0:00:02 > 0:00:05It's the nation's favourite antiques experts,
0:00:05 > 0:00:07with ?200 each... I love that!
0:00:07 > 0:00:11..a classic car, and a goal to scour Britain for antiques.
0:00:11 > 0:00:14Yippee! I've got pieces that could fly.
0:00:14 > 0:00:19The aim - to make the biggest profit at auction, but it's no mean feat.
0:00:19 > 0:00:23There'll be worthy winners and valiant losers. Hello, ladies.
0:00:23 > 0:00:28So, will it be the high road to glory or the slow road to disaster?
0:00:28 > 0:00:34But there's nobody bidding! This is the Antiques Road Trip.
0:00:34 > 0:00:35Yeah!
0:00:37 > 0:00:41Today, we're out and about with antiques supremos Mark Stacey
0:00:41 > 0:00:43and Paul Laidlaw.
0:00:43 > 0:00:46Their approach is somewhat disciplined.
0:00:46 > 0:00:49Stacey, Private Stacey! I might have to lie down.
0:00:49 > 0:00:52To the fore! Show me those antiques! Yes, sir. Stacey! Yes, sir!
0:00:52 > 0:00:55That's not an antique, boy!
0:00:55 > 0:00:58Oh, I love it when you're all commanding, Paul!
0:01:00 > 0:01:01Antiques dealer Mark Stacey
0:01:01 > 0:01:04is extremely complementary of his road trip companion.
0:01:04 > 0:01:07I wonder if that's Mr Laidlaw when he first wakes up in the morning.
0:01:08 > 0:01:10This is Paul Laidlaw.
0:01:10 > 0:01:13He's an auctioneer that drives a hard bargain.
0:01:13 > 0:01:15How low can you go?
0:01:15 > 0:01:16Much lower.
0:01:16 > 0:01:21And for a big man, he's in touch with his feminine side.
0:01:21 > 0:01:24I've got to show the pinkie. Doesn't that work?
0:01:24 > 0:01:25I'm not so sure, Paul!
0:01:25 > 0:01:31From his original ?200, Mark has made a rather slow rise upwards.
0:01:31 > 0:01:35He has ?335.06 to burn.
0:01:35 > 0:01:42But three-times-lucky Laidlaw has made an impressive wadge of cash.
0:01:42 > 0:01:48From his original ?200, he has a wondrous ?619.60 to splurge.
0:01:48 > 0:01:54Getting the boys from A to B is the Sunbeam Alpine GT.
0:01:55 > 0:01:59This seat is horizontal, I'm that laid-back today. Really?
0:01:59 > 0:02:01Paul, I know your face.
0:02:01 > 0:02:04You're lying to me. You're lying to me, Paul!
0:02:06 > 0:02:09Mark and Paul are journeying over 300 miles from Sabden
0:02:09 > 0:02:13in Lancashire, all the way south to Bridgwater in Somerset.
0:02:15 > 0:02:19First stop is the Herefordshire town of Leominster.
0:02:19 > 0:02:23And they will auction in the spa town of Cheltenham.
0:02:23 > 0:02:27The history of Leominster dates back as far as the 7th century,
0:02:27 > 0:02:31but it really boomed with the wool trade in the Middle Ages.
0:02:31 > 0:02:33Come on, let's go and have some fun. THEY LAUGH
0:02:33 > 0:02:36Muchas gracias! De nada!
0:02:36 > 0:02:38I think I'm going to go this way, Paul.
0:02:38 > 0:02:43In that case, I'm going that way. See you later. See you, then.
0:02:43 > 0:02:46To begin the day's shopping, the boys are going to scour
0:02:46 > 0:02:49the Secondhand Warehouse Antiques Centre.
0:02:50 > 0:02:51What's this?
0:02:53 > 0:02:56That's quite sweet, isn't it? Very simply made.
0:02:56 > 0:03:00Obviously, it's a representation of Christ on the cross.
0:03:00 > 0:03:04But this is a sort of rosewood here - maybe coromandel or rosewood.
0:03:04 > 0:03:09And then this is chrome. Very angular shape.
0:03:09 > 0:03:14That screams one period for me - Art Deco. 1920s, '30s.
0:03:14 > 0:03:17I think that's quite fun.
0:03:17 > 0:03:20The other fun thing about it is it's only marked up at ?15.
0:03:20 > 0:03:23You see, that's got to double its money, really.
0:03:23 > 0:03:27Chris... Sorry, I found a really silly little thing.
0:03:27 > 0:03:30That's quite all right. Well, not silly - it's just a bit of fun.
0:03:30 > 0:03:33I mean, I really like it. It's very Art Deco. It is Art Deco, yes.
0:03:33 > 0:03:37You know, with the chrome, and the rosewood. Yes.
0:03:37 > 0:03:40But I need to get it for ten quid. You need to get it for ten quid?
0:03:40 > 0:03:43Well, I'm sure we could do that. Could we do that ten quid?
0:03:43 > 0:03:46You can do that for ten quid. No problem. Oh, lovely. Look. I'll give you...
0:03:46 > 0:03:51That was easy peasy, Mark. Right, how's Paul faring?
0:03:51 > 0:03:52Right, right, right, right.
0:03:52 > 0:03:55I need to start finding things, that's what I need to be doing.
0:03:55 > 0:04:00Oh, dear! Paul doesn't seem to have had his porridge this morning.
0:04:00 > 0:04:03Mark, on the other hand, is firing on all cylinders.
0:04:03 > 0:04:07He's already moved onto his next shop just down the road
0:04:07 > 0:04:10in Leominster Antiques Centre.
0:04:10 > 0:04:13Just getting a bit hot in here again.
0:04:13 > 0:04:17It's funny, the temperature keeps changing today. I'm going to ditch my coat for a minute.
0:04:17 > 0:04:21Oh, diddums! He's such a sensitive soul.
0:04:21 > 0:04:25Oh, good Lord! There was a well-known designer in the 1930s
0:04:25 > 0:04:28called Mabel Lucie Attwell, who produced lots of prints
0:04:28 > 0:04:32and lots of printed China for Shelley and things like this.
0:04:32 > 0:04:37And I've just spotted here... three bars of soap
0:04:37 > 0:04:41with Mabel Lucie Attwell prints on them.
0:04:41 > 0:04:45Mabel Lucie Attwell was a British illustratoress and based
0:04:45 > 0:04:49her famous drawings of cute children on her daughter Peggy.
0:04:49 > 0:04:53They're unbelievable. "If you want to be loved, be loving", it said.
0:04:53 > 0:04:56Jeremy!
0:04:56 > 0:04:58Owner Jeremy responds to the yell.
0:04:58 > 0:05:01I've found something absolutely ridiculous which...
0:05:01 > 0:05:04you will think I'm barking mad. Right.
0:05:06 > 0:05:07Ah! These are my mother's.
0:05:07 > 0:05:10Never! They are.
0:05:10 > 0:05:12I mean...
0:05:12 > 0:05:15You can still smell the carbolic or something in them.
0:05:15 > 0:05:17I think they're absolutely amazing.
0:05:17 > 0:05:22"Best 'posh up' as folks all say - this may be a LUCKY day!"
0:05:22 > 0:05:24Well, hope springs eternal, Mark!
0:05:24 > 0:05:30How amazing is that! British Legion Industries. And they're five quid?
0:05:30 > 0:05:32I have to have them, Jeremy.
0:05:32 > 0:05:36I just have to have them, and do you know, I won't even ask for a discount.
0:05:36 > 0:05:41That's very kind. You could clean up, actually, couldn't you?
0:05:41 > 0:05:45Do you know, I normally do the funny lines, Jeremy. Thanks - you've stolen that.
0:05:45 > 0:05:47No, that's my job!
0:05:47 > 0:05:48With two items in the bag,
0:05:48 > 0:05:52that should hopefully stop Mark getting in a lather.
0:05:52 > 0:05:54Ha-ha!
0:05:54 > 0:05:55Back to Paul.
0:05:57 > 0:05:59He hasn't found any antiques.
0:06:01 > 0:06:04Paul's taking a breather from shopping
0:06:04 > 0:06:08and driving 30 miles away to Highley in Bridgnorth.
0:06:17 > 0:06:21Paul is stepping back in time to the world of whistles and steam.
0:06:24 > 0:06:28The Severn Valley Railway was in the transport business
0:06:28 > 0:06:32for 101 years from 1862 to 1963.
0:06:32 > 0:06:38A group of railway enthusiasts formed the Severn Valley Railway Society at Kidderminster
0:06:38 > 0:06:42in 1965 to safeguard the heritage of this once-great industry.
0:06:44 > 0:06:47Paul is meeting with visitor manager Nicky Vale.
0:06:47 > 0:06:49I've got to wave!
0:06:49 > 0:06:50HE LAUGHS
0:06:58 > 0:07:02Holy Moses, they are beasts, are they not?
0:07:02 > 0:07:05Yes, so you tend to get the real scale for size
0:07:05 > 0:07:07when you're sort of at ground level,
0:07:07 > 0:07:11because when you're on the platform, you do see them from platform level.
0:07:11 > 0:07:14You don't actually get to appreciate how big they are. Of course.
0:07:14 > 0:07:15And how many can I see here?
0:07:15 > 0:07:17Well, we've got eight locomotives here
0:07:17 > 0:07:22and we've also got the royal saloon, which I'll take you round.
0:07:22 > 0:07:24Ah! Shall we? Yes. I'm loving this!
