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Will Brazil be engulfed by protests this weekend. Lauded as an economic | :00:13. | :00:17. | |
success with an apparently popular and long-serving left-wing | :00:17. | :00:20. | |
Government. Last night more than a million people took to the streets, | :00:20. | :00:24. | |
with bigger demonstrations promised to come, where will it end? | :00:24. | :00:29. | |
Also tonight our very own spy agency, GCHQ, is reported to be | :00:29. | :00:32. | |
secretly trawling the Internet and holding massive amounts of our | :00:32. | :00:36. | |
personal data. It is not illegal, but should it be? | :00:36. | :00:40. | |
This, playing and talking live in the studio the Bond quartet, is | :00:40. | :00:46. | |
their success down to their beauty or classical musical skills and | :00:46. | :00:56. | |
does it matter either way? Good evening, Brazil's President | :00:56. | :00:59. | |
emerged from an emergency cabinet meeting today without any message | :01:00. | :01:04. | |
or apparent plan to quell the protests that have snowballed to | :01:04. | :01:07. | |
such an extent that it was said last night more than a million | :01:07. | :01:15. | |
people were on the streets in more many cities. A rise in bus fares | :01:15. | :01:19. | |
and the hosting of World Cup and the Olympics, may not be the | :01:19. | :01:22. | |
circumstances to aggregate the state of the country, but it | :01:22. | :01:28. | |
appears to be what's happening. Now how will the Government react for | :01:28. | :01:31. | |
the protests planned for the weekend. | :01:31. | :01:35. | |
First of all, there was no apparent message from the cabinet meeting, | :01:35. | :01:39. | |
are you hearing anything now? we have been told within the last | :01:39. | :01:43. | |
couple of hours that President Dilma Rousseff is preparing to | :01:43. | :01:46. | |
address the nation. A lot of people were asking on social networks | :01:46. | :01:50. | |
today and last night at the peak of the violence where is our President. | :01:50. | :01:54. | |
It is clear she is now going to speak to the nation, perhaps as | :01:54. | :01:59. | |
soon as tonight, perhaps within the next few days. I think it will be | :01:59. | :02:05. | |
the most critical broadcast of her presidency, a million people more | :02:05. | :02:10. | |
on the streets of many Brazilian cities, a real test of the | :02:10. | :02:13. | |
Government. Talking to a presidential spokesman, there was a | :02:13. | :02:17. | |
wounded talk, they talked about the 40 million lifted out of poverty in | :02:17. | :02:20. | |
recent years, the expansion of the health and education system. They | :02:20. | :02:24. | |
say they don't disagree with the demonstrators, they want to talk to | :02:24. | :02:29. | |
them. When the protestors were originally talking about the | :02:29. | :02:32. | |
transport fares, those increases were immediately reversed. What | :02:32. | :02:35. | |
will the President have to say in this message, would she have to | :02:35. | :02:39. | |
show a change of policy, all this money going to the World Cup that | :02:39. | :02:42. | |
apparently should be going to education, the protestors say, | :02:42. | :02:46. | |
would she have to do something concrete to stop the protestors in | :02:46. | :02:49. | |
their tracks? This is part of the challenge. I'm not entirely | :02:49. | :02:53. | |
convinced the Government knows what to say. In talking to them they get | :02:53. | :02:56. | |
a sense of surprise and shock and even alarm. One of the most | :02:56. | :02:59. | |
striking images last night was of the demonstrators at the front of | :02:59. | :03:03. | |
the Foreign Ministry, this landmark building in the sent of the capital, | :03:03. | :03:09. | |
starting a fire. I think ministers were visibly shaken by that. Their | :03:09. | :03:12. | |
challenge is the fact the movement is so diverse and people are | :03:12. | :03:15. | |
raising so many concerns. They are talking about tax issues, they are | :03:15. | :03:17. | |
talking about spending on education and health. They are talk about the | :03:18. | :03:21. | |
vast cost of hosting the World Cup and the Olympics, and with so many | :03:21. | :03:25. | |
issues it is difficult to know what the President can say beyond | :03:25. | :03:29. | |
