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Welcome to Christ Church, Spitalfields, | 0:00:02 | 0:00:04 | |
in the East End of London, a place of worship for nearly 300 years. | 0:00:04 | 0:00:07 | |
It's witnessed a variety of music | 0:00:07 | 0:00:09 | |
from pop concerts to classical recitals. | 0:00:09 | 0:00:11 | |
Now the Songs Of Praise team is setting up a stage | 0:00:12 | 0:00:15 | |
for an artist with a rich and varied career. | 0:00:15 | 0:00:19 | |
# Sha-la-la-la La-la-la-la... # | 0:00:19 | 0:00:21 | |
Tony Christie has been having hits for almost 40 years. | 0:00:21 | 0:00:24 | |
Famous for songs such as Is This the Way to Amarillo? | 0:00:24 | 0:00:27 | |
and Avenues And Alleyways, | 0:00:27 | 0:00:29 | |
Tony's been described as having | 0:00:29 | 0:00:31 | |
one of Britain's most revered voices. | 0:00:31 | 0:00:34 | |
'Tony has a timeless voice.' | 0:00:34 | 0:00:36 | |
If he has a song that tells a story, | 0:00:36 | 0:00:38 | |
there's no-one better, really. | 0:00:38 | 0:00:40 | |
I think, actually, I heard him recently, | 0:00:40 | 0:00:43 | |
and I think the older he gets, the better the voice is. | 0:00:43 | 0:00:46 | |
In this week's special Songs Of Praise, | 0:00:51 | 0:00:54 | |
Tony talks to me about his faith and how he believes angels guide him. | 0:00:54 | 0:00:59 | |
He goes back to his first church and his musical roots. | 0:00:59 | 0:01:03 | |
And he performs some favourite hymns and brand-new songs. | 0:01:03 | 0:01:07 | |
Well, as you can see, we've got our congregation, | 0:01:15 | 0:01:17 | |
we have our wonderful musicians - | 0:01:17 | 0:01:19 | |
all that's missing is the man himself. | 0:01:19 | 0:01:21 | |
Ladies and gentlemen, Mr Tony Christie! | 0:01:21 | 0:01:24 | |
CHEERING AND APPLAUSE | 0:01:24 | 0:01:27 | |
I think it's fair to say they love you. | 0:01:36 | 0:01:38 | |
One of the world's greatest singers - | 0:01:38 | 0:01:40 | |
this is going to be brilliant. | 0:01:40 | 0:01:42 | |
Oh, thank you. I thought it was only me that said that! No? | 0:01:42 | 0:01:44 | |
No, I think everyone agrees. Don't you? | 0:01:44 | 0:01:46 | |
-CONGREGATION: -Yes! | 0:01:46 | 0:01:48 | |
What I'm really excited about is | 0:01:48 | 0:01:49 | |
that you've chosen the music this evening. | 0:01:49 | 0:01:51 | |
We're going to start with a great hymn - | 0:01:51 | 0:01:53 | |
Praise, My Soul, The King Of Heaven. | 0:01:53 | 0:01:55 | |
Why have you chosen that one? | 0:01:55 | 0:01:56 | |
Because it makes me happy and makes me want to smile. | 0:01:56 | 0:01:59 | |
Let's smile and sing, ladies and gentlemen. | 0:01:59 | 0:02:02 | |
# Praise, my soul, the King of Heaven | 0:02:12 | 0:02:18 | |
# To his feet thy tribute bring | 0:02:18 | 0:02:23 | |
# Ransomed, healed | 0:02:23 | 0:02:25 | |
# Restored, forgiven | 0:02:25 | 0:02:28 | |
# Who like me his praise should sing | 0:02:28 | 0:02:33 | |
# Praise him, praise him | 0:02:33 | 0:02:36 | |
# Praise him, praise him | 0:02:36 | 0:02:38 | |
# Praise the everlasting King | 0:02:38 | 0:02:45 | |
APPLAUSE | 0:03:57 | 0:04:00 | |
Well done. | 0:04:03 | 0:04:05 | |
Well, this is a rare treat - an opportunity to chat to you. | 0:04:10 | 0:04:14 | |
I know you're very private. | 0:04:14 | 0:04:15 | |
What I've never understood is... | 0:04:15 | 0:04:17 | |
