Browse content similar to Annie Oakley. Check below for episodes and series from the same categories and more!
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Who you voting for this November, Sheriff? | 0:01:23 | 0:01:26 | |
-Me? -Yes. | 0:01:26 | 0:01:28 | |
James G Blaine. | 0:01:28 | 0:01:31 | |
-Yeah? -Yeah. | 0:01:31 | 0:01:33 | |
Eph here is casting his ballot for Grover Cleveland. | 0:01:33 | 0:01:36 | |
No?! | 0:01:36 | 0:01:37 | |
You voting for that New York Copperhead? | 0:01:37 | 0:01:40 | |
You bet your life I be, | 0:01:40 | 0:01:43 | |
and he's going to beat the breeches off of your Mr Blaine. | 0:01:43 | 0:01:46 | |
Lem! Lookit. | 0:01:48 | 0:01:50 | |
Slapping stickem all over your walls. | 0:01:51 | 0:01:54 | |
Well, you've got a gall, | 0:01:54 | 0:01:56 | |
smearing up Darke County with them consarned stickers. | 0:01:56 | 0:01:59 | |
Well, a man's gotta make a living. | 0:01:59 | 0:02:01 | |
Well, I can't help that. | 0:02:01 | 0:02:02 | |
You take that ding-busted thing down off of my wall. | 0:02:02 | 0:02:06 | |
Why, even the side of a man's cow | 0:02:06 | 0:02:08 | |
ain't safe from you fellows nowadays. | 0:02:08 | 0:02:10 | |
Go on, take it down. | 0:02:10 | 0:02:12 | |
Go on, take it down. | 0:02:14 | 0:02:16 | |
Lem, let's see the top half of it. | 0:02:19 | 0:02:22 | |
All right, hitch up the rest of him. | 0:02:23 | 0:02:26 | |
If Annie Oakley likes him, he stays up. | 0:02:26 | 0:02:29 | |
If she don't, down he comes. | 0:02:29 | 0:02:32 | |
Gosh, ain't he pretty? | 0:02:48 | 0:02:52 | |
All right, leave him up. | 0:02:53 | 0:02:55 | |
Who is he, Annie? | 0:02:55 | 0:02:57 | |
Toby Walker. He's the greatest shot in the whole world. | 0:02:57 | 0:03:00 | |
Maybe at trick shooting, Annie, | 0:03:00 | 0:03:01 | |
but I'll bet he ain't one-two-three with you on quail. | 0:03:01 | 0:03:04 | |
Oh, Lem, I just point a gun at them. | 0:03:04 | 0:03:06 | |
Say, that big hotel in Cinci's | 0:03:07 | 0:03:09 | |
still begging for some of your birds. | 0:03:09 | 0:03:12 | |
-You got some for me today? -Sure, six dozen. | 0:03:12 | 0:03:14 | |
All dressed and picked. | 0:03:14 | 0:03:16 | |
Bet at 50 yards, she can knock the eye out of a bumblebee. | 0:03:16 | 0:03:19 | |
Yeah? | 0:03:19 | 0:03:20 | |
Yeah. Them quail she shoots don't know what hits them. | 0:03:20 | 0:03:23 | |
Slab in the head every time. | 0:03:23 | 0:03:25 | |
Supported her folks pretty near five years on that gun of hers. | 0:03:25 | 0:03:28 | |
Wish I could shoot that way. | 0:03:28 | 0:03:30 | |
Wish you could. We'd have law and order in this county. | 0:03:30 | 0:03:33 | |
Sheriff! | 0:03:33 | 0:03:34 | |
Do you remember the time you aimed at a chicken thief... | 0:03:34 | 0:03:37 | |
-Yeah... -..and killed a hog? | 0:03:37 | 0:03:39 | |
Killed... | 0:03:39 | 0:03:40 | |
Mr And Mrs Quail, won't you walk into my broiler? | 0:03:47 | 0:03:51 | |
Yes, sir and ma'am, a warm welcome sure do await you. | 0:03:53 | 0:03:57 | |
Oh, my! | 0:03:57 | 0:03:59 | |
I's going to baptise you slow in hot butter. | 0:03:59 | 0:04:02 | |
Hot butter! | 0:04:02 | 0:04:04 | |
And put you to sleep in a bed of rice. | 0:04:04 | 0:04:07 | |
# Sleep on, sweet quail! # | 0:04:07 | 0:04:10 | |
Say, boy, how many of those quails you done already counted? | 0:04:10 | 0:04:13 | |
-26. -Well, forget to count about four of them. | 0:04:13 | 0:04:16 | |
Don't you think I like quail myself? | 0:04:17 | 0:04:20 | |
-I done already uncounted eight. -That's right. | 0:04:20 | 0:04:23 | |
Boys! | 0:04:23 | 0:04:24 | |
Uh-oh. | 0:04:25 | 0:04:26 | |
Your bad arithmetic's going to get you in trouble one of these days. | 0:04:30 | 0:04:34 | |
Them quails ain't no good, Mr MacIvor. They full of buckshot. | 0:04:35 | 0:04:39 | |
Not these quail. They cost me fancy prices. | 0:04:39 | 0:04:41 | |
The hunter always hits them in the head. | 0:04:41 | 0:04:44 | |
That's right, boss. That hunter sure is a shooting fool. | 0:04:44 | 0:04:47 | |
I want you boys to outcook yourselves on these quail. | 0:04:47 | 0:04:49 | |
The Mayor is giving this banquet for Toby Walker. | 0:04:49 | 0:04:52 | |
Yes, sir, and it'll be fit for a king, too. | 0:04:52 | 0:04:55 | |
It better be. Mr Walker is very particular. | 0:04:55 | 0:04:59 | |
Well, Toby Walker, I hereby pronounce you | 0:05:13 | 0:05:15 | |
a member of Buffalo Bill's happy family. | 0:05:15 | 0:05:17 | |
Yep, you've done a good day's work, Jeff. | 0:05:17 | 0:05:20 | |
Yes, I think so. I think my partner will think so, too. | 0:05:20 | 0:05:23 | |
Colonel Cody and I don't sign up any second-raters, only champions. | 0:05:23 | 0:05:26 | |
So, you're a champion shooter, huh? I don't believe it. | 0:05:26 | 0:05:31 | |
Take it easy. That's Toby Walker. | 0:05:31 | 0:05:32 | |
Never heard of him. Bet I could beat him myself. | 0:05:32 | 0:05:36 | |
What are you laughing at? | 0:05:43 | 0:05:45 | |
Well, maybe he could. We haven't seen you shoot yet. | 0:05:45 | 0:05:49 | |
Well, money talks, Cap. | 0:05:49 | 0:05:50 | |
Your shooting rate's pretty high around here. | 0:05:50 | 0:05:52 | |
Why don't you take me on? | 0:05:52 | 0:05:53 | |
I'm only an amateur. | 0:05:53 | 0:05:55 | |
I don't want any contest with you, Walker. | 0:05:55 | 0:05:58 | |
I'll lay you 3-to-1, and you can name your own targets and distance. | 0:05:58 | 0:06:01 | |
Take him on, Cap. He may not be so good. | 0:06:01 | 0:06:03 | |
Sure, Cap. You're a good shot. | 0:06:03 | 0:06:04 | |
Take him on, Cap. | 0:06:04 | 0:06:06 | |
Ain't there one sport in this burg? | 0:06:06 | 0:06:09 | |
I'll give you 4-to-1. | 0:06:09 | 0:06:11 | |
Could you make that 5-to-1, Mr Walker? | 0:06:14 | 0:06:17 | |
Look, Mac, you better keep out of this. | 0:06:17 | 0:06:19 | |
We ain't betting marbles. This is for money. | 0:06:19 | 0:06:21 | |
Oh, is that a fact? | 0:06:21 | 0:06:22 | |
I believe I've got someone that might make it interesting for you. | 0:06:22 | 0:06:25 | |
How about a little side bet of 100 to make it more interesting? | 0:06:25 | 0:06:29 | |
100, eh? No, I don't think that would interest me, but... | 0:06:31 | 0:06:34 | |
..200 should do it. | 0:06:36 | 0:06:38 | |
Mac, it's a bet. | 0:06:39 | 0:06:43 | |
But you'll have to see my new boss here to arrange the details. | 0:06:43 | 0:06:46 | |
Well, would tomorrow morning at the Gun Club suit you gentlemen? | 0:06:46 | 0:06:49 | |
It's a go. Let's have a drink on it. Oscar, set them up, on the house. | 0:06:49 | 0:06:52 | |
ALL: On the house! | 0:06:52 | 0:06:54 | |
Well, Mac... | 0:06:54 | 0:06:56 | |
Beers all around. And make mine a short one. | 0:06:56 | 0:06:59 | |
Make mine a champagne cocktail. | 0:06:59 | 0:07:00 | |
-I'll take champagne, too. -Make mine champagne, too. | 0:07:00 | 0:07:02 | |
All right, Oscar, I'll have a champagne cocktail. | 0:07:02 | 0:07:07 | |
Mac, if I hadn't been here to see this, I wouldn't have believed it. | 0:07:07 | 0:07:11 | |
Put it back. I've lost my thirst. | 0:07:14 | 0:07:17 | |
What's the matter, Mac? Are you mourning? | 0:07:18 | 0:07:19 | |
Yeah, for his 200. | 0:07:19 | 0:07:21 | |
Oh, that's no' for ladies. | 0:07:23 | 0:07:25 | |
Oh, I'm no lady. | 0:07:25 | 0:07:26 | |
Pardon me, miss, this is a saloon. | 0:07:28 | 0:07:31 | |
Oh, how cosy. | 0:07:31 | 0:07:33 | |
I've lived for 60 years | 0:07:36 | 0:07:37 | |
and that's the first time I ever saw a woman going into a saloon. | 0:07:37 | 0:07:41 | |
The next thing you know, they will be smoking cigarettes. | 0:07:41 | 0:07:44 | |
Talk sense, man, talk sense. | 0:07:44 | 0:07:46 | |
-Here's to Toby Walker. -ALL: Here's to Toby Walker! | 0:07:46 | 0:07:50 | |
Well, gentlemen, I hardly know what to... | 0:07:50 | 0:07:54 | |
Hello, honey. Getting your hair curled? | 0:07:55 | 0:07:57 | |
What's the matter? Don't I get introduced? | 0:08:04 | 0:08:07 | |
Allow me, gents. The great Toby Walker and Company. | 0:08:07 | 0:08:11 | |
I nearly forgot what time it is. | 0:08:15 | 0:08:17 | |
They're probably yelling for me at the theatre. I... | 0:08:17 | 0:08:22 | |
Come on, get out of here. | 0:08:23 | 0:08:25 | |
Seems there's nothing sacred any more. | 0:08:27 | 0:08:30 | |
In all my born days I've never seen such gall. | 0:08:32 | 0:08:34 | |
What are you trying to do, | 0:08:34 | 0:08:35 | |
make a jackass out of me in front of my public? | 0:08:35 | 0:08:38 | |
-Aw, honey! -Don't honey me. You're too dang fresh. | 0:08:38 | 0:08:41 | |
Toby Walker, you're supposed to be a sharpshooter, | 0:08:41 | 0:08:44 | |
and you can't even see a willing gal right under your own nose. | 0:08:44 | 0:08:48 | |
-I can see anything I'm aiming at. -Yeah, I know. | 0:08:48 | 0:08:50 | |
You only go high, wide and handsome for the lady swells, | 0:08:50 | 0:08:54 | |
like you claim you was with Sarah Bernhardt. | 0:08:54 | 0:08:57 | |
Let's leave Miss Bernhardt's name out of this. | 0:08:58 | 0:09:00 | |
Bernhardt. You never knowed her well enough to carry her trunks. | 0:09:00 | 0:09:04 | |
Listen, Vera, I think you're a swell little trouper. | 0:09:04 | 0:09:06 | |
Now, let's leave it like that. | 0:09:06 | 0:09:08 | |
You've got your ticket back to New York and two weeks' extra pay. | 0:09:08 | 0:09:11 | |
