Testament of Youth


Testament of Youth

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This film contains some scenes which some viewers may find upsetting.

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SHOUTING AND CHEERING

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CAR HORN HONKING

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We used to swim here when we were children.

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Hope Vera hasn't gone in yet.

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Completely forgot about the rats.

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Rats?

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Mmm, big nest of them, apparently.

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We'll be all right in the shallows, but we definitely shouldn't go...

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Oh, no.

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Vera!

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Vera!

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Get out of the water! Rats!

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Vera! Vera!

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LAUGHING

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Wait for me.

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Victor!

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-Victor!

-There's no rats in here.

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You idiot!

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So?

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What about you and Victor?

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-What about us?

-Come on.

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-He's sweet.

-Sweet?

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All the attention's making you arrogant.

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Stop it.

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I'm a block of ice.

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Here.

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Come on. We should be getting back.

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Do we have to?

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-Mother and Father are expecting us.

-They're always expecting us.

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-They're driving me mad.

-Give them a chance, Vera, all right?

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I mean it.

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I'll try.

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Better had.

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Come on, Vera!

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INDISTINCT CHATTER

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..from rats!

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ALL LAUGH

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I'm sorry, Victor. I expected a little panic.

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I didn't expect a fully fledged leap into the lake.

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-You knew about this.

-I knew Father wanted you to have one.

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-You colluded with them.

-Vera, it's just a piano.

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FAINT CHATTER

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Vera, come and see your surprise.

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Darling, I've been so dying to tell you, and...I just couldn't.

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Mrs Ellinger was in on the secret and she's come to hear you play.

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Perfect. She's an absolute beauty, so I'm told.

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Well, come on, darling.

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Give us a taste of what we can look forward to.

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SHE STARTS TO PLAY

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SHE SLAMS PIANO LID

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-Oh, dear.

-Vera...

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Vera, come back and apologise now.

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If you can't show me the respect I deserve,

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then at least show some for our guests.

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I don't want a piano.

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You knew I didn't want one and still you bought it.

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I won't be bullied by you.

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Oh, I buy her the most expensive

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gift of her life, but, no, I'm bullying.

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Your father hoped you'd be happy, dear.

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That piano could pay for a whole year at Oxford.

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Oh, here we go.

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And all this time you said you couldn't afford for me to go.

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-No, I can't afford to waste money, no.

-Oh, Arthur.

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Vera, I... I didn't mean...

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Vera, come back here, now!

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I've thrown my work out.

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You can take it to your paper factory and pulp it for all I care.

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Now, stop it. I'm simply concerned

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that you're turning yourself into a bluestocking.

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That's no way to find a husband.

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I don't want a husband.

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How many times do I have to spell it out?

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I'm sorry you didn't have a daughter whose sole purpose in life

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is to hitch herself to a man.

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There it is. I'm not getting married.

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Not now, not ever.

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Well...

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That's clear, then.

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-Ted.

-Roland.

-Good to see you.

-Welcome.

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Vic. Great to see you.

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-Hello, Mr Brittain.

-Roland, we've heard great things about you.

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-Can I help?

-Oh, you frightened me.

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No, thanks.

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Please, I'd rather be by myself.

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It's the books I'm worried about.

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I've never seen anyone beat them up that way.

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Wordsworth, Shelley.

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Poor Byron.

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All these Romantics aren't good for you, you know?

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Don't worry. They have very little influence.

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So I saw earlier.

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I'm sorry about the badly timed arrival, by the way.

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-I can see this is all highly amusing for you.

-No.

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Yes. You're already polishing up the

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anecdote for your friends back at school.

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PIANO MUSIC PLAYS

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I'm sorry. I was so caught up in myself.

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I didn't think what this must be like for you.

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She certainly didn't deserve the treatment you gave her.

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Well, I got you your piano.

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That's something to be happy about, at least.

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You can thank me for that.

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MEN LAUGHING

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Shh.

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Come on, then, Ted, Ash Grove.

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-Yes, Ash Grove!

-Ash Grove.

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-Right. Ready?

-Yeah.

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THEY PLAY THE ASH GROVE

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Very good.

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KNOCK ON DOOR

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Hello.

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You're studying.

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What of it?

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Nothing, I...

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Look, I've done the Oxford entrance exams.

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It's all about technique. I could help you.

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Once you've learnt it, you'll sail through, I'm sure.

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Like a Masonic secret, passed from teacher to boy.

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Actually, my teachers weren't that good.

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I worked it out for myself.

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And so will I.

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It's just three years of study, Father.

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You know women don't even get degrees at Oxford?

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What's the point of her going, then?

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It's all she's ever wanted.

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She's set her mind on it.

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But it's three years of extra expense.

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I'd share my allowance with her. That would help.

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What about the entrance exam?

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Don't you need tuition for such a thing?

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She's teaching herself.

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I wouldn't feel right about going

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myself if Vera didn't have the chance.

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She was always so bright.

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FLOORBOARD CREAKS

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Vera?

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Very well, then. You can sit the wretched thing if you want to.

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-Oh, thank you, Daddy.

-Well, you're just sitting it, mind.

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And then we'll see.

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Now, play me some of that piano.

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Careful.

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God, it's beautiful here. You're so lucky.

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Mmm. Except we're nearly back at school.

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We're here now, Ted. Come on. Live in the moment a little.

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One more term and it'll all be over.

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Sort of daunting,

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seeing your whole life stretched out in front of you.

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At least you won't be buried alive in Buxton.

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Do we have a suffragette on our hands?

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I would be, given the chance.

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I suppose that shocks you.

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You're talking to the wrong man, Vera. Roland's a supporter.

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Well, my mother does admire them.

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She's a novelist and she writes for the papers.

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She supports the whole family, in fact.

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I hope you don't mind me saying.

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Well, not now I've seen Vera's face.

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I had no idea.

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Well, perhaps you've jumped to conclusions about me.

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I think that's mutual.

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Oh, no. No, I've researched you quite thoroughly.

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I even found a poem in the yard, in fact. I took the liberty of...

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Poem? You kept that very quiet. Let's have a look.

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Give it back.

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It's nothing. It's a stupid thing.

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Well, I don't know about anyone else, but...

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I could do with a drink of something.

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Yes, er... Let's get back to the house.

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INDISTINCT CHATTER AND LAUGHTER

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I didn't know you kept it a secret.

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I kept it quiet because I was moved by it.

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I found it beautiful.

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And you seem an impossible person to say that to.

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I'm not.

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No.

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What if I told you I want to be a writer?

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And I even dream of earning a living by it.

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I want to write, too, as it happens.

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But I'm a little in my mother's shadow.

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Is she good?

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How's she done it?

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Sheer pig-headedness.

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You should meet her. You'd get on.

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You must write.

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Really.

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No-one's ever said that to me before.

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FLOORBOARD CREAKS

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DOOR CLOSES

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Come on! You'll miss the train!

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Roland! Come on, we're leaving!

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Heck!

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-I don't want you to go.

-We'll have the whole summer.

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-MRS BRITTAIN:

-Come along, boys. You don't want to be late.

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You've a train to catch.

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I'll just be back in a minute.

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Has anybody seen the big, black suitcase?

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Erm...

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-Goodbye.

-Goodbye.

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Victor, come on!

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Roland, don't forget your tennis racket.

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FOOTSTEPS DESCENDING STAIRS

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I wish you weren't going so soon.

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Did you read the poem?

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-Of course.

-And?

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It's well crafted.

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But?

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It was a little dry, as though you were holding back.

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-I couldn't find you in it.

-Well, I can assure you it's mine.

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-Of course, I... I didn't mean...

-Roland, come on, we're late.

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-MRS BRITTAIN:

-Vera! Come on, Vera!

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Come on, darling.

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Let's go.

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-Bye!

-Bye, Mother!

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-ROLAND:

-Thank you!

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VERA: "Edward, please send me news of Roland Leighton.

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"Tell him how much I enjoyed meeting him, will you?

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"I think I offended him, Edward.

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"You know I can be my own worst enemy."

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INDISTINCT CHATTER

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-ROLAND:

-"Edward assures me you won't mind me writing direct.

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"You set me a challenge, you see, and I've done my best to meet it.

