Browse content similar to The Killing Fields. Check below for episodes and series from the same categories and more!
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This programme contains some violent scenes | 0:00:02 | 0:00:07 | |
This programme contains strong language | 0:00:07 | 0:00:12 | |
(AIRPLANE APPROACHES) | 0:00:20 | 0:00:22 | |
Cambodia. | 0:00:29 | 0:00:31 | |
To many Westerners, it seemed a paradise. | 0:00:31 | 0:00:34 | |
Another world, a secret world. | 0:00:34 | 0:00:38 | |
But the war in neighbouring Vietnam | 0:00:38 | 0:00:40 | |
burst its borders, | 0:00:40 | 0:00:42 | |
and the fighting soon spread to neutral Cambodia. | 0:00:42 | 0:00:45 | |
In 1973, I went to cover this side-show struggle | 0:00:45 | 0:00:50 | |
as Foreign Correspondent of the New York Times. | 0:00:50 | 0:00:52 | |
There, amidst the fighting between government troops | 0:00:52 | 0:00:57 | |
and the Khmer Rouge guerrillas, | 0:00:57 | 0:00:59 | |
I met my guide and interpreter, Dith Pran, | 0:00:59 | 0:01:02 | |
a man who was to change my life | 0:01:02 | 0:01:05 | |
in a country I grew to love and pity. | 0:01:05 | 0:01:09 | |
-RADIO: -So, here we go with Voice of America... | 0:01:17 | 0:01:20 | |
news for southeast Asia. | 0:01:20 | 0:01:23 | |
It's 6:45 and a partly cloudy morning here. | 0:01:23 | 0:01:26 | |
Clouds, too, in Washington. | 0:01:26 | 0:01:29 | |
President Nixon will address the nation | 0:01:29 | 0:01:32 | |
on the Watergate case within the next few days. | 0:01:32 | 0:01:35 | |
This will be his first comment since May | 0:01:35 | 0:01:37 | |
on the scandal that has resulted in resignations | 0:01:37 | 0:01:40 | |
and nearly paralysed the White House staff. | 0:01:40 | 0:01:43 | |
It has also led to intense confrontation | 0:01:43 | 0:01:46 | |
and, perhaps, a constitutional crisis | 0:01:46 | 0:01:48 | |
with Senate investigators | 0:01:48 | 0:01:50 | |
and the special Watergate prosecutor. | 0:01:50 | 0:01:52 | |
The speech was announced | 0:01:52 | 0:01:54 | |
after gallup polls disclosed Mr Nixon's popularity | 0:01:54 | 0:01:58 | |
had fallen to the lowest point | 0:01:58 | 0:01:59 | |
for an American president in 20 years. | 0:01:59 | 0:02:02 | |
Further problems... | 0:02:02 | 0:02:04 | |
..A Supreme Court judge, William O'Douglas, | 0:02:14 | 0:02:17 | |
has ruled against an administration appeal | 0:02:17 | 0:02:20 | |
for a stay of the injunction | 0:02:20 | 0:02:22 | |
on further US bombing missions in Cambodia. | 0:02:22 | 0:02:25 | |
Congress has already ruled these bombings illegal, | 0:02:25 | 0:02:28 | |
and they should cease in one week's time. | 0:02:28 | 0:02:30 | |
(MEN SPEAK KHMER) | 0:02:30 | 0:02:34 | |
(SIREN) | 0:02:34 | 0:02:36 | |
Let's go, Sarun. | 0:02:53 | 0:02:54 | |
To the hospital. | 0:02:54 | 0:02:55 | |
-PA: -Information. Information. | 0:03:13 | 0:03:15 | |
Air Cambodia regrets the late arrival | 0:03:15 | 0:03:17 | |
of flight number 125 from Bangkok | 0:03:17 | 0:03:21 | |
because of bad weather. | 0:03:21 | 0:03:24 | |
Information. Information. | 0:03:24 | 0:03:26 | |
Air Cambodia regrets the late arrival | 0:03:26 | 0:03:29 | |
of flight number 125 from Bangkok | 0:03:29 | 0:03:32 | |
because of bad weather. | 0:03:32 | 0:03:34 | |
Thank you. | 0:03:34 | 0:03:35 | |
-PA: -Information. Information. | 0:03:38 | 0:03:41 | |
Air cambodge regrette que le vol numero 125... | 0:03:41 | 0:03:44 | |
Mister, you want taxi? ok? | 0:03:44 | 0:03:46 | |
You want good taxi? | 0:03:46 | 0:03:48 | |
All right. Yeah. | 0:03:48 | 0:03:49 | |
Shut the fucking blinds, will you? | 0:04:15 | 0:04:18 | |
What's all this shit? | 0:04:22 | 0:04:24 | |
I'm sorry. | 0:04:26 | 0:04:28 | |
I thought you were the houseboy. | 0:04:28 | 0:04:30 | |
I was developing some film. | 0:04:30 | 0:04:32 | |
If you're going to yell, I'll come back later. | 0:04:32 | 0:04:36 | |
I'm not going to yell, | 0:04:36 | 0:04:39 | |
but the plane was three hours late, no car, had to take a taxi. | 0:04:39 | 0:04:42 | |
All I want to do is work. I got you. | 0:04:42 | 0:04:44 | |
Deux cent quatre. | 0:04:51 | 0:04:53 | |
What the fuck is that on your head? | 0:04:53 | 0:04:56 | |
It's a sanitary napkin. I had it soaked in ice. | 0:04:57 | 0:05:01 | |
Hello? Syd Schanberg. Is Pran there? | 0:05:01 | 0:05:05 | |
No, I just came from the airport. | 0:05:07 | 0:05:09 | |
If he comes in, tell him I'm here. | 0:05:09 | 0:05:13 | |
I'll be at the Cafe Central. | 0:05:13 | 0:05:15 | |
Thanks a lot. | 0:05:15 | 0:05:17 | |
So, what do you want to eat? | 0:05:35 | 0:05:37 | |
Want some eggs? | 0:05:37 | 0:05:39 | |
I can't eat eggs. | 0:05:39 | 0:05:40 | |
They faint with fright when they cook them. | 0:05:40 | 0:05:43 | |
What are you having? | 0:05:43 | 0:05:45 | |
I'm having cafe complet. | 0:05:45 | 0:05:46 | |
I'll have that and some aspirin. | 0:05:46 | 0:05:49 | |
Deux cafes complets. | 0:05:49 | 0:05:51 | |
Et est-ce-que vous avez des aspirines? | 0:05:51 | 0:05:53 | |
Oui, monsieur. | 0:05:53 | 0:05:54 | |
Anything I eat has got to be absolutely dead. | 0:05:56 | 0:05:59 | |
That's why I could never eat an oyster. | 0:06:00 | 0:06:02 | |
I read somewhere | 0:06:02 | 0:06:04 | |
that they put that, uh...what... | 0:06:04 | 0:06:07 | |
that lemon juice on them | 0:06:07 | 0:06:09 | |
just to stun them. | 0:06:09 | 0:06:11 | |
What's the difference? | 0:06:11 | 0:06:12 | |
An unconscious oyster's just as horrible as... | 0:06:12 | 0:06:16 | |
(MAN YELLS) | 0:06:16 | 0:06:17 | |
Did you see that? | 0:06:32 | 0:06:34 | |
Was that a rocket? | 0:06:34 | 0:06:35 | |
I don't know. I saw a guy on a motorbike. | 0:06:35 | 0:06:40 | |
(WHISTLE) | 0:06:40 | 0:06:42 | |
Sydney! Sydney! | 0:06:45 | 0:06:46 | |
Where have you been? I've been looking for you. | 0:06:46 | 0:06:49 | |
I left a message. Didn't you get it? | 0:06:49 | 0:06:51 | |
No. I took a cab. | 0:06:51 | 0:06:52 | |
There is big accident right now. | 0:06:52 | 0:06:54 | |
What? | 0:06:54 | 0:06:55 | |
US drop many big bombs on a little city. | 0:06:55 | 0:06:58 | |
US bombs? You sure? | 0:06:58 | 0:07:00 | |
I think many, many dead. | 0:07:00 | 0:07:02 | |
-Does anybody else know? -Nothing at all. | 0:07:02 | 0:07:05 | |
-We're going. -Not possible now. Too dangerous. | 0:07:05 | 0:07:09 | |
(SPEAKING KHMER) | 0:07:27 | 0:07:29 | |
Where you going, Schanberg? | 0:07:36 | 0:07:39 | |
Neak Luong. | 0:07:39 | 0:07:40 | |
Neak Luong's closed. | 0:07:40 | 0:07:42 | |
Don't give me that. | 0:07:42 | 0:07:43 | |
You've got nothing to say. | 0:07:43 | 0:07:46 | |
I got a right to go wherever I like. | 0:07:46 | 0:07:49 | |
That's their law. | 0:07:49 | 0:07:51 | |
That's our law. | 0:07:51 | 0:07:52 | |
Impeding me breaks the Cooper-Church Amendment. | 0:07:52 | 0:07:55 | |
Well, up the Cooper-Church Amendment's ass! | 0:07:55 | 0:07:57 | |
-Let's go. -Neak Luong. OK? | 0:07:59 | 0:08:02 | |
(SPEAKING KHMER) | 0:08:02 | 0:08:05 | |
So, how can I help you, Mr Schanberg? | 0:08:11 | 0:08:13 | |
Maybe you could give me some information | 0:08:16 | 0:08:19 | |
on why my airplane was delayed this morning. | 0:08:19 | 0:08:23 | |
Your plane was delayed? | 0:08:23 | 0:08:24 | |
That's right. | 0:08:24 | 0:08:26 | |
Maybe it's bad weather. | 0:08:26 | 0:08:27 | |
Commercial flights aren't my jurisdiction. | 0:08:27 | 0:08:29 | |
You don't know anything about it? | 0:08:29 | 0:08:31 | |
No, I don't. | 0:08:31 | 0:08:33 | |
All right. | 0:08:33 | 0:08:34 | |
I'd like you to listen to something I've just been listening to, | 0:08:36 | 0:08:39 | |
and then I'd like a comment. | 0:08:39 | 0:08:41 | |
This morning, for reasons beyond anybody's control, | 0:08:41 | 0:08:44 | |
I spend two hours in Bangkok, | 0:08:44 | 0:08:46 | |
staring at a seat belt sign. | 0:08:46 | 0:08:48 | |
Meanwhile, my sources tell me, | 0:08:48 | 0:08:50 | |
two army helicopters are landing here, | 0:08:50 | 0:08:53 | |
across the airfield. | 0:08:53 | 0:08:54 | |
Half the ambulances in Phnom Penh | 0:08:54 | 0:08:56 | |
are waiting to meet them. | 0:08:56 | 0:08:58 | |
Now there's a rumour that the US Air force | 0:08:58 | 0:09:01 | |
dropped a bomb or several bombs on Neak Luong. | 0:09:01 | 0:09:05 | |
Schanberg, that's a rumour. I won't comment on rumours. | 0:09:05 | 0:09:07 | |
