0:00:02 > 0:00:06It's the nation's favourite antiques experts, with ?200 each...
0:00:06 > 0:00:09I love that. ..a classic car and a goal -
0:00:09 > 0:00:11to scour Britain for antiques.
0:00:11 > 0:00:14Yippee! I can see better with those.
0:00:14 > 0:00:17The aim - to make the biggest profit at auction.
0:00:17 > 0:00:21But it's no mean feat. There'll be worthy winners and valiant losers.
0:00:21 > 0:00:23I think I'm going to have a row!
0:00:23 > 0:00:25So, will it be the high road to glory
0:00:25 > 0:00:27or the slow road to disaster?
0:00:27 > 0:00:30He's just about killed that, hasn't he?
0:00:30 > 0:00:33This is the Antiques Road Trip.
0:00:33 > 0:00:35Yes!
0:00:35 > 0:00:39It's the third leg of our road trip, and experts James Braxton and James Lewis
0:00:39 > 0:00:42are in their sunshine-yellow 1980s Beetle convertible
0:00:42 > 0:00:44and on the road to Bournemouth.
0:00:44 > 0:00:50How are you feeling? Chipper? Yes. Yes, I like the sea.
0:00:50 > 0:00:52Only when you're on the land, though.
0:00:52 > 0:00:56James Braxton has been in the antiques business for 25 years,
0:00:56 > 0:00:59to-ing and fro-ing and largely forging ahead.
0:00:59 > 0:01:03Blood to the brain! Blood to the brain! Right, I'm ready.
0:01:03 > 0:01:05His rival on this trip is James Lewis,
0:01:05 > 0:01:08a seasoned auctioneer with 20 years of experience under his belt.
0:01:08 > 0:01:11You haven't seen this, right?
0:01:11 > 0:01:15Don't let that smile fool you. He's ruthless and he's out to win.
0:01:16 > 0:01:19James Braxton started this trip with ?200,
0:01:19 > 0:01:22but he's not having the best time of it.
0:01:22 > 0:01:23With two auction losses so far,
0:01:23 > 0:01:28he begins this leg with a rather parlous ?123.34
0:01:28 > 0:01:31with which to turn his fortunes round.
0:01:33 > 0:01:36However, James Lewis has been far more prosperous.
0:01:36 > 0:01:43Two auction wins have increased his initial ?200 to ?421.94.
0:01:45 > 0:01:50The route for the week takes our intrepid road-trippers from Ampthill in Bedfordshire,
0:01:50 > 0:01:53across the Channel to Jersey, and back again
0:01:53 > 0:01:56to the final showdown in Leamington Spa,
0:01:56 > 0:02:00covering almost 1,000 miles of land and sea.
0:02:00 > 0:02:02But this road trip begins in Bournemouth, Dorset,
0:02:02 > 0:02:07and will end at the all-important auction in Wokingham, Berkshire.
0:02:10 > 0:02:13Bournemouth's location on the south coast of England
0:02:13 > 0:02:16has made it a popular tourist destination since Victorian times.
0:02:16 > 0:02:19A recent survey found it to be the happiest place in Britain!
0:02:19 > 0:02:22It's certainly put a smile on James Lewis's face.
0:02:22 > 0:02:25Well done. Brilliant!
0:02:25 > 0:02:29Now, do you want me to let you into a secret? Fire away.
0:02:29 > 0:02:32I've been to that shop before.
0:02:32 > 0:02:35I last came to this shop 20 years ago.
0:02:35 > 0:02:37Really? Yes!
0:02:37 > 0:02:40Well, let's hope, James, the stock has changed!
0:02:40 > 0:02:43Let's hope so! BOTH: Good luck!
0:02:43 > 0:02:47If its prices are 20 years old, you're bound to bag a bargain.
0:02:47 > 0:02:50Morning. Nice to see you. I'm Bonnie. Hello, Bonnie.
0:02:50 > 0:02:54Is it OK if I have a wander round? Yes, do! Have a wander. Thank you.
0:03:00 > 0:03:04How much is that little thing? Erm, that is...
0:03:04 > 0:03:07..twenty...pounds. Is it?
0:03:07 > 0:03:09You don't sound so sure, Bonnie.
0:03:09 > 0:03:11This is on, erm...
0:03:11 > 0:03:16Is that whale's tooth? Mammoth tooth, I think. Oh, OK.