I'd keep you in the act if I could, | 0:09:11 | 0:09:12 | |
but there just ain't no place in the Buffalo Bill show for a gal. | 0:09:12 | 0:09:16 | |
Well, sharpshooter, I got to hand it to you. | 0:09:16 | 0:09:18 | |
You sure got the power to resist a beautiful woman. | 0:09:18 | 0:09:21 | |
Well, don't take it too much to heart, little girl. | 0:09:21 | 0:09:23 | |
Maybe I'm doing you a favour. | 0:09:23 | 0:09:25 | |
You know, Lillie Langtry couldn't act for sour apples | 0:09:25 | 0:09:27 | |
till I turned her down. | 0:09:27 | 0:09:29 | |
Talk louder, will you, Lem? I can't hear you. | 0:09:30 | 0:09:33 | |
Blast these newfangled instruments of torture. | 0:09:36 | 0:09:39 | |
Hello? Oh, Lem, Lem. Just a minute. | 0:09:39 | 0:09:42 | |
Hello, Lem. Lem, I want you to get a hold of that quail-shooter, | 0:09:44 | 0:09:48 | |
the one that sells you the birds you send up here. | 0:09:48 | 0:09:50 | |
I've got a shooting match. | 0:09:50 | 0:09:52 | |
A shoot... A shooting match, Lem. | 0:09:52 | 0:09:56 | |
Aye. If he wins, there's 50 in it for him. | 0:09:56 | 0:10:00 | |
Yes, I said 30. What did you say his name is? | 0:10:00 | 0:10:03 | |
Shake up the telephone, Lem. I can't hear a word. | 0:10:04 | 0:10:07 | |
What? Oh, Oakley. Andy Oakley? | 0:10:07 | 0:10:12 | |
All right, Lem, all right. Have him here in the morning | 0:10:12 | 0:10:15 | |
Oh, Lem, Lem, Lem, and make certain sure he's sober. | 0:10:15 | 0:10:19 | |
Aye, aye. | 0:10:19 | 0:10:21 | |
All ready, Joe? | 0:10:27 | 0:10:28 | |
Bend down, please. I want to see the sign. | 0:10:30 | 0:10:33 | |
Everybody ready? | 0:10:35 | 0:10:37 | |
Smile. | 0:10:37 | 0:10:39 | |
Smile bigger. | 0:10:40 | 0:10:41 | |
That's fine. | 0:10:41 | 0:10:43 | |
That's fine. That's a beauty. | 0:11:38 | 0:11:41 | |
-Well, don't they know you're here? -Come on, Ma. | 0:11:46 | 0:11:50 | |
-Who's shooting against you, Mr Walker? -Fella by the name of Oakley. | 0:11:52 | 0:11:56 | |
A rube from the tall timber, by crackey! | 0:11:56 | 0:12:00 | |
Well, good luck to you. | 0:12:00 | 0:12:01 | |
Well, we'll have some fun, anyway. | 0:12:01 | 0:12:03 | |
If he ever gets here. | 0:12:03 | 0:12:04 | |
Hey, Mac, better get your man here. I can't wait all day. | 0:12:04 | 0:12:07 | |
Oh, he'll be here all right. He's had a long ways to come. | 0:12:07 | 0:12:11 | |
Well, I'll go down and warm up a bit. | 0:12:14 | 0:12:16 | |
I'm waiting to see that dark horse, Mac. | 0:12:20 | 0:12:22 | |
And the longer we wait, the longer Mac keeps that 200. | 0:12:22 | 0:12:25 | |
Anyone that can hit quail in the head with a single ball | 0:12:25 | 0:12:28 | |
-can shoot for my money. -Are you looking for me? My name is Oakley. | 0:12:28 | 0:12:32 | |
Oakley? | 0:12:33 | 0:12:35 | |
-Where is your father? -Well, he's dead. | 0:12:35 | 0:12:38 | |
Dead? | 0:12:39 | 0:12:41 | |
-When did it happen? -Oh, a long time ago. | 0:12:41 | 0:12:44 | |
-Then where is your brother? -This is my brother. | 0:12:47 | 0:12:50 | |
And this is my sister Susie and this is Ma. | 0:12:52 | 0:12:55 | |
Excuse me. | 0:12:56 | 0:12:57 | |
I am looking for an Andy Oakley, who's been supplying me with game. | 0:12:57 | 0:13:02 | |
Oh, I guess you made a mistake, mister. Not Andy Oakley. Annie. | 0:13:02 | 0:13:06 | |
It's me you sent for. | 0:13:06 | 0:13:08 | |
You? | 0:13:08 | 0:13:10 | |
A joke's a joke, but this one is just a little too practical. | 0:13:10 | 0:13:14 | |
But it's not a joke. I want to bet my own money. | 0:13:14 | 0:13:17 | |
Show him what you've got, Ma. | 0:13:17 | 0:13:19 | |
Lem sent down 10 and Sheriff Bixby sent down 5, | 0:13:19 | 0:13:22 | |
and a lot of other people chipped in. 37 in all. | 0:13:22 | 0:13:25 | |
Yes, sirree. | 0:13:25 | 0:13:26 | |
Then forget about it. There's not going to be any contest. | 0:13:26 | 0:13:30 | |
Maybe you can settle for half, Mac. | 0:13:30 | 0:13:32 | |
You mean just because I'm not a man, you ain't going to let me shoot? | 0:13:32 | 0:13:35 | |
That's perfectly all right, Miss Oakley. | 0:13:35 | 0:13:37 | |
You're going to get your chance. The bet still stands. | 0:13:37 | 0:13:40 | |
But I'll discount it and pay off right away, Mr Hogarth. | 0:13:40 | 0:13:42 | |
Oh, no, you don't. The whole hog or nothing at all. | 0:13:42 | 0:13:44 | |
And I'm speaking for Toby Walker, too. | 0:13:44 | 0:13:46 | |
-Toby Walker? -Mm-hm. You're in big company now, Miss Oakley. | 0:13:46 | 0:13:50 | |
Oh, I couldn't shoot against Toby Walker. | 0:13:52 | 0:13:54 | |
Oh, now, you mustn't be afraid. You just do the best you can. | 0:13:54 | 0:13:57 | |
Just pretend you're shooting quail. | 0:13:57 | 0:13:59 | |
Oh, I ain't scared he could beat me. | 0:13:59 | 0:14:01 | |
It's just that it don't seem reasonable. | 0:14:01 | 0:14:04 | |
Of course it isn't. | 0:14:04 | 0:14:05 | |
But we're going through with it just the same. | 0:14:05 | 0:14:07 | |
Ma, can I have the money? | 0:14:07 | 0:14:09 | |
Would... Would you bet the money for me? | 0:14:12 | 0:14:15 | |
Oh, yes, of course I'll bet it for you. | 0:14:15 | 0:14:18 | |
Och! | 0:14:31 | 0:14:32 | |
Here's yours, Annie. | 0:14:57 | 0:14:59 | |
Here. They don't belong to you. | 0:14:59 | 0:15:02 | |
Here's a seat for you, Mrs Oakley. | 0:15:02 | 0:15:04 | |
Hey, don't meddle with those guns. | 0:15:19 | 0:15:21 | |
Oh, I'm sorry, mister, but whenever I see a gun, I always... | 0:15:21 | 0:15:24 | |
What's a kid like you know about guns? | 0:15:24 | 0:15:26 | |
I got one here. It was clean through the Civil War. | 0:15:26 | 0:15:29 | |
Well, gee... Well... | 0:15:29 | 0:15:30 | |
Well, gee whiz, don't tell me you shoot with a thing like that? | 0:15:30 | 0:15:34 | |
Of course I do. | 0:15:34 | 0:15:35 | |
What do you shoot? Doodlebugs? | 0:15:35 | 0:15:38 | |
You hang around, kid, and you'll see some shooting that is shooting. | 0:15:38 | 0:15:40 | |
I figured on seeing some tall shooting, | 0:15:40 | 0:15:42 | |
otherwise I wouldn't be here. | 0:15:42 | 0:15:44 | |
Up from the sticks to see me make a monkey out of that Oakley? | 0:15:44 | 0:15:47 | |
The shootingest monkey you ever saw, | 0:15:47 | 0:15:49 | |
and we got 37 says so. | 0:15:49 | 0:15:51 | |
No! About all the ready cash in that county, I suppose. | 0:15:51 | 0:15:55 | |
Bring on that hickory-nut-knocker. | 0:15:55 | 0:15:57 | |
Mr Walker, meet Miss Hickory-Nut-Knocker. | 0:15:57 | 0:15:59 | |
-What? -Your opponent, Miss Annie Oakley. | 0:15:59 | 0:16:02 | |
What do you mean? | 0:16:02 | 0:16:04 | |
Hey, MacIvor, is this your idea of a joke, | 0:16:04 | 0:16:07 | |
asking me to shoot against a half-baked kid, and a girl at that? | 0:16:07 | 0:16:11 | |
Now, if you'd like to call off the bet... | 0:16:11 | 0:16:13 | |
He's right, Mr MacIvor. | 0:16:13 | 0:16:15 | |
He'd look awful silly if I beat him in front of all these folks. | 0:16:15 | 0:16:18 | |
Beat me! Why, you... | 0:16:18 | 0:16:21 | |
Get those targets ready. Beat me! | 0:16:21 | 0:16:23 | |
Make him earn his money, Annie. | 0:16:23 | 0:16:26 | |
I was wondering, Mr MacIvor, | 0:16:28 | 0:16:30 | |
if you could help me find some plain sewing. | 0:16:30 | 0:16:33 | |
Well, I don't know about needlework, | 0:16:33 | 0:16:36 | |
but I've got a cigar stand at the hotel... | 0:16:36 | 0:16:39 | |
Oh, I love a man who smokes a cigar. | 0:16:39 | 0:16:41 | |
Mind you, the job only calls for selling cigars. | 0:16:43 | 0:16:46 | |
As the challenger, you shoot first. Start with the end target. | 0:16:48 | 0:16:52 | |
Yes, sir. | 0:16:52 | 0:16:53 | |
Clear the range, boys. | 0:16:53 | 0:16:55 | |
All right. | 0:16:55 | 0:16:57 | |
You started at the wrong end. | 0:17:05 | 0:17:07 | |
-That's all right. Set it up again. -Set them up. | 0:17:07 | 0:17:10 | |
First pot-shot I ever took. | 0:17:12 | 0:17:14 | |
All right, Mr Walker. | 0:17:16 | 0:17:18 | |
This is too easy. Give us something to shoot at. | 0:17:23 | 0:17:26 | |
Certainly. We'll use moving targets, if it's agreeable with Miss Oakley. | 0:17:26 | 0:17:29 | |
Well, I never shot a quail while it was sitting down. | 0:17:29 | 0:17:33 | |
All right, miss. | 0:17:33 | 0:17:35 | |
Get in the pit, boys. | 0:17:35 | 0:17:37 | |
You'll shoot alternately. | 0:17:38 | 0:17:39 | |
The first one to miss will lose the contest. | 0:17:39 | 0:17:41 | |
-Is that all right with you? -Yes. | 0:17:41 | 0:17:43 | |
-And you, Mr Walker? -Fine. | 0:17:43 | 0:17:44 | |
And you, Mr MacIvor? | 0:17:44 | 0:17:46 | |
It's fine with me. | 0:17:47 | 0:17:49 | |
Just call "Ready". | 0:17:49 | 0:17:51 | |
-Ready. -Throw! | 0:17:57 | 0:17:58 | |
A hit! | 0:18:01 | 0:18:03 | |
Good shot. | 0:18:03 | 0:18:04 | |
-That was well done, little lady. -Thank you, sir. | 0:18:08 | 0:18:11 | |
-Ready. -Throw! | 0:18:11 | 0:18:13 | |
A hit. | 0:18:16 | 0:18:17 | |
Good shot. | 0:18:17 | 0:18:19 | |
-Ready. -Throw! | 0:18:24 | 0:18:26 | |
A hit. | 0:18:28 | 0:18:29 | |
-Ready. -Throw! | 0:18:29 | 0:18:31 | |
-Ready. -Throw! | 0:18:33 | 0:18:34 | |
-Ready. -Throw! | 0:18:37 | 0:18:39 | |
-Ready. -Throw! | 0:18:43 | 0:18:44 | |
Hey, Hogarth, you signed up the wrong shooter. | 0:18:46 | 0:18:49 | |
