Hans Christian Andersen


Hans Christian Andersen

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DOG BARKS

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DOG WHINES

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Good morning, schoolmaster.

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< SCHOOL BELL GETS FASTER

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See the kite?

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LAUGHTER OF CHILDREN

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-Tell us a story.

-Yeah, tell us a story!

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-Wait for me!

-Well, hurry up!

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Walk faster.

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Thank you.

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Next time, don't be late.

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Do you remember Latoda was the wicked mermaid, the Princess of the Frozen Seas?

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-CHILDREN: Yes.

-Today, as I promised -

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because we always keep promises, don't we? -

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-today, as I said, will be the...

-CHILDREN: Queen of China!

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Oh, did anyone remember to bring a dress for the Queen of China?

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CHILDREN ARGUE

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All right. Please. Please, ladies and gentlemen.

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If we can't have a queen, we'll have a king.

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We'll take the crown and put it on the side.

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He was a very jaunty little king.

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Now we'll just...

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Ah-ah!

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-No peeping.

-CHILDREN GROAN

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There we are.

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Long live the king.

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Long live the king!

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It's not a king. It's only a queen with a moustache.

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Tom, you'd be surprised how many kings are queens with a moustache.

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-But we know it's a king, don't we?

-CHILDREN: Yes.

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As we have no clothes for him, this story is about a king who had no clothes

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and a boy who only believed what he saw.

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CHILDREN: That's you.

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One day, two swindlers came to the king

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to sell him what they said was a magic suit of clothes.

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The king was very fond of new clothes so he said, "Let me see it."

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But there wasn't any suit.

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The swindlers held up their hands and said,

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"This is a magic suit.

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"And you being wise and intelligent can see how lovely it is.

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"To a fool, it is absolutely invisible."

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He said, "I see." Not wanting to appear a fool, he added,

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"Yes, indeed. I see it perfectly.

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"It's beautiful.

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"Isn't it grand? Isn't it fine? Look at the cut and style and line."

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# The suit of clothes is altogether, but altogether, it's altogether

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# The most remarkable suit of clothes that I have ever seen

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# These eyes of mine that once determined the sleeves are velvet, the cape is ermine

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# The hose are blue and the doublet is a lovely shade of green

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# A lovely shade of green

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# Somebody sent for the queen. #

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And the queen came and she was told

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how all the wise people could see the...

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-Magic suit!

-That's right.

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Naturally, not wanting to appear a fool, she said,

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"Oh! Isn't it grand? Isn't it rich? Look at the charm of every stitch."

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# The suit of clothes is altogether, but altogether, it's altogether

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# The most remarkable suit of clothes that I have ever seen

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# These eyes of mine that once determined the sleeves are velvet, the cape is ermine

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# The hose are blue and the doublet is a lovely shade of green

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# A lovely shade of green

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# He summoned the court to convene. #

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All the court came and the ministers came.

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-Not wanting to seem fools, they agreed with the...

-King and queen!

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So the king issued a proclamation, as follows.

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Ahem!

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# The suit of clothes is altogether, but altogether, it's altogether

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# The most remarkable suit of clothes a tailor ever made

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# Now, quickly, put it altogether with gloves of leather and hat and feather

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# It's altogether the thing to wear at Saturday's parade

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# Saturday's parade!

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# Leading the royal brigade. #

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Well, by this time,

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everyone had heard the king would be wearing new clothes on Saturday.

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They lined the streets as the artillery came by,

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and the infantry came by and the cavalry came by and the royal guard.

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And finally, the king.

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And everybody cheered, "Hooray!"

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CHILDREN: Hooray!

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Because nobody wanted to appear a fool.

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Nobody, that is, except for one little boy

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who hadn't heard about the king's new magic suit

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and didn't know what he was supposed to see.

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He took one look at the king, turned a little pale and said,

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"Look at the king. Look at the king. The king, the king, the king!"

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# The king is in the altogether, but altogether, the altogether

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# He's altogether as naked as the day that he was born

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# The king is in the altogether, but altogether, the altogether

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# It's altogether the very least the king has ever worn

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# Call the court physician! Call an intermission!

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# His Majesty is wide open to ridicule and scorn

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# The king is in the altogether, but altogether, the altogether

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# He's altogether as naked as the day that he was born

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# And it's altogether too chilly a morn! #

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CHILDREN CHEER

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< Hans!

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-Hans!

-Hurry, Peter, we're going to hear a story.

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-Hans, the schoolmaster went to the burgomaster...

-Peter, don't worry so much.

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But, Hans, they're coming - the schoolmaster and burgomaster. Look!

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Morning, burgomaster.

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Look, burgomaster. The books on the dirty ground.

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Here. The History Of Denmark,

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used to tie the string of a kite.

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The history of any country can stand some fresh air.

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Did you hear of the history book that took a holiday? It came back a better history.

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CHILDREN'S LAUGHTER IS SILENCED You see?

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That's the stuff he fills their heads with. Look at this.

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"Arithmetic. A two met a four one day.

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"They liked each other, got married and the other numbers came to their wedding."

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You see, burgomaster? It's impossible.

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There are different ways to learn.

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A cobbler belongs in his shop and children belong in school. Tend to your shoes!

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To be sure.

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But is the world made up of nothing else but shoes and school rooms?

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There's a story of a piece of chalk and a blackboard.

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For many years, the piece of chalk had written so many things

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it began to believe it knew everything.

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This made the blackboard angry because she felt

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without her to write on, no-one would know anything - and she knew it all.

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One day, quite by accident,

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the schoolmaster broke the chalk and tossed it away.

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It fell right beside a pencil the chalk had always admired.

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Because a pencil to a piece of chalk is very special.

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What do you suppose happened?

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What happened?

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What is this? >

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Have we lost our senses, listening to his stories with the children?

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That will be enough, Hans.

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Children, pick up your books and go back to school.

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Follow the schoolmaster. Not another word.

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I advise you, Hans, to stay in your shop from now on.

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Stop shaking your head like an old woman.

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-I can feel it in the back of my neck.

-Hans, turn around.

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-We've got to talk.

-Did you hear the story of the old woman

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who shook her head at the family so much that it fell off?

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-Hans, why do you keep on making trouble?

-Trouble?

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There's no trouble a good story can't get us out of.

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-But Hans...

-Like the one about the chalk and the blackboard.

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I didn't know what I was going to say till after I said it.

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-I'd like to know how the story ends, too.

-Please stay in the shop.

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-Please don't tell stories all the time.

-I never saw such a worrier.

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But I'll give you something to worry about.

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Two years ago, I took you out of the orphanage

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and promised them I'd make you into a good cobbler.

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Look at that shoe. Glue all smeared and nails crooked.

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Two years an apprentice and still the nails go in crooked.

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I'm not really that bad, am I?

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-You're not going to send me back to the orphanage?

-A-ha! A new worry.

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Never mind, Peter, let's go home.

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CHILDREN SING: # Two and two are four

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# Four and four are eight

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# Eight and eight are sixteen

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# Sixteen and sixteen are thirty-two

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# Two and two are four

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# Four and four are eight

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# Eight and eight are sixteen

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# Sixteen and sixteen are thirty-two... #

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Look, an inchworm. The first one of the year!

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# ..Four and four are eight

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# Eight and eight are sixteen

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# Sixteen and sixteen are thirty-two... #

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-SINGS TO SAME TUNE:

-# Inchworm, inchworm

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# Measuring the marigolds

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# You and your arithmetic

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# You'll probably go far

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# Inchworm, inchworm

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# Measuring the marigolds

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# Seems to me you'd stop and see

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# How beautiful they are

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# Two and two are four

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# Four and four are eight

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# Eight and eight are sixteen

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# Sixteen and sixteen are thirty-two... #

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SCHOOL BELL

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HE SHAKES IT MORE VIGOROUSLY

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Good morning, schoolmaster.

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Oh, Hans.

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-Let me explain.

-Out of my way!

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That's what I want. Take your choice.

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Either Hans Christian leaves the town or I do.

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Now, surely, schoolmaster, a little story now and then...

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It is not just now and then. It's every day.

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He gives them excuses - the Snow Queen took me to the Mountain King!

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-You think they make that up?

-That's true.

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I asked my Gerda what time it was.

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She said the minute and hour hands were not speaking.