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"I hope you find more feeling in this one.

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"Down the long, white road we walked together

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"Down between the grey hills and the heather

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"You seemed all brown and soft, just like a linnet

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"Your errant hair had shadowed sunbeams in it

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"And there shone all April in your eyes."

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TRAIN WHISTLE BLOWS

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-GUARD:

-Oxford, next stop!

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-AUNT BELLE:

-Ah, the famous honey-coloured stone, yes.

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Very beautiful. Yes, this is the right square, dear.

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Nothing like what we've got in Buxton.

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A different hue altogether.

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That might be Broad Street over there.

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It's down at the bottom.

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SHE CONTINUES TALKING INDISTINCTLY

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Do be careful. These bicycles are everywhere.

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Vera, dear, this way. There's a horse coming now.

0:21:150:21:18

All looks very secretive, doesn't it? This way, dear.

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-What?

-Come along.

0:21:230:21:25

I know you're only staying two nights, but Oxford can get chilly.

0:21:250:21:29

I brought you an extra nightie, just in case.

0:21:290:21:31

Aunt, please.

0:21:310:21:33

I promised your mother I'd keep a proper eye on you.

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She does worry.

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Bedsocks. That's my final word.

0:21:370:21:39

I'm sorry, are you lost?

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I'm here for the exam.

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Oh.

0:21:510:21:52

Er, the porter's lodge is there. He'll direct you.

0:21:520:21:56

-Thank you.

-I'm Vera's Aunt Belle.

0:21:560:21:58

I shall be staying nearby.

0:21:580:22:00

BELL TOLLS

0:22:010:22:04

Is it an entrance exam we're holding or a debutantes' ball?

0:22:040:22:07

It's the Latin essay I'm dreading.

0:22:220:22:24

My tutor's convinced Virgil will come up. I hope he's right.

0:22:240:22:27

Essay?

0:22:270:22:29

CHATTER CONTINUES

0:22:300:22:33

You may begin.

0:22:550:22:57

Excuse me.

0:23:520:23:53

-Excuse me, about the Latin paper...

-What is it?

0:23:550:23:58

-I didn't know an essay was required.

-It's stated quite clearly.

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I must have missed it. I didn't have a tutor.

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I prepared for this by myself.

0:24:070:24:09

-You seemed to be busy writing, Miss...

-Brittain.

0:24:090:24:12

-I wrote it in German instead.

-German?

0:24:140:24:17

Perhaps where you come from, German and Latin can be equated,

0:24:180:24:21

but not here, I'm afraid.

0:24:210:24:23

You've judged me already.

0:24:270:24:29

You think I'm frivolous, a provincial upstart, but I'm not.

0:24:300:24:34

I think you're keen to stand out.

0:24:350:24:37

Yes.

0:24:370:24:38

Good day, Miss Brittain.

0:24:410:24:42

Our next gathering will be on Wednesday.

0:24:510:24:54

Lovely. I tell you what, we are a little stuck...

0:24:540:24:58

VERA: "It was a disaster, Edward.

0:24:580:25:01

"All my dreams are over. I'll never escape Buxton now.

0:25:010:25:06

"And Roland hasn't answered my last letter.

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"Perhaps he's had second thoughts.

0:25:090:25:11

"Thank goodness I have someone I can confide in."

0:25:130:25:16

Better luck next time.

0:25:200:25:21

Vera, hurry, hurry!

0:25:250:25:28

Strict instructions from Edward, we mustn't be late for his parade.

0:25:280:25:31

Gracious, it's only school speech day.

0:25:350:25:39

I'm not sure that any of these are going to be nice enough.

0:25:390:25:41

Of course they are.

0:25:410:25:43

No.

0:25:450:25:46

What's in the letter, dear?

0:25:580:26:00

Oh, come on, Vera, you can't go hiding things from me.

0:26:010:26:04

-It's from Oxford.

-Oh.

0:26:070:26:10

-MRS BRITTAIN SIGHS

-I thought it might be from a boy.

0:26:100:26:13

-Don't tell Father.

-All right.

0:26:130:26:16

There, that's the one. Perfect.

0:26:160:26:18

-What do you think, dear?

-Daddy?

0:26:180:26:21

What?

0:26:210:26:22

Oh.

0:26:220:26:24

Yes, perfect.

0:26:240:26:27

Was that the right answer?

0:26:270:26:28

MILITARY BAND PLAYS, VERA LAUGHS

0:26:330:26:36

Another year, another school speech day.

0:26:560:27:00

And as we send our proud cadets out onto life's stage,

0:27:000:27:03

we say, as always,

0:27:030:27:06

be strong, be loyal, be brave...

0:27:060:27:10

loyal to yourselves, loyal to kith and kin,

0:27:100:27:15

but above all else, loyal to your homeland,

0:27:150:27:20

ready always to serve the glory of the Empire.

0:27:200:27:23

You will go out into the wider world

0:27:250:27:28

rich in the values of Uppingham School.

0:27:280:27:30

Use those values to make your contribution to our nation.

0:27:300:27:34

Many of you will now be going on to university.

0:27:360:27:39

Your masters and I look forward to seeing you excel there,

0:27:390:27:42

and we expect you to uphold the standards...

0:27:420:27:45

My results from Oxford.

0:27:550:27:57

Come on.

0:28:060:28:07

No-one will disturb us here.

0:28:110:28:12

VERA SIGHS

0:28:150:28:16

I know what it's going to say.

0:28:170:28:20

Shall I?

0:28:200:28:21

SHE EXHALES

0:28:280:28:30

You got in.

0:28:390:28:40

EDWARD LAUGHS

0:28:490:28:51

Come here!

0:28:510:28:52

But it says you need to work on your Latin!

0:28:540:28:57

You'd better tell Roland.

0:29:010:29:02

Do you think?

0:29:020:29:04

Go on.

0:29:040:29:05

CHUCKLING

0:29:080:29:10

INDISTINCT CHATTER

0:29:130:29:14

Er, Mother, Father, this is Edward's sister, Vera.

0:29:240:29:27

-Well, how do you do?

-Nice to meet you.

0:29:270:29:29

I didn't know Edward had a sister. Nice to meet you, dear.

0:29:290:29:32

-Pleasure.

-You look happy about something.

0:29:320:29:34

VERA LAUGHS SOFTLY

0:29:340:29:36

I just heard. I got a place at Somerville.

0:29:360:29:39

-Congratulations!

-Congratulations!

-Congratulations!

0:29:390:29:41

Now suddenly she's become a VERY intriguing young lady.

0:29:410:29:44

Don't you think, Roland?

0:29:440:29:45

ROLAND CHUCKLES

0:29:450:29:47

-Excuse me, I must tell my parents.

-Yes.

0:29:490:29:53

-Well...

-Excuse me, sorry.

0:29:530:29:55

Vera, wait.

0:29:550:29:57

Can we talk alone?

0:29:590:30:00

Please.

0:30:030:30:04

-It's such good news about Oxford.

-You don't have to say that.

0:30:120:30:15

No, I know, but Somerville is quite...

0:30:150:30:18

Look, if it's friendship you want, that's fine with me.

0:30:180:30:21

-I prefer clarity, that's all.

-No, it's been a busy term.

0:30:230:30:27

Exams, and ending school is quite the time-consuming business,

0:30:270:30:30

-as it turns out.

-Your mother didn't even know I exist.

0:30:300:30:33

Now, that... that is self-protection.

0:30:330:30:35

HE SIGHS

0:30:420:30:44

-I've been carrying it around with me.

-So why didn't you write back?

0:30:440:30:47

-A little nervous, perhaps.

-CHUCKLES

0:30:470:30:50

Not good with words.

0:30:500:30:51

SHE SCOFFS

0:30:510:30:53

For someone who wants to be a writer...

0:30:530:30:55

When we're at Oxford, we'll be able to see each other every day.

0:31:010:31:05

-I'll be concentrating on my work.

-Well, you'll need fresh air, surely.

0:31:060:31:10

And a chaperone.

0:31:110:31:13

Lapdog.

0:31:130:31:14

Humble slave.

0:31:140:31:16

Vera, let's agree.

0:31:220:31:24

No more fear.

0:31:250:31:26

No more fear.

