Episode 24

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0:00:02 > 0:00:07- The nation's favourite antiques experts, £200 each and one big challenge...- Testing! Testing!

0:00:07 > 0:00:13- Who can make the most money buying and selling antiques as they scour the UK.- Lord, above.

0:00:13 > 0:00:16The aim is trade up and hope each antique turns a profit.

0:00:16 > 0:00:20But it's not as easy as it sounds and there can only be one winner.

0:00:20 > 0:00:26- What a dilemma.- So will it be the highway to success or the B-road to bankruptcy?

0:00:26 > 0:00:29If I wasn't in the same car as you I'd let your tyres down.

0:00:29 > 0:00:31This is the Antiques Road Trip!

0:00:36 > 0:00:43Our two experts this week are those two stalwarts of the antiques trade, Philip Serrell and David Barby.

0:00:43 > 0:00:45Get your hand off my knee!

0:00:45 > 0:00:50Look that's what you do. When you start criticising my driving.

0:00:50 > 0:00:55- I wasn't criticising your driving. Just keep your hand off my knee. - I wouldn't want to touch it.

0:00:56 > 0:01:00Auctioneer Philip Serrell adores all periods of antiques,

0:01:00 > 0:01:05and particularly enjoys the social history aspect of his job.

0:01:05 > 0:01:09Well, you can clearly see it was a truncheon.

0:01:09 > 0:01:12- But these aren't for beating up your local antique dealer?- No.

0:01:12 > 0:01:19David Barby was a precocious talent. His interest in antiques started when he was just 12.

0:01:19 > 0:01:25Ever since then, he's used that knowledge to his pecuniary advantage.

0:01:25 > 0:01:26# Money, money, money... #

0:01:26 > 0:01:32But it's hard to believe that they've had the time to buy any antiques at all.

0:01:32 > 0:01:37What with all this mucking about. Look at them. Dear oh, dear.

0:01:39 > 0:01:42I've got a small head...

0:01:44 > 0:01:47What do I look like aye?

0:01:47 > 0:01:50- Caesar Augustus. - Thank goodness you can't see me.

0:01:50 > 0:01:52Do I look like Gladiator?

0:01:53 > 0:01:56Both experts started this week with £200.

0:01:56 > 0:01:59David surged into the lead early on.

0:01:59 > 0:02:02He did very well with his buttons and he's in the lead.

0:02:02 > 0:02:07Auctioneer One bidder on the counter at 150 and selling away.

0:02:07 > 0:02:12He starts this leg with a handsome £483.22.

0:02:15 > 0:02:21Philip also did splendidly. His £6 tyre spreader made a staggering £74 profit.

0:02:21 > 0:02:24£80, still at 80 on my right today.

0:02:24 > 0:02:27That's brilliant. Brilliant, brilliant...

0:02:27 > 0:02:33His spending money for the day is a very respectable £262.53.

0:02:33 > 0:02:36But David's still ahead by more than £200.

0:02:36 > 0:02:39And Philip's going to have to work hard to stay in the race.

0:02:42 > 0:02:47This week's road trip is a leisurely stroll from the east to the west of England

0:02:47 > 0:02:49from Lincoln to Wotton-Under-Edge.

0:02:49 > 0:02:52Today's leg kicks off in Brightlingsea

0:02:52 > 0:02:55and ends in St Ives for auction.

0:02:55 > 0:02:58Do you know what Barbs? I'm looking forward to today.

0:02:58 > 0:03:01Why's that, give me three good reasons.

0:03:01 > 0:03:05The sea. The side. That's two good reasons. I like the sea side.

0:03:05 > 0:03:07- Me too.- I'm going to get a kiss-me-quick hat.

0:03:12 > 0:03:17What is it with you guys and your matching outfits?

0:03:17 > 0:03:23Brightlingsea was renowned for its shipbuilding and fishing industries - particularly oysters.

0:03:23 > 0:03:26These days, it's better known as a popular destination for tourists.

0:03:26 > 0:03:29Just the ticket for our day-trippers.

0:03:29 > 0:03:31Lovely pair, aren't they?

0:03:33 > 0:03:37Phil's first stop is Cellar Antiques And Clocks.

0:03:37 > 0:03:43Right, man on a mission. I'm going to be really mean because I've got to be mean.

0:03:43 > 0:03:48I'm not even going to look at prices. I'm just bidding.

0:03:48 > 0:03:52- I like them goats. How much is your goat?- How much is it?- Yeah.

0:03:52 > 0:03:56- Can I make you a silly offer on this? - A silly offer?

0:03:56 > 0:03:59- Well, it's going to be ever so silly. - He's 170.

0:03:59 > 0:04:03I'm going to insult you. I was going to offer you like 35-40 quid.

0:04:03 > 0:04:07That's why it was silly. He's quite fun, isn't he?

0:04:07 > 0:04:12Yes, he is, but he'd also take up most of you budget, you old goat!

0:04:12 > 0:04:15I keep looking at ship's wheels everywhere I go.

0:04:15 > 0:04:17Yes, you do, you bought one in the last show.

0:04:19 > 0:04:21What's that off?

0:04:21 > 0:04:26That's off a 28-foot river cruiser. Built on the River Thames, just before the turn of the century.

0:04:26 > 0:04:30And it costs a reasonable £52 if you like that sort of thing.

0:04:30 > 0:04:35I'm not sure what you could ever do with that. I suppose you could always scrap it.

0:04:35 > 0:04:38I think what people use those for are coat hangers.

0:04:38 > 0:04:41They put a shaft in the centre

0:04:41 > 0:04:44and you can hang your coats on it.

0:04:44 > 0:04:46What a man! Is £20 any good on that?

0:04:46 > 0:04:50Yeah. I might be having that then, let's put it down there for a minute.

0:04:53 > 0:04:58As Philip haggles, David leaves Brightlingsea and heads north to Colchester.

0:04:58 > 0:05:02This beautiful 15th century timber-framed house

0:05:02 > 0:05:07was built by William Gilberd, physician to Elizabeth I.

0:05:07 > 0:05:11Today, it houses Tymperley's Clock Museum.

0:05:11 > 0:05:15It's one of the largest collections of clocks in the country,

0:05:15 > 0:05:20which were bequeathed by local businessman and philanthropist Bernard Mason.

0:05:20 > 0:05:23David's guide is Catherine Newley.

0:05:25 > 0:05:28- Hello, very pleased to meet you. - Hello, I'm Catherine.

0:05:28 > 0:05:32- Would you like to come in and see the collection?- I can't wait.

