Cold in July


Cold in July

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Transcript


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This film contains some violent scenes,

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strong language, and scenes which some viewers may find disturbing.

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CHIRRUPING

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GLASS BREAKING

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RUSTLING, CREAKING

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Richard. Richard.

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Yeah?

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I think I heard something.

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SQUEAKING

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RUSTLING

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HE PANTS

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Stay here.

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FLOORBOARDS CREAK

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COCKS TRIGGER

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CLOCK CHIMES

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THUD

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-Richard?

-HE GASPS

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Damn it.

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SIRENS WAIL

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How you feeling, son?

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Peachy, aside from almost shitting myself.

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Yeah, must have been a scary thing

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for a man like you.

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A civilian, I mean.

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His name was, uh, Freddy Russell.

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You know him?

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I know shit when I step in it.

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I'm gonna have to ask you to come down to the station,

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make out a formal statement, OK?

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POLICE RADIO CHATTER

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OK.

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Now what?

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It'll go to the grand jury.

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They'll look over your statement,

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your wife's, mine, and they'll no-bill you.

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What about the courts?

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It'll never get that far.

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It was self-defence.

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He was unarmed.

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Well, you didn't know that.

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It's called "fear of life".

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Uh, legally,

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he might as well have been pointing a gun at you.

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Look...

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He's a wanted felon.

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You're an upstanding citizen without a record.

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Sometimes the good guy wins.

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Hmm.

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We're gonna have to keep that a while, OK?

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Belonged to my dad.

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He was a good man.

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He'd have been proud.

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Of what? My finger slipped.

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You OK?

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Uh-uh.

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# As I prepare

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# To lay down

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# Here alone, dear

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# I can't help

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# But to keep wishing

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# That you were here

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# I've done you wrong

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# But now you are gone

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# What can I do now?

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# Don't make me live the rest of my life

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# Forgetting you now

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# It's too bad

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# I didn't realise

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# Until you were gone

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# Just what it meant

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# To have a love like you for my own

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# But now that you've gone

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# I know I can't go on

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# Living here without you now

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# Don't make me live

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# The rest of my life

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# Forgetting you now... #

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Come on, bud. Let's go back to bed.

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Jordan, son, stop jiggling.

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Now, you can't take that to school with you.

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-Why?

-Just because.

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Because why?

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Because I'm your father and I said so.

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-Bang!

-Hey.

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You dead!

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Don't you say that to me.

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I don't want to snap at you, son, but I don't like that game.

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Come on. Let's go.

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TELEPHONE RINGS

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Dane's Frames.

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For you, Mr Dane.

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Morning.

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Morning.

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Hello?

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-ANN:

-'It's me.'

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Just a minute.

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Richard, it's all over the school.

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'The students keep asking me about it.'

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Shit.

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-'Maybe you should go home.'

-I can't.

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I have to talk with the police later.

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What the hell for?

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Uh...I don't know.

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They...they want a statement from me.

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How are you feeling?

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Fine.

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'I'll see you later tonight, OK?'

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Oh, man.

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That air conditioner feels good.

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Whew.

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I hear you got you one last night.

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Back at the paper, they told me.

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I couldn't believe it was you at first.

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I didn't think you had it in you.

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Hey, take it easy, Jack. It's not something I'm proud of.

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Well, it's nothing to be ashamed of.

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Some son of a bitch breaks into my house,

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he better be ready to pick his teeth out of his ass.

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-Shoot, man, if it was me...

-It wasn't you.

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It was me.

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Now, Jack, if you got mail, leave it.

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Otherwise, I'm busy.

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GENERAL CHATTER

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Here you go, y'all.

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Y'all need anything else right now?

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CHATTER SUBSIDES

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Uh, beer.

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Little early, isn't it?

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Not today.

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Right this way.

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Howdy, Rich.

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How you feeling?

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Like a bucket of shit.

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Shake it off.

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So what happens now?

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We bury the son of a bitch.

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When?

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Tomorrow, noon, Greenley's Cemetery,

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courtesy of the county.

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He got any family?

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He got a daddy in Huntsville Prison.

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He just got paroled.

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Shit don't fall far from the tree.

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And I can get these installed today?

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Mm.

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Ted.

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Hey, Rich.

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We'll be out of your hair in a little while.

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-That couch looks hideous.

-We can take it back.

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I thought we agreed on the floral theme.

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PHONE RINGS I made a decision. I'm sorry.

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I didn't think it was a big deal.

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I thought we made these decisions together.

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-Can we talk about something besides the couch?

-OK.

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Did you see the locksmith bill?

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PHONE CONTINUES TO RING

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"You've reached the Dane residence.

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"Please leave your name after the beep.

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"Thank you, and God bless."

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BEEP

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SILENCE

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FAINT BREATHING

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CLICK, DIAL TONE

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ANSWERPHONE BEEPS

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-TV:

-Here, looking for the base.

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Called safe by the first base umpire.

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Got to try to catch him late...

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I guess he ran that all the way.

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One and two...

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Outside...

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BELL TOLLS

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-CLERGYMAN:

-Amen.

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GRAVE-DIGGERS CHAT

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Quiet and peaceful, isn't it?

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You're, uh, Dane, right?

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Come to watch the shit go in the hole?

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Very Christian of you.

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I'm sure this doesn't make it any better for you,

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Mr Russell, but I'm sorry for what happened.

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He didn't give me much choice.

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Yeah.

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You're right.

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Doesn't make it any better.

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Oh, that was a nice picture of your family in the paper.

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Your boy...

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he looks a whole lot like you, doesn't he?

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Now, you have a nice day now, you hear?

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TENSE MUSIC PLAYS

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Yeah, it's Richard. Is she free?

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Well...yeah, OK. Tell her not to worry

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but to meet me at the police station.

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No, everything's fine.

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-WOMAN:

-Jordan, your dad's here.

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-Come on back.

-Jordan.

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Hey. Jordan!

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Jordan, hey.

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Come on. Come on.

