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This film contains some violent scenes, | 0:00:13 | 0:00:18 | |
strong language, and scenes which some viewers may find disturbing. | 0:00:18 | 0:00:24 | |
CHIRRUPING | 0:00:57 | 0:01:00 | |
GLASS BREAKING | 0:01:10 | 0:01:12 | |
RUSTLING, CREAKING | 0:01:12 | 0:01:15 | |
Richard. Richard. | 0:01:17 | 0:01:19 | |
Yeah? | 0:01:19 | 0:01:20 | |
I think I heard something. | 0:01:20 | 0:01:22 | |
SQUEAKING | 0:01:26 | 0:01:27 | |
RUSTLING | 0:01:30 | 0:01:32 | |
HE PANTS | 0:01:46 | 0:01:48 | |
Stay here. | 0:01:57 | 0:01:59 | |
FLOORBOARDS CREAK | 0:02:22 | 0:02:24 | |
COCKS TRIGGER | 0:02:55 | 0:02:56 | |
CLOCK CHIMES | 0:03:00 | 0:03:01 | |
THUD | 0:03:06 | 0:03:07 | |
-Richard? -HE GASPS | 0:03:19 | 0:03:21 | |
Damn it. | 0:03:21 | 0:03:23 | |
SIRENS WAIL | 0:03:50 | 0:03:52 | |
How you feeling, son? | 0:04:03 | 0:04:05 | |
Peachy, aside from almost shitting myself. | 0:04:07 | 0:04:09 | |
Yeah, must have been a scary thing | 0:04:09 | 0:04:11 | |
for a man like you. | 0:04:11 | 0:04:13 | |
A civilian, I mean. | 0:04:15 | 0:04:17 | |
His name was, uh, Freddy Russell. | 0:04:17 | 0:04:20 | |
You know him? | 0:04:21 | 0:04:22 | |
I know shit when I step in it. | 0:04:22 | 0:04:25 | |
I'm gonna have to ask you to come down to the station, | 0:04:25 | 0:04:27 | |
make out a formal statement, OK? | 0:04:27 | 0:04:29 | |
POLICE RADIO CHATTER | 0:04:30 | 0:04:32 | |
OK. | 0:05:12 | 0:05:14 | |
Now what? | 0:05:15 | 0:05:17 | |
It'll go to the grand jury. | 0:05:17 | 0:05:19 | |
They'll look over your statement, | 0:05:19 | 0:05:21 | |
your wife's, mine, and they'll no-bill you. | 0:05:21 | 0:05:24 | |
What about the courts? | 0:05:24 | 0:05:26 | |
It'll never get that far. | 0:05:26 | 0:05:28 | |
It was self-defence. | 0:05:28 | 0:05:29 | |
He was unarmed. | 0:05:29 | 0:05:31 | |
Well, you didn't know that. | 0:05:31 | 0:05:33 | |
It's called "fear of life". | 0:05:33 | 0:05:35 | |
Uh, legally, | 0:05:35 | 0:05:36 | |
he might as well have been pointing a gun at you. | 0:05:36 | 0:05:39 | |
Look... | 0:05:39 | 0:05:41 | |
He's a wanted felon. | 0:05:41 | 0:05:43 | |
You're an upstanding citizen without a record. | 0:05:43 | 0:05:47 | |
Sometimes the good guy wins. | 0:05:47 | 0:05:48 | |
Hmm. | 0:05:48 | 0:05:50 | |
We're gonna have to keep that a while, OK? | 0:05:50 | 0:05:52 | |
Belonged to my dad. | 0:05:53 | 0:05:56 | |
He was a good man. | 0:05:56 | 0:05:57 | |
He'd have been proud. | 0:05:57 | 0:05:59 | |
Of what? My finger slipped. | 0:06:02 | 0:06:05 | |
You OK? | 0:06:27 | 0:06:28 | |
Uh-uh. | 0:06:31 | 0:06:33 | |
# As I prepare | 0:06:36 | 0:06:42 | |
# To lay down | 0:06:42 | 0:06:43 | |
# Here alone, dear | 0:06:43 | 0:06:47 | |
# I can't help | 0:06:48 | 0:06:50 | |
# But to keep wishing | 0:06:50 | 0:06:51 | |
# That you were here | 0:06:51 | 0:06:54 | |
# I've done you wrong | 0:06:56 | 0:06:58 | |
# But now you are gone | 0:06:58 | 0:07:00 | |
# What can I do now? | 0:07:00 | 0:07:03 | |
# Don't make me live the rest of my life | 0:07:05 | 0:07:08 | |
# Forgetting you now | 0:07:08 | 0:07:11 | |
# It's too bad | 0:07:13 | 0:07:15 | |
# I didn't realise | 0:07:15 | 0:07:17 | |
# Until you were gone | 0:07:17 | 0:07:20 | |
# Just what it meant | 0:07:21 | 0:07:23 | |
# To have a love like you for my own | 0:07:24 | 0:07:28 | |
# But now that you've gone | 0:07:30 | 0:07:32 | |
# I know I can't go on | 0:07:32 | 0:07:34 | |
# Living here without you now | 0:07:34 | 0:07:37 | |
# Don't make me live | 0:07:38 | 0:07:40 | |
# The rest of my life | 0:07:40 | 0:07:42 | |
# Forgetting you now... # | 0:07:42 | 0:07:46 | |
Come on, bud. Let's go back to bed. | 0:07:46 | 0:07:48 | |
Jordan, son, stop jiggling. | 0:08:01 | 0:08:04 | |
Now, you can't take that to school with you. | 0:08:06 | 0:08:08 | |
-Why? -Just because. | 0:08:08 | 0:08:10 | |
Because why? | 0:08:10 | 0:08:11 | |
Because I'm your father and I said so. | 0:08:11 | 0:08:14 | |
-Bang! -Hey. | 0:08:17 | 0:08:19 | |
You dead! | 0:08:19 | 0:08:21 | |
Don't you say that to me. | 0:08:22 | 0:08:23 | |
I don't want to snap at you, son, but I don't like that game. | 0:08:25 | 0:08:27 | |
Come on. Let's go. | 0:08:30 | 0:08:32 | |
TELEPHONE RINGS | 0:08:52 | 0:08:54 | |
Dane's Frames. | 0:08:54 | 0:08:57 | |
For you, Mr Dane. | 0:08:57 | 0:08:59 | |
Morning. | 0:09:02 | 0:09:03 | |
Morning. | 0:09:03 | 0:09:04 | |
Hello? | 0:09:04 | 0:09:05 | |
-ANN: -'It's me.' | 0:09:05 | 0:09:07 | |
Just a minute. | 0:09:08 | 0:09:10 | |
Richard, it's all over the school. | 0:09:10 | 0:09:12 | |
'The students keep asking me about it.' | 0:09:12 | 0:09:15 | |
Shit. | 0:09:16 | 0:09:17 | |
-'Maybe you should go home.' -I can't. | 0:09:17 | 0:09:20 | |
I have to talk with the police later. | 0:09:21 | 0:09:23 | |
What the hell for? | 0:09:24 | 0:09:25 | |
Uh...I don't know. | 0:09:25 | 0:09:27 | |
They...they want a statement from me. | 0:09:27 | 0:09:29 | |
How are you feeling? | 0:09:32 | 0:09:34 | |
Fine. | 0:09:38 | 0:09:39 | |
'I'll see you later tonight, OK?' | 0:09:40 | 0:09:43 | |
Oh, man. | 0:09:47 | 0:09:49 | |
That air conditioner feels good. | 0:09:49 | 0:09:50 | |
Whew. | 0:09:51 | 0:09:52 | |
I hear you got you one last night. | 0:09:52 | 0:09:55 | |
Back at the paper, they told me. | 0:09:55 | 0:09:57 | |
I couldn't believe it was you at first. | 0:09:57 | 0:10:00 | |
I didn't think you had it in you. | 0:10:00 | 0:10:01 | |
Hey, take it easy, Jack. It's not something I'm proud of. | 0:10:01 | 0:10:04 | |
Well, it's nothing to be ashamed of. | 0:10:04 | 0:10:06 | |
Some son of a bitch breaks into my house, | 0:10:06 | 0:10:08 | |
he better be ready to pick his teeth out of his ass. | 0:10:08 | 0:10:10 | |
-Shoot, man, if it was me... -It wasn't you. | 0:10:10 | 0:10:13 | |
It was me. | 0:10:13 | 0:10:14 | |
Now, Jack, if you got mail, leave it. | 0:10:14 | 0:10:16 | |
Otherwise, I'm busy. | 0:10:16 | 0:10:18 | |
GENERAL CHATTER | 0:10:19 | 0:10:21 | |
Here you go, y'all. | 0:10:21 | 0:10:22 | |
Y'all need anything else right now? | 0:10:22 | 0:10:24 | |
CHATTER SUBSIDES | 0:10:27 | 0:10:29 | |
Uh, beer. | 0:10:35 | 0:10:36 | |
Little early, isn't it? | 0:10:37 | 0:10:39 | |
Not today. | 0:10:39 | 0:10:41 | |
Right this way. | 0:10:50 | 0:10:51 | |
Howdy, Rich. | 0:11:01 | 0:11:02 | |
How you feeling? | 0:11:03 | 0:11:05 | |
Like a bucket of shit. | 0:11:07 | 0:11:09 | |