offering talks to try to understand better. They are saying to us | :03:29. | :03:31. | |
tonight part of their difficulty is that this is a moment without a | :03:32. | :03:37. | |
structure and without a clear leadership, who do we talk to. | :03:37. | :03:41. | |
What is behind these protests and is it part of a bigger global | :03:41. | :03:46. | |
phenomenon? Our Economics Editor Paul Mason reports. | :03:46. | :03:50. | |
This is what its like when a million people decide economic | :03:50. | :03:54. | |
growth is not enough. The streets of Rio last night proved that this | :03:54. | :04:04. | |
:04:04. | :04:05. | ||
has now gone way beyond a protest over bus fares. | :04:05. | :04:11. | |
There was sporadic violence. The police here use a mixture of gas, | :04:11. | :04:15. | |
stun grenades and plastic bullets. The protestors a mixture of fire | :04:15. | :04:20. | |
and moral force. And in places this week the strains on law enforcement | :04:20. | :04:29. | |
have shown. Here a riot cop refuses orders and is sent packing by his | :04:29. | :04:39. | |
commander. Everywhere the symbolism of a protest led by educated youth. | :04:39. | :04:44. | |
Irony, tolerance, the national flag and the football shirt. How did a | :04:44. | :04:49. | |
movement over bus fares escalate to this, a protest poster says it all. | :04:49. | :04:54. | |
A city of 11 million people with a distinctly minimalise underground | :04:54. | :05:00. | |
railway map. -- minimalist underground railway | :05:00. | :05:04. | |
map. This was the symbol of skewed priorities, Brazil instead had | :05:04. | :05:08. | |
spent billions of stadiums and infrastructure to host the World | :05:08. | :05:13. | |
Cup. And when people protested a familiar pattern emerged. | :05:13. | :05:17. | |
started to get bigger when we started seeing that the police were | :05:17. | :05:22. | |
really being aggressive to the protestors. Then there was this | :05:22. | :05:25. | |
feeling of solidarity like this can't be happening, we have to have | :05:25. | :05:29. | |
the freedom to express ourselves. It had been simplering for months | :05:29. | :05:33. | |
if you knew where to look -- simplering for months if you knew | :05:33. | :05:39. | |
where to look. Here a cup match amid the chaos has seen slum | :05:39. | :05:43. | |
clearance on the perimeter. Overall 170,000 people will be affected by | :05:43. | :05:48. | |
things like this. To make next year's World Cup happen the | :05:48. | :05:52. | |
Government is spending $16 billion, not far short of the country's | :05:53. | :05:56. | |
annual education budget. We are talking about a huge urban crisis | :05:56. | :06:02. | |
in every city in Brazil. The policies are made for few, there is | :06:02. | :06:10. | |
huge profit on for instance estate speculation. The World Cup issue is | :06:10. | :06:15. | |
also an urban issue. Many of the works and investments being done | :06:15. | :06:20. | |
for the World Cup are very unequal, they are, for instance, expeling | :06:20. | :06:24. | |
lots of people from their homes. There is about 170,000 people who | :06:24. | :06:28. | |
have been threatened or are under threat of losing their homes | :06:28. | :06:34. | |
because they live around the Stadio, and the big infra-- Stadio, and the | :06:34. | :06:39. | |
big infrastructure investments happening around the stadiums. | :06:39. | :06:44. | |
Brazil is among the four big countries, the BRIC, that made the | :06:44. | :06:49. | |
term "Third World" go out of fashion. Rapid growth has pulled 36 | :06:49. | :06:52. | |
million people into the middle- class. Even the technical measure | :06:52. | :07:02. | |
:07:02. | :07:02. | ||
of inequality is falling. Now inflation is rising, above 6%. If | :07:02. | :07:06. | |
the protests started on the left and the educatedout, it is now | :07:06. | :07:11. | |
drawing in the trade unions and people from the slums. Its focus | :07:11. | :07:16. | |
has turned to corruption, cronyism and the political elite, full stop. | :07:16. | :07:22. | |
The city of Sao Paulo the activists are trying to call it off. It has | :07:22. | :07:27. | |
now got completely blurred, people yesterday burned flags of all the | :07:27. | :07:33. | |
party, some of them were absolutely against any party. And that's why | :07:33. | :07:36. | |
