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This film contains strong language and some scenes which some viewers may find upsetting | 0:00:16 | 0:00:29 | |
THEY SPEAK OWN LANGUAGE | 0:00:29 | 0:00:34 | |
Rosetta's in intensive care and the rest of them, | 0:01:11 | 0:01:14 | |
they've just disappeared. Gone! | 0:01:14 | 0:01:18 | |
Everything's gone to hell. Get that camera off me! | 0:01:18 | 0:01:20 | |
5-80-pro times four, got about a dozen more in the car. | 0:01:39 | 0:01:42 | |
Check. Head cam sets times three - | 0:01:42 | 0:01:45 | |
that's one, two... Where the hell is the other one? | 0:01:45 | 0:01:48 | |
Ah, modelled by the handsome man in the mirror. | 0:01:49 | 0:01:53 | |
What else? | 0:01:53 | 0:01:55 | |
Got my LED, two D yes. My work light yes. | 0:01:55 | 0:01:59 | |
Fuck it, let's get some coffee. | 0:01:59 | 0:02:01 | |
Bollocks. | 0:02:31 | 0:02:33 | |
All right, mate. You're Deacon? I'm Gray. | 0:02:44 | 0:02:48 | |
Hi. I'm the tech specialist. | 0:02:48 | 0:02:50 | |
You not worked with one before? | 0:02:52 | 0:02:54 | |
Well, basically I'm in charge of the camera, | 0:02:55 | 0:02:56 | |
the microphones, all that kind of stuff. | 0:02:56 | 0:02:59 | |
What do you make of the luxury cottage? | 0:03:00 | 0:03:02 | |
Right now, running water sounds like luxury. | 0:03:02 | 0:03:06 | |
-You're not local? -Fuck, no. | 0:03:06 | 0:03:07 | |
Christ, I couldn't live around here. There's no Wi-Fi, no broadband, no cable. | 0:03:07 | 0:03:11 | |
Basically, it's like the Middle Ages. | 0:03:11 | 0:03:13 | |
-You want to see the room? -Yeah, that'll be good. | 0:03:13 | 0:03:15 | |
Come on. | 0:03:15 | 0:03:16 | |
Me and you are in here, man. | 0:03:19 | 0:03:21 | |
We're sharing? | 0:03:22 | 0:03:24 | |
-We're sharing? -Yeah, well, the main man | 0:03:24 | 0:03:26 | |
gets the master bedroom. | 0:03:26 | 0:03:28 | |
Do you know him? Something Amidon. | 0:03:28 | 0:03:32 | |
-Mark? -Yeah, that's it. | 0:03:32 | 0:03:34 | |
-Great(!) -I left a load of crap | 0:03:34 | 0:03:35 | |
on your bed, but I'll sort all that out. You want a beer? | 0:03:35 | 0:03:39 | |
Tell you what, you sort out the bed and I'll put the kettle on. | 0:03:39 | 0:03:42 | |
Well, I didn't do a breathalyser test but he seemed sober enough. | 0:03:45 | 0:03:50 | |
For a Scotsman anyway. | 0:03:50 | 0:03:52 | |
Yeah, I know, I am serious. | 0:03:54 | 0:03:56 | |
It just makes me uncomfortable, all this Big Brother shit. | 0:03:56 | 0:04:00 | |
I didn't sign up for it. | 0:04:00 | 0:04:01 | |
I'm a techie, mate. If you want your audio clean, | 0:04:01 | 0:04:04 | |
your white balance shiny, then I'm your man, but... | 0:04:04 | 0:04:07 | |
Yeah, yeah, yeah, the bonus is very generous, but... | 0:04:10 | 0:04:14 | |
By the way, is that going to be paid in cash? | 0:04:15 | 0:04:17 | |
Because it makes the paper work a bit... Oh, I'd better go. | 0:04:17 | 0:04:20 | |
-I made you tea. -Cheers, mate. | 0:04:21 | 0:04:24 | |
-Women, ey... -I wouldn't know. | 0:04:24 | 0:04:27 | |
Deacon! Deacon, come on, mate. Let's get you kitted out. | 0:04:32 | 0:04:36 | |
-This is ridiculous. -Well, maybe, | 0:04:36 | 0:04:38 | |
but it's also regulations. Oh, come on, mate. | 0:04:38 | 0:04:40 | |
I've been wearing mine two days already | 0:04:40 | 0:04:41 | |
and I can barely even notice it's there any more. | 0:04:41 | 0:04:44 | |
-That's it. -You probably enjoy it. | 0:04:44 | 0:04:46 | |
Right, listen. Rule number one: I am not wearing this in the toilet, | 0:04:47 | 0:04:52 | |
not unless the toilet is weeping blood or something. | 0:04:52 | 0:04:54 | |
All right, fine. When you have a poo | 0:04:54 | 0:04:56 | |
or a shower you can take it off, but the rest of the time | 0:04:56 | 0:04:58 | |
they want it on, all right? | 0:04:58 | 0:05:00 | |
I've been promoted to tripod. | 0:05:01 | 0:05:04 | |
It's all been since Belem. Apparently, they had massive gaps in the timeline at Belem | 0:05:04 | 0:05:08 | |
and they want to plug them using these. | 0:05:08 | 0:05:11 | |
< DOG BARKS | 0:05:35 | 0:05:38 | |
DOG BARKS | 0:05:40 | 0:05:42 | |
OWL HOOTS | 0:05:42 | 0:05:44 | |
-Morning. -Yeah. | 0:05:56 | 0:05:59 | |
HE SIGHS | 0:06:01 | 0:06:03 | |
-Deacon, where's your head cam? -Um... | 0:06:04 | 0:06:07 | |
Look, mate, it's not you who gets it in the neck, all right? | 0:06:08 | 0:06:13 | |
Please. I'll sort that out. Please. | 0:06:13 | 0:06:17 | |
HE SIGHS | 0:06:18 | 0:06:19 | |
What have you done here? | 0:06:20 | 0:06:22 | |
HE BLOWS HORN Get a wiggle on, mate. | 0:06:24 | 0:06:26 | |
-Yep, all right. -What are you doing? | 0:06:26 | 0:06:29 | |
-Going to have a fag. You mind if I smoke? -Yes. | 0:06:29 | 0:06:33 | |
Excuse me... | 0:06:36 | 0:06:38 | |
What? | 0:06:38 | 0:06:40 | |
You know it's like, you can't imagine this place is going to be the stuff of legend, | 0:06:42 | 0:06:48 | |
-like the Arthurian legend in years to come. -Name me a place that is. | 0:06:48 | 0:06:52 | |
Er...Camelot? | 0:06:52 | 0:06:54 | |
Betting shop, fish bar, laundry. | 0:06:55 | 0:06:59 | |
That's life in miniature. | 0:07:00 | 0:07:02 | |
Food, cleanliness and a little bit of naughty. | 0:07:02 | 0:07:06 | |
So how long you've worked for the congregation, Deacon? | 0:07:09 | 0:07:11 | |
MUSIC PLAYS | 0:07:11 | 0:07:15 | |
So I imagine you must have seen a lot of insane and spooky stuff. | 0:07:15 | 0:07:23 | |
I don't know about you, dude, but I'm looking forward | 0:07:23 | 0:07:25 | |
to seeing some really weird shit. | 0:07:25 | 0:07:28 | |
-Is there anything I should, like, do? -Yeah. | 0:07:30 | 0:07:34 | |
Don't get your hopes up. | 0:07:34 | 0:07:35 | |
Dude, have you just bought booze? | 0:07:39 | 0:07:42 | |
HE SNORES | 0:07:43 | 0:07:46 | |
It's gone, it's back, it's gone, it's back. It's gone, it's back! | 0:07:53 | 0:07:59 | |
Come here. | 0:08:00 | 0:08:02 | |
-Where are we? -Hang on, where are we... | 0:08:02 | 0:08:04 | |
The village, the church... | 0:08:04 | 0:08:07 | |
Right, that's the cottage just there and there's the church. | 0:08:07 | 0:08:11 | |
Look on the map. You know the sign for a church, don't you? | 0:08:11 | 0:08:15 | |
It's a little round thing with a cross, see if you can find it. | 0:08:15 | 0:08:17 | |
It's in this area here. | 0:08:17 | 0:08:19 | |
You can't just dial it into a computer. | 0:08:21 | 0:08:23 | |
"Nutsley". | 0:08:23 | 0:08:25 | |
Yeah, well, that's not where the church is. Look - there. | 0:08:26 | 0:08:28 | |
"Bullshurst". | 0:08:30 | 0:08:32 | |
HE LAUGHS | 0:08:32 | 0:08:34 | |
"Bullcone". "Bullcone". "Bullcone". | 0:08:36 | 0:08:41 | |
Yeah, it says "Bullcone". | 0:08:41 | 0:08:43 | |
-Yeah. -Dude, come on! | 0:08:53 | 0:08:54 | |
No, good luck. No, really, it's fine. You go for it. I'll come back. | 0:08:54 | 0:08:57 | |
-You're a misery guts! -I'll come back. | 0:08:57 | 0:08:58 | |
No, all right, I'll get the corners done, | 0:08:58 | 0:08:59 | |
then you can do the fun bit, filling in the middle. | 0:08:59 | 0:09:01 | |
Yeah, perfect, OK. I'll see you around March! | 0:09:01 | 0:09:04 | |
I got a corner! | 0:09:07 | 0:09:09 | |
CHURCH BELLS RING | 0:09:15 | 0:09:19 | |
DOG BARKS IN DISTANCE | 0:09:19 | 0:09:22 | |
It's a bit late for the bells, isn't it? | 0:09:25 | 0:09:27 | |
Yeah. | 0:09:28 | 0:09:29 | |
< LAUGHTER, CHATTING | 0:09:49 | 0:09:52 | |
Dude, the rules are very clear. | 0:10:16 | 0:10:17 | |
We need to wait for the what's his name, the Realtor General, Amidon. | 0:10:17 | 0:10:21 | |
Relator, and he should've been here yesterday. | 0:10:21 | 0:10:23 | |
-Dude, even so. -Right, fine. I'm now going up to the site. | 0:10:23 | 0:10:28 | |
But you know I'm not very technically inclined. I just hope | 0:10:28 | 0:10:30 | |
-all this delicate equipment doesn't... -Dude, calm down, man! | 0:10:30 | 0:10:35 | |
You ever known any Buddhists, Deacon? | 0:10:38 | 0:10:40 | |
-Sorry? -Have you ever known any Buddhists? | 0:10:40 | 0:10:42 | |
I had a girlfriend who was a Buddhist, | 0:10:42 | 0:10:43 | |
she did a vow of silence, it was fucking brilliant! | 0:10:43 | 0:10:46 | |
