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The latest headlines: Members of the Shia minority in Pakistan have | :00:04. | :00:08. | |
taken to the streets in protest after increasing attacks from Sunni | :00:08. | :00:18. | |
:00:18. | :00:18. | ||
Muslims. The government has sacked an official who was there on | :00:18. | :00:24. | |
Thursday when 90 people were killed and bombings. France has wind this | :00:24. | :00:29. | |
campaign against Islamist militants in Mali. On -- widened its campaign. | :00:29. | :00:36. | |
A good night for Les Miserables in Hollywood. It won best film in the | :00:36. | :00:43. | |
music and comedy category in the Golden Globes. Other winners | :00:43. | :00:48. | |
included Ben Affleck for best director and Daniel Day Lewis tick | :00:49. | :00:58. | |
:00:59. | :01:08. | ||
Now it is time for HARDtalk. My guest today is an actor whose | :01:08. | :01:14. | |
life has been flavoured with a twist of melodrama. Rupert | :01:14. | :01:20. | |
Everett's career has been marred by vivid highs and extreme lows. The | :01:20. | :01:25. | |
same could be said of a personal life which at times featured | :01:25. | :01:29. | |
copious amounts of sex, drugs and alcohol. He had Hollywood success | :01:29. | :01:34. | |
but it was fleeting. He says the movie business remains biased | :01:34. | :01:39. | |
against gay actors. He has won a new audience as a writer and is | :01:39. | :01:49. | |
:01:49. | :02:14. | ||
Rupert Everett, welcome to HARDtalk. Thatcher very much. Let's begin | :02:14. | :02:19. | |
with that thought about wildness and use. When you look back today | :02:19. | :02:25. | |
at the young Rupert Everett, do you feel that you are the same person? | :02:25. | :02:32. | |
Are being middle age now, one area of my life I cannot understand is | :02:32. | :02:38. | |
my twenties. I think though wildness was to do with things that | :02:38. | :02:47. | |
happened. AIDS had started when I was about 21, 22. I had had a very | :02:47. | :02:52. | |
faded sex-life from the age of 16 until when it happened. You were | :02:52. | :02:59. | |
very promiscuous. Mike career and the arrival of AIDS happened almost | :02:59. | :03:04. | |
on the same day. When I look back on my twenties, most of it was | :03:04. | :03:10. | |
lived with a real sense of terror. I think one of the things people | :03:10. | :03:14. | |
forget about AIDS now, since it has become treatable, or manageable, | :03:14. | :03:20. | |
let's say, is that when it first happened, there were people with it | :03:20. | :03:26. | |
on the streets and it was a most terrible, ravaging disease. | :03:26. | :03:31. | |
there ever a point when you thought you had contracted it? I was | :03:31. | :03:37. | |
certain that I had. I could not imagine how would not have. I | :03:37. | :03:42. | |
embarked on this career on front of the camera. Every day, I would say | :03:42. | :03:47. | |
not a minute went by when some panic button was not going off. | :03:47. | :03:52. | |
Terrifying. My first film was successful and I was wondering, | :03:52. | :03:58. | |
what would happen now if I came out with it? It is a very visible | :03:58. | :04:05. | |
disease. Looking back, my whole life was collared by sheer terror. | :04:05. | :04:11. | |
Terror in faded every area of my life. They dictated how I behave at | :04:11. | :04:21. | |
:04:21. | :04:23. | ||
work. It becomes a very strange views. -- once Fiore has become | :04:23. | :04:27. | |
very strange. It was a very successful part of your career, | :04:28. | :04:33. | |
your twenties. I wonder whether part of you were seeking self | :04:33. | :04:37. | |
destruction in a way. It is a marvellous idea that people seek | :04:37. | :04:44. | |
self destruction. I never know, before Sigmund Freud, and no one | :04:44. | :04:51. | |
understood that. You do not have to be Freud to understand that. The | :04:51. | :04:55. | |
nature of your sexual activity, forgive me, at least for a while, | :04:55. | :05:01. | |
you would a male prostitutes. That is the most risky off behaviour. | :05:01. | :05:06. | |