0:07:26 > 0:07:30One of the star exhibits here is the royal saloon carriage,
0:07:30 > 0:07:34used by King George VI during the Second World War.
0:07:34 > 0:07:38This carriage enabled the King to travel to bombed areas within
0:07:38 > 0:07:42the UK and also to help raise the morale of the troops.
0:07:44 > 0:07:49Well, here you have, Paul, the King's personal bathroom. My word.
0:07:49 > 0:07:52And I'll take you through now to the King's bedroom.
0:07:55 > 0:08:00So, yes, as you can see, it was very ahead of its time with the air conditioning
0:08:00 > 0:08:03and the central heating that was in here, and you can actually
0:08:03 > 0:08:08appreciate the craftsmanship of the panelling in here as well. Indeed.
0:08:08 > 0:08:11It's very smart, isn't it? It absolutely is.
0:08:11 > 0:08:13But even by today's standards,
0:08:13 > 0:08:18there is just a touch of modernity about it. Very clean, very elegant.
0:08:18 > 0:08:21Dare I say minimal, spartan? Yes.
0:08:21 > 0:08:24Well, as I say, it was still austerity,
0:08:24 > 0:08:27so it's not... It was very much a functional saloon. Yeah.
0:08:27 > 0:08:33And what about his safety, if we're during wartime?
0:08:33 > 0:08:36What happens if the bad guys show up or whatever? Absolutely.
0:08:36 > 0:08:39Well, with that in mind, they built these effectively bombproof.
0:08:39 > 0:08:42This carriage was pretty extraordinary.
0:08:42 > 0:08:45The protection of the King was crucial, therefore
0:08:45 > 0:08:50the steel armour and plated shutters made it weigh 20 tonnes more than
0:08:50 > 0:08:52the standard carriage.
0:08:52 > 0:08:55OK, Paul. So here we have the living room,
0:08:55 > 0:08:59where many an important conversation went on with various
0:08:59 > 0:09:03heads of state and Churchill, the King, the Queen, Montgomery -
0:09:03 > 0:09:07they would have all been in here during the wartime. My word.
0:09:07 > 0:09:11So, in the middle of the war, there's business at hand,
0:09:11 > 0:09:13he's got his red telephone there.
0:09:13 > 0:09:17You know, "I need to speak to..." Sitting at his desk,
0:09:17 > 0:09:20replying to letters, making decisions,
0:09:20 > 0:09:23a wee nerve centre on the move. That's it, yes.
0:09:23 > 0:09:25It's way more than just a royal carriage.
0:09:25 > 0:09:31It's the time frame, the historical context that flavours it. Yes.
0:09:37 > 0:09:40It's time to blow the whistle, wave goodbye to Paul,
0:09:40 > 0:09:42and find that cheeky Mark Stacey.
0:09:47 > 0:09:51Mark is still in Leominster.
0:09:51 > 0:09:54He's found another shop, and it's owned by Sally.
0:09:54 > 0:09:55Feel free to have a wander.
0:09:55 > 0:09:58Lovely, I'll start at the top and work my way down. Of course.
0:09:58 > 0:10:03OK, if you need any help, give us a holler. Lovely. Mine is normally quite strong tea. OK! Any sugar?
0:10:03 > 0:10:05One sugar, please. One sugar - right.
0:10:05 > 0:10:07Get your priorities right, Mark.
0:10:07 > 0:10:09The first thing I want to do is start stripping off.
0:10:09 > 0:10:12Now, don't get excited. It's only the jacket.
0:10:12 > 0:10:17For now, but it depends how much I'll have to take off to get the right item.
0:10:17 > 0:10:22That'll be one of your famous funny lines, I suppose, Mark.
0:10:22 > 0:10:25That's quite funky, isn't it, that chair?
0:10:29 > 0:10:32It's really funky! It's very 1960s.
0:10:36 > 0:10:38Oops-a-daisy! Smarten up, Mark.
0:10:38 > 0:10:42It's obviously structurally sound, as it's taken my weight.
0:10:42 > 0:10:46I think that's rather fun. It's quite comfy, actually.
0:10:52 > 0:10:56And this sort of elastic wicker. And it all looks OK.
0:10:59 > 0:11:01No maker's name, as far as I can see.
0:11:03 > 0:11:05I think that's rather funky.
0:11:07 > 0:11:12"Bucket seat, flower-shaped," it says. ?72. I've never seen one.
0:11:14 > 0:11:17It's quite visual, though, isn't it?
0:11:17 > 0:11:21Sally? Yes, Mark. Could you pop up, dear?
0:11:21 > 0:11:23Now, listen, I love this chair.
0:11:23 > 0:11:29I don't suppose the dealer's here for that. No, but 65?
0:11:29 > 0:11:30Oh...
0:11:30 > 0:11:3272 to 65?
0:11:32 > 0:11:37That is a very fair discount if I was buying it privately.
0:11:37 > 0:11:41I've got to think about what it would make at auction, you see.
0:11:42 > 0:11:45While Mark is pondering, he spots something else.
0:11:45 > 0:11:47You've got a sundial here.
0:11:50 > 0:11:51In bronze.
0:11:51 > 0:11:55Gosh, it looks 1930s, doesn't it?
0:11:55 > 0:11:58With that sort of square sunburst-type design.
0:11:58 > 0:12:03But it's actually got some Roman numerals here.
0:12:03 > 0:12:08MCM and XX. VIII.
0:12:08 > 0:12:12No, that's much later. 1978 or something.
0:12:12 > 0:12:17Oh, someone knows their Roman numerals. 1978, it is.
0:12:17 > 0:12:20It's not bad. It's priced at ?42.
0:12:20 > 0:12:23I think sundials are quite commercial items, you know.
0:12:23 > 0:12:26And, also, I like this.
0:12:28 > 0:12:31This is a really cute little garden ornament.
0:12:31 > 0:12:34Nothing special - reconstituted concrete, really -
0:12:34 > 0:12:37but it's modelled as a SylvaC bunny rabbit.
0:12:37 > 0:12:41This bunny is in the style of SylvaC pottery bunnies,
0:12:41 > 0:12:44which were very popular in the 1930s.
0:12:44 > 0:12:46I think that's rather fun.
0:12:48 > 0:12:49Priced at 15 quid.
0:12:51 > 0:12:53That's nothing, is it, really?
0:12:53 > 0:12:58I can carry these down and show Sally and see if we can get a bit off.
0:12:59 > 0:13:01Sally has phoned the dealer who owns all the items.
0:13:01 > 0:13:06?45 is the very best for the bunny and the sundial.
0:13:06 > 0:13:11But Sally has been asked to close the deal on the capsule chair.
0:13:11 > 0:13:15I think I'll go for these two at 45 because I think they are quite nice.
0:13:15 > 0:13:17They are quite commercial.
0:13:17 > 0:13:20What do you think the lowest would be if I took the chair?
0:13:20 > 0:13:23It's marked at 72. 45. 45.
0:13:23 > 0:13:25Could we get it for 40?
0:13:27 > 0:13:31Go on, then. Are you sure? You only live once, don't you?
0:13:31 > 0:13:35Come on, have a hug. Oh, it's worth it. Thank you. You've been so kind.
0:13:37 > 0:13:38Mark might be doing rather well,
0:13:38 > 0:13:40but it's a different story for his rival,
0:13:40 > 0:13:42Paul.
0:13:42 > 0:13:44He's travelling to Evesham in Worcestershire
0:13:44 > 0:13:46and, as usual, he's in high spirits.
0:13:46 > 0:13:50It will be all right. It will be good. It will be good.
0:13:50 > 0:13:53With zero antiques in his pocket,
0:13:53 > 0:13:57Paul really needs to get into gear and start buying.
0:13:57 > 0:13:59Paul? Right. I'm Andy. Pleased to meet you, Andy.
0:13:59 > 0:14:01Are you the antiques manager? I am indeed.
0:14:08 > 0:14:11Whose is the big plaster cat?
0:14:11 > 0:14:15That is one that Michael has had here for a while now.
0:14:15 > 0:14:19Don't tell him that, Andy! Dealer Michael won't be at all pleased.
0:14:19 > 0:14:24I like that. It's plaster. And very nicely patinated.
0:14:24 > 0:14:26This is just paint,
0:14:26 > 0:14:32but they've given it an almost verdigris...green patination
0:14:32 > 0:14:40and then they have put highlights in gilding to lend the feel
0:14:40 > 0:14:47of patinated bronze rubbed at the highlights, showing the core metal.
0:14:47 > 0:14:48That's cleverly...
0:14:48 > 0:14:52It's very nicely sculpted and it's cleverly finished.
0:14:53 > 0:14:56And Paul's spotted another attractive female.
0:14:57 > 0:15:02Yes. Terracotta body. Green painted.
0:15:02 > 0:15:06Art Deco-inspired.
0:15:06 > 0:15:08Um, quite sexy.
0:15:09 > 0:15:11I think that's been overpainted. It has.
0:15:11 > 0:15:15It's been repainted, but it was green to start with.
0:15:15 > 0:15:18It was that malachite green.
0:15:20 > 0:15:24And we've got a price tag of ?88.
0:15:26 > 0:15:30And then something a bit bonkers catches his eye.
0:15:34 > 0:15:38What on earth is going on there? I'm winging it here.
0:15:38 > 0:15:45We've got a donkey with wicker panniers filled with fayre.
0:15:45 > 0:15:48Here's the key element.
0:15:48 > 0:15:53Holly and the donkey is crying out, "A merry Christmas."
0:15:53 > 0:16:00These insane barrels and bottles jumping, chasing, running.