You know, the accelerator is not an on-off button, Gray. | 0:10:50 | 0:10:54 | |
It's something you can press and depress gently. | 0:10:54 | 0:10:58 | |
Yeah, well, I just turn around. | 0:10:58 | 0:11:00 | |
CAR HORN | 0:11:00 | 0:11:03 | |
There we go. Thanks mate. Tit! | 0:11:03 | 0:11:07 | |
-Are we there yet? -No, the fucking sat-nav's fucked. | 0:11:07 | 0:11:10 | |
It has taken us in a massive shitty circle. | 0:11:10 | 0:11:13 | |
Yeah, ask this fella here. | 0:11:13 | 0:11:16 | |
He looks like an agreeable local bumpkin type. | 0:11:16 | 0:11:20 | |
Hi, can you tell us where the church is round here, please? | 0:11:20 | 0:11:23 | |
Yeah, you know, it's a big pointy building with a spire on top. | 0:11:23 | 0:11:27 | |
-Please be quiet. -God's house! | 0:11:27 | 0:11:28 | |
-Please be quiet. -All right. | 0:11:28 | 0:11:31 | |
His name's Father Crellick. | 0:11:31 | 0:11:34 | |
Right, OK... Thanks very much for your time. Sorry to bother you. | 0:11:39 | 0:11:43 | |
Have a cracking day, mate! Have a good trip. | 0:11:43 | 0:11:45 | |
Good luck with it! | 0:11:45 | 0:11:47 | |
Can you smell that? | 0:11:53 | 0:11:55 | |
It's cows. | 0:11:55 | 0:11:57 | |
I hate cows. | 0:11:58 | 0:12:00 | |
Why do people do this? | 0:12:12 | 0:12:15 | |
Satanists, supposedly. They record messages on them. | 0:12:15 | 0:12:19 | |
-Spells, curses, that sort of thing... -Curses? | 0:12:19 | 0:12:22 | |
I got it. | 0:12:24 | 0:12:25 | |
HE COUGHS AND GROANS | 0:12:28 | 0:12:32 | |
DOG BARKS IN DISTANCE | 0:12:32 | 0:12:36 | |
DOG GROWLS | 0:12:40 | 0:12:41 | |
Oh, dude. | 0:12:41 | 0:12:44 | |
That's nature for you, Deacon. Big stuff eating little stuff. | 0:12:44 | 0:12:48 | |
< MAN SPEAKING | 0:13:05 | 0:13:10 | |
One glance in the Bible will tell you that. | 0:13:10 | 0:13:14 | |
Or take the miracle of Lanciano. | 0:13:14 | 0:13:16 | |
In the year 700, a Basilian monk had doubts over the actual physical presence | 0:13:17 | 0:13:22 | |
of Jesus Christ in the Holy Eucharist. | 0:13:22 | 0:13:25 | |
While he was performing the ceremony, before his eyes | 0:13:25 | 0:13:31 | |
the bread and the wine transformed into chunks of living flesh. | 0:13:31 | 0:13:35 | |
The question is - do you give cows names? | 0:13:35 | 0:13:39 | |
My mate at school, Scott Andrews, | 0:13:39 | 0:13:43 | |
he said he gives his cows names, or did when he was a kid, | 0:13:43 | 0:13:49 | |
and then they couldn't kill them. They got like attached to them | 0:13:49 | 0:13:53 | |
and then that cow ended up living with them for like about 14 years - | 0:13:53 | 0:13:58 | |
the life span of a cow. They said it was a massive pain in the arse. | 0:13:58 | 0:14:03 | |
HE EXHALES | 0:14:06 | 0:14:08 | |
Cheery stuff. You all right? | 0:14:08 | 0:14:12 | |
I'm all right, yeah. Just hanging with my home boy. | 0:14:12 | 0:14:14 | |
Afternoon, Barry. | 0:14:26 | 0:14:28 | |
Father Crellick? | 0:14:31 | 0:14:33 | |
I think you've been expecting us. | 0:14:33 | 0:14:35 | |
Oh, yes, of course! I wasn't sure what time you'd be arriving. | 0:14:37 | 0:14:41 | |
The Relator General has been delayed but I'm Deacon and this is Gray. | 0:14:41 | 0:14:45 | |
All right. | 0:14:45 | 0:14:47 | |
I was under the impression that you fellows would make me feel underdressed. | 0:14:47 | 0:14:50 | |
"You all shall be dressed in humility, for God resists the proud | 0:14:50 | 0:14:56 | |
"and gives grace to the humble." | 0:14:56 | 0:14:59 | |
-I'll show you where it happened. -Thank you. | 0:15:02 | 0:15:05 | |
ORGAN PLAYS | 0:15:11 | 0:15:15 | |
BABY WHIMPERS | 0:15:22 | 0:15:24 | |
SHE SOOTHES BABY | 0:15:24 | 0:15:26 | |
The decision of dedication that you make today | 0:15:31 | 0:15:34 | |
is one of the most sacred and significant you may declare. | 0:15:34 | 0:15:38 | |
BABY CRIES | 0:15:38 | 0:15:39 | |
I baptise thee | 0:15:39 | 0:15:42 | |
in the name of the Father, the Son and the Holy... | 0:15:42 | 0:15:47 | |
CHURCH BELLS TOLL | 0:15:47 | 0:15:50 | |
BABY CRIES | 0:15:50 | 0:15:51 | |
What's that? | 0:15:51 | 0:15:53 | |
BABY CRIES | 0:15:54 | 0:15:58 | |
CLATTER | 0:15:58 | 0:16:00 | |
SHE GASPS | 0:16:06 | 0:16:08 | |
Father... | 0:16:08 | 0:16:11 | |
-That is mental! Have you seen this? -Yes. | 0:16:14 | 0:16:17 | |
That is nuts! | 0:16:17 | 0:16:20 | |
It's great. | 0:16:20 | 0:16:22 | |
So how long have you been here, Father Crellick? | 0:16:22 | 0:16:26 | |
This has been a project of mine for a few years now. | 0:16:26 | 0:16:28 | |
The diocese finally acquiesced and we opened just over two months ago. | 0:16:28 | 0:16:33 | |
These are the church records you asked for. | 0:16:34 | 0:16:37 | |
Great, thanks. | 0:16:37 | 0:16:39 | |
I don't quite understand. These cameras, are they necessary? | 0:16:39 | 0:16:44 | |
We have to properly investigate every claim. | 0:16:44 | 0:16:48 | |
Claim? | 0:16:49 | 0:16:50 | |
What claim? We all saw it! | 0:16:50 | 0:16:53 | |
It was a very impressive video, Father Crellick, else we wouldn't be here. | 0:16:53 | 0:16:58 | |
It's not brain surgery. It's a fundamentally simple kit. | 0:17:00 | 0:17:04 | |
HD cameras. | 0:17:04 | 0:17:06 | |
In this case, pro 5-80s. | 0:17:06 | 0:17:10 | |
Electric screwdriver - one for me, | 0:17:11 | 0:17:14 | |
one for you. | 0:17:14 | 0:17:16 | |
OK. | 0:17:26 | 0:17:28 | |
-It's getting late. Fancy a drink? -Yeah. | 0:17:42 | 0:17:46 | |
DOOR OPENS AND CLOSES | 0:17:48 | 0:17:51 | |
-Evening. -Evening. | 0:17:58 | 0:18:01 | |
Gray, let's get these off, yeah? | 0:18:01 | 0:18:04 | |
You got Wi-Fi here by any chance? | 0:18:07 | 0:18:09 | |
Dude, I can't believe that video. | 0:18:09 | 0:18:12 | |
That's nuts. I must have watched that 50 times today. | 0:18:12 | 0:18:16 | |
What happens if we actually find something? | 0:18:16 | 0:18:19 | |
If we see something, we report it and then they decide | 0:18:19 | 0:18:22 | |
whether to follow it up. | 0:18:22 | 0:18:24 | |
-What, that's it? -Yeah, that's it. | 0:18:24 | 0:18:26 | |
And then we're onto the next job. | 0:18:26 | 0:18:28 | |
We're here to observe and report. | 0:18:28 | 0:18:30 | |
We don't make the decisions. | 0:18:30 | 0:18:33 | |
They only recognise miracles in very, very few cases. | 0:18:33 | 0:18:37 | |
-Look, we get a lot of time wasters. -But that video | 0:18:37 | 0:18:42 | |
is impressive. I mean, you said that yourself! | 0:18:42 | 0:18:45 | |
No, no, no, it is, definitely! I didn't think | 0:18:45 | 0:18:48 | |
Father Crellick had it in him. I thought we would have seen the strings. | 0:18:48 | 0:18:51 | |
-You're saying all that was fake? -Yes. | 0:18:51 | 0:18:55 | |
What, all that stuff? | 0:18:55 | 0:18:58 | |
-Even that thing at the end? -What on the camera? | 0:18:58 | 0:19:02 | |
I don't know. It was a glitch or something. | 0:19:02 | 0:19:04 | |
So that girl in Spain last year, with the | 0:19:06 | 0:19:09 | |
-stigmata. You can't fake that. -No, I was there for that one. | 0:19:09 | 0:19:14 | |
-And? -Fake. | 0:19:14 | 0:19:16 | |
-No it wasn't. -And not a very good one. | 0:19:16 | 0:19:18 | |
Dude, you can't fake stigmata, there are holes in your hands. | 0:19:18 | 0:19:23 | |
So what was it hidden blood capsules or something? | 0:19:23 | 0:19:26 | |
No, it was much simpler. | 0:19:26 | 0:19:29 | |
Every day for ten weeks, the girl's mother cut her hands and feet open. | 0:19:29 | 0:19:37 | |
The girl got septicaemia. Do you know what her mother said to me | 0:19:39 | 0:19:44 | |
after she died? | 0:19:44 | 0:19:46 | |
"Now you can make my girl a saint." | 0:19:47 | 0:19:51 | |
I see his nibs has arrived. | 0:20:18 | 0:20:21 | |
< LAUGHTER, MUSIC | 0:20:21 | 0:20:23 | |
My dear brother Deacon. The prodigal son returns. | 0:20:32 | 0:20:36 | |
You are still one of us, aren't you, Deacon? | 0:20:39 | 0:20:43 | |
Hello, Mark, how's is the Vatican these days? | 0:20:44 | 0:20:46 | |
You should really come and see for yourself once in a while. | 0:20:46 | 0:20:49 | |
And this must be our technical specialist. I'm Father Amidon. | 0:20:49 | 0:20:52 | |
-All right, how're you doing? -Call me Mark. | 0:20:52 | 0:20:54 | |
-Will do. -Sorry about the delay, | 0:20:54 | 0:20:55 | |
