Browse content similar to Badman's Territory. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
In the building of the great American empire of the West, | 0:01:28 | 0:01:32 | |
first a big section of land was given over to the Indians, | 0:01:32 | 0:01:37 | |
then Texas was annexed in 1845. | 0:01:37 | 0:01:40 | |
New Mexico became a territory of the US, | 0:01:40 | 0:01:43 | |
then territories became states, | 0:01:43 | 0:01:46 | |
but a mistake was made and a strip of land was completely overlooked, | 0:01:46 | 0:01:51 | |
left without law or sheriff. | 0:01:51 | 0:01:53 | |
This strip had no legal basis for government of any kind, | 0:01:53 | 0:01:58 | |
and became a hideout for the outlaws who infested the West. | 0:01:58 | 0:02:03 | |
No United States marshal dared venture there. | 0:02:03 | 0:02:08 | |
It was called Badman's Territory. | 0:02:08 | 0:02:10 | |
Its metropolis was a prairie town called Quinto. | 0:02:10 | 0:02:15 | |
There, one bygone day, a quiet band of desperadoes set forth on one of their periodical missions. | 0:02:15 | 0:02:22 | |
Satisfied with local conditions were Ben Wade, the hotel keeper, | 0:02:22 | 0:02:27 | |
and his boisterous helpers. | 0:02:27 | 0:02:30 | |
The merchants, many of them slightly reformed characters themselves, watched with approval. | 0:02:30 | 0:02:37 | |
Successful outlaws meant heavy spending. | 0:02:37 | 0:02:40 | |
Wealthy Colonel Farewell, president of the Livestock Association, | 0:02:40 | 0:02:45 | |
and Tahlequah, chief of the plains tribes, cared little about outlaws. | 0:02:45 | 0:02:51 | |
Yes, Quinto was thriving and everybody liked things the way they were, | 0:02:51 | 0:02:57 | |
except possibly Henryetta Alcott, an English girl transplanted to the West | 0:02:57 | 0:03:02 | |
on the death of her father, publisher of the Quinto Citizen. | 0:03:02 | 0:03:07 | |
She had long resented the town's notorious guests, | 0:03:07 | 0:03:11 | |
and now she decided to do something about it. | 0:03:11 | 0:03:16 | |
Unaware of being honoured by editorial notice, | 0:03:16 | 0:03:20 | |
the subjects of her headline turned south toward Texas and their mission. | 0:03:20 | 0:03:25 | |
Sure that'll get through all right? | 0:03:30 | 0:03:33 | |
Don't worry. | 0:03:33 | 0:03:35 | |
Some of them train robbers are smarter than a coyote. | 0:03:35 | 0:03:39 | |
Them James brothers could be laying for the train that's going on. | 0:03:39 | 0:03:44 | |
They don't operate this far west. | 0:03:44 | 0:03:47 | |
Never yet, maybe, but supposin' they did? | 0:03:47 | 0:03:50 | |
They'd be fools. The car locks from inside and the messenger won't open without the signal. | 0:03:50 | 0:03:57 | |
Is that so? Well, I'm glad to know that, son. | 0:03:57 | 0:04:02 | |
All the same, I'll stick around and make sure my stuff gets away. It's my 30 years' savings. | 0:04:02 | 0:04:09 | |
HE PLAYS "OH, SUSANNAH" | 0:04:22 | 0:04:27 | |
TRAIN WHISTLE BLOWS | 0:04:29 | 0:04:32 | |
BELL CLANGS ON TRAIN | 0:04:50 | 0:04:53 | |
-HORSE WHINNIES -Whoa! I ain't going to hurt ye! | 0:05:08 | 0:05:11 | |
-Stand still, doggone your hide! -HE LAUGHS | 0:05:11 | 0:05:15 | |
RAT-A-TAT-TAT | 0:05:18 | 0:05:20 | |
How are you, Johnny? Fair to middlin'. | 0:05:20 | 0:05:24 | |
Take care of this. The old boy's afraid someone'll steal it. | 0:05:24 | 0:05:28 | |
Throw your guns in the wagon. Don't raise your hands. | 0:05:34 | 0:05:37 | |
Do it. | 0:05:37 | 0:05:39 | |
< Now get inside. | 0:05:44 | 0:05:47 | |
All aboard! | 0:06:30 | 0:06:32 | |
BELL CLANGS | 0:06:34 | 0:06:36 | |
Hey! I think the train's been robbed! | 0:06:51 | 0:06:53 | |
You do? | 0:06:53 | 0:06:55 | |
Halt! | 0:07:37 | 0:07:39 | |
We'll fan out here. Chances are the bandits will come through that cut. | 0:07:39 | 0:07:44 | |
Patton, spread your men east. Wake, yours west. We'll camp for the night. | 0:07:44 | 0:07:49 | |
Captain Hampton - three riders coming up, sir. | 0:07:55 | 0:07:59 | |
-Rowley! I told you to cover Cherokee Flat! -I don't think the outlaws are coming that way. | 0:08:05 | 0:08:12 | |
-What do you think? -They'll use Eagle Creek. -50 miles north? -Yeah. | 0:08:12 | 0:08:17 | |
The state police are running this. County sheriffs follow my orders. Understand? | 0:08:17 | 0:08:23 | |
No. I never could understand you. | 0:08:23 | 0:08:26 | |
If a messenger comes from the Kiowa tribe, send him on to Eagle Creek. | 0:08:26 | 0:08:31 | |
Who's the young fella with Rowley? | 0:08:35 | 0:08:38 | |
His brother. He's his new deputy. Together, they wouldn't make one good officer! | 0:08:38 | 0:08:44 | |
Whoa! | 0:08:59 | 0:09:01 | |
Here! | 0:09:01 | 0:09:02 | |
-It's a Kiowa pony. -I wonder how he lost his rider? | 0:09:02 | 0:09:06 | |
-The James gang? -Might explain why we didn't get the message. -And that confirms it. | 0:09:06 | 0:09:13 | |
That's Hampton's posse! They must have intercepted the messenger. | 0:09:13 | 0:09:19 | |
It all adds up. Mercer, swing around and meet me below the cut. | 0:09:19 | 0:09:23 | |
-Right, Mark. -Come on, Johnny. | 0:09:23 | 0:09:27 | |
If you were an outlaw camped by the creek and saw that posse, what would you do? | 0:09:36 | 0:09:42 | |
-I'd head up to open country. -Right. And if you're a deputy who's figured out the outlaws' next move? | 0:09:42 | 0:09:49 | |
-I'd hide in the trees. -Right. -And pump lead into them. -Wrong. | 0:09:49 | 0:09:54 | |
Every man has a right to a fair trial. | 0:09:54 | 0:09:58 | |
-Outlaws? Train robbers? -No-one's guilty until convicted. Try to take your man alive. | 0:09:58 | 0:10:04 | |
-What if he shows fight? -Shoot and don't miss. I didn't bring you here to lose you. -Yes, teacher! | 0:10:04 | 0:10:11 | |
-Sorry. I was talking to my big brother, not my little one. -Thanks. | 0:10:11 | 0:10:17 | |
If they come through, they'll be surrounded. | 0:10:17 | 0:10:21 | |
They're closing in on three sides! | 0:10:40 | 0:10:43 | |
-That leaves us just one. -I'll make sure that's clear! | 0:10:43 | 0:10:47 | |
Told you we shouldn't stop here. | 0:10:47 | 0:10:50 | |
Shut up, Hank! | 0:10:50 | 0:10:52 | |
Git, Buck! | 0:11:10 | 0:11:11 | |
You young whippersnapper! Where'd you drop from - a balloon? | 0:11:33 | 0:11:37 | |
Take it easy, Pop. Come on, get up! | 0:11:37 | 0:11:40 | |
HOWLS LIKE A COYOTE | 0:11:41 | 0:11:44 | |
CLICK | 0:13:22 | 0:13:24 | |
- What have we here, Rowley? - Prisoner. - One of the James gang, eh? | 0:13:34 | 0:13:38 | |
-Me? -Then who are you, pardner? | 0:13:38 | 0:13:41 | |
-Huh? -Tell me, and talk fast. | 0:13:41 | 0:13:44 | |
Can't talk fast. No teeth. I got nothing to say to you. | 0:13:44 | 0:13:48 | |
- Hey! - Keep out of this. I'll wring the information out of him. | 0:13:48 | 0:13:53 | |
-No, you won't. Come on, old timer. -Sure hate to cause friction in the ranks of the law. | 0:13:53 | 0:14:00 | |
- Carson, take him. - No, he's my prisoner! | 0:14:00 | 0:14:03 | |
- Rowley! - My orders are to take him alive! | 0:14:03 | 0:14:07 | |
All right, Frank, pick up their hardware. | 0:14:16 | 0:14:19 | |
Now get down and hand me his gun. | 0:14:27 | 0:14:30 | |
Sure glad to see you, Jesse. I was depending on you. | 0:14:30 | 0:14:35 | |
-All right? -Nothing a little distance 'twixt me and the law won't cure. | 0:14:35 | 0:14:40 | |
-Who's that? -Friend of mine. We'll take him. | 0:14:42 | 0:14:46 | |
We can't! He'll slow us up! | 0:14:46 | 0:14:48 | |
He got hurt on my account. I ain't leaving him with that varmint. | 0:14:48 | 0:14:53 | |
He goes with us. Come on! | 0:14:53 | 0:14:55 | |
Come on. We'll find Patton. | 0:14:58 | 0:15:01 | |
Have you seen Patton and my men? | 0:15:19 | 0:15:21 | |
-No, but I saw the outlaws. Why'd they take my brother? -He went of his own accord. | 0:15:21 | 0:15:27 | |
