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SIREN WAILS | 0:01:19 | 0:01:22 | |
What is it, George? | 0:01:50 | 0:01:52 | |
Gas. Suicide? | 0:01:52 | 0:01:54 | |
No, sir, an accident. Mrs Tremaine... | 0:01:54 | 0:01:56 | |
All right, where is she? | 0:01:56 | 0:01:57 | |
Upstairs. | 0:01:57 | 0:01:58 | |
DOCTOR: We probably won't need that. | 0:02:08 | 0:02:09 | |
Just stand by. | 0:02:09 | 0:02:10 | |
Oh...it was like... | 0:02:10 | 0:02:13 | |
being smothered. | 0:02:13 | 0:02:15 | |
My head was pounding. | 0:02:15 | 0:02:17 | |
I tried to reach the balcony, | 0:02:17 | 0:02:20 | |
but...the doors were closed. | 0:02:20 | 0:02:23 | |
I called out for Charles... | 0:02:23 | 0:02:25 | |
All right, Mrs Tremaine, just relax the arm. | 0:02:25 | 0:02:27 | |
I was in my room in bed, reading. | 0:02:27 | 0:02:29 | |
Where is your room? | 0:02:29 | 0:02:30 | |
Across the hall. | 0:02:30 | 0:02:31 | |
I thought I heard her cry out. | 0:02:31 | 0:02:33 | |
She was lying there. | 0:02:33 | 0:02:35 | |
The room was full of gas, | 0:02:35 | 0:02:37 | |
so I pulled her out into the air. | 0:02:37 | 0:02:39 | |
I shouted to the butler, | 0:02:39 | 0:02:40 | |
but I guess he didn't hear me. | 0:02:40 | 0:02:42 | |
I saw she was coming to, so I left her to turn off the gas, | 0:02:42 | 0:02:45 | |
but the key wasn't there. | 0:02:45 | 0:02:46 | |
MRS TREMAINE: Someone took it, I tell you. | 0:02:46 | 0:02:48 | |
Someone tried to murder me. | 0:02:48 | 0:02:50 | |
DOCTOR: Now, now, Mrs Tremaine. | 0:02:50 | 0:02:52 | |
Key's here now. | 0:02:52 | 0:02:54 | |
No, that's the one from my room. | 0:02:54 | 0:02:56 | |
I went back across the balcony and got it. | 0:02:56 | 0:02:58 | |
Is this the other one down here? | 0:03:01 | 0:03:03 | |
Where? | 0:03:03 | 0:03:04 | |
Under the logs. | 0:03:04 | 0:03:05 | |
She might've kicked it with her foot. | 0:03:11 | 0:03:14 | |
Unless you think she... | 0:03:14 | 0:03:16 | |
Oh, no, that's out of the question. | 0:03:16 | 0:03:18 | |
I'll telephone the drugstore | 0:03:18 | 0:03:19 | |
to send up some pills which she can take | 0:03:19 | 0:03:22 | |
when she wakes up. | 0:03:22 | 0:03:23 | |
Will you need us anymore, Doc? | 0:03:23 | 0:03:24 | |
No, thank you very much. | 0:03:24 | 0:03:26 | |
Now, will you show me your room, please? | 0:03:26 | 0:03:29 | |
Yeah. | 0:03:29 | 0:03:30 | |
PIANO PLAYS CLASSICAL MUSIC | 0:03:31 | 0:03:34 | |
There's my bedroom. | 0:03:35 | 0:03:36 | |
And, er, this is my study. | 0:03:41 | 0:03:44 | |
PIANO IS LOUDER | 0:03:46 | 0:03:49 | |
She's OK. | 0:04:23 | 0:04:25 | |
She didn't even need this. | 0:04:25 | 0:04:26 | |
The doctor gave her a sedative. | 0:04:26 | 0:04:28 | |
SHE CRIES | 0:04:29 | 0:04:31 | |
Hey... | 0:04:31 | 0:04:33 | |
Look, take it easy. | 0:04:34 | 0:04:36 | |
I told you she was going to be fine... | 0:04:36 | 0:04:39 | |
Leave me alone, please! | 0:04:39 | 0:04:40 | |
Now, look... | 0:04:45 | 0:04:47 | |
Come on, stop it. | 0:04:47 | 0:04:48 | |
SHE SOBS | 0:04:48 | 0:04:50 | |
Stop it! | 0:04:50 | 0:04:51 | |
Leave me alone, please! | 0:04:51 | 0:04:52 | |
Now, look, | 0:05:04 | 0:05:05 | |
the manual says that's supposed to stop hysterics | 0:05:05 | 0:05:07 | |
it doesn't say a word about getting slapped back. | 0:05:07 | 0:05:10 | |
I'm sorry. | 0:05:12 | 0:05:13 | |
It's all right. Forget it. | 0:05:13 | 0:05:15 | |
I've been slapped by dames before. | 0:05:15 | 0:05:17 | |
That your mother? | 0:05:17 | 0:05:19 | |
Stepmother. | 0:05:19 | 0:05:20 | |
Next time, see if you can't remember | 0:05:20 | 0:05:22 | |
to pull that punch a little bit. | 0:05:22 | 0:05:24 | |
Yes, I'll remember. | 0:05:24 | 0:05:25 | |
Want to go for a cup of coffee? | 0:06:24 | 0:06:27 | |
No, I promised Mary I'd call her. She's waiting for me. | 0:06:27 | 0:06:30 | |
Lucky. | 0:06:30 | 0:06:31 | |
You know it. | 0:06:31 | 0:06:32 | |
See you tomorrow, buddy. | 0:06:32 | 0:06:34 | |
Good night, Frank. | 0:06:34 | 0:06:35 | |
Well, if it ain't the dead-body jockey. | 0:06:54 | 0:06:56 | |
Sure, Harry, that's why I come here. | 0:06:56 | 0:06:57 | |
So much like the morgue. | 0:06:57 | 0:06:59 | |
That ain't funny. | 0:06:59 | 0:07:00 | |
What's happened to business, anyway? | 0:07:00 | 0:07:02 | |
Got nothing to do but sit here | 0:07:02 | 0:07:03 | |
doping the horses. | 0:07:03 | 0:07:05 | |
How do you like Hilly in the seventh? | 0:07:09 | 0:07:11 | |
Ah, she'll still be around | 0:07:11 | 0:07:13 | |
when they start the eighth. | 0:07:13 | 0:07:14 | |
Hello. | 0:07:22 | 0:07:23 | |
Well, hello. | 0:07:23 | 0:07:25 | |
You do get around fast, don't you? | 0:07:25 | 0:07:27 | |
I parked my broomstick outside. | 0:07:27 | 0:07:29 | |
Beer, Harry. | 0:07:29 | 0:07:31 | |
And what do witches drink? | 0:07:31 | 0:07:32 | |
Just coffee. Smoke? | 0:07:32 | 0:07:35 | |
No. | 0:07:35 | 0:07:37 | |
Don't drink, don't smoke, | 0:07:37 | 0:07:39 | |
how old are you? | 0:07:39 | 0:07:40 | |
20. | 0:07:40 | 0:07:41 | |
Next month. | 0:07:41 | 0:07:42 | |
I had to get out. | 0:07:44 | 0:07:46 | |
I couldn't stay there after what happened. | 0:07:46 | 0:07:49 | |
What did happen? | 0:07:49 | 0:07:51 | |
I don't know. | 0:07:51 | 0:07:52 | |
Father wouldn't even let me in the room. | 0:07:52 | 0:07:54 | |
He told me to call the doctor | 0:07:54 | 0:07:56 | |
and just wait. | 0:07:56 | 0:07:57 | |
It was horrible not knowing. | 0:07:59 | 0:08:01 | |
TELEPHONE RINGS | 0:08:01 | 0:08:03 | |
Shouldn't someone answer it? | 0:08:06 | 0:08:07 | |
HARRY: Hey, get that phone, will you? | 0:08:07 | 0:08:09 | |
Maybe it's for you. | 0:08:09 | 0:08:11 | |
Maybe it's the girl you were calling when I came in. | 0:08:11 | 0:08:13 | |
Now, what makes you so sure I was calling a girl? | 0:08:13 | 0:08:16 | |
It would have to be. | 0:08:16 | 0:08:17 | |
Unless she's your wife. | 0:08:17 | 0:08:19 | |
What's the matter, can't you hear the phone? | 0:08:19 | 0:08:21 | |
Hello. | 0:08:22 | 0:08:23 | |
I'm not married. | 0:08:23 | 0:08:25 | |
You here, Frank? Yes or no? | 0:08:25 | 0:08:27 | |
Yeah, I'm here. | 0:08:27 | 0:08:29 | |
Yeah, he says he's here. | 0:08:29 | 0:08:30 | |
Hello. | 0:08:34 | 0:08:35 | |
Yes. | 0:08:35 | 0:08:36 | |
Where did I get to? | 0:08:37 | 0:08:39 | |
Where were you when I called? | 0:08:39 | 0:08:41 | |
But you know I can't hear the phone | 0:08:41 | 0:08:43 | |
when I'm in the shower. | 0:08:43 | 0:08:46 | |
Darling, what's got into you? | 0:08:46 | 0:08:47 | |
Nothing's got into me. | 0:08:47 | 0:08:49 | |
I'm just beat, that's all. | 0:08:49 | 0:08:51 | |
'What was it, a rough call?' | 0:08:51 | 0:08:53 | |
Yeah, rough. | 0:08:53 | 0:08:54 | |
I'll see you tomorrow. | 0:08:56 | 0:08:57 | |
Tomorrow? | 0:08:57 | 0:08:59 | |
But I've got everything ready. | 0:08:59 | 0:09:01 | |
Darling, you stay there. | 0:09:01 | 0:09:02 | |
I'll be right over, and... | 0:09:02 | 0:09:04 | |
I said we'll skip it for tonight. | 0:09:04 | 0:09:06 | |
Besides, I just had a sandwich. | 0:09:06 | 0:09:07 | |
Yeah. Yeah, good night. | 0:09:09 | 0:09:11 | |
You know something? | 0:09:12 | 0:09:14 | |
I haven't eaten either. | 0:09:14 | 0:09:15 | |
Well, let's go and eat. | 0:09:15 | 0:09:17 | |
Good night, Harry. HARRY: Good night. | 0:09:17 | 0:09:19 | |
Hey, now. This yours? | 0:09:21 | 0:09:24 | |
Mm-hmm. | 0:09:24 | 0:09:25 | |
It's not a stock XK. | 0:09:25 | 0:09:26 | |
Twin stacks... | 0:09:28 | 0:09:29 | |
what is it, the Le Mans job? | 0:09:29 | 0:09:31 | |
That's right. | 0:09:31 | 0:09:32 | |
You know how to drive it? | 0:09:32 | 0:09:34 | |
Oh, I think so. | 0:09:34 | 0:09:36 | |
Did you race professionally? | 0:09:37 | 0:09:38 | |
Oh, yeah. | 0:09:38 | 0:09:39 | |
Midgets, Hot Rods, | 0:09:39 | 0:09:41 | |
everything but Indianapolis. | 0:09:41 | 0:09:42 | |
I was getting ready to try that | 0:09:42 | 0:09:44 | |
when the war came along. | 0:09:44 | 0:09:45 | |
Oh. | 0:09:45 | 0:09:47 | |
That's when you started driving ambulances. | 0:09:47 | 0:09:50 | |
No, I drove a tank | 0:09:50 | 0:09:51 | |
till they shot me out of it. | 0:09:51 | 0:09:53 | |
Ambulance driving's just a job | 0:09:53 | 0:09:54 | |
till I make enough money | 0:09:54 | 0:09:56 | |
to open my own shop. | 0:09:56 | 0:09:58 | |
"Jessup Automotive. | 0:09:58 | 0:10:00 | |
"Racing car specialists." | 0:10:00 | 0:10:02 | |
I got some ideas for a power plant | 0:10:02 | 0:10:04 | |
that'll make this mill look sick. | 0:10:04 | 0:10:06 | |
Sounds exciting. | 0:10:06 | 0:10:07 | |
I think your carburetion's a little sloppy. | 0:10:09 | 0:10:12 | |
Perhaps it's a little hungry, too. | 0:10:12 | 0:10:14 | |
Hmm? | 0:10:14 | 0:10:15 | |
Oh, yeah, we're supposed to eat, weren't we? | 0:10:15 | 0:10:17 | |
We'll be right there. | 0:10:17 | 0:10:19 | |
So I figure another 5,000, 6,000, | 0:10:21 | 0:10:23 | |
I'm in business. | 0:10:23 | 0:10:24 | |
Of course, Mary has some money, but... | 0:10:24 | 0:10:27 | |
She was the one on the phone. | 0:10:27 | 0:10:29 | |
Yeah. | 0:10:29 | 0:10:30 | |
Do you love her? | 0:10:30 | 0:10:31 | |
You ask an awful lot of questions. | 0:10:31 | 0:10:34 | |
I know, it's a very bad habit of mine. | 0:10:34 | 0:10:36 | |
You ask me some, just for a change. | 0:10:36 | 0:10:38 | |
All right, I will. | 0:10:38 | 0:10:39 | |
Uh...what does your father do? | 0:10:39 | 0:10:41 | |
He's a very famous novelist. | 0:10:41 | 0:10:43 | |
He hasn't published anything | 0:10:43 | 0:10:45 | |
since we came to America | 0:10:45 | 0:10:47 | |
after my mother was killed in a raid. | 0:10:47 | 0:10:49 | |
But he's started to write again, | 0:10:49 | 0:10:51 | |
a novel. | 0:10:51 | 0:10:52 | |
He's been reading parts of it to me. | 0:10:52 | 0:10:55 | |
It's wonderful. | 0:10:55 | 0:10:56 | |
Catherine - that's my stepmother - | 0:10:58 | 0:11:01 | |
she's very jealous, | 0:11:01 | 0:11:02 | |
because he only talks to me about his work. | 0:11:02 | 0:11:05 | |
I suppose it's only natural that she should be. | 0:11:05 | 0:11:08 | |
It's as if I robbed her of something in a way. | 0:11:08 | 0:11:10 | |
Oh, sure, I suppose she feels... | 0:11:10 | 0:11:11 | |
Here, let me do this. I asked you. | 0:11:11 | 0:11:13 | |
Will you relax? | 0:11:13 | 0:11:14 | |
I can pay the check, even on my salary. | 0:11:14 | 0:11:16 | |
But you're saving up for your shop and to get married and... | 0:11:16 | 0:11:18 | |
Who said anything about getting married? | 0:11:18 | 0:11:20 | |
Well, Mary expects it, doesn't she? | 0:11:20 | 0:11:22 | |
What's her last name? What's she do? | 0:11:23 | 0:11:26 | |
Her last name is Wilton. | 0:11:26 | 0:11:27 | |
She's a receptionist at the hospital, | 0:11:27 | 0:11:29 | |
she has blonde hair, blue eyes, | 0:11:29 | 0:11:31 | |
she weighs 105 pounds stripped. | 0:11:31 | 0:11:32 | |
She sleeps in pajamas, she's a first-rate cook, | 0:11:32 | 0:11:35 | |
and she doesn't ask questions. | 0:11:35 | 0:11:37 | |
She does, too. | 0:11:37 | 0:11:38 | |
Anyway, let me pay my share. I insist. | 0:11:38 | 0:11:40 | |
All right, if that's the way you want it. | 0:11:40 | 0:11:42 | |
I'd like a nightcap. How about you? | 0:11:42 | 0:11:44 | |
Oh, no, you don't smoke or drink, do you? | 0:11:44 | 0:11:47 | |
I only ask questions, and I love to dance. | 0:11:47 | 0:11:48 | |
Tonight? | 0:11:48 | 0:11:49 | |
JAZZ MUSIC PLAYS | 0:11:49 | 0:11:52 | |
If I tell you something, | 0:12:01 | 0:12:02 | |
will you promise not to laugh at me? | 0:12:02 | 0:12:04 | |
No, but I'll promise to try | 0:12:04 | 0:12:06 | |
not to laugh at you. | 0:12:06 | 0:12:07 | |
You're the first man I've danced with | 0:12:07 | 0:12:09 | |
since I've been in America, except my father. | 0:12:09 | 0:12:11 | |
Really? | 0:12:11 | 0:12:13 | |
You're doing all right. | 0:12:13 | 0:12:14 | |
CLOCK STRIKING | 0:12:24 | 0:12:25 | |
Diane! | 0:12:25 | 0:12:26 | |
Daddy, why aren't you in bed? | 0:12:31 | 0:12:33 | |
That's just what I was going to ask you, my dear. | 0:12:33 | 0:12:35 | |
Where have you been so late? | 0:12:35 | 0:12:37 | |
For a drive. | 0:12:37 | 0:12:38 | |
I had to get out | 0:12:38 | 0:12:39 | |