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Come with me right now. We're going. Come with me.

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We're going. Get in the car.

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Come on, son. Son, come on.

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Get in the car.

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Did he say anything to you at the school?

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No, he just waved.

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-He waved?

-Yeah.

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So what do you want me to do here, Rich?

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I want him arrested.

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For what?

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He hasn't done anything.

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He threatened my son.

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He said your boy looks like you. It's not a threat.

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He showed up at Jordan's school.

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In broad daylight, in front of witnesses, and did nothing.

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He wants my son. I know it. I want protection.

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That's not gonna happen, not without a legal reason.

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I'll tell you what I'll do, Rich.

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Unofficially, I'll have a car stop by your house

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every couple hours over the next few days,

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give you a little peace of mind.

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He's probably just trying to scare you.

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Don't let him.

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What were you thinking?

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Richard.

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Why even go there?

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It was a mistake, OK? I fucked up.

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I don't like that word, not in front of Jordan.

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What are we supposed to do now?

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Maybe you and Jordan should stay at your mom's

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for a while until this blows over.

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What if he follows us there?

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I don't want to put her in danger too.

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What about your dad's cabin?

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No, it's too isolated.

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Besides, that's the last place I want to be.

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I want a igloo colada.

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Son, don't talk when other people are talking.

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It's not polite. Eat your dinner.

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I say we stay home,

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take Jordan out of school for a little while,

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let the cops handle it.

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We wait him out.

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We already got bars on the windows and...

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-But I don't want...

-Damn it, Jordan!

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CLATTER

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Get back in the car.

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What?

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The lock's busted.

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Oh, my God.

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Go to the Fergusons' and call the police.

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Ask for Price.

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What are you doing?

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Aren't you coming with us?

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-Richard, get in the car.

-Ann, get, now.

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Come with us.

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I said go.

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-Richard, don't be stupid.

-Go, Ann.

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DOOR CREAKS

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SQUEAKING

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WINDOW BARS CREAK

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METALLIC CLINK

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SIRENS WAIL

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Whoever it was knows his way around alarm systems.

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We know who it was.

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Excuse me, Detective.

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That goes for everybody.

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I was wrong.

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I thought he'd move on,

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but at least we have a reasonable suspicion now.

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That means I can give you official protection.

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Now, all you got to do is be normal...

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go to work, take Jordan to school, be seen.

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And everywhere you go, I'll have someone watching.

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So when he makes his move,

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we make our move.

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So, we're the bait.

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For want of a better word, yeah.

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What do you say, Ann?

0:24:130:24:15

Let's nail that son of a bitch.

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THUNDERCLAP

0:24:210:24:22

I got men hiding out in the woods.

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He sees me drive away,

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he's gonna think you're here all alone.

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This is Kevin. He's a good man, ex-Special Forces.

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-Anyone see you come in here?

-Piece of cake.

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Kevin's gonna stay here with you.

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For how long?

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As long as it takes.

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What do we do?

0:24:420:24:43

You go to bed. Get some sleep. You're gonna need it.

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(I like him when he's sleeping.)

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Yeah.

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He's sweet.

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THUNDERCLAP

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God damn...

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HE WHISTLES

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ENGINE REVS

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BEEPS

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-RADIO:

-It's one of the neighbours looking for his dog, over.

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Any word?

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Nothing so far.

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-RADIO:

-Lieutenant, come in.

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Yeah. Price here.

0:29:100:29:12

Lieutenant, we just found his car about a quarter-mile south of you.

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Any sign of him?

0:29:160:29:18

No.

0:29:200:29:21

Well, fan out and see if you can flush his ass.

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THUNDERCLAP

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TAPPING

0:30:100:30:13

Kevin?!

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He's in the fucking house!

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What the hell?

0:30:450:30:46

He's in the goddamn house!

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Jordan!

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Move! Go! Go!

0:30:490:30:51

Haul your ass!

0:30:510:30:52

RICHARD: Price!

0:30:520:30:53

Jordan?

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Get the door.

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-Let them in the door.

-Ah!

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-PRICE:

-The door's locked. Someone go around back.

0:31:010:31:03

-I can't get it open!

-Open up, Ann!

0:31:050:31:07

-ANN:

-Jordan!

0:31:110:31:12

Jordan!

0:31:120:31:14

Oh.

0:31:160:31:18

He's in the woods. Move. Move.

0:31:190:31:21

Thank God.

0:31:210:31:23

Oh!

0:31:230:31:24

Tracked him down to the river, but the rain's making it hard.

0:31:370:31:40

How'd he get in?

0:31:400:31:42

How'd he get in the house, Ray?

0:31:440:31:46

He never left.

0:31:460:31:47

Son of a bitch was in the crawl space the whole time.

0:31:470:31:51

Jesus Christ.

0:31:510:31:53

We'll get him, Rich.

0:31:550:31:57

Don't you worry.

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ALARM SOUNDS

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TELEPHONE RINGS

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Nuevo Laredo?

0:32:560:32:57

-PRICE:

-'Yep, piece of shit went to Mexico.'

0:32:570:32:59

Mexico?

0:32:590:33:00

'Federales picked him up across the border. We got him, Rich.

0:33:000:33:03

'Dragging him back to Huntsville as we speak.

0:33:030:33:05

'His age, he'll never set foot in this county again.

0:33:050:33:08

'Listen, uh, we just wrapped the paperwork on the Freddy file.

0:33:080:33:11

'Why don't you stop down and we'll close this out for good?

0:33:110:33:13

'Then you owe me a beer, companero, OK?'

0:33:130:33:15

OK.

0:33:150:33:17

ROCK MUSIC PLAYING IN CAR

0:33:240:33:26

That's it.

0:33:430:33:44

Sign these last two, and you're on your way.

0:33:440:33:47

All right.

0:33:470:33:49

What's this?

0:34:290:34:31

It says "Freddy Russell."

0:34:320:34:35

So?

0:34:350:34:36

So, that's not the guy I shot.

