down

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# Down upon my knees

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# And you have broken me all the way now... #

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RINGING TONE

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'Hi. This is Catherine. Leave a message and I'll get back to you.'

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# ..When I pushed you away

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# From me

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# And every morning

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# When you're turning

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# I'll be far to sea

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# And you have broken me

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# All the way down... #

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-That job's ready for collection now, Dad.

-OK, son.

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I'm going to head into town.

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Should I turn this around for you?

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-What'll I get for dinner?

-The fish, maybe.

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# And what chance

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# Have we got?

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# When we missed every shot

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# For me

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# And in the morning... #

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-Hello.

-How are you? How's it going?

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I bring you my Hoover.

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All right.

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What's wrong with it?

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It is fucked.

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It doesn't suck up the dirt.

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Well, there's nothing I can do, I don't have any of my tools with me.

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I'm going on me break now. Can you bring it in tomorrow or something?

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Well, no, I bring it today.

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-You, you...

-Yeah, but there's nothing I can do with it, love.

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-It's like I'd have to bring it home.

-If I come on break, you have a look at it at least?

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-Yeah, but you don't understand.

-I come with you, then?

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For lunch?

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-Yeah, all right.

-Yes, we go together?

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-Yeah.

-OK. Thank you.

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-You hungry?

-I'm always hungry.

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So...you know a bit about music, then?

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My father used to play in the orchestra back at home.

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He played violin.

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But he got arthritis then and he killed himself.

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Really?

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But before he go, he teach me how to play piano.

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"It's not so hard on the fingers," he said.

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Do you get to play much?

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Mm. No, I don't I don't have a piano at home.

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I can't get one in Ireland, it's so much money.

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I can't afford it.

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Yeah, it's expensive, all right.

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I play in a piano shop.

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This man lets me play one hour per day at lunch.

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Somewhere around here?

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-You want to hear me play?

-Yeah.

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-Now?

-Yeah.

-OK.

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Can we come in?

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This is the man I was telling you about. He's a real gentleman.

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-Hi. OK.

-OK, for me to play today?

-Yeah, that's fine.

-Thanks.

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-Not the baby Yamaha, though. She's sold.

-Okey-dokey.

-Mm-hm.

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Now, which one today?

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SHE PLAYS A CLASSICAL PIECE

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That kind of thing.

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It's amazing.

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Did you write that?

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-No, no, Mendelssohn did.

-It's good.

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It's good, yes!

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-Play me another of your songs.

-No.

-Please.

-Not here.

-Why?

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-Here, Billy doesn't mind.

-You think it would be all right?

-Yes.

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-OK. Let's put that there, yeah?

-Mm-hm.

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-This is in C, yeah?

-Yeah, OK. I can see that.

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So it goes, um...

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# Da... # It goes...

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# Da, da, da, da

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# Da, da, da, da

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# Da, da, da, da, da... #

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-Yeah?

-Mm-hm.

-And then there's a bit in there. Can you do that?

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SHE PLAYS THE MELODY HE SANG

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Brilliant. And then there's another part that goes, uh...

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# Ba, ba, pa-pa, pa

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# Ba, ba, pa-pa, pa

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# Ba, ba, pa-pa, pa... #

0:13:550:13:59

Yeah? And then the chorus. Let's see, you have those two bits?

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-Mm-hm.

-And the chorus goes...

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# Da, da, da, da, da

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# Ba, ba, ba, ba

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# Ba, ba, ba...ba-ba...

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# Da-dah. #

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That's it. Perfect. Brilliant.

0:14:210:14:23

-So do you want to give it a spin?

-Yes, try it.

-OK.

0:14:230:14:26

Two, three, four...

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# I don't know you but I want you

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# All the more for that

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SHE SINGS IN HARMONY # And words fall through me

0:14:590:15:02

# And always fool me

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# And I can't react... #

0:15:050:15:10

We change here.

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# ..And games that never amount

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# To more than they're meant

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# Will play themselves out... #

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Hold it. And the chorus.

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# ..Take this sinking boat

0:15:310:15:35

# And point it home

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# We've still got time

0:15:380:15:45

# Raise your hopeful voice

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# You had the choice

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# You've made it now

0:15:520:16:00

# Falling slowly, eyes that know me

0:16:020:16:09

# And I can't go back

0:16:090:16:13

# Moods that take me and erase me

0:16:160:16:24

# And I'm painted black

0:16:240:16:28

# Well, you have suffered enough

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# And warred with yourself

0:16:350:16:39

# It's time that you won... #

0:16:390:16:43

Again.

0:16:450:16:47

# ..Take this sinking boat

0:16:490:16:53

# And point it home

0:16:530:16:57

# We've still got time

0:16:570:17:03

# Raise your hopeful voice

0:17:030:17:07

# You had the choice

0:17:070:17:11

# You've made it now

0:17:110:17:18

# Uh-huh

0:17:230:17:25

# Uh-huh, uh-huh

0:17:250:17:28

# Yeah

0:17:310:17:33

# Take this sinking boat

0:17:330:17:38

# And point it home

0:17:380:17:41

# We've still got time

0:17:410:17:47

# Raise your hopeful voice

0:17:470:17:52

# You had the choice

0:17:520:17:55

# You've made it now

0:17:550:18:01

# Falling slowly, sing your melody

0:18:010:18:09

# I'll sing along

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# La, la, la, la

0:18:210:18:26

# Call and I'll sing along. #

0:18:370:18:41

I moved back in about a year ago, after me ma died, just to help me dad out you know.

0:19:100:19:15

So tell me about her.

0:19:160:19:18

Who, me ma?

0:19:190:19:21

No, the girl, the special girl you write these songs for.

0:19:210:19:24

Hmm. No.

0:19:240:19:26

Come on. What did she do to you?

0:19:280:19:30

Well...