I don't understand you. | 0:09:07 | 0:09:09 | |
Is that the reason my airplane was delayed? | 0:09:09 | 0:09:11 | |
No comment. | 0:09:15 | 0:09:16 | |
How many killed? | 0:09:16 | 0:09:18 | |
How many wounded? | 0:09:21 | 0:09:23 | |
Thank you for your co-operation, Major Reeves. | 0:09:26 | 0:09:30 | |
When I scrape this story out, | 0:09:31 | 0:09:34 | |
I will no doubt be quoting you in full. | 0:09:34 | 0:09:36 | |
(SPEAKING KHMER) | 0:09:47 | 0:09:49 | |
(SPEAKING KHMER) | 0:09:52 | 0:09:54 | |
I'm sorry, Sydney. | 0:10:17 | 0:10:19 | |
Pran, this is not good enough. | 0:10:19 | 0:10:21 | |
"No" is not good enough. | 0:10:21 | 0:10:23 | |
This is a big story. A major story. | 0:10:23 | 0:10:25 | |
We've got to get down there. | 0:10:25 | 0:10:27 | |
-I know... -I don't want to hear no! | 0:10:27 | 0:10:29 | |
How will we get down there? | 0:10:29 | 0:10:32 | |
We should be down there now. | 0:10:32 | 0:10:34 | |
(HORN HONKS) | 0:10:34 | 0:10:35 | |
I'll be here. | 0:10:45 | 0:10:46 | |
Good night, Sydney. | 0:10:48 | 0:10:50 | |
(SPEAKING KHMER) | 0:10:51 | 0:10:55 | |
Messages? | 0:10:59 | 0:11:00 | |
-No, sir. -No, sir. | 0:11:00 | 0:11:03 | |
-MAN: -I've got to get back. | 0:11:06 | 0:11:08 | |
Let's get together soon. | 0:11:08 | 0:11:10 | |
Bob? | 0:11:10 | 0:11:12 | |
Bob? | 0:11:12 | 0:11:13 | |
Hello, Sydney. | 0:11:13 | 0:11:15 | |
Good night, Sydney. | 0:11:15 | 0:11:16 | |
-Listen, I can't talk with you. -You can talk to me. | 0:11:16 | 0:11:19 | |
The embassy's jittery. Go to the press officer. | 0:11:19 | 0:11:23 | |
Let's not start insulting each other. | 0:11:23 | 0:11:25 | |
Good night, Sydney. | 0:11:27 | 0:11:29 | |
All right, good night. | 0:11:29 | 0:11:30 | |
All right. You've heard of pilot error? | 0:11:36 | 0:11:38 | |
Computer malfunction? | 0:11:38 | 0:11:40 | |
They screwed up on the co-ordinates. | 0:11:40 | 0:11:42 | |
A single B-52 dropped its entire load on Neak Luong. | 0:11:42 | 0:11:46 | |
There's a homing beacon | 0:11:46 | 0:11:48 | |
in the middle of the town. | 0:11:48 | 0:11:51 | |
How many casualties? | 0:11:51 | 0:11:52 | |
You'll be briefed tomorrow. We estimate 55 military, | 0:11:52 | 0:11:56 | |
something like 35 civilians. | 0:11:56 | 0:11:58 | |
How many, Bob? | 0:11:58 | 0:12:01 | |
I hear it's in the hundreds. | 0:12:02 | 0:12:04 | |
And don't quote me on that. | 0:12:04 | 0:12:06 | |
# Will there be a dreadful bloodbath | 0:12:06 | 0:12:09 | |
# When the Khmer Rouge hit the town | 0:12:09 | 0:12:12 | |
# Will there be a dreadful bloodbath | 0:12:12 | 0:12:15 | |
# Bomb now, into the ground. # | 0:12:15 | 0:12:18 | |
Beer. We haven't had this for four weeks. | 0:12:18 | 0:12:20 | |
-MAN: -New York Times probably flew it in. | 0:12:20 | 0:12:22 | |
-You keep it upstairs, Sydney? -We've got a cellar here. | 0:12:22 | 0:12:26 | |
I wouldn't be surprised. Americans take themselves so damn seriously. | 0:12:26 | 0:12:29 | |
He's just trying to get to the top of the heap like anybody else. | 0:12:29 | 0:12:33 | |
We'll have to pay more to the telex operator to get ours to the top. | 0:12:33 | 0:12:38 | |
The man's just bought you a beer. Drink up. | 0:12:38 | 0:12:40 | |
-Cheers, Syd. -Cheers. Enjoy it. | 0:12:40 | 0:12:41 | |
Off to see the telex operator? | 0:12:41 | 0:12:43 | |
-The New York Times goes to bed early. -Oh, sure. | 0:12:43 | 0:12:46 | |
# ...Khmer Rouge in the sunset | 0:12:47 | 0:12:50 | |
# The Yanks all at sea... | 0:12:50 | 0:12:54 | |
Sydney. | 0:12:56 | 0:12:57 | |
-All right? -Very possible. | 0:12:57 | 0:12:59 | |
Well, let's go then! | 0:12:59 | 0:13:01 | |
(SPEAKING KHMER) | 0:13:05 | 0:13:07 | |
This is good work! | 0:13:09 | 0:13:11 | |
-How much? -150. | 0:13:45 | 0:13:47 | |
Dollar American. Dollar American. | 0:13:52 | 0:13:54 | |
100. | 0:13:54 | 0:13:55 | |
-All right? -All right. | 0:14:01 | 0:14:03 | |
(SPEAKING KHMER) | 0:14:04 | 0:14:05 | |
Ha ha ha! | 0:14:05 | 0:14:07 | |
Nice going, Pran. | 0:14:10 | 0:14:11 | |
Right. Very lucky. | 0:14:11 | 0:14:14 | |
(BABY CRYING) | 0:14:24 | 0:14:26 | |
(CRYING) | 0:15:02 | 0:15:04 | |
-PRAN: -Sydney. | 0:15:04 | 0:15:06 | |
(SPEAKING KHMER) | 0:15:06 | 0:15:07 | |
What is he saying? | 0:15:07 | 0:15:09 | |
He wants you to look at his family, to take a photograph | 0:15:09 | 0:15:12 | |
and help him, because his child was wounded. | 0:15:12 | 0:15:15 | |
(SPEAKING KHMER) | 0:15:28 | 0:15:30 | |
-Pran. -Yes? | 0:15:38 | 0:15:40 | |
Tell me what she's saying. | 0:15:40 | 0:15:42 | |
She needs help. | 0:15:45 | 0:15:46 | |
Her shop was destroyed last night. | 0:15:50 | 0:15:52 | |
Her husband killed. | 0:15:54 | 0:15:55 | |
How many bombs? | 0:15:55 | 0:15:56 | |
(SPEAKING KHMER) | 0:15:56 | 0:15:58 | |
She doesn't know. | 0:15:58 | 0:16:00 | |
Does she know where the hospital is? | 0:16:00 | 0:16:03 | |
Just over there. | 0:16:04 | 0:16:06 | |
(SPEAKING KHMER) | 0:16:10 | 0:16:11 | |
She wants to know did someone arrest the pilot? | 0:16:11 | 0:16:14 | |
-Girl: -Mister, you want to buy? | 0:16:16 | 0:16:17 | |
Mister, you want to buy? | 0:16:17 | 0:16:19 | |
-One dollar. -No photo. I'm out of film. I'm sorry. | 0:16:19 | 0:16:23 | |
Ask her how many kids she's got in her family. | 0:16:23 | 0:16:25 | |
(SPEAKING KHMER) | 0:16:25 | 0:16:27 | |
Five. | 0:16:27 | 0:16:28 | |
Her husband was killed already. | 0:16:28 | 0:16:31 | |
Pran, what are these guys over here? | 0:16:34 | 0:16:38 | |
Sydney! Sydney! In the jeep, prisoners! | 0:16:42 | 0:16:45 | |
Khmer Rouge prisoners. | 0:16:45 | 0:16:46 | |
# Band on the run | 0:17:03 | 0:17:05 | |
# Band on the run... | 0:17:07 | 0:17:08 | |
They kill a lot of villagers. | 0:17:08 | 0:17:11 | |
He says Khmer Rouge soak rags in gasoline | 0:17:11 | 0:17:13 | |
and push them down villagers' throat | 0:17:13 | 0:17:16 | |
and set the rags alight. | 0:17:16 | 0:17:17 | |
Film, no film! | 0:17:17 | 0:17:19 | |
I know there's no film. | 0:17:19 | 0:17:21 | |
No camera! No camera! | 0:17:21 | 0:17:24 | |
It's all right. | 0:17:24 | 0:17:26 | |
(SPEAKING KHMER) | 0:17:26 | 0:17:28 | |
Just take it easy. | 0:17:28 | 0:17:29 | |
Tell them we're journ... | 0:17:35 | 0:17:36 | |
(GUNSHOTS) | 0:17:44 | 0:17:45 | |
Sydney! Come on! Get in! | 0:17:45 | 0:17:48 | |
# ..in the village square for the rabbits on the run | 0:17:48 | 0:17:53 | |
# Band on the run | 0:17:53 | 0:17:56 | |
# Band on the run... | 0:17:57 | 0:18:00 | |
I'm worried, Sydney. | 0:18:29 | 0:18:31 | |
I'm the guy who bring you over here. | 0:18:32 | 0:18:35 | |
They accuse me, and they arrest me. | 0:18:35 | 0:18:38 | |
How can they arrest you? You're already arrested. | 0:18:38 | 0:18:41 | |
They phoned Phnom Penh about me, Sydney. | 0:18:42 | 0:18:44 | |
I want some cigarettes. | 0:18:53 | 0:18:56 | |
And I need to take a leak. | 0:18:57 | 0:18:58 | |
Would you tell him I need to piss? | 0:19:01 | 0:19:04 | |
(SPEAKING KHMER) | 0:19:12 | 0:19:14 | |
He said no piss. | 0:19:26 | 0:19:28 | |
-What does that mean, "no piss"? -There's no piss, Sydney. | 0:19:30 | 0:19:33 | |
All right. I've had enough of this bullshit. | 0:19:37 | 0:19:40 | |
I got a story to get to New York. | 0:19:40 | 0:19:43 | |
Sydney! | 0:19:44 | 0:19:45 | |
Sydney! | 0:19:45 | 0:19:46 | |
Don't leave me, Sydney! Hey! | 0:19:46 | 0:19:49 | |
(SPEAKING KHMER) | 0:19:49 | 0:19:52 | |
I won't leave you. | 0:19:59 | 0:20:00 | |
(HELICOPTERS APPROACH) | 0:20:31 | 0:20:33 | |
They brought in the whole fucking press corps! | 0:21:06 | 0:21:08 | |
They want to sanitise the story! | 0:21:08 | 0:21:11 | |
Bastards! | 0:21:11 | 0:21:12 | |
I am going to tell you something. | 0:21:21 | 0:21:23 | |
I'm walking out of here. | 0:21:23 | 0:21:25 | |
Will you blow my fucking head off? | 0:21:25 | 0:21:28 | |
You got a general out there. | 0:21:28 | 0:21:30 | |
I'm an American citizen, | 0:21:30 | 0:21:32 | |
and I'm walking out of here! | 0:21:32 | 0:21:33 | |
He want to get higher officer. | 0:21:35 | 0:21:37 | |
Then get him! Get him! | 0:21:37 | 0:21:39 | |
-REEVES ON LOUDHAILER: -I'm sorry we couldn't show you | 0:21:47 | 0:21:49 | |
all the minor bomb damage in the city. | 0:21:49 | 0:21:51 | |
That's still a restricted area. | 0:21:51 | 0:21:53 | |
If you look across the river, | 0:21:53 | 0:21:55 | |