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They were both in love with the second hand

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and wouldn't make up till they met at 12 so no-one could tell the time.

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Say, I like that.

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Like it?! We pay our taxes for the school, not for Hans' foolishness.

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-MURMURS OF AGREEMENT

-His stories are good. The children learn from them.

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I would like to go now, burgomaster, I'd like to pack up tonight,

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because you either want a new cobbler or a new teacher.

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MURMURING

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Gentlemen...

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It is decided.

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-The cobbler must leave.

-But sir...

-Quiet! I'll tell Hans myself.

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It will not be pleasant but it has to be done.

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Perhaps it's for the best. Tell Hans to wait in the shop.

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I'll talk to him before supper. Come, gentlemen.

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-Hello, Hans.

-Hello, Peter.

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-Was it nice by the river?

-Oh, just perfect.

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Did we have any customers today?

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Not one. Business gets slower and slower.

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Why don't we go to a larger city where shoes wear out faster?

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And be stuck in the shop all day? No, sir.

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I like business to be slow. There's time enough for everything here.

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That's what I mean. No shoes wear out, no-one leaves.

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Not one person here has been to Copenhagen, have they?

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That's true, but why should they?

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-I never think about Copenhagen. Do you?

-Do I!

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What do you suppose it's like?

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It's a funny thing, now that you mention it.

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I used to think about Copenhagen a lot.

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I used to make up wonderful stories about going there.

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I'd think about it a lot when I was your age.

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My husband's shoes hurt and the left one doesn't fit.

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That's not too bad, Mrs Berther.

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You know,

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I think shoes have a life of their own.

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Those that squeak don't like to leave the shop.

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-The ones that hurt don't like their owner.

-Please just fix the shoes.

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I've got my own life to worry about. When Mr Berther's feet hurt, he drives us crazy.

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Hans, tell me. What stories did you make up about Copenhagen?

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Oh...

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I used to dream about having the finest cobbler's shop in Copenhagen.

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I wasn't just an ordinary cobbler. I saw people by appointment.

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I looked at them before their shoes.

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If I didn't like them, no shoes.

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Do you know that people...

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Where are you going? Don't you want to hear the rest?

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-What have you got there?

-Your bag, Hans.

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-My bag?!

-Why don't you go to Copenhagen now?

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Are you crazy, Peter?

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That was a story. Didn't you understand that?

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Of course. But part of it must be like you imagined.

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There may be great carriages with fine horses, beautiful houses.

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-Yes, Peter...

-Don't you want to see it for yourself? It's not so far.

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All you have to do is walk out of that door.

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Quick! Before you change your mind.

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Before I change my mind? Who said I was going?

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Just like that, this afternoon?

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What's got into you, Peter?

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You forgot about Copenhagen. You may forget again until you're too old to go.

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No, some day I'm really going to Copenhagen. That I do know.

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Has anyone from this village gone to Copenhagen before? Of course not.

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They say so but they put it off. Imagine, you'll be the first.

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What a to-do there'll be tomorrow. They'll talk of it.

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"Hans has gone to Copenhagen."

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"Hans has gone to Copenhagen."

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Yes!

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What a sign it would make on the door.

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"Hans Andersen gone to Copenhagen." With little shoes pointing the way.

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We'll make the sign tonight. Imagine their faces.

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I see it exactly as you do. Goodbye, Hans. Aren't you excited?

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Excited? You mean I really should go?

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Why not? It's only a few days away.

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Stay a little while and then come back.

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-You'll have been to Copenhagen.

-But it's a big step.

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Still, what's to stop me?

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My goodness, I am getting excited.

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-Hans!

-If anyone had told me this morning that I'd decide to go to Copenhagen...

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-Start walking, Hans.

-Imagine, Peter.

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I've decided to go to Copenhagen. Just like that.

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-Goodbye, Hans.

-Goodbye, Peter.

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Goodbye, Peter.

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Take care. I'll only be gone a few days.

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-Tell the children goodbye.

-I will.

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Imagine, Peter. Copenhagen.

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Goodbye, Peter.

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BIRD SONG

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Hello. Ruff, ruff!

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Oh, my goodness. My feet hurt.

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I cannot understand why these shoes hurt me so.

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I made them myself.

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You're lucky. You don't have to wear shoes.

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I can never understand why people always say "A dog's life."

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Every dog I know seems to have a very nice life indeed.

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You've no idea. Maybe it's just as good you don't...

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Back in the village,

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if people saw me talking to you like this,

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do you know what would happen?

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Every head would shake for a week. Yet how pleasant this is.

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I can say anything I want to.

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There's no sound but the wag of your tail.

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People do the strangest things, too.

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Oh, yes, my friend, even me. Myself included.

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For instance, if you were to ask me

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what I was doing on the road to Copenhagen,

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I couldn't tell you.

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I was trying to figure it out.

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What Peter said, what I said.

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Suddenly, I'm on the road to Copenhagen.

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You know something else, my friend?

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I'm a little bit frightened.

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Copenhagen is a very big place.

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Still, what can happen, huh?

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People are nice.

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That's the nice thing about the world, my friend. People.

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So, what can happen?

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I walk through the city gates up to the first person I meet and say,

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"Hello. I'm Hans Christian Andersen."

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I'll walk through the gates and say,

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"I'm Hans Christian Andersen."

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# I'm Hans Christian Andersen

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# I've many a tale to tell

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# And though I'm a cobbler I'd say I tell them rather well

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# I'll mend your shoes and I'll fix your boots when I have a moment free

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# When I'm not otherwise occupied

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# As a purple duck or a mountainside or a quarter after three

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# I'm Hans Christian Andersen, that's me... #

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HANS WHISTLES THE TUNE

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# I'm Hans Christian Andersen

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# And this is an April day

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# It's full of the magic I need to speed me on my way

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# My pocket book has an empty look

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# I limp on a lumpy shoe

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# So I turn into a flying fish or a millionaire with a rocking chair and a dumpling in my stew

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# I'm Hans Christian Andersen

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# Andersen, that's who. #

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< Hans!

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< HANS!

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Peter!

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Peter, what are you doing here?

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You've got the whole shop on wheels.

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Copenhagen sounded so wonderful,

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I thought you wouldn't come back for a while.

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Maybe for a long while.

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So I thought maybe you'd need the shop.

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Sometimes you put ideas in my head that aren't there.

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Me? Oh, no, Hans.

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I'm not sure I shouldn't send you back right now.

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-But Hans...

-Still,

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as long as you've come this far...

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HANS LAUGHS

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# I sail up the Skagerrak

0:25:360:25:39

# And sail down the Kattegat

0:25:390:25:42

# Through the harbour and up to the cave

0:25:420:25:46

# And there she stands

0:25:460:25:49

# Waiting for me

0:25:490:25:53

# With a welcome so warm and so gay

0:25:530:25:57

# Wonderful, wonderful Copenhagen

0:25:590:26:04

# Friendly old girl of a town

0:26:040:26:09

# 'Neath her tavern light

0:26:090:26:12

# On this merry night

0:26:120:26:14

# Let us clink

0:26:140:26:16

# And drink one down

0:26:160:26:20

# To wonderful, wonderful Copenhagen

0:26:200:26:26

# Salty old queen of the sea

0:26:260:26:31

# Once I sailed away

0:26:310:26:34

# But I'm home today

0:26:340:26:36

# Singing Copenhagen

0:26:360:26:40

# Wonderful, wonderful Copenhagen for me. #

0:26:400:26:46

There she is.

0:26:460:26:48

# Wonderful, wonderful Copenhagen

0:26:560:27:00

# Friendly old girl of a town

0:27:000:27:04

# 'Neath her tavern light

0:27:040:27:06

# On this merry night

0:27:060:27:08

# Let us clink and drink one down

0:27:080:27:13

# To wonderful, wonderful Copenhagen

0:27:130:27:17

# Salty old queen of the sea

0:27:170:27:21

# Once I sailed away

0:27:210:27:23

# But I'm home today

0:27:230:27:25

# Singing Copenhagen

0:27:250:27:28

# Wonderful, wonderful Copenhagen for me. #

0:27:280:27:34

Copenhagen Weekly Gazette!

0:27:340:27:37

Get your Copenhagen Weekly Gazette!