You better look for another job, Toby. There goes your championship. | 0:18:51 | 0:18:56 | |
-Ready. -Throw! | 0:18:57 | 0:18:58 | |
Hogarth, you better get that contract back, | 0:19:00 | 0:19:02 | |
in case the girl beats Toby. | 0:19:02 | 0:19:04 | |
-So, you're the champ! -LAUGHTER | 0:19:07 | 0:19:09 | |
Quiet, please, gentlemen. | 0:19:10 | 0:19:12 | |
Ready, Miss Oakley? | 0:19:12 | 0:19:15 | |
Honey, I hope you ain't going to be the cause | 0:19:15 | 0:19:17 | |
of that young man losing his position. | 0:19:17 | 0:19:19 | |
Don't worry, Ma. I ain't going to be. | 0:19:19 | 0:19:21 | |
-Ready. -Throw! | 0:19:29 | 0:19:31 | |
A miss! | 0:19:34 | 0:19:36 | |
-Ready. -Throw! | 0:19:50 | 0:19:52 | |
A hit! | 0:19:53 | 0:19:54 | |
Sister, don't take it too much to heart. | 0:19:59 | 0:20:02 | |
You gave me about as good a match as anybody does. | 0:20:02 | 0:20:05 | |
Thanks, Mr Walker. | 0:20:05 | 0:20:06 | |
You know, you've got possibilities. | 0:20:06 | 0:20:08 | |
It's too bad I won't be around to give you a few pointers. | 0:20:08 | 0:20:11 | |
Come on, Ma, let's go home. | 0:20:16 | 0:20:18 | |
Everybody! Everybody up to the bar! The drinks are on me! | 0:20:22 | 0:20:25 | |
All right, Fritz, it's on me. Beers for everybody. | 0:20:36 | 0:20:40 | |
-Make mine a champagne cocktail. -I'll have champagne, too! | 0:20:40 | 0:20:44 | |
I don't see how she could have lost. | 0:20:59 | 0:21:02 | |
Newt said she tied him shot for shot right up till the very last. | 0:21:03 | 0:21:09 | |
I never knew her to miss a shot before. | 0:21:09 | 0:21:13 | |
You'd better break the news to them, Annie. | 0:21:45 | 0:21:47 | |
I'll keep an eye on the young'uns. | 0:21:47 | 0:21:49 | |
Hello, Annie. | 0:22:07 | 0:22:08 | |
-Howdy, Annie. -Good evening. | 0:22:10 | 0:22:12 | |
I'm going to pay you folks back the money I lost | 0:22:14 | 0:22:16 | |
if it takes a whole winter's shooting. | 0:22:16 | 0:22:18 | |
Oh, forget it, Annie. You done the best you could. | 0:22:18 | 0:22:21 | |
-Sure you did. -You bet. | 0:22:21 | 0:22:23 | |
That's just it, I didn't. | 0:22:23 | 0:22:25 | |
Now, Annie, you don't know what you're saying. | 0:22:25 | 0:22:29 | |
I know, all right, and I'm going to fess up. | 0:22:29 | 0:22:32 | |
I missed that last shot a purpose. | 0:22:32 | 0:22:34 | |
You missed it a purpose?! | 0:22:34 | 0:22:37 | |
Yes, I did. | 0:22:37 | 0:22:38 | |
I couldn't beat that fella. I didn't have the heart to. | 0:22:41 | 0:22:45 | |
He was... | 0:22:45 | 0:22:47 | |
He was just too pretty. | 0:22:47 | 0:22:48 | |
-Hello, Miss Oakley. -Hello. | 0:23:00 | 0:23:02 | |
Mrs Oakley. You know, in all the excitement, | 0:23:02 | 0:23:04 | |
I completely forgot to get that bet of yours covered. | 0:23:04 | 0:23:07 | |
When I remembered, I had to chase all this way to find you. | 0:23:07 | 0:23:10 | |
-Honest, you didn't bet the money? -No, I didn't. | 0:23:10 | 0:23:12 | |
Gee, now I can pay back the boys. | 0:23:12 | 0:23:14 | |
Just a minute. There's something else I wanted to see you about. | 0:23:14 | 0:23:17 | |
Mrs Oakley, this daughter of yours | 0:23:17 | 0:23:18 | |
is one of the finest shots I've ever seen. | 0:23:18 | 0:23:20 | |
We're mighty proud of her. | 0:23:20 | 0:23:22 | |
And we'd be mighty proud to have her with the Buffalo Bill show. | 0:23:22 | 0:23:24 | |
Buffalo Bill? | 0:23:24 | 0:23:26 | |
Yes, you see, I'm a partner of Colonel Cody's. | 0:23:26 | 0:23:28 | |
Well, I hope you ain't suggesting | 0:23:28 | 0:23:29 | |
that Annie go gallivanting around the country | 0:23:29 | 0:23:31 | |
with a lot of cowboys and wild Injuns. | 0:23:31 | 0:23:33 | |
Well, you'd like that, wouldn't you, Annie? | 0:23:33 | 0:23:35 | |
But what would Ma and the kids do without me? | 0:23:35 | 0:23:37 | |
We'd pay you good money. | 0:23:37 | 0:23:39 | |
Just think of it, Annie Oakley in the greatest shooting act in the country, | 0:23:39 | 0:23:43 | |
billed right next to Toby Walker. | 0:23:43 | 0:23:45 | |
You don't mean he's going to be there? | 0:23:45 | 0:23:47 | |
Every day for the next two years, rain or shine. | 0:23:47 | 0:23:51 | |
Mister, it's a deal. | 0:23:51 | 0:23:53 | |
Reckon the first thing you'd better know about this outfit | 0:24:29 | 0:24:31 | |
is how I figure on running it. | 0:24:31 | 0:24:32 | |
This is a real Wild West show | 0:24:32 | 0:24:35 | |
with he-men doing the things they did on the plains. | 0:24:35 | 0:24:37 | |
Now, if you're carrying any sleight of hand up your sleeve, | 0:24:37 | 0:24:40 | |
you'd better forget it. | 0:24:40 | 0:24:42 | |
I want the real, genuine article or nothing | 0:24:42 | 0:24:45 | |
That's what you're getting, Colonel. | 0:24:45 | 0:24:47 | |
And, naturally, I expect to get billed right up there on top. | 0:24:47 | 0:24:50 | |
I don't suppose you'd mind, Walker, | 0:24:50 | 0:24:52 | |
if we put Buffalo Bill's name on the posters, too(?) | 0:24:52 | 0:24:54 | |
Oh, I think that'd be all right. | 0:24:54 | 0:24:57 | |
No hard feelings, Colonel, just a little friendly chat. | 0:24:57 | 0:25:00 | |
-Ach! -What? | 0:25:00 | 0:25:01 | |
Now, you wait here until I break the news to the Colonel. | 0:25:10 | 0:25:13 | |
-I hope he likes me. -How could he help it? | 0:25:13 | 0:25:15 | |
Well, you old horse-thief. About time you turned up. | 0:25:21 | 0:25:24 | |
I'm sorry. I was a little delayed, Bill. | 0:25:24 | 0:25:25 | |
I should think you would be. | 0:25:25 | 0:25:27 | |
Probably ashamed to show your face | 0:25:27 | 0:25:28 | |
after sending me that New York buckaroo. | 0:25:28 | 0:25:30 | |
Who? Toby Walker? Why, he's the greatest shot on earth. | 0:25:30 | 0:25:34 | |
With the exception, maybe, of a gunslinger I've just signed up. | 0:25:34 | 0:25:37 | |
Another one? Well, what's his name? | 0:25:37 | 0:25:39 | |
-Annie. -Annie? | 0:25:40 | 0:25:43 | |
What in tarnation do you think we're running around here, | 0:25:43 | 0:25:45 | |
a danged burlesque? | 0:25:45 | 0:25:47 | |
Calm yourself, Bill. Annie Oakley's as good a shot as any man I ever saw. | 0:25:47 | 0:25:51 | |
Did I hear someone call my name? | 0:25:51 | 0:25:53 | |
Colonel Cody, meet Miss Annie Oakley. | 0:25:53 | 0:25:56 | |
Well, dog my cats! | 0:25:56 | 0:25:59 | |
-How do, little missy? -Howdy. | 0:25:59 | 0:26:01 | |
And, Bill, she shoots as pretty as she looks. | 0:26:01 | 0:26:03 | |
Maybe so, | 0:26:03 | 0:26:04 | |
but I never knowed any woman | 0:26:04 | 0:26:06 | |
could shoot good enough to join this outfit. | 0:26:06 | 0:26:08 | |
They say you're a mighty fine shot yourself, Mr Buffalo Bill. | 0:26:08 | 0:26:13 | |
How much you got says I can't beat you? | 0:26:13 | 0:26:16 | |
Well, bust my buttons, how much you got says you can? | 0:26:16 | 0:26:19 | |
Say, now, hold on, wait a minute. | 0:26:19 | 0:26:21 | |
With a woman who can outshoot most men, | 0:26:21 | 0:26:22 | |
why, she'd soon be the greatest attraction in our show. | 0:26:22 | 0:26:24 | |
Maybe you're right. But how would it look on the billing? | 0:26:24 | 0:26:27 | |
"Buffalo Bill's blood-curdling Wild West show | 0:26:27 | 0:26:31 | |
"with the dainty Annie Oakley." | 0:26:31 | 0:26:33 | |
You know, Bill, you're a downright chicken liver when it comes to women. | 0:26:34 | 0:26:37 | |
No, it ain't that, Jeff. It's... Well, it's the boys. | 0:26:37 | 0:26:41 | |
To tell you the truth, | 0:26:41 | 0:26:43 | |
I ain't got the gumption to go out there and tell them. | 0:26:43 | 0:26:46 | |
Well, you leave that to me. | 0:26:46 | 0:26:48 | |
Boys, now that we're all here... | 0:26:50 | 0:26:53 | |
What I mean is I've brought you all together because... | 0:26:54 | 0:26:59 | |
well, you see... | 0:26:59 | 0:27:01 | |
This is kind of in the nature of an occasion and... | 0:27:02 | 0:27:06 | |
And I... | 0:27:08 | 0:27:09 | |
Well, boys, I want you to... | 0:27:13 | 0:27:16 | |
I really want you to... | 0:27:17 | 0:27:19 | |
You tell them, Jeff. It was your idea. | 0:27:20 | 0:27:22 | |
Well, I've got some good news for you, boys. | 0:27:22 | 0:27:25 | |
The Colonel and I have decided that what this outfit really needs | 0:27:25 | 0:27:27 | |
is an uplifting influence. | 0:27:27 | 0:27:29 | |
And what could be more uplifting than the presence among us | 0:27:29 | 0:27:31 | |
of a fine, high-minded little woman? | 0:27:31 | 0:27:33 | |
Here she is, boys. | 0:27:33 | 0:27:35 | |
The newest member of our happy family, Miss Annie Oakley. | 0:27:35 | 0:27:39 | |
MUTTERING | 0:27:39 | 0:27:41 | |
That's all, boys. | 0:27:45 | 0:27:47 | |
-What could she do in a show like this? -I don't like this, anyway. | 0:27:48 | 0:27:50 | |
Well, I can get a job with Pawnee Bill. | 0:27:50 | 0:27:52 | |
What could a woman do in a show like this? | 0:27:52 | 0:27:54 | |
Come on, Annie. I'll show you the papooses. | 0:27:54 | 0:27:56 | |
Yes, little missy, we're all just one big, happy family. | 0:27:56 | 0:27:59 | |
Here we are. | 0:28:01 | 0:28:03 | |
This way, missy. | 0:28:04 | 0:28:06 | |
Perfume. | 0:28:16 | 0:28:17 | |
Dang it, you smell like Happy Minnie's back in Omaha. | 0:28:18 | 0:28:21 | |
The Colonel's had me out there sleeping with the horses. | 0:28:27 | 0:28:29 | |