the left-wing moreed traditional movements have decided not to | :07:36. | :07:41. | |
protest any more here in Sao Paulo. Including the free press movement | :07:41. | :07:44. | |
have said their demand was met and they are not going to protest any | :07:44. | :07:48. | |
more. But in mass revolts things will get | :07:48. | :07:52. | |
out of hand. Brazil's President, a former Marxist guerrilla has | :07:52. | :07:58. | |
promised to address the nation soon. For now she's reliant on force, | :07:58. | :08:03. | |
concessions and a U-turn by activists to make this particular | :08:03. | :08:10. | |
carnival go away. Paul is with me now. This danger | :08:10. | :08:13. | |
that without a leadership we have anarchy and without any leadership | :08:13. | :08:18. | |
you have more violence? Brazil is one of the BRIC countries, and | :08:18. | :08:22. | |
three out of the four BRIC countries have now had unrest in | :08:22. | :08:26. | |
the past 18 months, the Russian post electoral unrest, the Indian | :08:26. | :08:31. | |
unrest following the gang rape and now this. Own in Turkey two weeks | :08:31. | :08:36. | |
ago an honourary BRIC country we are seeing now the emergence across | :08:36. | :08:42. | |
the rapidly developing world of a problem of young urban educated | :08:42. | :08:45. | |
people who, wherever the initial spark is, whatever the initial | :08:45. | :08:49. | |
problem is, they come to the streets and they express a general | :08:49. | :08:52. | |
frustration with, not the economic deal they are getting, but the | :08:52. | :08:57. | |
political, the freedom, the ability to express, all these minutor | :08:57. | :09:02. | |
demands, relatively minor. It is a left-wing Government? It is | :09:02. | :09:05. | |
democratically elected and loft wing. Its priority for ten years | :09:05. | :09:08. | |
and more, even before power, has been to develop Brazil for the poor. | :09:08. | :09:13. | |
These are the people who some of them used to be the poor, but they | :09:13. | :09:18. | |
are the Facebookers, and people I'm interacting with on Twitter right | :09:18. | :09:22. | |
now are there, their perspective on that is they want a modern country | :09:22. | :09:26. | |
where they can affect things. was said within the last hour that | :09:26. | :09:29. | |
it was announced that President Rousseff is going to address the | :09:29. | :09:33. | |
nation as early as tomorrow. Is there anything she can actually say | :09:33. | :09:37. | |
do you think that will break this down? The workers party, the PT, | :09:37. | :09:40. | |
the ruling party has a massive machine. It has the kind of machine | :09:40. | :09:45. | |
that, in fact, the ruler of Turkey had and on this occasion it is kind | :09:45. | :09:49. | |
of embedded among the masses. Some of whom will be protesting. It can | :09:49. | :09:53. | |
help deflate this. But what it needs to do is to be able to find | :09:53. | :09:56. | |
leaders to talk to, find out what their demands are. We are pretty | :09:56. | :10:00. | |
clear what they are, and then do things. And that's a challenge if | :10:00. | :10:05. | |
you have never faced this kind of protest before. Thank you very much | :10:05. | :10:10. | |
indeed. I'm joined by the Brazilian ambassador to the UK. It is a | :10:10. | :10:15. | |
pretty sorry scene to see stun guns and teargas and so forth out there | :10:15. | :10:18. | |
on the streets. When these are essentially people that have | :10:18. | :10:22. | |
supported this Government? It is quite true, of course when you have | :10:22. | :10:26. | |
one million people mass mobility, it creates different types of | :10:26. | :10:29. | |
volatility. You don't have control of the streets? It is difficult, | :10:29. | :10:32. | |
but of course we have the police there to protect the protestors | :10:32. | :10:37. | |
themselves and protect property, because looters infiltrate and they | :10:37. | :10:41. | |
create havoc. But we see what happened, we were just talking | :10:41. | :10:46. | |
about it in Turkey. When the educated young middle-class | :10:46. | :10:49. | |
disaffected are outen on the streets, they are hard to shift -- | :10:49. | :10:53. | |
out on the streets, they are hard to shift? Brazil is a little | :10:53. | :10:57. | |
different to the scenario. We have a thorough democratic process, the | :10:57. | :11:03. | |
