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In 1993 a knife cut through a family, separating father and son | :00:05. | :00:13. | |
and mother and child. Following this tragedy was the open friction caused | :00:13. | :00:16. | |
and mother and child. Following this by the no convictions in the | :00:16. | :00:21. | |
subsequent trial. Stephen Lawrence was 18 at the time of the attack. | :00:21. | :00:25. | |
His only crime was being black. Despite a statement from a friend | :00:25. | :00:28. | |
who escaped the killers, witnesses described what they heard and seen, | :00:28. | :00:31. | |
the police investigation was biassed and flawed so justice was not served | :00:31. | :00:37. | |
for the murdered teen. But even though there was abuse from the | :00:37. | :00:39. | |
sceptics, the Lawrence family though there was abuse from the | :00:39. | :00:43. | |
refused to accept this. They challenged the superers, the | :00:43. | :00:47. | |
detectives and the systems of law and order. No spin, just the pain of | :00:47. | :00:52. | |
parents versus the court, the mac fer son report. Exposing the truth | :00:52. | :00:59. | |
of institutional racism which many had not given a personal thought. We | :00:59. | :01:03. | |
had no choice to work together for the simple fact we will share this | :01:04. | :01:07. | |
world together. None of us are leaving. If you need something to | :01:07. | :01:12. | |
believe in, let's have unity for Stephen. | :01:12. | :01:19. | |
Welcome to Unity. A concert for Stephen Lawrence. This is Plan B. | :01:19. | :03:29. | |
APPLAUSE Hello O 2. London, please give it up | :03:29. | :05:26. | |
one more time for the amazing Plan B. | :05:26. | :05:29. | |
Good evening and welcome to Unity, a concert for Stephen Lawrence. I'm | :05:29. | :05:35. | |
Reggie Yates, how you doing? Hello, Reggie Yates. Hello, Nick Grimshaw. | :05:35. | :05:40. | |
We are here with a bunch of friends to help commemorate 20 years of the | :05:40. | :05:43. | |
Stephen Lawrence Trust. Tonight is not about the party, but all about | :05:43. | :05:48. | |
the future, not about the past. Stephen's name represents positive | :05:48. | :05:51. | |
steps forward against racism here in Britain and we are here to help | :05:51. | :05:55. | |
raise awareness and celebrate the amazing work of the Stephen Lawrence | :05:55. | :05:57. | |
Trust. Indeed. The world of UK music has | :05:57. | :06:03. | |
united to create the amazing line-up we are bringing you. They are going | :06:03. | :06:07. | |
to perform big hits and a few you won't be expecting that they picked | :06:07. | :06:11. | |
specially for tonight. This line-up is good. Feel free to whoop the | :06:11. | :06:19. | |
following names. Emili Sande. Tiny Tempah's in the place. Ellie | :06:19. | :06:24. | |
Goulding is here. And Jessie J! | :06:24. | :06:27. | |
Nice. Among in others. Not only that, a | :06:27. | :06:31. | |
few surprises along the way and some very special guests too. | :06:31. | :06:35. | |
Time for the next act. Make some noise, please, for Jordan and | :06:35. | :06:44. | |
Harley, who you'll know as Rizzle Kicks. | :06:44. | :06:45. | |
Make some noise! # I said I'm living in a | :06:45. | :07:00. | |
# Lost generation # Living in a lost generation | :07:00. | :07:07. | |
# Lost my heart # Found my soul | :07:07. | :07:17. | |
# I'm living... # MUSIC: Rizzle Kicks - Lost | :07:17. | :07:22. | |
Generation MUSIC: Rizzle Kicks - Lost | :07:22. | :07:43. | |
Generation MUSIC: Rizzle Kicks | :07:43. | :08:48. | |
- Lost Generation. of rain will affect southern | :08:48. | :09:27. | |
England, OK, let's keep the music coming. | :09:28. | :10:29. | |
Fresh from dominating the summer festivals. Three MOBO nominations in | :10:29. | :10:35. | |