0:03:16 > 0:03:21The paperweight appears to be made of a section of cut-and-polished tooth,
0:03:21 > 0:03:25on which sits a carving of an elephant in ivory
0:03:25 > 0:03:30which predates the 1947 ban on trading worked ivory.
0:03:30 > 0:03:32All right, Nellie?
0:03:32 > 0:03:34Anything else in there?
0:03:37 > 0:03:40What could that be? Er, let me have a look.
0:03:40 > 0:03:42I've got 30 on it. It can be...
0:03:42 > 0:03:45..25.
0:03:45 > 0:03:47HE SIGHS
0:03:47 > 0:03:49It's a nice quality.
0:03:49 > 0:03:52It's lost its cover, that's the thing!
0:03:52 > 0:03:55It can be 20, in that case.
0:03:55 > 0:03:58I'll give you 15 for it, if that's any good.
0:03:58 > 0:04:01All right. As it's you!
0:04:01 > 0:04:04OK. OK. That's one.
0:04:04 > 0:04:08I thought that might... ..might go with it. Yes.
0:04:08 > 0:04:11It's very similar enamelling, isn't it?
0:04:11 > 0:04:14Is it French? French Champleve.
0:04:14 > 0:04:17Champleve is French for "level field",
0:04:17 > 0:04:20"field", in this sense, meaning the overall surface
0:04:20 > 0:04:24which, when enamelled, is polished completely smoothly.
0:04:26 > 0:04:29How much is that? Erm...
0:04:30 > 0:04:32That can be 15.
0:04:32 > 0:04:3415. Yes. OK.
0:04:34 > 0:04:3725 for the two?
0:04:37 > 0:04:40Yes. Yes? Deal. Yes.
0:04:40 > 0:04:42So that's the Champleve bagged.
0:04:42 > 0:04:45What's that at the back of the case, then?
0:04:48 > 0:04:50I don't know much about those.
0:04:50 > 0:04:52No. Is it Chinese or Japanese.
0:04:52 > 0:04:55Japanese... Yes, I thought so. ..unfortunately! Yes.
0:04:55 > 0:04:59Kutani is a style of Japanese porcelain
0:04:59 > 0:05:03known for it's vibrant orange colours and bold designs.
0:05:03 > 0:05:05How much are they?
0:05:05 > 0:05:07They're 50 for the pair.
0:05:07 > 0:05:11They've got those chips in the side. Oh, yes. That's a shame.
0:05:11 > 0:05:14Point out the flaws, eh? Knock down the price, eh?
0:05:14 > 0:05:17Would you consider a cheeky bid of 25 for them?
0:05:17 > 0:05:20I hadn't noticed the chips, so I will do them for 25.
0:05:20 > 0:05:24I was expecting you to say 30. I know! I thought you might be!
0:05:24 > 0:05:28Can I give you 30 for them? That's very nice! Thank you.
0:05:28 > 0:05:34I was just expecting you to come back with 30! That's very nice. Is that all right?
0:05:34 > 0:05:37Very generous, James. Do you know something we don't?
0:05:37 > 0:05:42If they don't make 30, then it's not your fault. It's mine and the auction's.
0:05:42 > 0:05:44I'll try a cheeky ten.
0:05:45 > 0:05:48I think that would have to be 15. That's fine. OK!
0:05:48 > 0:05:51The fact that it's a mammoth tooth is interesting. It is.
0:05:51 > 0:05:55That transverse section... It's lovely, isn't it?
0:05:55 > 0:06:00Meanwhile, just down the road, James Braxton tries his hand at Robin's Antiques.
0:06:00 > 0:06:03Morning. Hello! James. Robin. Hello, Robin.
0:06:03 > 0:06:08This looks the sort of shop that I might like. I'm sure you'll find a bargain.
0:06:08 > 0:06:12Well, he needs to on his budget, believe me!
0:06:12 > 0:06:16I've actually got something that might be of interest to you. Oh!
0:06:16 > 0:06:21Come on, Robin, fulfil my dreams. There's a box of goodies. A box of goodies.
0:06:21 > 0:06:24Nice miniature. That's a nice miniature, isn't it?
0:06:24 > 0:06:26I think that tells you who it is.
0:06:26 > 0:06:29Yes. He looks a wily old bird, doesn't he? Doesn't he?
0:06:29 > 0:06:34He's a man of the law, I would say. Or a well-to-do fellow.
0:06:34 > 0:06:39That's rather nice. Morocco case. Nice little silk-lined interior.