full participation of everybody. The movement shows some people feel | :11:03. | :11:07. | |
not adequately represented. We have had a news flash that the President | :11:07. | :11:13. | |
will speak in two hours time, 1.00am our time. It shows the | :11:13. | :11:19. | |
urgency she is addressing, we know the road to the Sao Paulo Airport | :11:19. | :11:24. | |
is shut and protests are planned. Will she announce a change of | :11:24. | :11:28. | |
policy? She will announce what she already annuciated. She hears and | :11:28. | :11:32. | |
wants to be able to perceive the message and to see what can be done. | :11:32. | :11:38. | |
If you have $16 million spent on the World Cup and people protesting | :11:38. | :11:41. | |
that really is the equivalent of what is spent on education and what | :11:41. | :11:45. | |
is spent on education is falling far short. What does she do, does | :11:45. | :11:49. | |
she announce a big financial project? I think there is a | :11:49. | :11:52. | |
volatility, there is a difusion in the message. You have to understand | :11:52. | :11:58. | |
when the World Cup was announced to Brazil it was global jubilation, | :11:58. | :12:01. | |
among all the people. The same thing with the Olympic Games. There | :12:01. | :12:07. | |
is a volatility in this issue. Of course hosting the World Cup brings | :12:07. | :12:11. | |
enormous possibilities as well. When you have something as iconic, | :12:11. | :12:17. | |
for example in Turkey and Taksim Square, as initially a garden | :12:17. | :12:21. | |
project, when you have favelas removed for the World Cup, it is | :12:21. | :12:25. | |
those things that spark bigger things? You would if you had | :12:25. | :12:29. | |
favelas being moved, that is not the case. We had stadia being built | :12:29. | :12:34. | |
which got significant investments. We have significant improvement in | :12:35. | :12:37. | |
transportation which is very beneficial to the population in | :12:37. | :12:41. | |
general. So a number of investments were required any way. At the | :12:41. | :12:44. | |
moment though the Confederation Cup is going on, which is the precursor | :12:44. | :12:51. | |
to the World Cup, do you think you will get to the World Cup, will it | :12:51. | :12:55. | |
still be held in Brazil? I have no doubt whatsoever. Amongst one | :12:55. | :12:59. | |
million protestors the games of the Confederation Cup were held and | :12:59. | :13:03. | |
very well without any individual with issues in the games themselves. | :13:03. | :13:06. | |
If this was to happen next year, with the influx of people coming to | :13:07. | :13:12. | |
the World Cup, that would be disastrous for BR sill, you have to | :13:12. | :13:16. | |
get it sorted out -- Brazil, you have to get it sorted out? We don't | :13:16. | :13:20. | |
want to control people, but we have a responsibility to incorporate | :13:20. | :13:23. | |
them into the democratic process. That is what we want to do. You say | :13:23. | :13:27. | |
you can't control people, when the images are flashed around on social | :13:27. | :13:30. | |
media are of police controlling for their own safety, but coming up | :13:30. | :13:33. | |
against rioters, for whatever reason, that does not look like a | :13:33. | :13:41. | |
Government in control? Well as I said, the mobility and mass | :13:41. | :13:44. | |
mobilisation generates their own volatility of that nature, this | :13:44. | :13:48. | |
happens everywhere. It is important to avoid that these mass | :13:48. | :13:53. | |
demonstrations don't form into looting and damaging Government or | :13:53. | :13:58. | |
private property. What Paul has said and what is true, you pooled | :13:58. | :14:03. | |
$36 million into the middle -- you pould36 million people into the | :14:03. | :14:07. | |
middle-class, but people see high taxes and corruption in the | :14:07. | :14:10. | |
Government and appalling transport system. A lot of people don't feel | :14:10. | :14:15. | |
they are getting the share of the action they should get for being a | :14:15. | :14:19. | |
BRIC country? Brazil is a big and developing country with many | :14:19. | :14:23. | |
challenges. It is an ar aic country in many dimensions but very modern | :14:23. | :14:28. | |
in other dimensions. What we are witnessing here is besides the | :14:28. | :14:31. | |