the bag and having just returned from Australia, they are not going | :10:35. | :10:40. | |
to let the jetlag stop them. Please, London, make some noise for the | :10:40. | :10:46. | |
mighty Rudimental. # If there is a future, we want it | :10:46. | :11:51. | |
and flawed # If there is a future, we want it | :11:51. | :13:21. | |
now. # If there is a future we want it | :13:21. | :13:31. | |
now Can we slow this down? | :13:31. | :14:20. | |
# If there is a future, we want it now | :14:20. | :14:28. | |
# If there is a future, we want it now | :14:28. | :14:33. | |
# If there is a future, we want it now | :14:33. | :14:42. | |
# If there is a future, we want it now | :14:42. | :14:54. | |
# To the rescue # To the rescue | :14:54. | :15:01. | |
# Give it up for Rudimental, please. | :15:01. | :15:17. | |
We have got some of the biggest names in music tonight and there is | :15:17. | :15:19. | |
good reason why they have given up names in music tonight and there is | :15:19. | :15:22. | |
their time for free. They are here to support the work done by the | :15:22. | :15:27. | |
Stephen Lawrence Trust. You may not know what they do, but it is pretty | :15:27. | :15:38. | |
amazing. Have a look. The Stephen Lawrence trust is all | :15:38. | :15:42. | |
about legacy and it is about opportunity and transformation. | :15:42. | :15:46. | |
The trust was started in memory of my son, after he died. Stephen | :15:46. | :15:50. | |
always wanted to be an architect. The idea was to make sure we give | :15:50. | :15:52. | |
always wanted to be an architect. other young peopling the same | :15:52. | :15:54. | |
opportunity that Stephen was not able to have. | :15:54. | :16:01. | |
And to make something positive and good out of his death. | :16:01. | :16:07. | |
I work for the trust and it is about transforming the lives of young | :16:07. | :16:11. | |
people. Particularly people from disadvantaged backgrounds and | :16:11. | :16:12. | |
people. Particularly people from supporting them to get professions | :16:12. | :16:19. | |
and to become the leaders of the future. | :16:19. | :16:26. | |
Their growth is stunted by their social circumstance. The importance | :16:26. | :16:30. | |
of Stephen Lawrence, one wants to breakthrough that and give everyone | :16:31. | :16:34. | |
the chance to succeed. We want to do what we can to make | :16:34. | :16:41. | |
what might seem the impossible, possible. | :16:41. | :16:45. | |
I got a bursary from the Stephen Lawrence Trust to study at one of | :16:45. | :16:52. | |
the most prestigious schools in the world which I couldn't have afforded | :16:52. | :16:59. | |
if I didn't get a bursary. The legacy is about positivity and | :16:59. | :17:01. | |
if I didn't get a bursary. The giving people the opportunities to | :17:01. | :17:04. | |
fulfil their dreams and dreams that Stephen couldn't fulfil himself. | :17:04. | :17:13. | |
The music concert is to help us achieve the positive things we want | :17:13. | :17:20. | |
to do in Stephen's memory. Unity is what the concert is about and what | :17:20. | :17:24. | |
we are trying to move forward with. Let's hear it one more time for the | :17:24. | :17:28. | |
trust. CHEERING AND APPLAUSE | :17:28. | :17:36. | |
The trust does an incredible job and the money raised goes to help enable | :17:36. | :17:45. | |
them to do more like people like Stephanie. That's why all these | :17:45. | :17:49. | |
artists are here this evening. Right, shall we have someone else on | :17:49. | :17:53. | |
the stage? Someone that's better than me and Reggie Yeates. This guy | :17:53. | :17:59. | |
hasn't played in the UK for over a year. He is fresh off the plane. I | :17:59. | :18:08. | |
have missed his beautiful face. Please make some noise for Mr Ed | :18:08. | :18:15. | |
