Sir John Dankworth at the BBC


Sir John Dankworth at the BBC

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Transcript


LineFromTo

Good evening. I'm Cleo Laine.

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And I met John Dankworth in 1951

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when he had a band called the Johnny Dankworth Seven.

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He hired me as his singer.

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In 1958, we got married,

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and we had a long and successful productive career together.

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Sadly he died this year

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and the world...not only the world but, I think, the family first

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were at a loss as to what to do without him,

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especially me, as we were joined at the hip.

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He was an amazing man,

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and tonight, I think we would like to show from the BBC archives

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what a great player and composer John Dankworth turned out to be.

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Mr Dankworth, Mr Lyttelton, the floor is yours.

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-Good morning, gentlemen.

-Good morning.

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Johnny and I are both bandleaders.

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What is the secret to keeping a band together as long as you do?

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You've got to have a gimmick, Humphrey.

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The one I use... I use a gimmick.

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It's giving money...

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LAUGHTER

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Yes, I can see that's very popular!

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APPLAUSE

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APPLAUSE

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And that music, the African Waltz, can only mean Johnny Dankworth and his Orchestra.

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APPLAUSE

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APPLAUSE

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The idea is that it's a bit of a take-off

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on Scrooge being visited by the three ghosts

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of jazz... of Christmas past, present and future.

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We've altered it to jazz past, present and future,

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and used an old Christmas carol.

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Dick, you play at B, a solo,

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keep it mainly round the melody, sort of Armstrongian and trad.

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Gus, you play at D,

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keep it fairly straightforward and so it might be mistaken as mainstream.

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LAUGHTER

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And Ken Wheeler, G,

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Ken Wheeler at G, can you blind us with science?

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No, at E. Blind us with science as much as possible

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with a sort of ultra-progressive solo.

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You'll find the backing might help you there.

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Let's have a go at it. Shall we, Jack?

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Yes. I'll take this as a rough, John.

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All right? Stand by, please.

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Stand by. Here we come.

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I'll give you a bar in. One, two, three, four...

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Now I'd like to sing a very beautiful ballad written by Johnny Scott

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and the words were written by Caryl Brahms.

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It's called Lazy Woman, or Woman Talk.

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# We sit alone

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# In the shade

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# Using the good day God made

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# Just gossiping till it's noon

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# Soon

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# What fazes you

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# And what thrills me

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# And what we think

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# Our men do

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# One lazy palm leaf

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# To hand

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# Two lazy ladies

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# Who just sit

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# Gossiping till it's noon

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# Soon

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# And if those men

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# Could only hear

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# What we ladies say

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# Woman-chatter, woman-talk

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# For men are to blame

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# Not understanding

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# They take, they break They're so demanding

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# Always they take Always they break

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# Always they play the clown

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# They're so incredibly lazy

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# They're so lazy that it's crazy

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# The things they do to you

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# They're always out Out and about the town, dear

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# And men are such liars

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# Such liars It's hard when men are so stubborn

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# What can you do? Really very stubborn

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# I put it to you

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# Oh, if only they could hear us talking

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# Only hear us talking See us sitting here

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# Sitting here and talking, dear

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# We're two girls with a grievance What will we do?

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# We would leave those men alone on their own

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# Yes, I'm putting it to you I'm putting it to you, dear

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# I put it to you If they were only here

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# Right here where they could hear I'd tell those men again

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# What they could do while we just sit alone

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# Sit alone in the shade

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# Using the good day God made

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# Just gossiping till it's noon

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# Soon

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# And if those men

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# Could only hear

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# What we ladies say

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# Woman-chatter, woman-talk

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# Woman-chatter, woman-talk

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# Women chatter

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# Women talk

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# Away. #

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APPLAUSE

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APPLAUSE

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APPLAUSE

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APPLAUSE

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# I was born on a Friday, yeah

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# Married on Friday too, baby

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# Born on a Friday

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# Married on Friday too

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# I did not believe in jinxes

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# Till the day that I met you

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# Don't want no more lovin'

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# I want to live on my own

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# Don't want no more lovin'

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# Want to live on my own

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# Then when payday comes around