0:27:370:27:41

Get the Copenhagen Weekly Gazette... BELL >

0:27:410:27:45

# Matches! Matches! >

0:27:520:27:54

# Matches! Please buy my matches

0:27:540:27:58

# Matches! Matches! #

0:27:580:28:01

Bric-a-brac! >

0:28:010:28:03

Bric-a-brac!

0:28:030:28:05

# Nice red roses

0:28:060:28:11

# Nice red roses. #

0:28:110:28:13

# Pots and pans, pots and pans. #

0:28:200:28:23

# Chimney sweep

0:28:230:28:25

# Sweep your chimney! #

0:28:270:28:32

# Bass! Bass! Buy bass!

0:28:590:29:03

# Nice fresh clams

0:29:030:29:05

# Fish!

0:29:050:29:08

# Fresh fish!

0:29:080:29:10

# Buy rhubarb! Rhubarb!

0:29:140:29:17

# Sausages, sausages!

0:29:170:29:19

# Sausages, sausages!

0:29:190:29:22

# Sausages, sausages!

0:29:220:29:24

# Rhubarb!

0:29:250:29:27

# Lemon flowers

0:29:280:29:30

# Butter and eggs here

0:29:310:29:34

# Cheese Butter and eggs here

0:29:350:29:38

-# Buy your bread from Bertha. #

-Can I have half a loaf?

0:29:380:29:41

Five schillings.

0:29:410:29:43

Hans, why don't we set up shop here?

0:29:450:29:47

Here? Well, what are we waiting for?

0:29:500:29:53

# I'm Hans Christian Andersen

0:30:050:30:07

# The pride of the cobbler's trade

0:30:070:30:09

# Permit me to show you a great discovery I've made

0:30:090:30:13

# A shoe goes squeak and a shoe goes squawk

0:30:130:30:15

# Squeakety-squawk all day

0:30:150:30:17

# And though you'd figure a shoe can't talk

0:30:170:30:19

# If you listen close to the squeak and squawk You can plainly hear it say

0:30:190:30:23

# Let Hans Christian Andersen fix me right away

0:30:230:30:27

# In Hans Christian Andersen, your feet have a loyal friend

0:30:290:30:33

# The sort of a doctor I'm sure your toes would recommend

0:30:330:30:37

# I work all night for shoes too tight to see where the pinch comes from

0:30:370:30:41

# I raise my hammer and shut one eye

0:30:410:30:43

# And I sometimes hit on the reason why and I sometimes hit my thumb...

0:30:430:30:47

-What's your name?

-# I'm Hans Christian Andersen. #

0:30:470:30:51

Thank you. You're under arrest.

0:30:510:30:53

-Under arrest?

-Disrespect for the king's statue. Get that boy.

0:30:530:30:58

Run, Peter!

0:31:050:31:07

-Do you want the new ballet ready?

-I do.

-Then do as I say.

0:31:430:31:47

Now, quick. You heard what she and I said.

0:31:470:31:50

-Niels, be sensible. I want the ballet...

-Fine, argue with me.

0:31:500:31:55

-I'm not arguing.

-I'll get a cobbler and you can teach the ballet.

0:31:550:32:00

Why is it so important to have a cobbler now?

0:32:000:32:04

Because your ballerina is so pig-headed, I must make an example of her.

0:32:040:32:10

Why do you always use that perfume?

0:32:100:32:13

-Sir...

-Go away!

-She won't get away with it.

0:32:130:32:16

-I know her far better than you do.

-You know her...

0:32:160:32:20

Otto, you're wasting time. The ballet is half-finished.

0:32:200:32:24

No cobbler, no ballet. I guarantee it, Otto.

0:32:240:32:27

-I know where to get a cobbler, sir.

-What's that?

0:32:290:32:32

I know where you can get a cobbler this very minute.

0:32:320:32:36

-Where?

-You'll have to use a little influence.

0:32:360:32:39

-Influence?

-With the police.

0:32:390:32:42

We should hurry, sir. I know where one is sitting right now.

0:32:420:32:46

Hello.

0:33:040:33:06

Hello.

0:33:060:33:08

-Hello!

-Hello.

0:33:080:33:10

Are you alone in there?

0:33:110:33:13

Well, er...in a way, yes.

0:33:130:33:15

Are you scared?

0:33:150:33:18

-Hmmm?

-Are you scared?

0:33:180:33:20

Scared? No.

0:33:200:33:22

Nobody's ever really alone. Did you know that?

0:33:220:33:26

I'm expecting company right now. Shall I introduce you?

0:33:260:33:30

Are you sure? Positive? Absolutely sure?

0:33:300:33:34

Don't go away.

0:33:340:33:36

-There.

-Oh!

0:33:540:33:58

Isn't she pretty? Her name is Thumbelina.

0:33:580:34:01

Say hello, Thumbelina. Now you say hello to her.

0:34:010:34:05

Hello.

0:34:050:34:07

Oh, she's very unhappy.

0:34:090:34:11

What's the matter?

0:34:110:34:14

Are you unhappy because you're so little?

0:34:140:34:17

That's nothing to make such a sad face about, is it? Here, come on.

0:34:170:34:22

# Though you're no bigger than my thumb

0:34:220:34:25

# Than my thumb

0:34:260:34:28

# Than my thumb

0:34:280:34:29

# Sweet Thumbelina, don't be glum

0:34:290:34:32

# Now, now, now

0:34:320:34:34

# Uh-uh-uh, come, come, come

0:34:340:34:37

# Thumbelina, Thumbelina, tiny little thing

0:34:370:34:41

# Thumbelina, dance, Thumbelina, sing

0:34:410:34:44

# Oh, Thumbelina, what's the difference if you're very small?

0:34:440:34:48

# When your heart is full of love, you're nine feet tall. #

0:34:480:34:52

She's still unhappy. What's the matter, Thumby?

0:34:520:34:55

Would you like a little playmate? You would?

0:34:550:34:59

There.

0:34:590:35:01

Say "How do you do?" How do you do? Want a kiss?

0:35:010:35:04

Maybe you'd like to dance?

0:35:040:35:07

You would? Here we go.

0:35:070:35:09

# Thumbelina, Thumbelina, tiny little thing

0:35:090:35:13

# Thumbelina, dance

0:35:130:35:15

# Thumbelina, sing

0:35:150:35:17

# Thumbelina, what's the difference if you're very small?

0:35:170:35:20

# When your heart is full of love, you're nine feet tall. #

0:35:200:35:26

Open up. >

0:35:290:35:31

-Hans!

-Peter!

0:35:330:35:35

-What are you doing here?

-You're a cobbler?

-Yes.

0:35:360:35:40

Hurry. You are in the custody of The Royal Danish Ballet.

0:35:400:35:44

-What am I in the custody of?

-Ssh! You're out. That's the main thing.

0:35:460:35:51

-They didn't treat you badly?

-No, Peter.

0:35:510:35:53

-Where's your coat?

-Here. Where are we going? Who is that?

0:35:530:35:58

-What are you standing there for?

-Come on, we've got our first job.

0:35:580:36:03

ORCHESTRAL MUSIC

0:36:030:36:05

Straight! Straight!

0:36:050:36:07

Straight! Straight!

0:36:070:36:09

Keep the line straight!

0:36:090:36:11

Up! Up!

0:36:120:36:15

Good! Good!

0:36:150:36:18

-This is the most...

-Ssh! It's the dress rehearsal.

0:36:590:37:03

MUSIC STOPS All right! All right!

0:39:480:39:52

We'll do it all again.

0:39:540:39:56

Ladies, the pirouettes were impossible.

0:39:560:39:59

Gentlemen, the lifts have to be high.

0:39:590:40:02

The ballerina's performance, I won't discuss - it would take hours.

0:40:020:40:06

We'll do the entire thing again.

0:40:060:40:09

Not with these shoes, darling. I told you before, remember?

0:40:090:40:13

Stop. Everything stop.

0:40:150:40:17

Is the cobbler here yet?

0:40:170:40:20

Here I am.

0:40:200:40:22

Come up here, cobbler.

0:40:220:40:25

Come on! Hurry up!

0:40:250:40:27

Cobbler, this...lady will explain what she wants you to do.

0:40:350:40:39

It's a trifle complicated. But then she's no ordinary dancer.

