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This programme contains strong language. Hello there and welcome | :00:20. | :00:24. | |
to Reading Festival Highlights 2011 on BBC Two. We have had a fantastic | :00:24. | :00:28. | |
weekend of live music. We have loads to share with you. You will | :00:28. | :00:33. | |
see beautiful things. For a start My Chemical Romance had an absolute | :00:33. | :00:37. | |
blast. You will see a bit of that set. We spoke to Muse on the night | :00:38. | :00:43. | |
of their performance. Their set included flame throwers and the | :00:43. | :00:49. | |
world's biggest screen ever. It's not an actual fact. But it's huge. | :00:49. | :00:59. | |
You can see. It Pulp. Madness too. I got out the Baggy Trousers. They | :00:59. | :01:03. | |
were fantastic and brought out the sun as well. New music from Two | :01:03. | :01:07. | |
Door Cinema Club. Shall we get things started? I think we should. | :01:07. | :01:17. | |
:01:17. | :01:34. | ||
Let's start things with the MUSIC: "If You Wanna" by The | :01:34. | :01:37. | |
Vaccines. # Well, I don't wanna wake up in | :01:37. | :01:39. | |
the mornin'. # But I've got to face the day. | :01:39. | :01:45. | |
# That's what all the friends I do not like as much as you say. | :01:45. | :01:47. | |
# I don't wanna do things independently. | :01:47. | :01:54. | |
# But I can't make you stay. # That's what all the friends I do | :01:54. | :02:00. | |
not like as much as you say. # But if you wanna come back it's | :02:00. | :02:03. | |
alright, it's alright! # It's alright if you wanna come | :02:03. | :02:06. | |
back! # If you wanna come back it's | :02:06. | :02:09. | |
alright, it's alright! # It's alright if you wanna come | :02:09. | :02:19. | |
:02:19. | :02:19. | ||
back to me! # Well, I don't wanna see you with | :02:19. | :02:22. | |
another guy, # But the fact is that I may. | :02:22. | :02:30. | |
# That's what all the friends I do not like as much as you say. | :02:30. | :02:33. | |
# We'll give it just another couple of months or so. | :02:33. | :02:38. | |
# And then you'll be okay. # That's what all the friends I do | :02:38. | :02:47. | |
not like as much as you say. # All alone, all alone! | :02:47. | :02:54. | |
# I, I am on my own. # Alone, all alone. | :02:54. | :03:04. | |
:03:04. | :03:05. | ||
# I, I am on my own. # Alone, all alone! | :03:05. | :03:11. | |
# I, I am on my own. # But if you wanna come back it's | :03:11. | :03:13. | |
alright, it's alright! # It's alright if you wanna come | :03:13. | :03:16. | |
back! # If you wanna come back it's | :03:16. | :03:19. | |
alright, it's alright! # It's alright if you wanna come | :03:19. | :03:29. | |
:03:29. | :03:35. | ||
# But if you wanna come back it's alright, it's alright! | :03:35. | :03:37. | |
# It's alright if you wanna come back! | :03:37. | :03:41. | |
# If you wanna come back it's alright, it's alright! | :03:41. | :03:43. | |
# It's alright if you wanna come back! | :03:43. | :03:47. | |
# Do you wanna come back? # It's alright, it's alright! | :03:47. | :03:49. | |
# It's alright if you wanna come back! | :03:49. | :03:54. | |
# Do you wanna come back? # It's alright, it's alright! | :03:54. | :04:04. | |
:04:04. | :04:14. | ||
# It's alright if you wanna come # Give it to me baby | :04:14. | :04:24. | |
:04:24. | :04:24. | ||
# Give to me baby # All the girls say, pretty fly for | :04:24. | :04:34. | |
:04:34. | :04:40. | ||
a white guy. # You know it's kind of hard. | :04:40. | :04:44. | |
# Just to get along today. # Our subject isn't cool. | :04:44. | :04:47. | |
# But he thinks it anyway. # He may not have a clue. | :04:47. | :04:56. | |
# And he may not have style. # But everything he lacks. | :04:56. | :05:01. | |
# Well he makes up in denial. # So don't debate, play it straight. | :05:01. | :05:06. | |
# You know he really doesn't get it anyway. | :05:06. | :05:16. | |
:05:16. | :05:20. | ||
# Gonna play the field, and keep it real. | :05:20. | :05:30. | |
:05:30. | :05:36. | ||
# Gi it to me baby # For you no way, for you no way. | :05:36. | :05:38. | |
# So if you don't rate, just overcompensate. | :05:38. | :05:41. | |
# At least you'll know you can always go on Ricki Lake. | :05:41. | :05:45. | |
# The world needs wannabees, so (hey, hey). | :05:45. | :05:48. | |
# Do that brand new thing. # Give it to me baby. | :05:48. | :05:50. | |
# Uh-huh uh-huh. # Give it to me baby. | :05:50. | :05:52. | |
# Uh-huh uh-huh. # Give it to me baby. | :05:52. | :05:55. | |
# Uh-huh uh-huh. # And all the girlies say I'm | :05:55. | :05:58. | |
pretty fly for a white guy. # He needs some cool tunes. | :05:58. | :06:01. | |
# Not just any will suffice. # But they didn't have Ice Cube. | :06:01. | :06:04. | |
# So he bought Vanilla Ice. # Now cruising in his Pinto. | :06:04. | :06:07. | |
# He sees homies as he pass. # But if he looks twice. | :06:07. | :06:11. | |
# They're gonna kick his lily ass. # So don't debate, play it straight. | :06:11. | :06:13. | |
# You know he really doesn't get it anyway. | :06:13. | :06:15. | |
# Gonna play the field, and keep it real. | :06:15. | :06:19. | |
# For you no way, for you no way. # So if you don't rate, just | :06:19. | :06:21. | |
overcompensate. # At least you'll know you can | :06:21. | :06:24. | |
always go on Ricki Lake. # The world loves wannabees, so | :06:24. | :06:26. | |
(hey, hey). # Do that brand new thing. | :06:26. | :06:29. | |
# Now he's getting a tattoo, yeah. # He's gettin' ink done. | :06:29. | :06:32. | |
# He asked for a "13" but they drew a "31". | :06:32. | :06:35. | |
# Friends say he's trying too hard. # And he's not quite hip. | :06:35. | :06:38. | |
# But in his own mind. # He's the, he's the dopest trip. | :06:38. | :06:41. | |
# Give it to me baby. # Uh-huh uh-huh. | :06:41. | :06:43. | |
# Give it to me baby. # Uh-huh uh-huh. | :06:43. | :06:45. | |
# Give it to me baby. # Uh-huh uh-huh. | :06:45. | :06:47. | |
# Uno, dos, tres, cuatro, cinco, cinco, seis. | :06:47. | :06:51. | |
# So don't debate, play it straight. # You know he really doesn't get it | :06:51. | :06:53. | |
anyway. # Gonna play the field, and keep it | :06:53. | :06:56. | |
real. # For you no way, for you no way. | :06:56. | :06:58. | |
# So if you don't rate, just overcompensate. | :06:58. | :07:01. | |
# At least you'll know you can always go on Ricki Lake. | :07:01. | :07:03. | |
# The world needs wannabes. # The world loves wannabes. | :07:03. | :07:05. | |
# Let's get some more wannabes (hey, hey). | :07:05. | :07:08. | |
# Do that brand new thing #. Wow! Here is our top five reasons | :07:08. | :07:13. | |
to love Reading Festival. In at five. We love Reading because it's | :07:13. | :07:17. | |
in Reading. Slap bang in the middle of the town, not City am we reckon | :07:17. | :07:23. | |
it's the easest festival to get to. With the high street a stone's | :07:23. | :07:29. | |
throwaway it's perfect for last- minute festival essentials. At four, | :07:29. | :07:32. | |
American rock. Over the years it has become the home for some of the | :07:32. | :07:37. | |
biggest rock acts from across the pond. Step forward the likes of | :07:37. | :07:47. | |
:07:47. | :08:00. | ||
Guns and Roses, Slayer, matal ka -- Pearl Jam. And Blink 182. That was | :08:00. | :08:08. | |
awesome. Awesome, indeed. At three. It's the Young ones. I'm 18, 18, | :08:08. | :08:12. | |