0:34:360:34:38

Is that some kind of mistake or what?

0:34:380:34:41

That's Freddy Russell.

0:34:430:34:45

It's just a bad mug shot, not very recent.

0:34:450:34:47

People change, Rich.

0:34:470:34:49

Well, not that much.

0:34:510:34:52

You were pretty upset that night, remember?

0:34:520:34:55

Yeah, he died right in front of me.

0:34:550:34:58

I look at pictures of faces all day.

0:34:580:35:00

That is not the guy.

0:35:000:35:02

It's called shock, OK? Memory gets a little fuzzy.

0:35:050:35:08

It happens.

0:35:080:35:09

Now, why don't you go home

0:35:090:35:11

and let me deal with the police work, huh?

0:35:110:35:14

Give my regards to Ann, huh?

0:35:160:35:19

-PRICE:

-'Sheriff's offices. Price here.'

0:36:010:36:03

Hey, Ray. This is Richard Dane.

0:36:030:36:07

'What is it, Rich?'

0:36:070:36:08

That wanted poster is bugging me. It's not him, Ray.

0:36:100:36:13

'We've been through this. It's late. I'm busy.

0:36:130:36:15

'Give it a rest.'

0:36:150:36:16

-Well, just hear me out.

-'I did, and you're wrong.

0:36:160:36:19

'Case closed, over. Now get some sleep.'

0:36:190:36:21

CLICK, DIAL TONE

0:36:210:36:23

RINGING

0:36:350:36:37

'Sheriff's office.'

0:36:370:36:39

Yeah, Lieutenant Price, please.

0:36:390:36:42

'Sorry. He's not here, sir.

0:36:440:36:45

'Can I take a message?'

0:36:450:36:47

NOISE NEARBY

0:37:110:37:13

Come on. Bring him down here.

0:37:150:37:17

Move along.

0:37:210:37:23

Let's go. Keep him quiet.

0:37:390:37:41

That's it.

0:37:410:37:42

HE EXHALES

0:39:260:39:28

Get him out.

0:39:300:39:31

YELLING

0:39:390:39:40

-Get down.

-Get down.

0:39:420:39:44

That's good. That's good.

0:39:460:39:47

There you go.

0:39:480:39:50

Going down.

0:39:500:39:53

YELLING

0:39:580:40:00

Get down.

0:40:000:40:02

Down. Get down.

0:40:040:40:06

CAR ENGINE STARTS

0:40:260:40:27

TRAIN WHISTLES IN THE DISTANCE

0:40:550:40:57

WHISTLING CONTINUES

0:41:120:41:13

CROSSING DINGS

0:41:200:41:22

TRAIN HORN

0:41:220:41:24

HORN BLASTS

0:41:500:41:53

SOFT BEEPING

0:42:400:42:42

TRAIN WHISTLE SOUNDS

0:42:590:43:01

DOOR SLAMS

0:43:460:43:47

Whoa.

0:44:030:44:04

What happened to your shoes?

0:44:060:44:08

Oh.

0:44:080:44:11

I drove out and checked on the cabin yesterday.

0:44:110:44:13

Must have stepped in some muck.

0:44:130:44:15

I thought you didn't like going there.

0:44:150:44:17

Yeah, I know, but I figured I got to clean it out sometime.

0:44:170:44:21

And?

0:44:210:44:23

My father didn't leave much behind.

0:44:230:44:25

There you go.

0:44:250:44:27

TRAIN WHISTLE SOUNDS

0:44:270:44:28

Richard?

0:44:540:44:56

I didn't kill your son.

0:46:060:46:08

Fuck you.

0:46:090:46:10

Look, I think the cops have been lying to us both

0:46:120:46:14

all along.

0:46:140:46:16

Where's my shoe?

0:46:160:46:17

The cops are up to something, right?

0:46:290:46:32

Something to do with your son, with you.

0:46:320:46:35

Why do they want you dead?

0:46:360:46:38

How should I know?

0:46:380:46:39

Same reason you do.

0:46:390:46:41

Look.

0:46:430:46:44

Something's going on.

0:46:470:46:50

They used my family as bait to find you.

0:46:500:46:54

I want to know why.

0:46:540:46:56

Did you take my lighter?

0:46:570:46:59

No.

0:47:000:47:01

Well, where is it?

0:47:010:47:03

What's the matter? You scared?

0:47:200:47:22

HE LAUGHS

0:47:220:47:24

Huh?

0:47:250:47:27

When's the last time you heard from your son?

0:47:310:47:34

Oh, it's been a good long while.

0:47:360:47:39

He was about the same age as your boy.

0:47:400:47:43

I could have left you on those train tracks,

0:47:580:48:00

but I didn't.

0:48:000:48:01

I didn't kill your son.

0:48:020:48:05

Who you gonna trust,

0:48:050:48:06

the cops that just tried to kill you, or me?

0:48:060:48:09

All I know is what I'm told.

0:48:100:48:13

And I'm told I got nothing left.

0:48:160:48:18

I didn't kill your son.

0:48:180:48:20

So you say.

0:48:200:48:21

OK.

0:48:230:48:25

You're coming with me.

0:48:260:48:28

THUNDER RUMBLES

0:48:340:48:36

Ah.

0:48:550:48:56

Dig.

0:48:560:48:57

THUNDER RUMBLES

0:49:210:49:22

SHOVEL THUDS

0:49:480:49:50

Do it.

0:50:060:50:08

Ugh. Jeez.

0:50:360:50:38

That ain't him. That's not Freddy.

0:50:470:50:49

God.

0:50:550:50:57

Jesus. Who would do that?

0:51:000:51:02

Somebody who didn't want him identified, ever.

0:51:040:51:07

Come on. Get out of there.

0:51:150:51:17

What do we do now?

0:51:330:51:35

We?

0:51:350:51:37

Yeah.

0:51:400:51:41

I'll pay you back.

0:51:500:51:52

Hey. Ben.

0:52:160:52:19

Russell.

0:52:190:52:20

Long time.