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# I can call my money

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# My own

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# Yeah, yeah, yeah

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# Love is just a gamble

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# Just like shooting dice

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# Just my bad luck to get

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# Snake eyes twice

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# I'm an unlucky woman

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# Guess I was born

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# Guess I was born that way

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# And if any man can change it

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# He can move in any day

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# I don't want your excuses

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# I don't want your jive

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# I don't want you, Pappa

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# If you were the one man alive

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# Oh, no, no, no

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# Guess I was born

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# That way

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# And if any man change it

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# He can move in

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# Any day

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# And if any man can change it

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# He can move in

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# Any day

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# Oh, yeah. #

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Whoo!

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APPLAUSE

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# Why don't you come over for dinner?

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# We'll be so glad to see you

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# John and Sheila are coming for dinner

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# There'll be the four of us

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# Only the four of us

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# Phone rings, door chimes

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# In comes company

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# No strings, good times

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# Just chums' company

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# John and Sheila are coming for dinner

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# There'll be the four of us

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# Only the four of us

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# We love

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# Company... #

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# Make someone happy

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# Make just one someone happy

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# Make just one heart the heart

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# You sing to

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# One smile that cheers you

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# One face that lights when it's near you

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# One man

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BOTH: # You're everything to

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# Fame, if you win it

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# Comes and goes

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# In a minute

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# Where's the real stuff in life

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# To cling to?

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# Love is the answer

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# Someone to love is the answer

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BOTH: # Once you've found him

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# Build your world around him

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# Make someone happy

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# Make just one someone happy

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# And you will be happy too

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-COCKNEY ACCENT:

-# Make someone 'appy

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# Make just one someone 'appy

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# Make just one 'eart the 'eart

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# You cling to

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-YORKSHIRE ACCENT:

-# One smile that cheers you

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# One face that lights when it nears you

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# One man you're everything to

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# Fame, if you win it

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# Comes and goes

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# In a minute

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-FRENCH ACCENT:

-# Where is the real stuff in life

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# To cling to?

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-COCKNEY ACCENT:

-# Love is the answer

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-FRENCH ACCENT:

-# Someone to love is the answer

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-NORMAL VOICE:

-# Once you've found him

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BOTH: # Build your world around him

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# Make someone happy

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# Make just one someone happy

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# And you will be happy too

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# And you'll be happy too. #

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Evening, all.

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LAUGHTER

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# Just close your eyes

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# For that's a lovely way to be

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# Aware of things your heart alone

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# Was meant to see

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# The fundamental loneliness goes

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# Whenever two can dream a dream

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# Together

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# You can't deny

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# Don't try to fight the rising sea

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# Don't fight the moon

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# The stars above

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# And don't fight me

0:34:400:34:43

# The fundamental loneliness goes

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# Whenever two can dream a dream

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# Together

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# When I saw you first

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# The time was half past three

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# When your eyes met mine

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# It was eternity

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# So now you know

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# The wave is on its way to be

0:35:120:35:17

# Don't fight the wave

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# Don't be afraid of loving me

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# The fundamental loneliness goes

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# Whenever two can dream a dream

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# Together

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# Do-do-do-do-do-do

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# Do-do-do-do-do-do... #

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SHE SINGS TUNE IN HARMONY

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# When I saw you first

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# The time was half past three

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# When your eyes met mine

0:36:100:36:13

# It was eternity

0:36:130:36:17

# So now you know

0:36:170:36:19

# The wave is on its way to be

0:36:190:36:25

# Don't fight the wave

0:36:250:36:28

# Don't be afraid of loving me

0:36:280:36:33

# The fundamental loneliness goes

0:36:330:36:36

# Whenever two can dream a dream

0:36:360:36:39

# Together

0:36:390:36:41

# I want to be

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# With you

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# Only you

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# Let's get

0:36:560:36:58

# Let's get together now

0:36:580:37:00

# Let's get

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# Let's get together now

0:37:020:37:10

# Wave. #

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APPLAUSE

0:37:210:37:23

'To the huge delight of the audience,

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'guest star John Dankworth joins the Darlington Youth Big Band

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'to represent the 20th century in Cop This.

