Yves Saint Laurent
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Transcript
| Line | From | To | |
|---|---|---|---|
This film contains some scenes of a sexual nature | 0:00:02 | 0:00:05 | |
DOG BARKS | 0:04:23 | 0:04:25 | |
# Just love me for one moment | 0:05:15 | 0:05:17 | |
# That is all I want | 0:05:17 | 0:05:20 | |
# Just love me for one moment | 0:05:20 | 0:05:22 | |
# That either you can walk | 0:05:22 | 0:05:24 | |
# Just love me for one moment | 0:05:24 | 0:05:27 | |
# Then let me go | 0:05:27 | 0:05:30 | |
# I must feel free | 0:05:30 | 0:05:32 | |
# That's all I know... # | 0:05:32 | 0:05:33 | |
# And just don't try to turn me | 0:05:39 | 0:05:41 | |
# Into your "thing" | 0:05:41 | 0:05:42 | |
# Just love me for one moment | 0:05:44 | 0:05:46 | |
# You won't break my heart | 0:05:46 | 0:05:48 | |
# Kiss me right now | 0:05:48 | 0:05:50 | |
# I'm gonna call it a start... # | 0:05:50 | 0:05:52 | |
# Just love me for one moment | 0:06:51 | 0:06:53 | |
# You won't break my heart | 0:06:53 | 0:06:56 | |
# Kiss me right now | 0:06:56 | 0:06:57 | |
# I'm gonna call it a start. # | 0:06:57 | 0:07:00 | |
Yves... | 0:10:43 | 0:10:44 | |
'Numero cinquante-deux. Number 52...' | 0:14:40 | 0:14:43 | |
Numero vingt-six. Number 26... | 0:15:00 | 0:15:03 | |
Numero dix-neuf. Number 19... | 0:15:19 | 0:15:22 | |
Number 32... | 0:15:33 | 0:15:35 | |
Numero soixante-deux. Number 62... | 0:15:50 | 0:15:52 | |
Numero quarante-deux. Number 42... | 0:16:13 | 0:16:14 | |
Bravo! | 0:17:05 | 0:17:07 | |
Pierre. Pierre... | 0:23:38 | 0:23:40 | |
Oui. | 0:28:10 | 0:28:12 | |
Yves. | 0:29:59 | 0:30:01 | |
DOORBELL RINGS | 0:34:30 | 0:34:31 | |
Yves... | 0:34:38 | 0:34:39 | |
Yves! | 0:35:07 | 0:35:09 | |
INDISTINCT CONVERSATION CONTINUES | 0:36:41 | 0:36:42 | |
Hello, Mrs Snow, thank you very much for coming. Thank you. | 0:38:11 | 0:38:14 | |
I'm so glad you could make it. Really. | 0:38:37 | 0:38:39 | |
SCATTERED APPLAUSE | 0:40:20 | 0:40:21 | |
Yves. | 0:40:34 | 0:40:35 | |
APPLAUSE | 0:40:48 | 0:40:50 | |
APPLAUSE | 0:41:02 | 0:41:04 | |
Yves... | 0:41:35 | 0:41:36 | |
Bravo! | 0:41:51 | 0:41:52 | |
-Bravo! -Bravo! | 0:41:52 | 0:41:54 | |
Yves! | 0:42:21 | 0:42:22 | |
Bravo! Bravo! | 0:42:35 | 0:42:37 | |
LAUGHTER | 0:43:51 | 0:43:53 | |
No! | 0:44:05 | 0:44:07 | |
No, no, we don't send the drawings, we send the dresses. | 0:44:07 | 0:44:10 | |
We make them, of course, here in Paris... | 0:44:11 | 0:44:14 | |
KNOCK ON DOOR | 0:44:14 | 0:44:15 | |
But it's haute couture, the quality is the most important. | 0:44:15 | 0:44:17 | |
Quality, of course... | 0:44:17 | 0:44:19 | |
Sorry about that, yes... | 0:44:25 | 0:44:27 | |
You can have five dresses for the 17... | 0:44:27 | 0:44:31 | |
25 dresses? | 0:44:33 | 0:44:34 | |
Yves... | 0:44:43 | 0:44:44 | |
LAUGHTER | 0:50:09 | 0:50:10 | |
THEY SPEAK IN JAPANESE | 0:52:11 | 0:52:13 | |
SHE TRANSLATES | 0:52:23 | 0:52:24 | |