0:52:200:52:22

I need some help.

0:52:260:52:28

It's about my son.

0:52:280:52:30

Good morning.

0:53:030:53:04

Ray.

0:53:040:53:05

You got a minute?

0:53:050:53:07

Yeah.

0:53:070:53:08

What do you need?

0:53:080:53:09

I was wrong to hang up on you the other night.

0:53:090:53:11

I want to apologise.

0:53:110:53:13

Oh, forget it.

0:53:140:53:15

No, you were right.

0:53:150:53:16

I was all worked up over nothing.

0:53:160:53:18

No, you were concerned, and you were kind of right.

0:53:180:53:21

See, Freddy...

0:53:210:53:22

he was wanted.

0:53:220:53:24

He dyed his hair. He was wearing contact lenses.

0:53:240:53:26

That's why you were confused.

0:53:260:53:28

Well, I'm just glad his old man's headed back to prison.

0:53:300:53:34

Any day now.

0:53:340:53:35

LOUD BLUES MUSIC PLAYS

0:53:350:53:38

I'm sure you're doing everything you can. I appreciate that.

0:53:380:53:42

Important thing is, he's not a threat anymore, right?

0:53:420:53:44

MUSIC PLAYS

0:53:440:53:47

Can I help you?

0:53:580:53:59

You think you could corral this little filly

0:54:020:54:04

in a frame for me?

0:54:040:54:06

Kind of a rush job.

0:54:070:54:09

It don't have to be too fancy.

0:54:110:54:13

You're busy, Rich. I'll catch you.

0:54:140:54:16

All right.

0:54:160:54:17

Sounds like old Ben's got himself

0:54:230:54:25

in a real shitstorm this time,

0:54:250:54:27

and he's dragged you right in there with him.

0:54:270:54:30

Who are you?

0:54:310:54:33

Name's Jim Bob Luke.

0:54:330:54:36

Luke Detective Agency, Houston, Texas.

0:54:360:54:38

COUNTRY MUSIC PLAYS

0:54:450:54:48

This one made it all the way to the Houston paper.

0:54:570:54:59

Front page.

0:54:590:55:01

Mentions Freddy four times,

0:55:010:55:03

just in case you missed it.

0:55:030:55:05

This is six weeks ago.

0:55:070:55:10

Buried on the back page.

0:55:100:55:12

Mentions Freddy once.

0:55:120:55:14

So he turned state evidence, then?

0:55:150:55:17

And your boy found himself on the ass end of a federal case.

0:55:170:55:20

Now, we know Freddy ain't no saint,

0:55:220:55:26

but if he's messing around with these boys

0:55:260:55:28

in the Dixie Mafia, they some bad dudes.

0:55:280:55:31

How far do you want to take this, Ben?

0:55:310:55:33

If he's alive, I want to see him.

0:55:420:55:44

All right. Well, I got some hunches on that.

0:55:440:55:47

I want to feel them out first.

0:55:470:55:50

But first thing, we got to relocate.

0:55:500:55:52

If Price is as slick as his moustache,

0:55:520:55:56

we got to get the old hoss here out of the county.

0:55:560:55:58

What do I do?

0:56:000:56:02

For now, just go home, you know, act dumb.

0:56:020:56:05

Let me do some legwork,

0:56:050:56:06

and when I get Russell settled somewhere,

0:56:060:56:09

I'll...I'll give you a call.

0:56:090:56:11

-TV:

-Hey, thanks. Thanks.

0:56:150:56:17

Over here.

0:56:170:56:19

Wanted to buy you a drink, partner,

0:56:190:56:21

-for bringing Holly back in one piece.

-Yeah.

0:56:210:56:24

Last time, he blacked her eye.

0:56:240:56:25

Someday, someone's gonna settle...

0:56:250:56:27

I'd like to do it myself.

0:56:280:56:30

PHONE RINGS

0:56:300:56:32

At one time, a Singapore Sling would have been the only answer.

0:56:320:56:34

What? No, no, no, no.

0:56:590:57:01

Say that again. You broke up.

0:57:010:57:04

I can't...

0:57:040:57:05

No, I'm... I'm catching every third word.

0:57:050:57:08

Say it again.

0:57:080:57:09

Here you go.

0:57:090:57:10

All right, thanks.

0:57:140:57:16

What'd you find out?

0:57:190:57:20

Well, I made a bunch of calls.

0:57:200:57:22

I got this gal I used to run with.

0:57:220:57:25

She works in the office of the FBI.

0:57:250:57:27

It seems Freddy is assigned to the witness relocation programme.

0:57:270:57:32

You know what that is?

0:57:320:57:33

They give people a new start, new name, new place...

0:57:330:57:37

Mob informers and shit.

0:57:370:57:38

Yeah, you got the picture, framer.

0:57:380:57:41

They're the ones that set you up.

0:57:410:57:43

So, over the last couple years,

0:57:430:57:45

your son's been running with the Dixie boys,

0:57:450:57:48

doing whatever Mafia types do.

0:57:480:57:50

And the shit gets way over Freddy's head,

0:57:500:57:53

and the law comes down on him hard.

0:57:530:57:55

So, to keep from going to the slammer,

0:57:550:57:57

he starts to sing like a little bird

0:57:570:57:59

against his old buddies, the Dixie boys.

0:57:590:58:02

Now, you don't want to fuck with the Dixie Mafia.

0:58:020:58:06

And the feds know that, so they make Freddy a deal.

0:58:060:58:09

They'll hide him if he gives them what they need.

0:58:090:58:12

So they faked it.

0:58:120:58:14

It's beautiful.

0:58:140:58:16

If the Dixie Mafia believes that Freddy is dead, well...

0:58:160:58:20

What's the use of gunning for a dead guy, right?

0:58:200:58:22

Good plan, don't you think?

0:58:220:58:24

Then who's in that grave?

0:58:270:58:29

Yeah, and where's my son?

0:58:290:58:30

Well, that's a good one.

0:58:320:58:34

-PHONE RINGS

-Oh!