I was at a fundraiser in Boston. | 0:20:55 | 0:20:57 | |
I'm really intrigued to see the set-up. | 0:20:57 | 0:20:59 | |
-We've got all the cameras set up on site. -The regulations clearly state | 0:20:59 | 0:21:04 | |
that the entire team must be in place before commencing anything. | 0:21:04 | 0:21:07 | |
-That would mean ANYTHING. -Don't blame him, Mark. | 0:21:07 | 0:21:10 | |
-It was my idea. -Why am I not surprised about that? | 0:21:10 | 0:21:14 | |
Yeah, well... Church records. | 0:21:16 | 0:21:20 | |
Thought they might be useful. | 0:21:20 | 0:21:22 | |
Right. | 0:21:26 | 0:21:28 | |
Gray. | 0:21:28 | 0:21:30 | |
Yeah. Night, mate. | 0:21:30 | 0:21:32 | |
You'll be wanting to fit my head cam, no doubt. | 0:21:32 | 0:21:36 | |
Yeah, sure. | 0:21:37 | 0:21:38 | |
He can be very persuasive, our brother Deacon. | 0:21:48 | 0:21:50 | |
He doesn't really like taking orders. | 0:21:52 | 0:21:54 | |
All you need to remember, Gray, is who's in charge. | 0:21:56 | 0:22:00 | |
Right. | 0:22:02 | 0:22:04 | |
Chip forks, | 0:22:07 | 0:22:09 | |
tartar, ketchup, what not. | 0:22:09 | 0:22:14 | |
Tuck in. | 0:22:14 | 0:22:15 | |
< SCREECHING | 0:22:17 | 0:22:21 | |
Did you hear that? | 0:22:21 | 0:22:22 | |
Listen! | 0:22:23 | 0:22:25 | |
SILENCE | 0:22:25 | 0:22:27 | |
-You're imagining things. -Let's eat, it's getting cold. | 0:22:31 | 0:22:35 | |
SCREECHING | 0:22:38 | 0:22:41 | |
-What the fuck is that? -Where's the fire extinguisher? | 0:22:43 | 0:22:47 | |
Are you all right? | 0:22:53 | 0:22:54 | |
Stay back, stay back! | 0:22:55 | 0:22:57 | |
What is it? | 0:23:06 | 0:23:08 | |
What happened? | 0:23:11 | 0:23:12 | |
What are you doing? | 0:23:12 | 0:23:14 | |
-Deacon? -It's a sheep. | 0:23:20 | 0:23:22 | |
-A what? -A sheep. | 0:23:22 | 0:23:24 | |
Dear God! | 0:23:24 | 0:23:26 | |
-I don't know. -Is that blood? | 0:23:26 | 0:23:28 | |
Oh, these kids. | 0:23:28 | 0:23:30 | |
Oh, my God. | 0:23:30 | 0:23:32 | |
Just keep breathing. It's OK... | 0:23:32 | 0:23:36 | |
An incident. | 0:23:38 | 0:23:39 | |
Well, someone killed an animal, a sheep, outside our cottage. | 0:23:39 | 0:23:44 | |
They set fire to it. They, they burnt it. The poor creature was in agony. | 0:23:44 | 0:23:50 | |
No, I didn't see the people who did it. | 0:23:50 | 0:23:52 | |
It was kids, I think. Kids from the village. | 0:23:52 | 0:23:55 | |
CREAKING | 0:24:20 | 0:24:22 | |
CREAKING | 0:24:34 | 0:24:38 | |
CREAKING | 0:24:50 | 0:24:54 | |
HE WALKS SOFTLY | 0:25:25 | 0:25:28 | |
Our Father who is in heaven, | 0:25:38 | 0:25:42 | |
who has shown us this glorious miracle in your house of worship. | 0:25:42 | 0:25:47 | |
Please show yourself again! | 0:25:47 | 0:25:50 | |
Our Father who art in heaven, | 0:25:50 | 0:25:52 | |
hallowed by thy name. | 0:25:52 | 0:25:54 | |
Thy kingdom come. | 0:25:54 | 0:25:55 | |
Thy will be done, on earth as it is in heaven. | 0:25:55 | 0:25:58 | |
Give us this day our daily bread. | 0:25:58 | 0:26:00 | |
And forgive us our trespasses, | 0:26:00 | 0:26:02 | |
as we forgive those who trespass against us. | 0:26:02 | 0:26:04 | |
And lead us not into temptation, | 0:26:04 | 0:26:07 | |
but deliver us from evil. | 0:26:07 | 0:26:10 | |
BABY CRIES | 0:26:10 | 0:26:12 | |
HE GASPS | 0:26:12 | 0:26:14 | |
-You still up? -Yeah, can't sleep. | 0:26:26 | 0:26:29 | |
You going to wear that thing to bed? | 0:26:31 | 0:26:34 | |
No, I'll stick it on charge in a minute. | 0:26:34 | 0:26:36 | |
You all right, Deacon? | 0:26:41 | 0:26:43 | |
Yeah. | 0:26:45 | 0:26:47 | |
You? | 0:26:48 | 0:26:50 | |
Yeah, I'm all right... | 0:26:50 | 0:26:52 | |
-What are you reading? -What, this? | 0:26:52 | 0:26:55 | |
It's a journal from Dr Pritchard Mandeville. Now he was the last | 0:26:55 | 0:27:00 | |
minister of the church before it closed around 1880. | 0:27:00 | 0:27:04 | |
Apparently the Lord came to him in these dreams and called him here and told him | 0:27:04 | 0:27:08 | |
to open an orphanage nearby. | 0:27:08 | 0:27:11 | |
Let's have a look. | 0:27:11 | 0:27:13 | |
"A curious town, none too pleasant for it. | 0:27:19 | 0:27:24 | |
"The locals are a solemn bunch and the skies are leaden grey." | 0:27:24 | 0:27:30 | |
Well, I know how he feels. | 0:27:30 | 0:27:33 | |
You know, I thought I was going to get sent home earlier on. | 0:27:33 | 0:27:36 | |
Listen, I wouldn't worry about it. Mark just likes to do things by the book. | 0:27:36 | 0:27:40 | |
He's probably not best pleased that one of the team members isn't even religious. | 0:27:40 | 0:27:44 | |
Hey, I believe in stuff, just not as much as you two. | 0:27:44 | 0:27:50 | |
Yeah, well, he'll come round. | 0:27:50 | 0:27:52 | |
Or you will. | 0:27:54 | 0:27:55 | |
Father Crellick, nice to meet you at last. | 0:27:55 | 0:27:59 | |
You do look a little tired, Father Crellick. Are you all right? | 0:27:59 | 0:28:01 | |
You know, it wouldn't do any harm if you went away for a day or two, | 0:28:01 | 0:28:06 | |
think about something else. We will be very thorough, | 0:28:06 | 0:28:10 | |
I assure you. | 0:28:10 | 0:28:12 | |
We will need full access to the church. | 0:28:12 | 0:28:15 | |
Of course. | 0:28:16 | 0:28:17 | |
The keys to the kingdom. | 0:28:18 | 0:28:20 | |
Father Crellick has left the site. | 0:28:25 | 0:28:28 | |
Now we're going to examine the altar. | 0:28:28 | 0:28:31 | |
Church built around 1260. It's a small parish enclave on top of a hill. | 0:28:32 | 0:28:37 | |
And here's the crucifix. | 0:28:40 | 0:28:42 | |
Solid enough, nothing hidden underneath. | 0:28:42 | 0:28:46 | |
Yeah, it might not be the same one. Could be a duplicate. | 0:28:46 | 0:28:49 | |
Note - must cross check crucifix against video footage. | 0:28:49 | 0:28:55 | |
Are you mental? I mean, | 0:28:55 | 0:28:59 | |
Crellick was standing here, right? And he was holding a baby. | 0:28:59 | 0:29:02 | |
-How's he going to move all that lot? -You mean, how did he move all that lot? | 0:29:04 | 0:29:08 | |
I can't believe you two are so sure it was him. | 0:29:08 | 0:29:12 | |
Hang on. | 0:29:12 | 0:29:14 | |
Yep, I've got an idea. | 0:29:14 | 0:29:16 | |
There you go. | 0:29:17 | 0:29:19 | |
-Ah, there it is. -What? -See it? -No. | 0:29:19 | 0:29:22 | |
Wind the tape back. | 0:29:22 | 0:29:24 | |
Right, watch it again. | 0:29:24 | 0:29:26 | |
Look at the altar table. | 0:29:29 | 0:29:31 | |
The water, it's vibrating. | 0:29:32 | 0:29:35 | |
Exactly! A speaker under the altar would do that. | 0:29:35 | 0:29:39 | |
And there's definitely some fixture holding something under there. | 0:29:39 | 0:29:42 | |
-What, like a subwoofer? -Yeah. | 0:29:42 | 0:29:45 | |
You saw the size of his congregation? This is his chance for notoriety. | 0:29:45 | 0:29:50 | |
You know, headline in the local newspaper, | 0:29:50 | 0:29:52 | |
maybe a bit in the evening news. | 0:29:52 | 0:29:54 | |
People will start flocking back in, and even if eventually the Vatican | 0:29:54 | 0:29:57 | |
doesn't recognise the miracle - well, by then the coffers are full. | 0:29:57 | 0:30:01 | |
Yeah, some of these people think they are doing the church a favour, | 0:30:01 | 0:30:04 | |
when in reality all they are doing is dragging us back to the Dark Ages. | 0:30:04 | 0:30:08 | |
Right, we're going to set up a grid to cover the space. | 0:30:09 | 0:30:12 | |
You take the left transept, I'll take the right. | 0:30:12 | 0:30:15 | |
Hang on, what are we looking for? | 0:30:15 | 0:30:16 | |
Well, anything that doesn't fit. You know, recent repairs, | 0:30:16 | 0:30:19 | |
wires in the wall. Just something that doesn't look right. | 0:30:19 | 0:30:22 | |
You are thinking hidden speakers, like in... | 0:30:22 | 0:30:23 | |
Yes. | 0:30:23 | 0:30:25 | |
-That's better across there, like that. -All right? -Sweet. | 0:30:25 | 0:30:29 | |
BEEPING | 0:30:32 | 0:30:34 | |
-What's that? -What, this? | 0:30:37 | 0:30:39 | |
It's for detecting magnetic fields. It can pick up any hidden speakers in the walls | 0:30:39 | 0:30:43 | |
larger than like a pair of earbuds. | 0:30:43 | 0:30:46 | |
-Earbuds? -Yeah, headphones, Mark. | 0:30:46 | 0:30:48 | |