I don't believe that. And he looked like he was wounded. | 0:15:27 | 0:15:32 | |
-He was. I shot him. -What? | 0:15:32 | 0:15:35 | |
-I had to. -John did that? | 0:15:35 | 0:15:38 | |
-He turned on me. -Why? | 0:15:38 | 0:15:41 | |
To help the outlaws escape. We had them covered but he... | 0:15:41 | 0:15:45 | |
Did you try to take his prisoner? | 0:15:45 | 0:15:48 | |
You can't justify him, Rowley. | 0:15:48 | 0:15:51 | |
I'll get the truth when I bring John back to face you. | 0:15:51 | 0:15:55 | |
He's a fugitive from justice. If he faces me, it'll be at the end of a rope. | 0:15:55 | 0:16:02 | |
You're even a bigger coward than I thought you were. | 0:16:02 | 0:16:05 | |
Rowley, it's a good thing I'm not armed. | 0:16:05 | 0:16:10 | |
Yes, it is. Get off that horse. | 0:16:10 | 0:16:13 | |
Get off. | 0:16:14 | 0:16:16 | |
This is robbery! | 0:16:19 | 0:16:21 | |
Yes. Highway robbery! | 0:16:21 | 0:16:24 | |
-Who are you? -Mark Rowley. | 0:17:05 | 0:17:09 | |
-What are you doing? -Hunting. -Rabbits? | 0:17:09 | 0:17:12 | |
-No. Quinto. -Oh. | 0:17:12 | 0:17:15 | |
Who are you? | 0:17:17 | 0:17:19 | |
-Belle Starr? -Maybe. | 0:17:19 | 0:17:23 | |
-Cimarron Rose? -Maybe. | 0:17:23 | 0:17:27 | |
-Sureshot Stella? -Maybe. | 0:17:27 | 0:17:31 | |
-Talkative, aren't you? -Not with strangers. You were following me. | 0:17:31 | 0:17:36 | |
No, five riders. One on a chestnut. Have you seen 'em? | 0:17:36 | 0:17:40 | |
-The James gang? -Yes. -They passed half an hour ago. | 0:17:40 | 0:17:44 | |
Thanks. | 0:17:44 | 0:17:46 | |
-Friends of yours? -One of them was fairly close to me. -Don't get close to them. | 0:17:46 | 0:17:53 | |
-You a sheriff? -Yes, ma'am. -Sorry. -That's all right. | 0:17:53 | 0:17:57 | |
-I doubt if the civic body of Quinto will greet you. -I hope they pay me no attention. | 0:17:57 | 0:18:03 | |
-If you represent the population, I won't worry. -I'd remove that star. Sheriffs don't live long in Quinto. | 0:18:03 | 0:18:11 | |
Thanks. I think I can take care of myself. You seem well able to. | 0:18:11 | 0:18:16 | |
-In my business, I have to. -I understand. | 0:18:16 | 0:18:21 | |
-Is that the way to Quinto? -Yes. -I'll be on my way. -If you don't mind, I'll join you. | 0:18:21 | 0:18:27 | |
It's a pleasure, Miss... | 0:18:27 | 0:18:30 | |
-Alcott. Henryetta Alcott. -You're not Belle Starr. | 0:18:30 | 0:18:33 | |
No. Not Cimarron Rose nor Sharpshootin' Stella either. | 0:18:33 | 0:18:38 | |
-Say, what is your business? -I'm a printer. -Uh-huh. | 0:18:41 | 0:18:45 | |
Well, this is Quinto. | 0:19:13 | 0:19:16 | |
BANGING | 0:19:20 | 0:19:22 | |
It's Ben Wade's crowd. It's the Citizens' Committee. | 0:19:30 | 0:19:35 | |
-What are you doing? -That was your first and last article on law and order. | 0:19:35 | 0:19:41 | |
-Which proves how badly we need it! -We're the law here. We don't need peace officials and tax collectors. | 0:19:41 | 0:19:49 | |
Meg, Hodge - help me down with this! | 0:19:49 | 0:19:51 | |
-Don't get frisky, young lady. -Just a minute! | 0:19:51 | 0:19:55 | |
Aren't you gentlemen forgetting your manners? | 0:19:55 | 0:19:57 | |
-Who are you? -The name's Rowley. -He's a Texas sheriff! | 0:19:57 | 0:20:01 | |
-In Quinto, I'm plain Mark Rowley. -Why are you here? | 0:20:01 | 0:20:05 | |
-That's a personal matter. -It's a public matter. You've got five minutes to get out. | 0:20:05 | 0:20:11 | |
First I'd like you to open Miss Alcott's office, and I'll give you half that time. | 0:20:11 | 0:20:18 | |
Open up. | 0:20:18 | 0:20:21 | |
Now I savvy. You put her up to this law and order campaign. | 0:20:29 | 0:20:33 | |
Howdy, Miss Alcott. What's happening? | 0:20:33 | 0:20:35 | |
Mr Wade's committee decided to close my paper. This gentleman persuaded them to open it. | 0:20:35 | 0:20:42 | |
Mighty nice of you to help a lady. Downright chivalrous, Mr... | 0:20:42 | 0:20:47 | |
SHERIFF Rowley, Colonel Farewell. | 0:20:47 | 0:20:50 | |
Really? | 0:20:50 | 0:20:52 | |
Well! | 0:20:52 | 0:20:54 | |
We don't often have a sheriff call on us, Mr, uh...Rowley. | 0:20:54 | 0:20:58 | |
He's not here in an official capacity. Colonel Farewell is one of our leading citizens. | 0:20:58 | 0:21:05 | |
Have you read this, Colonel? | 0:21:05 | 0:21:07 | |
Yes. You have cause for complaint against the paper. | 0:21:07 | 0:21:11 | |
But you've been a little rough on its publisher. | 0:21:11 | 0:21:15 | |
I prefer disagreements to be settled by arbitration, not fighting. But Colonel... | 0:21:15 | 0:21:20 | |
Send the boys back to their businesses. Let Miss Alcott run hers...for the present. | 0:21:20 | 0:21:27 | |
-Thanks, Colonel. And thank you, Mr Rowley. -It's been a pleasure. Glad to have met you, Colonel. | 0:21:27 | 0:21:35 | |
We can't let her print this. She'll start something nobody can stop. | 0:21:35 | 0:21:40 | |
I agree that we've got to check her, but we must be tactful. | 0:21:40 | 0:21:45 | |
If you drive her out of Quinto, you've made a martyr with a story. | 0:21:45 | 0:21:50 | |
Then other papers'll play up. Maybe all the way to Washington. | 0:21:50 | 0:21:54 | |
Maybe you're right, but shooting that sheriff is strictly local business. | 0:21:54 | 0:22:00 | |
Of course it is, but why shoot a man that might be useful? | 0:22:00 | 0:22:05 | |
Hi, Elmer! Hello, Hank. How was your trip? | 0:22:07 | 0:22:11 | |
Mighty good. | 0:22:11 | 0:22:13 | |
You're back early. We did leave in a hurry. | 0:22:13 | 0:22:16 | |
Anxious to get back for the grass rent celebration. | 0:22:16 | 0:22:21 | |
Hank McGee! | 0:22:21 | 0:22:23 | |
Sam Bass! I thought they had you in the iron teepee at Abilene! | 0:22:23 | 0:22:28 | |
Just a sojourn! Needed a rest. How'd you get out? | 0:22:28 | 0:22:32 | |
Carelessness! | 0:22:32 | 0:22:33 | |
Say, that's a real Sunday horse. | 0:22:33 | 0:22:36 | |
He ain't so bad the other days! | 0:22:36 | 0:22:38 | |
Where'd you get him? A nice sheriff gave him to me. | 0:22:38 | 0:22:43 | |
You don't mean it! Sure as you're born. | 0:22:43 | 0:22:46 | |
Sheriff said my horse wasn't fit for a man in my position. | 0:22:46 | 0:22:50 | |
Can he run? Bet you 100 he can beat your mare with a head start of 40 lengths. | 0:22:50 | 0:22:57 | |
Can he beat Belle Starr's Beauty? Running backward! | 0:22:57 | 0:23:00 | |
- Hello, Sam. - Hi, Elmer! | 0:23:00 | 0:23:03 | |
Hank, if you ain't bragging, I know how we can make a little honest money... | 0:23:03 | 0:23:10 | |
Want something, Mister? | 0:23:26 | 0:23:29 | |
Yes. Jesse James. | 0:23:29 | 0:23:31 | |
-He's not here. -Or the Coyote Kid. -I never heard of him. | 0:23:31 | 0:23:36 | |
-HARMONICA PLAYS -You must be hard of hearing. | 0:23:36 | 0:23:40 | |
Hey, Custer. Did that prepaid pill-peddler show up? | 0:23:40 | 0:23:44 | |
Yes, sir. He's upstairs, Mr Badger. | 0:23:44 | 0:23:47 | |
Thankee. | 0:23:49 | 0:23:50 | |
Thanks. | 0:23:50 | 0:23:52 | |
HE PLAYS HARMONICA | 0:23:52 | 0:23:55 | |
Hold it. Hold it. Take it easy, son. | 0:24:00 | 0:24:03 | |
You can't arrest me here. | 0:24:03 | 0:24:06 | |
-I've come for John Rowley. -He ain't no outlaw! | 0:24:06 | 0:24:09 | |
-I know. He's my brother. -Oh. ..Your brother? Why didn't you say so? He's right in there. | 0:24:09 | 0:24:17 | |
Hiya, Johnny. | 0:24:18 | 0:24:19 | |
Take it easy. Johnny's brother. | 0:24:22 | 0:24:25 | |
-You'd follow me anywhere. -What does the doc say? | 0:24:25 | 0:24:29 | |
He'll be as good as ever in a week or so. | 0:24:29 | 0:24:33 | |
That's good news, Dr Quillan. | 0:24:36 | 0:24:39 | |
I've never been mistaken for a dead man. I buried Doc Quillan myself years ago. | 0:24:39 | 0:24:47 | |
Must have been right after he left Texas under federal indictment. | 0:24:47 | 0:24:52 | |
They couldn't prove it...so he said. | 0:24:52 | 0:24:54 | |
