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# With the power of the Holy Spirit | 0:00:02 | 0:00:06 | |
# I will sing. # | 0:00:06 | 0:00:10 | |
Hello, and welcome to St John at Hackney | 0:00:10 | 0:00:13 | |
where we have foot-stomping, soul-stirring gospel music | 0:00:13 | 0:00:16 | |
to celebrate this Pentecost Sunday. | 0:00:16 | 0:00:18 | |
On the birthday of the church | 0:00:22 | 0:00:24 | |
we have hymns to swing your soul from our choir and congregation. | 0:00:24 | 0:00:28 | |
Our soloist Jeharna South | 0:00:28 | 0:00:30 | |
and special guests Kym Mazelle | 0:00:30 | 0:00:32 | |
and Avery Sunshine tell me what inspires their music. | 0:00:32 | 0:00:36 | |
St John's is an Anglican church | 0:00:45 | 0:00:47 | |
in the heart of the London Borough of Hackney. | 0:00:47 | 0:00:50 | |
People from all over the capital and beyond have gathered here | 0:00:50 | 0:00:54 | |
to celebrate the day the Holy Spirit descended on Jesus' followers. | 0:00:54 | 0:00:58 | |
The word "gospel" means "good news" | 0:01:00 | 0:01:02 | |
and what better way to celebrate the good news of the Holy Spirit | 0:01:02 | 0:01:06 | |
than with a medley of two great gospel songs? | 0:01:06 | 0:01:09 | |
# In the world | 0:03:40 | 0:03:43 | |
# I love so dear... # | 0:03:43 | 0:03:46 | |
I think the term "gospel music" | 0:03:46 | 0:03:49 | |
really came into usage in the 1930s | 0:03:49 | 0:03:52 | |
with Thomas A Dorsey in Chicago, Mahalia Jackson, people like that. | 0:03:52 | 0:03:57 | |
Up until then, it had really been a development of the spirituals | 0:03:57 | 0:04:02 | |
sung in a fairly formal style. | 0:04:02 | 0:04:05 | |
And so that came up really through the Baptist churches in America. | 0:04:05 | 0:04:09 | |
There was another style of singing before gospel music, | 0:04:09 | 0:04:12 | |
which was really kind of holiness singing, | 0:04:12 | 0:04:15 | |
Pentecostal singing, which was very fiery, almost jazz-influenced. | 0:04:15 | 0:04:20 | |
PENTECOSTAL CHOIR SINGS | 0:04:20 | 0:04:22 | |
And they were fused together, really, by Thomas A Dorsey in the 1930s | 0:04:22 | 0:04:27 | |
with his new style of songwriting | 0:04:27 | 0:04:30 | |
and with Mahalia Jackson as his featured vocalist, | 0:04:30 | 0:04:34 | |
this really began to have an impact. | 0:04:34 | 0:04:37 | |
# ..Came tumbling | 0:04:37 | 0:04:41 | |
# Down! # | 0:04:41 | 0:04:44 | |
# Oo-oo-oo-jah | 0:07:00 | 0:07:03 | |
# Hallelu-ujah | 0:07:03 | 0:07:06 | |
# Oo-oo-oo-jah. # | 0:07:06 | 0:07:13 | |
# If you're working every day | 0:07:18 | 0:07:21 | |
# Two jobs for barely no pay... # | 0:07:21 | 0:07:23 | |
Avery Sunshine is a worldwide star | 0:07:23 | 0:07:26 | |
who combines television and concert performances | 0:07:26 | 0:07:29 | |
with her work as choral director for two Atlanta churches. | 0:07:29 | 0:07:33 | |
# Open up your mind and all the sunshine is in you | 0:07:33 | 0:07:37 | |
# Ain't nothing gonna... # | 0:07:37 | 0:07:38 | |
And I'm delighted that Avery has flown in from the United States | 0:07:38 | 0:07:43 | |
especially to be with us. | 0:07:43 | 0:07:44 | |
Please give her a warm welcome. | 0:07:44 | 0:07:46 | |
APPLAUSE | 0:07:46 | 0:07:48 | |
Now, Avery, how has being so involved in church music | 0:07:51 | 0:07:56 | |
influenced the music that you make? | 0:07:56 | 0:07:58 | |