Shake it off. | 0:11:09 | 0:11:10 | |
So what happens now? | 0:11:14 | 0:11:16 | |
We bury the son of a bitch. | 0:11:16 | 0:11:18 | |
When? | 0:11:20 | 0:11:21 | |
Tomorrow, noon, Greenley's Cemetery, | 0:11:21 | 0:11:23 | |
courtesy of the county. | 0:11:23 | 0:11:25 | |
He got any family? | 0:11:27 | 0:11:28 | |
He got a daddy in Huntsville Prison. | 0:11:28 | 0:11:31 | |
He just got paroled. | 0:11:31 | 0:11:33 | |
Shit don't fall far from the tree. | 0:11:33 | 0:11:35 | |
And I can get these installed today? | 0:11:49 | 0:11:51 | |
Mm. | 0:11:51 | 0:11:53 | |
Ted. | 0:12:34 | 0:12:35 | |
Hey, Rich. | 0:12:35 | 0:12:37 | |
We'll be out of your hair in a little while. | 0:12:37 | 0:12:39 | |
-That couch looks hideous. -We can take it back. | 0:12:49 | 0:12:52 | |
I thought we agreed on the floral theme. | 0:12:52 | 0:12:54 | |
PHONE RINGS I made a decision. I'm sorry. | 0:12:54 | 0:12:55 | |
I didn't think it was a big deal. | 0:12:55 | 0:12:57 | |
I thought we made these decisions together. | 0:12:57 | 0:12:59 | |
-Can we talk about something besides the couch? -OK. | 0:12:59 | 0:13:02 | |
Did you see the locksmith bill? | 0:13:02 | 0:13:04 | |
PHONE CONTINUES TO RING | 0:13:08 | 0:13:10 | |
"You've reached the Dane residence. | 0:13:10 | 0:13:11 | |
"Please leave your name after the beep. | 0:13:11 | 0:13:14 | |
"Thank you, and God bless." | 0:13:14 | 0:13:16 | |
BEEP | 0:13:17 | 0:13:18 | |
SILENCE | 0:13:18 | 0:13:21 | |
FAINT BREATHING | 0:13:21 | 0:13:23 | |
CLICK, DIAL TONE | 0:13:31 | 0:13:33 | |
ANSWERPHONE BEEPS | 0:13:33 | 0:13:34 | |
-TV: -Here, looking for the base. | 0:14:46 | 0:14:48 | |
Called safe by the first base umpire. | 0:14:52 | 0:14:55 | |
Got to try to catch him late... | 0:14:55 | 0:14:57 | |
I guess he ran that all the way. | 0:14:57 | 0:14:59 | |
One and two... | 0:15:00 | 0:15:02 | |
Outside... | 0:15:05 | 0:15:06 | |
BELL TOLLS | 0:15:11 | 0:15:14 | |
-CLERGYMAN: -Amen. | 0:15:50 | 0:15:51 | |
GRAVE-DIGGERS CHAT | 0:16:21 | 0:16:24 | |
Quiet and peaceful, isn't it? | 0:16:27 | 0:16:29 | |
You're, uh, Dane, right? | 0:16:37 | 0:16:41 | |
Come to watch the shit go in the hole? | 0:16:43 | 0:16:45 | |
Very Christian of you. | 0:16:47 | 0:16:49 | |
I'm sure this doesn't make it any better for you, | 0:16:54 | 0:16:57 | |
Mr Russell, but I'm sorry for what happened. | 0:16:57 | 0:17:00 | |
He didn't give me much choice. | 0:17:00 | 0:17:02 | |
Yeah. | 0:17:08 | 0:17:10 | |
You're right. | 0:17:10 | 0:17:12 | |
Doesn't make it any better. | 0:17:12 | 0:17:15 | |
Oh, that was a nice picture of your family in the paper. | 0:17:19 | 0:17:22 | |
Your boy... | 0:17:24 | 0:17:26 | |
he looks a whole lot like you, doesn't he? | 0:17:26 | 0:17:28 | |
Now, you have a nice day now, you hear? | 0:17:32 | 0:17:36 | |
TENSE MUSIC PLAYS | 0:17:36 | 0:17:40 | |
Yeah, it's Richard. Is she free? | 0:17:55 | 0:17:57 | |
Well...yeah, OK. Tell her not to worry | 0:17:57 | 0:18:00 | |
but to meet me at the police station. | 0:18:00 | 0:18:02 | |
No, everything's fine. | 0:18:02 | 0:18:05 | |
-WOMAN: -Jordan, your dad's here. | 0:18:20 | 0:18:23 | |
-Come on back. -Jordan. | 0:18:23 | 0:18:25 | |
Hey. Jordan! | 0:18:25 | 0:18:27 | |
Jordan, hey. | 0:18:27 | 0:18:28 | |
Come on. Come on. | 0:18:28 | 0:18:30 | |
Come with me right now. We're going. Come with me. | 0:18:30 | 0:18:32 | |
We're going. Get in the car. | 0:18:32 | 0:18:34 | |
Come on, son. Son, come on. | 0:18:34 | 0:18:35 | |
Get in the car. | 0:18:35 | 0:18:37 | |
Did he say anything to you at the school? | 0:18:55 | 0:18:57 | |
No, he just waved. | 0:18:57 | 0:18:58 | |
-He waved? -Yeah. | 0:18:59 | 0:19:01 | |
So what do you want me to do here, Rich? | 0:19:02 | 0:19:04 | |
I want him arrested. | 0:19:04 | 0:19:06 | |
For what? | 0:19:06 | 0:19:07 | |
He hasn't done anything. | 0:19:07 | 0:19:08 | |
He threatened my son. | 0:19:08 | 0:19:10 | |
He said your boy looks like you. It's not a threat. | 0:19:10 | 0:19:12 | |
He showed up at Jordan's school. | 0:19:12 | 0:19:13 | |
In broad daylight, in front of witnesses, and did nothing. | 0:19:13 | 0:19:16 | |
He wants my son. I know it. I want protection. | 0:19:16 | 0:19:19 | |
That's not gonna happen, not without a legal reason. | 0:19:19 | 0:19:22 | |
I'll tell you what I'll do, Rich. | 0:19:25 | 0:19:27 | |
Unofficially, I'll have a car stop by your house | 0:19:27 | 0:19:29 | |
every couple hours over the next few days, | 0:19:29 | 0:19:31 | |
give you a little peace of mind. | 0:19:31 | 0:19:33 | |
He's probably just trying to scare you. | 0:19:33 | 0:19:35 | |
Don't let him. | 0:19:35 | 0:19:37 | |
What were you thinking? | 0:19:38 | 0:19:39 | |
Richard. | 0:19:39 | 0:19:41 | |
Why even go there? | 0:19:41 | 0:19:42 | |
It was a mistake, OK? I fucked up. | 0:19:42 | 0:19:45 | |
I don't like that word, not in front of Jordan. | 0:19:46 | 0:19:48 | |
What are we supposed to do now? | 0:19:51 | 0:19:52 | |
Maybe you and Jordan should stay at your mom's | 0:19:54 | 0:19:56 | |
for a while until this blows over. | 0:19:56 | 0:19:57 | |
What if he follows us there? | 0:19:57 | 0:19:59 | |
I don't want to put her in danger too. | 0:19:59 | 0:20:02 | |
What about your dad's cabin? | 0:20:03 | 0:20:05 | |
No, it's too isolated. | 0:20:05 | 0:20:06 | |
Besides, that's the last place I want to be. | 0:20:06 | 0:20:08 | |
I want a igloo colada. | 0:20:08 | 0:20:10 | |
Son, don't talk when other people are talking. | 0:20:10 | 0:20:12 | |
It's not polite. Eat your dinner. | 0:20:12 | 0:20:14 | |
I say we stay home, | 0:20:14 | 0:20:16 | |
take Jordan out of school for a little while, | 0:20:16 | 0:20:19 | |
let the cops handle it. | 0:20:19 | 0:20:21 | |
We wait him out. | 0:20:21 | 0:20:22 | |
We already got bars on the windows and... | 0:20:22 | 0:20:24 | |
-But I don't want... -Damn it, Jordan! | 0:20:24 | 0:20:26 | |
CLATTER | 0:20:26 | 0:20:27 | |
Get back in the car. | 0:21:35 | 0:21:36 | |
What? | 0:21:36 | 0:21:37 | |
The lock's busted. | 0:21:37 | 0:21:39 | |
Oh, my God. | 0:21:39 | 0:21:40 | |
Go to the Fergusons' and call the police. | 0:21:40 | 0:21:42 | |
Ask for Price. | 0:21:42 | 0:21:44 | |
What are you doing? | 0:21:44 | 0:21:45 | |
Aren't you coming with us? | 0:21:46 | 0:21:48 | |
-Richard, get in the car. -Ann, get, now. | 0:21:48 | 0:21:51 | |
Come with us. | 0:21:51 | 0:21:52 | |
I said go. | 0:21:52 | 0:21:53 | |