just for a little while. | 0:12:39 | 0:12:42 | |
How is she? | 0:12:42 | 0:12:43 | |
Sleeping quietly. | 0:12:43 | 0:12:45 | |
Have the police found out | 0:12:45 | 0:12:47 | |
what really happened? | 0:12:47 | 0:12:48 | |
Well, they suggested she might have | 0:12:48 | 0:12:50 | |
accidentally kicked the key with her foot. | 0:12:50 | 0:12:54 | |
You don't think | 0:12:54 | 0:12:55 | |
that she could have intended to commit... | 0:12:55 | 0:12:57 | |
With her bridge club meeting tomorrow? | 0:12:57 | 0:12:59 | |
You should know Aunt Catherine better than that. | 0:12:59 | 0:13:03 | |
Good night, my pet. | 0:13:03 | 0:13:04 | |
Go to bed. | 0:13:05 | 0:13:06 | |
It was nice of you to come. | 0:13:15 | 0:13:16 | |
You must've been surprised, | 0:13:16 | 0:13:18 | |
getting a phone call from a complete stranger. | 0:13:18 | 0:13:19 | |
Frankly, I was. | 0:13:19 | 0:13:21 | |
You're no stranger to me. | 0:13:21 | 0:13:23 | |
Frank told me so much about you. | 0:13:23 | 0:13:26 | |
Frank? | 0:13:26 | 0:13:27 | |
I was with him last night | 0:13:27 | 0:13:28 | |
after he made the phone call | 0:13:28 | 0:13:30 | |
from our house. | 0:13:30 | 0:13:31 | |
You must forgive me for that. | 0:13:31 | 0:13:33 | |
And him, too. | 0:13:33 | 0:13:35 | |
Frank is free to go out | 0:13:35 | 0:13:37 | |
with whoever he pleases, Miss Tremaine. | 0:13:37 | 0:13:38 | |
But you're angry | 0:13:38 | 0:13:39 | |
because he lied to you on the phone. | 0:13:39 | 0:13:41 | |
Wouldn't you be? | 0:13:41 | 0:13:42 | |
Put yourself in the poor man's place. | 0:13:42 | 0:13:44 | |
What could he have said | 0:13:44 | 0:13:45 | |
without hurting your feelings even more? | 0:13:45 | 0:13:47 | |
You must know that I wouldn't be telling you this | 0:13:47 | 0:13:50 | |
if it wasn't completely innocent. | 0:13:50 | 0:13:52 | |
WAITRESS: Excuse me. | 0:13:55 | 0:13:57 | |
Don't be cross, please. | 0:13:58 | 0:13:59 | |
Miss Tremaine... | 0:13:59 | 0:14:00 | |
Do call me Diane. | 0:14:00 | 0:14:02 | |
Diane, I'm sure your motives | 0:14:04 | 0:14:06 | |
for telling me all this are good, | 0:14:06 | 0:14:08 | |
but frankly, I wish you hadn't. | 0:14:08 | 0:14:10 | |
But why? | 0:14:10 | 0:14:11 | |
We spent most of the time | 0:14:11 | 0:14:12 | |
talking about you, | 0:14:12 | 0:14:14 | |
and about his plans for his racing car place. | 0:14:14 | 0:14:17 | |
That's why I called. | 0:14:17 | 0:14:18 | |
I'm afraid I don't understand. | 0:14:18 | 0:14:20 | |
Mary, would you accept 1,000 from me | 0:14:20 | 0:14:23 | |
to add to that garage fund? | 0:14:23 | 0:14:24 | |
1,000? | 0:14:24 | 0:14:26 | |
But why... | 0:14:26 | 0:14:27 | |
I have few friends. | 0:14:27 | 0:14:28 | |
None, actually. | 0:14:28 | 0:14:30 | |
And last night, after I left Frank, | 0:14:30 | 0:14:31 | |
I got to thinking about you two. | 0:14:31 | 0:14:33 | |
And I thought that if I could help you both | 0:14:33 | 0:14:36 | |
to realise your dream, | 0:14:36 | 0:14:37 | |
I'd have a little part in your life. | 0:14:37 | 0:14:39 | |
Well, it's very generous of you | 0:14:39 | 0:14:41 | |
and all that, but... | 0:14:41 | 0:14:43 | |
I'm sure Frank feels the same... | 0:14:43 | 0:14:45 | |
You mustn't tell him, ever. | 0:14:45 | 0:14:47 | |
It would be our secret. | 0:14:47 | 0:14:49 | |
Hasn't anyone ever told you about hospital salaries? | 0:14:49 | 0:14:52 | |
How do you think | 0:14:52 | 0:14:53 | |
I could explain away 1,000? | 0:14:53 | 0:14:54 | |
You could say you won it on the radio or in a contest. | 0:14:54 | 0:14:57 | |
There are all sorts of ways. | 0:14:57 | 0:14:59 | |
And he wouldn't believe any of them. | 0:14:59 | 0:15:00 | |
Well... | 0:15:03 | 0:15:04 | |
I can see my little plot didn't succeed. | 0:15:04 | 0:15:06 | |
Oh, I wouldn't say that. | 0:15:06 | 0:15:08 | |
You brought me here today | 0:15:10 | 0:15:12 | |
because you wanted to shake my faith in Frank. | 0:15:12 | 0:15:15 | |
You have. | 0:15:15 | 0:15:17 | |
You wanted to find out | 0:15:17 | 0:15:19 | |
how clever or stupid I am. | 0:15:19 | 0:15:21 | |
I guess you've done that, too. | 0:15:21 | 0:15:24 | |
So your little plot has succeeded after all. | 0:15:24 | 0:15:27 | |
And what do you intend to do about it? | 0:15:27 | 0:15:29 | |
Nothing. | 0:15:31 | 0:15:33 | |
Not one thing. | 0:15:33 | 0:15:35 | |
I suppose I could pick up the check, | 0:15:36 | 0:15:39 | |
but I'm too practical. | 0:15:39 | 0:15:40 | |
You see, I have to work for my money. | 0:15:40 | 0:15:42 | |
I won't say goodbye, Diane. | 0:15:46 | 0:15:48 | |
I'm sure I'll see more of you. | 0:15:49 | 0:15:51 | |
What do you say, Janie? | 0:16:02 | 0:16:04 | |
Hi, Frank. | 0:16:04 | 0:16:05 | |
Hi, honey. | 0:16:05 | 0:16:07 | |
Good night, dear. | 0:16:07 | 0:16:08 | |
Good night, Mary. | 0:16:08 | 0:16:09 | |
Hello, Frank. | 0:16:09 | 0:16:10 | |
Well, what'll it be? | 0:16:10 | 0:16:11 | |
Gilmore field or a drive-in movie? | 0:16:11 | 0:16:13 | |
Aren't you too tired after your rough night? | 0:16:13 | 0:16:16 | |
Oh... I'll buy you a T-bone | 0:16:16 | 0:16:18 | |
twice as big and twice as beautiful | 0:16:18 | 0:16:20 | |
if it takes my whole paycheck, | 0:16:20 | 0:16:22 | |
which it will. | 0:16:22 | 0:16:23 | |
You do that... some other time. | 0:16:23 | 0:16:25 | |
Oh, honey, stop. | 0:16:25 | 0:16:26 | |
You're not going to let a T-bone steak come between us? | 0:16:26 | 0:16:29 | |
Now, come on, dimple up. | 0:16:29 | 0:16:31 | |
All right. | 0:16:33 | 0:16:34 | |
I would've been lousy company last night. | 0:16:34 | 0:16:37 | |
Ten minutes after I left Harry's, I was in the sack. | 0:16:37 | 0:16:40 | |
I can believe that. | 0:16:40 | 0:16:42 | |
Well, you can head for that same sack tonight. | 0:16:42 | 0:16:45 | |
I've got other plans. | 0:16:45 | 0:16:46 | |
Oh, you have. | 0:16:46 | 0:16:47 | |
Yes, I have. | 0:16:47 | 0:16:48 | |
OK. OK. | 0:16:48 | 0:16:49 | |
OK! Shh! Quiet, please. | 0:16:49 | 0:16:51 | |
This is a residential district. | 0:16:51 | 0:16:53 | |
Now, don't tell me. Just let me hope, hmm? | 0:16:55 | 0:16:58 | |
Hello, Bill. | 0:16:58 | 0:16:59 | |
You know in times like these, | 0:16:59 | 0:17:00 | |
a guy can offer a girl a handkerchief, | 0:17:00 | 0:17:02 | |
or a double old fashioned. | 0:17:02 | 0:17:04 | |
What'll it be? | 0:17:04 | 0:17:05 | |
Both. | 0:17:05 | 0:17:06 | |
Come on, you redheaded double-crosser. | 0:17:06 | 0:17:08 | |
Who, me, | 0:17:08 | 0:17:09 | |
double-cross a pal? | 0:17:09 | 0:17:11 | |
I should say. | 0:17:11 | 0:17:12 | |
What's the matter? | 0:17:13 | 0:17:17 | |
This time I'm making no fresh coffee. | 0:17:17 | 0:17:19 | |
It's all right, | 0:17:19 | 0:17:20 | |
I don't care for any right now. | 0:17:20 | 0:17:23 | |
Go ahead, hit me. | 0:17:23 | 0:17:25 | |
First I'll buy you a dinner, | 0:17:25 | 0:17:26 | |
then maybe I'll hit you. | 0:17:26 | 0:17:28 | |
I wish I could, | 0:17:28 | 0:17:29 | |
but the family expects me. | 0:17:29 | 0:17:31 | |
This is definitely not my day. | 0:17:31 | 0:17:33 | |
When I tell you what I did, | 0:17:33 | 0:17:35 | |
you probably won't want to see me again, ever. | 0:17:35 | 0:17:37 | |
It sounds pretty grim. | 0:17:37 | 0:17:39 | |
I had lunch with Mary. | 0:17:39 | 0:17:40 | |
I told her about last night. | 0:17:40 | 0:17:42 | |
Oh, not everything, just that-that we went out together. | 0:17:42 | 0:17:45 | |
Well, why did you say that? | 0:17:45 | 0:17:46 | |
I told her I was... Ohh... | 0:17:46 | 0:17:48 | |
I only did it because I wanted to help get the garage. | 0:17:48 | 0:17:51 | |
Oh, you're a big help. | 0:17:51 | 0:17:52 | |
I offered Mary 1,000. | 0:17:52 | 0:17:54 | |
You offered her 1,000 just like that? | 0:17:54 | 0:17:56 | |
And what did she say? | 0:17:56 | 0:17:58 | |
She was rather angry. | 0:17:58 | 0:17:59 | |
I gathered she resented you knowing anybody else. | 0:17:59 | 0:18:03 | |
Look, I'm a free agent. | 0:18:03 | 0:18:05 | |
Mary admits that, but... | 0:18:05 | 0:18:07 | |
you know what girls are. | 0:18:07 | 0:18:08 | |
It's only natural. | 0:18:08 | 0:18:10 | |
Look what I found. | 0:18:10 | 0:18:11 | |
They're running the Pebble Beach road races | 0:18:11 | 0:18:14 | |
later on next month. | 0:18:14 | 0:18:15 | |
I thought that we could enter the car and... | 0:18:15 | 0:18:18 | |
you drive. | 0:18:18 | 0:18:19 | |
I drove that course in '41. | 0:18:19 | 0:18:21 | |
Well, then you're eligible, | 0:18:21 | 0:18:22 | |
even though you were a pro. | 0:18:22 | 0:18:24 | |
As long as you haven't raced for two years. | 0:18:24 | 0:18:25 | |
Two years? I haven't raced in ten. | 0:18:25 | 0:18:27 | |
You could tune it up, | 0:18:27 | 0:18:29 | |
change anything you wanted, | 0:18:29 | 0:18:30 | |
and we could take it out weekends. | 0:18:30 | 0:18:32 | |
Do you think Mary would mind? | 0:18:32 | 0:18:34 | |
Oh, Mary has nothing to do with this. | 0:18:34 | 0:18:36 | |
If we take that race, | 0:18:36 | 0:18:37 | |
it'll mean a lot of publicity, | 0:18:37 | 0:18:39 | |
make it easier to get backing for the shop. | 0:18:39 | 0:18:41 | |
Come on, let's have dinner. I'll talk to you about it. | 0:18:41 | 0:18:43 | |
I can't. The family. | 0:18:43 | 0:18:45 | |
I could get away later, though. | 0:18:45 | 0:18:47 | |
10.00? | 0:18:47 | 0:18:48 | |
Here. | 0:18:48 | 0:18:49 | |
Here. | 0:18:49 | 0:18:50 | |
CLASSICAL MUSIC PLAYS | 0:18:56 | 0:18:57 | |
Charles, if you must play that, | 0:18:57 | 0:18:59 | |
would mind turning it a little lower? | 0:18:59 | 0:19:02 | |
TURNS OFF MUSIC | 0:19:02 | 0:19:04 | |
I'll have another, Ito. | 0:19:04 | 0:19:05 | |
You needn't have turned it OFF. | 0:19:07 | 0:19:09 | |
Evening, family. | 0:19:12 | 0:19:13 | |
Well... | 0:19:13 | 0:19:14 | |
you seem particularly festive this evening. | 0:19:14 | 0:19:17 | |
What is it, a new dress? | 0:19:17 | 0:19:18 | |
Yes. I got the bill this morning. | 0:19:18 | 0:19:21 | |
Really, Diane, when I gave you permission | 0:19:21 | 0:19:23 | |
to pick up something simple... | 0:19:23 | 0:19:25 | |
Oh, Catherine, darling, | 0:19:25 | 0:19:26 | |
you know that the simple things always cost the most. | 0:19:26 | 0:19:28 | |
Ito, you're an angel. | 0:19:28 | 0:19:30 | |
Now, what is it tonight? | 0:19:30 | 0:19:31 | |
Don't tell me. Let me guess. | 0:19:31 | 0:19:33 | |
Pineapple, certainly... | 0:19:35 | 0:19:36 | |
orange... | 0:19:37 | 0:19:39 | |
What's the other? | 0:19:39 | 0:19:41 | |
It's creme de fraise, dear. | 0:19:41 | 0:19:43 | |
I'm sure you knew it all along. | 0:19:43 | 0:19:46 | |
Tell Chio to hurry dinner, please. | 0:19:46 | 0:19:48 | |
I'm famished. | 0:19:48 | 0:19:49 | |
Catherine... | 0:19:51 | 0:19:52 | |
don't you think we ought to have a chauffeur? | 0:19:54 | 0:19:57 | |
I thought you enjoyed driving | 0:19:57 | 0:19:58 | |
that horrible little jet-propelled torpedo. | 0:19:58 | 0:20:00 | |
Well, I do, but you don't. | 0:20:00 | 0:20:02 | |
No argument there. | 0:20:02 | 0:20:04 | |
Catherine, you how nervous and absent-minded you are | 0:20:04 | 0:20:06 | |
after your bridge bouts. | 0:20:06 | 0:20:07 | |
I wouldn't say that. | 0:20:07 | 0:20:08 | |
Only three tickets last month | 0:20:08 | 0:20:09 | |
for not observing stop signals, | 0:20:09 | 0:20:11 | |
only one collision. | 0:20:11 | 0:20:13 | |
That was definitely not my fault, Charles. | 0:20:13 | 0:20:15 | |
I distinctly signalled I was making a left turn. | 0:20:15 | 0:20:18 | |
ITO: Dinner is served, please. | 0:20:18 | 0:20:19 | |
But you turned right, darling. | 0:20:19 | 0:20:21 | |
I think Diane has a point. | 0:20:21 | 0:20:23 | |
And besides, I think it would be a good idea | 0:20:23 | 0:20:26 | |
to have another man in the house. | 0:20:26 | 0:20:28 | |
Might keep away the prowlers. | 0:20:28 | 0:20:30 | |
Please, Frank. | 0:20:32 | 0:20:33 | |
You could make just as much money | 0:20:33 | 0:20:35 | |
as you do at the hospital. | 0:20:35 | 0:20:36 | |
There's an apartment over the garage. | 0:20:36 | 0:20:38 | |
Not very large, maybe, but at least it has a regular bed | 0:20:38 | 0:20:40 | |
and not something that leaps out of a wall at you. | 0:20:40 | 0:20:43 | |