Oh, wow. It's a part of my being. | 0:07:58 | 0:08:01 | |
It's a part of my being. I've been playing in church since I was 13 | 0:08:01 | 0:08:05 | |
and I'm...mmphmmh years old now. | 0:08:05 | 0:08:07 | |
Do you find that there's a conflict or sometimes people don't understand | 0:08:08 | 0:08:12 | |
why you are so heavily involved in making church music | 0:08:12 | 0:08:15 | |
and you made an album that isn't a gospel album? | 0:08:15 | 0:08:18 | |
Absolutely. I always find that out when I'm in a nightclub and singing. | 0:08:18 | 0:08:21 | |
I sing a love song and then I start singing about God | 0:08:21 | 0:08:24 | |
and ironically, you'd think people would be like, "I'm going to leave," | 0:08:24 | 0:08:28 | |
but people, they have drinks in their hands, going, "Praise the Lord!" | 0:08:28 | 0:08:32 | |
Really, because we're human, that's the thing | 0:08:32 | 0:08:35 | |
and hopefully the music does show that. | 0:08:35 | 0:08:38 | |
What inspires you to write? Is it those kinds of experiences? | 0:08:38 | 0:08:41 | |
Oh, absolutely. And sometimes, I'm inspired to write | 0:08:41 | 0:08:45 | |
when I've waited to the last minute to write something. | 0:08:45 | 0:08:48 | |
Here I was asked to write a piece and arrange a piece for something | 0:08:48 | 0:08:51 | |
and I had 15 minutes to do so, and because I've been in church so long, | 0:08:51 | 0:08:55 | |
there are all kinds of songs in my mind and the first thing to come out, | 0:08:55 | 0:08:59 | |
I don't know if you remember the song... | 0:08:59 | 0:09:01 | |
# The Lord is blessing me | 0:09:01 | 0:09:06 | |
# Right now | 0:09:06 | 0:09:07 | |
# Right now. # | 0:09:07 | 0:09:09 | |
-Right? -Yeah. -So that's it, and I was sitting at the piano, | 0:09:09 | 0:09:12 | |
like, "Oh, God, I got to write this song, I got ten minutes. | 0:09:12 | 0:09:15 | |
"What am I going to do?" And this came out. | 0:09:15 | 0:09:18 | |
# The Lord | 0:09:18 | 0:09:20 | |
# Is blessing me | 0:09:20 | 0:09:24 | |
# Right now | 0:09:24 | 0:09:27 | |
# Oh, right now | 0:09:27 | 0:09:30 | |
# Yeah | 0:09:30 | 0:09:32 | |
# Oh, he's blessing me | 0:09:32 | 0:09:35 | |
# Right now | 0:09:35 | 0:09:38 | |
# Oh, right now. # | 0:09:38 | 0:09:42 | |
APPLAUSE | 0:09:45 | 0:09:48 | |
I love that. I love that. | 0:09:49 | 0:09:51 | |
Imagine what you would have done if you had 20 minutes. | 0:09:51 | 0:09:54 | |
-I don't know! -That's incredible. | 0:09:54 | 0:09:56 | |
Tell us a bit about the song you'll sing with the choir. | 0:09:56 | 0:09:58 | |
The words are, "He keeps doing great things," | 0:09:58 | 0:10:01 | |
and that's exactly what God keeps doing. Great things. | 0:10:01 | 0:10:04 | |
-OK. -Over and over and over and over. | 0:10:04 | 0:10:07 | |
-You going to play it for us? -I think I am. -Come on. -Can I do it? | 0:10:07 | 0:10:10 | |
# He keeps on | 0:10:10 | 0:10:13 | |
# Doing great things for me | 0:10:13 | 0:10:16 | |
# Hey! | 0:10:17 | 0:10:19 | |
# If I had | 0:10:19 | 0:10:23 | |
# Had 10,000 tongues, oh | 0:10:23 | 0:10:30 | |
# I'd praise him | 0:10:30 | 0:10:33 | |
# Praise him with every one | 0:10:33 | 0:10:37 | |
# Come on, y'all say it with me | 0:10:37 | 0:10:39 | |
# Say it, yeah, yeah | 0:10:39 | 0:10:41 | |
-CHOIR: -# He keeps on | 0:10:41 | 0:10:44 | |