Sheeran. Sepp | :18:15. | :18:22. | |
# White lips, pail face, breathing in snow flakes | :18:23. | :18:26. | |
# Burnt lungs, sour taste # Light's gone, day's end, | :18:26. | :18:30. | |
# Burnt lungs, sour taste struggling to pay rent | :18:30. | :18:34. | |
# Long night strange men # And they say, she's in the Class A | :18:34. | :18:38. | |
team # Stuck in her day dream, been in | :18:38. | :18:43. | |
way since 18 # But lately her face seems slowly | :18:43. | :18:47. | |
sinking, wasting # Crime bling like pastries, they | :18:47. | :18:51. | |
scream # The worst things in life come free | :18:51. | :18:59. | |
to us # Cos we are just under the upper nd | :18:59. | :19:05. | |
# And goes mad for a couple grammes # And she don't want to go outside | :19:05. | :19:07. | |
tonight # And she don't want to go outside | :19:07. | :19:10. | |
# And in a pipe she flies to the mother land | :19:10. | :19:13. | |
# Or sells love to another man # It's too cold outside for angels | :19:13. | :19:17. | |
to fly # Angels to fly | :19:17. | :19:25. | |
# Ripped gloves, rain coat, tried trying to swim | :19:25. | :19:27. | |
# Stay afloat # Dry house, wet clothes | :19:27. | :19:44. | |
# Loose change, bank notes, weary-eyed, dry throat | :19:44. | :19:48. | |
# Cool girl, no phone # And they say she's in the crass | :19:48. | :19:52. | |
Team # Stuck in her day dream | :19:52. | :19:55. | |
Team # Been this way since 18 | :19:55. | :19:59. | |
# But lately her face seems slowly sinking, wasting | :19:59. | :20:04. | |
# Crumbling like pastries, they scream | :20:04. | :20:07. | |
# The worst things in life come free to us | :20:07. | :20:13. | |
% % cos we are just under the upper hand | :20:13. | :20:16. | |
# And go mad for a couple grammes # But she don't want to go outside | :20:16. | :20:19. | |
tonight # And in a pipe she flies to the | :20:19. | :20:22. | |
mother land # Sells love to another man | :20:23. | :20:28. | |
# It's too cold outside for angels to fly | :20:28. | :20:37. | |
# An an angel will die # Covered in white. | :20:37. | :20:42. | |
# Closed eyes and hoping for a better life | :20:42. | :20:47. | |
# This time, we'll fade out night # Straight down the line | :20:47. | :20:55. | |
# # And they say | :20:55. | :21:18. | |
We welcome a singer who has been a long-term friend and supporter of | :21:18. | :21:24. | |
the Stephen Lawrence Trust. She has an incredible voice. Please make | :21:24. | :21:27. | |
some noise for Beverley Knight. # Come on, come on, come on, come | :21:27. | :21:57. | |
on, # Didn't I make you feel | :21:57. | :22:08. | |
# Like you were the only man # Didn't I give you everything that | :22:08. | :22:14. | |
a woman possibly can? # Each time I tell myself | :22:14. | :22:20. | |
# That I think I'm never giving up # I'm gonna show you London | :22:20. | :22:25. | |
# That this woman can be tough # I want you to come on, come on, | :22:25. | :22:29. | |
come on, come on # Let me hear you | :22:29. | :22:32. | |
# Take it # Take another little piece of my | :22:32. | :22:36. | |
heart now, baby # Break it | :22:36. | :22:40. | |
# Break another little piece of my heart now, baby | :22:40. | :22:44. | |
# Oh, have a # Have another little piece of my | :22:44. | :22:48. | |
heart now, baby # Oh, Lord | :22:48. | :22:51. | |
# You know you got it if it makes you feel good | :22:51. | :23:03. | |
# Let me come talk to you # You're out | :23:03. | :23:05. | |
# You're on the street # Looking good | :23:05. | :23:11. | |
# Hell, you know it ain't right now # Never ever, ever, ever hurt me | :23:11. | :23:18. | |
when I cry # Listen to me | :23:18. | :23:22. | |
# Each time I tell myself # That I think I can't stand the | :23:22. | :23:25. | |
pain # Lord when you hold me in your arms | :23:25. | :23:32. | |