0:40:390:40:45

Of all the dancers in Denmark, only she can't follow my steps

0:40:450:40:49

without shoes that exist only in her mind.

0:40:490:40:53

She may enlighten you because we can't understand so great a ballerina(!)

0:40:530:40:58

We must only bow to her every wish.

0:40:580:41:02

Not quite low enough, my dear. Come, sir.

0:41:020:41:05

We can talk more quietly over there, I think.

0:41:050:41:08

Lunch, everybody!

0:41:120:41:14

CHATTERING

0:41:140:41:16

You've seen the ballet when I make a jete?

0:41:180:41:21

You know, when I jump.

0:41:210:41:23

I want to rise and remain motionless

0:41:230:41:26

as though I was on nothing but air.

0:41:260:41:29

It is impossible with these shoes.

0:41:300:41:33

But if you could put something in the tip of each one, I could do it.

0:41:330:41:38

In spite of that unkind man.

0:41:380:41:41

I would so love to show him it is not impossible.

0:41:410:41:44

It is possible, isn't it? Could you do it?

0:41:460:41:49

Er, yes.

0:41:490:41:51

Yes, I can do it.

0:41:510:41:53

I'll find something.

0:41:530:41:55

Something soft and silent.

0:41:550:41:58

-I can do it. You could seem to stand on air.

-You have it!

0:41:580:42:03

I can see you have the idea perfectly.

0:42:030:42:06

I shall be so grateful to you.

0:42:060:42:09

-There, can you do it now?

-Yes.

0:42:090:42:11

Quickly? It would be such a service.

0:42:110:42:14

I would be forever grateful. Thank you.

0:42:140:42:17

Louise! My slippers!

0:42:170:42:20

No, you come out this way. >

0:42:240:42:26

Hans!

0:42:280:42:30

You were a long time.

0:42:300:42:33

Have we got a job?

0:42:330:42:35

-What are you holding, Hans?

-Slippers.

0:42:350:42:37

Slippers? I never saw slippers like that before. Who wears them?

0:42:370:42:42

-The loveliest lady ever.

-Why does she wear these shoes?

0:42:420:42:46

She dances, Peter. No, she floats.

0:42:460:42:49

When she smiles, your heart skips a beat and melts.

0:42:490:42:53

She smiled and came close to me. She even touched me.

0:42:530:42:57

-Where's the barrow, Peter?

-Right over here.

0:42:570:43:00

I hid it in the theatre storeroom.

0:43:030:43:05

She wants shoes that will walk on air, Peter.

0:43:050:43:08

This afternoon. Well, she'll have them.

0:43:080:43:11

I wish she'd asked me something really impossible.

0:43:130:43:16

Doro,

0:43:300:43:32

are you hungry?

0:43:320:43:34

Do you love me?

0:43:370:43:39

Yes. Yes, even half-starved, I love you.

0:43:390:43:42

Come.

0:43:440:43:46

Here, sit down.

0:43:460:43:49

Here. A sip of this to put you in a better temper.

0:43:490:43:52

And look.

0:43:520:43:54

I asked Helga to make this specially for you today.

0:43:540:43:58

Was I cruel today?

0:43:580:44:01

Oh, you were.

0:44:010:44:03

You were indeed.

0:44:030:44:05

I was almost in tears.

0:44:050:44:07

Doro, I'm sorry.

0:44:070:44:09

Niels, don't be sorry.

0:44:090:44:11

It's just how it should be, don't you see that?

0:44:110:44:15

Professionally, we fight like two tigers.

0:44:150:44:18

But afterwards... That's what makes it so good afterwards.

0:44:180:44:23

-Isn't it good now?

-Oh, it's wonderful.

0:44:250:44:27

Why do I forget that the minute you start to dance?

0:44:270:44:32

Then I see only my enemy, the ballerina, before me.

0:44:320:44:35

Because the ballet is your life, as it is mine.

0:44:350:44:39

Don't you think I sometimes forget that you are my husband

0:44:390:44:43

and want to kill you for the things you say?

0:44:430:44:47

-You really want to kill me?

-Of course I do.

0:44:470:44:50

That's as it should be.

0:44:500:44:52

I would hate it any other way, wouldn't you?

0:44:520:44:55

Oh, yes, we are lucky.

0:44:560:44:58

And I do love you so.

0:44:580:45:00

I'm sorry about the shoes, darling.

0:45:110:45:14

I will behave beautifully this afternoon. You will see.

0:45:140:45:18

-Sorry?

-There was nothing wrong with them.

0:45:180:45:21

I just did that to torment you.

0:45:230:45:25

Oh, you did?

0:45:250:45:27

I know exactly how to torment you, don't I, darling?

0:45:270:45:31

And you look so wonderfully poetic when you are in a rage, my dear.

0:45:310:45:36

Never mind how I look.

0:45:360:45:38

So you just made that up about the shoes?

0:45:380:45:42

But you were being terrible.

0:45:420:45:44

You let everyone sit and twiddle their thumbs while you took revenge.

0:45:440:45:49

You forget what you said in front of the entire company.

0:45:490:45:53

No, I don't. I remember every word of it. I was right.

0:45:530:45:58

-You were?

-If you've done stuffing yourself, I'll say it again.

0:45:580:46:02

Because lunch is over and we're back in rehearsal.

0:46:020:46:06

You danced the waltz like an elephant in a snow drift.

0:46:060:46:10

-What did you say?

-I said,

0:46:100:46:13

you danced the waltz like an elephant in a snow drift!

0:46:130:46:18

No, like an elephant who fell and was trying to get up. You hear me?

0:46:180:46:23

How dare you! I slave to make each step you give me just right.

0:46:230:46:28

I take your foolish little dance steps and make them acceptable.

0:46:280:46:33

You don't slave hard enough, my girl.

0:46:330:46:36

-Pick your feet up to the music.

-You are not just cruel, but heartless.

0:46:360:46:42

You love to say cruel things to me. You want me to grovel at your feet.

0:46:420:46:47

-Maybe you'd see the steps clearer.

-How can I stand it?

0:46:470:46:51

-How do I bear it?

-Oh, you can cry harder than that.

0:46:510:46:55

I've heard you cry much harder.

0:46:550:46:58

That, my girl, is for thinking up those shoes.

0:47:030:47:07

On stage, everybody!

0:47:070:47:09

Let's see what you can think up for this afternoon's rehearsal.

0:47:090:47:13

You fixed the shoes?

0:47:140:47:16

-Did you see what he's doing to her?

-Of course.

0:47:160:47:20

Never interfere between a husband and wife. The best rule ever.

0:47:200:47:25

You mean she's married to him?

0:47:250:47:27

To that man?

0:47:270:47:30

Very much married. Outside, please.

0:47:300:47:33

No-one is allowed in the theatre during rehearsal. Another rule.

0:47:330:47:37

How much do we owe for the shoes?

0:47:370:47:40

How could you do that?

0:47:520:47:54

How could a girl like you marry a man like that? How can I help you?

0:47:540:48:00

Dance! Dance!

0:48:000:48:02

Dance!

0:48:020:48:05

Dance! Dance!

0:48:050:48:07

-DORO'S VOICE:

-Help me...

0:48:290:48:31

Help me.

0:48:450:48:47

Cobbler! Cobbler.

0:50:180:50:21

Cobbler.

0:50:210:50:23

Thank you. You left before I could thank you.

0:50:230:50:27

They were wonderful. I really floated on air.

0:50:270:50:30

Thank you.

0:50:300:50:32

Thank you.

0:50:400:50:42

Don't tell me what to do. >

0:50:440:50:47

They'll work tomorrow till they get it right.

0:50:470:50:50

I'll see them drop in their tracks.

0:50:500:50:53

Have my coat ready when I'm ready to leave.

0:50:530:50:56

Home.

0:51:020:51:04

What funny people they are.

0:51:220:51:24

First, they laugh and kiss. Then they scream and beat each other.

0:51:240:51:28

Kinda crazy.

0:51:280:51:29

What are you doing?

0:51:320:51:34

-Writing.

-A letter? To the children?

0:51:340:51:36

Say something from me to them.

0:51:360:51:39

It's not to the children.

0:51:390:51:41

Who are you writing to, Hans?

0:51:410:51:44

The ballerina.

0:51:440:51:46

Stop bothering me, Peter.