0:05:32 > 0:05:36Bernard Mason began collecting Colchester-made clocks in 1927.

0:05:36 > 0:05:41Although Colchester was not one of the biggest manufacturers of clocks,

0:05:41 > 0:05:46the collection is interesting from a social history perspective.

0:05:46 > 0:05:53It shows the evolution of clock production in the town over a period of several hundred years.

0:05:53 > 0:05:57Are these the earliest clocks in the collection?

0:05:57 > 0:06:02These are the earliest and they're lantern clocks, mainly because they look like lanterns.

0:06:02 > 0:06:05They date from the middle of the 17th century?

0:06:05 > 0:06:09Some are, some are slightly later, beginning of the 18th century.

0:06:09 > 0:06:13Lantern clocks started going out of fashion with the introduction

0:06:13 > 0:06:17of long-case clocks in the 18th century.

0:06:17 > 0:06:21So here, we've got a clock that dates from the 1730s and you can see the lacquer work on it

0:06:21 > 0:06:26but what's interesting is on the clock face we've got different cities around the world

0:06:26 > 0:06:29that were presumably part of the trade route

0:06:29 > 0:06:34so we've got, Jerusalem, Boston Newfoundland, San Salvadore, Lisbon...

0:06:34 > 0:06:39How do you tell what the time is let's say in Jerusalem? Or Boston?

0:06:39 > 0:06:45- When the hour hand points towards the city in question that means it's noon in that city.- Oh, right.

0:06:45 > 0:06:48It's very simple, isn't it?

0:06:48 > 0:06:50It's the early version of London, New York, Tokyo.

0:06:50 > 0:06:57What an advance in clock design and manufacture from lantern clocks to this.

0:07:01 > 0:07:08Ah, I was always told that that section there could be secured with a peg inside

0:07:08 > 0:07:14and that would stop the servants from taking the clock or anybody else round

0:07:14 > 0:07:21and they'd finish their labours, let say a quarter of an hour, half an hour, even an hour earlier.

0:07:21 > 0:07:24Simultaneously with the development of static, lantern

0:07:24 > 0:07:29and long-case clocks, travelling timepieces or watches developed.

0:07:29 > 0:07:32This is the inner sanctum, isn't it?

0:07:32 > 0:07:36This is a couple of the pocket watches from our collection.

0:07:36 > 0:07:43The one on the left is the 1725 one, and the one on the right is a later one, 1775.

0:07:43 > 0:07:45They're both pair cases?

0:07:45 > 0:07:50Pair case, as the name implies - two cases. The outer one was for protection.

0:07:50 > 0:07:55It's hard to believe now, but the pocket watch revolutionised the way we live.

0:07:55 > 0:08:01For the first time ever, a time-keeper was available,

0:08:01 > 0:08:03which was both accurate and portable.

0:08:03 > 0:08:06What I like about this

0:08:06 > 0:08:09is the actual movement itself...

0:08:09 > 0:08:11wonderful structure.

0:08:11 > 0:08:13Beautifully pierced.

0:08:13 > 0:08:17But time is of the essence, David, and you should start shopping.

0:08:17 > 0:08:20I've had an exciting day. Thank you very much indeed.

0:08:23 > 0:08:30Back in Brightlingsea, and still in Paul's shop, Philip spots something else to tickle his fancy.

0:08:30 > 0:08:34- Paul, can I have a look at this scribe?- Most certainly.

0:08:34 > 0:08:38A scribe scores a fixed line in the timber,

0:08:38 > 0:08:43so that you have a straight line to cut. And this one costs £15.

0:08:44 > 0:08:48What you would do is adjust this here up and down here.

0:08:48 > 0:08:51Then you would run that down the timber

0:08:51 > 0:08:54and these little nails would score the timber.

0:08:54 > 0:08:58Early tools could be hugely collectable, and sought after.

0:08:58 > 0:09:04And with the maker's stamp on there.. and it's a beautifully made thing if you look at this it's rosewood.

0:09:04 > 0:09:07I think it's a really nice thing.

0:09:07 > 0:09:10- You want the ship's wheel? - I'll give you 25 quid for the two.

0:09:10 > 0:09:15- 26.- 25, and I'll take 'em done deal and walk away.- Is it cash?

0:09:15 > 0:09:20- It'll be cash.- All right done.- I have been! Thank you ever so much.

0:09:20 > 0:09:24So that's £20 for the ship's wheel and £5 for the scribe.

0:09:24 > 0:09:29That's not dear. Well, more than nine pence.

0:09:29 > 0:09:30His sightseeing over,

0:09:30 > 0:09:34David leaves Colchester and heads towards Halstead. His next stop,

0:09:34 > 0:09:37Halstead Antiques Centre.

0:09:37 > 0:09:41Which looks to me as if it's stuffed with...stuff.

0:09:41 > 0:09:43Hello. David Barby.

0:09:43 > 0:09:46- Good to meet you. Ken Hewitt. - I'm looking for silver.

0:09:46 > 0:09:50Unusual pieces, quirky...

0:09:50 > 0:09:55And I hope that we can negotiate on price in certain things.

0:09:55 > 0:10:01Yes, David, those magic words - "negotiate" and "price" your favourites.

0:10:01 > 0:10:04Who are you up against, Philip, Philip Serrell?

0:10:04 > 0:10:07Dear Philip. Yes, nice, nice, nice guy.

0:10:09 > 0:10:13We rag each other, but we're old friends.

0:10:13 > 0:10:14Till after the show.

0:10:18 > 0:10:23David soon sniffs out a cabinet full of silver.

0:10:23 > 0:10:29The dealer who owns the items has emigrated, leaving unpaid debts.

0:10:29 > 0:10:32And Ken is able to be flexible on price.

0:10:32 > 0:10:34Now, just give me an example.

0:10:34 > 0:10:38This is priced at £125,

0:10:38 > 0:10:44- what sort of price are we looking at on that?- Everything in there I'll go half on.

0:10:44 > 0:10:47- 50%.- That really is quite encouraging.

0:10:47 > 0:10:52If you want to pick out the pieces you like, we'll put them on the desk and... Like that?

0:10:54 > 0:10:56This is a glass jar.

0:10:56 > 0:10:59I think somewhere along the line,

0:10:59 > 0:11:04it's had a new base to it because I can feel the putty inside.

0:11:04 > 0:11:06So I think that's a new base.

0:11:06 > 0:11:10So, that goes back in the cabinet!

0:11:10 > 0:11:14This is a Victorian silver sauce boat.

