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A nice shiny Let It Shine desk for our shiny judges. | :00:00. | :00:08. | |
Got the lipstick marks still on Gary's coffee cup. | :00:09. | :00:13. | |
Right, I think we're nearly ready for the first live show. | :00:14. | :00:15. | |
Another hour's rehearsal? Like that'll make any difference! | :00:16. | :00:20. | |
No, what we need is a snappy, high-octane recap to | :00:21. | :00:22. | |
remind everyone of what's happened so far. | :00:23. | :00:24. | |
Our boys trilled and thrilled their way to star-studded success in their | :00:25. | :00:38. | |
solo auditions. It feels like everything has been | :00:39. | :00:47. | |
building towards this. Their choreography, kicking and | :00:48. | :00:53. | |
singing their way to success. I can't wait to see what they are | :00:54. | :00:58. | |
going to do. Tonight, they are battling for your | :00:59. | :01:02. | |
vote. All bets are off from here on in. | :01:03. | :01:28. | |
Let's kick tonight off with an acapella battle! | :01:29. | :01:42. | |
OK, gents, you fought your way to get here but now it's time to | :01:43. | :01:46. | |
Each of your groups must step in to fight it out, | :01:47. | :01:50. | |
using nothing but the strength of your voices. | :01:51. | :01:52. | |
# And it's all because this is how we do it. | :01:53. | :02:08. | |
# South Central does it like nobody does. | :02:09. | :02:10. | |
# To all my neighbours, you got much flavour. | :02:11. | :02:15. | |
# So let's flip the track, bring the old school back #. | :02:16. | :02:22. | |
# It's getting hot in here, so take off all your clothes. | :02:23. | :02:26. | |
# I am getting so hot, I wanna take my clothes off. | :02:27. | :02:30. | |
# It's getting hot in here, so take off all your clothes. | :02:31. | :02:35. | |
# I am getting so hot, I wanna take my clothes off #. | :02:36. | :02:39. | |
# Shake, shake, shake, shake your booty. | :02:40. | :02:42. | |
# Shake, shake, shake, shake, shake, shake. | :02:43. | :02:48. | |
# Went the distance, now I'm back on my feet. | :02:49. | :03:11. | |
# Just a man and his will to survive. | :03:12. | :03:16. | |
# So many times, it happens too fast. | :03:17. | :03:19. | |
# Don't lose your grip on the dreams of the past. | :03:20. | :03:26. | |
# You must fight, just to keep them alive. | :03:27. | :03:31. | |
# It's the eye of the tiger, it's the thrill of the fight. | :03:32. | :03:33. | |
# Rising up to the challenge of our rival. | :03:34. | :03:38. | |
# And the last known survivor stalks his prey in the night. | :03:39. | :03:41. | |
# Everyone else in the room can see it. | :03:42. | :03:52. | |
# Baby, you light up my world like nobody else. | :03:53. | :03:59. | |
# The way that you flip your hair gets me overwhelmed. | :04:00. | :04:02. | |
# But when you smile at the ground, it ain't hard to tell. | :04:03. | :04:06. | |
# My baby don't mess around because she loves me so. | :04:07. | :04:40. | |
# But can't stand to see me walk out the door. | :04:41. | :04:53. | |
# If what they say is nothing lasts forever. | :04:54. | :04:55. | |
# Then what makes love the exception. | :04:56. | :05:00. | |
# So, why-oh why-oh, why-oh, why-oh, why-oh. | :05:01. | :05:03. | |
# Why are we still in denial when we know we're not happy here #. | :05:04. | :05:07. | |
They were amazing, absolutely brilliant. | :05:08. | :06:28. | |
No diggity, I got to bag it, bag it up. | :06:29. | :06:37. | |
Hello, everyone, and welcome to Let It Shine. | :06:38. | :06:41. | |
Tonight, the competition gets cranked up as our five bands | :06:42. | :06:47. | |
And for the first time, you get to vote for your favourite. | :06:48. | :06:53. | |
They've all got their eyes on that amazing prize, | :06:54. | :06:57. | |
the role of an all-singing and dancing boyband in a brand | :06:58. | :06:59. | |
The winning five will need the vocal talent of Gary Barlow, | :07:00. | :07:04. | |
the star presence of Gary Barlow and the dancing ability | :07:05. | :07:10. | |
The eagle-eyed amongst you may have noticed an empty space next to Gary. | :07:11. | :07:35. | |
Fear not, we didn't forget to book someone. | :07:36. | :07:37. | |
Shall we see who'll be keeping our trio company tonight? | :07:38. | :07:46. | |
We have some tough decisions to make and she won't hold back. The start | :07:47. | :07:56. | |
of the original Kapur hairspray. Her talk show was played around the | :07:57. | :07:59. | |
world. She has an opinion. | :08:00. | :08:03. | |
She has performed on stage and in the movies. | :08:04. | :08:04. | |