you'll see positions that are held by Khmer Rouge infiltrators, | 0:21:55 | 0:21:58 | |
who moved in recently. | 0:21:58 | 0:22:00 | |
But the forces of the Cambodian Republican Army are moving in. | 0:22:00 | 0:22:04 | |
They'll have the KR out of there before you can say Jack Robinson. | 0:22:04 | 0:22:08 | |
Get in the chopper now! | 0:22:08 | 0:22:09 | |
No, Schanberg! | 0:22:09 | 0:22:11 | |
You came on a boat, you go back on a boat! | 0:22:11 | 0:22:13 | |
That won't stop my story! | 0:22:13 | 0:22:15 | |
What the hell is this? | 0:22:17 | 0:22:19 | |
If you weren't here, I wouldn't be here! | 0:22:19 | 0:22:22 | |
I don't want to be here! What good is it doing? | 0:22:22 | 0:22:25 | |
If anybody gets to read about this, | 0:22:25 | 0:22:27 | |
you won't be able to look them in the face! | 0:22:27 | 0:22:30 | |
(SPEAKING KHMER) | 0:22:37 | 0:22:39 | |
Sydney. | 0:23:04 | 0:23:05 | |
Sydney. | 0:23:05 | 0:23:06 | |
Good morning. | 0:23:08 | 0:23:10 | |
What time is it? | 0:23:10 | 0:23:11 | |
6:00. | 0:23:13 | 0:23:14 | |
-Shit. -Telex. | 0:23:16 | 0:23:18 | |
You've been to the telex? | 0:23:18 | 0:23:20 | |
Yes. | 0:23:20 | 0:23:21 | |
We made the front page. | 0:23:22 | 0:23:24 | |
Sure. | 0:23:24 | 0:23:25 | |
We must be doing something right. | 0:23:26 | 0:23:29 | |
Sydney, my wife is very worried. | 0:23:35 | 0:23:40 | |
She thinks all foreign journalists are going to leave Cambodia. | 0:23:40 | 0:23:43 | |
Well, Pran... | 0:23:43 | 0:23:46 | |
..I guess I'd feel kinda stupid trying to cover this war | 0:23:47 | 0:23:49 | |
from a desk in Bangkok. | 0:23:49 | 0:23:51 | |
She said, "If the war keeps going like this, | 0:23:52 | 0:23:55 | |
"the future could be very bad." | 0:23:55 | 0:23:58 | |
What do you think? | 0:23:59 | 0:24:00 | |
I don't know. | 0:24:04 | 0:24:06 | |
I don't know either. | 0:24:07 | 0:24:09 | |
Is Sarun downstairs? | 0:24:11 | 0:24:13 | |
-Sure. -Let's get going. | 0:24:13 | 0:24:15 | |
All right. | 0:24:17 | 0:24:18 | |
OK. | 0:24:18 | 0:24:19 | |
-Don't go back to sleep, OK? -I won't. | 0:24:24 | 0:24:26 | |
(SPEAKING KHMER) | 0:24:30 | 0:24:32 | |
The KR's making a push for the airport road. | 0:24:33 | 0:24:36 | |
They cut it, the city could be lost. | 0:24:36 | 0:24:39 | |
We hype these people up. | 0:24:39 | 0:24:41 | |
"You'll be all right with us," we tell them. | 0:24:41 | 0:24:43 | |
Now look at all this fucking mess. | 0:24:43 | 0:24:45 | |
(HORN HONKS) | 0:24:45 | 0:24:47 | |
-SOLDIER: -In America, everybody got a good car. | 0:24:51 | 0:24:55 | |
(SPEAKS KHMER) | 0:24:55 | 0:24:57 | |
He ask you what car you drive in United States. | 0:24:57 | 0:25:00 | |
I don't have a car in America. Only the Mercedes here. | 0:25:00 | 0:25:03 | |
Mercedes, number one. | 0:25:03 | 0:25:05 | |
Ask him where he learned to speak his English. | 0:25:05 | 0:25:08 | |
American advisor with his unit teach him. | 0:25:10 | 0:25:13 | |
Mercedes, number one, OK? | 0:25:13 | 0:25:15 | |
(HORN HONKS) | 0:25:21 | 0:25:22 | |
(HORN HONKS) | 0:25:36 | 0:25:38 | |
(HORN HONKS) | 0:25:39 | 0:25:41 | |
(SPEAKING KHMER) | 0:25:50 | 0:25:52 | |
What did he say? | 0:25:52 | 0:25:53 | |
He said he thought all American people left already. | 0:25:53 | 0:25:56 | |
Made in the USA. | 0:25:56 | 0:25:58 | |
-MAN: -Are we winning? | 0:26:02 | 0:26:03 | |
No, uh... you're not winning. | 0:26:03 | 0:26:07 | |
Make sure they don't cut off the airport road. | 0:26:07 | 0:26:10 | |
(SOLDIER SPEAKS KHMER) | 0:26:10 | 0:26:14 | |
The first section came by route number 36, | 0:26:14 | 0:26:16 | |
and the second one came down by route number 26. | 0:26:16 | 0:26:20 | |
Khmer Rouge will come down route 3. | 0:26:20 | 0:26:23 | |
He doesn't know how many. | 0:26:23 | 0:26:24 | |
They expect an attack today. | 0:26:24 | 0:26:26 | |
-Where's your commander? -Phnom Penh. | 0:26:26 | 0:26:28 | |
-What's he doing there? -Don't know. | 0:26:28 | 0:26:30 | |
How many mortar rounds... | 0:26:30 | 0:26:31 | |
Rockoff, get your ass out of here! | 0:26:45 | 0:26:47 | |
Get out of here! | 0:26:47 | 0:26:48 | |
Come on! Come on! Let's get him out of here! | 0:26:51 | 0:26:53 | |
-Fuck this! -Are we pulling out? | 0:27:20 | 0:27:22 | |
I'm not happy here, Syd! | 0:27:22 | 0:27:23 | |
Jon, I'm leaving! | 0:27:23 | 0:27:25 | |
Syd, come on! | 0:27:25 | 0:27:27 | |
Come on! | 0:27:27 | 0:27:29 | |
(EXPLOSIONS AND SCREAMING) | 0:27:29 | 0:27:32 | |
Sydney! Sydney, this way! | 0:27:41 | 0:27:43 | |
Sydney, look! Khmer Rouge! | 0:28:03 | 0:28:05 | |
(CHILDREN SCREAMING) | 0:28:28 | 0:28:30 | |
(WAILS) | 0:28:39 | 0:28:42 | |
(BABY CRYING) | 0:28:46 | 0:28:48 | |
-RADIO: -In Washington, the Cambodian ambassador, | 0:28:52 | 0:28:56 | |
in a speech to the Washington Press Club, said, | 0:28:56 | 0:28:58 | |
"Let's face it, you took advantage of us and our inexperience..." | 0:28:58 | 0:29:02 | |
I can't eat. | 0:29:02 | 0:29:03 | |
"..Because you are much cleverer than we are, | 0:29:03 | 0:29:05 | |
"you could induce us into this fighting." | 0:29:05 | 0:29:08 | |
Indeed, the Khmer Rouge insurgents in Cambodia | 0:29:08 | 0:29:11 | |
have tightened their ring around the capital, Phnom Penh, | 0:29:11 | 0:29:15 | |
now swollen with some two million refugees from the fighting. | 0:29:15 | 0:29:18 | |
Reports from government troops | 0:29:18 | 0:29:20 | |
talk of the field situation being so bad | 0:29:20 | 0:29:22 | |
that soldiers are having to siphon gas from jeep to jeep | 0:29:22 | 0:29:26 | |
in order to be able to get the wounded back to the capital. | 0:29:26 | 0:29:29 | |
(EXPLOSION) | 0:29:36 | 0:29:38 | |
(EXPLOSION) | 0:29:42 | 0:29:44 | |
(SPEAKING KHMER, MAN REPLIES) | 0:29:46 | 0:29:48 | |
No more electricity, Sydney. | 0:29:49 | 0:29:51 | |
(TYPING SLOWLY) | 0:29:56 | 0:29:58 | |
-MAN: -Now I get a message to try for negotiation. | 0:30:22 | 0:30:25 | |
Well, it's just too goddamn late. | 0:30:25 | 0:30:28 | |
This country's split apart. | 0:30:28 | 0:30:29 | |
We put this ship to sea, and it breaks my heart | 0:30:30 | 0:30:32 | |
not to help it back to a port. | 0:30:32 | 0:30:34 | |
Pisses me off. This country has a lot of faults and lots of strengths, | 0:30:36 | 0:30:40 | |
and we have done nothing but play to the faults. | 0:30:40 | 0:30:43 | |
Syd, I'll be damn glad to get out of here. | 0:30:45 | 0:30:49 | |
This thing has dragged on too long | 0:30:49 | 0:30:51 | |
for it to end in all sweetness and light. | 0:30:51 | 0:30:53 | |
After what the Khmer Rouge have been through, | 0:30:53 | 0:30:55 | |
I don't think they'll be exactly affectionate toward Westerners. | 0:30:55 | 0:30:59 | |
-Where do you want this? -Anywhere. It doesn't matter. | 0:31:01 | 0:31:03 | |
-On the floor. There. Anywhere. -Mr Schanberg. | 0:31:03 | 0:31:06 | |
Oh, my dependents. Six. | 0:31:06 | 0:31:07 | |
Dith Pran and family. | 0:31:07 | 0:31:09 | |
Right. | 0:31:09 | 0:31:10 | |
"Dear sir, | 0:31:10 | 0:31:12 | |
"my family and I are planning | 0:31:12 | 0:31:14 | |
"a touring vacation of southeast Asia | 0:31:14 | 0:31:16 | |
"and anticipate two weeks in Cambodia, | 0:31:16 | 0:31:19 | |
"touring the country. | 0:31:19 | 0:31:21 | |
"Would you please send tour information and brochures? | 0:31:21 | 0:31:24 | |
"Thanking you in advance, Wendell Payne." | 0:31:24 | 0:31:27 | |
Wendell lives in Wisacky, South Carolina. | 0:31:27 | 0:31:30 | |
What about the airlift? | 0:31:30 | 0:31:32 | |
We're taking it with us. | 0:31:32 | 0:31:34 | |
Many people will starve to death. | 0:31:34 | 0:31:36 | |
I know, but what can we do? | 0:31:36 | 0:31:38 | |
There could be a bloodbath here. | 0:31:38 | 0:31:41 | |
Look, excuse the pun, | 0:31:41 | 0:31:43 | |
but we're either staying, or we're "living". | 0:31:43 | 0:31:46 | |
Hello. Leaving a sinking ship, are we, cobber? | 0:31:56 | 0:31:59 | |
-RADIO: -Tourism is open to question. | 0:32:00 | 0:32:04 | |
President Ford, in his foreign policy speech, | 0:32:04 | 0:32:07 | |
hardly referred to Cambodia, | 0:32:07 | 0:32:09 | |
except to say that, as of now, it may be too late. | 0:32:09 | 0:32:13 | |
I'm sorry, Sydney. I'm late. | 0:32:27 | 0:32:29 | |
Where have you been? | 0:32:29 | 0:32:30 | |
They stopped me because of the curfew. | 0:32:30 | 0:32:33 | |