0:16:00 > 0:16:04Utterly grotesque. What does it say on the back?
0:16:04 > 0:16:07Nothing. Is it damaged? No.
0:16:09 > 0:16:11I absolutely love that.
0:16:11 > 0:16:13Oh, Lordy!
0:16:13 > 0:16:16?55 is a lot of money for a Victorian plate.
0:16:16 > 0:16:20Make no bones about it. Is it a lot of money for this?
0:16:20 > 0:16:21Get me another one!
0:16:21 > 0:16:26Paul decides on a figure of ?120 for all three.
0:16:26 > 0:16:28The question is, will the dealer agree?
0:16:28 > 0:16:32A quick phone call later and Andy has the answer.
0:16:32 > 0:16:36You must be a very persuasive man. He's actually agreed. 120.
0:16:36 > 0:16:39It's a deal, then? He has. It's a deal. Thanks for your help.
0:16:39 > 0:16:40Good man. No problem at all. Spot on.
0:16:40 > 0:16:45Blimey! This combination buy gives Paul a total of ?243
0:16:45 > 0:16:47off the original ticket prices.
0:16:47 > 0:16:52Gee-whiz! Paul's antiques prowess reigns supreme today.
0:16:53 > 0:16:56And it doesn't take him long to find his next shop,
0:16:56 > 0:16:59where Judith is holding the fort for the owner.
0:16:59 > 0:17:04Hello there. How are you doing? Fine, thank you. And you? Very well, thanks.
0:17:07 > 0:17:15I see here what appears to be a 19th-century ladies' fan.
0:17:16 > 0:17:17In painted silk.
0:17:17 > 0:17:22The problem is, it's priced up, as far as I can see, at ?85.
0:17:22 > 0:17:26The origins of the decorative fan vary.
0:17:26 > 0:17:29The most interesting being inspired by a bat's wing
0:17:29 > 0:17:33spread across a lantern from 7th-century Japan.
0:17:33 > 0:17:37No breaks to the sticks. Structurally good.
0:17:40 > 0:17:43I don't think there's much to worry about there.
0:17:43 > 0:17:47Judith makes a quick call to the owner to get the very best price.
0:17:47 > 0:17:52Mrs Laporta has agreed ?30 is the bottom price. ?30.
0:17:52 > 0:17:57I'll take a punt at that. Excellent. Thanks very much. Thank you. I'll give you some money.
0:17:57 > 0:17:58I think he's back on a roll.
0:17:58 > 0:18:03That makes a nice four lots for Paul's bag of antiques goodies.
0:18:05 > 0:18:07And with Paul still in shopping mode,
0:18:07 > 0:18:12he's travelling 12 miles away to Dodwell in Stratford-upon-Avon.
0:18:12 > 0:18:17Stratford Antiques and Interiors have been established for over 12 years.
0:18:17 > 0:18:19Can Paul find his fifth lot in here?
0:18:22 > 0:18:26And very quickly, he bumps into David, one of the owners.
0:18:26 > 0:18:30He has a fancy little Art-Deco number that might just tempt him.
0:18:32 > 0:18:35Thank you. Oh, yeah, yeah, yeah, yeah.
0:18:35 > 0:18:40These are rather nice. Almost butterfly-like.
0:18:40 > 0:18:46It's got to be French, hasn't it? I think so, yes. Gallia metal.
0:18:46 > 0:18:50And the cockerel. All the clues and indicators are there.
0:18:50 > 0:18:52Sweet.
0:18:52 > 0:18:55It's purely a decorative object, but it should be something
0:18:55 > 0:18:58that you could at least envisage using on occasion.
0:19:00 > 0:19:03How ambitious are you on price, though? Is this an expensive object?
0:19:03 > 0:19:08It has 175 on it. But we can negotiate.
0:19:08 > 0:19:11Can we come to an arrangement? Yeah.
0:19:11 > 0:19:15Give me an option on that at 50 quid on the way out of the door. OK.
0:19:15 > 0:19:17Good man. Thank you very much.
0:19:19 > 0:19:23I suppose that means you bought it, then. Well done, Paul.
0:19:23 > 0:19:26With all the shopping completed, let's just have a quick look back
0:19:26 > 0:19:28at everything our experts have bought.
0:19:28 > 0:19:32Mark Stacey started out with ?335.06
0:19:32 > 0:19:37and has spent ?100 on five lots - the Art-Deco wooden plaque,
0:19:37 > 0:19:41the Mabel Lucie Attwell soaps, the retro capsule chair,
0:19:41 > 0:19:44the bronze sundial and the concrete bunny.
0:19:44 > 0:19:49Paul Laidlaw, on the other hand, started out with ?619.60
0:19:49 > 0:19:51and has spent ?200, also on five lots.
0:19:51 > 0:19:55He bought the plaster statue of the roaring lioness,
0:19:55 > 0:19:57the donkey platter, a silk fan,
0:19:57 > 0:20:03the Art-Deco liqueur set and the Art-Deco dancing figurine.
0:20:03 > 0:20:07All very well, though, but what do they make of each other's buys?
0:20:07 > 0:20:10Totally at ease with this. I mean, he's going to win.
0:20:10 > 0:20:13Well done.
0:20:13 > 0:20:14The concrete rabbit.
0:20:15 > 0:20:18I'm sorry, what?! The Antiques Road Trip!
0:20:18 > 0:20:23This isn't the I Was Drunk And I Stole A Piece From Somebody's Garden For A Laugh Trip!
0:20:26 > 0:20:28It's been an ambitious fourth leg,
0:20:28 > 0:20:31with the boys battling it out from Leominster,
0:20:31 > 0:20:34via Highley, Evesham, Dodwell
0:20:34 > 0:20:37and, finally, full steam ahead to the spa town of Cheltenham.
0:20:39 > 0:20:42Cheltenham is the birthplace of former Olympic ski jumper
0:20:42 > 0:20:45Eddie "The Eagle" Edwards.
0:20:45 > 0:20:47And, as our experts arrive in town,
0:20:47 > 0:20:52it's time to find out who will be crowned champion of today's auction.
0:20:54 > 0:20:59The Cotswold Auction Company dates back to the late 1800s.
0:20:59 > 0:21:03Settle down, everyone! Auctioneer Lindsey Braune is about to begin.
0:21:03 > 0:21:05The internet's watching us, remember.
0:21:05 > 0:21:10This is always a good thing. There's always somebody watching us, Paul.
0:21:11 > 0:21:15Right, it's Mark's Art-Deco plaque to start us off.
0:21:15 > 0:21:19It'll take divine intervention, Mark. ?20 to start. ?10, then.
0:21:19 > 0:21:26Come on, then. ?10. ?10 bid online. 10 online. At ?10 only.
0:21:26 > 0:21:31Maiden bid online. 12. Going up online. At 12, 15. At 15, now.
0:21:31 > 0:21:34Bid's online at 15. At 15. 18 anywhere?
0:21:34 > 0:21:38At ?15, I'm selling, bid's online.
0:21:38 > 0:21:41Well, there's ?5 profit.
0:21:41 > 0:21:43?10 more than I thought!
0:21:43 > 0:21:47It's not really the big-money profit he was looking for.
0:21:47 > 0:21:52Next, it's Paul's turn, with the roaring lioness.
0:21:52 > 0:21:56Start me at ?50 for this one. ?50. ?30, then.
0:21:56 > 0:21:59Start me off, someone. Help me here! Very dramatic. 30 bid, thank you.
0:21:59 > 0:22:04At 30. Who's going on? At ?30. 5. 40.
0:22:04 > 0:22:05At 40. 45.
0:22:05 > 0:22:0850. At 50.
0:22:08 > 0:22:10At 50. In the deep at 50.
0:22:10 > 0:22:13Are we all done? At 50 and selling.
0:22:13 > 0:22:16Well, well, well, Paul!
0:22:16 > 0:22:19Can I just say one thing to you?
0:22:19 > 0:22:21Welcome to my world.
0:22:21 > 0:22:23HE SNORTS
0:22:23 > 0:22:25Oh, dear! what an unfortunate noise!
0:22:25 > 0:22:29You don't need to be so nervous Paul, or nasal!
0:22:29 > 0:22:30It was only the first lot.
0:22:30 > 0:22:34I'm really gutted and upset.
0:22:34 > 0:22:36You're so sincere, Mark!
0:22:36 > 0:22:39Right, it's your capsule chair next!
0:22:39 > 0:22:43Start me off at 20. 20. Who's going on? At 20 bid.
0:22:43 > 0:22:48At 20. At 22. 25. At 25.
0:22:48 > 0:22:53At 25. Are we all done at 25, then?
0:22:53 > 0:22:56Oh, dear! Not so high and mighty now, Mark, eh?
0:22:56 > 0:22:58I think somebody had a good buy.
0:22:58 > 0:23:01Sometimes you need that at an auction.
0:23:01 > 0:23:03That's why we come. They'll come back again.
0:23:05 > 0:23:08Next, it's Paul's wacky donkey platter.
0:23:08 > 0:23:10?20. Start me off, someone. ?20.
0:23:10 > 0:23:13To be honest, I wish I'd seen it, Paul.
0:23:13 > 0:23:17A very unusual plate. ?10. Start me off, someone.
0:23:17 > 0:23:22It's in freefall. No, it's not. It must make a lot more than that.
0:23:22 > 0:23:27Where's the 12? At ?10. This isn't much. At ?10. 12 here. At 12.
0:23:27 > 0:23:2915, is it? At ?12.
0:23:29 > 0:23:31Ah, it's...