how can someone so shy stand up in front of thousands of people? | 0:04:17 | 0:04:20 | |
It's a thing I've had to fight all my life, | 0:04:20 | 0:04:24 | |
to be honest with you, Aled. | 0:04:24 | 0:04:26 | |
I mean, really, really, very badly shy. | 0:04:26 | 0:04:29 | |
I think, in a way, it's held me back career-wise. | 0:04:29 | 0:04:32 | |
The fact that I...I couldn't look people in the face. | 0:04:32 | 0:04:36 | |
I couldn't be in a crowd. | 0:04:36 | 0:04:38 | |
I couldn't bear to do autographs and all that kind of thing. | 0:04:38 | 0:04:41 | |
Are you a different person when you're up there, then? | 0:04:41 | 0:04:43 | |
Yeah, I'm two people. | 0:04:43 | 0:04:45 | |
On stage, I'm a person called Tony Christie | 0:04:45 | 0:04:48 | |
and when I get off the stage, then I become Tony Fitzgerald, | 0:04:48 | 0:04:53 | |
which is my real name. It's just like acting, basically. | 0:04:53 | 0:04:56 | |
-Is it still enjoyable for you, though, when you're on stage? -I love it. | 0:04:56 | 0:04:59 | |
Music...I mean, music is what I live for. | 0:04:59 | 0:05:01 | |
It's in me, it's in my hard drive. | 0:05:01 | 0:05:05 | |
I can't get away from it. | 0:05:05 | 0:05:06 | |
All I ever wanted to do, even from being a little kid at school, | 0:05:06 | 0:05:09 | |
I thought, "Well, what good is learning? | 0:05:09 | 0:05:12 | |
"Maths, English - it's no good to me. | 0:05:12 | 0:05:14 | |
"I'm going to be a singer when I'm a man." | 0:05:14 | 0:05:16 | |
And so that's all I ever wanted to be - a singer. | 0:05:16 | 0:05:19 | |
I know you sang recently in Lichfield Cathedral. | 0:05:19 | 0:05:22 | |
That must have been a wonderful experience | 0:05:22 | 0:05:24 | |
cos I know that both your grandsons were in the choir there, | 0:05:24 | 0:05:27 | |
-weren't they? -They were choristers there, yeah. | 0:05:27 | 0:05:29 | |
So what was that like? | 0:05:29 | 0:05:30 | |
A great friend of ours died, and they had a mass, | 0:05:30 | 0:05:34 | |
there at the cathedral. | 0:05:34 | 0:05:36 | |
And I said, | 0:05:36 | 0:05:37 | |
"Can I...do you mind if I sing a song in the middle of the mass?" | 0:05:37 | 0:05:41 | |
And they said, "No." You know? So... | 0:05:41 | 0:05:43 | |
And I sang a Chopin piece called So Deep Is The Night | 0:05:43 | 0:05:47 | |
-or Tristesse - the classical title... -Mm-hm. | 0:05:47 | 0:05:51 | |
..just my piano player and myself. | 0:05:51 | 0:05:53 | |
And I stood there and sang it | 0:05:53 | 0:05:55 | |
with tears rolling down my face. | 0:05:55 | 0:05:57 | |
But that was a thrill, I mean, the huge cathedral. It was fantastic. | 0:05:57 | 0:06:01 | |
And when you sing in a cathedral or a church, | 0:06:01 | 0:06:03 | |
do you feel you have, through the music, | 0:06:03 | 0:06:05 | |
-a connection with God? -Oh, absolutely. | 0:06:05 | 0:06:06 | |
Absolutely. You're standing... Any church you're walking in... | 0:06:06 | 0:06:10 | |
Whenever my wife and I are away, anywhere, we always find a church, | 0:06:10 | 0:06:14 | |
go and sit down. | 0:06:14 | 0:06:16 | |
And it's like a miracle, | 0:06:16 | 0:06:17 | |
because you walk through a church door, and it's peaceful, | 0:06:17 | 0:06:20 | |
and you just... | 0:06:20 | 0:06:21 | |
What we normally do is go to the altar | 0:06:21 | 0:06:23 | |
and we get a candle and just light a candle for whatever | 0:06:23 | 0:06:27 | |