# I'm standing there again # I want you to come on, come on, | :23:32. | :23:36. | |
come on, come on # Take it | :23:36. | :23:40. | |
# Take another little piece of my heart | :23:40. | :23:43. | |
# Do you hear me? ! # Break it | :23:43. | :23:49. | |
# Break another little piece of my heart | :23:49. | :23:51. | |
# Have a # Have another little piece of my | :23:51. | :23:54. | |
heart now, baby # You know you've got it if it makes | :23:54. | :24:09. | |
you feel good # Take a little piece of my heart | :24:09. | :24:14. | |
# Take another little piece of my heart | :24:14. | :24:17. | |
# Have another little piece of my heart | :24:17. | :24:19. | |
# All together now # You know you got it, if it makes | :24:19. | :24:21. | |
you feel good... # CHEERING AND APPLAUSE | :24:21. | :24:36. | |
It is time to welcome one of our very special guests this evening. | :24:36. | :24:39. | |
Someone who has been wracking up the golds this season. Please give it up | :24:39. | :24:43. | |
for Tottenham and England striker and friend of the Trust, Jermain | :24:43. | :24:50. | |
Defoe. I am delight to be here this evening | :24:50. | :24:53. | |
to support Doreen Lawrence and the I am delight to be here this evening | :24:53. | :25:01. | |
Stephen Foundation. Tonight I have been given a job. It is not about | :25:01. | :25:10. | |
the money, it is not about the bling, bling, ladies and gents, | :25:10. | :25:13. | |
Jessie J. CHEERING AND APPLAUSE | :25:13. | :25:30. | |
# Amazing grace # How sweet the sound | :25:30. | :26:00. | |
# That saved a wretch like me # I once was lost, but now I'm found | :26:00. | :26:17. | |
# Was blind, but now I see # It is great | :26:17. | :27:13. | |
# Have grace with me # Amazing grace | :27:14. | :27:39. | |
# Light shining bright # We know | :27:39. | :27:58. | |
# Amazing grace # How sweet the sound | :27:58. | :28:25. | |
# # I was lost # Now I am found | :28:25. | :28:42. | |
# I see, baby # Oh yeah | :28:42. | :28:59. | |
# I was found # I was blind | :28:59. | :29:28. | |
# But now, I can see # Thank you. | :29:28. | :29:31. | |
CHEERING AND APPLAUSE Can we hear it one more time for the | :29:31. | :29:36. | |
amazing Jessie J, please? CHEERING AND APPLAUSE | :29:36. | :29:40. | |
As one superstar leaves the stage, here is another. He is a | :29:40. | :29:42. | |
As one superstar leaves the stage, He is a singer and undoubtedly the | :29:42. | :29:49. | |
best dressed man in the room bar Reggie Yeates. His earthquake would | :29:49. | :29:55. | |
probably hit about a ten on the Richter scale. Can we make some | :29:55. | :30:04. | |
noise for Labrinth? CHEERING AND APPLAUSE | :30:04. | :30:17. | |
# Put your hands up in the air # Everybody put your hands up in the | :30:17. | :30:24. | |
air # Put your hands up | :30:24. | :30:38. | |
Let me see you go crazy # Let me see you go loopy | :30:38. | :30:48. | |
# Listen, say oggy, oggy, oggy, oi, oi, oi | :30:48. | :30:56. | |
# Ladies and gentlemen, this is something they call | :30:56. | :31:01. | |
# The ground-breaker # So let me apologise to the people | :31:01. | :31:16. | |
# Cos I make you have the earthquake # We'll be crashing it up | :31:16. | :31:30. | |
# Earthquake # We'll be crashing it up | :31:30. | :31:37. | |
# It's an earthquake # We can make an earthquake | :31:37. | :31:47. | |
# Ladies and gentlemen, what you're about to witness | :31:47. | :31:50. | |
# No illusion # And now we got the place burning | :31:50. | :31:55. | |
from here to Buckingham Palace # Full moon | :31:55. | :32:01. | |