You spoke about the drugs, the alcohol, going on stage, as you put | :05:06. | :05:11. | |
it, plastered. This behaviour suggests that you knew things would | :05:11. | :05:18. | |
go wrong. I am not sure. I came from a tradition of actors. | :05:18. | :05:22. | |
Character actors on the 1950s and 1960s, Richard Burton, Elizabeth | :05:23. | :05:29. | |
Taylor, everyone was plastered non- stop. Going on stage drunk at that | :05:29. | :05:34. | |
time was not that weird. It seems weird now because I but not do it | :05:34. | :05:40. | |
any more. Sex is sex, whether it is for money or not. Self- destruction, | :05:40. | :05:47. | |
I think it is too easy. I think I came from a very very solid and | :05:47. | :05:52. | |
straight and conservative background. Also, religious. I was | :05:52. | :05:58. | |
brought up in a monastery. I was indoctrinated with Catholicism. The | :05:58. | :06:04. | |
escape from it, escaping from that, it almost seemed intolerable. -- | :06:04. | :06:10. | |
impossible. The only way to deal that was to break it down. It was | :06:10. | :06:15. | |
extreme. At 16, how could you say you wanted to destroy yourself and | :06:15. | :06:19. | |
have lots of sex? I just wanted to be as different as I could from | :06:19. | :06:25. | |
Greg came from. I wanted to burn the bridges. Their stuff down. It | :06:25. | :06:30. | |
brings me to an interesting thought at the other end of your life. This | :06:30. | :06:34. | |
end of your life. In the last couple of years, you have had to | :06:34. | :06:38. | |
deal with the death of your father. You talk about your conservative | :06:38. | :06:42. | |
upbringing, your mother and father were very much Conservatives with a | :06:42. | :06:48. | |
small C. Your father went into the world of finance and you had a very | :06:49. | :06:54. | |
comfortable, conservative upbringing. It intrigues me that at | :06:54. | :07:00. | |
the end of his life... luxurious. That was about rationing. | :07:00. | :07:06. | |
It was a comfort that was built out of Peter Jones rather than Harrods. | :07:06. | :07:10. | |
What I am getting at is that you spent issued amount of time of your | :07:10. | :07:15. | |
father as he came to the end of his life. -- a huge amount. You have | :07:15. | :07:18. | |
reached a new stage in your relationship with him, before he | :07:18. | :07:23. | |
died. It surprises me because in some ways I would have thought your | :07:23. | :07:27. | |
values and those of your parents would have been so diametrically | :07:27. | :07:34. | |
opposed that that would have been difficult. The idea that I had for | :07:34. | :07:41. | |
my second book, the second chapter, it was me going to my grandmother's | :07:41. | :07:47. | |
house in Norfolk and comparing life which is spring tides. This notion, | :07:47. | :07:51. | |
I can't believe that the genes sometimes draw you back to the | :07:51. | :07:58. | |
beach are foolish. -- of your youth. Not that I would become a | :07:58. | :08:02. | |
Conservative led by Father, but, when someone dies, you'd realise | :08:02. | :08:07. | |
you have given them a hard time through their life for their values. | :08:07. | :08:11. | |
What you would think is desperately conventional. You must have shocked | :08:11. | :08:16. | |
them to their core. To their core but my father was very good about | :08:16. | :08:23. | |
it. I mentioned in the book, my father put my brother into business | :08:23. | :08:28. | |
with some colleague of his and he wrote to this colleague seeing "I | :08:28. | :08:34. | |
don't think Simon, my brother, is working hard enough. Closed was | :08:34. | :08:42. | |
This Kohli, who is a bit gay, said you're younger son is a drug addict, | :08:42. | :08:47. | |
a prostitute and a, sexual. None of my parents said anything about it. | :08:47. | :08:53. | |
When I think about that, it was very clever not to have mentioned | :08:53. | :08:58. | |
it. They must a project will vomited over the letter. Let's talk | :08:58. | :09:03. | |
