Browse content similar to The Box. Check below for episodes and series from the same categories and more!
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This film contains some violent scenes | 0:00:02 | 0:00:09 | |
DOORBELL RINGS | 0:01:18 | 0:01:20 | |
DOORBELL RINGS | 0:01:36 | 0:01:38 | |
You hear something? | 0:01:41 | 0:01:43 | |
It's the doorbell. | 0:01:43 | 0:01:45 | |
-Are you sure? -Mm-hmm. | 0:01:46 | 0:01:48 | |
What time is it? | 0:01:49 | 0:01:51 | |
Quarter to six. | 0:01:55 | 0:01:57 | |
-What is it? -Someone left a box. | 0:02:49 | 0:02:52 | |
Who? | 0:02:52 | 0:02:53 | |
I don't know. There was a car and they just drove off. | 0:02:53 | 0:02:56 | |
Did Santa come early this year? | 0:02:56 | 0:02:59 | |
I guess we're up. | 0:03:04 | 0:03:05 | |
You never really believed in Santa Claus, did you? | 0:03:11 | 0:03:13 | |
Not really. You should've come up with a better story | 0:03:13 | 0:03:16 | |
than a fat guy coming down the chimney. | 0:03:16 | 0:03:17 | |
-It's so illogical. -And illegal. | 0:03:17 | 0:03:19 | |
It's breaking and entering. | 0:03:19 | 0:03:21 | |
What kind of car was it? | 0:03:23 | 0:03:26 | |
Well, it was black. | 0:03:26 | 0:03:28 | |
-OK. -Why would they just drive off? | 0:03:30 | 0:03:32 | |
I don't know, sweetheart. | 0:03:34 | 0:03:35 | |
Get the box. | 0:03:38 | 0:03:39 | |
What is it? | 0:03:42 | 0:03:43 | |
Never seen anything like it before in my life. | 0:03:46 | 0:03:48 | |
Well, you need a key to open it. | 0:03:48 | 0:03:50 | |
There's a note. | 0:03:54 | 0:03:55 | |
Looks like a wedding invitation. | 0:03:57 | 0:03:59 | |
Is it some sort of bridesmaid gift from the Powells? | 0:04:00 | 0:04:02 | |
"Mr Steward will call upon you at 5pm." | 0:04:04 | 0:04:07 | |
Do you know a Mr Steward? | 0:04:08 | 0:04:10 | |
I don't. Do you? | 0:04:10 | 0:04:12 | |
-It's snowing. -It won't stick. | 0:04:49 | 0:04:52 | |
Hey. PB and J. | 0:04:52 | 0:04:53 | |
-Did you cut the bread into squares? -Of course, like always. | 0:04:53 | 0:04:56 | |
Well, don't do that. Squares are for babies. | 0:04:56 | 0:04:59 | |
-Hey, Mrs Lewis. -Hi, Mrs Lewis. | 0:04:59 | 0:05:00 | |
Morning, boys. | 0:05:00 | 0:05:02 | |
Feel free to call me Norma. Mrs Lewis makes me feel old. | 0:05:02 | 0:05:05 | |
You are old. | 0:05:06 | 0:05:07 | |
I'm only 35. | 0:05:07 | 0:05:09 | |
Yeah, to us, that's old. | 0:05:09 | 0:05:11 | |
You're kind of a geezer. | 0:05:11 | 0:05:13 | |
You'll be a geezer one day too, Mr Smarty-Pants. | 0:05:13 | 0:05:16 | |
Why does the bus stop have to be in the front of my driveway? | 0:05:17 | 0:05:21 | |
So I can watch my little Walter get on the bus safe, in one piece. | 0:05:21 | 0:05:25 | |
Please go inside, you're embarrassing me. | 0:05:25 | 0:05:27 | |
-My love embarrasses you? -Yes, it does. | 0:05:27 | 0:05:29 | |
What if I give my big strong Walter a big hug and a kiss... | 0:05:29 | 0:05:32 | |
right before he gets on the bus? | 0:05:32 | 0:05:34 | |
-Do it, do it! -Mom, get off. | 0:05:34 | 0:05:37 | |
Bye, Walter. See you boys later. | 0:05:39 | 0:05:42 | |
-RADIO: -"..will not be a year of politics as usual. | 0:05:57 | 0:06:00 | |
"It can be a year of inspiration and hope..." | 0:06:02 | 0:06:05 | |
Little early for a midlife crisis, don't you think? | 0:06:05 | 0:06:09 | |
So, who's Mr Steward? | 0:06:09 | 0:06:11 | |
I have no idea. | 0:06:13 | 0:06:15 | |
Is it someone from school? | 0:06:15 | 0:06:17 | |
I don't know. | 0:06:17 | 0:06:20 | |
Is it your secret lover? | 0:06:20 | 0:06:22 | |
I hate you. | 0:06:22 | 0:06:24 | |
I hate you too. | 0:06:24 | 0:06:26 | |
Three strangers trapped in a room for all eternity. | 0:06:42 | 0:06:47 | |
Each wanting something from the other. | 0:06:47 | 0:06:50 | |
A wish unfulfilled. | 0:06:50 | 0:06:54 | |
This is Sartre's vision of hell. | 0:06:54 | 0:06:57 | |
Hell is other people. | 0:06:57 | 0:06:59 | |
Yes. Hell is other people seeing you for who you truly are. | 0:06:59 | 0:07:05 | |
So, what does this mean for Estelle? | 0:07:05 | 0:07:08 | |
It means she's going to rot in hell. | 0:07:08 | 0:07:11 | |
She's a slut who married for money and killed her baby. | 0:07:11 | 0:07:14 | |
It's slightly more complicated than that, Charles. | 0:07:15 | 0:07:20 | |
See, she was poor and married into money to save her family. | 0:07:20 | 0:07:24 | |
What happened to your foot? | 0:07:24 | 0:07:25 | |
I beg your pardon? | 0:07:29 | 0:07:31 | |
I've seen you limp. | 0:07:31 | 0:07:33 | |
Did something happen to your foot? | 0:07:33 | 0:07:35 | |
Can we see it? | 0:07:39 | 0:07:41 | |
-My foot? -Yeah. | 0:07:41 | 0:07:44 | |
Can we see what it looks like? | 0:07:44 | 0:07:46 | |
-Why don't you just shut up? -Yeah, come on. | 0:07:46 | 0:07:50 | |
What? Are you embarrassed? | 0:07:50 | 0:07:53 | |
SCHOOL BELL RINGS | 0:08:27 | 0:08:31 | |
Remember, everyone, essays are due tomorrow. | 0:08:41 | 0:08:44 | |
Whether life has begun or not | 0:09:08 | 0:09:11 | |
it is critical to our concept of chemical evolution | 0:09:11 | 0:09:14 | |
to determine the path of carbon chemistry. | 0:09:14 | 0:09:18 | |
Mars offers the first opportunity | 0:09:18 | 0:09:20 | |
to gain another perspective in the cosmic history | 0:09:20 | 0:09:24 | |
of planetary chemistry. | 0:09:24 | 0:09:26 | |
-Are there any questions? -What's the next step?! | 0:09:26 | 0:09:29 | |
Yes, in the back. Rhonda. | 0:09:29 | 0:09:32 | |
Yes. Can you elaborate on the soil tests? | 0:09:32 | 0:09:35 | |
The gas exchange experiment measures the production | 0:09:36 | 0:09:39 | |
or uptake of CO2, nitrogen... | 0:09:39 | 0:09:42 | |
methane, hydrogen and oxygen... | 0:09:42 | 0:09:45 | |
during the incubation of the Martian soil sample. | 0:09:45 | 0:09:48 | |
Why is the National Security Agency involved? | 0:09:48 | 0:09:50 | |
The NSA? | 0:09:53 | 0:09:54 | |
Yes, Martin Teague, deputy director of the NSA is here in Langley. | 0:09:54 | 0:09:59 | |
Why is the NSA here at Langley? | 0:09:59 | 0:10:00 | |
Would you tell us about tests...? | 0:10:00 | 0:10:02 | |
Would an ancient Martian civilization have left something behind? | 0:10:02 | 0:10:05 | |
Sorry, I have no comment on that, but I thank you for the information, Rhonda. Any other questions? | 0:10:05 | 0:10:10 | |
If we find water beneath the surface... | 0:10:11 | 0:10:13 | |
and the orbiter photos of Utopia Planitia | 0:10:13 | 0:10:15 | |
indicate there were once rivers on the surface of the planet... | 0:10:15 | 0:10:19 | |
it's quite possible we'll eventually find evidence of life. | 0:10:19 | 0:10:21 | |
And who are you? | 0:10:21 | 0:10:23 | |
Arthur Lewis. I used to work in the optics lab. | 0:10:23 | 0:10:25 | |
I helped design the camera. | 0:10:25 | 0:10:27 | |
-There in the back. -If NASA continues funding... | 0:10:27 | 0:10:31 | |
In your short time with us, | 0:10:31 | 0:10:33 | |
you've really become part of our family here at Libby Hill. | 0:10:33 | 0:10:36 | |
That's why it's so difficult to tell you this. | 0:10:36 | 0:10:39 | |
We've cancelled the faculty tuition discount. | 0:10:41 | 0:10:45 | |
Starting when? | 0:10:51 | 0:10:53 | |
Next semester. | 0:10:53 | 0:10:54 | |
I'm real sorry about this, Norma. | 0:10:58 | 0:11:03 | |
I know you are. | 0:11:03 | 0:11:05 | |
Your nose is bleeding. | 0:11:08 | 0:11:10 | |
Why does your mom limp? | 0:11:29 | 0:11:31 | |
None of your business. | 0:11:31 | 0:11:33 | |
-So, what are you going to do? -I don't know. | 0:11:35 | 0:11:38 | |
We're already living paycheck to paycheck. | 0:11:38 | 0:11:41 | |
Well, what does Arthur think? | 0:11:41 | 0:11:43 | |
He doesn't know yet. | 0:11:43 | 0:11:45 | |
God, this is going to devastate him. | 0:11:45 | 0:11:47 | |
Then again, he's still living on Mars. | 0:11:49 | 0:11:53 | |
What is it with you and that tie? | 0:11:55 | 0:11:57 | |
-Third time you've worn that this week. -This is my lucky tie. | 0:11:57 | 0:12:00 | |
God knows you need it. | 0:12:00 | 0:12:01 | |
I should loan it to you since today's the big day, huh? | 0:12:01 | 0:12:05 | |
-Yep. -Absolutely. | 0:12:05 | 0:12:07 | |
Planet Earth's not good enough for old Arthur. | 0:12:07 | 0:12:09 | |