I'm 20. It's the festival of choice to party at with all your mates | :08:12. | :08:16. | |
after those exams. It gets a reputation of being young, you get | :08:16. | :08:20. | |
more young people coming. They tell each other about. It We haven't | :08:20. | :08:25. | |
seen any old people. I'm feeling old. Old people can't rave rave | :08:25. | :08:30. | |
like we do. I thought I would re- live my youth again. Make the most | :08:30. | :08:37. | |
of it before we go back to school. It's audience participation at | :08:37. | :08:46. | |
number two. Jumping.Moshing. Chucking. At Reading you can rely | :08:46. | :08:51. | |
on a whole stack of audience participation, probably not the | :08:51. | :08:57. | |
best idea to try that wearing a kilt though. At one, no top five | :08:57. | :09:03. | |
reasons to love Reading would be kpreet complete without a nod to to | :09:03. | :09:12. | |
a performance that has gone down in folk law. It's Nirvana's | :09:12. | :09:22. | |
:09:22. | :09:36. | ||
$NEWLINE # Yo, you might hear me make a racket like Wilson. | :09:37. | :09:39. | |
# Cause I love summer no Rachel Bilson (YES). | :09:39. | :09:43. | |
# The winter will come. # We just have parties inside it's | :09:43. | :09:44. | |
still fun. # (We're jammin'). | :09:44. | :09:45. | |
# pump this. # (We're bangin'). | :09:45. | :09:47. | |
# Chase your boyfriend let's 'av him. | :09:47. | :09:49. | |
# We're rowdy, girls make our judgement cloudy. | :09:49. | :09:52. | |
# But when the sun comes up we're still alcys. | :09:52. | :09:54. | |
# We don't wanna be lowsy, or shameless. | :09:54. | :09:56. | |
# but we're running round like we're brainless. | :09:56. | :09:59. | |
# now I've got grass stains on my brand new white trainers. | :09:59. | :10:02. | |
# (ON MY BRAND NEW WHITE TRAINERS). # Ummmm... I know a few guys hate | :10:02. | :10:05. | |
# they're as compelling as neighbours so laters. | :10:05. | :10:07. | |
# it's blaters we've got our own sound, you know now. | :10:07. | :10:10. | |
# so go wild and get hosed down, n- no no. | :10:10. | :10:13. | |
# YEAH YEAH. # Let's get down with the trumpets. | :10:13. | :10:15. | |
# WHAT. # Let's get down with the down with | :10:15. | :10:16. | |
the. # YEAH YEAH. | :10:16. | :10:19. | |
# Let's get down with the trumpets. # When I get down. | :10:19. | :10:22. | |
# I get respect now. # and when our tunes drops. | :10:22. | :10:24. | |
# you know it makes your head bounce. | :10:24. | :10:29. | |
# yeah I move with the flow. # and when I enter the room it | :10:29. | :10:33. | |
shows. # I move sick (WHEN I DANCE). | :10:33. | :10:40. | |
# then chicks (WANNA DANCE). # move in and move quick (WHEN I | :10:40. | :10:41. | |
DANCE). # at risk. | :10:41. | :10:44. | |
# (WHEN I DANCE). # just be careful you don't lose | :10:44. | :10:47. | |
your chick (WHEN I DANCE). # that might just happen. | :10:47. | :10:57. | |
:10:57. | :11:02. | ||
# so listen deep. # stick with your madame. | :11:02. | :11:05. | |
# YEAH YEAH. # Let's get down with the trumpets. | :11:05. | :11:07. | |
# WHAT. # Let's get down with the down with | :11:07. | :11:08. | |
the. # YEAH YEAH. | :11:08. | :11:12. | |
# Let's get down with the trumpets. # How much sound from the brass to | :11:12. | :11:16. | |
the air # Will it take, to put your bras in | :11:16. | :11:19. | |
the air # Just don't pretend that | :11:19. | :11:23. | |
# If I wasn't older you wouldn't wanna dance with me, yeah | :11:23. | :11:27. | |
# You're the last of my fears # I was top boy of the class in my | :11:27. | :11:30. | |
year # Well not really, but I wasful | :11:30. | :11:33. | |
half way there # And I could have been the | :11:33. | :11:40. | |
headmaster, so, yeah # Got vibes and charisma | :11:40. | :11:47. | |
# I want the sun to shine # Till I I'm looking at bright blue | :11:47. | :11:53. | |
# Yes, and we drop it like anvils # Bring your whole crew to a stand | :11:53. | :11:56. | |
still, still # Stick us on at clubs and I | :11:56. | :12:06. | |
# Guarantee that no body would stand still. | :12:06. | :12:08. | |
# YEAH YEAH. # Let's get down with the trumpets. | :12:08. | :12:11. | |
# WHAT. # Let's get down with the down with | :12:11. | :12:12. | |
the. # YEAH YEAH. | :12:12. | :12:22. | |
:12:22. | :12:34. | ||
# Let's get down with the trumpets. # There's a boy with his head. | :12:34. | :12:38. | |
# Pressed up to the window. # Of a bus heading out of town. | :12:38. | :12:41. | |
# In his breath on the glass. # He draws with his finger. | :12:41. | :12:47. | |
# A map of the roads they go down. # Circles of street lights. | :12:47. | :12:51. | |
# Are the only signal. # That there's people out there in | :12:51. | :12:55. | |
the black. # He waves goodbye, to the town he | :12:55. | :12:57. | |
grew up in. # He knows that he'll never come | :12:58. | :13:03. | |
back. # The night outside is five below. | :13:03. | :13:06. | |
# His heart is pumping blood. # On his lips a perfect smile. | :13:06. | :13:10. | |
# His eyes begin to flood. # Because tonight's the kind of | :13:10. | :13:18. | |
night. # Tonight's the kind of night. | :13:18. | :13:27. | |
# The rumble strip clack. # And the rattling frame. | :13:27. | :13:37. | |
:13:37. | :13:40. | ||
# The engine hums, a humble tune. # Under lamp light glow. | :13:40. | :13:44. | |
# And paradise stars. # An infinity of dancing white | :13:44. | :13:50. | |
# He sees that his debt. # Is to experience only. | :13:50. | :13:57. | |
# And not to those who'd plan out # The night outside is five below. | :13:57. | :14:01. | |
# The moon is in the sky. # His heart is full of perfect joy. | :14:01. | :14:04. | |
# He whispers his goodbye. # Because tonight's the kind of | :14:04. | :14:09. | |
night. # Where everything could change. | :14:10. | :14:17. | |
# Tonight's the kind of night. # Where everything could change. | :14:17. | :14:24. | |
# And tonight he's not gonna come # Oh tonight he's not gonna come | :14:24. | :14:34. | |
:14:34. | :14:46. | ||
# Oh tonight he's not gonna come # Oh tonight's the kind of night. | :14:46. | :14:56. | |
# Where everything could change. # Tonight's the kind of night. | :14:56. | :15:02. | |
# Where everything could change. # Tonight's the kind of night. | :15:02. | :15:12. | |
# Where everything could change. # Tonight's the kind of night. | :15:12. | :15:22. | |
:15:22. | :15:56. | ||
# Lie awake in bed at night. # And think about your life. | :15:56. | :16:06. | |
:16:06. | :16:06. | ||
# Do you want to be different?. # Try to let go of the truth. | :16:06. | :16:16. | |
:16:16. | :16:29. | ||
# The battles of your youth. Jump, # It's a beautiful lie. | :16:29. | :16:32. | |
# It's the perfect denial. # Such a beautiful lie to believe | :16:32. | :16:37. | |
# So beautiful, beautiful it makes # It's time to forget about the | :16:37. | :16:47. | |
:16:47. | :16:51. | ||
past. It is so nice to see you guys again. | :16:51. | :17:01. | |
:17:01. | :17:05. | ||
# Hide behind an empty face. # 'Cause this is just a game. | :17:05. | :17:11. | |
# It's a beautiful lie. # It's the perfect denial. | :17:11. | :17:21. | |
# Such a beautiful lie to believe # So beautiful, beautiful it makes | :17:21. | :17:31. | |
:17:31. | :17:55. | ||
Get your hands in the air, let me # Oh, oh, the end of the world. | :17:55. | :17:57. | |