It is Ricki Lake. She is here! Wasn't that a great | :08:05. | :08:11. | |
rugby match between Rugby? What is rugby? | :08:12. | :09:05. | |
I'm American. It is a ball... I will tell you later. | :09:06. | :09:06. | |
Did we win? Yes, somebody one! You played the original | :09:07. | :09:16. | |
Tracy Turnblad and What do our boys need to do | :09:17. | :09:19. | |
to win you over tonight? They need to be able to sing and | :09:20. | :09:35. | |
dance and have that star quality that they stick out. We have two | :09:36. | :09:39. | |
eliminate these kids, you want the ones who pop. | :09:40. | :09:43. | |
They are amazing! They are amazing. I hate to say, I am going to | :09:44. | :09:59. | |
embarrass myself but I had a little crush on this one. I know he is | :10:00. | :10:05. | |
taken. Martin, you are not so bad yourself! Truth be told, they are | :10:06. | :10:11. | |
all awesome. You have spoken for everyone. | :10:12. | :10:12. | |
Let's hear from the other judges about what we're | :10:13. | :10:16. | |
We have seen our boys being individual performers but from now | :10:17. | :10:25. | |
it is banned versus band. When you see these boys, you need to | :10:26. | :10:30. | |
fall in love with them. They need to show us they can sing | :10:31. | :10:35. | |
with that pop sound. Being in a band is like being part | :10:36. | :10:40. | |
of a big jigsaw puzzle. You have your lead singer, someone | :10:41. | :10:45. | |
who harmonises, the show man. Everyone has too played their part | :10:46. | :10:50. | |
for it to work. There is no individual. | :10:51. | :10:56. | |
They don't just have to win over the judges and the crowd, but the voting | :10:57. | :11:01. | |
public. It is every bad for themselves. | :11:02. | :11:07. | |
Now, the judges won't be scoring this evening because tonight's vote | :11:08. | :11:12. | |
Your vote is crucial because only the three | :11:13. | :11:17. | |
bands with the highest viewer votes will be guaranteed a place | :11:18. | :11:19. | |
We'll be revealing who you've saved in tonight's | :11:20. | :11:22. | |
But what about the other two bands, I hear you cry? | :11:23. | :11:26. | |
I'm talking about a very important show twist. | :11:27. | :11:45. | |
Now, if you want to vote online, you'll need to sign | :11:46. | :11:59. | |
in to your BBC account or register first at: bbc.co.uk/letitshine. | :12:00. | :12:02. | |
Where you can also find out more about our boys. | :12:03. | :12:05. | |
And remember, tonight's vote will only open after all our | :12:06. | :12:07. | |
Now, the winning five will be singing pop classics | :12:08. | :12:15. | |
in the musical, so that's exactly what they'll be | :12:16. | :12:17. | |
So, who's ready for our first band? | :12:18. | :12:19. | |
Our first fivesome have called themselves Iron Sun. | :12:20. | :12:34. | |
I like how they've gone for a name that cleverly fuses | :12:35. | :12:36. | |
the world of household chores and | :12:37. | :12:38. | |
I am a musician and it is great to be in a band of musicians. | :12:39. | :12:58. | |
We have been put together as a rocky sort of band. | :12:59. | :13:02. | |
Harry is the heart-throb, he is only 17. | :13:03. | :13:05. | |
The cute one. Clinton, what a character. | :13:06. | :13:12. | |
I think we all really look up to him, he is very experienced. | :13:13. | :13:21. | |
Like a big kid. I am from Scotland! Jordan is definitely the loudest. | :13:22. | :13:26. | |
Give him an instrument, he can play it in ten seconds. | :13:27. | :13:32. | |
Matt is a ball of energy, an incredible doctor and Senna. | :13:33. | :13:37. | |
Everybody has the same focus, to be in that show. | :13:38. | :13:42. | |
30 miles of canals walking, it is time to get down to business, show | :13:43. | :13:45. | |
business. They all have something to bring to | :13:46. | :13:51. | |
the mix. Awesome! Flipping awesome. | :13:52. | :13:57. | |
Everyone has their individual character. | :13:58. | :14:04. | |
What flavour am I? Quiche! | :14:05. | :14:15. | |
Now, I do love a quiche. The boys enjoy a good old jam. | :14:16. | :14:21. | |
The fact we all play musical issuance is really good. | :14:22. | :14:25. | |
It feels like chemistry together as a band. | :14:26. | :14:32. | |
To show off their musical skills, Iron Sun unleash their secret | :14:33. | :14:38. | |
weapon. A 6'3" Scotsman with a point to | :14:39. | :14:51. | |
prove. Do you what me to actually... | :14:52. | :14:56. | |
We want to hear what you are going to do. | :14:57. | :15:03. | |