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'Their director Alf Hind launches them on their way.'

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CHEERING AND APPLAUSE

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'Tumultuous applause, deservedly,

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'for John Dankworth and the Darlington Youth Big Band.'

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We'd like to play, with the quintet,

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a tune which was actually written by Charlie Parker.

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The first time I heard it was on record.

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The second time I heard it was in a little club in 52nd street, The Three Deuces.

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There were three musicians, us three musicians,

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a hooker and a dog in the place.

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Nobody else. The place was empty, and Bird said, "What would you like to hear?"

0:42:070:42:12

And I shouted "Donna Lee."

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And they said, "Play Donna."

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That was the only conversation I ever had with Charlie Parker.

0:42:170:42:21

LAUGHTER

0:42:210:42:22

APPLAUSE

0:43:590:44:02

APPLAUSE

0:45:000:45:02

CHEERING AND APPLAUSE

0:45:590:46:01

APPLAUSE

0:46:530:46:55

# Do-do-do-do-do

0:47:020:47:04

SHE SINGS TUNE IN HARMONY

0:47:040:47:07

# Crazy rhythm, here's the doorway

0:47:100:47:12

# I'll go my way, you go your way

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# Crazy rhythm, from now on We're through, dear

0:47:150:47:17

# Here is where we have a showdown

0:47:180:47:21

# I'm too highbrow You're too low down

0:47:210:47:23

# Crazy rhythm It's goodbye to you, dear

0:47:230:47:26

# I know that when a highbrow meets a lowbrow

0:47:260:47:29

# Walking along Broadway

0:47:290:47:31

# Soon the highbrow, he has no brow

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# Ain't it a shame? And you're to blame

0:47:330:47:35

# What's the use of prohibition?

0:47:350:47:37

# You produce the same condition

0:47:370:47:39

# Crazy rhythm, I've gone crazy

0:47:390:47:42

# Going to get a crazy rhythm going

0:47:420:47:45

# Going to get a crazy rhythm flowing

0:47:460:47:50

# Till we've got a tune

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# We'll keep on trying

0:47:520:47:54

# Maybe very soon

0:47:540:47:56

# We will be flying

0:47:560:47:58

# Mesmerised

0:47:580:48:00

# By its persistence

0:48:000:48:02

# Troubles fading

0:48:020:48:04

# Into the distance

0:48:040:48:07

# Never really mind

0:48:070:48:08

# About inflation

0:48:080:48:11

# Soon you'll get a taste of this sensation

0:48:110:48:17

# Do-do-do-do-do... #

0:48:170:48:19

SHE SINGS TUNE IN HARMONY

0:48:190:48:21

# We've found a rhythm Oh, what a rhythm

0:48:350:48:38

# Crazy rhythm Do-do-do-do-do-da-da

0:48:390:48:41

# Do-do-do-do-da

0:48:410:48:42

# Such a crazy rhythm

0:48:430:48:45

# Do-do-do-ba

0:48:450:48:47

SHE SINGS TUNE IN HARMONY

0:48:470:48:49

SCAT SINGING IN HARMONY

0:48:550:48:57

# If I had the erudition

0:49:480:49:50

# Couldn't be a politician

0:49:500:49:53

# Only had just one ambition

0:49:530:49:54

# To be a great musician

0:49:540:49:56

# Now I have the disposition

0:49:560:49:59

# Do-do-do

0:49:590:50:01

# Crazy rhythm, here's the doorway

0:50:010:50:03

# Yes, you go your way I'll go my way

0:50:030:50:05

# Now's the time to put a final stop

0:50:050:50:08

# To crazy rhythm

0:50:090:50:12

# Ah-ah-ah-ah

0:50:120:50:14

# Crazy rhythm

0:50:140:50:17

# Crazy, crazy rhythm

0:50:170:50:20

# Crazy rhythm. #

0:50:200:50:22

CHEERING AND APPLAUSE

0:50:220:50:25

We are delighted to welcome Craig David into the studio.

0:50:250:50:29

-Yes!

-CHEERING AND APPLAUSE

0:50:290:50:31

Joined by one of Britain's jazz maestros, John Dankworth,

0:50:310:50:34

for a special arrangement that John put together for Craig. Craig David and Johnny Dankworth!