# # Everybody rock | :32:01. | :32:06. | |
# Bring the house down # We'll be crashing us up | :32:06. | :32:08. | |
# Hey # We'll be crashing us up | :32:09. | :32:16. | |
# It's an earthquake # Come on, it's an earthquake | :32:16. | :32:22. | |
# I predict an earthquake # Throw bombs on it, just rain on it | :32:22. | :32:30. | |
# We can make an earthquake | :32:30. | :32:42. | |
# Hey # Yeah, yeah, no, no, no | :32:42. | :32:46. | |
# I predict an earthquake # Cos we throw bombs on it, throw | :32:46. | :32:53. | |
bombs on it, just smash on it # Yeah, yeah, | :32:53. | :32:55. | |
bombs on it, just smash on it # No, no, no | :32:55. | :33:01. | |
# We can make an earthquake # On a count of three I want to see | :33:01. | :33:06. | |
you on your worst behaviour # Ready to go crazy? | :33:06. | :33:12. | |
# One, two, three # Let me hear you say | :33:12. | :33:15. | |
# Yeah # I predict an earthquake | :33:15. | :33:19. | |
# Can't hear you say # I predict an earthquake | :33:19. | :33:24. | |
I predict an earthquake # Throw bombs on it | :33:24. | :33:34. | |
# Yeah # Now we can make an earthquake | :33:34. | :33:39. | |
# I'm in hell # Make some noise... % % | :33:39. | :33:50. | |
Give it up one more time for Labrinth. Stephen Lawrence grew up a | :33:50. | :34:01. | |
stone's throw from where we are tonight and so did our next guest, | :34:01. | :34:05. | |
stone's throw from where we are give it up for Tinie Tempah. | :34:05. | :34:14. | |
# We make the women and the cars and the cards out | :34:14. | :34:22. | |
# Let's have a toast, a celebration get a glass out | :34:22. | :34:25. | |
# And we can do this until we pass out | :34:26. | :34:28. | |
# Let it rain, let it pour away # We won't come down | :34:28. | :34:36. | |
# Until we hit the ground and pass out | :34:36. | :34:40. | |
# Yeah, I'm in charge now, I'm a star | :34:40. | :34:44. | |
# I live a very wildlife style # Heidi and Audrina eat your heart | :34:44. | :34:49. | |
out # I used to listen to you, don't | :34:49. | :34:53. | |
wanna bring my arms house # I got so much clothes | :34:53. | :35:01. | |
# I keep some in my aunt's house # Disturbing London baby, we about | :35:01. | :35:03. | |
to branch out # Soon I'll be the king like prince | :35:03. | :35:08. | |
Charles child # Yeah, yeah, the ain't nobody | :35:08. | :35:12. | |
fresher # Semester to semester, raving with | :35:12. | :35:18. | |
the fresher's--% we bring the stars out, we bring the women and the cars | :35:18. | :35:22. | |
and the cards out # Let's have a celebration, bring a | :35:22. | :35:27. | |
glass out # And we can do this until we pass | :35:27. | :35:30. | |
out # | :35:30. | :35:31. | |
Let it rain # Let it pour | :35:31. | :35:36. | |
# We won't come down # Until we hit the ground | :35:36. | :35:39. | |
# Hell yeah # Heliyes | :35:40. | :35:45. | |
# Boom, boom, boom # Boom, boom, boom | :35:45. | :35:51. | |
# Yeah they say hello and they say hola, never got to fly on a ncorde | :35:51. | :35:57. | |
# Been to Southampton but never been to Scunthorpe, | :35:57. | :36:12. | |
# Crazy with the chicks # I never ever walk her home | :36:12. | :36:18. | |
# DL the freaking foundation, I'm the corner stone | :36:19. | :36:23. | |
# I'm born famous, I sort of know # If your son doesn't, I bet your | :36:23. | :36:29. | |
daughter knows # Check out my visual | :36:29. | :36:33. | |
# Check out my audio # Extraordinary, you, hope you enjoy | :36:33. | :36:34. | |
the show # Extraordinary, you, hope you enjoy | :36:34. | :36:38. | |
# Yeah, yeah, we bring the stars out # We bring the women and the cars | :36:38. | :36:41. | |
and the cards out # And we can do this until we pass | :36:41. | :36:43. | |
out # Let it rain | :36:43. | :36:48. | |