-How do you like it up here? -Fine. | 0:24:54 | 0:24:57 | |
Good climate. Mother and I make out. She'll be glad to see you again. | 0:24:57 | 0:25:02 | |
I mean, you'll be welcome for supper. There you are, son. | 0:25:02 | 0:25:07 | |
I'm always glad to meet old friends. | 0:25:07 | 0:25:09 | |
Whatever happened to Nate Carter? | 0:25:09 | 0:25:12 | |
Got killed in a brawl. You know, that bank failure wasn't his fault. | 0:25:12 | 0:25:16 | |
Bank failures are never anybody's fault except ours. | 0:25:16 | 0:25:21 | |
Too bad you weren't around for that one. | 0:25:21 | 0:25:24 | |
-Must get a lot of Texans here. -Yes. People in Quinto are pretty decent. -Not the ones I've seen so far. | 0:25:24 | 0:25:32 | |
It ain't that bad... the men that put away their guns. | 0:25:32 | 0:25:36 | |
Can't argue with the men that still carry them. | 0:25:36 | 0:25:39 | |
-I understand. You still keep your collections up to date? -Yes indeedy. | 0:25:39 | 0:25:45 | |
-Hey, Doc. Didn't I pay you in advance? -I guess you did. | 0:25:45 | 0:25:50 | |
Gentlemen. This boy needs rest and quiet. | 0:25:50 | 0:25:54 | |
Hold on, Doc. Ain't you forgot something? | 0:25:54 | 0:25:58 | |
Why, I...oh, yes! | 0:25:58 | 0:26:00 | |
-How about some medicine? -Medicine? -Yes. -What medicine have you got? | 0:26:00 | 0:26:05 | |
Let's see. I got snakeroot, ipecac, asafoetida, turpentine or brandy. | 0:26:05 | 0:26:11 | |
-I'll take a little brandy. -Yeah... | 0:26:11 | 0:26:15 | |
-Thanks for looking after him, boys. -Don't mention it. | 0:26:16 | 0:26:20 | |
-Join us in a drink, Mr Sheriff? -With pleasure, Mr James. | 0:26:20 | 0:26:24 | |
Get a little rest. See you later. | 0:26:24 | 0:26:27 | |
PIANO PLAYS | 0:26:32 | 0:26:35 | |
That's the list for tomorrow's race. We're ready to take all bets. | 0:26:49 | 0:26:54 | |
Think your horse can win, McGee? | 0:26:54 | 0:26:57 | |
I'm gonna risk a brand-new Texas dollar bill! | 0:26:57 | 0:27:00 | |
I bet you 10-1 you lose it! | 0:27:00 | 0:27:03 | |
Can his new horse run fast? When he's scared! | 0:27:03 | 0:27:06 | |
Can he beat Beauty? When Beauty's dead! | 0:27:06 | 0:27:09 | |
Who's the official stakeholder? Anybody you like, if he's honest! | 0:27:09 | 0:27:14 | |
If I was as crooked as you, I'd have a guilty conscience! | 0:27:14 | 0:27:19 | |
I can't remember ever touching a dishonest penny. | 0:27:19 | 0:27:23 | |
Give him some brandy. He's absent-minded. He thinks he's pious. | 0:27:23 | 0:27:28 | |
Hiya, Coyote. Glad to see you back. | 0:27:31 | 0:27:34 | |
I'm not unhappy to be here. How are you, Sam? | 0:27:34 | 0:27:37 | |
How about Honest Jim Badger, the Coyote Kid as stakeholder? | 0:27:37 | 0:27:42 | |
As one of our most honest citizens, we've chosen you as stakeholder for the big race. | 0:27:42 | 0:27:49 | |
-Thank you, but I'll have to decline. -Why? | 0:27:49 | 0:27:52 | |
I plan to get drunk tomorrow and I'm a LEETLE mite careless when I drink. | 0:27:52 | 0:27:58 | |
-You're the people's choice. -How about Doc Glen here? | 0:27:58 | 0:28:02 | |
-No, you're the man. -If you insist, but don't say I didn't warn you. | 0:28:02 | 0:28:07 | |
McGee, you ain't running the sheriff's chestnut, are you? | 0:28:07 | 0:28:11 | |
- Yeah. He hasn't got much chance. - I'm betting he don't. | 0:28:11 | 0:28:17 | |
- He'll do anything for me. - Anything but win that race! | 0:28:17 | 0:28:22 | |
-One of your men, ain't he? -Yeah. Hank McGee. | 0:28:22 | 0:28:26 | |
Excuse me. | 0:28:26 | 0:28:28 | |
I'm kind of thinking nobody's going to win anything! | 0:28:28 | 0:28:32 | |
-You shot my deputy in the back and stole my horse. -What of it? | 0:28:35 | 0:28:40 | |
-Where's the chestnut? -In good hands. -At the corral? -Maybe. | 0:28:40 | 0:28:45 | |
Well? | 0:29:00 | 0:29:02 | |
Come on. | 0:29:21 | 0:29:23 | |
Put him up again. | 0:29:26 | 0:29:28 | |
-Pay for them drinks, Doc. -Yeah. ..What? | 0:29:31 | 0:29:35 | |
Well, what are we waiting for? A formal invitation? | 0:29:44 | 0:29:49 | |
Mr Rowley, would you come in a minute? | 0:29:54 | 0:29:57 | |
A Texas sheriff is fighting one of the James boys! | 0:30:04 | 0:30:08 | |
The James boys? Come on! | 0:30:08 | 0:30:11 | |
Hurry! This may be your last chance to see a real live sheriff! | 0:30:14 | 0:30:19 | |
I'm very grateful to you for helping me, but I do regret... | 0:30:23 | 0:30:27 | |
-Forget it. -The businessmen's committee won't forget it. | 0:30:27 | 0:30:32 | |
Don't stay here. We'll look after your brother. | 0:30:32 | 0:30:36 | |
-McGee's on his way to the corral. -So I notice. | 0:30:36 | 0:30:39 | |
-You shouldn't have stopped here. -It's my fault. -Please! -Coyote says you haven't a chance. | 0:30:39 | 0:30:47 | |
I could run ahead, make him nervous. He's gonna get it! | 0:30:47 | 0:30:52 | |
Thanks. | 0:30:52 | 0:30:54 | |
Come on! | 0:30:54 | 0:30:56 | |
Get those horses out of here, quick! | 0:31:05 | 0:31:09 | |
Leave 'em there. Where's that sheriff? | 0:31:20 | 0:31:24 | |
I haven't saw a sheriff for 20 years. | 0:31:24 | 0:31:27 | |
Ya-hoo! | 0:31:50 | 0:31:53 | |
Say, that man can shoot. Shot a horse race clean out from under us. | 0:31:53 | 0:31:59 | |
Doggone it, Sheriff, you should have been an outlaw. | 0:32:03 | 0:32:07 | |
-Congratulations. -Thanks, but I'm still a little scared. -Don't be. | 0:32:07 | 0:32:13 | |
-That shot will bring you quite a reputation in Quinto. -Good shot! | 0:32:13 | 0:32:18 | |
I couldn't have done better. | 0:32:18 | 0:32:21 | |
Well, that's right nice of you. | 0:32:21 | 0:32:23 | |
We like your kind. We hope to be seeing a lot of you. | 0:32:23 | 0:32:27 | |
A real genuine compliment coming from Belle Starr. | 0:32:27 | 0:32:31 | |
Belle Starr? | 0:32:31 | 0:32:33 | |
-It ain't nobody else. -Well... | 0:32:33 | 0:32:36 | |
Doggone it, she sure is some gal. | 0:32:39 | 0:32:42 | |
Sheriff, that shooting entitles you to meet Sam Bass. Howdy. | 0:32:44 | 0:32:49 | |
Mr Wade offers his compliments. Rowley, since McGee had entered your horse for tomorrow's race, | 0:32:49 | 0:32:55 | |
-I was wondering... -No, thanks. | 0:32:55 | 0:32:58 | |
Miss Starr, you didn't give me time to thank you for your compliment. | 0:33:00 | 0:33:05 | |
-You talk as smooth as you shoot, and your shootin's gonna keep me out of Texas. -I hoped you'd visit. | 0:33:05 | 0:33:11 | |
-A woman can change her mind. -Good. It's a clean jail. -If you're the jailer... | 0:33:11 | 0:33:17 | |
-I might accept your invitation. -I always do my best to accommodate prisoners, and especially ladies. | 0:33:17 | 0:33:24 | |
-Too bad your chestnut isn't running tomorrow. I was looking forward to looking back at him. -Were you? | 0:33:24 | 0:33:31 | |
I can change my mind. You'd better have your horse in shape or you'll be looking at the back of him. Bye. | 0:33:31 | 0:33:38 | |
Come on. | 0:33:45 | 0:33:47 | |
One of the best shootings in years. | 0:33:47 | 0:33:50 | |
-Well, doc? He's made his last mistake. -Doctor Grant. -Yes, Miss Alcott? | 0:33:50 | 0:33:54 | |
-I'd like you to come over to my house. -Certainly, Miss Alcott. | 0:33:54 | 0:33:59 | |
Is this professional? | 0:33:59 | 0:34:01 | |
Hi, Mark. | 0:34:16 | 0:34:19 | |
So you finally woke up? You were sleeping earlier. | 0:34:19 | 0:34:23 | |
-How do you feel? -How do I look? -Better. | 0:34:23 | 0:34:26 | |
So does the room. | 0:34:26 | 0:34:29 | |
Glad they did it up a bit. | 0:34:29 | 0:34:32 | |
I hear you did a little chore today. | 0:34:32 | 0:34:35 | |
Yeah. | 0:34:35 | 0:34:37 | |
Couldn't get out of it, Johnny. | 0:34:37 | 0:34:39 | |
-But it squared accounts for Mercer. -Yeah. | 0:34:39 | 0:34:45 | |
That McGee was a mean one. | 0:34:45 | 0:34:47 | |
I'd say the James boys were in bad company. | 0:34:47 | 0:34:51 | |