0:51:460:51:48

Why are you writing to the ballerina?

0:51:520:51:55

I heard him talk to her.

0:51:560:51:58

I saw him slap her face.

0:51:580:52:00

Hans, they're married.

0:52:000:52:02

I know that.

0:52:050:52:07

I heard them talking before you came in.

0:52:070:52:10

It was different.

0:52:100:52:12

Look, Peter, you're a child. You don't understand.

0:52:130:52:17

I saw him make her cry with my own eyes.

0:52:170:52:20

-But Hans...

-Don't bother me. I must finish this tonight.

0:52:200:52:24

HOWLING WIND

0:52:300:52:32

"The Little Mermaid, a story for Mademoiselle Doro.

0:52:400:52:44

"And so gradually,

0:52:470:52:49

"the little mermaid began to understand.

0:52:490:52:53

"She had sought love

0:52:550:52:58

"from the wrong man."

0:52:580:53:00

KNOCK ON DOOR

0:53:230:53:25

Come in.

0:53:330:53:35

I'm sorry, sir, but he insisted on seeing you.

0:53:370:53:41

Ssh! She's asleep. What's the trouble, doorman? Who's he?

0:53:410:53:45

Sir, this is addressed to Mademoiselle Doro.

0:53:450:53:48

I found this boy trying to take it.

0:53:480:53:51

It's a story and it IS addressed to her. Why were you trying to take it?

0:53:510:53:56

I wasn't trying to steal it.

0:53:560:53:58

-It's mine.

-Is it?

0:53:580:54:00

-Why is it addressed to my wife?

-What is all this?

0:54:000:54:04

It's mine! Please give it to me.

0:54:040:54:07

Now, who wrote this?

0:54:070:54:09

I did.

0:54:110:54:13

You did?

0:54:130:54:15

Suppose you tell me why you wrote this story to my wife?

0:54:200:54:25

It's nothing to do with you or her. It's just a story.

0:54:250:54:28

He made up a story. He's always making up stories.

0:54:280:54:33

Would you mind telling me who HE is?

0:54:330:54:35

We know very well you didn't write it so you can stop lying.

0:54:350:54:40

Now, who is he?

0:54:400:54:42

-A friend of mine.

-What's his name?

0:54:420:54:44

Hans...

0:54:440:54:46

-Christian Andersen, the cobbler.

-DORO LAUGHS

0:54:460:54:50

Darling, it's the cobbler.

0:54:520:54:55

The cobbler who fixed my shoes. He's written a story for a ballet.

0:54:550:55:00

-I don't believe it.

-Tell the cobbler I am delighted to have it.

0:55:000:55:04

What was his name? Hans? I'll read it carefully.

0:55:040:55:08

-THEY BOTH LAUGH The Little Mermaid!

-Stop it.

0:55:080:55:12

I find it quite touching.

0:55:120:55:16

I haven't said "Good morning" yet.

0:55:170:55:20

Good morning, darling.

0:55:220:55:25

Where have you been? I've lost it. I can't find it anyplace.

0:55:440:55:48

Help me look, will you, Peter? When I need you, you disappear.

0:55:480:55:53

I'll have to write it all over again.

0:55:530:55:56

-You don't have to write it again.

-Don't stand there. Look.

0:55:560:56:00

-You don't have to write it again.

-What?

0:56:000:56:03

She's got it.

0:56:030:56:05

What did you say?

0:56:100:56:12

She has it, Hans. Right now.

0:56:120:56:14

She has?

0:56:140:56:16

But how did she get it?

0:56:170:56:19

I was reading it and it blew out of my hands.

0:56:200:56:25

You took it?

0:56:250:56:27

But why?

0:56:270:56:29

Never mind that. Go on.

0:56:290:56:31

It blew into the window of the theatre and...

0:56:310:56:35

That's how she got it.

0:56:350:56:37

A wind took it to her.

0:56:380:56:40

It's an omen, Peter.

0:56:410:56:43

She's reading it now.

0:56:460:56:48

-Don't go over there.

-I must. I've got to talk to her. I can help her.

0:56:540:56:59

That there and this sofa. Let's get them on the wagon.

0:57:010:57:05

-What's going on here? What are you doing?

-The ballet's moving out.

0:57:050:57:10

Moving out?

0:57:100:57:12

Excuse me. Is it true the ballet's moving out?

0:57:180:57:21

That's right. Their regular yearly tour.

0:57:210:57:24

Where to? How long will they be gone?

0:57:240:57:27

THE CHILDREN LAUGH

0:57:410:57:43

QUACKING

0:57:430:57:45

Oh, there's the school bell.

0:57:560:57:59

Off to school ! Hurry up!

0:57:590:58:01

Off with you now! Another day, another story.

0:58:010:58:05

I don't want any trouble with the schoolmaster.

0:58:050:58:09

Hurry!

0:58:090:58:11

What's the matter? Are you unhappy?

0:58:160:58:18

Would you like me to tell you a special story?

0:58:200:58:24

You would?

0:58:240:58:26

Come on up here.

0:58:260:58:28

Come on.

0:58:300:58:31

I'm not going to hurt you.

0:58:390:58:42

Now, let me see.

0:58:440:58:46

# There once was an ugly duckling

0:58:510:58:56

# With feathers all stubby and brown

0:58:560:58:59

# And the other birds in so many words said

0:58:590:59:03

# Phht! Get out of town

0:59:030:59:06

# Phht! Get out

0:59:070:59:08

# Phht! Phht! Get out

0:59:080:59:10

# Phht! Phht! Get out of town

0:59:100:59:14

# And he went with a quack and a waddle and a quack

0:59:140:59:17

# And a flurry of eiderdown. #

0:59:170:59:20

Do you want me to tell you the rest of the story?

0:59:210:59:25

All right.

0:59:250:59:27

# That poor little ugly duckling

0:59:280:59:32

# Went wandering far and near

0:59:320:59:35

# But at every place, they said to his face

0:59:350:59:38

# Now phht! Get out of here

0:59:380:59:41

# Phht! Get out

0:59:420:59:44

# Phht! Phht! Get out

0:59:440:59:46

# Phht! Phht! Get out of here

0:59:460:59:49

# And he went with a quack and a waddle and a quack

0:59:490:59:53

# And a very unhappy tear

0:59:530:59:56

# All through the winter time

1:00:041:00:06

# He hid himself away

1:00:061:00:09

# Ashamed to show his face

1:00:091:00:11

# Afraid of what others might say

1:00:121:00:15

# All through the winter

1:00:151:00:18

# In his lonely clump of weed

1:00:181:00:21

# Till a flock of swans spied him there

1:00:211:00:24

# And very soon agreed

1:00:241:00:26

# You're a very fine swan indeed. #

1:00:271:00:34

"A swan? Me, a swan?"

1:00:341:00:36

"Oh, go on." He said, "Yes, you're a swan.

1:00:361:00:39

"Look in that lake and you'll see."

1:00:391:00:42

He looked and he saw and he said,

1:00:421:00:44

"I am a swan.

1:00:441:00:46

"Wheeee!"

1:00:461:00:49

# I'm not such an ugly duckling

1:00:491:00:52

# No feathers all stubby and brown

1:00:521:00:56

# For in fact these birds in so many words said

1:00:561:01:00

# The best in town

1:01:001:01:02

# Keek! The best

1:01:021:01:04

# Keek! Keek! The best

1:01:041:01:05

# Keek! Keek! The best in town

1:01:051:01:07

# Not a quack, not a quack, not a waddle or a quack

1:01:081:01:12

# But a glide and a whistle and a snowy-white back

1:01:121:01:17

# And a head so noble and high

1:01:171:01:22

# Say, who's an ugly duckling?

1:01:221:01:26

# Not I. #

1:01:261:01:28

HE WHISTLES TUNE

1:01:281:01:30

# Not I. #

1:01:351:01:37

So, Lars, it makes no difference if they make fun of you.

1:01:371:01:41

But it does. I want to play with them.

1:01:411:01:44

But they make fun of me because I was sick and had my head shaved.

1:01:441:01:49

Yes, but look what happened to the ugly duckling.

1:01:491:01:52

One day soon, you'll look in the mirror - sooner than you think -

1:01:521:01:57

and your hair will all be grown out

1:01:571:01:59

and you'll be like the ugly duckling.