and spend ten minutes just sitting peacefully, looking round. | 0:06:27 | 0:06:31 | |
I think we should hear you perform some music again. | 0:06:31 | 0:06:34 | |
And this is a nice link, really, because you've had so many | 0:06:34 | 0:06:37 | |
great songwriters want to write music especially for you, | 0:06:37 | 0:06:40 | |
and that's what we've got here now, isn't it? | 0:06:40 | 0:06:42 | |
Yeah, I worked on an album in Nashville. | 0:06:42 | 0:06:45 | |
About four or five of the songs were written for me | 0:06:45 | 0:06:47 | |
-by Graham Gouldman from 10CC. -Right. | 0:06:47 | 0:06:51 | |
This one is almost like an anthem, basically. | 0:06:51 | 0:06:54 | |
The words are very apt for singing in a church, actually. | 0:06:54 | 0:06:59 | |
-Brilliant. -I'd like to perform it for you. | 0:06:59 | 0:07:01 | |
-You go and get yourself ready. -Thank you. | 0:07:01 | 0:07:03 | |
Well, I can't wait to hear this. Can you? | 0:07:03 | 0:07:05 | |
With our band and string section, | 0:07:05 | 0:07:07 | |
this is Tony Christie and You Are My Lifeline. | 0:07:07 | 0:07:10 | |
# I've been going down a rocky road | 0:07:31 | 0:07:34 | |
# It was taking me away | 0:07:36 | 0:07:39 | |
# I was never good in stormy seas | 0:07:41 | 0:07:45 | |
# So I began to pray | 0:07:45 | 0:07:50 | |
# Help me find a brand-new day | 0:07:50 | 0:07:53 | |
# All I needed was a helping hand | 0:07:53 | 0:07:58 | |
# Guiding me through thick and thin | 0:07:58 | 0:08:02 | |
# You took me to the promised land | 0:08:03 | 0:08:07 | |
# I knew you'd let me in | 0:08:07 | 0:08:11 | |
# You are my lifeline | 0:08:13 | 0:08:16 | |
# You are my soul | 0:08:17 | 0:08:21 | |
# You are my angel | 0:08:22 | 0:08:26 | |
# Let the angels take control | 0:08:26 | 0:08:31 | |
# I was thinking as the sun came up | 0:08:32 | 0:08:36 | |
# 'Bout all my crazy schemes | 0:08:37 | 0:08:40 | |
# Now I'm sipping from a loving cup | 0:08:42 | 0:08:46 | |
# It's time to live our dreams | 0:08:46 | 0:08:51 | |
# You are my lifeline | 0:08:51 | 0:08:55 | |
# You are my soul | 0:08:56 | 0:09:00 | |
# You are my angel | 0:09:01 | 0:09:05 | |
# Let the angels take control | 0:09:05 | 0:09:09 | |
# From the outside looking in | 0:09:11 | 0:09:14 | |
# Are the planets all in line? | 0:09:14 | 0:09:19 | |
# For my world was in a spin | 0:09:20 | 0:09:24 | |
# I was running out of time | 0:09:24 | 0:09:28 | |
# Running out of time | 0:09:29 | 0:09:32 | |
# You are my lifeline | 0:09:32 | 0:09:36 | |
# You are my soul | 0:09:37 | 0:09:40 | |
# You are my angel | 0:09:42 | 0:09:45 | |
# Let the angels take control | 0:09:45 | 0:09:49 | |
# You are my lifeline | 0:09:49 | 0:09:54 | |
-# You are my soul -# You are my soul | 0:09:54 | 0:09:58 | |
# You are my angel | 0:09:58 | 0:10:02 | |
# Let the angels take control | 0:10:02 | 0:10:08 | |
# Mm-mm-mm-mm. # | 0:10:08 | 0:10:15 | |
CHEERING AND APPLAUSE | 0:10:17 | 0:10:21 | |
MUSIC: "Avenues And Alleyways" by Tony Christie | 0:10:31 | 0:10:34 | |
Tony has come back to the Yorkshire village of Denaby | 0:10:36 | 0:10:40 | |
to show us his childhood church. | 0:10:40 | 0:10:42 | |
It's a place where he found his voice. | 0:10:42 | 0:10:44 | |
Wow. | 0:10:46 | 0:10:47 | |
This brings back a lot of memories! HE CHUCKLES | 0:10:52 | 0:10:55 | |
I was the product of a Catholic father | 0:11:00 | 0:11:03 | |