# Doing great things for me | 0:10:44 | 0:10:48 | |
# Over and over and over and over again | 0:10:48 | 0:10:51 | |
-# He keeps on -(Hey!) | 0:10:51 | 0:10:53 | |
# Doing great things for me | 0:10:53 | 0:10:57 | |
# Say it again | 0:10:57 | 0:10:59 | |
# Say he keeps on, yeah | 0:10:59 | 0:11:01 | |
# He keeps on | 0:11:01 | 0:11:04 | |
# Doing great things for me | 0:11:04 | 0:11:08 | |
# Over and over, yeah, he keeps on | 0:11:08 | 0:11:12 | |
-# He keeps on -(Hey!) | 0:11:12 | 0:11:15 | |
# Doing great things for me | 0:11:15 | 0:11:19 | |
# So I say something like this, I say | 0:11:19 | 0:11:21 | |
# Say right on | 0:11:21 | 0:11:23 | |
# Right on | 0:11:23 | 0:11:24 | |
# Right on | 0:11:24 | 0:11:26 | |
# Right on | 0:11:26 | 0:11:27 | |
# Right on | 0:11:27 | 0:11:28 | |
# Right on | 0:11:28 | 0:11:29 | |
# Oh, blessing me | 0:11:29 | 0:11:31 | |
# Blessing me | 0:11:31 | 0:11:32 | |
# So I say oh | 0:11:32 | 0:11:35 | |
# Thank you | 0:11:35 | 0:11:36 | |
# Cos he's been so good, I say oh | 0:11:36 | 0:11:40 | |
# Thank you | 0:11:40 | 0:11:41 | |
# Come on, say it with me, say | 0:11:41 | 0:11:43 | |
# Oh, thank you | 0:11:43 | 0:11:46 | |
# If he's been good, say it again | 0:11:46 | 0:11:48 | |
# Oh, thank you | 0:11:48 | 0:11:51 | |
# Oh | 0:11:51 | 0:11:53 | |
# Oh, thank you | 0:11:53 | 0:11:57 | |
# Everybody say oh | 0:11:57 | 0:11:58 | |
# Oh, thank you | 0:11:58 | 0:12:01 | |
# Come on and say oh | 0:12:01 | 0:12:04 | |
# Oh | 0:12:04 | 0:12:12 | |
-# Oh, thank you! -Thank you | 0:12:12 | 0:12:14 | |
# Hey, thank you, Lord | 0:12:14 | 0:12:16 | |
-# Thank you -For healing me | 0:12:16 | 0:12:19 | |
-# Thank you -Loving me, yeah | 0:12:19 | 0:12:22 | |
# Thank you | 0:12:22 | 0:12:23 | |
# He keeps on | 0:12:23 | 0:12:25 | |
# Doing great things | 0:12:25 | 0:12:27 | |
# Doing great things for me. # | 0:12:27 | 0:12:33 | |
Yeah! | 0:12:35 | 0:12:37 | |
In the Bible, the Acts of the Apostles describes | 0:12:42 | 0:12:46 | |
how 50 days after Easter, the Holy Spirit | 0:12:46 | 0:12:49 | |
dramatically appeared to Jesus' frightened and demoralised followers | 0:12:49 | 0:12:53 | |
in the form of fire and wind. | 0:12:53 | 0:12:55 | |
Since that day, many people have called on the Holy Spirit | 0:12:55 | 0:12:58 | |
to renew and re-energise their faith, | 0:12:58 | 0:13:01 | |
a theme that's reflected in our next hymn. | 0:13:01 | 0:13:03 | |
BUS DRIVER: # For thou art with me | 0:15:14 | 0:15:17 | |
# Thy rod and thy staff... # | 0:15:17 | 0:15:19 | |
Gospel music isn't just heard in churches. | 0:15:19 | 0:15:21 | |
In fact, you might hear it any time of the day on a South London bus. | 0:15:21 | 0:15:25 | |
Belands Parchment has been singing | 0:15:25 | 0:15:27 | |
since he was a youngster in the Caribbean. | 0:15:27 | 0:15:30 | |
'We grew up in a situation where every Friday' | 0:15:30 | 0:15:34 | |
we have to have communal worship, | 0:15:34 | 0:15:36 | |
even if we don't do it the rest of the week. | 0:15:36 | 0:15:38 | |
In the house? | 0:15:38 | 0:15:39 | |
No, in the veranda. You could hear the singing from, half a mile around. | 0:15:39 | 0:15:43 | |
# Thou anointest my head | 0:15:43 | 0:15:46 | |
# With so much oil... # | 0:15:46 | 0:15:48 | |
How did you go from singing with the family | 0:15:48 | 0:15:51 | |
to singing while you're driving the bus? | 0:15:51 | 0:15:54 | |
When I became a Christian in 1993, | 0:15:54 | 0:15:56 | |