PHONE RINGS | 0:53:27 | 0:53:28 | |
Hello. | 0:53:30 | 0:53:31 | |
# Time has come today | 0:56:32 | 0:56:34 | |
# Young hearts can go their way | 0:56:36 | 0:56:38 | |
# Can't put it off another day | 0:56:40 | 0:56:43 | |
# I don't care what others say | 0:56:44 | 0:56:47 | |
# They say we don't listen anyway | 0:56:48 | 0:56:51 | |
# Time has come today | 0:56:51 | 0:56:53 | |
# Hey! # | 0:56:54 | 0:56:55 | |
# Now the time has come | 0:57:25 | 0:57:27 | |
# Time! | 0:57:27 | 0:57:29 | |
# No place to run | 0:57:29 | 0:57:30 | |
# Time! | 0:57:30 | 0:57:32 | |
# Might get burned up by the sun | 0:57:32 | 0:57:35 | |
# Time! | 0:57:35 | 0:57:36 | |
# Well, I've had my fun | 0:57:36 | 0:57:38 | |
# Time! | 0:57:38 | 0:57:40 | |
# I've been loved and put aside | 0:57:40 | 0:57:42 | |
# Time! | 0:57:42 | 0:57:44 | |
# I've been crushed by tumblin' tide | 0:57:44 | 0:57:47 | |
# Time! | 0:57:47 | 0:57:48 | |
# And my soul's been psychelicised | 0:57:48 | 0:57:51 | |
# Time! | 0:57:51 | 0:57:52 | |
# Time! | 0:57:54 | 0:57:55 | |
# Now the time has come | 0:57:55 | 0:57:56 | |
# Time! | 0:57:56 | 0:57:58 | |
# There are things to realise | 0:57:58 | 0:58:00 | |
# Time! | 0:58:00 | 0:58:02 | |
# Time has come today | 0:58:02 | 0:58:03 | |
# Time! | 0:58:03 | 0:58:05 | |
# Time has come today... # | 0:58:05 | 0:58:07 | |
# Leave a light on in the wild | 1:00:13 | 1:00:18 | |
# Cos I'm coming in | 1:00:23 | 1:00:26 | |
# A little blind | 1:00:26 | 1:00:28 | |
# Dreaming of a lighthouse in the wild | 1:00:32 | 1:00:37 | |
# Shining a little light to bring us back home... # | 1:00:41 | 1:00:47 | |
INAUDIBLE CONVERSATION | 1:01:57 | 1:01:58 | |
Merci. | 1:02:07 | 1:02:08 | |
MUSIC: On The Road by The Bossmen | 1:02:49 | 1:02:51 | |
# I'm still | 1:06:40 | 1:06:41 | |
# Still looking | 1:06:44 | 1:06:46 | |
# Looking for love | 1:06:49 | 1:06:52 | |
# Looking for love | 1:06:54 | 1:06:56 | |
# I'm still | 1:06:58 | 1:06:59 | |
# Still looking | 1:07:02 | 1:07:04 | |
# Looking for love | 1:07:07 | 1:07:10 | |
# Looking for love... # | 1:07:11 | 1:07:13 | |
MUSIC: Blind Alley by The Emotions | 1:07:49 | 1:07:51 | |
MUSIC: La Traviata - Libiamo Ne' Liete Calici by Verdi | 1:13:03 | 1:13:06 | |
LAUGHTER | 1:13:08 | 1:13:09 | |
Bravo! | 1:14:28 | 1:14:29 | |
MUSIC: Function Underground by We The People | 1:17:53 | 1:17:55 | |
Hello? | 1:23:03 | 1:23:04 | |
Hello? | 1:23:07 | 1:23:08 | |
PHONE CLATTERS | 1:23:13 | 1:23:14 | |
DOORBELL RINGS | 1:23:31 | 1:23:32 | |
DOOR SLAMS | 1:24:14 | 1:24:16 | |
Salima? | 1:25:06 | 1:25:07 | |
SHE CALLS OUT | 1:25:26 | 1:25:27 | |
OK, ladies and gentlemen, the show is about to begin. | 1:27:53 | 1:27:56 | |
Let's move, move, move! | 1:27:56 | 1:27:57 | |
MUSIC: La Wally, Act 1 - Ebben? Ne Andro Lontana by Catalani | 1:28:18 | 1:28:22 | |
OK, Magdalene. | 1:29:17 | 1:29:18 | |
CHEERING | 1:32:17 | 1:32:18 | |
MUSIC DROWNS SPEECH | 1:32:49 | 1:32:51 |