and a Protestant mum. | 0:11:03 | 0:11:05 | |
So I was actually baptised here when I was a baby, | 0:11:05 | 0:11:10 | |
about 70 years ago. | 0:11:10 | 0:11:11 | |
I sort of drifted into religion | 0:11:12 | 0:11:15 | |
because a lot of my friends were members of the parish of this church. | 0:11:15 | 0:11:20 | |
And we used to have this glee club. | 0:11:20 | 0:11:23 | |
We used to go and sing different places. | 0:11:23 | 0:11:25 | |
And they said, "Do you fancy singing in our church choir? | 0:11:25 | 0:11:28 | |
"Do you know, we could do with a good voice to augment the choir." | 0:11:28 | 0:11:31 | |
So that's what I did. | 0:11:31 | 0:11:32 | |
They're much steeper than I remember, those stairs. | 0:11:35 | 0:11:38 | |
Oh, here we are. | 0:11:38 | 0:11:39 | |
I used to sit at the back. | 0:11:41 | 0:11:42 | |
This really brings back memories - standing up here. | 0:11:42 | 0:11:46 | |
To hear the organs start and then when the choir started - bang! | 0:11:46 | 0:11:50 | |
I was in...literally, in Heaven. | 0:11:50 | 0:11:52 | |
And of course, because we were at the back of the church, | 0:11:52 | 0:11:55 | |
we were out of sight, basically. | 0:11:55 | 0:11:57 | |
So we could wear our normal clothes, you know. | 0:11:57 | 0:12:00 | |
And in those days, I'd be 16, 17 | 0:12:00 | 0:12:02 | |
and I'd be wearing my Italian suit, | 0:12:02 | 0:12:05 | |
you know, which was all the rage in those days. | 0:12:05 | 0:12:07 | |
They're smart, they're still smart. | 0:12:07 | 0:12:08 | |
HE LAUGHS You see, I'm back in fashion already! | 0:12:08 | 0:12:11 | |
-Ah, Jim! -Nice to see you again, mate. | 0:12:14 | 0:12:16 | |
-Jim Beachill worked with Tony when they were teenagers. -'Tony was... | 0:12:16 | 0:12:20 | |
'I knew he was singing in the choir at the time and, you know,' | 0:12:20 | 0:12:23 | |
he used to sing in the office. | 0:12:23 | 0:12:24 | |
It could be annoying, | 0:12:24 | 0:12:26 | |
but you could tell very easily he was a very good singer. | 0:12:26 | 0:12:29 | |
-Thank you. -He was good-looking, he's got jet black hair. | 0:12:29 | 0:12:31 | |
Wherever we went, the girls liked him, and this kind of stuff. | 0:12:31 | 0:12:35 | |
He was a brilliant guy. | 0:12:35 | 0:12:36 | |
We had some great nights out together. | 0:12:36 | 0:12:38 | |
Amazing. It could be Coronation Street, that. Couldn't it? | 0:12:40 | 0:12:43 | |
-I know. -I mean, really is. | 0:12:43 | 0:12:44 | |
To bring back memories for the two old friends, | 0:12:44 | 0:12:46 | |
Jim has brought with him home movies | 0:12:46 | 0:12:48 | |
of the church's Whitsun processions from the early '60s. | 0:12:48 | 0:12:52 | |
These processions used to be the highlight | 0:12:53 | 0:12:56 | |
of several people's year. | 0:12:56 | 0:12:57 | |
Do you know, I know that face, that guy there. I know his face. | 0:12:59 | 0:13:03 | |
-So that statue is THAT statue? -Yeah, that's the one. | 0:13:03 | 0:13:06 | |
-Is that right? -Yeah. | 0:13:06 | 0:13:07 | |
Great time in my life and I wouldn't swap it for the world. | 0:13:07 | 0:13:10 | |
The mates were fantastic. | 0:13:10 | 0:13:12 | |
Just one of those happy memories that will stay with me for ever. | 0:13:13 | 0:13:17 | |