# Everyone's looking at me. # I'm running around in circles, | :17:58. | :17:59. | |
baby. # A quiet desperation's building | :17:59. | :18:09. | |
:18:09. | :18:17. | ||
# I've got to remember this is just a game. I want to see you jump, | :18:17. | :18:27. | |
:18:27. | :18:44. | ||
Some make some noise! # So beautiful, beautiful. | :18:44. | :18:49. | |
# It's a beautiful lie. # So beautiful, beautiful. | :18:49. | :18:59. | |
:18:59. | :19:17. | ||
# It's a beautiful lie. # You didn't know what to say. | :19:17. | :19:20. | |
# It all came at you today. # Can't get out your own way. | :19:20. | :19:24. | |
# Well hold on, hold on, hold on.. # I'm hiding out in the sun. | :19:24. | :19:30. | |
# I'm getting everyone done. # Just me hating no one. | :19:30. | :19:34. | |
# Here I come, here I come, here I come. | :19:34. | :19:44. | |
:19:44. | :19:46. | ||
# Just call me the roller. # I'll squeeze and unfold you. | :19:46. | :19:56. | |
:19:56. | :20:02. | ||
# Call me the roller. # So you been crawling through a | :20:02. | :20:07. | |
maze. # An alcohol lemon haze. | :20:07. | :20:11. | |
# I've been watching you for days. # You've been outta sight alright, | :20:11. | :20:18. | |
alright, alright. # I'll take you somewhere you never | :20:18. | :20:27. | |
knew you'd been. # I'll give you something you never | :20:27. | :20:29. | |
knew you'd feel. # The only thing is, everything is | :20:29. | :20:32. | |
really tonight, tonight, tonight. # Just call me the roller. | :20:32. | :20:42. | |
:20:42. | :20:42. | ||
# I'll squeeze and unfold you. # Call me the roller. | :20:42. | :20:49. | |
# I just go to show you. # Just call me the roller. | :20:49. | :20:57. | |
# I'll come blow you over. # Call me the roller. | :20:57. | :21:07. | |
:21:07. | :21:37. | ||
# I'll take you somewhere you never knew you'd been. | :21:37. | :21:39. | |
# I'll give you something you never knew you'd feel. | :21:39. | :21:46. | |
# The only thing is everything is really tonight, tonight, tonight. | :21:47. | :21:55. | |
# Just call me the roller. # I'll squeeze and unfold you. | :21:55. | :21:58. | |
# Call me the roller. # I just go to show you. | :21:58. | :22:08. | |
:22:08. | :22:18. | ||
# The roller. # The roller. # The roller. # The roller, the roller, | :22:18. | :22:28. | |
:22:28. | :22:59. | ||
the roller # Na, Na Na Na, Na Na Na. | :22:59. | :23:01. | |
# Drugs, gimme drugs. # Gimme drugs. | :23:01. | :23:04. | |
# I don't need it. # But I'll sell what you got. | :23:04. | :23:06. | |
# Take the cash. # And I'll keep it. | :23:06. | :23:09. | |
# Eight legs to the wall. # Hit the gas. | :23:09. | :23:11. | |
# Kill 'em all. # And we crawl. | :23:11. | :23:15. | |
# You be my detonator. # Love, gimme love. | :23:15. | :23:17. | |
# Gimme love. # I don't need it. | :23:17. | :23:20. | |
# But I'll take what I want. # From your heart. | :23:20. | :23:22. | |
Bag. # In a box. | :23:22. | :23:25. | |
# Put an X on the floor. # Gimme more. | :23:25. | :23:28. | |
# Na, Na Na Na, Na Na Na. # From mall security. | :23:28. | :23:31. | |
# To every enemy. # We're on your property. | :23:31. | :23:34. | |
# Standing in V formation. # Na, Na Na Na, Na Na Na. | :23:34. | :23:38. | |
# Let's blow an artery. # Eat Plastic surgery. | :23:38. | :23:42. | |
# Keep your apology. # Give us more detonation. | :23:42. | :23:50. | |
# More! Gimme more! Gimme more! # Let me tell you 'bout the sad man. | :23:50. | :23:52. | |
# Shut up and let me see your jazz hands. | :23:52. | :23:56. | |
# Remember when you were a madman. # Thought you was Batman. | :23:56. | :24:01. | |
# And Hit the party with a gas can. # Kiss me you animal. | :24:01. | :24:04. | |
# Na, Na Na Na, Na Na Na. # You run the company?. | :24:04. | :24:08. | |
# Fuck like a kennedy. # I think we'd rather be. | :24:08. | :24:14. | |
# Burning your information. # Let's blow an artery. | :24:14. | :24:18. | |
# Eat plastic surgery. # Keep your apology. | :24:18. | :24:23. | |
# Give us more detonation. # Right here, right now. | :24:23. | :24:33. | |
:24:33. | :24:34. | ||
# All the way in Battery City. And the City of Reading. # The | :24:34. | :24:36. | |
Little children. # Raised their open filthy palms. | :24:36. | :24:39. | |
# Like tiny daggers up to heaven. # And all the juvee halls. | :24:39. | :24:42. | |
# And the ritalin rats. # Ask angels made from neon. | :24:42. | :24:49. | |
# And fucking garbage. # Scream out "What will save us?". | :24:49. | :24:52. | |
# And the sky opened up. # Everybody wants to change the | :24:52. | :24:56. | |
world. But no one, # No one wants to die. | :24:56. | :25:06. | |
:25:06. | :25:16. | ||
# Wanna try, wanna try, wanna try. # Na Na Na Na, Na Na Na, Na Na Na. | :25:16. | :25:19. | |
# Make no apologies. # It's death or victory. | :25:19. | :25:21. | |
# On my authority. # Crash and burn. | :25:21. | :25:26. | |
# Young and loaded. # Drop like a bulletshell. | :25:26. | :25:29. | |
# Dress like a sleeper cell. # I'd rather go to hell. | :25:29. | :25:31. | |
# Than be in purgatory. # Cut my hair. | :25:31. | :25:35. | |
# Gag and bore me. # Pull this pin. | :25:35. | :25:45. | |
:25:45. | :25:45. | ||
Apology for the loss of subtitles for 42 seconds | :25:45. | :26:28. | |
# Let this world explode # I don't know why she love me like | :26:28. | :26:30. | |
she do. # She's full of lightning through | :26:30. | :26:32. | |
and through. # She's my gold mine, she's my | :26:32. | :26:35. | |
diamond mine. # She's my buried treasure, lord, | :26:35. | :26:41. | |
it's true. # I don't know why she love me like | :26:41. | :26:51. | |
:26:51. | :26:57. | ||
she do. # She's drop dead beautiful. | :26:58. | :27:07. | |
# Smart as a whip when she's in school. | :27:07. | :27:09. | |
# All the boys love her, yeah it's true. | :27:09. | :27:12. | |
# I don't know why she love me but she do. | :27:12. | :27:22. | |
:27:22. | :27:22. | ||
Apology for the loss of subtitles for 42 seconds | :27:22. | :28:23. | |
# I don't know why she love me but # She's drop dead beautiful. | :28:23. | :28:26. | |
# Smart as a whip when she's in school. | :28:26. | :28:28. | |
# All the boys love her, yeah it's true. | :28:28. | :28:37. | |
# I don't know why she love me but she do. | :28:37. | :28:39. | |
# I don't know why she love me but she do. | :28:39. | :28:42. | |
# I don't know why she love me but it's true. | :28:42. | :28:45. | |
# I don't know why she love me but she do. | :28:45. | :28:48. | |
# I don't know why she love me but she do. | :28:48. | :28:50. | |
# I don't know why she love me but she do. | :28:50. | :28:53. | |
# I don't know why she love me but it's true. | :28:53. | :29:03. | |
:29:03. | :29:18. | ||
# I don't know why she love me but # Lucifer you're landing. | :29:18. | :29:27. | |
# Cross-hairs on the kitchen sink. # Barb-wire in the bathroom. | :29:27. | :29:37. | |
:29:37. | :29:56. | ||
# I can't make new memories since. # Flashbacks to the time. | :29:56. | :29:59. | |
# This shell-shocked apartment was the place. | :29:59. | :30:05. | |
# I met with your boy. # It's a mortal. | :30:05. | :30:11. | |
# Thing, yeah it's a mortal thing. # oh! He looked at me funny and a. | :30:11. | :30:19. | |
# oh! Oh! Think. # our secret's out and a. | :30:19. | :30:22. | |
# oh-ooh-oh i try to explain. # but then munitions rain. | :30:22. | :30:28. | |
# and we're the epicentre. # It's like I'm watching the A4 | :30:28. | :30:31. | |
paper taking over the guillotine. # It's like I'm watching the A4 | :30:31. | :30:34. | |