-Richard, don't be stupid. -Go, Ann. | 0:21:53 | 0:21:55 | |
DOOR CREAKS | 0:22:28 | 0:22:29 | |
SQUEAKING | 0:22:36 | 0:22:37 | |
WINDOW BARS CREAK | 0:23:00 | 0:23:02 | |
METALLIC CLINK | 0:23:07 | 0:23:08 | |
SIRENS WAIL | 0:23:22 | 0:23:24 | |
Whoever it was knows his way around alarm systems. | 0:23:28 | 0:23:32 | |
We know who it was. | 0:23:32 | 0:23:34 | |
Excuse me, Detective. | 0:23:34 | 0:23:36 | |
That goes for everybody. | 0:23:38 | 0:23:40 | |
I was wrong. | 0:23:43 | 0:23:45 | |
I thought he'd move on, | 0:23:45 | 0:23:46 | |
but at least we have a reasonable suspicion now. | 0:23:46 | 0:23:49 | |
That means I can give you official protection. | 0:23:49 | 0:23:52 | |
Now, all you got to do is be normal... | 0:23:53 | 0:23:56 | |
go to work, take Jordan to school, be seen. | 0:23:56 | 0:23:58 | |
And everywhere you go, I'll have someone watching. | 0:23:58 | 0:24:02 | |
So when he makes his move, | 0:24:02 | 0:24:04 | |
we make our move. | 0:24:04 | 0:24:06 | |
So, we're the bait. | 0:24:07 | 0:24:09 | |
For want of a better word, yeah. | 0:24:09 | 0:24:11 | |
What do you say, Ann? | 0:24:13 | 0:24:15 | |
Let's nail that son of a bitch. | 0:24:18 | 0:24:20 | |
THUNDERCLAP | 0:24:21 | 0:24:22 | |
I got men hiding out in the woods. | 0:24:26 | 0:24:28 | |
He sees me drive away, | 0:24:28 | 0:24:29 | |
he's gonna think you're here all alone. | 0:24:29 | 0:24:31 | |
This is Kevin. He's a good man, ex-Special Forces. | 0:24:31 | 0:24:33 | |
-Anyone see you come in here? -Piece of cake. | 0:24:33 | 0:24:36 | |
Kevin's gonna stay here with you. | 0:24:36 | 0:24:38 | |
For how long? | 0:24:38 | 0:24:39 | |
As long as it takes. | 0:24:39 | 0:24:41 | |
What do we do? | 0:24:42 | 0:24:43 | |
You go to bed. Get some sleep. You're gonna need it. | 0:24:43 | 0:24:46 | |
(I like him when he's sleeping.) | 0:25:23 | 0:25:25 | |
Yeah. | 0:25:26 | 0:25:27 | |
He's sweet. | 0:25:27 | 0:25:29 | |
THUNDERCLAP | 0:25:45 | 0:25:47 | |
God damn... | 0:26:14 | 0:26:16 | |
HE WHISTLES | 0:27:29 | 0:27:30 | |
ENGINE REVS | 0:28:25 | 0:28:27 | |
BEEPS | 0:28:43 | 0:28:44 | |
-RADIO: -It's one of the neighbours looking for his dog, over. | 0:28:52 | 0:28:56 | |
Any word? | 0:28:59 | 0:29:00 | |
Nothing so far. | 0:29:00 | 0:29:02 | |
-RADIO: -Lieutenant, come in. | 0:29:08 | 0:29:10 | |
Yeah. Price here. | 0:29:10 | 0:29:12 | |
Lieutenant, we just found his car about a quarter-mile south of you. | 0:29:12 | 0:29:16 | |
Any sign of him? | 0:29:16 | 0:29:18 | |
No. | 0:29:20 | 0:29:21 | |
Well, fan out and see if you can flush his ass. | 0:29:21 | 0:29:24 | |
THUNDERCLAP | 0:29:48 | 0:29:50 | |
TAPPING | 0:30:10 | 0:30:13 | |
Kevin?! | 0:30:39 | 0:30:41 | |
He's in the fucking house! | 0:30:43 | 0:30:45 | |
What the hell? | 0:30:45 | 0:30:46 | |
He's in the goddamn house! | 0:30:46 | 0:30:48 | |
Jordan! | 0:30:48 | 0:30:49 | |
Move! Go! Go! | 0:30:49 | 0:30:51 | |
Haul your ass! | 0:30:51 | 0:30:52 | |
RICHARD: Price! | 0:30:52 | 0:30:53 | |
Jordan? | 0:30:53 | 0:30:55 | |
Get the door. | 0:30:57 | 0:30:58 | |
-Let them in the door. -Ah! | 0:30:58 | 0:30:59 | |
-PRICE: -The door's locked. Someone go around back. | 0:31:01 | 0:31:03 | |
-I can't get it open! -Open up, Ann! | 0:31:05 | 0:31:07 | |
-ANN: -Jordan! | 0:31:11 | 0:31:12 | |
Jordan! | 0:31:12 | 0:31:14 | |
Oh. | 0:31:16 | 0:31:18 | |
He's in the woods. Move. Move. | 0:31:19 | 0:31:21 | |
Thank God. | 0:31:21 | 0:31:23 | |
Oh! | 0:31:23 | 0:31:24 | |
Tracked him down to the river, but the rain's making it hard. | 0:31:37 | 0:31:40 | |
How'd he get in? | 0:31:40 | 0:31:42 | |
How'd he get in the house, Ray? | 0:31:44 | 0:31:46 | |
He never left. | 0:31:46 | 0:31:47 | |
Son of a bitch was in the crawl space the whole time. | 0:31:47 | 0:31:51 | |
Jesus Christ. | 0:31:51 | 0:31:53 | |
We'll get him, Rich. | 0:31:55 | 0:31:57 | |
Don't you worry. | 0:31:57 | 0:31:59 | |
ALARM SOUNDS | 0:32:23 | 0:32:24 | |
TELEPHONE RINGS | 0:32:47 | 0:32:49 | |
Nuevo Laredo? | 0:32:56 | 0:32:57 | |
-PRICE: -'Yep, piece of shit went to Mexico.' | 0:32:57 | 0:32:59 | |
Mexico? | 0:32:59 | 0:33:00 | |
'Federales picked him up across the border. We got him, Rich. | 0:33:00 | 0:33:03 | |
'Dragging him back to Huntsville as we speak. | 0:33:03 | 0:33:05 | |
'His age, he'll never set foot in this county again. | 0:33:05 | 0:33:08 | |
'Listen, uh, we just wrapped the paperwork on the Freddy file. | 0:33:08 | 0:33:11 | |
'Why don't you stop down and we'll close this out for good? | 0:33:11 | 0:33:13 | |
'Then you owe me a beer, companero, OK?' | 0:33:13 | 0:33:15 | |
OK. | 0:33:15 | 0:33:17 | |
ROCK MUSIC PLAYING IN CAR | 0:33:24 | 0:33:26 | |
That's it. | 0:33:43 | 0:33:44 | |
Sign these last two, and you're on your way. | 0:33:44 | 0:33:47 | |
All right. | 0:33:47 | 0:33:49 | |
What's this? | 0:34:29 | 0:34:31 | |
It says "Freddy Russell." | 0:34:32 | 0:34:35 | |
So? | 0:34:35 | 0:34:36 | |
So, that's not the guy I shot. | 0:34:36 | 0:34:38 | |
Is that some kind of mistake or what? | 0:34:38 | 0:34:41 | |
That's Freddy Russell. | 0:34:43 | 0:34:45 | |
It's just a bad mug shot, not very recent. | 0:34:45 | 0:34:47 | |
People change, Rich. | 0:34:47 | 0:34:49 | |
Well, not that much. | 0:34:51 | 0:34:52 | |
You were pretty upset that night, remember? | 0:34:52 | 0:34:55 | |
Yeah, he died right in front of me. | 0:34:55 | 0:34:58 | |
I look at pictures of faces all day. | 0:34:58 | 0:35:00 | |
That is not the guy. | 0:35:00 | 0:35:02 | |
It's called shock, OK? Memory gets a little fuzzy. | 0:35:05 | 0:35:08 | |
It happens. | 0:35:08 | 0:35:09 | |
Now, why don't you go home | 0:35:09 | 0:35:11 | |
and let me deal with the police work, huh? | 0:35:11 | 0:35:14 | |
Give my regards to Ann, huh? | 0:35:16 | 0:35:19 | |
-PRICE: -'Sheriff's offices. Price here.' | 0:36:01 | 0:36:03 | |
Hey, Ray. This is Richard Dane. | 0:36:03 | 0:36:07 | |
'What is it, Rich?' | 0:36:07 | 0:36:08 | |
That wanted poster is bugging me. It's not him, Ray. | 0:36:10 | 0:36:13 | |
'We've been through this. It's late. I'm busy. | 0:36:13 | 0:36:15 | |
'Give it a rest.' | 0:36:15 | 0:36:16 | |
-Well, just hear me out. -'I did, and you're wrong. | 0:36:16 | 0:36:19 | |
'Case closed, over. Now get some sleep.' | 0:36:19 | 0:36:21 | |
CLICK, DIAL TONE | 0:36:21 | 0:36:23 | |
RINGING | 0:36:35 | 0:36:37 | |
'Sheriff's office.' | 0:36:37 | 0:36:39 | |
Yeah, Lieutenant Price, please. | 0:36:39 | 0:36:42 | |