0:19:340:19:36

# Ten years ago, I fell in love

0:19:370:19:43

# With an Irish girl She took my heart

0:19:430:19:47

# But she went and screwed some guy that she knew

0:19:480:19:53

# And now I'm in Dublin with a broken heart

0:19:530:19:58

# Oh, broken-hearted Hoover-fixer, sucker guy

0:19:580:20:04

# Oh, broken-hearted Hoover-fixer, sucker

0:20:040:20:08

# Sucker guy

0:20:080:20:10

# One day I'll go there and win her once again

0:20:100:20:15

# But until then I'm just a sucker of a guy... #

0:20:150:20:20

So she's with him now?

0:20:280:20:31

-No.

-Where is she?

0:20:310:20:33

# She's in old London town

0:20:340:20:39

# Living somewhere around Chiswick. #

0:20:410:20:45

I miss her. It's just sort of... You know.

0:20:480:20:50

-You're not going to go get her? No?

-No. Fuck her.

0:20:540:21:01

# Fuck her, fuck her, fuck her She's gone

0:21:010:21:05

# Fuck her, she's gone for ever

0:21:050:21:07

# She fucking fucked it up! # Sorry.

0:21:070:21:10

# Fucking fucked it up She fucking fucked it up!

0:21:100:21:17

# And now she's gonna die. #

0:21:170:21:20

Give us the sharp eight there, son.

0:21:290:21:32

And the Phillips. Come on.

0:21:370:21:40

Your son is a very talented man, sir.

0:21:420:21:46

-Well, he should be. I trained him meself.

-Oh, no.

0:21:460:21:49

-I meant the songs.

-Oh, right. Is he?

0:21:490:21:52

-Very.

-OK, that's done. You can take it back with you.

0:21:520:21:56

It was just the belt, so it should be all right now.

0:21:560:21:58

Thank you. How much do I owe you?

0:21:580:22:00

-Oh, you're fine there, it's free.

-Nothing's for free. How much?

0:22:000:22:03

Say four euro, love.

0:22:050:22:07

OK. I'm going to head upstairs, Dad. Is there anything else you need?

0:22:110:22:14

-No, I'm grand.

-OK.

-A pleasure to meet you, sir.

0:22:140:22:19

-And you.

-Take care.

-Good.

0:22:190:22:23

Come on in.

0:22:320:22:34

There you are.

0:22:390:22:41

MUSIC PLAYS

0:22:440:22:48

Wow.

0:23:000:23:02

Can you transfer this stuff onto disc for me so I can listen?

0:23:020:23:06

-Yeah.

-I have to go now.

0:23:060:23:08

-Do you want to stay?

-What do you mean?

0:23:090:23:13

Stay the night?

0:23:130:23:16

What?

0:23:160:23:17

Fuck this. Thanks for the Hoover, yeah?

0:23:220:23:24

-See you.

-See you around.

0:23:240:23:26

Fuck.

0:23:290:23:31

Flowers? Flowers?

0:23:350:23:38

-Hey.

-Hey.

-How's it going?

0:23:430:23:46

Hey, where you going?

0:23:470:23:48

I wanted to give you the CDs that I made for you.

0:23:480:23:51

I'm really... I'm just really lonely and you're gorgeous

0:23:530:23:56

and I just... I'm sorry. I fucked up. I'm sorry.

0:23:560:23:59

I... I don't know what to say. It won't happen again.

0:23:590:24:04

-Do you have a CD player?

-Yeah.

0:24:090:24:12

Here you go. Batteries are pretty low, but it should work.

0:24:120:24:18

-I give it back.

-No problem. Keep it.

0:24:180:24:22

I have to go now. I'll talk to you later.

0:24:230:24:26

You don't want to get a cup of tea or something?

0:24:260:24:28

-I'd love to...just talk to you a bit more.

-I have responsibilities. I have to go home.

0:24:280:24:32

Is it OK to walk along with you then?

0:24:320:24:35

-Yeah?

-Yeah.

-Cool. Cool.

0:24:350:24:37

-So how was it today?

-Selling good.

0:24:370:24:39

And today is a really good day for me because I got a job in a big house, cleaning.

0:24:390:24:46

-This lady is going to pay me some money, so I'm very happy.

-That's brilliant. I'm delighted.

0:24:460:24:53

-This is where I live.

-Oh, yeah? Cool. All right then.

0:25:000:25:07

Do you want to come in?

0:25:070:25:09

Can I? Yeah. Cool.

0:25:100:25:13

-Hi, guys.

-Hello.

-How are you today?

-Not bad, not bad.

0:25:130:25:18

-How is work?

-It's great.

-See you later.

0:25:180:25:22

Ah, hi.

0:26:000:26:01

This is my friend. This is my mother.

0:26:040:26:06

How are you? Nice to meet you. How's it going?

0:26:060:26:11

THEY SPEAK CZECH

0:26:110:26:15

This is my daughter, Ivonka. Come on.

0:26:150:26:19

Hello, Ivonka.

0:26:190:26:21

Hello.

0:26:210:26:22

THEY SPEAK CZECH

0:26:220:26:26

-That's dinner. Do you want to stay for dinner?

-Yeah. Thank you.

0:26:350:26:39

-Want to sit down?

-Yeah.

0:26:510:26:53

THEY SPEAK IN CZECH

0:26:530:26:57

Well, what did she say?

0:27:170:27:19

-She says you're handsome.

-She what?

-Says you're handsome.

0:27:190:27:24

How do I say thanks?

0:27:240:27:26

THEY SPEAK CZECH

0:27:260:27:30

She says you're welcome.

0:27:300:27:31

-Cool. Thanks.

-Try to speak a little English, Mama.

-No, thank you.

0:27:310:27:36

-Careful. Careful, Ivonka. Don't do that.

-She's grand. She's grand.

0:27:380:27:42

-Where's her dad?

-He doesn't live here.

-Why not?

0:27:450:27:51

He's at home.

0:27:530:27:54

OK.

0:27:540:27:57

Hello. Hi.

0:28:010:28:02

-These are from next door. They come in to watch telly.

-Yeah.

-Hi, guys.

-Hi.

0:28:020:28:06

There's only one telly in the building.

0:28:060:28:10

We watch Fair City together.

0:28:100:28:11

Fair City we love. We learn English from Fair City.

0:28:110:28:16

Are you not pregnant? How are you, man?