He's got to go up to outer space. | 0:12:09 | 0:12:11 | |
Well, let's not get ahead of ourselves. We shall see. | 0:12:11 | 0:12:13 | |
Yeah. You're getting a little too big for them britches. | 0:12:13 | 0:12:16 | |
I'll guess I'll have to tell the boss | 0:12:16 | 0:12:18 | |
that you've been working on a personal project on company time. | 0:12:18 | 0:12:21 | |
-Is that what you're going to do? -Absolutely. | 0:12:21 | 0:12:23 | |
-Terry, don't blow the place up! -Yeah, I know, I know. | 0:12:23 | 0:12:26 | |
Well, it's a Christmas present for Norma. Is that all right with you? | 0:12:26 | 0:12:29 | |
It's sweet, I guess. Where's my present? | 0:12:29 | 0:12:33 | |
Merry Christmas. | 0:12:33 | 0:12:34 | |
-Thank you. -Don't mention it. | 0:12:34 | 0:12:37 | |
-TV: -"Your summer favourites are back to strut their stuff. | 0:13:00 | 0:13:03 | |
"It's Roger, Dwayne and Rerun. | 0:13:03 | 0:13:06 | |
"There's Roger's mama and his lovable sister, Dee..." | 0:13:06 | 0:13:08 | |
DOORBELL RINGS | 0:13:08 | 0:13:10 | |
"It's the premiere of the show that answers the hilarious question, "'What's happening?'" | 0:13:10 | 0:13:14 | |
"Next Saturday night on ABC." | 0:13:14 | 0:13:16 | |
Hello. May I help you? | 0:13:21 | 0:13:23 | |
Mrs Lewis? | 0:13:25 | 0:13:26 | |
Yes? | 0:13:31 | 0:13:32 | |
Hello. My name is Arlington Steward. | 0:13:32 | 0:13:37 | |
I assume you received the box I left on your doorstep. | 0:13:37 | 0:13:40 | |
Yes. | 0:13:42 | 0:13:43 | |
And you found the button unit inside the box? | 0:13:43 | 0:13:46 | |
Is that what you call it? | 0:13:47 | 0:13:49 | |
A button unit? | 0:13:49 | 0:13:51 | |
Yes, we do. | 0:13:51 | 0:13:53 | |
Please don't let my appearance frighten you. | 0:13:56 | 0:13:58 | |
I assure you I'm not a monster. | 0:13:58 | 0:14:00 | |
I'm just a man with a job to do. | 0:14:00 | 0:14:02 | |
May I come in? | 0:14:05 | 0:14:07 | |
Sure. | 0:14:08 | 0:14:10 | |
Can I offer you anything? | 0:14:16 | 0:14:18 | |
Oh, no, thank you. I never have much of an appetite. | 0:14:18 | 0:14:21 | |
Shall we sit down? | 0:14:23 | 0:14:24 | |
So... | 0:14:33 | 0:14:34 | |
..are you trying to sell me something? | 0:14:35 | 0:14:37 | |
Yes, in a way. I do have an offer to make. | 0:14:37 | 0:14:40 | |
What are you offering? | 0:14:41 | 0:14:43 | |
A financial opportunity. | 0:14:43 | 0:14:46 | |
Let me explain. | 0:14:46 | 0:14:48 | |
In this envelope, there is a key. | 0:14:50 | 0:14:53 | |
I'll show you. | 0:14:53 | 0:14:54 | |
This key opens the glass dome to the button unit. | 0:14:56 | 0:15:00 | |
Voila. | 0:15:01 | 0:15:03 | |
Now, if you push the button, | 0:15:06 | 0:15:09 | |
two things will happen. | 0:15:09 | 0:15:11 | |
First, someone, | 0:15:11 | 0:15:14 | |
somewhere in the world, whom you don't know... | 0:15:14 | 0:15:18 | |
will die. | 0:15:18 | 0:15:19 | |
Second... | 0:15:21 | 0:15:24 | |
you will receive a payment... | 0:15:24 | 0:15:26 | |
of one million dollars. | 0:15:26 | 0:15:29 | |
Tax free. | 0:15:30 | 0:15:32 | |
The payment will be delivered to you by me... | 0:15:36 | 0:15:40 | |
..in cash... | 0:15:41 | 0:15:44 | |
just as you see here. | 0:15:44 | 0:15:47 | |
Oh, and Mrs Lewis, please permit me... | 0:15:52 | 0:15:55 | |
to present to you this crisp 100 bill as a gift... | 0:15:55 | 0:16:00 | |
in exchange for your kindness in allowing me into your home. | 0:16:00 | 0:16:04 | |
You're going to give me this 100 bill... | 0:16:09 | 0:16:13 | |
even if I say no? | 0:16:13 | 0:16:14 | |
That is correct. | 0:16:14 | 0:16:16 | |
Are you for real? | 0:16:19 | 0:16:21 | |
Oh, I assure you, Mrs Lewis... | 0:16:21 | 0:16:24 | |
this offer is quite real. | 0:16:24 | 0:16:27 | |
Who do you work for? | 0:16:29 | 0:16:31 | |
Guarantee of payment comes with three restrictions, I'm afraid. | 0:16:31 | 0:16:36 | |
One - I am not permitted... | 0:16:36 | 0:16:39 | |
to disclose any information about the identity of my employers. | 0:16:39 | 0:16:44 | |
Two - you are not permitted to discuss the details of this | 0:16:44 | 0:16:49 | |
with anyone, except your husband, of course. | 0:16:49 | 0:16:53 | |
Three - you have 24 hours. | 0:16:53 | 0:16:56 | |
You have until five o'clock tomorrow to make your decision, | 0:16:58 | 0:17:02 | |
at which point... | 0:17:02 | 0:17:04 | |
I shall return and retrieve the button unit. | 0:17:04 | 0:17:08 | |
It will be reprogrammed... | 0:17:08 | 0:17:10 | |
and the offer will be made to someone else. | 0:17:10 | 0:17:15 | |
It's been a pleasure meeting you, Mrs Lewis. | 0:17:17 | 0:17:20 | |
-Oh! It's a new prosthesis for her foot. -You got it. | 0:17:31 | 0:17:35 | |
But I'm using the new GE Silastic polymer | 0:17:35 | 0:17:38 | |
they're developing for the pilot chairs for the shuttle. | 0:17:38 | 0:17:40 | |
-Nice, pal. -Thank you. | 0:17:40 | 0:17:42 | |
Hey. What happened to her foot? | 0:17:42 | 0:17:45 | |
When she was 17, her brother dropped a barbell on her foot. | 0:17:47 | 0:17:52 | |
She thinks one of her toes is broken, so she goes to the hospital. | 0:17:52 | 0:17:55 | |
The doctor sets her in a chair, turns the X-ray machine on... | 0:17:55 | 0:17:58 | |
then goes to check on another patient down the hall. | 0:17:58 | 0:18:01 | |
And he forgets all about Norma. | 0:18:01 | 0:18:03 | |
Leaves the X-ray machine running. | 0:18:03 | 0:18:06 | |
Oh, Jesus, that's.... | 0:18:06 | 0:18:08 | |
-That's not good. -No. | 0:18:08 | 0:18:11 | |
The tissue in four of her toes was completely destroyed by the radiation. | 0:18:11 | 0:18:14 | |
They had to amputate four of her toes? | 0:18:14 | 0:18:17 | |
Yep. Then they had to go in and get skin from her inner thigh | 0:18:17 | 0:18:20 | |
to cover the front of her foot. | 0:18:20 | 0:18:22 | |
This is back in 1958, | 0:18:22 | 0:18:23 | |
so they didn't have the skin-graft techniques they do now. | 0:18:23 | 0:18:27 | |
And she had to sit like this, the same position... | 0:18:27 | 0:18:31 | |
full body cast, for a month, waiting for it to heal. | 0:18:31 | 0:18:35 | |
Jesus. I hope she sued this idiot. | 0:18:35 | 0:18:38 | |
Yeah. Her family sued and they won. | 0:18:38 | 0:18:40 | |
-What was the settlement? -10,000. | 0:18:40 | 0:18:42 | |
If this sucker works, she can start jogging again. | 0:18:44 | 0:18:47 | |
I hope so. | 0:18:47 | 0:18:49 | |
That's a nice thing you're doing for Norma. | 0:18:52 | 0:18:55 | |
Thank you, sir. | 0:18:55 | 0:18:56 | |
One good turn deserves another. | 0:18:56 | 0:18:58 | |
This just arrived for you. Certified mail from... | 0:18:58 | 0:19:02 | |
..The Astronaut Corps? | 0:19:03 | 0:19:05 | |
This is a joke? | 0:19:31 | 0:19:33 | |
Well, that's the way it came. Nobody opened it. | 0:19:33 | 0:19:36 | |
Well, it says I was rejected. | 0:19:36 | 0:19:38 | |
What? | 0:19:40 | 0:19:41 | |
'Arthur Lewis. His astronaut application was rejected. | 0:19:45 | 0:19:48 | |
'Can you tell me why? | 0:19:48 | 0:19:52 | |
OK. | 0:19:52 | 0:19:53 | |
Arthur, they say you failed the psychological exam. | 0:19:57 | 0:20:00 | |
You got to be kidding me? | 0:20:05 | 0:20:07 | |
That makes no sense. | 0:20:07 | 0:20:09 | |
Norm, I aced every test. | 0:20:20 | 0:20:23 | |
I was counting on this. | 0:20:29 | 0:20:31 | |
You know? | 0:20:32 | 0:20:33 | |
What am I supposed to do with the rest of my life? | 0:20:34 | 0:20:37 | |
There are many great opportunities here. | 0:20:37 | 0:20:40 | |
Yeah, we just got a grant to develop optics | 0:20:40 | 0:20:41 | |
for the new planetary camera system. You're perfect for it. | 0:20:41 | 0:20:44 | |
A quasimanagerial position that doesn't exist? | 0:20:47 | 0:20:50 | |
Well, we'll always have Mars. | 0:21:15 | 0:21:17 | |
"Alice, honey, when are you and me going to get together? | 0:21:20 | 0:21:24 | |
"When Barry Goldwater gets together with Jane Fonda!" | 0:21:24 | 0:21:27 | |
Before I could ask him any more questions, | 0:21:27 | 0:21:29 | |
he got in his car and drove away. | 0:21:29 | 0:21:32 | |
-Ooh... -What are you doing? Be careful! | 0:21:35 | 0:21:38 | |
-CHUCKLING: -Oh, come on, Norma, you can't think this thing's real. | 0:21:38 | 0:21:41 | |
-Did you get his license plate? -No. | 0:21:41 | 0:21:43 | |