'Sorry. He's not here, sir. | 0:36:44 | 0:36:45 | |
'Can I take a message?' | 0:36:45 | 0:36:47 | |
NOISE NEARBY | 0:37:11 | 0:37:13 | |
Come on. Bring him down here. | 0:37:15 | 0:37:17 | |
Move along. | 0:37:21 | 0:37:23 | |
Let's go. Keep him quiet. | 0:37:39 | 0:37:41 | |
That's it. | 0:37:41 | 0:37:42 | |
HE EXHALES | 0:39:26 | 0:39:28 | |
Get him out. | 0:39:30 | 0:39:31 | |
YELLING | 0:39:39 | 0:39:40 | |
-Get down. -Get down. | 0:39:42 | 0:39:44 | |
That's good. That's good. | 0:39:46 | 0:39:47 | |
There you go. | 0:39:48 | 0:39:50 | |
Going down. | 0:39:50 | 0:39:53 | |
YELLING | 0:39:58 | 0:40:00 | |
Get down. | 0:40:00 | 0:40:02 | |
Down. Get down. | 0:40:04 | 0:40:06 | |
CAR ENGINE STARTS | 0:40:26 | 0:40:27 | |
TRAIN WHISTLES IN THE DISTANCE | 0:40:55 | 0:40:57 | |
WHISTLING CONTINUES | 0:41:12 | 0:41:13 | |
CROSSING DINGS | 0:41:20 | 0:41:22 | |
TRAIN HORN | 0:41:22 | 0:41:24 | |
HORN BLASTS | 0:41:50 | 0:41:53 | |
SOFT BEEPING | 0:42:40 | 0:42:42 | |
TRAIN WHISTLE SOUNDS | 0:42:59 | 0:43:01 | |
DOOR SLAMS | 0:43:46 | 0:43:47 | |
Whoa. | 0:44:03 | 0:44:04 | |
What happened to your shoes? | 0:44:06 | 0:44:08 | |
Oh. | 0:44:08 | 0:44:11 | |
I drove out and checked on the cabin yesterday. | 0:44:11 | 0:44:13 | |
Must have stepped in some muck. | 0:44:13 | 0:44:15 | |
I thought you didn't like going there. | 0:44:15 | 0:44:17 | |
Yeah, I know, but I figured I got to clean it out sometime. | 0:44:17 | 0:44:21 | |
And? | 0:44:21 | 0:44:23 | |
My father didn't leave much behind. | 0:44:23 | 0:44:25 | |
There you go. | 0:44:25 | 0:44:27 | |
TRAIN WHISTLE SOUNDS | 0:44:27 | 0:44:28 | |
Richard? | 0:44:54 | 0:44:56 | |
I didn't kill your son. | 0:46:06 | 0:46:08 | |
Fuck you. | 0:46:09 | 0:46:10 | |
Look, I think the cops have been lying to us both | 0:46:12 | 0:46:14 | |
all along. | 0:46:14 | 0:46:16 | |
Where's my shoe? | 0:46:16 | 0:46:17 | |
The cops are up to something, right? | 0:46:29 | 0:46:32 | |
Something to do with your son, with you. | 0:46:32 | 0:46:35 | |
Why do they want you dead? | 0:46:36 | 0:46:38 | |
How should I know? | 0:46:38 | 0:46:39 | |
Same reason you do. | 0:46:39 | 0:46:41 | |
Look. | 0:46:43 | 0:46:44 | |
Something's going on. | 0:46:47 | 0:46:50 | |
They used my family as bait to find you. | 0:46:50 | 0:46:54 | |
I want to know why. | 0:46:54 | 0:46:56 | |
Did you take my lighter? | 0:46:57 | 0:46:59 | |
No. | 0:47:00 | 0:47:01 | |
Well, where is it? | 0:47:01 | 0:47:03 | |
What's the matter? You scared? | 0:47:20 | 0:47:22 | |
HE LAUGHS | 0:47:22 | 0:47:24 | |
Huh? | 0:47:25 | 0:47:27 | |
When's the last time you heard from your son? | 0:47:31 | 0:47:34 | |
Oh, it's been a good long while. | 0:47:36 | 0:47:39 | |
He was about the same age as your boy. | 0:47:40 | 0:47:43 | |
I could have left you on those train tracks, | 0:47:58 | 0:48:00 | |
but I didn't. | 0:48:00 | 0:48:01 | |
I didn't kill your son. | 0:48:02 | 0:48:05 | |
Who you gonna trust, | 0:48:05 | 0:48:06 | |
the cops that just tried to kill you, or me? | 0:48:06 | 0:48:09 | |
All I know is what I'm told. | 0:48:10 | 0:48:13 | |
And I'm told I got nothing left. | 0:48:16 | 0:48:18 | |
I didn't kill your son. | 0:48:18 | 0:48:20 | |
So you say. | 0:48:20 | 0:48:21 | |
OK. | 0:48:23 | 0:48:25 | |
You're coming with me. | 0:48:26 | 0:48:28 | |
THUNDER RUMBLES | 0:48:34 | 0:48:36 | |
Ah. | 0:48:55 | 0:48:56 | |
Dig. | 0:48:56 | 0:48:57 | |
THUNDER RUMBLES | 0:49:21 | 0:49:22 | |
SHOVEL THUDS | 0:49:48 | 0:49:50 | |
Do it. | 0:50:06 | 0:50:08 | |
Ugh. Jeez. | 0:50:36 | 0:50:38 | |
That ain't him. That's not Freddy. | 0:50:47 | 0:50:49 | |
God. | 0:50:55 | 0:50:57 | |
Jesus. Who would do that? | 0:51:00 | 0:51:02 | |
Somebody who didn't want him identified, ever. | 0:51:04 | 0:51:07 | |
Come on. Get out of there. | 0:51:15 | 0:51:17 | |
What do we do now? | 0:51:33 | 0:51:35 | |
We? | 0:51:35 | 0:51:37 | |
Yeah. | 0:51:40 | 0:51:41 | |
I'll pay you back. | 0:51:50 | 0:51:52 | |
Hey. Ben. | 0:52:16 | 0:52:19 | |
Russell. | 0:52:19 | 0:52:20 | |
Long time. | 0:52:20 | 0:52:22 | |
I need some help. | 0:52:26 | 0:52:28 | |
It's about my son. | 0:52:28 | 0:52:30 | |
Good morning. | 0:53:03 | 0:53:04 | |
Ray. | 0:53:04 | 0:53:05 | |
You got a minute? | 0:53:05 | 0:53:07 | |
Yeah. | 0:53:07 | 0:53:08 | |
What do you need? | 0:53:08 | 0:53:09 | |
I was wrong to hang up on you the other night. | 0:53:09 | 0:53:11 | |
I want to apologise. | 0:53:11 | 0:53:13 | |
Oh, forget it. | 0:53:14 | 0:53:15 | |
No, you were right. | 0:53:15 | 0:53:16 | |
I was all worked up over nothing. | 0:53:16 | 0:53:18 | |
No, you were concerned, and you were kind of right. | 0:53:18 | 0:53:21 | |
See, Freddy... | 0:53:21 | 0:53:22 | |
he was wanted. | 0:53:22 | 0:53:24 | |
He dyed his hair. He was wearing contact lenses. | 0:53:24 | 0:53:26 | |
That's why you were confused. | 0:53:26 | 0:53:28 | |
Well, I'm just glad his old man's headed back to prison. | 0:53:30 | 0:53:34 | |
Any day now. | 0:53:34 | 0:53:35 | |
LOUD BLUES MUSIC PLAYS | 0:53:35 | 0:53:38 | |
I'm sure you're doing everything you can. I appreciate that. | 0:53:38 | 0:53:42 | |
Important thing is, he's not a threat anymore, right? | 0:53:42 | 0:53:44 | |
MUSIC PLAYS | 0:53:44 | 0:53:47 | |
Can I help you? | 0:53:58 | 0:53:59 | |
You think you could corral this little filly | 0:54:02 | 0:54:04 | |
in a frame for me? | 0:54:04 | 0:54:06 | |
Kind of a rush job. | 0:54:07 | 0:54:09 | |
It don't have to be too fancy. | 0:54:11 | 0:54:13 | |
You're busy, Rich. I'll catch you. | 0:54:14 | 0:54:16 | |
All right. | 0:54:16 | 0:54:17 | |
Sounds like old Ben's got himself | 0:54:23 | 0:54:25 | |
in a real shitstorm this time, | 0:54:25 | 0:54:27 | |
and he's dragged you right in there with him. | 0:54:27 | 0:54:30 | |
Who are you? | 0:54:31 | 0:54:33 | |
Name's Jim Bob Luke. | 0:54:33 | 0:54:36 | |
Luke Detective Agency, Houston, Texas. | 0:54:36 | 0:54:38 | |
COUNTRY MUSIC PLAYS | 0:54:45 | 0:54:48 | |
This one made it all the way to the Houston paper. | 0:54:57 | 0:54:59 | |
Front page. | 0:54:59 | 0:55:01 | |
Mentions Freddy four times, | 0:55:01 | 0:55:03 | |
just in case you missed it. | 0:55:03 | 0:55:05 | |
This is six weeks ago. | 0:55:07 | 0:55:10 | |
Buried on the back page. | 0:55:10 | 0:55:12 | |
Mentions Freddy once. | 0:55:12 | 0:55:14 | |
So he turned state evidence, then? | 0:55:15 | 0:55:17 | |