0:28:160:28:22

What is the hurry?

0:28:220:28:24

-Just put her in there.

-OK.

0:28:350:28:37

There you go, dearie. OK.

0:28:430:28:46

She likes you.

0:28:460:28:47

MUFFLED MUSIC FROM HEADPHONES

0:29:070:29:11

You have no lyrics for this one?

0:29:200:29:22

It's really good. I like it.

0:29:240:29:26

-I've got a few, but they're not right.

-Huh?

0:29:270:29:32

I've got a few, but they're not right.

0:29:340:29:36

-What? Do you like it?

-It's great.

0:29:380:29:42

Would you be into trying... Trying to write lyrics for it?

0:29:420:29:45

Really? I could?

0:29:450:29:47

-Yeah. Do you like that idea?

-Yeah.

0:29:470:29:49

Cool. Cool. That would be good.

0:29:490:29:51

I can keep machine and write it?

0:29:510:29:52

Yeah. Do. I was having a bit of trouble with it.

0:29:520:29:55

It's too romantic for me.

0:29:550:29:57

It is romantic. You have a romantic streak.

0:29:570:30:00

I used to have a romantic streak.

0:30:000:30:02

When?

0:30:030:30:06

When I was your age, I suppose.

0:30:060:30:09

I see. You're an old man now.

0:30:090:30:11

Yeah. Dying.

0:30:110:30:12

Cynical.

0:30:150:30:16

You have to go now.

0:30:200:30:22

Thanks for the Hoover and food and songs.

0:30:220:30:24

No problem.

0:30:240:30:26

Thanks for the company.

0:30:310:30:33

-I needed it.

-Me too.

0:30:330:30:35

You don't want to go for late coffee or a walk or something? No?

0:30:370:30:41

-I can't. See you.

-Bye.

0:30:410:30:44

See you.

0:30:440:30:47

MUSIC HUMS THROUGH HEADPHONES

0:31:050:31:08

Fuck you, batteries.

0:31:200:31:23

Jesus.

0:31:390:31:40

I'll pay you back.

0:31:490:31:51

Come on.

0:31:530:31:55

# Are you really here

0:32:070:32:09

# Or am I dreaming?

0:32:110:32:14

# I can't tell dream from truth

0:32:140:32:19

# For it's been so long

0:32:190:32:21

# Since I have seen you

0:32:220:32:26

# I can hardly remember your face any more

0:32:260:32:32

# When I get pretty lonely

0:32:320:32:38

# And the distance causes only silence

0:32:380:32:44

# I think of you smiling

0:32:440:32:50

# With pride in your eyes

0:32:500:32:53

# Lover that sighs

0:32:530:32:57

# If you want me

0:32:570:33:02

# Satisfy me

0:33:030:33:09

# If you want me

0:33:090:33:15

# Satisfy me

0:33:150:33:21

# Are you really sure that you believe me

0:33:230:33:30

# When others say I lie?

0:33:300:33:35

# I wonder if you could ever despise me

0:33:350:33:42

# When you know I really tried

0:33:420:33:48

# To be a better one

0:33:480:33:51

# To satisfy you

0:33:510:33:54

# For you're everything to me

0:33:540:34:00

# And I'll do what you ask me

0:34:000:34:06

# If you let me be free

0:34:060:34:11

# If you want me

0:34:130:34:19

# Satisfy me

0:34:190:34:25

# If you want me

0:34:250:34:31

# Satisfy me

0:34:310:34:37

# If you want me

0:34:500:34:55

# Satisfy me

0:34:550:35:01

# If you want me

0:35:010:35:07

# Satisfy me. #

0:35:070:35:14

# Escalated, es... #

0:35:540:35:56

# Little cracks, they escalated

0:35:560:36:04

# From back inside comes

0:36:050:36:12

# Lies, lies

0:36:120:36:15

# Breaking...

0:36:160:36:18

# When will... #

0:36:190:36:21

When will you learn? When will you learn?

0:36:220:36:24

# I think it's time we give it up

0:36:280:36:34

# Figure out what's stopping us

0:36:360:36:41

# From breathing easy

0:36:420:36:48

# And talking straight

0:36:480:36:53

# The way is clear if you're ready now

0:36:540:37:01

# The volunteer is slowing down

0:37:020:37:08

# And taking time to save himself

0:37:090:37:21

# The little cracks they escalated

0:37:220:37:29

# Before we knew it was too late

0:37:290:37:35

# For making circles

0:37:350:37:42

# And telling lies

0:37:420:37:48

# You're moving too fast for me

0:37:500:37:55

# And I can't keep up with you

0:37:550:38:01

# Maybe if you slowed down for me

0:38:010:38:06

# I could see you're only telling

0:38:060:38:12

# Lies, lies, lies

0:38:120:38:17

# Breaking us down with your

0:38:180:38:23

# Lies, lies, lies

0:38:230:38:29

# When will you learn?

0:38:290:38:33

# The little cracks they escalated

0:38:570:39:04

# Before we knew it was too late

0:39:040:39:10

# For making circles

0:39:100:39:17

# And telling lies

0:39:170:39:22

# You're moving too fast for me

0:39:240:39:29

# And I can't keep up with you

0:39:290:39:34

# Maybe if you'd slow down for me

0:39:340:39:40

# I could see you're only telling

0:39:400:39:45

# Lies, lies, lies

0:39:450:39:51

# Breaking us down with your

0:39:510:39:56

# Lies, lies, lies

0:39:560:40:02

# When will you learn?

0:40:020:40:07

# So plant the thought and watch it grow

0:40:110:40:16

# Wind it up and let it go... #

0:40:170:40:22

-Would you like to buy a flower?

-Hi.

-Hi. How are you?

0:40:230:40:26

How's it going? Pretty good. Pretty good.

0:40:260:40:29

-Good to see you.

-I'm going to go to London.

0:40:290:40:31

-I've decided.

-Good.

-Yeah.

-That's great.

0:40:310:40:33

Yeah, it's good, it makes sense.

0:40:330:40:35

Well done.

0:40:350:40:37

When are you going?