paper taking over the guillotine. # And I wanna know what happened to | :30:34. | :30:36. | |
your boyfriend. # Cos he was. | :30:36. | :30:39. | |
# looking at me like "woah..!" # Yeah right before the kitchen was | :30:39. | :30:41. | |
a dustbowl. # And tossing me the keys and I | :30:42. | :30:43. | |
can't forget how. # everything just coming through | :30:44. | :30:46. | |
the windows. # and half the street was under my | :30:46. | :30:48. | |
nails. # it's like we sitting in the | :30:48. | :30:50. | |
Faraday cage. # when the lights all failed. | :30:50. | :30:53. | |
# I fly through the walls. # all pieces colliding and I see | :30:53. | :30:56. | |
Raymond apart. # he'a a frowning now, wagging a | :30:56. | :30:58. | |
finger at me. # "boy!" his knees bend the other | :30:58. | :31:00. | |
way. # "boy! Boy!" are you guys. | :31:00. | :31:01. | |
Together honey? # "b..b..boy!" | :31:01. | :31:04. | |
# oh but now i can't find his torso, mmhmmhmm. | :31:04. | :31:07. | |
# I guess you're seperated ooh. # Monica I just wanna know...ooh. | :31:07. | :31:10. | |
# It's like I'm. # watching the A4 paper taking over | :31:10. | :31:12. | |
the guillotine. # Monica I just wanna know... | :31:12. | :31:15. | |
# It's like I'm watching the A4 paper taking over the guillotine. | :31:15. | :31:18. | |
# And I wanna know what happened to your boyfriend. | :31:18. | :31:20. | |
# Cos he was looking at me like. # "woah..!" | :31:20. | :31:22. | |
# Yeah right before the kitchen was a dustbowl. | :31:22. | :31:26. | |
# And tossing me the keys. # and I can't forget how everything | :31:26. | :31:29. | |
just coming through the windows. # and half the street was under my | :31:29. | :31:35. | |
nails. It's like we sitting in the Faraday cage. | :31:35. | :31:43. | |
# when the lights all failed. # Lucifer you're landing. | :31:43. | :31:47. | |
# (6 cars the driveway oh i do believe it will be business inside). | :31:47. | :31:50. | |
# Cross-hairs on the kitchen sink. # (it's a real spanner into my | :31:50. | :31:53. | |
works i think i kicked the bucket). # Baby's on the bullseye. | :31:53. | :31:55. | |
# (...do believe it will be business inside..). | :31:55. | :31:58. | |
# I can't make new memories since, ..ries since, ..ries since. | :31:58. | :32:03. | |
# And I wanna know. # what happened to your boyfriend. | :32:03. | :32:06. | |
# Cos he was looking at me like "woah..!" | :32:06. | :32:09. | |
# Yeah. # right before the kitchen was a | :32:09. | :32:19. | |
:32:19. | :32:29. | ||
dustbowl. # And tossing me the keys. | :32:29. | :32:32. | |
# and I can't forget how everything just coming through the windows. | :32:32. | :32:34. | |
# and half the street was under my nails. | :32:35. | :32:37. | |
# it's like we sitting in the Faraday cage. | :32:37. | :32:40. | |
# when the lights all failed. # And now everybody gotta go hungry. | :32:40. | :32:42. | |
# and everybody cover up their mouths. | :32:42. | :32:44. | |
# And I haven't seen the bodycount lately. | :32:44. | :32:46. | |
# but looking at your faces it must have been bad. | :32:46. | :32:48. | |
# and if everybody answered thier phonecalls. | :32:48. | :32:52. | |
# but people say the army's on fire. # it's like we sitting with our | :32:52. | :33:02. | |
:33:02. | :33:06. | ||
parachutes on when the airport's # And I can't say, it's what you | :33:06. | :33:09. | |
know # But you've known it the whole | :33:09. | :33:18. | |
time # Yeah, you've known it the whole | :33:18. | :33:28. | |
:33:28. | :33:58. | ||
# In a few weeks # I will get time | :33:58. | :34:01. | |
# To realise, it's right before my eyes | :34:01. | :34:09. | |
# And I can take it, if it's what I want to do | :34:09. | :34:15. | |
# This is starting, to feel like # It's right before my eyes | :34:15. | :34:22. | |
# And I can taste it # It's my sweet beginning | :34:22. | :34:28. | |
# Ant I can tell just what you want # You don't want to be alone | :34:29. | :34:38. | |
:34:39. | :34:39. | ||
# And, I can't say it's what you know | :34:39. | :34:43. | |
# But you've known it the whole time | :34:43. | :34:49. | |
# Yeah, you've known it the whole time | :34:49. | :34:52. | |
# Neighbour next year # I'll have no time | :34:52. | :34:56. | |
# To think about the questions to address | :34:56. | :35:02. | |
# Am I the only oun one to try to stop the fire? | :35:02. | :35:08. | |
# I wouldn't test you # I'm not the best you could have | :35:08. | :35:10. | |
attained # Why try anything? | :35:10. | :35:17. | |
# I will get there # Just remember I know | :35:17. | :35:20. | |
# And I can tell you just what you want want | :35:20. | :35:30. | |
:35:30. | :35:34. | ||
# You don't want to be alone # And I can't say it's what you | :35:34. | :35:38. | |
know # But you've known it the whole | :35:38. | :35:41. | |
time # Yeah, you've known it the whole | :35:41. | :35:51. | |
:35:51. | :35:55. | ||
time # Yeah, yeah | :35:55. | :36:03. | |
# Yeah # Yeah | :36:03. | :36:09. | |
# And I can tell just what you want # You don't want to be alone | :36:09. | :36:19. | |
:36:19. | :36:24. | ||
# Ant I ki say it's what you know # But you've known it the whole | :36:24. | :36:30. | |
time # You have known it the whole time | :36:30. | :36:40. | |
:36:40. | :37:18. | ||
MUSIC: "Hold On" by Sbtrkt. # Oh. | :37:18. | :37:20. | |
# Oh, oh # Yeah. | :37:20. | :37:22. | |
# How'd you mean? # What do'you mean you're not | :37:22. | :37:25. | |
coming by? # I called you later and you were | :37:25. | :37:29. | |
outside. # It always screams screams inside | :37:29. | :37:32. | |
my head. # Curtains closed you'd be beside | :37:32. | :37:36. | |
my head. # You were always down for it. | :37:36. | :37:40. | |
# Get in this getaway and be running from it. | :37:40. | :37:44. | |
# Yeah, you were always down for it. # Get in this getaway and be | :37:44. | :37:47. | |
running from it. # You're giving me the coldest | :37:47. | :37:53. | |
stare. # Like you don't even know I'm here. | :37:53. | :38:03. | |
:38:03. | :38:17. | ||
# Why don't we turn the leaf? # What you've done, what you've | :38:17. | :38:22. | |
done you can't keep inside. # By the end of the night I'll help | :38:22. | :38:26. | |
you confide. # 'Cause I can see, see your sad | :38:26. | :38:29. | |
self. # 'Cause I can see you're not being | :38:29. | :38:35. | |
yourself. # 'Cause usually you're down for it. | :38:35. | :38:41. | |
# Can't hold back a smile when you try for it. | :38:41. | :38:43. | |
# Yeah, 'Cause usually you're down for it. | :38:43. | :38:46. | |
# Can't hold back a smile when you try for it. | :38:46. | :38:49. | |
# You're giving me the coldest stare. | :38:49. | :38:55. | |
# Like you don't even know I'm here. # Why don't you let me sing? Why | :38:55. | :39:04. | |
don't you let me. # Why don't you let me. You're gig | :39:04. | :39:08. | |
me the coldest stare like you don't even know I'm here | :39:08. | :39:12. | |
# Why don't we turn the leaf # Why don't we turn the | :39:12. | :39:20. | |
# Why don't we turn the leaf # Why don't we turn the | :39:20. | :39:23. | |
# Whatever you've done, however bad. # Hold on, hold on, hold on. | :39:23. | :39:29. | |
# Whatever you've done, however bad. # Hold on, hold on, hold on. | :39:29. | :39:32. | |
# Whatever it is, however bad. # Hold on, hold on, hold on. | :39:32. | :39:41. | |
# Hold on, hold on, hold on, hold # I said hold on, hold on, hold on | :39:41. | :39:51. | |
:39:51. | :39:51. | ||
