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Contains very strong language & some scenes of a sexual nature. | 0:00:02 | 0:00:04 | |
PEOPLE CHANT: We don't give a fuck! | 0:00:04 | 0:00:07 | |
CROWD CHATTERS | 0:00:09 | 0:00:11 | |
Check it out. | 0:00:16 | 0:00:19 | |
-HE RAPS: -Hey, yo As soon as I grab it | 0:00:19 | 0:00:22 | |
I eat it up like a savage And no, I don't have it | 0:00:22 | 0:00:24 | |
I get it together like a marriage I'm a rapper | 0:00:24 | 0:00:27 | |
I'm on my P's and Q's and carriage You don't understand? | 0:00:27 | 0:00:29 | |
Well goddamn Don't you all know my status? | 0:00:29 | 0:00:31 | |
I got my hand on your doe and my eye on your girl | 0:00:31 | 0:00:33 | |
Jay-Z, the greatest niggas and I shook up the world | 0:00:33 | 0:00:36 | |
I lead up the spine like a glow-in-the-dark glot | 0:00:36 | 0:00:38 | |
My job is done! Peace - I'm back to the block. | 0:00:38 | 0:00:41 | |
CROWD SHOUTS | 0:00:41 | 0:00:43 | |
This is a history touring. | 0:01:03 | 0:01:04 | |
A hip-hop concert, two turntables and a mic, | 0:01:04 | 0:01:08 | |
you know what I'm saying? | 0:01:08 | 0:01:11 | |
I just wanna see run its course, all the way through. | 0:01:11 | 0:01:15 | |
Could it be a great day for hip-hop? | 0:01:15 | 0:01:18 | |
What's the difference? More people, louder screams, got a bigger stage to roam on. | 0:01:18 | 0:01:23 | |
Being on this tour, being in the right place at the right time. | 0:01:23 | 0:01:27 | |
My man holding down the smoke section. | 0:01:27 | 0:01:33 | |
There hasn't been a world hip-hop concert in a long time. | 0:01:33 | 0:01:38 | |
I'm gonna deal with my success by going on stage and doing my thing. | 0:01:38 | 0:01:42 | |
It will bring hip-hop to a next level. | 0:01:42 | 0:01:44 | |
Everything I do is a part of history. | 0:01:44 | 0:01:46 | |
Who would have thought that hip-hop would generate 1.5 billion, | 0:01:46 | 0:01:50 | |
having the rock and roll dudes staggering, knocking down, | 0:01:50 | 0:01:54 | |
now they know our name. | 0:01:54 | 0:01:56 | |
Rough Rider, Roc-A-Fella, you can't compromise that. | 0:01:56 | 0:01:59 | |
Every artist here has started their own movement in their own right. | 0:01:59 | 0:02:03 | |
He had to protect his name as well as we have to protect ours. | 0:02:03 | 0:02:07 | |
This a Roc-A-Fella Wu Tang and a Rough Rider presentation. We got together and did this. | 0:02:07 | 0:02:12 | |
We didn't set out to make history, it just happened. | 0:02:12 | 0:02:15 | |
Are you concerned that there might be a clash of egos? | 0:02:15 | 0:02:19 | |
If it does happen, it won't be within this table. | 0:02:19 | 0:02:22 | |
We all grown men first of all with a job to do, so we're responsible. | 0:02:22 | 0:02:27 | |
Everybody gonna be held accountable for their own actions. | 0:02:27 | 0:02:29 | |
Whatever happens happens. It's not my fault, I ain't got nothing to do with that. | 0:02:29 | 0:02:34 | |
I'm gonna blow it down. | 0:02:34 | 0:02:35 | |
Plus these are official niggas. | 0:02:35 | 0:02:38 | |
They're real niggas, no bullshitting niggas, and we nice. | 0:02:38 | 0:02:42 | |
There's a small fraternity of people behind the scenes in this business, | 0:02:45 | 0:02:49 | |
and I have friends out on other tours, and they're like, | 0:02:49 | 0:02:52 | |
"That tour won't last. Don't take it." | 0:02:52 | 0:02:54 | |
I've been around these guys and around this music long enough | 0:02:54 | 0:02:58 | |
that I have faith in it and I have total trust in these guys | 0:02:58 | 0:03:02 | |
to act professionally and pull these shows off. | 0:03:02 | 0:03:05 | |
You gotta see these crap buses we got here, man. | 0:03:05 | 0:03:08 | |
Look at that one. | 0:03:08 | 0:03:10 | |
That shit ain't got no power, no TV, nothing works. | 0:03:10 | 0:03:14 | |
No heater, no air nothing, that bus is bullshit. | 0:03:14 | 0:03:17 | |
I told you about that camera in my face, man! | 0:03:17 | 0:03:20 | |
Then we got this bum-assed door, not automatics, manual. It sucks! | 0:03:20 | 0:03:24 | |
-Yeah, it kinda sucks. -They shitted on me. | 0:03:24 | 0:03:27 | |
-My bus don't even got TVs in the bunk. -Let's go see the bus. -It's like a souped-up Greyhound. | 0:03:27 | 0:03:34 | |
This is bullshit. But you know what? | 0:03:34 | 0:03:37 | |
Y'all listen, I don't care about the bus, just get me to the venues so I can do my thing. | 0:03:37 | 0:03:42 | |
-This shit don't work. -The electricity don't work? -It's fucked. | 0:03:42 | 0:03:45 | |
Have fun. | 0:03:45 | 0:03:47 | |
What are you looking most forward to? | 0:03:47 | 0:03:50 | |
Smoke all day, drink all day, perform, fuck all night. | 0:03:50 | 0:03:54 | |
Enjoy myself, bring the dog, dog bite a few niggas, just havin' a good time. | 0:03:54 | 0:04:00 | |
You gotta face the music! It is what it is. Tour, baby! | 0:04:08 | 0:04:11 | |
Hey! | 0:04:14 | 0:04:16 | |
-Eh, eh, eh! What's that for? -Documentary. | 0:04:16 | 0:04:20 | |
Oh, yeah, I'll say something to you niggas. | 0:04:20 | 0:04:23 | |
HE LAUGHS | 0:04:23 | 0:04:25 | |
'Ey, ey. Tell the world, kiss my motherfuckin' ass early | 0:04:25 | 0:04:29 | |
for when my shit starts fallin' off. | 0:04:29 | 0:04:32 | |
Come on. | 0:04:32 | 0:04:34 | |
Tell us about this night. | 0:04:34 | 0:04:36 | |
Sold more tickets than any other black artist has ever sold. 19,200 tickets sold tonight. | 0:04:36 | 0:04:42 | |
Can't sell any more. We're done. | 0:04:42 | 0:04:44 | |
Jay-Z, it's your fault. You did this. | 0:04:44 | 0:04:47 | |
Shut up to X. | 0:04:47 | 0:04:48 | |
-Hip-hop, motherfucker! -Method Man, Redman...hip-hop rules. | 0:04:48 | 0:04:52 | |
OK, OK. | 0:05:00 | 0:05:03 | |
This ain't no motherfuckin' alligator shoe-wearin', Versace shirt-wearin' shit. | 0:05:03 | 0:05:10 | |
This is real motherfuckin' hip-hop, baby. | 0:05:10 | 0:05:13 | |
I want all you motherfuckers to get up on your feet for Method Man! | 0:05:13 | 0:05:18 | |
CROWD ROARS | 0:05:18 | 0:05:20 | |
Word up to the people in the back. | 0:05:21 | 0:05:24 | |
They know the way. Do that shit. | 0:05:24 | 0:05:27 | |
Come on, yeah! | 0:05:27 | 0:05:30 | |
Call us guerrillas of the mist Raunchy vocalists | 0:05:30 | 0:05:33 | |
-Your code name? -Doc -What's your name? -Hot Nix | 0:05:33 | 0:05:36 | |
Who them slick kids puffin' that shit holdin' they dicks? | 0:05:36 | 0:05:38 | |
-Yo them same two, drivin' your whip, fuckin' your bitch -Hold me down, son | 0:05:38 | 0:05:42 | |
'Show some respect to all things.' | 0:05:42 | 0:05:45 | |
Support the music of hip-hop, and making us eat and feedin' my babies. | 0:05:45 | 0:05:50 | |
-I love y'all. -And thanks to these two niggas for giving us a good-assed show. -Ho! | 0:05:50 | 0:05:55 | |
Yo, I'm trippin' I'm fallin', I can't get up | 0:05:55 | 0:05:58 | |
Yo, I'm slippin' I'm fallin', I can't get up | 0:05:58 | 0:06:00 | |
Yo, I'm slippin' I'm fallin', I got to get up | 0:06:00 | 0:06:03 | |
Get back on my feet so I can tear shit up | 0:06:03 | 0:06:05 | |
I been through mad different phases like Masons to find my way | 0:06:05 | 0:06:09 | |
And now I know that happy days are not far away | 0:06:09 | 0:06:11 | |
And if I'm strong enough I'll live to see my kids | 0:06:11 | 0:06:14 | |
Doin' somethin' more constructive with their time... | 0:06:14 | 0:06:17 | |
All of us gettin' money and y'all broke ass motherfucker | 0:06:17 | 0:06:20 | |
have-to-be-makin'-record niggas who ain't gettin' money right now. | 0:06:20 | 0:06:24 | |
-It's ugly... -It's all bein' ugly and gettin' his money. -Ugly! | 0:06:24 | 0:06:28 | |
Hip-hop hard core, will never die. | 0:06:28 | 0:06:31 | |
-Keep your ass tighter than Versace -That's why | 0:06:31 | 0:06:33 | |
You gotta watch your friends You gotta watch me | 0:06:33 | 0:06:36 | |
-They conniving shit -The first chance to crack the bank | 0:06:36 | 0:06:38 | |
They try me, all they get is 50 cent franks | 0:06:38 | 0:06:40 | |
And papayas, from the village to the telly time to kill it on your belly no question... | 0:06:40 | 0:06:44 | |
When M and Jay was first approached to go on tour, they wanted us to couple up with an R & B group. | 0:06:44 | 0:06:50 | |
I said, "Come and see us after we've sold three million records, then when we wanna do our own tour." | 0:06:50 | 0:06:56 | |
They said, "It just couldn't happen." | 0:06:56 | 0:06:58 | |
When they asked, "Who do you wanna tour with?" We were like, "We wanna go with the Rough Riders, | 0:06:58 | 0:07:03 | |
"or DMX," because we felt that he personified the movement that we were trying to personify. | 0:07:03 | 0:07:08 | |
Money, cash, hos! | 0:07:08 | 0:07:10 | |
Money, cash, hoes, hos! | 0:07:10 | 0:07:13 | |
D-M-X! CROWD ROARS | 0:07:13 | 0:07:15 | |
Check it, my nigga! CROWD ROARS | 0:07:15 | 0:07:18 | |
What people don't know is that DMX and Jay have known each other for a while. | 0:07:18 | 0:07:21 | |
In Yonkers, X is always God, in Brooklyn, Jay-Z is God. | 0:07:21 | 0:07:26 | |
We always talk shit to each other. | 0:07:26 | 0:07:29 | |
We met on a mutual ground in the Bronx and we were on pool tables and shit, | 0:07:29 | 0:07:33 | |
I was talking shit. | 0:07:33 | 0:07:35 | |
They're talking shit, X and Jay battle for two hours. | 0:07:35 | 0:07:38 | |
-Money, cash, hos! -Uh! | 0:07:38 | 0:07:40 | |
Money, cash, hos! Money, cash, hos! | 0:07:40 | 0:07:43 | |
Money, cash, hos, hos, hos! | 0:07:43 | 0:07:46 | |
In every neighbourhood, there's the dude that gets the sneakers, the money, that has the chicks. | 0:07:46 | 0:07:51 | |
And in every neighbourhood, there's a dude that's robbin' everybody that's wild. | 0:07:51 | 0:07:56 | |
It's like they're from the same place, just about different things. | 0:07:56 | 0:08:00 | |
Hos, hos | 0:08:00 | 0:08:01 | |
Roc-A-Fella shit | 0:08:01 | 0:08:03 | |
Roughriders! CROWD ROARS | 0:08:03 | 0:08:06 | |
Trigger...my nigga. CROWD ROARS | 0:08:06 | 0:08:09 | |
-One down! -49 more to go! -49 more to go! | 0:08:13 | 0:08:17 | |
-Say what? -Yeah, yeah, yeah, yeah. | 0:08:20 | 0:08:24 | |
-Get what you needed? -We got good fuckin' shots. | 0:08:24 | 0:08:28 | |
-Slippin' and fallin' and can't get up. I'm slippin' and fallin... -Hi! | 0:08:28 | 0:08:32 | |
MEN: Ha...it's on fire! | 0:08:32 | 0:08:38 | |
By the time we get off stage... | 0:08:38 | 0:08:40 | |
I don't know how the fuck they find out where we're staying. | 0:08:40 | 0:08:44 | |
Look at these droopy-assed bitches. | 0:08:44 | 0:08:46 | |
When we get back to the hotel, they be flooded out there. | 0:08:46 | 0:08:50 | |
WOMEN ALL TALK AT ONCE | 0:08:50 | 0:08:52 | |
Ho! | 0:08:52 | 0:08:56 | |
The bar, the bar, the bar. | 0:08:58 | 0:09:00 | |
Everybody, the bar, the bar, the bar. | 0:09:01 | 0:09:04 | |
The bar, the bar. GIRLS SQUEAL | 0:09:06 | 0:09:08 | |
The biggest security problem now is keeping the artists on the tour from pulling the girls backstage. | 0:09:08 | 0:09:14 | |
There's nothin'. | 0:09:14 | 0:09:15 | |
I don't got hairs and ass. | 0:09:15 | 0:09:19 | |
Hairs and ass, I don't get it. | 0:09:20 | 0:09:23 | |
That shit was sweet. | 0:09:23 | 0:09:26 | |
Show your tattoos. | 0:09:26 | 0:09:28 | |
-That's what we here for. -What's this one here? | 0:09:28 | 0:09:30 | |
Get right, get right. | 0:09:30 | 0:09:33 | |
Look at that, that's my favourite tattoo. | 0:09:33 | 0:09:36 | |
Show that other one on your... Take those off. | 0:09:36 | 0:09:41 | |
ALL TALK AT ONCE | 0:09:41 | 0:09:44 | |
Ah...do you ever killed anybody? | 0:09:46 | 0:09:50 | |
A lot of people have basically been afraid with a package like this, | 0:09:50 | 0:09:54 | |
thinking there's gonna be problems. | 0:09:54 | 0:09:56 | |