0:40:370:40:38

I'm going to go Monday.

0:40:380:40:41

Wow, that's...that's soon.

0:40:410:40:43

You'll get your girlfriend back and you'll get your record deal and become famous.

0:40:430:40:49

Yeah, right.

0:40:490:40:51

-Good.

-But listen, I was thinking,

0:40:510:40:52

I was thinking before I go, I want to make a recording of a few songs.

0:40:520:40:54

A couple of the songs I was playing you and I really liked the way you played and your singing.

0:40:540:40:59

So if you feel like, would you be into playing along?

0:40:590:41:02

-Like what we were playing on?

-I would sing and play?

-Yeah.

0:41:020:41:05

-I'd love that.

-Really? Cool.

0:41:050:41:07

-So you'd be in my band for a few days.

-Yeah.

0:41:070:41:10

Well, that's the first thing

0:41:100:41:13

I've got sorted out. Now I just need to sort everything else out.

0:41:130:41:15

All right, guys, welcome.

0:41:150:41:18

Now, so let me give you the tour.

0:41:200:41:22

That is your live rooms in there.

0:41:220:41:24

This is a new desk.

0:41:240:41:26

You got your hard drive and you got your outboard gear.

0:41:260:41:29

Now, all in all, we're talking about three grand for a weekend of...

0:41:290:41:31

-Three?

-Yeah. Three grand, that's pretty good.

0:41:310:41:34

You must be crazy. Three thousand.

0:41:340:41:36

Well, have a look around.

0:41:360:41:39

You've everything you need.

0:41:390:41:41

-What do you think? Is it good?

-It's pretty good.

0:41:410:41:45

We'll give you one.

0:41:450:41:48

-I'm sorry.

-Have you heard this guy's songs?

0:41:480:41:50

-I haven't yet, no.

-He's great.

0:41:500:41:53

OK, but, uh, listen, I can fill this place in an hour.

0:41:530:41:56

One and a half then, that's my limit.

0:41:590:42:02

-We can talk about two.

-We don't talk.

0:42:030:42:07

We shake. We shake on two, yeah?

0:42:070:42:09

Shake now?

0:42:090:42:11

-All right.

-Two thousand.

0:42:110:42:14

-She drives a hard bargain.

-She's a tough cookie.

0:42:140:42:16

So you like this shop?

0:42:200:42:23

I buy all my clothes here.

0:42:230:42:25

It's good for me, you know?

0:42:250:42:27

Cheap.

0:42:270:42:29

-Nice fashions.

-OK, you ready?

0:42:290:42:33

Yeah, I'm ready.

0:42:330:42:35

-That's good. That will do.

-Do you like it?

0:42:390:42:43

-You're gorgeous.

-All right, can we go?

0:42:430:42:46

# When you reach down and take my heart

0:42:580:43:01

# And if you have something to say... #

0:43:040:43:08

The quality is poor,

0:43:100:43:12

but if we can get a professional tape, I'm satisfied that he can

0:43:120:43:18

secure a lucrative deal.

0:43:180:43:21

You take it home. You, you listen to it. You play it to your boss.

0:43:210:43:25

I'm sure you can get him to approve.

0:43:250:43:28

Can I show you something?

0:43:280:43:30

# I want to be free

0:43:300:43:33

# I want to be me

0:43:330:43:35

# I want you to be you

0:43:370:43:40

# Do you want me to be me, too?

0:43:400:43:44

# I think you do

0:43:440:43:47

# I think you do. #

0:43:470:43:49

Nice one, lads.

0:44:060:44:08

-How's it going? How's it going?

-All right.

0:44:080:44:10

-Good. How is it today? Is it slow?

-Have a look there yourself.

0:44:100:44:13

-Is that it? Is that it?

-That's it, that's it. That's all that's going at the moment.

0:44:130:44:17

-Listen, myself and herself are making a tape...

-How's it going? All right?

0:44:170:44:21

..of a few songs down at Samson's Studios and I was just wondering

0:44:210:44:25

if you were around next weekend, if you'd be interested in doing it.

0:44:250:44:28

-A bit of recording?

-Bit of recording, yeah.

0:44:280:44:30

-Yeah, doing Lizzy stuff or..?

-No, it's not Lizzy, it's me own songs.

0:44:300:44:33

We only do Lizzy, really.

0:44:330:44:36

It's one of our things. That sort of stuff, is it sort of rocky Lizzy stuff or..?

0:44:360:44:41

No. No, it's not.

0:44:410:44:42

Yeah, singer-songwriter stuff?

0:44:420:44:44

It's kind of singer-songwriter, yeah. Kinda...

0:44:440:44:47

-Is it any good?

-Uh...

-It's great.

-Is it?

0:44:470:44:49

-Like I said, I don't really know much about them, but they seem like nice people.

-Yeah.

0:44:490:44:53

-I just have to call my mother first. Then we go.

-Cool. Great, great.

0:44:530:44:56

SHE SPEAKS IN CZECH

0:44:580:45:00

-OK, come on, we can go.

-Cool.

0:45:170:45:19

HUM OF CHATTER

0:45:250:45:27

Food's ready!

0:45:360:45:38

Everybody get your plates ready!

0:45:380:45:40

-Hello?

-Hi, how are you?

0:45:470:45:49

Come on in, kids! Take a seat!

0:45:490:45:52

-Everything all right here, folks?

-Yeah, brilliant.

-Enjoying the party?

0:46:060:46:10

-Yeah.

-Great to see you here. Can you sing?

0:46:100:46:13

If you can't sing, you're out.

0:46:130:46:14

# There's one request

0:46:140:46:16

# I'll ask of you

0:46:160:46:19

# When your liberty you gain

0:46:190:46:22

# Remember Mitchell far away

0:46:240:46:28

# A convict bound in chains. #

0:46:280:46:32

# Mine

0:46:350:46:37

# That once held this heart of mine... #

0:46:370:46:43

# And I love her so

0:46:520:46:54

# I wouldn't trade her for gold

0:46:560:47:00

# I'm walking on moonbeams

0:47:030:47:07

# I was born with a silver spoon

0:47:090:47:12

# Hell, I'm gonna be me

0:47:160:47:18

# I'm gonna be free

0:47:200:47:23

# I'm walking on moonbeams

0:47:260:47:29

# Staring out to sea

0:47:310:47:34

# And if a door be closed

0:47:390:47:41

# Then a row of homes start building

0:47:430:47:48

# And tear your curtains down

0:47:510:47:54

# For sunlight is like gold

0:47:570:48:01

# And you better be you

0:48:040:48:07

# And do what you can do... # HORN HOOTS

0:48:090:48:11

-Hey. How are you?