0:58:360:58:37

That would be for me.

0:58:370:58:39

These things are amazing.

0:58:390:58:40

You seen these?

0:58:400:58:42

Ah, fuck, you've been in prison for ever.

0:58:420:58:44

Jim Bob. You're breaking up. Hold on.

0:58:440:58:46

OK, that's better. Go ahead.

0:58:490:58:51

I need another beer.

0:58:530:58:56

Well, if it ain't Josey Wales.

0:59:030:59:05

Hey, kill any banditos lately, Cowboy?

0:59:050:59:08

Jack, you're drunk. Leave me alone.

0:59:080:59:11

Ah, let me buy you a drink.

0:59:110:59:13

And you can tell me about how you...

0:59:130:59:15

I don't want your drink, Jack, and I don't want your company.

0:59:150:59:18

Let me tell you something, Mr Dane...

0:59:180:59:21

Ahh! Oh, God!

0:59:210:59:23

Hurts, doesn't it?

0:59:230:59:25

Hey. Hey. Let him go. It's not a good idea.

0:59:270:59:30

You didn't have to do that.

0:59:390:59:41

Well, I didn't want to see you damage the fella.

0:59:430:59:47

Can we get three beers?

0:59:470:59:49

MOVIE: 'In Washington,

0:59:510:59:52

'it has been established that persons who have recently died

0:59:520:59:56

'have been returning to life and committing acts of murder.

0:59:561:00:01

'Widespread investigation of morgues and funeral homes...'

1:00:011:00:03

Hoss, if you want to see your boy,

1:00:031:00:06

we got to move.

1:00:061:00:08

You can stay at my place.

1:00:081:00:10

'Human victims...'

1:00:101:00:12

Y'all are leaving?

1:00:121:00:14

This whole operation's being run out of the Houston office.

1:00:141:00:18

That's my hood.

1:00:181:00:21

Freddy will be close by.

1:00:211:00:23

I'm going with you.

1:00:231:00:25

MOVIE: 'That situation has now changed,

1:00:251:00:27

'and we're able to report a definite...'

1:00:271:00:29

I still don't know who I shot.

1:00:291:00:31

I have to tell my wife something.

1:00:351:00:37

I don't know.

1:00:381:00:39

Seems kind of sudden, doesn't it?

1:00:391:00:41

Well, this is a good opportunity for the shop.

1:00:411:00:45

Uh, have you been drinking?

1:00:451:00:48

Yeah, I stopped and had a couple. I'm celebrating.

1:00:481:00:51

If I get this contract, well, it'd be big.

1:00:511:00:55

-You're serious about this, aren't you?

-Mm-hmm.

1:00:561:00:59

Well, how long will you be gone for?

1:00:591:01:01

Just a couple days, no more than a week, I figure.

1:01:011:01:05

I don't know.

1:01:051:01:06

I don't like the idea of you going to Houston

1:01:061:01:08

and leaving me and Jordan all alone.

1:01:081:01:10

-Well, they got him, Ann.

-Don't make me sound girlie.

1:01:101:01:12

Well, don't act girlie.

1:01:121:01:14

Don't tease me, Richard.

1:01:141:01:16

Well, you should be happy.

1:01:161:01:18

I've been waiting for something big like this.

1:01:181:01:22

Well, will it stop you from moping around the house?

1:01:221:01:25

Maybe we can go on a vacation after, some place cool?

1:01:271:01:30

-It's been a while since we've been away.

-Yeah.

1:01:301:01:33

We could drop Jordan at your mom's

1:01:331:01:35

and have us a little adult time.

1:01:351:01:37

Hmm?

1:01:381:01:41

You want to do it, Sparky?

1:01:411:01:43

You haven't called me that since high school.

1:01:461:01:48

-Mm.

-You are drunk.

1:01:481:01:50

Drunk and randy, I thought that's how you like me.

1:01:501:01:53

Let's get us some Java.

1:02:371:02:38

PIGS SQUEAL

1:02:401:02:42

When you said he was a pig farmer,

1:02:581:03:00

I thought you were kidding.

1:03:001:03:01

Morning, boys.

1:03:011:03:03

Come on in, and I'll make you some bacon.

1:03:031:03:05

PIG SQUEALS

1:03:051:03:08

The DMV issued 162 new driver's licences

1:03:081:03:11

to males in Freddy's age range.

1:03:111:03:13

Out of that stack,

1:03:131:03:15

93 of them poor bastards is married.

1:03:151:03:17

So of the single dudes, 47 of 'em is Caucasian,

1:03:171:03:20

and a whole of 28

1:03:201:03:22

around six feet tall.

1:03:221:03:24

Well, any of 'em got blue eyes?

1:03:241:03:26

Grand total of two.

1:03:261:03:28

Well, what about them? Why don't we start with them?

1:03:281:03:30

Already did. Well, at least the first one.

1:03:301:03:33

And?

1:03:331:03:35

That sorry son of a bitch still lives with his parents.

1:03:351:03:39

But the other one...

1:03:391:03:41

this one right here...

1:03:411:03:42

one Frank C Miller,

1:03:421:03:45

blond, blue-eyed,

1:03:451:03:46

six feet and change,

1:03:461:03:48

the same Mr Miller

1:03:481:03:50

who just ordered cable and a phone line

1:03:501:03:53

at his new house outside of Houston.

1:03:531:03:55

And previous address unknown.

1:03:551:03:58

That's not bad for a pig farmer.

1:03:581:04:00

Well, when I crack this case,

1:04:011:04:03

I might just let you frame the headlines, framer.

1:04:031:04:06

Best way to find out for sure...

1:04:061:04:08

call him.

1:04:081:04:10

No, I want to take a look at him first.

1:04:101:04:12

Come on, you cranky old bastard. Just call him up.

1:04:121:04:15

I ain't calling him.

1:04:171:04:19

That's the house right there.

1:04:221:04:25

That's not the colour I pictured.

1:04:251:04:27

Well, we're not even sure it's him yet, are we?