No, I don't think I'm quite the type for that | 0:20:43 | 0:20:46 | |
"Yes, sir, no, ma'am. | 0:20:46 | 0:20:47 | |
"Home, driver. Walk the dog, Franklin." | 0:20:47 | 0:20:49 | |
We don't have a dog, and the family isn't like that. | 0:20:49 | 0:20:52 | |
Father never goes out and mother just goes to her bridge clubs | 0:20:52 | 0:20:56 | |
and I'm no trouble. | 0:20:56 | 0:20:57 | |
Just think...you could get set for Pebble Beach. | 0:20:57 | 0:21:01 | |
Well, what'll it be? Home, James? | 0:21:05 | 0:21:08 | |
No, not yet. | 0:21:08 | 0:21:09 | |
SPEAKING JAPANESE | 0:21:23 | 0:21:24 | |
THEY SPEAK JAPANESE | 0:21:24 | 0:21:26 | |
What'd she say? | 0:21:29 | 0:21:30 | |
I asked if she trimmed the toast for Miss Diane. | 0:21:30 | 0:21:33 | |
She said, "I always do it." | 0:21:33 | 0:21:35 | |
Then she got angry and said... | 0:21:35 | 0:21:37 | |
Well, in America now | 0:21:37 | 0:21:39 | |
I guess it would be "drop dead." | 0:21:39 | 0:21:41 | |
I thought the men wore the pants in Japan. | 0:21:41 | 0:21:44 | |
Maybe she's been too long with Mrs Tremaine. | 0:21:44 | 0:21:47 | |
One acquires bad habits so easily. | 0:21:47 | 0:21:49 | |
INTERCOM BUZZES | 0:21:49 | 0:21:50 | |
I'll get it. > | 0:21:50 | 0:21:52 | |
Hello. | 0:21:56 | 0:21:57 | |
Is that you, Frank? | 0:21:57 | 0:21:59 | |
How wonderful to hear your voice in the morning, | 0:22:01 | 0:22:04 | |
even if it is just "hello". | 0:22:04 | 0:22:06 | |
You might have said, "Awake thee, my lady love. | 0:22:08 | 0:22:11 | |
"Awake thee and rise. | 0:22:11 | 0:22:13 | |
"The sun through the bow peeps into thine eyes." | 0:22:13 | 0:22:16 | |
Or something like that. | 0:22:16 | 0:22:17 | |
Well, I might have. | 0:22:17 | 0:22:18 | |
Then again, I might not. | 0:22:18 | 0:22:20 | |
Especially not over the intercom. | 0:22:20 | 0:22:22 | |
What do you mean, not romantic? | 0:22:24 | 0:22:26 | |
You try me sometime later in the day, | 0:22:26 | 0:22:28 | |
and not on the phone. | 0:22:28 | 0:22:30 | |
Oh, I spoke to Catherine last night. | 0:22:30 | 0:22:32 | |
She seems interested. | 0:22:32 | 0:22:35 | |
No, really. | 0:22:35 | 0:22:36 | |
KNOCK ON DOOR | 0:22:36 | 0:22:37 | |
Come in. | 0:22:37 | 0:22:38 | |
She wants to see you. | 0:22:38 | 0:22:39 | |
Have you got your figures ready? | 0:22:39 | 0:22:40 | |
Good morning, Miss Diane. | 0:22:40 | 0:22:42 | |
Good morning, Ito. | 0:22:42 | 0:22:44 | |
SHE LAUGHS | 0:22:44 | 0:22:45 | |
I'll see you later. | 0:22:45 | 0:22:47 | |
You can tell me then in person. | 0:22:47 | 0:22:50 | |
I hope you find everything perfect, Miss Diane. | 0:22:50 | 0:22:52 | |
Oh, it looks wonderful, as usual, Ito. | 0:22:52 | 0:22:54 | |
Thank you, Miss Diane. | 0:22:54 | 0:22:56 | |
I was under the impression | 0:23:00 | 0:23:01 | |
these uncomfortable little cars were just a fad. | 0:23:01 | 0:23:03 | |
There's a great deal more to it than that, Mrs Tremaine. | 0:23:03 | 0:23:06 | |
Why, you have over 5,000 sports car owners right here in this area. | 0:23:06 | 0:23:09 | |
So I see, but aren't there any repair shops? | 0:23:09 | 0:23:11 | |
Oh, sure, but most of them specialise in just one make. | 0:23:11 | 0:23:13 | |
With one big repair shop | 0:23:13 | 0:23:14 | |
carrying all the important parts | 0:23:14 | 0:23:16 | |
for all the leading sports cars, | 0:23:16 | 0:23:17 | |
I don't see how it can miss. | 0:23:17 | 0:23:19 | |
I must say, you're persuasive. | 0:23:19 | 0:23:21 | |
Your figures seem to make sense. | 0:23:21 | 0:23:23 | |
My lawyer will have to look them over, | 0:23:23 | 0:23:24 | |
and there are a few questions. | 0:23:24 | 0:23:25 | |
Anything you'd like to know, Mrs Tremaine. | 0:23:25 | 0:23:27 | |
Very well. Sit down, please. | 0:23:27 | 0:23:29 | |
Diane's told me a little about you, | 0:23:29 | 0:23:31 | |
that you were driving the ambulance the night of that...accident | 0:23:31 | 0:23:35 | |
and how she happened to run into you the next day. | 0:23:35 | 0:23:37 | |
I gather that was when you told her about your plans for this garage. | 0:23:37 | 0:23:40 | |
Yes, that's right. We got to talking. | 0:23:40 | 0:23:42 | |
I see. Doesn't really make any difference, | 0:23:42 | 0:23:44 | |
but did you or she suggest the possibility of my investing in it? | 0:23:44 | 0:23:47 | |
When we talked about my shop, | 0:23:47 | 0:23:49 | |
I had no thought of coming here to work. | 0:23:49 | 0:23:51 | |
I've been saving my own money and... | 0:23:51 | 0:23:53 | |
So it was Diane's suggestion? | 0:23:53 | 0:23:55 | |
Well, with her interest in sports cars... | 0:23:55 | 0:23:58 | |
Of course. Well, thank you, Frank. | 0:23:58 | 0:24:00 | |
I'll call my lawyer today. | 0:24:00 | 0:24:02 | |
Oh, I don't want you to feel that you're a prisoner here. | 0:24:02 | 0:24:06 | |
In the evening, I mean. | 0:24:06 | 0:24:08 | |
Surely you have a girl. | 0:24:08 | 0:24:10 | |
Yes. She's working the late shift | 0:24:10 | 0:24:12 | |
at the hospital this month. | 0:24:12 | 0:24:13 | |
So that explains it. Anytime you want the car and we're at home, | 0:24:13 | 0:24:16 | |
don't hesitate to take it. | 0:24:16 | 0:24:17 | |
You'll hear from me, Frank. | 0:24:17 | 0:24:19 | |
Thank you, Mrs Tremaine. | 0:24:19 | 0:24:20 | |
Arthur Vance, please. | 0:24:26 | 0:24:28 | |
Catherine Tremaine. | 0:24:28 | 0:24:29 | |
May I invade the sanctum sanctorum? | 0:24:31 | 0:24:33 | |
Hello, Arthur. | 0:24:33 | 0:24:34 | |
Can you picture me as the co-owner of a garage? | 0:24:34 | 0:24:38 | |
In overalls, of course. | 0:24:38 | 0:24:40 | |
No, I'm really quite serious. | 0:24:40 | 0:24:41 | |
I have the facts and the figures right here. | 0:24:41 | 0:24:44 | |
I'd like you to look them over. | 0:24:44 | 0:24:46 | |
Oh, he's a very nice young man. | 0:24:46 | 0:24:48 | |
I'll send the papers over to you. | 0:24:48 | 0:24:49 | |
Or better still, I'll... | 0:24:49 | 0:24:51 | |
Oh, I see. | 0:24:51 | 0:24:52 | |
Well, then, when you come back from San Francisco, call me. | 0:24:52 | 0:24:56 | |
Goodbye, Arthur. | 0:24:56 | 0:24:58 | |
Well, now that I've completed the timeworn gesture, | 0:25:00 | 0:25:04 | |
you expect me to ask the usual favour. | 0:25:04 | 0:25:06 | |
Do I? | 0:25:06 | 0:25:07 | |
At this precise moment, | 0:25:07 | 0:25:08 | |
you are, with the speed of a mechanical brain, | 0:25:08 | 0:25:11 | |
weighing and computing an infinite number of possibilities. | 0:25:11 | 0:25:14 | |
Such as? | 0:25:14 | 0:25:15 | |
Well, one - he spent this month's allowance. | 0:25:15 | 0:25:18 | |
Two - he's borrowed against next month's allowance. | 0:25:18 | 0:25:21 | |
Three - he's charged something at a store, | 0:25:21 | 0:25:24 | |
which he promised word of honour he'd never do again, | 0:25:24 | 0:25:27 | |
and, four... | 0:25:27 | 0:25:29 | |
he's just kissed you because he's very sorry | 0:25:29 | 0:25:32 | |
and he loves you very much. | 0:25:32 | 0:25:33 | |
And are you guilty on all four counts? | 0:25:33 | 0:25:36 | |
All, especially the fourth. | 0:25:36 | 0:25:38 | |
Oh, I'm terribly sorry, darling, | 0:25:38 | 0:25:40 | |
but the moment I saw that dress, | 0:25:40 | 0:25:41 | |
I knew there was only one person in the world | 0:25:41 | 0:25:44 | |
who could wear it... | 0:25:44 | 0:25:45 | |
my own beloved and spoiled Diane. | 0:25:45 | 0:25:47 | |
I dashed into the shop. | 0:25:47 | 0:25:48 | |
"Is that a size ten?" I asked. It was. | 0:25:48 | 0:25:50 | |
"I'll take it," I said, "and hang the cost." | 0:25:50 | 0:25:53 | |
It was 300 plus sales tax. | 0:25:53 | 0:25:55 | |
I have just enough for the tax. | 0:25:55 | 0:25:57 | |
Charles, at times your charm wears dangerously thin. | 0:25:57 | 0:26:00 | |
Right now it's so thin, I can see through it. | 0:26:00 | 0:26:03 | |
Do you mean that 300 could so alter your perspective? | 0:26:03 | 0:26:05 | |
Don't speak so contemptuously of 300. | 0:26:05 | 0:26:08 | |
How long has it been since you've earned that much? | 0:26:08 | 0:26:10 | |
I've been working incessantly. | 0:26:10 | 0:26:12 | |
Working. | 0:26:12 | 0:26:13 | |
Sitting in your study sharpening pencils, listening to music. | 0:26:13 | 0:26:16 | |
You used to write a whole chapter at one sitting, | 0:26:16 | 0:26:18 | |
at least that's what you told me. | 0:26:18 | 0:26:21 | |
True, my dear. | 0:26:22 | 0:26:23 | |
That was before I met you. | 0:26:23 | 0:26:26 | |
CAR ENGINE ROARS | 0:26:33 | 0:26:35 | |
TYRES SCREECH | 0:26:36 | 0:26:38 | |
You're not that late. | 0:26:41 | 0:26:43 | |
Frank, look what I found in her wastepaper basket... | 0:26:43 | 0:26:47 | |
Your figures. | 0:26:47 | 0:26:48 | |
I don't get this. | 0:26:48 | 0:26:50 | |
Did she talk to the lawyer already? | 0:26:50 | 0:26:51 | |
Of course she hasn't. I checked. | 0:26:51 | 0:26:53 | |
He's out of town. | 0:26:53 | 0:26:55 | |
Well, then why did she talk to me like... | 0:26:55 | 0:26:57 | |
This isn't against you. It's to get at me. | 0:26:57 | 0:27:00 | |
She's done this to me so often before. | 0:27:00 | 0:27:03 | |
Just because I wanted her | 0:27:03 | 0:27:04 | |
to put up the money for you. | 0:27:04 | 0:27:06 | |
She could've said no right away, couldn't she? | 0:27:06 | 0:27:07 | |
That's too easy, don't you see? | 0:27:07 | 0:27:10 | |
It wouldn't hurt. | 0:27:10 | 0:27:11 | |
It doesn't make sense to me. | 0:27:11 | 0:27:13 | |
Of course it doesn't. | 0:27:13 | 0:27:15 | |
That's the way her mind works. | 0:27:15 | 0:27:17 | |
Act the lady bountiful, raise your hopes, | 0:27:17 | 0:27:20 | |
and then... | 0:27:20 | 0:27:21 | |
Oh, Frank, I'm so sorry. | 0:27:24 | 0:27:26 | |
Well, don't take it so hard. | 0:27:26 | 0:27:28 | |
You had a nice idea. It just didn't work, that's all. | 0:27:28 | 0:27:32 | |
I'm so sorry for you. | 0:27:32 | 0:27:34 | |
She changed her mind. Forget it. | 0:27:34 | 0:27:36 | |
We'll make a big night of it, huh? | 0:27:36 | 0:27:38 | |
Not tonight. | 0:27:38 | 0:27:39 | |
Now, why? | 0:27:39 | 0:27:40 | |
It would be safer not to. | 0:27:40 | 0:27:43 | |
We have to be careful for a few days, | 0:27:43 | 0:27:45 | |
more than ever now. | 0:27:45 | 0:27:47 | |
What do we have to be careful of now? | 0:27:47 | 0:27:49 | |
If she finds out, she'll dismiss you, | 0:27:49 | 0:27:51 | |
and I couldn't stand to lose you now. | 0:27:51 | 0:27:54 | |
So she fires me and I get another job. | 0:27:54 | 0:27:56 | |
Maybe it's better that way. | 0:27:56 | 0:27:57 | |
At least we won't have to play around like this, | 0:27:57 | 0:27:59 | |
hiding like kids. | 0:27:59 | 0:28:01 | |
You don't know her, Frank. | 0:28:01 | 0:28:03 | |
She'd lock me in. | 0:28:03 | 0:28:04 | |
Don't be silly. | 0:28:04 | 0:28:06 | |
How could she lock you in? | 0:28:06 | 0:28:08 | |
She could do anything to me because of my father. | 0:28:08 | 0:28:10 | |
If I try to fight her, she makes HIM pay for it. | 0:28:10 | 0:28:13 | |
She knows I can't stand that. | 0:28:13 | 0:28:16 | |
Please, try to understand. | 0:28:17 | 0:28:20 | |
OK, if that's the way you want it. | 0:28:29 | 0:28:31 | |
Well? | 0:29:08 | 0:29:09 | |
You little beast. | 0:29:10 | 0:29:11 | |
Oh, I concede. | 0:29:13 | 0:29:15 | |
You could win anytime you wanted if you really tried. | 0:29:15 | 0:29:18 | |
You know that. | 0:29:18 | 0:29:20 | |
More brandy? | 0:29:20 | 0:29:21 | |
Just a little. | 0:29:21 | 0:29:23 | |
Whoa! | 0:29:25 | 0:29:26 | |
Thank you. | 0:29:26 | 0:29:27 | |
Ambulance dispatch desk, please. | 0:29:27 | 0:29:30 | |
Hello, Mary? | 0:29:31 | 0:29:32 | |
Oh, Janie, this is Frank. | 0:29:32 | 0:29:35 | |
Yeah, I have been busy. | 0:29:36 | 0:29:38 | |
No, I tried the apartment. | 0:29:38 | 0:29:40 | |
Your milk and biscuits are by your bed, | 0:29:45 | 0:29:48 | |
and your cigarettes and matches. | 0:29:48 | 0:29:49 | |
What would I do without you? | 0:29:49 | 0:29:51 | |
Good night, Daddy. | 0:29:51 | 0:29:52 | |
Good night, sweetie. | 0:29:52 | 0:29:54 | |
Sleep tight. | 0:29:54 | 0:29:55 | |
No, no message. | 0:29:57 | 0:29:59 | |
All right. Good night, Janie. | 0:30:01 | 0:30:04 | |
PLAYS SLOW CLASSICAL PIECE | 0:30:47 | 0:30:51 | |
Frank? | 0:31:20 | 0:31:21 | |