-What are you doing here?

0:48:150:48:17

I just came out. Do you want to go for a spin?

0:48:170:48:19

-That's your bike?

-It's me dad's.

0:48:190:48:22

-He absolutely loves it, but I've robbed it off him for the day. If he knew, he'd kill me.

-Would he?

0:48:220:48:28

So do you fancy a spin, no?

0:48:280:48:30

-I'd love to, but I have to go to work.

-That's cool.

0:48:310:48:35

Another time, yeah?

0:48:350:48:37

Just thought while I had it, I'd drive over and see if you were into going out.

0:48:370:48:41

Could you have me back by lunch?

0:48:410:48:45

Yeah, totally.

0:48:450:48:47

-Yeah?

-Yeah. Fancy it?

0:48:470:48:49

Great.

0:48:490:48:51

# And I love her so

0:48:580:49:00

# I wouldn't trade her for gold. #

0:49:040:49:09

You're what?

0:49:270:49:28

You're married.

0:49:300:49:31

Does it surprise you?

0:49:310:49:33

Fuck's sake.

0:49:330:49:36

Yeah.

0:49:360:49:39

When?

0:49:390:49:41

Two years ago, when I find out I'm pregnant with Ivonka.

0:49:410:49:44

So where is he?

0:49:460:49:49

He's back in Czech Republic.

0:49:490:49:51

It's over now and you know, I come here on my own.

0:49:510:49:54

Man.

0:49:560:49:58

You all right?

0:50:010:50:03

What's the Czech for "ocean"?

0:50:130:50:16

-Ocean.

-Ott-san.

0:50:160:50:18

-Pretty much the same.

-Ott-san.

0:50:180:50:21

So what are you going to do?

0:50:230:50:25

I don't know.

0:50:270:50:29

There's such distance between me and him.

0:50:310:50:35

He's so much different to me and so much older.

0:50:350:50:38

It doesn't really work.

0:50:380:50:39

I'm fine on my own, you know?

0:50:420:50:44

It's just, I don't want Ivonka to grow up without a father.

0:50:440:50:47

-What's the Czech for "Do you love him?"

-Milujes ho?

0:50:530:50:57

Milujes ho? So...

0:50:590:51:02

Milujes ho?

0:51:020:51:04

Miluju tebe.

0:51:060:51:07

-What?

-Come on, let's go.

0:51:100:51:12

What'd you say? Tell me.

0:51:120:51:16

-You've got to teach me how to ride the bike now, eh?

-No way.

-Yeah.

-No.

0:51:160:51:20

So, come on, can I have a go?

0:51:200:51:22

-No.

-Please.

0:51:220:51:23

No, leave it alone, will you?

0:51:230:51:27

But teach me how to drive it, will you?

0:51:270:51:30

-Come on, just once.

-No, it's not mine. Me dad would go fucking crazy.

0:51:300:51:33

-But he's not here now.

-Be careful, will you! Be careful, for fuck's sake.

0:51:330:51:36

-Look, he's not here now. Just teach me.

-Look my dad...

0:51:360:51:38

-Look... No. no. no.

-No?

-No.

0:51:380:51:40

-Please?

-No.

0:51:400:51:43

Me dad will go bleedin' mental. He totally loves this thing.

0:51:430:51:46

Yeah, but you drive it.

0:51:460:51:48

Yeah, he doesn't know I have it.

0:51:480:51:49

-He doesn't?

-No.

0:51:490:51:51

Well, then he won't know I had it too.

0:51:510:51:54

No. You can't have a go on it.

0:51:560:51:57

-Just once.

-No.

-Turn it on for me.

0:51:570:52:00

No.

0:52:000:52:03

-No.

-Come on, give us the keys.

-No.

-I'll do it myself.

0:52:030:52:06

The key's in it.

0:52:060:52:08

Thank you for the ride. I'll see you tomorrow, yeah?

0:52:170:52:20

-For rehearsals.

-OK, yeah.

-OK.

0:52:200:52:21

-Thank you.

-Thank you.

0:52:210:52:23

HE TOOTS MOTORBIKE HORN

0:52:280:52:29

# Trying to pull myself away

0:52:370:52:40

# I'm caught in a pattern and I can't escape

0:52:450:52:49

# I'm trying to pull myself away

0:52:530:52:57

# Lately, when I get back there's this thing I know

0:53:040:53:09

# Everything comes to you, way to go

0:53:090:53:13

# Even a heart has something to learn... #

0:53:130:53:17

Thanks, Dad.

0:53:170:53:20

Guys, this is Eamon. He's going to take care of you for the weekend.

0:53:230:53:27

Eamon, this is everyone. Kit's set up.

0:53:270:53:29

Piano is waiting for you in the live room.

0:53:290:53:31

Tea and coffee in the kitchen as you came in.

0:53:310:53:34

Help yourselves. You'll need plenty.

0:53:340:53:36

-And there is a nice little burrito place around the corner if you want a snack. All right?

-Great.

0:53:360:53:40

OK, Eamon, leave it to you. Good luck, everyone. Enjoy.

0:53:400:53:42

-And I might pop in later, all right?

-Cheers, man.

0:53:420:53:45

-Cheers. thanks.

-OK, guys, good to meet you.

0:53:450:53:49

We've a few little bits and pieces to set up.

0:53:490:53:52

-I want to check the drums inside.

-We've already set up the kit.

0:53:520:53:55

Yeah, I just want to, you know, check them for sound.

0:53:550:53:58

I check them every day. It's fine.

0:53:580:54:00

OK. We need to set up mics on them for recording, yeah?