-The curfew, huh? -Yes, I'm sorry, Sydney. | 0:32:33 | 0:32:35 | |
All right. You can get started. | 0:32:36 | 0:32:39 | |
Tell them to start sending this, but hold the last two paragraphs. | 0:32:39 | 0:32:42 | |
I'll be over with corrections in an hour. | 0:32:42 | 0:32:44 | |
They don't transmit today. | 0:32:44 | 0:32:47 | |
The transmitter at Kambol got hit. | 0:32:47 | 0:32:49 | |
They say 6pm, we can file. | 0:32:51 | 0:32:53 | |
6pm! | 0:32:53 | 0:32:54 | |
What do you think we're working for here? | 0:32:56 | 0:32:58 | |
A monthly magazine? | 0:32:58 | 0:32:59 | |
This is a newspaper. | 0:32:59 | 0:33:01 | |
How about update tomorrow? | 0:33:04 | 0:33:06 | |
Yeah, sure. We can file an update tomorrow. | 0:33:08 | 0:33:11 | |
I was over at the American Embassy yesterday. | 0:33:20 | 0:33:23 | |
Good news? | 0:33:23 | 0:33:25 | |
No, not good news. | 0:33:25 | 0:33:27 | |
They say that when this place goes up... | 0:33:33 | 0:33:35 | |
..they think that a lot of people will get killed. | 0:33:38 | 0:33:42 | |
I've arranged for the evacuation of you and your family. | 0:33:42 | 0:33:47 | |
So now it's up to you. | 0:33:48 | 0:33:50 | |
What do you want to do? | 0:33:50 | 0:33:52 | |
Do you want to stay or do you want to leave? | 0:33:54 | 0:33:56 | |
And how about you? | 0:34:04 | 0:34:05 | |
That's none of your business. | 0:34:05 | 0:34:08 | |
Do you want to stay or do you want to leave? | 0:34:14 | 0:34:16 | |
I know...you love my family, Sydney. | 0:34:20 | 0:34:24 | |
But me, I'm reporter too, Sydney. | 0:34:27 | 0:34:31 | |
You know what I mean? | 0:34:31 | 0:34:33 | |
We don't have to decide this now. | 0:34:47 | 0:34:49 | |
We don't have to decide it right now. | 0:34:49 | 0:34:51 | |
Take it easy. | 0:34:51 | 0:34:53 | |
But we have to make up our minds pretty soon, all right? | 0:34:56 | 0:35:00 | |
(SPEAKING KHMER) | 0:35:07 | 0:35:09 | |
All right! This is it! | 0:36:09 | 0:36:11 | |
Is the floor clear? | 0:36:11 | 0:36:13 | |
This is the last check. | 0:36:13 | 0:36:15 | |
Last check. This is the last check! | 0:36:17 | 0:36:20 | |
-Mr Kincaid is not here. -He is. | 0:36:27 | 0:36:29 | |
Mr Kincaid is gone. You keep Mr Kincaid's money. | 0:36:29 | 0:36:32 | |
I want you to go right now. | 0:36:32 | 0:36:34 | |
I want you to leave now. | 0:36:34 | 0:36:36 | |
You're not going to see Mr Kincaid again! | 0:36:36 | 0:36:38 | |
OK, Sergeant. | 0:36:51 | 0:36:52 | |
Have you got Pran here? | 0:36:56 | 0:36:57 | |
Have you got Pran on there, and his wife? | 0:36:57 | 0:37:00 | |
-Yes, sir. -Dith Pran... Did they come in yet? | 0:37:00 | 0:37:03 | |
No, sir, they haven't arrived yet. | 0:37:03 | 0:37:06 | |
Al, have you seen Pran? | 0:37:16 | 0:37:19 | |
No, no, I haven't. | 0:37:19 | 0:37:20 | |
Where is he? | 0:37:20 | 0:37:22 | |
Well, it's been real. | 0:37:25 | 0:37:28 | |
They're going to miss it. | 0:37:32 | 0:37:34 | |
Well, why don't you check around the other side? | 0:37:34 | 0:37:38 | |
If he comes here, | 0:37:38 | 0:37:39 | |
I'm looking for him in the back. | 0:37:39 | 0:37:42 | |
Beth, have you seen Pran? | 0:37:52 | 0:37:55 | |
No. Have you looked at the hotel? | 0:37:55 | 0:37:57 | |
xx He's at the post office! | 0:37:57 | 0:38:00 | |
The post office! | 0:38:00 | 0:38:01 | |
Get the fuck out of here! | 0:38:29 | 0:38:31 | |
Move your asses out of here! | 0:38:31 | 0:38:33 | |
Go, go, go! | 0:38:33 | 0:38:35 | |
Where do you think you're going? | 0:38:39 | 0:38:41 | |
-To embassy. To embassy. -OK. | 0:38:41 | 0:38:42 | |
(SPEAKING KHMER) | 0:38:42 | 0:38:44 | |
Yes, sir. What's your name? | 0:38:57 | 0:38:59 | |
Dith Pran family, sir. | 0:38:59 | 0:39:01 | |
Dith Pran family? I'm sorry. They've been through. | 0:39:01 | 0:39:04 | |
-See Sydney Schanberg. -They've been through. | 0:39:04 | 0:39:06 | |
Check one more time, please. You made mistake, sir. | 0:39:06 | 0:39:09 | |
Rockoff! Rockoff! Rockoff! Help me! | 0:39:17 | 0:39:19 | |
(SPEAKING KHMER) | 0:41:22 | 0:41:24 | |
Come on! There's no time! | 0:41:26 | 0:41:28 | |
Wait a minute. | 0:42:34 | 0:42:35 | |
Smile. | 0:42:38 | 0:42:40 | |
(CLICK) | 0:42:43 | 0:42:44 | |
Jon. | 0:43:05 | 0:43:07 | |
Hello, Sydney. | 0:43:07 | 0:43:09 | |
If the going gets rough, | 0:43:25 | 0:43:27 | |
I heard our best bet's the French Embassy. | 0:43:27 | 0:43:29 | |
Who told you that? | 0:43:32 | 0:43:33 | |
The British Embassy. | 0:43:35 | 0:43:37 | |
(KNOCK ON DOOR) | 0:44:04 | 0:44:05 | |
Yup? | 0:44:05 | 0:44:06 | |
Sydney, Khmer Rouge coming. | 0:44:06 | 0:44:09 | |
Look like government soldiers. Give them big welcome. | 0:44:09 | 0:44:11 | |
OK. | 0:44:14 | 0:44:16 | |
(CHEERING, HORNS HONKING) | 0:44:16 | 0:44:18 | |
Sydney! | 0:45:12 | 0:45:13 | |
No more fighting, Sydney! | 0:45:13 | 0:45:15 | |
I be right back! | 0:45:15 | 0:45:17 | |
Ah! La paix! La paix! La paix! | 0:45:17 | 0:45:20 | |
Rockoff! Rockoff! | 0:45:30 | 0:45:32 | |
No more fighting! No more war! | 0:45:32 | 0:45:34 | |
What do you think? | 0:45:34 | 0:45:35 | |
I don't know, I don't like the look of this. | 0:45:36 | 0:45:38 | |
I swung through Keng Kang this morning. | 0:45:38 | 0:45:41 | |
Practically got my ass shot off. | 0:45:41 | 0:45:43 | |
I just don't think these guys are for real. | 0:45:43 | 0:45:45 | |
I'm going to the hospital. You want to come with me? | 0:45:45 | 0:45:48 | |
Jon! Jon! | 0:45:52 | 0:45:54 | |
(BABIES CRYING) | 0:45:54 | 0:45:56 | |
-DOCTOR: -Tetracaine. 50mg, please. | 0:46:54 | 0:46:56 | |
What am I supposed to do, sing her a lullaby? | 0:46:56 | 0:46:59 | |
Pentathol, 250mg. | 0:46:59 | 0:47:01 | |
(CHILD MOANS IN PAIN) | 0:47:01 | 0:47:03 | |
Oh, Jesus. Another shrapnel in the spine here. | 0:47:13 | 0:47:16 | |
Let's have her over. | 0:47:16 | 0:47:18 | |
Gentlemen, you know we've only had one unit of blood | 0:47:23 | 0:47:26 | |
in the last two days. | 0:47:26 | 0:47:28 | |
-Plasma substitute, please, quick. -NURSE: -Oui, monsieur. | 0:47:28 | 0:47:30 | |
We have plenty of blood, gentlemen. | 0:47:31 | 0:47:33 | |
The problem is it's all in the wrong fucking place. | 0:47:33 | 0:47:36 | |
Why do so many corpses have to pile up | 0:47:39 | 0:47:41 | |
before people decide it's time to go home? | 0:47:41 | 0:47:43 | |
For God's sake, back up the car! | 0:48:10 | 0:48:12 | |
-For God's sake, -back it up now! | 0:48:12 | 0:48:14 | |
Why doesn't he get his ass in here? | 0:49:27 | 0:49:29 | |
He's trying to get in. They won't let him in. | 0:49:29 | 0:49:33 | |
All right? | 0:49:55 | 0:49:56 | |
(GUNFIRE) | 0:50:07 | 0:50:09 | |
(ALL SHOUTING) | 0:51:38 | 0:51:41 | |
(SPEAKING KHMER) | 0:52:09 | 0:52:11 | |
(SPEAKING KHMER) | 0:53:29 | 0:53:31 | |
(GUNSHOT) | 0:54:03 | 0:54:05 | |
(SPEAKING KHMER) | 0:54:13 | 0:54:15 | |
-PRAN: -Ce sont les journalistes. Les journalistes francaises. | 0:54:32 | 0:54:36 | |
(PRAM TALKS TO KHMER ROUGE) | 0:54:57 | 0:55:01 | |
(KHMER ROUGE LAUGH) | 0:55:42 | 0:55:43 | |
OK? | 0:56:00 | 0:56:01 | |
Looks all right. | 0:56:01 | 0:56:02 | |
(SIREN) | 0:56:13 | 0:56:16 | |
(SPEAKING KHMER) | 0:56:17 | 0:56:20 | |
. | 2:59:50 | 2:59:57 | |
(SIREN) | 3:00:03 | 3:00:05 | |
(SPEAKING KHMER) | 3:00:05 | 3:00:07 | |
(BLEAK, EPIC CHORAL MUSIC) | 3:00:33 | 3:00:37 | |
(HE CRIES) | 3:01:21 | 3:01:24 | |
(SHOUTING AND CRYING) | 3:01:56 | 3:01:59 | |
(YELLING IN KHMER) | 3:02:06 | 3:02:08 | |
(THEY SHOUT AND ARGUE) | 3:02:13 | 3:02:17 | |
-RADIO: -The picture in Cambodia is increasingly unclear. | 3:02:35 | 3:02:40 | |
Journalists who have flown | 3:02:40 | 3:02:41 | |
from Thailand over Phnom Penh | 3:02:41 | 3:02:43 | |
report that the Khmer Rouge | 3:02:43 | 3:02:45 | |
appear to have attempted a mass evacuation | 3:02:45 | 3:02:48 | |
of the entire population. | 3:02:48 | 3:02:49 | |
Radio contact with the French Embassy | 3:02:49 | 3:02:51 | |
reveals that some 200 Europeans | 3:02:51 | 3:02:54 | |
and an undisclosed number of Cambodians | 3:02:54 | 3:02:56 | |
have taken refuge there. | 3:02:56 | 3:02:58 | |
As yet, no statement has been made | 3:02:58 | 3:03:01 | |
by the new rulers of Cambodia. | 3:03:01 | 3:03:02 | |
The whereabouts of Prince Sihanouk, | 3:03:02 | 3:03:04 | |
under the Khmer Rouge's leadership, | 3:03:04 | 3:03:06 | |
are unclear, | 3:03:06 | 3:03:07 | |
But he is known to have... | 3:03:07 | 3:03:09 | |