0:23:31 > 0:23:34At ?12. Are we all sure? I can't believe it, Paul.
0:23:37 > 0:23:39Oh, dear, Paul!
0:23:39 > 0:23:42The bidders weren't impressed by little donkey.
0:23:44 > 0:23:47I'll miss that. I would have taken that home myself.
0:23:47 > 0:23:48It's Paul again.
0:23:48 > 0:23:53Perhaps the delicious Art-Deco dancer will perk up the profits.
0:23:53 > 0:23:57Start me at ?30. ?30 bid, thank you. 5 here.
0:23:57 > 0:24:00There we are. It's starting well, Paul.
0:24:00 > 0:24:0360. At 60. Bid's in the room at 60.
0:24:03 > 0:24:09At 65, 70, 5, 80, 5, 90, 5.
0:24:09 > 0:24:15100. 110. At 110. The lady seated at 110. Against you all online.
0:24:15 > 0:24:19At 120, 130. At 130 in the room.
0:24:19 > 0:24:24Bid's in the room at 130. 140, 150, 160 online.
0:24:24 > 0:24:26170.
0:24:26 > 0:24:27Lady's bid seated at 170.
0:24:27 > 0:24:32I'm selling, then, against you all online, in the room at 170.
0:24:32 > 0:24:33Oh, 180.
0:24:33 > 0:24:37Just in time. Sorry about this! 190 for you in the room.
0:24:37 > 0:24:40At 190 in the room and selling.
0:24:40 > 0:24:45Wow! She really has raised Paul's profit margin.
0:24:45 > 0:24:47Oh, my...!
0:24:47 > 0:24:52What? I'm not upset, Paul. I'm nowhere near upset.
0:24:52 > 0:24:55Oh, dear! I think someone IS upset.
0:24:55 > 0:24:58While Mark stews... I mean, patiently waits his turn,
0:24:58 > 0:25:01it's Paul's beautiful silk fan next.
0:25:01 > 0:25:0430 for this one. Painted silk. ?30.
0:25:04 > 0:25:06?20, then. Start me off, someone.
0:25:06 > 0:25:10?20 bid, thank you. At 20. Who's going on?
0:25:10 > 0:25:12At ?20. At 22.
0:25:12 > 0:25:1625, 28, 30.
0:25:16 > 0:25:19At 30. Lady's bid seated at 30.
0:25:19 > 0:25:22At ?30. Anyone online? At ?30, then, all done.
0:25:22 > 0:25:27?30, Paul. Fair enough! I'll take that.
0:25:27 > 0:25:29Not as exciting as your last lot,
0:25:29 > 0:25:33but be thankful it wasn't a gasping loss, Paul.
0:25:33 > 0:25:38It is Paul yet again, with the Art-Deco liqueur set.
0:25:38 > 0:25:43Lots of bids in the book. I must start at...
0:25:43 > 0:25:45er, 75, 80...
0:25:45 > 0:25:48Ooh, Paul! 85. At 85. With me at 85.
0:25:48 > 0:25:51Who's going on? At 85.
0:25:51 > 0:25:5590, 95. That's online, Paul. At 95. 100.
0:25:55 > 0:25:58Bid's online at 100 now. At 100.
0:25:58 > 0:25:59At 100.
0:25:59 > 0:26:02110. Still going up online. 120.
0:26:02 > 0:26:06130, 140. At 140.
0:26:06 > 0:26:09At 150, at 160.
0:26:09 > 0:26:12At 160. Anyone joining in in the room? At 160.
0:26:12 > 0:26:15Bid's online at 160. Are you all sure?
0:26:15 > 0:26:19Be quick if you're still in, otherwise I'm selling at 160 online.
0:26:20 > 0:26:23Well, Paul, another huge profit for you.
0:26:24 > 0:26:27Once more with feeling, Mark!
0:26:27 > 0:26:28Well done, Paul.
0:26:30 > 0:26:35Finally, it's Mark's turn with a bronze sundial. Go on, sunshine!
0:26:35 > 0:26:36Show them what you're made of.
0:26:36 > 0:26:3835 here. At 35.
0:26:38 > 0:26:4140, 5, 50, 5.
0:26:41 > 0:26:45At 55. Still with me at 55. 60 anywhere?
0:26:45 > 0:26:48At 55. 60 online now.
0:26:48 > 0:26:53Surely going to come again. Yes. At 65, then, and selling.
0:26:53 > 0:26:56That's all right. ?25. Good buy.
0:26:56 > 0:26:59There you go, Mark. Hopefully that will cheer you up.
0:27:01 > 0:27:04Aw! It's Mark's little bunny next.
0:27:04 > 0:27:06Will she hop away with some juicy profit?
0:27:06 > 0:27:10Start me off ?20. Very handsome. At 10 bid here. Who's going on?
0:27:10 > 0:27:15At 10, 12, 15, 18, 20. That's flying. It's a flying bunny!
0:27:15 > 0:27:1825, 28, 30, 5.
0:27:18 > 0:27:20At 35, right in the deep now.
0:27:20 > 0:27:22At 35.
0:27:22 > 0:27:24Jenny's bid right at the back, then, at 35. 40 anywhere?
0:27:24 > 0:27:26I'm pleased with that.
0:27:26 > 0:27:29What a result! God bless Jenny.
0:27:29 > 0:27:33There's a kiss coming Jenny's way, I can tell you!
0:27:33 > 0:27:35Quick, Jenny, run while you can!
0:27:35 > 0:27:37Nice little profit, though, Mark.
0:27:37 > 0:27:40Finally, it's our last lot of the day
0:27:40 > 0:27:43with Mark's Mabel Lucie Atwell soaps.
0:27:43 > 0:27:47Very unusual. Can't be many of these left.
0:27:47 > 0:27:48?20, start me. ?20?
0:27:48 > 0:27:53Internet? Coming at any time. There it is! 20 online.
0:27:53 > 0:27:55At 20. Who's going? At ?20.
0:27:55 > 0:28:00At ?20. Bid's online. 2, is it? It's all going my way(!)
0:28:00 > 0:28:04I can't believe it! At 20. And selling.
0:28:04 > 0:28:07I'll have to be grateful with a ?15 profit, but I must admit,
0:28:07 > 0:28:09I thought there'd be a bit more interest online.
0:28:09 > 0:28:11I thought it would be all internet.
0:28:11 > 0:28:15Look on the bright side, Mark. It wasn't a thumping loss.
0:28:15 > 0:28:19Well done to you. Cheers. Let's get out of here, shall we? Let's do it.
0:28:19 > 0:28:24Mark started today's show with ?335.06
0:28:24 > 0:28:30and, after paying auction costs, made a teeny-weeny profit of ?31.20.
0:28:30 > 0:28:35Mark has just ?366.26 to carry forward.
0:28:35 > 0:28:38It'll get better.
0:28:38 > 0:28:42Paul, meanwhile, started with ?619.60
0:28:42 > 0:28:47and made a respectable profit of ?162.44.
0:28:47 > 0:28:51Paul has a mighty ?782.04 to take forward.
0:28:51 > 0:28:53Enough to make you smile.
0:28:53 > 0:28:56Congratulations. Another victory, Paul. Well done!
0:28:56 > 0:28:59Profits across the board. Yes, ups and downs.
0:29:00 > 0:29:02Which means it's all to play for
0:29:02 > 0:29:05as our boys set out on the deciding leg of the road trip.
0:29:05 > 0:29:10Is there life after this week, Mark? How will I cope without you?
0:29:10 > 0:29:13I'm not sure. I think I will try and cope without you, Paul.
0:29:15 > 0:29:19Mark and Paul are journeying over 300 miles from Sabden,
0:29:19 > 0:29:23in Lancashire, all the way south to Bridgwater, in Somerset.
0:29:23 > 0:29:27First stop is the former seafaring city of Bristol,
0:29:27 > 0:29:30and they'll auction in the Somerset town of Bridgwater.
0:29:32 > 0:29:36Bristol is the birthplace of Archie Leach,
0:29:36 > 0:29:39otherwise known as Hollywood darling Cary Grant.
0:29:43 > 0:29:46Paul is dropping Mark off in this fair city for a date with
0:29:46 > 0:29:48an exceptional maritime landmark.
0:29:48 > 0:29:51We'll catch up with Mark later.
0:29:51 > 0:29:53See you later! Go away from my ship!
0:29:53 > 0:29:55PAUL LAUGHS
0:29:55 > 0:29:59But first, Paul is motoring 24 miles south
0:29:59 > 0:30:01to Pylle, near Shepton Mallet,
0:30:01 > 0:30:04to begin his shopping mission.
0:30:04 > 0:30:08And Pylle Emporium Gallery is Paul's first shop of the day.
0:30:08 > 0:30:12Good morning. Are you Tony? I am Tony. I'm Paul, good to see you.
0:30:15 > 0:30:20That Paul has a mighty ?782.04 to play with
0:30:20 > 0:30:23and it looks like he may just have found his first item.
0:30:23 > 0:30:25Wristwatch.
0:30:25 > 0:30:29Enamelled face, silver case. Why am I looking at it?
0:30:29 > 0:30:30It's all pretty dull, isn't it?
0:30:30 > 0:30:36Well... The label tells me that it is 1917.
0:30:36 > 0:30:39These were sold to Army personnel
0:30:39 > 0:30:42serving in the trenches during the First World War.
0:30:42 > 0:30:45And these have attracted, over the last few years,
0:30:45 > 0:30:49the term "trench watch".
0:30:49 > 0:30:51Asking price, ?40.
