Highlights The 6 Music Festival


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Now then, where could I find a place with great bands, iconic venues and

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brilliant live performances? Oh, yes, I know, Glasgow for the 2017

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6Music Festival. On tonight's show we will be bringing you highlights

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of the festival with performances from Sparks, The Jesus And Mary

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Chain, War paint and gold frappe. The 6Music Festival has been taking

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place at venues across the city over the weekend and thousands of people

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have turned out for what is a really brilliant line-up and we will bring

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you great performances from the O2 Academy and also from Barrowlands.

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Glasgow has been declared a UNESCO city of music. I did not think you

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could be such a thing, but Glasgow is one. Before the music, here is a

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reminder of Glasgow's great music heritage. On average there is a

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staggering 130 separate gigs on a typical week in Glasgow and whatever

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you taste, you can take your pick from hip-hop to float, or from

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classical to Indy. But pop has played a large part in Glasgow's

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music story. It was the birthplace of Lonnie Donegan who notched a

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whopping 17 top ten hits in the UK and was the first British male

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singer with two US top ten records. Lonnie Donegan left Glasgow as a

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youngster, but in the 60s the city's home-grown talent included Lulu and

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the raw blues of Alex Harvey who in the 70s went on to be a sensation.

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The 80s was a boom time for Glasgow music, thanks partly to an indie

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label set up in one of Glasgow's distinctive tenement flats. Postcard

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Records. Tagging itself the sound of Young Scotland, it was at the

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forefront of the British indie music scene and grab the attention of the

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London based music industry, so it was not lobby for their groups were

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appearing on Top of the Pops. Bands like Altered Images, that Bluebells

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and Love And Money to name just a few. Glasgow bands were becoming

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critically and commercially successful. In 1985 the Jesus And

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Mary Chain forced UK to the front of the punk scene. By the end of the

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decade Texas were becoming a household name and Deacon Blue were

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top of the household charts. When the city became the European capital

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of culture in 1990 it was not long before Primal Scream were picking up

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the first ever Mercury music prize. Wet White Wet broke all records in

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1994 with that song and it was not one, but three Glasgow bands that

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Kurt Cobain name checked some his favourites. But the city was not

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just producing great musicians. It had always been an unmissable stop

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on tour. Way before Oasis, there were a number of venues in Glasgow

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that attracted the biggest names in music. In the late 60s Pink Floyd

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and Jimi Hendrix strutted on its stages and when the Apollo opened in

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1963 it attracted everyone from Aber to the clash. Musicians found the

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Apollo's atmosphere electrifying. AC/DC recorded their first live

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album there and David Bowie said it was one of his favourite places. You

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would agree with most artists who say the Glasgow audience is one of

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the best you can get. It is exceptional. Why is it? They seem

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intoxicated with the idea of a theatrical show. And it is one venue

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that still intoxicated every musician, the Barrowlands. The

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original building was opened in 1934 by Maggie McKeever and now it has

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reached iconic music venue status. It evolved with music tastes over

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the years from a date night dance hall in the 50s to a raucous,

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unmissable tour dates for the great and the good. It has been name

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checked as one of the best places in the world to play. It is only unique

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venue which has become a rite of passage for every bad. For when the

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likes of Dell and Sebastien and Travis all stepped onto its hallowed

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stage, they knew they had made it. Where better than to pick of this

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year's Festival and at the Barrowlands with Glasgow's own The

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Jesus And Mary Chain. # And the world comes tumbling down.

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# Played a hand in a pilot light And it's hard

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For me to say. I'm going down To be

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by myself I'm going back And if you walk away

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I can't take it. # Listened to the girl as she takes

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on half the world. # You come along, you come along

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And wash away the rain Because of you,

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I know where I belong. You're a new song,

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You're a new song, baby. To think, to think that it was

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wrong for me I want. I want, I want, I want

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it all so sweet. You got the moves,

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you got the moves. You got the moves,

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you got the moves. Dancing to you all night long

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(you're a new song, baby). Dancing to you all night long

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(you're a new song, baby). # That is the way we want it.