-He's OK? -Yes. He is sleeping. | 3:03:13 | 3:03:16 | |
(SAXOPHONE PLAYS) | 3:03:16 | 3:03:18 | |
(SPEAKING RUSSIAN) | 3:03:28 | 3:03:30 | |
That's the consul. | 3:03:41 | 3:03:42 | |
Did you see that? | 3:03:50 | 3:03:52 | |
The Russians are coming. | 3:03:52 | 3:03:54 | |
Once it's Sunday, he won't get anything for... | 3:03:56 | 3:03:59 | |
Look, piss off! | 3:03:59 | 3:04:01 | |
You won't get anything here. | 3:04:01 | 3:04:03 | |
Out! | 3:04:03 | 3:04:04 | |
-RADIO: -The main points of the news... | 3:04:12 | 3:04:14 | |
BBC, Dugal. | 3:04:14 | 3:04:15 | |
'Daily reports of fighting around the airport | 3:04:17 | 3:04:20 | |
'some 14 kilometres outside Phnom Penh, | 3:04:20 | 3:04:23 | |
'the capital of Cambodia. | 3:04:23 | 3:04:24 | |
'And now, an on-the-spot report | 3:04:24 | 3:04:27 | |
'from our correspondent in Thailand, Hugh Elder.' | 3:04:27 | 3:04:30 | |
Where did they get this crap? | 3:04:32 | 3:04:35 | |
You see that little guy across the gate? | 3:04:35 | 3:04:38 | |
Could we not all look at once, please? | 3:04:38 | 3:04:42 | |
I have it on reliable sources | 3:04:42 | 3:04:44 | |
that that's Hugh Elder. | 3:04:44 | 3:04:45 | |
You're kidding. | 3:04:45 | 3:04:47 | |
He's disguised, | 3:04:47 | 3:04:48 | |
but I got suspicious. | 3:04:48 | 3:04:50 | |
How does he get his copy out? | 3:04:50 | 3:04:54 | |
Specially-trained hens. | 3:04:54 | 3:04:55 | |
(THEY LAUGH) | 3:04:55 | 3:04:57 | |
The BBC's commissioned them | 3:04:57 | 3:04:59 | |
to walk past the Khmer Rouge | 3:04:59 | 3:05:01 | |
like they're regular fowl. | 3:05:01 | 3:05:03 | |
They cross the border into Thailand | 3:05:03 | 3:05:05 | |
every day and every night. | 3:05:05 | 3:05:07 | |
I told you. Hey. | 3:05:08 | 3:05:10 | |
'Unconfirmed reports say | 3:05:10 | 3:05:13 | |
'the Khmer Rouge demand officials | 3:05:13 | 3:05:14 | |
'of the defeated Lon Nol government, | 3:05:14 | 3:05:17 | |
'especially the so-called | 3:05:17 | 3:05:18 | |
'six traitors of the cabinet, | 3:05:18 | 3:05:20 | |
'be handed over to them. | 3:05:20 | 3:05:22 | |
'It is not known | 3:05:22 | 3:05:23 | |
'whether any of the ex-government ministers | 3:05:23 | 3:05:25 | |
'have taken refuge in the embassy, | 3:05:25 | 3:05:27 | |
'Where, according to a UNICEF representative in Bangkok, | 3:05:27 | 3:05:30 | |
'The situation is said | 3:05:30 | 3:05:32 | |
'to be increasingly precarious. | 3:05:32 | 3:05:34 | |
'Reports from travellers arriving in Thailand | 3:05:34 | 3:05:36 | |
'from Cambodia...' | 3:05:36 | 3:05:37 | |
(THE CHILD CRIES) | 3:05:40 | 3:05:43 | |
Calmez vous, voyons. | 3:05:53 | 3:05:55 | |
Allez, allez, venez! | 3:05:55 | 3:05:57 | |
Allez, il n'y a rien a craindre. | 3:06:03 | 3:06:05 | |
Adieu, L'Ancien Regime. | 3:06:13 | 3:06:16 | |
Monsieur, s'il vous plait. | 3:06:41 | 3:06:44 | |
Y a-t-il un journaliste par ici | 3:06:44 | 3:06:46 | |
qui parle Francais? | 3:06:46 | 3:06:48 | |
Vous parlez Francais, oui, monsieur? | 3:06:48 | 3:06:50 | |
Oui, d'accord. | 3:06:50 | 3:06:51 | |
Venez vite. | 3:06:51 | 3:06:52 | |
Pourquoi? | 3:06:52 | 3:06:54 | |
Man: When I tried to go a kilometre further, no. | 3:06:59 | 3:07:02 | |
The only sense I can make of it | 3:07:02 | 3:07:05 | |
is that there's some sort of | 3:07:05 | 3:07:07 | |
internal power struggle going on. | 3:07:07 | 3:07:10 | |
Different groups seem to be holding | 3:07:10 | 3:07:12 | |
different parts of the city. | 3:07:12 | 3:07:13 | |
They all appear to be equally nervous | 3:07:13 | 3:07:15 | |
of losing whatever power and control they have. | 3:07:15 | 3:07:18 | |
Half of them were under 15. | 3:07:18 | 3:07:21 | |
Sydney, I've got some Red Cross instructions | 3:07:21 | 3:07:23 | |
that want translating. | 3:07:23 | 3:07:25 | |
Use Pran. He speaks French better than I do. | 3:07:25 | 3:07:28 | |
I'd prefer it if it was you. | 3:07:28 | 3:07:31 | |
What did you do that for? | 3:07:40 | 3:07:42 | |
The guy's insecure enough already. | 3:07:42 | 3:07:44 | |
Sydney, | 3:07:45 | 3:07:47 | |
The Cambodians have to leave the embassy. | 3:07:47 | 3:07:50 | |
They want all our passports | 3:07:51 | 3:07:53 | |
and everybody downstairs... | 3:07:53 | 3:07:55 | |
And the Cambodians out. | 3:07:55 | 3:07:58 | |
Woman: Non! Non! | 3:07:58 | 3:08:00 | |
(SPEAKING FRENCH) | 3:08:00 | 3:08:02 | |
Monsieur le consul, s'il vous plait, | 3:08:18 | 3:08:20 | |
faites quelque chose pour cet enfant. | 3:08:20 | 3:08:23 | |
Do you have a paper, a name? | 3:08:34 | 3:08:36 | |
Americain? Regardez! Look! I fight for five years. | 3:08:38 | 3:08:41 | |
C'est une guerre inutile! Useless war! | 3:08:41 | 3:08:44 | |
Fuck! | 3:08:46 | 3:08:47 | |
You know Pran won't last five minutes out there. | 3:08:49 | 3:08:52 | |
The Khmer Rouge have killed | 3:08:52 | 3:08:54 | |
every fucking journalist they've ever caught. | 3:08:54 | 3:08:57 | |
Now does Syd know how serious this is? | 3:08:57 | 3:08:59 | |
Of course. | 3:08:59 | 3:09:00 | |
We can't let him walk out of here. | 3:09:00 | 3:09:03 | |
This passport's out of date, | 3:09:03 | 3:09:05 | |
but the visa's valid. | 3:09:05 | 3:09:06 | |
"Jon Ankertill Brewer Swain." | 3:09:06 | 3:09:08 | |
Knock out the Jon, knock out the Swain, | 3:09:08 | 3:09:11 | |
And you're left with Ankertill Brewer. | 3:09:11 | 3:09:13 | |
Put Pran's photograph in, | 3:09:13 | 3:09:15 | |
and he's a British subject. | 3:09:15 | 3:09:17 | |
It's worth a try. | 3:09:17 | 3:09:18 | |
He'd better have a photo | 3:09:18 | 3:09:20 | |
'cause I don't have any fucking film. | 3:09:20 | 3:09:23 | |
Pran. | 3:09:32 | 3:09:33 | |
I try to escape to Thailand right now. | 3:09:35 | 3:09:38 | |
Give me two or three weeks. | 3:09:38 | 3:09:41 | |
If you get there first, let me know | 3:09:41 | 3:09:45 | |
and leave message at Reuters, OK? | 3:09:45 | 3:09:47 | |
Just give me an hour. | 3:09:47 | 3:09:50 | |
I need some time to think. | 3:09:50 | 3:09:52 | |
I got no time to give you, Sydney. | 3:09:52 | 3:09:56 | |
Swain's got an idea. | 3:09:56 | 3:09:57 | |
Ankertill Brewer - that's the new name. | 3:10:03 | 3:10:05 | |
Ankertill Brewer. | 3:10:05 | 3:10:06 | |
Change my photograph for your photograph. | 3:10:06 | 3:10:09 | |
Do you have a photo? | 3:10:09 | 3:10:10 | |
I didn't think so. | 3:10:10 | 3:10:12 | |
Give him your passport. | 3:10:12 | 3:10:15 | |
Old passport, family snapshot? | 3:10:15 | 3:10:17 | |
Khmer Rouge took everything. | 3:10:17 | 3:10:18 | |
What about your press card? | 3:10:18 | 3:10:20 | |
-Everything! -Fuck! | 3:10:20 | 3:10:21 | |
-They didn't give it back. -We'll find some film. | 3:10:21 | 3:10:24 | |
There's film in the embassy, and we'll get it. | 3:10:24 | 3:10:27 | |
Polaroid, any kind, any speed. | 3:10:27 | 3:10:28 | |
We're going to get it, and I'll shoot it. | 3:10:28 | 3:10:32 | |
We'll find the film. | 3:10:32 | 3:10:34 | |
Do you have a polaroid camera? | 3:10:35 | 3:10:37 | |
Yes. | 3:10:37 | 3:10:38 | |
Do you have any film? | 3:10:38 | 3:10:39 | |
No! Nor any metronidazole | 3:10:39 | 3:10:41 | |
for this child's amoebic dysentery! | 3:10:41 | 3:10:44 | |
We need sulfide and some powerful developer. | 3:10:46 | 3:10:49 | |
Then I'll make a passport photo. | 3:10:49 | 3:10:51 | |
Shit! I know where we can get water. | 3:10:51 | 3:10:54 | |
We could drain the air conditioning. | 3:10:54 | 3:10:57 | |
I've seen it done. Come on. | 3:10:57 | 3:11:00 | |
Excuse me. Are you Mr Schanberg? | 3:11:05 | 3:11:07 | |
Yeah. | 3:11:07 | 3:11:08 | |
I've been told you're in charge | 3:11:08 | 3:11:10 | |
of the allocation of the bed covers. | 3:11:10 | 3:11:12 | |
What? | 3:11:12 | 3:11:14 | |
Blankets. We've just arrived. | 3:11:14 | 3:11:15 | |
Oh, yeah. | 3:11:15 | 3:11:17 | |
We want some blankets. | 3:11:17 | 3:11:18 | |
Yep, uh... | 3:11:18 | 3:11:19 | |
Come on down here. | 3:11:19 | 3:11:21 | |
Go to the end of the hall there, | 3:11:21 | 3:11:24 | |
then turn to the right, | 3:11:24 | 3:11:26 | |
go up to the top of the stairs. | 3:11:26 | 3:11:29 | |
If there are any, they'll be up there. | 3:11:29 | 3:11:31 | |
Syd, I have got the camera, | 3:11:31 | 3:11:33 | |
I have got the film, | 3:11:33 | 3:11:35 | |
and I have got the fucking darkroom! | 3:11:35 | 3:11:39 | |
Don't smile. | 3:11:44 | 3:11:46 | |