0:30:51 > 0:30:54To be quite honest with you, on occasion, I wear such watches.
0:30:54 > 0:30:58I think they are really super cool.
0:30:58 > 0:31:01Never mind your big, blingy sports watches.
0:31:01 > 0:31:03That is a gentleman's wristwatch.
0:31:03 > 0:31:07What do you think? I love it!
0:31:09 > 0:31:12And something else comes under the Laidlaw radar.
0:31:17 > 0:31:21I'm looking at something that is way above average.
0:31:21 > 0:31:27You have got a mahogany turned and carved column
0:31:27 > 0:31:31of no mean quality
0:31:31 > 0:31:35on four little cabriole legs, we'll call them.
0:31:35 > 0:31:41But I am loving the fact that it purports to be a late Victorian
0:31:41 > 0:31:44standard oil lamp converted to electricity who knows when,
0:31:44 > 0:31:48whether it was done in 1910, '20, or whether it was done recently,
0:31:48 > 0:31:50I have no idea. I don't think it is a made-up piece.
0:31:50 > 0:31:52The price tag is not offensive.
0:31:52 > 0:31:55To be quite honest with you, if I were looking for it, at ?95,
0:31:55 > 0:31:57I wouldn't be quibbling.
0:31:58 > 0:32:03So, firstly, Paul asks Tony, the owner, for a price on the watch.
0:32:03 > 0:32:07The best I could do would be 35. OK. And then a price for the lamp.
0:32:07 > 0:32:11Tony, that's it there, in the corner. We could do it for 70.
0:32:11 > 0:32:1670, is it? 70 it is. Nothing in the middle, no more?
0:32:16 > 0:32:19You can squeeze me for ?5 more, that's all.
0:32:19 > 0:32:23Well, if 65 is the best you can do on that,
0:32:23 > 0:32:26is 35 the best you can do on the watch? Yes.
0:32:26 > 0:32:29Not another fiver I can squeeze off that and sweeten the whole thing
0:32:29 > 0:32:30and I'll buy two things?
0:32:32 > 0:32:34I don't know.
0:32:34 > 0:32:37Uh... Well, I'd like a sale, I suppose.
0:32:37 > 0:32:41Do you want to do it? Yep. Thank you very much. Good man, Tony. OK.
0:32:41 > 0:32:46Phew! That was a big tricky, Paul. But your perseverance paid off.
0:32:46 > 0:32:48Excellent start to the day.
0:32:51 > 0:32:54While Paul has been getting his sleeves rolled up shopping,
0:32:54 > 0:32:57Mark is stepping aboard Bristol's nautical jewel,
0:32:57 > 0:32:58the SS Great Britain.
0:32:58 > 0:33:02This revolutionary ship was the brainchild of 19th-century
0:33:02 > 0:33:05engineering giant Isambard Kingdom Brunel.
0:33:08 > 0:33:11At the time of her launch in 1843,
0:33:11 > 0:33:14the SS Great Britain was the largest ship in the world.
0:33:14 > 0:33:17She was the first screw-propelled,
0:33:17 > 0:33:20ocean-going, iron-hulled steam vessel.
0:33:20 > 0:33:24She became the model of modern ocean liners.
0:33:24 > 0:33:28With a capacity of 252 passengers and 130 crew,
0:33:28 > 0:33:31she was full of innovation and marked the dawning
0:33:31 > 0:33:36of international passenger travel and world communications.
0:33:36 > 0:33:41Now a museum and open to the public, Mark is meeting with Matthew Tanner,
0:33:41 > 0:33:45the director of the SS Great Britain.
0:33:45 > 0:33:47The SS Great Britain is Brunel's masterpiece.
0:33:47 > 0:33:50It is really the world's first great ocean steamship.
0:33:50 > 0:33:53She's been called the great-great-great-grandmother
0:33:53 > 0:33:54of virtually every ship afloat today.
0:33:54 > 0:33:56This is the first big one.
0:33:56 > 0:33:59She was by far the biggest thing ever built in 1843,
0:33:59 > 0:34:01and she was built in this very dock in Bristol. Oh, wow!
0:34:01 > 0:34:04So, a really strong connection to Bristol? Absolutely.
0:34:04 > 0:34:07The dock was made to build this ship.
0:34:07 > 0:34:10In 1852, the SS Great Britain set sail to Australia
0:34:10 > 0:34:12for the first time,
0:34:12 > 0:34:16carrying hundreds of emigrants and gold-seekers.
0:34:16 > 0:34:19With this great ship on the route to Melbourne from Liverpool,
0:34:19 > 0:34:21you could get there in about 60 days.
0:34:21 > 0:34:22Which is very fast. Very fast.
0:34:22 > 0:34:25Sailing ships could take about 100 days.
0:34:25 > 0:34:27And you were probably going to be alive when you got there,
0:34:27 > 0:34:31which is something we completely take for granted today. Yes.
0:34:31 > 0:34:36Accommodation was split into first, second and third class.
0:34:36 > 0:34:40This is the first class promenade deck from the 1840s. Wow.
0:34:40 > 0:34:42So, they would have socialised here?
0:34:42 > 0:34:44Would they have played games, talked to each other? Yes.
0:34:44 > 0:34:47It's one big central room with cabins off each side.
0:34:47 > 0:34:50It is illuminated by these great skylights.
0:34:50 > 0:34:52And the luggage would have been stacked here?
0:34:52 > 0:34:54Yes, a lot of luggage would be in the hold. Right.
0:34:54 > 0:34:57But you need some luggage on a day-to-day basis.
0:34:57 > 0:35:02Of course you do. And cabins off each side. Come and have a look.
0:35:02 > 0:35:05So, these are the first class cabins.
0:35:05 > 0:35:09Each cabin has two bunks in it. They are very tight, Matthew.
0:35:09 > 0:35:13That's partly so you don't fall out of them. You are wedged in tightly.
0:35:13 > 0:35:15And often they would sleep on deck if it was hot.
0:35:15 > 0:35:18This is a double cabin.
0:35:18 > 0:35:20Oh, so this is for a family? That's right.
0:35:20 > 0:35:23But that's actually quite nice, you have little seats you can sit on
0:35:23 > 0:35:25and play with the children.
0:35:25 > 0:35:28If you can manage the mal de mer, seasickness, of course.
0:35:28 > 0:35:29Oh, yes. A major issue.
0:35:31 > 0:35:34Here's the bathroom. Oh, wow.
0:35:34 > 0:35:37So, everyone from first class would use this one bath?
0:35:37 > 0:35:40That's right, but this is luxury. It is luxury, I suppose,
0:35:40 > 0:35:43at that time, wasn't it?
0:35:43 > 0:35:46From the Spartan luxury of first class,
0:35:46 > 0:35:48what about the poor folks in third class?
0:35:48 > 0:35:51The diaries and letters of the passengers that sailed out
0:35:51 > 0:35:53to Australia in this space are full
0:35:53 > 0:35:56of the wonders of all the people around them,
0:35:56 > 0:35:59but also the fighting and the flirting and the gambling.
0:35:59 > 0:36:01And families would be packed in here too.
0:36:01 > 0:36:04We have some great diaries which actually sketch all of this area.
0:36:04 > 0:36:06Oh, really? Who was in which bunk.
0:36:06 > 0:36:08So, a really good insight on how it was laid out.
0:36:08 > 0:36:11We recreated this space precisely according to that.
0:36:11 > 0:36:12Fantastic, isn't it?
0:36:13 > 0:36:17Sadly, we must leave Mark and the world of ocean liners.
0:36:17 > 0:36:20And now, what's that Paul Laidlaw up to?
0:36:22 > 0:36:24Well, he is travelling from Pylle
0:36:24 > 0:36:28to Somerton, for his next shopping expedition.
0:36:28 > 0:36:32And it is a glorious day of sunshine as Paul arrives.
0:36:34 > 0:36:38After a scout about, he's found something he rather fancies.
0:36:38 > 0:36:44As far as I'm concerned, that is an early 19th-century...
0:36:44 > 0:36:48I hope silver, but that remains to be seen,
0:36:48 > 0:36:53cream jug. The form is termed a helmet form.
0:36:53 > 0:36:56And you're thinking to yourself, "It looks nothing like a tin hat".
0:36:56 > 0:37:00But if you picture it like that, it bears a resemblance to
0:37:00 > 0:37:03certainly cavalry helmets that were worn
0:37:03 > 0:37:07in the early 19th century. This is 1820, 1830.
0:37:07 > 0:37:13Andrew, it's priced at ?36. Mm-hm. Um...
0:37:13 > 0:37:16Does it have to be ?36? No.
0:37:16 > 0:37:20I can do you a good bit of trade on that. How does 25 sound?
0:37:20 > 0:37:22No point in beating about the bush with a price like that.
0:37:22 > 0:37:25It's a deal, man. You've got a deal. Thank you.
0:37:25 > 0:37:28And, again, he is never content with finding one thing.
0:37:29 > 0:37:32The search for the next goodie continues.
0:37:32 > 0:37:35That is a handsome piece of wood.
0:37:37 > 0:37:38It is a press.
0:37:38 > 0:37:42Books, certainly an option, but I daresay
0:37:42 > 0:37:45it could also have been used in a domestic setting
0:37:45 > 0:37:46for pressing textiles.
0:37:46 > 0:37:52That's George III. That is 200 years old, if it is a day.
0:37:52 > 0:37:55The density of the timber, the richness of that colour
0:37:55 > 0:37:56and the workmanship,
0:37:56 > 0:37:59and then this hand-cut thread here.