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# The way we want. More than a year landed out

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here on a big box store roof. Tropical smells and back to school

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sales, why would we ever move? Damned if we do, dumb if we don't

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end up again back home. Watching the sea plays

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in HD, locked is the way. Uh, no I don't believe him Uh,

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but know that I've been grieving Know that I've been holding out

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Hoping to receive him I've been holding out for G

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when he was nowhere to be seen when I was bleeding, cousin

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with the choking and the wheezing But still he dream of smoking

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potent in the evening This is only for the heathens Hold

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until the souls who need Still ain't folded

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when it's freezing I wonder why my dad didn't

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want me, ex didn't need me Half of them left and

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the rest finna breeze me It's blessed till I second guess,

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rest till it freeze me There's nothing to

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believe in, believe me The Lord will make a way

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And when I get in trouble Little bit of life after

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death Scatter my ashes when it's my time to

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rest With the lines I'm obsessed, rhymes I possess Can't

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deny, seen the biggest guys cry to confess in a breath Fresh

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death passing the chest, unimpressed with the sess Left scars

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in the flesh, he's the best, worst-kept sparring in jest

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Saying, "Star never bar too far from the nest"

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So I never left and never thought about doing

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so I to-and-fro from that

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prime time to a home You see, I'm doing those

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nights I should've known Whatever, still my breddas say

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I'm too involved. But who would know what

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the family first is? Till you dream, see

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three family hearses Worst is, wanted me

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to speak at the service So I penned a couple bars,

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didn't need to rehearse this And when I get in trouble,

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the Lord will make a way And whenever I need him,

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the Lord will make a way. How are you lot doing now?

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A great performance at Barrowlands last night. He was on the BBC Sound

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of list in 2016. So much amazing stuff going on here at the 6Music

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Festival across the weekend, so your best bet is to check it out at the

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website. But we have still got loads of great music here tonight,

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including performances from Sparks, Feature Islands, and gold frappe.

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But first, headlining here from Albuquerque, the shins.

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I think I'll go home and mull this over

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Before I cram it down my throat At long last it's

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crashed, the colossal mass Has broken up into bits in my moat.

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Lift the mattress off the floor Walk the cramps off

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Go meander in the cold Hail to your dark skin

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Underneath the power lines seeking shade.

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Far above our heads are the icy heights

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that contain all reason It's a luscious mix of words and tricks

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All these squawking birds won't quit.

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Hold your glass up, hold it in Never betray the way

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One day I'll be wondering how I got so old just wondering how

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I never got cold wearing nothing in the snow.

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This is way beyond my remote concern Of being condescending

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All these squawking birds won't quit.

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Gold teeth and a curse for this town Were all in my mouth

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Only, I don't know how they got out, dear

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Turn me back into the pet I was when we met

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And if you'd took to me like a gull takes to the wind

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And I'd a-danced like the king of the eyesores

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And the rest of our lives would have fared well

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New slang when you notice the stripes

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Hope it's right when you die, old and bony

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Dawn breaks like a bull through the hall

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But my head's to the wall and I'm lonely

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And if you'd took to me like a gull takes to the wind

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And I'd a-danced like the kind of the eyesores

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And the rest of our lives would have fared well.

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And bleed into their buns till they melt away

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I'm looking in on the good life I might be doomed never to find

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Without a trust or flaming fields, am I too dumb to refine?

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I'da danced like the queen of the eyesores

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And the rest of our lives would'a fared well.

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Thirsty for your smile I watch you for a while

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You are a vapour trail In a deep blue sky

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Tremble with a sigh Glitter in your eye

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You seem to come and go, I never seem to know

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And all my time is yours as much as mine

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We never have enough time to show our love.

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Care to be clean Purge to be free You spilled my blood

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There's poison in them Drunken pretense

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I knew all along You would go to be wrong

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Thought I'd go up in flames, is that alright?

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Strike the match and set me alight You can watch my fire burn bright

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'Cause babes never die, babes never die

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Keep it for another who died I'm not going to be cut this time

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When I go I'll be the one who decides

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'Cause babes never die, babes never die

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Watch if I float, damned if I don't Watch if I float, damned if I don't

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Thought I'd go up in flames, is that alright?

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Strike the match and set me alight You can watch my fire burn bright

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'Cause babes never die, babes never die

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Keep it for another who died I'm not going to be cut this time

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When I go I'll be the one who decides

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'Cause babes never die, babes never die

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All this time I was waiting for you to go and tell me

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Go and tell me all the things that I've done wrong

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Babes never die! Babes never die!

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# Nobody move, there's blood on the floor

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# So please give it back, cos it's not yours to take!

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# It must've fell when I lost my mind

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# Deep in the cut, drowning it in pain

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# Somebody help, cos I can't find my way

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# Somebody tell me how I'm supposed to feel

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# When I'm sitting here knowing this ain't real

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# Why in the world would I give my heart to you?

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# Just to watch you throw it in the trash?

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# I've been traveling so long, I don't think I can hold on

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# Where were you when I needed you the most?

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# Now I'm sitting here with a black hole in my chest

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# So please give it back, cos it's not yours to take!

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# It must've fell when I lost my mind

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# Deep in the cut, drowning it in pain

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# Somebody help, cos I can't find my way

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This next song is for you young ones out there.