But Frank and Jesse are all right. A man can ride with them. | 0:34:51 | 0:34:56 | |
You know, Mark, I wonder why such men turn outlaws. | 0:34:56 | 0:35:01 | |
Usually for one reason - money. | 0:35:01 | 0:35:03 | |
I'm not justifying the James boys, but they got off to a bad start with Quantrill's guerillas in Missouri. | 0:35:03 | 0:35:10 | |
Yeah, I know. | 0:35:10 | 0:35:13 | |
Tell me, John, who shot Hampton? | 0:35:19 | 0:35:22 | |
Jesse. | 0:35:22 | 0:35:24 | |
-Are you sure? -Just in time too. He was about to wing Coyote after he got me. -He was your prisoner. -Yes. | 0:35:24 | 0:35:31 | |
Just what I thought. | 0:35:31 | 0:35:33 | |
-Did that dirty...? -Now, now. | 0:35:33 | 0:35:36 | |
-Take it easy. -Yes, you mustn't get excited. | 0:35:36 | 0:35:39 | |
Hello, Mr Rowley. | 0:35:41 | 0:35:44 | |
Good evening. Now I get it. | 0:35:44 | 0:35:46 | |
-Doc Grant sent Miss Alcott. -Do you nurse all Doc Grant's patients? | 0:35:46 | 0:35:51 | |
-Only very special ones. -What is this? -Milk. Drink it. | 0:35:51 | 0:35:55 | |
-I see you're coming on. How are you feeling, Johnny? -Oh, looking up. | 0:35:55 | 0:36:00 | |
Ah, Nightingale, eh? | 0:36:00 | 0:36:03 | |
-Hello, Coyote. -Evening. | 0:36:03 | 0:36:05 | |
-Better tuck yourself in. LEETLE mite late for a sick man. -Shall I come tomorrow? -Please. | 0:36:05 | 0:36:11 | |
-Good night. -Good night. | 0:36:11 | 0:36:14 | |
Want I should see you home, miss? | 0:36:16 | 0:36:19 | |
Oh, well... No, it's all right, thanks. | 0:36:19 | 0:36:23 | |
May I? | 0:36:23 | 0:36:25 | |
-It's quite all right. I'm used to walking alone. -You can't stay here, Sheriff. He's got to settle. | 0:36:25 | 0:36:32 | |
You're right, Coyote. | 0:36:32 | 0:36:34 | |
-Night, Johnny. -Good night, Mark. -Say that he gets some sleep. -I'm going to put him to sleep! | 0:36:34 | 0:36:39 | |
-Can I bring you anything? -No, thankee. I brought it. -Good night. | 0:36:39 | 0:36:45 | |
-Hi, boys. -Hiya. -Miss Alcott, have you met Mr Jesse James and his brother, Frank? -Howdy. | 0:36:54 | 0:37:00 | |
-Miss Alcott prints the local paper. -So we've noticed. | 0:37:00 | 0:37:05 | |
-Would you gentlemen care to make a statement to the press? -You can say we stand for free silver. | 0:37:05 | 0:37:09 | |
We don't give interviews, Sheriff. We might give some advice. | 0:37:09 | 0:37:14 | |
This section will be a lot better off when women quit raising trouble and start raising other things. | 0:37:14 | 0:37:20 | |
< Good night. | 0:37:20 | 0:37:24 | |
After that, perhaps the sheriff had better see me home. | 0:37:26 | 0:37:31 | |
# ..You had a dream, love | 0:37:33 | 0:37:36 | |
# I had one too | 0:37:36 | 0:37:41 | |
# Mine was the best | 0:37:41 | 0:37:46 | |
# Cos it was of you | 0:37:46 | 0:37:52 | |
# Come, sweetheart, tell me | 0:37:52 | 0:37:58 | |
# Now is the time | 0:37:58 | 0:38:03 | |
# You tell me your dream | 0:38:03 | 0:38:11 | |
# And I'll tell you mine... # | 0:38:11 | 0:38:21 | |
-It reminds me of my father. -Oh? | 0:38:31 | 0:38:34 | |
-Was he a singer? -No, a barber. | 0:38:34 | 0:38:38 | |
He used to vocalise as he shaved his customers... | 0:38:38 | 0:38:42 | |
out loud at their faces. | 0:38:42 | 0:38:45 | |
Why did you give up lather for law? | 0:38:45 | 0:38:49 | |
Dad made the mistake of sending me to school. | 0:38:49 | 0:38:52 | |
That happened to me too. But when I was halfway through my education, I had to return to take Dad's place. | 0:38:52 | 0:38:59 | |
-And his politics? -Oh! | 0:38:59 | 0:39:01 | |
-So you agree with Jesse James? -Oh, I'm inclined to. | 0:39:01 | 0:39:06 | |
Really? | 0:39:06 | 0:39:08 | |
Well, the paper's going to continue to fight to become part of the United States, | 0:39:08 | 0:39:13 | |
no matter what Jesse James thinks of its editor. | 0:39:13 | 0:39:17 | |
Hodge, do you know what time it is? | 0:39:21 | 0:39:25 | |
-What's keeping you so late? -Had to sort out a remake paper. -Why? | 0:39:25 | 0:39:30 | |
-Some of the advertisers cancelled. -Really? Who? | 0:39:30 | 0:39:34 | |
Easier to tell you who didn't. | 0:39:34 | 0:39:36 | |
And all of the big ads for the annual grass rent day number. It's sort of discomposing, ain't it? | 0:39:36 | 0:39:44 | |
How can you joke about it? | 0:39:44 | 0:39:46 | |
Sorry. Get mad. Just don't start crying. | 0:39:46 | 0:39:50 | |
-I'm not that sort of person. I can't cry, but I can strike back. -That's a girl. | 0:39:50 | 0:39:56 | |
-No wonder you're losing your advertising. -I'm losing it because I want to bring order out of chaos, | 0:39:56 | 0:40:03 | |
because I want schools, roads, churches, hospitals, a courthouse and a flag. | 0:40:03 | 0:40:09 | |
-Is there anything wrong with that? -Nothing, except the way you're going about it, you'll start a revolution. | 0:40:09 | 0:40:16 | |
You can't clean up Quinto with printer's ink, or do it alone. | 0:40:16 | 0:40:21 | |
Can I count on your help? | 0:40:23 | 0:40:25 | |
Is that the reason you moved in on me tonight? | 0:40:27 | 0:40:32 | |
-What? -When Doc Grant let you be nurse, were you looking for an official or a man? | 0:40:32 | 0:40:38 | |
-Your education hasn't included the tale of Richard the Lionheart. -Oh, yes, it did. | 0:40:38 | 0:40:43 | |
He went on a crusade for his lady and didn't come back. I'm ornery. I want to be liked for myself. | 0:40:43 | 0:40:51 | |
Good night. | 0:40:54 | 0:40:56 | |
You gonna bet? I never gamble. | 0:42:00 | 0:42:03 | |
I'm gonna put a couple of dollars on something. | 0:42:03 | 0:42:07 | |
He takes chances, that Frank. | 0:42:07 | 0:42:09 | |
Give your money to Coyote. | 0:42:09 | 0:42:12 | |
First time I ever got money in one hand without having a gun in another. Only one horse can win! | 0:42:12 | 0:42:18 | |
I want to bet on Miss Alcott's horse. | 0:42:25 | 0:42:28 | |
How much? 1½. On Sir Galahad?! | 0:42:28 | 0:42:31 | |
- Here's 50 cents. Make it 2. - 2. - 2 on Sir Galahad. | 0:42:31 | 0:42:35 | |
Hey, Sam. Hello, Frank! Put this on the winner. | 0:42:39 | 0:42:44 | |
Yeah. | 0:42:44 | 0:42:46 | |
-Good morning. When did Miss Alcott decide to enter the race? -Yesterday. I'm sure she'll win. | 0:42:46 | 0:42:53 | |
Of course she will. | 0:42:53 | 0:42:55 | |
-60 on Sir Galahad. -What? | 0:42:58 | 0:43:01 | |
-That's right - on Miss Alcott's horse. -What about your chestnut? -What about him? -Can he lose? | 0:43:01 | 0:43:08 | |
The odds seem to think so. | 0:43:08 | 0:43:10 | |
Yeah. 60 on Sir Galahad for the sheriff. | 0:43:10 | 0:43:14 | |
Give your money to Coyote. | 0:43:15 | 0:43:18 | |
You betting on the Nightingale's nag? | 0:43:21 | 0:43:25 | |
-Why not? -Didn't you figure on your horse to win? -I was kinda. | 0:43:25 | 0:43:29 | |
But Sir Galahad's pretty fast too. | 0:43:29 | 0:43:32 | |
Bass and Wade are plum certain you can't lose. You saw the odds. | 0:43:32 | 0:43:36 | |
-They're a LEETLE mite out of line, aren't they? -Leetle mite? They're way out. | 0:43:36 | 0:43:43 | |
-Must be a reason. -The Injuns are betting their grass rent money on Belle Starr. | 0:43:43 | 0:43:48 | |
-You'll see real murder if them redskins lose. -500 on Belle Starr. | 0:43:48 | 0:43:54 | |
See what I mean? | 0:43:54 | 0:43:56 | |
Yeah. | 0:43:56 | 0:43:58 | |
-Morning, Henryetta. -Morning. -How's Sir Galahad? | 0:44:02 | 0:44:06 | |
-Fine, thank you. -You seen the odds? | 0:44:06 | 0:44:09 | |
We're not the people's choice. | 0:44:10 | 0:44:13 | |
-I never was a favourite with these people. -Then why ride with them? -Sir Galahad asked. | 0:44:13 | 0:44:19 | |
-Morning, Sheriff. -Hello, Miss Starr. You met Miss Alcott? -How are you? | 0:44:19 | 0:44:24 | |
Fine, thank you. How are you? | 0:44:24 | 0:44:26 | |
-Couldn't be better. I'm glad you're running. I like competition. -So do I. The winner gets more satisfaction. | 0:44:26 | 0:44:34 | |