# Let it pour away # We won't come down | :36:48. | :36:50. | |
# Until we pass out... # # Look at all the drama | :36:50. | :37:09. | |
# We started # Now I'm here laying on my ck | :37:09. | :37:15. | |
# Saying DJ, won't ya beginy one more track? | :37:15. | :37:19. | |
# Let it rain, let it pour away # We won't come down | :37:19. | :37:23. | |
# Until we hit the ground and pass out | :37:23. | :37:25. | |
# Let it rain # Let it pour away | :37:25. | :37:32. | |
# We won't come down # Until we hit the ground | :37:32. | :37:36. | |
# And then we pass out # I say pass, | :37:36. | :37:39. | |
# And then we pass out # You say out... | :37:39. | :37:50. | |
# I say tiny, you say Tempah... # I love you, London, peace and love! | :37:50. | :38:08. | |
Rest in peace, Stephen Lawrence. Our next guest collaborated with the | :38:08. | :38:12. | |
Rizzle Kicks. Please make noise for Jamie Cullum. | :38:12. | :38:26. | |
# It's getting late # Making my way over to my favourite | :38:26. | :38:31. | |
place # Got to get my body moving | :38:31. | :38:37. | |
# Shake the stress away # Wasn't looking for nobody when you | :38:37. | :38:41. | |
looked my way # Possible candidateyeah | :38:41. | :38:45. | |
# Who knew # That you'd be up in here looking | :38:45. | :38:49. | |
like you do # You're making staying over here | :38:49. | :38:52. | |
impossible # Baby, I must say your aura is | :38:52. | :38:56. | |
incredible # If you don't have to go, don't | :38:56. | :39:03. | |
# Do you know what you started? # I just came here to party | :39:03. | :39:08. | |
# Now we are rocking on the dance floor, acting naughty | :39:08. | :39:13. | |
# Your hands around my waist, just let the music play | :39:13. | :39:18. | |
# We are hand in hand, chest to chest | :39:18. | :39:19. | |
Now we are face to face # Cos I wanna take you away | :39:19. | :39:27. | |
# Let's escape into the music, DJ, let it play | :39:27. | :39:31. | |
# Like the way they do this # Keep on rocking to this | :39:31. | :39:36. | |
# Please don't stop the music # Please don't stop the, please | :39:36. | :39:40. | |
don't stop the music # I wanna take you away | :39:40. | :39:47. | |
# Let's escape into the music # DJ let it play | :39:47. | :39:51. | |
# Like the way you do this # Keep on rocking to it | :39:51. | :39:56. | |
# Please don't stop the music Please don't stop the music... | :39:56. | :40:05. | |
# I wanna take you away # Let's escape into the music | :40:05. | :40:09. | |
# DJ, let it play # Like the way you do this | :40:09. | :40:14. | |
# Please don't stop the music # Please don't stop the music | :40:14. | :40:19. | |
# Please don't stop the, please don't stop the, please don't | :40:20. | :40:23. | |
# Please don't stop the, please the music | :40:23. | :40:44. | |
# I decided to give you all of me # Baby come closer | :40:44. | :41:30. | |
# I decided to give you all of me # Here is Tinie | :41:30. | :41:33. | |
# Sexy Senorita, I feel you aura # Here is Tinie | :41:33. | :41:41. | |
# Jump out that motor # Here is Tinie | :41:41. | :41:43. | |
# Get in my flying # Here is Tinie | :41:43. | :41:45. | |
# I'll make you call me # Here is Tinie | :41:45. | :41:49. | |
# Even # Here is Tinie | :41:49. | :41:53. | |
# Baby # Here is Tinie | :41:53. | :41:57. | |
# When I say # Here is Tinie | :41:57. | :42:02. | |
# I'm young # Here is Tinie | :42:02. | :42:08. | |
# I'm tongue-in-cheek, so # Here is Tinie | :42:08. | :42:15. | |
me some tongue and drink slow and # Here is Tinie | :42:15. | :42:16. | |
Go on like a Jezzy # Here is Tinie | :42:16. | :42:21. | |