1:01:591:02:02

You'll be better than any of them.

1:02:021:02:04

Are you sure, Hans?

1:02:041:02:07

Very sure.

1:02:071:02:09

-Now, you'd better run off to school. You're late now.

-Bye, Hans.

1:02:101:02:13

-Oh, cobbler.

-Yes?

1:02:211:02:23

-Are my shoes ready?

-Yes, I have them waiting.

1:02:231:02:27

-One mark, please.

-As much as that?

1:02:271:02:30

Yes, ma'am. They're practically new.

1:02:301:02:33

How beautiful.

1:02:351:02:37

What kind of shoes are they?

1:02:371:02:39

Ballet slippers. I made them myself.

1:02:391:02:42

How lovely they are.

1:02:421:02:45

Please, ma'am, they might soil. You understand.

1:02:451:02:49

-Who wears such lovely things?

-A lady who dances.

1:02:491:02:52

Her feet twinkle like little stars.

1:02:521:02:55

I assure you the slippers won't even be noticed, she's so beautiful.

1:02:551:03:00

Thank you.

1:03:021:03:04

Thank you. Please come again.

1:03:041:03:07

# Her arms were warm as they welcomed me

1:03:531:03:56

# Her eyes were fire bright

1:03:581:04:01

# And then I knew that my path must be

1:04:021:04:06

# Through the ever haunted night

1:04:071:04:11

# For anywhere I wander

1:04:131:04:17

# Anywhere I roam

1:04:191:04:22

# Till I'm in the arms of my darling again

1:04:231:04:28

# My heart will find no home

1:04:301:04:34

# Anywhere I wander

1:04:361:04:40

# Anywhere I roam

1:04:421:04:45

# Anywhere I wander

1:05:121:05:17

# Anywhere I roam. #

1:05:191:05:25

-You're Hans the cobbler?

-Yes, sir.

1:05:471:05:50

-I'm pleased to know you.

-How do you do?

-You've no idea why you're here?

1:05:501:05:56

-No, sir.

-I'm the father of the ugly duckling. Does that mean anything?

1:05:561:06:01

Oh! You're Lars' father, I see.

1:06:011:06:04

That story helped him over a bad time. I'm grateful.

1:06:041:06:08

When I made inquiries, I found you had a lot more stories.

1:06:081:06:13

The children are full of them. Do you ever write any of them?

1:06:131:06:17

-Oh, no, sir.

-I've a little surprise for you.

1:06:171:06:20

Give me a small sheet of paper.

1:06:221:06:25

Oh.

1:06:461:06:48

Thank you very much.

1:06:521:06:54

It's the finest present I've ever had.

1:06:571:07:00

I'm delighted. Lars will be, too.

1:07:001:07:03

Could I say something? You wouldn't mind?

1:07:071:07:09

Of course not. Say what you want.

1:07:091:07:12

Well, instead of Hans the cobbler,

1:07:121:07:15

could it say Hans Christian Andersen, like a real writer?

1:07:151:07:20

Certainly.

1:07:201:07:22

If you write some of those stories down,

1:07:221:07:25

as you tell them to the children, I'll print them and pay for them.

1:07:251:07:30

I can hardly believe it.

1:07:331:07:35

-When will it be in the paper?

-Tomorrow.

1:07:371:07:40

It'll say "Hans Christian Andersen" all day tomorrow.

1:07:401:07:44

-All day?

-All day.

1:07:441:07:46

-Well, goodbye, sir.

-Goodbye.

1:07:491:07:51

All day?

1:07:531:07:55

-Thank you, sir.

-Thank YOU.

1:07:571:08:00

The Ugly Duckling,

1:08:071:08:09

by Hans Christian Andersen.

1:08:091:08:11

# I'm Hans Christian Andersen

1:08:141:08:16

# That fortune has smiled upon

1:08:171:08:20

# Although I'm a duckling today, tomorrow I'm a swan

1:08:201:08:24

# A tale I told and it turned to gold

1:08:241:08:26

# As gold as a tale can be

1:08:261:08:28

# I laugh - ha-ha! - but I blush a bit

1:08:281:08:31

# For I realise, while I'm reading it, that it's also reading me

1:08:311:08:35

# By Hans Christian Andersen. #

1:08:351:08:38

I am a swan.

1:08:381:08:40

# I write myself a note each day and I place it in my hat

1:08:401:08:44

# The wind comes by, the hat blows high, but that's not the end of that

1:08:441:08:47

# For round and round the world it goes, it lands here right behind myself

1:08:471:08:52

# I pick it up and I read the note

1:08:521:08:54

# Which is merely to remind myself

1:08:541:08:56

# I'm Hans Christian Andersen

1:08:561:08:59

# Andersen... #

1:08:591:09:01

Peter!

1:09:011:09:03

# I'm Hans Christian Andersen

1:09:061:09:08

# I bring you a fable rare

1:09:081:09:11

# There once was a table who said

1:09:111:09:13

# How I'd love a chair

1:09:131:09:16

# And then and there came a sweet young chair

1:09:161:09:19

# All dressed in a bridal gown

1:09:191:09:21

# He said to her in a voice so true

1:09:221:09:25

# Now, I did not say I would marry you, but I would like to sit down

1:09:251:09:30

# I'm Hans Christian Andersen

1:09:301:09:32

# Andersen's in town. #

1:09:321:09:34

HE WHISTLES THE TUNE

1:09:341:09:36

"The Ugly Duckling by..."

1:09:391:09:41

-Hans, it can't be.

-You're looking at a real writer, Peter.

1:09:411:09:45

Tomorrow, the paper will say "Hans Christian Andersen" all day.

1:09:451:09:50

-Is that what the newspaper wanted?

-Yes.

1:09:501:09:53

They've printed one of your stories.

1:09:531:09:55

The way it happened is like a story in itself. Wait till you hear.

1:09:551:10:00

From now on, if anyone asks who you're working for,

1:10:001:10:04

you can say a writer, you're working for a real writer.

1:10:041:10:08

THEY BOTH LAUGH

1:10:101:10:12

The Ugly Duckling by Hans the cobbler.

1:10:121:10:15

-I can hardly believe it.

-Peter...

1:10:161:10:18

can you imagine the schoolmaster's face?

1:10:221:10:26

One day, a newspaper arrives from Copenhagen.

1:10:261:10:30

He looks and suddenly...

1:10:301:10:32

He can't believe his eyes.

1:10:331:10:35

"Hans Christian Andersen?" he says. "Hans the cobbler?

1:10:351:10:40

"A story by Hans Christian Andersen?

1:10:401:10:42

"A fine story." Have a bite.

1:10:441:10:46

-There's something on your hand.

-It must be from the printing machine.

1:10:461:10:52

Peter.

1:10:531:10:55

Look.

1:10:551:10:57

-"The Royal Danish Ballet returns from tour."

-She's back.

1:10:571:11:02

Peter, she's back! Oh, what a day! Everything is happening at once.

1:11:021:11:08

-She's back!

-We promised shoes for today.

1:11:081:11:12

I'll do it later. I couldn't sit still.

1:11:121:11:15

She's back, Peter! I've got to go. She's back.

1:11:151:11:18

ALL: Ah!

1:13:461:13:48

# Never before and never again

1:14:111:14:13

# Never before and never again

1:14:131:14:15

# No two people have ever been so in love

1:14:151:14:18

-# Been so in love

-# Been so in love

1:14:181:14:20

-# Been so in love

-# Been so in love

1:14:201:14:21

# It's incredible! No two people have ever been so in love

1:14:211:14:25

# Been so in love as my lovey-dove and I

1:14:251:14:28

# This is unique, the positive peak, we are the most unusual couple on earth

1:14:281:14:31

# No two people have ever mooned such a moon

1:14:311:14:34

-# Mooned such a moon

-# Juned such a June

1:14:341:14:36

-# Juned such a June

-# Spooned such a spoon

1:14:361:14:38

# What he means is that no two people have ever been so in tune

1:14:381:14:41

# Been so as my macaroon and I

1:14:411:14:45

-# And when we kiss

-# And when we kiss

1:14:451:14:47

-# And when we kiss

-# Well, fancy this

1:14:471:14:49

# It's hysterical, it's historical

1:14:491:14:51

-# Let me tell it

-# Well, certainly, darling

1:14:511:14:53

# No two people have ever been so in love

1:14:531:14:56

-# Been so in love

-# Been so in love

1:14:561:14:58

-# Been so in love

-# Been so in love

1:14:581:15:00

# It's impossible! No two people have ever been so in love

1:15:001:15:03

# Been so as my lovey-dove and I

1:15:031:15:06

# This is the cream, the very extreme, the sort of a dream you couldn't imagine

1:15:061:15:09

# Well, anyway, no two people have ever been so in love

1:15:091:15:12

# Been so as my lovey-dove and I

1:15:121:15:15

ALL: # No two people have ever been so in love

1:15:211:15:25

# Been so in love

1:15:251:15:26

# Been so in love

1:15:261:15:28

# No two people have ever been so in love

1:15:281:15:32

# As Mr and Mrs Hans Christian Andersen. #

1:15:321:15:35

-Mrs Andersen.