Judging from the turnout, I guess you boys see the light. | 0:28:29 | 0:28:33 | |
All right, fellas, what do you say? | 0:28:33 | 0:28:36 | |
-ALL: -Howdy, Miss Oakley. | 0:28:36 | 0:28:38 | |
Well, that sounds mighty good, boys. Now, let me tell you something, | 0:28:38 | 0:28:41 | |
someday you're going to be darn proud to say you knew Annie Oakley. | 0:28:41 | 0:28:44 | |
That's right. Take it from one who knows. | 0:28:44 | 0:28:47 | |
Miss Oakley, I want you to meet that old scallywag Ned Buntline, | 0:28:54 | 0:28:57 | |
-my press agent. -Howdy. | 0:28:57 | 0:28:59 | |
Howdy, little lady. | 0:28:59 | 0:29:00 | |
It's up to you to put her across, Ned. | 0:29:00 | 0:29:03 | |
You might even write her into one of those dime novels | 0:29:09 | 0:29:11 | |
you write about the Colonel there. | 0:29:11 | 0:29:13 | |
Sure thing, if it's all right with the Colonel. | 0:29:13 | 0:29:16 | |
How's this? | 0:29:16 | 0:29:17 | |
When she was just a little tyke, | 0:29:17 | 0:29:19 | |
Bill here saved her from Chief Sitting Bull's redskins. | 0:29:19 | 0:29:22 | |
Sitting Bull? | 0:29:22 | 0:29:23 | |
Why, sure thing, Colonel. | 0:29:23 | 0:29:24 | |
Sitting Bull's worth five cents of any man's dime novel. | 0:29:24 | 0:29:27 | |
The papers say old Bull's in Washington, | 0:29:27 | 0:29:30 | |
calling on the great white father. | 0:29:30 | 0:29:32 | |
We've got to grab him, Jeff. | 0:29:32 | 0:29:34 | |
Great way to start our season if we got him out the opening night. | 0:29:34 | 0:29:38 | |
Not to see the show, to join the show. | 0:29:38 | 0:29:41 | |
Well, that's tall thinking, Bill. | 0:29:41 | 0:29:43 | |
Why drag in a dirty Sioux to mess up a good outfit? | 0:29:43 | 0:29:46 | |
He might forget himself and saw off another massacre. | 0:29:46 | 0:29:49 | |
Surely Mr Bull's learned some manners | 0:29:49 | 0:29:51 | |
since he chawed up General Custer. | 0:29:51 | 0:29:53 | |
Of course he has. | 0:29:53 | 0:29:54 | |
Besides, folks will pay good money to see him. | 0:29:54 | 0:29:57 | |
Out in the woods, maybe, | 0:29:57 | 0:29:59 | |
but as long as you play these eastern spots, | 0:29:59 | 0:30:01 | |
Toby Walker's the lad who will pack your arena. | 0:30:01 | 0:30:04 | |
You can see for yourself, Annie, | 0:30:08 | 0:30:10 | |
you're in the safest possible neighbourhood. | 0:30:10 | 0:30:12 | |
That's where Major Buntline lives, | 0:30:12 | 0:30:14 | |
that's my tent, right next to Colonel Cody's quarters. | 0:30:14 | 0:30:18 | |
And that's where you live. | 0:30:20 | 0:30:22 | |
Oh, a chiffonier! And flowers, too! | 0:30:24 | 0:30:27 | |
Oh, I do want to thank you for everything. | 0:30:28 | 0:30:30 | |
Don't thank me. | 0:30:30 | 0:30:32 | |
Mr Hogarth, then. | 0:30:32 | 0:30:33 | |
Well, I thought a few flowers might help. | 0:30:33 | 0:30:36 | |
Oh, it's wonderful. | 0:30:36 | 0:30:37 | |
Good night, Annie. Sleep tight. | 0:30:37 | 0:30:40 | |
Good night. Good night, Colonel. | 0:30:40 | 0:30:42 | |
Good night, Annie. | 0:30:42 | 0:30:43 | |
Hey, what's this? | 0:30:51 | 0:30:52 | |
Hey, you. Razorback. | 0:30:56 | 0:30:59 | |
What's eating you, Jeff? | 0:30:59 | 0:31:01 | |
Listen... | 0:31:01 | 0:31:02 | |
What's the matter? | 0:31:06 | 0:31:08 | |
Oh, nothing an old bullwhacker like you would understand. Come on. | 0:31:08 | 0:31:12 | |
The main thing for you boys to remember is never get discouraged. | 0:31:13 | 0:31:17 | |
Now, when I think about how I started in that shooting gallery, | 0:31:17 | 0:31:20 | |
nothing seems impossible. | 0:31:20 | 0:31:22 | |
Whenever the boss would go out, | 0:31:22 | 0:31:23 | |
I'd just keep popping away until finally I was... | 0:31:23 | 0:31:26 | |
-the best there was. -ALL: The best there was... | 0:31:26 | 0:31:27 | |
Nope. The best there is. | 0:31:27 | 0:31:29 | |
Whereabouts was this shooting gallery? | 0:31:29 | 0:31:32 | |
The Bowery. | 0:31:32 | 0:31:34 | |
The Bowery! What do you know about that? | 0:31:35 | 0:31:37 | |
A Bowery cowboy! | 0:31:37 | 0:31:39 | |
Boys, I just had to make this jaunt... | 0:31:39 | 0:31:42 | |
..to show you western monkeys how to shoot. | 0:31:43 | 0:31:46 | |
That bronc's begging to be busted. | 0:31:48 | 0:31:51 | |
Hello, cowboy. | 0:31:59 | 0:32:01 | |
Hey, what's going on here? | 0:32:11 | 0:32:13 | |
A little change in the layout, Mr Walker. | 0:32:13 | 0:32:15 | |
Mr Hogarth's fixed you a place all by yourself. | 0:32:15 | 0:32:18 | |
The other side of the buffalo corral. | 0:32:18 | 0:32:20 | |
Well, now, ain't that thoughtful of him? | 0:32:21 | 0:32:24 | |
Well, maybe I shouldn't let them buckaroos | 0:32:30 | 0:32:33 | |
sleep close to these firearms. | 0:32:33 | 0:32:35 | |
One of them might go off and scare my little playmates. | 0:32:35 | 0:32:38 | |
Mr Walker, I've been thinking, | 0:32:45 | 0:32:50 | |
I guess you thought I was sort of fresh coming up to Cincinnati | 0:32:50 | 0:32:52 | |
to shoot against you. | 0:32:52 | 0:32:53 | |
Why, no, kid. What put that idea in your noodle? | 0:32:53 | 0:32:56 | |
Well, I don't know. | 0:32:56 | 0:32:57 | |
You being Toby Walker and famous and all that. | 0:32:57 | 0:33:01 | |
Say, there was the grandest picture of you | 0:33:01 | 0:33:03 | |
on the side of Lem Jordan's store. | 0:33:03 | 0:33:05 | |
-Yeah, was it really good? -Move on, there. | 0:33:05 | 0:33:09 | |
-Who are you talking to? -Mr Hogarth's orders. | 0:33:09 | 0:33:12 | |
-Nobody's to annoy Miss Oakley. -What do you mean, "annoy"? | 0:33:12 | 0:33:15 | |
Nobody ever accused me of annoying a gal when I was talking to her. | 0:33:15 | 0:33:18 | |
Them's the orders, Mr Walker. | 0:33:18 | 0:33:20 | |
Oh, Mr Walker, you know that time up in Cincinnati? | 0:33:23 | 0:33:26 | |
-Yeah. -I let you beat me. | 0:33:26 | 0:33:29 | |
Ah! That's it! | 0:33:45 | 0:33:48 | |
How do you like that, Colonel? | 0:34:10 | 0:34:12 | |
Not bad, Walker. | 0:34:12 | 0:34:14 | |
A little harder than pot-shotting a herd of buffalo, eh, Colonel? | 0:34:14 | 0:34:16 | |
Yeah, and almost as dangerous. | 0:34:16 | 0:34:19 | |
Afraid she don't know how to sell it, Jeff. | 0:34:35 | 0:34:37 | |
Well, she hasn't had a chance yet. | 0:34:37 | 0:34:39 | |
Anyway, you don't see her missing, do you? | 0:34:39 | 0:34:41 | |
No, but she's just a shooting machine. | 0:34:41 | 0:34:44 | |
No colour to her work. | 0:34:44 | 0:34:46 | |
I'll be as sorry as you are, | 0:34:46 | 0:34:48 | |
but I don't think she'll make the grade. | 0:34:48 | 0:34:50 | |
Gosh, that looks just like him. | 0:35:01 | 0:35:03 | |
A little trick I was saving for next year, | 0:35:03 | 0:35:06 | |
but on account of the act I'm doing is going so good, | 0:35:06 | 0:35:08 | |
I'm going to pass it along to you. | 0:35:08 | 0:35:09 | |
That's mighty fine of you, Toby. And I can do it, too. | 0:35:09 | 0:35:12 | |
Sure you can, and here's another one. | 0:35:12 | 0:35:14 | |
You take these and come on down here. | 0:35:14 | 0:35:16 | |
This one's a pippin. | 0:35:20 | 0:35:21 | |
When I say ready, you throw them up high. | 0:35:21 | 0:35:23 | |
-Both of them? -Mm-hm. | 0:35:23 | 0:35:24 | |
Throw them. | 0:35:30 | 0:35:31 | |
I'll bet I can do that, too. | 0:35:40 | 0:35:42 | |
Of course. You can shoot as good as I can. | 0:35:42 | 0:35:44 | |
All you need is colour, showmanship. | 0:35:44 | 0:35:45 | |
Let me try it. | 0:35:45 | 0:35:47 | |
Oh, Colonel! | 0:36:10 | 0:36:12 | |
Get out of here, you darned sneaking coyotes. | 0:36:12 | 0:36:17 | |
Get out of here! | 0:36:17 | 0:36:18 | |
Close, Colonel, but no cigar! | 0:36:21 | 0:36:23 | |
Here you are, Bill. | 0:36:25 | 0:36:27 | |
Dad bob it, Jeff. Why can't I get a haircut? | 0:36:32 | 0:36:34 | |
Well, Bill, that mane of yours is the biggest thing in the show. | 0:36:34 | 0:36:37 | |
You might as well have your head cut off. | 0:36:37 | 0:36:38 | |
What would the President and the rest of the bigwigs say | 0:36:38 | 0:36:40 | |
if you came out like a shorn Samson? | 0:36:40 | 0:36:42 | |
And they're all here today, Bill, | 0:36:42 | 0:36:44 | |
everybody that is anybody in Washington. | 0:36:44 | 0:36:46 | |
That's fine. What about Sitting Bull? | 0:36:46 | 0:36:49 | |
No cause for you to worry. | 0:36:49 | 0:36:50 | |
Ned Buntline's got him out there as big as life in a front box. | 0:36:50 | 0:36:53 | |
Great, Jeff, that's great. | 0:36:53 | 0:36:56 | |
Go ahead now and comb out your curls. | 0:36:56 | 0:36:58 | |
ANNOUNCER: Introducing Ogallala Slim... | 0:36:59 | 0:37:03 | |
and his band of bronco-busting, bull-dogging cowboys. | 0:37:03 | 0:37:07 | |
You'd like being with the show, Chief. Travel all over. | 0:37:27 | 0:37:31 | |
Maybe you'll join, too, Rain-in-the-Face. | 0:37:31 | 0:37:34 | |
How old are you? | 0:37:34 | 0:37:36 | |
-Me? -Yes. | 0:37:36 | 0:37:37 | |
-94. -A spring chicken. | 0:37:37 | 0:37:39 | |
Magnificent, huh? | 0:38:06 | 0:38:08 | |
Rain-in-the-Face, ask Chief Sitting Bull how he likes the show. | 0:38:56 | 0:39:00 | |
What's his nibs saying? | 0:39:06 | 0:39:08 | |
Bull said all show no good like that, he go home. | 0:39:08 | 0:39:12 | |
Thrilling feats of horsemanship by Russian Cossacks. | 0:39:17 | 0:39:20 | |
What was that? | 0:40:33 | 0:40:34 | |
Bull say all show smell bad. | 0:40:34 | 0:40:38 | |
