Browse content similar to Enduring Hymns. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
They're sung in concert halls... | 0:00:03 | 0:00:06 | |
..on the terraces... | 0:00:09 | 0:00:11 | |
..in school... | 0:00:15 | 0:00:17 | |
..and of course, in church. | 0:00:21 | 0:00:24 | |
Well, as the new Methodist hymn book, Singing The Faith is published, | 0:00:26 | 0:00:30 | |
I'm here in Oxford to find out what makes a hymn not just inspire, but endure. | 0:00:30 | 0:00:36 | |
We have a celebration of hymns, both old and new from our congregation, | 0:00:41 | 0:00:45 | |
from Wallingford Parish Church Choir | 0:00:45 | 0:00:48 | |
and from soloists, Wynne Evans and Melanie Marshall. | 0:00:48 | 0:00:53 | |
It was here in Oxford | 0:01:04 | 0:01:06 | |
as undergraduates in the 18th century that John and Charles Wesley founded the movement | 0:01:06 | 0:01:11 | |
which became the Methodist Church. | 0:01:11 | 0:01:15 | |
Charles wrote so many hymn texts - more than 8,000 in all - | 0:01:16 | 0:01:22 | |
that it's said that Methodism really was born in song. | 0:01:22 | 0:01:26 | |
So where better for our congregation to sing out their faith | 0:01:29 | 0:01:33 | |
than here - at Oxford's Wesley Memorial Church - | 0:01:33 | 0:01:36 | |
starting with Charles's hope never to tire of singing God's praise. | 0:01:36 | 0:01:41 | |
John Betjeman described hymns as "the poems of the people". | 0:03:58 | 0:04:03 | |
They've given countless phrases to the English language | 0:04:03 | 0:04:08 | |
and are Britain's most distinctive contribution to Christian worship and literature. | 0:04:08 | 0:04:14 | |
No other country has produced such an abundance of great hymn writers, | 0:04:14 | 0:04:19 | |
like the man they call the "Father of Hymnody", Isaac Watts | 0:04:19 | 0:04:22 | |
and of course, Charles Wesley himself. | 0:04:22 | 0:04:25 | |
His work has certainly stood the test of time | 0:04:25 | 0:04:27 | |
and in fact there are nearly 80 of his best-loved hymns | 0:04:27 | 0:04:30 | |
in this new edition. | 0:04:30 | 0:04:32 | |
Hymns have always been special to this year's head of the Methodist Church, the Reverend Alison Tomlin. | 0:04:34 | 0:04:41 | |
I think the reason that I sing is because | 0:04:41 | 0:04:45 | |
music touches the depths of who we are - | 0:04:45 | 0:04:49 | |
music touches the heart, music touches the soul. | 0:04:49 | 0:04:53 | |
And sometimes it's more possible to express what is going on for us | 0:04:53 | 0:04:57 | |
in our worship and in my personal praying by singing it. | 0:04:57 | 0:05:02 | |
# Hum, hum... # Keep going... | 0:05:02 | 0:05:05 | |
Let me hear you. # Come all ye people come and pray... # | 0:05:05 | 0:05:09 | |
Another advocate of community hymn-singing is the hymn writer, | 0:05:09 | 0:05:13 | |
John Bell. | 0:05:13 | 0:05:15 | |
Methodists do it very well because they believe they can sing and they live out that belief. | 0:05:15 | 0:05:20 | |
Anglicans and some others believe that the choirs can sing | 0:05:20 | 0:05:23 | |
and so the congregation feels it's not their job so much. | 0:05:23 | 0:05:26 | |
When you reverse that | 0:05:26 | 0:05:28 | |
and allow people to know all God's people have a voice, | 0:05:28 | 0:05:31 | |
and that when God says, "Sing me a new song," | 0:05:31 | 0:05:33 | |
it's not just the choir that's involved, it's the whole community. | 0:05:33 | 0:05:37 | |
When you persuade people that that is their duty and their joy, | 0:05:37 | 0:05:42 | |