0:50:340:50:40

CHEERING

0:50:400:50:42

# Flava

0:50:430:50:44

# Tell me what's your flava, mmm

0:50:440:50:47

# What's your flava, girl? Yeah

0:50:470:50:50

-# What's your flava?

-Come on

0:50:500:50:53

-# Tell me what's your flava

-Baby, come on

0:50:530:50:56

-# What's your flava?

-Oh, tell me what's your flava, baby

0:50:560:50:59

# I just want to taste you Baby girl, oh

0:50:590:51:03

-# What's your flava?

-I got something to say up here

0:51:030:51:08

# I met this fly girl in the club Went by the name of Pecan Deluxe

0:51:080:51:12

# This ice cream was high maintenance

0:51:120:51:14

# When I took her out Man, it cost me 20 bucks

0:51:140:51:16

# Met this chick named Walnut Whip Nearly made me sick

0:51:160:51:19

# To the point of throwing up

0:51:190:51:20

# So I called Chocolate Chip With the sweet toffee crisp

0:51:200:51:23

# And I still can't get enough

0:51:230:51:25

# You're what I want, come on

0:51:250:51:27

# You're what I need

0:51:270:51:29

# I want to taste you

0:51:290:51:31

# Take you home with me, girl

0:51:310:51:33

# You look so good

0:51:330:51:35

# Good enough to eat

0:51:350:51:38

# I wonder if I could peel your wrapper

0:51:380:51:40

# Baby, oh

0:51:400:51:42

-# What's your flava?

-Baby, come on

0:51:420:51:44

-# Tell me what's your flava

-Baby, come on

0:51:440:51:47

-# What's your flava?

-I just want to taste you, baby girl

0:51:470:51:50

-# Come on

-What's your flava?

0:51:500:51:52

-# Oh, tell me what's your flava, baby

-What's your flava?