# Amazing Grace | 0:13:17 | 0:13:22 | |
# How sweet the sound | 0:13:22 | 0:13:27 | |
# That saved | 0:13:27 | 0:13:29 | |
# A wretch like me | 0:13:29 | 0:13:35 | |
# I once was lost | 0:13:37 | 0:13:42 | |
# But now I'm found | 0:13:42 | 0:13:47 | |
# Was blind | 0:13:48 | 0:13:51 | |
# But now I see. # | 0:13:51 | 0:13:59 | |
The good old days. | 0:14:01 | 0:14:03 | |
And now, a favourite hymn of Tony's | 0:14:10 | 0:14:12 | |
that reflects his Irish roots. | 0:14:12 | 0:14:14 | |
His real name IS Tony Fitzgerald, after all. | 0:14:14 | 0:14:16 | |
It's called I Cannot Tell. | 0:14:16 | 0:14:18 | |
Well, Tony, there's one to tick off the list. | 0:17:00 | 0:17:02 | |
Sing a hymn with Tony Christie - tick. Done it! | 0:17:02 | 0:17:07 | |
-That was brilliant. -Thank you. | 0:17:07 | 0:17:08 | |
It's an interesting choice, as well, | 0:17:08 | 0:17:10 | |
because there is a mention of angels in it. | 0:17:10 | 0:17:13 | |
And I know that angels, guardian angels, | 0:17:13 | 0:17:16 | |
they play a massive role in your life, don't they? | 0:17:16 | 0:17:18 | |
They do because my wife and I have believed this | 0:17:18 | 0:17:21 | |
very, very strongly for a long, long time. | 0:17:21 | 0:17:24 | |
And whenever we've had any problems or troubles | 0:17:24 | 0:17:28 | |
and we desperately need help, we pray to angels. | 0:17:28 | 0:17:32 | |
We have at least five different archangels in the house. | 0:17:32 | 0:17:37 | |
If we pray for well-being it's always to the archangel Michael. | 0:17:37 | 0:17:41 | |
If we lose anything, like car keys, and you can't find them, | 0:17:41 | 0:17:45 | |
-St Anthony is the one that finds lost property. -Right! | 0:17:45 | 0:17:50 | |
THEY LAUGH | 0:17:50 | 0:17:52 | |
And of course to the man who is the boss of them all, of course - | 0:17:52 | 0:17:55 | |
the big boss. We pray to him as well. | 0:17:55 | 0:17:57 | |
What do these guardian angels do, then? | 0:17:57 | 0:18:00 | |
Do they help you when you're on stage, singing? | 0:18:00 | 0:18:03 | |
They can be with you, as they're probably with you now. | 0:18:03 | 0:18:05 | |
Mine is probably standing with me now, and yours is. | 0:18:05 | 0:18:08 | |
And if you want some help, you've got to say, "Can you help me?" | 0:18:08 | 0:18:12 | |
One of the most memorable things was | 0:18:12 | 0:18:14 | |
I was at the Albert Hall, at the end of a very long tour. | 0:18:14 | 0:18:17 | |
We came to this song which had a big, big note at the end | 0:18:17 | 0:18:20 | |
and I thought, "I'm never going to make the note and even reach it." | 0:18:20 | 0:18:23 | |
And during the song, I just started saying, "Please, angels, come on. | 0:18:23 | 0:18:26 | |
"Please, I'm nearly finished, now. Just get me through this song, | 0:18:26 | 0:18:30 | |
"and then I'm finished." | 0:18:30 | 0:18:31 | |
And, my God, I did - I hit that note. | 0:18:31 | 0:18:34 | |
I hit that note better than I've ever hit it. | 0:18:34 | 0:18:37 | |
And it just came. And that was the angels, definitely. | 0:18:37 | 0:18:40 | |
Do you think that the path you're following | 0:18:40 | 0:18:41 | |
in your career and your life, do you think it's God's path for you? | 0:18:41 | 0:18:44 | |
Yeah. I think everybody has a... | 0:18:44 | 0:18:48 | |
Everybody's life - this is my belief - is mapped out for them. | 0:18:48 | 0:18:53 | |
And that I am doing exactly wh... what God put me on the earth to do. | 0:18:53 | 0:18:58 | |
I've tried doing other things, it never works. | 0:18:58 | 0:19:01 | |