And your boy found himself on the ass end of a federal case. | 0:55:17 | 0:55:20 | |
Now, we know Freddy ain't no saint, | 0:55:22 | 0:55:26 | |
but if he's messing around with these boys | 0:55:26 | 0:55:28 | |
in the Dixie Mafia, they some bad dudes. | 0:55:28 | 0:55:31 | |
How far do you want to take this, Ben? | 0:55:31 | 0:55:33 | |
If he's alive, I want to see him. | 0:55:42 | 0:55:44 | |
All right. Well, I got some hunches on that. | 0:55:44 | 0:55:47 | |
I want to feel them out first. | 0:55:47 | 0:55:50 | |
But first thing, we got to relocate. | 0:55:50 | 0:55:52 | |
If Price is as slick as his moustache, | 0:55:52 | 0:55:56 | |
we got to get the old hoss here out of the county. | 0:55:56 | 0:55:58 | |
What do I do? | 0:56:00 | 0:56:02 | |
For now, just go home, you know, act dumb. | 0:56:02 | 0:56:05 | |
Let me do some legwork, | 0:56:05 | 0:56:06 | |
and when I get Russell settled somewhere, | 0:56:06 | 0:56:09 | |
I'll...I'll give you a call. | 0:56:09 | 0:56:11 | |
-TV: -Hey, thanks. Thanks. | 0:56:15 | 0:56:17 | |
Over here. | 0:56:17 | 0:56:19 | |
Wanted to buy you a drink, partner, | 0:56:19 | 0:56:21 | |
-for bringing Holly back in one piece. -Yeah. | 0:56:21 | 0:56:24 | |
Last time, he blacked her eye. | 0:56:24 | 0:56:25 | |
Someday, someone's gonna settle... | 0:56:25 | 0:56:27 | |
I'd like to do it myself. | 0:56:28 | 0:56:30 | |
PHONE RINGS | 0:56:30 | 0:56:32 | |
At one time, a Singapore Sling would have been the only answer. | 0:56:32 | 0:56:34 | |
What? No, no, no, no. | 0:56:59 | 0:57:01 | |
Say that again. You broke up. | 0:57:01 | 0:57:04 | |
I can't... | 0:57:04 | 0:57:05 | |
No, I'm... I'm catching every third word. | 0:57:05 | 0:57:08 | |
Say it again. | 0:57:08 | 0:57:09 | |
Here you go. | 0:57:09 | 0:57:10 | |
All right, thanks. | 0:57:14 | 0:57:16 | |
What'd you find out? | 0:57:19 | 0:57:20 | |
Well, I made a bunch of calls. | 0:57:20 | 0:57:22 | |
I got this gal I used to run with. | 0:57:22 | 0:57:25 | |
She works in the office of the FBI. | 0:57:25 | 0:57:27 | |
It seems Freddy is assigned to the witness relocation programme. | 0:57:27 | 0:57:32 | |
You know what that is? | 0:57:32 | 0:57:33 | |
They give people a new start, new name, new place... | 0:57:33 | 0:57:37 | |
Mob informers and shit. | 0:57:37 | 0:57:38 | |
Yeah, you got the picture, framer. | 0:57:38 | 0:57:41 | |
They're the ones that set you up. | 0:57:41 | 0:57:43 | |
So, over the last couple years, | 0:57:43 | 0:57:45 | |
your son's been running with the Dixie boys, | 0:57:45 | 0:57:48 | |
doing whatever Mafia types do. | 0:57:48 | 0:57:50 | |
And the shit gets way over Freddy's head, | 0:57:50 | 0:57:53 | |
and the law comes down on him hard. | 0:57:53 | 0:57:55 | |
So, to keep from going to the slammer, | 0:57:55 | 0:57:57 | |
he starts to sing like a little bird | 0:57:57 | 0:57:59 | |
against his old buddies, the Dixie boys. | 0:57:59 | 0:58:02 | |
Now, you don't want to fuck with the Dixie Mafia. | 0:58:02 | 0:58:06 | |
And the feds know that, so they make Freddy a deal. | 0:58:06 | 0:58:09 | |
They'll hide him if he gives them what they need. | 0:58:09 | 0:58:12 | |
So they faked it. | 0:58:12 | 0:58:14 | |
It's beautiful. | 0:58:14 | 0:58:16 | |
If the Dixie Mafia believes that Freddy is dead, well... | 0:58:16 | 0:58:20 | |
What's the use of gunning for a dead guy, right? | 0:58:20 | 0:58:22 | |
Good plan, don't you think? | 0:58:22 | 0:58:24 | |
Then who's in that grave? | 0:58:27 | 0:58:29 | |
Yeah, and where's my son? | 0:58:29 | 0:58:30 | |
Well, that's a good one. | 0:58:32 | 0:58:34 | |
-PHONE RINGS -Oh! | 0:58:36 | 0:58:37 | |
That would be for me. | 0:58:37 | 0:58:39 | |
These things are amazing. | 0:58:39 | 0:58:40 | |
You seen these? | 0:58:40 | 0:58:42 | |
Ah, fuck, you've been in prison for ever. | 0:58:42 | 0:58:44 | |
Jim Bob. You're breaking up. Hold on. | 0:58:44 | 0:58:46 | |
OK, that's better. Go ahead. | 0:58:49 | 0:58:51 | |
I need another beer. | 0:58:53 | 0:58:56 | |
Well, if it ain't Josey Wales. | 0:59:03 | 0:59:05 | |
Hey, kill any banditos lately, Cowboy? | 0:59:05 | 0:59:08 | |
Jack, you're drunk. Leave me alone. | 0:59:08 | 0:59:11 | |
Ah, let me buy you a drink. | 0:59:11 | 0:59:13 | |
And you can tell me about how you... | 0:59:13 | 0:59:15 | |
I don't want your drink, Jack, and I don't want your company. | 0:59:15 | 0:59:18 | |
Let me tell you something, Mr Dane... | 0:59:18 | 0:59:21 | |
Ahh! Oh, God! | 0:59:21 | 0:59:23 | |
Hurts, doesn't it? | 0:59:23 | 0:59:25 | |
Hey. Hey. Let him go. It's not a good idea. | 0:59:27 | 0:59:30 | |
You didn't have to do that. | 0:59:39 | 0:59:41 | |
Well, I didn't want to see you damage the fella. | 0:59:43 | 0:59:47 | |
Can we get three beers? | 0:59:47 | 0:59:49 | |
MOVIE: 'In Washington, | 0:59:51 | 0:59:52 | |
'it has been established that persons who have recently died | 0:59:52 | 0:59:56 | |
'have been returning to life and committing acts of murder. | 0:59:56 | 1:00:01 | |
'Widespread investigation of morgues and funeral homes...' | 1:00:01 | 1:00:03 | |
Hoss, if you want to see your boy, | 1:00:03 | 1:00:06 | |
we got to move. | 1:00:06 | 1:00:08 | |
You can stay at my place. | 1:00:08 | 1:00:10 | |
'Human victims...' | 1:00:10 | 1:00:12 | |
Y'all are leaving? | 1:00:12 | 1:00:14 | |
This whole operation's being run out of the Houston office. | 1:00:14 | 1:00:18 | |
That's my hood. | 1:00:18 | 1:00:21 | |
Freddy will be close by. | 1:00:21 | 1:00:23 | |
I'm going with you. | 1:00:23 | 1:00:25 | |
MOVIE: 'That situation has now changed, | 1:00:25 | 1:00:27 | |
'and we're able to report a definite...' | 1:00:27 | 1:00:29 | |
I still don't know who I shot. | 1:00:29 | 1:00:31 | |
I have to tell my wife something. | 1:00:35 | 1:00:37 | |
I don't know. | 1:00:38 | 1:00:39 | |
Seems kind of sudden, doesn't it? | 1:00:39 | 1:00:41 | |
Well, this is a good opportunity for the shop. | 1:00:41 | 1:00:45 | |
Uh, have you been drinking? | 1:00:45 | 1:00:48 | |
Yeah, I stopped and had a couple. I'm celebrating. | 1:00:48 | 1:00:51 | |
If I get this contract, well, it'd be big. | 1:00:51 | 1:00:55 | |
-You're serious about this, aren't you? -Mm-hmm. | 1:00:56 | 1:00:59 | |
Well, how long will you be gone for? | 1:00:59 | 1:01:01 | |
Just a couple days, no more than a week, I figure. | 1:01:01 | 1:01:05 | |
I don't know. | 1:01:05 | 1:01:06 | |
I don't like the idea of you going to Houston | 1:01:06 | 1:01:08 | |