0:37:59 > 0:38:03Andrew comes over for Paul's second stab at negotiation.
0:38:03 > 0:38:06Go on, then, what are you trying...? I'm trying to get that slaughtered.
0:38:06 > 0:38:09I want that for 10 or 20 quid. 10 or 20 quid?
0:38:09 > 0:38:12Crikey, he doesn't mince his words, does he?
0:38:12 > 0:38:13I can do that for 30 quid.
0:38:13 > 0:38:18?30, sweet as a nut. Thanks, Andrew. Excellent.
0:38:18 > 0:38:22Paul's on top form today. That is four for the swag bag.
0:38:22 > 0:38:24Meanwhile, Mark is still in sunny Bristol
0:38:24 > 0:38:31and, with ?366.26 to play with, he has found his first antique shop.
0:38:31 > 0:38:32Well, well, well.
0:38:36 > 0:38:39Michael, what are those in the cabinet over there?
0:38:39 > 0:38:41Are they polar bears? They are polar bears.
0:38:41 > 0:38:45And they are from the days of the showgrounds, from the '40s, '50s.
0:38:45 > 0:38:48They were given as prizes.
0:38:48 > 0:38:50But you had to win a lot of prizes to get one of those.
0:38:50 > 0:38:55I don't ever remember, and I worked on the shows, ever one being given.
0:38:55 > 0:38:56Oh, what a weird thing.
0:38:56 > 0:38:59If you lift the glass out, you slide the glass out,
0:38:59 > 0:39:01it's the correct one.
0:39:01 > 0:39:05Oh, yes, that's always been in there, hasn't it? Yes.
0:39:05 > 0:39:07God, what an amazing item.
0:39:07 > 0:39:10Well, you can imagine it with the fish in that, floating.
0:39:10 > 0:39:14Little goldfish in there. That's right. And this little...
0:39:14 > 0:39:16I mean, you've got a family group.
0:39:16 > 0:39:18She's sitting rather aloof, the mother, upstairs.
0:39:18 > 0:39:20It is always a mother with the cubs.
0:39:20 > 0:39:23And then he is climbing up to see her
0:39:23 > 0:39:27and this one is looking down at the goldfish swimming in it.
0:39:27 > 0:39:32What a cracker! What else does Michael have to offer?
0:39:32 > 0:39:34So, what have we got here?
0:39:34 > 0:39:38I'm not going to open it, cos it's unlucky to open an umbrella inside.
0:39:38 > 0:39:41Or a parasol. Cos this must be a lady's version.
0:39:41 > 0:39:46The Edwardian lady loved a decorative parasol and it was
0:39:46 > 0:39:51the ultimate accessory when taking a stroll along the promenade.
0:39:51 > 0:39:52I am convinced it is a swan.
0:39:52 > 0:39:55And you've got the little bill there, as well,
0:39:55 > 0:39:57which has got the little marks on it.
0:39:57 > 0:39:58Nicely chased.
0:39:58 > 0:40:01I love the way the little eyebrow's in there, as well.
0:40:01 > 0:40:06And then when we come to the side, we see a nice clear mark for London.
0:40:06 > 0:40:08I'm guessing, Mike, I don't know the dates off the top of my head,
0:40:08 > 0:40:101905, 1908.
0:40:10 > 0:40:14Now, what about a deal for the two items?
0:40:14 > 0:40:18The starting price for the polar bears was ?165
0:40:18 > 0:40:21and for the parasol, ?160.
0:40:21 > 0:40:24Seeing as you have had such a hard day, or week,
0:40:24 > 0:40:26we are going to make it a little bit easier for you.
0:40:26 > 0:40:30Do I need to sit down? I don't want to see you crying on the television.
0:40:30 > 0:40:33What I will do, then, I'm going to sell you that for 85
0:40:33 > 0:40:35and I am going to sell you this for 80.
0:40:35 > 0:40:37It's 150 for the two.
0:40:37 > 0:40:42150 for the two? I should think that would... You knew that I knew that.
0:40:42 > 0:40:44Cor! No hesitation there!
0:40:44 > 0:40:47Mark sure knows a good deal when he sees one.
0:40:49 > 0:40:51Reunited, our boys are back on the road,
0:40:51 > 0:40:54and the sunshine seems to have gone to Paul's head.
0:40:54 > 0:40:57It might be many a moon till I'm next in a classic car
0:40:57 > 0:41:02having as much fun as this... Oh! ..with a buddy like you. Oh!
0:41:02 > 0:41:04Oh, please, where is the bucket?
0:41:04 > 0:41:07THEY LAUGH
0:41:08 > 0:41:12The boys are making their way to glorious Glastonbury.
0:41:12 > 0:41:15Did you know that the renowned Glastonbury Festival actually
0:41:15 > 0:41:20takes place in the village of Pilton, over six miles away?
0:41:20 > 0:41:25Paul is dropping Mark off at his next shop, Glastonbury Reclamation.
0:41:25 > 0:41:28The beauty of searching for antiques is that you never know
0:41:28 > 0:41:30what you might come across.
0:41:30 > 0:41:33And Mark has certainly found something very unusual.
0:41:33 > 0:41:37I think what we've got here is part of a Victorian carriage.
0:41:37 > 0:41:40Because these wheels, obviously, are joined by this axle.
0:41:41 > 0:41:45And I... You don't often see them joined like this.
0:41:45 > 0:41:49Um... But I think, in the hands of the right person,
0:41:49 > 0:41:52these would make a fantastic garden seat.
0:41:52 > 0:41:56The ticket price on the carriage wheels is ?175.
0:41:56 > 0:42:01Mark finds owner James for a bout of negotiation.
0:42:01 > 0:42:04I need to get them lower than that. Now, what about 70?
0:42:07 > 0:42:10We can toss a coin between 80 and 85.
0:42:11 > 0:42:16OK, then. Do I call, or do you? No, you call in the air. OK.
0:42:16 > 0:42:17Tails.
0:42:17 > 0:42:19Ah! It is tails.
0:42:19 > 0:42:22Are you sure? You're happy with that? That's fine, absolutely.
0:42:22 > 0:42:25?80, thank you.
0:42:25 > 0:42:28Great gamble, Mark, but will they be lucky for you at auction?
0:42:30 > 0:42:34Paul has travelled 18 miles away to Blackford, near Wedmore.
0:42:34 > 0:42:38With an already bulging collection of antiques,
0:42:38 > 0:42:41he is happy to try and add some more. Paul...
0:42:41 > 0:42:45Lemon Tree Antiques is owned by the quick-witted Les.
0:42:45 > 0:42:49There's no messing about with hawk-eye Laidlaw, though,
0:42:49 > 0:42:50he's straight in there.
0:42:50 > 0:42:53I adore Georgian wine glasses. There's great interest in such.
0:42:53 > 0:42:58But interest falls off rapidly when we get into the 19th century.
0:43:02 > 0:43:06What a colour!
0:43:06 > 0:43:09Price tag - ?55.
0:43:10 > 0:43:13That is a lot of money for one wine glass, yeah?
0:43:13 > 0:43:16But it's a gift for eight!
0:43:16 > 0:43:18I think he likes them!
0:43:19 > 0:43:22Paul finds Les to talk money.
0:43:23 > 0:43:26So, you said I can retire, sir, after this deal.
0:43:26 > 0:43:29PAUL LAUGHS
0:43:29 > 0:43:32They were in there. Eight wine glasses.
0:43:32 > 0:43:37One has got a chip and one has had a chip that has been ground out. Yeah.
0:43:37 > 0:43:39There are up at 55, which I don't think is expensive.
0:43:39 > 0:43:41Oh, she forgot the one in the front!
0:43:41 > 0:43:44Oh! You can't get the staff, can you?
0:43:44 > 0:43:48Oh, dear. 48 quid. It's a deal. Done.
0:43:48 > 0:43:51You're not a difficult man to do business with.
0:43:51 > 0:43:54Well, Paul is certainly delighted with that buy.
0:43:55 > 0:43:59Meanwhile, Mark has travelled from Glastonbury to Somerton.
0:44:01 > 0:44:06Ah, Paul visited this shop, but has he left anything for Mark?
0:44:06 > 0:44:09Oh, now, that's quite interesting.
0:44:14 > 0:44:16Copper, of course.
0:44:16 > 0:44:20A little tray, I suppose it is, for the hallway or something like that.
0:44:20 > 0:44:22Maybe for handing out...
0:44:22 > 0:44:25Your maid would come in with a calling card on a tray.
0:44:25 > 0:44:29But you can see instantly by this hand-beaten design
0:44:29 > 0:44:32and this sort of hand-scalloped edge that it is going to be
0:44:32 > 0:44:34from the Arts and Crafts period.
0:44:34 > 0:44:39So maybe 1890 to 1900, 1905.
0:44:39 > 0:44:43And Mark finds Andrew to start negotiation.
0:44:43 > 0:44:46Make me an offer. I need to get it for about 20 quid.
0:44:46 > 0:44:50Yeah, I can do that for you. 20 quid? Yeah, go on, then.
0:44:50 > 0:44:51Thank you.
0:44:51 > 0:44:54Not bad for ?20, Mark.
0:44:54 > 0:44:56Hot on the heels of his competitor,
0:44:56 > 0:44:59Mark travels from Somerton to Blackford,
0:44:59 > 0:45:02where it's his turn to visit Lemon Tree Antiques.
0:45:02 > 0:45:04He's really under a bit of pressure
0:45:04 > 0:45:06and he needs a little help from lovely Les.