-Yeah...I killed Laura Earl, Ray Ray. -'Everybody's waiting' | 0:09:56 | 0:10:01 | |
for something bad to happen, that's why the media's out here now. | 0:10:01 | 0:10:05 | |
Why do you love gangster flicks? | 0:10:05 | 0:10:08 | |
We just watched Good Will Hunting! That's not one! | 0:10:08 | 0:10:10 | |
There might not be another tour if there's any violence. | 0:10:10 | 0:10:13 | |
We've got As Good As It Gets, Braveheart, know what I'm sayin'? | 0:10:13 | 0:10:17 | |
It's not all gangster movies, you know what I'm sayin'? | 0:10:17 | 0:10:21 | |
You're not rapping about Good Will Hunting? | 0:10:21 | 0:10:24 | |
-That man was cryin' over Titanic. -I cried over Titanic. | 0:10:24 | 0:10:27 | |
-I felt real bad... -He was cryin' like a bitch. -Hey, I wasn't cryin' like a bitch! | 0:10:27 | 0:10:32 | |
We gonna fire back at you in a minute. Think up some answers. | 0:10:32 | 0:10:36 | |
'We was on tour.' | 0:10:36 | 0:10:39 | |
I found out it's normal to have the mosh pit | 0:10:39 | 0:10:42 | |
at these white rock shows. | 0:10:42 | 0:10:44 | |
And people jump in, they dive in and lose sneakers, break their arms, | 0:10:44 | 0:10:48 | |
break their legs, they hit the floor, | 0:10:48 | 0:10:50 | |
they come out muddy and it's normal. | 0:10:50 | 0:10:52 | |
The paramedics is there, the stretchers, | 0:10:52 | 0:10:55 | |
you get hurt, it's OK, they wheel you out, they got insurance. | 0:10:55 | 0:10:58 | |
At a hip-hop show, if that was to happen, they'd shut it down. | 0:10:58 | 0:11:02 | |
Everybody's making money! That's a positive. Everybody's making money. | 0:11:02 | 0:11:06 | |
From the way we grew up and shit, that made us into who we are. | 0:11:06 | 0:11:10 | |
Like if he was livin' in the suburbs, he probably wouldn't be no rapper. | 0:11:10 | 0:11:14 | |
He'd probably be strugglin' lookin' for a job. | 0:11:14 | 0:11:17 | |
Same with Jay-Z, he probably wouldn't be no rapper or a multi-millionaire today. | 0:11:17 | 0:11:23 | |
He probably be strugglin', so that's what did it for him. | 0:11:23 | 0:11:27 | |
-That's your fuckin' fault. -Shut the fuck up. | 0:11:28 | 0:11:31 | |
Just roll that up. Roll that up. | 0:11:31 | 0:11:34 | |
Make him fold, make him fold. | 0:11:36 | 0:11:38 | |
ALL: Oh! | 0:11:38 | 0:11:40 | |
I wanna kick some shit for you. | 0:11:42 | 0:11:44 | |
His name is Beanie Sigel. | 0:11:44 | 0:11:46 | |
-You got some shit for 'em? -I got some shit. | 0:11:46 | 0:11:49 | |
For my real niggas. | 0:11:49 | 0:11:52 | |
This man is sick. He's the next one. | 0:11:55 | 0:11:58 | |
I ain't that sick. I got a little cold. | 0:11:58 | 0:12:00 | |
-Anybody that can go out there in front of 18,000 people. -Just rap a cappella and get a crowd. | 0:12:00 | 0:12:05 | |
It's like I see the same thing when I see Jay rap. I see greatness. | 0:12:05 | 0:12:09 | |
Beanie Sigel's the truth. | 0:12:09 | 0:12:11 | |
Tell me what it was like the first time you met Beanie? | 0:12:20 | 0:12:25 | |
Don't y'all hate a low doe, nigga? | 0:12:25 | 0:12:27 | |
A oh doe nigga? | 0:12:27 | 0:12:30 | |
His whip say six but really a faux nigga? | 0:12:30 | 0:12:34 | |
What happened was I was introduced to him in Philly. | 0:12:34 | 0:12:37 | |
And I seen him later. | 0:12:37 | 0:12:38 | |
I say yo, I got this guy real hot, you need to hear him. | 0:12:38 | 0:12:42 | |
He brought him down that night. I was in the studio doing a session. | 0:12:42 | 0:12:46 | |
So they had another guy in there. We made it a battle. | 0:12:46 | 0:12:49 | |
So the guy was first, Beanie was second, Beanie started spillin'. | 0:12:49 | 0:12:53 | |
So, so, nigga | 0:12:53 | 0:12:55 | |
Always in my my face with your promo, nigga | 0:12:55 | 0:12:58 | |
No, nigga, I don't know jigga. | 0:12:58 | 0:13:03 | |
'He kicked about a five minute rhyme straight, no breaths, nothing.' | 0:13:03 | 0:13:06 | |
I hate a snitch nigga | 0:13:06 | 0:13:08 | |
I hate a rich nigga. | 0:13:08 | 0:13:12 | |
Jay-Z said "Promise me I can have him." I said, "I promise." | 0:13:12 | 0:13:15 | |
I hate a corn-assed nigga 'Orn assed nigga | 0:13:15 | 0:13:18 | |
Every time he see me beep his horn-assed nigga... | 0:13:18 | 0:13:22 | |
I signed him not even 12 hours after I'd met him. True story. | 0:13:22 | 0:13:27 | |
Get the fuck out of there, you drawn assed niggas! | 0:13:27 | 0:13:30 | |
Make some motherfuckin' noise for Beanie Sigel. | 0:13:30 | 0:13:33 | |
AUDIENCE CHEERS | 0:13:33 | 0:13:36 | |
Cheap-assed nigga. | 0:13:36 | 0:13:39 | |
Drunk assed nigga. | 0:13:38 | 0:13:39 | |
Yo, I like shotties with red lenses Maseratis and red Benzes. | 0:13:41 | 0:13:46 | |
That shit funny to me. I just be laughin'. | 0:13:46 | 0:13:49 | |
My doe too long for y'all My rap flow too strong for y'all. | 0:13:49 | 0:13:53 | |
..cos niggas that be really tryin' their hardest to get in this gang. | 0:13:53 | 0:13:57 | |
..Quarter to beget Time to board the jet | 0:13:57 | 0:14:00 | |
My good assed looks got even water gettin' wet... | 0:14:00 | 0:14:02 | |
Let me tell you what they do to your tapes. | 0:14:02 | 0:14:04 | |
I'm get let y'all niggas know. Fuck them demos and all that shit. | 0:14:04 | 0:14:08 | |
I gotta be playin' to better my chances | 0:14:08 | 0:14:11 | |
Rockin' you to make you better... | 0:14:11 | 0:14:13 | |
When you can't do your shit and distribute it yourself, | 0:14:13 | 0:14:16 | |
go to them labels, bang on them niggas' doors and shit. | 0:14:16 | 0:14:19 | |
..Give me the cash... | 0:14:19 | 0:14:21 | |
There be a box this big where they throw your tape and that. | 0:14:21 | 0:14:25 | |
..weakness on the 5 dream... | 0:14:25 | 0:14:27 | |
Give me a fuckin' cream Tryin' to come up with... | 0:14:27 | 0:14:31 | |
The niggas on the corner don't listen to your music. | 0:14:31 | 0:14:34 | |
HE BEATBOXES | 0:14:34 | 0:14:36 | |
It be this little white dude sittin' in the office... | 0:14:36 | 0:14:39 | |
..with sweat pants on. | 0:14:41 | 0:14:42 | |
D-o-o-doggy fresh! | 0:14:42 | 0:14:44 | |
He's sittin' in the office listenin' to your music. | 0:14:44 | 0:14:46 | |
Jay-Z ain't got... HE BEATBOXES | 0:14:46 | 0:14:50 | |
I'm tellin' y'all, man, go to them labels. | 0:14:50 | 0:14:53 | |
HE BEATBOXES | 0:14:53 | 0:14:55 | |
LAUGHTER | 0:14:55 | 0:14:57 | |
They do your demo tapes dirty. | 0:14:57 | 0:14:59 | |
Ghetto...ghetto. | 0:14:59 | 0:15:02 | |
My name is Memphis Bleek AKA the Memph Man AKA Little Hollywood. | 0:15:06 | 0:15:11 | |
I come from straight up Brooklyn. | 0:15:11 | 0:15:13 | |
He was just a young hustler. | 0:15:13 | 0:15:15 | |
I'm the nigga on the label, he's not the nigga. | 0:15:15 | 0:15:19 | |
Doin' his thing, tryin' to get his money. | 0:15:19 | 0:15:21 | |
You heard that shit? | 0:15:21 | 0:15:23 | |
That's right! Doc-u-ment that! | 0:15:23 | 0:15:27 | |
I'm gonna keep takin' money till there ain't none! | 0:15:27 | 0:15:29 | |
That's what makes my music real, I live what I'm talkin' about. | 0:15:29 | 0:15:33 | |
-HE SINGS TO TAPE: -It's a motherfuckin' war | 0:15:33 | 0:15:36 | |
It's a dirty game of life but I'm all for it. | 0:15:36 | 0:15:38 | |
'I'm a motherfuckin' man...' | 0:15:38 | 0:15:41 | |
TAPE STOPS | 0:15:41 | 0:15:43 | |
Open this door this side. | 0:15:43 | 0:15:45 | |
'I'm not sayin' go ahead, be a murderer, be a killer. | 0:15:45 | 0:15:48 | |
'I'm just lettin' you know there are murderers and drug dealers.' | 0:15:48 | 0:15:53 | |
"I'm from the street. I'm Memphis Bleek." | 0:15:53 | 0:15:57 | |
-Check me out! Hey, shorty, I been watchin' you clock it. -Who me? | 0:15:57 | 0:16:00 | |
Holdin' down this block You the man, nigga, now stop | 0:16:00 | 0:16:04 | |
-Ha ha, I like your style -Nah, I like your style | 0:16:04 | 0:16:06 | |
-Let's drive around a while! -Cool, nigga -Here's a dial | 0:16:06 | 0:16:10 | |
I'll ride with you for free | 0:16:10 | 0:16:12 | |
I want the long-term riches and bitches, Jay | 0:16:12 | 0:16:14 | |
Hold on... | 0:16:14 | 0:16:15 | |
'Not one day has Jay-Z set foot in the studio when I was in here. | 0:16:15 | 0:16:19 | |
'I did my whole album by myself.' | 0:16:19 | 0:16:22 | |
I take live to the chest And I swear to the heaven skies | 0:16:22 | 0:16:24 | |
-I bless the mics until the day -I pray | 0:16:24 | 0:16:26 | |
To make you feel what I feel I try my best | 0:16:26 | 0:16:29 | |
And be like I'm real You can provide the rest... | 0:16:29 | 0:16:32 | |
'When he heard the album, he was very surprised,' | 0:16:32 | 0:16:35 | |
like, "He got a blazer, we gonna put this shit out now." | 0:16:35 | 0:16:40 | |
BOTH: Bounce if you wanna bounce Ball if you wanna ball | 0:16:40 | 0:16:44 | |
Play if you wanna play Floss if you wanna floss. | 0:16:44 | 0:16:47 | |
-I'm going home on the 15th. Niggas didn't wanna send me home like I'm bullshit. -What the fuck you talkin'? | 0:16:47 | 0:16:54 | |
I'm goin' home straight to the studio. | 0:16:54 | 0:16:56 | |
You're under pressure, boy. | 0:16:56 | 0:16:59 | |
It's crunch time now. | 0:16:59 | 0:17:01 | |
You gotta step up. You runnin' away from the pressure. | 0:17:01 | 0:17:05 | |
Pressure, pressure, pressure, pressure cooker. | 0:17:05 | 0:17:07 | |
This is whack! | 0:17:08 | 0:17:10 | |
See what you gotta go through to make albums, nigga? | 0:17:10 | 0:17:14 | |
I just recently lost a real friend. | 0:17:14 | 0:17:17 | |
He just had a baby girl. | 0:17:17 | 0:17:19 | |
The day he passed away, he told me, "If anything happens to me, look after my daughter." | 0:17:19 | 0:17:24 | |
-Do you think he knew? -Nah. He didn't know. | 0:17:24 | 0:17:27 | |
Cos he was killed by somebody who grew up with us. | 0:17:27 | 0:17:30 | |
It was a weird situation over a dice game - 300. | 0:17:30 | 0:17:34 | |
-RECORDING: -'I'm from the hood so I'm labelled a thug | 0:17:34 | 0:17:36 | |
'If I lived by the lake would I be dealin' with drugs?' | 0:17:36 | 0:17:39 | |
If he deserve it, then I can't stop it, | 0:17:39 | 0:17:43 | |
but for my dawg, he didn't deserve it for 300. | 0:17:43 | 0:17:45 | |
He could have went out for something better than that. | 0:17:45 | 0:17:49 | |
I wanna know who I'm gonna lose this year | 0:17:49 | 0:17:51 | |
Or will I be caught for shit... | 0:17:51 | 0:17:53 | |
-How's he long he been put away for? -25 years plus 15 for the gun. | 0:17:53 | 0:17:57 | |
And I know he's sittin' around in jail thinkin' like an asshole, | 0:17:57 | 0:18:02 | |
cos he killed somebody he grew up with. | 0:18:02 | 0:18:04 | |
For nothin'. | 0:18:04 | 0:18:06 | |
-You have a responsibility for this little girl. What do you plan on doin'? -Showin' her the right way. | 0:18:06 | 0:18:11 | |
Let her know all things ain't bad. She's too young to understand her pops ain't here. | 0:18:11 | 0:18:16 | |
No, it's not the same nigga any more. He found love. | 0:18:16 | 0:18:20 | |
RAP: Take it from the top | 0:18:20 | 0:18:22 | |
Sing it, daddy. | 0:18:25 | 0:18:27 | |
Ha. | 0:18:30 | 0:18:31 | |
Ha ha. Ah ha. | 0:18:31 | 0:18:33 | |
Speak any French? | 0:18:34 | 0:18:36 | |
Do I speak any French? | 0:18:36 | 0:18:38 | |
Yeah, I speak a lot of French. | 0:18:38 | 0:18:41 | |
Oui oui. | 0:18:41 | 0:18:43 | |
Ain't nothin' but chicken balls. No macaroni. | 0:18:46 | 0:18:50 | |
-What's that? -Vegetarian lasagne. No? | 0:18:52 | 0:18:56 | |
There ain't no people in here. | 0:18:57 | 0:18:59 | |
They got about 15 more of those. | 0:18:59 | 0:19:02 | |
Sometimes we come out, | 0:19:03 | 0:19:05 | |
and the place ain't all the way packed yet. | 0:19:05 | 0:19:08 | |
There's still people still tryin' to get in. | 0:19:08 | 0:19:11 | |
-I don't wanna go on in front of 25 people. -There's 37 out there. | 0:19:11 | 0:19:17 | |
