Cymysg Cor Cymru
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Transcript
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-Subtitles | 0:00:00 | 0:00:00 | |
-Subtitles - -Subtitles | 0:00:00 | 0:00:02 | |
-The phrase choral giants is -bandied about rather too freely... | 0:00:14 | 0:00:19 | |
-..but tonight, it's justified... | 0:00:19 | 0:00:22 | |
-..as we have -mixed choirs and major choirs... | 0:00:22 | 0:00:25 | |
-..such as CF1 and Cordydd. | 0:00:25 | 0:00:27 | |
-Representing Cordydd, Huw Foulkes. | 0:00:27 | 0:00:31 | |
-Well done! | 0:00:31 | 0:00:33 | |
-A happy camp? | 0:00:33 | 0:00:34 | |
-Nervous but excited. | 0:00:35 | 0:00:37 | |
-A good sign. | 0:00:37 | 0:00:38 | |
-Eilir Owen Griffiths and CF1. | 0:00:38 | 0:00:41 | |
-Feel the tension. | 0:00:42 | 0:00:44 | |
-How's it going? | 0:00:44 | 0:00:46 | |
-Great. | 0:00:46 | 0:00:47 | |
-Looking forward -to a skinny dip later. | 0:00:48 | 0:00:50 | |
-Nice. You might find some company. | 0:00:50 | 0:00:53 | |
-The capital city heavyweights -won't bother Gwennan and ABC. | 0:00:53 | 0:00:57 | |
-These are the local favourites. | 0:00:58 | 0:01:00 | |
-Will the trophy -be staying in Aberystwyth? | 0:01:00 | 0:01:04 | |
-We've worked hard so we'll see. | 0:01:04 | 0:01:07 | |
-Good luck, ABC. | 0:01:07 | 0:01:09 | |
-It's always nice -to have fresh blood... | 0:01:11 | 0:01:13 | |
-..to bring some oomph -to the competition. | 0:01:13 | 0:01:16 | |
-Cor Dre from Caernarfon. | 0:01:16 | 0:01:17 | |
-Sian Wheway is the conductor -and they're excited. | 0:01:18 | 0:01:21 | |
-Representing North Wales! We're -going to sing our best, I hope. | 0:01:23 | 0:01:27 | |
-It's nice to have you here. | 0:01:28 | 0:01:29 | |
-It's going to be some night. -Good luck to all the choirs. | 0:01:30 | 0:01:34 | |
-We're ready for a cymanfa -of choral singing. | 0:01:36 | 0:01:39 | |
-We have a respectful audience... -on the whole... | 0:01:40 | 0:01:43 | |
-..and three accomplished judges. | 0:01:43 | 0:01:46 | |
-Maestro of the sacred choral music -world Professor Edward Higginbottom. | 0:01:46 | 0:01:51 | |
-From California, a composer -who has two Grammys to his name... | 0:01:51 | 0:01:55 | |
-..Christopher Tin. | 0:01:56 | 0:01:57 | |
-And Maria Guinan, an expert -in Latin American choral singing. | 0:01:57 | 0:02:02 | |
-In the pulpit, -ready with her sermon... | 0:02:03 | 0:02:06 | |
-..our soprano supremo -Elin Manahan Thomas. | 0:02:06 | 0:02:09 | |
-We'll hear from Elin -after the first choir has sung. | 0:02:09 | 0:02:13 | |
-Opening tonight's competition -and taking to the stage... | 0:02:13 | 0:02:17 | |
-..here are Cordydd from Cardiff. | 0:02:17 | 0:02:19 | |
-They're ready for a memorable day. | 0:02:19 | 0:02:21 | |
-Cordydd was formed back in 2000. | 0:02:24 | 0:02:26 | |
-We've competed twice in the past. | 0:02:26 | 0:02:29 | |
-We decided this year, since we -hadn't competed for a while... | 0:02:29 | 0:02:33 | |
-..we wanted to go for it again. | 0:02:34 | 0:02:36 | |
-We're a group of people -who meet weekly in Cardiff. | 0:02:36 | 0:02:39 | |
-We have members from 25 years old -all the way through to 50. | 0:02:40 | 0:02:43 | |
-A lot of the original members -are still with the choir... | 0:02:43 | 0:02:46 | |
-..and we've attracted new members. | 0:02:47 | 0:02:49 | |
-I'm new to the choir. -I joined in February. | 0:02:49 | 0:02:53 | |
-I've had a warm welcome. | 0:02:53 | 0:02:54 | |
-Everyone's been fab. | 0:02:54 | 0:02:55 | |
-He's the clown and the boss. -A clown, but a hard-working clown. | 0:03:01 | 0:03:06 | |
-Canada. | 0:03:09 | 0:03:10 | |
-We had a trip to Canada. | 0:03:11 | 0:03:12 | |
-We sang in a concert -in front of 1,100 people. | 0:03:13 | 0:03:16 | |
-That feeling -that we were singing as friends. | 0:03:16 | 0:03:19 | |
-The first to the bar... | 0:03:19 | 0:03:21 | |
-Elin Dimmick. | 0:03:24 | 0:03:25 | |
-When we finish at 9.00pm, -we get this. | 0:03:26 | 0:03:28 | |
-There one member who's eager to -put her chair back on the stack... | 0:03:30 | 0:03:34 | |
-..and leave the room -as soon as possible. | 0:03:34 | 0:03:38 | |
-I buy you a drink too. | 0:03:38 | 0:03:39 | |
-Come on! | 0:03:40 | 0:03:42 | |
-It's good to compete. It's -the best way to raise standards. | 0:03:42 | 0:03:46 | |
-It's hard work -but we enjoy doing it. | 0:03:47 | 0:03:50 | |
-Winning any competition -gives a choir confidence... | 0:03:50 | 0:03:54 | |
-..and that's a guarantee -that you're on the right track. | 0:03:55 | 0:03:59 | |
-No choir goes into a competition -to lose. | 0:03:59 | 0:04:03 | |
-Every choir tries to win. | 0:04:03 | 0:04:06 | |
-That's the message -I've always given the choir. | 0:04:06 | 0:04:10 | |
-Elin Dimmick -is the first to the bar... | 0:04:14 | 0:04:17 | |
-..but emerging first -from tonight's Cor Cymru is the aim. | 0:04:18 | 0:04:22 | |
-Please welcome Cordydd. | 0:04:22 | 0:04:24 | |
-We begin with an arrangement -of Latvian folk song. | 0:04:27 | 0:04:30 | |
-To some extent, the language -is phonetic just like Welsh... | 0:04:30 | 0:04:35 | |
-..but it's quite an attacking piece. | 0:04:35 | 0:04:38 | |
-I hope it grabs the audience's -attention from the first note. | 0:04:38 | 0:04:43 | |
-# Kalejs kala debesis | 0:04:48 | 0:04:50 | |
-# Kalejs kala debesis | 0:04:50 | 0:04:52 | |
-# Kalejs kala debesis | 0:04:52 | 0:04:58 | |
-# Kalejs kala debesis | 0:05:07 | 0:05:11 | |
-# Kalejs kala debesis | 0:05:11 | 0:05:14 | |
-# Kalejs kala debesis | 0:05:14 | 0:05:15 | |
-# Ogles bira Daugava | 0:05:15 | 0:05:21 | |
-# Ogles bira Daugava | 0:05:30 | 0:05:33 | |
-# Ogles bira Daugava | 0:05:33 | 0:05:35 | |
-# Kalejs kala debesis | 0:05:36 | 0:05:42 | |