0:51:520:51:56

# Oh, yeah You know what?

0:51:560:51:59

# I take 'em in the middle of July

0:51:590:52:01

# With the drop top down in the park when it's summerin'

0:52:010:52:04

# This ice cream's looking so fly That I just can't lie

0:52:040:52:07

# It all seems too bewildering

0:52:070:52:08

# They got these grown men Running round, screaming out

0:52:080:52:11

# Acting worse than children

0:52:110:52:12

# But who flow? Better know

0:52:120:52:13

# Better stack Cheddar Get more tongues wetter

0:52:130:52:15

# This ice-cream's better than

0:52:150:52:17

-# You're what I want

-Oh, yeah

0:52:170:52:19

-# You're what I need

-You're what I need

0:52:190:52:21

-# I want to taste you

-Baby

0:52:210:52:23

-# Take you home with me

-Take you home with me

0:52:230:52:26

-# You look so good

-You look so good

0:52:260:52:28

# Good enough to eat

0:52:280:52:29

# I wonder if I can peel your wrapper, baby

0:52:290:52:33

-# Ooh

-Oh, oh, oh

0:52:330:52:34

-# Baby, come on

-Tell me what's your flava

0:52:340:52:38

-# I just want to taste you, baby

-Tell me what's your flava

0:52:380:52:42

# Tell me what's your flava, oh

0:52:420:52:45

# Baby, tell me what's your flava

0:52:450:52:48

# I just want to know that

0:52:480:52:50

# Baby, tell me what's your flava

0:52:500:52:53

# Girl, I want to know your flava

0:52:530:52:56

# Oooh, I want to know, want to know

0:52:560:53:00

# Oh, baby girl Tell me what's your flava

0:53:000:53:04

# Oh, oooh, baby, hey

0:53:040:53:09

# I'm taking 'em apple and cinnamon

0:53:090:53:11

# Girls, I'm feeling 'em Can't stop

0:53:110:53:13

# That's why they got me dribbling

0:53:130:53:15

# Hot fudge sauce on the soles of my Timberlands

0:53:150:53:17

# I take them caramel with a hint of vanilla

0:53:170:53:20

# With a little chocolate sprinkling That make me spend my dividends

0:53:200:53:24

# These sweet things make me feel like a kid again

0:53:240:53:27

-# Oh, oh, oh

-You're what I need

0:53:270:53:29

-# You're what I need

-I want to taste you

0:53:290:53:32

-# Take you home with me

-I want to take you home with me

0:53:320:53:36

# Baby, oooh

0:53:360:53:39

# I wonder if I can peel your wrapper

0:53:390:53:41

# Baby, come on, sing it with me

0:53:410:53:44

# Come on

0:53:440:53:46

# Oooh, oh, yeah

0:53:460:53:48

# I just want to taste you, baby girl

0:53:480:53:52

# What's your flava?

0:53:520:53:54

-# Tell me what's your flava

-Tell me what's your flava

0:53:540:53:58

# Oh

0:53:580:53:59

# I want some of that chocolate, girl

0:53:590:54:03

# Oh, oh

0:54:030:54:04

# I want some of that toffee all over your body

0:54:040:54:08

# I want some of that vanilla, baby

0:54:080:54:11

-# Oh

-Tell me what's your flava

0:54:110:54:14

# Oh, baby

0:54:140:54:16

# Tell me what's your flava. #

0:54:160:54:18

CHEERING AND APPLAUSE

0:54:180:54:20

Thank you.

0:54:200:54:22

So there was John playing with Craig David, What's Your Flava,

0:54:240:54:29

and a few years later, John and I were on the Jools Holland programme

0:54:290:54:35

playing our encore Fine And Mellow.

0:54:350:54:39

CHEERING AND APPLAUSE

0:54:390:54:41

# My man don't love me

0:54:540:54:57

# Oh, he treats me awful mean

0:54:580:55:00

# My man, he don't love me

0:55:030:55:06

# Cos he treats me awful mean, yeah

0:55:070:55:11

# He's the lowest man

0:55:130:55:16

# That I've ever seen

0:55:170:55:22

# He wears high-trimmed pants

0:55:230:55:26

# And the stripes are really yellow

0:55:260:55:31

# So yellow

0:55:310:55:33

# The stripes that he wears

0:55:340:55:37

# The stripes are really yellow

0:55:370:55:42

# But when he started to love me

0:55:450:55:48

# Oh, he's so fine He's so fine, he's so fine

0:55:480:55:52

# He's so fine He's so fine and mellow now

0:55:520:55:56

# Love will make you drink and gamble

0:55:560:55:58

# Stay out all night long

0:55:590:56:03

# Love will make you drink and gamble

0:56:070:56:09

# Drink and gamble

0:56:090:56:12

# Stay out all night long

0:56:120:56:16

# Love will make you do things

0:56:180:56:21

# That you know, you know, you know is wrong

0:56:220:56:25

# Oh

0:56:250:56:28

# Oh, oh, oh

0:56:280:56:30

# Oh, yeah

0:56:530:56:54

# Uh-huh

0:57:080:57:09

# Treat me right, baby

0:57:360:57:39

# And I will stay home every day

0:57:390:57:43

# Oh, oh, every day

0:57:430:57:46

# Why don't you treat me right, baby?

0:57:460:57:51

# And I'll stay home every day

0:57:510:57:54

# Oh, oh, oh, every day

0:57:550:57:58

# I know you're going to... #

0:57:590:58:00

SCAT SINGING IN HARMONY

0:58:000:58:02

# Going to drive me, drive me, drive me away

0:58:020:58:06

# So far away

0:58:060:58:10

# Love is like a faucet

0:58:100:58:12

# It turns on and it turns off

0:58:120:58:15

# And on

0:58:150:58:16

# Love is like a faucet, baby

0:58:210:58:24

# It turns on and turns off and on

0:58:240:58:28

# When you think it's on, baby

0:58:330:58:36

# It has turned off and gone

0:58:360:58:40

# Gone, gone

0:58:400:58:42

# Turned off and gone... #

0:58:420:58:45

SCAT SINGING IN HARMONY

0:58:450:58:47

CHEERING AND APPLAUSE

0:58:560:58:57

The wonderful Dame Cleo and John Dankworth!

0:59:010:59:04

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