-Mr Andersen.

1:15:361:15:38

-Mrs Andersen.

-Mr Andersen...

1:15:401:15:42

Mr Andersen?

1:15:421:15:44

Mr Andersen.

1:15:441:15:47

Mr Andersen!

1:15:471:15:49

Oh, Mr Andersen.

1:15:491:15:51

Mr Andersen?

1:15:511:15:53

Mr Andersen!

1:15:541:15:56

How sweet of you to be here the moment we return!

1:15:561:16:00

How did you know we're doing your ballet?

1:16:001:16:03

Never mind. Your reward will come tomorrow when you see me dance it.

1:16:031:16:08

You'll come, won't you?

1:16:081:16:11

Perhaps you will have words for me by tomorrow night.

1:16:131:16:17

HE WHISTLES "The Ugly Duckling"

1:16:201:16:22

What would they say in the village?

1:16:241:16:27

You and me ready to go to the Opera House.

1:16:271:16:30

To see my ballet.

1:16:301:16:32

Would they believe it? No. "One of the cobbler's tales," they'd say.

1:16:331:16:37

"How can the children believe such things?"

1:16:371:16:41

But even I wouldn't make up this story. And it happens to be true.

1:16:411:16:45

Is it all right if I don't go?

1:16:461:16:49

-What?

-HANS WHISTLES

1:16:491:16:51

I said, is it all right if I don't go with you?

1:16:541:16:57

No, it's not all right if you don't go.

1:16:571:17:00

What's the matter with you anyway, Peter?

1:17:001:17:03

Something's wrong with you.

1:17:031:17:05

Come inside.

1:17:051:17:07

What's the matter, Peter?

1:17:211:17:23

Come on, out with it.

1:17:231:17:25

I've been trying to tell you something, Hans, all day.

1:17:281:17:32

All right, Peter, tell me now.

1:17:341:17:37

It's hard for me, Hans. I don't know how to say it.

1:17:381:17:42

Never mind. Just say it.

1:17:451:17:47

I tried... I tried once to tell you but you wouldn't listen.

1:17:491:17:53

When they went away,

1:17:531:17:55

I thought you'd forget about it.

1:17:551:17:57

-They?

-I don't like people who laugh at you, Hans. That hurts me.

1:17:571:18:02

Back in the village, when they made fun of you, I wanted to kill them.

1:18:021:18:07

Laugh at me? What are you talking about?

1:18:071:18:10

Her and him.

1:18:101:18:12

You don't understand them.

1:18:121:18:15

What don't I understand?

1:18:151:18:17

You're making up a story about them, like you do everything else.

1:18:171:18:22

It's about them, not clocks and flowers and stars.

1:18:221:18:26

-She'll laugh at you, Hans.

-So that's it.

1:18:261:18:29

I thought so.

1:18:291:18:31

Is she laughing at me when she does my ballet tonight?

1:18:311:18:35

Was she laughing at me yesterday when she kissed me?

1:18:351:18:39

-She kissed you?

-Yes, yes.

1:18:391:18:41

You didn't know that, did you?

1:18:431:18:45

I don't care. It's true.

1:18:461:18:49

I'm sorry you said that. You never lied to me before.

1:18:491:18:53

You don't have to come with me.

1:18:531:18:56

Maybe you'd better see if you can find work with someone else.

1:18:581:19:03

You're old enough now to be by yourself.

1:19:031:19:06

I think we'd better part company altogether because...

1:19:071:19:11

..because I don't think we like each other any more.

1:19:131:19:17

MEN ALL SHOUT AT ONCE

1:20:061:20:09

I beg your pardon.

1:20:091:20:11

No-one's allowed in before the performance.

1:20:111:20:14

I'm Hans Christian Andersen.

1:20:141:20:16

-The author of the ballet.

-Oh, good day.

1:20:171:20:20

Don't you read the posters outside your own theatre?

1:20:201:20:25

< Make the legs lower.

1:20:251:20:27

< Up! Down again. Around.

1:20:271:20:29

< That's it.

1:20:291:20:31

< Stay together. Together!

1:20:311:20:33

< Around.

1:20:331:20:35

Good, good. That's much better. Keep it up.

1:20:351:20:39

That's it. Go around. Come around this way.

1:20:401:20:43

Who are you? Oh, get out of here at once.

1:20:431:20:46

Don't deliver any shoes before a show. Leave it with the doorman.

1:20:461:20:50

-Try the Arabesque again - together.

-The name is Hans Christian Andersen.

1:20:501:20:56

Andersen! Why, the ballet writer!

1:20:561:20:58

-I'd like to deliver these shoes to Doro before the show.

-Please go...

1:20:581:21:04

-Will you move the big shell upstage?

-Yes, sir.

1:21:041:21:07

Go out front and watch your ballet. We're all busy. I'll give her...

1:21:071:21:12

-Don't touch them.

-You can't see her now. No-one sees her before an opening.

1:21:121:21:17

-Show us where you want the shell. >

-In a minute, in a minute!

1:21:171:21:22

Just move it on stage.

1:21:221:21:24

Will you escort Mr Andersen to the stage door - quietly but firmly?

1:21:251:21:30

But I have these...

1:21:301:21:32

If you please. I'd like to leave alone.

1:21:321:21:35

THE DANCERS CHATTER EXCITEDLY

1:21:481:21:51

Not you again! This is no time to bother anyone.

1:21:531:21:57

I have an idea Doro would not agree with you.

1:21:571:22:00

Why am I playing with authors on opening nights?

1:22:001:22:04

-Overture in three minutes.

-Did you hear? In three minutes, we begin.

1:22:041:22:08

Ladies, take your places.

1:22:081:22:11

Open that door! Let me out of here!

1:22:151:22:18

< BURST OF APPLAUSE

1:22:181:22:20

< MUSIC BEGINS

1:22:241:22:26

'I can see it.'

1:22:521:22:54

'I don't have to see it with my eyes.'

1:22:541:22:58

'I can see it all.'

1:22:581:23:00

THUNDERCLAP

1:24:181:24:20

FINAL CRESCENDO AND APPLAUSE

1:37:171:37:21

< Come in.

1:37:271:37:29

-Good morning, madam.

-Good morning, Celine.

1:37:291:37:32

-Not a very nice day.

-It looks lovely to me.

1:37:321:37:36

How good it feels to be back in my own room. It seems years.

1:37:361:37:40

That it does. And what a wonderful success last night.

1:37:401:37:45

-I can't remember the audience being so excited.

-It was the new ballet.

1:37:451:37:50

It is enchanting. I love to dance it.

1:37:501:37:53

-What a curious fellow he is. He never turned up at all.

-Who, madam?

1:37:551:38:00

Hans the cobbler.

1:38:001:38:02

You know, I wonder if he was even there.

1:38:021:38:05

Do you suppose he was there and was too shy...?

1:38:051:38:08

-Good heavens!

-I thought you were fast asleep.

1:38:081:38:12

-It's the cobbler. He's still in the prop room.

-What are you saying?

1:38:121:38:16

I locked him up just before the performance.

1:38:161:38:20

I had to. He insisted on giving you some shoes five minutes before the ballet.

1:38:201:38:26

-And he never saw the ballet?

-I forgot.

1:38:261:38:29

-You big fool!

-I had other things to think about just then.

1:38:291:38:34

Quickly, Celine! Go to the theatre. Run and bring him here.