SCRAPING | 0:30:54 | 0:30:57 | |
SCRAPING | 0:31:00 | 0:31:03 | |
SCRAPING | 0:31:10 | 0:31:13 | |
Are you two making that noise? | 0:31:13 | 0:31:16 | |
-Are you scraping off paint? -Eh? | 0:31:16 | 0:31:18 | |
Not me, dude. | 0:31:21 | 0:31:22 | |
SCRAPING | 0:31:30 | 0:31:33 | |
SCRAPING | 0:31:38 | 0:31:40 | |
HE BREATHES HEAVILY | 0:31:46 | 0:31:48 | |
Ha-ha-ha-ha! | 0:31:51 | 0:31:53 | |
Woo-oo! | 0:31:53 | 0:31:56 | |
Ha-ha! | 0:31:56 | 0:31:58 | |
I got you, Deacon, I got you! | 0:31:58 | 0:32:01 | |
No, Deacon's all right when you get to know him. I mean, he seems on top of it | 0:32:05 | 0:32:09 | |
if you ask me. He's... Yeah, all right, he likes a drink. | 0:32:09 | 0:32:13 | |
But I mean, he's just having a sip of the communion wine, so it's all kosher. | 0:32:13 | 0:32:16 | |
Look, booze just relaxes him. | 0:32:18 | 0:32:21 | |
Well, I mean, priests are an uptight bunch and he's got a lot on his mind. | 0:32:21 | 0:32:25 | |
That Crellick, he's a few rosaries short of a crucifix. | 0:32:25 | 0:32:31 | |
Hello? | 0:32:32 | 0:32:33 | |
Hello? | 0:32:35 | 0:32:37 | |
Fucking dog bollocks. | 0:32:38 | 0:32:40 | |
SCRAPING | 0:32:48 | 0:32:50 | |
There it is again. | 0:32:50 | 0:32:52 | |
Is that one of you two? | 0:32:52 | 0:32:54 | |
-What? -Shhh, listen! | 0:32:54 | 0:32:57 | |
SCRAPING | 0:32:59 | 0:33:01 | |
Gray? | 0:33:05 | 0:33:06 | |
Here lies the body of Samuel Shortage, aged 62. | 0:33:10 | 0:33:15 | |
Not a bad innings, I suppose. | 0:33:15 | 0:33:17 | |
HE YAWNS | 0:33:17 | 0:33:20 | |
HE INHALES | 0:33:22 | 0:33:25 | |
BIRD TAKES FLIGHT | 0:33:26 | 0:33:29 | |
SCRAPING | 0:33:39 | 0:33:42 | |
It seems... | 0:33:42 | 0:33:44 | |
to be coming from over there. | 0:33:44 | 0:33:49 | |
# Wrapped up in linen | 0:33:51 | 0:33:54 | |
# All wrapped up in linen and cold as the clay | 0:33:54 | 0:33:58 | |
# So beat the drum slowly and play the fife lowly... # | 0:33:59 | 0:34:05 | |
What the fuck... | 0:34:09 | 0:34:10 | |
That's fucking weird. | 0:34:28 | 0:34:30 | |
SCRAPING | 0:34:30 | 0:34:34 | |
What the fuck... | 0:34:34 | 0:34:36 | |
Oh fucking hell, fucking hell... | 0:34:38 | 0:34:41 | |
-SCREAMING -What is that? | 0:34:43 | 0:34:45 | |
Gray! | 0:34:45 | 0:34:47 | |
-That sodding dog! -Where? | 0:34:49 | 0:34:51 | |
I don't know, I think he ran off. | 0:34:51 | 0:34:54 | |
Up you come. | 0:34:56 | 0:34:57 | |
I honestly thought some five-year-old girl | 0:34:57 | 0:34:59 | |
must have broken her leg. | 0:34:59 | 0:35:02 | |
SCRAPING, WIND WHISTLES | 0:35:02 | 0:35:06 | |
WIND WHISTLES | 0:35:21 | 0:35:25 | |
HE GASPS | 0:35:27 | 0:35:30 | |
-I don't know what kind. It was a big one. -What, like a dachshund? | 0:35:31 | 0:35:34 | |
It wasn't a dachshund. It was like the hound of the fucking Baskervilles! | 0:35:34 | 0:35:37 | |
Mark! | 0:35:37 | 0:35:38 | |
Mark! Don't move, Mark. Open your eyes! | 0:35:38 | 0:35:40 | |
-He's got blood in his ear. -Right. | 0:35:40 | 0:35:42 | |
Gray, take him outside, sit him down | 0:35:42 | 0:35:44 | |
-and stay with him. Stay with him! -All I need is a little air. | 0:35:44 | 0:35:47 | |
You look peaky, Mark. | 0:35:47 | 0:35:49 | |
-Mark! -What? | 0:35:53 | 0:35:54 | |
Why don't you go and see a doctor? | 0:35:54 | 0:35:55 | |
It's just an inner-ear thing. I must have ruptured my | 0:35:55 | 0:35:58 | |
eardrum on the flight. It happens... | 0:35:58 | 0:36:00 | |
No, I heard it too. It was like this weird rasping, scratchy noise, | 0:36:00 | 0:36:04 | |
-a bit like that. -OK, OK, it was rats. | 0:36:04 | 0:36:07 | |
Hardly unusual in an old building. | 0:36:07 | 0:36:09 | |
Can I just go on the record please and say | 0:36:09 | 0:36:13 | |
that Mark should go and see a doctor! | 0:36:13 | 0:36:16 | |
Right, I'm going to bed. I need to write up my report. | 0:36:16 | 0:36:20 | |
Deacon, I mean what is he, a Christian or a Christian scientist? | 0:36:25 | 0:36:28 | |
So Gray, how did YOU come to be working for the congregation? | 0:36:28 | 0:36:32 | |
I saw it on a tech recruitment website. | 0:36:32 | 0:36:35 | |
Sounded cool, money was good. | 0:36:35 | 0:36:38 | |
They did ask me if I was a believer. | 0:36:40 | 0:36:43 | |
And I said: "yeah". | 0:36:43 | 0:36:46 | |
You lied. | 0:36:46 | 0:36:48 | |
Well... | 0:36:48 | 0:36:50 | |
You know, I wasn't... | 0:36:50 | 0:36:52 | |
brought up religious. | 0:36:52 | 0:36:55 | |
But you know, | 0:36:55 | 0:36:58 | |
I believe in... stuff. I mean today, right, | 0:36:58 | 0:37:03 | |
in the church - | 0:37:03 | 0:37:06 | |
didn't you feel...something? | 0:37:06 | 0:37:10 | |
-A presence? -Well, | 0:37:11 | 0:37:14 | |
it is a church. | 0:37:14 | 0:37:17 | |
-I'll get you a beer. -OK. | 0:37:21 | 0:37:23 | |
Deacon! | 0:37:28 | 0:37:29 | |
-Yes? -What happened in Belem? | 0:37:29 | 0:37:31 | |
No. | 0:37:31 | 0:37:33 | |
Dude, I'm going to keep hassling you if you don't tell me, OK? | 0:37:33 | 0:37:36 | |
I'm going to badger you if you don't tell me. Cough it! | 0:37:36 | 0:37:40 | |
HE SIGHS | 0:37:47 | 0:37:48 | |
-Belem. Bethlehem in English. -Right. | 0:37:48 | 0:37:51 | |
It's a town in Northern Brazil. | 0:37:51 | 0:37:53 | |
Well, there was a shrine there that was getting a reputation as a new Lourdes. | 0:37:53 | 0:37:58 | |
Cardinal Prefect Renaldi himself led the investigation. | 0:37:58 | 0:38:02 | |
When they arrived they were amazed. There was a queue of sick | 0:38:02 | 0:38:06 | |
people outside the shrine waiting to be healed. | 0:38:06 | 0:38:09 | |
And... | 0:38:09 | 0:38:11 | |
did they see anyone get healed? | 0:38:11 | 0:38:13 | |
Better. | 0:38:13 | 0:38:15 | |
They saw God. | 0:38:17 | 0:38:19 | |
Right. | 0:38:20 | 0:38:22 | |
Now we started getting really confused reports from Renaldi... | 0:38:22 | 0:38:26 | |
which barely made any sense. | 0:38:26 | 0:38:28 | |
And then... Then they disappeared. | 0:38:28 | 0:38:32 | |
Renaldi? | 0:38:32 | 0:38:34 | |
Yeah, Renaldi. The Vatican, they went crazy. It's like a high ranking cardinal | 0:38:34 | 0:38:39 | |
and his team had just vanished. | 0:38:39 | 0:38:42 | |
Their bodies turned up in the jungle a few days later. | 0:38:44 | 0:38:49 | |
-So what happened? -The autopsy reports revealed | 0:38:51 | 0:38:54 | |
-"atypical chemical traces". -So what does that mean? | 0:38:54 | 0:38:59 | |
They what, they got poisoned? | 0:38:59 | 0:39:01 | |
My guess? Dimethyltryptamine, DMT. | 0:39:01 | 0:39:04 | |
Powerful hallucinogenic, plant- derived. The shamans there | 0:39:06 | 0:39:09 | |
have been using it for millennia. Maybe the priests had a bad reaction to it | 0:39:09 | 0:39:13 | |
and the locals panicked and dumped the bodies. | 0:39:13 | 0:39:17 | |
Or... maybe... they actually saw God. | 0:39:17 | 0:39:23 | |
Hold up your beer bottle. No, no, side on. | 0:39:29 | 0:39:32 | |
Let me show you. There, hold it up like that. | 0:39:32 | 0:39:35 | |
That's it, put your hand on top like that. | 0:39:35 | 0:39:36 | |
All right? Perfect. Now are you watching? | 0:39:36 | 0:39:39 | |
Here we go. | 0:39:39 | 0:39:40 | |
Dude... | 0:39:42 | 0:39:44 | |
Yeah... | 0:39:44 | 0:39:45 | |
Don't believe everything you see, Gray. | 0:39:47 | 0:39:50 | |
Goodnight. | 0:39:50 | 0:39:52 | |
What the fuck... | 0:39:57 | 0:39:59 | |
Father, give me the strength to resist evil. | 0:40:03 | 0:40:07 | |
Please protect this house and prevent evil from entering. | 0:40:07 | 0:40:14 | |
I need your strength, and the strength of your Son, Jesus Christ. | 0:40:14 | 0:40:19 | |
< BABY CRIES | 0:40:19 | 0:40:21 | |
Strengthen my faith and sacrifice this holy place... | 0:40:23 | 0:40:29 | |
Please let me be strong... | 0:40:39 | 0:40:41 | |
CREAKING | 0:40:59 | 0:41:03 | |
BANG | 0:41:13 | 0:41:16 | |
Strengthen my power and my faith for this ordeal... | 0:41:16 | 0:41:22 | |
BANG | 0:41:22 | 0:41:23 | |
CHURCH BELL TOLLS | 0:41:23 | 0:41:27 | |
"More cages. Sick to my core. The dreams drew me here. | 0:41:32 | 0:41:37 | |
"Perhaps always him. I beseech you reader, leave this place! | 0:41:37 | 0:41:43 | |
"This village, a painted facade. | 0:41:43 | 0:41:47 | |