and leaving me and Jordan all alone. | 1:01:08 | 1:01:10 | |
-Well, they got him, Ann. -Don't make me sound girlie. | 1:01:10 | 1:01:12 | |
Well, don't act girlie. | 1:01:12 | 1:01:14 | |
Don't tease me, Richard. | 1:01:14 | 1:01:16 | |
Well, you should be happy. | 1:01:16 | 1:01:18 | |
I've been waiting for something big like this. | 1:01:18 | 1:01:22 | |
Well, will it stop you from moping around the house? | 1:01:22 | 1:01:25 | |
Maybe we can go on a vacation after, some place cool? | 1:01:27 | 1:01:30 | |
-It's been a while since we've been away. -Yeah. | 1:01:30 | 1:01:33 | |
We could drop Jordan at your mom's | 1:01:33 | 1:01:35 | |
and have us a little adult time. | 1:01:35 | 1:01:37 | |
Hmm? | 1:01:38 | 1:01:41 | |
You want to do it, Sparky? | 1:01:41 | 1:01:43 | |
You haven't called me that since high school. | 1:01:46 | 1:01:48 | |
-Mm. -You are drunk. | 1:01:48 | 1:01:50 | |
Drunk and randy, I thought that's how you like me. | 1:01:50 | 1:01:53 | |
Let's get us some Java. | 1:02:37 | 1:02:38 | |
PIGS SQUEAL | 1:02:40 | 1:02:42 | |
When you said he was a pig farmer, | 1:02:58 | 1:03:00 | |
I thought you were kidding. | 1:03:00 | 1:03:01 | |
Morning, boys. | 1:03:01 | 1:03:03 | |
Come on in, and I'll make you some bacon. | 1:03:03 | 1:03:05 | |
PIG SQUEALS | 1:03:05 | 1:03:08 | |
The DMV issued 162 new driver's licences | 1:03:08 | 1:03:11 | |
to males in Freddy's age range. | 1:03:11 | 1:03:13 | |
Out of that stack, | 1:03:13 | 1:03:15 | |
93 of them poor bastards is married. | 1:03:15 | 1:03:17 | |
So of the single dudes, 47 of 'em is Caucasian, | 1:03:17 | 1:03:20 | |
and a whole of 28 | 1:03:20 | 1:03:22 | |
around six feet tall. | 1:03:22 | 1:03:24 | |
Well, any of 'em got blue eyes? | 1:03:24 | 1:03:26 | |
Grand total of two. | 1:03:26 | 1:03:28 | |
Well, what about them? Why don't we start with them? | 1:03:28 | 1:03:30 | |
Already did. Well, at least the first one. | 1:03:30 | 1:03:33 | |
And? | 1:03:33 | 1:03:35 | |
That sorry son of a bitch still lives with his parents. | 1:03:35 | 1:03:39 | |
But the other one... | 1:03:39 | 1:03:41 | |
this one right here... | 1:03:41 | 1:03:42 | |
one Frank C Miller, | 1:03:42 | 1:03:45 | |
blond, blue-eyed, | 1:03:45 | 1:03:46 | |
six feet and change, | 1:03:46 | 1:03:48 | |
the same Mr Miller | 1:03:48 | 1:03:50 | |
who just ordered cable and a phone line | 1:03:50 | 1:03:53 | |
at his new house outside of Houston. | 1:03:53 | 1:03:55 | |
And previous address unknown. | 1:03:55 | 1:03:58 | |
That's not bad for a pig farmer. | 1:03:58 | 1:04:00 | |
Well, when I crack this case, | 1:04:01 | 1:04:03 | |
I might just let you frame the headlines, framer. | 1:04:03 | 1:04:06 | |
Best way to find out for sure... | 1:04:06 | 1:04:08 | |
call him. | 1:04:08 | 1:04:10 | |
No, I want to take a look at him first. | 1:04:10 | 1:04:12 | |
Come on, you cranky old bastard. Just call him up. | 1:04:12 | 1:04:15 | |
I ain't calling him. | 1:04:17 | 1:04:19 | |
That's the house right there. | 1:04:22 | 1:04:25 | |
That's not the colour I pictured. | 1:04:25 | 1:04:27 | |
Well, we're not even sure it's him yet, are we? | 1:04:27 | 1:04:31 | |
No better time than the present. | 1:04:31 | 1:04:33 | |
You make it sound like it's some kind of showdown. | 1:04:33 | 1:04:36 | |
Well, in a way, it is. | 1:04:36 | 1:04:37 | |
-I have to make... -Watch out! | 1:04:37 | 1:04:39 | |
-Ah! Shit! -Damn! | 1:04:39 | 1:04:41 | |
What the fuck?! | 1:04:41 | 1:04:42 | |
Jesus! | 1:04:42 | 1:04:44 | |
What in the dog shit is wrong with you? | 1:04:45 | 1:04:49 | |
Don't you have any mirrors on this damn Pinto? | 1:04:49 | 1:04:51 | |
Do you know how to use them? | 1:04:51 | 1:04:53 | |
Who's gonna pay for... We could split it. | 1:04:53 | 1:04:56 | |
Ah! | 1:04:56 | 1:04:57 | |
Oh! | 1:04:57 | 1:04:59 | |
You... Ah! | 1:04:59 | 1:05:01 | |
Hey! | 1:05:01 | 1:05:02 | |
You want some of this? | 1:05:03 | 1:05:04 | |
Huh? | 1:05:04 | 1:05:06 | |
That's for my car. | 1:05:09 | 1:05:11 | |
And that's for my hat. | 1:05:14 | 1:05:17 | |
Ben, check him. | 1:05:17 | 1:05:19 | |
God damn. | 1:05:19 | 1:05:21 | |
Tore my fucking head off. | 1:05:21 | 1:05:23 | |
It ain't Frankie Miller, is it? | 1:05:27 | 1:05:29 | |
No, smart-ass. | 1:05:29 | 1:05:31 | |
Huh. | 1:05:35 | 1:05:37 | |
Good thing he wasn't in an OK Corral mood. | 1:05:37 | 1:05:39 | |
Goddamn piece-of-shit Pinto! | 1:05:39 | 1:05:42 | |
What's that? | 1:05:47 | 1:05:48 | |
-Home movies, looks like. -DOG BARKS | 1:05:48 | 1:05:51 | |
Shut up! | 1:05:51 | 1:05:52 | |
Ah, he's moving. | 1:05:52 | 1:05:54 | |
Batting Practice? | 1:05:57 | 1:06:00 | |
Let's get a look at his swing. | 1:06:04 | 1:06:06 | |
Take that gun and shoot that fucking dog, will you? | 1:06:08 | 1:06:11 | |
PHONE RINGS | 1:06:16 | 1:06:18 | |
'She's cute, man. | 1:06:49 | 1:06:51 | |
'Is this your first... | 1:06:52 | 1:06:54 | |
'Ask her if this is her first time.' | 1:06:54 | 1:06:56 | |
Hey, it's me. | 1:06:59 | 1:07:01 | |
Uh, I'm in Houston, and everything's fine. | 1:07:01 | 1:07:04 | |
I got a meeting in a little while. | 1:07:04 | 1:07:06 | |
I'll call you later and let you know how it went. | 1:07:06 | 1:07:08 | |
'Yeah, there you go.' | 1:07:08 | 1:07:09 | |
OK. Love you both. | 1:07:09 | 1:07:11 | |
'Get on top of him. | 1:07:11 | 1:07:13 | |
'Yeah, I like that. Yeah. | 1:07:13 | 1:07:16 | |
'How old... How old are you?' | 1:07:20 | 1:07:23 | |
She ain't even old enough to drive. | 1:07:24 | 1:07:26 | |
'What did she say?' | 1:07:26 | 1:07:28 | |
PHONE RINGS | 1:07:50 | 1:07:52 | |
PHONE RINGS | 1:08:22 | 1:08:23 | |
So, he's a pervert. | 1:08:35 | 1:08:37 | |
Let's turn this shit off. | 1:08:37 | 1:08:39 | |
SHE SCREAMS | 1:08:40 | 1:08:44 | |
SCREAMING CONTINUES | 1:08:57 | 1:09:00 | |
THUD, SCREAMING STOPS | 1:09:07 | 1:09:09 | |
THUDDING, MAN GRUNTS | 1:09:09 | 1:09:12 | |
'Whoo! | 1:09:12 | 1:09:13 | |
'Yeah!' | 1:09:13 | 1:09:15 | |
'Hello? | 1:09:20 | 1:09:22 | |
'Hello? | 1:09:23 | 1:09:24 | |
'Hello?' | 1:09:27 | 1:09:29 | |
Let's tell him we got the wrong house | 1:09:44 | 1:09:46 | |
and we can't find the guy or some shit. | 1:09:46 | 1:09:48 | |
What about Freddy? | 1:09:50 | 1:09:52 | |
You saw that trunk. | 1:09:53 | 1:09:56 | |
There are a lot more tapes where that one came from. | 1:09:56 | 1:09:59 | |
-Doesn't that matter to you? -Well, yeah, | 1:09:59 | 1:10:03 | |
it matters to me. | 1:10:03 | 1:10:05 | |