0:54:000:54:04

-Oh.

-Have you done much recording?

-No.

0:54:040:54:07

No. No.

0:54:070:54:09

-Right. Let's get cracking.

-Yeah.

0:54:090:54:11

ALL TRY OUT INSTRUMENTS

0:54:210:54:24

I can't do it now, love. I'm stuck here in the studio with this bunch of fucking oddballs.

0:54:380:54:42

Can you hang on a second?

0:54:420:54:44

Just one second.

0:54:440:54:45

OK, are you ready to rock?

0:54:470:54:48

-Are we ready?

-Yep.

0:54:480:54:52

So, Al and Timmy on the second verse, just... This is pretty much simple enough thing.

0:54:520:54:57

It's in five/four and the second verse, I'll give you a nod to come in there, yeah? Is that all right?

0:54:570:55:01

And you're in from the top with me, yeah? And you know what you're doing.

0:55:010:55:04

All right, then so, uh...

0:55:040:55:07

Whenever you're ready, yeah.

0:55:100:55:12

All right, later.

0:55:180:55:20

OK, we're ready. Fire one.

0:55:200:55:22

You sure you're ready?

0:55:220:55:23

OK, listen now for the click track, everybody.

0:55:230:55:26

And away we go. This is track one, take one, yeah.

0:55:260:55:33

All right, lads, here we go. This is it, yeah.

0:55:330:55:35

# So

0:55:530:55:54

# If you want something

0:55:570:55:59

# And you call, call

0:55:590:56:03

# Then I'll come running

0:56:030:56:08

# To fight

0:56:080:56:10

# And I'll be at your door

0:56:120:56:14

# When there's nothing worth running for

0:56:160:56:22

# When your mind's made up

0:56:230:56:27

# When your mind's made up

0:56:270:56:31

# There's no point trying to change it

0:56:310:56:34

# When your mind's made up

0:56:340:56:37

# When your mind's made up

0:56:380:56:42

#There's no point trying to stop it

0:56:420:56:46

# You see

0:56:460:56:47

# You're just like everyone

0:56:490:56:51

# When the shit falls

0:56:540:56:57

# All you want to do is run away

0:56:570:57:02

# And hide all by yourself

0:57:050:57:07

# When you're far from me

0:57:090:57:13

# There's nothing else

0:57:130:57:16

# When your mind's made up

0:57:160:57:20

# When your mind's made up

0:57:200:57:24

# There's no point trying to change it

0:57:240:57:28

# When your mind's made up

0:57:280:57:31

# When your mind's made up

0:57:310:57:35

# There's no point even talking

0:57:350:57:39

# When your mind's made up

0:57:390:57:43

# When your mind's made up

0:57:430:57:47

# There's no point trying to fight it

0:57:470:57:50

# When your mind's

0:57:500:57:53

# Your mind's

0:57:550:57:58

# Made up

0:58:030:58:05

# Ah

0:58:070:58:09

# There's no point trying to change it

0:58:210:58:24

# When your...

0:58:240:58:26

# Oh, ohh-ohh

0:58:260:58:32

# Ooohhh

0:58:500:58:52

# So

0:58:590:59:01

# If you ever want something

0:59:030:59:04

# And you call, call

0:59:060:59:10

# Then I'll come running. #

0:59:100:59:15

OK.

0:59:210:59:23

Wow.

0:59:240:59:25

That was nice.

0:59:250:59:26

-Did you write that?

-Yeah.

0:59:280:59:31

# You must have fallen from the sky

0:59:380:59:40

# You must have shattered in the wrong way

0:59:420:59:45

# You brought so many to the light

0:59:460:59:49

# Now you're by yourself

0:59:500:59:54

# There's a point in every fight

0:59:540:59:59

# When giving up is only OK

0:59:591:00:03

# You never want to sacrifice

1:00:031:00:07

# Now you caught yourself

1:00:071:00:10

# You need somewhere to fall apart

1:00:121:00:16

# Somewhere to fall apart

1:00:161:00:20

# Somewhere to fall apart

1:00:201:00:26

# Well the ruins of man The bloody rag

1:00:261:00:30

# That fools the bull The powdered hag

1:00:301:00:34

# The nights that make

1:00:341:00:36

# The rattle rag

1:00:361:00:39

# The wolves that follow the ousted man

1:00:391:00:43

# The falling star The way we are

1:00:431:00:47

# Divine

1:00:471:00:51

# The rules that never ever multiply

1:00:511:00:57

# You must have fallen from the sky. #

1:00:581:01:03

OK, what do you think?

1:01:121:01:14

I think it's fucking weird.

1:01:141:01:16

There's a couple of little tech bits we can probably fix them but,

1:01:181:01:21

you know, it's 4 o'clock in the morning so it's up to you guys.

1:01:211:01:25

Do you want to push through, or go for another one?

1:01:251:01:27

I'd love to keep going if everybody is into it.

1:01:271:01:30

Get a cup of tea or something first.

1:01:301:01:32

Can I have a cup of tea or something first?

1:01:321:01:34

-Yeah, you want to take 10 or 15, yeah?

-Sure.

-I'll tweak what I can.

1:01:341:01:37

You guys take ten.

1:01:371:01:40

Guys, why do you think there are no blonde priests?

1:01:401:01:42

I don't know.

1:01:441:01:46

This is great.

1:02:071:02:09

How's it going?

1:02:321:02:34

Good.

1:02:361:02:37

I don't think we're supposed to be here though.

1:02:371:02:40

Ah, it's all right. This is beautiful, isn't it?

1:02:401:02:44

Yeah it's a beautiful piano, like a Baldwin. It's a perfect piano.

1:02:441:02:47

-Yeah?

-Mmm-hmm.

1:02:471:02:49

-Play us one of your songs.

-Hmm...

1:02:491:02:51

Go on.

1:02:511:02:52

They're all half-written and more ideas.

1:02:541:02:57

Go on, I'd love to hear one.

1:02:571:02:58

OK, I have one, but...

1:03:011:03:03

it's not finished and I... I don't really...