-# Kalejs kala debesis | 0:05:42 | 0:05:46 | |
-# Kalejs kala | 0:05:46 | 0:05:48 | |
-# Kalejs kala | 0:05:48 | 0:05:50 | |
-# Ogles bira Daugava | 0:05:50 | 0:05:55 | |
-# Ogles bira Daugava | 0:05:56 | 0:05:59 | |
-# Ogles bira Daugava | 0:05:59 | 0:06:02 | |
-# Kalejs kala debesis -kalejs kala debesis | 0:06:03 | 0:06:04 | |
-# Kalejs kala debesis | 0:06:05 | 0:06:08 | |
-# Kalejs kala debesis | 0:06:09 | 0:06:12 | |
-# Saules meitas saktu kala | 0:06:12 | 0:06:15 | |
-# Zeltitiem burbuliem | 0:06:15 | 0:06:19 | |
-# Saktu kala # | 0:06:34 | 0:06:36 | |
-Another piece we'll be singing -is Let My Love Be Heard... | 0:06:42 | 0:06:46 | |
-..by American Jake Runestead. | 0:06:46 | 0:06:48 | |
-It's an emotional piece in terms -of the words with close harmonies. | 0:06:49 | 0:06:53 | |
-# Let my love be heard | 0:06:53 | 0:07:01 | |
-# Let my love be heard | 0:07:03 | 0:07:12 | |
-# Let my love be heard | 0:07:13 | 0:07:21 | |
-# Let my love be heard | 0:07:21 | 0:07:35 | |
-# Angels, where you soar | 0:07:41 | 0:07:46 | |
-# Up to God | 0:07:46 | 0:07:51 | |
-# Ah-ah-ah-ah | 0:07:51 | 0:07:57 | |
-# Ah-ah-ah-ah | 0:07:57 | 0:08:05 | |
-# Let my love | 0:08:09 | 0:08:14 | |
-# Be heard # | 0:08:14 | 0:08:23 | |
-The next piece is Weihnachten, -written by Mendelssohn. | 0:08:28 | 0:08:33 | |
-I hope it showcases -the values of choral singing. | 0:08:33 | 0:08:37 | |
-The chords are clear and concise. | 0:08:37 | 0:08:40 | |
-We want to offer -something different. | 0:08:40 | 0:08:43 | |
-# Frohlocket, ihr Volker auf Erden | 0:08:43 | 0:08:47 | |
-# Und preiset Gott! | 0:08:48 | 0:08:51 | |
-# Frohlocket, ihr Volker auf Erden | 0:08:51 | 0:08:55 | |
-# Der Heiland ist erschienen | 0:08:55 | 0:08:59 | |
-# Den der Herr verheiben | 0:08:59 | 0:09:03 | |
-# Er hat seine Gerechtigkeit -der Welt offenbaret | 0:09:04 | 0:09:12 | |
-# Halleluja! | 0:09:13 | 0:09:16 | |
-# Halleluja! | 0:09:16 | 0:09:17 | |
-# Halleluja! | 0:09:17 | 0:09:20 | |
-# Er hat seine Gerechtigkeit -der Welt offenbaret | 0:09:20 | 0:09:28 | |
-# Halleluja! | 0:09:28 | 0:09:30 | |
-# Halleluja! | 0:09:31 | 0:09:34 | |
-# Halleluja! | 0:09:34 | 0:09:36 | |
-# Halleluja! | 0:09:36 | 0:09:38 | |
-# Halleluja! | 0:09:38 | 0:09:40 | |
-# Halleluja! | 0:09:40 | 0:09:42 | |
-# Frohlocket, ihr Volker auf Erden | 0:09:42 | 0:09:46 | |
-# Halleluja! # | 0:09:46 | 0:09:54 | |
-Crucifixus by Antonio Lotti -was written many centuries ago. | 0:10:00 | 0:10:05 | |
-It requires independent voices... | 0:10:05 | 0:10:07 | |
-..that are aware -of the voices around them. | 0:10:08 | 0:10:10 | |
-We must make sure that the correct -style is expressed to the judges. | 0:10:11 | 0:10:15 | |
-# Pontio Pilato | 0:10:16 | 0:10:21 | |
-# Pontio Pilato | 0:10:21 | 0:10:27 | |
-# Pontio Pilato | 0:10:27 | 0:10:36 | |
-# Passus | 0:10:37 | 0:10:41 | |
-# Et sepultus est | 0:10:41 | 0:10:49 | |
-# Passus | 0:10:49 | 0:10:53 | |
-# Et sepultus | 0:10:53 | 0:11:15 | |
-# Et sepultus | 0:11:16 | 0:11:31 | |
-# Est # | 0:11:32 | 0:11:38 | |
-We've decided to sing -a traditional Welsh song... | 0:11:42 | 0:11:46 | |
-..to round off our repertoire. | 0:11:46 | 0:11:48 | |
-In a competition called Cor Cymru... | 0:11:48 | 0:11:51 | |
-..a choir from Wales should sing -a piece that's intrinsically Welsh. | 0:11:51 | 0:11:57 | |
-# Then the rock of ages keeps me | 0:11:57 | 0:12:03 | |
-# In the flood and fire strong | 0:12:03 | 0:12:10 | |
-# I will sing on heaven's billows | 0:12:10 | 0:12:17 | |
-# Rock of ages is my song | 0:12:17 | 0:12:24 | |
-# Amen, Amen | 0:12:27 | 0:12:30 | |
-# Amen, Amen | 0:12:30 | 0:12:35 | |
-# Amen, Amen | 0:12:35 | 0:12:38 | |
-# Amen | 0:12:39 | 0:12:40 | |
-# Amen | 0:12:40 | 0:12:44 | |
-# Amen | 0:12:44 | 0:12:51 | |
-# Amen # | 0:12:52 | 0:13:05 | |
-How did it go? How do you feel? | 0:13:13 | 0:13:15 | |
-We're all happy. We worked so hard. | 0:13:15 | 0:13:18 | |
-Huw's put in more hours than anyone -and we're so grateful. | 0:13:18 | 0:13:22 | |
-Before you disappear -to somewhere 'interesting'... | 0:13:26 | 0:13:29 | |
-..here's Elin with her comments. | 0:13:30 | 0:13:32 | |
-I don't know where to start. -The dynamic more than anything. | 0:13:32 | 0:13:36 | |
-The compass of their dynamic -was incredible. | 0:13:36 | 0:13:39 | |
-With so many members, -it's hard to sing quietly. | 0:13:39 | 0:13:42 | |
-When they sang quietly in the -second piece, p-p-p-pianissimo... | 0:13:42 | 0:13:47 | |
-..they succeeded. | 0:13:47 | 0:13:49 | |
-They didn't lose -the core sound in doing so. | 0:13:49 | 0:13:52 | |
-I like the way they changed -the sound of their voices... | 0:13:53 | 0:13:56 | |
-..for the different styles. | 0:13:56 | 0:13:58 | |
-The Weihnacht -was bright and Germanic. | 0:13:58 | 0:14:03 | |
-They changed their style completely. | 0:14:03 | 0:14:05 | |
-The Lotti, one of my favourite -pieces, but a challenging piece. | 0:14:05 | 0:14:10 | |
-You have to maintain the sound -and the conflict. | 0:14:10 | 0:14:14 | |
-I think they built -the dynamic and drama brilliantly. | 0:14:14 | 0:14:18 | |
-They closed their repertoire -with Craig Yr Oesoedd. A success? | 0:14:19 | 0:14:24 | |
-Yes, you could feel -the wall of sound. | 0:14:24 | 0:14:27 | |
-They didn't become too emotional -and wild, they kept their focus. | 0:14:28 | 0:14:34 | |
-The drama was maintained -by them holding themselves back. | 0:14:34 | 0:14:39 | |
-Were there any elements -that needed attention? | 0:14:40 | 0:14:43 | |
-Sometimes, -they could have rested a moment... | 0:14:44 | 0:14:46 | |
-..just to leave something -between movements... | 0:14:47 | 0:14:51 | |
-..or just breathe -and relax into it... | 0:14:51 | 0:14:54 | |