then magic things happen and people enjoy it. | 0:05:42 | 0:05:45 | |
For me personally, it's very important, | 0:05:45 | 0:05:48 | |
because my mother, who was a singer, | 0:05:48 | 0:05:50 | |
sang her faith when she was washing up, when she was cleaning, | 0:05:50 | 0:05:54 | |
in the garden. I was brought up singing my faith | 0:05:54 | 0:05:59 | |
and it goes on being very, very important to me. | 0:05:59 | 0:06:03 | |
The last Methodist hymn book, Hymns And Psalms, was published in 1983. | 0:08:22 | 0:08:27 | |
Singing The Faith has been produced in response to the explosion | 0:08:27 | 0:08:32 | |
in the amount of music that has been written for worship since then. | 0:08:32 | 0:08:36 | |
With literally thousands of hymns to choose from, | 0:08:36 | 0:08:40 | |
how on Earth do you decide what to include and what to leave out? | 0:08:40 | 0:08:45 | |
We sang them! | 0:08:45 | 0:08:47 | |
Every hymn and psalm, we have sung, | 0:08:47 | 0:08:51 | |
to ensure that it was singable. | 0:08:51 | 0:08:54 | |
We want the hymn book to be for congregational use, | 0:08:55 | 0:08:59 | |
for people to use it in our churches and chapels on a Sunday. | 0:08:59 | 0:09:04 | |
The only possible way to do that was actually to try out every hymn and every psalm. | 0:09:04 | 0:09:09 | |
The new hymn book is very much a matter of preserving | 0:09:12 | 0:09:17 | |
the best of the old and trying to bring in the best of the new. | 0:09:17 | 0:09:22 | |
Singing is an emotional experience - it's not just from the head. | 0:09:22 | 0:09:26 | |
It's from the heart as well. | 0:09:26 | 0:09:28 | |
A great hymn enables us to join those two things together. | 0:09:28 | 0:09:33 | |
Some hymns lend themselves to being sung in different ways | 0:09:36 | 0:09:39 | |
on different occasions, like the hymn that's often thought of as the unofficial Welsh National Anthem, | 0:09:39 | 0:09:46 | |
Guide Me, O Thou Great Redeemer. | 0:09:46 | 0:09:49 | |
And in fact it was in the Methodist hymn book which was published | 0:09:49 | 0:09:53 | |
in 1933 that those words were first partnered | 0:09:53 | 0:09:56 | |
with that magnificent tune, Cwm Rhondda, | 0:09:56 | 0:09:59 | |
so it's going to be sung for us now, of course, by a Welshman - the wonderful tenor, Wynne Evans. | 0:09:59 | 0:10:04 | |
# Guide me, O thou great redeemer | 0:10:09 | 0:10:15 | |
# Pilgrim through this barren land | 0:10:15 | 0:10:20 | |
# I am weak, but thou art mighty | 0:10:20 | 0:10:26 | |
# Hold me with thy powerful hand | 0:10:26 | 0:10:31 | |
# Bread of heaven | 0:10:31 | 0:10:34 | |
# Bread of heaven | 0:10:34 | 0:10:36 | |
# Feed me now and evermore | 0:10:36 | 0:10:41 | |
# Feed me now and evermore | 0:10:41 | 0:10:47 | |
# Open now the crystal fountain | 0:10:57 | 0:11:03 | |
# Whence the healing stream doth flow | 0:11:03 | 0:11:08 | |
# Let the fiery cloudy pillar | 0:11:08 | 0:11:14 | |
# Lead me all my journey through | 0:11:14 | 0:11:19 | |
# Strong deliverer | 0:11:19 | 0:11:22 | |
# Strong deliverer | 0:11:22 | 0:11:24 | |
# Be thou still my strength and shield | 0:11:24 | 0:11:29 | |
# Be thou still my strength and shield | 0:11:29 | 0:11:35 | |
# When I tread the verge of Jordan | 0:11:45 | 0:11:51 | |
# Bid my anxious fears subside | 0:11:51 | 0:11:56 | |
# Death of death | 0:11:56 | 0:11:59 | |
# And hell's destruction | 0:11:59 | 0:12:02 | |
# Land me safe on Canaan's side | 0:12:02 | 0:12:07 | |
# Songs of praises | 0:12:07 | 0:12:10 | |
# Songs of praises | 0:12:10 | 0:12:13 | |
# I will ever give to thee | 0:12:13 | 0:12:18 | |
# I will ever give to thee | 0:12:18 | 0:12:24 | |
# Bread of heaven | 0:12:24 | 0:12:27 | |
# Bread of heaven | 0:12:27 | 0:12:30 | |
# Feed me till I want no more | 0:12:30 | 0:12:37 | |
# Feed me till I want no more. # | 0:12:37 | 0:12:48 | |
The new book from the Methodist Church has over 800 hymns and songs. | 0:12:51 | 0:12:57 | |