I started singing a different song | 0:15:56 | 0:15:58 | |
and that's where it all spiralled. | 0:15:58 | 0:16:00 | |
# Yea, though I walk, walk | 0:16:00 | 0:16:03 | |
# Through the valley of death... # | 0:16:03 | 0:16:05 | |
So, gospel music on the bus, how does it go down with the passengers? | 0:16:05 | 0:16:09 | |
I have had people sitting on the bus for extra time. | 0:16:09 | 0:16:13 | |
-What, miss their stop? -"Oh, driver, | 0:16:13 | 0:16:15 | |
"I should have come off down the road but I had to come down here." | 0:16:15 | 0:16:18 | |
# Forever and ever... # | 0:16:18 | 0:16:21 | |
'A young lady came to my church' | 0:16:21 | 0:16:23 | |
and she had just got baptised | 0:16:23 | 0:16:25 | |
and she came up to me and she said to me, "You know something? | 0:16:25 | 0:16:29 | |
"One day, you were driving the bus | 0:16:29 | 0:16:31 | |
"and you were singing on that bus and I was being truant from school | 0:16:31 | 0:16:35 | |
"and the song touched me so much, | 0:16:35 | 0:16:36 | |
-"I got off the bus and went back to school." -Wow. | 0:16:36 | 0:16:40 | |
That really, really touches me. | 0:16:40 | 0:16:42 | |
# A-a-men. # | 0:16:42 | 0:16:46 | |
And now, the Adventist Vocal Ensemble | 0:16:48 | 0:16:50 | |
are going to sing one of my favourite gospel songs. | 0:16:50 | 0:16:53 | |
It's called Total Praise | 0:16:53 | 0:16:55 | |
and it's based on the inspiring poetry of Psalm 121. | 0:16:55 | 0:16:59 | |
# A-a-amen | 0:19:24 | 0:19:28 | |
# A-a-a-amen | 0:19:28 | 0:19:34 | |
# A-a-amen | 0:19:34 | 0:19:38 | |
# A-a-a-amen | 0:19:38 | 0:19:43 | |
# A-a-amen | 0:19:43 | 0:19:47 | |
# A-a-a | 0:19:47 | 0:19:51 | |
# Amen. # | 0:19:51 | 0:19:58 | |
# What's the sense in sharing this one and only life? # | 0:20:01 | 0:20:05 | |
Kym Mazelle made her name | 0:20:05 | 0:20:07 | |
as the first lady of house music in the 1990s. | 0:20:07 | 0:20:09 | |
# You count up the years and they will be filled with tears. # | 0:20:09 | 0:20:15 | |
'It was 24/7, you know what I'm saying? It was party 24/7. | 0:20:15 | 0:20:18 | |
'You do the meet-and-greet, have dinner before the concert. | 0:20:18 | 0:20:21 | |
'Then you have the concert, then you have the after party. | 0:20:21 | 0:20:23 | |
'You have the after-after party. | 0:20:23 | 0:20:25 | |
But I guess all the partying never filled me up. | 0:20:25 | 0:20:29 | |
It never filled that space of emptiness. It never... | 0:20:29 | 0:20:33 | |
It wasn't the pinnacle of success, | 0:20:33 | 0:20:37 | |
of what the media and what the masses | 0:20:37 | 0:20:39 | |
and what the enemy tells us is what you should search for. | 0:20:39 | 0:20:43 | |
# Young hearts run free | 0:20:43 | 0:20:47 | |
# Never be hung up. # | 0:20:47 | 0:20:50 | |
So then to now, how has life changed? | 0:20:50 | 0:20:53 | |
Well, you know, by the grace of God, I have to give God all the glory | 0:20:53 | 0:20:57 | |
because it was probably a couple of years of coming all | 0:20:57 | 0:21:02 | |
crashed down on me, but I heard a voice, I heard a still, small voice | 0:21:02 | 0:21:05 | |
of the Lord just saying, "Come out from among them." | 0:21:05 | 0:21:08 | |
The Lord was like, "Come out now or come out later | 0:21:08 | 0:21:12 | |
"and it won't be so pretty." | 0:21:12 | 0:21:14 | |
So, you had the dream, you lived the dream, | 0:21:14 | 0:21:16 | |