0:11:14 > 0:11:17It's by Charles Sunnock.

0:11:17 > 0:11:20This is London 1899.

0:11:20 > 0:11:24It started off life basically as a simple Georgian design,

0:11:24 > 0:11:29and then during the 19th century they put more embellishment in

0:11:29 > 0:11:34like all this sort of punchwork and Repousse decoration.

0:11:34 > 0:11:40But if they'd left it plain and simple, being an exact copy of the Georgian one

0:11:40 > 0:11:42it would have been worth more.

0:11:42 > 0:11:46David knows a bargain and he's not finished yet - saucy!

0:11:46 > 0:11:49A little quaich.

0:11:49 > 0:11:54A quaich is a shallow two handled drinking cup, which originated in Scotland.

0:11:54 > 0:11:56Good weight, isn't it.

0:11:56 > 0:11:57I like that.

0:11:57 > 0:11:59Right.

0:11:59 > 0:12:01Useful for the whiskey.

0:12:03 > 0:12:09- I think we may do some business on one or two pieces.- Good, excellent.

0:12:11 > 0:12:13Philip's finished in Brightlingsea,

0:12:13 > 0:12:18and heads into Halstead, where David's also been buying antiques.

0:12:18 > 0:12:23On the way, he stumbles upon Old And Modern Furniture.

0:12:23 > 0:12:27Jo, the dealer behind the counter, is a bit camera shy,

0:12:27 > 0:12:32you won't see her, but you'll certainly hear her.

0:12:32 > 0:12:37I'm going to have a good look at this pine desk.

0:12:37 > 0:12:40The top doesn't lift up at all, it's got a drawer,

0:12:40 > 0:12:42looks fairly old,

0:12:42 > 0:12:45replacement wooden handles.

0:12:45 > 0:12:47It's priced up at £65.

0:12:47 > 0:12:52What's the very best you can do on this for me?

0:12:52 > 0:12:54£65.

0:12:54 > 0:12:57She's quite elderly.

0:12:57 > 0:13:00I don't quite think she's got the hang of this business really.

0:13:00 > 0:13:03Is that it? The price is what it is, is it?

0:13:03 > 0:13:04Steady!

0:13:04 > 0:13:07I can see why she doesn't want to be on camera.

0:13:07 > 0:13:0960.

0:13:09 > 0:13:11Yeah!

0:13:11 > 0:13:13- Do you want to have another think about that?- No.

0:13:13 > 0:13:15There you go.

0:13:15 > 0:13:17Try harder! Get heavy with her!

0:13:17 > 0:13:24What of these weights? They're £20 is that all of the weights here, yeah?

0:13:24 > 0:13:26No, that's that one on it's own.

0:13:26 > 0:13:28- That one on it's own?- Yeah.- Cor!

0:13:28 > 0:13:31You'd better sit down, cos I'm going to be mean.

0:13:31 > 0:13:35I'm going to bid you a fiver for the weights.

0:13:35 > 0:13:37How much? Oh, no!

0:13:37 > 0:13:40SILENCE

0:13:40 > 0:13:42How much do you want for them?

0:13:42 > 0:13:45- 15.- Oh, come on Jo!

0:13:45 > 0:13:50Perhaps you'll have more luck with Jo's husband, Mike. Who we also don't see.

0:13:50 > 0:13:53How often do you leave her in charge of this shop?

0:13:53 > 0:13:57Oh, dear me! She's blooming like a dragon trying to deal with.

0:13:57 > 0:14:02I'm asking if you'll take a fiver for these weights. Good man.

0:14:02 > 0:14:04You've got to buy Mike a beer when you see him.

0:14:04 > 0:14:08- Have I got them?- Buy him a beer next time.- Thank you, my love.

0:14:08 > 0:14:10Hang on, off camera, this.

0:14:10 > 0:14:12< (Thank you so much, thank you. Mwah!)

0:14:12 > 0:14:15Oh, she's not so elderly.

0:14:15 > 0:14:21Moving swiftly on... Back to that half-price silverware in Halstead.

0:14:21 > 0:14:24This is quite a nice little copy

0:14:24 > 0:14:30of a Georgian helmet-shaped cream jug. If I turn it upside down,

0:14:30 > 0:14:32there's the helmet.

0:14:32 > 0:14:38With all this silver at half price, it's a snip at £62.50.

0:14:38 > 0:14:41This is quite a nice Scottish origin piece

0:14:41 > 0:14:43although it was made in Birmingham.

0:14:43 > 0:14:50it's a Scottish quaich, and it was intended for gruel, porridge, liquids...

0:14:50 > 0:14:57anything which you could sup out of a tin like this...

0:14:59 > 0:15:02So that would be £62.50.

0:15:02 > 0:15:04Finally, the sauce boat

0:15:04 > 0:15:08even at half price, it's still £122.50.

0:15:08 > 0:15:14The three items together would cost £247.50.

0:15:17 > 0:15:19I'm going to offer you £180 for the three.

0:15:21 > 0:15:23It's not enough, I'm afraid.

0:15:23 > 0:15:27£200 for the lot.

0:15:27 > 0:15:30- Can we split the difference at 190? - 200's good.- 190.

0:15:30 > 0:15:32200's good, come on.

0:15:32 > 0:15:37Would you do £190 for me, please, please?

0:15:37 > 0:15:38You're a very hard man.

0:15:38 > 0:15:42- But I like you. Go on. 190. - Thank you very much.

0:15:42 > 0:15:49So, the sauce boat cost £90, and the other two items, £50 each.

0:15:49 > 0:15:52Now, can I have your name and address in case they don't sell?

0:15:52 > 0:15:54BOTH LAUGH

0:15:54 > 0:15:56Philip Serrell.

0:15:58 > 0:16:03- Is he coming tomorrow? - You've taken all the good things. There'll be nothing left for him.

0:16:03 > 0:16:05Poor Philip...

0:16:06 > 0:16:12Their shopping for the day now over, it's time for our chaps to put their feet up.

0:16:12 > 0:16:15Let's hope they don't get too comfortable...

0:16:26 > 0:16:30It's the second leg of Philip and David's trip across Essex and Suffolk.

0:16:30 > 0:16:35And both our chaps are eager to spend, spend, spend.

0:16:35 > 0:16:38It's a pleasure to work with someone who's got so much experience.

0:16:38 > 0:16:43You mean "as old as I am" - is that what you're trying to get at?

0:16:43 > 0:16:47I don't know anyone who's been alive that long.