It is something different, it is all right as it turns out! | :15:04. | :15:12. | |
This is put in there to give the band identity. | :15:13. | :15:15. | |
No pressure! Whatever you do, don't mess it up. | :15:16. | :15:18. | |
# She said shut up and dance with me. | :15:19. | :15:28. | |
# Swear that I don't know how it happened. | :15:29. | :16:03. | |
# She said, shut up and dance with me. | :16:04. | :16:17. | |
# Her backless dress And some beat-up sneaks. | :16:18. | :16:38. | |
# My discotheque Juliet teenage dreams. | :16:39. | :16:40. | |
# I knew we were bound to be together. | :16:41. | :16:46. | |
# Swear I don't know how it happened. | :16:47. | :16:51. | |
# She said, shut up and dance with me. | :16:52. | :17:21. | |
# She said, shut up and dance with me. | :17:22. | :17:31. | |
CHEERING AND APPLAUSE. . | :17:32. | :18:06. | |
Give it up! Well done, guys. Well done. Great job. So good, guys. Oh, | :18:07. | :18:12. | |
yes. Danny? Do you think Iron Sun | :18:13. | :18:19. | |
could play the role of a band? Flipping awesome. You guys are | :18:20. | :18:34. | |
gelling together, doing the singing, the dancing, the flips were | :18:35. | :18:37. | |
incredible. Then to go into your solo lines. But I feel the energy | :18:38. | :18:41. | |
that you love being in the band, you love this moment on stage, you were | :18:42. | :18:44. | |
eating up the audience and that's what we want to see all the time. | :18:45. | :18:51. | |
APPLAUSE. Well done, guys. Martin, how do you | :18:52. | :19:03. | |
think they'd go down in a theatre? Listen, we are with a theatre | :19:04. | :19:06. | |
audience and I think they loved it. APPLAUSE. | :19:07. | :19:10. | |
And I know from experience just how difficulties to walk on a stage like | :19:11. | :19:16. | |
this first. You know, you bring everybody's adrenaline with you, | :19:17. | :19:20. | |
everybody's excitement and tension. You did a fantastic job. Excellent. | :19:21. | :19:25. | |
APPLAUSE. Rikki? What did you see? I loved it. | :19:26. | :19:37. | |
That drum solo was hot. I was looking for a sparkle, you know, and | :19:38. | :19:40. | |
all of you did such a great job tonight. You sounded terrific. Thank | :19:41. | :19:44. | |
you. APPLAUSE. | :19:45. | :19:51. | |
Gary? Chief? OK, so let us remind ourselves what we are doing here, we | :19:52. | :19:55. | |
need a pop band to play the role of a pop band in a brand-new musical | :19:56. | :19:59. | |
featuring the music of Take That and guys if this is the bar you have | :20:00. | :20:03. | |
set, we are in for one hell of a competition. Well done! | :20:04. | :20:07. | |
APPLAUSE. The bar is high! So, do you think | :20:08. | :20:13. | |
they could play the role of a band? If so, the vote opens | :20:14. | :20:16. | |
after all our bands have performed. It only takes a minute, | :20:17. | :20:19. | |
girl and boys, to vote. Don't try and vote now as it | :20:20. | :20:21. | |
won't count, and you may be charged. Now, I did suggest the name | :20:22. | :20:26. | |
Speed Walking to them, but apparently that doesn't | :20:27. | :20:56. | |
have the same ring to it. We are a real band. We try to keep | :20:57. | :21:15. | |
everything united. Our band is really full out. We like to bring | :21:16. | :21:20. | |
the energy to the stage. Feels like a band of brothers. Mark, he is your | :21:21. | :21:26. | |
smooth R B boy, he has an Usher vibe about hill. His hair is | :21:27. | :21:33. | |
imMacrat. He's in the mirror 24-/. He's a great guy, never met anyone | :21:34. | :21:39. | |
like him. He has all the tattoos. He does stuff I couldn't dream of | :21:40. | :21:43. | |
doing. Ryan is a musician. He's the rock star of the band. He's the lad. | :21:44. | :21:48. | |
Jamie is one of the nicest guys I've ever met. Always smiling and in high | :21:49. | :21:53. | |
spirits. Johnny is a character, hypoall the time, one of the most | :21:54. | :21:58. | |
enthusiastic guys I've ever met. As a band, we have such a strong work | :21:59. | :22:03. | |
ethic. Conversations at 12. 30 at night about how we can win the | :22:04. | :22:09. | |
competition. Well, you have your moody group shot sorted. Time to | :22:10. | :22:13. | |
work up a sweat. We practise how we want to perform because if one of us | :22:14. | :22:19. | |
looks tired, then it ruins it. Dancing does come a bit more | :22:20. | :22:26. | |
naturally to me, Jazz and Mark. The lads are helping Johnny out. They're | :22:27. | :22:33. | |
helping out. There is no reason why they won't absolutely bring it on | :22:34. | :22:38. | |