I, er, I see that you've been made the favourite. | 0:44:34 | 0:44:38 | |
-It's not me, it's my horse, Beauty. He's everybody's favourite. -Good luck. | 0:44:38 | 0:44:43 | |
-Want to make a little side bet with me, Sheriff? -What, for instance? | 0:44:45 | 0:44:50 | |
Oh, money or marbles or moonlight. | 0:44:50 | 0:44:54 | |
Let's make it a dollar and a half. | 0:44:56 | 0:44:59 | |
-Good luck, Sheriff. -Thanks. | 0:45:02 | 0:45:05 | |
Attention, please! | 0:45:06 | 0:45:10 | |
The riders will bring their horses to the judges' stand. | 0:45:10 | 0:45:15 | |
Quiet, please! | 0:45:17 | 0:45:20 | |
The judges will be - on this side of the line, myself, and on the opposite side, the eagle-eyed Tahlequah, | 0:45:20 | 0:45:27 | |
chief of the Arapahos and head council of the Indian tribes. | 0:45:27 | 0:45:31 | |
You know the rules. You race twice around the course and finish here at the hotel. All clear? | 0:45:31 | 0:45:37 | |
ALL: Yes. On your way, then, and may the best horse win. | 0:45:37 | 0:45:42 | |
Good luck, Sheriff! | 0:45:45 | 0:45:48 | |
Anybody else? Make your bets! | 0:45:54 | 0:45:57 | |
That's all! | 0:45:57 | 0:45:59 | |
-Let's go upstairs, Coyote. -What for? | 0:46:02 | 0:46:05 | |
-We can watch the race from my room and have a little snort. -Snort? Yeah. | 0:46:05 | 0:46:11 | |
Hold that line. Steady. | 0:46:14 | 0:46:16 | |
Henryetta's leading! Right behind the sheriff! | 0:46:27 | 0:46:30 | |
Come on, everybody! What? I got a dollar on them all. | 0:47:02 | 0:47:07 | |
Belle Starr's gonna win. She can't! | 0:47:26 | 0:47:28 | |
Look at that palomino go! Belle Starr won't win. | 0:47:48 | 0:47:51 | |
The sheriff's riding the palomino out. | 0:47:56 | 0:48:00 | |
Who won? Miss Alcott's Sir Galahad! | 0:48:07 | 0:48:11 | |
I'm sure of it! | 0:48:11 | 0:48:13 | |
Miss Alcott's Sir Galahad! | 0:48:13 | 0:48:16 | |
Attention! The winner - Miss Alcott's Sir Galahad! | 0:48:16 | 0:48:21 | |
No! Belle Starr horse win! | 0:48:21 | 0:48:24 | |
It was Miss Alcott's Sir Galahad. No, chief. It was Miss Alcott's Sir Galahad. | 0:48:24 | 0:48:30 | |
You're wrong! Belle Starr did win! | 0:48:36 | 0:48:40 | |
Belle Starr Beauty win! | 0:48:40 | 0:48:44 | |
You're mistaken. It was Sir Galahad. | 0:48:45 | 0:48:48 | |
No, it was Belle Starr Beauty! | 0:48:48 | 0:48:51 | |
Colonel Farewell! Tahlequah was right. Miss Starr's horse won. | 0:48:51 | 0:48:56 | |
-You were half a length behind! -Where I could see the winner. ..Jesse! | 0:48:56 | 0:49:01 | |
-How did you see the finish? -Belle's Beauty won by a head. | 0:49:01 | 0:49:06 | |
Attention! Attention! | 0:49:08 | 0:49:11 | |
Correction. Final decision, Belle Starr's Beauty won by a head. | 0:49:11 | 0:49:17 | |
Contributed by the citizens of Quinto. | 0:49:21 | 0:49:24 | |
-Thanks. -That's all right, Miss Starr. You were the winner. -I'd never lose a race to a sheriff. | 0:49:24 | 0:49:31 | |
I'll meet you in the bar for the bet. | 0:49:31 | 0:49:33 | |
-I'm sorry, Henryetta. I had to do what I did. -I understand. | 0:49:33 | 0:49:39 | |
Where's the money? Where's Coyote? We want money! | 0:49:39 | 0:49:43 | |
What's the problem, chief? | 0:49:57 | 0:49:59 | |
Stakeholder's gone. Money gone. | 0:49:59 | 0:50:02 | |
SPEAKS ARAPAHO | 0:50:11 | 0:50:13 | |
Now, Wade, the Indians haven't been paid off yet. | 0:50:20 | 0:50:24 | |
No? That's up to the stakeholder. | 0:50:24 | 0:50:27 | |
-Sure. -Where is Coyote? | 0:50:27 | 0:50:29 | |
I don't know. Neither do I. Said something about getting drunk. | 0:50:29 | 0:50:35 | |
Quinto Citizen on the house. | 0:50:55 | 0:50:58 | |
Quinto Citizen, sir. Thanks, Hodge. | 0:50:58 | 0:51:02 | |
On the house. Have a drink on the house. Thank you, Mr Wade. | 0:51:02 | 0:51:07 | |
Sarsaparilla on the house. (Put a little gin in it.) Quinto Citizen. | 0:51:07 | 0:51:13 | |
That gal's got nerve. | 0:51:25 | 0:51:27 | |
We should have kept her place boarded up. | 0:51:27 | 0:51:30 | |
I suppose you'll have to shoot her. Listen to this. | 0:51:30 | 0:51:34 | |
"United States law nears Quinto. There's a new marshal's office opening in West Cogie." | 0:51:34 | 0:51:41 | |
"Marshal Bill Hampton, leader of the Texas state police, is preparing for a large number of prisoners. | 0:51:42 | 0:51:49 | |
"The accommodation includes a six-man gallows." Glad I left Oklahomy. | 0:51:49 | 0:51:54 | |
Doc, you're wanted upstairs. Poker game? | 0:51:54 | 0:51:58 | |
No! I think a man's been hurt. | 0:51:58 | 0:52:01 | |
Ben, I warned you not to start Indian trouble. | 0:52:01 | 0:52:05 | |
The Indians have left town. To get their guns. They mean business. | 0:52:05 | 0:52:10 | |
If they want a fight, they got one. That's not the way to deal with it. | 0:52:10 | 0:52:15 | |
Take it easy there, Doc. I think that's my head you're fooling with. | 0:52:17 | 0:52:22 | |
Who did it, Coyote? | 0:52:22 | 0:52:24 | |
Well, I couldn't swear, but as I remember, there wasn't nobody in the room but me and Sam Bass. | 0:52:24 | 0:52:31 | |
-And I ain't addicted to that kind of self-punishment. -You do pretty well. | 0:52:31 | 0:52:37 | |
Leaving us, Mr James? That's right. Very well. | 0:52:38 | 0:52:42 | |
There's nothing worse than a mad > Indian. They'll tear the town apart. | 0:52:42 | 0:52:48 | |
Let 'em! I'm leaving here anyway. | 0:52:48 | 0:52:51 | |
But not with the Indians' money. | 0:52:51 | 0:52:53 | |
< Wait a minute. | 0:52:58 | 0:53:00 | |
Keep it clean. | 0:53:00 | 0:53:02 | |
-Injun trouble coming up. -Where? | 0:53:31 | 0:53:34 | |
-At the hotel. Bass and Wade cheated them out of their race money. -Get me a clear wire. -Where to? -Washington. | 0:53:34 | 0:53:41 | |
The Indians are coming! | 0:53:44 | 0:53:46 | |
It's a mistake, Tahlequah. Sam Bass asked me to give you this. | 0:54:17 | 0:54:21 | |
Ah, ge-dug-eh. | 0:54:21 | 0:54:24 | |
I'll thank you very much, Sheriff. | 0:54:26 | 0:54:29 | |
-Henryetta, that was close. -Better to let the Indians and the outlaws fight it out. -Yes. | 0:54:45 | 0:54:52 | |
I'm peaceful by nature. Sorry if I spoiled a headline story. | 0:54:52 | 0:54:57 | |
-Thanks for helping us out, Rowley. -It's all right, Colonel. | 0:54:58 | 0:55:03 | |
- Bye, Colonel. - Take care. - Bye, boys. | 0:55:03 | 0:55:07 | |
-So long, Sheriff. -You boys leaving town? | 0:55:07 | 0:55:11 | |
- And Sam's leaving with us. - We doubt he'll be back. | 0:55:11 | 0:55:15 | |
-Thanks for taking care of John. -He'll make a good sheriff. | 0:55:15 | 0:55:20 | |
Yeah. Well, I hope we meet again. | 0:55:20 | 0:55:24 | |
I don't. So long, Rowley. | 0:55:24 | 0:55:28 | |
-So long. -Bye, Rowley. | 0:55:28 | 0:55:31 | |
What's that, Mark? Sounds like the Daltons. | 0:55:40 | 0:55:44 | |
The Daltons? They arrive like that. | 0:55:44 | 0:55:47 | |
They're quite a gang, aren't they? | 0:55:51 | 0:55:53 | |
Mm-hm. | 0:55:53 | 0:55:55 | |
Quite. | 0:55:55 | 0:55:58 | |
-He'd make a darned good catch in Texas. -Yeah, when we're going back to Texas. | 0:56:08 | 0:56:15 | |
Let's go down and look these boys over. | 0:56:15 | 0:56:19 | |
Well, greetings, boys! Greetings! | 0:56:24 | 0:56:27 | |
Open up the best we have. First drinks on the house. What'll it be? | 0:56:27 | 0:56:32 | |
Coffee. Coffee! | 0:56:32 | 0:56:35 | |
And I'll have some of your best tea(!) | 0:56:35 | 0:56:39 | |
What's the trouble, Bonnie? He pinched me. | 0:56:41 | 0:56:45 | |
I was only funnin'! | 0:56:45 | 0:56:48 | |
That's all right. We accept your apology. ..Don't we, Bonnie? Yeah(!) | 0:56:48 | 0:56:53 | |
Hello, Doc. How are you? Would you believe I ain't well? | 0:56:53 | 0:56:58 | |
Give the Doc a drink. | 0:56:58 | 0:57:00 | |
I want you to meet the sheriff. You needn't worry none about that one. | 0:57:00 | 0:57:05 | |