# Follow my lead, what you waiting for? | :42:21. | :42:25. | |
# Follow my lead, what you waiting tonight is your | :42:25. | :42:28. | |
# Follow my lead, what you waiting # Let me | :42:28. | :42:34. | |
# Follow my lead, what you waiting # Everybody | :42:34. | :42:38. | |
# Follow my lead, what you waiting One, two, one, | :42:38. | :42:42. | |
# Follow my lead, what you waiting # RIP to the girl I you | :42:42. | :42:47. | |
# Follow my lead, what you waiting # Her days are over, | :42:48. | :42:53. | |
# Follow my lead, what you waiting # I-I'm ready for | :42:53. | :42:58. | |
# Follow my lead, what you waiting # I decided to give you all | :42:58. | :43:00. | |
# Follow my lead, what you waiting I I'm ready for ya | :43:00. | :43:05. | |
# Follow my lead, what you waiting Nothing on, I strut | :43:05. | :43:07. | |
# Follow my lead, what you waiting # I do it big, I shut it | :43:07. | :43:10. | |
# Follow my lead, what you waiting # I wonder if you'll be able to | :43:10. | :43:13. | |
handle me # Mental pictures, no cameras | :43:13. | :43:18. | |
handle me # Oh, oh, I said, no cameras | :43:18. | :43:26. | |
handle me # Let me see your hands in the air! | :43:26. | :43:33. | |
handle me # RIP to the girl I you used to | :43:33. | :43:41. | |
handle me # Baby, | :43:41. | :43:45. | |
handle me # I decided to give you | :43:45. | :43:48. | |
handle me # Baby come closer, baby come closer | :43:48. | :43:56. | |
handle me # I I'm ready for you | :43:56. | :44:00. | |
# I'm ready for ya # I I'm ready for you | :44:00. | :44:07. | |
# I'm in control, but with you being # I I'm ready for you | :44:07. | :44:15. | |
# You don't seem to understand # I I'm ready for you | :44:15. | :44:18. | |
# I'm ready for ya # I I'm ready for you | :44:18. | :44:27. | |
# One more time # London, sing it! | :44:27. | :44:35. | |
# Let's go # RIP, to the girl you | :44:35. | :44:43. | |
# Let's go # Her | :44:43. | :44:46. | |
# Let's go # Baby, she's over | :44:46. | :44:49. | |
# Ready for ya # I decided to give you all of | :44:49. | :44:54. | |
# Ready for ya # Baby, come closer | :44:54. | :44:56. | |
# Baby come closer # Baby, come closer | :44:56. | :45:03. | |
# Oh, yeah, yeah, yeah, # Baby, come closer | :45:03. | :45:05. | |
yeah... # Give it up for Rita Ora, come on. | :45:05. | :45:29. | |
This next lady is about to hit stage. She had an incredible few | :45:29. | :45:49. | |
years. with her brand-new single, Burn. She | :45:49. | :46:00. | |
performed After the war we said we'd fight | :46:00. | :46:03. | |
together # I guess we thought that's just | :46:03. | :47:07. | |
what # I guess we thought that's just | :47:07. | :47:09. | |
# As if we need its its colour | :47:09. | :47:35. | |
# And now I know the truth # Now I know the | :47:35. | :47:39. | |
# And now I know the truth # That anything can | :47:39. | :47:42. | |
# Anything can happen # Anything can happen | :47:42. | :47:48. | |
# Anything could happen # Anything could happen | :47:48. | :48:03. | |
Oh, yeah # I'll give you everything | :48:03. | :48:09. | |
Oh, yeah # I'll | :48:09. | :48:14. | |
oh # But | :48:14. | :48:23. | |
oh # I know it's gonna | :48:23. | :48:29. | |
oh # I know it's | :48:29. | :48:30. | |
oh # I know | :48:31. | :48:32. | |
oh # I know it's gonna be | :48:32. | :48:38. | |
oh # I know it's gonna | :48:38. | :48:40. | |
oh # Oh yeah | :48:40. | :49:14. | |
CHEERING AND APPLAUSE Thank you, Danny. | :49:14. | :51:25. | |
I would like to take this Thank you, Danny. | :51:25. | :51:30. | |
opportunity to thank you Thank you, Danny. | :51:30. | :51:35. | |
support you have given Thank you, Danny. | :51:35. | :51:43. | |
family over the last 20 years. The struggle has been hard and | :51:43. | :51:51. | |
family over the last 20 years. you know, after nearly | :51:51. | :51:55. | |
family over the last 20 years. 2012 we | :51:55. | :51:59. | |
family over the last 20 years. the court when two | :51:59. | :52:04. | |
family over the last 20 years. sentenced for Stephen's murder. | :52:04. | :52:13. | |
The idea for the Unit Concert came about | :52:13. | :52:20. | |