Your dad's a cop. Always got to get the license plate. | 0:21:43 | 0:21:46 | |
Well, I was a little overwhelmed. | 0:21:46 | 0:21:48 | |
OK, so somewhere in the world someone you don't know will die? | 0:21:48 | 0:21:51 | |
Yeah. Shh. | 0:21:51 | 0:21:53 | |
Yes, those were his exact words. | 0:21:53 | 0:21:55 | |
-Did he say how they would die? -No. | 0:21:55 | 0:21:58 | |
And he offered you a briefcase full of cash? | 0:21:59 | 0:22:03 | |
Yes, he said it was a million dollars, | 0:22:03 | 0:22:05 | |
and it looked real. | 0:22:05 | 0:22:07 | |
What did he look like? | 0:22:10 | 0:22:11 | |
You don't want to know. | 0:22:12 | 0:22:14 | |
What do you mean? | 0:22:14 | 0:22:16 | |
Well, he must've been a burn victim... | 0:22:16 | 0:22:19 | |
because half of his face was gone. | 0:22:19 | 0:22:22 | |
-Really? -Yes, gone. | 0:22:22 | 0:22:24 | |
-Are you messing with me? -No. | 0:22:26 | 0:22:28 | |
-Yes, you are. -No, I'm not. | 0:22:28 | 0:22:30 | |
We're going to be late for the play. | 0:22:32 | 0:22:35 | |
-(I'll lock it up downstairs.) -(All right.) | 0:22:35 | 0:22:38 | |
I would like to buy St Charles Place. | 0:22:42 | 0:22:45 | |
OK, St Charles Place. | 0:22:45 | 0:22:47 | |
-Hi, Mrs Lewis. -Hi, Dana. | 0:22:51 | 0:22:53 | |
Did Mr Steward show up? | 0:22:54 | 0:22:56 | |
Yeah, he stopped by. | 0:22:58 | 0:23:00 | |
Well, so, what does it do? | 0:23:00 | 0:23:02 | |
What happens when you push the button? | 0:23:02 | 0:23:04 | |
Nothing special. | 0:23:04 | 0:23:07 | |
Did he give you a key to the dome? I bet it does something cool. | 0:23:07 | 0:23:10 | |
You sure do ask a lot of questions. | 0:23:12 | 0:23:14 | |
And now you're avoiding them. | 0:23:17 | 0:23:19 | |
Hey, big mouth, that's enough. All right? | 0:23:19 | 0:23:21 | |
In bed by ten o'clock? | 0:23:21 | 0:23:23 | |
-Yes, sir. -All right. | 0:23:23 | 0:23:25 | |
-Thanks, Dana. -Goodnight. | 0:23:25 | 0:23:27 | |
Goodnight. | 0:23:27 | 0:23:28 | |
-That's yours. -OK. | 0:23:31 | 0:23:32 | |
My turn. | 0:23:32 | 0:23:34 | |
CAROL SINGERS SING He was very charming. | 0:23:35 | 0:23:38 | |
I honestly believe he would give us that entire briefcase full of money. | 0:23:38 | 0:23:43 | |
-ACTRESS LAUGHS -For ever and ever and ever. | 0:23:48 | 0:23:52 | |
Well, well... | 0:23:52 | 0:23:54 | |
let's get on with it. | 0:23:54 | 0:23:56 | |
MOURNFUL STRING MUSIC | 0:23:58 | 0:24:01 | |
APPLAUSE | 0:24:05 | 0:24:08 | |
So, what are you thinking? | 0:24:10 | 0:24:12 | |
All right. | 0:24:12 | 0:24:14 | |
Look, there's absolutely no upside for him in this deal, OK? | 0:24:14 | 0:24:17 | |
So he's a con artist. The bill's a counterfeit. | 0:24:17 | 0:24:20 | |
You don't just give someone 10O with no strings attached. | 0:24:20 | 0:24:23 | |
-That's just crazy. -Maybe he IS crazy. | 0:24:23 | 0:24:25 | |
I mean, maybe he's mentally ill and he's just using this device | 0:24:25 | 0:24:29 | |
as some sort of excuse to murder someone | 0:24:29 | 0:24:31 | |
and then blame us for it. | 0:24:31 | 0:24:33 | |
So, should we call the police? What do you want to do? | 0:24:33 | 0:24:36 | |
If we tell anyone, the deal is off. | 0:24:36 | 0:24:39 | |
No money. | 0:24:39 | 0:24:40 | |
-He said that? -Yes, we can't tell anyone. | 0:24:40 | 0:24:43 | |
-Let's go home. -All right. I'll get our coats. | 0:24:43 | 0:24:47 | |
Well, someone spent a lot of time designing this. | 0:24:56 | 0:25:00 | |
Anodized aluminium, hand-blown glass. | 0:25:00 | 0:25:03 | |
It looks expensive. | 0:25:03 | 0:25:04 | |
Hello... | 0:25:08 | 0:25:10 | |
What are you doing? | 0:25:16 | 0:25:18 | |
I'm going to take a look inside. | 0:25:18 | 0:25:20 | |
Look at this silly.... | 0:25:20 | 0:25:23 | |
There we go. | 0:25:23 | 0:25:24 | |
Nothing. | 0:25:45 | 0:25:47 | |
No transmitter, no radio. | 0:25:47 | 0:25:49 | |
If we pushed the button right now, there's no way he'd even know. | 0:25:49 | 0:25:52 | |
OK, just... You know what? | 0:25:52 | 0:25:54 | |
Put it back together. I don't want you breaking it. | 0:25:54 | 0:25:56 | |
Well, what do you care? | 0:25:56 | 0:25:58 | |
Because, either way, he's going to come back to retrieve it. | 0:25:58 | 0:26:00 | |
He says he takes the box, he reprograms it | 0:26:00 | 0:26:02 | |
and then he makes the offer to someone else. | 0:26:02 | 0:26:05 | |
I don't know what he's going to reprogram. It's a piece of wood. | 0:26:05 | 0:26:09 | |
-TV: -"People start pollution. People can..." | 0:26:10 | 0:26:13 | |
So, are you going to push it or not? | 0:26:14 | 0:26:16 | |
It's not my decision to make. | 0:26:19 | 0:26:21 | |
It's ours and I would never push it without you knowing. | 0:26:24 | 0:26:28 | |
Don't forget to turn off the tree lights. | 0:26:30 | 0:26:33 | |
No, I like leaving them on. | 0:26:33 | 0:26:35 | |
It's a fire hazard. | 0:26:36 | 0:26:37 | |
Yeah, but it keeps the Christmas spirit alive while we sleep. | 0:26:37 | 0:26:41 | |
We could die. | 0:26:41 | 0:26:43 | |
Everybody dies, Norma. | 0:26:43 | 0:26:45 | |
Fine. | 0:26:48 | 0:26:49 | |
Leave them on. | 0:26:49 | 0:26:51 | |
"Strange. He only makes house calls when you're out of town..." | 0:27:07 | 0:27:12 | |
What are you thinking? | 0:27:12 | 0:27:13 | |
I'm thinking we're never going to see that much money. | 0:27:16 | 0:27:20 | |
And why do you say that? | 0:27:23 | 0:27:25 | |
Be realistic, Arthur. You work for the government. | 0:27:27 | 0:27:31 | |
God knows we both spend too much money. | 0:27:31 | 0:27:36 | |
Sure would make it easier to live the life we want. | 0:27:36 | 0:27:39 | |
Honey... | 0:27:40 | 0:27:42 | |
why do we need a million dollars to be happy? | 0:27:42 | 0:27:44 | |
We don't. | 0:27:44 | 0:27:46 | |
But imagine what we could accomplish. | 0:27:46 | 0:27:48 | |
I mean, we could provide security for our entire family. | 0:27:48 | 0:27:52 | |
Look, you know, I don't need to work at NASA for ever. | 0:27:52 | 0:27:55 | |
I can get another job. | 0:27:55 | 0:27:57 | |
Are we ever going to leave Richmond? | 0:27:59 | 0:28:02 | |
We're going to have to postpone my foot surgery. | 0:28:18 | 0:28:22 | |
No, we're not doing that. You need that surgery. | 0:28:22 | 0:28:24 | |
Yeah, I know, but we can't afford it. | 0:28:24 | 0:28:28 | |
Well, then push the button. See what happens. | 0:28:28 | 0:28:31 | |
I'm scared. | 0:28:34 | 0:28:35 | |
Norma, why are you scared? | 0:28:38 | 0:28:40 | |
You didn't see his face. | 0:28:42 | 0:28:44 | |
-I'm calling the police. -You can't. | 0:28:45 | 0:28:47 | |
Right, because then the deal is off. | 0:28:47 | 0:28:49 | |
Norma, how the hell is he going to know if we even call anyone? | 0:28:49 | 0:28:52 | |
Does he have the house bugged? | 0:28:52 | 0:28:54 | |
It's a gift to each of the bridesmaids at the wedding. | 0:28:56 | 0:28:59 | |
They're going to make a big joke of it tonight and... | 0:28:59 | 0:29:02 | |
Doc Powell's going to ask who pushed the button and who didn't. | 0:29:03 | 0:29:06 | |
And everyone's going to have a laugh at the con artist he hired... | 0:29:06 | 0:29:09 | |
to show up at our doorstep. | 0:29:09 | 0:29:11 | |
MACHINE BEEPS | 0:29:24 | 0:29:26 | |
ROCKET ROARS | 0:29:26 | 0:29:28 | |
-WOMAN CRYING ON PHONE: -I was at the grocery store, and she wandered | 0:29:31 | 0:29:35 | |
-into the next aisle. -Well, where is she? | 0:29:35 | 0:29:37 | |
I ran out into the parking lot. | 0:29:37 | 0:29:38 | |
They put her in the back of a van and drove off! | 0:29:38 | 0:29:41 | |
OK. Look, lock all the doors. | 0:29:41 | 0:29:44 | |
-She just vanished, Jeffrey! -I'm on my way home. | 0:29:44 | 0:29:47 | |
I ran a test on it at work. | 0:30:22 | 0:30:25 | |
This 100 bill is real. | 0:30:25 | 0:30:27 | |
So, let's assume it's all real. | 0:30:27 | 0:30:31 | |
We push the button, we get a million dollars... | 0:30:31 | 0:30:35 | |
and we can be responsible for the death of another human being. | 0:30:35 | 0:30:38 | |
Is that something we can live with? | 0:30:41 | 0:30:43 | |
What if it's someone's baby? | 0:30:49 | 0:30:50 | |
What if it's a murderer on death row? | 0:30:51 | 0:30:54 | |
What if it's our neighbours across the street? | 0:30:54 | 0:30:56 | |
Do you even know them? | 0:30:57 | 0:30:59 | |