I always finish up doing singing. | 0:19:01 | 0:19:03 | |
I'm glad that he's moved you in the direction of music and singing. | 0:19:03 | 0:19:06 | |
I'm sure we all are, aren't we? | 0:19:06 | 0:19:08 | |
And you're going to perform All Is Said And Done, next. | 0:19:08 | 0:19:11 | |
What's the story behind this? | 0:19:11 | 0:19:13 | |
It's a Graham Gouldman song, of 10CC, | 0:19:13 | 0:19:15 | |
and he said that he wrote the song... | 0:19:15 | 0:19:18 | |
he pictured me singing this to my wife. | 0:19:18 | 0:19:23 | |
-So... -That's fantastic. -I think it's absolutely beautiful. | 0:19:23 | 0:19:26 | |
Go and get yourself ready by that mic, where you belong. | 0:19:26 | 0:19:28 | |
-Where I belong! -Take your guardian angel. | 0:19:28 | 0:19:30 | |
-I'll take my mic, as well. -And your mic, yeah - both. | 0:19:30 | 0:19:32 | |
Ladies and gentlemen, please put your hands together | 0:19:32 | 0:19:35 | |
for the one and only Tony Christie, singing All Is Said And Done. | 0:19:35 | 0:19:38 | |
# The stars begin to fade | 0:19:54 | 0:19:58 | |
# Day has just begun | 0:20:00 | 0:20:05 | |
# To be with you | 0:20:06 | 0:20:09 | |
# Is all I need | 0:20:09 | 0:20:13 | |
# When all is said and done | 0:20:13 | 0:20:18 | |
# I remember where we've been | 0:20:24 | 0:20:29 | |
# I think of where we're going | 0:20:31 | 0:20:36 | |
# The search for love It drives us on | 0:20:37 | 0:20:43 | |
# When all is said and done | 0:20:43 | 0:20:48 | |
# Look towards the inspiration of tomorrow | 0:20:55 | 0:21:00 | |
# Leave behind the pain of yesterday | 0:21:01 | 0:21:06 | |
# No regrets about the time we may have lost | 0:21:07 | 0:21:13 | |
# It's all so far away | 0:21:13 | 0:21:20 | |
# The lessons we have learned | 0:21:22 | 0:21:27 | |
# The only thing that matters | 0:21:28 | 0:21:34 | |
# It's love rules all under the sun | 0:21:34 | 0:21:41 | |
# When all is said and done | 0:21:41 | 0:21:45 | |
# Sailing away in a dream | 0:21:47 | 0:21:51 | |
# Floating along on a bubble | 0:21:53 | 0:21:57 | |
# Looking around as the world passes by | 0:21:59 | 0:22:05 | |
# Dipping your toe in the stream | 0:22:05 | 0:22:12 | |
# The story without end | 0:22:13 | 0:22:18 | |
# The journey still ongoing | 0:22:20 | 0:22:25 | |
# It's love that makes the world go round | 0:22:26 | 0:22:31 | |
# When all is said and done | 0:22:31 | 0:22:36 | |
# All is said and done | 0:22:38 | 0:22:44 | |
# Mm-mm-mm-mm. # | 0:22:45 | 0:22:51 | |
CHEERING AND APPLAUSE | 0:22:56 | 0:23:00 | |
Oh, wasn't that great? | 0:23:09 | 0:23:10 | |
While Tony takes a well-earned break, | 0:23:10 | 0:23:12 | |
it's the congregation's turn to stretch their vocal cords. | 0:23:12 | 0:23:15 | |
Next is a hymn that encourages us all to do just that. | 0:23:15 | 0:23:18 | |
Alleluya, Sing To Jesus. | 0:23:18 | 0:23:20 | |
Over the years, Tony has acquired some famous fans. | 0:25:26 | 0:25:29 | |
Back in 1976, when Tim Rice | 0:25:29 | 0:25:31 | |
and Andrew Lloyd Webber recorded the concept album for a brand-new | 0:25:31 | 0:25:35 | |
musical, Evita, it was Tony they turned to. | 0:25:35 | 0:25:39 | |
When we wanted someone to sing on the record, the part of Magaldi, | 0:25:39 | 0:25:44 | |
who is the tango singer, he seemed to be an obvious choice. | 0:25:44 | 0:25:49 | |
And he was terrific. | 0:25:49 | 0:25:51 | |