0:31:300:31:31

Vera?

0:31:330:31:34

What on earth is going on?

0:31:360:31:38

This isn't the way to go about it.

0:31:390:31:42

I'd like permission to see Vera again, Mrs Brittain.

0:31:420:31:45

Fully chaperoned, of course.

0:31:450:31:46

We'll see.

0:31:470:31:48

TRAIN WHISTLE HOOTS

0:32:010:32:03

Mr Leighton.

0:32:260:32:27

Slow down, you two!

0:32:290:32:31

Excuse me.

0:32:420:32:43

BOTH LAUGH

0:33:240:33:26

I think we lost her.

0:33:280:33:29

-We've been very bad, you know.

-Mmm.

0:33:340:33:37

-We're going to get a terrible report.

-Mother won't be surprised.

0:33:370:33:41

-She thinks she has a very odd daughter.

-Not odd. Just interesting.

0:33:410:33:45

I've never known where I fit.

0:33:470:33:49

Does it need to be a place?

0:33:530:33:55

Well, I don't know what to say to the pair of you!

0:34:000:34:03

No, really, I don't!

0:34:030:34:05

My feet are hurting. We'd better call it a day.

0:34:070:34:10

Ah, newspaper.

0:34:120:34:13

Countdown to war.

0:34:130:34:15

Thank you, madam. Morning, sir.

0:34:170:34:20

TRAIN WHISTLE BLOWS

0:34:200:34:22

Here you are, sir. Today's headlines.

0:34:220:34:25

My boys'll be the first to sign up and it'll be a long queue.

0:34:300:34:34

I think there isn't a lad in the country

0:34:350:34:37

doesn't want to go and crush that bloody Kaiser.

0:34:370:34:40

I think the war will be over very quickly, if it happens at all.

0:34:400:34:43

TRAIN WHISTLE BLOWS

0:34:440:34:47

KNOCK ON DOOR

0:34:570:34:59

Yes?

0:34:590:35:00

I need your help.

0:35:100:35:11

Tell me.

0:35:110:35:13

I've been talking to Father about signing up.

0:35:130:35:15

Already?

0:35:170:35:18

This is what we trained for. I'm an officer cadet.

0:35:180:35:21

Father was his usual calm self.

0:35:230:35:25

Said he'd rather put a gun to his head than let me go.

0:35:250:35:28

It's all happening so fast.

0:35:290:35:32

There are boys from the town who've signed up already.

0:35:320:35:34

How will it look if I'm not among them?

0:35:340:35:36

I'll talk to him.

0:35:390:35:40

Calmly.

0:35:420:35:44

I promise.

0:35:440:35:45

HE CHUCKLES

0:35:450:35:46

-What was making YOU so cheerful?

-I'm not.

0:35:480:35:51

I don't think Roland will go.

0:35:550:35:57

-Don't go losing your head over him.

-Why not?

0:35:590:36:02

No, no, no, no, no!

0:36:050:36:07

SHE GIGGLES

0:36:070:36:08

DOOR CLOSES

0:36:110:36:12

No. I said no.

0:36:150:36:18

All the papers are saying it'll be short and fast.

0:36:180:36:20

Well, I know a little more of war than you do, young lady,

0:36:200:36:22

and I can assure you it's never short and it's never fast.

0:36:220:36:25

If we believe that from the outset,

0:36:250:36:27

it becomes a self-fulfilling prophecy, doesn't it?

0:36:270:36:29

He might not even see any fighting.

0:36:310:36:33

MR BRITTAIN SIGHS

0:36:330:36:35

He's only 18.

0:36:350:36:37

What's he going to say when everyone around him

0:36:370:36:39

is signing up and he isn't?

0:36:390:36:40

Let him be a man.

0:36:430:36:45

He won't forgive you if you don't.

0:36:450:36:47

"Dear Roland, now we're a nation at war,

0:36:520:36:55

"is it terrible of me to be so excited about Oxford?

0:36:550:36:59

"I'll be catching the 2:20 train on Thursday

0:37:000:37:02

"and I'll be travelling alone.

0:37:020:37:04

"Could you meet me at Leicester?"

0:37:060:37:08

INDISTINCT CHATTER

0:37:160:37:19

Where's your luggage?

0:37:360:37:37

Sit down. I have something to tell you.

0:37:420:37:45

What is it?

0:37:460:37:47

I'm not coming to Oxford, Vera.

0:37:490:37:50

You've signed up.

0:37:550:37:56

A commission with the 4th Norfolks. I'm joining them tomorrow.

0:37:580:38:01

Tomorrow?

0:38:040:38:05

How?

0:38:070:38:08

Edward's still waiting. Everybody is.

0:38:150:38:18

My Uncle Theo's a military man.

0:38:180:38:21

He pulled some strings.

0:38:210:38:22

-Did he push you to it?

-No. No, I asked him to.

0:38:220:38:24

Vera, I have to go. How many generations get the chance

0:38:280:38:30

to be involved in something like this?

0:38:300:38:33

I can't let others do my duty for me.

0:38:330:38:35

I'll be in Norwich. It's not even active service.

0:38:380:38:42

You wouldn't want me not to?

0:38:440:38:45

There'll be months of training.

0:38:480:38:50

At which point, it could all be over.

0:38:510:38:54

Me and Ted will be coming to Oxford with you in the New Year.

0:38:550:38:58

Isn't it strange...

0:39:250:39:27

..that I'm the one going to Oxford, without Edward or you?

0:39:280:39:31

Ah, Miss Brittain. Surprised to be here, no doubt.

0:39:460:39:49

-Considering I had no tuition.

-Yes, and how it showed.

0:39:490:39:52

Luckily you also displayed an original mind.

0:39:520:39:54

Though whether you can bring any discipline to bear on it

0:39:550:39:58

is another matter.

0:39:580:39:59

"Oxford is everything we dreamed of and more.

0:40:050:40:09

"If only you were here to share it with me, Roland.

0:40:090:40:12

"I want to ask you to leave the Army,

0:40:150:40:18

"but I can't do that. I won't.

0:40:180:40:22

"Victor's been turned down because of his poor eyesight,

0:40:250:40:29

"but Edward's joining the Sherwood Foresters soon.

0:40:290:40:32

"My heart lurched at the sight of him.

0:40:320:40:35

"My little brother, suddenly so grown up."

0:40:350:40:38

-Look at you. Vera, the Oxford student.

-How are you?

0:40:420:40:45

I'm very well.

0:40:450:40:46

"At least I have the comfort of knowing

0:40:470:40:49

"you're all safe on English soil."

0:40:490:40:51

The injured will be taken there this afternoon.

0:40:560:40:58

All these beds can be sent to the dining hall.

0:40:590:41:02

-All right.

-Then you can tell Matron she can...

0:41:020:41:04

THUNDER RUMBLES

0:41:090:41:10

-ROLAND:

-"Leave for France Thursday. Charing Cross, half past one.

0:41:340:41:39

"Please confirm can come. Roland."

0:41:390:41:42

We can't have students gallivanting off to London.

0:41:470:41:50

It's not a gallivant.

0:41:500:41:52

CLICKS TONGUE

0:41:520:41:53

We have to work twice as hard as the men, Miss Brittain.

0:41:540:41:57

We have to be twice as good.

0:41:570:41:59

Otherwise what is the point of us fighting all these years

0:41:590:42:02

to prove that we're worthy of degrees?

0:42:020:42:03

It's to say goodbye to someone going to the front.

0:42:050:42:07

You already have someone there, perhaps.

0:42:100:42:12

My brother.

0:42:130:42:15

Ugh, not where my abilities are best expressed, socks.

0:42:180:42:23

But then, that's war for you, isn't it?

0:42:230:42:26

Men go off to fight and we stay behind and knit.

0:42:260:42:30

-You'll be back within the day?

-Yes.

0:42:360:42:40

And will, of course, have a chaperone?

0:42:400:42:43

Yes.

0:42:430:42:44

Thank you.

0:42:480:42:49

TRAIN WHISTLE HOOTS

0:42:520:42:54

-How long do we have?

-About an hour.

0:43:080:43:11

You told me you weren't going to France yet.

0:43:120:43:14

I asked for a transfer.