Doug and Donna. | 0:30:59 | 0:31:01 | |
What is it to really know someone, Norma? | 0:31:04 | 0:31:07 | |
Do you know me? | 0:31:09 | 0:31:10 | |
Better than you know yourself. | 0:31:11 | 0:31:13 | |
Do you know Walter? | 0:31:16 | 0:31:18 | |
Even better than I know you. | 0:31:19 | 0:31:21 | |
What do we want to do, Norma? | 0:31:28 | 0:31:30 | |
It's just a box. | 0:31:40 | 0:31:42 | |
911 Emergency, how may I direct your call? | 0:31:49 | 0:31:53 | |
Excuse me, you need to slow down. | 0:31:53 | 0:31:55 | |
I can't understand what you're saying. | 0:31:55 | 0:31:57 | |
So, you heard loud screaming? Then a gunshot? | 0:31:58 | 0:32:01 | |
SIRENS BLARE | 0:32:03 | 0:32:05 | |
I heard a gunshot! | 0:32:11 | 0:32:13 | |
Then he ran out the front door with a briefcase and got in his car! | 0:32:13 | 0:32:17 | |
Ma'am, get back inside. | 0:32:17 | 0:32:18 | |
Take the boy and go back inside right now. | 0:32:18 | 0:32:20 | |
Jimmy. | 0:32:25 | 0:32:27 | |
Check her pulse. | 0:32:27 | 0:32:28 | |
BANGING UPSTAIRS | 0:32:36 | 0:32:38 | |
Let's go. | 0:32:38 | 0:32:39 | |
LOUD BANGING | 0:32:49 | 0:32:51 | |
CHILD SCREAMING | 0:32:54 | 0:32:56 | |
BANGING | 0:32:56 | 0:32:58 | |
All right, get back, I got to kick the door down. | 0:32:59 | 0:33:01 | |
Get away from the door! | 0:33:01 | 0:33:03 | |
Jesus. | 0:33:13 | 0:33:15 | |
Shh. It's OK. | 0:33:15 | 0:33:16 | |
DOORBELL RINGS | 0:33:21 | 0:33:23 | |
Hello, Mrs Lewis. | 0:33:34 | 0:33:36 | |
Hello. | 0:33:36 | 0:33:38 | |
Shall I come in? | 0:33:38 | 0:33:40 | |
Hello. You must be Mr Lewis. | 0:33:51 | 0:33:54 | |
Forgive me, I have a rather busy day. Shall we? | 0:34:02 | 0:34:06 | |
Do you have the key? | 0:34:16 | 0:34:18 | |
Thank you. | 0:34:21 | 0:34:22 | |
There we are. One million dollars. | 0:34:26 | 0:34:29 | |
You can count it, if you like. | 0:34:34 | 0:34:37 | |
Did someone...? | 0:34:37 | 0:34:40 | |
-Die? -Yeah. | 0:34:40 | 0:34:42 | |
Of course. | 0:34:42 | 0:34:43 | |
You said before that the button unit would be reprogrammed. | 0:34:45 | 0:34:48 | |
Yes. | 0:34:48 | 0:34:50 | |
What happens now? Are you going to make the offer to someone else? | 0:34:50 | 0:34:53 | |
Well, yes, Mrs Lewis. That's how it works. | 0:34:53 | 0:34:55 | |
And I can promise you that the offer will be made | 0:34:55 | 0:34:58 | |
to someone you don't know. | 0:34:58 | 0:35:00 | |
No. | 0:35:25 | 0:35:26 | |
Hey. | 0:35:30 | 0:35:32 | |
Hey. | 0:35:32 | 0:35:33 | |
We don't want your money. Take it. | 0:35:35 | 0:35:38 | |
I'm sorry, Mr Lewis. | 0:35:38 | 0:35:40 | |
The button has been pushed. | 0:35:40 | 0:35:42 | |
Good day. | 0:35:44 | 0:35:45 | |
Hey. | 0:35:47 | 0:35:49 | |
Open the door. | 0:35:49 | 0:35:51 | |
Open the door! | 0:35:53 | 0:35:55 | |
XH34568. I got his license plate. | 0:36:00 | 0:36:04 | |
What are you thinking, Norma? | 0:36:12 | 0:36:14 | |
Someone we don't know. | 0:36:14 | 0:36:16 | |
Does that mean we're next? | 0:36:16 | 0:36:18 | |
Is that what he meant? | 0:36:18 | 0:36:20 | |
All right, let's just... | 0:36:20 | 0:36:22 | |
-Walter. -Yeah. | 0:36:27 | 0:36:28 | |
OK, put the money in the safe. | 0:36:28 | 0:36:30 | |
No, not today! | 0:36:44 | 0:36:45 | |
Homework first. | 0:36:47 | 0:36:48 | |
Clean out your lunch pail too, OK? | 0:36:50 | 0:36:54 | |
Come on. | 0:36:54 | 0:36:55 | |
We got ourselves another domestic homicide. | 0:36:56 | 0:36:59 | |
This time it's the wife. | 0:36:59 | 0:37:01 | |
Really? | 0:37:01 | 0:37:03 | |
The victim's name is Diane Carnes, | 0:37:03 | 0:37:05 | |
31 years old, gunshot wound to the chest. | 0:37:05 | 0:37:07 | |
They found her little girl locked in the bathroom. | 0:37:07 | 0:37:10 | |
-Husband? -Husband is unaccounted for. | 0:37:12 | 0:37:15 | |
Neighbours saw him bolt out the front door after they heard a gunshot. | 0:37:15 | 0:37:18 | |
Has the husband got any priors? | 0:37:18 | 0:37:21 | |
No. And that's the thing. | 0:37:21 | 0:37:23 | |
Husband is Jeffrey Carnes... | 0:37:23 | 0:37:25 | |
described as a loving father by all the neighbours... | 0:37:25 | 0:37:27 | |
and he's a rocket scientist. | 0:37:27 | 0:37:30 | |
Works for NASA. | 0:37:30 | 0:37:32 | |
Really? | 0:37:33 | 0:37:35 | |
It doesn't hurt anymore. | 0:38:51 | 0:38:53 | |
-Merry Christmas, sir. -Merry Christmas. | 0:39:22 | 0:39:24 | |
-Thank you. -My pleasure. | 0:39:24 | 0:39:25 | |
Enjoy your evening. | 0:39:25 | 0:39:27 | |
All of this for a rehearsal dinner? | 0:39:40 | 0:39:43 | |
Remember our rehearsal dinner? | 0:39:43 | 0:39:45 | |
-You mean the keg party in the backyard? -Yeah, that. | 0:39:45 | 0:39:48 | |
Here's my little girl. | 0:39:56 | 0:39:59 | |
-Hello. -Oh! Look at the way she walks. You float. | 0:39:59 | 0:40:02 | |
You knew about that? | 0:40:02 | 0:40:04 | |
Santa came early and brought your step back. | 0:40:05 | 0:40:08 | |
That he did, Mama. | 0:40:08 | 0:40:09 | |
-How are you, Dick? -How are you, Arthur? -Good to see you. | 0:40:09 | 0:40:12 | |
Hi, Lana. | 0:40:12 | 0:40:13 | |
Arthur, now, is Norma still cutting your hair? | 0:40:13 | 0:40:16 | |
Yeah, who are you, Lynyrd or Skynyrd? | 0:40:16 | 0:40:19 | |
Honey, they're not going to let you into outer space with those sideburns. | 0:40:19 | 0:40:23 | |
Mama, everybody's wearing them like that now. | 0:40:23 | 0:40:25 | |
Well, honey, I know, but... | 0:40:25 | 0:40:27 | |
Forget about it. Where did you get that? | 0:40:27 | 0:40:29 | |
-Right back over in there. -All right. You want something? | 0:40:29 | 0:40:32 | |
-Sherry. -All right. | 0:40:32 | 0:40:34 | |
Excuse me. | 0:40:34 | 0:40:35 | |
Could I have your attention? We'd like to thank all of you | 0:40:38 | 0:40:40 | |
for coming out on such an unseasonably cold night in Richmond. | 0:40:40 | 0:40:45 | |
Now, I'm told that I'm supposed to keep this quite short | 0:40:45 | 0:40:48 | |
because we have another 43 speeches coming tonight. | 0:40:48 | 0:40:52 | |
Friends of the bride and groom | 0:40:52 | 0:40:54 | |
have very generously donated this array of gifts. | 0:40:54 | 0:40:58 | |
And it being the holiday season, | 0:40:58 | 0:40:59 | |
we thought it'd be a good idea to have a... | 0:40:59 | 0:41:01 | |
Well, to have a holiday gift drawing. | 0:41:01 | 0:41:03 | |
-All right, Lana, let's.... -You need to mix these up. | 0:41:03 | 0:41:06 | |
-Let's do it. OK, I will. -Like you're spiking a punch bowl. | 0:41:06 | 0:41:09 | |
LAUGHTER | 0:41:09 | 0:41:11 | |
-He knows how to do that! -No, I've never done that. | 0:41:11 | 0:41:13 | |
Never done that. | 0:41:13 | 0:41:15 | |
All right, here we go. | 0:41:15 | 0:41:17 | |
My son-in-law. Not you. Arthur. | 0:41:19 | 0:41:21 | |
Come on up. | 0:41:21 | 0:41:23 | |
-Boys. -I have to get up? | 0:41:23 | 0:41:25 | |
Come on up, Arthur. Come on up. | 0:41:25 | 0:41:27 | |
Folks, I did not rig this. I'm an honest cop. I swear I am. | 0:41:27 | 0:41:32 | |
All right, get your gift, lucky. | 0:41:32 | 0:41:34 | |
-All right, just pick anything here? -Any gift that you like, yes, sir. | 0:41:35 | 0:41:38 | |
Just leave those golf clubs, all right? Those are mine. | 0:41:38 | 0:41:42 | |
-LAUGHING: -No, you can have the clubs, you can have the clubs. | 0:41:42 | 0:41:45 | |
You know, I'm just going to take this box right here. | 0:42:02 | 0:42:07 | |
-He's so polite. -That's a nice plain gift, isn't it? | 0:42:07 | 0:42:10 | |
All right, here we go. Let's get another one here. | 0:42:10 | 0:42:12 | |
Oh, mysterious. | 0:42:12 | 0:42:15 | |
Leticia! | 0:42:15 | 0:42:17 | |
-Come on up, Leticia. -Well? Open it. | 0:42:17 | 0:42:20 | |
Why don't you go put it in the car? We'll open it up when we get home. | 0:42:20 | 0:42:24 | |
-No. -No. | 0:42:24 | 0:42:25 | |
You got to open it here, see what's inside the box. | 0:42:25 | 0:42:28 | |
Yeah, come on, open it. | 0:42:28 | 0:42:30 | |
Arthur, that's him. | 0:42:44 | 0:42:46 | |
What is it, a photograph? | 0:42:46 | 0:42:48 | |
Yeah. Yeah. | 0:42:50 | 0:42:52 | |
-Well, let's see it. -No, no, it's an inside joke. | 0:42:52 | 0:42:55 | |
It's private. | 0:42:55 | 0:42:57 | |
Oh, nice. All right, yeah, we know about that. | 0:42:57 | 0:43:00 | |
We've taken some private photographs. We could trade up. | 0:43:00 | 0:43:03 | |