1:04:271:04:31

No better time than the present.

1:04:311:04:33

You make it sound like it's some kind of showdown.

1:04:331:04:36

Well, in a way, it is.

1:04:361:04:37

-I have to make...

-Watch out!

1:04:371:04:39

-Ah! Shit!

-Damn!

1:04:391:04:41

What the fuck?!

1:04:411:04:42

Jesus!

1:04:421:04:44

What in the dog shit is wrong with you?

1:04:451:04:49

Don't you have any mirrors on this damn Pinto?

1:04:491:04:51

Do you know how to use them?

1:04:511:04:53

Who's gonna pay for... We could split it.

1:04:531:04:56

Ah!

1:04:561:04:57

Oh!

1:04:571:04:59

You... Ah!

1:04:591:05:01

Hey!

1:05:011:05:02

You want some of this?

1:05:031:05:04

Huh?

1:05:041:05:06

That's for my car.

1:05:091:05:11

And that's for my hat.

1:05:141:05:17

Ben, check him.

1:05:171:05:19

God damn.

1:05:191:05:21

Tore my fucking head off.

1:05:211:05:23

It ain't Frankie Miller, is it?

1:05:271:05:29

No, smart-ass.

1:05:291:05:31

Huh.

1:05:351:05:37

Good thing he wasn't in an OK Corral mood.

1:05:371:05:39

Goddamn piece-of-shit Pinto!

1:05:391:05:42

What's that?

1:05:471:05:48

-Home movies, looks like.

-DOG BARKS

1:05:481:05:51

Shut up!

1:05:511:05:52

Ah, he's moving.

1:05:521:05:54

Batting Practice?

1:05:571:06:00

Let's get a look at his swing.

1:06:041:06:06

Take that gun and shoot that fucking dog, will you?

1:06:081:06:11

PHONE RINGS

1:06:161:06:18

'She's cute, man.

1:06:491:06:51

'Is this your first...

1:06:521:06:54

'Ask her if this is her first time.'

1:06:541:06:56

Hey, it's me.

1:06:591:07:01

Uh, I'm in Houston, and everything's fine.

1:07:011:07:04

I got a meeting in a little while.

1:07:041:07:06

I'll call you later and let you know how it went.

1:07:061:07:08

'Yeah, there you go.'

1:07:081:07:09

OK. Love you both.

1:07:091:07:11

'Get on top of him.

1:07:111:07:13

'Yeah, I like that. Yeah.

1:07:131:07:16

'How old... How old are you?'

1:07:201:07:23

She ain't even old enough to drive.

1:07:241:07:26

'What did she say?'

1:07:261:07:28

PHONE RINGS

1:07:501:07:52

PHONE RINGS

1:08:221:08:23

So, he's a pervert.

1:08:351:08:37

Let's turn this shit off.

1:08:371:08:39

SHE SCREAMS

1:08:401:08:44

SCREAMING CONTINUES

1:08:571:09:00

THUD, SCREAMING STOPS

1:09:071:09:09

THUDDING, MAN GRUNTS

1:09:091:09:12

'Whoo!

1:09:121:09:13

'Yeah!'

1:09:131:09:15

'Hello?

1:09:201:09:22

'Hello?

1:09:231:09:24

'Hello?'

1:09:271:09:29

Let's tell him we got the wrong house

1:09:441:09:46

and we can't find the guy or some shit.

1:09:461:09:48

What about Freddy?

1:09:501:09:52

You saw that trunk.

1:09:531:09:56

There are a lot more tapes where that one came from.

1:09:561:09:59

-Doesn't that matter to you?

-Well, yeah,

1:09:591:10:03

it matters to me.

1:10:031:10:05

But we can't tell Ben about any of it, not yet.

1:10:051:10:09

About what?

1:10:091:10:11

It ain't nothing we need to jump into right now.

1:10:171:10:21

What's on the tape?

1:10:211:10:23

JIM BOB SIGHS

1:10:251:10:27

What's on the tape?

1:10:291:10:31

Do yourself a favour, hoss.

1:10:321:10:34

What's on the tape?

1:10:361:10:38

Huh?

1:10:381:10:40

How do you work this fucking thing?

1:10:551:10:57

'She's cute, man.

1:11:101:11:12

'Is this your first...

1:11:121:11:14

'Ask her if this is her first time.'

1:11:141:11:16

GLASS SMASHES

1:11:201:11:22

DOOR SLAMS

1:11:271:11:29

BEN COCKS GUN

1:11:491:11:50

Ben?

1:11:501:11:52

Ben?

1:11:521:11:54

Hey.

1:11:541:11:56

Open the door.

1:11:581:12:01

Open the door, Ben.

1:12:031:12:04

Put the gun down.

1:12:041:12:06

Would you put the gun down, Ben?

1:12:071:12:10

We could go to the cops

1:13:081:13:11

and show them the tape.

1:13:111:13:13

Well, it wouldn't do any good.

1:13:151:13:18

They know what their boy is doing.

1:13:181:13:21

He is protected.

1:13:221:13:24

But he's killing women.

1:13:241:13:26

Prostitutes who cross the border illegally,

1:13:261:13:29

and nobody cares.

1:13:291:13:31

How long you known him?

1:13:351:13:37

We were in Korea together.

1:13:391:13:41

He saved my life.

1:13:431:13:45

He never said he was in the service.

1:13:481:13:52

I don't know whether you've noticed it or not,

1:13:531:13:55

but old Ben ain't much on the small talk, is he?

1:13:551:13:59

Stubborn as a mule, though.

1:14:021:14:04

Get some rest, boy.

1:14:041:14:06

All right.

1:14:101:14:11

LIGHTER FLICKS

1:14:171:14:19

GUNSHOT RINGS OUT

1:14:301:14:32

What the fuck?

1:14:361:14:37

GUNSHOTS

1:14:411:14:43

I got cows in that pasture.

1:14:541:14:56

What are you gonna do when a dog goes bad on you,

1:15:031:15:07

bites somebody or hurts somebody?