Apology for the loss of subtitles for 42 seconds | :39:51. | :41:46. | |
# Why don't you let me. # Father wears his Sunday best. | :41:46. | :41:49. | |
# Mother's tired she needs a rest. # The kids are playing up | :41:49. | :41:54. | |
downstairs. # Sister's sighing in her sleep. | :41:54. | :41:59. | |
# Brother's got a date to keep. # He can't hang around. | :41:59. | :42:02. | |
# Our house, in the middle of our street. | :42:02. | :42:08. | |
# Our house, in the middle of our... # Our house it has a crowd. | :42:08. | :42:10. | |
# There's always something happening. | :42:10. | :42:15. | |
# And it's usually quite loud. # Our mum she's so houseproud. | :42:15. | :42:21. | |
# Nothing ever slows her down. # And a mess is not allowed. | :42:21. | :42:23. | |
# Our house, in the middle of our street. | :42:23. | :42:27. | |
# Our house, in the middle of our... # Our house, in the middle of our | :42:27. | :42:37. | |
:42:37. | :42:38. | ||
street. # Our house, in the middle of our... | :42:38. | :42:41. | |
# Something tells you that you've got to get away from it. | :42:41. | :42:45. | |
# Father gets up late for work. # Mother has to iron his shirt. | :42:45. | :42:49. | |
# Then she sends the kids to school. # Sees them off with a small kiss. | :42:49. | :42:59. | |
:42:59. | :42:59. | ||
# She's the one they're going to miss in lots of ways. The hardest | :42:59. | :43:09. | |
:43:09. | :43:17. | ||
working man in showbusiness Mr # Our house, in the middle of our | :43:17. | :43:23. | |
street. # Our house, in the middle of our... | :43:23. | :43:26. | |
# I remember way back then when everything was true and when. | :43:26. | :43:29. | |
# We would have such a very good time, such a fine time. | :43:29. | :43:32. | |
# Such a happy time. # And I remember how we'd play, | :43:32. | :43:35. | |
simply waste the day away. # Then we'd say nothing would come | :43:35. | :43:38. | |
between us. # Two dreamers. | :43:38. | :43:43. | |
# Father wears his Sunday best. # Mother's tired she needs a rest. | :43:43. | :43:45. | |
# The kids are playing up downstairs. | :43:45. | :43:50. | |
# Sister's sighing in her sleep. # Brother's got a date to keep. | :43:50. | :43:58. | |
# He can't hang around. Where where? | :43:58. | :44:00. | |
# Our house, in the middle of our street. | :44:00. | :44:03. | |
# Our house, in the middle of our street. | :44:03. | :44:05. | |
# Our house, in the middle of our street. | :44:05. | :44:15. | |
# Our house, in the middle of our... # Our house, was our castle and our | :44:15. | :44:17. | |
keep. # Our house, in the middle of our | :44:17. | :44:21. | |
street. # Our house, that was where we used | :44:21. | :44:23. | |
to sleep. # Our house, in the middle of our | :44:23. | :44:26. | |
street. # Our house, in the middle of our | :44:26. | :44:32. | |
street #. CHEERING AND APPLAUSE | :44:33. | :44:42. | |
:44:43. | :45:00. | ||
# Stay out super late tonight. # Picking apples, making pies. | :45:00. | :45:04. | |
# Put a little something in our lemonade and take it with us. | :45:04. | :45:14. | |
:45:14. | :45:19. | ||
# We're half-awake in a fake empire. # Tiptoe through our shiny city. | :45:19. | :45:23. | |
# With our diamond slippers on. # Do our gay ballet on ice. | :45:23. | :45:33. | |
:45:33. | :46:13. | ||
# Bluebirds on our shoulders. # Turn the light out say goodnight. | :46:13. | :46:18. | |
# No thinking for a little while. # Let's not try to figure out | :46:18. | :46:25. | |
everything at once. # It's hard to keep track of you | :46:25. | :46:35. | |
:46:35. | :46:36. | ||
falling through the sky. # We're half-awake in a fake empire. | :46:36. | :46:46. | |
:46:46. | :46:46. | ||
Apology for the loss of subtitles for 42 seconds | :46:46. | :48:20. | |
# We're half-awake in a fake empire # Waking sitting up right can't | :48:20. | :48:24. | |
explain the sunlight. # Wondering why you're not home. | :48:24. | :48:28. | |
# Girl, I go beside you. # Left before you tried to work out | :48:28. | :48:31. | |
all the unknowns. # Blame it all on me when I forget | :48:31. | :48:35. | |
to defend. # Everything that we worked out. | :48:35. | :48:38. | |
# Something in her wording I cannot help searching. | :48:38. | :48:41. | |
# For what memory found. # Thought it stopped just as it | :48:41. | :48:51. | |
:48:51. | :49:05. | ||
start. # You're a layer on my clothes. | :49:05. | :49:15. | |
:49:15. | :49:22. | ||
# Meet me in the hallway bite your lip when i say. | :49:22. | :49:26. | |
# Never have you left my mind. # Stop and think it over smiling | :49:26. | :49:31. | |
moving closer. # Oh, what delicate time. | :49:31. | :49:37. | |
# Blame it all on my when I forget to defend. | :49:37. | :49:42. | |
# Everything that we put down. # Something in her wording. | :49:42. | :49:52. | |
:49:52. | :49:53. | ||
# I guess she was just searching. # For some sound. | :49:53. | :49:55. | |
# Thought it stopped just as it starts. | :49:55. | :50:03. | |
# But that is not what you are. # You're a layer on my clothes. | :50:03. | :50:13. | |
:50:13. | :50:20. | ||
# Made of ivy and gold #. # You're a layer on my clothes. | :50:20. | :50:30. | |
:50:30. | :50:30. | ||
Apology for the loss of subtitles for 42 seconds | :50:30. | :51:18. | |
# Last night, she said. # "Oh, baby, I feel so down. | :51:18. | :51:21. | |
# Oh it turns me off. # When I feel left out". | :51:21. | :51:28. | |
# So I walked out. # "Oh, baby, don't care no more. | :51:28. | :51:37. | |
# I know this for sure. # I'm walking out that door". | :51:37. | :51:40. | |
# Well, I've been in town for just about 15 minutes now. | :51:40. | :51:43. | |
# And baby, I feel so down. # And I don't know why. | :51:43. | :51:51. | |
# I keep walking for miles. # See, people they don't understand. | :51:51. | :51:53. | |
# No, girlfriends, they can't understand. | :51:53. | :52:01. | |
# Your grandsons, they won't understand. | :52:01. | :52:03. | |
# On top of this, I ain't ever gonna understand. | :52:03. | :52:08. | |
# Last night, she said:. # "Oh, baby, don't feel so down. | :52:08. | :52:18. | |
# Oh, it turns me off. # When I feel left out". | :52:18. | :52:21. | |
# So I, I turn round. # "Oh, baby, gonna be alright". | :52:21. | :52:31. | |
:52:31. | :52:42. | ||
# It was a great big lie. Ladies and gentlemen, let me tell | :52:42. | :52:52. | |
:52:52. | :53:00. | ||
# Oh, people they don't understand. # No, girlfriends, they won't | :53:00. | :53:04. | |
understand. # Your grandsons, they won't | :53:04. | :53:14. | |
:53:14. | :53:16. | ||
understand. # Spaceships, they won't understand. # Last night, she | :53:16. | :53:18. | |
said. # "Oh, baby, I feel so down. | :53:18. | :53:27. | |
# See, it turns me off. # When I feel left out". | :53:28. | :53:31. | |
# So I, I turn round. # "Oh, little girl, I don't care no | :53:31. | :53:33. | |
more. # I know this for sure. | :53:33. | :53:43. | |
:53:43. | :53:43. | ||
Apology for the loss of subtitles for 42 seconds | :53:43. | :54:56. | |