These are for singing at every stage of life, | 0:12:57 | 0:13:00 | |
at every time of the year | 0:13:00 | 0:13:04 | |
and at every point on a journey of faith. | 0:13:04 | 0:13:07 | |
There's a hymn for every human emotion and condition | 0:13:09 | 0:13:13 | |
and more than ever, hymns are a resource | 0:13:13 | 0:13:15 | |
for life in the modern world. | 0:13:15 | 0:13:18 | |
# Alleluia... # | 0:13:18 | 0:13:19 | |
The largest number of hymns by a living composer | 0:13:19 | 0:13:22 | |
in singing the faith, | 0:13:22 | 0:13:24 | |
44 of them in all, | 0:13:24 | 0:13:25 | |
are by John Bell. | 0:13:25 | 0:13:28 | |
People's understanding of God and discipleship | 0:13:28 | 0:13:30 | |
is much more often based on what they sing | 0:13:30 | 0:13:34 | |
than on what they hear preached. | 0:13:34 | 0:13:36 | |
You sing a hymn, perhaps four or five times a year | 0:13:36 | 0:13:40 | |
but you only hear the best sermon once in your life, | 0:13:40 | 0:13:42 | |
unless the vicar thinks, "That's so good, I'll do it again next Sunday." | 0:13:42 | 0:13:46 | |
A hymn only has longevity | 0:13:46 | 0:13:48 | |
as long as it speaks to people. | 0:13:48 | 0:13:51 | |
When it becomes an antique that you bring out and dust, | 0:13:51 | 0:13:54 | |
we should leave it alone. | 0:13:54 | 0:13:56 | |
It's very interesting how some of the oldest hymns, | 0:13:56 | 0:13:58 | |
like, O Come O Come Emmanuel or some of the hymns by Martin Luther, | 0:13:58 | 0:14:02 | |
endure forever. | 0:14:02 | 0:14:04 | |
So, I would never write off old hymns because they're old. | 0:14:05 | 0:14:08 | |
There are some which speak | 0:14:08 | 0:14:11 | |
with an eternal truth and resonance. | 0:14:11 | 0:14:16 | |
The music is a means, by which the words can be conveyed. | 0:14:21 | 0:14:27 | |
A good example of that would be the word "alleluia". | 0:14:27 | 0:14:30 | |
On its own, it doesn't really say very much | 0:14:30 | 0:14:33 | |
but put that to a melody and the delight in it comes out. | 0:14:33 | 0:14:36 | |
The same with Happy Birthday To You. | 0:14:36 | 0:14:38 | |
I mean, if I were to say that to you, it would be pretty dull, | 0:14:38 | 0:14:41 | |
but if I were to sing it to you, then it might be more enjoyable. | 0:14:41 | 0:14:45 | |
So, the music is the vehicle by which the words | 0:14:45 | 0:14:48 | |
are both remembered | 0:14:48 | 0:14:51 | |
and also transmitted. | 0:14:51 | 0:14:53 | |
When the music becomes so decorative | 0:14:53 | 0:14:56 | |
that it becomes a distraction from the words, | 0:14:56 | 0:14:59 | |
then we're in danger of getting the balance askew. | 0:14:59 | 0:15:02 | |
You will often include modern day issues | 0:15:02 | 0:15:05 | |
that other writers shy away from. | 0:15:05 | 0:15:07 | |
Abuse, for example. | 0:15:07 | 0:15:10 | |
Are you deliberately trying to push boundaries with that? | 0:15:10 | 0:15:13 | |
We have been remiss | 0:15:13 | 0:15:15 | |
in allowing these very genuine experiences of life | 0:15:15 | 0:15:19 | |
to be reflected in words and music | 0:15:19 | 0:15:21 | |
and in worship. | 0:15:21 | 0:15:24 | |
That means people who are affected by these particular eventualities | 0:15:24 | 0:15:31 | |