-..to own the stage -and own the music. | 0:14:54 | 0:14:57 | |
-As I said, that was an experience. | 0:14:57 | 0:15:00 | |
-I couldn't have asked -for better comments. | 0:15:01 | 0:15:04 | |
-It was an experience for us too... | 0:15:05 | 0:15:07 | |
-..and I'm glad Elin -could sit back and enjoy. | 0:15:07 | 0:15:10 | |
-It was so special and now, -I think we deserve a drink! | 0:15:10 | 0:15:14 | |
-You do deserve it. -Well done. Congratulations. | 0:15:14 | 0:15:18 | |
-The local choir are singing -on their home patch after the break. | 0:15:18 | 0:15:23 | |
-Will ABC from Aberystwyth -taste success tonight? | 0:15:23 | 0:15:27 | |
-. | 0:15:27 | 0:15:27 | |
-Subtitles | 0:15:34 | 0:15:34 | |
-Subtitles - -Subtitles | 0:15:34 | 0:15:36 | |
-The choir was formed in 1995. | 0:15:40 | 0:15:43 | |
-We were Aelwyd Bro Ceredigion -back then. | 0:15:43 | 0:15:46 | |
-We were all young back then. | 0:15:47 | 0:15:49 | |
-Aberystwyth - -the best place in the world. | 0:15:51 | 0:15:54 | |
-There's a cross-section -of professions and ages. | 0:15:54 | 0:15:59 | |
-We're from different parts of Wales. | 0:15:59 | 0:16:02 | |
-Cultured. | 0:16:03 | 0:16:04 | |
-Perfectionist. Energetic. | 0:16:04 | 0:16:06 | |
-Committed. | 0:16:06 | 0:16:08 | |
-Committed. - -We've had many good conductors... | 0:16:08 | 0:16:10 | |
-..but Gwennan has brought -something extra. | 0:16:10 | 0:16:13 | |
-I joined the choir five years ago. | 0:16:14 | 0:16:17 | |
-For the past three years, -I've been the conductor. | 0:16:17 | 0:16:20 | |
-We've been trying to develop the -repertoire and develop musically. | 0:16:21 | 0:16:26 | |
-I hope that's reflected -in the competition. | 0:16:26 | 0:16:29 | |
-Gwennan has the ability to give us -confidence to believe in ourselves. | 0:16:29 | 0:16:34 | |
-Yes, we can do it -and we're as good as anyone. | 0:16:34 | 0:16:38 | |
-Incredible highlights. | 0:16:38 | 0:16:40 | |
-Incredible highlights. - -The Eisteddfod. Cor Cymru. | 0:16:40 | 0:16:43 | |
-We're in a different league now. | 0:16:43 | 0:16:46 | |
-The tenors. | 0:16:46 | 0:16:48 | |
-The tenors. - -Us! | 0:16:48 | 0:16:49 | |
-I've no clue what they're doing but -something's going on all the time. | 0:16:51 | 0:16:55 | |
-Three tenors. The Three Tenors. | 0:16:55 | 0:16:57 | |
-Sometimes there's a four-line tenor. | 0:16:58 | 0:17:00 | |
-The fun - -that's as important as the music. | 0:17:02 | 0:17:06 | |
-We respect the other choirs. We'll -enjoy sharing a stage with them. | 0:17:08 | 0:17:13 | |
-It's chance for us to show -what we can do. | 0:17:13 | 0:17:15 | |
-We're playing at home. | 0:17:16 | 0:17:17 | |
-Anything is possible. | 0:17:18 | 0:17:20 | |
-Trump was elected. Brexit happened. -ABC could win Cor Cymru. | 0:17:20 | 0:17:24 | |
-It's not impossible. | 0:17:24 | 0:17:26 | |
-Trying to copy -Donald Trump's success... | 0:17:31 | 0:17:35 | |
-..this choir is ready -to make Aberystwyth great again. | 0:17:35 | 0:17:39 | |
-With their conductor -Gwennan Williams, here's Cor ABC. | 0:17:39 | 0:17:43 | |
-We open the competition with -Bogoroditsye Dyevo by Rachmaninov. | 0:17:44 | 0:17:49 | |
-It's a piece that gives us -an opportunity to sing legato. | 0:17:49 | 0:17:53 | |
-There's a lot of toing and froing. | 0:17:53 | 0:17:55 | |
-It suits the choir perfectly. | 0:17:55 | 0:17:58 | |
-# Bogoroditsye | 0:17:58 | 0:18:03 | |
-# Dyevo | 0:18:04 | 0:18:07 | |
-# Raduisya | 0:18:07 | 0:18:13 | |
-# Blagodatnaya | 0:18:14 | 0:18:23 | |
-# Mariye | 0:18:23 | 0:18:28 | |
-# Blagoslovyena | 0:18:29 | 0:18:36 | |
-# Ty v zhenakh | 0:18:37 | 0:18:43 | |
-# I blagoslovyen plod | 0:18:44 | 0:18:51 | |
-# Chryeva tvoyevo | 0:18:51 | 0:18:55 | |
-# Yako Spasa | 0:18:55 | 0:19:03 | |
-# Rodila | 0:19:03 | 0:19:08 | |
-# Yako Spasa | 0:19:09 | 0:19:13 | |
-# Rodila | 0:19:13 | 0:19:17 | |
-# Ah-ah-ah-ah-ah-ah | 0:19:18 | 0:19:25 | |
-# Yesi | 0:19:28 | 0:19:33 | |
-# Dush | 0:19:33 | 0:19:40 | |
-# Nashikh # | 0:19:41 | 0:19:56 | |
-Kala Kalla by Eric Whitacre -is a lively piece. | 0:20:00 | 0:20:04 | |
-The title is a play on words. | 0:20:04 | 0:20:06 | |
-The Hebrew words -'kala' and 'kalla'... | 0:20:06 | 0:20:08 | |
-..meaning white and bride, -are very similar. | 0:20:09 | 0:20:11 | |
-# U'vekalut Tishak hi li! | 0:20:12 | 0:20:20 | |
-# Kala kula sheli | 0:20:21 | 0:20:29 | |
-# Kala kalla | 0:20:30 | 0:20:35 | |
-# U'vekalut | 0:20:35 | 0:20:42 | |
-# Tishak, tishak hi li! | 0:20:42 | 0:20:46 | |
-# La la la la la la la la | 0:20:46 | 0:20:49 | |
-# La la la la la la la la | 0:20:49 | 0:20:51 | |
-# La la la la la la la la | 0:20:51 | 0:20:53 | |
-# La la la la la la la la | 0:20:53 | 0:20:55 | |
-# La la la la la la la la | 0:20:55 | 0:20:57 | |
-# La la la la la la la la | 0:20:58 | 0:20:59 | |
-# La la la la la la la la | 0:21:00 | 0:21:02 | |
-# La la la la la la la la # | 0:21:02 | 0:21:06 | |
-O Magnum Mysterium takes us back -to the Renaissance period. | 0:21:11 | 0:21:15 | |
-The four lines combine -to create wonderful harmonies. | 0:21:15 | 0:21:19 | |
-# Portare Dominum | 0:21:19 | 0:21:25 | |
-# Christum | 0:21:26 | 0:21:35 | |
-# Alleluia | 0:21:36 | 0:21:39 | |
-# Alleluia | 0:21:39 | 0:21:40 | |
-# Alleluia | 0:21:41 | 0:21:43 | |
-# Alleluia | 0:21:43 | 0:21:45 | |
-# Alleluia | 0:21:46 | 0:21:49 | |
-# Alleluia | 0:21:49 | 0:21:50 | |
-# Alleluia | 0:21:51 | 0:21:53 | |
-# Alleluia | 0:21:53 | 0:21:56 | |
-# Alleluia | 0:21:56 | 0:22:03 | |
-# Alleluia # | 0:22:03 | 0:22:16 | |
-Gosber was commissioned by the choir -about three years ago. | 0:22:21 | 0:22:24 | |
-The music was written -by Andrew Cusworth... | 0:22:25 | 0:22:28 | |
-..the words -by Dafydd John Pritchard. | 0:22:28 | 0:22:30 | |