traditional problems which are the central problems, incorporating | :14:31. | :14:34. | |
everybody into full citizenship. We have more than problems that you | :14:34. | :14:37. | |
witness everywhere, including here in Europe where you see people who | :14:37. | :14:41. | |
don't feel represented, they chose to have different types of | :14:41. | :14:44. | |
representation in different relations throughout the continent. | :14:44. | :14:48. | |
In Brazil obviously this is happening as well. But this is a | :14:48. | :14:53. | |
different characteristic of problems. It would be ironic for | :14:53. | :14:57. | |
President Rousseff, who herself used to be a guerrilla, if there | :14:57. | :15:01. | |
ended up being revolution in Brazil? I don't see it that way. | :15:01. | :15:04. | |
First of all revolution is not really the process in Brazil. We | :15:04. | :15:10. | |
are a very tolerant country and a co-operative country and diverse | :15:10. | :15:13. | |
country and we pride ourselves on that. You used to have military | :15:13. | :15:16. | |
coup, have you gone beyond that? Very much so, I think we have | :15:16. | :15:19. | |
established two or three things that have been fundamental, the | :15:19. | :15:23. | |
democratic process, a social inclusion process and an economic | :15:23. | :15:26. | |
growth process. You will be listening out for the message in | :15:26. | :15:36. | |
:15:36. | :15:42. | ||
two hours time? Certainly I will. In a moment the Bond quartet. Now | :15:42. | :15:48. | |
the UK's listening post, QCHQ can tap more global e-mails, Facebook | :15:48. | :15:51. | |
posts and internet traffic, including calls, than any other | :15:51. | :15:54. | |
surveillance agency in the world, according to documents shown to the | :15:55. | :15:58. | |
Guardian by the National Security Agency's whistleblower, Edward | :15:58. | :16:05. | |
Snowdon. This latest revelations claims GCHQ's operation, code named | :16:05. | :16:08. | |
Tempora, has been running for 18 months and the information is | :16:08. | :16:12. | |
shared with the American NSA. If so what is the information worth and | :16:12. | :16:18. | |
to whom? I'm joined by our diplomatic editor Mark Urban. Tell | :16:18. | :16:23. | |
me what is it that GCHQ has been doing? Another set of revelations | :16:23. | :16:30. | |
based on e-mails from the agency in the Guardian. E seingsly -- | :16:30. | :16:35. | |
essentially some years back a lot of traffic was from phone lines and | :16:35. | :16:40. | |
on to fibre optic, GCHQ wanted to tap into those and they hit on the | :16:40. | :16:44. | |
idea of physically tapping into the fibre optics where they enter and | :16:44. | :16:50. | |
leave the UK. We know under this operation Tempora, or Project | :16:50. | :16:55. | |
Tempora, by 2011 they were tapping in physically tapping into the | :16:55. | :17:00. | |
infrastructure more than 200 points around the UK. Now obviously | :17:00. | :17:04. | |
billions of bits of data streaming by, you can only hold it in this | :17:04. | :17:09. | |
buffer because of the quantity of data for three days with the | :17:09. | :17:13. | |
content phone call, e-mails, all the rest of it. After that it slips | :17:13. | :17:17. | |
out, the metadata, the numbers called, the e-mail address, that | :17:17. | :17:21. | |
kind of thing, stay in the system for 30 days then that goes too. | :17:21. | :17:25. | |
Even while it is being held in that system it has to be massively | :17:25. | :17:29. | |
narrowed down, there is a process of reduction based on the type of | :17:29. | :17:32. | |
files, whether they have attachments all this kind of stuff | :17:32. | :17:35. | |
designed to zero right in on 40,000 selectors programmed into the | :17:35. | :17:38. | |
system. That could be a single person's phone number or e-mail | :17:38. | :17:43. | |
address or it could be a term used in the e-mail like a name of a | :17:43. | :17:45. | |
particular chemical used in refining drugs or anything like | :17:45. | :17:51. | |
that and 31,000 of those selectors from the NSA. That is the scope of | :17:51. | :17:55. | |
the programme that the Guardian has said it has uncovered. That is the | :17:55. | :17:59. | |
scope, but how you are pricing is it? There is -- surprising is it? | :17:59. | :18:03. | |