0:43:140:43:17

SHE SCOFFS

0:43:170:43:18

You're so eager to face death, then, are you?

0:43:180:43:20

-No.

-Yes, you are.

0:43:200:43:22

-You must be.

-Vera, please.

0:43:220:43:25

You're sick. You've got a fever.

0:43:310:43:33

I can't even be angry with you now.

0:43:360:43:38

Doesn't he look handsome in that uniform?

0:43:430:43:45

Take these, dear. They'll bring the fever right down.

0:43:470:43:50

Thank you.

0:43:500:43:51

Oh, no. No, no. Don't you move. I'll go and get it.

0:43:530:43:57

I'm sorry.

0:43:590:44:00

I didn't mean to be harsh.

0:44:000:44:02

-I've let you down.

-No.

0:44:040:44:06

Now it's here, I have a dust-and-ashes feeling about it.

0:44:070:44:11

Do you take sugar, dear?

0:44:150:44:16

Influenza is ripping through the troops.

0:44:190:44:22

I read about it in the newspaper.

0:44:220:44:24

They call it Spanish flu.

0:44:240:44:27

-HER VOICE FADES

-It seems you get a very high temperature

0:44:270:44:29

and then shortly afterwards...

0:44:290:44:31

WHISTLE BLOWS

0:44:500:44:51

All aboard!

0:45:140:45:16

Oh, I'm sorry. This one's taken.

0:45:280:45:30

I am coming back.

0:45:390:45:41

WHISTLE BLOWS

0:45:410:45:43

Already?

0:45:430:45:44

All in! Right, you lot, say your goodbyes and move it out.

0:45:500:45:54

-Roland!

-Vera!

0:45:550:45:57

-Roland!

-Vera!

0:45:570:45:59

INDISTINCT COMMOTION

0:46:010:46:05

Roland?

0:46:060:46:09

Vera!

0:46:090:46:10

-Write.

-Yes.

0:46:140:46:17

-Write.

-I'll write.

0:46:170:46:19

I love you.

0:46:210:46:23

Vera!

0:46:520:46:54

Victor? LAUGHS

0:46:560:46:59

Roland asked me to come. Thought you'd need a friendly face.

0:47:000:47:04

-Thank you.

-Come on. Sit down.

0:47:040:47:07

-How are you?

-What a mess.

0:47:070:47:09

I can't stay here.

0:47:130:47:15

Not now.

0:47:150:47:16

-I have to do something.

-What?

0:47:170:47:19

I don't know.

0:47:210:47:22

Nurse?

0:47:230:47:24

There's a call for volunteers.

0:47:250:47:27

Look, Roland won't die young.

0:47:290:47:30

He was born to make his mark on the world.

0:47:310:47:35

-Do you think?

-I'm sure of it.

0:47:350:47:38

Thank you for being here.

0:47:430:47:44

-I'm so sorry if you were hurt.

-No, please.

0:47:460:47:49

-It's fine. No, there's no need...

-No, I feel like...

0:47:490:47:52

In fact, I've met a girl.

0:47:530:47:55

That's wonderful.

0:47:590:48:01

I'm so happy for you. What's her name?

0:48:010:48:04

Molly.

0:48:040:48:05

She's keen.

0:48:050:48:07

She has you here, with her.

0:48:110:48:13

She's a luckier girl than I am, then.

0:48:150:48:17

Miss? Er, telegram for Miss Lorimer, Somerville College.

0:48:290:48:33

Thank you, miss.

0:48:380:48:39

Yes, I understand your concerns,

0:48:500:48:52

but I'm sure if you refer to the list that I gave you

0:48:520:48:54

on complementary novels, you'll find it extremely helpful.

0:48:540:48:57

-Thank you, Miss Lorimer.

-Yes, not at all.

0:48:570:49:00

SHE GASPS

0:49:270:49:28

Latest news from the front!

0:49:420:49:44

Thank you, miss. Latest news from the front!

0:49:440:49:48

Nursing? What on earth for?

0:50:560:51:00

-They need volunteers.

-And I'm sure there are plenty

0:51:000:51:02

of eager young women out there who've not embarked

0:51:020:51:04

-on promising careers at Oxford.

-I need to do something.

0:51:040:51:07

I can't stay here buried in books, not now.

0:51:080:51:11

You don't own the truth about how we get through this, Miss Brittain.

0:51:200:51:24

Your opinion is just that - an opinion - and you'd do well

0:51:240:51:27

-to remember it.

-I'm sorry, I didn't mean...

0:51:270:51:29

This crisis needs people who can stand back and reflect.

0:51:290:51:32

How can you think of giving up a golden opportunity

0:51:340:51:36

that you have worked so hard for?

0:51:360:51:38

So your mind's completely made up?

0:51:420:51:43

Yes, it is.

0:51:490:51:50

BELL CHIMES IN THE DISTANCE

0:51:520:51:54

I know what visions have brought you here,

0:52:010:52:04

and I'm happy they've carried you to our door,

0:52:040:52:07

but that's where you leave them.

0:52:070:52:08

You're not angels of mercy

0:52:080:52:10

swooping down to mop the brows of grateful men.

0:52:100:52:13

You're workers, and you'll do whatever you're asked,

0:52:130:52:17

no matter how dirty, no matter how dull.

0:52:170:52:20

-Do I make myself clear?

-ALL: Yes, Sister.

0:52:200:52:23

Hands.

0:52:230:52:24

SCOFFS

0:52:280:52:29

Airs and graces will not be tolerated,

0:52:310:52:34

especially from those who've come down from an ivory tower.

0:52:340:52:38

If you've any doubts, the door's there. You can leave now.

0:52:400:52:43

Your duties commence at 7am sharp. You do not sit down on the ward.

0:52:450:52:49

ALARM CLOCK RINGS

0:52:490:52:51

Who sterilised the instruments?

0:52:580:53:01

-I did, Sister.

-And would you say you've done a good job?

0:53:010:53:03

I think so.

0:53:030:53:05

You think so. Really?

0:53:050:53:07

What about these?

0:53:080:53:09

-I forgot.

-You forgot?

0:53:100:53:13

And what if someone had used them, not realising?

0:53:130:53:16

-I'm sorry.

-It's human lives that could be put at risk.

0:53:160:53:19

And I thought you were supposed to be intelligent.

0:53:210:53:24

"The nurses here know I've come from Oxford, Roland,

0:53:240:53:27

"and they're determined to break me.

0:53:270:53:28

"Little do they know, the harder they push, the more grateful I am.

0:53:310:53:37

"Anything to stop me thinking and to fill the hours between news of you."

0:53:390:53:43

-ROLAND:

-"One of my men has just been killed. The first.

0:53:570:54:00

"I've been taking the things out of his pockets

0:54:020:54:04

"and tying them in his handkerchief

0:54:040:54:07

"to be sent back somewhere, to someone,

0:54:070:54:09

"who will see in them more than a torn letter,

0:54:090:54:13

"a pencil and a piece of shell."

0:54:130:54:17

VERA: "Please don't keep things back from me, Roland,

0:54:190:54:21

"with an idea of sparing my feelings.

0:54:210:54:24

"I shall never be afraid to confront the real."

0:54:240:54:27

OFFICER SHOUTS

0:54:270:54:30

"The imagined holds far greater terror for me."

0:54:300:54:33

GASPS

0:54:350:54:36

Fancy sending him over in this state.

0:54:360:54:38

We're seeing more and more of it.

0:54:380:54:40

If you're so eager, Brittain, YOU sponge him down.

0:54:460:54:48

-MAN:

-Vera.

0:55:220:55:24

What did you say?

0:55:280:55:30

Sister.

0:55:300:55:32

SHE SIGHS

0:55:350:55:37

Here she is.

0:56:200:56:22

You look exhausted. What are they doing to you here?

0:56:220:56:26

I'm all right. CHUCKLES

0:56:260:56:28

Vera, Geoffrey Thurlow, a friend from the battalion.

0:56:280:56:30

You're not leaving for France?

0:56:320:56:34

Not yet.

0:56:340:56:35

I'm sorry. Forgive me.

0:56:370:56:39

No, no, no. The relief is all mine.

0:56:390:56:42

-A peace-loving soldier?

-Or a cowardly one, perhaps.