have a part of their life always omitted. Always omitted. | 0:15:31 | 0:15:36 | |
We'll, we're about to sing one of your hymns now. | 0:15:36 | 0:15:39 | |
Tell us about it, what prompted you to write it? | 0:15:39 | 0:15:42 | |
The hymn, Today I Awake... | 0:15:42 | 0:15:45 | |
..comes out of realising that we didn't have many hymns for mornings. | 0:15:47 | 0:15:52 | |
It doesn't matter if it's a dull morning or if it's a bright morning, | 0:15:52 | 0:15:56 | |
it's a new morning, it's a new day. | 0:15:56 | 0:15:58 | |
And I wanted to celebrate that. | 0:15:58 | 0:16:00 | |
And remember that within the Celtic tradition, | 0:16:00 | 0:16:04 | |
the old Saints, Columba and Patrick | 0:16:04 | 0:16:06 | |
had an affection for wrapping round themselves | 0:16:06 | 0:16:09 | |
the attributes of God. | 0:16:09 | 0:16:11 | |
And also it celebrated that God was three persons - | 0:16:11 | 0:16:14 | |
Father, Son and Holy Spirit. | 0:16:14 | 0:16:15 | |
So in this hymn, | 0:16:15 | 0:16:17 | |
we surround ourselves with the attributes of God | 0:16:17 | 0:16:21 | |
and we remember Father, Son and Holy Spirit, | 0:16:21 | 0:16:23 | |
all one God in the Trinity. | 0:16:23 | 0:16:27 | |
What makes some of the hymns we love really powerful | 0:19:07 | 0:19:11 | |
is the unforgettable bond | 0:19:11 | 0:19:13 | |
in our minds and memories | 0:19:13 | 0:19:15 | |
of the words and the music. | 0:19:15 | 0:19:19 | |
But for me, it's the words that really count | 0:19:19 | 0:19:23 | |
and I think that's because many hymn verses started life as poems, | 0:19:23 | 0:19:27 | |
often written at times of great emotional insight. | 0:19:27 | 0:19:30 | |
And however long ago | 0:19:30 | 0:19:33 | |
the words were written, | 0:19:33 | 0:19:35 | |
the sentiments might well echo | 0:19:35 | 0:19:36 | |
our own today. | 0:19:36 | 0:19:38 | |
Like those expressed by the 17th-century writer | 0:19:38 | 0:19:41 | |
of My Song Is Love Unknown. | 0:19:41 | 0:19:45 | |
In his text, Samuel Crossman is full of wonder for a God | 0:19:45 | 0:19:48 | |
who is not just a majestic king able to create the Heavens, | 0:19:48 | 0:19:53 | |
but also a caring friend, | 0:19:53 | 0:19:54 | |
showing love to the loveless, | 0:19:54 | 0:19:56 | |
willing to die for our sake. | 0:19:56 | 0:19:59 | |
# My song is love unknown | 0:20:03 | 0:20:08 | |
# My saviour's love to me | 0:20:08 | 0:20:11 | |
# Love to the loveless shown | 0:20:11 | 0:20:14 | |
# That they might lovely be | 0:20:14 | 0:20:19 | |
# But who am I | 0:20:19 | 0:20:22 | |
# That for my sake | 0:20:22 | 0:20:25 | |
# My Lord should take frail flesh and die? | 0:20:25 | 0:20:32 | |
# He came from his blest throne | 0:20:35 | 0:20:40 | |
# Salvation to bestow | 0:20:40 | 0:20:44 | |
# But men made strange, and none | 0:20:44 | 0:20:46 | |
# The longed-for Christ would know | 0:20:46 | 0:20:52 | |
# But O! My friend | 0:20:52 | 0:20:56 | |
# My friend indeed | 0:20:56 | 0:20:59 | |
# Who for my need his life did spend | 0:20:59 | 0:21:05 | |
# In life no house, no home | 0:21:10 | 0:21:16 | |
# My Lord on Earth might have | 0:21:16 | 0:21:20 | |
# In death no friendly tomb | 0:21:20 | 0:21:23 | |
# But what a stranger gave | 0:21:23 | 0:21:29 | |
# What may I say? | 0:21:29 | 0:21:32 | |
# Heav'n was his home | 0:21:32 | 0:21:35 | |
# But mine the tomb wherein he lay | 0:21:35 | 0:21:43 | |
# Here might I stay and sing | 0:21:49 | 0:21:54 | |
# No story so divine | 0:21:54 | 0:21:57 | |
# Never was love, dear king | 0:21:57 | 0:22:00 | |
# Never was grief like thine | 0:22:00 | 0:22:04 | |
# This is my friend | 0:22:04 | 0:22:07 | |
# In whose sweet praise | 0:22:07 | 0:22:10 | |
# I all my days | 0:22:10 | 0:22:12 | |
# Could gladly spend. # | 0:22:12 | 0:22:21 | |
In 1761, John Wesley published | 0:22:34 | 0:22:36 | |