-Both sing with the choir. | 0:22:30 | 0:22:32 | |
-A wonderful atmosphere -is created by the music... | 0:22:32 | 0:22:35 | |
-..to portray Dafydd's poetry. | 0:22:35 | 0:22:37 | |
-# There is | 0:22:37 | 0:22:42 | |
-# There is | 0:22:42 | 0:22:46 | |
-# A picture | 0:22:47 | 0:22:49 | |
-# A picture | 0:22:49 | 0:22:53 | |
-# Of a prayer | 0:22:53 | 0:22:58 | |
-# There is a picture | 0:22:59 | 0:23:03 | |
-# Of a prayer | 0:23:03 | 0:23:07 | |
-# There is a voice | 0:23:08 | 0:23:16 | |
-# There is a voice | 0:23:16 | 0:23:20 | |
-# A voice | 0:23:20 | 0:23:22 | |
-# Beside a sea | 0:23:23 | 0:23:28 | |
-# There is a voice | 0:23:30 | 0:23:34 | |
-# Beside a sea | 0:23:34 | 0:23:41 | |
-# And prayers | 0:23:44 | 0:23:51 | |
-# And prayers | 0:23:52 | 0:24:00 | |
-# In the oak trees | 0:24:01 | 0:24:06 | |
-# In the oak trees # | 0:24:07 | 0:24:19 | |
-We close our repertoire with -a swing piece, Fly Me To The Moon. | 0:24:25 | 0:24:31 | |
-It became popular -during the space race. | 0:24:31 | 0:24:34 | |
-The choir enjoy singing this piece. | 0:24:34 | 0:24:37 | |
-# Fly me to the moon -let me play among the stars | 0:24:37 | 0:24:43 | |
-# Let me see what spring is like -on Jupiter and Mars | 0:24:44 | 0:24:50 | |
-# In other words, please be true | 0:24:50 | 0:24:57 | |
-# In other words | 0:24:57 | 0:24:59 | |
-# I love you | 0:24:59 | 0:25:02 | |
-# Fly me to the moon | 0:25:04 | 0:25:08 | |
-# Let me swing among the stars | 0:25:08 | 0:25:11 | |
-# Let me see what spring is like -on Jupiter and Mars | 0:25:11 | 0:25:18 | |
-# In other words, hold my hand | 0:25:18 | 0:25:24 | |
-# In other words | 0:25:25 | 0:25:26 | |
-# Won't you kiss me | 0:25:27 | 0:25:29 | |
-# Kiss me, kiss me, kiss me | 0:25:30 | 0:25:33 | |
-# Fill my heart with song | 0:25:33 | 0:25:36 | |
-# Sing for ever more | 0:25:37 | 0:25:39 | |
-# You, you, you, you | 0:25:40 | 0:25:43 | |
-# I worship and adore | 0:25:43 | 0:25:47 | |
-# In other words -please be true, true, true | 0:25:47 | 0:25:53 | |
-# In other words, I love | 0:25:54 | 0:25:58 | |
-# You # | 0:26:00 | 0:26:02 | |
-You used to sing with the choir. | 0:26:09 | 0:26:11 | |
-You used to sing with the choir. - -For a little while. | 0:26:11 | 0:26:12 | |
-What's it like to be in charge? | 0:26:12 | 0:26:15 | |
-Lovely. I can choose the music -and shape things as I want them. | 0:26:15 | 0:26:21 | |
-Gwennan's worked wonders with them. | 0:26:21 | 0:26:24 | |
-The sound flowed, -the breathing flowed. | 0:26:24 | 0:26:28 | |
-That's difficult with a small choir, -three tenors, three bass. | 0:26:28 | 0:26:32 | |
-I like the way -they maintained the sound. | 0:26:33 | 0:26:36 | |
-She knew the shape -of every sentence. | 0:26:36 | 0:26:38 | |
-Every sentence was going somewhere. | 0:26:39 | 0:26:41 | |
-It was easy for the choir -to communicate from start to finish. | 0:26:41 | 0:26:45 | |
-I like the change of tone. | 0:26:45 | 0:26:47 | |
-With the Victoria, -we had brighter sounds... | 0:26:48 | 0:26:51 | |
-..and with Gosber, -you could have heard a pin drop. | 0:26:51 | 0:26:55 | |
-They maintained the sound -and the still chords. | 0:26:55 | 0:26:58 | |
-They were so still, so static. | 0:26:59 | 0:27:02 | |
-They started with Rachmaninov -and created that Russian ambience. | 0:27:02 | 0:27:06 | |
-That's what I liked - -that requires more mature voices. | 0:27:06 | 0:27:10 | |
-They created a rich sound -for the Russian piece. | 0:27:11 | 0:27:14 | |
-I also like Fly Me To The Moon -at the end. | 0:27:14 | 0:27:17 | |
-It's lighter, they enjoyed it... | 0:27:17 | 0:27:19 | |
-..but they kept their focus -and took great care with it. | 0:27:19 | 0:27:23 | |
-If you had a pot of choral polish... | 0:27:23 | 0:27:26 | |
-..which elements -would need a little shining? | 0:27:26 | 0:27:30 | |
-Start the notes together. -Breathe together. | 0:27:30 | 0:27:33 | |
-Create the same vowels -with your mouths. | 0:27:33 | 0:27:37 | |
-That will make the sound cleaner. | 0:27:38 | 0:27:40 | |
-Take care with the smaller notes -in Victoria. | 0:27:40 | 0:27:43 | |
-I really enjoyed the performance. | 0:27:43 | 0:27:45 | |
-As the ship's captain, it must be -good to hear words like that. | 0:27:46 | 0:27:50 | |
-The comments are wonderful. | 0:27:50 | 0:27:53 | |
-They've worked so hard, -they deserve those comments. | 0:27:53 | 0:27:57 | |
-Close the file for a while. | 0:27:57 | 0:28:00 | |
-It's closed! | 0:28:00 | 0:28:01 | |
-Well done, congratulations. | 0:28:02 | 0:28:04 | |
-After the break, Cor Dre's -first appearance on Cor Cymru. | 0:28:04 | 0:28:09 | |
-Aberystwyth will become Costa Cofi -in two minutes' time. | 0:28:10 | 0:28:14 | |
-. | 0:28:14 | 0:28:14 | |
-Subtitles | 0:28:21 | 0:28:21 | |
-Subtitles - -Subtitles | 0:28:21 | 0:28:23 | |
-The choir has 40 members. | 0:28:27 | 0:28:29 | |
-The youngest is still in school -and the eldest has two children. | 0:28:29 | 0:28:34 | |
-Cofis forever. | 0:28:36 | 0:28:37 | |
-If you've had a bad day, -there's nothing better than singing. | 0:28:38 | 0:28:42 | |
-They say you lose weight -when you sing. | 0:28:42 | 0:28:45 | |
-Especially if you're standing up. -I like it when Sian gets us up. | 0:28:45 | 0:28:49 | |
-I have natural singers in the choir. | 0:28:54 | 0:28:58 | |
-They all enjoy singing. -Enjoyment is part of our ethos. | 0:28:59 | 0:29:04 | |
-There's nothing better -on a Thursday... | 0:29:05 | 0:29:07 | |
-..than singing with 30 -of your friends and having a pint. | 0:29:07 | 0:29:10 | |
-She suits the choir. | 0:29:11 | 0:29:12 | |
-She suits the choir. - -She gets the best out of us. | 0:29:12 | 0:29:14 | |
-Mam. The conductor. | 0:29:21 | 0:29:23 | |
-We've had lots of highlights. | 0:29:24 | 0:29:26 | |