0:45:06 > 0:45:08I would hate to go home empty-handed.
0:45:08 > 0:45:11You're not going home empty-handed. You'll buy something.
0:45:11 > 0:45:14Magpie Mark finds a sparkly little gem.
0:45:14 > 0:45:16It is a pretty little Victorian brooch,
0:45:16 > 0:45:18and they've got a safety chain on it.
0:45:18 > 0:45:21Yeah, it's no money. A tenner, say.
0:45:21 > 0:45:23Pretty enough thing, but...
0:45:23 > 0:45:25It looks gold to me, but we can't find a mark.
0:45:25 > 0:45:28Looks like Les is keen to sell.
0:45:28 > 0:45:33Just to sweeten the deal, I will give you that, as well.
0:45:33 > 0:45:38I told everybody in creation, "You'll get no freebies here,"
0:45:38 > 0:45:41and here I am doling it out to you.
0:45:41 > 0:45:45Ha, ha! This snooker marker board would have been used to keep score
0:45:45 > 0:45:47during the game.
0:45:47 > 0:45:50And he has found something else.
0:45:50 > 0:45:52That was an etui or something originally.
0:45:52 > 0:45:55I would think so. An etui case.
0:45:55 > 0:45:57Victorian ladies would carry an etui,
0:45:57 > 0:46:01which would hold small items like scissors and tweezers.
0:46:01 > 0:46:06I would say it is a period one. 1850s, '60s? Yeah.
0:46:06 > 0:46:09It is a nice shape. Yeah. The shagreen is in good condition.
0:46:09 > 0:46:13It is. Nice greeny colour. You can have that.
0:46:13 > 0:46:17Now, you picked that up in a job lot. I did not.
0:46:17 > 0:46:20Tell me you picked that up... How much have I got on it? 40 quid.
0:46:20 > 0:46:21My memory ain't bad, is it?
0:46:21 > 0:46:24You said you had 116 quid? That's all I've got.
0:46:24 > 0:46:26Give us your money and you've got the two pieces.
0:46:26 > 0:46:28And the snooker board and the brooch.
0:46:28 > 0:46:31Now, don't take the mickey, man. Come on, shake my hand.
0:46:31 > 0:46:34Shake my hand. Yes! Done.
0:46:37 > 0:46:39With all the shopping completed, let's refresh our memory
0:46:39 > 0:46:43of what our experts have gathered on the final forage of this road trip.
0:46:43 > 0:46:49Mark Stacey started out with ?366.26 and spent the whole lot on six lots.
0:46:49 > 0:46:52A swan head parasol and brooch,
0:46:52 > 0:46:55a copper tray and miniature watering can,
0:46:55 > 0:46:57a snooker marker board,
0:46:57 > 0:47:00a pair of carriage wheels,
0:47:00 > 0:47:01an etui case
0:47:01 > 0:47:04and not forgetting the polar bear fishbowl.
0:47:04 > 0:47:08Paul Laidlaw started out with ?782.04
0:47:08 > 0:47:11and spent a total of ?198 on five lots.
0:47:11 > 0:47:13A silver jug, a trench watch,
0:47:13 > 0:47:16a mahogany press, a standard lamp
0:47:16 > 0:47:19and a set of antique wine glasses.
0:47:19 > 0:47:21It's quite an impressive haul,
0:47:21 > 0:47:23but what do they make of each other's buys?
0:47:23 > 0:47:24I'm a little disappointed, really,
0:47:24 > 0:47:27that Paul couldn't spend a bit more money.
0:47:27 > 0:47:31The bears, I think that's a magic lot. I think it is a magical lot.
0:47:31 > 0:47:32It's lovely.
0:47:32 > 0:47:36Let's hit the road and head to auction for the last time.
0:47:36 > 0:47:39It has been an exhilarating finale
0:47:39 > 0:47:41with the boys battling it out from Bristol, Pylle,
0:47:41 > 0:47:43Somerton, Glastonbury, Blackford
0:47:43 > 0:47:47and, finally, the Somerset town of Bridgwater.
0:47:47 > 0:47:52Look at us, an old married couple, 20 years later.
0:47:52 > 0:47:56"You know, I can't stand the way you drink your soup." Come here.
0:47:56 > 0:47:59Hee-hee! Tamlyns at Bridgwater have been established
0:47:59 > 0:48:01from the late 19th century.
0:48:01 > 0:48:04Taking to the rostrum is auctioneer Claire Rawle.
0:48:05 > 0:48:08First up, it's Paul's little cream jug.
0:48:08 > 0:48:12Although it doesn't have a hallmark, it's tested positive for silver.
0:48:12 > 0:48:16?20 anywhere for it? 20 straight in. It weighs four ounces. ?20?
0:48:16 > 0:48:19Thank you, 20 on the net. The internet's bidding.
0:48:19 > 0:48:21Do I see 2 anywhere? Bid's at 20. At 20.
0:48:21 > 0:48:2422. 25. 28. It's going up online, Paul.
0:48:24 > 0:48:26But there is no-one in the room that would buy
0:48:26 > 0:48:28a little Georgian silver cream jug?
0:48:28 > 0:48:31At ?35, it's a net bid, you're all done in the room.
0:48:31 > 0:48:34You are joking! At ?35, then. All done... At 38.
0:48:34 > 0:48:38At 38. Now 40. At ?38 on the net. Want to come back again?
0:48:38 > 0:48:40My other bidder. At 38 it is, then.
0:48:40 > 0:48:44You all done? Selling to the net, then, at ?38.
0:48:44 > 0:48:46It's a wee profit.
0:48:46 > 0:48:49It's a profit, but I think you wanted more than that, didn't you?
0:48:49 > 0:48:54Of course he did, Mark! He's not usually a stranger to profits.
0:48:56 > 0:48:59Next, it is Mark's combined lot of the swan-headed parasol
0:48:59 > 0:49:00and the brooch.
0:49:00 > 0:49:0255 on the internet.
0:49:02 > 0:49:04That's a good start. At 55. At 55.
0:49:04 > 0:49:07Now 60 anywhere? At 60. 60 in the room.
0:49:07 > 0:49:1070 on the internet. 75 in the room. At 75. 80.
0:49:10 > 0:49:1285. At 85.
0:49:12 > 0:49:14Now 90 if you want it out there.
0:49:14 > 0:49:17At 85. 90. 95 in the room. At 95.
0:49:17 > 0:49:19Now 100. 95 I've got in the room.
0:49:19 > 0:49:21At 95. 100, thank you.
0:49:21 > 0:49:25110. Good. It's creeping up. Yeah. Could be a good one, this.
0:49:25 > 0:49:29120. 130 in the room. 140 on the net. At 140. 150.
0:49:29 > 0:49:32At 150. Now 160. 170 in the room.
0:49:32 > 0:49:35At 170. Now 180. 180.
0:49:35 > 0:49:38190. This is it. 200.
0:49:38 > 0:49:40Your swan is in flight.
0:49:40 > 0:49:43At 220 in the room. 250.
0:49:43 > 0:49:45Oh, 250! 280. At 280.
0:49:45 > 0:49:47280! Jesu...!
0:49:47 > 0:49:51At 280. Go on! Fill it up. Fill it up to 300.
0:49:51 > 0:49:54Now 300! Don't drop out now, fill it up to 300.
0:49:54 > 0:49:57Yeah, fill it up to 300! I like that expression.
0:49:57 > 0:49:59At 280...
0:50:02 > 0:50:04Congratulations, Mark! Well done.
0:50:04 > 0:50:08I am very pleased with that, actually.
0:50:08 > 0:50:09I'm coming back, Paul.
0:50:09 > 0:50:11Heaven help us!
0:50:11 > 0:50:15Can Mark keep the profits high with his dainty etui case?
0:50:15 > 0:50:17?50 to get it going, please, anywhere. 50?
0:50:17 > 0:50:2050? Well, start me away.
0:50:20 > 0:50:23?20, then. It's for nothing. 20. 2. 5.
0:50:23 > 0:50:258. 30.
0:50:25 > 0:50:282. 5. 8. 40.
0:50:28 > 0:50:312. 5. 8. 50.
0:50:31 > 0:50:335. 60. 5.
0:50:33 > 0:50:3565. Lady's bid at 65.
0:50:35 > 0:50:39It's going to sell in the room at ?65. Oh, no!
0:50:39 > 0:50:41Oh. That's a shame. Bargain.
0:50:41 > 0:50:45Oh, dear. Just when we thought your luck was changing, Mark.
0:50:45 > 0:50:50Back to Paul and his World War I trench watch next.
0:50:50 > 0:50:52?20 anywhere for it, please? ?20.
0:50:52 > 0:50:55Thank you. I've got, at the back, ?20. At ?20. At 20.
0:50:55 > 0:50:57I've got 22 on the net. At 22.
0:50:57 > 0:51:0025 in the room. At 25. 28.
0:51:00 > 0:51:03At 28. 30 I've got here. Do you want to go 2? 32.
0:51:03 > 0:51:0635. Now 8. 38. In the room at 38.
0:51:06 > 0:51:09At 38. 40. 42 in the room.
0:51:09 > 0:51:1245. 48 in the room. Now 50. 50 I have.
0:51:12 > 0:51:15At ?50. 5. I knew he was hatching another. At 55.
0:51:15 > 0:51:19Back of the room at 55. At ?60, absolutely sure?
0:51:19 > 0:51:23Last chance. 60 it is, then. At ?60.
0:51:23 > 0:51:27Did a good job. It was a good result for the watch. Yeah, yeah, sweet.