0:16:47 > 0:16:53So far, Philip's been cautious with his money, and has spent a mere £30 on three items.

0:16:53 > 0:16:59He's left with £232.53 to spend.

0:16:59 > 0:17:03David, on the other hand, has been a bit more extravagant.

0:17:03 > 0:17:06He spent £190 on three items of silver.

0:17:06 > 0:17:11His spending money for the day is £293.22.

0:17:15 > 0:17:18This morning, our two chaps are still in Halstead.

0:17:18 > 0:17:21It's a pretty little village in rural Essex,

0:17:21 > 0:17:26and regular competitor in annual flower shows. Blooming marvellous!

0:17:26 > 0:17:34Halstead is also where they used to film Lovejoy, so it's perfect hunting ground for our boys.

0:17:34 > 0:17:38First stop for Philip, Halstead Antiques Centre.

0:17:38 > 0:17:41That is, if David's left him anything.

0:17:45 > 0:17:50A ship's wheel! And as we know they're really rare things.

0:17:51 > 0:17:55- Can I buy three? - No, you can't, Philip!

0:17:55 > 0:18:00But Ken has something you might be interested in - a Wedgwood dinner service.

0:18:00 > 0:18:04The trouble with that is, if you're going to buy a part service.

0:18:04 > 0:18:10It's difficult for people to know what to do with it and I think that you and I are of a certain age.

0:18:10 > 0:18:12Young people don't collect things that.

0:18:12 > 0:18:17I think these things are a bit like Black Forest gateau and Berni Inns. They've had their day.

0:18:20 > 0:18:23David, however, has exhausted Halstead,

0:18:23 > 0:18:28and is on his way to the delightful village of Steeple Bumpstead.

0:18:28 > 0:18:34Well, I think I spent quite a lot of money yesterday, so I'll be a little bit careful.

0:18:34 > 0:18:38First stop, Bumpstead Antiques and Interiors.

0:18:40 > 0:18:44- Good morning to you. Graham Hessel. - Hello, Graham, pleased to meet you.

0:18:44 > 0:18:46Can I afford anything?

0:18:46 > 0:18:50It depends how hard you're going to bargain, but I'm sure we'll find something for you.

0:18:50 > 0:18:53- I hate bargaining. - Well, that's OK then.

0:18:53 > 0:18:55Lying toad! Come along then.

0:18:55 > 0:18:58In particular, I noticed the card case.

0:18:58 > 0:19:03Ivory card case, 19th century. Quite a nice one. It has a little bit of damage to it.

0:19:05 > 0:19:08If you take that off you'll see the damage.

0:19:10 > 0:19:16That has to fit exactly as pagoda roof there,

0:19:16 > 0:19:21otherwise when people put it back and they've forced it down, it doesn't fit.

0:19:23 > 0:19:26Isn't that lovely? So what's the price?

0:19:26 > 0:19:32The price would be 550, so probably a little bit higher than you've got.

0:19:32 > 0:19:36You're quite correct. It's beyond my price range.

0:19:36 > 0:19:42Back in Halstead, Philip finds something that is within his price range.

0:19:42 > 0:19:45Ken, can I have a look at this truncheon, please?

0:19:45 > 0:19:4723000 keys.

0:19:47 > 0:19:53- You're the Halstead jailer, are you, Ken? - There we go, help yourself.

0:19:53 > 0:19:56You can clearly see it's a truncheon.

0:19:56 > 0:20:00- But these aren't for beating up your local antique dealer.- No.

0:20:00 > 0:20:03These are very much ceremonial.

0:20:03 > 0:20:08A Victorian period, decorated truncheon with hand painted crown. "VR"... Victoria Regina.

0:20:08 > 0:20:12That's Queen Victoria, there's the crown.

0:20:12 > 0:20:15Ken at £65 it's just too much money for me. It's a lovely thing.

0:20:15 > 0:20:19I'd like to buy it at £30/35. If I have to go to £40, I would.

0:20:19 > 0:20:23Let me give him a call, and see what he can do.

0:20:23 > 0:20:29But there's no reply from the dealer, so Ken does the negotiating himself.

0:20:29 > 0:20:32I wanna buy it off you for £30 that's what I really want to do.

0:20:32 > 0:20:37What's he got? 65 on it, that's more than half price.

0:20:37 > 0:20:42I know. Can I do £35? 35 and I'll have it here and now.

0:20:42 > 0:20:45I'll get my money out of my pocket, if that'll tempt you.

0:20:45 > 0:20:49- If you do £40, I'll shake hands. - I'll have it. Thank you so much.

0:20:49 > 0:20:52Up the road in Bumpstead,

0:20:52 > 0:20:57David hones in on something for the suave man about town.

0:20:57 > 0:21:00It's a hat box.

0:21:00 > 0:21:08Hawkes & Co. Piccadilly, London - it's got the right address.

0:21:08 > 0:21:10There's nothing inside it.

0:21:10 > 0:21:15But what a very nice decorative item.

0:21:15 > 0:21:19And a nice price too. £225.

0:21:19 > 0:21:25It's got to be really, really, really cheap. £50.

0:21:25 > 0:21:28Time to put your negotiating hat on, David.

0:21:28 > 0:21:31What's the best you can do on that?

0:21:31 > 0:21:34What would you like to offer me?

0:21:34 > 0:21:40I don't want to be insulting, but I think it's got to be well under £100.

0:21:40 > 0:21:42The very best I can do on that...

0:21:42 > 0:21:50And it is the very, very best. £125, and you're getting it virtually at cost price.

0:21:50 > 0:21:58But even at cost price, it's still too much for David, who leaves without buying anything.

0:21:58 > 0:22:03Back at Ken's, Philip discovers the treasure trove of cut-price silver that David found earlier.

0:22:03 > 0:22:04At least what's left of it.

0:22:04 > 0:22:12That is a piece of silver, 1944, sort of, almost late Art Deco.

0:22:12 > 0:22:15This is it looks a real plain Jane,

0:22:15 > 0:22:21and it says here it's dated 1895 and it's a silver dipper,

0:22:21 > 0:22:24or a little tumbler. I quite like that.

0:22:24 > 0:22:29Hang on, isn't that the jar that David rejected?

0:22:29 > 0:22:33Out of the three, that's very decorative and I like that one.

0:22:33 > 0:22:37- What's she got on that?- £85.

0:22:37 > 0:22:41And as I said I'm keen to get something back on these to recover my cost

0:22:41 > 0:22:48so knowing that you need to make some money last and final offer I'll do that for half price.