-The Pan-Celtic Festival. | 0:29:27 | 0:29:29 | |
-Performing in front of 20,000. | 0:29:30 | 0:29:32 | |
-We met Nicola Sturgeon -and Alex Salmond. | 0:29:32 | 0:29:35 | |
-The first to the bar - Rhydian. | 0:29:36 | 0:29:38 | |
-They've been saying nasty things -behind my back. | 0:29:40 | 0:29:43 | |
-I wasn't the first to the bar. -I made sure I wasn't. | 0:29:43 | 0:29:47 | |
-It's nice to know -that we have international judges... | 0:29:48 | 0:29:53 | |
-..and we were chosen -on our recording. | 0:29:53 | 0:29:56 | |
-That's a breath of fresh air. | 0:29:57 | 0:29:59 | |
-It would be amazing -to reach the final. | 0:29:59 | 0:30:02 | |
-It's our 10th anniversary and it -would make our celebration bonkers. | 0:30:02 | 0:30:08 | |
-Cheers. | 0:30:08 | 0:30:09 | |
-One thing is certain, there'll be -a huge party if the Cofis win. | 0:30:11 | 0:30:17 | |
-With their conductor Sian Wheway, -here's Cor Dre. | 0:30:17 | 0:30:21 | |
-We begin with Dies Irae by Mozart. | 0:30:22 | 0:30:26 | |
-It's a powerful piece which shows -the choir's vocal ability. | 0:30:26 | 0:30:31 | |
-# Dies irae | 0:30:31 | 0:30:34 | |
-# Dies irae | 0:30:34 | 0:30:37 | |
-# Solvet saeclum in favila | 0:30:37 | 0:30:40 | |
-# Teste David cum Sibyla | 0:30:40 | 0:30:43 | |
-# Quantus tremor est futurus | 0:30:46 | 0:30:50 | |
-# Quando judex est venturus | 0:30:50 | 0:30:55 | |
-# Cuncta stricte discusurus! | 0:30:55 | 0:31:00 | |
-# Dies irae | 0:31:04 | 0:31:07 | |
-# Dies irae | 0:31:08 | 0:31:10 | |
-# Solvet saeclum in favila | 0:31:11 | 0:31:13 | |
-# Teste David cum Sibylla | 0:31:13 | 0:31:16 | |
-# Quantus tremor est futurus | 0:31:19 | 0:31:23 | |
-# Quando judex est venturus | 0:31:23 | 0:31:28 | |
-# Cuncta stricte discusurus! | 0:31:28 | 0:31:33 | |
-# Quantus tremor est futurus | 0:31:34 | 0:31:36 | |
-# Dies irae, Dies irae | 0:31:37 | 0:31:40 | |
-# Quantus tremor est futurus | 0:31:40 | 0:31:43 | |
-# Dies irae, Dies irae | 0:31:43 | 0:31:46 | |
-# Quantus tremor est futurus | 0:31:47 | 0:31:50 | |
-# Quantus tremor est futurus | 0:31:50 | 0:31:53 | |
-# Quando judex est venturus | 0:31:54 | 0:31:57 | |
-# Cuncta stricte discusurus! | 0:31:57 | 0:32:00 | |
-# Cuncta stricte | 0:32:00 | 0:32:03 | |
-# Cuncta stricte discusurus! | 0:32:03 | 0:32:07 | |
-# Cuncta stricte | 0:32:07 | 0:32:09 | |
-# Cuncta stricte discusurus! # | 0:32:09 | 0:32:13 | |
-Our next piece is The Blue Bird -by Standford. | 0:32:23 | 0:32:27 | |
-It creates -a completely different atmosphere. | 0:32:28 | 0:32:32 | |
-# Blue in blue | 0:32:33 | 0:32:38 | |
-# A moment, ere the bird had passed | 0:32:38 | 0:32:46 | |
-# In blue | 0:32:46 | 0:32:48 | |
-# It caught | 0:32:48 | 0:32:52 | |
-# It caught | 0:32:52 | 0:32:55 | |
-# His image | 0:32:56 | 0:32:59 | |
-# His image as he flew | 0:32:59 | 0:33:13 | |
-# The lake lay blue | 0:33:14 | 0:33:22 | |
-# Below the hill # | 0:33:23 | 0:33:28 | |
-Next is Hodie, Christus Natus Est -by William Mathias. | 0:33:41 | 0:33:47 | |
-# Hodie, hodie, hodie, hodie | 0:33:47 | 0:33:50 | |
-# Hodie, hodie, hodie, hodie | 0:33:51 | 0:33:55 | |
-It offers different challenges. | 0:33:55 | 0:33:58 | |
-Harmonies, movement, various -restrictions within the voices. | 0:33:58 | 0:34:02 | |
-# Hodie, in terra canunt Angeli | 0:34:02 | 0:34:06 | |
-# Laetantur Archangeli | 0:34:06 | 0:34:07 | |
-# Laetantur Archangeli | 0:34:08 | 0:34:09 | |
-# Laetantur Archangeli | 0:34:10 | 0:34:11 | |
-# Hodie, hodie, hodie, | 0:34:11 | 0:34:15 | |
-# Hodie, hodie, hodie | 0:34:15 | 0:34:18 | |
-# Hodie exsultant justi | 0:34:18 | 0:34:21 | |
-# Hodie exsultant justi | 0:34:21 | 0:34:22 | |
-# Hodie exsultant justi | 0:34:23 | 0:34:25 | |
-# Dicentes, dicentes, dicentes | 0:34:25 | 0:34:27 | |
-# Gloria in excelsis Deo | 0:34:28 | 0:34:30 | |
-# Gloria in excelsis Deo | 0:34:30 | 0:34:32 | |
-# Gloria in excelsis Deo | 0:34:32 | 0:34:35 | |
-# Alleluia # | 0:34:35 | 0:34:41 | |
-Esgyniad by Hector Macdonald -is a new piece for us. | 0:34:44 | 0:34:48 | |
-It's a piece that splits into -six and sometimes seven voices. | 0:34:51 | 0:34:56 | |
-It sounds messy at times. | 0:34:56 | 0:34:59 | |
-There are cross-accented rhythms -throughout. | 0:34:59 | 0:35:02 | |
-When the voices come together, -the harmonies are wonderful. | 0:35:02 | 0:35:06 | |
-# You kept many company | 0:35:07 | 0:35:16 | |
-# Despite the long journey, -you gave without receiving | 0:35:16 | 0:35:22 | |
-# Despite the long, long journey | 0:35:23 | 0:35:27 | |
-# The larger the gap where your hand -led us to the day that came | 0:35:27 | 0:35:36 | |
-# Dum dum dum dum dum dum dum dum | 0:35:37 | 0:35:40 | |
-# You performed your miracles | 0:35:40 | 0:35:43 | |
-# In our midst | 0:35:44 | 0:35:46 | |
-# In our midst | 0:35:46 | 0:35:49 | |
-# You disappeared during sunrise | 0:35:49 | 0:35:52 | |
-# Morning dewdrops | 0:35:53 | 0:35:55 | |
-# Morning dewdrops | 0:35:55 | 0:35:57 | |
-# The larger the gap where you were -once company and our rock | 0:35:58 | 0:36:06 | |
-# The larger the gap where you were -once company and a rock | 0:36:06 | 0:36:13 | |
-# To us | 0:36:13 | 0:36:14 | |
-# Dum dum dum dum dum dum dum | 0:36:15 | 0:36:19 | |
-# Pa pa-da-ba-da | 0:36:19 | 0:36:23 | |
-# Once our rock # | 0:36:23 | 0:36:25 | |
-Ubi Caritas was written -by Norwegian composer Ola Gjeilo. | 0:36:31 | 0:36:35 | |
-It's a quiet piece, -a thoughtful prayer. | 0:36:35 | 0:36:39 | |
-The meaning of the words is "Where -charity and love are, God is there". | 0:36:40 | 0:36:47 | |
-# Ubi caritas et amor | 0:36:48 | 0:36:54 | |
-# Deus ibi est | 0:36:54 | 0:36:58 | |
-# Congregavit nos in unum | 0:36:59 | 0:37:05 | |