Yeah? | 0:31:22 | 0:31:24 | |
Something wrong? | 0:31:29 | 0:31:30 | |
What time is it? | 0:31:30 | 0:31:32 | |
No, don't turn the light on. | 0:31:32 | 0:31:34 | |
Oh, Frank. | 0:31:34 | 0:31:36 | |
Ah, calm down. | 0:31:36 | 0:31:38 | |
What's the matter? | 0:31:38 | 0:31:39 | |
I can't help you if you don't tell me. | 0:31:39 | 0:31:42 | |
What is it? | 0:31:42 | 0:31:43 | |
I'd gone to bed. | 0:31:49 | 0:31:51 | |
I don't know for how long. | 0:31:53 | 0:31:55 | |
I couldn't sleep. | 0:31:55 | 0:31:57 | |
I was thinking of you. | 0:31:57 | 0:31:59 | |
But I must have dozed, because... | 0:32:01 | 0:32:04 | |
the next thing, I had a feeling | 0:32:05 | 0:32:08 | |
that someone was in my room. | 0:32:08 | 0:32:11 | |
I was too scared to move. | 0:32:11 | 0:32:14 | |
And then I saw her. | 0:32:15 | 0:32:17 | |
You saw who? | 0:32:21 | 0:32:23 | |
Catherine. | 0:32:23 | 0:32:24 | |
She stood there looking down at me. | 0:32:25 | 0:32:28 | |
Didn't you say anything? | 0:32:28 | 0:32:29 | |
No. | 0:32:29 | 0:32:30 | |
It was so strange. | 0:32:32 | 0:32:33 | |
I wanted to speak, and I couldn't. | 0:32:33 | 0:32:36 | |
Then she went over and closed the window. | 0:32:36 | 0:32:41 | |
I heard her cross the room. | 0:32:42 | 0:32:45 | |
She seemed to pause at the fireplace. | 0:32:45 | 0:32:47 | |
I couldn't see from my bed. | 0:32:47 | 0:32:49 | |
And then I heard her go out... | 0:32:49 | 0:32:52 | |
very quietly close the door. | 0:32:52 | 0:32:55 | |
I lay there for a second... | 0:32:57 | 0:33:00 | |
and then I heard it... | 0:33:00 | 0:33:02 | |
the gas. | 0:33:02 | 0:33:03 | |
That awful hissing sound it makes. | 0:33:04 | 0:33:07 | |
I jumped out of bed | 0:33:07 | 0:33:09 | |
and turned it off and waited. | 0:33:09 | 0:33:13 | |
I didn't dare leave the room. | 0:33:13 | 0:33:15 | |
And then after a while, | 0:33:17 | 0:33:19 | |
I looked out into the hall... | 0:33:19 | 0:33:21 | |
..and there was no-one there. | 0:33:23 | 0:33:25 | |
So I came over here. | 0:33:26 | 0:33:28 | |
Did you tell your father about this? | 0:33:29 | 0:33:32 | |
Well, how could I? | 0:33:32 | 0:33:34 | |
Well, we're going to have to tell it... | 0:33:34 | 0:33:36 | |
to the police. | 0:33:36 | 0:33:37 | |
No, Frank! | 0:33:37 | 0:33:39 | |
We mustn't do that. | 0:33:39 | 0:33:40 | |
Why not? | 0:33:40 | 0:33:42 | |
She'd deny it. | 0:33:42 | 0:33:43 | |
And we have no proof. | 0:33:43 | 0:33:45 | |
The police couldn't do anything. | 0:33:45 | 0:33:47 | |
They didn't before. | 0:33:47 | 0:33:48 | |
I've been thinking about that, too. | 0:33:48 | 0:33:51 | |
If she's trying to kill you, | 0:33:51 | 0:33:53 | |
why did she turn on the gas in her own room first? | 0:33:53 | 0:33:57 | |
To make it look as though somebody else were guilty. | 0:33:57 | 0:34:01 | |
Is that what you'd do? | 0:34:01 | 0:34:03 | |
Frank, are you accusing me? | 0:34:03 | 0:34:05 | |
I'm not accusing anybody, | 0:34:05 | 0:34:06 | |
but if I were a cop, and not a very bright cop at that, | 0:34:06 | 0:34:10 | |
I'd say that your story was as phony as a 3.00 bill. | 0:34:10 | 0:34:14 | |
How can you say that to me? | 0:34:18 | 0:34:20 | |
Oh, you mean after all we've been to each other? | 0:34:20 | 0:34:23 | |
Diane, look. I don't pretend to know what goes on | 0:34:24 | 0:34:27 | |
behind that pretty little face of yours, | 0:34:27 | 0:34:29 | |
and I don't want to. | 0:34:29 | 0:34:31 | |
But I learned one thing very early... | 0:34:31 | 0:34:34 | |
never be the innocent bystander. | 0:34:34 | 0:34:35 | |
That's the guy that always gets hurt. | 0:34:35 | 0:34:38 | |
If you want to play with matches, that's your business, | 0:34:38 | 0:34:40 | |
but not in gas-filled rooms. | 0:34:40 | 0:34:42 | |
That's not only dangerous, it's stupid. | 0:34:42 | 0:34:44 | |
I think you ought to go on back to the house | 0:34:44 | 0:34:46 | |
and get in bed and do some serious thinking. | 0:34:46 | 0:34:49 | |
Yes, Frank, I will. | 0:34:51 | 0:34:53 | |
I'm very tired. | 0:34:54 | 0:34:56 | |
Yeah, that I can believe. | 0:34:58 | 0:35:01 | |
DOORBELL BUZZES | 0:35:21 | 0:35:23 | |
BUZZING | 0:35:25 | 0:35:27 | |
Frank! | 0:35:33 | 0:35:34 | |
Hi. | 0:35:34 | 0:35:35 | |
Come in. | 0:35:35 | 0:35:37 | |
Why didn't you call me? | 0:35:37 | 0:35:38 | |
Oh, I have to call ahead of time now? | 0:35:38 | 0:35:41 | |
I thought maybe you forgot the number. | 0:35:41 | 0:35:43 | |
You ought to stick around more. | 0:35:43 | 0:35:44 | |
I called last night, twice. | 0:35:44 | 0:35:46 | |
I was out with Bill. | 0:35:46 | 0:35:48 | |
I've got to get dressed. I'm on early duty. | 0:35:48 | 0:35:50 | |
It's all right, I've been here before. Remember? | 0:35:50 | 0:35:52 | |
Yes, I remember. | 0:35:52 | 0:35:54 | |
Had your breakfast? | 0:35:54 | 0:35:55 | |
Yeah. | 0:35:55 | 0:35:57 | |
There's some coffee in the pot, if you like. | 0:35:57 | 0:36:00 | |
Help yourself. | 0:36:00 | 0:36:01 | |
What did you call me about last night, Frank? | 0:36:04 | 0:36:06 | |
Oh, I had some time off. | 0:36:06 | 0:36:07 | |
Why didn't you show up, then? | 0:36:08 | 0:36:09 | |
Bill was sure that you'd get there. | 0:36:09 | 0:36:12 | |
Show up where? | 0:36:12 | 0:36:13 | |
Where? | 0:36:13 | 0:36:15 | |
I suppose it was some other guy | 0:36:17 | 0:36:18 | |
who entered the singles in the hospital's bowling tournament. | 0:36:18 | 0:36:21 | |
Oh, that. | 0:36:21 | 0:36:22 | |
I've been busy. | 0:36:22 | 0:36:24 | |
You have? Mm-hmm. | 0:36:25 | 0:36:27 | |
How did Bill make out in the tournament? | 0:36:28 | 0:36:30 | |
Wonderful. | 0:36:30 | 0:36:31 | |
He rolled a 245 in the second game. | 0:36:31 | 0:36:34 | |
He's been making out all right with you, too, huh? | 0:36:34 | 0:36:37 | |
Bill was very sweet to me, Frank, after you walked out. | 0:36:37 | 0:36:41 | |
I took a job that pays better | 0:36:41 | 0:36:43 | |
than being a lousy ambulance driver. | 0:36:43 | 0:36:45 | |
Is that a crime? | 0:36:45 | 0:36:46 | |
Is taking the boss' daughter to the Mocambo | 0:36:46 | 0:36:48 | |
part of the job? | 0:36:48 | 0:36:50 | |
They've got a good band there. | 0:36:51 | 0:36:53 | |
Remind me to take you some time. | 0:36:53 | 0:36:56 | |
Who told you? | 0:36:56 | 0:36:57 | |
Oh, things get around. | 0:36:57 | 0:37:00 | |
Are you driving her car at Pebble Beach? | 0:37:01 | 0:37:05 | |
I don't know. | 0:37:05 | 0:37:06 | |
I've been thinking about quitting. | 0:37:06 | 0:37:08 | |
It's a weird outfit. Not for me. | 0:37:08 | 0:37:11 | |
Here, zip me up, will you, Frank? | 0:37:11 | 0:37:13 | |
Are you planning on coming back to the hospital? | 0:37:13 | 0:37:15 | |
Nah. I was a dope to stay there that long. | 0:37:15 | 0:37:19 | |
What's the score, Mary? | 0:37:20 | 0:37:23 | |
Has Bill taken over, or do I still rate? | 0:37:23 | 0:37:27 | |
That's a hard question to answer, Frank, | 0:37:27 | 0:37:29 | |
and I don't think a fair one to ask. | 0:37:29 | 0:37:32 | |
Very simple question. Yes or no? | 0:37:32 | 0:37:34 | |
Bill or me? | 0:37:34 | 0:37:36 | |
Can't you make up your mind? | 0:37:36 | 0:37:38 | |
Yes, but I want to be sure you can make up yours. | 0:37:38 | 0:37:42 | |
Can't we let it go at that for a while? | 0:37:42 | 0:37:45 | |
Oh, I'm on probation, huh? | 0:37:45 | 0:37:46 | |
OK, how about tonight? Have we got a date? | 0:37:46 | 0:37:50 | |
Why not? | 0:37:50 | 0:37:51 | |
You know something? | 0:37:52 | 0:37:54 | |
You're a pretty nice guy... | 0:37:54 | 0:37:56 | |
for a girl. | 0:37:56 | 0:37:58 | |
Where are you going? | 0:38:25 | 0:38:26 | |
I'm quitting. | 0:38:26 | 0:38:27 | |
Why? | 0:38:27 | 0:38:28 | |
Oh, let's just say it's the altitude. | 0:38:28 | 0:38:31 | |
Living up there makes my heart pound. | 0:38:31 | 0:38:34 | |
SHE CRIES | 0:38:45 | 0:38:46 | |
Now, let's face it. | 0:38:58 | 0:39:00 | |
I never should've taken this job. | 0:39:00 | 0:39:02 | |
You shouldn't have asked me. | 0:39:02 | 0:39:04 | |
It's not that I mind... | 0:39:04 | 0:39:05 | |
Leave me alone. | 0:39:06 | 0:39:08 | |
You know I'm right. | 0:39:13 | 0:39:14 | |
You have your world, I have mine. | 0:39:14 | 0:39:16 | |
You've got beautiful clothes, a big house. | 0:39:16 | 0:39:19 | |
Someday you'll come into a lot of money. | 0:39:19 | 0:39:22 | |
I've got a pair of hands, not much else. | 0:39:22 | 0:39:25 | |
But all I want is you. | 0:39:28 | 0:39:30 | |
I can't let you go now. I won't. | 0:39:30 | 0:39:33 | |
It's no good, I tell you. | 0:39:33 | 0:39:35 | |
I'm not getting involved. | 0:39:35 | 0:39:37 | |
Involved in what? | 0:39:37 | 0:39:39 | |
How stupid do you think I am? | 0:39:39 | 0:39:42 | |
You hate that woman, | 0:39:44 | 0:39:45 | |
and someday you're going to hate her enough to kill her. | 0:39:45 | 0:39:48 | |
It's been in the back of your mind all along. | 0:39:48 | 0:39:52 | |
So she's fooled you, too... | 0:39:52 | 0:39:54 | |
just like she has everyone else. | 0:39:54 | 0:39:59 | |
You don't know what she's done to my father. | 0:39:59 | 0:40:02 | |
I told you he was writing a wonderful book. | 0:40:02 | 0:40:05 | |
I believed it... | 0:40:05 | 0:40:07 | |
..until one day last year, I went into his study | 0:40:09 | 0:40:13 | |
to hide a present in his desk. | 0:40:13 | 0:40:15 | |
Just something between him and me. | 0:40:17 | 0:40:19 | |
And I found that in the drawer | 0:40:19 | 0:40:24 | |
where he's supposed to keep his manuscript, | 0:40:24 | 0:40:27 | |
there was nothing but a stack of blank paper. | 0:40:27 | 0:40:31 | |
He hasn't written a line since she married him. | 0:40:31 | 0:40:35 | |
So he got tired. | 0:40:35 | 0:40:36 | |
A writer marries a rich widow, | 0:40:36 | 0:40:38 | |
what do you expect from the writer besides checks? | 0:40:38 | 0:40:41 | |
Don't joke about my father. | 0:40:41 | 0:40:42 | |
OK, OK. | 0:40:42 | 0:40:44 | |
She's humiliated him and destroyed him. | 0:40:45 | 0:40:48 | |
There's never been anything in my life | 0:40:48 | 0:40:51 | |
that she hasn't begrudged or spoiled somehow. | 0:40:51 | 0:40:54 | |
There's no law that says you have to stay here. | 0:40:54 | 0:40:56 | |
Lots of other girls work for a living. | 0:40:56 | 0:40:58 | |
You think I'd stay one day longer | 0:40:58 | 0:41:00 | |
if it weren't for him? | 0:41:00 | 0:41:01 | |
That's where I came in. | 0:41:01 | 0:41:03 | |
I guess that's where I leave. | 0:41:03 | 0:41:04 | |
Frank, please. | 0:41:04 | 0:41:05 | |
Will you tell me one thing? | 0:41:08 | 0:41:11 | |
Do you love me at all? | 0:41:15 | 0:41:17 | |
I must know. | 0:41:17 | 0:41:19 | |
Well, I... | 0:41:22 | 0:41:23 | |
I suppose it's a kind of love. | 0:41:23 | 0:41:27 | |
But with a girl like you, | 0:41:28 | 0:41:30 | |
how can a man be sure? | 0:41:30 | 0:41:34 | |
Will you take me with you? | 0:41:46 | 0:41:48 | |
You had it all figured out, didn't you? | 0:41:50 | 0:41:53 | |
You mean you'd really leave your father and everything here? | 0:41:56 | 0:42:00 | |
If I have to... | 0:42:00 | 0:42:02 | |
to keep you. | 0:42:02 | 0:42:04 | |
I could be wrong about you. | 0:42:05 | 0:42:08 | |
I have my jewels, so we can raise a little money. | 0:42:21 | 0:42:25 | |
I can sell my car, | 0:42:25 | 0:42:27 | |
and we'll get you a shop. | 0:42:27 | 0:42:28 | |
Not the big one that we'd planned, but something. | 0:42:28 | 0:42:32 | |
I know it won't be very easy. | 0:42:32 | 0:42:35 | |
It'll be rough. | 0:42:35 | 0:42:37 | |
Maybe you'd better think it over. | 0:42:38 | 0:42:40 | |
I want to be sure that you know what you're getting into. | 0:42:40 | 0:42:44 | |
But I am sure. | 0:42:44 | 0:42:46 | |
Aren't you? | 0:42:46 | 0:42:47 | |
CAR APPROACHES | 0:42:47 | 0:42:50 | |
That must be her now. | 0:42:50 | 0:42:51 | |
You'd better get out of here. | 0:42:51 | 0:42:53 | |
We'll think it over for a couple of days. | 0:42:53 | 0:42:56 | |
You won't leave? | 0:42:56 | 0:42:58 | |
You won't go without me, promise? | 0:42:58 | 0:43:00 | |
FOOTSTEPS | 0:43:00 | 0:43:01 | |
I promise. | 0:43:01 | 0:43:03 | |
SHE SPEAKS JAPANESE | 0:44:18 | 0:44:19 | |
Ito. | 0:44:24 | 0:44:26 | |
What's the matter? | 0:44:27 | 0:44:29 | |