There's about 37 and a half, if you count the tickets in the balcony. | 0:19:17 | 0:19:22 | |
Usually the first four rows, there ain't nobody in there. | 0:19:22 | 0:19:25 | |
Practice night! | 0:19:25 | 0:19:27 | |
HE HUMS | 0:19:27 | 0:19:30 | |
My revolution will not be televised, motherfucker. | 0:19:30 | 0:19:33 | |
You gotta get out and get some. | 0:19:35 | 0:19:37 | |
Yeah, look at the size of the head of the guy holdin' the microphone. | 0:19:37 | 0:19:43 | |
Turn it around! | 0:19:43 | 0:19:46 | |
So you always wanted to be the head of the corporation, | 0:19:46 | 0:19:49 | |
you wanted to be ahead of everybody in class, right? | 0:19:49 | 0:19:52 | |
-He's just headin' on in right now. -He headin' on in? Come on in. | 0:19:52 | 0:19:56 | |
Smoke that shit! You're gonna get smoked out tonight! | 0:19:58 | 0:20:02 | |
We can't work! Now we got to fly! | 0:20:02 | 0:20:07 | |
MUSIC STARTS | 0:20:04 | 0:20:07 | |
-Whoa! -Whoa! | 0:20:07 | 0:20:10 | |
-Whoa! -Whoa! | 0:20:10 | 0:20:12 | |
-Whoa! -Whoa! | 0:20:12 | 0:20:14 | |
-Everybody say roll that shit! -Come on! | 0:20:14 | 0:20:18 | |
-Say write that shit! -Yo, come on! | 0:20:18 | 0:20:20 | |
-Say ride up! -Come on! -Say ride up! -Yeah! | 0:20:20 | 0:20:26 | |
-Excuse me as I -Kiss the sky | 0:20:26 | 0:20:28 | |
-Sing a song of sixpence -A pocket full a rye | 0:20:28 | 0:20:31 | |
-Who the fuck wanna die -For their culture? | 0:20:31 | 0:20:33 | |
-Stalk the dead body like a vulture -Tical get! | 0:20:33 | 0:20:36 | |
Blacker than your blackest stallion | 0:20:36 | 0:20:38 | |
-Hit your house'n projects I represent the Shaolin -My nigga | 0:20:38 | 0:20:41 | |
-Hell, yes! Apocalypse now! -The gun pow! | 0:20:41 | 0:20:44 | |
-It be goin' down! -Diggy diggy down! | 0:20:44 | 0:20:46 | |
While the planets and the stars and the moons collapse | 0:20:46 | 0:20:49 | |
-When I raise my trigga finga -All y'all niggaz hit the decks! | 0:20:49 | 0:20:52 | |
-Cos ain't no need for that -Hustlers and hardcores | 0:20:52 | 0:20:54 | |
-Raw to the floor -Raw like Reservoir Dogs! | 0:20:54 | 0:20:58 | |
Look up in the sky It's a bird, it's a plane | 0:20:58 | 0:21:01 | |
It's the funk Doctor Spock smokin' Buddha on a train | 0:21:01 | 0:21:04 | |
-How high? -So high that I can kiss the sky | 0:21:04 | 0:21:06 | |
-How sick? -So sick that you can suck my dick | 0:21:06 | 0:21:09 | |
-We thank you all for coming out. -We thank you all for coming out. | 0:21:09 | 0:21:12 | |
-Just like you all came in peace... -Just like you all came in peace! | 0:21:12 | 0:21:16 | |
-..we want you all to leave in peace! -We want you all to leave in peace! | 0:21:16 | 0:21:19 | |
-So on the count of three... -We want you to throw your peace signs in the air! | 0:21:19 | 0:21:23 | |
-And say peace! -One, two, three... | 0:21:23 | 0:21:27 | |
-CROWD: Peace! -One! -One! -Two! -Two! -Three! -Three! | 0:21:27 | 0:21:31 | |
-CROWD: Peace! -Uno! -Uno! -Dos! -Dos! -Tres! -Tres! | 0:21:31 | 0:21:35 | |
-CROWD: Peace! -Yeah! -Yeah! | 0:21:35 | 0:21:38 | |
Good job. | 0:21:41 | 0:21:43 | |
This should be the smoking groove tour. | 0:21:50 | 0:21:53 | |
-Hard smoking! -We're hard smoking! -The hard smoking life tour! | 0:21:53 | 0:21:56 | |
If you ain't smoking, I have to get the fuck out! | 0:21:56 | 0:21:59 | |
HE HUMS | 0:21:59 | 0:22:01 | |
-We speak for the unheard. -In a minute. | 0:22:01 | 0:22:04 | |
Caught in the matrix! Fuck you all! | 0:22:04 | 0:22:07 | |
Scaredy cat kid ducking these dogs | 0:22:07 | 0:22:08 | |
You don't like us and we don't like y'all! | 0:22:08 | 0:22:11 | |
Like the balls, be easy | 0:22:11 | 0:22:13 | |
Speak easy This one be off the heazy! | 0:22:13 | 0:22:16 | |
Like my pubic hair's black and greazy! | 0:22:16 | 0:22:18 | |
-THEY LAUGH -That's a lot of shit! | 0:22:18 | 0:22:21 | |
-That's villain, man. -It'd be like - "Bo, you want a cup of juice? | 0:22:21 | 0:22:26 | |
"Hey, bitch, have a cup of juice." | 0:22:26 | 0:22:28 | |
And suck on the ice cubes, put it back in, then stick your dick in the cup. | 0:22:28 | 0:22:32 | |
-That's... -Then give it to her and let her drink it. | 0:22:32 | 0:22:36 | |
Don't ask me to get you shit! LAUGHTER | 0:22:36 | 0:22:39 | |
-That's nasty! -Baby... -You wanna get something, you gotta follow him. | 0:22:39 | 0:22:43 | |
THEY TALK OVER EACH OTHER It's a respect thing! | 0:22:43 | 0:22:47 | |
I did that before, but it's a respect thing. | 0:22:47 | 0:22:49 | |
You know, with certain people and shit, | 0:22:49 | 0:22:52 | |
you gotta get them for the shit they're gonna do to you in the future. | 0:22:52 | 0:22:56 | |
LAUGHTER I do something like this. | 0:22:56 | 0:22:58 | |
Stick in my ear, get some earwax, rub it on your ice. | 0:22:58 | 0:23:01 | |
-Just like that. -Know what I'm saying? | 0:23:01 | 0:23:03 | |
LAUGHTER I might do shit like...like... | 0:23:03 | 0:23:06 | |
Like a bag of peanuts or a bag of potato chips. | 0:23:06 | 0:23:10 | |
Take the potato chip, lick the potato chip, throw it in the bag and shake it up. | 0:23:10 | 0:23:14 | |
Or take a peanut, stick it in my nose, blow it back in there, shake the peanuts up. | 0:23:14 | 0:23:20 | |
Don't be using that shit! > LAUGHTER | 0:23:20 | 0:23:23 | |
I bet you that mic can't hear what my nuts is talking about! | 0:23:23 | 0:23:27 | |
HE LAUGHS | 0:23:27 | 0:23:29 | |
It'd make this documentary real interesting, if you can hear my nuts talk. Wait - listen! | 0:23:29 | 0:23:33 | |
Can you hear? | 0:23:37 | 0:23:38 | |
Put it down closer, a little bit. | 0:23:38 | 0:23:41 | |
I can't believe y'all waiting to hear if his nuts say something. | 0:23:41 | 0:23:44 | |
Just say that, for the movie. It's for the movie! | 0:23:44 | 0:23:47 | |
Don't act like that! | 0:23:47 | 0:23:49 | |
Come on! You've gotta hold this shirt up! Hold this shirt up. | 0:23:49 | 0:23:53 | |
Come 'ere! You have no control, man. | 0:23:53 | 0:23:56 | |
-We can do it! -All right, come on! | 0:23:58 | 0:24:01 | |
-All right. -Show some for the camera! | 0:24:01 | 0:24:03 | |
Give the camera something to go with! | 0:24:03 | 0:24:06 | |
-Ah! -Come on, you're acting scared. | 0:24:06 | 0:24:09 | |
-This a party! -We party! Party all night! | 0:24:09 | 0:24:13 | |
-THEY TALK AT ONCE -This dick is scared! | 0:24:13 | 0:24:17 | |
That's my man right now! | 0:24:17 | 0:24:20 | |
This is, like, for official footage. | 0:24:20 | 0:24:23 | |
This is hard knock for me, girl. This is the Hard Knock Life tour. | 0:24:24 | 0:24:29 | |
This dick is scared! This dick is scared! | 0:24:29 | 0:24:33 | |
THEY TALK OVER EACH OTHER | 0:24:33 | 0:24:36 | |
Are you scared of pussy? You can't be! | 0:24:39 | 0:24:41 | |
-This is for the movie here. You gotta be loud! -This dick is so scared! | 0:24:41 | 0:24:46 | |
-We need to see something! -I'm not gonna do it right here! | 0:24:46 | 0:24:49 | |
-You wanna get in the movie, right? -This is for the Hard Knock Life tour. | 0:24:49 | 0:24:54 | |
Come on, this is official Hard Knock life. | 0:24:54 | 0:24:56 | |
This is real. See? That's real. This is Hard Knock Life. | 0:24:56 | 0:24:59 | |
This is all in the movie. You're gonna be a star. | 0:24:59 | 0:25:02 | |
-You're gonna get a lot! -I ain't fucking you. | 0:25:04 | 0:25:07 | |
This is it! This is official live... | 0:25:09 | 0:25:13 | |
Official... Official Hard Knock Life. | 0:25:13 | 0:25:17 | |
THEY SHOUT AND HOLLER That looks handicapped! | 0:25:17 | 0:25:22 | |
Whose pinkie nail looks good?! You show me a good-looking pinkie nail! | 0:25:22 | 0:25:26 | |
-You can't be serious! -Show me a good-looking pinkie nail! | 0:25:26 | 0:25:29 | |
Hey, hold up! Hold up! | 0:25:29 | 0:25:32 | |
Whassap?! | 0:25:32 | 0:25:33 | |
Look... I don't know what was going on. | 0:25:33 | 0:25:36 | |
I was smoking weed with my man... Memphis! | 0:25:36 | 0:25:40 | |
So I just hear all this ice shit flying! | 0:25:40 | 0:25:45 | |
So we come out! We come out, right! | 0:25:45 | 0:25:48 | |
And this girl low on skill is banging on my man Ty-Ty's door. | 0:25:48 | 0:25:51 | |
Our room is right here, Ty-Ty's room here. Nigga's getting fed up. | 0:25:51 | 0:25:55 | |
-There my man Ty-Ty right there. -Yeah! Yeah! Motherfuckers know! | 0:25:55 | 0:25:59 | |
So the bitch banging on this door. | 0:25:59 | 0:26:01 | |
-He right - the bitch! -We're hitting her head with ice and shit, so I filled a coffee pot with hot water. | 0:26:01 | 0:26:06 | |
As soon as she knock on Ty-Ty's door, she get her back turned. | 0:26:06 | 0:26:09 | |
-So I open the door and splash her. -Agh! | 0:26:09 | 0:26:12 | |
-So she drenching. -You heard it! -Luckily, Ty-Ty is thinking quick, cos this is what make it funny. | 0:26:12 | 0:26:17 | |
After I splashed her, she turned around and started banging on my door. | 0:26:17 | 0:26:21 | |
-Ty comes out with a bucket and splashes her again. -Agh! | 0:26:21 | 0:26:25 | |
She goes back and knocks on Ty-Ty's door. "You motherfucker this and that!" | 0:26:25 | 0:26:29 | |
While she banging on his door, I filled up the ice bucket this time. | 0:26:29 | 0:26:33 | |
-Splash! -Agh! -Shut the door. It was crazy, easy. | 0:26:33 | 0:26:37 | |
And he was getting Zs. That's fucked up. | 0:26:37 | 0:26:41 | |
'Dance with me! Dance with me! With me! With me! | 0:26:44 | 0:26:47 | |
'Dance, bitch, dance!' | 0:26:47 | 0:26:50 | |
Sassy, classy. | 0:26:50 | 0:26:52 | |
Her voice is like nothing I ever heard before. | 0:26:52 | 0:26:55 | |
She's ghetto, but she has a runway quality about her and that can be personified with her. | 0:26:55 | 0:26:59 | |
More show bread. More dough to get. | 0:26:59 | 0:27:02 | |
Can I get a... CROWD: Fuck you! | 0:27:02 | 0:27:04 | |
To these bitches from all of my niggaz | 0:27:04 | 0:27:06 | |
Who don't love hos! They get no dough | 0:27:06 | 0:27:08 | |
-Can I get a... -Woop-woop! | 0:27:08 | 0:27:09 | |
To these niggaz from all my bitches | 0:27:09 | 0:27:11 | |
Who don't got love for niggaz without dubs? | 0:27:11 | 0:27:13 | |
-Now can you bounce with me? With me! -Come on! | 0:27:13 | 0:27:15 | |
Can you bounce with me? | 0:27:15 | 0:27:17 | |
-Where my money bitches at? -With me! With me! | 0:27:17 | 0:27:19 | |
Shit! I like a lot of Prada Alize and Vodka | 0:27:19 | 0:27:23 | |
Late nights, candlelight! Then I tear the cock up | 0:27:23 | 0:27:26 | |
Get it up I put it down every time it pop up | 0:27:26 | 0:27:28 | |
I got to snap 'em Let it loose, then I knock ya | 0:27:28 | 0:27:31 | |
-Now bounce with me, with me -Yeah! | 0:27:31 | 0:27:33 | |
-Uh-huh! -Bounce with me, with me! -Yo! It ain't even a question | 0:27:33 | 0:27:37 | |
How my dough flows I'm good to these bad hos | 0:27:37 | 0:27:39 | |
What y'all niggaz don't know It's eazy to pimp a ho! | 0:27:39 | 0:27:42 | |
'When Ja comes out, the crowd goes crazy. | 0:27:42 | 0:27:46 | |
'He comes out every night with his shirt off' | 0:27:46 | 0:27:49 | |
and it looks like you plugged him in. | 0:27:49 | 0:27:51 | |
Black guy! Go ahead, let it out! | 0:27:51 | 0:27:53 | |
VERY FAST RAP | 0:27:53 | 0:27:56 | |
AUDIENCE JOINS HIM | 0:27:58 | 0:28:02 | |
-Can I get a... -To these niggaz from all of my bitches | 0:28:02 | 0:28:05 | |
Who don't got love for niggaz without dubs? | 0:28:05 | 0:28:08 | |
Can I get a... | 0:28:08 | 0:28:09 | |
To these bitches from all of my niggaz | 0:28:09 | 0:28:11 | |
Who don't love hoes They get us no dough! | 0:28:11 | 0:28:14 | |
Can I get a... | 0:28:14 | 0:28:16 | |
To these niggaz from all of my bitches | 0:28:16 | 0:28:18 | |
Who don't got love for niggaz without dubs? | 0:28:18 | 0:28:21 | |
CROWD CHEERS Come on, bounce with me! | 0:28:21 | 0:28:25 | |
-Dance, nigga! -Yeah! CHEERING | 0:28:25 | 0:28:29 | |