"He lies beneath ever hungrier for souls." | 0:41:47 | 0:41:52 | |
And this bit: "Now I see the perfect hideous logic | 0:41:52 | 0:41:57 | |
"of the orphanage. | 0:41:57 | 0:41:59 | |
"I may have a new master now." | 0:41:59 | 0:42:02 | |
And that's it. That's the last thing he wrote. | 0:42:02 | 0:42:05 | |
HE SIGHS | 0:42:05 | 0:42:07 | |
-Does any of that mean anything to you? -No. No, but I'll tell you something, | 0:42:07 | 0:42:12 | |
I don't think it's an accident that Mandeville's journal | 0:42:12 | 0:42:15 | |
ended up in the church records. I think Crellick put it there. | 0:42:15 | 0:42:18 | |
I think he wanted us to find it, because we would read it and understand something. | 0:42:18 | 0:42:22 | |
Something that Crellick couldn't or wouldn't tell us. | 0:42:22 | 0:42:28 | |
But what that is, I've no idea. | 0:42:28 | 0:42:31 | |
-KNOCKS ON DOOR -Right, come on, Mark. Let's go! | 0:42:33 | 0:42:36 | |
-KNOCKS ON DOOR -Mark? | 0:42:38 | 0:42:40 | |
Mark? | 0:42:45 | 0:42:47 | |
Mark? | 0:42:50 | 0:42:51 | |
Deacon, look at his ear. | 0:42:55 | 0:42:57 | |
Mark. Mark! | 0:42:57 | 0:43:00 | |
HE SNORES | 0:43:04 | 0:43:06 | |
Listen, we'll just let him sleep it off. The walk will do him good. | 0:43:06 | 0:43:10 | |
-HE SOBS -Please leave me. | 0:43:12 | 0:43:15 | |
It's open. | 0:43:17 | 0:43:19 | |
HE GRUNTS | 0:43:25 | 0:43:28 | |
I heard the voices again last night. | 0:43:28 | 0:43:30 | |
Father Crellick! | 0:43:30 | 0:43:32 | |
Did you sleep here? | 0:43:34 | 0:43:36 | |
Were those voices coming from over here, Father Crellick? | 0:43:41 | 0:43:44 | |
Looks like those kids have played a wee trick on you. | 0:43:44 | 0:43:47 | |
You think I'm a fool, don't you? | 0:43:48 | 0:43:49 | |
We want this to be a miracle just as much as you do, dude. | 0:43:49 | 0:43:54 | |
No, you don't. | 0:43:54 | 0:43:57 | |
I'm not like Mandeville. | 0:43:59 | 0:44:01 | |
If there is anything in this church, this will help us find it. | 0:44:04 | 0:44:08 | |
I mean, if a poltergeist farted in here six months ago, | 0:44:08 | 0:44:12 | |
we will hear it. | 0:44:12 | 0:44:14 | |
-This is ghost hunting equipment, is it? -Well, OK. You know how you said | 0:44:14 | 0:44:19 | |
that when you heard the sound | 0:44:19 | 0:44:21 | |
-it seemed to move? -Yeah. | 0:44:21 | 0:44:23 | |
Well, | 0:44:23 | 0:44:25 | |
these are radio mics and they've got an analogue receiver. | 0:44:25 | 0:44:30 | |
It's got dials, OK? That means you can tune between frequencies. | 0:44:30 | 0:44:36 | |
And that's good? | 0:44:36 | 0:44:37 | |
It's where stuff hides. | 0:44:37 | 0:44:40 | |
Where did you hear the sound? | 0:44:40 | 0:44:42 | |
-Huh? -Where did you hear the sound? | 0:44:42 | 0:44:44 | |
Well, it was there and then it moved over to there. | 0:44:44 | 0:44:46 | |
OK. We put one mic here, in the pulpit. | 0:44:46 | 0:44:49 | |
We put one mic over here, let's say in the middle of these books. | 0:44:49 | 0:44:52 | |
We put one mic somewhere here, on the high altar. | 0:44:52 | 0:44:57 | |
And then you can tune in between the three of them? | 0:44:57 | 0:45:00 | |
We can then tune between all three, | 0:45:00 | 0:45:02 | |
we can hear three dimensionally what's going on in this space. | 0:45:02 | 0:45:06 | |
And we can put some further around here? | 0:45:06 | 0:45:08 | |
We've got 12 in total. Pick your spots. | 0:45:08 | 0:45:11 | |
OK. | 0:45:11 | 0:45:12 | |
Mic check. Mic one, check. | 0:45:12 | 0:45:16 | |
-Can you hear me? -Yeah. | 0:45:16 | 0:45:18 | |
No, I mean you can hear me, but can you hear it on the receiver? | 0:45:18 | 0:45:21 | |
-Oh, sorry. -Tune it round to 100. | 0:45:21 | 0:45:23 | |
On the dial, the big dial. | 0:45:23 | 0:45:25 | |
Cool. | 0:45:27 | 0:45:29 | |
Yeah, that will be good, that's where Mark had his fall, wasn't it? | 0:45:31 | 0:45:34 | |
It's dirty work down here, mate. | 0:45:34 | 0:45:38 | |
-Right, mic two, check. -Mic two, check! | 0:45:38 | 0:45:44 | |
Mic seven, check. | 0:45:46 | 0:45:49 | |
Yeah, hearing it. Mic seven, roger. | 0:45:49 | 0:45:52 | |
STATIC | 0:45:52 | 0:45:57 | |
SCRAPING | 0:45:57 | 0:46:02 | |
(Dude, listen. | 0:46:02 | 0:46:06 | |
(Listen.) | 0:46:06 | 0:46:07 | |
SCRAPING | 0:46:07 | 0:46:11 | |
Let me get a hold on that. | 0:46:13 | 0:46:15 | |
All right, that's... | 0:46:17 | 0:46:19 | |
No, that's mic two. | 0:46:19 | 0:46:21 | |
Is it moving? | 0:46:21 | 0:46:23 | |
Dude, what is that? | 0:46:26 | 0:46:28 | |
It's moving, it's moving along this wall. | 0:46:29 | 0:46:31 | |
-Now what? -Now it's going towards the bookcase. | 0:46:31 | 0:46:35 | |
Just there. | 0:46:36 | 0:46:37 | |
That's right there, dude. | 0:46:37 | 0:46:39 | |
What is that, an animal? | 0:46:42 | 0:46:46 | |
Is that a voice? | 0:46:46 | 0:46:48 | |
No, it's gone. | 0:46:53 | 0:46:55 | |
It's totally gone. | 0:46:57 | 0:46:59 | |
You've checked all this for speakers, haven't you? | 0:46:59 | 0:47:02 | |
Dude, it was along this wall here. | 0:47:02 | 0:47:04 | |
It moved along here. | 0:47:05 | 0:47:07 | |
And you've checked that for speakers? | 0:47:07 | 0:47:09 | |
There is nothing in there, dude. | 0:47:21 | 0:47:23 | |
Hi Mark, you feeling better? | 0:47:27 | 0:47:29 | |
I'm fine. | 0:47:31 | 0:47:32 | |
SCRAPING | 0:47:37 | 0:47:40 | |
-It's definitely over here. -That's between mics three and four. | 0:47:40 | 0:47:45 | |
-Right. -Hold on. | 0:47:45 | 0:47:48 | |
Heading towards mic three. | 0:47:48 | 0:47:50 | |
BABY CRIES | 0:47:52 | 0:47:57 | |
Listen. | 0:47:57 | 0:47:59 | |
BABY CRIES | 0:48:01 | 0:48:03 | |
12:05, sound of infant crying. Most likely interference from a nearby baby monitor. | 0:48:03 | 0:48:09 | |
Gray, Gray! | 0:48:13 | 0:48:15 | |
CLATTER | 0:48:15 | 0:48:18 | |
-Dude. -Ssh. | 0:48:20 | 0:48:21 | |
What's going on? | 0:48:36 | 0:48:38 | |
That was Father Crellick, I just saw him skulking about in the window over there. | 0:48:38 | 0:48:42 | |
I knew it was too good to be true. Something tangible happens | 0:48:42 | 0:48:45 | |
and he just so happens to be there. | 0:48:45 | 0:48:47 | |
Dude, we've checked for subwoofers and didn't find any. | 0:48:47 | 0:48:50 | |
-How's he going to...? -Maybe he went basic. | 0:48:50 | 0:48:53 | |
Loop of fishing line, cut the loop | 0:48:53 | 0:48:55 | |
-and then whip it away again. -That's bullshit, it's too involved. | 0:48:55 | 0:48:58 | |
He didn't even seem with it. | 0:48:58 | 0:49:00 | |
Gray, I know it doesn't feel nice | 0:49:00 | 0:49:03 | |
-to be deceived. -I'm going to follow him, see what he's up to. | 0:49:03 | 0:49:07 | |
This might be us finished. | 0:49:07 | 0:49:09 | |
Father Crellick? | 0:49:36 | 0:49:38 | |
BABY CRIES | 0:49:42 | 0:49:45 | |
I've got to say it pains me to say it, but Mark's theory about that baby monitor | 0:49:51 | 0:49:54 | |
-is probably correct. -It's the best explanation. | 0:49:54 | 0:49:57 | |
No, dude. I switched this off. | 0:49:57 | 0:50:01 | |
What? | 0:50:01 | 0:50:03 | |
Dude, the machine is switched off! | 0:50:03 | 0:50:06 | |
HE BREATHES HEAVILY | 0:50:06 | 0:50:11 | |
Father Crellick? Are you there? | 0:50:11 | 0:50:15 | |
Father Crellick? | 0:50:15 | 0:50:16 | |
PIGEONS FLAP AND COO | 0:50:18 | 0:50:21 | |
Father Crellick? | 0:50:33 | 0:50:35 | |
You don't believe in my miracle, do you? I prayed for you to come. | 0:50:35 | 0:50:40 | |
If this is not a miracle, if this is not the hand of God... | 0:50:42 | 0:50:46 | |
BABY CRIES | 0:50:46 | 0:50:51 | |
I can hear it! Where's it coming from? | 0:50:51 | 0:50:55 | |
-Fuck, dude! -What? | 0:50:57 | 0:51:00 | |
Calm down. I'm not your enemy here. | 0:51:00 | 0:51:02 | |
But if this isn't a miracle... | 0:51:02 | 0:51:04 | |
Get out of here! | 0:51:05 | 0:51:07 | |
Father Crellick... Oh, Christ! | 0:51:07 | 0:51:09 | |
-Deacon! Gray! -We're coming! -What's going on? | 0:51:11 | 0:51:17 | |
Mark, Mark! Where are you? | 0:51:17 | 0:51:20 | |
Fuck! Guys! | 0:51:22 | 0:51:25 | |
Oh fuck! Oh, God! Oh, fuck! Oh, fuck! | 0:51:25 | 0:51:28 | |
-Oh, fuck! -Father Crellick. | 0:51:32 | 0:51:35 | |
Christ almighty and his holy mercy, may the Lord Father assist you. | 0:51:36 | 0:51:41 | |