Heavy, she says. | 0:44:29 | 0:44:30 | |
The only trouble with America... | 0:44:30 | 0:44:32 | |
it spoils the women. | 0:44:32 | 0:44:34 | |
Oh, yeah? | 0:44:34 | 0:44:35 | |
I put a new set of spark plugs in this. | 0:44:35 | 0:44:38 | |
It ought to run a lot better. | 0:44:38 | 0:44:41 | |
ENGINE STARTS | 0:44:43 | 0:44:45 | |
Sounds very good. | 0:44:45 | 0:44:47 | |
Have a nice day. | 0:44:47 | 0:44:48 | |
Chio, Chio. | 0:44:59 | 0:45:01 | |
Chio. Is she in here? | 0:45:01 | 0:45:03 | |
No. Thursday off. | 0:45:03 | 0:45:06 | |
Oh, could you help me, dear? I've looked everywhere. | 0:45:06 | 0:45:08 | |
I can't find a single pair of gloves. | 0:45:08 | 0:45:09 | |
I don't know where they've all gone. | 0:45:09 | 0:45:11 | |
Take a pair of mine. | 0:45:11 | 0:45:12 | |
Oh, thank you, dear. | 0:45:12 | 0:45:14 | |
Will these do? | 0:45:20 | 0:45:21 | |
But they're new. I'd hate to lose them. | 0:45:23 | 0:45:25 | |
Haven't you any... | 0:45:25 | 0:45:26 | |
Please take them. I'd like you to. | 0:45:26 | 0:45:28 | |
Why, thank you, dear. | 0:45:28 | 0:45:29 | |
You can be so sweet at times. | 0:45:29 | 0:45:32 | |
Oh, dear. I must rush. | 0:45:32 | 0:45:34 | |
Oh, Diane. Now I can't find Frank. | 0:45:50 | 0:45:52 | |
Do you know where he is? | 0:45:52 | 0:45:53 | |
That man's never there when you want him. | 0:45:53 | 0:45:55 | |
Frank? | 0:45:55 | 0:45:56 | |
Yes. I don't know what's got into him the last few days. | 0:45:56 | 0:45:58 | |
I'm so sorry. It's my fault. | 0:45:58 | 0:46:00 | |
I completely forgot. | 0:46:00 | 0:46:01 | |
It's something to do with a tappet rod. | 0:46:01 | 0:46:03 | |
I said he could take my car and pick it up. | 0:46:03 | 0:46:05 | |
You forgot? | 0:46:05 | 0:46:06 | |
Well, you know I have to be in Santa Barbara by 12.00. | 0:46:06 | 0:46:08 | |
Well, maybe he'll be back soon. | 0:46:08 | 0:46:10 | |
Maybe? They don't just hold up bridge tournaments, you know. | 0:46:10 | 0:46:12 | |
Well, I'll drive you. | 0:46:12 | 0:46:13 | |
Oh, no, thank you. I'll drive myself. | 0:46:13 | 0:46:15 | |
Goodbye, dear. Wish me luck. | 0:46:15 | 0:46:17 | |
Where are the keys? | 0:46:17 | 0:46:20 | |
In the car. | 0:46:20 | 0:46:21 | |
SHE PLAYS PIANO | 0:46:33 | 0:46:35 | |
Catherine. | 0:46:38 | 0:46:39 | |
I'm in a dreadful hurry, Charles. | 0:46:39 | 0:46:40 | |
I was wondering if you'd drop me in Beverly. | 0:46:40 | 0:46:42 | |
I'm very late. Any other time. | 0:46:42 | 0:46:44 | |
Why don't you ask Diane? | 0:46:46 | 0:46:48 | |
Her car's not here. | 0:46:48 | 0:46:49 | |
Very well, I'll drop you, but hurry, please. | 0:46:49 | 0:46:51 | |
Wonderful. This way I can keep my appointment. | 0:46:51 | 0:46:54 | |
I won't take you out of your way, my darling. I promise. | 0:46:54 | 0:46:58 | |
Just drop me off at Wilshire and Rodeo. | 0:46:58 | 0:47:01 | |
ENGINE STARTS | 0:47:01 | 0:47:03 | |
TYRES SCREECH | 0:47:03 | 0:47:04 | |
Aah! | 0:47:04 | 0:47:06 | |
Hello, Frank. How you been? | 0:47:45 | 0:47:46 | |
Fine, Ed. How are you? | 0:47:46 | 0:47:48 | |
Fine. Sit down. | 0:47:48 | 0:47:49 | |
Someone was asking about you just the other night. | 0:47:49 | 0:47:52 | |
That redheaded partner of yours? | 0:47:52 | 0:47:53 | |
Oh, Bill. | 0:47:53 | 0:47:54 | |
I haven't seen much of him lately. | 0:47:54 | 0:47:56 | |
Driving for people like the Tremaines | 0:47:56 | 0:47:58 | |
made you kind of exclusive, huh? | 0:47:58 | 0:48:01 | |
I wouldn't say that. | 0:48:01 | 0:48:03 | |
Job just kept me pretty busy, that's all. | 0:48:03 | 0:48:06 | |
Looks like you'll have to find a new one now, | 0:48:06 | 0:48:08 | |
with the Tremaines dead. | 0:48:08 | 0:48:10 | |
How long were you up there? | 0:48:10 | 0:48:11 | |
About a month. | 0:48:11 | 0:48:13 | |
How'd you happen to land that job, anyway? | 0:48:13 | 0:48:15 | |
Just happened to fall into it. | 0:48:15 | 0:48:18 | |
We got a call from up there one night. | 0:48:18 | 0:48:20 | |
Yeah, I know. | 0:48:20 | 0:48:21 | |
I got the report right here. | 0:48:21 | 0:48:24 | |
Asphyxiation case. Mrs Tremaine. | 0:48:26 | 0:48:28 | |
Probably accidental. | 0:48:28 | 0:48:29 | |
Sure makes you wonder, don't it? | 0:48:29 | 0:48:31 | |
What do you mean? | 0:48:31 | 0:48:33 | |
She claimed somebody tried to murder her. | 0:48:33 | 0:48:36 | |
She was hysterical. | 0:48:36 | 0:48:37 | |
Why would anyone try to murder her? | 0:48:37 | 0:48:39 | |
Are you kidding? | 0:48:39 | 0:48:40 | |
A woman with her kind of money? | 0:48:40 | 0:48:42 | |
Oh, by the way, Frank, | 0:48:42 | 0:48:44 | |
what sort of a girl is this stepdaughter, er... | 0:48:44 | 0:48:47 | |
Diane? | 0:48:47 | 0:48:50 | |
Very nice girl. Very pretty girl. | 0:48:50 | 0:48:53 | |
Any boyfriends? | 0:48:53 | 0:48:56 | |
None that I ever saw. | 0:48:56 | 0:48:57 | |
She and her father were very close. | 0:48:57 | 0:48:59 | |
But didn't get along with her stepmother, huh? | 0:48:59 | 0:49:02 | |
I didn't say that, Ed. | 0:49:02 | 0:49:03 | |
OK. | 0:49:03 | 0:49:05 | |
When was the last time you drove the Tremaine car? | 0:49:05 | 0:49:08 | |
This morning when I took it out of the garage. | 0:49:08 | 0:49:11 | |
You notice anything wrong with it? | 0:49:11 | 0:49:13 | |
Not a thing. | 0:49:13 | 0:49:14 | |
Well, do you remember whether you left it in gear? | 0:49:14 | 0:49:17 | |
In reverse, maybe. | 0:49:17 | 0:49:18 | |
No. No, I'd say not. | 0:49:18 | 0:49:21 | |
With me, it's automatic to shift into neutral | 0:49:21 | 0:49:23 | |
before I cut a motor. | 0:49:23 | 0:49:24 | |
TELEPHONE RINGS | 0:49:24 | 0:49:27 | |
Yeah. | 0:49:27 | 0:49:28 | |
Oh? | 0:49:28 | 0:49:31 | |
That so? | 0:49:31 | 0:49:32 | |
All right, bring it in. | 0:49:32 | 0:49:35 | |
Getting back to the stepdaughter, | 0:49:35 | 0:49:38 | |
you say she had no boyfriends, huh? | 0:49:38 | 0:49:41 | |
Well, not that I know of. | 0:49:41 | 0:49:43 | |
You and the girl weren't planning to run off together, | 0:49:44 | 0:49:48 | |
now, were you? No. | 0:49:48 | 0:49:50 | |
Then how do you account for her suitcase | 0:49:53 | 0:49:55 | |
in your room? | 0:49:55 | 0:49:57 | |
Well, Ed, it's the suit... | 0:49:57 | 0:49:58 | |
Hold it. | 0:49:58 | 0:50:00 | |
If I were in your spot, Frank, | 0:50:00 | 0:50:02 | |
I'd hire myself a lawyer. | 0:50:02 | 0:50:04 | |
You can imagine what a shock it was. | 0:50:10 | 0:50:11 | |
I've known Catherine for 20 years. | 0:50:11 | 0:50:12 | |
Her father was one of my first clients. | 0:50:12 | 0:50:14 | |
Did you draw up the will? | 0:50:14 | 0:50:15 | |
Two years ago. | 0:50:15 | 0:50:16 | |
Tremaine was to get a fixed income as long as he lived. | 0:50:16 | 0:50:18 | |
He wasn't very practical about money. | 0:50:18 | 0:50:20 | |
The bulk of the estate was to go to Diane. | 0:50:20 | 0:50:21 | |
The district attorney will use that against us. | 0:50:21 | 0:50:23 | |
Hello, Kelly. | 0:50:23 | 0:50:24 | |
Oh, hello, Mr Barrett. | 0:50:24 | 0:50:26 | |
We're here to see Miss Diane Tremaine. | 0:50:28 | 0:50:32 | |
Come in. | 0:50:32 | 0:50:33 | |
You're looking good, boy. | 0:50:33 | 0:50:34 | |
Thanks. This is Mr Barrett, Sergeant. | 0:50:34 | 0:50:36 | |
Hello, Sergeant, and Arthur Vance. | 0:50:36 | 0:50:37 | |
Good morning, good morning, Sergeant. | 0:50:37 | 0:50:39 | |
I wish you wouldn't speak too much about her father. | 0:50:44 | 0:50:46 | |
Today's the first day that she's gone without sedatives. | 0:50:46 | 0:50:49 | |
She idolised the man, Fred. | 0:50:49 | 0:50:50 | |
It's no wonder her nerves are cracked. | 0:50:50 | 0:50:52 | |
Ah. | 0:50:52 | 0:50:53 | |
Theresa. | 0:50:54 | 0:50:56 | |
Hello, Theresa. | 0:50:56 | 0:50:57 | |
Hello. Right over there. | 0:50:57 | 0:50:59 | |
Legal eagle Barrett. | 0:50:59 | 0:51:00 | |
That Tremaine dame really must be in trouble. | 0:51:00 | 0:51:02 | |
Quiet, Lorna. That's no way to talk. | 0:51:02 | 0:51:05 | |
Tremaine. | 0:51:09 | 0:51:10 | |
Miss Tremaine, your lawyers are here. | 0:51:11 | 0:51:14 | |
Diane, this is Fred Barrett. | 0:51:17 | 0:51:19 | |
He's going to handle your defence. | 0:51:19 | 0:51:21 | |
Fred is just about the best trial man in the country, | 0:51:21 | 0:51:23 | |
and we were very lucky to get him. | 0:51:23 | 0:51:26 | |
But I don't want anyone to defend me. | 0:51:26 | 0:51:28 | |
I know just how you feel. | 0:51:28 | 0:51:30 | |
It's the most natural reaction in the world. | 0:51:30 | 0:51:32 | |
I would want my daughter to feel the same. | 0:51:32 | 0:51:36 | |
She's just about your age. | 0:51:36 | 0:51:38 | |
But, Diane, a girl of 20 has her whole life ahead of her. | 0:51:38 | 0:51:42 | |
You must not permit your grief, understandable as it may be... | 0:51:42 | 0:51:45 | |
But I did it. | 0:51:45 | 0:51:47 | |
You mustn't say such things. | 0:51:47 | 0:51:48 | |
That's all right. Let her talk. | 0:51:48 | 0:51:51 | |
Go ahead. | 0:51:51 | 0:51:52 | |
I did it all by myself. | 0:51:54 | 0:51:57 | |
Not Frank. | 0:51:58 | 0:52:00 | |
BARRETT: You're a very sick girl. | 0:52:00 | 0:52:03 | |
You know that, don't you? | 0:52:03 | 0:52:05 | |
Otherwise you wouldn't be here. | 0:52:05 | 0:52:06 | |
I know what I'm saying. | 0:52:06 | 0:52:08 | |
Sure, but the doctor doesn't want you to make any statement. | 0:52:08 | 0:52:12 | |
That's why he hasn't permitted the district attorney | 0:52:12 | 0:52:14 | |
to question you yet. | 0:52:14 | 0:52:15 | |
But Frank is innocent. | 0:52:15 | 0:52:17 | |
The law says you're both innocent until proved guilty. | 0:52:17 | 0:52:21 | |
Both. Do you understand? | 0:52:21 | 0:52:23 | |
Now, I want you to listen, Diane, very carefully. | 0:52:23 | 0:52:26 | |
Everything the district attorney has... | 0:52:26 | 0:52:30 | |
all the evidence... links you and Frank together. | 0:52:30 | 0:52:34 | |
The motive, the means, the opportunity. | 0:52:34 | 0:52:36 | |
It wouldn't do either one of you any good | 0:52:36 | 0:52:38 | |
to shoulder the blame or to pass it on. | 0:52:38 | 0:52:40 | |
It would only convince a jury you're both lying, both guilty. | 0:52:40 | 0:52:45 | |
But I'm telling the truth. | 0:52:45 | 0:52:47 | |
The truth is what the jury decides. | 0:52:47 | 0:52:50 | |
Not you, not me, not Frank. | 0:52:50 | 0:52:52 | |
If you quit, he's through, too, | 0:52:52 | 0:52:55 | |
but if you want to fight, he has a chance... | 0:52:55 | 0:52:58 | |
I think a pretty good chance. | 0:52:58 | 0:53:00 | |
I don't have to cooperate, Mr Barrett, | 0:53:01 | 0:53:03 | |
and I already have my own attorney. | 0:53:03 | 0:53:04 | |
You'll keep your own lawyer. | 0:53:04 | 0:53:06 | |
Mr Louis is not going to leave the case. | 0:53:06 | 0:53:07 | |
Of course not, but I don't think | 0:53:07 | 0:53:09 | |
we should disregard Mr Barrett's offer. | 0:53:09 | 0:53:11 | |
To be very blunt, Mr Jessup, | 0:53:11 | 0:53:13 | |
I'm not particularly interested in saving your neck. | 0:53:13 | 0:53:15 | |
My only concern is with my client Diane Tremaine. | 0:53:15 | 0:53:18 | |
Yeah, that's what I figured. | 0:53:18 | 0:53:20 | |
But the point is, | 0:53:20 | 0:53:21 | |
you have a much better chance together than separately, | 0:53:21 | 0:53:24 | |
and the evidence actually points much more to you than it does to her. | 0:53:24 | 0:53:27 | |
The fact that an automobile was involved... | 0:53:27 | 0:53:29 | |
If she thinks she can get away with that, | 0:53:29 | 0:53:31 | |
she's lost her mind. | 0:53:31 | 0:53:32 | |
No-one's trying to get away with anything, | 0:53:32 | 0:53:35 | |
but in cases like this, you can't overlook the personal equation. | 0:53:35 | 0:53:38 | |
She'll get a lot of sympathy. | 0:53:38 | 0:53:40 | |
A pretty girl, deeply devoted to her father, | 0:53:40 | 0:53:42 | |
on the best of terms with her stepmother, | 0:53:42 | 0:53:44 | |
who was a kind and generous woman, as you well know. | 0:53:44 | 0:53:47 | |
Oh, do I? | 0:53:47 | 0:53:48 | |
The family lawyer told me she was planning | 0:53:48 | 0:53:50 | |
to set you up in the garage business. | 0:53:50 | 0:53:52 | |
That's not what Diane said. Somebody's lying. | 0:53:52 | 0:53:55 | |
Probably a misunderstanding, | 0:53:55 | 0:53:57 | |