You're smiling. | 3:11:48 | 3:11:49 | |
Very serious. You're smiling. | 3:11:49 | 3:11:51 | |
Stop, please. | 3:11:51 | 3:11:52 | |
Very serious. | 3:11:52 | 3:11:54 | |
Very serious, very American. | 3:11:54 | 3:11:56 | |
Yes. | 3:11:56 | 3:11:57 | |
OK. Yeah. | 3:12:08 | 3:12:10 | |
Yeah...OK. Cover it. | 3:12:10 | 3:12:11 | |
Hand me the... hand me the board. | 3:12:12 | 3:12:16 | |
This fucking paper, I don't know. | 3:12:16 | 3:12:19 | |
That was the stuff you found in the copy room? | 3:12:19 | 3:12:22 | |
Just hold on a little more. | 3:12:22 | 3:12:24 | |
Ankertill Brewer. | 3:12:24 | 3:12:26 | |
Ankertill Brewer. | 3:12:26 | 3:12:28 | |
Ankertill Brewer. | 3:12:28 | 3:12:30 | |
Come on. | 3:12:41 | 3:12:43 | |
Getting an image. Look at it. | 3:12:43 | 3:12:46 | |
That's his face. | 3:12:46 | 3:12:48 | |
It sure is. Come on. | 3:12:48 | 3:12:50 | |
A little more... | 3:12:50 | 3:12:53 | |
A little more. | 3:12:53 | 3:12:55 | |
I'll fix it. | 3:12:56 | 3:12:57 | |
It's good. | 3:12:59 | 3:13:00 | |
Oh, no. Fuck. It's fogging. | 3:13:03 | 3:13:05 | |
God damn it. | 3:13:05 | 3:13:07 | |
God damn this paper. | 3:13:08 | 3:13:10 | |
God damn it! | 3:13:10 | 3:13:11 | |
I'm going to have to start again. | 3:13:11 | 3:13:13 | |
OK, now we're going to fix it. | 3:13:22 | 3:13:24 | |
Let me have that. | 3:13:29 | 3:13:30 | |
It's fading. | 3:13:33 | 3:13:35 | |
Take it out. | 3:13:35 | 3:13:36 | |
No. It's already gone. | 3:13:36 | 3:13:38 | |
-The solution's too strong. | 3:13:38 | 3:13:39 | |
-It's fading. -Take it out now. | 3:13:39 | 3:13:42 | |
Fuck! | 3:13:42 | 3:13:43 | |
God damn it! | 3:13:44 | 3:13:45 | |
God damn it. | 3:13:45 | 3:13:47 | |
Man, this fucking room is killing me. | 3:13:49 | 3:13:52 | |
Look, uh, could I just, uh, | 3:13:52 | 3:13:54 | |
I'll just do it myself, OK? | 3:13:54 | 3:13:56 | |
Let me have a few feet in here by myself. | 3:13:56 | 3:13:59 | |
Fuck. | 3:14:00 | 3:14:01 | |
Sorry. | 3:14:02 | 3:14:03 | |
It's perfect. | 3:14:35 | 3:14:36 | |
Perfect. | 3:14:37 | 3:14:39 | |
Yeah! | 3:14:40 | 3:14:41 | |
Welcome to New York. | 3:14:52 | 3:14:54 | |
We got it. | 3:14:54 | 3:14:55 | |
Perfect. Perfect. | 3:14:55 | 3:14:57 | |
Ankertill Brewer. Ankertill Brewer. | 3:14:57 | 3:15:00 | |
All right, you jokers, | 3:15:00 | 3:15:02 | |
would you like to bring your passports to me? | 3:15:02 | 3:15:04 | |
It's the last call for passports. | 3:15:04 | 3:15:06 | |
Can I have your passports? | 3:15:06 | 3:15:08 | |
Thank you. | 3:15:08 | 3:15:09 | |
May I have your passports, please? | 3:15:09 | 3:15:12 | |
Thank you. | 3:15:12 | 3:15:14 | |
Passports, ladies and gents. | 3:15:14 | 3:15:16 | |
All right, you jokers, this is your last chance | 3:15:16 | 3:15:20 | |
to get your passports in. | 3:15:20 | 3:15:22 | |
Your passports, please. | 3:15:23 | 3:15:25 | |
On this passport depend my life. | 3:15:25 | 3:15:27 | |
Grazie, signore. | 3:15:27 | 3:15:29 | |
Passports, ladies. | 3:15:29 | 3:15:30 | |
This is for the big tour, | 3:15:30 | 3:15:32 | |
The big package. | 3:15:32 | 3:15:34 | |
Thank you. | 3:15:35 | 3:15:37 | |
From Thursday Island right down to mount Macedon | 3:15:37 | 3:15:40 | |
to see the famous hanging rock. | 3:15:40 | 3:15:43 | |
Come on. Passports, please. | 3:15:43 | 3:15:45 | |
Ladies and gentlemen, last call. | 3:15:45 | 3:15:47 | |
Going... | 3:15:47 | 3:15:49 | |
Going... | 3:15:49 | 3:15:51 | |
Gone. | 3:15:55 | 3:15:56 | |
Is this lunch? | 3:16:26 | 3:16:27 | |
(SPEAKING KHMER) | 3:16:32 | 3:16:33 | |
What? | 3:16:33 | 3:16:34 | |
(SPEAKING KHMER) | 3:16:34 | 3:16:37 | |
-RADIO: -It does seem certain that the vast majority | 3:16:37 | 3:16:40 | |
of Phnom Penh's population | 3:16:40 | 3:16:42 | |
has been evacuated to the countryside. | 3:16:42 | 3:16:44 | |
The population's swollen with thousands of refugees. | 3:16:44 | 3:16:46 | |
Monsieur Swain. | 3:16:46 | 3:16:48 | |
Hello again. | 3:16:48 | 3:16:49 | |
(SPEAKING FRENCH) | 3:16:49 | 3:16:52 | |
-RADIO: -It will be argued that this is a way of coping | 3:16:52 | 3:16:56 | |
with post-war chaos. | 3:16:56 | 3:16:57 | |
-JON: -Can you turn that down, please? | 3:16:57 | 3:17:00 | |
Now listen, everybody. | 3:17:03 | 3:17:04 | |
The trucks which we've seen arriving | 3:17:06 | 3:17:08 | |
are for our evacuation, | 3:17:08 | 3:17:10 | |
probably in the next 24 hours. | 3:17:10 | 3:17:14 | |
Listen! That's to be confirmed. | 3:17:14 | 3:17:16 | |
It's almost certain. | 3:17:16 | 3:17:18 | |
Vive la France! | 3:17:18 | 3:17:20 | |
(SINGING LA MARSEILLAISE) | 3:17:20 | 3:17:24 | |
The majority of journalists have no right to be here. | 3:17:29 | 3:17:33 | |
You haven't seen any atrocities. | 3:17:33 | 3:17:34 | |
These are the first you've seen, | 3:17:34 | 3:17:37 | |
So just shut up! | 3:17:37 | 3:17:39 | |
You have to break eggs to make an omelette. | 3:17:39 | 3:17:42 | |
And I'm getting sick and tired | 3:17:42 | 3:17:44 | |
Of cleaning up the kitchen. | 3:17:44 | 3:17:47 | |
C'est un probleme? | 3:17:48 | 3:17:49 | |
Je suis desole, monsieur. | 3:17:54 | 3:17:57 | |
Il n'y a rien a faire. | 3:17:57 | 3:18:00 | |
Ankertill... | 3:18:13 | 3:18:16 | |
Brewer. | 3:18:16 | 3:18:17 | |
Ankertill... | 3:18:18 | 3:18:19 | |
Brewer. | 3:18:19 | 3:18:20 | |
Ankertill Brewer. | 3:18:22 | 3:18:24 | |
Ankertill Brewer. | 3:18:25 | 3:18:27 | |
Ankertill Brewer. | 3:18:29 | 3:18:32 | |
Sydney. | 3:18:33 | 3:18:34 | |
Ankertill Brewer. | 3:18:34 | 3:18:36 | |
Thank you. | 3:20:40 | 3:20:41 | |
Good luck. | 3:20:41 | 3:20:42 | |
Give me these back in Paris, OK? | 3:20:45 | 3:20:47 | |
Goodbye. | 3:20:47 | 3:20:49 | |
Why didn't you get him out | 3:20:49 | 3:20:51 | |
when you had the chance? | 3:20:51 | 3:20:53 | |
You had no right to keep him here. | 3:20:53 | 3:20:56 | |
Funny sense of priorities. | 3:20:56 | 3:20:57 | |
I'm reporter, too, Morgan. | 3:20:57 | 3:20:59 | |
I know his heart. | 3:20:59 | 3:21:00 | |
I love him like my brother, | 3:21:00 | 3:21:02 | |
and I do anything for him. Anything. | 3:21:02 | 3:21:05 | |
Goodbye, Rockoff. | 3:21:10 | 3:21:12 | |
-PRAN: -Tell my wife I love her | 3:21:33 | 3:21:35 | |
and look after all my children. | 3:21:35 | 3:21:38 | |
She doesn't speak any English, Sydney. | 3:21:39 | 3:21:42 | |
Please... | 3:21:44 | 3:21:46 | |
I don't want anyone to be bad to my wife. | 3:21:46 | 3:21:50 | |
(FOGHORN) | 3:22:20 | 3:22:22 | |
-SYDNEY: -Dith Pran...P-R-A-N. | 3:22:24 | 3:22:28 | |
He disappeared in Phnom Penh in 1975. | 3:22:28 | 3:22:30 | |
No. Pran is his first name. | 3:22:30 | 3:22:33 | |
We're hoping for any information at all. | 3:22:33 | 3:22:37 | |
He was last seen in Phnom Penh in '75, | 3:22:37 | 3:22:40 | |
in April 1975. | 3:22:40 | 3:22:42 | |
Pran is a resourceful man. | 3:23:17 | 3:23:19 | |
He will wait until he knows it's safe, | 3:23:19 | 3:23:22 | |
and then he'll make his move. | 3:23:22 | 3:23:24 | |
(TRANSLATING INTO KHMER) | 3:23:24 | 3:23:27 | |
(SPEAKING KHMER) | 3:23:27 | 3:23:29 | |
Thank you for coming | 3:23:39 | 3:23:42 | |
and taking care of her and her family, | 3:23:42 | 3:23:45 | |
but she knows that her husband's dead. | 3:23:45 | 3:23:49 | |
That's not true. | 3:23:49 | 3:23:50 | |
That's absolutely not true. | 3:23:51 | 3:23:53 | |
(TRANSLATING INTO KHMER) | 3:23:53 | 3:23:56 | |
(SPEAKING KHMER) | 3:23:58 | 3:24:00 | |
It's not true. It's not. | 3:24:00 | 3:24:02 | |
(SPEAKING KHMER) | 3:24:02 | 3:24:05 | |
She doesn't believe you and what you said. | 3:24:05 | 3:24:08 | |
She knows her husband is dead. | 3:24:08 | 3:24:10 | |
You're a good man. | 3:24:31 | 3:24:32 | |
If your mother needs anything, | 3:24:33 | 3:24:35 | |
you make sure she gets in touch with me, OK? | 3:24:35 | 3:24:39 | |
Yes. | 3:24:39 | 3:24:40 | |
OK. You better go. | 3:24:40 | 3:24:43 | |
(NESSUN DORMA FROM "TURANDOT" PLAYS) | 3:25:23 | 3:25:27 | |
For the past five years, | 3:26:21 | 3:26:23 | |
as indicated on this map | 3:26:23 | 3:26:26 | |
which you see here, | 3:26:26 | 3:26:27 | |
North Vietnam | 3:26:27 | 3:26:28 | |
has occupied military sanctuaries | 3:26:28 | 3:26:31 | |
all along the Cambodian frontier | 3:26:31 | 3:26:34 | |
with South Vietnam. | 3:26:34 | 3:26:35 | |
As the President spoke, | 3:26:35 | 3:26:36 | |