Geyeah! | 0:28:30 | 0:28:33 | |
-Good morning. -Could we turn some lights on? -Yeah. | 0:28:37 | 0:28:41 | |
Ja's room! | 0:28:41 | 0:28:44 | |
Early-morning shit, you know. | 0:28:44 | 0:28:46 | |
-So what did you do before you did this? -Before I was into rap? | 0:28:46 | 0:28:51 | |
I was into the drug game, | 0:28:51 | 0:28:54 | |
like every old rapper that every picked up a mic. | 0:28:54 | 0:28:57 | |
When you crack rap, you've got a wicked jump shot - it's the way out the ghetto. | 0:28:57 | 0:29:04 | |
This music shit is the saviour to a lot of young blacks... | 0:29:04 | 0:29:08 | |
..niggaz in the hood, cos we come from nothing. | 0:29:10 | 0:29:14 | |
I'm just appreciative for what I got. I'm not overwhelmed with it. | 0:29:14 | 0:29:19 | |
It's always gonna be a struggle. As long as you're black, it's gonna be a hustle. | 0:29:19 | 0:29:24 | |
After you, gentlemen. | 0:29:26 | 0:29:28 | |
DOG BARKS VICIOUSLY | 0:29:28 | 0:29:30 | |
This is, like, personal personal security. | 0:29:30 | 0:29:33 | |
When they don't understand, "Back up and let him breathe," she talks. | 0:29:33 | 0:29:39 | |
LAUGHTER | 0:29:39 | 0:29:41 | |
-Evening! -Excellent! -What's up, baby? | 0:29:41 | 0:29:44 | |
I think she's gonna bite somebody for real. | 0:29:44 | 0:29:46 | |
Hello there. | 0:29:48 | 0:29:50 | |
-Hi. -Hello. | 0:29:50 | 0:29:52 | |
Hey, man! SHE CALLS THE DOG | 0:29:53 | 0:29:56 | |
THEY TALK OVER EACH OTHER | 0:29:56 | 0:30:00 | |
SHE SQUEALS | 0:30:00 | 0:30:02 | |
Uh-oh! | 0:30:02 | 0:30:04 | |
-What you need is... > -I don't know! | 0:30:07 | 0:30:10 | |
-What do they get on? -Are you enjoying yourself on the tour? | 0:30:10 | 0:30:14 | |
-No! -OK, then, we'll forget about that. | 0:30:14 | 0:30:18 | |
-How you doing? -Hi there. -Nice to meet you. -You too. | 0:30:18 | 0:30:21 | |
The only part I like is the performance. | 0:30:21 | 0:30:23 | |
One hour on stage - that's it. The rest is hell. | 0:30:23 | 0:30:25 | |
-You'll get used to it. You have to. -Oh, I'm used to it! I just don't like it. | 0:30:25 | 0:30:30 | |
You know, I'm a kid. I wanna be with my dogs. | 0:30:30 | 0:30:33 | |
-LAUGHTER -You know, and ride in my cars. | 0:30:33 | 0:30:35 | |
I'm gonna need ya to help me bring my dog out! | 0:30:35 | 0:30:39 | |
I pray before the show, ask for a good show. He usually gives it to me. | 0:30:44 | 0:30:48 | |
Now when I say "DM" Y'all say "X" | 0:30:49 | 0:30:54 | |
-DM! -X! -DM! -X! | 0:30:54 | 0:30:56 | |
Get this fucking camera crew out of here! | 0:30:56 | 0:30:58 | |
Come on, baby! You niggaz gotta make more motherfucking noise than that! | 0:31:01 | 0:31:05 | |
Aha! | 0:31:08 | 0:31:10 | |
-MUSIC STARTS -Ooh! Ooh! -Come on! | 0:31:11 | 0:31:15 | |
-Ooh! Ooh! -Come on! | 0:31:15 | 0:31:18 | |
-Ooh! Ooh! -Come on, come on! | 0:31:18 | 0:31:21 | |
Bounce, bounce, bounce! | 0:31:21 | 0:31:23 | |
-Bounce, bounce! -What? What? What? | 0:31:23 | 0:31:26 | |
One, two! One, two! Come to! Run to! | 0:31:26 | 0:31:28 | |
Know what they're going through! | 0:31:28 | 0:31:30 | |
Some do, don't you know? But real quiet. | 0:31:30 | 0:31:32 | |
Think you wanna try fuck around and start a riot! | 0:31:32 | 0:31:35 | |
# Keep yo hands in the air cos we're goin' take you there | 0:31:35 | 0:31:40 | |
# And I know it ain't fair | 0:31:40 | 0:31:43 | |
# But we just don't care... # | 0:31:43 | 0:31:46 | |
Oh... X is... | 0:31:47 | 0:31:50 | |
X is the raw... The raw gutter nigga. | 0:31:50 | 0:31:55 | |
That man come from nothing. In his projects and shit, | 0:31:55 | 0:31:59 | |
the doors were ripped off hinges, all the windows were broken. | 0:31:59 | 0:32:04 | |
I mean, he epitomises the have-nots - the niggas that ain't got shit. | 0:32:04 | 0:32:10 | |
# Do you hear what I tell you? Understand what you hear | 0:32:10 | 0:32:14 | |
# Don't let nobody tell you what to hope and to fear... # | 0:32:14 | 0:32:18 | |
'He told me a story one time how his family had took him somewhere, | 0:32:18 | 0:32:22 | |
'and they was like, "You like this place?" | 0:32:22 | 0:32:24 | |
'and he was, like, "Yeah, it's cool, whatever." | 0:32:24 | 0:32:27 | |
'And they just left him. It was, like, a reform school. | 0:32:27 | 0:32:31 | |
'It was reform school, but it was like a jail.' | 0:32:31 | 0:32:34 | |
Ain't no other cats got love for me Ain't no cats gon bust slugs for me | 0:32:34 | 0:32:38 | |
No cat's gon shed blood for me But my dogs is gon be a thug for me | 0:32:38 | 0:32:42 | |
-Come on! -Ain't no other cats got love for me | 0:32:42 | 0:32:45 | |
Ain't no cats gon bust slugs for me | 0:32:45 | 0:32:47 | |
No cat's gon shed blood for me But my dogs is gon be a thug for me | 0:32:47 | 0:32:51 | |
Come on! | 0:32:51 | 0:32:52 | |
-CHEERING -Yeah! Yeah! | 0:32:52 | 0:32:55 | |
Thank you! | 0:32:55 | 0:32:56 | |
HE BARKS | 0:32:58 | 0:33:02 | |
I get my stage performance from on the street. | 0:33:03 | 0:33:06 | |
Niggaz on the corner with no beat. | 0:33:06 | 0:33:08 | |
It's like you gotta give it your all with... | 0:33:08 | 0:33:11 | |
..with no music. | 0:33:13 | 0:33:15 | |
What do you tell that motherfucker that's always asking for something? | 0:33:15 | 0:33:19 | |
What do you tell that motherfucker that's always got his head down? | 0:33:21 | 0:33:25 | |
What do you tell that motherfucker that's always begging for something? | 0:33:28 | 0:33:33 | |
DMX straight up is crazier than any motherfucker. | 0:33:33 | 0:33:36 | |
Cos that nigga's always blazing. | 0:33:36 | 0:33:39 | |
-Yeah. -MUSIC STARTS | 0:33:39 | 0:33:41 | |
-Uh-huh! Uh-huh! -Come on! | 0:33:41 | 0:33:43 | |
-Uh-huh! Uh-huh! -Come on! | 0:33:43 | 0:33:46 | |
-Uh-huh! Uh-huh! -Come on! -Uh-huh! Uh-huh! | 0:33:46 | 0:33:49 | |
'It's just him out there.' | 0:33:49 | 0:33:52 | |
And he does it from beginning to end. | 0:33:52 | 0:33:55 | |
If he's singing, it's because the crowd is singing. | 0:33:55 | 0:33:58 | |
..the light dares to desert me | 0:33:58 | 0:34:00 | |
-Got me like -Everybody wants to hurt me | 0:34:00 | 0:34:02 | |
Paranoid So I strike out at whatever | 0:34:02 | 0:34:05 | |
The closest thing to me's gon get it | 0:34:05 | 0:34:07 | |
But never will I kill I think death is wrong! | 0:34:07 | 0:34:09 | |
'So I'm a keep holdin' on...' Another one! Another one! | 0:34:09 | 0:34:13 | |
-What's up? -Good to see you. -Good to see you, my brother. | 0:34:13 | 0:34:16 | |
'He gets a lot of love from everybody. | 0:34:16 | 0:34:19 | |
'He doesn't have a certain particular group of niggaz that like him. | 0:34:19 | 0:34:24 | |
'Everybody shows X love,' | 0:34:24 | 0:34:26 | |
because X gives everybody love. | 0:34:26 | 0:34:28 | |
'You know what I'm saying? He don't limit it to nobody.' | 0:34:28 | 0:34:31 | |
What's going on, man? | 0:34:31 | 0:34:34 | |
-This is his little brother. -What's up? | 0:34:34 | 0:34:37 | |
This is my dog - Swizz Beatz. | 0:34:37 | 0:34:40 | |
Uh! Uh! | 0:34:40 | 0:34:42 | |
Swizz Beatz, Nigga! | 0:34:42 | 0:34:44 | |
Nigga! Ride or die! | 0:34:44 | 0:34:47 | |
-DMX, what, what -Motherfuck, come on! | 0:34:47 | 0:34:50 | |
Ain't no way you're gonna stop my flow | 0:34:50 | 0:34:53 | |
Ain't no way ya niggaz just don't know | 0:34:53 | 0:34:57 | |
Where niggaz is about to go... | 0:34:57 | 0:34:59 | |
I only see a short time that I have the ear - | 0:34:59 | 0:35:03 | |
the undivided attention - and I take advantage of it, I abuse it. | 0:35:03 | 0:35:06 | |
'That's the need to be heard.' | 0:35:06 | 0:35:09 | |
Ain't no way you're gonna stop my shine! | 0:35:09 | 0:35:11 | |
Ain't no way you niggaz wanna stop mine | 0:35:11 | 0:35:14 | |
Ya niggaz must be out your mind! | 0:35:14 | 0:35:17 | |
I got a wife, I got a kid, I got a house, I got plenty of dogs. | 0:35:17 | 0:35:21 | |
I don't need nothing else. | 0:35:21 | 0:35:22 | |
Now, what the fuck is you niggaz pressin' me for? | 0:35:22 | 0:35:25 | |
I saw more ass than a ho and you stressin' the raw | 0:35:25 | 0:35:28 | |
If I was testin' your jaw maybe then you would respect me | 0:35:28 | 0:35:31 | |
But you can't respect me cos you don't even know me! | 0:35:31 | 0:35:33 | |
Oh, oh! | 0:35:33 | 0:35:35 | |
What I see day to day brings tears to my eyes. | 0:35:35 | 0:35:38 | |
And how I holler at a nigga brings tears to my cries. | 0:35:38 | 0:35:43 | |
Yeah. I have ears. | 0:35:43 | 0:35:45 | |
Ain't no way you're gonna stop my shine | 0:35:45 | 0:35:48 | |
Ain't no way you niggaz wanna stop mine | 0:35:48 | 0:35:51 | |
Ya niggaz must be out yo mind! MUSIC STOPS | 0:35:51 | 0:35:54 | |
-CHEERING -Yeah! | 0:35:54 | 0:35:56 | |
My niggaz! | 0:35:56 | 0:35:59 | |
THEY SHOUT OVER EACH OTHER | 0:36:04 | 0:36:08 | |
Right there. On the B-side right to the beginning. | 0:36:09 | 0:36:12 | |
No incidents, nobody getting hurt. | 0:36:12 | 0:36:14 | |
I came all the way from Montana to see Jay-Z! | 0:36:14 | 0:36:16 | |
-Packed house every night. -CHEERING | 0:36:16 | 0:36:19 | |
It's Ja's birthday today! | 0:36:20 | 0:36:23 | |
CHEERING | 0:36:23 | 0:36:25 | |
-Right, this is the artist! -Hello! Getting down! | 0:36:26 | 0:36:29 | |
HE IMITATES A HIGH VOICE | 0:36:29 | 0:36:31 | |
It's new rock-and-roll! | 0:36:31 | 0:36:33 | |
SCREAMING | 0:36:33 | 0:36:36 | |
Make some more fucking noise! | 0:36:36 | 0:36:38 | |
It's getting hot! Don't let me see a nigga popping up with that shirt! | 0:36:39 | 0:36:44 | |
THEY SHOUT | 0:36:44 | 0:36:46 | |
My favourite song - Fuck You, Pay Me! | 0:36:49 | 0:36:52 | |
-What's your second song? -Ho Ass Bitches! | 0:36:54 | 0:36:57 | |
SHOUTING CONTINUES | 0:36:59 | 0:37:01 | |
-The third? This is my favourite. -Where The White Bitches At? -"Where The White Bitches At?" | 0:37:01 | 0:37:07 | |
-Can I see your new tattoo? -Yeah, it shows my mom. | 0:37:16 | 0:37:19 | |
Thanks for making me the man I am. I see her every day. | 0:37:19 | 0:37:23 | |
-I miss her. -What's your mother's name? | 0:37:23 | 0:37:25 | |
Carol - Carolyn Young Dash. | 0:37:25 | 0:37:28 | |
-This is my son. -What's your son's name? -Damon. | 0:37:28 | 0:37:30 | |
We call him Boogie. | 0:37:30 | 0:37:32 | |
This represents my crew - the elements of circular success. | 0:37:32 | 0:37:36 | |
My record company - Roc-A-Fella For Life. | 0:37:38 | 0:37:41 | |
And, er...them all together. | 0:37:41 | 0:37:44 | |
So everything I love is on my arms. | 0:37:44 | 0:37:46 | |
Damon D-Dash! | 0:37:46 | 0:37:48 | |
HE IMITATES DAMON | 0:37:48 | 0:37:50 | |
Get a shot of him! HE SHOUTS EXCITEDLY | 0:37:50 | 0:37:53 | |
-Dame Dash. -That motherfucker is the motherfucking nigga, boy. | 0:37:53 | 0:37:58 | |
Damon Dash and I went to prep school together. | 0:37:58 | 0:38:01 | |
"You went to boarding school!" Like it takes anything away from my credibility and validity. | 0:38:01 | 0:38:06 | |
"Yeah, I put myself through boarding school." | 0:38:06 | 0:38:09 | |
'I've seen him go from' | 0:38:09 | 0:38:11 | |
handing records from a trunk to executive. | 0:38:11 | 0:38:14 | |
I went to this party and I'm seeing these niggaz partying and having a ball, buying champagne. | 0:38:14 | 0:38:19 | |
And I was like, "These niggaz don't have half the work I put in. | 0:38:19 | 0:38:23 | |
"They don't have to take the risks I put in. I gotta get this money." | 0:38:23 | 0:38:27 | |
The most common thing you hear about him is he's an asshole. | 0:38:27 | 0:38:30 | |
I try to put my foot in the door and they're giving the nigga bull! | 0:38:30 | 0:38:33 | |
Motherfuckers call me an asshole every day, but I don't listen, but my crew tells me who's right. | 0:38:33 | 0:38:38 | |
How come they keep saying Def Jam won't give the interview? | 0:38:38 | 0:38:42 | |