0:22:48 > 0:22:53- That's very good is that 40 quid. - £42.50.- I don't do 50s.- £43.

0:22:53 > 0:22:58- 40 quid. I'll have them both at £40. - £40.- Good man, you've got a deal.

0:22:58 > 0:23:02Thank you very much. I'm really pleased with both of those.

0:23:02 > 0:23:04So that's £40 for the truncheon,

0:23:04 > 0:23:08and £40 for the silver jar.

0:23:08 > 0:23:11And that's a result, Philip.

0:23:11 > 0:23:14David's now finished in Steeple Bumpstead,

0:23:14 > 0:23:18and is off to the quintessentially English town of Saffron Walden.

0:23:18 > 0:23:23It's one of the best preserved examples of a medieval market town

0:23:23 > 0:23:28with every style of architecture from the 12th to the 21st century.

0:23:28 > 0:23:31Next stop, dealer Paul Lankester.

0:23:31 > 0:23:34- Good afternoon. - Very pleased to meet you.

0:23:34 > 0:23:37- And you, welcome. - I'm looking for the elusive bargain.

0:23:37 > 0:23:39Well, I almost hope you don't find it.

0:23:39 > 0:23:41That's a terrible thing to say.

0:23:41 > 0:23:46- It means I've made a mistake somewhere.- No! Not at all. There's always bargains to be had.

0:23:46 > 0:23:51David's panicking because he's only got two hours left to shop.

0:23:51 > 0:23:52I'm still looking.

0:23:52 > 0:23:57I'm still looking. Getting more and more despondent.

0:23:57 > 0:24:02But David's eagle eye soon swoops upon something glassy, but not classy.

0:24:02 > 0:24:06This is a Murano glass...

0:24:06 > 0:24:09dish, 1950s, '60s...

0:24:09 > 0:24:16Tinted glass with gold fleck inclusions and this green band

0:24:16 > 0:24:22is on the periphery of this glass which is spun by hand.

0:24:22 > 0:24:25At £12.50, that's not a bad buy.

0:24:27 > 0:24:30When you're looking at glass, you always look at the base

0:24:30 > 0:24:34see the amount of wear, because if it's an old piece

0:24:34 > 0:24:36it would have been put on a table and moved around

0:24:36 > 0:24:39so you would have scratch marks on the bottom.

0:24:39 > 0:24:43This has scratch marks that I don't think has been reproduced.

0:24:43 > 0:24:45Somehow the colour appeals.

0:24:45 > 0:24:48But can he buy at the right price?

0:24:48 > 0:24:49Panic.

0:24:49 > 0:24:53Panic. Don't panic, Mr Mainwearing!

0:24:55 > 0:24:58I'm panicking. What's the best you can do on that?.

0:24:58 > 0:25:03- Are you struggling at the moment to buy something that you need to buy. - Yes, struggling.

0:25:03 > 0:25:06If I'm very generous to you I'd let you have it for £10.

0:25:06 > 0:25:08Could you go under £10? £8?

0:25:08 > 0:25:12- £8...- £8.

0:25:12 > 0:25:16- Even I could make a profit on it for £8.- It's still here.

0:25:16 > 0:25:17But I like it.

0:25:17 > 0:25:21But you don't have things in your shop that you don't want to sell.

0:25:21 > 0:25:24I want to sell it, was rather hoping for a bit more

0:25:24 > 0:25:27than the £8 you seem to be offering me.

0:25:27 > 0:25:30£9 and we'll come to a gentleman's agreement.

0:25:30 > 0:25:34I would like that for £8.

0:25:34 > 0:25:39Against my better judgment, I will agree.

0:25:39 > 0:25:43- Thank you very much. - It's my pleasure.

0:25:44 > 0:25:50Philip is taking a break from shopping, and is off to visit Layer Marney Tower.

0:25:50 > 0:25:55At 80 feet, it's England's tallest Tudor gatehouse.

0:25:55 > 0:25:59His guide is current owner Nick Charrington.

0:25:59 > 0:26:01- Nick, how are you? - Very well, Philip.

0:26:01 > 0:26:04- Good to see you.- This is just wonderful.- It is, it's great.

0:26:04 > 0:26:09Nick's parents paid a mere £8,750 for the house.

0:26:09 > 0:26:16They bought it on a whim back in 1959, when nobody wanted to buy old properties like these.

0:26:16 > 0:26:21Although the house is open to the public for six months a year, it's still very much a family home.

0:26:23 > 0:26:25It's sort of a mad Tudor building.

0:26:25 > 0:26:30They were very competitive in those days about who could build the tallest, the biggest

0:26:30 > 0:26:33I think Henry Marney quite keen to do his stuff.

0:26:33 > 0:26:35Let's go and have a look.

0:26:35 > 0:26:40Lord Henry Marney, as Lord Privy Seal and Captain of the Bodyguard,

0:26:40 > 0:26:45was one of Henry VIII's most important and influential courtiers.

0:26:45 > 0:26:52Although the house was never completed, it still has over 100 rooms and 400 windows.

0:26:52 > 0:26:57It was built around 1518-1520 that sort of time.

0:26:57 > 0:27:00Did you two decide the dress code beforehand?

0:27:00 > 0:27:04It was a time when all the courtiers were building like crazy.

0:27:04 > 0:27:06They were encouraged by Henry VIII.

0:27:06 > 0:27:11He believed that if you were a significant person, you had to have a significant building.

0:27:11 > 0:27:13And as the king, of course he had the most of them

0:27:13 > 0:27:17and he inherited the throne and took over 24 royal palaces

0:27:17 > 0:27:20and when he died, he left 67.

0:27:20 > 0:27:24In fact, one of the very first visitors to the house

0:27:24 > 0:27:29was Henry VIII, who stayed for a couple of nights in 1522.

0:27:31 > 0:27:38So your records show that Henry VIII stopped here and the probability is that this was his room.

0:27:38 > 0:27:41Yes, either this room, or possibly the one below.

0:27:41 > 0:27:45The idea was you had the King's set of apartments.

0:27:45 > 0:27:48Then on the floor below, the Queen's set of apartments.

0:27:48 > 0:27:53A visit from the King and his wife, Catherine of Aragon, was a great honour.

0:27:53 > 0:27:59It was his way of thanking Lord Marney for a lifetime of service to the Crown.

0:27:59 > 0:28:04And the tour's not over quite yet. Next, a visit to the roof.

0:28:04 > 0:28:07This is the original staircase we're on now

0:28:07 > 0:28:11and so you've got the original oak posts and then the oak treads.