1:03:041:03:07

-Just play it, I know.

-OK, but the lyrics are very rough, OK?

1:03:071:03:10

-It'll be great.

-OK.

1:03:101:03:11

# Walking up the hill tonight

1:03:271:03:32

# When you have closed your eyes

1:03:321:03:37

# I wish I didn't have to make

1:03:411:03:45

# All those mistakes and be wise

1:03:451:03:50

# But please try to be patient

1:03:541:03:59

# And know that I'm still learning

1:03:591:04:04

# I'm sorry that you have to see

1:04:081:04:13

# The strength inside me burning

1:04:131:04:17

# And where are you my angel now?

1:04:221:04:27

# Don't you see me crying?

1:04:271:04:32

# I know that you can't do it all

1:04:351:04:40

# But you can't say I'm not trying

1:04:401:04:45

# And I'm letting myself down

1:04:491:04:54

# By satisfying you

1:04:541:04:59

# I really wish that you could see

1:05:031:05:08

# I... #

1:05:081:05:10

You all right?

1:05:231:05:24

Did you write that for your husband?

1:05:261:05:28

Yes, I did and he didn't like it.

1:05:281:05:30

-What an idiot.

-Yeah, he's an idiot.

1:05:301:05:34

Come on away to London with me.

1:06:001:06:01

Come on, we'll write loads of songs and live in a nice flat.

1:06:021:06:05

You can bring Ivonka over, it'll be brilliant. Come on.

1:06:051:06:08

Yeah we'll go to London. And no-one will ever find us again.

1:06:081:06:12

-No-one.

-No-one.

-We'll have a brilliant band. We'll sell out places, it'll be great.

1:06:121:06:16

And we'll make an album together?

1:06:161:06:18

I'd love that, come on.

1:06:181:06:19

Yeah, and I'll do the backing vocals on it?

1:06:191:06:22

-Yeah, and play the piano.

-Mmm-hmm.

1:06:221:06:24

Come on, I'm serious.

1:06:241:06:26

Can I bring my mother?

1:06:261:06:27

Well, we should go back to work.

1:06:351:06:36

Yeah.

1:06:381:06:39

OK.

1:06:391:06:40

# When will you learn? #

1:06:401:06:45

What day is it today?

1:06:591:07:02

Monday. I think it's time we did the car test.

1:07:021:07:07

What's the car test, Eamon?

1:07:071:07:10

We've been listening back on these big studio speakers.

1:07:101:07:13

So it's time we had a go on some shitty speakers. So...

1:07:131:07:16

All right let's go. Let's go for a spin and have a listen in me car.

1:07:161:07:20

Great, man.

1:07:201:07:22

-Yeah. Go have a ride, yeah?

-Let's go.

1:07:221:07:24

We'll clear this up later.

1:07:261:07:28

Timmy!

1:07:281:07:31

Timmy! Timmy! Come on.

1:07:321:07:34

Beauty.

1:07:431:07:45

All right.

1:07:451:07:47

MUSIC PLAYS

1:07:501:07:55

# So...

1:08:051:08:08

# If you want something

1:08:081:08:10

# And you call, call

1:08:131:08:16

# Then I'll come running

1:08:161:08:19

# To fight

1:08:201:08:22

# And I'll be at your door

1:08:231:08:27

# When there's nothing

1:08:271:08:31

# Worth running for

1:08:311:08:35

# When your mind's made up

1:08:351:08:39

# When your mind's made up

1:08:391:08:43

# There's no point trying to change it

1:08:431:08:46

# When your mind's made up

1:08:461:08:50

# When your mind's made up

1:08:501:08:54

# There's no point trying to stop it

1:08:541:08:59

# You see...

1:08:591:09:01

# You're just like everyone

1:09:021:09:05

# When the shit falls

1:09:061:09:10

# All you want to do is run away

1:09:101:09:15

# And hide all by yourself

1:09:161:09:19

# When you're far from me

1:09:211:09:25

# There's nothing else

1:09:251:09:27

# When your mind's made up

1:09:291:09:32

# When your mind's made up

1:09:321:09:36

# There's no point trying to change it

1:09:361:09:40

# When your mind's made up

1:09:401:09:44

# When your mind's made up

1:09:441:09:48

# There's no point even talking

1:09:481:09:51

# When your mind's made up... #

1:09:511:09:56

There they are.

1:09:561:09:57

-Listen man, fucking...

-Well done.

1:09:571:09:59

It sounds fucking brilliant. Thanks a lot for your help.

1:09:591:10:02

-Lots of luck with those.

-Nice one.

1:10:021:10:04

-I just pushed the buttons. It was great.

-Nice, man, thank you. Cool.

1:10:041:10:07

You two go and get some sleep.

1:10:071:10:08

-Right nice one. And thanks very very much.

-See you.

1:10:081:10:12

So this is it.

1:10:191:10:20

Yeah.

1:10:201:10:21

We did it.

1:10:211:10:22

It sounds great.

1:10:221:10:23

It does, doesn't it?

1:10:231:10:24

Could I have one?

1:10:241:10:25

Yeah, yeah totally.

1:10:251:10:27

Thank you.

1:10:271:10:28

I've got to go this way.

1:10:281:10:29

Really?

1:10:291:10:31

Where you going?

1:10:331:10:34

Home.

1:10:341:10:35

You don't want to come back? I'll make you breakfast. We could listen to the CD, no?

1:10:351:10:40

No. I have to go see Ivonka and organise things.

1:10:401:10:43

So do you.

1:10:431:10:45

Yeah.

1:10:451:10:46

You're leaving.

1:10:461:10:47

To London.

1:10:471:10:49

What do you have to organise? What's that about?

1:10:491:10:52

I spoke to my husband last night. He's coming over.

1:10:521:10:56

-Ah, brilliant. Fair play. Great. I'm really happy for you.

-It's good.

-Yeah.

1:10:561:11:00

We'll try to make it work.

1:11:001:11:01

-It's for the best.

-Yeah. Come back and hang out, have a cup of tea.

1:11:011:11:05

It's the last day. We'll hang out.

1:11:051:11:07

Whatever, breakfast, whatever.