The...the police are with Mark now. I wouldn't worry, | 0:52:25 | 0:52:30 | |
he can be quite the salesman when he wants to be. | 0:52:30 | 0:52:33 | |
I just don't understand it, Deacon. | 0:52:34 | 0:52:37 | |
What don't you understand? | 0:52:37 | 0:52:39 | |
Crellick. | 0:52:40 | 0:52:42 | |
-That's a sin, right? According to you lot. -A mortal sin. | 0:52:43 | 0:52:48 | |
A mortal sin. | 0:52:48 | 0:52:49 | |
The souls of those who die in a state of mortal sin descend into Hell. | 0:52:51 | 0:52:55 | |
Into Hell. | 0:52:57 | 0:52:58 | |
But...Crellick was a priest. | 0:53:00 | 0:53:03 | |
Priests can be sinners, too. | 0:53:06 | 0:53:08 | |
Come on, I'm buying. | 0:53:14 | 0:53:17 | |
MUSIC PLAYS | 0:53:23 | 0:53:26 | |
Oh, here we go. | 0:53:30 | 0:53:32 | |
-Baa! -Baa! | 0:53:35 | 0:53:38 | |
LAUGHTER | 0:53:38 | 0:53:39 | |
Just keep walking, Deacon. | 0:53:39 | 0:53:42 | |
Dude... | 0:53:42 | 0:53:43 | |
-Baa! -Baa! | 0:53:43 | 0:53:46 | |
Baa! | 0:53:46 | 0:53:47 | |
Not so funny now, is it? | 0:53:49 | 0:53:51 | |
-Is it? -He's bleeding! | 0:53:51 | 0:53:54 | |
GROANING | 0:53:54 | 0:53:56 | |
Dude, that was unnecessary. | 0:53:56 | 0:53:59 | |
Deacon! They're just kids, mate. | 0:53:59 | 0:54:02 | |
Cheers, love. | 0:54:08 | 0:54:09 | |
-Take it easy. -Another one, please! | 0:54:12 | 0:54:14 | |
Just don't tell Mark, OK? | 0:54:16 | 0:54:19 | |
Holy people struggle too, you know? Open a newspaper, | 0:54:19 | 0:54:22 | |
we all make bad choices, same as everyone else. | 0:54:22 | 0:54:24 | |
Yeah, well, jumping off a church tower sounds like the wrong choice. | 0:54:24 | 0:54:28 | |
He was under a lot of pressure. | 0:54:28 | 0:54:31 | |
Pressure? | 0:54:34 | 0:54:36 | |
But Deacon... | 0:54:36 | 0:54:37 | |
Mark might want to hide his head in the sand, but you... | 0:54:37 | 0:54:41 | |
You know better, I know you do. What we saw up there... | 0:54:42 | 0:54:45 | |
-Two more, please. -Deacon, what we saw up there | 0:54:45 | 0:54:47 | |
was not normal. It was not fucking normal, mate. | 0:54:47 | 0:54:51 | |
The people that came before your lot, right... | 0:54:51 | 0:54:53 | |
-The pagans. -Yeah all right, the pagans, | 0:54:53 | 0:54:56 | |
Druids, the Aztecs or whatever. | 0:54:56 | 0:54:58 | |
They believed in stuff that was real. You know, they had the moon, | 0:54:58 | 0:55:02 | |
the sea, the stars, the sun. They had stuff, they worshipped stuff! | 0:55:02 | 0:55:06 | |
They didn't know any better. They were just worshipping what was in front of them. | 0:55:06 | 0:55:09 | |
No, they worshipped what was there, physically there. | 0:55:09 | 0:55:13 | |
Whereas you are choosing to believe and worship | 0:55:13 | 0:55:18 | |
the great "what if". | 0:55:18 | 0:55:20 | |
-And your point is? -Well, my point is... | 0:55:22 | 0:55:24 | |
My point is, that if there was going to be a fight | 0:55:26 | 0:55:28 | |
between something that was there and something which wasn't there, | 0:55:28 | 0:55:35 | |
then I know which side I'd bet on. | 0:55:35 | 0:55:39 | |
What? Are you... | 0:55:40 | 0:55:42 | |
What? Hey, can we get some drinks here, please? | 0:55:43 | 0:55:45 | |
-Don't make a face, Deacon. -Bar's closed. | 0:55:45 | 0:55:49 | |
-Come on, it's just after nine. -My pub, my rules. | 0:55:50 | 0:55:53 | |
-Ah, come on, don't be ridiculous! -You just served this guy. | 0:55:53 | 0:55:57 | |
A man is dead. | 0:55:57 | 0:55:59 | |
A good man. | 0:55:59 | 0:56:02 | |
I know his mum, you should see the state of her. | 0:56:02 | 0:56:06 | |
Yeah, we don't want any trouble, lads. | 0:56:07 | 0:56:09 | |
The only people causing trouble around here are you. | 0:56:09 | 0:56:11 | |
-Look... -Deacon, hey, dude, dude, dude! | 0:56:11 | 0:56:13 | |
-No! Dude, dude, dude! -We were asked here. | 0:56:13 | 0:56:16 | |
-We came here to help! -Help? | 0:56:16 | 0:56:20 | |
Dude, let's go! | 0:56:20 | 0:56:21 | |
-Deacon, come on, dude! -I've been here before, Gray. | 0:56:23 | 0:56:27 | |
Everyone trying to sweep the truth under the carpet. | 0:56:27 | 0:56:30 | |
I'm not going to let it happen again. | 0:56:30 | 0:56:32 | |
We've got to go back up there. | 0:56:34 | 0:56:37 | |
CHURCH BELL TOLLS | 0:56:37 | 0:56:40 | |
-Where have you been? -Listen, Mark, mate, | 0:56:47 | 0:56:50 | |
we had a thought about where the sounds were coming from. | 0:56:50 | 0:56:53 | |
-So we went to investigate... -Investigation's over. | 0:56:53 | 0:56:55 | |
You can go and pack away your stuff. I've sent in a revised report, | 0:56:55 | 0:56:59 | |
all we're doing is waiting on the movement order. | 0:56:59 | 0:57:01 | |
-Mark, come on, mate... -This is not over! | 0:57:01 | 0:57:04 | |
Really? Well, if you can tell me which one of the awful events | 0:57:04 | 0:57:07 | |
we witnessed constitutes a miracle, I will be sure to inform my undersecretary. | 0:57:07 | 0:57:10 | |
-But... -There is nothing going on at that church | 0:57:10 | 0:57:12 | |
but a depressed priest with misguided notions and now he's dead. | 0:57:12 | 0:57:16 | |
If you still think it's Crellick | 0:57:16 | 0:57:17 | |
then why don't we go back up there? If nothing happens, | 0:57:17 | 0:57:20 | |
-then we will know for sure! -A priest is dead! | 0:57:20 | 0:57:23 | |
I am not going to let this turn into another campfire story. | 0:57:23 | 0:57:28 | |
It's right there! We get in there and we... I told him there's something there! | 0:57:45 | 0:57:49 | |
Now we've got it in our grasp and he wants to go. | 0:57:49 | 0:57:52 | |
# Waiting by the quayside | 0:58:08 | 0:58:13 | |
# Sailing homeward to Mingulay | 0:58:13 | 0:58:18 | |
# Heel yo ho, boys, let her go, boys... # | 0:58:20 | 0:58:25 | |
"Go, boys, to Mingulay..." | 0:58:31 | 0:58:33 | |
-SQUELCH -Shit! | 0:58:36 | 0:58:39 | |
Och! | 0:58:39 | 0:58:41 | |
RUMBLING | 0:58:46 | 0:58:49 | |
Hello? Hello? | 0:58:49 | 0:58:53 | |
RUMBLING | 0:59:07 | 0:59:10 | |
HE BREATHES HEAVILY | 0:59:12 | 0:59:15 | |
TWIGS CRACK | 0:59:15 | 0:59:18 | |
Who's there? | 0:59:18 | 0:59:19 | |
Father Crellick? | 0:59:21 | 0:59:23 | |
CREAKING | 0:59:28 | 0:59:31 | |
WHISPER: Deacon. | 0:59:49 | 0:59:51 | |
Deacon. | 0:59:55 | 0:59:57 | |
Father Crellick? | 1:00:10 | 1:00:11 | |
What's that? | 1:00:17 | 1:00:19 | |
Ugh! | 1:00:27 | 1:00:30 | |
Jesus Christ. Sick bastards. | 1:00:32 | 1:00:36 | |
HE BREATHES HEAVILY | 1:00:56 | 1:00:59 | |
-CLATTER -Oh shit, shit! | 1:01:20 | 1:01:24 | |
Deacon, what are you playing at? | 1:01:27 | 1:01:29 | |
WHISPERING | 1:01:34 | 1:01:38 | |
What? | 1:01:38 | 1:01:40 | |
WHISPERING | 1:01:43 | 1:01:44 | |
Who said that? | 1:01:44 | 1:01:46 | |
BABY CRIES | 1:01:51 | 1:01:53 | |
Oh, my God. | 1:01:59 | 1:02:01 | |
My God. | 1:02:02 | 1:02:04 | |
SCRAPING | 1:02:04 | 1:02:07 | |
Where's it coming from? | 1:02:10 | 1:02:12 | |
Where are you? | 1:02:15 | 1:02:17 | |
SCRAPING GETS LOUDER | 1:02:24 | 1:02:27 | |
HE GRUNTS | 1:02:33 | 1:02:37 | |
SCRAPING | 1:02:48 | 1:02:52 | |
THUD | 1:03:04 | 1:03:07 | |
Who's there? Who's there? | 1:03:08 | 1:03:11 | |
MOANING | 1:03:20 | 1:03:23 | |
< Frazzetti. Frazzetti's eyes. Oh, God, his eyes! | 1:03:29 | 1:03:35 | |
CHURCH BELL TOLLS | 1:03:35 | 1:03:39 | |
HE PANTS | 1:03:44 | 1:03:47 | |
HE EXHALES | 1:03:53 | 1:03:57 | |
HE DIALS NUMBER | 1:04:08 | 1:04:10 | |
Pronto. | 1:04:14 | 1:04:15 | |
Si. | 1:04:15 | 1:04:16 | |
Mi dispiace chiamare cosi tardi. | 1:04:16 | 1:04:20 | |
Ma sono Deacon. | 1:04:20 | 1:04:25 | |
As if we didn't have enough on. | 1:04:42 | 1:04:44 | |
We should be on our way to Liege right now. | 1:04:44 | 1:04:46 | |
-The situation is not resolved. -It was according to my report. | 1:04:46 | 1:04:50 | |
Reconsecration is a matter for the local diocese. | 1:04:50 | 1:04:52 | |
Why are you ignoring what happened? | 1:04:52 | 1:04:54 | |
-What I found? -What, some old animal bones | 1:04:54 | 1:04:56 | |
-and you imagined you heard something. -Which warrants further investigation! | 1:04:56 | 1:04:59 | |
-It wasn't your call to make. -Yeah, well, somebody had to! | 1:04:59 | 1:05:02 | |
Well, somebody is going to be facing serious disciplinary procedures | 1:05:02 | 1:05:05 | |