his Seven Rules For Singing | 0:22:36 | 0:22:39 | |
and in one of them he said, "Sing lustily and with good courage. | 0:22:39 | 0:22:43 | |
"Beware of singing as if you were half dead, or half asleep; | 0:22:43 | 0:22:47 | |
"but lift your voice with strength. | 0:22:47 | 0:22:49 | |
"Be no more afraid of your voice now, | 0:22:49 | 0:22:52 | |
"nor more ashamed of its being heard, | 0:22:52 | 0:22:54 | |
"then when you sung the songs of Satan." | 0:22:54 | 0:22:57 | |
PIANO PLAYS | 0:22:57 | 0:23:00 | |
Someone who helps congregations | 0:23:00 | 0:23:03 | |
sing lustily and with good courage, | 0:23:03 | 0:23:05 | |
is Paul Leddington Wright. | 0:23:05 | 0:23:07 | |
He's conducted numerous editions of Songs Of Praise, including this one | 0:23:07 | 0:23:11 | |
and has contributed to the new hymn collection. | 0:23:11 | 0:23:15 | |
It's been great fun, | 0:23:15 | 0:23:17 | |
seeing what the needs are of the book. | 0:23:17 | 0:23:21 | |
I think there are times when there is a tune, | 0:23:21 | 0:23:24 | |
which couples with a set of words. | 0:23:24 | 0:23:26 | |
So, you see a true marriage of melody and of text | 0:23:26 | 0:23:31 | |
and it really works | 0:23:31 | 0:23:32 | |
and then it can be absolutely scintillating. | 0:23:32 | 0:23:36 | |
They support each other, like a true marriage of a man and a woman, | 0:23:36 | 0:23:39 | |
how in a great relationship, things can really take off | 0:23:39 | 0:23:43 | |
and it's the same with a good hymn. | 0:23:43 | 0:23:45 | |
If you're writing a new tune, | 0:23:46 | 0:23:49 | |
the words are always the springboard. | 0:23:49 | 0:23:51 | |
I'll look at the text and decide on the sort of style it might go | 0:23:51 | 0:23:55 | |
and then I'll just play around, literally sitting at the piano | 0:23:55 | 0:23:59 | |
and play around with melodic ideas, | 0:23:59 | 0:24:01 | |
harmonic ideas and see what emerges. | 0:24:01 | 0:24:04 | |
Tell us about our next piece, | 0:24:06 | 0:24:07 | |
because you've written the music. | 0:24:07 | 0:24:09 | |
Well, the words are by Dietrich Bonhoeffer | 0:24:09 | 0:24:12 | |
and I'm sure everybody knows | 0:24:12 | 0:24:14 | |
that he was a German pastor | 0:24:14 | 0:24:17 | |
and he was imprisoned in the Second World War. | 0:24:17 | 0:24:20 | |
His writings are so important, | 0:24:20 | 0:24:23 | |
so valuable to the work of the church, and very sadly | 0:24:23 | 0:24:26 | |
he was martyred, | 0:24:26 | 0:24:28 | |
literally days before the end of the Second World War, | 0:24:28 | 0:24:31 | |
which is just such a tragedy. | 0:24:31 | 0:24:33 | |
But one of his texts, | 0:24:33 | 0:24:35 | |
"We turn to God | 0:24:35 | 0:24:37 | |
"when we are sorely pressed," | 0:24:37 | 0:24:39 | |
is in the book | 0:24:39 | 0:24:41 | |
and there are just three verses | 0:24:41 | 0:24:43 | |
and it's just really about how, in times of trouble | 0:24:43 | 0:24:46 | |
and in times of need, | 0:24:46 | 0:24:48 | |
we turn to God and God is there to help us | 0:24:48 | 0:24:50 | |
and he is with us whatever, | 0:24:50 | 0:24:52 | |
through thick and through thin. | 0:24:52 | 0:24:54 | |
Christianity spread across the globe | 0:26:48 | 0:26:52 | |