1:15:071:15:09

There's only two things you can do, right?

1:15:111:15:14

You either chain him up or put him down.

1:15:141:15:18

But which do you think is more cruel?

1:15:191:15:22

Huh?

1:15:221:15:23

You talking about killing your own son?

1:15:251:15:27

That's crazy.

1:15:271:15:28

Well...

1:15:301:15:32

I can't very well chain him up, can I?

1:15:331:15:36

I need a drink.

1:15:451:15:46

Haven't even had my goddamn coffee yet.

1:15:471:15:51

Son of a bitch.

1:15:511:15:53

MARIACHI MUSIC PLAYS

1:15:531:15:57

-Thank you, darling.

-You got it, baby.

1:16:101:16:13

Have you given any thought

1:16:131:16:14

as to how you're gonna do this thing?

1:16:141:16:17

Well, it ain't rocket science.

1:16:171:16:19

What about the big Mex?

1:16:211:16:23

If he's there, we'll shoot him too.

1:16:231:16:25

Oh, good. Well, I'm glad you got a plan.

1:16:251:16:28

I was worried that you were just gonna wing it.

1:16:281:16:30

You got a better idea?

1:16:301:16:32

Not yet, but I'm working on it.

1:16:321:16:35

Just remember, he's my son, and I'm pulling the trigger.

1:16:351:16:40

PIGS SQUEAL

1:16:451:16:48

Good luck.

1:16:591:17:00

VEHICLE HORN HONKS

1:17:461:17:48

Hey, there.

1:17:481:17:50

Hey.

1:17:501:17:51

Ho! Whoa, whoa, whoa, whoa.

1:17:591:18:01

-Honey, I'm sorry. I didn't see you.

-That's OK.

1:18:011:18:04

-Sorry.

-That's OK.

1:18:041:18:05

-OK, ice cream?

-No.

1:18:051:18:07

-No?

-Potato sauce.

1:18:071:18:08

Potato sauce?

1:18:081:18:09

TV ON FAINTLY

1:18:091:18:11

'And his low throw allows...'

1:18:111:18:13

Glad the trip went well. I hope you get the contract.

1:18:131:18:17

What?

1:18:171:18:18

I said I'm glad the trip went well.

1:18:181:18:21

'Man on first and third...'

1:18:211:18:22

Oh.

1:18:221:18:24

'Takes the plate...

1:18:241:18:25

'Here it comes, the two-and-two pitch.

1:18:281:18:30

-BAT SNAPS

-'Hits it sharp!

1:18:301:18:32

'Going back! Going back!

1:18:321:18:34

'It's out of here!

1:18:341:18:36

'I'll tell you...'

1:18:361:18:38

GUN CLICKS

1:18:531:18:55

GUN CLICKS

1:18:571:18:59

BIRDSONG

1:19:151:19:17

Call.

1:19:311:19:33

What have you got?

1:19:371:19:39

DOOR OPENS

1:19:431:19:44

Show 'em.

1:19:441:19:46

Framer's back.

1:19:461:19:48

DOOR BANGS

1:19:591:20:01

ENGINE STARTS

1:20:161:20:18

ENGINE STARTS

1:20:211:20:23

Well, how about that?

1:20:571:20:59

The video store is a cover.

1:20:591:21:01

Your boy's got more brains than you do, Ben.

1:21:011:21:04

Must take after his mama.

1:21:041:21:06

OK, framer, go in there and look for exit doors

1:21:101:21:14

and side rooms, things like that. You got it?

1:21:141:21:17

And just act normal, all right?

1:21:171:21:19

What about the Mexican?

1:21:201:21:22

Just be quick about it.

1:21:221:21:23

DOOR SHUTS

1:21:281:21:29

(OK, OK.)

1:21:331:21:34

-Hey.

-Hey.

1:21:371:21:39

Is there something I can help you with, sir?

1:22:301:22:34

Yeah, uh...

1:22:371:22:39

You have a foreign films section?

1:22:411:22:43

Don't carry nothing foreign but Jap and Mex stuff.

1:22:431:22:46

Uh, that's right, just Japanese and Mexican fare,

1:22:481:22:52

-uh, some British too.

-We got limey stuff?

1:22:521:22:54

HORN HONKS

1:22:541:22:56

George, I prefer you not use offensive terms like that

1:22:561:22:58

if you're gonna work for me, OK?

1:22:581:22:59

Yes, sir. I didn't mean nothing by it.

1:22:591:23:01

-Sorry.

-It's all right.

1:23:011:23:04

Is there anything else that I can help you with today?

1:23:041:23:06

HORN HONKS

1:23:061:23:08

Uh...

1:23:081:23:09

Yeah, uh, what time y'all close?

1:23:101:23:13

11pm, sharp.

1:23:131:23:14

HORN HONKS

1:23:171:23:18

Shit.

1:23:181:23:19

-All right.

-Chicken?

1:23:201:23:22

No, they out of the chicken... only beef.

1:23:221:23:25

Oh, actually, hey, you know,

1:23:251:23:27

I just got this new release in from, uh...what...

1:23:271:23:30

DOOR SHUTS

1:23:301:23:32

You all right?

1:23:391:23:40

Yeah.

1:23:401:23:42

They close at 11.

1:23:441:23:45

Ben.

1:23:551:23:57

Eenie, meenie.

1:24:021:24:04

Here. Just in case.

1:24:101:24:13

All right, that's them.

1:25:501:25:52

Let's make this quick.

1:25:531:25:55

Just tell us when.

1:25:551:25:57

Oh, shit, shit, shit.

1:25:581:26:01

Oh, fuck. They got company.

1:26:151:26:18

I don't like this.

1:26:281:26:29

WOMAN LAUGHS

1:26:331:26:35

Let's take 'em all on.

1:26:361:26:38

There's six of 'em, Ben.

1:26:381:26:40

We don't know how many more are on the inside.

1:26:401:26:42

Fuck 'em.