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It is going to be OK. And you can clean around

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the wound if you want to It just takes time and

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you can go to the moon But if you want something to change,

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you gotta change your life And take your time,

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it just takes time It just takes time

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It just takes time And leave you to the night,

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and that's alright Because before the moonbeam comes,

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there's a certain calm And then there's light,

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it just takes time It just takes time,

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a little trust and your time You can change your life,

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it just takes time And I can sit and talk,

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because I was just like you So arrogant and brave,

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impetuous and blue But trust me as a friend,

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and I'll do all that I can do And I'd do anything for you,

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because I want to see you through It just takes time,

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hard work and your time You can change your life,

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it just takes time It just takes time,

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hard work and your time Peter Islands kicking off the

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festival at the O2 Academy on Friday night, featuring interesting dance

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moves. We have still got great sets to come, but first a band I have

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been a fan since I was a teenager, the maestros, Sparks.

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His is the number one song in heaven.

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If you should die before you wake If you should die

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while crossing the street The song that you'll hear, I guarantee

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It's number one, all over heaven It's number one, all over heaven

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The one that's the rage up here in the clouds

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Lyrically weak, but the music's the thing

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Gabriel plays it, God how he plays it.

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Gabriel plays it, let's hear him play it

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It's number one, all over heaven It's number one, all over heaven

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The song filters down, down through the clouds

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It reaches the earth and winds all around

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And then it breaks up in millions of ways

:54:06.:54:10.

In your homes it becomes advertisements

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And in the streets it becomes the children singing.

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This town ain't big enough for the both of us

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Increasing heart beat You are a khaki-coloured bombadier

:57:14.:57:34.

This town ain't big enough for the both of us

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Daily except for Sunday, you dawdle into the cafe

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They need their protein just like you do.

:57:47.:57:57.

This town ain't big enough for the both of us

:57:58.:58:43.

This town ain't big enough for the both of us

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There'll be more girls who live in town

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This town ain't big enough for the both of us

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# It's at night when they come When I'm alone, and not with anyone.

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# Through the shouts and music of the crowd down the road boozing.

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# The bins and the alleyway of the Chinese restaurant.

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# Number 3 for 2, and number 4 for 1.

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# While the abled bodied vultures monitor and pick at us.

:00:40.:00:46.

# We're going down and it's no stress I lay and hope

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# While the abled bodied vultures monitor and pick at us?.

:00:50.:00:59.

# We're going down and it's no stress.

:01:00.:01:01.

# I think about the E As it lowers it's self on me.

:01:02.:01:23.

# When the light in my phone starts to lose power.

:01:24.:01:30.

# Through the karaoke it screams it's name

:01:31.:01:35.

# We are the Baldrick's son, and Blackadders.

:01:36.:01:44.

# While the able bodied vultures monitor and pick at us.

:01:45.:01:53.

# We're going down and it's no stress I lay and hope

:01:54.:01:55.

# While the able bodied vultures monitor and pick at us.

:01:56.:02:04.

# We're going down and it's no stress.

:02:05.:02:06.

# (Ooh) Well, laying on a boat, well, what do you do?

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# (But ooh) Laying on a boat, mate, look at you.

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# (Ooh) Well, laying on a boat well what do you do.

:02:22.:02:28.

# (But ooh) Laying on a boat mate look at you.

:02:29.:02:33.

# While the able-bodied vultures monitor and pick at us.

:02:34.:02:53.

# We're going down and it's no stress I lay and hope

:02:54.:02:57.

# While the abled bodied vultures monitor and pick at us.

:02:58.:03:07.

# We're going down and it's no stress.

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CHEERING So, now we are going to jump, OK?

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We have to jump to say goodbye. And we are going to jump together

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tonight, yeah? Because there is music, music is the soul of the

:03:53.:03:54.

life, yeah. I want to hear you! Let's do it

:03:55.:07:45.

together. Everybody! Everybody! Everybody! Let me hear you, let me

:07:46.:07:50.

hear you. Are you ready? # You're what I want

:07:51.:08:20.

# You're what I need # Give me your love

:08:21.:14:41.

# Make me a freak # Connect me to the other side

:14:42.:14:44.

I can't wait anymore # Your strange music

:14:45.:16:00.

# Like lucid dreams # I can't wait,

:16:01.:16:07.

I can't wait, I can't wait, Dial up my number now

:16:08.:16:43.

Weaving it through the wire Switch me on, turn me up

:16:44.:18:46.

Don't want it baudelaire Thank you. Thank you. How are you

:18:47.:18:53.

doing? Wonderful electric

:18:54.:24:39.

I'm dressed in white noise, you know just what I want

:24:40.:25:25.

Animals - must we really stop eating them now

:25:26.:28:31.

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