the day. Really? Real swine flu Yes, are you for real, man? The energy is | :22:39. | :22:45. | |
immense. We are all a bit unfit. Can Drive running on empty, only one | :22:46. | :22:51. | |
thing for it. # Highway to the danger zone... # | :22:52. | :23:00. | |
Racing. We are working hard. Ultimately, we want to be in this | :23:01. | :23:03. | |
show. We know it's physically demanding. Nonchts such thing as | :23:04. | :23:06. | |
being too fit for this kind of thing. The motto I live by! Not this | :23:07. | :23:14. | |
weekend it's not. I'm training. Got to maintain the drive. | :23:15. | :23:22. | |
#Drive. We are going to go on stage and give it absolutely everything. | :23:23. | :23:26. | |
It could potentially be the last time we perform together so we have | :23:27. | :23:31. | |
to make sure that it isn't. # Drive, drive, drive, drive... | :23:32. | :23:39. | |
# Highway to the danger zone #. | :23:40. | :23:46. | |
# Baby, bring it on, bring it on now. | :23:47. | :23:57. | |
# One, one, two, two, three, three, four. | :23:58. | :24:00. | |
# Baby, bring it on, bring it on now. | :24:01. | :24:37. | |
# One, one, two, two, three, three, four. | :24:38. | :24:41. | |
# So put another dime in the jukebox, baby. | :24:42. | :25:12. | |
# So come and take your time and dance with me. | :25:13. | :25:16. | |
# So put another dime in the jukebox, baby. | :25:17. | :25:20. | |
# So come and take your time and dance with me. | :25:21. | :25:26. | |
# I saw her standing there by the record machine. | :25:27. | :25:29. | |
# I knew she must have been about 17. | :25:30. | :25:34. | |
# The beat was going strong, playing my favourite song. | :25:35. | :25:40. | |
# And I could tell it wouldn't be long till she was with me. | :25:41. | :25:43. | |
# So put another dime In the jukebox, baby. | :25:44. | :25:52. | |
# So come and take your time Aad dance with me. | :25:53. | :25:58. | |
# So put another dime in the jukebox, baby. | :25:59. | :26:03. | |
# So come and take your time and dance with me #. | :26:04. | :26:11. | |
Drive, everybody! Let's hear it for them. Wow. Well | :26:12. | :26:34. | |
done. Well done, guys. Well done. Well done, Drive. Did someone have a | :26:35. | :26:43. | |
bean feast? I don't know. It's a real pea-souper up here on stage! | :26:44. | :26:49. | |
Martin, Martin, was this experience for you a Drive-in, or a Drive-by? | :26:50. | :26:59. | |
Let me tell you something. Rock'n'roll is about Elvis, Johnny | :27:00. | :27:04. | |
Cash, Jr.ly Lee-Lewisant and attitude. Tonight, some of you had | :27:05. | :27:10. | |
it and some of you were lacking. I'm just being honest. And some of you | :27:11. | :27:14. | |
were lacking. In a theatre, you can't afford to lack. You have to | :27:15. | :27:18. | |
bring your A game to every time you walk on the stage. If you go further | :27:19. | :27:21. | |
in this competition, you just have to work on that bit. OK, Martin, OK? | :27:22. | :27:31. | |
Rikki, do they Drive you out? It definitely wasn't a drive-by, the | :27:32. | :27:36. | |
energy was great, you look amazing but I agree, some stood out more and | :27:37. | :27:40. | |
felt more comfortable in the crowd than others. Overall, you sounded | :27:41. | :27:43. | |
amazing and look incredible. Gary, did they take you from 0-60. | :27:44. | :27:58. | |
Just to say, I disagree with the judges, I thought the energy was | :27:59. | :28:01. | |
fantastic. I have to say, as a band, when we left Manchester, I was most | :28:02. | :28:04. | |
worried about you guys gelling together. That gel is definitely | :28:05. | :28:07. | |
there. If there was something to work on, I would say work on the | :28:08. | :28:11. | |
solo pieces that you do in your show, they're the bits that need the | :28:12. | :28:14. | |
attention right now but I thought in general it was a fantastic | :28:15. | :28:17. | |
performance, well done, guys. CHEERING AND APPLAUSE. | :28:18. | :28:24. | |
Finally, Danny. Did they take you for a spin? Good one. What I love is | :28:25. | :28:31. | |
the attitude of the hard work that is coming in, because you guys know | :28:32. | :28:37. | |
that the end prize is theatre, you have got to work hard and I've seen | :28:38. | :28:44. | |
that on the stage tonight. Jazz stepped up a mile from your first | :28:45. | :28:50. | |
audition, so... Wow! Well done. Well done. What do you think, do you want | :28:51. | :29:00. | |
to see drive in that musical? The if the answer is yes, you can vote, the | :29:01. | :29:06. | |