1:26:421:26:44

Ben.

1:26:441:26:45

GUN COCKED

1:26:451:26:47

We're gonna do this the right way.

1:26:491:26:51

Are you feeling me, Ben?

1:26:511:26:52

Take the gun out of my ear, Jim.

1:26:551:26:58

I'm feeling you.

1:26:581:27:00

Wait. Look.

1:27:011:27:02

All right, see ya.

1:27:071:27:09

What do we do?

1:27:141:27:15

Follow 'em.

1:27:151:27:17

All right.

1:27:241:27:26

This must be where they do it.

1:28:241:28:27

Lot of cowboys down there, Ben.

1:28:271:28:30

You want to rethink your math?

1:28:301:28:32

Fuck the math.

1:28:321:28:34

Looks like there's only gonna be one left outside.

1:28:461:28:49

That means five on the inside, plus the girl.

1:28:491:28:51

Count to ten, and then one of you

1:28:511:28:53

step out and get his attention.

1:28:531:28:55

I'll do the rest.

1:28:551:28:56

Ten, nine, eight,

1:28:591:29:03

seven, six...

1:29:031:29:05

You're actually counting?

1:29:051:29:07

He...he said to count.

1:29:071:29:08

Damn.

1:29:081:29:10

Oh, shit.

1:29:121:29:14

Hey.

1:29:191:29:21

Hey.

1:29:211:29:22

All right, boys,

1:29:331:29:35

it's Howdy Doody time.

1:29:351:29:37

MUSIC PLAYS FAINTLY

1:29:401:29:42

FAINT VOICES

1:30:001:30:02

HE BREATHES HEAVILY

1:30:221:30:25

FAINT VOICES

1:30:371:30:38

FAINT VOICES

1:30:581:31:00

So I told you I'm coming. Hold on.

1:31:031:31:06

-Tell me again.

-I told you already.

1:31:091:31:12

Get me a drink.

1:31:121:31:13

GUNSHOT

1:31:181:31:19

WOMAN SCREAMS

1:31:191:31:21

MAN GRUNTS

1:31:341:31:36

SOUND DIPS

1:31:391:31:41

HIGH-PITCHED WHINE

1:31:411:31:44

SOUND RETURNS

1:31:441:31:46

GUNSHOT

1:31:541:31:56

GUNSHOT

1:32:461:32:47

AUTOMATIC GUNFIRE

1:32:471:32:49

HE YELLS GUN CLICKS

1:33:041:33:05

AUTOMATIC GUNFIRE

1:33:051:33:07

HE YELLS

1:33:101:33:12

GUNSHOT, MAN YELLS

1:33:121:33:14

Ah! Fuck!

1:33:151:33:17

Ah! Fucking shot...

1:33:171:33:19

Who the fuck are you, man?!

1:33:191:33:21

Fuck! Fu...

1:33:211:33:23

GUNSHOT

1:33:231:33:25

Thanks.

1:33:301:33:32

GUNSHOTS

1:33:521:33:54

GUNSHOTS

1:33:581:34:00

GUNSHOT

1:34:171:34:19

Hey, up here, boys.

1:34:221:34:23

MAN YELLS

1:34:231:34:25

Go down!

1:34:351:34:37

Shit.

1:34:401:34:42

MAN YELLS

1:34:441:34:45

GUNSHOT

1:34:451:34:47

WOMAN SHRIEKS AND GROANS

1:35:001:35:02

WOMAN SOBS

1:35:041:35:06

WOMAN SHRIEKS

1:35:101:35:12

SHE MOANS

1:35:131:35:15

SHE SHRIEKS

1:35:231:35:24

It's all right. Shh. You're all right. You're all right.

1:35:241:35:27

You're all right. It's OK.

1:35:271:35:29

SHE SOBS

1:35:291:35:31

Fucker!

1:35:311:35:33

GUNSHOT

1:35:331:35:34

RAPID BREATHING

1:35:441:35:46

HE BREATHES RAPIDLY

1:36:151:36:17

Ben.

1:36:471:36:49

Take the shot.

1:36:491:36:51

HE BREATHES RAPIDLY

1:37:131:37:15

Freddy...

1:37:281:37:30

I...I'm Ben Russell.

1:37:341:37:36

I'm your father.

1:37:381:37:40

I came here to kill you.

1:37:421:37:44

Are you really my dad?

1:37:511:37:53

GUN CLICKS

1:37:571:37:58

Far as I know.

1:37:581:37:59

HE SOBS

1:38:111:38:13

HE MURMURS

1:38:261:38:29

WIND RISES

1:39:431:39:45

# Wait, wait

1:41:111:41:15

# I never had a chance to love you

1:41:151:41:17

# Now I only want to say

1:41:171:41:19

# I love you one more time

1:41:191:41:24

# Wait

1:41:241:41:26

# Just a moment

1:41:261:41:27

# Before our love will die

1:41:271:41:30

# Cos I

1:41:301:41:32

# Must know the reason

1:41:321:41:34

# Why we say goodbye

1:41:341:41:37

# Wait

1:41:371:41:39

# Just a moment

1:41:391:41:41

# And tell me why

1:41:411:41:43

# Cos I

1:41:431:41:45

# Can show you loving

1:41:451:41:47

# That you won't deny

1:41:471:41:50

# I said wait

1:42:041:42:06

# And show you loving

1:42:061:42:08

# Like it was before

1:42:081:42:11

# Cos I

1:42:111:42:12

# Won't let that feeling

1:42:121:42:14

# Walk out through the door

1:42:141:42:17

# I said wait

1:42:171:42:19

# Just a moment

1:42:191:42:21

# And try once more

1:42:211:42:24

# Cos babe

1:42:241:42:25

# I need to hold you

1:42:251:42:27

# Like I did before

1:42:271:42:29

# So if you go away

1:42:311:42:33

# I know that I will follow

1:42:331:42:37

# Cos there's a place inside

1:42:371:42:39

# My heart that tells me hold out... #

1:42:391:42:42

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