There is always a difference between capability and performance | :18:03. | :18:08. | |
in this technical gathering programme s of intelligence. I have | :18:08. | :18:14. | |
to admit I find it moderately surprising that GCHQ was operating | :18:14. | :18:17. | |
on this scale. We have to remember these slides that Edward Snowdon | :18:17. | :18:21. | |
first brought into the public domain from the NSA, these e-mails | :18:21. | :18:25. | |
and other presentations given by GCHQ they are selling jobs. They | :18:25. | :18:28. | |
are showing off? They are institutional showing off to other | :18:28. | :18:31. | |
members of the intelligence community and Governments more | :18:31. | :18:35. | |
widely, we can do this and that for you. Hence some of the | :18:35. | :18:40. | |
misunderstandings actually early on was what Prism was, was it going to | :18:40. | :18:43. | |
the companies without them knowing. We know it wasn't now. In the UK | :18:43. | :18:49. | |
test the limbtations are still there. Of processing power, of law | :18:49. | :18:54. | |
and of storage of data that mean that although they are handling | :18:54. | :18:58. | |
this massive amount, and boasting that this is more at any one moment | :18:58. | :19:04. | |
than the NSA can handle, the actual use they can make of it is more | :19:04. | :19:08. | |
limited than the NSA with its massive resources. Where does it | :19:08. | :19:12. | |
take the debate, we are in the midst of the arguments about the | :19:12. | :19:15. | |
called snooper's charter? argument that is made in the | :19:15. | :19:19. | |
articles this evening is that the Regulation of Investigatory Powers | :19:19. | :19:23. | |
Act of 2000, the law under which it is done is out of date. Britain | :19:23. | :19:33. | |
:19:33. | :19:33. | ||
needs to move on. The secure crates have been trying to move it on to | :19:33. | :19:36. | |
things like BlackBerry message and other internet apps which they are | :19:36. | :19:40. | |
not sure they have the legal authority to do. It may be that | :19:40. | :19:43. | |
people on the other side of the argument create an opportunity for | :19:43. | :19:47. | |
them. They are so appalled by what is going on that they demand new | :19:47. | :19:51. | |
legislation that may allow the two sides to thrash it out and put this | :19:51. | :19:54. | |
on a more proper legal basis. Thank you very much. | :19:54. | :19:59. | |
Now Jenni Murray the presenter of Woman's Own, made her debut as a | :19:59. | :20:07. | |
conductor with the BBC Philharmonic, with the overture to Bizet's kaerm | :20:07. | :20:13. | |
men. She had a few hours training which hails kaerm men as a wild | :20:13. | :20:17. | |
seductress. The choice of music might be more than opt. In an | :20:18. | :20:22. | |
article penned for the Times she implied that women in classical | :20:22. | :20:25. | |
music still have a tough time making it big, but using your looks | :20:25. | :20:35. | |
:20:35. | :20:37. | ||
goes a long way to help. They are the hard working artists bringing | :20:37. | :20:41. | |
classical music to the masses. According to Jenni Murray to have | :20:41. | :20:48. | |
to look right to play the part. She said despite the world of classical | :20:48. | :20:53. | |
music becoming more female-friendly, the women seemed to be most welcome | :20:53. | :20:59. | |
are the ones that go along with the idea that sex sells. She picked out | :20:59. | :21:03. | |
the award winning Scottish violinist Nicola Benedetti being | :21:03. | :21:10. | |
marketed in that way. As well as the trumpeter Alison Balsom. With | :21:10. | :21:19. | |
me now are Tania, Elsbeth and Gaie from the group Bond. | :21:19. | :21:24. | |
It seems Michael White that the argument that some seem to be | :21:24. | :21:28. | |
eVinceing that by laweding these type of artist who are attractive | :21:28. | :21:32. | |
and so forth and make popular classical music, in some way this | :21:32. | :21:42. | |
:21:42. | :21:43. | ||
is a dumbing down? And it is, I can understand why it happens. One | :21:43. | :21:50. | |
thing that is the question on classical people at the moment is | :21:50. | :21:55. | |
how do replace the ageing audience. One is investing in glamour | :21:55. | :21:58. | |
palmaging, to some extent that works, but you have to be careful | :21:58. | :22:02. | |