-I want the house of O'Rowley to meet the house of O'Dalton. -Howdy. Howdy. | 0:57:05 | 0:57:12 | |
Hey, you prairie wolf, I want you to meet the Rowley boys, John and his brother, Sheriff Mark Rowley. | 0:57:12 | 0:57:19 | |
-Did you say sheriff? -You ain't met a better one. | 0:57:19 | 0:57:23 | |
There ain't no good ones. I can outfight any yellow dog that ever toted a badge. | 0:57:23 | 0:57:30 | |
That takes in a lot of people, including some named Dalton. | 0:57:30 | 0:57:35 | |
I didn't mean them. They had the sense to get out of the law. | 0:57:35 | 0:57:39 | |
Just now, I'm not in it myself, so let's forget it and have a drink. | 0:57:39 | 0:57:45 | |
I ain't in the mood for forgetting, or for drinking with a low-down... | 0:57:45 | 0:57:50 | |
Enough. | 0:57:53 | 0:57:55 | |
All right. I guess I was just funnin' anyhow. | 0:57:57 | 0:58:01 | |
Sorry, Sheriff. Join us in a drink? | 0:58:01 | 0:58:04 | |
Thanks. I'll have some coffee. | 0:58:04 | 0:58:07 | |
Coffee drinkers want to be careful. | 0:58:07 | 0:58:10 | |
It's a poison habit to get into. | 0:58:10 | 0:58:13 | |
Mark Rowley? I have to inform you that I have a warrant for the arrest of you and your brother John. | 0:58:13 | 0:58:20 | |
"Whereas...Mark Rowley and John Rowley have been indicted by the grand jury of the state of Texas | 0:58:24 | 0:58:32 | |
"for violation of the statutes and charge - to wit... | 0:58:32 | 0:58:36 | |
"Aiding escape of prisoners, felonious assault with deadly weapon and armed robbery on the highway. | 0:58:36 | 0:58:43 | |
"You are instructed to apprehend and incarcerate said defendants." | 0:58:43 | 0:58:48 | |
I took it away from a deputy over in Texas. | 0:58:55 | 0:58:59 | |
That's a 14-carat recommendation. How about coming along with us? | 0:59:03 | 0:59:08 | |
Thanks. We'll consider your proposition...and its consequences. | 0:59:08 | 0:59:13 | |
-Sheriff Rowley. -Yes? | 0:59:13 | 0:59:15 | |
-Excuse me, boys. Could you spare a few minutes? -Certainly, Colonel. | 0:59:15 | 0:59:20 | |
The citizens have been holding a meeting. They want to talk to you... | 0:59:20 | 0:59:25 | |
-Where you heading for next, Bob? -South America. -That's quite a ride. | 0:59:25 | 0:59:31 | |
We're making one stop in Kansas. Like to join us? | 0:59:31 | 0:59:35 | |
-I'm figuring on retiring. -Come with us and retire in clover. -What's the job? | 0:59:35 | 0:59:41 | |
-Two banks. -Double header, huh? | 0:59:41 | 0:59:45 | |
-They're loaded. -A man takes chances riding strange teams out of strange towns. | 0:59:45 | 0:59:51 | |
You'll wait outside town with the getaway wagon. | 0:59:51 | 0:59:55 | |
Well, I ain't never drove an empty one! | 0:59:55 | 0:59:59 | |
Good! | 0:59:59 | 1:00:01 | |
Land's sakes, Henryetta, stand still! I might get you fastened up if you quit wiggling like a sidewinder! | 1:00:04 | 1:00:12 | |
Oh, Meg. It is becoming, isn't it? | 1:00:12 | 1:00:15 | |
-Nobody ever saw so much of you. Why a girl should risk her death to get a man to notice her... -Man? What man? | 1:00:15 | 1:00:23 | |
-Don't be coy with ME. A certain long-legged sheriff... -Mark Rowley? | 1:00:23 | 1:00:27 | |
-Don't snap my head off! -What gave you that idea? | 1:00:27 | 1:00:32 | |
This is the first party dress I've seen you buy. | 1:00:32 | 1:00:36 | |
It's the first time you've bothered with the hotel dances. | 1:00:36 | 1:00:40 | |
-Your appetite's gone, your eyes are glazed and you don't hear a word that's said to you. -That's absurd! | 1:00:40 | 1:00:47 | |
-I haven't seen him for a week. -You've looked for him. -Him? He made me lose the race! | 1:00:47 | 1:00:55 | |
So the Indians wouldn't lose their grass rent money. | 1:00:55 | 1:00:58 | |
-The things he said when he walked me home! -You deserved them. | 1:00:58 | 1:01:03 | |
-You saw the telegram. He's an outlaw. -Only an accused one. | 1:01:03 | 1:01:08 | |
-Oh, Meg, I don't know what to say! -Then don't say it! | 1:01:08 | 1:01:12 | |
You don't think it's cut too low, do you? | 1:01:14 | 1:01:18 | |
It'll never choke you to death! | 1:01:18 | 1:01:20 | |
Oh, Meg! | 1:01:22 | 1:01:23 | |
Don't go getting yourself mussed up! | 1:01:23 | 1:01:26 | |
Not by me, anyway. | 1:01:26 | 1:01:29 | |
-And don't worry about Belle Starr. -No? -No. | 1:01:32 | 1:01:37 | |
She throws a longer loop, but he has as much chance of escaping YOUR web. | 1:01:37 | 1:01:42 | |
-Meg! Comparing me to a spider! -KNOCK ON DOOR | 1:01:42 | 1:01:46 | |
There's your fly! | 1:01:46 | 1:01:49 | |
-Yes? -I'm looking for Miss Alcott, the editor. -I'm Miss Alcott. | 1:01:59 | 1:02:04 | |
-Indeed? Then it's safe to introduce myself. US Marshal Hampton. -Oh. | 1:02:04 | 1:02:09 | |
Come in. | 1:02:10 | 1:02:11 | |
Thank you. | 1:02:11 | 1:02:13 | |
You took a risk coming here, Marshal. | 1:02:13 | 1:02:17 | |
I'd have visited sooner if I'd known Quinto had such an elegant editor. | 1:02:17 | 1:02:23 | |
These are not my usual clothes. There's a dance at the hotel. | 1:02:23 | 1:02:27 | |
Yes. I figured one more horse and rider wouldn't be noticed. | 1:02:27 | 1:02:31 | |
There's something I want to ask you. In that telegram, you said... | 1:02:31 | 1:02:36 | |
I'm anxious to bring this territory under the jurisdiction... | 1:02:36 | 1:02:41 | |
-I don't doubt it. But you mentioned charges against the Rowleys. -Yes. | 1:02:41 | 1:02:46 | |
Couldn't there be some mistake? Mark Rowley was a sheriff too. | 1:02:46 | 1:02:51 | |
Until he helped the James gang to escape and committed armed robbery. | 1:02:51 | 1:02:56 | |
Oh. | 1:03:01 | 1:03:03 | |
No, I'm afraid there's no mistake. | 1:03:08 | 1:03:11 | |
A peace officer turned outlaw is the most dangerous criminal of all. Like the Daltons. | 1:03:11 | 1:03:18 | |
Yes. They're in town now. | 1:03:18 | 1:03:21 | |
No doubt the Rowleys are hobnobbing with them. | 1:03:21 | 1:03:25 | |
But they'll all end up on the same gallows. I'll see to that. | 1:03:25 | 1:03:30 | |
But that's my job. Yours is a happier one. | 1:03:30 | 1:03:33 | |
Miss Alcott, I wonder if you know how effective your campaign has been. | 1:03:33 | 1:03:38 | |
The people outside are behind you. | 1:03:38 | 1:03:41 | |
It helps to know that. | 1:03:41 | 1:03:44 | |
-And I bring you now the means for quick success. -How? | 1:03:44 | 1:03:49 | |
The organisation of Oklahoma comes to a vote in Washington in ten days. | 1:03:49 | 1:03:54 | |
If we present evidence to Congress that people here want annexation, | 1:03:54 | 1:03:59 | |
-there'll soon be a flag flying here. A woman of your intelligence... -My intelligence doesn't count for much. | 1:03:59 | 1:04:07 | |
Anyone here will tell you I'm a cantankerous, meddling female. | 1:04:07 | 1:04:11 | |
But I have every confidence in you. | 1:04:11 | 1:04:14 | |
What is it you think I can do? | 1:04:14 | 1:04:17 | |
These are petitions to Congress. Get as many signatures as you can, as quickly as you can. | 1:04:17 | 1:04:24 | |
HE PLAYS A WALTZ WITH THE BAND | 1:04:24 | 1:04:28 | |
APPLAUSE AS MUSIC ENDS | 1:04:50 | 1:04:53 | |
Hey, Coyote. Who is she - the dream in the black dress? | 1:04:55 | 1:04:59 | |
She's the Quinto Citizen. | 1:04:59 | 1:05:02 | |
-Hey, Sam. Give us "60 years through Georgia". -Sure. | 1:05:02 | 1:05:06 | |
Right, folks. Get your partners on the floor for a square dance. | 1:05:09 | 1:05:14 | |
MUSIC STARTS | 1:05:15 | 1:05:17 | |
Take your partners for a good old hoedown! | 1:05:17 | 1:05:20 | |
I need another couple over here. | 1:05:20 | 1:05:23 | |
Here's a couple. I need another couple in this set over here. | 1:05:23 | 1:05:27 | |
Still need a couple over there. | 1:05:27 | 1:05:31 | |
Everybody all set? | 1:05:45 | 1:05:48 | |
Bow to your partner, the one you like best. All join hands and circle south west. | 1:05:48 | 1:05:54 | |