about your career. Your first huge success was in another country. You | :09:03. | :09:09. | |
played a young gay man. You got huge acclaim for it. You were then | :09:09. | :09:15. | |
tipped to be one of Britain's great male stars. For quite a number of | :09:15. | :09:20. | |
years after that, it did not go that way. I start in another film | :09:20. | :09:26. | |
which was also very successful called Dans with a Stranger about a | :09:26. | :09:33. | |
woman who was hanged. In your twenties, you appeared to have | :09:33. | :09:39. | |
everything within your grasp. only that, I nearly got even more | :09:39. | :09:43. | |
everything because, of the back of that, added a phone call from Orson | :09:43. | :09:47. | |
Welles saying he wanted me to come to Hollywood to star in his new | :09:47. | :09:52. | |
film and I thought, at that point, I had taken the ladder to the top. | :09:52. | :09:57. | |
He was faultless. He did not need to be commercial. He was Orson | :09:57. | :10:02. | |
Welles. My agent rang the up and said" Rupert, the money is not | :10:02. | :10:09. | |
enough. "I went and it never happened. Talk about going from the | :10:09. | :10:14. | |
top to the bottom. Then, everything fell apart. We cannot go through | :10:14. | :10:19. | |
every bit of that fall apart but what strikes me is that when people | :10:19. | :10:23. | |
look at you now, many will associate you with another country, | :10:23. | :10:29. | |
which people don't forget, and also with Mike Catt by best Friend's | :10:29. | :10:38. | |
Wedding. You played a huge role as a gay man. You Korea may be defined | :10:38. | :10:45. | |
by playing gay men. You are a gay man. -- your career. How does that | :10:45. | :10:49. | |
connect? You might be seen as a successful gay actor playing gay | :10:49. | :10:55. | |
roles. I think no but a lot of people think yes. I don't know what | :10:56. | :11:00. | |
the answer is. One of the frustrating things about a career | :11:00. | :11:04. | |
in cinema at the moment, in the current climate, straight men did | :11:04. | :11:09. | |
every opportunity to play departs when they want and when done | :11:09. | :11:17. | |
towards doing so but it doesn't work the other way. -- when they | :11:17. | :11:27. | |
:11:27. | :11:28. | ||
want to do so. You would advise someone to come out if they are | :11:28. | :11:32. | |
being Hollywood. Is that still your advice? I am talking about | :11:32. | :11:37. | |
Hollywood and theatre. That comes into play a lot. The theatre | :11:37. | :11:42. | |
community is a fairly right wing organisation. -- theatre awning | :11:43. | :11:52. | |
:11:53. | :11:55. | ||
community. Since actors began to look at themselves, there are more | :11:55. | :11:59. | |
commercial things involved, perfumes and the like. The | :11:59. | :12:02. | |
mainstream actor has had to become straighter and straighter and | :12:02. | :12:12. | |
straighter. I look at a young American actor playing such parts, | :12:12. | :12:20. | |
and some are openly gay. You had this lifestyle which she discussed. | :12:20. | :12:24. | |
Other gay actors may not have had the same opportunities. Maybe it is | :12:24. | :12:30. | |
not being did it is the problem Bucher wild past. Who is to know? I | :12:30. | :12:37. | |
don't think so. It in the recent past, have you experienced this | :12:37. | :12:41. | |
discrimination against homosexuals in your industry? Is it changing? | :12:41. | :12:47. | |
Is it changing today? Judy in Hollywood, for example, I have not | :12:47. | :12:55. | |
been in Los Angeles for three, four, five years. Hollywood has changed | :12:55. | :13:00. | |
in every sense in the last few years. It i years. It ig. It | :13:00. | :13:04. | |
is not easy. Summoned a breakthrough, maybe many people | :13:04. | :13:11. | |
will break through. -- someone will break through. One of the things | :13:11. | :13:14. | |
you need to have a successful career as an actor is wives, | :13:14. | :13:21. | |
girlfriends, arm candy for the red carpet. It is now as important a | :13:21. | :13:26. | |