He don't give a fuck about nothing but Roc-A-Fella. | 0:38:42 | 0:38:44 | |
No mention of Roc-A-Fella putting together the tour. It's all Def Jam. | 0:38:44 | 0:38:48 | |
-He's the last person you want on your ass. -If you ain't with Roc, he don't give a fuck! | 0:38:48 | 0:38:53 | |
You're telling me exactly why I don't really fuck with Def Jam, | 0:38:53 | 0:38:57 | |
because they always get take the credit - we own our own company! | 0:38:57 | 0:39:00 | |
That's Damon Dash in a nutshell - | 0:39:00 | 0:39:03 | |
Roc-A-Fella or fuck you! | 0:39:03 | 0:39:05 | |
Bleek, man. Yo, Bleek? You got a jacket over there, man, all right? | 0:39:05 | 0:39:09 | |
See this jacket?! | 0:39:11 | 0:39:12 | |
Do you see the "Memphis Bleek"? | 0:39:12 | 0:39:15 | |
I have never had a Roc-A-Fella coat that said "Memphis Bleek". | 0:39:15 | 0:39:18 | |
This is the only thing Def Jam got one up on. | 0:39:18 | 0:39:21 | |
But other than that, Roc-A-Fella is the one. | 0:39:21 | 0:39:25 | |
-MEN CHATTER -Will you just drop that one? | 0:39:25 | 0:39:28 | |
There's Def Jam jackets with nigga's names on it all over the tour! | 0:39:28 | 0:39:31 | |
-Damon... -That shit is weak, man! You ain't been doing that! | 0:39:31 | 0:39:34 | |
-Damon... -Everybody's doing that! Everybody wants a tour jacket! | 0:39:34 | 0:39:39 | |
We don't want that shit! Why do I need Beanie Man and Memphis Bleek wearing Def Jam jackets?! | 0:39:39 | 0:39:45 | |
They're on Roc-A-Fella! | 0:39:45 | 0:39:46 | |
They've got jackets with their names on on our tour! | 0:39:46 | 0:39:50 | |
It makes it look like a Def Jam tour! | 0:39:50 | 0:39:52 | |
-Damon... -You're the president! That means you're smart! | 0:39:52 | 0:39:56 | |
Am I right? Don't play dumb! | 0:39:56 | 0:39:59 | |
Now, wait, wait! If everybody on this tour has a Def Jam jacket, | 0:39:59 | 0:40:02 | |
what would be the general perception from people just walking around? | 0:40:02 | 0:40:06 | |
-What would it look like? -I think people'd think it's Def Jam. | 0:40:06 | 0:40:10 | |
Knowing this, why wouldn't you be extra-sensitive | 0:40:10 | 0:40:14 | |
about giving everybody Def Jam jackets on this tour?! | 0:40:14 | 0:40:17 | |
Why? Why? You're the president! Now you know! | 0:40:17 | 0:40:19 | |
-We worked... -So either you're real smart or you're real dumb! | 0:40:19 | 0:40:23 | |
I'm not gonna say that you're real dumb! | 0:40:23 | 0:40:25 | |
I'm gonna say you're real smart! So you know better! You all know better! | 0:40:25 | 0:40:29 | |
Hi, what's going on? | 0:40:29 | 0:40:32 | |
So you guys wanna find out what's on the official Def Jam tour bus? | 0:40:32 | 0:40:36 | |
All right, come on up. We'll see what's going on. | 0:40:36 | 0:40:38 | |
SHOUTING OVER EACH OTHER | 0:40:38 | 0:40:43 | |
That was love?! | 0:40:43 | 0:40:45 | |
-That was a mistake. -How was it a mistake?! | 0:40:45 | 0:40:48 | |
-Mistakes don't... -How was that a mistake?! | 0:40:48 | 0:40:51 | |
Russell does not look at every single thing... | 0:40:51 | 0:40:54 | |
He doesn't... Hold on! Russell... | 0:40:54 | 0:40:56 | |
The person that just fucked up doesn't know this is not his tour?! | 0:40:56 | 0:41:00 | |
-He don't know that?! -He knows that, but... -Wait! | 0:41:00 | 0:41:03 | |
-The people at his company don't know that?! -Maybe not. -Maybe not?! | 0:41:03 | 0:41:06 | |
If that's the case, the public don't know that! | 0:41:06 | 0:41:09 | |
The Def Jam tour bus consists of nine video screens... | 0:41:09 | 0:41:14 | |
We've got digital curtains. Let the curtains down. | 0:41:14 | 0:41:17 | |
Let them check the curtains as they go down. | 0:41:17 | 0:41:20 | |
You don't think that the mistakes you make... | 0:41:20 | 0:41:23 | |
Just cos you're not trying to, those mistakes make it look like this is your tour! | 0:41:23 | 0:41:27 | |
You get tired of pulling curtains on tours, so we thought we'd get electronic curtains. | 0:41:27 | 0:41:32 | |
Look, I think you are too fucking professional | 0:41:32 | 0:41:35 | |
and you're too smart to make these dumb-ass mistakes! | 0:41:35 | 0:41:38 | |
You all right? Sony wouldn't do this! | 0:41:38 | 0:41:40 | |
Loud gets its props! They don't take that! | 0:41:40 | 0:41:43 | |
Bad Boy gets its props! They don't take that! | 0:41:43 | 0:41:46 | |
The Face get its props! We've gotta have your face with everything we do! | 0:41:46 | 0:41:50 | |
-Yeah, but... -I gotta be the asshole and yell and I don't wanna do that! | 0:41:50 | 0:41:54 | |
-I'm sick of it! 30% of my day goes on correcting your fucking mistakes! -That's wrong. | 0:41:54 | 0:41:59 | |
-I don't think that's.... -It is true, man! -That's false! | 0:41:59 | 0:42:02 | |
That's Lasser's tile. That's big Lassers' tile. | 0:42:02 | 0:42:05 | |
The thing I told you when I came here is that we don't wanna get overshadowed | 0:42:05 | 0:42:10 | |
by fucking Def Jam's name, by Russell Simmons and by your logo! | 0:42:10 | 0:42:13 | |
I was guaranteed it wouldn't and it's exactly the opposite! | 0:42:13 | 0:42:16 | |
And you're not doing nothing to stop it! | 0:42:16 | 0:42:18 | |
You know what you do? You give everybody Def Jam jackets! | 0:42:18 | 0:42:21 | |
This is our cool-out area, where we watch TV, er... | 0:42:21 | 0:42:25 | |
play Nintendo 65... Hey! Whoa, whoa! Whoa! | 0:42:25 | 0:42:29 | |
-It was an act of love. -That ain't no love, man! That's promotion! | 0:42:29 | 0:42:33 | |
How do you think you're talking to?! I don't understand! | 0:42:33 | 0:42:37 | |
That's basically the inside of the Def Jam tour bus. | 0:42:37 | 0:42:40 | |
All I need y'all to do is cut the cheques! | 0:42:40 | 0:42:43 | |
That's it! We're talking all the chances! | 0:42:43 | 0:42:45 | |
We're the ones that boycott the Grammys, | 0:42:45 | 0:42:47 | |
the ones who put our ass on the line and did this tour | 0:42:47 | 0:42:51 | |
-and we still don't get the credit for it! -Why?! | 0:42:51 | 0:42:53 | |
I don't know why, cos you're fucking fat assing around! | 0:42:53 | 0:42:56 | |
THEY SHOUT AND HOLLER | 0:42:56 | 0:43:01 | |
-Every time we talk... -Bullshit! We're not partners! | 0:43:01 | 0:43:04 | |
-That's cruel for you to say that. -We ain't partners. | 0:43:04 | 0:43:08 | |
-So what are we? -You cut us cheques. | 0:43:08 | 0:43:10 | |
I got 25% and whatshername has another 25%. | 0:43:10 | 0:43:14 | |
So you are not an equal partner! You don't think I know that?! | 0:43:14 | 0:43:17 | |
-You and Polygram split 50%. -Absolutely. | 0:43:17 | 0:43:19 | |
So you're not a partner! You got a quarter! | 0:43:19 | 0:43:22 | |
You're a quarter - that's it! < LAUGHTER | 0:43:22 | 0:43:25 | |
And that's what happens when you're on tour | 0:43:27 | 0:43:29 | |
with the Hard Knock Life Def Jam Records! | 0:43:29 | 0:43:32 | |
CHILD: That's disgusting! | 0:43:37 | 0:43:40 | |
I think the hip-hop audience grew up a lot. | 0:43:42 | 0:43:45 | |
It's a different time for them - that's all. | 0:43:45 | 0:43:48 | |
I started listening to hip-hop when I was ten. | 0:43:48 | 0:43:50 | |
So now our kids are going to listen to hip-hop. I think we've matured a lot. | 0:43:50 | 0:43:55 | |
Hip-hop is tired of the bullshit. | 0:43:55 | 0:43:57 | |
-Now, hip-hop is so multicultural... -Black, white, Puerto-Rican, Chinese. | 0:43:57 | 0:44:01 | |
..I think we can do tours like U2 and be on tour for two years. | 0:44:01 | 0:44:04 | |
New artists understand the business aspect, and new artists are getting paid. | 0:44:04 | 0:44:09 | |
We definitely gonna profit off of our music. | 0:44:09 | 0:44:12 | |
They're not slaves to the record company, | 0:44:12 | 0:44:15 | |
like Jay-Z has Roc-A-Fella. | 0:44:15 | 0:44:17 | |
It's not just Def Jam signing Jay-Z - Def Jam had to take Roc-A-Fella Records. | 0:44:17 | 0:44:21 | |
We all strive to get some ownership and to get our own labels. | 0:44:21 | 0:44:26 | |
It's like Ruff Riders and DMX. It's an opportunity for them to own something. | 0:44:26 | 0:44:30 | |
To own their masters. | 0:44:30 | 0:44:31 | |
To be putting out compilations ten years from now and getting the money from it. | 0:44:31 | 0:44:36 | |
Hip-hop probably came from ten years ago to none. | 0:44:36 | 0:44:39 | |
Just think about ten years from now. | 0:44:39 | 0:44:42 | |
NYC, baby! | 0:44:45 | 0:44:46 | |
The only thing about this is, though - I wish we could end it on New York, you know. | 0:44:46 | 0:44:51 | |
Cos that's your hometown. We don't wanna come here too soon. | 0:44:51 | 0:44:56 | |
Here's me on the cell. How ill is that?! | 0:44:59 | 0:45:02 | |
-INAUDIBLE > -Yeah, yeah! | 0:45:02 | 0:45:04 | |
You know what I mean? And it's nothing. It's nothing. | 0:45:04 | 0:45:08 | |
We live niggas! This is real shit! | 0:45:08 | 0:45:11 | |
I heard you scared of Blinky-blink! | 0:45:11 | 0:45:14 | |
-Nigga, are you scared?! -LAUGHTER | 0:45:14 | 0:45:17 | |
Nigga, that's bad! You scared! You've been hiding from that nigga! | 0:45:17 | 0:45:21 | |
That's me on TV! | 0:45:29 | 0:45:31 | |
What the fuck! That's right - Hard Knock! | 0:45:31 | 0:45:34 | |
Right, then. These are my boys right here. | 0:45:42 | 0:45:46 | |
I wanna know why I'm not on the fucking tour. | 0:45:46 | 0:45:49 | |
Cos I'm the one who did all the voices - Fuck You, Pay Me. | 0:45:49 | 0:45:53 | |
So now we got it! I once worked with Jay-Z! | 0:45:53 | 0:45:56 | |
-He can go to Jay-Z! -That's you! -Yeah, you think I'm fucking lying? | 0:45:56 | 0:46:00 | |
But they didn't bring me on the tour! | 0:46:00 | 0:46:02 | |
I can't mess with that dude. | 0:46:02 | 0:46:04 | |
I tried and I tried, I can't mess with him. | 0:46:04 | 0:46:06 | |
Where's Jay-Z? I gotta talk to this prick! | 0:46:06 | 0:46:09 | |
Bring the fucking camera! Why didn't you bring me on the fucking tour? | 0:46:23 | 0:46:27 | |
I want to know what the fuck is wrong with you? | 0:46:27 | 0:46:29 | |
That's the prick you gotta talk to who said I'm not on the tour! | 0:46:29 | 0:46:32 | |
-For the sake of hip-hop, I couldn't take him, cos he'd probably end it. -I'd probably fuck it all up. | 0:46:32 | 0:46:37 | |
-Fighting, shit like that. -You know... | 0:46:37 | 0:46:40 | |
He's like this tall and I can't do it, I can't do it. | 0:46:40 | 0:46:43 | |
-Fuck You, Pay Me - that's the name of my new tour. -That's my man. | 0:46:43 | 0:46:47 | |
Check it out! I got a new song too. It goes like this. | 0:46:47 | 0:46:50 | |
From here on in nothing goes down unless I'm involved | 0:46:50 | 0:46:53 | |
No albums, no dope deals, no nothing | 0:46:53 | 0:46:55 | |
A concert goes on in a park, I want in. | 0:46:55 | 0:46:58 | |
You guys have fun out there, all your starving on the street. | 0:46:58 | 0:47:01 | |
-It's my turn, all right! -LAUGHTER | 0:47:01 | 0:47:04 | |
It's my turn. | 0:47:04 | 0:47:06 | |
All right?! You're welcome! | 0:47:06 | 0:47:08 | |
You need me to put your fucking fingers in the tune! | 0:47:08 | 0:47:11 | |
-LIKE AL PACINO: -That's the bad guy! You blame me! | 0:47:11 | 0:47:13 | |
Fuck you! You can suck my dick, cos I'm eating a sandwich! I want my dick sucked by every woman. | 0:47:13 | 0:47:18 | |
Fuck that! Turn off the camera, cos I'm gonna look stupid eating this. Peace! | 0:47:18 | 0:47:22 | |
That shit cost 100! | 0:47:22 | 0:47:24 | |
-Mine cost 199! -Mine cost 100,000! | 0:47:24 | 0:47:27 | |
-Right, well, that's... -LAUGHTER | 0:47:27 | 0:47:29 | |
When you're on a tour performing, do you ever get horny? | 0:47:29 | 0:47:32 | |
-When I'm stage, I get horny. -I don't know. A little. | 0:47:32 | 0:47:35 | |
-That Gucci shit gets me hot. -That's what I mean! When you look in a crowd, and you're horny, | 0:47:35 | 0:47:39 | |
looking at the people, you say, "I could fuck one of these people!" | 0:47:39 | 0:47:43 | |