that you are not compromising what you are selling and you have to be | :22:02. | :22:05. | |
careful you are not selling a lie. The lie can be that the pretty | :22:05. | :22:09. | |
person is not the best person. can be the line because in the face | :22:09. | :22:13. | |
of Bond all these women here are classically trained. Are you saying | :22:13. | :22:18. | |
the kind of music they are playing sells them short? Bond are with | :22:18. | :22:21. | |
what they are. I'm sure they are very successful at what they do. | :22:21. | :22:27. | |
They are not my cup of tea but it is not the end of the world. That | :22:27. | :22:33. | |
happens. I don't really want to criticise Bond for what they are. | :22:34. | :22:39. | |
What you are essentially saying and it is, what you are essentially | :22:39. | :22:43. | |
saying is if you are to all intents of what is regarded as being | :22:43. | :22:47. | |
attractive, in a way that is a problem because it detracts from | :22:47. | :22:51. | |
what you are doing? I think it can misdirect the public. If the public | :22:51. | :22:56. | |
are encouraged to think that the pretty artist is the great artist | :22:56. | :23:01. | |
then what happens to the artist who is short and fat and pimplely and | :23:01. | :23:05. | |
unattractive. Sometimes it is the short fat artist who is the great | :23:05. | :23:08. | |
artist. Sometimes it is the attractive artist. Let's just come | :23:08. | :23:12. | |
back on this you two? Basically I think it is very unfair that the | :23:13. | :23:17. | |
two artists who she has attacked they are fantastic musicians. | :23:17. | :23:20. | |
Nicola Benedetti and Alison Balsom. They are classical performers. We | :23:20. | :23:25. | |
are actually a crossover group we compose our own music we don't call | :23:25. | :23:28. | |
ourselves classical, we see ourselves as another category. To | :23:28. | :23:32. | |
pick on these two who just happen to be attractive women is sexist in | :23:32. | :23:38. | |
a way itself. Do you think, are you concerned that what people say | :23:38. | :23:42. | |
about you being glamorous detracts from your music or have you made a | :23:42. | :23:46. | |
calculation that you just go for it any way? Right from the beginning | :23:46. | :23:50. | |
when we started we wanted to do something different with Bond we | :23:50. | :23:53. | |
formed to do something more of a pop presentation. We just wanted to | :23:53. | :23:57. | |
dress in way that made us feel confident on stage. You say you are | :23:57. | :24:02. | |
a crossover group. Are you concerned in a way that you are not | :24:02. | :24:06. | |
playing what some people regard as challenging music? No, we compose | :24:06. | :24:13. | |
and arrange and produce our music, we are classically trained | :24:13. | :24:18. | |
performers. 15 years we have been working towards this? I'm sure they | :24:18. | :24:21. | |
are great at what they do. But beauty is not the issue it is how | :24:21. | :24:25. | |
you sound that is the issue. That is the basis on which you should be | :24:25. | :24:29. | |
judged. Exactly, when Jenni Murray talks about Nicola Benedetti who an | :24:29. | :24:33. | |
artist who has strived since a child, nobody practices more than | :24:33. | :24:37. | |
Nicola and she is incredibly talented, is that fair or not? | :24:37. | :24:40. | |
of the other points that Jenni Murray was making is there is too | :24:40. | :24:44. | |
much pressure on people to look good. I don't agree with that the | :24:44. | :24:47. | |
most famous classical musicians in the world are not the most | :24:47. | :24:50. | |
beautiful but they still sell out Opera Houses and concerts and they | :24:50. | :24:56. | |
have a market. The thing about the older audience, people tend to get | :24:56. | :25:00. | |
into classical audience as they get older, I appreciate it more than as | :25:00. | :25:04. | |
a teenager, it is not a declining market, everybody is getting old we | :25:04. | :25:09. | |
will get to the concert hall at some point I feel. I'm not glins | :25:09. | :25:12. | |
glamour and it is a useful marketing tool. It is a useful | :25:13. | :25:15. | |
marketing tool. You have to be aware of the consequences. Of | :25:15. | :25:19. | |
course you have to market classical music, you have to go and find an | :25:19. | :25:22. | |