Let your minds run wild with that. | 0:43:03 | 0:43:05 | |
Is that the one you brought? | 0:43:05 | 0:43:07 | |
What about this rehearsal dinner? | 0:43:07 | 0:43:09 | |
Can you imagine what the wedding's going to be like? | 0:43:09 | 0:43:12 | |
Astounding Science Fiction. | 0:43:16 | 0:43:18 | |
"Day of the Moron"? | 0:43:24 | 0:43:26 | |
Yeah. My dad collects comics. | 0:43:26 | 0:43:29 | |
What else does he collect? | 0:43:38 | 0:43:40 | |
Well, he has a bunch of Mars stuff in the basement. You want to see? | 0:43:41 | 0:43:46 | |
Yeah. | 0:43:46 | 0:43:47 | |
Come on. | 0:43:48 | 0:43:50 | |
What's your dad have to do with the Viking? | 0:44:13 | 0:44:16 | |
He helped design the camera. | 0:44:16 | 0:44:18 | |
They designed it so that it photographs 360 degrees. | 0:44:18 | 0:44:21 | |
It scans the image one line at a time. | 0:44:21 | 0:44:23 | |
Takes about five minutes to complete one revolution. | 0:44:23 | 0:44:27 | |
How do they get the images from Mars back to Earth? | 0:44:27 | 0:44:30 | |
Radio transmissions. | 0:44:30 | 0:44:31 | |
They figured out a way to interpret the data | 0:44:31 | 0:44:33 | |
and then print it out on film. | 0:44:33 | 0:44:35 | |
How long does it take to transmit the signal? | 0:44:36 | 0:44:39 | |
About two hours. The signal travels 58 million miles | 0:44:39 | 0:44:42 | |
in about five minutes. | 0:44:42 | 0:44:44 | |
They tested it out last year in Colorado. | 0:44:46 | 0:44:48 | |
MUSIC: "Scarlet Begonias" by Grateful Dead | 0:44:50 | 0:44:54 | |
Look, I don't think that we should say anything to my father, OK? | 0:44:59 | 0:45:04 | |
Let's see how that new foot works on the dance floor. Come on. | 0:45:04 | 0:45:07 | |
"Any sufficiently advanced technology | 0:45:14 | 0:45:17 | |
"is indistinguishable from magic." | 0:45:17 | 0:45:21 | |
Arthur C Clarke's 3rd law. | 0:45:21 | 0:45:23 | |
My dad knows him. | 0:45:23 | 0:45:25 | |
Arthur, that was a wonderful thing you did for Norma. | 0:45:45 | 0:45:50 | |
I don't know what she'd do without you. | 0:45:50 | 0:45:52 | |
I don't know what I'd do without her. | 0:45:52 | 0:45:55 | |
Really, I don't. | 0:45:56 | 0:45:57 | |
-That was the perfect gift. -Thank you. | 0:45:57 | 0:46:00 | |
Thank you. | 0:46:00 | 0:46:02 | |
-MUSIC: -"Bell Bottom Blues" by Derek And The Dominos | 0:46:02 | 0:46:05 | |
-It's a really nice party, Dick. -Yeah. -Congratulations. | 0:46:42 | 0:46:45 | |
-And I'm not paying for it. -You're not paying? -No. | 0:46:45 | 0:46:48 | |
-Well, how did you work that out? -No, no, no. | 0:46:48 | 0:46:51 | |
Hey, listen, you think you could run a license plate for me? | 0:46:51 | 0:46:55 | |
This is a black sedan. | 0:46:55 | 0:46:57 | |
You think you could find out who owns it? | 0:46:57 | 0:46:59 | |
Yeah, sure. What's going on? | 0:46:59 | 0:47:01 | |
It's just someone hanging around the house, you know. | 0:47:01 | 0:47:03 | |
-It's probably nothing, just want to be safe. -Yeah. It's worth checking. | 0:47:03 | 0:47:06 | |
What's the deal with this kid? He flashed me the peace sign. | 0:47:24 | 0:47:27 | |
-He's one of your students, isn't he? -Norma didn't tell you? | 0:47:27 | 0:47:30 | |
No, she didn't. What's...? | 0:47:30 | 0:47:32 | |
Well, he humiliated her in front of the entire class. | 0:47:32 | 0:47:36 | |
He made fun of her foot. | 0:47:36 | 0:47:38 | |
Oh! | 0:47:51 | 0:47:52 | |
You've got a bloody nose. | 0:47:52 | 0:47:55 | |
Thank you. | 0:47:56 | 0:47:58 | |
Is there something I can get for you? | 0:48:00 | 0:48:03 | |
Well, you said that I had a phone call. | 0:48:03 | 0:48:05 | |
Yes. Right here. | 0:48:07 | 0:48:09 | |
Hello? | 0:48:17 | 0:48:18 | |
Mrs Lewis, hello. It's Arlington Steward. | 0:48:18 | 0:48:21 | |
I see your husband has contacted the police about my vehicle. | 0:48:21 | 0:48:27 | |
I have quite a few employees. | 0:48:27 | 0:48:30 | |
Listen, we don't want anyone to get hurt. | 0:48:30 | 0:48:34 | |
Well, if you didn't want anyone to get hurt, | 0:48:34 | 0:48:36 | |
you shouldn't have pushed the button. | 0:48:36 | 0:48:38 | |
We don't want any more trouble, OK? | 0:48:38 | 0:48:42 | |
I'm afraid trouble has found you, Mrs Lewis. | 0:48:42 | 0:48:45 | |
There are always consequences. | 0:48:45 | 0:48:48 | |
The test will continue until the button unit is reprogrammed. | 0:48:48 | 0:48:51 | |
OK, what are we supposed to do now? | 0:48:51 | 0:48:54 | |
Listen to your conscience. | 0:48:56 | 0:48:58 | |
Do what it tells you. | 0:48:58 | 0:48:59 | |
Enjoy the party. | 0:49:01 | 0:49:02 | |
HE LAUGHS | 0:49:18 | 0:49:21 | |
What did you say to my wife? | 0:49:34 | 0:49:36 | |
You want to tell me what you said to my wife? | 0:49:36 | 0:49:38 | |
Is that funny to you? Is that funny? | 0:49:38 | 0:49:41 | |
Making fun of someone's disfigurement's funny to you? | 0:49:41 | 0:49:43 | |
Is that funny to you?! Huh?! | 0:49:43 | 0:49:45 | |
No, Mr Lewis. It's not funny, it's tragic. | 0:49:45 | 0:49:50 | |
Arthur... | 0:49:57 | 0:49:59 | |
Are you OK, son? | 0:50:14 | 0:50:16 | |
Thank you. | 0:50:22 | 0:50:24 | |
-TV: -# ..the land of the free! # | 0:50:42 | 0:50:47 | |
Dana? We're back. | 0:50:47 | 0:50:50 | |
Oh, OK. | 0:50:50 | 0:50:53 | |
-Do you have a ride home? -No. | 0:50:53 | 0:50:55 | |
OK, Arthur can take you. | 0:50:55 | 0:50:57 | |
-OK. -Here you go. | 0:50:57 | 0:51:00 | |
-Thanks. -Thank you. | 0:51:00 | 0:51:02 | |
So where am I taking you? | 0:51:08 | 0:51:09 | |
There's a motel off I95, the Galaxy Motor Lodge. | 0:51:09 | 0:51:13 | |
You're staying in a motel? | 0:51:13 | 0:51:15 | |
Yeah. My parents bought a new house, but it's not ready yet. | 0:51:15 | 0:51:19 | |
You've got blood on your hands. | 0:51:38 | 0:51:39 | |
-What do you mean by that? -Your hands. | 0:51:42 | 0:51:45 | |
Are those blood stains? | 0:51:45 | 0:51:47 | |
Oh. Uh... Yeah, I got into a fight tonight. | 0:51:49 | 0:51:52 | |
Embarrassed everyone and ruined the whole party. | 0:51:52 | 0:51:55 | |
Somebody pushing your buttons? | 0:51:57 | 0:52:00 | |
Why would you say that? | 0:52:03 | 0:52:05 | |
Just an expression. | 0:52:05 | 0:52:07 | |
Don't jump to conclusions. | 0:52:09 | 0:52:11 | |
You'll get yourself in a whole heap of trouble. | 0:52:11 | 0:52:14 | |
Well, I'm already in a whole heap of trouble. | 0:52:14 | 0:52:18 | |
What are you going to do about it? | 0:52:21 | 0:52:23 | |
I don't know. You got any suggestions? | 0:52:24 | 0:52:26 | |
Look into the light. | 0:52:26 | 0:52:27 | |
-The light? -Yeah, the light. | 0:52:31 | 0:52:34 | |
Soon you'll be blinded by it. | 0:52:34 | 0:52:37 | |
What is "the light"? | 0:52:39 | 0:52:41 | |
I cannot remember. | 0:52:43 | 0:52:45 | |
I cannot remember. | 0:52:48 | 0:52:50 | |
SHE HYPERVENTILATES | 0:52:52 | 0:52:56 | |
Dana? | 0:53:02 | 0:53:04 | |
Dana? | 0:53:08 | 0:53:10 | |
Wake up. | 0:53:11 | 0:53:12 | |
Dana? | 0:53:14 | 0:53:15 | |
Jesus Christ. | 0:53:17 | 0:53:19 | |
SHE COUGHS | 0:53:56 | 0:53:59 | |
Are you OK? | 0:53:59 | 0:54:00 | |
You have to get out of here. It's not safe for you here. | 0:54:00 | 0:54:03 | |
Slow down. What are you talking about? | 0:54:03 | 0:54:05 | |
There's only one person who can save you now. | 0:54:05 | 0:54:08 | |
Look in the mirror. You'll see. | 0:54:08 | 0:54:11 | |
Dana! Dana! | 0:54:12 | 0:54:15 | |
TV: "The first picture you saw which included the footpads... | 0:54:19 | 0:54:22 | |
"took about five minutes to take on Mars... | 0:54:22 | 0:54:25 | |
"and then it is transmitted by a relay radio up to the orbiter. | 0:54:25 | 0:54:30 | |
"July 20, 1969... | 0:54:34 | 0:54:38 | |
"we received a transmission from the Moon telling us | 0:54:38 | 0:54:41 | |
"'The Eagle has landed.' | 0:54:41 | 0:54:44 | |
"Today's landing, like that one, | 0:54:44 | 0:54:46 | |
"represents the realization of a dream | 0:54:46 | 0:54:48 | |
"that has long excited mankind's imagination. | 0:54:48 | 0:54:52 | |
"And this mission offers the possibility | 0:54:52 | 0:54:55 | |
"of a momentous discovery in the history of mankind - | 0:54:55 | 0:54:59 | |
"The existence of life elsewhere in the universe. | 0:54:59 | 0:55:02 | |
"If the experiments of Vikings 1 and 2 | 0:55:04 | 0:55:07 | |