0:56:420:56:46

Nonsense.

0:56:460:56:47

Geoffrey was about to train to be a priest. That takes courage.

0:56:470:56:51

Saved by the war. Imagine that.

0:56:510:56:53

-So, shall we go?

-Where?

0:56:550:56:58

Didn't he write and tell you?

0:56:580:57:00

Roland's home on leave.

0:57:000:57:01

No, he, er...

0:57:040:57:05

he walked through the door yesterday and slept for 20 hours straight.

0:57:050:57:08

ALL CHUCKLE

0:57:080:57:09

Hardly said a word.

0:57:090:57:11

So he's, er...

0:57:120:57:13

he's down there, by the sea.

0:57:130:57:16

VERA LAUGHS

0:57:170:57:19

If you excuse me, I think I'll go and see him.

0:57:190:57:21

Let's, er... Let's just give them a moment, shall we?

0:57:230:57:27

BIRDS CAW

0:57:270:57:28

Roland?

0:57:350:57:36

I have to go back in three days.

0:57:470:57:48

Oh, just look at that view.

0:57:530:57:55

-Well, well, the officer returns.

-ROLAND LAUGHS

0:57:550:57:58

-Vic! Hello!

-Roland.

0:57:580:58:00

Good to see you. Hello.

0:58:000:58:02

Very good to see you. Roland, Geoffrey Thurlow.

0:58:020:58:04

-Very good to meet you.

-It's a pleasure.

0:58:040:58:07

HE GRUNTS

0:58:070:58:08

Good shot.

0:58:080:58:10

The worst is when you have to go out and repair the wire.

0:58:120:58:14

Boot polish on your face, crawling on your belly

0:58:140:58:17

through the mud and rain.

0:58:170:58:18

I was out one night with an officer called Harrison.

0:58:190:58:21

We were so close to the Germans, we could hear them whispering in their trench.

0:58:210:58:24

"Hast du Feuer?"

0:58:240:58:25

CHUCKLING

0:58:250:58:26

-Were you scared?

-You don't think about it, really.

0:58:260:58:29

He's a good man, Harrison. I invited him to stay,

0:58:310:58:33

but he's not interested in home leave, says it makes a man soft.

0:58:330:58:37

God forbid any of you should be soft.

0:58:370:58:39

If I could get out there...

0:58:430:58:44

..I don't think I'd want to come back.

0:58:460:58:48

You don't know the first thing about it.

0:58:480:58:50

Let's get some tea.

0:58:590:59:00

INDISTINCT CHATTER

0:59:030:59:04

That was unnecessary.

0:59:140:59:15

Then, talk to me - otherwise how can I understand?

0:59:230:59:27

Perhaps you can't.

0:59:300:59:32

I sent you some poems a while ago. I don't know if you got them.

0:59:370:59:42

I don't think so.

0:59:420:59:43

Have you written any yourself?

0:59:450:59:47

Poems?!

0:59:490:59:50

Oh, for God's sake.

0:59:540:59:55

Roland?

1:00:031:00:04

Roland!

1:00:081:00:09

I'm sorry, I'm...

1:00:131:00:15

I'm sorry.

1:00:161:00:17

Roland!

1:00:221:00:23

Roland, here. Look at me.

1:00:241:00:26

Look at me.

1:00:261:00:28

I'm here. This...

1:00:281:00:31

This is real.

1:00:331:00:34

SOBBING Feel it.

1:00:351:00:37

This...

1:00:401:00:41

This part of you...

1:00:431:00:45

Don't destroy it.

1:00:481:00:50

It might be gone already.

1:00:531:00:55

No.

1:00:561:00:58

It's not.

1:00:581:00:59

I promise.

1:01:001:01:01

Harrison's brother came back from leave engaged to his fiancee.

1:01:201:01:24

Within ten minutes, he'd stuck his head over the parapet,

1:01:261:01:30

and got his brains blown out.

1:01:301:01:32

I was next to him when it happened.

1:01:341:01:36

Home leave makes you soft.

1:01:461:01:47

We don't have to get married.

1:01:501:01:52

Or engaged.

1:01:531:01:54

Perhaps we should.

1:02:001:02:02

It's not what either of us wanted.

1:02:041:02:06

Imagine it, though.

1:02:101:02:11

You in a white dress.

1:02:121:02:14

A sunny day, an old church.

1:02:151:02:17

Everybody we love.

1:02:181:02:20

-Champagne.

-Cake.

1:02:201:02:23

Does it get any better than cake?

1:02:251:02:27

Marry me, Vera, next time I'm home.

1:02:331:02:36

All right.

1:02:411:02:43

Yes.

1:02:481:02:49

LAUGHING

1:03:021:03:03

VERA LAUGHS

1:03:121:03:13

TRAIN WHISTLE BLOWS, INDISTINCT CLAMOUR

1:03:351:03:38

-You look so handsome.

-Thank you, Mother.

1:03:391:03:41

-Good luck.

-Bye, Geoffrey.

1:03:411:03:43

You be safe now.

1:03:431:03:45

I will be, don't worry. Take care.

1:03:451:03:48

Goodbye.

1:03:481:03:49

Oh, Geoffrey, dear boy, do take care of yourself.

1:03:491:03:52

-I will.

-Oh, I nearly forgot.

1:03:521:03:55

My music. Look after it for me.

1:03:551:03:57

-Father.

-Son, good luck.

1:03:581:04:01

MAN: Train is ready to depart! All aboard!

1:04:011:04:04

TRAIN WHISTLE BLOWS

1:04:041:04:06

-Take care.

-Good luck, Edward.

1:04:131:04:16

You will write, darling, won't you?

1:04:161:04:18

Of course.

1:04:181:04:20

Vera.

1:04:381:04:39

Could you go and tell your father to hurry up?

1:04:411:04:43

Daddy.

1:04:451:04:46

Daddy?

1:04:541:04:55

HE SNIFFS

1:04:591:05:01

SOBBING

1:05:051:05:06

Move it! Move it!

1:05:111:05:13

200 extra beds by lunchtime. Hurry, now!

1:05:131:05:15

-ROLAND:

-"Good news. My Christmas leave has been approved.

1:05:281:05:32

"I'll be home to make you my wife.

1:05:321:05:34

"And I have a surprise - something I think will please you.

1:05:361:05:40

"You'll see when we meet. I've been posted to company headquarters

1:05:401:05:44

"three miles behind lines.

1:05:441:05:46

"I'll be here until my leave. I'm safe, Vera."

1:05:461:05:49

Safe.

1:05:491:05:51

Darling.

1:06:291:06:30

-How do I look?

-Positively bridal.

1:06:361:06:38

Such a shame that Edward couldn't get leave to be best man.

1:06:411:06:44

Here she is.

1:06:441:06:45

You look lovely.

1:06:511:06:52

SHE SIGHS

1:06:531:06:55

Half an hour to go.

1:06:551:06:56

We're meeting Mr and Mrs Leighton at the church.

1:06:571:07:00

He'll have had a long journey. He'll be tired.

1:07:001:07:04

-Miss Vera Brittain?

-Yes.

1:07:041:07:06

A telephone call for you, miss.

1:07:061:07:08

Must be him.

1:07:091:07:11

I hope he's not going to be late.

1:07:121:07:13

Just here, miss.

1:07:181:07:19

Roland?

1:07:261:07:27

Hello?

1:07:301:07:31

SOBBING ON PHONE

1:07:311:07:34

-MRS LEIGHTON:

-'Vera, Roland...

1:07:361:07:40

'Roland's dead.

1:07:401:07:42

'Roland's dead, Vera.'

1:07:481:07:50

DROPS TELEPHONE

1:08:151:08:16

WATCH TICKS

1:08:231:08:25

This is...

1:09:031:09:04

..from an officer in his company.

1:09:051:09:07

"Died of wounds at Louvencourt clearing station."

1:09:091:09:15

What was he doing at the front?

1:09:201:09:21

Wasn't he meant to be behind the lines?

1:09:211:09:24

Suddenly sent there, apparently, for a big push.

1:09:241:09:27

There was nothing in the papers.

1:09:291:09:31

He was out mending wire.