But we can't tell Ben about any of it, not yet. | 1:10:05 | 1:10:09 | |
About what? | 1:10:09 | 1:10:11 | |
It ain't nothing we need to jump into right now. | 1:10:17 | 1:10:21 | |
What's on the tape? | 1:10:21 | 1:10:23 | |
JIM BOB SIGHS | 1:10:25 | 1:10:27 | |
What's on the tape? | 1:10:29 | 1:10:31 | |
Do yourself a favour, hoss. | 1:10:32 | 1:10:34 | |
What's on the tape? | 1:10:36 | 1:10:38 | |
Huh? | 1:10:38 | 1:10:40 | |
How do you work this fucking thing? | 1:10:55 | 1:10:57 | |
'She's cute, man. | 1:11:10 | 1:11:12 | |
'Is this your first... | 1:11:12 | 1:11:14 | |
'Ask her if this is her first time.' | 1:11:14 | 1:11:16 | |
GLASS SMASHES | 1:11:20 | 1:11:22 | |
DOOR SLAMS | 1:11:27 | 1:11:29 | |
BEN COCKS GUN | 1:11:49 | 1:11:50 | |
Ben? | 1:11:50 | 1:11:52 | |
Ben? | 1:11:52 | 1:11:54 | |
Hey. | 1:11:54 | 1:11:56 | |
Open the door. | 1:11:58 | 1:12:01 | |
Open the door, Ben. | 1:12:03 | 1:12:04 | |
Put the gun down. | 1:12:04 | 1:12:06 | |
Would you put the gun down, Ben? | 1:12:07 | 1:12:10 | |
We could go to the cops | 1:13:08 | 1:13:11 | |
and show them the tape. | 1:13:11 | 1:13:13 | |
Well, it wouldn't do any good. | 1:13:15 | 1:13:18 | |
They know what their boy is doing. | 1:13:18 | 1:13:21 | |
He is protected. | 1:13:22 | 1:13:24 | |
But he's killing women. | 1:13:24 | 1:13:26 | |
Prostitutes who cross the border illegally, | 1:13:26 | 1:13:29 | |
and nobody cares. | 1:13:29 | 1:13:31 | |
How long you known him? | 1:13:35 | 1:13:37 | |
We were in Korea together. | 1:13:39 | 1:13:41 | |
He saved my life. | 1:13:43 | 1:13:45 | |
He never said he was in the service. | 1:13:48 | 1:13:52 | |
I don't know whether you've noticed it or not, | 1:13:53 | 1:13:55 | |
but old Ben ain't much on the small talk, is he? | 1:13:55 | 1:13:59 | |
Stubborn as a mule, though. | 1:14:02 | 1:14:04 | |
Get some rest, boy. | 1:14:04 | 1:14:06 | |
All right. | 1:14:10 | 1:14:11 | |
LIGHTER FLICKS | 1:14:17 | 1:14:19 | |
GUNSHOT RINGS OUT | 1:14:30 | 1:14:32 | |
What the fuck? | 1:14:36 | 1:14:37 | |
GUNSHOTS | 1:14:41 | 1:14:43 | |
I got cows in that pasture. | 1:14:54 | 1:14:56 | |
What are you gonna do when a dog goes bad on you, | 1:15:03 | 1:15:07 | |
bites somebody or hurts somebody? | 1:15:07 | 1:15:09 | |
There's only two things you can do, right? | 1:15:11 | 1:15:14 | |
You either chain him up or put him down. | 1:15:14 | 1:15:18 | |
But which do you think is more cruel? | 1:15:19 | 1:15:22 | |
Huh? | 1:15:22 | 1:15:23 | |
You talking about killing your own son? | 1:15:25 | 1:15:27 | |
That's crazy. | 1:15:27 | 1:15:28 | |
Well... | 1:15:30 | 1:15:32 | |
I can't very well chain him up, can I? | 1:15:33 | 1:15:36 | |
I need a drink. | 1:15:45 | 1:15:46 | |
Haven't even had my goddamn coffee yet. | 1:15:47 | 1:15:51 | |
Son of a bitch. | 1:15:51 | 1:15:53 | |
MARIACHI MUSIC PLAYS | 1:15:53 | 1:15:57 | |
-Thank you, darling. -You got it, baby. | 1:16:10 | 1:16:13 | |
Have you given any thought | 1:16:13 | 1:16:14 | |
as to how you're gonna do this thing? | 1:16:14 | 1:16:17 | |
Well, it ain't rocket science. | 1:16:17 | 1:16:19 | |
What about the big Mex? | 1:16:21 | 1:16:23 | |
If he's there, we'll shoot him too. | 1:16:23 | 1:16:25 | |
Oh, good. Well, I'm glad you got a plan. | 1:16:25 | 1:16:28 | |
I was worried that you were just gonna wing it. | 1:16:28 | 1:16:30 | |
You got a better idea? | 1:16:30 | 1:16:32 | |
Not yet, but I'm working on it. | 1:16:32 | 1:16:35 | |
Just remember, he's my son, and I'm pulling the trigger. | 1:16:35 | 1:16:40 | |
PIGS SQUEAL | 1:16:45 | 1:16:48 | |
Good luck. | 1:16:59 | 1:17:00 | |
VEHICLE HORN HONKS | 1:17:46 | 1:17:48 | |
Hey, there. | 1:17:48 | 1:17:50 | |
Hey. | 1:17:50 | 1:17:51 | |
Ho! Whoa, whoa, whoa, whoa. | 1:17:59 | 1:18:01 | |
-Honey, I'm sorry. I didn't see you. -That's OK. | 1:18:01 | 1:18:04 | |
-Sorry. -That's OK. | 1:18:04 | 1:18:05 | |
-OK, ice cream? -No. | 1:18:05 | 1:18:07 | |
-No? -Potato sauce. | 1:18:07 | 1:18:08 | |
Potato sauce? | 1:18:08 | 1:18:09 | |
TV ON FAINTLY | 1:18:09 | 1:18:11 | |
'And his low throw allows...' | 1:18:11 | 1:18:13 | |
Glad the trip went well. I hope you get the contract. | 1:18:13 | 1:18:17 | |
What? | 1:18:17 | 1:18:18 | |
I said I'm glad the trip went well. | 1:18:18 | 1:18:21 | |
'Man on first and third...' | 1:18:21 | 1:18:22 | |
Oh. | 1:18:22 | 1:18:24 | |
'Takes the plate... | 1:18:24 | 1:18:25 | |
'Here it comes, the two-and-two pitch. | 1:18:28 | 1:18:30 | |
-BAT SNAPS -'Hits it sharp! | 1:18:30 | 1:18:32 | |
'Going back! Going back! | 1:18:32 | 1:18:34 | |
'It's out of here! | 1:18:34 | 1:18:36 | |
'I'll tell you...' | 1:18:36 | 1:18:38 | |
GUN CLICKS | 1:18:53 | 1:18:55 | |
GUN CLICKS | 1:18:57 | 1:18:59 | |
BIRDSONG | 1:19:15 | 1:19:17 | |
Call. | 1:19:31 | 1:19:33 | |
What have you got? | 1:19:37 | 1:19:39 | |
DOOR OPENS | 1:19:43 | 1:19:44 | |
Show 'em. | 1:19:44 | 1:19:46 | |
Framer's back. | 1:19:46 | 1:19:48 | |
DOOR BANGS | 1:19:59 | 1:20:01 | |
ENGINE STARTS | 1:20:16 | 1:20:18 | |
ENGINE STARTS | 1:20:21 | 1:20:23 | |
Well, how about that? | 1:20:57 | 1:20:59 | |
The video store is a cover. | 1:20:59 | 1:21:01 | |
Your boy's got more brains than you do, Ben. | 1:21:01 | 1:21:04 | |
Must take after his mama. | 1:21:04 | 1:21:06 | |
OK, framer, go in there and look for exit doors | 1:21:10 | 1:21:14 | |
and side rooms, things like that. You got it? | 1:21:14 | 1:21:17 | |
And just act normal, all right? | 1:21:17 | 1:21:19 | |
What about the Mexican? | 1:21:20 | 1:21:22 | |
Just be quick about it. | 1:21:22 | 1:21:23 | |
DOOR SHUTS | 1:21:28 | 1:21:29 | |
(OK, OK.) | 1:21:33 | 1:21:34 | |
-Hey. -Hey. | 1:21:37 | 1:21:39 | |
Is there something I can help you with, sir? | 1:22:30 | 1:22:34 | |
Yeah, uh... | 1:22:37 | 1:22:39 | |
You have a foreign films section? | 1:22:41 | 1:22:43 | |
Don't carry nothing foreign but Jap and Mex stuff. | 1:22:43 | 1:22:46 | |
Uh, that's right, just Japanese and Mexican fare, | 1:22:48 | 1:22:52 | |
-uh, some British too. -We got limey stuff? | 1:22:52 | 1:22:54 | |
HORN HONKS | 1:22:54 | 1:22:56 | |
George, I prefer you not use offensive terms like that | 1:22:56 | 1:22:58 | |
if you're gonna work for me, OK? | 1:22:58 | 1:22:59 | |
Yes, sir. I didn't mean nothing by it. | 1:22:59 | 1:23:01 | |
-Sorry. -It's all right. | 1:23:01 | 1:23:04 | |
Is there anything else that I can help you with today? | 1:23:04 | 1:23:06 | |