-when this is over. -Right. | 1:05:05 | 1:05:06 | |
This is your last mission with the congregation, Deacon. | 1:05:06 | 1:05:09 | |
I'll make bloody sure of that. | 1:05:09 | 1:05:11 | |
Father Umberto Calvino, he was my tutor. | 1:05:24 | 1:05:27 | |
He heads up the Vatican archives now, all very hush hush. | 1:05:27 | 1:05:30 | |
You don't have to tell me, dude. I've read The Da Vinci Code. | 1:05:30 | 1:05:34 | |
Grazie. Father Calvino! | 1:05:35 | 1:05:37 | |
Very nice flight, I enjoyed that. | 1:05:37 | 1:05:40 | |
Calvino's an expert in church history. All the stuff | 1:05:40 | 1:05:42 | |
that's been swept under the holy carpet. | 1:05:42 | 1:05:44 | |
Right. | 1:05:44 | 1:05:46 | |
They've been trying to get rid of him for years, | 1:05:46 | 1:05:48 | |
-but when this kind of thing comes along... -He's a useful man to have in your corner. | 1:05:48 | 1:05:52 | |
The best. | 1:05:52 | 1:05:54 | |
-Frate Deacon! -Padre Calvino! | 1:05:54 | 1:05:58 | |
Grazie. | 1:05:58 | 1:06:00 | |
So Padre, looking at all the information, both the event | 1:06:02 | 1:06:05 | |
and the timeline, most of it is audio - | 1:06:05 | 1:06:07 | |
although there is some physical, if we include the moving cross. | 1:06:07 | 1:06:10 | |
-Why are you suddenly including that now? -Well, in the light of the new | 1:06:10 | 1:06:13 | |
-circumstances, the new evidences... -What new evidence? | 1:06:13 | 1:06:15 | |
-You haven't found anything! -He knew about Frazzetti! | 1:06:15 | 1:06:19 | |
'Frazzetti. Frazzetti's eyes.. Oh, God, his eyes!' | 1:06:20 | 1:06:27 | |
You could have been saying those things, we never see your face. | 1:06:28 | 1:06:31 | |
Oh, really? What, in Crellick's accent? Why would I want to mention Frazzetti? | 1:06:31 | 1:06:37 | |
Guys, who is Frazzetti? | 1:06:38 | 1:06:41 | |
He worked for the congregation. He was in Belem. He was second in command, | 1:06:42 | 1:06:47 | |
under Deacon. | 1:06:47 | 1:06:50 | |
-Wait, Deacon was in Belem? -Gray... | 1:06:50 | 1:06:54 | |
Deacon likes to edit the story | 1:06:54 | 1:06:55 | |
to make him less culpable. | 1:06:55 | 1:06:57 | |
When he got there, each and every one of the priests was still alive. | 1:06:57 | 1:07:02 | |
All he had to do was bring them home, | 1:07:02 | 1:07:05 | |
but he couldn't resist meddling. The scammers thought | 1:07:05 | 1:07:07 | |
they'd been discovered and murdered each and every one of them. | 1:07:07 | 1:07:12 | |
Would have murdered Deacon, too, if he wasn't drunk that night. | 1:07:12 | 1:07:15 | |
All right, but "Frazzetti's eyes" - | 1:07:17 | 1:07:22 | |
what does that mean? | 1:07:22 | 1:07:23 | |
During the visions, Frazzetti was unable to cope with what he was seeing. | 1:07:25 | 1:07:31 | |
He cut his own eyes out. | 1:07:34 | 1:07:37 | |
Look, OK, fine, I will see this through, OK, but then I am done! | 1:07:37 | 1:07:40 | |
I'm going back to corporates. It's boring, but it's a lot less grief! | 1:07:40 | 1:07:45 | |
Because Deacon has been lying to me and because you've been lying to me. | 1:07:45 | 1:07:48 | |
I mean, do any of you people tell the fucking truth? | 1:07:48 | 1:07:52 | |
I don't give a monkey's about the bonus! | 1:07:52 | 1:07:54 | |
You can give that to the fucking poor or something! | 1:07:54 | 1:07:57 | |
You know what? Dan Brown was right about you lot! | 1:07:57 | 1:08:00 | |
You can stick your Hail Marys up your fucking arse! | 1:08:00 | 1:08:03 | |
Oh, he's gone. Oh, well, ciao, signore. | 1:08:03 | 1:08:07 | |
So Father Amidon. | 1:08:22 | 1:08:25 | |
Relator General, no less. I always knew you would rise far. | 1:08:25 | 1:08:30 | |
I don't want you to think that I resent your presence here but | 1:08:30 | 1:08:34 | |
Deacon had no authority to make that call. | 1:08:34 | 1:08:38 | |
I still don't understand why you would want to travel all this way. | 1:08:38 | 1:08:41 | |
He may be insubordinate, but he may also be correct. | 1:08:41 | 1:08:46 | |
Do you know of Pope Gregory's letter to Mellitus? | 1:08:48 | 1:08:51 | |
Mellitus? He was sent by Gregory on a mission | 1:08:51 | 1:08:54 | |
to bring Christianity to the pagans of England. | 1:08:54 | 1:08:59 | |
-Gregory wrote: -"By no means destroy the temples of the heathen gods | 1:08:59 | 1:09:05 | |
"but rather the idols that are within those temples. | 1:09:05 | 1:09:09 | |
"When you have purified them with holy water, place altars there." | 1:09:09 | 1:09:13 | |
You're saying the church used to be a pagan temple? | 1:09:13 | 1:09:17 | |
No, no, not the building. | 1:09:17 | 1:09:21 | |
But the ground. | 1:09:21 | 1:09:23 | |
This site has always been a site of significance. What is present at this place | 1:09:23 | 1:09:29 | |
is older than the church, | 1:09:29 | 1:09:32 | |
-older than Christianity. -So what is it, | 1:09:32 | 1:09:36 | |
-like an evil spirit? A demon? -Two words for the same thing. | 1:09:36 | 1:09:42 | |
Once people worshipped it as a god. The Church came along and drove it out, | 1:09:42 | 1:09:47 | |
they called it the Antichrist. It does not matter what we call it. | 1:09:47 | 1:09:51 | |
But now it has returned, | 1:09:53 | 1:09:56 | |
like weeds that creep through an abandoned building. | 1:09:56 | 1:10:00 | |
Do you know what the foundation of friendship is, Deacon? | 1:10:07 | 1:10:09 | |
Yes. | 1:10:09 | 1:10:11 | |
It's trust, mate. It's trust, all right? | 1:10:11 | 1:10:15 | |
-I know that... -I have to sit there... I have to sit there | 1:10:15 | 1:10:18 | |
listening to your stories, all right, | 1:10:18 | 1:10:20 | |
and we're bonding, I think we're bonding. | 1:10:20 | 1:10:22 | |
There were reasons I didn't tell you the truth. | 1:10:22 | 1:10:23 | |
Yeah, well, it turns out it's all bollocks! | 1:10:23 | 1:10:26 | |
We are near. | 1:10:28 | 1:10:29 | |
-Gray. Gray. It was a mistake. -No, mate. | 1:10:43 | 1:10:47 | |
A mistake is when you spill a drink or drop your phone in the toilet. | 1:10:47 | 1:10:51 | |
-What you did was a lie, mate. -Let's put this into perspective, OK? | 1:10:51 | 1:10:54 | |
I didn't kill those men. But I was warned and I ignored it. | 1:10:54 | 1:10:59 | |
And seven priests died. I am going to have to live with that | 1:10:59 | 1:11:03 | |
for the rest of my life. | 1:11:03 | 1:11:05 | |
Let's go. | 1:11:07 | 1:11:10 | |
Can you feel that? | 1:11:30 | 1:11:32 | |
I don't like this. | 1:11:39 | 1:11:41 | |
Padre, I've seen this symbol before. | 1:11:57 | 1:11:59 | |
Yes, in the pagan times many different gods were | 1:11:59 | 1:12:01 | |
worshipped in different regions. | 1:12:01 | 1:12:04 | |
This symbol represents a deity of the people who were here. | 1:12:04 | 1:12:09 | |
Which deity? | 1:12:09 | 1:12:11 | |
There is so much we don't know. | 1:12:11 | 1:12:13 | |
Even the name of this pagan god eludes us. But this symbol | 1:12:13 | 1:12:19 | |
is all we need - | 1:12:19 | 1:12:21 | |
for the banishment ceremony. | 1:12:21 | 1:12:24 | |
HE CHANTS | 1:12:26 | 1:12:29 | |
This is ridiculous. This isn't even a Christian ceremony. | 1:12:38 | 1:12:42 | |
For the very first time I have seen things here I can't explain. | 1:12:42 | 1:12:48 | |
-"In vino veritas". -Yeah, sure. | 1:12:48 | 1:12:50 | |
Mark, Mark! What about the baby? We both heard that | 1:12:50 | 1:12:55 | |
-and the radios were off. -Ferric oxide. | 1:12:55 | 1:12:59 | |
-What? -I read of caves in France | 1:12:59 | 1:13:00 | |
where people heard sounds. Turns out the walls | 1:13:00 | 1:13:03 | |
of the caves were rich in ferric oxide. When the walls | 1:13:03 | 1:13:07 | |
resonated at the right frequency, they gave out sounds | 1:13:07 | 1:13:10 | |
-like a primitive tape recorder. -That's bullshit! | 1:13:10 | 1:13:13 | |
Why is it after all you've seen | 1:13:13 | 1:13:16 | |
you continue to cling to bizarre and desperate theories? | 1:13:16 | 1:13:20 | |
Desperate theories? It's scientific reasoning - it's what we do. | 1:13:20 | 1:13:23 | |
Maybe so, but we're also representatives of the Church! | 1:13:23 | 1:13:28 | |
-Are you questioning my faith? -One question. | 1:13:30 | 1:13:33 | |