1:09:311:09:33

"Shot by a sniper at 2am

1:09:341:09:38

"while bravely carrying out duties.

1:09:381:09:41

"Taken straight to Louvencourt.

1:09:411:09:44

"Died late afternoon.

1:09:441:09:45

"Noble and painless death."

1:09:471:09:49

That's a long time after he was shot.

1:09:491:09:51

What happened?

1:09:531:09:54

Painless.

1:09:561:09:58

I suppose the man would know.

1:10:001:10:01

-PIANO PLAYS ON GRAMOPHONE

-He loved this piece.

1:10:031:10:05

Why was there no message for us?

1:10:081:10:11

VERA: "No further details about Lieutenant Leighton's death.

1:10:221:10:25

"Unable to help."

1:10:261:10:28

Excuse me. Where can I find George Catlin?

1:10:391:10:42

-He's just down there.

-Thank you.

1:10:421:10:44

Excuse me. I'm Vera Brittain, fiancee to Roland Leighton.

1:10:511:10:56

The officer's not receiving visitors today.

1:10:561:10:59

-I did write to you, Miss Brittain.

-Yes, and I thank you for that.

1:10:591:11:01

I'm sorry for the solicitation.

1:11:011:11:03

There's really nothing more I can add.

1:11:031:11:05

But you did see Roland at the clearing station that day?

1:11:071:11:10

Comfort yourself that it was a quick and painless end.

1:11:101:11:13

Everyone keeps saying that, but he lived for hours after he was shot.

1:11:141:11:18

I'm sorry for your loss.

1:11:181:11:20

I understand. You're afraid I'll make a scene.

1:11:251:11:29

And why should you be the messenger for some terrible end

1:11:291:11:31

to a family you've never met? I want to know the truth.

1:11:311:11:34

It's the one thing left I can do for him.

1:11:381:11:41

Would you mind, Nurse?

1:11:431:11:45

It was a messy wound, low down in the abdomen.

1:11:551:11:59

They operated. They did their best.

1:11:591:12:01

I was in the bed next to him. He didn't stand a chance.

1:12:031:12:06

Did he say anything? Was there a message?

1:12:081:12:11

The pain was too great, Miss Brittain.

1:12:111:12:13

It made anything else impossible.

1:12:131:12:16

I see. Yes.

1:12:161:12:18

That explains it.

1:12:201:12:21

Did he, er...

1:12:241:12:25

..suffer a great deal?

1:12:271:12:29

-They were waiting for morphine stocks.

-Did some arrive?

1:12:291:12:32

He got a dose near the end.

1:12:321:12:33

Were there...

1:12:351:12:36

..any words?

1:12:401:12:41

Please.

1:12:461:12:47

He said, "Lying on this hillside for six days

1:12:481:12:52

"has made me very stiff."

1:12:521:12:54

I'm sorry. None of it makes any sense.

1:12:561:13:00

You're very kind.

1:13:051:13:07

I won't forget it.

1:13:071:13:08

VERA: "Dear Victor, I met the officer in question. He...

1:13:181:13:23

"He confirmed what Roland's colleague told us.

1:13:251:13:28

"It was a painless and noble death.

1:13:281:13:30

"Please comfort yourself with this as you leave for France."

1:13:301:13:35

Roland's kit, they've sent it back to us.

1:13:471:13:50

MRS LEIGHTON SNIFFLES

1:13:581:13:59

Why did they send us that?

1:14:011:14:03

Take it out!

1:14:081:14:10

Wait!

1:14:121:14:13

SHE EXCLAIMS

1:15:231:15:25

SNIFFLING

1:15:371:15:38

SOBBING

1:16:091:16:10

-ROLAND:

-"Violets from Plug Street Wood,

1:16:151:16:18

"Sweet, I send you oversea.

1:16:181:16:20

"(It is strange they should be blue, Blue, when his soaked blood was red,

1:16:211:16:26

"For they grew around his head: It is strange they should be blue.)

1:16:261:16:31

"Violets from Plug Street Wood. Think what they have meant to me -

1:16:331:16:38

"Life and hope and Love and You

1:16:381:16:42

"(And you did not see them grow Where his mangled body lay

1:16:451:16:49

"Hiding horror from the day; Sweetest, it was better so.)

1:16:491:16:53

"Violets from oversea, To your dear, far, forgetting land

1:16:551:17:00

"These I send in memory Knowing you will understand."

1:17:011:17:05

SHE WAILS

1:17:051:17:07

"We have to believe, dear sister,

1:18:021:18:05

"that his life was not needlessly thrown away,

1:18:051:18:09

"that the wire he was working on that night

1:18:091:18:11

"had to be mended by someone.

1:18:111:18:13

"And how typical of Roland to be the first to volunteer."

1:18:141:18:18

-WOMAN:

-Nurse Brittain!

1:18:191:18:21

Someone's asking for you.

1:18:221:18:24

Who's there?

1:18:391:18:41

-Who is it?

-Victor.

1:18:411:18:43

-Vera.

-I didn't know.

1:18:471:18:49

What a fix, eh?

1:18:521:18:55

This blanket's driving me mad. It's far too itchy.

1:18:571:19:00

I'll take care of it.

1:19:001:19:01

Does Molly know?

1:19:121:19:14

Would you like me to contact her for you?

1:19:171:19:19

There's no Molly, Vera.

1:19:221:19:24

There never was.

1:19:261:19:27

I couldn't have you feeling sorry for me, could I?

1:19:291:19:32

So, I'm getting a visit from an officer who lost both eyes

1:19:481:19:51

at the start of the war.

1:19:511:19:52

-He's going to tell me about Braille.

-That's the Victor I know.

1:19:521:19:56

-Always the optimist.

-Yes.

1:19:561:19:59

Inspirational stories for the damned.

1:19:591:20:01

-What about you? Are you still writing?

-Writing?

1:20:021:20:06

That belongs to another life.

1:20:081:20:10

I've been thinking, and, erm...

1:20:141:20:17

..I want to look after you. CHUCKLES

1:20:191:20:21

We belong together now.

1:20:231:20:25

Don't we?

1:20:251:20:27

You're going to need someone, and I...

1:20:281:20:31

Well, Roland would like it.

1:20:331:20:36

Poor Vera.

1:20:391:20:41

Are you proposing to me now?

1:20:441:20:47

Yes.

1:20:531:20:54

Yes, I am.

1:20:581:20:59

Then, I must turn you down.

1:21:121:21:14

LOUD KNOCK ON DOOR

1:21:361:21:37

-WOMAN:

-Brittain, you're wanted.

1:21:371:21:39

SHE SIGHS

1:21:411:21:42

He called for us about an hour ago,

1:21:461:21:49

said there was a loud clicking noise in his head.

1:21:491:21:52

It was very quick and sudden.

1:21:531:21:55

I'm sorry.

1:21:561:21:58

(Victor...)

1:22:151:22:17

-EDWARD:

-"I'm so glad you were near and saw him so nearly at the end.

1:22:251:22:30

"We share a memory of both of them, dear Vera,

1:22:311:22:34

"that is worth all the rest of the world,

1:22:341:22:37

"and the sun of that memory never sets.

1:22:371:22:39

"And you know that I love you,

1:22:401:22:43

"that I would do anything in the world in my power should you ask it,

1:22:431:22:47

"and that I am your servant as well as your brother."

1:22:471:22:50

My mind's made up.

1:22:531:22:55

France?

1:22:551:22:56

But...that's the front.

1:22:581:23:01

It's so dangerous.

1:23:011:23:03

I'll be behind the lines.

1:23:031:23:05

It's as close to Edward as I can get. I need to be there.

1:23:051:23:09

Well, I've been gathering you some things...

1:23:091:23:11

I suppose you can take them to France, too.

1:23:111:23:14

It's Cook's last jar.

1:23:161:23:19

And, erm...

1:23:191:23:20

Oh, cream.

1:23:201:23:22

Stop those hands from getting chapped.

1:23:231:23:26

-HER VOICE FADES

-And don't forget your poor elbows, it's easily done...

1:23:281:23:31

Why was I ever disappointed you weren't a boy?

1:23:371:23:40

INDISTINCT SHOUTING

1:23:471:23:49

MEN SHOUT, HORSE WHINNIES

1:24:231:24:25

What are you doing out here?