0:28:11 > 0:28:15- I love those boards there. - It's terrific. Lovely big gaps to look through.

0:28:15 > 0:28:19They're not lovely to look through. I don't have a head for heights.

0:28:21 > 0:28:26OK, we're now on the roof. We're about 70 or so feet up.

0:28:26 > 0:28:30- Sorry that was not very clever. - Thanks very much indeed.

0:28:30 > 0:28:33- DIRECTOR:- Are you all right, Phil? - Yeah, terrific(!)

0:28:33 > 0:28:40You might not want to take in the stupendous views, Philip, but we do.

0:28:40 > 0:28:46Drinking wine and eating sweetmeats on the roof was a favourite Tudor pastime.

0:28:46 > 0:28:48But it's clearly not one of Philip's.

0:28:48 > 0:28:53I'm going back down now. Thank you very much indeed.

0:28:53 > 0:28:59As Philip recovers from his dizzy spell, back in Saffron Walden, David works up a sweat -

0:28:59 > 0:29:01not a pretty sight.

0:29:14 > 0:29:16They're very butch, aren't they?

0:29:16 > 0:29:20I remember when I was in the Boys' Brigade,

0:29:20 > 0:29:23we had such equipment like this and they were heavy then,

0:29:23 > 0:29:27although I can't remember them being as heavy as they are now.

0:29:28 > 0:29:32I think these are Victorian dumbbells.

0:29:33 > 0:29:37And they're cast iron and they're £15.

0:29:37 > 0:29:41Let me have a word with Paul and I'll see if I can get them reduced.

0:29:43 > 0:29:47Ah yes, David. It wouldn't do to pay the price on the label.

0:29:47 > 0:29:50Interestingly, I was looking through a book,

0:29:50 > 0:29:53the other day, and I discovered a picture of the Boys' Brigade.

0:29:53 > 0:29:55- I was in the Boys' Brigade. - Were you?

0:29:55 > 0:29:59Boys' Brigade were exercising using these exact dumbbells.

0:29:59 > 0:30:03- Rugby Baptist Church. - Would you like to have a look? "Boys' Brigade at drill."

0:30:03 > 0:30:081890 and look they're all holding the dumbbells.

0:30:08 > 0:30:10That's not you, is it?

0:30:10 > 0:30:171890. Thank you very much(!) That is extraordinary and yes, those are the actual dumbbells.

0:30:17 > 0:30:21But at £15, they're more than David wants to pay. Let's dumb 'em down.

0:30:21 > 0:30:25- I tell you what I'll do, ten quid. - What about eight.

0:30:25 > 0:30:28- No, no...- You let me have the other one for eight.

0:30:28 > 0:30:30I know, but these, look...

0:30:30 > 0:30:37Look these are 15 and I think they're worth £10.

0:30:37 > 0:30:40I can't let them go for less than that.

0:30:41 > 0:30:45- That's your very best? - Very, very best.- OK, £10.

0:30:45 > 0:30:47That's a deal. I can't shake.

0:30:47 > 0:30:49Will you gift-wrap them for me?

0:30:49 > 0:30:52DAVID LAUGHS

0:30:52 > 0:30:54Ha ha ha, blooming ha-ha(!)

0:30:54 > 0:30:58The shops are shut, and it's time for Philip and David to reveal what they've bought.

0:30:58 > 0:31:01But what will be good enough to win at the auction?

0:31:01 > 0:31:03Let's lean over, shall we?

0:31:05 > 0:31:09- Oh, that's lovely.- Good weight.- What you me or it?

0:31:09 > 0:31:14Both of us. It's Birmingham, 1938. That was £50.

0:31:14 > 0:31:17- Oh, that's cheap, isn't it? - That's reasonable.

0:31:17 > 0:31:20Secondly, it's the ship's wheel.

0:31:20 > 0:31:25- This is rather like deja vu, but everything's reduced. - It's a bit of a recurring theme!

0:31:25 > 0:31:27Oh, I think this is better than the last one.

0:31:27 > 0:31:33Do you? Well, it's 1898, River Thames.

0:31:33 > 0:31:37- Well, I think it's fantastic. - It was £20.- This is quality.

0:31:38 > 0:31:40Oh, those are good.

0:31:40 > 0:31:42Have you got the other one?

0:31:44 > 0:31:46I quite like these dumbbells.

0:31:46 > 0:31:50I remember using similar ones when I was in Boys' Brigade.

0:31:50 > 0:31:52- £10. - Those are all right aren't they?

0:31:52 > 0:31:57- I think they're OK.- I bought this. - Ah! I know where you got that from.

0:31:57 > 0:32:01I gave him £40 and I thought I've never seen anything like that before

0:32:01 > 0:32:07and there's a reason why I've never seen anything like it. It's got all this new plaster.

0:32:07 > 0:32:11That's good value. It's worth it for the silver, isn't it?

0:32:11 > 0:32:14Now, for David's next item, the Murano dish.

0:32:14 > 0:32:19Well, I like this because of its colour. It looks to be Murano.

0:32:19 > 0:32:23I think we're looking at probably 1950s-'60s.

0:32:23 > 0:32:27This was probably one of my more expensive items actually.

0:32:27 > 0:32:29- This was a fiver was it?- Ah £8.

0:32:29 > 0:32:31Next up, the weights.

0:32:31 > 0:32:33Oooh, that is heavy, isn't it?

0:32:33 > 0:32:36Yours were a lot heavier.

0:32:36 > 0:32:39- Do you like that?- Yeah.

0:32:39 > 0:32:43- I bought them for a fiver, the lot.- That I think is worth £20 on its own.

0:32:43 > 0:32:44That is lovely I like that a lot.

0:32:44 > 0:32:49More silverware from David - his helmet-shaped jug.

0:32:49 > 0:32:51I tend to go for a lot of silver.

0:32:51 > 0:32:53That's a nice thing, isn't it?

0:32:53 > 0:32:56It's 1911,

0:32:56 > 0:33:01London hallmark. I just thought it was so, so beautiful. For £50 I couldn't resist it.

0:33:01 > 0:33:03- I just think it's a lovely thing. - I think so.

0:33:03 > 0:33:07I really like this because this is simplicity in itself.

0:33:07 > 0:33:11Rosewood. You turn it, look.

0:33:11 > 0:33:18We've got a maker's stamp just there and it's for marking timber, isn't it?

0:33:18 > 0:33:22- That is very elegant, I love that. You didn't pay a lot for that did you?- No, a fiver.