# I'm walking out that door," yeah # I can't, no, I won't hush. | :54:56. | :54:59. | |
# I'll say the words that make you blush. | :54:59. | :55:02. | |
# I'm gonna sing this now. # See, I'm true, my songs are where | :55:02. | :55:05. | |
my heart is. # I'm like glue, I stick to other | :55:05. | :55:07. | |
artists. # I'm not you, now that would be | :55:07. | :55:09. | |
disastrous. # Let me sing and do my thing. | :55:09. | :55:13. | |
# And move to greener pastures. # See, I'm real, I do it all, it's | :55:13. | :55:16. | |
all me. # I'm not fake, don't ever call me | :55:16. | :55:17. | |
lazy. # I won't stay put. | :55:17. | :55:21. | |
# Give me the chance to be free. # Suffolk sadly seems to sort of | :55:21. | :55:23. | |
suffocate me. # You need me, man, I don't need | :55:23. | :55:26. | |
you. # You need me, man, I don't need | :55:26. | :55:33. | |
you. # Does he write his own tune?. | :55:33. | :55:36. | |
# Does he write his own verse? Hell. # Or need another wordsmith. | :55:36. | :55:39. | |
# To make the tune sell?. # Call yourself a singer-writer, | :55:39. | :55:42. | |
you're just bluffing. # Your name's on the credits, and | :55:42. | :55:45. | |
you didn't write nothing. # I sing fast, I know that all my | :55:45. | :55:48. | |
shit's cool. # I will blast, and I didn't go to | :55:48. | :55:50. | |
Brit School. # I came fast with the way I act, | :55:50. | :55:53. | |
right. # I can't last, if I'm smoking on a | :55:53. | :55:56. | |
crack pipe. # I won't be a product of my genre. | :55:56. | :56:00. | |
# My mind will always be stronger than my songs are. | :56:00. | :56:02. | |
# Never believe the bull that fake guys feed to you. | :56:02. | :56:05. | |
# Always read the stories that you hear in Wikipedia. | :56:05. | :56:08. | |
# And musically I'm demonstrating. # When I perform live, feels like I | :56:08. | :56:10. | |
am meditating. # Times at The Enterprise when some | :56:10. | :56:12. | |
fella filmed me. # A young singer-writer like | :56:12. | :56:15. | |
Gabriella Cilmi. # You need me, man, I don't need | :56:15. | :56:17. | |
you. # You need me, man, I don't need | :56:17. | :56:19. | |
you. # You need me, man, I don't need | :56:19. | :56:29. | |
:56:29. | :56:59. | ||
# You believe the lyrics when I am singing them out. # What the future | :56:59. | :57:05. | |
hold because it is another day. Keep this a genre basic but replace | :57:05. | :57:09. | |
it with an elephant in the room and what the other rapper chooses new | :57:09. | :57:19. | |
laces. Selling CDs from my rucksack... Claimed cab without a | :57:19. | :57:26. | |
razor for the moustache. Am still a choirboy... More people here me | :57:26. | :57:30. | |
according to the my space and YouTube videos, I am always doing | :57:30. | :57:34. | |
videos is not doing the studio. Melody Music Maker, they say I am | :57:34. | :57:43. | |
up and coming. You need me, I don't need you. | :57:43. | :57:46. | |
# You need me, man, I don't need you. | :57:46. | :57:48. | |
# You need me, man, I don't need you. | :57:48. | :57:52. | |
# You need me, man, I don't need you, at all #. | :57:52. | :58:02. | |
:58:02. | :58:04. | ||
# You need me, man, I don't need # She came from Greece she had a | :58:04. | :58:08. | |
thirst for knowledge. # She studied sculpture at Saint | :58:08. | :58:18. | |
Martin's College. # That's where I caught her eye. | :58:18. | :58:21. | |
# She told me that her Dad was loaded. | :58:21. | :58:24. | |
# I said "In that case I'll have a rum and Coca-Cola". | :58:24. | :58:33. | |
# She said "Fine". # And in 30 seconds time she said. | :58:33. | :58:40. | |
# I want to live like common people I want to do whatever common people | :58:40. | :58:42. | |
# "I want to sleep with common people. | :58:42. | :58:44. | |
# "I want to sleep with common people. | :58:44. | :58:49. | |
# "Like you". # Well, what else could I do? | :58:49. | :58:59. | |
:58:59. | :59:05. | ||
# I said "I'll see what I can do". # I took her to a supermarket. | :59:05. | :59:08. | |
# I don't know why but I had to start it somewhere. | :59:08. | :59:11. | |
# So it started there. # I said pretend you've got no | :59:11. | :59:16. | |
money. # She just laughed and said. | :59:16. | :59:20. | |
# "Oh you're so funny". # I said "yeah? | :59:20. | :59:22. | |
# Well I can't see anyone else smiling in here. | :59:22. | :59:25. | |
# Are you sure you want to live like common people. | :59:25. | :59:33. | |
# You want to see whatever common people see. | :59:33. | :59:35. | |
# You want to sleep with common people. | :59:35. | :59:38. | |
# You want to sleep with common people like me". | :59:38. | :59:43. | |
# But she didn't understand. # She just smiled and held my hand. | :59:43. | :59:52. | |
# Rent a flat above a shop. # Cut your hair and get a job. | :59:52. | :00:02. | |
:00:02. | :00:03. | ||
# Smoke some fags and play some pool. | :00:03. | :00:06. | |
# pretends you never went to school. # But still you'll never get it | :00:06. | :00:08. | |
right. # Cos when you're laid in bed at | :00:08. | :00:10. | |
night. # watching roaches climb the wall. | :00:10. | :00:13. | |
# if you call your Dad he could stop it all. | :00:13. | :00:15. | |
# You'll never live like common people. | :00:15. | :00:17. | |
# You'll never do what common people do. | :00:17. | :00:18. | |
# You'll never fail like common people. | :00:18. | :00:21. | |
# You'll never watch your life slide out of view. | :00:22. | :00:26. | |
# And dance and drink and screw. # Because there's nothing else to | :00:26. | :00:36. | |
:00:36. | :00:57. | ||
# Sing along with the common people. # Sing along and it might just get | :00:58. | :01:00. | |
you through. # Laugh along with the common | :01:00. | :01:01. | |
people. # Laugh along even though they're | :01:01. | :01:08. | |
laughing at you. # And the stupid things that you do. | :01:08. | :01:18. | |
:01:18. | :01:19. | ||
# Because you think that poor is cool. | :01:19. | :01:26. | |
# Like a dog lying in a corner # It will bite you and never warn you | :01:26. | :01:35. | |
# Look out # Cos everybody hates a tourist | :01:35. | :01:39. | |
# When they think it's all such a laugh | :01:39. | :01:49. | |
:01:49. | :01:55. | ||
# And the chip stain and grease won't come out | :01:55. | :02:05. | |
:02:05. | :02:09. | ||
# And you wonder why # Cut your hair and get a job | :02:09. | :02:14. | |
# You're too fat # You never wpbt to school | :02:14. | :02:20. | |
# Still you never get it right # So when you're laying in bed at | :02:20. | :02:29. | |
night # Watching | :02:29. | :02:33. | |
# I want to live with common people. # I want to live with common people | :02:33. | :02:43. | |
:02:43. | :02:45. | ||
# You'll never live like common people | :02:45. | :02:47. | |
# You'll never do what common people do | :02:47. | :02:49. | |
# You'll never fail like common people | :02:49. | :02:56. | |
# You'll never watch your life slide out of vie view | :02:56. | :03:03. | |
# And dance and drink and screw # Because there's there's nothing | :03:03. | :03:13. | |
:03:13. | :03:20. | ||
else to do Well, that's about all from us for tonight how was it? | :03:20. | :03:30. | |
:03:30. | :03:35. | ||
How was it? You've been fantastic, I want to applaud you. Thank you | :03:35. | :03:41. | |
very much for being here. You've got The Strokes to look forward to | :03:41. | :03:47. | |
in a few minutes. First of all, I want you to show your appreciation | :03:47. | :03:56. | |