Come back home and you always swing. | 1:06:00 | 1:06:03 | |
First couple, down the centre, divide and whirl. | 1:06:03 | 1:06:08 | |
Ladies go right, gents go wrong. | 1:06:08 | 1:06:11 | |
Promenade with the corner girl. | 1:06:11 | 1:06:14 | |
Same old fella, brand new girl. Down the centre, divide and whirl. | 1:06:26 | 1:06:30 | |
Promenade with the corner girl. | 1:06:33 | 1:06:36 | |
Yahoo! | 1:06:39 | 1:06:41 | |
Ladies and gentlemen, I want to take this occasion, while we're all gathered together in friendly spirit, | 1:06:47 | 1:06:54 | |
to make an important announcement. | 1:06:54 | 1:06:57 | |
Recent events have proved the danger of letting outsiders come into Quinto and raise Cain. | 1:06:57 | 1:07:05 | |
Our town's growing up and it's time she settled down. We can't let human nature run wild without regulation. | 1:07:05 | 1:07:12 | |
The livestock men and leading merchants have appointed an official regulator. | 1:07:12 | 1:07:18 | |
He was reluctant but we persuaded him to accept. | 1:07:18 | 1:07:22 | |
He's former sheriff, Mark Rowley. | 1:07:22 | 1:07:25 | |
Mr Rowley has already demonstrated his ability to handle local disturbances. | 1:07:28 | 1:07:34 | |
As for those folks who've been agitating for law and order, | 1:07:36 | 1:07:40 | |
I believe no man alive can satisfy them better than Mark Rowley. | 1:07:40 | 1:07:45 | |
So let's all give the new regulator our cooperation, | 1:07:45 | 1:07:49 | |
and feel confident that he will give us his protection...from each other. | 1:07:49 | 1:07:55 | |
-Satisfied, Miss Alcott? -Yes, indeed, and I hope you will be too. | 1:08:08 | 1:08:12 | |
Your attention, please, for a very important announcement, | 1:08:12 | 1:08:18 | |
which I can make now I am guaranteed the protection of a regulator. | 1:08:18 | 1:08:21 | |
A convention has been held in Guthrie, | 1:08:21 | 1:08:26 | |
and old Oklahoma has voted to become a territory of the United States. | 1:08:26 | 1:08:30 | |
Congress is about to pass an act allowing Oklahoma to raise taxes for public improvements, | 1:08:30 | 1:08:38 | |
and to enjoy OFFICIAL law and order. | 1:08:38 | 1:08:40 | |
MURMURS OF DISAGREEMENT | 1:08:40 | 1:08:43 | |
Congress will grant the annexation of the forgotten lands to the new state of Oklahoma if we ask for it. | 1:08:43 | 1:08:51 | |
We don't need annexation. We've just appointed law and order of our own! | 1:08:52 | 1:08:57 | |
Yes, in Quinto. We need such men all over Badman's Territory, | 1:08:57 | 1:09:01 | |
so that it will no longer be Badman's Territory. | 1:09:01 | 1:09:05 | |
The Indians own this land. They're going to have a say in what happens. | 1:09:05 | 1:09:10 | |
Yes. That's what I'm fighting for. | 1:09:10 | 1:09:13 | |
I'm sure they'll all say they want progress, decency and protection. | 1:09:13 | 1:09:19 | |
Miss Alcott, what will happen to men like me with old charges hanging over us? | 1:09:20 | 1:09:27 | |
Dr Grant can answer that. He also is interested. | 1:09:27 | 1:09:30 | |
You'll be arrested, by a sheriff of our own election, | 1:09:30 | 1:09:34 | |
and tried before a Quinto judge and a Quinto jury. | 1:09:34 | 1:09:38 | |
Those in favour of annexation are invited to sign these petitions to the Congress of the US. | 1:09:38 | 1:09:46 | |
Wait! | 1:09:50 | 1:09:51 | |
Quiet, please! | 1:09:51 | 1:09:53 | |
Quiet, will you! Quiet! | 1:09:53 | 1:09:56 | |
All in favour of Miss Alcott's plea, remain. The others, leave. | 1:09:56 | 1:10:01 | |
-Does that mean you're on her side? -A regulator doesn't take sides. | 1:10:01 | 1:10:06 | |
My job is to keep order and it's going to be kept. | 1:10:08 | 1:10:12 | |
Meg, Hodge - pass these round. | 1:10:16 | 1:10:18 | |
A woman telling us what to do! | 1:10:24 | 1:10:27 | |
Ain't we going to do something about this? | 1:10:27 | 1:10:30 | |
Sure. Well, what? | 1:10:30 | 1:10:33 | |
We're going to South America. | 1:10:33 | 1:10:36 | |
Response... to petitions...favourable. | 1:10:45 | 1:10:50 | |
Am sending them... on to you...tonight. | 1:10:50 | 1:10:54 | |
I have something to say to you, Henryetta. | 1:10:54 | 1:10:57 | |
-It must be important if it can't wait till morning. -It is. | 1:10:57 | 1:11:02 | |
Good night, Meg. | 1:11:04 | 1:11:06 | |
Get it off your mind. I suppose you think that... | 1:11:11 | 1:11:14 | |
Give me a chance to tell you what I think. | 1:11:14 | 1:11:17 | |
I think you're wonderful. | 1:11:17 | 1:11:20 | |
I think you're sweet and good and loving. | 1:11:20 | 1:11:23 | |
I think it would be very nice if you'd marry me. | 1:11:23 | 1:11:27 | |
-Will you, Henryetta? -But Mark... | 1:11:28 | 1:11:31 | |
I've wanted to tell you all evening, but you kept running away from me. I... | 1:11:39 | 1:11:46 | |
A United States marshal? Did Hampton give you this? | 1:11:51 | 1:11:56 | |
-This evening, but... -When he gave you the petitions? -Yes. -So that's it. | 1:11:56 | 1:12:01 | |
-But Mark, those charges... -The petitions must not be sent. | 1:12:01 | 1:12:06 | |
-What? -Hampton will bring violence and terror, not law and order. -A responsible official? | 1:12:06 | 1:12:12 | |
-An unscrupulous politician. More dangerous than any outlaw. -You two have mutual opinions. | 1:12:12 | 1:12:20 | |
Men like Grant and Hooker have no chance. They're shot down or they're hanged. Don't you underst...? | 1:12:20 | 1:12:27 | |
-Why are you looking like that? -You expect me to believe that? -Don't you? -No. | 1:12:27 | 1:12:34 | |
-I think you're afraid of what they may do to you. -So you've already convicted me. | 1:12:34 | 1:12:40 | |
-Why don't you deny it? -I didn't think I'd have to. | 1:12:42 | 1:12:46 | |
-You thought a kiss would make me forget what I'd worked for? -Henryetta. | 1:12:46 | 1:12:51 | |
I see why you and your brother came to Quinto and why you're here now. | 1:12:51 | 1:12:57 | |
Did Wade send you? Is this part of your job? | 1:12:57 | 1:13:00 | |
These will be sent and neither you nor anyone else can stop them! | 1:13:00 | 1:13:06 | |
-Why do intelligent people turn into idiots just because they're in love? -He's not in love. It's a trick. | 1:13:24 | 1:13:31 | |
I'm not so sure and I listened VERY careful! | 1:13:31 | 1:13:35 | |
-Good night, Meg. -Good night. ..But if you're wrong, you've put a noose round the necks of a lot of people. | 1:13:35 | 1:13:42 | |
John. | 1:13:48 | 1:13:51 | |
Johnny, we're... | 1:13:53 | 1:13:55 | |
I tried to stop him, Mark. | 1:14:13 | 1:14:16 | |
-Gone with the Daltons, huh? -Yeah. | 1:14:17 | 1:14:20 | |
Couldn't I go for you, Mark? I know the route well. | 1:14:24 | 1:14:28 | |
Thanks, Doc. | 1:14:28 | 1:14:31 | |
GALLOPING HOOVES | 1:14:32 | 1:14:35 | |
Wait a minute. | 1:14:37 | 1:14:40 | |
Mark! | 1:14:44 | 1:14:46 | |
Stop! | 1:14:46 | 1:14:47 | |
Mark! | 1:14:51 | 1:14:53 | |
Ain't it a shame? A nice boy like Rowley joining up with them Daltons. | 1:14:57 | 1:15:03 | |
All right, Hodge. You can go now. | 1:15:34 | 1:15:38 | |
Give him the benefit of the doubt. | 1:15:43 | 1:15:45 | |
What's the matter, Johnny? Can't you sleep? | 1:16:16 | 1:16:19 | |
No! | 1:16:19 | 1:16:21 | |
There's something you CAN do. | 1:16:22 | 1:16:25 | |
What? | 1:16:25 | 1:16:27 | |
Change your mind about going to Coffeyville. | 1:16:27 | 1:16:31 | |
HE WHISTLES "OH, SUSANNAH" | 1:17:13 | 1:17:16 | |
WHISTLES SAME TUNE | 1:17:27 | 1:17:31 | |
STOPS WHISTLING | 1:17:33 | 1:17:35 | |
Hey, Sheriff! Sheriff Mark! | 1:17:44 | 1:17:47 | |
It's me! I'm right over here behind the tree! | 1:17:47 | 1:17:51 | |
-Hi, Coyote. -You're finally catching up. -Thanks to you. Where's John? | 1:17:54 | 1:17:59 | |
In town with the boys. They're going to the Farmer's Home, close to the two banks, then out this way, | 1:17:59 | 1:18:07 | |
come down here and pick me up, then we'll probably... | 1:18:07 | 1:18:11 | |