0:33:22 > 0:33:27- That is cheap for something beautiful.- It is. Let me guess. Another bit of silver.

0:33:27 > 0:33:29Yes, Philip, you're right,

0:33:29 > 0:33:34another item of silverware from Ken's cut-price cabinet in Halstead.

0:33:34 > 0:33:41- And you got there before me, correct?- Oh, dear oh, dear! Yes.

0:33:41 > 0:33:45And I don't blame you at all. What did you pay for that? A hundred and what?

0:33:45 > 0:33:51- No, no. I paid 90.- I think that's a very, very, well-made thing.

0:33:51 > 0:33:54- Would you honestly have bought that?- I would have.

0:33:54 > 0:33:58I'm awfully tempted to use the next one that I've bought.

0:33:58 > 0:34:03I just thought it was a really nice, Victorian ceremonial truncheon and I think it's a bit of fun.

0:34:03 > 0:34:06- Yes, lovely old chap. - And I think that was cheap.

0:34:06 > 0:34:08- How much?- 40 quid.

0:34:08 > 0:34:14- Oh, that is cheap.- And I think there might be £50 profit in that. - It's worn at the top there.

0:34:14 > 0:34:16It might be worn a bit more in a minute!

0:34:16 > 0:34:18I wouldn't do that to you, Barbs.

0:34:18 > 0:34:23I think your cream jug is just the best by a distance.

0:34:23 > 0:34:27- Sauce boat.- What did I say? - "Cream jug".

0:34:27 > 0:34:28See brain's going now.

0:34:28 > 0:34:32It's age, don't worry. It'll happen to me eventually.

0:34:36 > 0:34:39It's all very good humoured now.

0:34:39 > 0:34:43But what do they really think about their rival's purchases?

0:34:43 > 0:34:46His best bit's undoubtedly the silver sauce boat.

0:34:46 > 0:34:49If I'd got in the shop before him, I'd have bought it.

0:34:49 > 0:34:53I didn't like the weights. Unless somebody wants a good doorstop.

0:34:53 > 0:34:58I'm not quire sure that I can see David and dumbbells. Barby and dumbbells?

0:34:58 > 0:35:01That jar, that blue jar, which I rejected...

0:35:01 > 0:35:06There's an awful fear that it might go for about £80 and I rejected it.

0:35:06 > 0:35:14You're laughing now, David. But you won't be if Philip beats you.

0:35:14 > 0:35:18So far on this road trip, our two chaps started off in Brightlingsea,

0:35:18 > 0:35:22and haggled their way to Saffron Walden via Colchester,

0:35:22 > 0:35:25Halstead, and Steeple Bumpstead.

0:35:25 > 0:35:29Today, they're heading into the ancient town of St Ives -

0:35:29 > 0:35:31the one in Cambridgeshire, not Cornwall.

0:35:31 > 0:35:35You talk about St Ives and I'm sure most people think of Cornwall.

0:35:35 > 0:35:38I'm sure they do, I'm sure they do.

0:35:38 > 0:35:44For the past thousand years, it has been home to some of the biggest markets in the country

0:35:44 > 0:35:49held under the watchful eye of its most famous resident.

0:35:49 > 0:35:51Oliver Cromwell.

0:35:51 > 0:35:55- Are you a Roundhead or a Cavalier? - A cavalier.

0:35:55 > 0:36:00- I've always thought you took a fairly cavalier approach to things!- Haha!

0:36:00 > 0:36:04Hyperion Auctions was founded in 1995, and hold sales

0:36:04 > 0:36:08every two weeks of antiques, furniture and collectables.

0:36:08 > 0:36:13But how does auctioneer Lester Day think our chaps will do?

0:36:16 > 0:36:19Now, what about our lots? Mine in particular.

0:36:19 > 0:36:21This sauce boat,

0:36:21 > 0:36:26I would say that we're probably going to be looking at around for one £140-150 mark.

0:36:26 > 0:36:33And have you had any muscle-bound men coming into the sale room

0:36:33 > 0:36:35as I bought those dumbbells.

0:36:35 > 0:36:38We have had a lot of interest in them. Probably...

0:36:40 > 0:36:42..£10-£20.

0:36:42 > 0:36:48- I bought that lovely scribe, the woodworking tool in rosewood - It's very nice. Nice condition.

0:36:48 > 0:36:52- What do you think it'll make? - I think £20/30.

0:36:52 > 0:36:57The truncheon is fantastic. We're probably looking at around the around £100 mark.

0:36:57 > 0:36:59Encouraging words indeed!

0:36:59 > 0:37:03Especially as Philip has some catching up to do.

0:37:03 > 0:37:10He started this leg with £262.53, and spent £110 on five items.

0:37:10 > 0:37:14David, however, had £483.22 spending money,

0:37:14 > 0:37:19and spent just £208, also on five items.

0:37:21 > 0:37:26The auction is about to start and an expectant hush descends.

0:37:26 > 0:37:30First up, David's dumbbells.

0:37:30 > 0:37:34They brought back happy memories but will they pull their weight?

0:37:34 > 0:37:39A pair of cast iron Boys' Brigade dumbbells. Showing here as modelled,

0:37:39 > 0:37:43we'll leave him for a little while, might build his muscles up.

0:37:43 > 0:37:47- I have commissions in at 15. - Well done, Barbs.

0:37:47 > 0:37:51Do I see 18? 18. Do I see 20?

0:37:51 > 0:37:53At 18... GAVEL BANGS

0:37:53 > 0:37:56At last that made a profit, eight pounds.

0:37:56 > 0:37:59And that's one up for David!

0:37:59 > 0:38:01Next up, Philips wheel.

0:38:01 > 0:38:06It's the second he's bought, but will it help him to victory?

0:38:06 > 0:38:09Little bit of interest in this,

0:38:09 > 0:38:12I have 30, do I see 32?

0:38:12 > 0:38:1630, do I see 32?

0:38:16 > 0:38:19at 30 pounds. GAVEL BANGS

0:38:19 > 0:38:23Start as you mean to go on! That's a £10 profit to you.

0:38:23 > 0:38:28David paid £8 for his green glass dish.

0:38:28 > 0:38:29But what will the bidders think?

0:38:29 > 0:38:32Starting down at ten pounds. £12?

0:38:32 > 0:38:35This is David Barby looking wounded again.

0:38:35 > 0:38:37Do I see 18? 20, 22?

0:38:37 > 0:38:40Selling at 22 pounds. GAVEL BANGS

0:38:40 > 0:38:41- Well done, Barby.