American troops were preparing to move into Cambodia. | 3:26:36 | 3:26:40 | |
The decision to invade, | 3:26:42 | 3:26:44 | |
like the earlier secret decision to bomb, | 3:26:44 | 3:26:47 | |
was withheld from the Cambodian people. | 3:26:47 | 3:26:49 | |
We will yell at the top of our lungs. | 3:26:49 | 3:26:52 | |
Aah! | 3:26:52 | 3:26:54 | |
Fear makes a man lose his nerve. | 3:26:54 | 3:26:58 | |
There are no American combat advisers in Cambodia. | 3:27:04 | 3:27:07 | |
There will be no American combat troops | 3:27:07 | 3:27:10 | |
or advisers in Cambodia. | 3:27:10 | 3:27:11 | |
We will aid Cambodia. | 3:27:11 | 3:27:12 | |
Cambodia is the Nixon doctrine in its purest form. | 3:27:12 | 3:27:16 | |
(SPEAKING KHMER) | 3:29:08 | 3:29:09 | |
(SPEAKING KHMER) | 3:30:03 | 3:30:05 | |
(SPEAKING KHMER) | 3:31:40 | 3:31:47 | |
-PRAN: -Sydney, I think of you often | 3:32:07 | 3:32:11 | |
and of my family. | 3:32:11 | 3:32:13 | |
They tell us that God is dead, | 3:32:13 | 3:32:17 | |
and now the party they call the Angka | 3:32:17 | 3:32:20 | |
will provide everything for us. | 3:32:20 | 3:32:23 | |
He says Angka has identified | 3:32:24 | 3:32:26 | |
and proclaims the existence | 3:32:26 | 3:32:28 | |
of a bad new disease - | 3:32:28 | 3:32:31 | |
a memory sickness | 3:32:31 | 3:32:33 | |
diagnosed as thinking too much about life | 3:32:33 | 3:32:36 | |
in pre-revolutionary Cambodia. | 3:32:36 | 3:32:39 | |
He says we are surrounded by enemies. | 3:32:39 | 3:32:43 | |
The enemy is inside us. | 3:32:43 | 3:32:46 | |
No-one can be trusted. | 3:32:46 | 3:32:49 | |
Angka. | 3:32:55 | 3:32:56 | |
(APPLAUSE) | 3:32:56 | 3:32:57 | |
We must be like the ox | 3:32:57 | 3:33:00 | |
and have no thought | 3:33:00 | 3:33:02 | |
except for the Party. | 3:33:02 | 3:33:04 | |
No love but for the Angka. | 3:33:04 | 3:33:07 | |
People starve... | 3:33:11 | 3:33:13 | |
but we must not grow food. | 3:33:14 | 3:33:17 | |
We must honour the comrade children | 3:33:20 | 3:33:22 | |
whose minds are not corrupted by the past. | 3:33:22 | 3:33:25 | |
PA ANNOUNCEMENT IN KHMER | 3:33:26 | 3:33:28 | |
(SPEAKING KHMER) | 3:33:37 | 3:33:40 | |
(SPEAKING FRENCH) | 3:33:43 | 3:33:48 | |
Is anybody of us a doctor, professor, and student? | 3:33:51 | 3:33:57 | |
Angka needs you. | 3:33:58 | 3:34:00 | |
Angka forgiven all the past. | 3:34:00 | 3:34:03 | |
Sydney, | 3:34:17 | 3:34:19 | |
Angka says that those who were guilty of soft living | 3:34:19 | 3:34:23 | |
in the years of the great struggle | 3:34:23 | 3:34:27 | |
and did not care for the peasants' sufferings | 3:34:27 | 3:34:30 | |
must confess | 3:34:30 | 3:34:31 | |
because now is the Year Zero | 3:34:31 | 3:34:34 | |
and everything is to start anew. | 3:34:34 | 3:34:36 | |
I'm full of fear, Sydney. | 3:34:45 | 3:34:47 | |
I must show no understanding, | 3:34:47 | 3:34:50 | |
not of French or English. | 3:34:50 | 3:34:53 | |
I must have no past, Sydney. | 3:34:53 | 3:34:56 | |
This is the Year Zero, | 3:34:56 | 3:34:58 | |
and nothing has gone before. | 3:34:58 | 3:35:01 | |
The wind whispers of fear and hate. | 3:35:13 | 3:35:17 | |
The war has killed love, Sydney, | 3:35:17 | 3:35:20 | |
and those who confess to the Angka vanish, | 3:35:20 | 3:35:25 | |
and no-one dare ask where they go. | 3:35:25 | 3:35:28 | |
Here, only the silent survive. | 3:35:28 | 3:35:32 | |
(GUNSHOTS) | 3:35:32 | 3:35:35 | |
(SPEAKING KHMER) | 3:36:02 | 3:36:04 | |
(SPEAKING KHMER) | 3:36:07 | 3:36:09 | |
(SPEAKING KHMER) | 3:36:09 | 3:36:11 | |
(BELL RINGS) | 3:37:42 | 3:37:44 | |
(BELL RINGS) | 3:37:53 | 3:37:54 | |
(SPEAKING KHMER) | 3:38:30 | 3:38:32 | |
(SPEAKING KHMER) | 3:38:52 | 3:38:54 | |
(SPEAKING KHMER) | 3:38:58 | 3:38:59 | |
Mercedes. Number one. | 3:41:02 | 3:41:05 | |
(SPEAKING KHMER) | 3:41:19 | 3:41:21 | |
(SPEAKING KHMER) | 3:41:32 | 3:41:34 | |
Aah! | 3:44:25 | 3:44:26 | |
(APPLAUSE) | 3:45:46 | 3:45:49 | |
Anyone who knows my work | 3:46:24 | 3:46:26 | |
will know that half of this belongs to Dith Pran. | 3:46:26 | 3:46:30 | |
Without Pran I wouldn't have been able | 3:46:30 | 3:46:33 | |
to file half the stories that I did. | 3:46:33 | 3:46:35 | |
It's nice to congratulate ourselves | 3:46:37 | 3:46:39 | |
on occasions like this, | 3:46:39 | 3:46:40 | |
but I can't stand here tonight | 3:46:40 | 3:46:43 | |
without thinking of those innocent people | 3:46:43 | 3:46:45 | |
Pran dedicated himself to helping me bring | 3:46:45 | 3:46:48 | |
to the notice of the American public. | 3:46:48 | 3:46:52 | |
As they pondered their options in the White House, | 3:46:52 | 3:46:55 | |
the men who decided to bomb and then to invade Cambodia | 3:46:55 | 3:47:00 | |
concerned themselves with many things. | 3:47:00 | 3:47:03 | |
Great power conflicts | 3:47:03 | 3:47:06 | |
and collapsing dominoes, | 3:47:06 | 3:47:08 | |
looking tough and dangerous to the North Vietnamese, | 3:47:08 | 3:47:12 | |
relieving pressure on the American troop withdrawal | 3:47:12 | 3:47:14 | |
from the south. | 3:47:14 | 3:47:17 | |
They had domestic concerns as well, | 3:47:17 | 3:47:19 | |
which helps explain why | 3:47:19 | 3:47:21 | |
they kept the bombing of Cambodia a secret | 3:47:21 | 3:47:23 | |
for as long as they could. | 3:47:23 | 3:47:25 | |
And they may be assumed not to have ignored | 3:47:25 | 3:47:28 | |
self-interest in their own careers. | 3:47:28 | 3:47:31 | |
What they specifically were not concerned with | 3:47:31 | 3:47:34 | |
were the Cambodians themselves. | 3:47:34 | 3:47:37 | |
Not the people, | 3:47:37 | 3:47:38 | |
not the society, | 3:47:39 | 3:47:41 | |
not the country. | 3:47:41 | 3:47:43 | |
Except in the abstract as instruments of policy. | 3:47:44 | 3:47:48 | |
Dith Pran and I | 3:47:51 | 3:47:52 | |
tried to record and bring home here | 3:47:52 | 3:47:55 | |
the concrete consequences of these decisions | 3:47:55 | 3:47:57 | |
to real people, | 3:47:57 | 3:48:00 | |
to human beings. | 3:48:00 | 3:48:01 | |
The people who were left out | 3:48:03 | 3:48:05 | |
of the administration's plans | 3:48:05 | 3:48:07 | |
but who paid the price and took the beating for them. | 3:48:07 | 3:48:11 | |
I'm very pleased to accept this | 3:48:15 | 3:48:18 | |
on behalf of Dith Pran and myself. | 3:48:18 | 3:48:19 | |
I'm very honoured, | 3:48:19 | 3:48:21 | |
and I know that Pran would be very proud. | 3:48:21 | 3:48:24 | |
(APPLAUSE) | 3:48:24 | 3:48:26 | |
Congratulations, Eddie. | 3:48:43 | 3:48:45 | |
Do it again next year. | 3:48:45 | 3:48:47 | |
I'm sorry. | 3:48:47 | 3:48:48 | |
Hi. | 3:48:48 | 3:48:49 | |
Hi. | 3:48:49 | 3:48:50 | |
That was great. | 3:48:50 | 3:48:52 | |
Better than last year. | 3:48:52 | 3:48:54 | |
Abe. | 3:48:54 | 3:48:56 | |
Hi, meet my sister. | 3:48:56 | 3:48:57 | |
How do you do? | 3:48:57 | 3:48:58 | |
That's my dad over there. | 3:48:58 | 3:49:00 | |
Dad, would you hold this? | 3:49:00 | 3:49:01 | |
Mr Schanberg. | 3:49:01 | 3:49:02 | |
One second. | 3:49:02 | 3:49:03 | |
Could you recommend a journalism school? | 3:49:03 | 3:49:04 | |
Syd. | 3:49:04 | 3:49:06 | |
I told my daughter I'd be seeing you. | 3:49:06 | 3:49:08 | |
All right, all right, just one minute. | 3:49:08 | 3:49:11 | |
I'll be right back. | 3:49:11 | 3:49:12 | |
Mr Schanberg. | 3:49:19 | 3:49:20 | |
Could I have your autograph? | 3:49:20 | 3:49:22 | |
I'm a great admirer of yours. | 3:49:22 | 3:49:24 | |
OK. | 3:49:25 | 3:49:27 | |
Congratulations on your award. | 3:49:27 | 3:49:29 | |
It was well-deserved. | 3:49:29 | 3:49:30 | |
Yeah, very impressive. | 3:49:30 | 3:49:31 | |
I was hoping you'd burst into song. | 3:49:31 | 3:49:33 | |
Al, what are you doing here? | 3:49:33 | 3:49:35 | |
You know what bothers me? | 3:49:35 | 3:49:36 | |
What? | 3:49:36 | 3:49:38 | |
It bothers me that you let Pran stay in Cambodia | 3:49:38 | 3:49:41 | |
Because you wanted to win that fucking award. | 3:49:41 | 3:49:44 | |
I had no idea... | 3:49:44 | 3:49:45 | |
The fuck you didn't. | 3:49:45 | 3:49:47 | |
The fuck you didn't. | 3:49:49 | 3:49:50 | |
I did everything I could, | 3:49:50 | 3:49:52 | |
and I'm doing everything I can. | 3:49:52 | 3:49:54 | |
Anyway, it's nice to see you. | 3:49:54 | 3:49:56 | |
I'm doing everything I can! | 3:49:56 | 3:49:59 | |
So you've been out there to see him? | 3:49:59 | 3:50:02 | |