-Right?! -SHE LAUGHS | 0:47:43 | 0:47:45 | |
It's about power! When you're on that stage, it's about power. | 0:47:45 | 0:47:49 | |
Fuck Damon and kick his ass! On camera! I want this in there! | 0:47:49 | 0:47:54 | |
-Kevin Doughnut Liles. -You fucking Portuguese pothead! | 0:47:54 | 0:47:58 | |
You turkey-faced motherfucker! | 0:47:58 | 0:48:00 | |
-This is the new host of the film. -God Bless America. -Pain In Da Ass. | 0:48:00 | 0:48:04 | |
Jesus Christ is with you. You know he's an alien? | 0:48:04 | 0:48:06 | |
And he's coming soon. He's coming for all of us. | 0:48:06 | 0:48:09 | |
-I am Jesus. -You obviously weren't in church today. I know you... -I was in church. I'm an altar boy. | 0:48:09 | 0:48:14 | |
-This is for Damon right here. -LAUGHTER | 0:48:14 | 0:48:17 | |
-Get this! -All the money and his teeth are grey - grey like a bad day! | 0:48:17 | 0:48:22 | |
He heard me! He caught me! There he is! Look at him! | 0:48:24 | 0:48:27 | |
Put the camera on! Look at him! | 0:48:27 | 0:48:29 | |
It's the rain in his mouth! He got grey clouds in his mouth! | 0:48:33 | 0:48:37 | |
-I'll put it in your beer. -Get the fuck out of it! | 0:48:37 | 0:48:39 | |
He smells like he just had a manure shake. | 0:48:39 | 0:48:42 | |
LAUGHTER | 0:48:42 | 0:48:44 | |
Hey, where that blonde at? | 0:48:44 | 0:48:47 | |
CHANT: # We don't give a fuck! We don't give a fuck! | 0:48:49 | 0:48:52 | |
# We don't give a fuck! # | 0:48:52 | 0:48:54 | |
MUSIC STARTS | 0:48:56 | 0:48:59 | |
-Yo! Are you ready for Jay-Z?! -CHEERING | 0:49:21 | 0:49:24 | |
-Mic! The mic, the mic! -Then make some motherfucking noise! | 0:49:24 | 0:49:29 | |
-Yo motherfuckers ready? -HUGE CHEER | 0:49:30 | 0:49:34 | |
Make some motherfucking noise out there! | 0:49:49 | 0:49:53 | |
-MUSIC BEGINS -Where the fuck we at tonight?! | 0:49:53 | 0:49:57 | |
RAP PLAYS: ..Ruff Ryders, Swizz Beats It's almost over, y'all | 0:49:57 | 0:50:01 | |
Jigga, how real is that? Uhh, uhh, uhh... | 0:50:01 | 0:50:04 | |
-Lights out, niggaz! -Jigga -What's my motherfuckin' name? | 0:50:04 | 0:50:09 | |
-Jigga -Who I'm rollin' with, huh? -You're my nigga -Check it out | 0:50:09 | 0:50:13 | |
Niggaz better get it right Bitches better get it right! WHO? | 0:50:13 | 0:50:17 | |
-CHEERING -Y'all ready? Let's go! | 0:50:19 | 0:50:22 | |
-Yeah! -Yeah! -Yeah! -Yeah! -Yeah! Yeah! Yeah! | 0:50:22 | 0:50:26 | |
Everybody, just throw your hands up in the air | 0:50:26 | 0:50:29 | |
-Come on! -Wave 'em like you just don't care! -Come on! | 0:50:29 | 0:50:32 | |
Get ready to rock with my nigga Jay-Z! | 0:50:32 | 0:50:35 | |
Everybody say, "Oh, yeah!" | 0:50:35 | 0:50:37 | |
-CROWD: Oh, yeah! -Oh, yeah! -Oh, yeah! | 0:50:37 | 0:50:41 | |
A lot of speculation on the monies I've made | 0:50:41 | 0:50:44 | |
Honeys I've slayed How is he for real?! | 0:50:44 | 0:50:46 | |
Is that nigga really paid? | 0:50:46 | 0:50:48 | |
Hustlers I've met or dealt with direct | 0:50:48 | 0:50:50 | |
Is it true he slay the beef and slept with a tech? | 0:50:50 | 0:50:53 | |
Like you said in Friend or Foe and if so, what block? | 0:50:53 | 0:50:55 | |
What you doin' in LA with Filipinos and Ese's? | 0:50:55 | 0:50:58 | |
Latinos and Cheve's down by Pico with Frederico | 0:50:58 | 0:51:01 | |
I answer all your questions but then y'all got to go | 0:51:01 | 0:51:04 | |
Now the question I ask you is how bad you want to know? | 0:51:04 | 0:51:07 | |
I love you, Jay-Z. You know what?! | 0:51:08 | 0:51:10 | |
You can hear it in the morning, noon... You don't need money. | 0:51:10 | 0:51:14 | |
You don't need no money. You can be in the projects broke | 0:51:14 | 0:51:17 | |
and I'd be your bitch and be there for whatever! | 0:51:17 | 0:51:20 | |
-Remember these panties? I threw them to hit your face! -And you said, "What?!" | 0:51:20 | 0:51:24 | |
LAUGHTER These are mine. | 0:51:24 | 0:51:26 | |
I want you and your sexy lips! | 0:51:26 | 0:51:30 | |
Oh, my god! Oh! LAUGHTER | 0:51:30 | 0:51:32 | |
-That's what she said now. -LAUGHTER | 0:51:32 | 0:51:37 | |
This is it! | 0:51:37 | 0:51:38 | |
Roc-A-Fella. | 0:51:41 | 0:51:42 | |
Rough Riders. | 0:51:42 | 0:51:43 | |
Swizz Beatz. | 0:51:43 | 0:51:44 | |
Nights out, niggaz! | 0:51:49 | 0:51:50 | |
# Jiggaz | 0:51:50 | 0:51:52 | |
# Jigga | 0:51:53 | 0:51:54 | |
# I'm a nigga | 0:51:54 | 0:51:57 | |
# Ah, ah, ah | 0:51:57 | 0:51:58 | |
# Niggaz betta get it right Bitches betta get it right | 0:51:58 | 0:52:01 | |
# Jiggaz | 0:52:01 | 0:52:03 | |
She's one of my best friends. She's my son's godfather. | 0:52:03 | 0:52:07 | |
Before he had respect for being a great rapper. | 0:52:09 | 0:52:13 | |
But now he's four million sold, | 0:52:13 | 0:52:15 | |
Grammy award, he's a household name. | 0:52:15 | 0:52:17 | |
Cool nigga. | 0:52:17 | 0:52:18 | |
Imagine. | 0:52:19 | 0:52:20 | |
..shit over here, man. | 0:52:20 | 0:52:23 | |
I'm not gonna cheat you! | 0:52:25 | 0:52:27 | |
You got it? | 0:52:27 | 0:52:30 | |
He says he's just a hustler and I look at him like that... | 0:52:30 | 0:52:34 | |
So...don't bet against me. | 0:52:34 | 0:52:36 | |
You got me. | 0:52:38 | 0:52:39 | |
# Brooklyn be the place where I served them things | 0:52:39 | 0:52:42 | |
# Be my niggaz was strugglin' to the birds they came | 0:52:42 | 0:52:45 | |
# And then we got into hustlin' and murderin' things... # | 0:52:45 | 0:52:48 | |
-Ah-ha! Nobody move! Nobody move! -Oo-oo-oo! | 0:52:48 | 0:52:52 | |
We lost. | 0:52:52 | 0:52:53 | |
I like this game. | 0:52:53 | 0:52:55 | |
I'll sign this for you, OK? | 0:52:55 | 0:52:57 | |
HIS WORDS ARE UNCLEAR AS HE'S CHEWING | 0:52:58 | 0:53:02 | |
-What's your name? -Madeleine. | 0:53:02 | 0:53:04 | |
It's the crew's money! | 0:53:05 | 0:53:07 | |
These guys are suckers! | 0:53:10 | 0:53:11 | |
As I'm saying... | 0:53:13 | 0:53:16 | |
..truthfully speaking... | 0:53:17 | 0:53:18 | |
# I've been around this block too many times | 0:53:18 | 0:53:21 | |
# Rocked too many rhymes, cocked too many nines too... # | 0:53:21 | 0:53:23 | |
He's one of the dopest lyricists out there. | 0:53:23 | 0:53:25 | |
# Faggots wanna talk to po-po's Smoke 'em like coco | 0:53:25 | 0:53:28 | |
# Fuck rap, coke by the boatloads Fuck dat, on the run-by, gun high, one eye closed... # | 0:53:28 | 0:53:32 | |
The accent in every interview I have who I think are the best MCs, | 0:53:32 | 0:53:36 | |
beside myself, it's always him and Scarface. | 0:53:36 | 0:53:40 | |
# Make it ride, make it thrilling inside your belly | 0:53:40 | 0:53:42 | |
# If it's tight, get the KY jelly | 0:53:42 | 0:53:43 | |
# All night get you wide up inside the telly | 0:53:43 | 0:53:45 | |
# Till you say Jay-Z... # | 0:53:45 | 0:53:47 | |
Always. | 0:53:47 | 0:53:48 | |
Hey, runnin' around the fuckin' venue! | 0:54:02 | 0:54:04 | |
MUSIC ECHOES | 0:54:04 | 0:54:06 | |
Comin' in from behind the beebo... | 0:54:10 | 0:54:12 | |
Hey, yo, Jay! What the fuck you doin' over there? | 0:54:14 | 0:54:17 | |
They singing those hit tunes. | 0:54:21 | 0:54:23 | |
# Murder and mayhem, romance for the street | 0:54:23 | 0:54:25 | |
# Only wife of mines is a life of crime | 0:54:25 | 0:54:27 | |
# And since, life's a bitch in mini-skirts and big chests | 0:54:27 | 0:54:30 | |
# How can I not flirt with death? | 0:54:30 | 0:54:33 | |
# Niggaz wiggling their foot in a brook... # | 0:54:33 | 0:54:37 | |
HE LAUGHS | 0:54:37 | 0:54:38 | |
# Us the villains, fuck your feelings | 0:54:38 | 0:54:41 | |
# While y'all playa hate we in the upper millions | 0:54:41 | 0:54:43 | |
-# What's the dealings? -Huh. -Its like New York's been soft | 0:54:43 | 0:54:46 | |
# Ever since Snoop came through and crushed the buildings | 0:54:46 | 0:54:49 | |
# I'm tryin' to restore the feelings fuck the law, keep dealing | 0:54:49 | 0:54:51 | |
# More money more cash more... | 0:54:52 | 0:54:54 | |
# I know they gone criticize the hook on this song | 0:54:54 | 0:54:58 | |
# Like I give a fuck I'm just a crook on this song | 0:54:58 | 0:55:01 | |
# Bed-Stuy Brooknon took on the world | 0:55:01 | 0:55:03 | |
# Shit I led a life you can write a book on... # | 0:55:03 | 0:55:06 | |
There's a nigga right now somewhere. He at the table with a bowl of Apple Jacks. | 0:55:06 | 0:55:11 | |
He's reading the back of the cereal. | 0:55:11 | 0:55:13 | |
In between eating Apple Jacks, he's writing some shit. | 0:55:13 | 0:55:17 | |
And he want my spot. | 0:55:17 | 0:55:19 | |
I don't want no problems! | 0:55:23 | 0:55:26 | |
EXPLOSION | 0:55:26 | 0:55:27 | |
He is doing this fucking shit. | 0:55:27 | 0:55:30 | |
"You... Uh! Uh! Uh!" | 0:55:30 | 0:55:32 | |
THEY LAUGH | 0:55:32 | 0:55:35 | |
It's where the party's at. | 0:55:35 | 0:55:37 | |
You doing a DJ routine? | 0:55:37 | 0:55:39 | |
No. | 0:55:39 | 0:55:41 | |
So they stopped being at the fuckin' show every night. | 0:55:41 | 0:55:44 | |
You don't know where the party's at. | 0:55:44 | 0:55:46 | |
Yes, I do. | 0:55:46 | 0:55:48 | |
You're fuckin' ripping about me talking on stage, | 0:55:48 | 0:55:50 | |
but you're not saying nothin' about the 35 people and not making a dollar. | 0:55:50 | 0:55:55 | |
-You got 20,000... -You don't make no money, so it don't matter... | 0:55:55 | 0:55:58 | |
ARGUMENT CONTINUES | 0:55:58 | 0:56:00 | |
I'm not doing it! | 0:56:07 | 0:56:09 | |
..motherfuckin' the point! | 0:56:09 | 0:56:11 | |
You're not telling me what to do, nigga. You ASK me, nigga! | 0:56:11 | 0:56:14 | |
THEY SHOUT AT EACH OTHER | 0:56:14 | 0:56:17 | |
ARGUMENT DISSOLVES INTO LAUGHTER | 0:56:24 | 0:56:27 | |
I'm not doin' it for me. I'm doin' it so they clap for Scratch. | 0:56:32 | 0:56:36 | |
They're not gonna clap for Scratch if I go, "Yo! At the party is such and such." That's gonna look stupid! | 0:56:36 | 0:56:42 | |
I'm not doin' it. | 0:56:42 | 0:56:43 | |
You can do it. | 0:56:43 | 0:56:45 | |
You go on stage and do it. | 0:56:45 | 0:56:48 | |
Why do you not have Clue do it? | 0:56:48 | 0:56:51 | |
AUDIENCE REACTION DROWNS HIS WORDS | 0:56:54 | 0:56:58 | |
The Atrium. | 0:56:59 | 0:57:01 | |
GIRLS SCREAM | 0:57:11 | 0:57:13 | |
RAPPING IS DROWNED OUT BY AUDIENCE REACTION | 0:57:15 | 0:57:19 | |
Uh! | 0:57:37 | 0:57:39 | |
BACKGROUND NOISE DROWNS THEIR WORDS | 0:57:44 | 0:57:47 | |
That's on me. | 0:57:50 | 0:57:52 | |
GENERAL ARGUMENT | 0:57:56 | 0:57:59 | |
Whatever's in the bet, you gotta bet. | 0:57:59 | 0:58:01 | |
# Shakin', shakin', shakin', yeah | 0:58:11 | 0:58:13 | |
# Yeah | 0:58:16 | 0:58:17 | |
# Yeah | 0:58:18 | 0:58:19 | |
# Yeah... # | 0:58:20 | 0:58:21 | |
-That's just shit. -I just picked the right bag. | 0:58:32 | 0:58:35 | |
INDISTINCT RAPPING | 0:58:35 | 0:58:39 | |
-Don't shock them. I wish somebody... -..microchip in. | 0:58:39 | 0:58:44 | |
WORDS ARE STILL INDISTINCT | 0:58:44 | 0:58:47 | |
That's the only thing I want is purple squash. | 0:58:48 | 0:58:52 | |
Has anybody got purple squash? | 0:58:52 | 0:58:54 | |
Call me on 5551. | 0:58:54 | 0:58:57 | |
INDISTINCT RAPPING CONTINUES | 0:58:58 | 0:59:00 | |
Come on, spit the fuck out | 0:59:04 | 0:59:07 | |
# Drink the fuck out | 0:59:07 | 0:59:08 | |
# Pack the fuck out | 0:59:08 | 0:59:09 | |
# Clap the fuck out Scrap the fuck out | 0:59:09 | 0:59:11 | |
# Break the fuck out Hack the fuck out | 0:59:11 | 0:59:13 | |
# Shake it, shake that ass | 0:59:13 | 0:59:15 | |
# Shake it, shake that ass... # | 0:59:16 | 0:59:19 | |
Are you smokin' today, girl? | 0:59:21 | 0:59:23 | |
That's human jello right there. I just spit that out. | 0:59:23 | 0:59:27 | |
That's what you get with smoking. | 0:59:27 | 0:59:29 | |
RAPPING | 0:59:29 | 0:59:31 | |
Just say no. Just say no to drugs. | 0:59:43 | 0:59:46 | |