you walked away from the dream. | 0:21:16 | 0:21:18 | |
How can you be happier now than you were then? | 0:21:18 | 0:21:21 | |
I understand who I am | 0:21:21 | 0:21:24 | |
and it's not about the cars, | 0:21:24 | 0:21:27 | |
it's not about the private jets, it's not about cocaine, | 0:21:27 | 0:21:30 | |
it's not about alcohol, it's not about men. | 0:21:30 | 0:21:34 | |
It's about knowing Christ and making Christ known across the airwaves | 0:21:34 | 0:21:40 | |
at any opportunity that I get. | 0:21:40 | 0:21:42 | |
Yeah, I know my identity, I know who I am in Christ, | 0:21:42 | 0:21:45 | |
cos I wrestled with the Devil. | 0:21:45 | 0:21:47 | |
You know, I wrestled with him and he still comes after me saying, | 0:21:47 | 0:21:51 | |
"Oh, Kym, look at this trinket." | 0:21:51 | 0:21:53 | |
I'm like, "No, baby. You can't fool me. You fooled me for a long time. | 0:21:53 | 0:21:56 | |
"You not fool me no more!" | 0:21:56 | 0:21:58 | |
# I shall go there to dwell in that city | 0:23:22 | 0:23:28 | |
# Since Jesus, he came in my heart | 0:23:28 | 0:23:33 | |
# And I'm so happy, I'll tell you, since I've been saved | 0:23:33 | 0:23:36 | |
# I'm so happy. # | 0:23:36 | 0:23:37 | |
-# In my heart. Hallelujah! -# | 0:24:30 | 0:24:33 | |
The contemporary choir movement really got going in the '60s and '70s | 0:24:42 | 0:24:47 | |
with people like Reverend James Cleveland and Mattie Moss Clark | 0:24:47 | 0:24:51 | |
who really built up the idea of | 0:24:51 | 0:24:54 | |
a gospel choir almost in every church in America. | 0:24:54 | 0:24:58 | |
So it became a proving ground | 0:24:58 | 0:25:00 | |
and it became a university really | 0:25:00 | 0:25:03 | |
for young singers to learn their craft | 0:25:03 | 0:25:06 | |
and it produced a whole generation of extraordinary voices. | 0:25:06 | 0:25:11 | |
# While combing my hair now | 0:25:11 | 0:25:15 | |
# Wondering which dress... # | 0:25:15 | 0:25:17 | |
And during the past decade, gospel has even influenced rap music. | 0:25:17 | 0:25:22 | |
# Might snatch your necklace | 0:25:22 | 0:25:24 | |
# And next these might jack your Lexus | 0:25:24 | 0:25:26 | |
# Somebody tell these who Kanye West is | 0:25:26 | 0:25:29 | |
# I walk through the valley of the shadow where death is | 0:25:29 | 0:25:32 | |
# Top floor the view alone will leave you breathless | 0:25:32 | 0:25:35 | |
# Try to catch it it's kinda hard. # | 0:25:35 | 0:25:37 | |
The way influences flow between gospel and other musical styles | 0:25:37 | 0:25:41 | |
is shown in a song written by Curtis Mayfield. | 0:25:41 | 0:25:44 | |
# You don't need no ticket | 0:25:44 | 0:25:48 | |
# You just thank the Lord. # | 0:25:48 | 0:25:50 | |
It was a pop hit in 1965 | 0:25:50 | 0:25:52 | |
and is performed now by Jeharna South and Tessera. | 0:25:52 | 0:25:56 | |
# People get ready | 0:26:00 | 0:26:03 | |
# There's a train coming | 0:26:03 | 0:26:07 | |
# You don't need no baggage | 0:26:07 | 0:26:11 | |
# You just get on board | 0:26:11 | 0:26:15 | |
# All you need is faith | 0:26:15 | 0:26:18 | |
# To hear the diesels humming | 0:26:18 | 0:26:23 | |
# You don't need no ticket | 0:26:23 | 0:26:26 | |
# You just thank the Lord | 0:26:26 | 0:26:29 | |
# People get ready | 0:26:29 | 0:26:32 | |
# People get ready | 0:26:32 | 0:26:35 | |
# There's a train to Jordan | 0:26:35 | 0:26:38 | |
# Ooh, ooh | 0:26:38 | 0:26:40 | |
# Picking up passengers coast to coast | 0:26:40 | 0:26:46 | |
# Faith is the key | 0:26:48 | 0:26:51 | |
# Open the doors and board them | 0:26:51 | 0:26:55 | |
# There's hope for all among | 0:26:56 | 0:26:59 | |
# Those loved the most | 0:26:59 | 0:27:03 | |
# I believe | 0:27:03 | 0:27:05 | |
# Ooh | 0:27:05 | 0:27:08 | |
# I believe | 0:27:08 | 0:27:11 | |
# I believe | 0:27:11 | 0:27:15 | |
# I believe | 0:27:15 | 0:27:19 | |
# People get ready | 0:27:19 | 0:27:23 | |
# There's a train that's coming | 0:27:23 | 0:27:27 | |
# You don't need no baggage | 0:27:27 | 0:27:31 | |
# You just get on board | 0:27:31 | 0:27:35 | |
# All you need is faith to hear the diesels humming | 0:27:35 | 0:27:44 | |
# You don't need no ticket | 0:27:44 | 0:27:45 | |
# You just thank the Lord | 0:27:45 | 0:27:50 | |
# People get ready | 0:27:50 | 0:27:52 | |
# You don't need no ticket | 0:27:52 | 0:27:55 | |
# You just thank the Lord | 0:27:55 | 0:27:56 | |
# People get ready | 0:27:56 | 0:28:00 | |
# You don't need no ticket | 0:28:00 | 0:28:03 | |
# You just thank... | 0:28:03 | 0:28:07 | |
# The Lord. # | 0:28:12 | 0:28:15 | |
Let us pray. | 0:28:21 | 0:28:24 | |
May the Holy Spirit outpoured at Pentecost come upon you now, | 0:28:24 | 0:28:29 | |
teach you to love, teach you to pray | 0:28:29 | 0:28:34 | |
and liberate you from those things that bind you and weigh you down. | 0:28:34 | 0:28:38 | |
And the blessing of God Almighty, | 0:28:38 | 0:28:40 | |
the Father, the Son and the Holy Spirit rest upon you | 0:28:40 | 0:28:44 | |
and remain with you this Pentecost and always. | 0:28:44 | 0:28:47 | |
-Amen. -Amen. | 0:28:47 | 0:28:50 | |
There really has been a sweet, sweet spirit in this place. | 0:31:05 | 0:31:08 | |
Our final hymn is a traditional spiritual, which was the first | 0:31:08 | 0:31:11 | |
gospel song to be number one in the US Singles Chart back in 1958. | 0:31:11 | 0:31:16 | |
Kym Mazelle joins the choir and the congregation as we sing | 0:31:16 | 0:31:19 | |
He's Got The Whole World In His Hands. | 0:31:19 | 0:31:22 | |
# He's got the whole world in his hands | 0:31:33 | 0:31:37 | |
# He's got the whole world in his hands | 0:31:37 | 0:31:41 | |
# He's got the moon and the stars in his hands | 0:31:48 | 0:31:52 | |
# He's got the whole world in his hands | 0:31:52 | 0:31:55 | |
# He's got the wind and the rain in his hands | 0:32:04 | 0:32:08 | |
# He's got the whole world in his hands | 0:32:08 | 0:32:12 | |
# He's got the whole world in his hands | 0:32:20 | 0:32:24 | |
# He's got the whole world in his hands | 0:32:24 | 0:32:27 | |
# He's got the little children in his hands | 0:32:35 | 0:32:39 | |
# He's got the whole world in his hands | 0:32:39 | 0:32:43 | |
# He's got the whole world in his hands. # | 0:32:54 | 0:32:59 | |
# He's got the whole world in his hands | 0:33:08 | 0:33:12 | |
# He's got the whole world | 0:33:12 | 0:33:14 | |
# In his hands. # | 0:33:14 | 0:33:19 | |
Next week, we'll be celebrating the Queen's Diamond Jubilee | 0:33:28 | 0:33:32 | |
in traditional style | 0:33:32 | 0:33:33 | |
with classic hymns from the Old Royal College Naval Chapel in Greenwich, | 0:33:33 | 0:33:39 | |
as well as performances by Laura Wright and operatic quartet Amore. | 0:33:39 | 0:33:43 | |
Subtitles by Red Bee Media Ltd | 0:34:01 | 0:34:05 |