0:51:27 > 0:51:29Sweet indeed, Paul,
0:51:29 > 0:51:33but it's not the usual high-flying profits, though.
0:51:33 > 0:51:36What about Paul's George III mahogany press?
0:51:36 > 0:51:4120? Thank you, 20 I have. At ?20. At 20. Back of the room at 20.
0:51:41 > 0:51:45At 22 on the net. At 22. Oh, gosh, getting excited on the net, 28.
0:51:45 > 0:51:48At 28. Do you want to come back? 30 I have.
0:51:48 > 0:51:50In the room at 30. At ?30. 32.
0:51:50 > 0:51:5435. 38. At 38. Now 40. 40 I have.
0:51:54 > 0:51:58At 40. At 40. 45 on the net. 48 in the room.
0:51:58 > 0:52:01At ?48. 50 here. At 55 in the room.
0:52:01 > 0:52:04At 55. Now 60. 60 I have. 65 in the room.
0:52:04 > 0:52:08Gone a bit quiet out here now. At 65. 70, back again.
0:52:08 > 0:52:11At 70. 75. 80 I have.
0:52:11 > 0:52:12At 85. At 85.
0:52:12 > 0:52:14Somebody sees potential in it.
0:52:14 > 0:52:1690 I have. 95 in the room.
0:52:16 > 0:52:18At 95. Now 100.
0:52:18 > 0:52:21100 I have. 110 in the room.
0:52:21 > 0:52:25At 110. Room bid at 110. At ?110. It's a room bid, then.
0:52:25 > 0:52:26You all done?
0:52:27 > 0:52:32Well, Mark is flabbergasted at Paul's mighty result.
0:52:32 > 0:52:37I just can't believe it. You take it so badly! Bottle it up!
0:52:38 > 0:52:40Show some grace!
0:52:42 > 0:52:45It is another combined lot from Mark.
0:52:45 > 0:52:50The copper tray and the, um... miniature watering can next.
0:52:50 > 0:52:53And this one I have to start straight in at ?30. At ?30.
0:52:53 > 0:52:56At 30. Do I see 2 anywhere? 32 on the net.
0:52:56 > 0:52:58At 32. Clears me now. At 35 at the back.
0:52:58 > 0:53:00At ?35. Now 8.
0:53:00 > 0:53:04At 35. It's in the room now. 38. Do you want to go 40?
0:53:04 > 0:53:10?40 I have in the room. At ?40. At 40. 42. Now 5?
0:53:10 > 0:53:1145 at the back of the room.
0:53:11 > 0:53:13At 45. Now 8 here.
0:53:13 > 0:53:16At 45, back of the room at 45. You are out, internet.
0:53:16 > 0:53:19At ?45, then. If you are all done...
0:53:19 > 0:53:23Well done, Mark. That result should perk you up a bit.
0:53:24 > 0:53:27It is Mark again with his snooker marker board.
0:53:27 > 0:53:29I have got ?20 on it.
0:53:29 > 0:53:33At 22. 25 with me. 28 at the back of the room.
0:53:33 > 0:53:37Clears me now. 28. 30. 32 on the net. 35.
0:53:37 > 0:53:40Fresh bidder in the room. At ?35. At 35. Now 8.
0:53:40 > 0:53:4238, he says.
0:53:42 > 0:53:4640 in the room. 42. No? You sure? At ?42, all done?
0:53:46 > 0:53:50Selling to the net, then, at ?42.
0:53:51 > 0:53:54You scored a whopper on that one, Mark.
0:53:55 > 0:53:57That's what I call potting the black.
0:53:57 > 0:53:58PAUL LAUGHS
0:53:59 > 0:54:04Perhaps the usual polar bear fishbowl will help you inch nearer
0:54:04 > 0:54:05to first place.
0:54:05 > 0:54:08?20 anywhere for him? ?20?
0:54:08 > 0:54:1020? ?10, then.
0:54:10 > 0:54:12Ah, everyone wants it now, you see.
0:54:12 > 0:54:1510. 12. 15. 18. 20.
0:54:15 > 0:54:1722. 25.
0:54:17 > 0:54:19No. At 25. We got a little way.
0:54:19 > 0:54:23At ?25. Right at the back of the room at ?25. You all sure?
0:54:23 > 0:54:27It is going to sell, then, at ?25. It can't, surely.
0:54:27 > 0:54:29No!
0:54:29 > 0:54:31Peeved for you, mate.
0:54:31 > 0:54:37What a jaw-dropper of a result for Mark. An unexpected, sore loss.
0:54:37 > 0:54:39That's auctions. That's auctions.
0:54:39 > 0:54:42My chances of catching up are slipping away, Paul.
0:54:43 > 0:54:48It's Paul's turn with the carved mahogany and brass standard lamp.
0:54:48 > 0:54:51Start me away, ?30 anywhere for it. Thank you. 30 I have.
0:54:51 > 0:54:5435 at the back. At 35. Now 8 out here.
0:54:54 > 0:54:58At 35 in the room. No! Get real! At 38. ?40.
0:54:58 > 0:55:0242. 45. At 45.
0:55:02 > 0:55:03Back of the room at 45.
0:55:03 > 0:55:06At 45, then. The bid's in the room.
0:55:06 > 0:55:10You all sure? It's going to sell, then, at ?45. Sure is.
0:55:10 > 0:55:13Well... Ouch!
0:55:13 > 0:55:15Ouch indeed.
0:55:15 > 0:55:18Another disappointing result for the boys.
0:55:18 > 0:55:19I'm becoming quite unhinged.
0:55:19 > 0:55:23You are just becoming, or it's just dawning on you now?
0:55:24 > 0:55:26Cheeky Paul.
0:55:26 > 0:55:30Right, it's Mark's pair of carriage wheels.
0:55:30 > 0:55:33?20 anywhere? Thank you, 20 I have.
0:55:33 > 0:55:35At ?20. At 20.
0:55:35 > 0:55:38Must be somebody else here who fancies a pair of carriage wheels.
0:55:38 > 0:55:41At ?20. Going to go for a maiden bid of ?20.
0:55:41 > 0:55:43You all sure? All done.
0:55:43 > 0:55:46There is someone hovering on the internet, this is exciting.
0:55:46 > 0:55:50Build up. Come on. 22, I knew there was someone out there. 25. At 25.
0:55:50 > 0:55:55Do you want to go 28? Yeah, 28. 30 at the back. Come back with 2.
0:55:55 > 0:55:59At 32. We'll help you carry them onto your lorry. At ?30.
0:55:59 > 0:56:01There you are, did the trick. 32. At 32.
0:56:01 > 0:56:0535 it is. At ?35. Don't go quiet on me now.
0:56:05 > 0:56:10At ?35, it is a room bid. You sure out there? 38.
0:56:10 > 0:56:15At 38. 40. Yeah, I knew he'd go again. At ?40. Now 2.
0:56:15 > 0:56:18At 42. At 42. You sure this time?
0:56:18 > 0:56:22All done, selling to the net buyer at ?42.
0:56:23 > 0:56:26Certainly an exciting play between bidders,
0:56:26 > 0:56:29but just not enough to help Mark.
0:56:29 > 0:56:32I can relax now, it's down to your last lot.
0:56:34 > 0:56:40It's the final lot of the day - Paul's stunning set of wine glasses.
0:56:40 > 0:56:43?20? 20? All those glasses, 20?
0:56:43 > 0:56:46?10, then. You see? Everyone wants it now.
0:56:46 > 0:56:5110. 12. 15. Go on. 18.
0:56:51 > 0:56:5318. 22 I've got on the internet now.
0:56:53 > 0:56:55They're galloping off now, 28, 30.
0:56:55 > 0:56:58At 32. 35. 38. 40. That's better.
0:56:58 > 0:57:0342. 45. 48. 50. 5. At 55. 60. 70.
0:57:03 > 0:57:0780. 90. 100. Excellent, ?100.
0:57:07 > 0:57:11At ?100. On the internet at 100. Oh, he's back again at 110.
0:57:11 > 0:57:14120. 120 it's going to be.
0:57:15 > 0:57:17We'll take that. Well done.
0:57:17 > 0:57:20Another stonker of a profit from Paul.
0:57:20 > 0:57:26So, for the fifth time, he is the reigning supremo at auction.
0:57:26 > 0:57:30You fancy a wee cruise in a classic car, maybe a pint at the end?
0:57:30 > 0:57:33Oh, go on, then, if we have to. Can I tempt you? If we have to.
0:57:33 > 0:57:36Shall we? Come on.
0:57:38 > 0:57:42Mark started this leg with ?366.26
0:57:42 > 0:57:47and, after paying auction costs, made a small profit of ?42.92,
0:57:47 > 0:57:51bringing his final earnings to ?409.18.
0:57:51 > 0:57:52Wow!
0:57:56 > 0:58:00Paul started with a mighty ?782.04
0:58:00 > 0:58:05and, after costs, made another whopping profit of ?107.86,
0:58:05 > 0:58:09giving him a wondrous ?889.90 to finish on.
0:58:09 > 0:58:12And that means he is crowned jubilant winner.
0:58:12 > 0:58:16All profits our experts make will go to Children In Need.
0:58:16 > 0:58:18That's it, over for another year.
0:58:18 > 0:58:22Man alive! Belter, though. Oh, it was fabulous.
0:58:22 > 0:58:25All you've got to do now, Paul, is drive me into the sunset.
0:58:25 > 0:58:29Come on, then, amigo, let's do it. This way.