of the people on the stage. Would you say thank you to Mr Russell | :03:56. | :04:06. | |
:04:06. | :04:10. | ||
Senior on the violin. You've been listen to Mr Mark wch ebber on the | :04:10. | :04:20. | |
:04:20. | :04:24. | ||
guitar. Mrs Doyle on the keyboards. Mr Nicholas Banks on the drum kit. | :04:24. | :04:34. | |
:04:34. | :04:34. | ||
Richard on the electric guitar. Mr Steve Mackay on the four string | :04:34. | :04:44. | |
:04:44. | :04:45. | ||
electric base and Mr Leo ab bra hams on six string electric guitar. | :04:45. | :04:50. | |
-- Abrahams on the six string electric guitar. My name is Jarvis. | :04:50. | :04:57. | |
I'm on the monitors. When I grow up, when I grow up, when I grow up, I | :04:57. | :05:00. | |
wanna, I wanna # I wanna | :05:00. | :05:08. | |
# I wanna live like common people # I want it live with common people | :05:08. | :05:10. | |
like you # Want to live with common people | :05:10. | :05:14. | |
like you # Want to live with common people | :05:14. | :05:17. | |
like you # Wanna live with common people | :05:17. | :05:20. | |
like you # Wanna live with common people | :05:20. | :05:24. | |
like you # Wanna live with common people | :05:24. | :05:28. | |
like you # Wanna live with common people | :05:28. | :05:33. | |
like you # Like you | :05:33. | :05:43. | |
:05:43. | :05:47. | ||
# La, la, like you # La, la, oh, YES! # | :05:47. | :05:56. | |
Thank you very much for being here. Reading, we love you, yes we do. | :05:56. | :06:06. | |
:06:06. | :06:27. | ||
Thank you. We are Pulp. The song $NEWLINE # Taking a ride to another | :06:27. | :06:29. | |
climb. # Knees in my back 'cause we're | :06:29. | :06:33. | |
flying high. # Did I give it all? | :06:33. | :06:39. | |
# I guess I gave it all. # Seeing the mountains through the | :06:39. | :06:45. | |
fog. # Watching a film with a talking | :06:45. | :06:47. | |
dog. # 'Cause if I fall. | :06:47. | :06:54. | |
# Then I guess I fall. # Hawaiian air. | :06:54. | :07:04. | |
:07:04. | :07:08. | ||
# Leaving the world down beneath the clouds. | :07:08. | :07:11. | |
# Hawaiian notes, don't need no pounds. | :07:11. | :07:21. | |
:07:21. | :07:24. | ||
# Did I give them all? # Oh, did I give them all? | :07:24. | :07:28. | |
# Ache in my leg from a broken seat. # Skipping the meal for a G&T. | :07:28. | :07:31. | |
# 'Cause if I fall. # I'm begging not to fall. | :07:31. | :07:41. | |
:07:41. | :07:47. | ||
# Hawaiian air. # Touching down. | :07:47. | :07:52. | |
# Hit the ground. # I'm breathing new air. | :07:52. | :08:02. | |
:08:02. | :08:02. | ||
# Can I take this all in? # As we land, you pinch my hand. | :08:02. | :08:07. | |
# I'm still here. # Can I take this all in? | :08:07. | :08:17. | |
:08:17. | :08:18. | ||
# Up in the sky Honolulu bound. # Steel guitar and the melee sound. | :08:19. | :08:26. | |
# Did I give it all? # I guess I gave it all. | :08:26. | :08:29. | |
# Feeling the shapes keeps me reticent. | :08:29. | :08:32. | |
# Stuck in my seat from the turbulence. | :08:32. | :08:40. | |
# And if I fall. # Then I fall. | :08:40. | :08:44. | |
# Breaking open skies of green earths. | :08:44. | :08:48. | |
# How long will we float? # Deserts. | :08:48. | :08:52. | |
# In our eyes we're falling. # Our hearts in our throats. | :08:52. | :09:02. | |
:09:02. | :09:19. | ||
# Hawaiian air. # Touchin' down. | :09:19. | :09:24. | |
# Hit the ground. # I'm breathing new air. | :09:24. | :09:33. | |
# Can I take this all in? # As we land, you pinch my hand. | :09:33. | :09:39. | |
# I'm still here. # Can I take this all in? | :09:39. | :09:49. | |
:09:49. | :09:51. | ||
# As the wheels, hit the ground. # I'm breathing Hawaiian air. | :09:51. | :10:00. | |
# Can I take this all in? # As the heat fills my lungs. | :10:00. | :10:06. | |
# I'm breathing Hawaiian air. # Can I take this all in? | :10:06. | :10:16. | |
:10:16. | :10:30. | ||
# Hawaiian air. # Hawaiian air #. | :10:30. | :10:39. | |
# Back to the street where we began. # Feeling as good as lovers can, | :10:39. | :10:43. | |
you know. # Yeah, we're feeling so good. | :10:43. | :10:47. | |
# Picking up things we shouldn't read. | :10:47. | :10:50. | |
# It looks like the end of history as we know. | :10:50. | :10:57. | |
# It's just the end of the world. # Back to the street where we began. | :10:57. | :11:01. | |
# Feeling as good as love, you could, you can. | :11:01. | :11:03. | |
# Into a place where thoughts can bloom. | :11:03. | :11:07. | |
# Into a room where it's nine in the afternoon. | :11:07. | :11:14. | |
# And we know that it could be. # And we know that it should. | :11:14. | :11:19. | |
# And you know that you feel it too. # 'Cause it's nine in the afternoon. | :11:19. | :11:22. | |
# And your eyes are the size of the moon. | :11:23. | :11:27. | |
# You could 'cause you can so you # We're feeling so good. | :11:27. | :11:31. | |
# Just the way that we do. # When it's nine in the afternoon. | :11:31. | :11:34. | |
# Your eyes are the size of the moon. | :11:34. | :11:43. | |
# You could 'cause you can so you # We're feeling so good. | :11:43. | :11:46. | |
# Back to the street. # Down to our feet. | :11:46. | :11:49. | |
# Losing the feeling of feeling unique. | :11:49. | :11:52. | |
# Do you know what I mean? # Back to the place. | :11:52. | :11:56. | |
# Where we used to say. # Man it feels good to feel this | :11:56. | :12:00. | |
way. # Now I know what I mean. | :12:00. | :12:03. | |
# Back to the street, back to the place. | :12:03. | :12:07. | |
# Back to the room where it all began, hey. | :12:07. | :12:17. | |
:12:17. | :12:17. | ||
# Back to the room where it all # 'Cause it's nine in the afternoon. | :12:17. | :12:20. | |
# Your eyes are the size of the moon. | :12:20. | :12:23. | |
# You could 'cause you can so you # We're feeling so good. | :12:23. | :12:33. | |
:12:33. | :12:36. | ||
# Just the way that we do. # When it's nine in the afternoon #. | :12:36. | :12:43. | |
# Feeling so good, just that the way that we do, when it's Nine In | :12:43. | :12:45. | |
The Afternoon # You're eyes are the size of the | :12:45. | :12:48. | |
moon # You could cos you can, so you do | :12:48. | :12:54. | |
# We're feeling so good, just the way that we do | :12:54. | :13:04. | |
:13:04. | :13:12. | ||
# When it's Nine In The Afternoon # Oh, oh, oh... # | :13:12. | :13:22. | |
:13:22. | :13:30. | ||
# You're a law unto yourself. # You're a law unto yourself. | :13:30. | :13:36. | |
# And we don't suffer dreamers. # But neither should you walk the | :13:37. | :13:41. | |
earth alone. # So with finger rolls and folding | :13:41. | :13:50. | |
chairs. # And a volley of streamers. | :13:50. | :13:56. | |
# We can be there for tweaks and repairs. | :13:56. | :14:06. | |
:14:06. | :14:27. | ||
# We got open arms for broken hearts. | :14:27. | :14:37. | |
:14:37. | :14:38. | ||
# Like yours, my boy, come home again. | :14:38. | :14:48. | |
:14:48. | :14:52. | ||
# Tables are for pounding here. # And when we've got you surrounded. | :14:52. | :15:00. | |
# The man you are will know the boy # And you're not the man who fell | :15:00. | :15:07. | |
to earth. # You're the man of La Mancha. | :15:07. | :15:13. | |
# And we've love enough to light the street. | :15:13. | :15:19. | |
# 'Cause everybody's here. # We got open arms for broken | :15:19. | :15:29. | |
:15:29. | :15:30. | ||
hearts. # Like yours, my boy, come home | :15:30. | :15:39. | |