part of an actor's career as the product. The perception of a | :13:26. | :13:31. | |
person's success is as important. can tell thinking when you talk | :13:31. | :13:37. | |
about arm candy, you had that. You had a very open public relationship | :13:37. | :13:41. | |
with Madonna for a while. You walked out with horror and squired | :13:42. | :13:46. | |
her to a number of high-profile events. What was the nature of that | :13:47. | :13:52. | |
relationship? I suppose it was a mutual | :13:52. | :13:58. | |
masturbation in the way. I think it was fun for boaster was in a way. | :13:58. | :14:05. | |
We had known each other for a long time, a release in starting. I | :14:05. | :14:09. | |
adored Madonna. I still do. She definitely does not adore you any | :14:10. | :14:16. | |
more. You have written about her in somewhat challenging terms. Very | :14:16. | :14:22. | |
challenging. What I wrote about were was very loving and in defence | :14:22. | :14:27. | |
of four. You describe tier of putting herself to bed with | :14:27. | :14:32. | |
clingfilm wrapped around her, plotting her next move. When you | :14:32. | :14:37. | |
talk about the grand parties, the moments that you had, particularly | :14:37. | :14:41. | |
in the late 1990s come up and you were a big star, you were self- | :14:41. | :14:47. | |
aware enough to say that behind the veneer, everyone was desperately | :14:47. | :14:52. | |
vulnerable and you lodge itself and the toilet and snorted cocaine to | :14:52. | :15:02. | |
:15:02. | :15:03. | ||
put your face on. It was all fake, I think that the years before her | :15:03. | :15:10. | |
11th September are extraordinary to think about. It would not have been | :15:10. | :15:15. | |
there if it had not happened. It would have been more of the same. | :15:15. | :15:19. | |
Again, in your own words, you're powerful words, you talk about the | :15:19. | :15:27. | |
vulnerability that lay behind the party scene. What had happened to | :15:27. | :15:36. | |
show business since the 80s, when Reagan started to deregulate | :15:36. | :15:41. | |
everything, it happened in showbusiness as well. This meant | :15:42. | :15:48. | |
that actors who never ever promoted perfumes and skincare lines and | :15:48. | :15:55. | |
underwear were not allowed to. They started acid stripping themselves. | :15:55. | :16:03. | |
They became very red carpet for re- entered. -- asset stripping. -- a | :16:03. | :16:12. | |
re-entered. Everyone has his schedule. Everything is just a | :16:12. | :16:19. | |
piece of work. What one feels, although I was not there in the | :16:19. | :16:24. | |
last golden age of Hollywood, the 70s. Is that people were much more | :16:24. | :16:29. | |
real. People were what they were. They were not just on promotional | :16:29. | :16:35. | |
schedules. Here is what I find really intriguing about you. Even | :16:35. | :16:44. | |
when you can see through the corporate career, you have part of | :16:44. | :16:50. | |
it. You said it was orgasmic. I find we look as though I am in with | :16:50. | :17:00. | |
Richard Curtis. We knew that it was a deeply flawed business. Yes, of | :17:00. | :17:08. | |
course. We not get out of that? is a well-lit game that I enjoy. I | :17:08. | :17:18. | |
:17:18. | :17:18. | ||
actually enjoy it. It thinks you a deeply conflicted person. you admit | :17:18. | :17:28. | |
that a lot of it is, well you know the word I am thinking of. A does | :17:28. | :17:33. | |
one have to be so fussy about everything? You can take an | :17:33. | :17:37. | |
attitude about so many things. It has never been a clean business, | :17:37. | :17:44. | |
showbusiness. I still think now, for example, I want to be part of | :17:45. | :17:49. | |
it. It seems, from reading a lot of things you have written, you feel | :17:49. | :17:56. | |
that you could have made a great James Bond. You could have played | :17:56. | :18:01. | |
one of the contemporary statue Grant played. I could have done. | :18:01. | :18:07. | |
Are you bitter that you did not? Not really. I have been through | :18:07. | :18:12. | |