The idea for the Unit Concert came to be remembered | :52:20. | :52:32. | |
The idea for the Unit Concert came He was well loved and had he been | :52:32. | :52:43. | |
The idea for the Unit Concert came because he did not differentiate | :52:43. | :52:57. | |
The idea for the Unit Concert came mission to transform the lives | :52:57. | :53:10. | |
The idea for the Unit Concert came them to | :53:10. | :53:24. | |
The idea for the Unit Concert came their time to | :53:24. | :53:42. | |
The idea for the Unit Concert came Trust and I would like to finish | :53:42. | :53:55. | |
The idea for the Unit Concert came very much. | :53:55. | :54:10. | |
The idea for the Unit Concert came You have had | :54:10. | :54:11. | |
The idea for the Unit Concert came CHEERING AND APPLAUSE | :54:11. | :54:17. | |
# You won't find him trying to chase to | :54:17. | :54:54. | |
# You won't find him trying to chase # For money, fame, for power out | :54:54. | :55:00. | |
# You won't find him trying to chase # You won't ever find him where the | :55:00. | :55:06. | |
# You won't find him trying to chase # You find him, you'll find him next | :55:06. | :55:08. | |
# Next to me, oooh # Next to me, oooh | :55:08. | :55:12. | |
Thank you so much for being here tonight and supporting such an | :55:12. | :55:18. | |
incredible tonight and supporting such an | :55:18. | :55:23. | |
You won't find him drinking at tonight and supporting such an | :55:23. | :55:29. | |
# Rolling dice and staying out till tonight and supporting such an | :55:29. | :55:37. | |
# You tonight and supporting such an | :55:37. | :55:46. | |
chase the tonight and supporting such an | :55:46. | :55:53. | |
# For money, fame or power out of grief | :55:53. | :56:00. | |
# For money, fame or power out of # You won't ever find him where the | :56:00. | :56:07. | |
# For money, fame or power out of next to | :56:07. | :56:07. | |
# For money, fame or power out of # Next to me | :56:07. | :56:10. | |
# For money, fame or power out of # You'll find him | :56:10. | :56:18. | |
# For money, fame or power out of # When | :56:18. | :56:23. | |
# For money, fame or power out of friends have | :56:24. | :56:30. | |
# For money, fame or power out of And I can't seem to find | :56:30. | :56:38. | |
# I know there's no need for me to pan | :56:38. | :56:47. | |
# I know there's no need for me to # When the | :56:47. | :57:00. | |
# I know there's no need for me to the tears from | :57:00. | :57:08. | |
# I know there's no need for me to # I will find him, I'll find | :57:08. | :57:10. | |
# Next to me # Ooh -hoo | :57:10. | :57:13. | |
# Next to me # I'll find | :57:13. | :57:14. | |
# Next to me # I'll find him next to | :57:14. | :57:22. | |
# Next to me # When the end has come and | :57:22. | :57:30. | |
# Next to me # When we spoilt | :57:30. | :57:39. | |
# Next to me # When everyone has lost their heads | :57:39. | :57:43. | |
# Next to me # Next to | :57:43. | :57:46. | |
# Ooh-hoo # Next to me | :57:46. | :57:53. | |
# You'll find him # You'll find him next to | :57:53. | :57:58. | |
# You'll find him # Yeah, yeah, next to me | :57:58. | :58:01. | |
# You'll find him # Ooh-hoo | :58:02. | :58:02. | |
# You'll find him # Next to me | :58:02. | :58:05. | |
# Ooh-hoo # Next to me | :58:05. | :58:09. | |
# Ooh-hoo # You will find | :58:09. | :58:13. | |
# Ooh-hoo # You'll find him next to | :58:13. | :58:17. | |
# Ooh-hoo Next to me | :58:18. | :58:19. | |
# Ooh-hoo Next to me | :58:19. | :58:21. | |
# Next to me Next to me | :58:21. | :58:24. | |
# Ooh-hoo Next to me | :58:25. | :58:29. | |
# Next to me # Ooh-hoo | :58:29. | :58:31. | |
# Next to me # You will find him, you'll find | :58:31. | :58:39. | |
# Next to me next to me... # | :58:39. | :58:44. |