1:11:081:11:10

Listen to the tunes. Or you can come over later, whatever.

1:11:101:11:13

For what?

1:11:131:11:15

What do you mean what? Just hang, come and hang out.

1:11:161:11:18

But we done our work. Why would I go over?

1:11:181:11:21

We'd just hanky panky if I come now.

1:11:211:11:23

-What?

-Hanky panky?

1:11:261:11:29

It won't be for hanky panky.

1:11:291:11:31

I know it would.

1:11:311:11:34

And that would be nice.

1:11:351:11:37

-Would it? Hanky... Would it?

-It would be interesting.

-Would it?

1:11:371:11:42

Be worthless though.

1:11:421:11:45

Come back later.

1:11:481:11:49

Mmm...

1:11:521:11:53

-OK, I'll come.

-Yeah?

1:11:581:12:00

I'll come later, yeah?

1:12:001:12:01

Brilliant. You sure?

1:12:031:12:04

Brilliant. All right then...

1:12:041:12:06

Cool. See you after. Well done.

1:12:061:12:08

You too.

1:12:081:12:10

# When will you love?

1:12:571:13:03

# So plant a thought

1:13:071:13:09

# And watch it grow

1:13:101:13:13

# Wind it up

1:13:131:13:16

# And let it go. #

1:13:161:13:21

Well, what do you think?

1:13:281:13:29

You like it?

1:13:341:13:35

It's just a demo, you know.

1:13:351:13:38

-It's fucking brilliant.

-Really?

1:13:381:13:40

Fantastic stuff.

1:13:401:13:42

That'll be a hit, no question.

1:13:421:13:44

When are you off?

1:13:451:13:47

What?

1:13:471:13:49

Well I've a few hundred quid for you.

1:13:491:13:52

For a deposit on a place.

1:13:521:13:55

Going to come over and see you when you're settled in.

1:13:551:13:58

When do you think you'll be able to go?

1:13:591:14:02

-I'm going tomorrow, Dad.

-Good man.

1:14:041:14:08

About time.

1:14:081:14:10

Will you be all right?

1:14:131:14:15

What do you mean?

1:14:151:14:18

I was all right for years before you came along, wasn't I?

1:14:181:14:21

-I don't have to go now. I can put this thing off for a few months.

-Go.

1:14:231:14:26

And the best of luck, son.

1:14:281:14:30

Thanks, Dad.

1:14:301:14:31

Make your ma proud.

1:14:311:14:33

Now play it again.

1:14:371:14:39

-OK.

-'That's good.'

-Yeah. I recorded a few songs.

1:14:421:14:46

'Oh yeah? What are they like?'

1:14:461:14:47

They're good. I'm happy with them.

1:14:471:14:49

'Great.

1:14:491:14:52

'I've missed you.'

1:14:521:14:53

Yeah, me too.

1:14:531:14:56

'Do you want me to meet you at the airport?'

1:14:561:14:59

No. I'll come find you.

1:14:591:15:02

'I'm glad you've decided to come.'

1:15:021:15:04

BEEPING

1:15:041:15:07

Listen I'm going to get cut off here, all right?

1:15:071:15:09

Money's running out.

1:15:091:15:11

'Hurry up.'

1:15:111:15:13

BEEPING

1:15:131:15:16

-How are you?

-Hello, handsome.

1:15:531:15:56

-Ahoy.

-Ahoy.

1:15:561:15:57

-Is herself in?

-No, no.

1:15:571:15:59

Oh. Great.

1:15:591:16:01

You don't know where she is, do you?

1:16:031:16:04

She's working.

1:16:041:16:06

She coming back evening.

1:16:061:16:08

Oh, OK.

1:16:081:16:11

Will you tell her I'm going away?

1:16:111:16:13

Will you tell her I'll call her?

1:16:131:16:15

Oh... Sorry. No telephone here.

1:16:151:16:16

You don't have a telephone?

1:16:161:16:18

No telephone here, no.

1:16:181:16:19

Damn. I'll write her yeah?

1:16:201:16:22

You write a letter? Yeah?

1:16:221:16:24

Yeah I'll write her a letter, yeah yeah.

1:16:241:16:27

You go? No.

1:16:271:16:29

-Yeah?

-Yeah. OK.

-OK.

-Bye.

1:16:291:16:32

-See you, Ivonka.

-Bye.

-Oh. Ciao.

-I'm sorry.

1:16:321:16:35

Hey, how's it going?

1:17:141:17:15

-Could I have a word with you about something back here?

-Yeah, sure.

1:17:151:17:18

# I don't know you

1:17:221:17:25

# But I want you

1:17:251:17:29

# All the more for that

1:17:291:17:32

# And words fall through me

1:17:361:17:39

# And always fool me

1:17:391:17:43

# And I can't react

1:17:431:17:47

# And games that never amount

1:17:491:17:54

# To more than they're meant

1:17:541:17:57

# Will play themselves out

1:17:571:18:01

# Take this sinking boat

1:18:071:18:11

# And point it home

1:18:111:18:15

# We've still got time

1:18:151:18:21

# Raise your hopeful voice

1:18:211:18:25

# You had the choice

1:18:251:18:29

# You've made it now

1:18:291:18:36

# Falling slowly

1:18:391:18:42

# Eyes that know me

1:18:421:18:46

# And I can't go back

1:18:461:18:50

# The moods that take me

1:18:541:18:57

# And erase me

1:18:571:19:00

# And I'm painted black

1:19:001:19:04

# Well you have suffered enough

1:19:081:19:12

# And warred with yourself

1:19:121:19:16

# It's time that you bond

1:19:161:19:19

# Take this sinking boat

1:19:251:19:30

# And point it home

1:19:301:19:33

# We've still got time

1:19:331:19:39

# Raise your hopeful voice

1:19:391:19:43

# You had the choice

1:19:431:19:46

# You've made it now

1:19:461:19:52

# Falling slowly

1:19:521:19:55

# Sink your melody

1:19:551:20:00

# I'll sing it loud

1:20:001:20:09

# A-a-h. #

1:20:121:20:25

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