again. # We got open arms for broken | :15:39. | :15:48. | |
hearts. # Like yours, my boy, come home | :15:48. | :15:58. | |
:15:58. | :16:11. | ||
# The moon is out looking for trouble. | :16:11. | :16:21. | |
:16:21. | :16:31. | ||
# The moon wants a scrap or a cuddle. | :16:31. | :16:41. | |
:16:41. | :16:46. | ||
# We got open arms for broken hearts. | :16:46. | :16:56. | |
:16:56. | :16:56. | ||
# Like yours, my boy, come home again. | :16:56. | :17:06. | |
# We got open arms for broken hearts. | :17:06. | :17:16. | |
:17:16. | :17:39. | ||
# Like yours, my boy, come home # The moon is out looking for | :17:39. | :17:44. | |
trouble. # The moon wants a scrap or a | :17:44. | :17:54. | |
:17:54. | :18:15. | ||
cuddle. # In one single moment your whole | :18:15. | :18:19. | |
life can turn 'round. # I stand there for a minute | :18:19. | :18:21. | |
staring straight into the ground. # Looking to the left slightly, | :18:21. | :18:24. | |
then looking back down. # World feels like it's caved in - | :18:24. | :18:28. | |
proper sorry frown. # Please let me show you where we | :18:28. | :18:32. | |
could only just be, for us. # I can change and I can grow or we | :18:32. | :18:34. | |
could adjust. # The wicked thing about us is we | :18:34. | :18:37. | |
always have trust. # We can even have an open | :18:37. | :18:40. | |
relationship, if you must. # I look at her she stares almost | :18:40. | :18:43. | |
straight back at me. # But her eyes glaze over like | :18:43. | :18:46. | |
she's looking straight through me. # Then her eyes must have closed | :18:46. | :18:49. | |
for what seems an eternity. # When they open up she's looking | :18:49. | :18:54. | |
down at her feet. # Dry your eyes, mate. | :18:54. | :18:58. | |
# I know it's hard to take but her mind has been made up. | :18:58. | :19:05. | |
# There's plenty more fish in the sea. | :19:05. | :19:09. | |
# Dry your eyes, mate. # I know you want to make her see | :19:09. | :19:13. | |
how much this pain hurts. # But you've got to walk away now. | :19:13. | :19:16. | |
# It's over. # So then I move my hand up from | :19:16. | :19:19. | |
down by my side. # It's shaking, my life is crashing | :19:19. | :19:22. | |
before my eyes. # Turn the palm of my hand up to | :19:22. | :19:25. | |
face the skies. # Touch the bottom of her chin and | :19:25. | :19:28. | |
let out a sigh. # 'Cause I can't imagine my life | :19:28. | :19:30. | |
without you and me. # There's things I can't imagine | :19:30. | :19:32. | |
doing, things I can't imagine seeing. | :19:32. | :19:34. | |
# It weren't supposed to be easy, surely. | :19:34. | :19:37. | |
# Please, please, I beg you please. # She brings her hands up towards | :19:37. | :19:41. | |
where my hands rested. # She wraps her fingers round mine | :19:41. | :19:42. | |
with the softness she's blessed with. | :19:42. | :19:45. | |
# She peels away my fingers, looks at me and then gestures. | :19:45. | :19:48. | |
# By pushing my hand away to my chest, from hers. | :19:48. | :19:53. | |
# Dry your eyes, mate. # I know it's hard to take but her | :19:53. | :19:56. | |
mind has been made up. # There's plenty more fish in the | :19:56. | :20:03. | |
sea. # Dry your eyes, mate. | :20:03. | :20:08. | |
# I know you want to make her see how much this pain hurts. | :20:08. | :20:18. | |
:20:18. | :20:21. | ||
# But you've got to walk away now. # It's over. You guys are, | :20:21. | :20:31. | |
:20:31. | :20:31. | ||
absolutely, insane. Madness, on a Sunday night. Are you not tired? | :20:32. | :20:41. | |
:20:42. | :20:48. | ||
# And I'm just standing there, I can't say a word. | :20:49. | :20:51. | |
# 'Cause everything's just gone. # I've got nothing. | :20:51. | :20:53. | |
# Absolutely nothing. # Trying to pull her close out of | :20:54. | :20:56. | |
bare desperation. # Put my arms around her trying to | :20:56. | :20:59. | |
change what she's saying. # Pull my head level with hers so | :20:59. | :21:02. | |
she might engage in. # Look into her eyes to make her | :21:02. | :21:04. | |
listen again. # I'm not gonna fucking, just | :21:04. | :21:07. | |
fucking leave it all now. # 'Cause you said it'd be forever | :21:07. | :21:10. | |
and that was your vow. # And you're gonna let our things | :21:10. | :21:13. | |
simply crash and fall down. # You're well out of order now, | :21:13. | :21:16. | |
this is well out of town. # She pulls away, my arms are | :21:16. | :21:19. | |
tightly clamped round her waist. # Gently pushes me back and she | :21:19. | :21:22. | |
looks at me straight. # Turns around so she's now got her | :21:22. | :21:25. | |
back to my face. # Takes one step forward, looks | :21:25. | :21:27. | |
back, and then walks away. # Dry your eyes, mate. | :21:27. | :21:31. | |
# I know it's hard to take but her mind has been made up. | :21:31. | :21:33. | |
# There's plenty more fish in the sea. | :21:33. | :21:36. | |
# Dry your eyes, mate. # I know you want to make her see | :21:36. | :21:39. | |
how much this pain hurts. # But you've got to walk away now. | :21:40. | :21:42. | |
# It's over. # I know in the past I've found it | :21:43. | :21:45. | |
hard to say. # Telling you things, but not | :21:45. | :21:47. | |
telling straight. # But the more I pull on your hand | :21:48. | :21:53. | |
and say. # The more you pull away. | :21:53. | :21:58. | |
# Dry your eyes, mate. # I know it's hard to take but her | :21:58. | :22:03. | |
mind has been made up. # There's plenty more fish in the | :22:03. | :22:08. | |
sea. # Dry your eyes, mate. | :22:08. | :22:14. | |
# I know you want to make her see how much this pain hurts. | :22:14. | :22:24. | |
:22:24. | :22:33. | ||
# But you've got to walk away now #. CROWD: Put you've got to walk away | :22:33. | :22:43. | |
:22:43. | :22:54. | ||
now! # # Link it to the world. | :22:54. | :23:03. | |
# Link it to yourself. # Stretch it like a birth squeeze. | :23:04. | :23:09. | |
# The love for what you hide. # The bitterness inside. | :23:09. | :23:19. | |
:23:19. | :23:19. | ||
Apology for the loss of subtitles for 42 seconds | :23:19. | :24:01. | |
# Too much, too young, young. # Soulless is everywhere. GUITAR | :24:01. | :24:11. | |
:24:11. | :24:44. | ||
# Hopeless time to roam. # The distance to your home. | :24:45. | :24:54. | |
# Fades away to nowhere. # How much are you worth. | :24:54. | :24:58. | |
# You can't come down to earth. # You're swelling up, you're | :24:58. | :25:08. | |
:25:08. | :25:10. | ||
unstoppable. # 'cause you've seen, seen. | :25:10. | :25:20. | |
:25:20. | :25:34. | ||
# Too much, too young, young. # Soulless is everywhere. | :25:34. | :25:40. | |
# Destroy the spineless. # Show me it's real. | :25:40. | :25:45. | |
# Wasting our last chance. # To come away. | :25:45. | :25:53. | |
# Just break the silence. # 'cause I'm drifting away. | :25:53. | :26:03. | |
:26:03. | :26:39. | ||
# Away from you. # Link it to yourself. | :26:39. | :26:43. | |
# Stretch it like it's a birth squeeze. | :26:43. | :26:51. | |
# And the love for what you hide. # And the bitterness inside. | :26:51. | :27:01. | |
:27:01. | :27:04. | ||
# Is growing like the new born. # When you've seen, seen. | :27:04. | :27:14. | |
:27:14. | :27:25. | ||
# Too much, too young, young. # Soulless is everywhere. | :27:25. | :27:31. | |
# Destroy the spineless. # Show me it's real. | :27:31. | :27:38. |