HORN HONKS | 1:23:06 | 1:23:08 | |
Uh... | 1:23:08 | 1:23:09 | |
Yeah, uh, what time y'all close? | 1:23:10 | 1:23:13 | |
11pm, sharp. | 1:23:13 | 1:23:14 | |
HORN HONKS | 1:23:17 | 1:23:18 | |
Shit. | 1:23:18 | 1:23:19 | |
-All right. -Chicken? | 1:23:20 | 1:23:22 | |
No, they out of the chicken... only beef. | 1:23:22 | 1:23:25 | |
Oh, actually, hey, you know, | 1:23:25 | 1:23:27 | |
I just got this new release in from, uh...what... | 1:23:27 | 1:23:30 | |
DOOR SHUTS | 1:23:30 | 1:23:32 | |
You all right? | 1:23:39 | 1:23:40 | |
Yeah. | 1:23:40 | 1:23:42 | |
They close at 11. | 1:23:44 | 1:23:45 | |
Ben. | 1:23:55 | 1:23:57 | |
Eenie, meenie. | 1:24:02 | 1:24:04 | |
Here. Just in case. | 1:24:10 | 1:24:13 | |
All right, that's them. | 1:25:50 | 1:25:52 | |
Let's make this quick. | 1:25:53 | 1:25:55 | |
Just tell us when. | 1:25:55 | 1:25:57 | |
Oh, shit, shit, shit. | 1:25:58 | 1:26:01 | |
Oh, fuck. They got company. | 1:26:15 | 1:26:18 | |
I don't like this. | 1:26:28 | 1:26:29 | |
WOMAN LAUGHS | 1:26:33 | 1:26:35 | |
Let's take 'em all on. | 1:26:36 | 1:26:38 | |
There's six of 'em, Ben. | 1:26:38 | 1:26:40 | |
We don't know how many more are on the inside. | 1:26:40 | 1:26:42 | |
Fuck 'em. | 1:26:42 | 1:26:44 | |
Ben. | 1:26:44 | 1:26:45 | |
GUN COCKED | 1:26:45 | 1:26:47 | |
We're gonna do this the right way. | 1:26:49 | 1:26:51 | |
Are you feeling me, Ben? | 1:26:51 | 1:26:52 | |
Take the gun out of my ear, Jim. | 1:26:55 | 1:26:58 | |
I'm feeling you. | 1:26:58 | 1:27:00 | |
Wait. Look. | 1:27:01 | 1:27:02 | |
All right, see ya. | 1:27:07 | 1:27:09 | |
What do we do? | 1:27:14 | 1:27:15 | |
Follow 'em. | 1:27:15 | 1:27:17 | |
All right. | 1:27:24 | 1:27:26 | |
This must be where they do it. | 1:28:24 | 1:28:27 | |
Lot of cowboys down there, Ben. | 1:28:27 | 1:28:30 | |
You want to rethink your math? | 1:28:30 | 1:28:32 | |
Fuck the math. | 1:28:32 | 1:28:34 | |
Looks like there's only gonna be one left outside. | 1:28:46 | 1:28:49 | |
That means five on the inside, plus the girl. | 1:28:49 | 1:28:51 | |
Count to ten, and then one of you | 1:28:51 | 1:28:53 | |
step out and get his attention. | 1:28:53 | 1:28:55 | |
I'll do the rest. | 1:28:55 | 1:28:56 | |
Ten, nine, eight, | 1:28:59 | 1:29:03 | |
seven, six... | 1:29:03 | 1:29:05 | |
You're actually counting? | 1:29:05 | 1:29:07 | |
He...he said to count. | 1:29:07 | 1:29:08 | |
Damn. | 1:29:08 | 1:29:10 | |
Oh, shit. | 1:29:12 | 1:29:14 | |
Hey. | 1:29:19 | 1:29:21 | |
Hey. | 1:29:21 | 1:29:22 | |
All right, boys, | 1:29:33 | 1:29:35 | |
it's Howdy Doody time. | 1:29:35 | 1:29:37 | |
MUSIC PLAYS FAINTLY | 1:29:40 | 1:29:42 | |
FAINT VOICES | 1:30:00 | 1:30:02 | |
HE BREATHES HEAVILY | 1:30:22 | 1:30:25 | |
FAINT VOICES | 1:30:37 | 1:30:38 | |
FAINT VOICES | 1:30:58 | 1:31:00 | |
So I told you I'm coming. Hold on. | 1:31:03 | 1:31:06 | |
-Tell me again. -I told you already. | 1:31:09 | 1:31:12 | |
Get me a drink. | 1:31:12 | 1:31:13 | |
GUNSHOT | 1:31:18 | 1:31:19 | |
WOMAN SCREAMS | 1:31:19 | 1:31:21 | |
MAN GRUNTS | 1:31:34 | 1:31:36 | |
SOUND DIPS | 1:31:39 | 1:31:41 | |
HIGH-PITCHED WHINE | 1:31:41 | 1:31:44 | |
SOUND RETURNS | 1:31:44 | 1:31:46 | |
GUNSHOT | 1:31:54 | 1:31:56 | |
GUNSHOT | 1:32:46 | 1:32:47 | |
AUTOMATIC GUNFIRE | 1:32:47 | 1:32:49 | |
HE YELLS GUN CLICKS | 1:33:04 | 1:33:05 | |
AUTOMATIC GUNFIRE | 1:33:05 | 1:33:07 | |
HE YELLS | 1:33:10 | 1:33:12 | |
GUNSHOT, MAN YELLS | 1:33:12 | 1:33:14 | |
Ah! Fuck! | 1:33:15 | 1:33:17 | |
Ah! Fucking shot... | 1:33:17 | 1:33:19 | |
Who the fuck are you, man?! | 1:33:19 | 1:33:21 | |
Fuck! Fu... | 1:33:21 | 1:33:23 | |
GUNSHOT | 1:33:23 | 1:33:25 | |
Thanks. | 1:33:30 | 1:33:32 | |
GUNSHOTS | 1:33:52 | 1:33:54 | |
GUNSHOTS | 1:33:58 | 1:34:00 | |
GUNSHOT | 1:34:17 | 1:34:19 | |
Hey, up here, boys. | 1:34:22 | 1:34:23 | |
MAN YELLS | 1:34:23 | 1:34:25 | |
Go down! | 1:34:35 | 1:34:37 | |
Shit. | 1:34:40 | 1:34:42 | |
MAN YELLS | 1:34:44 | 1:34:45 | |
GUNSHOT | 1:34:45 | 1:34:47 | |
WOMAN SHRIEKS AND GROANS | 1:35:00 | 1:35:02 | |
WOMAN SOBS | 1:35:04 | 1:35:06 | |
WOMAN SHRIEKS | 1:35:10 | 1:35:12 | |
SHE MOANS | 1:35:13 | 1:35:15 | |
SHE SHRIEKS | 1:35:23 | 1:35:24 | |
It's all right. Shh. You're all right. You're all right. | 1:35:24 | 1:35:27 | |
You're all right. It's OK. | 1:35:27 | 1:35:29 | |
SHE SOBS | 1:35:29 | 1:35:31 | |
Fucker! | 1:35:31 | 1:35:33 | |
GUNSHOT | 1:35:33 | 1:35:34 | |
RAPID BREATHING | 1:35:44 | 1:35:46 | |
HE BREATHES RAPIDLY | 1:36:15 | 1:36:17 | |
Ben. | 1:36:47 | 1:36:49 | |
Take the shot. | 1:36:49 | 1:36:51 | |
HE BREATHES RAPIDLY | 1:37:13 | 1:37:15 | |
Freddy... | 1:37:28 | 1:37:30 | |
I...I'm Ben Russell. | 1:37:34 | 1:37:36 | |
I'm your father. | 1:37:38 | 1:37:40 | |
I came here to kill you. | 1:37:42 | 1:37:44 | |
Are you really my dad? | 1:37:51 | 1:37:53 | |
GUN CLICKS | 1:37:57 | 1:37:58 | |
Far as I know. | 1:37:58 | 1:37:59 | |
HE SOBS | 1:38:11 | 1:38:13 | |
HE MURMURS | 1:38:26 | 1:38:29 | |
WIND RISES | 1:39:43 | 1:39:45 | |
# Wait, wait | 1:41:11 | 1:41:15 | |
# I never had a chance to love you | 1:41:15 | 1:41:17 | |
# Now I only want to say | 1:41:17 | 1:41:19 | |
# I love you one more time | 1:41:19 | 1:41:24 | |
# Wait | 1:41:24 | 1:41:26 | |
# Just a moment | 1:41:26 | 1:41:27 | |
# Before our love will die | 1:41:27 | 1:41:30 | |
# Cos I | 1:41:30 | 1:41:32 | |
# Must know the reason | 1:41:32 | 1:41:34 | |
# Why we say goodbye | 1:41:34 | 1:41:37 | |
# Wait | 1:41:37 | 1:41:39 | |
# Just a moment | 1:41:39 | 1:41:41 | |
# And tell me why | 1:41:41 | 1:41:43 | |
# Cos I | 1:41:43 | 1:41:45 | |
# Can show you loving | 1:41:45 | 1:41:47 | |
# That you won't deny | 1:41:47 | 1:41:50 | |
# I said wait | 1:42:04 | 1:42:06 | |
# And show you loving | 1:42:06 | 1:42:08 | |
# Like it was before | 1:42:08 | 1:42:11 | |
# Cos I | 1:42:11 | 1:42:12 | |
# Won't let that feeling | 1:42:12 | 1:42:14 | |
# Walk out through the door | 1:42:14 | 1:42:17 | |
# I said wait | 1:42:17 | 1:42:19 | |
# Just a moment | 1:42:19 | 1:42:21 | |
# And try once more | 1:42:21 | 1:42:24 | |
# Cos babe | 1:42:24 | 1:42:25 | |
# I need to hold you | 1:42:25 | 1:42:27 | |
# Like I did before | 1:42:27 | 1:42:29 | |
# So if you go away | 1:42:31 | 1:42:33 | |
# I know that I will follow | 1:42:33 | 1:42:37 | |
# Cos there's a place inside | 1:42:37 | 1:42:39 | |
# My heart that tells me hold out... # | 1:42:39 | 1:42:42 |