audience. At the moment you have to find a younger audience. You look | :25:22. | :25:25. | |
around a concert and it is quite true there is hardly anybody under | :25:25. | :25:30. | |
40 very often, what do you do about that. Yes, glamour and packaging is | :25:30. | :25:35. | |
part of the solution. But it is a solution you have to use very, very | :25:35. | :25:39. | |
carefully. Surely an audience can tell, somebody can be you know as | :25:39. | :25:44. | |
beautiful as the Queen of Sheba, and not very good and they are not | :25:44. | :25:47. | |
going to make it, are they? audience can't always tell. There | :25:47. | :25:51. | |
is a very innocent audience out there. The audience can't tell?I | :25:51. | :25:57. | |
think that is a little bit disrespectful to an audience. Also | :25:57. | :26:00. | |
everybody has, we have had a lifetime of training and Nicola | :26:00. | :26:05. | |
Benedetti, show has studied very hard and just because she as | :26:05. | :26:08. | |
attractive she is discriminated against them. Would you say the | :26:08. | :26:15. | |
same over handsome tenors? In an ideal world on a opera stage every | :26:15. | :26:19. | |
romantic tenor would be tall and dark and handsome and every lead | :26:20. | :26:25. | |
would be handsome too, that is not the case, you cast for the voice | :26:25. | :26:30. | |
and talent. When you say you can expect audiences to know. You can't | :26:30. | :26:33. | |
very often they are seduced by marketing and it can redirect your | :26:33. | :26:38. | |
attention. I think of lots of different opera singers who are not | :26:38. | :26:42. | |
particularly handsome? When you go to a concert and opera, opera has | :26:42. | :26:45. | |
the visual but a classical concert is about the music. It could be | :26:45. | :26:48. | |
anybody on the stage, if they can't move you emotionally it doesn't | :26:48. | :26:52. | |
matter. Maybe we will see you play in jeans? We have done that before | :26:52. | :26:55. | |
many times. I think you have to go and get ready for something. Thank | :26:55. | :27:00. | |
you all very much indeed. And we have got tomorrow morning's front | :27:00. | :27:10. | |
:27:10. | :27:10. | ||
Apology for the loss of subtitles for 56 seconds | :27:10. | :28:06. | |
pages. And we have got nationwide Well we finish tonight soon but at | :28:06. | :28:10. | |
the end of the longest day of the year, with a performance by our | :28:10. | :28:15. | |
guest Bond. Here they are with a piece penned by their cellist | :28:15. | :28:25. | |
:28:25. | :28:25. | ||
Apology for the loss of subtitles for 56 seconds | :28:25. | :30:13. | |
Well this weekend is going to be cool, showery and with quite a | :30:13. | :30:17. | |
strong wind especially across many western and southern areas of the | :30:17. | :30:21. | |
UK. And the showers could be heavy as well. Possibly with hail and | :30:21. | :30:23. | |
thunder, particularly across Northern Ireland and western parts | :30:24. | :30:28. | |
of Scotland. So these two areas I think one or two downpours on the | :30:28. | :30:33. | |
cards. If you live the other side of Scotland, Aberdeenshire, Murray, | :30:33. | :30:37. | |
the weather may turn out fairly decent. Hopping across the border | :30:37. | :30:42. | |
to England it is a mish-mash, sunny spells and showers. The weather | :30:42. | :30:45. | |
could turn out to be quite good through the afternoon, but it will | :30:45. | :30:48. | |
be windy. Through the Dover strait we are talking about a gale force | :30:48. | :30:51. | |
wind. That wind will be strong across the southern coast, right | :30:51. | :30:55. | |
down to the tip of Cornwall. In some spots winds will be gusting | :30:55. | :30:59. | |
around about 40 or 50 miles an hour. If you are in the wind and rain it | :30:59. | :31:02. | |
will feel on the cool side. Very similar weather across the southern | :31:02. | :31:06. | |
coasts of Wales here around the bay as well. The weather won't change | :31:06. | :31:09. | |
an awful lot through the course of Saturday and into Sunday either. | :31:09. | :31:13. | |
Let's have a look at some other places around the world and see | :31:13. | :31:18. | |
what is going on across Europe. In Oslo temperatures of 18 degrees, | :31:18. | :31:23. | |
recently we had a heatwave here, now it is easing off but the real | :31:23. | :31:28. |