but it's not important. What I want to know | 0:53:57 | 0:53:59 | |
is whether you're willing to follow our strategy. | 0:53:59 | 0:54:01 | |
Frank, you ought to bear in mind Mr Barrett's record. | 0:54:01 | 0:54:04 | |
He's never lost a case yet. | 0:54:04 | 0:54:06 | |
Let's not say never. | 0:54:06 | 0:54:07 | |
Suppose you tell us what you have in mind, Mr Barrett. | 0:54:07 | 0:54:10 | |
Your client and mine are getting married. | 0:54:10 | 0:54:12 | |
We're what? Just a moment. | 0:54:12 | 0:54:13 | |
I don't quite follow you on this marriage idea. | 0:54:13 | 0:54:16 | |
It's very simple. All the world loves a lover. | 0:54:16 | 0:54:19 | |
Juries are no exception. | 0:54:19 | 0:54:20 | |
No, Mr Barrett. Nothing doing. | 0:54:20 | 0:54:23 | |
The DA is going to make a lot of that suitcase in his room. | 0:54:23 | 0:54:26 | |
He'll accuse them of having an affair. | 0:54:26 | 0:54:28 | |
We'll make a virtue of it. | 0:54:28 | 0:54:29 | |
Certainly they were lovers, | 0:54:29 | 0:54:31 | |
and not ashamed to admit it, | 0:54:31 | 0:54:33 | |
but a tragic accident | 0:54:33 | 0:54:34 | |
and the intervention of the police prevented their elope, | 0:54:34 | 0:54:36 | |
but even prison bars cannot change their love or halt the marriage. | 0:54:36 | 0:54:40 | |
But wouldn't the district attorney block it? | 0:54:40 | 0:54:42 | |
He wouldn't dare stand in the path of true love | 0:54:42 | 0:54:44 | |
with an election coming up in November. | 0:54:44 | 0:54:46 | |
Think it over, Mr Jessup. | 0:54:46 | 0:54:48 | |
Let me know his decision as soon as possible. | 0:54:48 | 0:54:49 | |
I now pronounce you man and wife. | 0:54:49 | 0:54:52 | |
Congratulations. You're married now. | 0:54:52 | 0:54:54 | |
You may kiss the bride. | 0:54:54 | 0:54:56 | |
May I take just one? | 0:55:00 | 0:55:02 | |
No pictures, please. | 0:55:02 | 0:55:03 | |
Never let it be said this wedding was arranged | 0:55:03 | 0:55:05 | |
with any thought of publicity. | 0:55:05 | 0:55:06 | |
Congratulations. | 0:55:06 | 0:55:07 | |
All the happiness in the world. | 0:55:07 | 0:55:08 | |
Sorry we can't stay for the party. | 0:55:08 | 0:55:09 | |
We thought you'd like a cake, | 0:55:09 | 0:55:11 | |
so the girls chipped in. | 0:55:11 | 0:55:13 | |
There ain't much we can say, | 0:55:13 | 0:55:15 | |
but, kids, we sure hope you beat the rap. | 0:55:15 | 0:55:19 | |
# Oh, promise me that someday you and I | 0:55:20 | 0:55:26 | |
# Will take our love together to the sky | 0:55:26 | 0:55:31 | |
# Where we can be alone and then renew | 0:55:31 | 0:55:37 | |
# And find the hollows where those flowers grew | 0:55:37 | 0:55:44 | |
# The birds we fly with, the birds will sing... # | 0:55:44 | 0:55:52 | |
Have you reached any decision about the plea? | 0:55:54 | 0:55:56 | |
Not guilty. | 0:55:56 | 0:55:57 | |
Isn't that too much of a gamble? | 0:55:57 | 0:55:59 | |
Well, what happens if we plead insanity? | 0:55:59 | 0:56:01 | |
They turn her over to the DA'S psychiatrist. | 0:56:01 | 0:56:03 | |
You know what that means - | 0:56:03 | 0:56:04 | |
questions, answers... | 0:56:04 | 0:56:05 | |
No. We wouldn't want that. | 0:56:05 | 0:56:07 | |
And what if they did find she was off? | 0:56:07 | 0:56:09 | |
That wouldn't help the man, would it? | 0:56:09 | 0:56:10 | |
Insanity's not contagious. | 0:56:10 | 0:56:12 | |
At least we can't prove it. | 0:56:12 | 0:56:13 | |
Besides, it would tie up the estate. | 0:56:13 | 0:56:15 | |
GAVEL POUNDS | 0:56:17 | 0:56:18 | |
Will you please continue, Mr Miller? | 0:56:18 | 0:56:20 | |
So that rod connected to the gearshift lever... | 0:56:20 | 0:56:24 | |
on the steering post... comes down here... | 0:56:24 | 0:56:29 | |
..and is coupled to the bell crank here... | 0:56:31 | 0:56:34 | |
..by a Cotter pin. | 0:56:36 | 0:56:38 | |
Will you demonstrate just how that operates, Mr Miller? | 0:56:38 | 0:56:40 | |
Yes, sir, if someone would be good enough | 0:56:40 | 0:56:43 | |
to shift into reverse for me. | 0:56:43 | 0:56:44 | |
I'll try. | 0:56:44 | 0:56:45 | |
Just a moment. | 0:56:45 | 0:56:46 | |
All right, now. | 0:56:48 | 0:56:50 | |
See, the bell crank moves forward. | 0:56:50 | 0:56:52 | |
In drive. | 0:56:52 | 0:56:53 | |
Back. | 0:56:53 | 0:56:55 | |
But if I were to remove this Cotter pin... | 0:56:55 | 0:56:58 | |
and uncouple this shifting rod... | 0:56:58 | 0:57:00 | |
very simple operation, as you can see... | 0:57:00 | 0:57:02 | |
then no matter what you do with the shift lever, | 0:57:02 | 0:57:05 | |
the bell crank remains as it was, | 0:57:05 | 0:57:08 | |
in drive, neutral, or reverse, | 0:57:08 | 0:57:10 | |
wherever it may happen to be. | 0:57:10 | 0:57:11 | |
Thank you. You made it quite clear. | 0:57:11 | 0:57:15 | |
Now, Mr Miller, will you point out the throttle retractor spring | 0:57:15 | 0:57:19 | |
and explain its purpose? | 0:57:19 | 0:57:21 | |
Yes, sir. | 0:57:21 | 0:57:22 | |
Now, this is the throttle retractor spring. | 0:57:23 | 0:57:27 | |
Its function is to control the amount of gasoline released | 0:57:27 | 0:57:30 | |
when you step down on the accelerator. | 0:57:30 | 0:57:32 | |
Was this spring found in the wrecked car? | 0:57:32 | 0:57:35 | |
No, sir. | 0:57:35 | 0:57:37 | |
This part, ladies and gentlemen of the jury, | 0:57:37 | 0:57:40 | |
was missing from the wrecked Tremaine car. | 0:57:40 | 0:57:44 | |
Now, will you explain what happens if this spring is removed? | 0:57:44 | 0:57:48 | |
Well, a person stepping down on the accelerator opens it wide, | 0:57:48 | 0:57:52 | |
like putting the gas pedal right to the floor. | 0:57:52 | 0:57:55 | |
In other words, er, giving the motor full throttle. | 0:57:55 | 0:57:57 | |
Yes, sir. Thank you. | 0:57:57 | 0:57:59 | |
Now, this motor was removed from the wrecked Tremaine car | 0:57:59 | 0:58:03 | |
under your supervision? | 0:58:03 | 0:58:04 | |
Yes, sir. | 0:58:04 | 0:58:06 | |
And what did you find in connection with the gearshift rod? | 0:58:06 | 0:58:08 | |
That there was no connection. | 0:58:08 | 0:58:09 | |
It had been disconnected, and the Cotter pin had been removed. | 0:58:09 | 0:58:12 | |
May the answer be stricken. | 0:58:12 | 0:58:14 | |
The witness cannot know that the pin or any other part was removed, | 0:58:14 | 0:58:17 | |
or that anything had been disconnected. | 0:58:17 | 0:58:18 | |
Motion granted. | 0:58:18 | 0:58:20 | |
But the Cotter pin was missing? | 0:58:20 | 0:58:22 | |
That is correct. | 0:58:22 | 0:58:23 | |
So was the throttle retractor spring. It was off, too. | 0:58:23 | 0:58:25 | |
And in what position was the bell crank? | 0:58:25 | 0:58:27 | |
In neutral, in drive, or reverse? | 0:58:27 | 0:58:29 | |
It was in reverse. | 0:58:29 | 0:58:30 | |
And will you tell the jury in what position | 0:58:30 | 0:58:32 | |
was the shift lever on the steering wheel? | 0:58:32 | 0:58:34 | |
It was pointed at drive. | 0:58:34 | 0:58:36 | |
Now, Mr Miller, would you say that in your opinion | 0:58:36 | 0:58:39 | |
the Tremaine car had been tampered with? | 0:58:39 | 0:58:41 | |
Objection. | 0:58:41 | 0:58:42 | |
As a qualified expert, | 0:58:42 | 0:58:43 | |
the witness is permitted to express his opinion | 0:58:43 | 0:58:46 | |
as to the result of his investigation. | 0:58:46 | 0:58:48 | |
Exception. | 0:58:48 | 0:58:49 | |
Well, Mr Miller? | 0:58:51 | 0:58:53 | |
Yes, sir, I would say that it had been tampered with. | 0:58:54 | 0:58:57 | |
You may cross-examine, Mr Barrett. | 0:58:57 | 0:58:59 | |
Mr Miller, it has been testified that the Tremaine automobile | 0:58:59 | 0:59:04 | |
fell a total distance of 150 feet, | 0:59:04 | 0:59:07 | |
hitting and bouncing off rocks in its descent, | 0:59:07 | 0:59:09 | |
and now you say that, strangely enough, | 0:59:09 | 0:59:12 | |
certain parts of this motor are missing or damaged. | 0:59:12 | 0:59:15 | |
As I look at this heap of metal before me, | 0:59:15 | 0:59:17 | |
I can't help but wonder that any part of it escaped undamaged. | 0:59:17 | 0:59:21 | |
And as for missing parts, | 0:59:21 | 0:59:24 | |
do you see a carburetor, for instance? | 0:59:24 | 0:59:27 | |
No, sir. It was either unrecognisable or couldn't be found, | 0:59:27 | 0:59:30 | |
but there wasn't as much damage done to the shift mechanism. | 0:59:30 | 0:59:33 | |
Couldn't the throttle spring have been dislodged | 0:59:33 | 0:59:35 | |
by the impact of the crash? | 0:59:35 | 0:59:37 | |
The very fact that it was a spring with play in it | 0:59:37 | 0:59:40 | |
would make me be inclined to think... | 0:59:40 | 0:59:42 | |
Forgetting your inclinations for the moment, Mr Miller, | 0:59:42 | 0:59:45 | |
isn't it a possibility? | 0:59:45 | 0:59:47 | |
Yes, I'd have to say that. | 0:59:47 | 0:59:48 | |
You testified that the lever on the steering wheel | 0:59:48 | 0:59:50 | |
was found pointing to drive while the car was actually in reverse. | 0:59:50 | 0:59:54 | |
Now I ask whether in your opinion | 0:59:54 | 0:59:57 | |
this lever could not have been jarred | 0:59:57 | 0:59:59 | |
from one position to the other | 0:59:59 | 1:00:00 | |
during the course of the drop. | 1:00:00 | 1:00:01 | |
It might, but, uh... | 1:00:01 | 1:00:03 | |
And this, er, missing connection, | 1:00:03 | 1:00:04 | |
could that have broken off when the car struck on the rocks? | 1:00:04 | 1:00:06 | |
No, sir. Not in my opinion. | 1:00:06 | 1:00:09 | |
If it had, you'd expect to see a part | 1:00:09 | 1:00:10 | |
of the sheared-off Cotter pin in one of the holes, | 1:00:10 | 1:00:13 | |
or scratches, or marks, or some bending to show where it had pulled out. | 1:00:13 | 1:00:17 | |
There wasn't a sign. | 1:00:17 | 1:00:18 | |
Excuse me, but, er, could I ask the witness a question? | 1:00:18 | 1:00:21 | |
By all means. | 1:00:21 | 1:00:23 | |
Is it improper to ask if maybe this Cotter pin | 1:00:23 | 1:00:25 | |
mightn't have been defective? | 1:00:25 | 1:00:26 | |
I only ask because I had one bust off | 1:00:26 | 1:00:28 | |
when I was fixing my kid's express wagon last week. | 1:00:28 | 1:00:30 | |
That's a very good question, sir. | 1:00:30 | 1:00:33 | |
Mr Miller, will you answer the juror? | 1:00:33 | 1:00:35 | |
He asks, might not the Cotter pin have been defective? | 1:00:35 | 1:00:38 | |
Well, maybe one in a million might be, but... | 1:00:38 | 1:00:40 | |
Mr Miller, would you be willing to stake your life | 1:00:40 | 1:00:42 | |
on there being only one defective Cotter pin in a million? | 1:00:42 | 1:00:45 | |
Think carefully now. | 1:00:45 | 1:00:47 | |
Remember our juror came across one just last week. | 1:00:47 | 1:00:49 | |
Maybe not a million, but I... | 1:00:49 | 1:00:50 | |
Maybe 1 in 1,000. Maybe one in 100. | 1:00:50 | 1:00:52 | |
Your honour, the question is argumentative. | 1:00:52 | 1:00:54 | |
I object to counsel badgering the witness | 1:00:54 | 1:00:56 | |
over this relatively minor point. | 1:00:56 | 1:00:57 | |
No point is minor when the lives of two innocent people... | 1:00:57 | 1:01:01 | |
Now, gentlemen, let's have no bickering. | 1:01:01 | 1:01:03 | |
Defense counsel is quite within his rights. | 1:01:03 | 1:01:05 | |
Could I ask another question now? | 1:01:05 | 1:01:07 | |
You certainly may. | 1:01:07 | 1:01:08 | |
Well, what I'd like to know from Mr Miller | 1:01:08 | 1:01:10 | |
is whether rigging a car like he says is a very complicated thing, | 1:01:10 | 1:01:14 | |
or could anyone do it, even a woman? | 1:01:14 | 1:01:16 | |
Tell the juror, Mr Miller. | 1:01:16 | 1:01:18 | |
Well, as I said before, it's a very simple mechanical operation. | 1:01:18 | 1:01:20 | |
Once it had been explained, I'm sure you could do it yourself, sir, | 1:01:20 | 1:01:24 | |
in a matter of minutes. | 1:01:24 | 1:01:25 | |
Thank you. Thank you. | 1:01:25 | 1:01:26 | |
Mr Miller, you live in Detroit, do you not? | 1:01:26 | 1:01:29 | |
Yes, sir. | 1:01:29 | 1:01:30 | |
Then will you please tell the jury | 1:01:30 | 1:01:31 | |
who brought you out here from Detroit | 1:01:31 | 1:01:33 | |
and employed you to make this investigation? | 1:01:33 | 1:01:35 | |
Objection. Counsel has no right | 1:01:35 | 1:01:36 | |