periods of bitterness about things. It must be the same in your | :18:12. | :18:20. | |
business. It is so up and down. It is up and down for everyone. You're | :18:21. | :18:25. | |
in, you're out. You clearly want to go on it. You are having great | :18:26. | :18:35. | |
:18:36. | :18:36. | ||
success at the moment. You are having a great moment with Oscar | :18:36. | :18:42. | |
Wilde. It is interesting you have become so involved in this. You | :18:42. | :18:50. | |
have long described Oscar Wilde as a hero. Is that because of the link | :18:50. | :18:58. | |
with sexuality and him being a gay man in a climate when it is | :18:58. | :19:04. | |
extraordinarily difficult. Is that why you connect with him? He is a | :19:04. | :19:10. | |
kind of Christ figure for me. anti-union? I think he saw himself | :19:10. | :19:14. | |
as a crass figure. -- How do you mean. He saw himself as a mixture | :19:14. | :19:22. | |
of man and God, God been his genius. He was this kind of extraordinary | :19:22. | :19:32. | |
macho. -- marjoram. He is one of the great! Between the 19th century | :19:32. | :19:41. | |
and 20th century. He is funny and pathetic and moving. There is a | :19:41. | :19:47. | |
senior that sort of suggests that your sexuality has been an | :19:47. | :19:51. | |
incredibly important part of your world view. And the way in which | :19:51. | :19:58. | |
you interpret the world. You have spoken out on some issues are | :19:58. | :20:08. | |
:20:08. | :20:14. | ||
relevant to gay campaigns. On these issues you have upset the gay | :20:14. | :20:21. | |
community. That is just dealing with the press and the media. It is | :20:21. | :20:27. | |
quite difficult, sometimes. If we take them one at the time, I didn't | :20:27. | :20:31. | |
interview for the Sunday Times called relative values. -- did an | :20:31. | :20:35. | |
interview. It is meant to celebrate, in some shape and form, the | :20:35. | :20:41. | |
relationship between family members. I said that this is only me, but I | :20:41. | :20:45. | |
would not like to have two gay fathers. I could not think of | :20:45. | :20:51. | |
anything worse. Within the context of an interview that is talking | :20:51. | :20:56. | |
about, presumably, a relationship between a mother and a son. The | :20:56. | :21:06. | |
:21:06. | :21:10. | ||
same day, the Times, the media loved the same something like that. | :21:10. | :21:18. | |
They said I was very judgmental. I am not against or for anything. I | :21:18. | :21:23. | |
like being in England because it is a liberal country. I do not want to | :21:23. | :21:28. | |
get married. I do not like marriage and they do not want to have | :21:28. | :21:33. | |
children. I am not against anyone else doing it. What he seemed to | :21:33. | :21:38. | |
suggest is the way in which the gay community was aping the behaviours | :21:38. | :21:45. | |
and the institutions. I did not say that. I said I could not think of | :21:45. | :21:49. | |
anything worse than two gay fathers. But taking the broader issue about | :21:49. | :21:54. | |
which a mindset is in the state of being gay today. A will tell you | :21:54. | :22:00. | |
exactly what it is. You cannot say what the ideal parentis. Just | :22:00. | :22:07. | |
because there are a couple of University Teachers who have a job | :22:07. | :22:13. | |
you child. There is no such thing as the ideal parent. It is | :22:13. | :22:18. | |
perfectly fine to be a gay parent. But the words used in one interview, | :22:18. | :22:22. | |
you said that for me being gay was about wanting to do the opposite of | :22:22. | :22:27. | |
the straight world. That is the problem with some of the issues | :22:27. | :22:35. | |
today. Do you still feel that? loved being gay when I was young. | :22:35. | :22:40. | |
There was something kind Steyn about it. When you went to a gay | :22:40. | :22:46. | |
bar or club in the 70s, it was a completely different world. It | :22:46. | :22:51. | |
included a gay Duke talking to a milkman. There was a feeling that | :22:51. | :22:55. | |