They're no good for you. | 0:59:46 | 0:59:49 | |
Yes, yes. | 0:59:49 | 0:59:51 | |
# Jump the fuck out jump the fuck out | 0:59:51 | 0:59:53 | |
# Smack the fuck out blast the fuck out | 0:59:53 | 0:59:55 | |
# Smack the fuck out hit the fuck out | 0:59:55 | 0:59:57 | |
# Jump the fuck out walk the fuck out | 0:59:57 | 1:00:00 | |
# ..your body for a cigarette | 1:00:00 | 1:00:02 | |
# Cigarette | 1:00:02 | 1:00:04 | |
Oh... # | 1:00:04 | 1:00:05 | |
GLASS BREAKS | 1:00:05 | 1:00:08 | |
We've been on the road for about 2, 2½ months. | 1:00:15 | 1:00:20 | |
Singin' is shit, but I'm not gonna quit. | 1:00:20 | 1:00:24 | |
I've been waiting to go back to Philly off this tour about 2-2½ months ago. | 1:00:24 | 1:00:32 | |
Now my first two weeks, I was loving it. | 1:00:32 | 1:00:35 | |
After that... | 1:00:35 | 1:00:36 | |
..I've been tired. | 1:00:38 | 1:00:39 | |
You gotta keep going, even when you're tired. I'm exhausted. | 1:00:39 | 1:00:43 | |
On this tour, I flew home every Monday. Every day off, I flew home, no matter where we were. | 1:00:43 | 1:00:48 | |
I got to do it because a lot of people depend on me. | 1:00:48 | 1:00:53 | |
Unload the bags off the bus, check into the hotel, | 1:00:53 | 1:00:56 | |
be backstage for three hours. | 1:00:56 | 1:01:00 | |
When you're backstage, drinking, smoking, doing whatever you do, | 1:01:00 | 1:01:06 | |
perform, go to the after party, go to the hotel, | 1:01:06 | 1:01:09 | |
might get two hours of sleep and back up, packin' your stuff, | 1:01:09 | 1:01:13 | |
get back on the bus, go to the next town, do that all over again. | 1:01:13 | 1:01:17 | |
Every day. | 1:01:17 | 1:01:19 | |
During the day when we ride in this bus, I should be packed like a dick in this motherfucker. | 1:01:19 | 1:01:25 | |
Things be in the front, in the middle, back, | 1:01:25 | 1:01:29 | |
feet be everywhere, shoes... | 1:01:29 | 1:01:32 | |
This is the cleanest this motherfuckin' bus be the whole tour. | 1:01:32 | 1:01:35 | |
Cos the bus driver... | 1:01:35 | 1:01:37 | |
You gotta have a good, sensible bus driver. | 1:01:37 | 1:01:40 | |
Our bus driver's name is... | 1:01:40 | 1:01:43 | |
We had three different buses. | 1:01:46 | 1:01:48 | |
OPERATIC MUSIC PLAYS | 1:01:48 | 1:01:50 | |
No smoking, no drinking. | 1:01:58 | 1:02:00 | |
It's a rehab bus! | 1:02:00 | 1:02:01 | |
Can you...? | 1:02:06 | 1:02:08 | |
I'm really California, you know what I mean? | 1:02:08 | 1:02:11 | |
Cut-off khakis, half shoes... | 1:02:11 | 1:02:14 | |
HORN BLARES | 1:02:14 | 1:02:16 | |
What you doin'? | 1:02:16 | 1:02:19 | |
Oh! | 1:02:19 | 1:02:20 | |
If you don't mind, tell me what the fuck you doin'? | 1:02:20 | 1:02:24 | |
First off, you got a smoke? | 1:02:24 | 1:02:26 | |
I must see you... | 1:02:28 | 1:02:29 | |
ALL TALK AT ONCE | 1:02:29 | 1:02:32 | |
You gotta know how to fight. | 1:02:32 | 1:02:33 | |
-La-la-la-la. -Ah-h-h-h! | 1:02:33 | 1:02:36 | |
Bobby! | 1:02:36 | 1:02:38 | |
Shut the fuck up! | 1:02:38 | 1:02:39 | |
Play one of my Jerry Springer tapes. | 1:02:41 | 1:02:43 | |
-..anybody drive the fuckin' bus? Is that it? -Fuck. | 1:02:48 | 1:02:51 | |
Then there's the Vikings. That's a cool bus. | 1:02:57 | 1:02:59 | |
They had no food, no electricity... | 1:02:59 | 1:03:03 | |
What exactly is the problem? | 1:03:06 | 1:03:07 | |
This is fucked up. | 1:03:08 | 1:03:10 | |
The job will get done. | 1:03:10 | 1:03:12 | |
This is a minor setback. | 1:03:12 | 1:03:15 | |
Easy you and your fuckin' camera, your lights and your mic. | 1:03:21 | 1:03:25 | |
ALL SHOUT AT ONCE | 1:03:25 | 1:03:28 | |
How many times have we got to...? You've taped all the bad moments. | 1:03:28 | 1:03:32 | |
None of your business shit. | 1:03:32 | 1:03:34 | |
I'm tired of your motherfuckin' cameraman all up my ass all fuckin' day. | 1:03:37 | 1:03:42 | |
I don't need that! | 1:03:42 | 1:03:43 | |
Through the tour, we've almost become a family. | 1:03:43 | 1:03:45 | |
HE LETS OFF STEAM | 1:03:45 | 1:03:47 | |
I haven't been on a tour this mellow backstage in a long time. | 1:03:53 | 1:03:57 | |
LOUD MUSIC DROWNS ALL SPEECH | 1:03:57 | 1:03:59 | |
It was an accident. | 1:04:06 | 1:04:07 | |
It was an accident. | 1:04:08 | 1:04:10 | |
Get me a tissue or something. | 1:04:10 | 1:04:12 | |
-There's no tribe out here at all. -We're like one big family. | 1:04:12 | 1:04:16 | |
You're not gonna look like you're equal partners in this. | 1:04:16 | 1:04:21 | |
It's gonna look like we made it look like a Roc-A-Fella thing as opposed to a Rough Riders Roc-A-Fella thing. | 1:04:21 | 1:04:27 | |
Bye-bye. | 1:04:30 | 1:04:32 | |
He's now a hostage. | 1:04:32 | 1:04:33 | |
-We have to dash. -Mister Dash himself. -We want four dollars. | 1:04:33 | 1:04:38 | |
Where you goin'? | 1:04:44 | 1:04:46 | |
They got all them big cats and you're looking to sign their autograph. | 1:04:51 | 1:04:55 | |
We got a job. | 1:04:55 | 1:04:55 | |
I'm not playing here. | 1:04:55 | 1:04:57 | |
You see this? You think it's a phone, don't you? | 1:04:57 | 1:05:00 | |
You thought it was a phone. | 1:05:00 | 1:05:01 | |
You know what it is? It's a remote control for a fuckin' bomb. | 1:05:01 | 1:05:05 | |
You've got ten minutes. | 1:05:05 | 1:05:07 | |
Ten fuckin' minutes to say something about something, or I'm telling you... | 1:05:07 | 1:05:14 | |
BEEP | 1:05:15 | 1:05:17 | |
EXPLOSION | 1:05:17 | 1:05:18 | |
SHOUTING AND SCREAMING | 1:05:25 | 1:05:27 | |
At the end, I pay the cheques. | 1:05:31 | 1:05:34 | |
Anybody on my team smell it, I'm gonna shoot you. | 1:05:36 | 1:05:38 | |
From now on, I want the guns on. | 1:05:38 | 1:05:41 | |
I'm ready to kill somebody. | 1:05:41 | 1:05:43 | |
My gun isn't on. | 1:05:43 | 1:05:45 | |
Shoot the blue! Shoot the blue! | 1:06:09 | 1:06:14 | |
Shoot the blue! | 1:06:14 | 1:06:16 | |
You're lazy, man. | 1:06:18 | 1:06:19 | |
Doing the Hard Knock Life tour album, they're beefing cos we ain't got nothing really done, | 1:06:19 | 1:06:24 | |
only three songs done. | 1:06:24 | 1:06:25 | |
SHOUTING | 1:06:25 | 1:06:27 | |
-I gotta make a... -Come on, you were saying you were making beefs! | 1:06:27 | 1:06:31 | |
No, no, no. I'm gonna make... | 1:06:31 | 1:06:34 | |
DISSOLVES INTO LAUGHTER | 1:06:34 | 1:06:36 | |
Fuck them. They don't know what's going on here. | 1:06:37 | 1:06:40 | |
He's the finest-looking nigga in America, man. | 1:06:40 | 1:06:44 | |
When he went into the circus, it was like... | 1:06:44 | 1:06:48 | |
My guvnor name is David Banner. | 1:06:48 | 1:06:49 | |
AKA, the world-famous DJ. | 1:06:49 | 1:06:52 | |
Queen's native... | 1:06:52 | 1:06:53 | |
From the chin to right here is all fucked up. | 1:06:53 | 1:06:56 | |
I open the show, get the crowd high. | 1:06:56 | 1:06:58 | |
You play records. | 1:06:58 | 1:07:00 | |
With his needle breaking on his chin. | 1:07:00 | 1:07:03 | |
DJ Clue is driving me crazy. | 1:07:03 | 1:07:05 | |
-Nothing is done till Clue feels it's right. -Temper tantrums. | 1:07:05 | 1:07:08 | |
He used to hit you in the mouth when he was fucking young... | 1:07:08 | 1:07:12 | |
A fake Afro Caesar | 1:07:12 | 1:07:16 | |
all in one day, man. | 1:07:16 | 1:07:18 | |
You got a Caesar right here. | 1:07:18 | 1:07:21 | |
He got two little... a bow out right here. | 1:07:21 | 1:07:25 | |
And he got a fade in the back. | 1:07:25 | 1:07:27 | |
Oh, you gotta ruffle all your burrows. | 1:07:27 | 1:07:31 | |
People hate him, but he's ill. | 1:07:31 | 1:07:33 | |
He's the highest-selling mix tape DJ ever going platinum. | 1:07:33 | 1:07:36 | |
We try to do an album from the road and try to get him to focus | 1:07:36 | 1:07:41 | |
from after the show to on his bus to lay down a song. | 1:07:41 | 1:07:44 | |
Let's go. He's like, "God, you gotta hold up." | 1:07:44 | 1:07:48 | |
When Clue wants something done, any means necessary. | 1:07:48 | 1:07:51 | |
A nigga turns into Malcolm X, he'll go into any 'hood. | 1:07:51 | 1:07:54 | |
Toast I go. He don't give a fuck. | 1:07:54 | 1:07:58 | |
Niggas don't work that hard. | 1:07:58 | 1:07:59 | |
Man, he won't knock on the door in the studio. | 1:07:59 | 1:08:02 | |
I see a lot of artists, when they went on, when they didn't have the records, they was hungry. | 1:08:02 | 1:08:08 | |
Then, as soon as they sell a record, they don't want to do nothing. | 1:08:08 | 1:08:10 | |
Niggas never want to sit in the studio. | 1:08:10 | 1:08:13 | |
How can you get in the music business and not know you have to do all these things? | 1:08:13 | 1:08:18 | |
-The Matrix got us all fooled. -Fuck the Matrix. | 1:08:18 | 1:08:21 | |
Right now are our worst times right now. | 1:08:21 | 1:08:24 | |
The best of times should be when we all got big 1 million houses, | 1:08:24 | 1:08:28 | |
the stash and all the Bentleys and all that shit. It can't get no better than that. | 1:08:28 | 1:08:33 | |
That's when we good. | 1:08:33 | 1:08:35 | |
I'm serious, man, we're gonna fuckin' lose it, man. | 1:08:35 | 1:08:38 | |
The dumbest is being backstage, man. | 1:08:38 | 1:08:41 | |
Knockin' on the door. No, I can't do it. | 1:08:41 | 1:08:43 | |
I'm so scared! The Matrix got us. | 1:08:43 | 1:08:47 | |
Who was the pinnacle of this show? I'll tell you. | 1:08:47 | 1:08:50 | |
Clue was. | 1:08:50 | 1:08:51 | |
He shook everybody, man. | 1:08:51 | 1:08:54 | |
The Matrix. | 1:08:57 | 1:08:59 | |
It's a sweet, but fucked-up hustle, the music business. | 1:08:59 | 1:09:02 | |
They can't make no fuckin' take on that bus. | 1:09:12 | 1:09:16 | |
We got to talk to Clue, man. They got to make tapes and give them to people. | 1:09:16 | 1:09:21 | |
Hey, we're gonna win this time, really win. I got the album. | 1:09:21 | 1:09:26 | |
We get a lot of pressure from him, I can't blame him | 1:09:26 | 1:09:30 | |
about this album because, shit, it's movin' slow. | 1:09:30 | 1:09:33 | |
Every day he's on my ass, bullshittin'. | 1:09:33 | 1:09:36 | |
I need to do this, do that. | 1:09:36 | 1:09:38 | |
I'm like, "Shut the fuck up." Cos he's loud, but he's 100% correct. | 1:09:38 | 1:09:43 | |
Everybody wants to get on the bus, go to after-parties. | 1:09:43 | 1:09:46 | |
I don't want to overstep my bounds, | 1:09:46 | 1:09:48 | |
but from what I see... | 1:09:48 | 1:09:51 | |
I know you got a lot of nigga... | 1:09:51 | 1:09:54 | |
You got a lot of shit you gotta do. | 1:09:54 | 1:09:58 | |
Turn that shit down! Why you doing that, man? | 1:09:58 | 1:10:00 | |
Every time I talk, you got to... I'm trying to talk. | 1:10:00 | 1:10:04 | |
I don't understand that. That's the problem. You do so many things, you can't do everything on your own. | 1:10:04 | 1:10:09 | |
By the time you do it, you coulda done 30 other things if you had help. | 1:10:09 | 1:10:13 | |
Understand what I'm saying? | 1:10:13 | 1:10:15 | |
You can't do an hour and be on the radio on Monday, then do three parties a week. | 1:10:15 | 1:10:19 | |
Nothing's gonna get done right or quick. | 1:10:19 | 1:10:22 | |
So if you guys want help, it's a time to teach you all how to do it. | 1:10:22 | 1:10:27 | |
You don't want to be in the music business? We all know that this nigga's very distant | 1:10:27 | 1:10:31 | |
and you can't depend on him to make something happen, he's on his own plane. | 1:10:31 | 1:10:35 | |
So you have to...fuck it, that'll be annoying for your career, | 1:10:35 | 1:10:40 | |
like, "Look, Clue, I need to do this." And just do it. | 1:10:40 | 1:10:43 | |
It's not one nigga that should be the head of a crew, it should never be one nigga | 1:10:43 | 1:10:49 | |
cos if that nigga ever goes to jail or gets killed, or something happen, the whole crew goes down. | 1:10:49 | 1:10:55 | |
Cos everybody depends on one nigga. Over. | 1:10:55 | 1:10:57 | |