1:24:351:24:37

You'll freeze out here.

1:24:371:24:39

Excuse me.

1:24:401:24:42

I'm to report to C Section.

1:24:421:24:44

Hut 327. You're under Sister Milroy.

1:24:441:24:47

Good luck.

1:24:471:24:49

There's about 30 men to a hut.

1:24:531:24:56

Some of them are an absolute mess.

1:24:561:24:58

They're supposed to pass through the clearing stations,

1:24:581:25:00

but that's not saying much any more.

1:25:001:25:02

Right.

1:25:041:25:05

MAN COUGHS

1:25:081:25:10

Theatre's through there.

1:25:131:25:15

We're short on everything, including surgeons.

1:25:151:25:17

MEN GROAN

1:25:171:25:19

Had to saw this chappy's arm off myself yesterday.

1:25:231:25:26

Quite a job.

1:25:261:25:27

It's not ideal, but then, of course, this is war.

1:25:281:25:32

Schwester! Wasser! Wasser, bitte!

1:25:321:25:35

Oh, didn't I mention? These are all Huns.

1:25:371:25:40

I find it best to number them. Much quicker.

1:25:401:25:43

First Hun, second, third, fourth...

1:25:431:25:46

Keep an eye on him, if I were you. He's only got a few hours left.

1:25:471:25:50

Ich sterbe! Hast du kein Herz?

1:25:501:25:52

Well, er, that's it.

1:25:531:25:55

Best to get stuck right in, I...I find.

1:25:551:25:58

Nein! Nein...

1:26:001:26:02

What about the British huts?

1:26:051:26:06

Over to you, then. Plenty of time to change later.

1:26:061:26:08

MAN COUGHS

1:26:121:26:14

Put it down where you can. There's not many beds left.

1:26:141:26:16

Ah, gangrene.

1:26:181:26:19

Brittain, get some antiseptic on this filthy Hun.

1:26:191:26:22

"Here I am, dear Edward, fighting to save German soldiers

1:26:271:26:33

"that just a few miles away you're risking your life to kill.

1:26:331:26:36

"It makes you wonder."

1:26:371:26:39

Brittain, over here!

1:26:391:26:42

"Really, it does.

1:26:421:26:44

"I waited for you again on Sunday.

1:27:011:27:03

"I'll be here every week until you can come."

1:27:041:27:07

Brittain. It's hopeless. Get the screen.

1:27:151:27:18

Lieber Gott! Nicht so.

1:27:181:27:22

-All right, old boy, all right.

-Nicht so. Nicht hier!

1:27:221:27:26

Meine Augen! Ich sehe nichts.

1:27:281:27:30

Calm down, old chap.

1:27:301:27:32

Hilf mir!

1:27:341:27:35

Sei still. Alles in Ordnung.

1:27:351:27:37

Klara?

1:27:421:27:43

Klara, bist du's?

1:27:441:27:46

Ja.

1:27:491:27:51

Ja, ich bin hier.

1:27:511:27:53

Keine Angst.

1:27:551:27:57

Verzeih mir, Klara. Bitte verzeih mir.

1:28:011:28:04

Naturlich.

1:28:061:28:08

Ich bin hier.

1:28:111:28:12

HE GASPS

1:28:121:28:14

EXHALES

1:28:171:28:19

To let his soul escape.

1:28:461:28:47

Control your mind. It's the only way.

1:28:541:28:57

Deep breaths. That's it.

1:28:581:29:01

-WOMAN:

-I need some help here.

1:29:041:29:07

I'm fine. Thank you.

1:29:081:29:11

SHE SIGHS

1:29:191:29:21

"I feel it bitterly to have been moved further away from you,

1:29:361:29:40

"dear sister.

1:29:401:29:41

"All these months without being able to come and see you.

1:29:411:29:44

"Last Sunday we marched past Louvencourt,

1:29:461:29:48

"and I was able to escape to visit Roland's grave.

1:29:481:29:51

"I stood before it and prayed

1:29:531:29:55

"that I might live to be worthy of his friendship.

1:29:551:29:58

"But I didn't feel his presence there.

1:30:011:30:04

"Perhaps he's where he belongs instead - with you."

1:30:041:30:07

-MAN:

-There's a big push coming.

-SIREN WAILS

1:30:101:30:12

EXPLOSION IN DISTANCE

1:30:261:30:28

DULL THUDDING

1:30:341:30:36

The Germans are getting closer.

1:30:381:30:39

Gently.

1:31:151:31:17

Nurse! Nurse?

1:31:191:31:20

Nurse.

1:32:131:32:14

Yes?

1:32:181:32:19

-I'm cold.

-I'll get you a blanket.

1:32:201:32:23

Here.

1:32:251:32:27

Mustard gas.

1:32:281:32:29

One of the boys was insisting he knew you.

1:32:321:32:35

Probably delirium. Seen it before.

1:32:351:32:36

Where?

1:32:361:32:38

We had to take him round the back.

1:32:381:32:39

He said his name was, er... Edward, I think.

1:32:401:32:44

What?

1:32:441:32:45

SHE GRUNTS

1:32:511:32:53

Edward?

1:32:541:32:56

Edward!

1:33:021:33:03

Edward!

1:33:171:33:19

Edward!

1:33:221:33:23

SHE SOBS

1:33:301:33:31

No!

1:33:351:33:37

Edward?

1:33:391:33:40

He's alive! Help me!

1:33:451:33:48

Bring him here!

1:33:541:33:55

Come... Lift... Not the arm, no...

1:33:551:33:57

That's it.

1:33:571:33:59

Edward?

1:34:011:34:03

Wound's infected. We need to sterilise it.

1:34:071:34:09

Wait.

1:34:111:34:12

Edward.

1:34:211:34:22

Edward!

1:34:231:34:24

Edward. Edward, come back to me.

1:34:261:34:29

Edward. Edward, it's Vera.

1:34:301:34:33

EDWARD MUMBLES

1:34:351:34:37

-MAN:

-Quickly, now.

1:35:041:35:06

MELODY PLAYS ON GRAMOPHONE

1:35:111:35:13

BIRD CHIRPS

1:35:281:35:30

CHUCKLES

1:35:491:35:51

I dreamt an angel played me music.

1:35:521:35:55

We were back at the lake together, all of us.

1:35:581:36:02

Remember? It was the day Victor dived in.

1:36:021:36:04

LAUGHING Yes.

1:36:041:36:06

I told him there were rats.

1:36:061:36:08

-Oh, God!

-Sssh.

1:36:131:36:14

Ssh.

1:36:181:36:19

You're back now.

1:36:211:36:23

I found this in your pocket last night.

1:36:311:36:33

From Geoffrey.

1:36:361:36:37

I didn't read it.

1:36:431:36:44

I keep it with me.

1:36:461:36:48

I want you to hear his voice.

1:36:521:36:55

No. Don't move.

1:36:551:36:57

"We walked back to the barracks last night,

1:37:071:37:10

"all of us thoroughly exhausted."

1:37:101:37:13

-GEOFFREY CONTINUES:

-"It was a scene of devastation,

1:37:151:37:18

"and yet, as I looked at it,

1:37:181:37:21

"a strange feeling came over me.

1:37:211:37:24

"The setting sun had lit up the water in the shell holes,

1:37:251:37:28

"so they looked like pools of gold.

1:37:281:37:31

"And I felt a presence there, greater than all this.

1:37:311:37:36

"Such...peace, Edward.

1:37:381:37:42

"And I thought of you, dear friend.

1:37:441:37:48

"And I knew I'd see you again,

1:37:481:37:51

"either in this world or the hereafter."

1:37:511:37:55

EDWARD SOBS

1:38:031:38:05

I wish you didn't have to leave.

1:38:131:38:15

But I'm glad it's Italy you're going to.

1:38:161:38:19

The fighting's lighter there.

1:38:191:38:21

When it's over, let's travel together.

1:38:241:38:27

-Exotic places.

-Like Italy.

1:38:271:38:30

Promise me you'll go back to Oxford, Vera,

1:38:351:38:38

do what you've always wanted to do.

1:38:381:38:39

I can't imagine that any more.

1:38:391:38:41

Are you coming, sir?