details are on screen. Let's hear it for Drive! | :29:07. | :29:10. | |
CHEERING AND APPLAUSE. Well done. | :29:11. | :29:16. | |
Still ahead: Three of our bands perform live. The stars are back but | :29:17. | :29:22. | |
there is a twist. And what could this possibly mean? Vroom. | :29:23. | :29:28. | |
Graham, do you know what happens at nightfall? | :29:29. | :29:50. | |
From an outside point of view, will we work well together? | :29:51. | :29:58. | |
It actually works. Bradley, what can I say about him, he is so annoying. | :29:59. | :30:04. | |
I am kidding. Anything that comes out of his mouth, you laugh. | :30:05. | :30:10. | |
He is great, for a 16-year-old to have a voice like that is unreal. | :30:11. | :30:14. | |
He is so happy all the time. A fantastic dancer. Danni, love his | :30:15. | :30:23. | |
sense of humour, very funny. It's nice to have someone so | :30:24. | :30:26. | |
professional and talented in your group. | :30:27. | :30:30. | |
Come on, get yourselves inside. Get to work. | :30:31. | :30:37. | |
Everyone in the band is completely different. People from Bradford, | :30:38. | :30:42. | |
someone from Cornwall. The Ann Bradley, we have never | :30:43. | :30:47. | |
danced before, Julius is a dance teacher. | :30:48. | :30:51. | |
Jason is 30. Hugh is 16. A mixing pot. | :30:52. | :30:56. | |
It has been a challenge, to live together, work together, eat | :30:57. | :31:02. | |
together. It really has brought everything | :31:03. | :31:06. | |
together and I really do think we look good. | :31:07. | :31:14. | |
With team spirit getting stronger, early Bradley from Bradford has | :31:15. | :31:16. | |
concerns. The part I am nervous about is | :31:17. | :31:20. | |
opening with the piano. I can spot a problem. | :31:21. | :31:26. | |
That is better. At the start, there is no room for error. | :31:27. | :31:36. | |
Oh, dear. What a mess up. Do you trust him? Yes. | :31:37. | :31:43. | |
Putting their nose to the back of their minds, what better way to | :31:44. | :31:48. | |
unwind than some... Ping-pong? | :31:49. | :31:52. | |
Let us go with that. We like a bit of ping-pong. | :31:53. | :31:55. | |
I love ping-pong. How are you feeling about playing | :31:56. | :32:00. | |
the piano, shaky hands, pressing the wrong note? | :32:01. | :32:03. | |
Touch wood. Even in a band, you has to be your | :32:04. | :32:09. | |
own person. As we come together, that is our moment. | :32:10. | :32:12. | |
It will be something very special if it comes off. | :32:13. | :32:13. | |
Definitely. # Oh, it's such a shame | :32:14. | :32:19. | |
for us to part. # No-one ever said | :32:20. | :33:16. | |
it would be so hard. # No-one ever said | :33:17. | :33:29. | |
it would be so hard. Well done! | :33:30. | :35:11. | |
Oh, my days. Well done. Loving this. | :35:12. | :35:23. | |
Should the piano still be burning? I brought a sausage just in case. | :35:24. | :35:29. | |
Let us go to Ricki Lake, what did you make of that? | :35:30. | :35:33. | |
It has made me want to be a 17-year-old girl again, you guys | :35:34. | :35:38. | |
were fantastic. What I really liked is it was | :35:39. | :35:44. | |
stripped down, you guys singing and it was very raw, it was beautiful, I | :35:45. | :35:50. | |
loved it. Let us see what the governor thinks, | :35:51. | :35:55. | |
Gary? You know what, do one thing and do | :35:56. | :36:00. | |
it well, that was a vocal masterclass, absolutely sublime. | :36:01. | :36:05. | |
There were hairs up on my arm, breathtaking. | :36:06. | :36:10. | |
Dannii, top marks from you? I don't even know where to begin, | :36:11. | :36:14. | |
there were so many good things to say about this band. I am going to | :36:15. | :36:19. | |
try and do it very quickly. One of them is you got away with the | :36:20. | :36:23. | |
stillness at the start of the performance because you have all | :36:24. | :36:28. | |
performed here, even if nothing else is moving, that is a magic that is | :36:29. | :36:33. | |
so hard to teach people. It was effortless. The dance moves, | :36:34. | :36:37. | |
there was a knock of choreography, people may not remember it because | :36:38. | :36:43. | |
it was smooth, it was like an invisible and linking you, that is | :36:44. | :36:46. | |
what bands who have been together the ages have. | :36:47. | :36:58. | |
Now, Gary -- Martin? Well done on your bravery, on a live | :36:59. | :37:04. | |
show, your first song is a ballad which keeps you locally exposed. | :37:05. | :37:11. | |
Secondly, congratulations on taking on the response that song. It means | :37:12. | :37:15. | |