Do you know something? | 0:40:46 | 0:40:47 | |
The Colonel thinks I'm not going to make good. | 0:40:47 | 0:40:49 | |
-Oh, I doubt... -He really does. | 0:40:49 | 0:40:51 | |
I can tell the way he's been looking at me lately. | 0:40:51 | 0:40:53 | |
Listen, will you do like I showed you? | 0:40:53 | 0:40:54 | |
I've been practising. | 0:40:54 | 0:40:56 | |
Introducing the world's greatest rifle shot, | 0:40:56 | 0:41:00 | |
Mr Toby Walker! | 0:41:00 | 0:41:03 | |
Well, wait till you see this one. | 0:41:45 | 0:41:47 | |
He's going to shoot a two-bit piece right out of that fella's fingers. | 0:41:47 | 0:41:50 | |
-What's that? -He said not bad for paleface. | 0:42:06 | 0:42:09 | |
Bull can hit dime. | 0:42:09 | 0:42:11 | |
Introducing one of the country's greatest woman rifle shots, | 0:42:14 | 0:42:20 | |
Miss Annie Oakley! | 0:42:20 | 0:42:23 | |
Boys, throw up five. | 0:42:35 | 0:42:37 | |
Five? You want to ruin the only chance you've got? | 0:42:38 | 0:42:41 | |
I can hit them. | 0:42:41 | 0:42:42 | |
Tell Bull I'll bet he hasn't any squaws that can shoot. | 0:42:42 | 0:42:46 | |
He don't want the squaw shoot, he want the squaw cook. | 0:42:54 | 0:42:58 | |
All right. | 0:43:03 | 0:43:05 | |
Wait a minute. Wait a minute, Chief. Wait a minute. | 0:43:23 | 0:43:25 | |
Will you wait a minute? Don't be scared, Annie. | 0:43:25 | 0:43:28 | |
Bull is just trying to tell you how scrumptious he thinks you are. | 0:43:28 | 0:43:31 | |
Goodness, I thought I was a goner until you grabbed him. | 0:43:31 | 0:43:33 | |
What's the matter, Chief? | 0:43:33 | 0:43:35 | |
Annie, Chief Sitting Bull has just rechristened you Ipawa. | 0:43:41 | 0:43:44 | |
That means "little sure shot". | 0:43:44 | 0:43:45 | |
ANNOUNCER: And now a thrilling battle between the Indians and the cowboys | 0:43:45 | 0:43:50 | |
during an attack on the immigrant train. | 0:43:50 | 0:43:53 | |
He says if you'll do this every day, he'll join the show. | 0:43:56 | 0:43:59 | |
I certainly will if he won't do that again. | 0:43:59 | 0:44:02 | |
Chief, it's a bargain. | 0:44:03 | 0:44:05 | |
Hey, pal, take it easy. This is all in fun. | 0:44:57 | 0:45:00 | |
"Buffalo Bill's trusty rifle barked and another redskin bit the dust. | 0:45:07 | 0:45:12 | |
"Riding like the wind, he swept from the ground the beautiful girl, | 0:45:12 | 0:45:16 | |
"last survivor of the ill-fated wagon train. | 0:45:16 | 0:45:19 | |
"He spurred his mustang to greater speed, | 0:45:19 | 0:45:22 | |
"sending leaden messages of death into the ranks of the foe, | 0:45:22 | 0:45:26 | |
"but the redskins, with fiendish screams, still pursued him. | 0:45:26 | 0:45:31 | |
"Little did the doughty plainsman realise | 0:45:31 | 0:45:34 | |
"that this tiny prairie primrose | 0:45:34 | 0:45:36 | |
"was one day to burgeon into womanhood's fairest flower, | 0:45:36 | 0:45:40 | |
"Annie Oakley." | 0:45:40 | 0:45:42 | |
Ned, you're a genius. | 0:45:42 | 0:45:44 | |
50,000 people will be wanting to see her after reading that. | 0:45:44 | 0:45:47 | |
You know what I'm going to do? | 0:45:47 | 0:45:49 | |
I'm going to bill her right up, name for name, with Toby Walker. | 0:45:49 | 0:45:52 | |
Oh, Colonel! | 0:45:52 | 0:45:53 | |
So, I'm going to be aced out of my own act, huh? | 0:45:53 | 0:45:55 | |
Now, listen, Walker. | 0:45:55 | 0:45:57 | |
Colonel Cody and I are still running this outfit. | 0:45:57 | 0:45:59 | |
Since you're asking for it, I may as well tell you something. | 0:45:59 | 0:46:01 | |
When it comes to draw, you're not quite the biggest thing out. | 0:46:01 | 0:46:04 | |
No wonder, with everybody else getting all the razzle-dazzle. | 0:46:04 | 0:46:07 | |
Taking a green kid and billing her up even with me! | 0:46:07 | 0:46:09 | |
Oh, now, please. | 0:46:09 | 0:46:11 | |
Mr Walker knows I wouldn't do anything to hurt his chances. | 0:46:11 | 0:46:14 | |
You? Hurt my chances? | 0:46:14 | 0:46:15 | |
Not you or anybody else with this troupe. | 0:46:15 | 0:46:17 | |
I'll still be headlining | 0:46:17 | 0:46:19 | |
when the rest of you are working in livery barns. | 0:46:19 | 0:46:21 | |
-Just one big... -.happy family. | 0:46:21 | 0:46:24 | |
Just a minute! Just a minute, Colonel! | 0:46:24 | 0:46:26 | |
There's gold in this domestic crisis. | 0:46:26 | 0:46:28 | |
I can see it on the billboards. | 0:46:28 | 0:46:31 | |
"Toby Walker versus Annie Oakley. | 0:46:31 | 0:46:33 | |
"Male against female. | 0:46:33 | 0:46:35 | |
"A titanic battle of the sexes | 0:46:35 | 0:46:37 | |
"for the rifle championship of the world." | 0:46:37 | 0:46:40 | |
Ned, you're the thinkingest horse thief in history. | 0:46:40 | 0:46:44 | |
40 years in the business and never lost a spangle. | 0:46:44 | 0:46:48 | |
Darned if this don't call for a drink. | 0:46:48 | 0:46:50 | |
Everybody back to my car. | 0:46:50 | 0:46:52 | |
I'm going to break out a bottle of Old Crow. | 0:46:52 | 0:46:56 | |
I'm sorry, Toby. | 0:46:56 | 0:46:58 | |
If it wasn't for you, I wouldn't be with the show. | 0:46:58 | 0:47:00 | |
I don't take it personal, kid. Business is business. | 0:47:00 | 0:47:03 | |
Besides, I enjoy a brush with them hairy-pantsers once in a while. | 0:47:03 | 0:47:06 | |
Don't you worry. You're aces with me. | 0:47:06 | 0:47:09 | |
-Mad, Toby? -No. | 0:47:51 | 0:47:54 | |
Well, you're looking kind of mad. | 0:47:55 | 0:47:57 | |
Got on a new rig, ain't you? Sure looks pretty. | 0:47:59 | 0:48:02 | |
-Gosh, it's funny how things turn out. -Ain't it, though? | 0:48:03 | 0:48:07 | |
It seems like only yesterday I saw your picture on the billboard | 0:48:07 | 0:48:10 | |
and Lem Jordan wanted to tear it down. | 0:48:10 | 0:48:12 | |
Why, the fellow must have been crazy. | 0:48:12 | 0:48:14 | |
He wanted to, but I wouldn't let him. | 0:48:14 | 0:48:16 | |
Well, it's a funny world, | 0:48:18 | 0:48:19 | |
you looking at my picture on the billboard | 0:48:19 | 0:48:22 | |
and thinking I was so gosh-darn grand, | 0:48:22 | 0:48:24 | |
and now you... | 0:48:24 | 0:48:26 | |
now you really got me. | 0:48:26 | 0:48:28 | |
-I got you? -You sure have, Annie. No other girl's got a chance. | 0:48:30 | 0:48:35 | |
But look, we... | 0:48:37 | 0:48:38 | |
Look, we can't let anybody know we're stuck on each other. | 0:48:41 | 0:48:45 | |
It's good show business | 0:48:45 | 0:48:46 | |
if we even let the company think we're unfriendly, | 0:48:46 | 0:48:49 | |
-pretty near enemies. -Oh. | 0:48:49 | 0:48:51 | |
Do you think so? | 0:48:51 | 0:48:53 | |
I know the ins and outs, kid. | 0:48:53 | 0:48:54 | |
People will pay to see us battle each other. | 0:48:54 | 0:48:57 | |
I don't care no more who wins those matches. | 0:48:57 | 0:49:00 | |
-You don't? -No. | 0:49:00 | 0:49:02 | |
I know you can beat me, and I'm proud of you. | 0:49:02 | 0:49:06 | |
Never thought I'd see the day when I could stand that, but now... | 0:49:06 | 0:49:09 | |
Toby, I'm going to tell everybody how wonderful you really are. | 0:49:09 | 0:49:13 | |
Honey, we've got to give the folks who think we hate each other | 0:49:13 | 0:49:16 | |
a run for their money. | 0:49:16 | 0:49:18 | |
Now, remember, you hate me. | 0:49:18 | 0:49:21 | |
Mister, I hate you to pieces. | 0:49:21 | 0:49:24 | |
-Hello, Lem. -I got no time for you today. | 0:49:44 | 0:49:47 | |
Just leaving. | 0:49:47 | 0:49:49 | |
Looks like the whole township's leaving. | 0:49:52 | 0:49:54 | |
-What's going on? Immigrating west? -Immigrating nothing. | 0:49:54 | 0:49:57 | |
We're going to Cincinnati | 0:49:57 | 0:49:58 | |
to see the gal that's making this county famous. | 0:49:58 | 0:50:00 | |
Now I know why they call him Sitting Bull. | 0:50:34 | 0:50:36 | |
I guess he wants us to share the sofa. | 0:50:42 | 0:50:45 | |
Thank you, Chief. | 0:50:51 | 0:50:52 | |
Positively, Chief. | 0:51:00 | 0:51:02 | |
He says you'd make a fine squaw. | 0:51:02 | 0:51:04 | |
You may know pretty near everything, Toby Walker, but not Indian talk. | 0:51:04 | 0:51:08 | |
Anything nice about you, honey, I'd understand in any lingo. | 0:51:08 | 0:51:12 | |
Toby, your tepee. | 0:51:16 | 0:51:19 | |
Annie, your tepee. | 0:51:27 | 0:51:30 | |
I savvy. Two can live in tepee cheap as one. | 0:51:36 | 0:51:40 | |
Look! | 0:51:40 | 0:51:41 | |
Papooses good, too. | 0:51:49 | 0:51:51 | |
Hey, hey, hey, Bull. Take it easy. | 0:51:55 | 0:51:57 | |
That's the best I've heard in two weeks. | 0:52:03 | 0:52:05 | |
Mr MacIvor! How are you? | 0:52:05 | 0:52:07 | |
Well, well, how fine you're looking, Annie. | 0:52:07 | 0:52:10 | |
She hasn't changed much, has she, Mac, | 0:52:10 | 0:52:12 | |
considering the fact that she's become a very famous young lady? | 0:52:12 | 0:52:14 | |
-And didn't I invent her? -Sure you did. | 0:52:14 | 0:52:17 | |
If it wasn't for you, I'd still be quail-shooting down on the farm. | 0:52:17 | 0:52:20 | |
And now, Mac, I want you to meet a new member of our family, | 0:52:20 | 0:52:23 | |
the one and only Sitting Bull. | 0:52:23 | 0:52:25 | |
How. | 0:52:26 | 0:52:28 | |
You won't need that tent, Mr Bull, not while you're in Cincinnati. | 0:52:28 | 0:52:32 | |
Yes, Mac's invited us all to stay at his hotel while we're here. | 0:52:32 | 0:52:34 | |