to become the world's largest single faith. | 0:26:52 | 0:26:55 | |
In many parts of the world it's continuing to grow. | 0:26:55 | 0:26:58 | |
Whereas some of the early Christian missionaries | 0:27:02 | 0:27:04 | |
imposed their own Western ideas on other cultures, | 0:27:04 | 0:27:07 | |
today, British churches are drawing on the music and traditions | 0:27:07 | 0:27:11 | |
of many other parts of the world to inspire their own worship. | 0:27:11 | 0:27:14 | |
From the global church, | 0:27:14 | 0:27:16 | |
I tend to take courage in approaching subjects | 0:27:16 | 0:27:21 | |
which otherwise might be avoided. | 0:27:21 | 0:27:25 | |
And also, you find a liveliness in music in other cultures, | 0:27:25 | 0:27:30 | |
which we don't always have here. | 0:27:30 | 0:27:33 | |
Typically, hymns in Britain are quite foursquare. | 0:27:33 | 0:27:35 | |
People are a wee bit afraid of syncopation | 0:27:35 | 0:27:38 | |
as if it were a medical procedure that wasn't very good for them. | 0:27:38 | 0:27:41 | |
And so, when we sing a song from Africa or from South America, | 0:27:41 | 0:27:45 | |
and it is slightly lively, | 0:27:45 | 0:27:46 | |
people think, "Oh, no. This is not quite right." | 0:27:46 | 0:27:49 | |
What's happening is a part of our brain | 0:27:49 | 0:27:51 | |
is being encouraged to be part of worship, | 0:27:51 | 0:27:54 | |
which lies dormant when we're singing a foursquare hymn. | 0:27:54 | 0:27:57 | |
Christ's church is an international church, it's a global church | 0:28:03 | 0:28:07 | |
and it's about all those people who have a faith, | 0:28:07 | 0:28:09 | |
who worship the same God, wherever they might live on this globe. | 0:28:09 | 0:28:15 | |
You know, clearly we wanted to have something from another country | 0:28:15 | 0:28:18 | |
and I felt that this song was great fun - Santo Santo Santo. | 0:28:18 | 0:28:22 | |
It's got very jazzy rhythms, | 0:28:22 | 0:28:24 | |
very syncopated | 0:28:24 | 0:28:26 | |
but it's very workable. | 0:28:26 | 0:28:27 | |
Life-giving God | 0:30:29 | 0:30:30 | |
Thank you for words that challenge | 0:30:30 | 0:30:34 | |
Thank you for music that inspires | 0:30:34 | 0:30:37 | |
Thank you for song and dance | 0:30:37 | 0:30:40 | |
And tears and laughter | 0:30:40 | 0:30:42 | |
May our worship offer you | 0:30:44 | 0:30:46 | |
All the praise you deserve | 0:30:46 | 0:30:50 | |
And may it also unite us | 0:30:50 | 0:30:52 | |
In your service and in Your Name | 0:30:52 | 0:30:55 | |
Amen. | 0:30:55 | 0:30:57 | |
Well, a truly classic and inspiring hymn | 0:31:00 | 0:31:03 | |
may well have been written centuries ago | 0:31:03 | 0:31:05 | |
but it might also be a relative youngster, | 0:31:05 | 0:31:08 | |
like our last one today, | 0:31:08 | 0:31:10 | |
written in 1972 by Methodist minister, Fred Pratt Green. | 0:31:10 | 0:31:14 | |
And in this timeless favourite, he sums up | 0:31:14 | 0:31:17 | |
just how much hymns and great music can bring to our worship. | 0:31:17 | 0:31:22 | |
So, from me, to hymn lovers everywhere, goodbye. | 0:31:22 | 0:31:25 | |
Next week, | 0:33:27 | 0:33:28 | |
Songs Of Praise comes face to face with some famous people, | 0:33:28 | 0:33:32 | |
as Aled visits Madame Tussauds' | 0:33:32 | 0:33:34 | |
wax museum to discover how a French woman | 0:33:34 | 0:33:37 | |
created a British institution. | 0:33:37 | 0:33:40 | |
And he'll introduce more fantastic hymns. | 0:33:40 | 0:33:43 | |
Subtitles by Red Bee Media Ltd | 0:33:59 | 0:34:02 | |
E-mail [email protected] | 0:34:02 | 0:34:05 |