-# Christi amor | 0:37:05 | 0:37:09 | |
-# Christi amor | 0:37:10 | 0:37:19 | |
-# Amen # | 0:37:20 | 0:37:32 | |
-We close our repertoire -with Rhyfeddod. | 0:37:35 | 0:37:38 | |
-It's a Welsh song that's full of fun -about things we see around us... | 0:37:38 | 0:37:43 | |
-..in Eric Jones' special style. | 0:37:44 | 0:37:46 | |
-# The fifth is Twm Pengrin's mare | 0:37:47 | 0:37:52 | |
-# Doing the clog dance | 0:37:52 | 0:37:55 | |
-# In a petticoat and breeches | 0:37:55 | 0:37:58 | |
-# In a petticoat and breeches | 0:37:58 | 0:38:00 | |
-# In breeches, in breeches | 0:38:01 | 0:38:03 | |
-# In breeches, in breeches | 0:38:03 | 0:38:06 | |
-# This is the sixth one | 0:38:06 | 0:38:09 | |
-# It will make you laugh out loud | 0:38:09 | 0:38:14 | |
-# A great, big yellow snake | 0:38:15 | 0:38:18 | |
-# A great, big yellow snake | 0:38:18 | 0:38:21 | |
-# Trying, trying, trying -to handle a gun | 0:38:21 | 0:38:26 | |
-# Handle a gun! | 0:38:26 | 0:38:27 | |
-# Handle a gun? | 0:38:27 | 0:38:28 | |
-# Handle a gun? - -# Handle a gun! | 0:38:28 | 0:38:30 | |
-# Ah ah ah ah | 0:38:31 | 0:38:33 | |
-# Ah ah ah ah | 0:38:33 | 0:38:36 | |
-# The seventh | 0:38:36 | 0:38:38 | |
-# Is the last one | 0:38:39 | 0:38:42 | |
-# Nain's hen skinning the cat | 0:38:42 | 0:38:45 | |
-# Nain's hen skinning the cat | 0:38:45 | 0:38:47 | |
-# Skinning the cat, skinning the cat | 0:38:47 | 0:38:50 | |
-# Skinning the cat | 0:38:50 | 0:38:53 | |
-# To roast, to roast | 0:38:53 | 0:38:55 | |
-# To roast on the fire | 0:38:55 | 0:38:57 | |
-# To roast on the fire | 0:38:57 | 0:39:00 | |
-# To roast on the fire | 0:39:00 | 0:39:02 | |
-# To roast | 0:39:03 | 0:39:05 | |
-# On the fire | 0:39:06 | 0:39:08 | |
-# On the fire # | 0:39:08 | 0:39:15 | |
-This is your first appearance in -the competition. What was it like? | 0:39:23 | 0:39:28 | |
-Great. We'll be back after tonight. | 0:39:28 | 0:39:30 | |
-You're a group of friends. | 0:39:31 | 0:39:32 | |
-We socialise together, -have fun and sing. | 0:39:33 | 0:39:36 | |
-What else do you want in life? | 0:39:36 | 0:39:39 | |
-Who doesn't like a bit of Mozart? | 0:39:39 | 0:39:41 | |
-You're an expert. | 0:39:42 | 0:39:43 | |
-Dies Irae was a great choice. | 0:39:44 | 0:39:46 | |
-There's a lot of homophonic moves, -in chord blocks. | 0:39:46 | 0:39:49 | |
-That's their strength. | 0:39:49 | 0:39:51 | |
-There's a wall of sound, they're -bright and their vowels are clear. | 0:39:51 | 0:39:56 | |
-No soprano likes singing The Blue -Bird but their soloist was superb. | 0:39:57 | 0:40:02 | |
-Maintaining the sound underneath -her voice was hard work... | 0:40:02 | 0:40:07 | |
-..the same with the Mathias. | 0:40:07 | 0:40:09 | |
-The men did a great job -with the 'hodie'. | 0:40:09 | 0:40:12 | |
-It was nice to see Sian leading them -to where she wanted to go. | 0:40:12 | 0:40:15 | |
-They really followed her. | 0:40:16 | 0:40:18 | |
-She could create -waves of sound coming through. | 0:40:18 | 0:40:22 | |
-I also like the tight rhythm -in the most difficult parts. | 0:40:22 | 0:40:26 | |
-I like the way they come together... | 0:40:26 | 0:40:28 | |
-..to create the impression -that they enjoy singing. | 0:40:28 | 0:40:31 | |
-There's a freshness about them. | 0:40:32 | 0:40:34 | |
-Some things I'd look to change. | 0:40:35 | 0:40:37 | |
-Because the group sound -is so strong... | 0:40:37 | 0:40:40 | |
-..the sections need -a little polish... | 0:40:40 | 0:40:43 | |
-..to keep everything constant -in terms of standards. | 0:40:43 | 0:40:47 | |
-I really enjoyed listening to them. | 0:40:47 | 0:40:49 | |
-After hearing those comments, -how do you feel? | 0:40:50 | 0:40:53 | |
-I loved listening to what she -had to say so well done, everyone. | 0:40:54 | 0:40:57 | |
-We've reached the very top. | 0:40:57 | 0:40:59 | |
-We're glad to be here, -we enjoy singing... | 0:41:00 | 0:41:03 | |
-..and enjoyment is a big part -of our ethos. | 0:41:03 | 0:41:07 | |
-Congratulations. -Excellent, well done. | 0:41:07 | 0:41:10 | |
-The final choir, former winners -of the mixed choir competition. | 0:41:14 | 0:41:18 | |
-CF1 from Cardiff hope to repeat -their success after the break. | 0:41:18 | 0:41:22 | |
-Subtitles | 0:41:28 | 0:41:28 | |
-Subtitles - -Subtitles | 0:41:28 | 0:41:30 | |
-CF1 was formed -by a group of young people... | 0:41:34 | 0:41:37 | |
-..who'd moved to Cardiff, -back in 2002. | 0:41:37 | 0:41:41 | |
-The choir started as a youth choir -and has become a mixed choir. | 0:41:41 | 0:41:47 | |
-You couldn't have a more random -group of people. | 0:41:48 | 0:41:53 | |
-We're so different -but we share the same passion... | 0:41:53 | 0:41:58 | |
-..and we have the same targets. | 0:41:58 | 0:42:01 | |
-# Merry Christmas to everyone # | 0:42:01 | 0:42:04 | |
-We're not just a boring choir that -turn up and practise every week. | 0:42:04 | 0:42:08 | |
-We're a choir that has fun. | 0:42:09 | 0:42:11 | |
-Lots of laughter - -more laughter than singing. | 0:42:11 | 0:42:14 | |
-All over the place. | 0:42:16 | 0:42:18 | |
-All over the place. - -Eilir is bonkers. To be honest. | 0:42:18 | 0:42:21 | |
-Yes, but I wouldn't change him. | 0:42:21 | 0:42:23 | |
-He's the right person to lead CF1. -The choir's bonkers too. | 0:42:24 | 0:42:28 | |
-Being part -of the Aberfan memorial concert. | 0:42:30 | 0:42:33 | |
-CF1 has had many successes. -Choir of the Year 2014. | 0:42:34 | 0:42:38 | |
-A visit to India. -It's a varied life. | 0:42:38 | 0:42:43 | |
-CF1. | 0:42:43 | 0:42:44 | |
-The pinnacle was winning Cor Cymru -four years ago. | 0:42:47 | 0:42:51 | |
-We won the Mixed Choir competition. | 0:42:52 | 0:42:54 | |
-One of the choir turned -to me that night and said... | 0:42:55 | 0:42:59 | |