Oh, how nice. | 0:52:34 | 0:52:35 | |
We're advertising for the MacIvor House. | 0:52:35 | 0:52:38 | |
There'll be customers sleeping on the billiard tables. | 0:52:38 | 0:52:41 | |
Gosh, it'll be great sleeping under a ceiling again. | 0:52:41 | 0:52:44 | |
Ever since I joined this hairy-pants outfit, I... | 0:52:44 | 0:52:46 | |
Walker, if you can't say something pleasant, don't say nothing at all. | 0:52:46 | 0:52:51 | |
I just told this little squirt a thing or two. | 0:52:51 | 0:52:53 | |
I'm getting sick and tired of pulling my shots | 0:52:53 | 0:52:55 | |
-just to make her look good. -Pulling your shots? | 0:52:55 | 0:52:57 | |
Walker, one of these days somebody's going to bust | 0:52:57 | 0:53:00 | |
that gas bag you call your head. | 0:53:00 | 0:53:02 | |
Better cowboys than you have tried it, Colonel. | 0:53:02 | 0:53:04 | |
Why, you lowdown, yapping Bowery puppy! | 0:53:04 | 0:53:08 | |
What this happy family needs is a good spanking. Come on. | 0:53:08 | 0:53:12 | |
Come on, Bull, we'll get your stuff together. | 0:53:20 | 0:53:23 | |
Now, just a minute, gentlemen. | 0:53:25 | 0:53:27 | |
Where do you keep them Indians? | 0:53:28 | 0:53:30 | |
Well, the Indian village is right over there. | 0:53:30 | 0:53:31 | |
In fact, if you'll hurry, you'll find Sitting Bull right at home. | 0:53:31 | 0:53:35 | |
They'll dig him a new home when I get through with him. | 0:53:37 | 0:53:40 | |
Forget it, Dan. Them Indian wars are all over. | 0:53:40 | 0:53:43 | |
Let me alone. | 0:53:43 | 0:53:45 | |
I ain't forgetting that I had | 0:53:45 | 0:53:47 | |
a brother with Custer at Little Big Horn. | 0:53:47 | 0:53:49 | |
Now, you Sioux snake, I'm going to pay you for one of Custer's boys. | 0:53:58 | 0:54:02 | |
Call them off. | 0:54:25 | 0:54:26 | |
You all right, partner? | 0:54:33 | 0:54:36 | |
A little scrap now and then means nothing to you, eh, Bull? | 0:54:36 | 0:54:39 | |
Gosh, I wouldn't have wanted that blast much closer to my peepers. | 0:54:41 | 0:54:46 | |
Well, come on, kid, I'll flag a hansom | 0:54:46 | 0:54:47 | |
and ship you off to a bulletproof hotel room. | 0:54:47 | 0:54:49 | |
Well, young man, it's not as bad as it might have been. | 0:55:02 | 0:55:05 | |
Come on, come on, Doc. How about it? | 0:55:05 | 0:55:07 | |
You're suffering from a form of corneal opacity. | 0:55:07 | 0:55:10 | |
You don't say. | 0:55:10 | 0:55:11 | |
A compressed condition of the optic membrane. But don't worry. | 0:55:11 | 0:55:15 | |
-You'll be able to see reasonably well. -Oh, sure, I can see. | 0:55:15 | 0:55:18 | |
Come in and see me again tomorrow. | 0:55:18 | 0:55:20 | |
In the meantime, go easy with those eyes. | 0:55:20 | 0:55:23 | |
What business are you in? | 0:55:29 | 0:55:30 | |
-Me? I'm Toby Walker. -That doesn't answer my question. | 0:55:30 | 0:55:35 | |
I can see you're not a patron of the theatre, Doc. | 0:55:35 | 0:55:37 | |
-I'm an actor. -Oh, an actor. | 0:55:37 | 0:55:40 | |
Well, you'll be able to go on with your work all right. | 0:55:40 | 0:55:44 | |
-It's lucky you're not a book-keeper. -Yeah... | 0:55:44 | 0:55:47 | |
-Toby, darling! -Well, well, Vera. | 0:55:55 | 0:55:58 | |
You sure look elegant back there with all them explosive stogies. | 0:55:59 | 0:56:02 | |
You don't look pekid yourself. | 0:56:02 | 0:56:03 | |
Oh, I'm all right, I guess. | 0:56:03 | 0:56:05 | |
It was nice of Mac to give you the job here. | 0:56:05 | 0:56:07 | |
Oh, he didn't lose nothing by it. | 0:56:07 | 0:56:09 | |
-The smoke business has perked up some since I took over. -Oh! | 0:56:09 | 0:56:12 | |
Say, tonight's my night off. | 0:56:12 | 0:56:14 | |
How about a little supper after the show, just for old times' sake? | 0:56:14 | 0:56:17 | |
Well, I'd like to, Vera, | 0:56:17 | 0:56:19 | |
but I've got a little business to attend to this evening. | 0:56:19 | 0:56:22 | |
Is that the little business over there? | 0:56:24 | 0:56:27 | |
Tell me, Annie, is it true them Injuns eat D-O-G? | 0:56:32 | 0:56:38 | |
Oh, I know what that spells. That spells "dog". | 0:56:38 | 0:56:41 | |
Hey, I'll see you later. | 0:56:45 | 0:56:47 | |
Do they, Annie? | 0:56:47 | 0:56:49 | |
Well, I don't think so. | 0:56:49 | 0:56:50 | |
Mr Sitting Bull just loves hash. He likes it with molasses. | 0:56:50 | 0:56:54 | |
Oh, here's Toby. | 0:56:55 | 0:56:57 | |
Mr Walker, I want you to meet my mother | 0:56:57 | 0:56:59 | |
and all the folks from down home. | 0:56:59 | 0:57:01 | |
Mrs Oakley, folks, I'm delighted to meet you. | 0:57:01 | 0:57:04 | |
Mac, have you seen the Colonel? | 0:57:04 | 0:57:06 | |
The last I saw of him, he and Mr Hogarth were busy sending telegrams. | 0:57:06 | 0:57:09 | |
-Try and locate him for me, will you? -Aye. | 0:57:09 | 0:57:12 | |
Well, Mr Walker, I reckon you ain't going to win so easy tonight | 0:57:12 | 0:57:16 | |
as you did the last time you shot here. | 0:57:16 | 0:57:18 | |
That's right. | 0:57:18 | 0:57:19 | |
Annie's had a chance to get used to his good looks. | 0:57:19 | 0:57:22 | |
I'm sure you'll see her at her best tonight. | 0:57:24 | 0:57:26 | |
And how about you, Mr Walker? | 0:57:26 | 0:57:28 | |
You know, Annie is a show all by herself. She don't need me at all. | 0:57:28 | 0:57:32 | |
You see, folks what I mean... | 0:57:32 | 0:57:33 | |
You ain't getting cold feet, are ya? | 0:57:33 | 0:57:36 | |
You mustn't mind the folks, Toby. | 0:57:37 | 0:57:39 | |
They're up here from down home to see me, | 0:57:39 | 0:57:42 | |
just like if we were playing New York, | 0:57:42 | 0:57:43 | |
all the people from the Bowery would come to see you. | 0:57:43 | 0:57:46 | |
And we aren't going to disappoint them, are we? | 0:57:46 | 0:57:50 | |
Well, Walker, what's on your mind? | 0:57:50 | 0:57:52 | |
I'm sorry I bothered you, Colonel. | 0:57:54 | 0:57:57 | |
I guess what I wanted to say just sort of slipped my mind. | 0:57:57 | 0:58:00 | |
Fresh buttered popcorn? A bag of popcorn, sir? | 0:58:05 | 0:58:08 | |
It's very bad for you. | 0:58:08 | 0:58:10 | |
Step lively, folks. Count your change before leaving. | 0:58:17 | 0:58:20 | |
Thank you, neighbour. | 0:58:20 | 0:58:22 | |
Step lively, please, and see the big performance, | 0:58:22 | 0:58:25 | |
the big show, Wild West show, a congress of rough riders. | 0:58:25 | 0:58:29 | |
-Get tickets. How many, neighbour? -How much are they? | 0:58:29 | 0:58:33 | |
One dollar and a half, sir. | 0:58:33 | 0:58:34 | |
-Have you any dollars? -We have dollar tickets. Yes, sir. | 0:58:34 | 0:58:37 | |
-How many? -Oh, er... | 0:58:37 | 0:58:39 | |
You're keeping 11,000 people from seeing the show. | 0:58:44 | 0:58:47 | |
Aye. | 0:58:47 | 0:58:48 | |
You know, Vera, the more I think about this... | 0:58:49 | 0:58:52 | |
Now, it isn't the money, | 0:58:52 | 0:58:53 | |
it's poor Colonel Cody's feelings I'm thinking about. | 0:58:53 | 0:58:56 | |
Why, he'd be all broken up if I paid for tickets. | 0:58:56 | 0:58:58 | |
Yeah, the shock would probably floor him. | 0:58:58 | 0:59:00 | |
Well, make up your mind. Step lively, please. Step lively, folks. | 0:59:00 | 0:59:04 | |
-How many, neighbour? -Well... | 0:59:04 | 0:59:07 | |
Give me... | 0:59:10 | 0:59:11 | |
Wait a minute. Wait a minute. | 0:59:11 | 0:59:15 | |
Your money's bogus around here, Mac. Don't you know that? | 0:59:15 | 0:59:19 | |
-I didn't know it was you. -Give me a couple of blues. | 0:59:19 | 0:59:22 | |
Here we are, my friend. A couple of Annie Oakleys. | 0:59:27 | 0:59:31 | |
Step lively, folks. | 0:59:31 | 0:59:33 | |
Annie Oakleys. Oh, that's a bonny name for them. | 0:59:33 | 0:59:36 | |
Two holes, and clean as Annie might have shot them herself. | 0:59:36 | 0:59:39 | |
Just a minute. This is hardly right. | 0:59:40 | 0:59:43 | |
-Oh, go on, go on. -Well, if you insist. | 0:59:43 | 0:59:47 | |
Miss Annie Oakley, the winner. | 1:00:05 | 1:00:08 | |
I am sure Miss Oakley will favour us with an encore. | 1:00:18 | 1:00:23 | |
Is there any brave gentleman in the audience | 1:00:26 | 1:00:29 | |
who would like to have Miss Oakley shoot a cigarette from his mouth | 1:00:29 | 1:00:33 | |
at 30 paces? | 1:00:33 | 1:00:34 | |
I'll do it. | 1:00:42 | 1:00:44 | |
Ladies and gentlemen, proving chivalry is not dead, | 1:00:45 | 1:00:51 | |
Mr Toby Walker will show his faith in the marksmanship | 1:00:51 | 1:00:57 | |
of his fair opponent. | 1:00:57 | 1:00:58 | |
I wish I was making that shot. | 1:01:00 | 1:01:03 | |
Give me a coin. I'll hold it for Toby. | 1:01:19 | 1:01:22 | |
Ladies and gentlemen, | 1:01:25 | 1:01:27 | |
the courage of the fair sex is a match to that of the male. | 1:01:27 | 1:01:31 | |
The little lady will now permit Mr Toby Walker | 1:01:31 | 1:01:34 | |
to shoot a 25-cent piece | 1:01:34 | 1:01:35 | |
out of her hand at the same distance, 30 paces. | 1:01:35 | 1:01:40 | |
Since when did you take over setting my routines? | 1:01:40 | 1:01:42 | |
-Why I only thought... -You're paid to jabber, not to think. | 1:01:42 | 1:01:45 | |
My contract don't call for carrying out your half-wit brainstorms. | 1:01:45 | 1:01:49 | |
Sorry, friends, but Mr Walker seems indisposed to accept the challenge. | 1:01:52 | 1:01:59 | |