0:38:41 > 0:38:46And it's a decent little profit of £14, but David is not happy.

0:38:46 > 0:38:51Barbs, you do make me laugh. You do wounded better than anybody I know.

0:38:51 > 0:38:56Now Philip's brass bell weights. He paid a fiver for them.

0:38:56 > 0:39:01I have, ten pounds bid do I see 12? I've got 12, 15,

0:39:01 > 0:39:0418, do I see 20?

0:39:04 > 0:39:06At 18 pounds. GAVEL BANGS

0:39:06 > 0:39:09Well, they certainly helped you punch above your weight.

0:39:09 > 0:39:13- I'm creeping in, Barbs, creeping in...- That's brilliant.

0:39:13 > 0:39:18At £90, the sauce boat is David's most expensive item.

0:39:18 > 0:39:21But will it make the most profit?

0:39:21 > 0:39:23We have 70 do I see 75?

0:39:23 > 0:39:2675, 80, 85?

0:39:26 > 0:39:30I've got 85, do I see 90? £85, do I see 90?

0:39:30 > 0:39:33At 85 pounds. GAVEL BANGS

0:39:33 > 0:39:38Oh, no! That's the first loss of the day of £5.

0:39:38 > 0:39:41- Oh, David...- I saw you smile.

0:39:41 > 0:39:43Not at all.

0:39:43 > 0:39:46I was so happy for you to make a profit.

0:39:46 > 0:39:47At last!

0:39:49 > 0:39:50You're such a rat.

0:39:50 > 0:39:54Next up, Philip's rosewood scribe.

0:39:54 > 0:39:56Let's hope it's not a write-off.

0:39:56 > 0:39:59I start you down at 12 pounds, do I see 15?

0:39:59 > 0:40:02Got 15, do I see 18?

0:40:02 > 0:40:04Selling at 15 pounds. GAVEL BANGS

0:40:04 > 0:40:07Philip hoped for more than a £10 profit,

0:40:07 > 0:40:10but David seems more upset than he is!

0:40:10 > 0:40:13Oh, that's disappointing. That really was disappointing...

0:40:13 > 0:40:16- You look heart-broken I must say. - Yes, I feel for you.

0:40:16 > 0:40:21NOT! Can David redeem himself with his second piece of silver,

0:40:21 > 0:40:22the George V quaich?

0:40:22 > 0:40:24Right in on commissions at 50,

0:40:24 > 0:40:27do I see 52? 50, at 52?

0:40:27 > 0:40:3155, 58? We've got 58, do I see 60?

0:40:31 > 0:40:33At 58 pounds? GAVEL BANGS

0:40:33 > 0:40:36It's made a profit, but only £8.

0:40:36 > 0:40:41Well, done, Barbs. That's put you back where you started.

0:40:41 > 0:40:43Don't rub it in, Philip...

0:40:43 > 0:40:48It's time for Philip's Victorian jar, which David saw first,

0:40:48 > 0:40:50and rejected.

0:40:50 > 0:40:5419th century, Bristol blue glass rouge or powder pot.

0:40:54 > 0:40:56That's a lot of rouge!

0:40:56 > 0:41:01I have commissions down at 30, do I see 32?

0:41:01 > 0:41:0532, 35, 38? I've got 38, do I see 40?

0:41:05 > 0:41:0840, 42, 45, 48?

0:41:08 > 0:41:11- I'm staggered. - At 48, do I see 50?

0:41:11 > 0:41:15Selling at 48 pounds. GAVEL BANGS

0:41:15 > 0:41:19It's another small profit, but a profit nonetheless.

0:41:19 > 0:41:24Next up, David's final piece of silver - his £50 cream jug.

0:41:24 > 0:41:30Silverware hasn't been selling well today can this do any better?

0:41:30 > 0:41:32I have commission bids here at 40,

0:41:32 > 0:41:3542, 45, 48, 50, 52.

0:41:35 > 0:41:39At 52 pounds? GAVEL BANGS

0:41:39 > 0:41:42And the profits just seem to be getting smaller.

0:41:42 > 0:41:46Has your Midas touch deserted you?

0:41:46 > 0:41:50The auctioneers had high hopes for Philip's ceremonial truncheon.

0:41:50 > 0:41:53But can it live up to expectations?

0:41:53 > 0:41:5750 do I see 55?, 55, 60, 65,

0:41:57 > 0:41:5970, 75, 80, 85,

0:41:59 > 0:42:0190, 95.

0:42:01 > 0:42:03Selling at £95. GAVEL BANGS

0:42:03 > 0:42:05- That was so good. - That's all right!

0:42:05 > 0:42:09You can be excited, Philip!

0:42:09 > 0:42:13You've just made a profit of £55, the biggest of the day.

0:42:13 > 0:42:16Shall I drive you down to the bridge?

0:42:16 > 0:42:19- I will drive and throw myself over!- Really, is it that bad?

0:42:19 > 0:42:21Oh, terrible.

0:42:21 > 0:42:26Cheer up, David! Philip may have won this leg's auction,

0:42:26 > 0:42:28but let's see who's in the lead.

0:42:28 > 0:42:31Philip started the day with £262.53.

0:42:31 > 0:42:35After paying auction costs and commission, he made a profit

0:42:35 > 0:42:43of £59.70 and takes £322.23 forward to tomorrow's show.

0:42:43 > 0:42:47Do I see 20, got 22.

0:42:47 > 0:42:49David did less well.

0:42:49 > 0:42:53He had £483.22 spending money.

0:42:53 > 0:42:58After commission, he made a loss of £14.42.

0:42:58 > 0:43:03He takes £468.80 forward to tomorrow's show.

0:43:03 > 0:43:07But with only one leg to go, he still has a commanding lead.

0:43:12 > 0:43:14We all right for fuel, Barbs?

0:43:14 > 0:43:17- Which one's the fuel tank? - You do worry me.

0:43:17 > 0:43:22- You never stop. Did you know you never stop talking? - Well, you can't with you.

0:43:22 > 0:43:25Even in your sleep, you never stop talking.

0:43:25 > 0:43:30On tomorrow's show, Philip picks up tips from the master in an effort to catch up,

0:43:30 > 0:43:33Is that your very, very best?

0:43:33 > 0:43:37While David's had enough of antiques buying for one day.

0:43:37 > 0:43:39I'm going to sit in the car and sulk.

0:43:53 > 0:43:56Subtitles by Red Bee Media Ltd

0:43:56 > 0:43:59E-mail us at subtitling@bbc.co.uk