-.."The only thing -I had left to give you was blood." | 0:42:59 | 0:43:03 | |
-It would be great to win Cor Cymru. -We've competed before. | 0:43:03 | 0:43:08 | |
-We've not had the prize glory -of winning the main competition. | 0:43:08 | 0:43:14 | |
-It would be the icing on the cake -to win Cor Cymru. | 0:43:15 | 0:43:18 | |
-Come on, CF1. | 0:43:18 | 0:43:19 | |
-Icing or not, -CF1 have had a lot of success. | 0:43:24 | 0:43:27 | |
-Ready to bake a new choral cake -is Eilir Owen Griffiths with CF1. | 0:43:28 | 0:43:34 | |
-We begin with The Last Words -of David by Randall Thompson. | 0:43:36 | 0:43:40 | |
-A powerful opening. | 0:43:40 | 0:43:42 | |
-# He that ruleth over men | 0:43:43 | 0:43:51 | |
-# Must be just | 0:43:51 | 0:43:54 | |
-# Must be just | 0:43:54 | 0:43:58 | |
-# Must be just | 0:43:58 | 0:44:05 | |
-The second part, -the alleluia towards the end... | 0:44:06 | 0:44:10 | |
-..is very melodic. | 0:44:10 | 0:44:12 | |
-# Alleluia | 0:44:13 | 0:44:18 | |
-# Alleluia | 0:44:18 | 0:44:23 | |
-# Alleluia | 0:44:23 | 0:44:32 | |
-# Alleluia | 0:44:33 | 0:44:44 | |
-# Alleluia | 0:44:44 | 0:44:57 | |
-# Amen | 0:44:58 | 0:45:07 | |
-# Amen | 0:45:07 | 0:45:16 | |
-# Amen | 0:45:18 | 0:45:31 | |
-# Amen # | 0:45:32 | 0:45:44 | |
-One of my favourite pieces -by Rachmaninov... | 0:45:50 | 0:45:53 | |
-..is the simple Tebe Poyem. | 0:45:53 | 0:45:55 | |
-It requires quiet, careful singing. | 0:45:55 | 0:45:58 | |
-The soprano solo at the end -is sensational. | 0:45:58 | 0:46:02 | |
-# Blagoslovim | 0:46:02 | 0:46:08 | |
-# Tebye blagodarim | 0:46:08 | 0:46:15 | |
-# Gospodi | 0:46:15 | 0:46:21 | |
-# I molim | 0:46:21 | 0:46:25 | |
-# I molim | 0:46:26 | 0:46:32 | |
-# Ti sya | 0:46:32 | 0:46:38 | |
-# I molim | 0:46:46 | 0:46:51 | |
-# Ti sya | 0:46:51 | 0:46:57 | |
-# I molim | 0:46:57 | 0:47:03 | |
-# Ti sya | 0:47:03 | 0:47:10 | |
-# Bozhe nash | 0:47:11 | 0:47:25 | |
-# Bozhe | 0:47:25 | 0:47:40 | |
-# Nash # | 0:47:40 | 0:47:49 | |
-The prayer Let My Love Be Heard -by Jake Runestad... | 0:47:55 | 0:48:01 | |
-..begins so quietly -and builds when the angels appear. | 0:48:01 | 0:48:06 | |
-It builds to an incredible finale. | 0:48:06 | 0:48:10 | |
-If we sing this well, -I'll be a happy man. | 0:48:11 | 0:48:15 | |
-# Let my love be heard | 0:48:15 | 0:48:25 | |
-# Let my love be heard | 0:48:25 | 0:48:35 | |
-# Let my love be heard | 0:48:35 | 0:48:46 | |
-# Let my love be heard | 0:48:46 | 0:49:00 | |
-# Angels, where you soar | 0:49:06 | 0:49:11 | |
-# Up to God | 0:49:11 | 0:49:16 | |
-# Ah ah ah ah ah ah | 0:49:16 | 0:49:23 | |
-# Ah ah ah ah ah ah | 0:49:24 | 0:49:34 | |
-# Let my love | 0:49:37 | 0:49:43 | |
-# Be heard # | 0:49:43 | 0:49:55 | |
-We finish our repertoire -with Deus Ex Machina... | 0:50:01 | 0:50:06 | |
-..by Polish composer Neske. | 0:50:06 | 0:50:08 | |
-# Hirundo perdita lata tempestatibus | 0:50:08 | 0:50:13 | |
-# Nido meo ardeo | 0:50:13 | 0:50:18 | |
-# Subito | 0:50:18 | 0:50:20 | |
-It's an exciting rhythmic piece. | 0:50:20 | 0:50:24 | |
-It gives the choir an opportunity -to show what they can do. | 0:50:24 | 0:50:28 | |
-# Gaudium recipio | 0:50:28 | 0:50:30 | |
-# Me non paenitet condicio | 0:50:30 | 0:50:33 | |
-# Deus mecum subito | 0:50:33 | 0:50:35 | |
-# Gaudium recipio | 0:50:38 | 0:50:40 | |
-# Me non paenitet condicio | 0:50:40 | 0:50:42 | |
-# Deus mecum subito | 0:50:42 | 0:50:45 | |
-# Gaudium recipio | 0:50:48 | 0:50:50 | |
-# Me non paenitet condicio | 0:50:50 | 0:50:52 | |
-# Deus mecum subito | 0:50:52 | 0:50:55 | |
-# Gaudium recipio | 0:50:57 | 0:50:59 | |
-# Me non paenitet condicio | 0:50:59 | 0:51:01 | |
-# Deus ex machina | 0:51:02 | 0:51:04 | |
-# Deus ex machina | 0:51:04 | 0:51:07 | |
-# Deus ex machina | 0:51:07 | 0:51:09 | |
-# Deus ex machina, ecce | 0:51:09 | 0:51:11 | |
-# Deus ex machina | 0:51:12 | 0:51:14 | |
-# Deus ex machina | 0:51:14 | 0:51:16 | |
-# Deus ex machina | 0:51:17 | 0:51:19 | |
-# Deus, deus ex machina | 0:51:21 | 0:51:23 | |
-# Deus ex machina | 0:51:23 | 0:51:26 | |
-# Deus ex machina | 0:51:26 | 0:51:28 | |
-# Deus ex machina, ecce | 0:51:28 | 0:51:30 | |
-# Deus ex machina | 0:51:30 | 0:51:33 | |
-# Deus ex machina | 0:51:33 | 0:51:35 | |
-# Deus ex machina | 0:51:35 | 0:51:37 | |
-# Ex machina venisti -et sine miseria vivam | 0:51:40 | 0:51:47 | |
-# Deo laetius fortius vivo et gaudeo | 0:51:47 | 0:51:54 | |
-# Me inventisti laeta fortuna | 0:51:54 | 0:51:59 | |
-# Ex machina venisti -et sine miseria vivam | 0:51:59 | 0:52:06 | |
-# Deo laetius fortius vivo et gaudeo | 0:52:07 | 0:52:13 | |
-# Me inventisti laeta fortuna | 0:52:13 | 0:52:18 | |
-# Deus, deus ex machina | 0:52:18 | 0:52:20 | |
-# Deus ex machina | 0:52:23 | 0:52:25 | |
-# Deus, deus ex machina | 0:52:27 | 0:52:30 | |
-# Deus, deus, deus | 0:52:31 | 0:52:34 | |
-# Deus ex machina | 0:52:34 | 0:52:35 | |
-# Deus ex machina # | 0:52:36 | 0:52:38 | |
-The four choirs have sung. | 0:52:49 | 0:52:51 | |
-After the break, we talk to CF1, -we'll hear Elin's comments... | 0:52:51 | 0:52:56 | |
-..and of course, the result. | 0:52:56 | 0:52:58 | |
-. | 0:52:59 | 0:52:59 | |
-Subtitles | 0:53:05 | 0:53:05 | |
-Subtitles - -Subtitles | 0:53:05 | 0:53:07 | |
-Welcome back to Aberystwyth. -CF1 closed the competition. | 0:53:10 | 0:53:14 | |
-They're backstage with Heledd. | 0:53:14 | 0:53:17 | |
-Did you enjoy the experience? | 0:53:19 | 0:53:20 | |
-Did you enjoy the experience? - -Yes, it was great. | 0:53:20 | 0:53:22 | |
-It went as well as expected. -We're happy. | 0:53:22 | 0:53:26 | |
-I can see pink shoes. -What's the idea behind them? | 0:53:26 | 0:53:30 | |
-We've worn pink shoes -for a few years. | 0:53:31 | 0:53:33 | |