Do you accept there are things happening in this church, | 1:13:33 | 1:13:36 | |
-things beyond science? -No! | 1:13:36 | 1:13:40 | |
You know what, I'm a virtuous man. I follow the teachings of Jesus. | 1:13:40 | 1:13:44 | |
But that's not enough, is it? I'm supposed to believe in magic now, | 1:13:44 | 1:13:48 | |
supposed to believe the world was created in six days, believe in empty rituals. | 1:13:48 | 1:13:51 | |
Well, I don't! | 1:13:51 | 1:13:54 | |
And it's high time the Church | 1:13:54 | 1:13:55 | |
got rid of these alienating medieval superstitions. | 1:13:55 | 1:14:00 | |
All that remains is the finishing ritual. | 1:14:09 | 1:14:13 | |
In nomine Patris et Filii, et Spiritus Sancti. | 1:14:13 | 1:14:20 | |
In nomine Patris et Filii... | 1:14:20 | 1:14:23 | |
-'Get away!' -Did you hear that? | 1:14:34 | 1:14:38 | |
'Get away!' | 1:14:38 | 1:14:39 | |
'Go back! Go back! I command you!' | 1:14:40 | 1:14:44 | |
Mark? Mark? | 1:15:04 | 1:15:08 | |
Mark. Mark, can you hear me? Are you OK? | 1:15:08 | 1:15:13 | |
-Gray, can you hear? Are you hurt? -Where's Father Calvino? | 1:15:13 | 1:15:18 | |
Father Calvino! | 1:15:19 | 1:15:21 | |
Father Calvino! | 1:15:24 | 1:15:27 | |
Padre! Father Calvino! | 1:15:27 | 1:15:31 | |
Shit! Shit! | 1:15:36 | 1:15:39 | |
Please, please! | 1:15:39 | 1:15:42 | |
Come on, you fucker! I'm not in this! | 1:15:42 | 1:15:46 | |
Goddamn it! | 1:15:46 | 1:15:49 | |
Deacon? | 1:15:53 | 1:15:54 | |
Deacon! | 1:16:03 | 1:16:05 | |
Deacon! | 1:16:07 | 1:16:08 | |
HE PANTS | 1:16:19 | 1:16:21 | |
Fuck... | 1:16:26 | 1:16:27 | |
HE WHIMPERS | 1:16:32 | 1:16:34 | |
-Deacon! -Jesus! -Deacon! -Jesus! | 1:16:39 | 1:16:43 | |
-Shit! -Oh, God! | 1:16:43 | 1:16:46 | |
OK, Gray, come here. Now look at me! | 1:16:46 | 1:16:49 | |
-Now you need to calm down! -OK. Dude, have you seen Mark? | 1:16:49 | 1:16:53 | |
-Mark? -Yeah. | 1:16:53 | 1:16:55 | |
I think he wandered down here. He was there one minute, then he was just fucking gone. | 1:16:55 | 1:17:00 | |
-I'm going to take the light away now. -OK. | 1:17:00 | 1:17:02 | |
-Stay right behind me. -Let's just get the fuck out of here, man! | 1:17:05 | 1:17:07 | |
Father Calvino! You said he came down here? | 1:17:07 | 1:17:11 | |
I don't know. I think so. | 1:17:11 | 1:17:14 | |
VOICE ECHOES | 1:17:14 | 1:17:15 | |
What the fuck is that? | 1:17:15 | 1:17:16 | |
Right, right, right. | 1:17:18 | 1:17:20 | |
< SCREAMING | 1:17:20 | 1:17:23 | |
What if it's not Calvino? What if it's not Calvino? | 1:17:23 | 1:17:27 | |
Padre! Padre? | 1:17:27 | 1:17:30 | |
-What's that? -It's a signal relay, for the head cams. | 1:17:32 | 1:17:38 | |
-I can ping each unit with this. -Is that good? | 1:17:38 | 1:17:40 | |
It might be handy if we ever want to get out of here. | 1:17:40 | 1:17:43 | |
Let's go. | 1:17:43 | 1:17:45 | |
There's more blood on the floor. | 1:17:46 | 1:17:48 | |
What's that? | 1:17:52 | 1:17:54 | |
It's... it's Calvino's. | 1:17:57 | 1:17:59 | |
There's more blood, Gray. | 1:18:00 | 1:18:02 | |
We should go back. We should get a search party. | 1:18:04 | 1:18:09 | |
No, I can find him myself. | 1:18:09 | 1:18:12 | |
It's wrong down here, Deacon. | 1:18:14 | 1:18:17 | |
It's just echoes. There are no monsters, no devils. | 1:18:19 | 1:18:23 | |
It's not real Gray, it's not real. | 1:18:25 | 1:18:30 | |
Come on. | 1:18:30 | 1:18:32 | |
Ssh. Ssh. Ssh. | 1:18:34 | 1:18:36 | |
FLUTTERING | 1:18:36 | 1:18:38 | |
Fuck... fuck! | 1:18:38 | 1:18:41 | |
OK. | 1:18:44 | 1:18:45 | |
Dude, my ears have just popped! | 1:18:52 | 1:18:54 | |
Yeah, I think we're going deep. Deep into the hill. | 1:18:54 | 1:19:00 | |
What on earth... | 1:19:08 | 1:19:12 | |
What is this? | 1:19:12 | 1:19:14 | |
"Please God, save them and forgive me. I have a new master now." | 1:19:19 | 1:19:25 | |
-It's Mandeville. -What would Mandeville be doing down here? | 1:19:29 | 1:19:33 | |
Gray. | 1:19:34 | 1:19:36 | |
What the fuck is down here, dude? | 1:19:36 | 1:19:38 | |
Have you ever seen anything like this before? | 1:19:47 | 1:19:50 | |
Mark? | 1:19:50 | 1:19:51 | |
< The angel of the Lord... | 1:19:51 | 1:19:54 | |
-Deacon. -Did you hear that? -Mark? | 1:19:54 | 1:19:57 | |
Mark? | 1:19:57 | 1:19:58 | |
Mark? | 1:20:00 | 1:20:02 | |
It's getting tighter. | 1:20:03 | 1:20:05 | |
Mark? | 1:20:10 | 1:20:11 | |
Dude! | 1:20:14 | 1:20:15 | |
-What is this? -Look at that! | 1:20:18 | 1:20:21 | |
Looks like that was a sacrificial altar. | 1:20:24 | 1:20:29 | |
Those cages... | 1:20:29 | 1:20:31 | |
-Fuck, Deacon. -Dear God. | 1:20:31 | 1:20:35 | |
They killed kids. | 1:20:35 | 1:20:38 | |
-Who could... -Mandeville. | 1:20:38 | 1:20:40 | |
-The orphanage. -Oh, fuck. | 1:20:40 | 1:20:44 | |
Dear God. | 1:20:44 | 1:20:46 | |
Fuck, Deacon. | 1:20:49 | 1:20:51 | |
< MUTTERING | 1:20:55 | 1:20:57 | |
Mark? | 1:20:57 | 1:20:59 | |
Mark, is that you? Mark? | 1:21:01 | 1:21:03 | |
It's OK, I can see him! Mark! | 1:21:06 | 1:21:10 | |
Deacon! Deacon, wait! | 1:21:10 | 1:21:13 | |
Mark! | 1:21:14 | 1:21:15 | |
Just wait, I'm coming! It's me! Mark! No, Mark, wait! Mark! | 1:21:15 | 1:21:21 | |
Mark? Mark? Where are you? Mark? | 1:21:28 | 1:21:32 | |
Deacon! | 1:21:34 | 1:21:36 | |
-Deacon! -Gray! | 1:21:37 | 1:21:39 | |
-Hold on, hold on. -Dude, help me! | 1:21:39 | 1:21:45 | |
-Get me the fuck out of here! -OK. | 1:21:45 | 1:21:47 | |
-Help me, Deacon! -All right, just wait a second. -OK, right! | 1:21:47 | 1:21:51 | |
Gray, give me your hand. Give me your hand. | 1:21:53 | 1:21:55 | |
Just an inch at a time. That's it, | 1:21:57 | 1:22:00 | |
come on. There you go, come on. Come on! | 1:22:00 | 1:22:06 | |
One more. | 1:22:07 | 1:22:10 | |
Right, come on. I saw Mark, he's just ahead. | 1:22:10 | 1:22:14 | |
-Mark! -Deacon, wait! | 1:22:14 | 1:22:17 | |
-Mark. -Mark! | 1:22:22 | 1:22:25 | |
< MUTTERING | 1:22:27 | 1:22:29 | |
Mark! Mark! | 1:22:29 | 1:22:32 | |
Mark! | 1:22:34 | 1:22:35 | |
Mark! | 1:22:41 | 1:22:43 | |
GRAY WHIMPERS | 1:22:43 | 1:22:45 | |
Mark! Mark! | 1:22:51 | 1:22:54 | |
WHIMPERING | 1:22:56 | 1:22:58 | |
Father Calvino. | 1:23:00 | 1:23:03 | |
Father Calvino, it's Deacon. We're just coming to get you! | 1:23:03 | 1:23:07 | |
Careful, careful. | 1:23:13 | 1:23:16 | |
It opens up a bit here. | 1:23:18 | 1:23:20 | |
Deacon. | 1:23:20 | 1:23:22 | |
-Deacon. -It's a bit... a bit tight in here. | 1:23:28 | 1:23:32 | |
You all right? | 1:23:32 | 1:23:34 | |
-Gray, are you there? -I'm here, mate. | 1:23:37 | 1:23:39 | |
Hang on! | 1:23:39 | 1:23:40 | |
-You all right? -What is this place? It stinks in here! | 1:23:43 | 1:23:46 | |
-Just keep close, OK? -OK. | 1:23:46 | 1:23:49 | |
OK, stop. Stop, Gray! | 1:23:53 | 1:23:55 | |
Stop. It's getting too tight in here. | 1:23:55 | 1:23:59 | |
-We'll have to go back. -I'll turn around, man. | 1:23:59 | 1:24:03 | |
Just back up. Back up. | 1:24:03 | 1:24:06 | |
-Just make your way back down! -It's wet! | 1:24:07 | 1:24:09 | |
-Quick as you like. -It's wet in here! | 1:24:09 | 1:24:11 | |
-Deacon, it's blocked this way! -What? | 1:24:11 | 1:24:14 | |
It's blocked at this end! Oh, God! | 1:24:14 | 1:24:18 | |
-OK, OK, OK... -It's moving! Deacon, it's moving! | 1:24:18 | 1:24:23 | |
Dude, dig out! | 1:24:23 | 1:24:26 | |
Dig, come on! | 1:24:26 | 1:24:29 | |
Get away from me! | 1:24:29 | 1:24:30 | |
-What are we going to do? Oh, God! -I don't know. I don't know! | 1:24:35 | 1:24:40 | |
Oh, God, it burns! | 1:24:40 | 1:24:42 | |
It's burning! Oh, God! | 1:24:46 | 1:24:49 | |
You said it wasn't real! | 1:24:50 | 1:24:53 | |
...said it wasn't real! | 1:24:56 | 1:24:58 | |
SCREAMING | 1:24:58 | 1:25:00 | |
SCREAMING | 1:25:03 | 1:25:05 | |
HE SCREAMS | 1:25:09 | 1:25:11 | |
Our Father, which art in Heaven, hallowed be thy name... | 1:25:16 | 1:25:22 | |
Oh, God! Oh, God! | 1:25:22 | 1:25:25 | |
# As I was a-walkin' down by the Royal Arsenal | 1:25:34 | 1:25:42 | |
# Early the morning though warm was the day | 1:25:42 | 1:25:50 | |
# When who should I see but one of my comrades | 1:25:50 | 1:25:57 | |
# All wrapped up in flannel and cold as the clay... # | 1:25:58 | 1:26:00 |