to question the integrity of the witness. | 1:01:36 | 1:01:38 | |
Your honour, since Mr Miller is employed | 1:01:38 | 1:01:40 | |
by the same insurance companies who wrote the Tremaine policies | 1:01:40 | 1:01:42 | |
and stand to save in excess of 300,000 | 1:01:42 | 1:01:45 | |
if murder rather than a simple accident can be proven... | 1:01:45 | 1:01:47 | |
If your honour please, counsel's remarks | 1:01:47 | 1:01:49 | |
are out of order and prejudicial. | 1:01:49 | 1:01:50 | |
Sustained. Jurors are instructed to disregard counsel's statement. | 1:01:50 | 1:01:54 | |
With his knowledge of mechanics | 1:01:54 | 1:01:56 | |
and her familiarity with the victims' habits, | 1:01:56 | 1:02:00 | |
they plotted this murder. | 1:02:00 | 1:02:02 | |
Premeditated, cold-blooded murder, | 1:02:04 | 1:02:07 | |
but the plot did not stop there. | 1:02:07 | 1:02:09 | |
They planned every detail, | 1:02:09 | 1:02:11 | |
even beyond the crime itself. | 1:02:11 | 1:02:14 | |
Her, er, breakdown when taken to the morgue | 1:02:14 | 1:02:17 | |
to identify the bodies of Charles and Catherine Tremaine | 1:02:17 | 1:02:21 | |
was a calculated bid for public sympathy. | 1:02:21 | 1:02:26 | |
However, they made one seemingly insignificant mistake. | 1:02:26 | 1:02:30 | |
Diane Tremaine's suitcase was found | 1:02:30 | 1:02:33 | |
in the garage apartment of Frank Jessup, | 1:02:33 | 1:02:36 | |
and then, in desperation, | 1:02:36 | 1:02:38 | |
when confronted with a growing chain of evidence, | 1:02:38 | 1:02:41 | |
they sought to remedy the situation | 1:02:41 | 1:02:44 | |
by getting married... | 1:02:44 | 1:02:46 | |
and playing the part of the two young lovers | 1:02:46 | 1:02:49 | |
for the benefit of every tabloid scandal sheet in the country. | 1:02:49 | 1:02:54 | |
I say the word "love" is profaned | 1:02:54 | 1:02:58 | |
when applied to their unhealthy, shameless passion, | 1:02:58 | 1:03:02 | |
and their marriage, under these circumstances, | 1:03:02 | 1:03:06 | |
is a travesty. | 1:03:06 | 1:03:07 | |
I could have stopped it, ladies and gentlemen of the jury, | 1:03:07 | 1:03:12 | |
but I did not... | 1:03:12 | 1:03:13 | |
because in the last analysis, | 1:03:15 | 1:03:18 | |
I knew it would damn them as utterly in your eyes | 1:03:18 | 1:03:23 | |
as it did in mine. | 1:03:23 | 1:03:25 | |
I must admit I had a few anxious moments | 1:03:25 | 1:03:28 | |
under the spell of the district attorney's brilliant eloquence. | 1:03:28 | 1:03:31 | |
For a while, he almost had me believing the prosecution had a case, | 1:03:31 | 1:03:36 | |
until you strip away the opulent phrases and get down to facts, | 1:03:36 | 1:03:39 | |
and then you discover he has no case. | 1:03:39 | 1:03:42 | |
He argues that Frank Jessup's mechanical skill and knowledge | 1:03:42 | 1:03:46 | |
was necessary to transform the automobile into a murder weapon, | 1:03:46 | 1:03:50 | |
yet his own witness, in answer to a question put by one of you, | 1:03:50 | 1:03:54 | |
ladies and gentlemen, | 1:03:54 | 1:03:56 | |
clearly stated that anyone without any special technical skill | 1:03:56 | 1:03:59 | |
could have rigged that car in a few minutes | 1:03:59 | 1:04:02 | |
in the way the district attorney imagines it was rigged. | 1:04:02 | 1:04:05 | |
But why linger on details | 1:04:05 | 1:04:07 | |
when the district attorney has not presented one bit of conclusive evidence | 1:04:07 | 1:04:11 | |
that the car ever was tampered with. | 1:04:11 | 1:04:14 | |
And here I must remind you, | 1:04:14 | 1:04:16 | |
the burden of proof is on the prosecution. | 1:04:16 | 1:04:19 | |
If there's the slightest bit of doubt left in your minds, | 1:04:19 | 1:04:22 | |
then your verdict must be not guilty. | 1:04:22 | 1:04:25 | |
But the district attorney asked you | 1:04:25 | 1:04:28 | |
to send these two young people to the gas chamber for yet another reason - | 1:04:28 | 1:04:33 | |
because they're in love. | 1:04:33 | 1:04:35 | |
Ladies and gentlemen, I was shocked and surprised to hear Mr Judson | 1:04:35 | 1:04:38 | |
blacken the characters of a man and woman | 1:04:38 | 1:04:40 | |
whose only offence to society is that they happened to fall in love. | 1:04:40 | 1:04:44 | |
A young girl wanted to leave a luxurious home, | 1:04:44 | 1:04:47 | |
elope with a hard-working, ambitious war veteran, | 1:04:47 | 1:04:50 | |
and build a simple life together. | 1:04:50 | 1:04:52 | |
Is this profane and shameless? | 1:04:52 | 1:04:54 | |
I leave the answer to you, ladies and gentlemen. | 1:04:54 | 1:04:58 | |
If love is a crime, | 1:04:58 | 1:05:00 | |
Diane and Frank Jessup are guilty, | 1:05:00 | 1:05:04 | |
but this is the only crime that can be | 1:05:04 | 1:05:06 | |
or has been proved against them. | 1:05:06 | 1:05:09 | |
Ladies and gentlemen of the jury, | 1:05:09 | 1:05:11 | |
have you reached a verdict? | 1:05:11 | 1:05:13 | |
We have, your honour. | 1:05:14 | 1:05:16 | |
The clerk will please read the verdict. | 1:05:31 | 1:05:34 | |
"People of the state of California vs Frank Jessup | 1:05:37 | 1:05:40 | |
"and Diane Tremaine Jessup, | 1:05:40 | 1:05:41 | |
"number 542341. | 1:05:41 | 1:05:45 | |
"We, the jury, in the above entitled action, | 1:05:45 | 1:05:48 | |
"find the defendants not guilty." | 1:05:48 | 1:05:50 | |
CHEERING AND SHOUTING | 1:05:50 | 1:05:52 | |
Quiet, please! Order in the court! | 1:05:52 | 1:05:55 | |
Well, we deserve a little rest, all of us. | 1:06:08 | 1:06:10 | |
Won't you come in, Arthur? | 1:06:10 | 1:06:11 | |
Some other time maybe. | 1:06:11 | 1:06:12 | |
I've hardly seen my family in weeks. | 1:06:12 | 1:06:14 | |
Thanks again, Mr Vance. | 1:06:14 | 1:06:15 | |
Best of luck to both of you. Goodbye, Diane. | 1:06:15 | 1:06:17 | |
Welcome home, Mr and Mrs Jessup. Very happy occasion. | 1:06:17 | 1:06:20 | |
Hello, Ito. Chio. | 1:06:20 | 1:06:22 | |
Thank you both. | 1:06:22 | 1:06:23 | |
Lunch is ready anytime, Miss Diane. | 1:06:25 | 1:06:28 | |
Not quite yet, Ito. | 1:06:28 | 1:06:31 | |
We'll let you know. | 1:06:31 | 1:06:32 | |
Yes, sir. | 1:06:32 | 1:06:33 | |
Well, somebody thinks we ought to celebrate. | 1:06:36 | 1:06:39 | |
Why not? | 1:06:39 | 1:06:40 | |
Champagne? I'd much rather have bourbon, | 1:06:40 | 1:06:42 | |
but I guess this'll do. | 1:06:42 | 1:06:45 | |
I'll get some bourbon for you. | 1:06:45 | 1:06:46 | |
Don't bother. | 1:06:46 | 1:06:47 | |
Oh, it's no trouble at all. | 1:06:47 | 1:06:49 | |
I said never mind. | 1:06:49 | 1:06:50 | |
I guess I don't feel like a drink anyway. | 1:06:50 | 1:06:54 | |
I don't suppose you'll ever forget or forgive me for... | 1:06:57 | 1:07:02 | |
I shouldn't even have asked. | 1:07:02 | 1:07:05 | |
But I want you to know one thing, and believe it - | 1:07:06 | 1:07:10 | |
I would give my life gladly to bring them back, | 1:07:10 | 1:07:14 | |
both of them. | 1:07:14 | 1:07:16 | |
I was only ten when my mother was caught in that air raid. | 1:07:19 | 1:07:24 | |
I had no friends, | 1:07:24 | 1:07:26 | |
so my father became everything to me. | 1:07:26 | 1:07:30 | |
And then he met Catherine. | 1:07:32 | 1:07:35 | |
I resented her from the first. | 1:07:35 | 1:07:38 | |
I remember I used to play a game, | 1:07:41 | 1:07:43 | |
a game of pretend. | 1:07:43 | 1:07:46 | |
It always began, "If Catherine were dead..." | 1:07:46 | 1:07:50 | |
I used to imagine all the wonderful things | 1:07:51 | 1:07:54 | |
that Daddy and I would do together. | 1:07:54 | 1:07:56 | |
Death was only a word. | 1:07:56 | 1:07:59 | |
I never really knew what it meant, | 1:07:59 | 1:08:02 | |
until I saw his body and hers, | 1:08:02 | 1:08:04 | |
hurt and broken. | 1:08:04 | 1:08:07 | |
And then I suddenly realised that she had loved him, too... | 1:08:09 | 1:08:13 | |
..and had done actually nothing to harm me. | 1:08:14 | 1:08:17 | |
Well, it's done. | 1:08:17 | 1:08:19 | |
All the talk in the world won't change it. | 1:08:19 | 1:08:21 | |
Please don't leave me. | 1:08:21 | 1:08:23 | |
I wouldn't know what to do with my life without you. | 1:08:23 | 1:08:27 | |
Oh, you'll make out. | 1:08:27 | 1:08:29 | |
You're in the clear now. You don't need me anymore. | 1:08:29 | 1:08:32 | |
We've gone through all this together. | 1:08:32 | 1:08:34 | |
We've gone through all this together | 1:08:34 | 1:08:35 | |
because a smart lawyer | 1:08:35 | 1:08:36 | |
had his jury figured right | 1:08:36 | 1:08:37 | |
and for no other reason. | 1:08:37 | 1:08:38 | |
Don't try to make anything else of it. | 1:08:38 | 1:08:40 | |
I don't blame you for being bitter, | 1:08:40 | 1:08:42 | |
but I did try to tell the truth. I wanted to confess. | 1:08:42 | 1:08:46 | |
He told me they wouldn't believe me | 1:08:46 | 1:08:49 | |
and they'd find you guilty, too. | 1:08:49 | 1:08:50 | |
Oh, I see. This was all for my sake. | 1:08:50 | 1:08:53 | |
Well, all right, if that makes you feel any better, | 1:08:53 | 1:08:57 | |
but you might as well tell your lawyers | 1:08:57 | 1:08:59 | |
to start preparing the divorce papers, | 1:08:59 | 1:09:01 | |
because I'm clearing out. | 1:09:01 | 1:09:02 | |
Mary won't take you back. | 1:09:02 | 1:09:04 | |
You want to bet? | 1:09:06 | 1:09:08 | |
She wouldn't want to spend the rest of her life | 1:09:08 | 1:09:11 | |
wondering whether her husband | 1:09:11 | 1:09:13 | |
really committed a murder. | 1:09:13 | 1:09:14 | |
What do you know about a girl like Mary? | 1:09:14 | 1:09:17 | |
You don't even think the same. | 1:09:17 | 1:09:19 | |
No, and we don't love the same, either. | 1:09:19 | 1:09:22 | |
It wouldn't matter to me what you were | 1:09:22 | 1:09:24 | |
or what you did, and you know it. | 1:09:24 | 1:09:26 | |
You don't hate me, really. | 1:09:26 | 1:09:28 | |
You couldn't hate anybody who loves you | 1:09:28 | 1:09:30 | |
as much as I do. | 1:09:30 | 1:09:31 | |
No, I don't hate you, but I'm getting out just the same. | 1:09:31 | 1:09:34 | |
Do you still want to make that bet? | 1:09:34 | 1:09:37 | |
Name it. | 1:09:37 | 1:09:38 | |
Remember, I'm not in the same league with you financially. | 1:09:38 | 1:09:42 | |
Take my car. If I'm wrong, it's yours. | 1:09:42 | 1:09:46 | |
If I'm right, bring it back. | 1:09:46 | 1:09:49 | |
You mean bring the car back? | 1:09:51 | 1:09:53 | |
That's right. | 1:09:53 | 1:09:57 | |
That's fair enough. | 1:09:57 | 1:09:58 | |
DOOR CLOSES | 1:10:08 | 1:10:10 | |
DOORBELL BUZZES | 1:10:18 | 1:10:20 | |
I could say I just happened to be passing by. | 1:10:24 | 1:10:27 | |
Come in, Frank. | 1:10:27 | 1:10:28 | |
Thanks. | 1:10:28 | 1:10:31 | |
Mary, it meant a lot to me to see you in court every day, | 1:10:31 | 1:10:35 | |
knowing that you were... rooting for me. | 1:10:35 | 1:10:37 | |
That's all right. | 1:10:37 | 1:10:39 | |
I might've known it. | 1:10:39 | 1:10:40 | |
One cold beer in the house, and you show up. | 1:10:40 | 1:10:41 | |
It's all yours. | 1:10:41 | 1:10:43 | |
We couldn't get near you in court this morning. | 1:10:43 | 1:10:45 | |
Anyhow, I guess you know without our saying. | 1:10:45 | 1:10:47 | |
Let's skip it. I'd like to forget the whole thing. | 1:10:47 | 1:10:50 | |
Right now, I'd, er, like to talk to Mary alone. | 1:10:50 | 1:10:54 | |
Objection. | 1:10:54 | 1:10:55 | |
And I'm not going to be overruled by anyone, either. | 1:10:55 | 1:10:58 | |
Anything you want to say to Mary, | 1:10:58 | 1:10:59 | |
you can say in front of me. | 1:10:59 | 1:11:00 | |
OK. | 1:11:00 | 1:11:01 | |
Mary, about my marriage... | 1:11:05 | 1:11:07 | |
I want you to know there never really was anything to it, | 1:11:07 | 1:11:11 | |
just something that Barrett cooked up for the trial. | 1:11:11 | 1:11:13 | |
I'm getting a divorce. | 1:11:13 | 1:11:16 | |
And that's supposed to make everything just dandy, huh? | 1:11:16 | 1:11:18 | |
I'm not talking to you, Bill. This is between Mary and me. | 1:11:18 | 1:11:21 | |
No, it's between Mary and me. | 1:11:21 | 1:11:23 | |
Please, let's not have any fuss. | 1:11:23 | 1:11:25 | |
I'm not making any fuss. | 1:11:25 | 1:11:26 | |
Just set him straight, that's all. | 1:11:26 | 1:11:28 | |
I'm trying to, if you'll give me the chance. | 1:11:28 | 1:11:30 | |