-It brings a theme to CF1. | 0:53:33 | 0:53:35 | |
-Pink is the theme! | 0:53:36 | 0:53:38 | |
-Here's what you can do -with a four-part choir. | 0:53:38 | 0:53:42 | |
-They were a polished choir, -right from the start. | 0:53:42 | 0:53:46 | |
-They owned the stage. -They're almost professional. | 0:53:46 | 0:53:48 | |
-It's like a team of soloists -brought together. | 0:53:49 | 0:53:52 | |
-The voices are bright, -the vowels were united. | 0:53:52 | 0:53:56 | |
-Every mouth moved as one. | 0:53:56 | 0:53:59 | |
-I like the way -they embrace the words. | 0:53:59 | 0:54:02 | |
-They enjoy their consonants -and Eilir shapes everything. | 0:54:02 | 0:54:07 | |
-He knows at the start of -every sentence where it's going. | 0:54:07 | 0:54:11 | |
-That helps the singers, they know -when to breathe and how to pace it. | 0:54:11 | 0:54:16 | |
-There were only four songs -in the repertoire... | 0:54:16 | 0:54:21 | |
-..and three had religious links. | 0:54:21 | 0:54:24 | |
-Was there enough variety? | 0:54:24 | 0:54:27 | |
-The only thing I was going to -mention, since they only had four... | 0:54:27 | 0:54:31 | |
-..they could have added one more -or changed the repertoire... | 0:54:31 | 0:54:35 | |
-..just to make life easier -for themselves. | 0:54:35 | 0:54:38 | |
-Some Brahms, Schubert or Handel... | 0:54:38 | 0:54:41 | |
-..just to make life easier. | 0:54:42 | 0:54:44 | |
-Having said that, they all -left smiling so they enjoyed it. | 0:54:44 | 0:54:48 | |
-An experienced choir, -a professional sound, very polished. | 0:54:48 | 0:54:52 | |
-That's what Elin had to say. -How does that sound? | 0:54:52 | 0:54:56 | |
-I don't think I've had all three -at the same time before. | 0:54:56 | 0:55:00 | |
-We have different things -said about the choir... | 0:55:00 | 0:55:05 | |
-..and having all three in -the same sentence means a lot to me. | 0:55:05 | 0:55:09 | |
-The effort, the sweating -and the singing is over. | 0:55:09 | 0:55:13 | |
-The only thing the four choirs -can do now is wait eagerly... | 0:55:13 | 0:55:17 | |
-..for the decision of -our three international judges. | 0:55:17 | 0:55:22 | |
-Professor Edward Higginbottom -was the first person... | 0:55:24 | 0:55:27 | |
-..to become Professor of -Choral Music in Oxford University. | 0:55:28 | 0:55:31 | |
-He's recorded over 100 CDs... | 0:55:32 | 0:55:34 | |
-..and he's an international-renowned -expert in sacred choral music. | 0:55:34 | 0:55:39 | |
-Award-winning Maria Guinan -comes from Venezuela. | 0:55:41 | 0:55:44 | |
-She's a consultant -and coordinator of El Sistema... | 0:55:45 | 0:55:48 | |
-..a project where the -less fortunate are given... | 0:55:48 | 0:55:51 | |
-..musical education -and opportunities. | 0:55:51 | 0:55:54 | |
-Composer Christopher Tin -has won two Grammys... | 0:55:54 | 0:55:58 | |
-..one for composing music for -a video game for the song Baba Yetu. | 0:55:59 | 0:56:05 | |
-After deliberating, -one choir caught their attention. | 0:56:07 | 0:56:11 | |
-Here's why. | 0:56:12 | 0:56:13 | |
-We didn't toss a coin... | 0:56:13 | 0:56:14 | |
-..but we had to put an emphasis -on certain characteristics... | 0:56:14 | 0:56:18 | |
-..of one of these choirs -to discern the winner. | 0:56:18 | 0:56:21 | |
-There was no weakness -within the sound of the choir. | 0:56:22 | 0:56:25 | |
-It was very cohesive, top to bottom. | 0:56:26 | 0:56:28 | |
-That's why they won. | 0:56:28 | 0:56:30 | |
-This is a great instrument - -strong voices and sections. Solid. | 0:56:33 | 0:56:38 | |
-This choir sung from the heart, -with feeling. | 0:56:38 | 0:56:42 | |
-If it had been possible -to award two firsts... | 0:56:46 | 0:56:48 | |
-..we would have been pleased -to do it. | 0:56:49 | 0:56:51 | |
-The choirs are on tenterhooks. | 0:56:53 | 0:56:55 | |
-Before hearing the result, -how does Elin see it? | 0:56:55 | 0:56:59 | |
-I've said this every time -but tonight... | 0:56:59 | 0:57:02 | |
-..I was astonished by the standard. | 0:57:03 | 0:57:05 | |
-You know how much I respect you, -choirs and conductors. | 0:57:05 | 0:57:09 | |
-Which one? | 0:57:13 | 0:57:14 | |
-Which one? - -For the passion, Cordydd. | 0:57:14 | 0:57:16 | |
-Thank you, Elin. | 0:57:17 | 0:57:19 | |
-Does the trio agree with Elin? | 0:57:19 | 0:57:21 | |
-Professor Higginbottom, -the result, please. | 0:57:22 | 0:57:24 | |
-The winning choir is... | 0:57:25 | 0:57:28 | |
-..Cordydd. | 0:57:41 | 0:57:43 | |
-Huw, congratulations. | 0:58:16 | 0:58:18 | |
-Congratulations to Cordydd. | 0:58:18 | 0:58:21 | |
-From the emotion and the response... | 0:58:21 | 0:58:24 | |
-..by the choir and the audience... | 0:58:25 | 0:58:27 | |
-..this victory means a lot to you. | 0:58:27 | 0:58:30 | |
-It's been a challenging -and difficult time. | 0:58:30 | 0:58:34 | |
-This is almost a new choir, so many -new members, former members... | 0:58:35 | 0:58:42 | |
-..it's fantastic! | 0:58:42 | 0:58:43 | |
-Huw and Cordydd, congratulations. -Enjoy your celebration. | 0:58:44 | 0:58:47 | |
-That's all from a noisy -and happy Aberystwyth. | 0:58:48 | 0:58:54 | |
-Thanks to all the choirs -for competing. | 0:58:54 | 0:58:57 | |
-The performances and adjudications -are on our website. | 0:58:57 | 0:59:02 | |
-For now, we say goodbye to the -sound of the winning choir Cordydd. | 0:59:02 | 0:59:06 | |
-Goodnight. | 0:59:06 | 0:59:07 | |
-# Amen, Amen | 0:59:11 | 0:59:14 | |
-# Amen, Amen | 0:59:14 | 0:59:19 | |
-# Amen, Amen | 0:59:19 | 0:59:22 | |
-# Amen | 0:59:23 | 0:59:24 | |
-# Amen, Amen | 0:59:24 | 0:59:28 | |
-# Amen | 0:59:28 | 0:59:35 | |
-# Amen # | 0:59:36 | 0:59:49 | |
-S4C Subtitles by Adnod Cyf. | 0:59:51 | 0:59:53 | |
-. | 0:59:53 | 0:59:54 |