Oh, he's scared he'll miss. | 1:01:59 | 1:02:01 | |
Indisposed nothing. He's afraid. | 1:02:01 | 1:02:03 | |
Yeah, he's afraid she'll beat him. | 1:02:03 | 1:02:05 | |
I always did say he didn't have any nerve. | 1:02:05 | 1:02:07 | |
He's trying to queer Annie's act. | 1:02:07 | 1:02:09 | |
What's the matter with you, trying to start a stampede? | 1:02:09 | 1:02:11 | |
Oh, just having a little fun with him, Mr Hogarth. | 1:02:11 | 1:02:13 | |
He's got it coming to him. Any fellow that chicken-livered... | 1:02:13 | 1:02:15 | |
Shut up. I ought to fire the whole lot of you. | 1:02:15 | 1:02:18 | |
He could do it easy. He's just trying to queer the show. | 1:02:18 | 1:02:21 | |
He's got a yellow streak down his back a yard wide. | 1:02:22 | 1:02:25 | |
He aimed to hit her! | 1:02:58 | 1:02:59 | |
-Annie! -Walker, I ought to kill you right here. | 1:03:02 | 1:03:06 | |
There now, honey. We'll have a doctor for you in just a second. | 1:03:06 | 1:03:08 | |
Oh, I'm all right. | 1:03:08 | 1:03:10 | |
Bring on the next act! | 1:03:10 | 1:03:11 | |
Honest, Colonel, I tried... | 1:03:11 | 1:03:13 | |
Walker, I'm giving you ten minutes to pack up and get off the grounds. | 1:03:13 | 1:03:15 | |
That suits me fine, but first I'm going to see Annie. | 1:03:15 | 1:03:17 | |
She don't want no part of you. | 1:03:17 | 1:03:19 | |
This is my fault. I should have thrown him out a long time ago. | 1:03:21 | 1:03:23 | |
He didn't mean to do it. I know he didn't. | 1:03:23 | 1:03:24 | |
Oh, yes, he did. He deliberately hit you in the shooting hand. | 1:03:24 | 1:03:26 | |
Oh, he wouldn't try to hurt anybody. You don't understand him. | 1:03:26 | 1:03:29 | |
Rustle him out of here, boys. | 1:03:29 | 1:03:31 | |
-I've got to see him. -Come on, Annie, we'll see the doctor. | 1:03:33 | 1:03:35 | |
ANNOUNCER: Presenting riders of all nations in revue! | 1:03:35 | 1:03:39 | |
Well, Doctor, what's the verdict? | 1:03:57 | 1:03:58 | |
No tendons severed. She'll be all right. | 1:03:58 | 1:03:59 | |
-To shoot? -Oh, yes, it's not really serious | 1:03:59 | 1:04:02 | |
if she takes care of her hand for a few weeks. | 1:04:02 | 1:04:04 | |
Better let Annie rest now, folks. | 1:04:04 | 1:04:06 | |
Please stop fussing over me and tell me where Toby is. | 1:04:06 | 1:04:09 | |
-Now, now, now, now. -You children, run out in the hall and play. | 1:04:09 | 1:04:12 | |
But I want him. Why isn't he here? | 1:04:12 | 1:04:13 | |
You mustn't upset yourself, Miss Oakley. Please try to rest. | 1:04:13 | 1:04:16 | |
But I can't rest until I find what's become of him. | 1:04:16 | 1:04:19 | |
It doesn't hurt a bit any more. | 1:04:19 | 1:04:21 | |
You're all keeping him away from me. | 1:04:22 | 1:04:23 | |
Now, honey, you mustn't have any more truck with that... | 1:04:23 | 1:04:27 | |
He didn't mean to do it. | 1:04:27 | 1:04:29 | |
He's sweet and kind. | 1:04:29 | 1:04:31 | |
You don't understand him. | 1:04:33 | 1:04:35 | |
-None of you do. -Annie, please. | 1:04:35 | 1:04:37 | |
You never gave him a chance from the first day you saw him. | 1:04:37 | 1:04:40 | |
Well, I'll tell you something, | 1:04:40 | 1:04:41 | |
he's better than the whole bunch of you put together. | 1:04:41 | 1:04:44 | |
There, there, precious, everything will be all right. | 1:04:44 | 1:04:46 | |
Now, don't you worry, little missy. | 1:04:46 | 1:04:48 | |
We're going to have you right as rain in just a few days. | 1:04:48 | 1:04:52 | |
-Good night, Annie. -Boys, if you don't mind... | 1:04:52 | 1:04:55 | |
Bye. | 1:04:57 | 1:04:58 | |
-You're going to be fit as a fiddle, Annie. -Good night, Annie. | 1:05:00 | 1:05:03 | |
-Goodbye, Doctor. -Good night. | 1:05:03 | 1:05:05 | |
There, there, baby. | 1:05:09 | 1:05:11 | |
Try to get some sleep. | 1:05:11 | 1:05:13 | |
I'll be along in a minute, Mrs Oakley. | 1:05:15 | 1:05:18 | |
It wasn't his fault. I know it wasn't. If I could only talk to him. | 1:05:22 | 1:05:26 | |
Annie, dear, you're just a kid. | 1:05:26 | 1:05:28 | |
You've got to believe in the people who really love you, | 1:05:28 | 1:05:31 | |
and the sooner you forget about him, the better. | 1:05:31 | 1:05:34 | |
But I'm not going to forget about him. | 1:05:34 | 1:05:36 | |
Try to get some sleep. | 1:05:38 | 1:05:40 | |
Toby! | 1:05:47 | 1:05:48 | |
Honey, your hand, honest, I... | 1:05:48 | 1:05:52 | |
It's nothing. Nothing, now that you're here. | 1:05:52 | 1:05:55 | |
They're saying I done it on purpose. | 1:05:55 | 1:05:57 | |
There's something I've got to tell you, Annie. | 1:05:57 | 1:05:58 | |
-You've said enough already, Walker. -Please, Jeff. | 1:05:58 | 1:06:00 | |
I'm sorry, Annie. You may hate me for this | 1:06:00 | 1:06:02 | |
but tonight he'll do his talking to me. | 1:06:02 | 1:06:04 | |
I've got nothing to say to you, Hogarth. | 1:06:04 | 1:06:07 | |
What did you want to tell me, Toby? | 1:06:07 | 1:06:09 | |
The less you say, the better, Walker. | 1:06:09 | 1:06:10 | |
But I've got something to tell you. | 1:06:10 | 1:06:12 | |
You're going to clear out of this kid's life. | 1:06:12 | 1:06:14 | |
I see, trying to fix it up for yourself, huh? | 1:06:14 | 1:06:17 | |
You know that isn't so. | 1:06:17 | 1:06:19 | |
I think Annie knows that her happiness is all that matters to me, | 1:06:19 | 1:06:22 | |
to everybody in this show except you. | 1:06:22 | 1:06:24 | |
What have you got to offer? | 1:06:24 | 1:06:25 | |
A selfish, swelled head and a future that's behind you. | 1:06:25 | 1:06:29 | |
Maybe you're right. | 1:06:32 | 1:06:34 | |
Toby, you know I don't believe that. | 1:06:34 | 1:06:36 | |
-Goodbye. -Toby! | 1:06:39 | 1:06:40 | |
Now, now, now. | 1:06:42 | 1:06:44 | |
I'm going to run along and let you get some rest. | 1:06:47 | 1:06:51 | |
You mustn't be too hurt about this. | 1:06:51 | 1:06:53 | |
You'll find that a fellow like that is pretty easy to forget. | 1:06:53 | 1:06:57 | |
Well, I guess I'll let you get a little sleep, Chief. | 1:07:06 | 1:07:09 | |
Good night. | 1:07:12 | 1:07:13 | |
Good night. | 1:07:18 | 1:07:20 | |
-KNOCK ON DOOR -Come in. | 1:07:52 | 1:07:54 | |
Hello. | 1:07:58 | 1:07:59 | |
I thought you might need a little cheering up. | 1:08:01 | 1:08:05 | |
You're wasting your time, kid. | 1:08:05 | 1:08:07 | |
The great Toby Walker is on the skids. | 1:08:07 | 1:08:10 | |
Don't let them sell you that, Toby. | 1:08:12 | 1:08:14 | |
Why, we could put the old vaudeville act together again | 1:08:14 | 1:08:16 | |
and play to standing room only. | 1:08:16 | 1:08:19 | |
I'm all played out, Vera. You've got a good job. Hang on to it. | 1:08:19 | 1:08:22 | |
Oh, that. Listen, Toby, what you need is a little romping. | 1:08:22 | 1:08:26 | |
I'm going to take you out and show you the town. | 1:08:26 | 1:08:28 | |
Toby? | 1:08:31 | 1:08:33 | |
Well, well, if it ain't little dead-eye. | 1:08:33 | 1:08:35 | |
Maybe you'd like to join us. | 1:08:35 | 1:08:37 | |
We're just going out and paint the town. | 1:08:37 | 1:08:40 | |
Toby, I've got to talk to you. | 1:08:40 | 1:08:42 | |
Your friend Hogarth was right. There's been enough said already. | 1:08:42 | 1:08:45 | |
-But... -Listen, dead-eye, why don't you quit pounding this man? | 1:08:45 | 1:08:48 | |
You ain't done him a nickel's worth of good. | 1:08:48 | 1:08:50 | |
Ever since he first seen you, | 1:08:50 | 1:08:51 | |
he's had one piece of rotten luck after the other. | 1:08:51 | 1:08:53 | |
-Vera! -Ain't you satisfied | 1:08:53 | 1:08:54 | |
with the way you got him messed up now? | 1:08:54 | 1:08:57 | |
Just busting with the juices of human kindness, ain't you? | 1:09:12 | 1:09:16 | |
Well, I guess you helped me do her a favour, at that. | 1:09:16 | 1:09:19 | |
Well, so long, my little sugar plum. | 1:09:20 | 1:09:23 | |
So long? I thought we was going to paint the town. | 1:09:23 | 1:09:27 | |
The Bill show's celebrating with the rip-snortingest blowout | 1:09:27 | 1:09:29 | |
this old town's ever had! | 1:09:29 | 1:09:31 | |
Bill, don't bother Annie tonight. Wait and tell her in the morning. | 1:09:31 | 1:09:33 | |
Why, this will do her more good than a barrel of medicine. | 1:09:33 | 1:09:35 | |
Don't be such a bluenose, Jeff. | 1:09:35 | 1:09:37 | |
You'd have the poor kid thinking there wasn't no Santa Claus. | 1:09:37 | 1:09:40 | |
Annie! Annie! | 1:09:40 | 1:09:42 | |
Well, missy, we've got great news, | 1:09:49 | 1:09:51 | |
and you're going to be the first to hear it. | 1:09:51 | 1:09:53 | |
Buffalo Bill's Wild West show with the one and only Annie Oakley | 1:09:53 | 1:09:57 | |
is breaking camp for a tour of Europe. | 1:09:57 | 1:10:00 | |
-Europe? -That's right. | 1:10:00 | 1:10:01 | |
Why, Annie, you'll have kings and queens | 1:10:01 | 1:10:03 | |
throwing their crowns in the air. | 1:10:03 | 1:10:04 | |
But right now, you're going to help us celebrate. | 1:10:04 | 1:10:06 | |
Champagne for the boys, | 1:10:06 | 1:10:08 | |
but for Annie Oakley, a big bottle of sarsaparilla. | 1:10:08 | 1:10:11 | |
-Come on, Annie. -Would... | 1:10:11 | 1:10:14 | |
Would you mind very much if I didn't come to your party? | 1:10:15 | 1:10:18 | |
Why, no, no. Of course we wouldn't mind. Come on, Bill. | 1:10:18 | 1:10:22 | |
I guess I'm just an old blundering fool. | 1:10:25 | 1:10:29 | |