I'm sorry, Frank, but Bill is right. | 1:11:30 | 1:11:32 | |
You can't just walk in the door | 1:11:32 | 1:11:35 | |
and say "I'm getting a divorce" | 1:11:35 | 1:11:36 | |
and expect me to fall into your arms. | 1:11:36 | 1:11:38 | |
I don't expect that. | 1:11:38 | 1:11:40 | |
I know I was off base. I'll make it up to you. | 1:11:40 | 1:11:42 | |
All I'm asking is a chance, unless he's afraid of the competition. | 1:11:42 | 1:11:45 | |
OK, if you want to talk it over, it's OK with me. | 1:11:45 | 1:11:48 | |
No, Bill. Don't go. | 1:11:48 | 1:11:50 | |
HE SIGHS | 1:11:53 | 1:11:55 | |
I guess I'm the one | 1:11:55 | 1:11:56 | |
that's afraid of the competition. | 1:11:56 | 1:11:58 | |
Frank, you know the night at the hospital, | 1:11:58 | 1:12:00 | |
when the call came in from the Tremaine place? | 1:12:00 | 1:12:02 | |
Yeah. Yeah, if it had just come five minutes later. | 1:12:02 | 1:12:07 | |
That's what I told myself at first, | 1:12:07 | 1:12:08 | |
and I wished with all my heart | 1:12:08 | 1:12:11 | |
it had happened that way, | 1:12:11 | 1:12:13 | |
but Bill was on that call, too. | 1:12:13 | 1:12:16 | |
Remember? | 1:12:16 | 1:12:18 | |
Frank, with you, I'd always be worrying, | 1:12:18 | 1:12:21 | |
because there are a lot of Dianes around, | 1:12:21 | 1:12:23 | |
and I want a marriage, not a competition. | 1:12:23 | 1:12:26 | |
I want a husband, | 1:12:26 | 1:12:28 | |
not a trophy I have to defend over and over again. | 1:12:28 | 1:12:33 | |
Maybe you would keep coming back, | 1:12:33 | 1:12:35 | |
but that's not for me. | 1:12:35 | 1:12:38 | |
You're sure you're not just saying this because you think... | 1:12:38 | 1:12:42 | |
maybe I am guilty after all? | 1:12:42 | 1:12:44 | |
No, Frank. | 1:12:44 | 1:12:46 | |
I never believed that. | 1:12:46 | 1:12:48 | |
Well, I guess that's it. | 1:12:48 | 1:12:51 | |
So long, you two. | 1:12:51 | 1:12:53 | |
DOOR OPENS AND CLOSES | 1:12:56 | 1:12:58 | |
Bill, do you think he'll go back to her? | 1:12:58 | 1:13:00 | |
Why ask me? I never could figure | 1:13:00 | 1:13:02 | |
what he saw in the dame in the first place. | 1:13:02 | 1:13:04 | |
For that, you deserve a big kiss. | 1:13:04 | 1:13:07 | |
You know, I got a hunch this'll be flat | 1:13:07 | 1:13:09 | |
before I ever get around to it. | 1:13:09 | 1:13:11 | |
Ah, you dog. | 1:13:11 | 1:13:12 | |
You are going away? | 1:13:16 | 1:13:17 | |
Yes. I'm closing the house, | 1:13:17 | 1:13:19 | |
possibly for a long time. | 1:13:19 | 1:13:20 | |
You wish us to find other employment right away? | 1:13:20 | 1:13:23 | |
No. Take all the time you need. | 1:13:23 | 1:13:25 | |
I want to be sure you find a good place. | 1:13:25 | 1:13:29 | |
Well, then... | 1:13:29 | 1:13:30 | |
You are very kind, Miss Diane. | 1:13:30 | 1:13:32 | |
Yes. | 1:13:32 | 1:13:33 | |
Good night, Miss Diane. | 1:13:33 | 1:13:35 | |
DOOR CLOSES | 1:13:39 | 1:13:41 | |
SHE PLAYS A FEW NOTES | 1:13:57 | 1:14:01 | |
ENGINE SPUTTERS | 1:17:23 | 1:17:25 | |
Ito. | 1:17:34 | 1:17:36 | |
Ito. | 1:17:36 | 1:17:37 | |
Good morning, Miss - I mean, Madam. | 1:17:37 | 1:17:40 | |
Are you going into town? | 1:17:40 | 1:17:42 | |
Yes. I'm going to the agency, | 1:17:42 | 1:17:44 | |
look for another job. | 1:17:44 | 1:17:45 | |
Can you wait a moment | 1:17:45 | 1:17:46 | |
and take me down to Beverly Hills? | 1:17:46 | 1:17:48 | |
Yes, Miss Diane. | 1:17:48 | 1:17:49 | |
Has he come in? | 1:17:51 | 1:17:52 | |
I'm sorry, but Mr Barrett hasn't called in yet. | 1:17:52 | 1:17:53 | |
Oh, there must be some way of reaching him. | 1:17:53 | 1:17:55 | |
It's like I told you this morning, Mrs Jessup, | 1:17:55 | 1:17:57 | |
when he left yesterday, | 1:17:57 | 1:17:58 | |
he warned us not to expect him. He was tired. | 1:17:58 | 1:18:00 | |
Now, I know he isn't at home, | 1:18:00 | 1:18:02 | |
and I've tried all the other numbers I dare try. | 1:18:02 | 1:18:05 | |
Hello, Shirley. | 1:18:08 | 1:18:09 | |
Mr Barrett. | 1:18:09 | 1:18:10 | |
Diane, what brings you here? | 1:18:10 | 1:18:13 | |
I thought you'd seen enough of me to last a lifetime. | 1:18:13 | 1:18:16 | |
I didn't know you were waiting. | 1:18:16 | 1:18:18 | |
Would you like a drink? Perhaps a little sherry. | 1:18:20 | 1:18:24 | |
No, thank you. I want to make a statement. | 1:18:24 | 1:18:27 | |
I want someone to copy it down, | 1:18:30 | 1:18:32 | |
and I want to sign it | 1:18:32 | 1:18:34 | |
in the presence of witnesses. | 1:18:34 | 1:18:37 | |
Well, er, mind telling me first what the statement's about? | 1:18:37 | 1:18:41 | |
I want it taken down just as I say it. | 1:18:41 | 1:18:44 | |
You want to sign it and have it witnessed. Very well. | 1:18:44 | 1:18:47 | |
Will you send someone in, Shirley? | 1:18:47 | 1:18:49 | |
Anything to please a client, | 1:18:49 | 1:18:51 | |
especially such a lovely client. | 1:18:51 | 1:18:52 | |
Miss Preston, Mrs Jessup would like to make a statement. | 1:18:52 | 1:18:55 | |
Will you take it down, please? | 1:18:55 | 1:18:57 | |
Go ahead. | 1:18:59 | 1:19:00 | |
I want to say that it was I... | 1:19:02 | 1:19:05 | |
and I alone... | 1:19:05 | 1:19:07 | |
..who killed my stepmother, Catherine Tremaine... | 1:19:08 | 1:19:12 | |
Hold on, now. Never mind, Miss Preston. Just forget that. | 1:19:12 | 1:19:15 | |
Please stay here. I want it taken down, every word. | 1:19:15 | 1:19:17 | |
Diane, why go all through that again? | 1:19:17 | 1:19:20 | |
You've been tried. You've been acquitted. | 1:19:20 | 1:19:21 | |
There's only one thing to do - forget it. | 1:19:21 | 1:19:24 | |
Put it out of your mind completely, as though it never happened. | 1:19:24 | 1:19:28 | |
You wouldn't listen before. | 1:19:28 | 1:19:29 | |
You wouldn't believe me. | 1:19:29 | 1:19:31 | |
But now you must listen. | 1:19:31 | 1:19:34 | |
Frank has been freed, | 1:19:34 | 1:19:35 | |
and I can tell the truth. | 1:19:35 | 1:19:37 | |
Now, may I tell it, and will she please take it down? | 1:19:37 | 1:19:41 | |
All right. | 1:19:41 | 1:19:42 | |
If you insist. | 1:19:43 | 1:19:45 | |
I killed them both. | 1:19:47 | 1:19:49 | |
Frank knew nothing about it... | 1:19:49 | 1:19:52 | |
That is, he knew I hated Catherine... | 1:19:52 | 1:19:56 | |
at least I did then... | 1:19:56 | 1:19:59 | |
and he suspected me. | 1:19:59 | 1:20:02 | |
I let him think that he talked me out of it... | 1:20:02 | 1:20:06 | |
..and then one day, when he was working on her car, | 1:20:08 | 1:20:12 | |
I got him to explain | 1:20:12 | 1:20:13 | |
how the automatic transmission worked. | 1:20:13 | 1:20:15 | |
So he did show you how to fix the car. | 1:20:15 | 1:20:19 | |
No. No... | 1:20:19 | 1:20:21 | |
but I know how to get things out of people. | 1:20:21 | 1:20:24 | |
I ask a lot of questions. It's a habit of mine. | 1:20:24 | 1:20:28 | |
And people are so accustomed to it, | 1:20:28 | 1:20:30 | |
they answer without even thinking why I want to know. | 1:20:30 | 1:20:33 | |
And you actually did it all by yourself? | 1:20:33 | 1:20:35 | |
On that Thursday. | 1:20:35 | 1:20:37 | |
Frank left right after Ito and Chio. | 1:20:37 | 1:20:40 | |
And then, before Catherine came down... | 1:20:40 | 1:20:44 | |
it only took a few minutes, | 1:20:44 | 1:20:47 | |
just as that Mr Miller described at the trial. | 1:20:47 | 1:20:50 | |
At last, a technical expert who knows his stuff. | 1:20:50 | 1:20:53 | |
Well, do you feel better, | 1:20:53 | 1:20:54 | |
now that it's off your conscience, and... | 1:20:54 | 1:20:57 | |
It will never be off my conscience, Mr Barrett. | 1:20:59 | 1:21:03 | |
But now that Frank has left me... | 1:21:08 | 1:21:10 | |
..I've got nothing to live for. | 1:21:12 | 1:21:15 | |
I can't believe he's really serious about leaving you. | 1:21:15 | 1:21:18 | |
No young man in his right mind | 1:21:18 | 1:21:19 | |
is going to run away from a girl like you, | 1:21:19 | 1:21:21 | |
and a half-million dollar inheritance. | 1:21:21 | 1:21:24 | |
He's gone to the girl he loved before he met me. | 1:21:24 | 1:21:27 | |
She's taken him back... | 1:21:27 | 1:21:29 | |
I think. He didn't come home last night. | 1:21:29 | 1:21:33 | |
So now may I please sign that, | 1:21:33 | 1:21:35 | |
and will you take me to the district attorney's... | 1:21:35 | 1:21:38 | |
Listen, Diane, | 1:21:38 | 1:21:39 | |
once you've been tried for a crime and acquitted, | 1:21:39 | 1:21:41 | |
you can never be tried again or punished for it. | 1:21:41 | 1:21:44 | |
But I'm guilty. | 1:21:44 | 1:21:45 | |
It doesn't matter. The law calls it double jeopardy. | 1:21:45 | 1:21:48 | |
You could sign that statement a dozen times, | 1:21:48 | 1:21:50 | |
in front of a dozen witnesses. | 1:21:50 | 1:21:52 | |
You could shout it from the housetops, | 1:21:52 | 1:21:54 | |
read it over the radio, | 1:21:54 | 1:21:56 | |
and there isn't a thing | 1:21:56 | 1:21:58 | |
anyone can do about it. | 1:21:58 | 1:21:59 | |
No, I'll take that back. There is one thing. | 1:21:59 | 1:22:02 | |
They'd probably put you in an insane asylum. | 1:22:02 | 1:22:06 | |
Do you want that? | 1:22:06 | 1:22:08 | |
Keep it. | 1:23:04 | 1:23:05 | |
RADIO: 'And so the Tremaine tragedy | 1:23:11 | 1:23:13 | |
'came to a happy ending after all. | 1:23:13 | 1:23:15 | |
'With her acquittal, Diane gets full control of the Tremaine estate, | 1:23:15 | 1:23:19 | |
'and it is expected that she and her chauffeur-husband | 1:23:19 | 1:23:23 | |
'will take a belated honeymoon trip abroad. | 1:23:23 | 1:23:25 | |
'None of the principals | 1:23:25 | 1:23:27 | |
'was available to confirm this rumour. However...' | 1:23:27 | 1:23:30 | |
MUSIC PLAYS | 1:23:30 | 1:23:32 | |
Well, you win your bet. | 1:23:32 | 1:23:34 | |
Here...thanks for the use of the car. | 1:23:36 | 1:23:39 | |
You needn't have packed. | 1:23:39 | 1:23:41 | |
Ito could have brought your things over. | 1:23:41 | 1:23:43 | |
To Mexico? | 1:23:43 | 1:23:44 | |
That's where I'm going. | 1:23:44 | 1:23:46 | |
Have you ever been there before? | 1:23:46 | 1:23:49 | |
No. | 1:23:49 | 1:23:51 | |
It's wonderful. | 1:23:51 | 1:23:52 | |
Mexico City, Acapulco, | 1:23:52 | 1:23:55 | |
the roof of the Casablanca, dancing under the stars. | 1:23:55 | 1:23:59 | |
The night air is warm, and way down below is the harbour, | 1:23:59 | 1:24:03 | |
where fishing boats... | 1:24:03 | 1:24:04 | |
orchestra playing Clair De Lune. | 1:24:04 | 1:24:07 | |
I'm sorry. My bus leaves in 40 minutes. | 1:24:07 | 1:24:10 | |
Frank... take me with you. | 1:24:13 | 1:24:16 | |
No. | 1:24:16 | 1:24:17 | |
I can't let you go, darling. I just can't. | 1:24:17 | 1:24:21 | |
You just never quit trying, do you? | 1:24:21 | 1:24:26 | |
No. | 1:24:26 | 1:24:27 | |
Will you give me 40 minutes more to try? | 1:24:27 | 1:24:30 | |
Let me take you to the bus station. | 1:24:30 | 1:24:32 | |
I've already called a taxi. | 1:24:32 | 1:24:34 | |
Only 40 minutes. | 1:24:34 | 1:24:37 | |
Diane, what's the use? | 1:24:37 | 1:24:39 | |
It's all over. It's finished. | 1:24:39 | 1:24:41 | |
We've said everything there is to say. | 1:24:41 | 1:24:43 | |
Just this one last chance. | 1:24:43 | 1:24:45 | |
Well, you're just making it rough on yourself, but... | 1:24:48 | 1:24:51 | |
OK. | 1:24:51 | 1:24:52 | |
I'll only be a minute. | 1:24:52 | 1:24:54 | |
MUSIC OFF | 1:25:13 | 1:25:14 | |
CAR DOOR CLOSES | 1:25:25 | 1:25:27 | |
ENGINE STARTS | 1:25:27 | 1:25:29 | |
Here are the keys. | 1:25:36 | 1:25:38 | |
Thanks. | 1:25:38 | 1:25:39 | |
You know, it would be fun | 1:25:40 | 1:25:42 | |
to drive this clear to Mexico. | 1:25:42 | 1:25:44 | |
Yeah. | 1:25:44 | 1:25:45 | |
Why don't you do that sometime? | 1:25:46 | 1:25:48 | |
What's this? | 1:25:57 | 1:25:58 | |
We didn't drink it yesterday. | 1:25:58 | 1:26:00 | |
Two glasses? | 1:26:04 | 1:26:05 | |
Since when do you drink? | 1:26:05 | 1:26:07 | |
Might as well begin sometime. | 1:26:07 | 1:26:09 | |
ENGINE STARTS | 1:26:09 | 1:26:11 | |
Watch it! | 1:26:13 | 1:26:14 | |
TYRES SCREECH | 1:26:20 | 1:26:22 | |
HORN HONKS | 1:26:57 | 1:26:59 | |
HONK HONK | 1:27:05 | 1:27:07 | |
Subtitles by Red Bee Media Ltd | 1:27:16 | 1:27:18 |