so much to so many people, they have fallen in love, got married, and | :37:16. | :37:21. | |
when even go into it! Stop there! | :37:22. | :37:26. | |
But, congratulations, you were brilliant. | :37:27. | :37:31. | |
Thank you, Martin. Simmer down! So, if you want to see | :37:32. | :37:36. | |
Nightfall back on this stage, You get behind them | :37:37. | :37:38. | |
when the vote opens. Don't worry, I can assure | :37:39. | :37:43. | |
you no animals were harmed in the making | :37:44. | :38:14. | |
of their name! The more we are practising and | :38:15. | :38:28. | |
together, we are gelling. Josh, he is the baby, the puppy. He | :38:29. | :38:34. | |
has a wild side to him as well. Matt is our secret weapon, our | :38:35. | :38:38. | |
Mariah Carey. Matt is the experienced one of | :38:39. | :38:43. | |
brilliant at what he does. Anthony, he has the look of someone | :38:44. | :38:49. | |
in a boy band. He has been trying to get me in the | :38:50. | :38:53. | |
gym, it hasn't worked. Craig is a delight to be around. | :38:54. | :38:58. | |
Really good team member, so versatile, the dances and sings. | :38:59. | :39:04. | |
A cheeky chap, he has that charisma and charm. | :39:05. | :39:10. | |
When there was it of us, we felt more like individuals. | :39:11. | :39:18. | |
We are a team now. Not just a team, they have become housemates. With | :39:19. | :39:23. | |
getting closer, they doesn't leave them much choice. | :39:24. | :39:31. | |
-- that doesn't. What are we good at? | :39:32. | :39:36. | |
Singing and dancing. When rehearsals started, our band properly started | :39:37. | :39:40. | |
like a boy band. Progress is really good. | :39:41. | :39:42. | |
We are gelling together, cooking together. | :39:43. | :39:47. | |
It has that family feel. Josh likes washing up whereas | :39:48. | :39:51. | |
Anthony doesn't! After a busy day, Neon Panda head | :39:52. | :39:57. | |
home to enjoy Matt's spicy chilli. Matt chops the onions while... Hang | :39:58. | :40:03. | |
on, wrong show! Put the oil in the pan. Onions are | :40:04. | :40:09. | |
going in, the meat is going in. I cooked the first night. Then Josh | :40:10. | :40:14. | |
Cox, I am surprised we are still alive. | :40:15. | :40:21. | |
Come on. I take it back, he loves it! | :40:22. | :40:27. | |
While Matt wakes Conor up with what could be a number one hit. | :40:28. | :40:33. | |
Anthony shows us the correct way to serve a Satsuma. | :40:34. | :40:38. | |
Stunning choreography. This is well nice, I thank you nice. | :40:39. | :40:43. | |
Who will do the washing up? I will do it. | :40:44. | :40:44. | |
Hooray. # We're looking for | :40:45. | :40:47. | |
something dumb to do. # Well, I know this little chapel | :40:48. | :40:53. | |
On the boulevard we can go. # Got a pocket full | :40:54. | :41:18. | |
of cash we can blow. # Just say yeah, yeah, | :41:19. | :41:31. | |
yeah, yeah, yeah. # We're looking for | :41:32. | :41:46. | |
something dumb to do. # Hey, baby, I think | :41:47. | :41:59. | |
I wanna marry you. # Who cares, baby, | :42:00. | :42:06. | |
I think I wanna marry you. # We're looking for | :42:07. | :42:15. | |
something dumb to do. # Hey, baby, I think | :42:16. | :42:53. | |
I wanna marry you. # We're looking for | :42:54. | :42:59. | |
something dumb to do. # Hey, baby, I think | :43:00. | :43:06. | |
I wanna marry you. # Hey, baby, I think | :43:07. | :43:11. | |
I wanna marry you #. Neon Panda, everybody! They have | :43:12. | :43:45. | |
their panda masks on! Very strong. | :43:46. | :43:51. | |
Well done, well done. They are loving the band. | :43:52. | :44:06. | |
Gary? Can you hear me? What did you think? Guys, you have | :44:07. | :44:16. | |
got some fans in here already. The thing I really like about this | :44:17. | :44:21. | |
band is they have really taken the teamwork aspect to heart and they | :44:22. | :44:24. | |
have really worked on that. The family environment is so important. | :44:25. | :44:29. | |
Even tonight, Howard and Mark in the audience. | :44:30. | :44:30. | |
CHEERING That is what being in a band is all | :44:31. | :44:41. | |
about, supporting one another, being there, and you have done | :44:42. | :44:47. | |
brilliantly, well done. Let us turn to Dannii. Our Neon | :44:48. | :44:55. | |
Panda are the endangered? There are a lot of girls in here | :44:56. | :45:01. | |
saying, marry me, right? The reaction was incredible. The best we | :45:02. | :45:08. | |
have had so far. Martin? | :45:09. | :45:13. | |