Let's say you're equal, you're equal and you're equal. | 1:10:57 | 1:11:01 | |
If you fall off, he can give you a little, your man can give you a little, | 1:11:01 | 1:11:06 | |
and it's not going to break you to put your man back on. | 1:11:06 | 1:11:09 | |
You can't run no company without no fuckin' crew, man. | 1:11:09 | 1:11:11 | |
What better fuckin' crew to have than the niggas you grew up with? | 1:11:11 | 1:11:14 | |
You should depend on him like he depends on you. | 1:11:14 | 1:11:19 | |
You have to be bigger than Clue. Desert Storm should mean more than Clue. | 1:11:19 | 1:11:23 | |
When niggas think of rap, it ain't Jay-Z they think about, or me, | 1:11:23 | 1:11:27 | |
they think of a whole movement and what we represent. | 1:11:27 | 1:11:29 | |
Niggas know that ever since we got in the game, every nigga down, we have money. | 1:11:29 | 1:11:33 | |
If every nigga has as much as you got, you got a crew that can't be touched. | 1:11:33 | 1:11:38 | |
Crews tumble because they don't feel they're getting a piece. | 1:11:38 | 1:11:41 | |
Every nigga I know got money, their own crew took 'em down. | 1:11:41 | 1:11:44 | |
They need to shut them damn niggas up cos they not eating enough. | 1:11:44 | 1:11:48 | |
And that's the nigga's nature. | 1:11:48 | 1:11:50 | |
"Man, I'm going back to..." | 1:11:50 | 1:11:52 | |
-Don't tell us that shit cos we got niggas missing. -All right. | 1:11:52 | 1:11:55 | |
That's why niggas snitch on niggas and that's why niggas kill niggas | 1:11:55 | 1:11:59 | |
and that's why niggas get niggas shut up. | 1:11:59 | 1:12:02 | |
God bless my fuckin' nigga, but he's missin' cos of that shit. | 1:12:02 | 1:12:06 | |
None of that shit happens in my crew. None of that shit. | 1:12:06 | 1:12:08 | |
So on the count of three, I want everybody to say "peace". | 1:12:10 | 1:12:14 | |
One, two, three... | 1:12:14 | 1:12:16 | |
At least 18 people are being treated as a result of injuries sustained | 1:12:16 | 1:12:21 | |
in the shooting attack at Columbine High School. | 1:12:21 | 1:12:24 | |
He came into the dressing room. | 1:12:26 | 1:12:28 | |
You don't want the tragedy to happen in the next town. | 1:12:28 | 1:12:33 | |
We've saved away all the proceeds | 1:12:33 | 1:12:36 | |
from the concert to the families. | 1:12:36 | 1:12:39 | |
SCREAMING | 1:12:39 | 1:12:41 | |
The behaviour, it's more shocking this could happen in a place like here, but it's all the same, man. | 1:12:41 | 1:12:48 | |
Out of respect, it was either cancel the show or donate the proceeds. | 1:12:48 | 1:12:52 | |
It just needed an outlet, somewhere to go, just scream, you know. | 1:12:52 | 1:12:57 | |
Not like you're gonna forget about it, but get it out. | 1:12:57 | 1:13:00 | |
Come on, Chocolate. | 1:13:03 | 1:13:04 | |
I'm getting to a new way of thinking about all rap music and shit | 1:13:06 | 1:13:12 | |
because of all the stereotypes. | 1:13:12 | 1:13:15 | |
Baby! | 1:13:16 | 1:13:18 | |
Give me... You want that? | 1:13:18 | 1:13:20 | |
Do you want me to have it? | 1:13:20 | 1:13:22 | |
It's the ultimate shit to have everything. | 1:13:24 | 1:13:26 | |
And only certain artists have to go on. | 1:13:26 | 1:13:29 | |
You ain't messing with it. You're not even having that. | 1:13:29 | 1:13:32 | |
Come on. | 1:13:32 | 1:13:34 | |
Ready to go home? | 1:13:34 | 1:13:35 | |
I don't always do the right thing. | 1:13:37 | 1:13:40 | |
But I ask you to forgive me. | 1:13:40 | 1:13:42 | |
Because I need you here with me. | 1:13:42 | 1:13:45 | |
Without you, my life is empty. | 1:13:45 | 1:13:48 | |
Big had it. Pac had it. | 1:13:48 | 1:13:50 | |
Certain artists had it. | 1:13:50 | 1:13:53 | |
Like they had love that was...strong. | 1:13:53 | 1:13:57 | |
Think back how some people think that violence was the remedy. | 1:13:57 | 1:14:01 | |
Because I think of that now, | 1:14:02 | 1:14:04 | |
I will pray for my enemy. | 1:14:04 | 1:14:06 | |
It was more like a movement with Jay-X. | 1:14:06 | 1:14:09 | |
It was a movement with Pac and Big | 1:14:09 | 1:14:11 | |
and you could feel that cos the movement's still going. | 1:14:11 | 1:14:14 | |
To me, that's what makes the artists special. | 1:14:14 | 1:14:17 | |
When you live for someone, when you stand for something. | 1:14:17 | 1:14:21 | |
Life only means something if it has to do with what's right. Even then, | 1:14:21 | 1:14:24 | |
it only means as much as what you stand for. | 1:14:24 | 1:14:27 | |
# Press pause for the cause that they're telling you | 1:14:30 | 1:14:32 | |
# Ever since my old whore gave birth to me | 1:14:32 | 1:14:35 | |
# I've been born an MC to the third degree | 1:14:35 | 1:14:38 | |
# They throwin' sticks and stones But never hurtin' me | 1:14:38 | 1:14:41 | |
# Cos I be takin' matt paint to misogyny | 1:14:41 | 1:14:43 | |
# I'm the hip-hop child Seventh Avenue | 1:14:43 | 1:14:46 | |
# But I'm a nation's star when I'm seven, yo | 1:14:46 | 1:14:48 | |
# I'm aimin' to retire by 11, yo | 1:14:48 | 1:14:51 | |
# Don't you ask me to say Cos I ain't tellin' yo | 1:14:51 | 1:14:54 | |
# Why you try to blow up into those ripe dollars | 1:14:54 | 1:14:57 | |
# I just want to grow up and be a rap scholar | 1:14:57 | 1:15:00 | |
# You wanna diss cos my tune Makes the ground holla | 1:15:00 | 1:15:03 | |
# But my balladeer mix Gets a don't botha. # | 1:15:03 | 1:15:06 | |
CHEERING AND APPLAUSE | 1:15:06 | 1:15:08 | |
Jay-Z gave this to me. DMX. | 1:15:16 | 1:15:19 | |
INDECIPHERABLE RAP DROWNED BY MUSIC | 1:15:20 | 1:15:23 | |
Bring it back. | 1:15:49 | 1:15:51 | |
That's a good rhyme. | 1:15:51 | 1:15:53 | |
That was good. | 1:15:53 | 1:15:55 | |
# Yo, moves a spade It's paid | 1:15:59 | 1:16:02 | |
# It's just not it My time's up, I'm gonna be out I'm gonna try to live | 1:16:02 | 1:16:06 | |
# I'll meet day by day | 1:16:06 | 1:16:07 | |
# Ain't nothin' sweet about it | 1:16:07 | 1:16:09 | |
# You know what I'm sayin'? | 1:16:09 | 1:16:10 | |
# Read about it | 1:16:10 | 1:16:13 | |
# Cover your ass But don't do the pill | 1:16:13 | 1:16:16 | |
# My shit's brill Manic depressive and my head hurts | 1:16:16 | 1:16:19 | |
# Gimme your dough and your ho And here, take this phone | 1:16:19 | 1:16:22 | |
# My things, I got things Make nigga spin | 1:16:22 | 1:16:24 | |
# Put niggas in the win Where you never see niggas again | 1:16:24 | 1:16:28 | |
# Bless a nigga with stitches | 1:16:28 | 1:16:30 | |
# And the straight fins will put pin stripes across your windpipe. # | 1:16:30 | 1:16:33 | |
ALL: Whooo! | 1:16:33 | 1:16:35 | |
LYRICS INDISTINCT | 1:16:43 | 1:16:45 | |
# ..With eight bullets left in the chamber | 1:16:49 | 1:16:51 | |
# Imagine the danger If you ain't got this bow tie thing... # | 1:16:51 | 1:16:54 | |
LYRICS INDISTINCT | 1:16:54 | 1:16:58 | |
# I got outside opposition I got stress on my mind | 1:17:00 | 1:17:02 | |
# I got inside opposition Comin' from my own kind... # | 1:17:02 | 1:17:05 | |
LYRICS INDISTINCT | 1:17:05 | 1:17:07 | |
# ..You niggas ought to be glad | 1:17:10 | 1:17:13 | |
# Cos if it wasn't for that man There'd be no controllin' us | 1:17:13 | 1:17:16 | |
# His body lay in red blood | 1:17:16 | 1:17:17 | |
# Twisted and broken His blood soakin' his clothes | 1:17:17 | 1:17:20 | |
# Looked like roses And Moses couldn't save him | 1:17:20 | 1:17:24 | |
# We didn't even know where he came And I said I'm religious. # | 1:17:24 | 1:17:27 | |
# It's a hard night like you heard | 1:17:38 | 1:17:43 | |
# Y'all, y'all | 1:17:45 | 1:17:48 | |
# A-huh, a-huh | 1:17:48 | 1:17:50 | |
# Check out, dance with me | 1:17:50 | 1:17:53 | |
# Sing! | 1:17:53 | 1:17:55 | |
# Standin' on the corner poppin' | 1:18:07 | 1:18:09 | |
# Drivin' some of the hottest cars New York's ever seen | 1:18:09 | 1:18:12 | |
# But droppin' some of the hardest verses rap has ever... | 1:18:12 | 1:18:15 | |
# From the dope spot where the smoke lock | 1:18:15 | 1:18:17 | |
# Fleeing the murder scene You know me well | 1:18:17 | 1:18:19 | |
# From nightmares of a lonely cell My only hell | 1:18:19 | 1:18:22 | |
# But since when y'all niggas know me to bail? Fuck, naw | 1:18:22 | 1:18:26 | |
# Where are my niggas with the rubber grips? | 1:18:26 | 1:18:28 | |
# And if you with me, mama Rubbin' your tits | 1:18:28 | 1:18:30 | |
# I'm from the school of the hard knocks | 1:18:30 | 1:18:34 | |
# We must not let outsiders violate our block | 1:18:34 | 1:18:37 | |
# Let's stick up the world and split it 50-50, uh-huh | 1:18:37 | 1:18:41 | |
# Let's take the dough and stay real jiggy | 1:18:41 | 1:18:42 | |
# Let's sip the Cris and get pissy pissy | 1:18:42 | 1:18:46 | |
# Flow imminently like the memory of my nigga Biggie, baby! # | 1:18:46 | 1:18:50 | |
# When I say B-I Y'all say G | 1:18:55 | 1:18:58 | |
-# B-I -G | 1:18:58 | 1:18:59 | |
# When I say R-I, y'all say P | 1:18:59 | 1:19:03 | |
-# R-I -P -R-I -P. # | 1:19:03 | 1:19:06 | |
Put the peace sign up for my nigga Biggie Small. | 1:19:06 | 1:19:08 | |
If you got your lighter, light your lighters for that nigga Tupac one time the night, ya. | 1:19:08 | 1:19:14 | |
Roll that shook 'em. | 1:19:20 | 1:19:22 | |
If I could give any MC a wish, it would be for ever RIP 20-30,000. | 1:19:22 | 1:19:28 | |
To the front to the back, like this, you know, rockin'. | 1:19:28 | 1:19:31 | |
I will just get in yours. | 1:19:31 | 1:19:33 | |
Don't let you outta my sight. | 1:19:37 | 1:19:39 | |
CJ, my whole fam, the whole goodfellas, the whole commission, | 1:19:39 | 1:19:44 | |
my ma, | 1:19:44 | 1:19:47 | |
playboy Jay-Z, | 1:19:47 | 1:19:48 | |
that's it. | 1:19:48 | 1:19:51 | |
# Baby, you know it's hell When I come good | 1:19:51 | 1:19:54 | |
# And like the time that your... # LYRICS INDISTINCT | 1:19:54 | 1:19:59 | |
People put your hands in the air. | 1:20:07 | 1:20:11 | |
We did it! | 1:20:24 | 1:20:26 | |
Let me explain to y'all what's going on now. | 1:20:26 | 1:20:30 | |
Check it out. This tour, they said it would never happen. | 1:20:30 | 1:20:34 | |
Too much violence, too much shit happening. | 1:20:34 | 1:20:37 | |
It's our 54th show, this is the last show. | 1:20:37 | 1:20:41 | |
DROWNED OUT BY CHEERING | 1:20:41 | 1:20:44 | |
There's a lot of improvement here. | 1:20:47 | 1:20:51 | |
Hold your hands up...Roughriders. | 1:20:54 | 1:20:58 | |
INDISTINCT | 1:21:00 | 1:21:03 | |
SHOUTING AND SCREAMING | 1:21:07 | 1:21:10 | |
Let me hear everyone in the audience say peace. | 1:21:19 | 1:21:24 | |
One, two, three... | 1:21:24 | 1:21:27 | |
Peace! | 1:21:27 | 1:21:28 | |
# Yeah yeah | 1:21:39 | 1:21:41 | |
# Memph Man, my nigga Tah Phife | 1:21:41 | 1:21:44 | |
# This one's for the family | 1:21:44 | 1:21:46 | |
# Understand me, yeah | 1:21:46 | 1:21:49 | |
# We gonna do it right | 1:21:49 | 1:21:51 | |
# For all these bitch ass niggas talkin' gangsta | 1:21:51 | 1:21:56 | |
# We dem killas, real, and in studio | 1:21:56 | 1:21:58 | |
# Check it out, yo | 1:21:58 | 1:22:00 | |
# Aiyo, this time it's for my family | 1:22:00 | 1:22:02 | |
# We ride or die It's in the blood till the death | 1:22:02 | 1:22:04 | |
# Now aim for the sky, my four blow Fo show, fo doe, for only | 1:22:04 | 1:22:07 | |
# It's money, drugs and hot slugs You know Bleek squeeze hammers till they nail me | 1:22:07 | 1:22:13 | |
# Fuckin' niggas tell me Street scholar, keep firin' is what they tell me | 1:22:13 | 1:22:17 | |
# Drug chemist Thug nigga be named Memphis | 1:22:17 | 1:22:20 | |
# Straight from da borough of dem BK niggas | 1:22:20 | 1:22:23 | |
Where we rob for the fun of it Hustle for the drug of it | 1:22:23 | 1:22:25 | |
# Rap money in rubba-bands Just for the love of it... # | 1:22:25 | 1:22:28 |