1:38:341:38:38

Oh, that poor, dear man.

1:38:381:38:41

And you, you monster!

1:38:411:38:43

You stay under there. Try popping your head out and see what you get!

1:38:431:38:48

The lamp over it, I promise!

1:38:481:38:50

Oh! Ha-ha!

1:38:501:38:52

Oh, Hans. I am going to call you Hans now.

1:38:571:39:00

-What a thing to have happened. Are you all right?

-Yes.

1:39:001:39:05

Just like him to have done such a thing.

1:39:051:39:08

Here, sit down.

1:39:081:39:10

-Would you like a cup of chocolate?

-No, thank you.

1:39:101:39:13

And you missing the ballet.

1:39:131:39:16

We do it again two nights from now and you'll see it then.

1:39:161:39:20

-But I did see the ballet.

-How? I thought you were...

1:39:201:39:24

I was. But I could hear the music.

1:39:241:39:27

And I knew the story. I didn't have to see you dance with my eyes.

1:39:271:39:32

Oh, Hans, how very dear you are.

1:39:321:39:35

And how I love to dance it.

1:39:351:39:38

I don't know quite why. It's very strange.

1:39:381:39:41

Even when we rehearsed it, I felt something sad and tender.

1:39:411:39:46

I don't know why.

1:39:461:39:48

-I know why.

-You do?

-Mm-hmm.

-Tell me.

1:39:481:39:52

I think it was your answer.

1:39:521:39:54

My answer?

1:39:541:39:56

I let my heart speak to you with the story and...

1:39:561:39:59

..last night, you answered me with yours.

1:40:001:40:03

Hans, tell me something.

1:40:051:40:08

How did you come to write that story for me?

1:40:081:40:11

I wanted to show how I felt. I knew how miserable you were with him.

1:40:111:40:15

Miserable?

1:40:151:40:17

-With my husband?

-I don't think you knew I was there.

1:40:171:40:22

I saw the way he treated you. I saw him slap you.

1:40:221:40:26

I heard you cry.

1:40:261:40:29

Oh, Hans.

1:40:311:40:33

How else could a cobbler speak to you?

1:40:331:40:36

< It's arrived!

1:40:361:40:37

It's here. Good morning, Andersen.

1:40:371:40:40

Your present, angel. Sorry for last night. Forgive me.

1:40:401:40:44

I was thinking of your ballet. You told him what a success it was?

1:40:441:40:49

For a great lady of the ballet.

1:40:491:40:52

Open it, my darling. Don't you want to see it?

1:40:551:40:58

We shall be poor for a year but I had to get it.

1:40:581:41:02

The best part's on the other side. Turn it over.

1:41:021:41:05

Read it aloud. I'm not a poet like Andersen.

1:41:051:41:08

But even a fool like me can speak of love.

1:41:081:41:12

Are you pleased, my darling?

1:41:121:41:14

Read it for me.

1:41:141:41:16

-Not now, Niels, later.

-You're not shy suddenly?

1:41:161:41:20

Never mind. Do anything you wish. She danced like an angel, Andersen.

1:41:201:41:24

I could cover you with kisses.

1:41:241:41:27

Please don't, Niels.

1:41:271:41:29

Haven't you forgiven me? Andersen has. She was furious at me.

1:41:291:41:34

But no harm has been done. It's even amusing.

1:41:341:41:38

Oh, don't look so stern, my dear.

1:41:381:41:40

You were laughing about it yourself. Don't say I didn't hear you. I did.

1:41:401:41:45

-Even under the covers.

-Be quiet.

1:41:451:41:48

What's the matter, Doro?

1:41:481:41:50

Hans...

1:41:501:41:52

it doesn't matter why you wrote the story for me.

1:41:521:41:56

It's a beautiful story, for whatever reason.

1:41:561:41:59

It's a lovely and tender story by itself.

1:41:591:42:02

But I shall remember what you told me every time I dance it.

1:42:021:42:06

Andersen, we haven't paid you for it.

1:42:071:42:09

-Do be quiet.

-But we want to pay him. We want you to write some more.

1:42:091:42:14

Have you other stories we can use?

1:42:141:42:17

No, I'm afraid that one was just an accident.

1:42:171:42:20

I don't think I'll be writing any more.

1:42:201:42:23

I guess it's all right to deliver these now. Shoes from the cobbler.

1:42:241:42:29

Thank you, Hans.

1:42:291:42:31

-But Andersen...

-Niels, let him go.

1:42:331:42:35

Goodbye, Hans.

1:42:351:42:37

Doro...

1:42:461:42:48

Doro, what is it, my darling?

1:42:481:42:50

Peter.

1:43:281:43:29

Peter.

1:43:311:43:33

Peter!

1:43:331:43:35

Peter!

1:43:351:43:37

Hello, Peter.

1:43:481:43:50

Do you mind if I walk with you?

1:43:551:43:58

I can't help it. We both seem to be going in the same direction

1:44:011:44:06

and there's only one road.

1:44:061:44:08

You're going back to the village?

1:44:121:44:14

I'm going back to the village, too.

1:44:181:44:21

Bread and butter. Do you know something?

1:44:231:44:27

I'm never telling another story. Not for the children or myself.

1:44:271:44:31

I've told my last story, Peter. Especially of myself.

1:44:311:44:36

Cobbler, stick to your last.

1:44:361:44:38

If any man learned his lesson good, it's me.

1:44:381:44:41

-I think you'll go on telling stories, Hans.

-No, I won't.

1:44:431:44:47

-Oh, yes, you will.

-Why do you keep on saying that?

1:44:471:44:51

Why? Because you're Hans Christian Andersen.

1:44:511:44:54

That's why.

1:44:541:44:56

Peter!

1:45:001:45:02

'You'll tell stories. You'll write stories.'

1:45:041:45:07

'You'll even sing stories.'

1:45:071:45:10

'Over and over and over.'

1:45:101:45:12

CHILDREN: Wheee!

1:45:141:45:17

# I'm not such an ugly duckling

1:45:171:45:20

# No feathers all stubby and brown

1:45:201:45:23

# For in fact these birds in so many words said

1:45:231:45:26

# Keek! The best in town

1:45:261:45:28

# Keek! The best

1:45:291:45:31

-# Keek! Keek! The best... #

-Hans, tell us about Copenhagen!

1:45:311:45:35

# Oh, wonderful, wonderful Copenhagen

1:45:351:45:41

# Friendly old girl of a town

1:45:411:45:44

# 'Neath her tavern light

1:45:441:45:46

# On this merry night

1:45:461:45:48

# Let us clink and drink one down... #

1:45:481:45:51

Wait for me, Hans!

1:45:511:45:53

# To wonderful, wonderful Copenhagen... #

1:45:531:45:57

Tell us about the king.

1:45:571:45:59

CHILDREN: Oh, yes, the king!

1:45:591:46:01

# The king is in the altogether, but altogether, the altogether

1:46:011:46:05

# He's altogether as naked as the day that he was born

1:46:051:46:08

# The king is in the altogether, but altogether, the altogether

1:46:081:46:11

# It's altogether the very least the king has ever worn

1:46:111:46:14

CHILDREN: # Call the court physician! Call an intermission! #

1:46:141:46:18

Hans, my favourite, huh?

1:46:181:46:20

Thumbelina!

1:46:201:46:22

CHILDREN: Yeah!

1:46:221:46:24

-# Though you're no bigger than my thumb

-# Than my thumb

1:46:241:46:28

-# Than my thumb

-# Than my thumb

1:46:281:46:30

-# Than my thumb

-# Than my thumb

1:46:301:46:31

# Sweet Thumbelina, don't be glum

1:46:311:46:34

-# Don't be glum

-# Now, now, now

1:46:341:46:36

-# Ah-ah-ah, come, come, come...

-Everybody!

1:46:361:46:38

# Oh, Thumbelina, Thumbelina, tiny little thing

1:46:381:46:42

# Thumbelina dance

1:46:421:46:44

# Thumbelina sing

1:46:441:46:45

# Oh, Thumbelina, what's the difference if you're very small?

1:46:451:46:49

# When your heart is full of love, you're nine feet tall. #

1:46:491:46:54

# Hans Christian Andersen! #

1:46:571:46:59

Subtitles BBC Subtitling - 1999

1:46:591:47:02

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