He came in and he sang On This Night Of A Thousand Stars | 0:25:51 | 0:25:54 | |
and if he has a song that tells a story, there's no-one better really. | 0:25:54 | 0:25:58 | |
Graham Gouldman of 10CC has co-written songs for Tony, | 0:26:00 | 0:26:04 | |
including two we've heard today. | 0:26:04 | 0:26:06 | |
I can sing, but I've not got a real voice. | 0:26:06 | 0:26:10 | |
It's kind of old school, in a way. | 0:26:10 | 0:26:12 | |
His voice, he's got one of those sort of classic voices. | 0:26:12 | 0:26:17 | |
He's a real singer. | 0:26:17 | 0:26:18 | |
Maybe he's not been given as much credit as he's due, | 0:26:18 | 0:26:22 | |
but in a way, like Tom Jones, I suppose, he's been rediscovered. | 0:26:22 | 0:26:27 | |
Actually, I heard him recently. | 0:26:29 | 0:26:31 | |
I think the older he gets, the better the voice is. | 0:26:31 | 0:26:34 | |
Right, it's time for that song. CHEERING | 0:26:34 | 0:26:37 | |
Particularly with Is This The Way To Amarillo? | 0:26:37 | 0:26:39 | |
Probably he doesn't realise how much people like the song. | 0:26:39 | 0:26:43 | |
But the audience love it. | 0:26:43 | 0:26:44 | |
# When the day is dawning... # | 0:26:44 | 0:26:47 | |
In 2005, at Peter Kay's suggestion, Amarillo became the official | 0:26:47 | 0:26:52 | |
Comic Relief single, with extraordinary results. | 0:26:52 | 0:26:56 | |
Is This The Way To Amarillo? was | 0:26:56 | 0:26:59 | |
a ground-breaking experience for us at Comic Relief | 0:26:59 | 0:27:02 | |
because it went kind of ballistic, really | 0:27:02 | 0:27:05 | |
and raised over £2 million for the charity, which is unprecedented. | 0:27:05 | 0:27:10 | |
It helped us buy malaria nets, to deliver inoculations | 0:27:10 | 0:27:14 | |
and to do wonderful things right across Africa and here in the UK. | 0:27:14 | 0:27:19 | |
# Dreaming dreams... # | 0:27:19 | 0:27:21 | |
We can't thank Tony enough for what he did | 0:27:21 | 0:27:24 | |
by giving us permission to use Amarillo. | 0:27:24 | 0:27:27 | |
I think Tony has been underrated over the years, | 0:27:27 | 0:27:31 | |
although now, 40 or so years after he got going, he's regarded | 0:27:31 | 0:27:35 | |
as pretty cool and is recognised as the great singer he is. | 0:27:35 | 0:27:38 | |
Tony, it's been an absolute delight spending time with you | 0:29:36 | 0:29:39 | |
-and singing with you. I hope you've enjoyed it. -It's been fantastic. | 0:29:39 | 0:29:44 | |
We're going to end with one of your favourite hymns, How Great Thou Art. | 0:29:44 | 0:29:47 | |
Why do you love it so much? | 0:29:47 | 0:29:49 | |
Well, I sang it at my father's funeral 13 years ago | 0:29:49 | 0:29:53 | |
-and I'd like to sing it again for him, if I can. -Of course you can. | 0:29:53 | 0:29:58 | |
Ladies and gentlemen, Tony Christie. | 0:29:58 | 0:30:00 | |
APPLAUSE | 0:30:00 | 0:30:03 | |
Next week, David and Connie face | 0:33:13 | 0:33:15 | |
climbing the mighty Forth Road suspension bridge, | 0:33:15 | 0:33:18 | |
as it celebrates its 50th anniversary. It's a Scottish special | 0:33:18 | 0:33:22 | |
as the country enjoys one of its most important years to date. | 0:33:22 | 0:33:25 | |
Connie gives the bagpipes all her puff | 0:33:25 | 0:33:28 | |
and it's a veritable feast of music from Dunfermline Abbey, | 0:33:28 | 0:33:31 | |
Dunblane Cathedral and beyond. | 0:33:31 | 0:33:33 |