"do not reveal living organisms, | 0:55:07 | 0:55:10 | |
"they WILL learn other secrets of the universe. | 0:55:10 | 0:55:13 | |
"They will tell us a good many things about our own planet, | 0:55:13 | 0:55:16 | |
"opening up new possibilities for exploration... | 0:55:16 | 0:55:20 | |
"and should produce knowledge that will improve the quality of life | 0:55:20 | 0:55:24 | |
"right here on Earth. | 0:55:24 | 0:55:26 | |
"Our achievements in space | 0:55:26 | 0:55:28 | |
"represent not only the height of technological skill, | 0:55:28 | 0:55:31 | |
"they also reflect the best in our country, | 0:55:31 | 0:55:36 | |
"our character, the capacity for creativity and sacrifice, | 0:55:36 | 0:55:40 | |
"and a willingness to reach into the unknown." | 0:55:40 | 0:55:42 | |
Norma. | 0:55:47 | 0:55:48 | |
Where did you say you met Dana? | 0:55:50 | 0:55:52 | |
On our field trip to the Kennedy Center in DC. | 0:55:54 | 0:55:56 | |
Right. And she said she lives in Richmond? | 0:55:56 | 0:55:59 | |
Yeah, we rode back on the same bus. | 0:55:59 | 0:56:01 | |
OK. This is her driver's license. | 0:56:01 | 0:56:04 | |
Her name is Sarah Matthews. | 0:56:04 | 0:56:07 | |
She lives in Boston. | 0:56:07 | 0:56:08 | |
He called them his employees? | 0:56:17 | 0:56:19 | |
Yep. | 0:56:20 | 0:56:21 | |
PHONE RINGS | 0:57:27 | 0:57:31 | |
Hello, Norma. | 0:57:44 | 0:57:46 | |
Hello. | 0:57:48 | 0:57:50 | |
Did your husband tell you where he was going this morning? | 0:57:50 | 0:57:53 | |
No, he didn't. | 0:57:54 | 0:57:56 | |
I hope for your sake he isn't playing detective again. | 0:57:56 | 0:58:00 | |
Though I assure you, I'll know if he is. | 0:58:00 | 0:58:03 | |
Because of your employees? | 0:58:03 | 0:58:06 | |
Is Dana one of your employees? | 0:58:06 | 0:58:08 | |
As I've told you, I have many employees. | 0:58:08 | 0:58:12 | |
Can I see you? In person? | 0:58:14 | 0:58:16 | |
I want to meet face to face. | 0:58:18 | 0:58:21 | |
I'm looking at you right now, Norma. | 0:58:21 | 0:58:23 | |
Excuse me? | 0:58:25 | 0:58:26 | |
I'm in your backyard. | 0:58:26 | 0:58:28 | |
Are you still there? | 0:58:55 | 0:58:57 | |
Mr Steward? | 0:59:03 | 0:59:04 | |
All right, hold on. We want to get this straight. | 0:59:23 | 0:59:27 | |
You've had the wind tunnel for months. | 0:59:27 | 0:59:29 | |
Now you want the lunar lander and the hangar? | 0:59:29 | 0:59:32 | |
That is correct. | 0:59:32 | 0:59:34 | |
-The NSA activity... -What kind of activity? | 0:59:34 | 0:59:37 | |
The activities will occasionally involve NASA employees, | 0:59:37 | 0:59:41 | |
but I am not at liberty to disclose how they will be involved | 0:59:41 | 0:59:45 | |
or what they will be doing. | 0:59:45 | 0:59:46 | |
I think this whole thing's outrageous, | 0:59:46 | 0:59:48 | |
but we don't really have any choice, do we? | 0:59:48 | 0:59:50 | |
No. You don't. | 0:59:51 | 0:59:54 | |
Did you get a chance to run that license plate yet? | 0:59:56 | 0:59:58 | |
Yeah, I did. | 0:59:58 | 1:00:00 | |
It's a government-issue license plate. | 1:00:00 | 1:00:02 | |
It's a town car licensed for use by the NSA. | 1:00:02 | 1:00:04 | |
The NSA? | 1:00:05 | 1:00:07 | |
Jesus Christ. | 1:00:08 | 1:00:11 | |
What are those? | 1:00:13 | 1:00:14 | |
This guy's wife, she was shot once in the chest. Point-blank range. | 1:00:14 | 1:00:19 | |
Whoever shot her held a gun directly to her chest | 1:00:19 | 1:00:22 | |
and fired the bullet straight through her heart. | 1:00:22 | 1:00:25 | |
The husband works at Langley. | 1:00:25 | 1:00:27 | |
Was there any sign of a struggle? | 1:00:30 | 1:00:32 | |
No? | 1:00:32 | 1:00:33 | |
There's no skin under her nails, no bruises. | 1:00:33 | 1:00:37 | |
What time did she die? | 1:00:38 | 1:00:40 | |
Neighbours say they heard the shot at 4:45pm. | 1:00:40 | 1:00:43 | |
What's all this to you, Arthur? | 1:00:47 | 1:00:49 | |
Do you think you could take me to his house? | 1:00:51 | 1:00:53 | |
Well, your sister feels awful about last night. | 1:00:58 | 1:01:01 | |
Arthur's just sick about it, too. | 1:01:01 | 1:01:04 | |
Well, Norma, let me just say this. | 1:01:04 | 1:01:05 | |
Daddy and I have always marvelled at your strength | 1:01:05 | 1:01:08 | |
and how positive you always are, even since your injury. | 1:01:08 | 1:01:12 | |
And I just wonder if maybe sometimes... | 1:01:12 | 1:01:15 | |
we don't take for granted that you are all right? | 1:01:15 | 1:01:18 | |
I'm fine, Mama. | 1:01:18 | 1:01:20 | |
The NSA is letting him do it. | 1:01:28 | 1:01:29 | |
NASA can't stop it. Test subjects are all under 40, | 1:01:29 | 1:01:32 | |
happily married with a single child. | 1:01:32 | 1:01:34 | |
Go to the Richmond Library. Follow this call number. | 1:01:34 | 1:01:36 | |
Don't trust anyone, not even your husband. | 1:01:36 | 1:01:38 | |
Oh, my Lord | 1:01:38 | 1:01:40 | |
She's bleeding! Somebody call for help. | 1:01:40 | 1:01:43 | |
Oh, my heavens. | 1:01:43 | 1:01:44 | |
Who is that woman, Norma? Do you know her? | 1:01:46 | 1:01:51 | |
No, I don't, Mama. | 1:01:51 | 1:01:53 | |
Listen, I have a lot of errands to run before the wedding. | 1:01:55 | 1:01:59 | |
Can I drop you off at home? | 1:01:59 | 1:02:02 | |
Ah-ah-ah, don't touch. | 1:02:15 | 1:02:17 | |
That's him. | 1:02:17 | 1:02:18 | |
He's the public relations manager at Langley. | 1:02:18 | 1:02:21 | |
-What's his name? -Arlington Steward. | 1:02:21 | 1:02:24 | |
-Steward? -Steward with a D. | 1:02:24 | 1:02:27 | |
-Can you check him out? -Yeah. | 1:02:27 | 1:02:29 | |
There's three dead so far. | 1:02:31 | 1:02:33 | |
"Human Resource Exploitation Manual." | 1:02:33 | 1:02:37 | |
Call numbers? | 1:02:38 | 1:02:39 | |
'I want to put in a request for a search warrant down in Langley. | 1:02:39 | 1:02:42 | |
'But don't put the request in through my office. | 1:02:42 | 1:02:45 | |
'Whatever it is, it's bigger than you and me.' | 1:02:45 | 1:02:47 | |
Excuse me, I'm looking for the nearest exit. | 1:07:06 | 1:07:10 | |
You aren't an employee. This library is for employees only. | 1:07:10 | 1:07:14 | |
You're his wife. | 1:07:17 | 1:07:19 | |
I am Clymene. | 1:07:19 | 1:07:21 | |
What does he want from us? | 1:07:50 | 1:07:51 | |
He's testing you. | 1:07:51 | 1:07:54 | |
He's testing all of us. | 1:07:54 | 1:07:56 | |
Please, follow me. | 1:07:58 | 1:08:00 | |
There are three gateways, | 1:08:18 | 1:08:21 | |
but you may choose only one. | 1:08:21 | 1:08:24 | |
Be careful which gateway you choose | 1:08:24 | 1:08:27 | |
for there is only one path to salvation. | 1:08:27 | 1:08:31 | |
Have a seat, Mrs Lewis. | 1:09:22 | 1:09:24 | |
(Indistinguishable from magic.) | 1:09:47 | 1:09:50 | |
Lightning strikes the earth 100 times per second. | 1:09:51 | 1:09:56 | |
A single bolt of lightning can reach temperatures | 1:09:56 | 1:09:58 | |
approaching 28,000 degrees Celsius in a split second. | 1:09:58 | 1:10:03 | |
This is five times hotter than the surface of the sun. | 1:10:04 | 1:10:08 | |
Is that what happened to you? | 1:10:10 | 1:10:12 | |
You were struck by lightning? | 1:10:12 | 1:10:14 | |
Yes. | 1:10:14 | 1:10:15 | |
And now I am in communication with those who control the lightning. | 1:10:17 | 1:10:22 | |
And what lies behind the other two? | 1:10:25 | 1:10:27 | |
Eternal damnation. | 1:10:27 | 1:10:29 | |
Right. | 1:10:32 | 1:10:33 | |
What's the emotion you felt when you first laid eyes on me, Norma? | 1:10:38 | 1:10:42 | |
-I felt... -You felt what? | 1:10:42 | 1:10:45 | |
-I felt... -Pity? | 1:10:45 | 1:10:47 | |
Love. | 1:10:47 | 1:10:48 | |
You felt love for me? | 1:10:51 | 1:10:53 | |
Yes. | 1:10:53 | 1:10:54 | |
Why? | 1:10:54 | 1:10:57 | |
Because of my disfigurement. | 1:10:57 | 1:11:00 | |
Because of all of the pain that it ever caused me in my life. | 1:11:00 | 1:11:04 | |
I thought what it would be like to have all of that pain | 1:11:06 | 1:11:11 | |
magnified and projected onto my face. | 1:11:11 | 1:11:16 | |
And if I refuse? | 1:11:22 | 1:11:24 | |
Eternal damnation. | 1:11:24 | 1:11:25 | |
You have chosen Gateway number two. | 1:11:29 | 1:11:32 | |
I saw that pain on your face and I just... | 1:11:42 | 1:11:46 | |
I understood it. | 1:11:46 | 1:11:48 | |