All right. | 1:20:22 | 1:20:24 | |
Here's something you've been waiting for, Marshal Hampton. | 1:20:24 | 1:20:28 | |
Congress passed the act. | 1:20:28 | 1:20:30 | |
The President signed it last night. | 1:20:30 | 1:20:33 | |
"Authority to enter the Forgotten Lands to enforce the laws of the United States." | 1:20:33 | 1:20:40 | |
This requires delicate handling. You're inclined to be impetuous. | 1:20:40 | 1:20:45 | |
Anything else? | 1:20:45 | 1:20:47 | |
"Daltons raid Coffeyville, Kansas. Four citizens, four outlaws dead. | 1:20:47 | 1:20:52 | |
"Two bandits escape. Believed headed for Badman's Territory." Stay alert. | 1:20:52 | 1:20:57 | |
Yes, sir. | 1:20:57 | 1:20:59 | |
Goodbye, Commissioner. Goodbye. | 1:21:01 | 1:21:05 | |
HARMONICA PLAYS MOURNFUL TUNE | 1:21:06 | 1:21:09 | |
What's that? | 1:21:52 | 1:21:54 | |
A marker. | 1:21:55 | 1:21:58 | |
No, Coyote. Only you and I must ever know that Johnny's here. | 1:21:58 | 1:22:05 | |
Yeah. | 1:22:10 | 1:22:12 | |
HOOVES APPROACH | 1:22:12 | 1:22:15 | |
(Hampton.) | 1:22:46 | 1:22:48 | |
A fire's been built, sir. It's an Indian grave, you fool. | 1:22:52 | 1:22:57 | |
Ben Wade. | 1:23:03 | 1:23:05 | |
- We found him a mile away, Captain. - Who are you? | 1:23:06 | 1:23:11 | |
- The name's Ben Wade. - With the big hotel in Quinto. | 1:23:11 | 1:23:15 | |
So. May I ask who you are? | 1:23:15 | 1:23:19 | |
US Marshal Hampton. Your destination? Coffeyville. I have business. | 1:23:19 | 1:23:24 | |
Claiming a reward? Possibly. | 1:23:24 | 1:23:28 | |
- You've information on the outlaws? - I know the three men who left Quinto with the Daltons. | 1:23:28 | 1:23:35 | |
These lands have voted for annexation. I'm going to Quinto to take over for the US government. | 1:23:35 | 1:23:41 | |
Oh! | 1:23:43 | 1:23:44 | |
Well, if you'll agree to share the reward with me, I'll... | 1:23:44 | 1:23:49 | |
No bargains. He's under arrest. | 1:23:49 | 1:23:52 | |
Wait a minute. Well? | 1:23:52 | 1:23:55 | |
- Jim Badger. - The Coyote Kid? And? | 1:23:55 | 1:23:58 | |
Mark and John Rowley. | 1:23:58 | 1:24:00 | |
Really? We'll have to detain you, but there'll be no charges filed. Take him in. | 1:24:02 | 1:24:08 | |
Why, that... What are you going to do, Sheriff? | 1:24:13 | 1:24:18 | |
Coyote, we've got a lot of riding to do. | 1:24:19 | 1:24:23 | |
PIANO PLAYS IN BAR | 1:24:23 | 1:24:26 | |
-Take my horse to the corral. -Sure. -And you'd better keep going. -Where? | 1:24:33 | 1:24:39 | |
-Quinto's no place for you now. -Are you staying? | 1:24:39 | 1:24:43 | |
I know what I'm talking about. Get going. And keep those whiskers dry. | 1:24:43 | 1:24:48 | |
Doc, boys. Come on inside. | 1:24:49 | 1:24:52 | |
Hey, Nightingale! | 1:24:54 | 1:24:56 | |
Coyote! | 1:24:59 | 1:25:01 | |
-He's back. -Back? | 1:25:01 | 1:25:03 | |
-Do as I tell you and everything'll work out. -Thanks, Sheriff. | 1:25:09 | 1:25:15 | |
You can count on us, Sheriff. | 1:25:18 | 1:25:21 | |
-Mark! -Hello, Henryetta. | 1:25:22 | 1:25:25 | |
You must leave at once! | 1:25:25 | 1:25:27 | |
-I didn't expect a rousing welcome... -Hampton will be here tomorrow! | 1:25:27 | 1:25:32 | |
-Isn't that what you wanted? -He'll arrest you. He said he would. | 1:25:32 | 1:25:37 | |
Would that matter to you? | 1:25:37 | 1:25:40 | |
I don't believe what he said about you. If it were true, I couldn't feel this way. | 1:25:43 | 1:25:49 | |
It's not true. | 1:25:50 | 1:25:53 | |
Then please go. Please go for my sake. | 1:25:53 | 1:25:56 | |
-I'm so afraid. -You needn't be. | 1:25:56 | 1:25:59 | |
All right, men. Spread out. | 1:26:25 | 1:26:27 | |
Search every house in town. If there's any resistance, shoot. | 1:26:27 | 1:26:31 | |
The town looks deserted. Maybe it's a trap. | 1:26:31 | 1:26:35 | |
The man at the hotel. | 1:26:35 | 1:26:38 | |
Mark Rowley. | 1:26:45 | 1:26:47 | |
-Welcome to Quinto, Marshal. -So you're behind this. Where is everybody? | 1:26:47 | 1:26:54 | |
Out of your jurisdiction. They won't be back while you're in town. | 1:26:54 | 1:26:59 | |
No need looking around. I'm the only one left to shoot. | 1:27:10 | 1:27:14 | |
-Who told you I was coming? Miss Alcott? -No, you did. | 1:27:14 | 1:27:18 | |
-What? -I'll tell you something. You're finished. | 1:27:18 | 1:27:23 | |
The commissioner will want to know why a whole town left rather than submit to your authority. | 1:27:23 | 1:27:29 | |
When he hears what you told the men, he'll demand your resignation. | 1:27:29 | 1:27:36 | |
-Aren't you going to shoot? -No, I have other plans for you. | 1:27:36 | 1:27:42 | |
You can't shoot a man that faces you. You shoot 'em in the back. | 1:27:42 | 1:27:46 | |
-Like you did my brother. -Arrest him! | 1:27:46 | 1:27:53 | |
< Right inside, Miss. | 1:27:53 | 1:27:54 | |
She's the only one in town we could find, Marshal. | 1:27:54 | 1:27:58 | |
-Hello, Miss Alcott. Search the place, boys. -Where are you taking him? | 1:27:58 | 1:28:03 | |
To Coffeyville, to hang for murder and robbery. | 1:28:03 | 1:28:07 | |
I'll have to be convicted. There they have juries. | 1:28:07 | 1:28:10 | |
-Take him away. -No, you don't! -Coyote! | 1:28:10 | 1:28:14 | |
-Release him and nobody'll get hurt. -Wait a minute. | 1:28:14 | 1:28:17 | |
Don't worry, Sheriff. Leave everything to me. | 1:28:17 | 1:28:22 | |
Take off them handcuffs. Take 'em off! | 1:28:22 | 1:28:26 | |
Hurry. My trigger fingers is getting a leetle mite itchy. | 1:28:28 | 1:28:34 | |
Turn me loose! | 1:28:36 | 1:28:37 | |
If you'd come at me one at a time, I'll whop the whole bunch of you! | 1:28:37 | 1:28:43 | |
Well! | 1:28:43 | 1:28:45 | |
All right, boys. You're a brave man, Coyote. | 1:28:45 | 1:28:49 | |
-You deserve a drink. -Huh? | 1:28:49 | 1:28:53 | |
Come into the bar. | 1:28:53 | 1:28:56 | |
You know, I can kill you for what you've just done. | 1:29:03 | 1:29:06 | |
Yeah - giving a lot for a lot less! | 1:29:06 | 1:29:09 | |
What'll you have? | 1:29:11 | 1:29:13 | |
-A little of this? -A little? I'd rather have a lot of it. | 1:29:13 | 1:29:18 | |
Help yourself. | 1:29:18 | 1:29:20 | |
How'd you like to get out of here alive? | 1:29:22 | 1:29:25 | |
That's a silly question. | 1:29:25 | 1:29:27 | |
You want something. | 1:29:27 | 1:29:30 | |
What is it? | 1:29:30 | 1:29:31 | |
Your testimony that Mark Rowley was a member of the Dalton gang. | 1:29:31 | 1:29:36 | |
I'm surprised at you, Marshal. | 1:29:42 | 1:29:45 | |
Asking me to perjure myself. | 1:29:48 | 1:29:50 | |
Answer me! | 1:29:50 | 1:29:52 | |
Intimidating the witness. | 1:29:58 | 1:30:01 | |
I'm warning you, Coyote. | 1:30:04 | 1:30:07 | |
-Threatening him with a gun. -Will you give me the information I want? | 1:30:11 | 1:30:17 | |
-The only information I'll give you is to tell you to go straight... -GUNSHOT | 1:30:18 | 1:30:24 | |
You... | 1:30:28 | 1:30:31 | |
You sure lived up to your...reputation. | 1:30:31 | 1:30:35 | |
Give me that gun, Rowley. | 1:30:58 | 1:31:01 | |
I thought he'd get it some day. | 1:31:06 | 1:31:08 | |
Come on. | 1:31:11 | 1:31:13 | |
The jury's coming in, folks. | 1:31:33 | 1:31:35 | |
-Oh, Meg, I... -Oh, yes, you can. I'm sure it'll be all right, dear. | 1:31:39 | 1:31:45 | |
Oh, Doc. I hear they got the James boys. No! | 1:31:46 | 1:31:51 | |
Yeah. A man named Ford killed Jesse and the law got Frank. | 1:31:51 | 1:31:55 | |
Have you reached a verdict? | 1:32:24 | 1:32:26 | |
We have, your honour. | 1:32:26 | 1:32:29 | |
We find that Mark Rowley is not guilty as charged. | 1:32:29 | 1:32:33 | |
HARMONICA PLAYS "OH, SUSANNAH" | 1:32:33 | 1:32:36 | |
-Darling? -Huh? | 1:32:39 | 1:32:42 | |
You're a LEETLE mite off-key. | 1:32:42 | 1:32:44 | |
STARTS AGAIN | 1:32:49 | 1:32:52 | |
Subtitles by BBC Scotland - 2000 | 1:33:07 | 1:33:13 |