1:38:411:38:43

Do it.

1:38:471:38:48

Only if you come too.

1:38:501:38:52

-MR BRITTAIN:

-"Come home immediately, Vera.

1:39:151:39:17

"Mother in crisis."

1:39:171:39:19

Domestic duties beckon.

1:39:191:39:21

SHE SIGHS

1:39:261:39:27

Oh! Vera, what a relief.

1:39:501:39:53

-Mother?

-I've had a terrible turn.

1:39:541:39:57

Erm, Cook left, you know.

1:39:581:40:01

And you...you can't get anything in the shops.

1:40:041:40:08

There's no meat. There's no butter.

1:40:081:40:11

There were no eggs.

1:40:131:40:14

What are we going to cook for Edward?

1:40:151:40:17

I thought it was an emergency.

1:40:171:40:18

I thought maybe we could make him a meringue.

1:40:211:40:24

Yes, well, I... I've been in bed for weeks.

1:40:271:40:30

Erm...and nothing's been done in the house.

1:40:341:40:38

The whole situation is really quite dreadful.

1:40:411:40:44

Oh, Vera. It's lovely to see you.

1:40:451:40:48

Time to find a cook.

1:41:151:41:17

There's household chores, too, if you don't mind, and...

1:41:181:41:21

mountains of ironing.

1:41:211:41:23

I have to go at five. I've got a dance.

1:41:231:41:26

They still have those, do they?

1:41:291:41:31

They're beautiful, dear.

1:41:391:41:41

BICYCLE BELL DINGS

1:41:481:41:50

DOORBELL RINGS

1:42:291:42:32

I'll get it!

1:42:321:42:33

MR BRITTAIN SOBS

1:42:481:42:51

PANTING

1:42:581:43:00

SHE WAILS

1:43:291:43:31

FAINT EXPLOSION

1:44:161:44:17

It's over!

1:44:231:44:24

The Armistice has been signed!

1:44:241:44:27

FIREWORKS BANG

1:44:461:44:48

CHEERING FADES

1:44:561:44:57

PANTING

1:45:161:45:19

INDISTINCT MURMURING

1:45:241:45:27

BELL TOLLS

1:46:211:46:23

Oh, Miss Brittain!

1:46:421:46:44

-Back at last.

-Yes.

1:46:451:46:47

So, Chaucer this term.

1:46:511:46:52

You've certainly got some catching up to do.

1:46:521:46:55

Hello. I'm Winifred Holtby.

1:47:151:47:18

I've just found out we're tutorial partners this term.

1:47:181:47:21

I heard you wanted to be a writer. Me, too.

1:47:231:47:26

We could look at each other's work, if you like.

1:47:261:47:29

Look, I really must get on.

1:47:311:47:32

Oh. Of course.

1:47:321:47:34

SHE WHIMPERS

1:48:201:48:22

SHE GASPS

1:48:521:48:54

BREATHING HEAVILY

1:49:051:49:07

Vera? Goodness. Are you all right?

1:49:181:49:22

C-Can somebody give me a hand here?

1:49:301:49:33

Hey. You're all right. You're all right.

1:49:351:49:39

I brought some more books for you.

1:49:421:49:44

Did you manage to read the last ones?

1:49:461:49:49

I saved my brother's life over there, you know,

1:50:031:50:06

in France.

1:50:061:50:07

But the war still got him.

1:50:141:50:16

I was there for the last few months.

1:50:231:50:25

I volunteered at a signal station near Abbeville.

1:50:251:50:28

I didn't know.

1:50:341:50:36

All of us are surrounded by ghosts.

1:50:371:50:40

Now we need to learn how to live with them.

1:50:411:50:44

You must start at the beginning.

1:50:461:50:48

Get up, get dressed, eat.

1:50:481:50:51

Spring is out there waiting.

1:50:511:50:53

BIRDS CHIRPING

1:50:551:50:57

WOMEN LAUGHING

1:50:581:51:00

Recently, the German Foreign Minister dared suggest

1:51:441:51:47

we are all responsible for the war...

1:51:471:51:50

-PEOPLE CLAMOUR

-..and should jointly pay the price!

1:51:501:51:52

-To which we say to him, who started it?

-PEOPLE ROAR APPROVAL

1:51:521:51:56

There's nothing the Kaiser can do

1:51:561:51:57

to compensate the men and women of this country,

1:51:571:52:00

but still the Germans must pay.

1:52:001:52:03

The philosophy of an eye for an eye and a tooth for a tooth

1:52:031:52:07

is a dangerous one. The whole cycle could be repeated.

1:52:071:52:10

Are you suggesting we let them walk all over us?

1:52:101:52:12

Look her in the eye, sir, and tell her to love the Germans.

1:52:131:52:17

They killed my eldest at the Somme.

1:52:181:52:22

And my next one, Harry.

1:52:221:52:24

And you stand here and defend them.

1:52:251:52:27

CLAMOURING

1:52:271:52:29

-Miss Brittain.

-Officer.

1:52:331:52:35

George, please. George Catlin.

1:52:351:52:37

The lady has something to say.

1:52:371:52:39

Speak up.

1:52:441:52:45

I was a nurse at the front.

1:52:491:52:50

Good on you, miss.

1:52:501:52:52

Is there anyone else who would like to share anything that...?

1:52:521:52:55

No, I haven't finished.

1:52:551:52:57

I...

1:52:581:52:59

For a time I looked after a hut of German officers.

1:53:031:53:06

PEOPLE ROAR DISAPPROVAL

1:53:061:53:08

Not too well, I hope, miss.

1:53:091:53:10

As you were speaking, I was remembering one of them.

1:53:101:53:13

I held his hand as he was dying. THEY SCOFF

1:53:161:53:19

He cried out for a woman he loved.

1:53:191:53:21

He faced the end of his life by asking her forgiveness.

1:53:211:53:25

I lost a brother in the war. And my fiance.

1:53:271:53:32

VERA LAUGHS SOFTLY

1:53:341:53:35

I can't make sense of it either,

1:53:361:53:39

except when I held the hand of that German...

1:53:391:53:41

..it was their hands, too, that I was holding.

1:53:431:53:46

PEOPLE CLAMOUR

1:53:461:53:47

Their pain was the same pain.

1:53:471:53:49

Their blood the same blood.

1:53:491:53:51

Our grief is the grief of hundreds

1:53:511:53:55

and thousands of German women and men.

1:53:551:53:57

No, don't listen!

1:53:581:54:00

Sit down!

1:54:011:54:02

I...

1:54:021:54:03

I speak to those of us who are left behind!

1:54:031:54:06

CLAMOURING CEASES

1:54:061:54:08

The mothers, sisters, women. We sent our men to war!

1:54:081:54:14

I fought my father to let my brother go.

1:54:151:54:19

Because we think it's the right thing, the honourable thing.

1:54:221:54:27

But all I can do is stand here and ask you...

1:54:311:54:33

Is it?

1:54:351:54:36

Was I right?

1:54:371:54:39

Can I find the courage

1:54:401:54:41

to accept there might be another way?

1:54:411:54:44

Perhaps their deaths have meaning

1:54:461:54:49

only if we stand together now and say, "No!"

1:54:491:54:52

No to killing.

1:54:541:54:56

No to war.

1:54:561:54:57

No to the endless cycle of revenge.

1:54:591:55:03

I say no more of it.

1:55:031:55:04

No more.

1:55:111:55:12

-ROLAND:

-"The sunshine on the long white road

1:55:391:55:42

"That ribboned down the hill,

1:55:421:55:44

"The velvet clematis that clung around your window-sill

1:55:441:55:48

"Are waiting for you still.

1:55:481:55:51

"Again the shadowed pool shall break In dimples at your feet,

1:55:511:55:55

"And when the lark sings in your wood,

1:55:561:56:00

"Unknowing you may meet Another stranger, Sweet.

1:56:001:56:04

"It will be better so."

1:56:051:56:07

'They'll want to forget you.

1:57:211:57:24

'They'll want me to forget.

1:57:261:57:28

'But I can't.

1:57:341:57:35

'I won't.

1:57:381:57:39

'This is my promise to you now.

1:57:451:57:47

'All of you.'

1:57:511:57:53

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