What I would say is play on that naughtiness. I love boy band where | :45:14. | :45:18. | |
you know they have everything down pat, the dance moves, the singing. | :45:19. | :45:23. | |
Then they are looking in the audience, they really are, checking | :45:24. | :45:25. | |
everyone out. Play with that more, they are ready. | :45:26. | :45:32. | |
Martin? You guys have come on so far. I had to pick out Josh, right? | :45:33. | :45:40. | |
Because, Josh, I just love your story. Only if you months ago you | :45:41. | :45:44. | |
were working in a supermarket. Every Saturday night you are one of | :45:45. | :45:48. | |
Britain's's top TV shows, dancing and singing in front of millions of | :45:49. | :45:53. | |
people. What a story you have. My only criticism? It was a little | :45:54. | :46:02. | |
bit... I don't know if Gary agrees, it would be something to go forward | :46:03. | :46:08. | |
with that. There were some harmonies that were | :46:09. | :46:21. | |
not quite there. For some of you guys maybe the nerves got the better | :46:22. | :46:25. | |
of you. When I started out, it's a lot to come out and do a live show. | :46:26. | :46:29. | |
Overall it was great but I think maybe the things to work on are the | :46:30. | :46:39. | |
harmonies. OK. Today it could be the greatest day of your lives! A bit | :46:40. | :46:47. | |
pitchy in parts. Only if you back them when the vote opens. Details | :46:48. | :46:51. | |
are on screen. One more band to perform. | :46:52. | :46:55. | |
Graham, I hope you are keeping a tally of the songs. I mean, do what | :46:56. | :47:02. | |
you like. ALL: Do what you like. I'm in a Take | :47:03. | :47:12. | |
That vortex. Very good. Just awesome. Excellent. | :47:13. | :47:19. | |
When I look at our band, I think we are the perfect match. We have | :47:20. | :47:40. | |
gelled super well. Couldn't be happier. Sario is whacky, crazy, | :47:41. | :47:47. | |
funky, cool. Nick is the cheeky chap, the one who keeps everyone in | :47:48. | :47:53. | |
a really good mood. I'm baby Essex ain't I. Full of fun and energy. | :47:54. | :48:01. | |
Everyone jokes I'm the annoying one. AJ is 100% the heartthrob, a | :48:02. | :48:05. | |
beautiful looking chappy. Curtis is the father figure of the group. I | :48:06. | :48:09. | |
make sure the boys are doing what they should be doing. This is the | :48:10. | :48:15. | |
time to in the hard work because ultimately our band wants to win. | :48:16. | :48:20. | |
That is enough bouncing around, it's rehearsals and you have to get to | :48:21. | :48:23. | |
grips with deep and meaningful lyrics. A question for the lyrics, | :48:24. | :48:36. | |
is it M-Bop-Doo-wop... Performance covered, it's time for the really | :48:37. | :48:41. | |
important stuff! Loving the outfit. Clearly gone to my house, nicked | :48:42. | :48:46. | |
everything and stuck it on everyone else. It looks amazing. I don't like | :48:47. | :48:54. | |
the multicoloured. It's out of my comfort zone but it's all about what | :48:55. | :48:58. | |
looks good for the group. My hair is looking clean cut. Make-up is | :48:59. | :49:08. | |
looking fantastic. Pretty vaiven. Not as vain as AJ. I'm going to get | :49:09. | :49:17. | |
in such trouble. Argh. All this attention has their heads spinning. | :49:18. | :49:22. | |
I'm living a double life. Going home and doing a physics test then coming | :49:23. | :49:28. | |
here and getting make-up done. It's not physics but chemistry you need. | :49:29. | :49:38. | |
They do love to take a lot of pictures. Photographers tend to do | :49:39. | :49:42. | |
that. It's fun, pose as you like and they love it. It's starting to get | :49:43. | :49:47. | |
exciting. It's starting to look like a band now. We have got the name and | :49:48. | :49:51. | |
the look. It's time to knuckle down and put the hard work in. Five To | :49:52. | :50:00. | |
Five! We are working on that! APPLAUSE. | :50:01. | :50:08. | |
# You have so many relationships in life. | :50:09. | :50:10. | |
# You go through all the pain and strife. | :50:11. | :50:14. | |
# Oh, yeah, yeah, yeah, they're gone so fast. | :50:15. | :50:20. | |
# So, hold on to the ones who really care. | :50:21. | :50:27. | |
# In the end they'll be the only ones there. | :50:28. | :50:29. | |
# When you get old and start losing your hair. | :50:30. | :50:32. | |
# Can you tell me who will still care? | :50:33. | :50:35. | |
# Mmmbop, duba-dop,, ba, du, Bop, duba-dop, ba, du. | :50:36. | :50:55. | |
# Until you lose your hair, oh, but you don't care. | :50:56. | :51:17. | |
# You say you can, but you don't know. | :51:18. | :51:45. | |
# You say you can, but you don't know. | :51:46. | :51:49. | |
Five To Five, everybody. Wow. Well done, boys. Guys. Great job. Hello, | :51:50. | :52:58. | |