I felt an overwhelming feeling of love for you | 1:11:51 | 1:11:55 | |
because I knew that I would never | 1:11:55 | 1:11:58 | |
feel sorry for myself ever again. | 1:11:58 | 1:12:01 | |
Take my hand, Norma. | 1:12:11 | 1:12:13 | |
You don't remember coming home, do you? | 1:14:08 | 1:14:10 | |
You came in your car. You walked in the door like a zombie. | 1:14:11 | 1:14:14 | |
You didn't say anything. You just went straight up to bed. | 1:14:14 | 1:14:17 | |
Where did all this water come from? | 1:14:19 | 1:14:21 | |
-Why isn't Dad telling us what happened? -Walter. | 1:14:21 | 1:14:24 | |
Go down to the basement and get me more buckets, all right? | 1:14:24 | 1:14:26 | |
-But I just want... -Walter. | 1:14:26 | 1:14:29 | |
Fine. | 1:14:29 | 1:14:30 | |
Can you tell me what happened? | 1:14:41 | 1:14:44 | |
I need a drink. | 1:14:44 | 1:14:46 | |
WALTER: Are we still going to the wedding? | 1:15:00 | 1:15:03 | |
Yeah. | 1:15:03 | 1:15:04 | |
There is only so much information that I can disclose. | 1:15:08 | 1:15:10 | |
I understand. | 1:15:10 | 1:15:12 | |
In the hours following the first Viking transmission from Mars, | 1:15:16 | 1:15:20 | |
your colleague Arlington Steward | 1:15:20 | 1:15:22 | |
was struck by lightning while standing here on this platform. | 1:15:22 | 1:15:25 | |
Yes. And we haven't heard from him since then. | 1:15:25 | 1:15:28 | |
He's... | 1:15:28 | 1:15:30 | |
something else now. | 1:15:30 | 1:15:32 | |
ECHOING THROUGH SPEAKER: 'What do you mean? | 1:15:33 | 1:15:35 | |
'Arlington Steward died shortly after being admitted | 1:15:35 | 1:15:37 | |
'to the burn unit at Riverside Hospital. | 1:15:37 | 1:15:40 | |
'Several hours after his body was taken to the morgue | 1:15:40 | 1:15:42 | |
'and locked in a freezer storage unit | 1:15:42 | 1:15:44 | |
'a nurse heard a voice coming from behind a metal door. | 1:15:44 | 1:15:47 | |
'It was a man, laughing. | 1:15:47 | 1:15:50 | |
'Mr Steward had come back from the dead | 1:15:50 | 1:15:53 | |
'and he was laughing hysterically.' | 1:15:53 | 1:15:54 | |
'He was then transferred to a high security military hospital. | 1:15:56 | 1:15:59 | |
'Soon after, we realized he was | 1:15:59 | 1:16:01 | |
'demonstrating some extraordinary capabilities.' | 1:16:01 | 1:16:04 | |
What do you mean by "capabilities"? | 1:16:05 | 1:16:09 | |
His body healed at a rate ten times faster than normal. | 1:16:09 | 1:16:13 | |
Cellular degeneration essentially halted. | 1:16:13 | 1:16:16 | |
THUNDER RUMBLES | 1:16:16 | 1:16:18 | |
Ladies and gentlemen, Mr and Mrs Edward Powell! | 1:16:23 | 1:16:27 | |
SWING MUSIC PLAYS | 1:16:27 | 1:16:30 | |
Hi. | 1:17:14 | 1:17:16 | |
-You can't drink too much now, all right? -All right. | 1:17:18 | 1:17:21 | |
Sir, if you don't mind my asking... | 1:17:26 | 1:17:30 | |
..why a box? | 1:17:31 | 1:17:33 | |
Your home is a box. | 1:17:37 | 1:17:38 | |
Your car is a box on wheels. | 1:17:40 | 1:17:43 | |
You drive to work in it. You drive home in it. | 1:17:43 | 1:17:46 | |
You sit in your home, staring into a box. | 1:17:48 | 1:17:52 | |
It erodes your soul | 1:17:52 | 1:17:54 | |
while the box that is your body inevitably withers, then dies. | 1:17:54 | 1:17:58 | |
Whereupon it is placed in the ultimate box to slowly decompose. | 1:17:59 | 1:18:04 | |
It's quite depressing when you think of it that way. | 1:18:06 | 1:18:09 | |
Don't think of it that way. | 1:18:09 | 1:18:12 | |
Think of it as a temporary state of being. | 1:18:12 | 1:18:14 | |
What happens... | 1:18:18 | 1:18:20 | |
once you've completed your tests? | 1:18:20 | 1:18:23 | |
I submit the data to my employers... | 1:18:23 | 1:18:26 | |
and then your fate rests in their hands. | 1:18:26 | 1:18:30 | |
One cannot say they are not without a bizarre sense of humour. | 1:18:30 | 1:18:33 | |
Look at me. | 1:18:35 | 1:18:37 | |
I wouldn't know, sir, of whom it is that you speak. | 1:18:37 | 1:18:40 | |
Your...employers remain a mystery to us all. | 1:18:40 | 1:18:45 | |
I like mystery. | 1:18:45 | 1:18:47 | |
Don't you? | 1:18:49 | 1:18:50 | |
How do we pass the test? | 1:18:53 | 1:18:55 | |
Isn't it obvious? | 1:18:55 | 1:18:57 | |
Simply don't press the button. | 1:18:57 | 1:18:59 | |
If enough of you don't, the test will conclude. | 1:18:59 | 1:19:03 | |
But there will be more tests to come. | 1:19:03 | 1:19:07 | |
'Walk directly into the light. | 1:19:07 | 1:19:09 | |
'Do not turn back under any circumstances.' | 1:19:09 | 1:19:13 | |
When you walk into the light, | 1:19:13 | 1:19:15 | |
you're going to feel your body submerged in a liquid. | 1:19:15 | 1:19:17 | |
Try to hold your breath. | 1:19:17 | 1:19:20 | |
If you feel a drowning sensation, it will pass. | 1:19:20 | 1:19:23 | |
Where are you sending them? | 1:19:50 | 1:19:52 | |
To prepare for the next test in Massachusetts. | 1:19:52 | 1:19:56 | |
You spoke earlier about the altruism coefficient. | 1:19:58 | 1:20:02 | |
If human beings are unable | 1:20:02 | 1:20:04 | |
or unwilling to sacrifice individual desires | 1:20:04 | 1:20:07 | |
for the greater good of your species, you will have no chance for survival. | 1:20:07 | 1:20:10 | |
And my employers will be compelled to expedite your extinction. | 1:20:10 | 1:20:15 | |
Clear? | 1:20:15 | 1:20:17 | |
Yes, sir. | 1:20:17 | 1:20:19 | |
MUSIC: When Joanna Loved Me by Scott Walker | 1:20:34 | 1:20:38 | |
I was gone, Norma. | 1:21:01 | 1:21:03 | |
I was gone for nearly an hour. | 1:21:05 | 1:21:08 | |
What did you see? | 1:21:12 | 1:21:15 | |
What was there in the light? | 1:21:15 | 1:21:18 | |
Words can't describe it. | 1:21:25 | 1:21:27 | |
It's a place... | 1:21:29 | 1:21:32 | |
neither here nor there... | 1:21:32 | 1:21:34 | |
..but somewhere in between. | 1:21:36 | 1:21:38 | |
It's a warm embrace. | 1:21:46 | 1:21:48 | |
A place where... | 1:21:51 | 1:21:54 | |
the sidewalk ends... | 1:21:54 | 1:21:56 | |
..and despair is no longer the governor of the human heart. | 1:21:58 | 1:22:02 | |
Dad. What's going on? | 1:22:24 | 1:22:27 | |
I'm going to be sick, Walter. | 1:22:34 | 1:22:36 | |
You can still save yourself. | 1:22:59 | 1:23:00 | |
It's too late for me, but you can still save yourself. | 1:23:00 | 1:23:04 | |
Jeffrey Carnes. Boy, do I got a lot of questions for you. | 1:23:05 | 1:23:09 | |
If you want to survive this thing, you'll come with me. Right now. | 1:23:09 | 1:23:13 | |
All right, why don't you put the gun down before someone sees you? | 1:23:13 | 1:23:16 | |
Get in the truck. | 1:23:17 | 1:23:19 | |
All right. | 1:23:19 | 1:23:21 | |
Dad! | 1:23:47 | 1:23:48 | |
Walter! | 1:23:48 | 1:23:50 | |
-Dad! -Walter! | 1:24:08 | 1:24:12 | |
Walter! | 1:24:12 | 1:24:13 | |
-SCREAMING: -Walter! Walter! | 1:24:16 | 1:24:18 | |
Walter! | 1:24:19 | 1:24:22 | |
MUFFLED SCREAMS | 1:24:22 | 1:24:25 | |
Those are classified CIA documents. | 1:24:37 | 1:24:40 | |
"Test subjects and free will. | 1:24:40 | 1:24:42 | |
Test subjects cannot be treated like employees." | 1:24:42 | 1:24:45 | |
-Frontal lobe haemorrhage? -That's his weakness. | 1:24:45 | 1:24:48 | |
He hasn't figured out how to get in their heads without them noticing. | 1:24:48 | 1:24:51 | |
-The nosebleeds. -You see lots of them? | 1:24:51 | 1:24:53 | |
Yeah. | 1:24:53 | 1:24:55 | |
And so there's limits to what it can do. It's fallible. | 1:24:55 | 1:24:57 | |
Living inside a 70-year-old man? | 1:24:57 | 1:24:59 | |
Yeah, that's why it embedded itself at Langley. | 1:24:59 | 1:25:01 | |
It's got everything it needs: military, CIA, FBI, NASA. | 1:25:01 | 1:25:05 | |
So he can be killed? | 1:25:08 | 1:25:10 | |
Yes. | 1:25:10 | 1:25:11 | |
-RADIO: -'..the existence of life elsewhere in the universe.' | 1:25:32 | 1:25:36 | |
Where are we going? | 1:25:36 | 1:25:38 | |
Look, it's kidnapped your son, just like it took my daughter. | 1:25:38 | 1:25:41 | |
-What? -But I know where it has him hidden. | 1:25:41 | 1:25:43 | |
There's a motel off I95. It's... Steward's employees took your son there. | 1:25:43 | 1:25:47 | |
It's a transport hub. | 1:25:47 | 1:25:49 | |
There's a swimming pool they use, a sort of gateway. | 1:25:49 | 1:25:51 | |
So, did you push the button or was it your wife? | 1:26:07 | 1:26:09 | |