Don't play stupid games with me, Al. | 3:50:02 | 3:50:04 | |
Nobody gets to go in there. | 3:50:04 | 3:50:06 | |
If I thought I could, I would have. | 3:50:06 | 3:50:08 | |
I've sent out hundreds of photographs. | 3:50:10 | 3:50:13 | |
Every relief organization | 3:50:13 | 3:50:16 | |
on the Thai-Kampuchean border's got his... | 3:50:16 | 3:50:18 | |
..has got his picture. | 3:50:19 | 3:50:21 | |
If I saw one glimmer of hope, | 3:50:21 | 3:50:22 | |
I'd go today. | 3:50:22 | 3:50:23 | |
You would've missed the party. | 3:50:23 | 3:50:24 | |
Life isn't a forties' movie. | 3:50:24 | 3:50:25 | |
You can't just get on a plane | 3:50:25 | 3:50:28 | |
and make the whole world right! | 3:50:28 | 3:50:30 | |
And I can't believe I'm hearing this from you! | 3:50:30 | 3:50:33 | |
Congrats. | 3:50:38 | 3:50:39 | |
Are you in touch with Pran's family? | 3:50:41 | 3:50:43 | |
Yes, I am. | 3:50:43 | 3:50:44 | |
They're living in San Francisco. | 3:50:44 | 3:50:46 | |
What about the accusations | 3:50:46 | 3:50:47 | |
journalists underestimated the Khmer Rouge brutality | 3:50:47 | 3:50:50 | |
and so share responsibility | 3:50:50 | 3:50:52 | |
for what happened in Cambodia afterwards? | 3:50:52 | 3:50:55 | |
We made a mistake. | 3:50:55 | 3:50:56 | |
Maybe we underestimated the insanity | 3:50:56 | 3:50:58 | |
that 7 billion worth of bombing could produce. | 3:50:58 | 3:51:01 | |
-REPORTER: -There are many refugee stories lately | 3:51:03 | 3:51:04 | |
in Reader's Digest | 3:51:04 | 3:51:06 | |
about conditions in Cambodia. | 3:51:06 | 3:51:08 | |
Do you believe them? | 3:51:08 | 3:51:10 | |
SYD: What's the matter, don't you believe them? | 3:51:10 | 3:51:12 | |
Maybe in this instance | 3:51:12 | 3:51:13 | |
the Reader's Digest happens to be correct. | 3:51:13 | 3:51:16 | |
Do you apply the same disbelief | 3:51:16 | 3:51:18 | |
to stories that come out of Iran | 3:51:18 | 3:51:20 | |
or Palestine or Chile? | 3:51:20 | 3:51:22 | |
Is that your next area of interest? | 3:51:22 | 3:51:25 | |
Refugees? The boat people? | 3:51:25 | 3:51:26 | |
You want a cup of tea? | 3:51:26 | 3:51:29 | |
SYD: Are you looking for more saleable suffering? | 3:51:29 | 3:51:33 | |
I must have sent 500 letters. | 3:51:35 | 3:51:38 | |
I wrote the International Red Cross, | 3:51:43 | 3:51:45 | |
the World Health Organization. | 3:51:45 | 3:51:47 | |
I know you did, Syd. You told me. | 3:51:47 | 3:51:50 | |
I don't know who I didn't write to. | 3:51:50 | 3:51:53 | |
I never really gave him any choice. | 3:51:58 | 3:52:01 | |
One time, he tried to discuss leaving. | 3:52:06 | 3:52:09 | |
I talked to him about it, | 3:52:17 | 3:52:19 | |
but we never really discussed it. | 3:52:19 | 3:52:22 | |
I discussed it with Swain and with Rockoff. | 3:52:24 | 3:52:28 | |
But I never discussed it with him. | 3:52:31 | 3:52:34 | |
He stayed because I wanted him to stay. | 3:52:44 | 3:52:47 | |
And I stayed because... | 3:52:53 | 3:52:55 | |
(HUMMING) | 3:53:18 | 3:53:20 | |
(SINGING IN KHMER) | 3:53:35 | 3:53:38 | |
(SPEAKING KHMER) | 3:53:56 | 3:53:58 | |
Taxi. | 3:54:25 | 3:54:26 | |
Taxi. | 3:54:26 | 3:54:28 | |
Pran... | 3:54:40 | 3:54:42 | |
Parlez Francais? | 3:54:42 | 3:54:43 | |
Taxi. Taxi. Taxi. | 3:54:43 | 3:54:46 | |
Voulez-vous une cigarette? | 3:55:55 | 3:55:58 | |
Voulez-vous une cigarette? | 3:56:00 | 3:56:03 | |
Huh? | 3:56:03 | 3:56:04 | |
(SPEAKING KHMER) | 3:56:04 | 3:56:07 | |
I'm trapped, Sydney. | 3:56:26 | 3:56:28 | |
I know he suspects me, | 3:56:28 | 3:56:29 | |
and yet, he treats me well. | 3:56:29 | 3:56:32 | |
There are many different groups over here, Sydney. | 3:56:32 | 3:56:37 | |
I must take much care. | 3:56:37 | 3:56:39 | |
Now Angka says we have new enemies. | 3:56:39 | 3:56:43 | |
They say we must regain our old lands | 3:56:43 | 3:56:46 | |
from the Vietnamese. | 3:56:46 | 3:56:48 | |
And now they say we must fight them. | 3:56:48 | 3:56:52 | |
I miss you, | 3:56:54 | 3:56:55 | |
my wife, my children. | 3:56:55 | 3:56:58 | |
And my heart hungers for news of you. | 3:56:58 | 3:57:01 | |
-RADIO: -New China radio reports | 3:57:24 | 3:57:26 | |
fighting between Vietnam and Democratic Kampuchea | 3:57:26 | 3:57:29 | |
has broken out on a number of fronts. | 3:57:29 | 3:57:31 | |
This is in retaliation, | 3:57:31 | 3:57:33 | |
according to the Vietnamese... | 3:57:33 | 3:57:35 | |
Allez, Monsieur Pran. | 3:57:37 | 3:57:40 | |
Taxi driver, huh? | 3:57:41 | 3:57:42 | |
Allez. | 3:57:43 | 3:57:45 | |
Allez-vous en. | 3:57:45 | 3:57:47 | |
Vous etiez de Phnom Penh? | 3:57:56 | 3:57:58 | |
Then you speak English. | 3:57:58 | 3:58:00 | |
Sit down. | 3:58:00 | 3:58:02 | |
You know I love this country. | 3:58:06 | 3:58:11 | |
I sacrificed everything for it. | 3:58:12 | 3:58:15 | |
My wife died for the revolution. | 3:58:15 | 3:58:20 | |
But the leaders of Angka | 3:58:21 | 3:58:24 | |
no longer trust the people. | 3:58:24 | 3:58:27 | |
Therefore, I can no longer trust them. | 3:58:27 | 3:58:30 | |
And they don't trust me. | 3:58:32 | 3:58:34 | |
I fear... | 3:58:36 | 3:58:38 | |
Really fear for the future. | 3:58:38 | 3:58:42 | |
I think you love my son. | 3:58:44 | 3:58:49 | |
For his sake... | 3:58:51 | 3:58:53 | |
Look after him. | 3:58:53 | 3:58:55 | |
The fighting is close by, Sydney. | 3:58:59 | 3:59:02 | |
If the Vietnamese get here, | 3:59:02 | 3:59:05 | |
Angka will destroy everything, | 3:59:05 | 3:59:07 | |
and the Vietnamese will find only ashes. | 3:59:07 | 3:59:11 | |
(SPEAKING KHMER) | 3:59:35 | 3:59:36 | |
(EXPLOSION) | 3:59:42 | 3:59:44 | |
(BELL RINGS) | 3:59:56 | 3:59:59 | |
(GUNSHOTS) | 4:00:17 | 4:00:19 | |
(SPEAKING KHMER) | 4:01:54 | 4:01:55 | |
(MACHINE GUN FIRE) | 4:02:03 | 4:02:04 | |
I must try to stop the killing. | 4:02:12 | 4:02:15 | |
Good luck. | 4:02:15 | 4:02:16 | |
(SPEAKING KHMER) | 4:02:33 | 4:02:35 | |
(SPEAKING KHMER) | 4:02:42 | 4:02:43 | |
(JET PLANE PASSES) | 4:06:15 | 4:06:17 | |
(TWIG BREAKS) | 4:06:44 | 4:06:45 | |
(LAND MINE CLICKS) | 4:07:54 | 4:07:56 | |
(SPEAKING KHMER) | 4:07:56 | 4:07:57 | |
Yeah. I'll be right there. | 4:11:12 | 4:11:13 | |
Abe! | 4:11:16 | 4:11:17 | |
Ann, get me 415-555-6421. | 4:11:17 | 4:11:20 | |
Abe, I've got some great news! | 4:11:20 | 4:11:24 | |
Abe, 20 minutes ago, | 4:11:33 | 4:11:35 | |
I get a phone call from Paris. | 4:11:35 | 4:11:38 | |
I get Andreas Freund. | 4:11:38 | 4:11:39 | |
He talked to Henry Kemp. | 4:11:39 | 4:11:42 | |
Kemp told him how to reach me. | 4:11:42 | 4:11:44 | |
Freund says, "Sydney, I've got some great news." | 4:11:44 | 4:11:46 | |
-WOMAN: -I've got San Francisco. | 4:11:46 | 4:11:47 | |
It's about Pran. | 4:11:47 | 4:11:49 | |
Is your mother there? | 4:11:49 | 4:11:50 | |
When? | 4:11:53 | 4:11:54 | |
All right. I want you to get this down. | 4:11:56 | 4:11:58 | |
No. Write it down, write it down. | 4:12:00 | 4:12:03 | |
I've got a message from your dad. | 4:12:03 | 4:12:06 | |
(SPEAKING KHMER) | 4:12:18 | 4:12:20 | |
# Imagine all the people | 4:12:35 | 4:12:38 | |
# Livin' for today | 4:12:40 | 4:12:45 | |
# I-I-I | 4:12:45 | 4:12:48 | |
# Imagine there's no countries | 4:12:48 | 4:12:51 | |
# It isn't hard to do | 4:12:54 | 4:12:57 | |
# Nothing to kill or die for | 4:13:00 | 4:13:03 | |
# And no religion, too | 4:13:06 | 4:13:09 | |
# Imagine all the people... # | 4:13:12 | 4:13:16 | |
How you been? | 4:13:16 | 4:13:17 | |
# Livin' life in peace | 4:13:17 | 4:13:24 | |
# You may say I'm a dreamer... # | 4:13:24 | 4:13:27 | |
Do you forgive me? | 4:13:29 | 4:13:31 | |
Nothing to forgive, Sydney. Nothing. | 4:13:31 | 4:13:34 | |
# I hope some day | 4:13:36 | 4:13:38 | |
# You'll join us | 4:13:38 | 4:13:40 | |
# And the world will be as one | 4:13:43 | 4:13:46 | |
# Imagine no possessions | 4:13:48 | 4:13:51 | |
# I wonder if you can | 4:13:54 | 4:13:58 | |
# No need for greed or hunger | 4:14:00 | 4:14:04 | |
# A brotherhood | 4:14:06 | 4:14:08 | |
# Of man | 4:14:08 | 4:14:09 | |
# Imagine all the people | 4:14:12 | 4:14:16 | |
# Sharing all the world | 4:14:18 | 4:14:22 | |
# You | 4:14:22 | 4:14:25 | |
# You may say I'm a dreamer | 4:14:25 | 4:14:29 | |
# But I'm not the only one | 4:14:31 | 4:14:34 | |
# I hope some day you'll join us | 4:14:36 | 4:14:41 | |
# And the world will live as one. # | 4:14:43 | 4:14:49 |