hello. Well done. Well done. OK, OK, let's hear from the judges. | :52:59. | :53:06. | |
Danii, Five To Five, what do you think? I tell you, you boys have | :53:07. | :53:13. | |
made this very difficult now. We've had great performances tonight. That | :53:14. | :53:17. | |
was incredible. I want to be at your party. | :53:18. | :53:23. | |
APPLAUSE. Martin, what did you think? You guys | :53:24. | :53:35. | |
are dynamite! You are pure TNT, an explosion of everything that's right | :53:36. | :53:38. | |
about being in a boy band. And I'll tell you what, you made me feel like | :53:39. | :53:43. | |
I want to be 17 again just starting out on that incredible journey when | :53:44. | :53:47. | |
you start off in a band. An impossible dream! | :53:48. | :53:53. | |
Let's go to Rikki. What do you make of them? Fantastic. You came off | :53:54. | :53:56. | |
like pros like you've been doing this as a group for years and years | :53:57. | :54:00. | |
and years. It was so much fun to watch. I was smiling. | :54:01. | :54:04. | |
Congratulations. That might have been the best for me. Gary? What did | :54:05. | :54:13. | |
you make of it? Well, you are the ones to watch in this competition. | :54:14. | :54:19. | |
APPLAUSE. Oh, yes. I always think with pop | :54:20. | :54:25. | |
bands, you know, it's so much more than music and the image. I always | :54:26. | :54:29. | |
think of the stage door OK and I know that the stage door for you | :54:30. | :54:34. | |
guys will be mobbed. There'll be people everywhere wanting to get | :54:35. | :54:35. | |
near you. If Five To Five are your favourite | :54:36. | :54:41. | |
band of the night, and you think they've got what it takes to win | :54:42. | :54:45. | |
that prize, make a note of the details on screen | :54:46. | :54:48. | |
because the vote will open Anyway, let's hear | :54:49. | :54:50. | |
it for Five To Five! The zaij door awaits. They're off. | :54:51. | :54:56. | |
Bye! -- the stage door awaits. So listen up because we're | :54:57. | :55:10. | |
about to give you all the details. Do you mind if I take | :55:11. | :55:15. | |
the "calls cost" line? Calls will cost 15p plus any | :55:16. | :55:17. | |
network access charge. the bill payer's permission | :55:18. | :55:24. | |
before you call. You can also vote for free | :55:25. | :55:26. | |
online at the website. where you'll find full | :55:27. | :55:29. | |
terms and conditions. The vote closes at 8.15pm tonight | :55:30. | :55:32. | |
so you have approximately 20 perform, and now it's | :55:33. | :55:34. | |
down to you at home To vote from a mobile, | :55:35. | :55:39. | |
call 622 82, and add do not vote after then | :55:40. | :55:49. | |
because your vote won't count, And please don't try to vote | :55:50. | :56:15. | |
if you are watching on demand. To help you pick a favourite, here's | :56:16. | :56:19. | |
a reminder of tonight's performances # Shut up and dance with me # | :56:20. | :56:24. | |
. # I love rock'n'roll, so come and | :56:25. | :56:56. | |
take your time and dance with me # . | :56:57. | :57:11. | |
# Nobody said it was easy # Oh it's such a shame to part # | :57:12. | :57:17. | |
. # I think I wanna marry you # | :57:18. | :57:26. | |
. # M-bop, yeah, yeah | :57:27. | :57:58. | |
Remember, you are voting for your favourite band. | :57:59. | :58:06. | |
We'll be back after Casualty when we'll reveal which three bands | :58:07. | :58:12. | |
are guaranteed a place in next week's semifinal. | :58:13. | :58:15. | |
And which two bands with the lowest public vote must sing Take That | :58:16. | :58:18. | |
The judges can only save five of those ten boys. | :58:19. | :58:28. | |
And they don't all have to be from the same band! | :58:29. | :58:30. | |
Plus, we've got an exclusive supersized performance | :58:31. | :58:34. | |
See you live at 8.45pm for the results show. | :58:35. | :58:45. | |
Roses are red, and the button on the remote control is, too. | :58:46. | :58:58. | |
Press it immediately for our Sounds Of The '80s | :58:59. | :59:00. | |
Valentine's special - you'd be a fool not to. | :59:01. | :59:03. | |
Hey, look, it's Martin Fry off of ABC. | :59:04. | :59:05. | |
He's here, talking about the legacy of the gorgeous Lexicon Of Love. | :59:06. | :59:09. | |
Join us on Sounds Of The '80s by pressing that Red Button now. | :59:10. | :59:14. |