everybody counted just for being there. There was a certain risk. | :22:55. | :23:00. | |
There was a specialist that maybe is gone. It is different. There was | :23:00. | :23:05. | |
always the risk of a raid. There is something still quite weird about | :23:05. | :23:11. | |
public displays of affection. But what happened to me very quickly | :23:11. | :23:17. | |
was that I really enjoyed that outside a nurse. -- being an | :23:17. | :23:23. | |
outsider. It is a different life I am living than other people who are | :23:24. | :23:31. | |
further down the line. I do not want to have a family. What I love | :23:31. | :23:36. | |
about being gay is not having a family. A final thought, we have | :23:36. | :23:41. | |
talked about acting and writing. You are going to direct next. | :23:41. | :23:45. | |
going to direct myself in a film I have written. Again about Oscar | :23:45. | :23:52. | |
Wilde. It is about the last four weeks of his life. As he is dine | :23:52. | :23:56. | |
with a series of flashbacks. Just a thought about directing, we have | :23:56. | :24:00. | |
talked about the wild reproach and you have talked about the change | :24:00. | :24:07. | |
and mellowing of it. Are you ready to direct other actors, to lead a | :24:07. | :24:13. | |
team in a way that a successful director has to? You can never say | :24:13. | :24:19. | |
that until it actually happens. I hope I am going to be able to do it. | :24:19. | :24:25. | |
I hope it will be a tremendous success for an utter disaster. | :24:25. | :24:32. | |
Times have -- lots of worse films than mine have been made. That is | :24:32. | :24:38. | |
not an issue. I can direct it. I can definitely do reckless one. | :24:38. | :24:48. | |
:24:48. | :25:10. | ||
hope we give you back when you have Temperatures have been taking a dip | :25:10. | :25:14. | |
through the course of the weekend. As we start the new working week, | :25:14. | :25:18. | |
things are looking pretty wintry. There are warnings in force from | :25:18. | :25:22. | |
the Met Office for ice and snow. And amber warning for snow across | :25:22. | :25:28. | |
parts of eastern England. It could be quite disruptive. We have seen | :25:28. | :25:33. | |
snow pushing across central areas overnight. That could leave some | :25:33. | :25:37. | |
icy stretches. The next area of rain and snow heads in from the | :25:37. | :25:43. | |
north-west. In the morning, we will continue to see some rain for | :25:43. | :25:52. | |
Scotland. Further showers to come. As it heads into the north of | :25:52. | :25:57. | |
England, it will be increasingly turning to snow. For Wales, mostly | :25:57. | :26:01. | |
rain on low ground. Largely dry across the Midlands and the south- | :26:01. | :26:06. | |
east. There could be slight accumulations of snow. It is going | :26:06. | :26:15. | |
to be a wet start to the day across Devon and Cornwall. Anywhere north | :26:15. | :26:23. | |
of the Midlands, quite widespread snow. Amber warning sin force. We | :26:23. | :26:29. | |
could see up to five centimetres of snow. To the south of London, | :26:29. | :26:33. | |
mainly falling as rain. For East Anglia, some further snow. A cold | :26:33. | :26:38. | |
feeling day on Monday. It will be drying up from the West. Needless | :26:38. | :26:43. | |
to say, when the icy conditions and the snow fall, we are likely to see | :26:43. | :26:47. | |
some disruption to the travel networks. BBC local radio always | :26:47. | :26:51. | |
the best place to keep in tune to the latest. Heading over Monday | :26:51. | :26:59. | |
evening, the bulk of the rain and the snow pushes off to the east. A | :26:59. | :27:06. | |
few wintry showers for Wales and the south-west of England. Another | :27:06. | :27:13. | |
cold start to the day. Sub-zero temperatures. Through the day on | :27:13. | :27:21. | |
Tuesday, again we have got warnings in force around eastern coasts. | :27:21. | :27:25. | |
Further west and north, many places looking dry, bright and still on | :27:25. | :27:32. |