-My wife. -Yeah. Yeah, mine too. | 1:26:11 | 1:26:15 | |
And now she's dead. | 1:26:17 | 1:26:19 | |
Did you kill her? | 1:26:20 | 1:26:22 | |
I did it for my daughter. | 1:26:22 | 1:26:24 | |
What do you mean, you did it for your daughter? | 1:26:24 | 1:26:26 | |
I had to make a choice between my wife and my daughter. | 1:26:26 | 1:26:31 | |
BELL RINGS | 1:26:38 | 1:26:41 | |
-RADIO: -'..and to reflect on our journey into the unknown. | 1:26:41 | 1:26:45 | |
BELL RINGS | 1:26:54 | 1:26:58 | |
AMBULANCE RADIO CHATTER | 1:27:09 | 1:27:11 | |
Was there anyone in the truck with him? | 1:27:15 | 1:27:18 | |
Not that we saw. | 1:27:18 | 1:27:20 | |
MAN: Let's move! | 1:27:32 | 1:27:34 | |
MAN: All teams execute! | 1:27:35 | 1:27:38 | |
MAN: Bravo, Charlie, forward position. | 1:27:41 | 1:27:44 | |
THUNDER CLAPS | 1:27:48 | 1:27:51 | |
THUNDER CLAPS | 1:27:55 | 1:27:58 | |
MAN: Weapons tight! | 1:28:21 | 1:28:23 | |
Move, move, move! | 1:28:27 | 1:28:29 | |
Arthur. Arthur, listen to me. | 1:28:35 | 1:28:37 | |
Whatever happens to you from this point on | 1:28:37 | 1:28:39 | |
will have greater ramifications than you can possibly fathom. | 1:28:39 | 1:28:42 | |
Please, have a seat. | 1:30:03 | 1:30:05 | |
Where's our son? | 1:30:07 | 1:30:10 | |
He's in a safe place. We'll get to him in a moment. | 1:30:10 | 1:30:13 | |
Please sit down. | 1:30:13 | 1:30:14 | |
I want you to know... | 1:30:23 | 1:30:25 | |
that I have the deepest respect and admiration for you both. | 1:30:25 | 1:30:29 | |
You gave me hope. | 1:30:32 | 1:30:34 | |
But I am very sorry that you pushed the button. | 1:30:36 | 1:30:40 | |
I'm afraid I have to tell you | 1:30:43 | 1:30:45 | |
that two of your son's functional senses have been impaired. | 1:30:45 | 1:30:49 | |
He can no longer see and he can no longer hear. | 1:30:50 | 1:30:54 | |
Where is he? | 1:30:59 | 1:31:01 | |
What have you done with him? | 1:31:02 | 1:31:03 | |
I have done nothing with him. I am just a vessel. | 1:31:04 | 1:31:09 | |
You are now presented with two options. | 1:31:10 | 1:31:14 | |
Option one, you can live the rest of your lives | 1:31:14 | 1:31:17 | |
and enjoy the money that has been given to you | 1:31:17 | 1:31:20 | |
and learn to live with your son's permanent impairment. | 1:31:20 | 1:31:23 | |
It is irreversible. | 1:31:23 | 1:31:25 | |
He will never hear your voices or see your faces again. | 1:31:25 | 1:31:29 | |
Option two... | 1:31:43 | 1:31:44 | |
..there is one bullet in the chamber of this gun. | 1:31:47 | 1:31:50 | |
You can fire it into your wife's heart, killing her. | 1:31:51 | 1:31:54 | |
At the exact moment your spirit leaves your body | 1:31:55 | 1:31:58 | |
your son will be returned to normal. | 1:31:58 | 1:32:00 | |
As for the million dollars, | 1:32:05 | 1:32:07 | |
it will be placed into an interest-bearing account | 1:32:07 | 1:32:09 | |
given to your son on his 18th birthday. | 1:32:09 | 1:32:12 | |
Let me kill myself. Arthur has nothing to do with this. | 1:32:14 | 1:32:19 | |
I'm sorry. The offer is non-negotiable. | 1:32:19 | 1:32:23 | |
Arthur, you must fire the gun. | 1:32:24 | 1:32:26 | |
Norma, you must die. | 1:32:26 | 1:32:28 | |
Or Walter will live for ever in darkness and silence. | 1:32:28 | 1:32:34 | |
PANICKED BREATHING | 1:32:37 | 1:32:40 | |
Kill me if you like, Mr Lewis, | 1:32:54 | 1:32:56 | |
and condemn your son to a life of agony. | 1:32:56 | 1:32:59 | |
You will be imprisoned for the murder of Arlington Steward, a mere employee. | 1:32:59 | 1:33:04 | |
And they will simply send another to replace me. | 1:33:04 | 1:33:07 | |
Who? | 1:33:10 | 1:33:12 | |
-Who will send another? -Arthur, please don't. | 1:33:12 | 1:33:15 | |
-Who? -Don't. | 1:33:15 | 1:33:17 | |
Good day to you. | 1:33:18 | 1:33:20 | |
Mr Steward. | 1:33:42 | 1:33:44 | |
Can I be forgiven? | 1:33:49 | 1:33:51 | |
I don't know. | 1:33:53 | 1:33:55 | |
I understand you admire the writings of Jean Paul Sartre. | 1:33:57 | 1:34:01 | |
Perhaps these words will comfort you. | 1:34:01 | 1:34:04 | |
There are two ways to enter the final chamber: | 1:34:05 | 1:34:09 | |
free or not free. | 1:34:09 | 1:34:12 | |
The choice is ours. | 1:34:12 | 1:34:14 | |
HE PANTS | 1:34:16 | 1:34:20 | |
You gave me a glimpse of the afterlife, didn't you? | 1:34:27 | 1:34:30 | |
Because this is purgatory. | 1:34:31 | 1:34:34 | |
And you're here to shut us down. | 1:34:36 | 1:34:38 | |
HE KNOCKS ON WALL | 1:34:43 | 1:34:45 | |
Your son is locked in the upstairs bathroom. | 1:34:58 | 1:35:01 | |
-Walter! -Walter! | 1:35:07 | 1:35:08 | |
Walter! Sweetheart! | 1:35:08 | 1:35:11 | |
Sweetheart, can you hear us? | 1:35:11 | 1:35:13 | |
Is anyone out there? | 1:35:13 | 1:35:15 | |
-Walter! -Is anyone out there? | 1:35:15 | 1:35:18 | |
They must have locked it on the other side. | 1:35:18 | 1:35:20 | |
I can't see. Please. Help me. | 1:35:20 | 1:35:24 | |
-Walter! -Walter! | 1:35:24 | 1:35:26 | |
-QUIETLY: -Sweetheart. | 1:35:31 | 1:35:32 | |
I can't hear. Please, help me. | 1:35:32 | 1:35:36 | |
W-Walter. Just back away from the door if you can hear me. | 1:35:38 | 1:35:43 | |
-Somebody, help. -Walter! | 1:35:45 | 1:35:47 | |
-SOBBING: -He can't hear us. | 1:35:47 | 1:35:50 | |
He can't hear us. | 1:35:50 | 1:35:52 | |
Stop it. Arthur, stop! | 1:35:52 | 1:35:54 | |
-SOBBING: -Please! | 1:35:55 | 1:35:57 | |
Arthur! Arthur! Arthur! | 1:36:00 | 1:36:02 | |
Mom! Dad! Please! | 1:36:02 | 1:36:06 | |
Stop. Stop this. | 1:36:06 | 1:36:09 | |
Look... | 1:36:09 | 1:36:11 | |
I can't... | 1:36:11 | 1:36:12 | |
I can't see him like that. | 1:36:12 | 1:36:14 | |
I can't. | 1:36:15 | 1:36:16 | |
HE SOBS | 1:36:21 | 1:36:23 | |
-Oh, God. -SHE SOBS QUIETLY | 1:36:33 | 1:36:37 | |
FAST, SHALLOW BREATHING | 1:36:44 | 1:36:48 | |
-QUIETLY: -No. | 1:37:07 | 1:37:09 | |
FAST, SHALLOW BREATHING | 1:37:12 | 1:37:16 | |
I can't do this. | 1:37:51 | 1:37:52 | |
We cannot leave him like this. | 1:37:52 | 1:37:55 | |
It's the only way. | 1:37:55 | 1:37:56 | |
There's no other way. | 1:37:58 | 1:38:00 | |
There's no... | 1:38:00 | 1:38:02 | |
He smiled at us. | 1:38:03 | 1:38:05 | |
What? | 1:38:05 | 1:38:07 | |
When you asked him about the afterlife, he smiled at us. | 1:38:07 | 1:38:10 | |
-He did, did he? -Yeah. | 1:38:14 | 1:38:17 | |
Arthur... | 1:38:19 | 1:38:21 | |
I love you, and I am so sorry. | 1:38:21 | 1:38:24 | |
I'm so sorry for what I did to us. | 1:38:24 | 1:38:27 | |
Sh! You didn't do anything. We did it. | 1:38:27 | 1:38:32 | |
So don't apologise. | 1:38:32 | 1:38:33 | |
I love you. | 1:38:36 | 1:38:38 | |
And I regret nothing in this life we've lived together. | 1:38:38 | 1:38:42 | |
Then I... | 1:38:46 | 1:38:48 | |
will count the days... | 1:38:48 | 1:38:50 | |
until my Arthur comes to see me again. | 1:38:50 | 1:38:54 | |
I'm going to push it. | 1:39:03 | 1:39:05 | |
-Until we meet again. -Yeah. | 1:39:20 | 1:39:23 | |
Let's get on with it. | 1:39:27 | 1:39:28 | |
GUNSHOT | 1:39:37 | 1:39:39 | |
911 Emergency, how may I direct your call? | 1:40:06 | 1:40:08 | |
You said you heard a gunshot? What is the address? | 1:40:10 | 1:40:13 | |
7321 Park... | 1:40:13 | 1:40:17 | |
in Antrim. | 1:40:17 | 1:40:19 | |
DOORBELL RINGS | 1:40:20 | 1:40:22 | |
Hello, Mrs Weller. | 1:40:24 | 1:40:26 | |
Shall I come in? | 1:40:26 | 1:40:28 | |
Walter? | 1:40:38 | 1:40:41 | |
Walter? | 1:40:41 | 1:40:42 | |
Walter, it's your dad, I'm right here. | 1:40:45 | 1:40:48 | |
Can you hear me? | 1:40:48 | 1:40:50 | |
HE KNOCKS ON DOOR | 1:40:50 | 1:40:52 | |
Walter? | 1:40:57 | 1:40:59 | |
Walter. | 1:41:02 | 1:41:04 | |
Walter, if you can hear me, just yell or something. I'm right outside the door. | 1:41:04 | 1:41:07 | |
Put your hands on your head and move away from the door! | 1:41:07 | 1:41:10 | |
Dad! | 1:41:10 | 1:41:13 | |
Mom! | 1:41:13 | 1:41:14 | |
I'm right here, honey. Everything's going to be fine, OK? Just hang tight. | 1:41:14 | 1:41:19 | |
I said, put your hands on your head and move away from the door! | 1:41:19 | 1:41:23 | |
Walter's upstairs. He's OK. | 1:42:30 | 1:42:33 | |
They assure me you and your son will be taken care of. | 1:42:33 | 1:42:36 |