-Your little hand. You must... -My hand's all right. | 1:10:29 | 1:10:33 | |
-Come on. Good night, Annie. -Good night. | 1:10:33 | 1:10:35 | |
Good night, missy. | 1:10:35 | 1:10:37 | |
What's this? | 1:11:28 | 1:11:30 | |
Here. Gas. | 1:11:32 | 1:11:34 | |
-Chief! -He's been shooting out the lights. | 1:11:34 | 1:11:35 | |
-Of all the unmitigated nerve... -What happened to you? | 1:11:35 | 1:11:38 | |
All right, all right, all right. Never mind, never mind. | 1:11:38 | 1:11:41 | |
Don't you worry. Don't you worry, Mac. I'll pay all the damage. | 1:11:41 | 1:11:44 | |
The Chief can shoot up all the hotels he wants tonight. | 1:11:44 | 1:11:47 | |
We're celebrating, Mac. We're celebrating! | 1:11:47 | 1:11:49 | |
Annie, you're to be presented to the Czar and the Czarina. | 1:12:14 | 1:12:19 | |
Your Majesty, may I present to you Miss Oakley? | 1:12:19 | 1:12:22 | |
Annie, I'm afraid you just never will learn about crowned heads. | 1:12:29 | 1:12:32 | |
You're supposed to always take the gentleman's hand first | 1:12:32 | 1:12:34 | |
and kiss it, not shake it. | 1:12:34 | 1:12:36 | |
And I shook hands first with the Czarina. | 1:12:36 | 1:12:38 | |
Gosh, I suppose that was terrible. | 1:12:38 | 1:12:40 | |
No, no, you were just yourself. | 1:12:40 | 1:12:42 | |
That's why we all love you. | 1:12:42 | 1:12:44 | |
I love you all, too, | 1:12:44 | 1:12:45 | |
Colonel Cody and Mr Buntline and Buck, Jim and Sam... | 1:12:45 | 1:12:50 | |
Hey, now, wait a minute. What about a fellow named Hogarth? | 1:12:50 | 1:12:53 | |
You're first on the list, Jeff. I thought you knew that. | 1:12:53 | 1:12:56 | |
First in the show or first everywhere? | 1:12:56 | 1:12:59 | |
Oh, Annie, I know I'm not your idea of something romantic, | 1:13:00 | 1:13:03 | |
but I can't help it if I love you, if that counts for anything. | 1:13:03 | 1:13:07 | |
Wait a minute, wait a minute. I see it all in the crystal ball. | 1:13:07 | 1:13:11 | |
Madam, I see a blond villain hovering about you. | 1:13:13 | 1:13:16 | |
He seems to have designs on your future. | 1:13:18 | 1:13:21 | |
I see him pursuing you to Germany. | 1:13:21 | 1:13:23 | |
Annie, His Highness Crown Prince Wilhelm wants to ask you something. | 1:13:39 | 1:13:41 | |
Is it true, Fraulein Oakley, | 1:13:41 | 1:13:43 | |
that you are able to shoot a cigarette from a person's mouth? | 1:13:43 | 1:13:45 | |
-Yes. -Very well. You will shoot one from mine. | 1:13:45 | 1:13:49 | |
But kindly do not muss the Schnurrbart. | 1:13:49 | 1:13:52 | |
For heaven's sake, be careful, Annie. | 1:13:58 | 1:14:00 | |
This fellow has to be Kaiser some day. | 1:14:00 | 1:14:01 | |
Gosh, an inch the wrong way might change the history books. | 1:14:01 | 1:14:05 | |
Oh, gosh, that spring breeze smells wonderful. | 1:14:08 | 1:14:11 | |
Madam, do you realise that at this moment it's spring in New York, too? | 1:14:11 | 1:14:14 | |
-I was thinking of that. -Yeah. | 1:14:14 | 1:14:17 | |
Just about this time a man named Anson's come on from Chicago | 1:14:17 | 1:14:20 | |
and hit at least four home runs, | 1:14:20 | 1:14:23 | |
the organ grinders are tuning up their hurdy-gurdies, | 1:14:23 | 1:14:25 | |
the little girls are maypole dancing in Central Park, | 1:14:25 | 1:14:28 | |
and the new bock beer is foaming at Luchow's. | 1:14:28 | 1:14:31 | |
Every time they broach a keg, Annie, they ring a gong. | 1:14:31 | 1:14:36 | |
That, my darling, is when you know it is spring. | 1:14:36 | 1:14:38 | |
Gosh. And down home in Ohio, the buds are coming out on the trees, | 1:14:38 | 1:14:42 | |
and the bluebirds are wondering why they ever went away. | 1:14:42 | 1:14:46 | |
I guess spring is the time to make you think of far away and long ago. | 1:14:46 | 1:14:50 | |
It was spring the first time I went up to Cincinnati to shoot against... | 1:14:51 | 1:14:55 | |
Cheer up, Annie, you're not the only one who's homesick. | 1:14:57 | 1:15:01 | |
Why, dog my cats, in exactly two weeks and four days, | 1:15:01 | 1:15:05 | |
the Buffalo Bill Wild West show | 1:15:05 | 1:15:07 | |
will be putting on the dad-bustedest parade | 1:15:07 | 1:15:10 | |
up Fifth Avenue that was ever gawked at by man or critter. | 1:15:10 | 1:15:14 | |
I'm leaving the show when we get to New York. | 1:15:14 | 1:15:16 | |
Annie! | 1:15:16 | 1:15:17 | |
Oh, I'm not happy, Jeff. | 1:15:17 | 1:15:19 | |
It's still Toby, isn't it? | 1:15:21 | 1:15:23 | |
I guess it's human nature | 1:15:26 | 1:15:27 | |
to fight for anything we love, isn't it, Annie? | 1:15:27 | 1:15:30 | |
I guess so. | 1:15:30 | 1:15:32 | |
But we don't always win. | 1:15:33 | 1:15:35 | |
No, we don't always win. | 1:15:36 | 1:15:38 | |
Here's something I should have given you a long time ago. | 1:15:44 | 1:15:48 | |
Oh, I know what you must be thinking of me. | 1:16:02 | 1:16:03 | |
Oh, I'm only thinking of one thing, Jeff. We've got to find him. | 1:16:03 | 1:16:07 | |
We will. | 1:16:10 | 1:16:11 | |
Step right up, ladies and gents, | 1:16:40 | 1:16:42 | |
and take a lesson from the champ shot. | 1:16:42 | 1:16:44 | |
Never beat in any contest anywhere by any living man. | 1:16:44 | 1:16:48 | |
Say, Charlie, if the champ is such a razzmatazz, | 1:16:53 | 1:16:56 | |
how come he don't never do no shooting? | 1:16:56 | 1:16:58 | |
It's the lamps, the lamps. | 1:16:58 | 1:17:00 | |
Holy gee! Annie Oakley. | 1:17:07 | 1:17:09 | |
Gosh, and the Buffalo Bill show is coming here next Monday. | 1:17:09 | 1:17:12 | |
Hey, mister, do you know Annie Oakley? | 1:17:12 | 1:17:15 | |
Son, I knew her way back when. | 1:17:17 | 1:17:22 | |
Sure, he knew them all. | 1:17:22 | 1:17:23 | |
Annie Oakley, Sarah Bernhardt, Mrs Astor's horse, Bessie... | 1:17:23 | 1:17:27 | |
Yeah, you... | 1:17:27 | 1:17:28 | |
Introducing a congress of the world's roughest riders. | 1:17:49 | 1:17:55 | |
First, a group of Sioux Indians. | 1:17:55 | 1:17:58 | |
Next, Crow Indians, Cherokees, | 1:17:58 | 1:18:02 | |
Cheyenne, Blackfeet and Arapaho. | 1:18:02 | 1:18:07 | |
Cowboys from Montana, from Wyoming, | 1:18:07 | 1:18:11 | |
from Oklahoma Territory, from Colorado, from Dakota. | 1:18:11 | 1:18:16 | |
Mexicans from old Mexico, | 1:18:16 | 1:18:18 | |
Russian Cossacks from the steppes of Russia. | 1:18:18 | 1:18:22 | |
And the South American gauchos. | 1:18:22 | 1:18:25 | |
And a troop of the United States Cavalry. | 1:18:25 | 1:18:30 | |
And now, introducing Colonel WF Cody, | 1:18:37 | 1:18:43 | |
Buffalo Bill! | 1:18:43 | 1:18:45 | |
Well, dog my cats. | 1:18:59 | 1:19:01 | |
Annie, did you see that crowd? | 1:19:03 | 1:19:05 | |
Why, half of New York's out there tonight. | 1:19:05 | 1:19:07 | |
Do you think Toby might be out there? Do you think he'd come? | 1:19:07 | 1:19:10 | |
Now, don't you worry about finding him, honey. | 1:19:10 | 1:19:12 | |
Today, your Uncle Jeff took it on himself | 1:19:12 | 1:19:14 | |
to engage the Pinkertons to locate him. | 1:19:14 | 1:19:16 | |
Jeff, you're real. | 1:19:16 | 1:19:17 | |
Ladies and gentlemen, | 1:19:17 | 1:19:19 | |
it is my pleasure personally to introduce that little lady | 1:19:19 | 1:19:24 | |
who has played before all the crowned heads of Europe, | 1:19:24 | 1:19:28 | |
the greatest shooting star the world has ever known, | 1:19:28 | 1:19:32 | |
Annie Oakley! | 1:19:32 | 1:19:34 | |
Can I borrow your glasses? | 1:19:49 | 1:19:51 | |
Wild West, are you ready? | 1:20:03 | 1:20:06 | |
Poor Little Sure Shot. She's always so sad. | 1:20:22 | 1:20:27 | |
We present that world-famous, thrilling spectacle, | 1:20:44 | 1:20:49 | |
the Indian attack on the Deadwood stage, | 1:20:49 | 1:20:52 | |
featuring the one and only Chief Sitting Bull! | 1:20:52 | 1:20:58 | |
Toby! Toby! | 1:21:51 | 1:21:54 | |
What's the matter? Couldn't you get in? | 1:23:12 | 1:23:14 | |
I saw all I wanted to see. | 1:23:14 | 1:23:16 | |
Well, that's fine. | 1:23:16 | 1:23:17 | |
Then you can help handle the trade, of which there ain't none. | 1:23:17 | 1:23:21 | |
Introducing an aggregation of the outstanding horsemen of the world, | 1:24:12 | 1:24:19 | |
brought for your entertainment from the four corners of the earth. | 1:24:19 | 1:24:24 | |
Military riders, representative of all nations. | 1:24:24 | 1:24:29 | |
And last, the United States Cavalry! | 1:24:31 | 1:24:35 | |
Annie, I found Toby. | 1:24:55 | 1:24:57 | |
-Chief, where is he? -Come quick. | 1:24:57 | 1:24:59 | |
I will take you. | 1:24:59 | 1:25:01 | |
Gee, Toby, did you honestly know Annie Oakley? | 1:25:30 | 1:25:33 | |
Did I know her? | 1:25:35 | 1:25:36 | |
Did he know her(?) | 1:25:36 | 1:25:38 | |
Six shots for a dime, ten cents. | 1:25:41 | 1:25:43 | |
Step up and try your luck over here. Here, over here. | 1:25:43 | 1:25:46 | |
But, Toby, we ain't got no dime. | 1:25:46 | 1:25:49 | |
All right. | 1:25:51 | 1:25:52 | |
Here you are. You kids can have three apiece. | 1:25:53 | 1:25:55 | |
But hurry up before the boss gets back. | 1:25:55 | 1:25:57 | |
Let's see you hit something, for a change. | 1:25:57 | 1:25:59 | |
Annie! | 1:26:15 | 1:26:16 | |
Toby! | 1:26:16 | 1:26:17 | |
Gosh, it's her! | 1:26:20 | 1:26:21 | |
Did I know Annie Oakley? | 1:26:26 | 1:26:28 |