0:06:39 > 0:06:42Moisture is its enemy because it's watercolour.
0:06:42 > 0:06:46Georgian, perhaps? I don't think as early as Georgian.
0:06:46 > 0:06:49Early Victorian? Dear old William IV. Yes.
0:06:49 > 0:06:53How much have you got on this fellow? Is that 50?
0:06:53 > 0:06:57You haven't come for a deal! You've come to have a row!
0:06:57 > 0:07:01Erm, no, I don't think I could do it for that, James. Erm...
0:07:01 > 0:07:05Look, I'll do it for 90 quid and I think I'm giving you a birthday.
0:07:05 > 0:07:08Could you do it for 80, Robin?
0:07:09 > 0:07:11Reluctantly, yes.
0:07:11 > 0:07:13Many happy returns, James.
0:07:13 > 0:07:16I would love to buy it at 80. Thank you. That's kind.
0:07:16 > 0:07:18You're welcome.
0:07:18 > 0:07:21So after making quite a hole in his dwindling budget,
0:07:21 > 0:07:23James Braxton is taking time out
0:07:23 > 0:07:27to drive 11 miles north to Wimborne Minster.
0:07:27 > 0:07:30Wimborne Minster is a market town
0:07:30 > 0:07:33situated at the confluence of the rivers Stour and Allen,
0:07:33 > 0:07:36and is also the name of its magnificent church.
0:07:38 > 0:07:44Well known for its chained library, it boasts a 1st edition of the History of the World
0:07:44 > 0:07:48written by Sir Walter Raleigh whilst imprisoned in the Tower of London,
0:07:48 > 0:07:52and damaged when a clumsy reader dropped a candle on it.
0:07:53 > 0:07:56But James is here to learn about its rare astronomical clock
0:07:56 > 0:08:00and to find out more about a rather bizarre burial.
0:08:00 > 0:08:04Head guide Christine Oliver is on-hand to show him around.
0:08:04 > 0:08:08How old is this building, Christine? The building you're standing in is around about 1120
0:08:08 > 0:08:11and been added to every century since. Oh, really?
0:08:11 > 0:08:15Originally established as a nunnery in 705 AD,
0:08:15 > 0:08:18it shows Saxon, Norman and Gothic development
0:08:18 > 0:08:21as the structure was added to over the centuries.
0:08:21 > 0:08:24In prime position is an astronomical clock,
0:08:24 > 0:08:28which tells the time using the position of the sun relative to the earth.
0:08:28 > 0:08:31So, this is your... This is the astronomical clock.
0:08:31 > 0:08:34It's very pictorial, isn't it? How old is this?
0:08:34 > 0:08:37Around about 1320-ish.
0:08:37 > 0:08:411320?! Mm-hm. And still going.
0:08:41 > 0:08:44How was this powered? There's a set of cogs behind the face.
0:08:44 > 0:08:48The mechanics are up 72 stairs,
0:08:48 > 0:08:52so you have to climb 72 stairs to make the workings work.
0:08:52 > 0:08:55So, the mechanism is all up there in the tower? In the bell tower.
0:08:55 > 0:08:58And this is merely the indicator down here, the dial?
0:08:58 > 0:09:01That tells you the hour, only the hour.
0:09:01 > 0:09:03The sun is the hourly hand.
0:09:03 > 0:09:06In the summertime, it's an hour out
0:09:06 > 0:09:09because it didn't know about summertime when it was made. Ah!
0:09:09 > 0:09:13What do we have in the middle? The middle is the earth, because it's pre-Copernicus.
0:09:13 > 0:09:18They thought the earth stood still and everything revolved around it. Yes.
0:09:18 > 0:09:21Why so many hours? That's interesting.
0:09:21 > 0:09:24It's one of the first 24-hour clocks. The cross at the top is 12 midday.
0:09:24 > 0:09:26The cross at the bottom is 12 midnight. Very good.
0:09:26 > 0:09:30The next circle in is the night sky,
0:09:30 > 0:09:34with a fully black ball with a ridge of gold around it.
0:09:34 > 0:09:37That will tell you what phase the moon will be tonight.
0:09:37 > 0:09:42The moon was very important for planting seeds and harvesting
0:09:42 > 0:09:44and the odd bit of smuggling!
0:09:44 > 0:09:49We had some very good smugglers in Dorset, but they wouldn't do it on a full moon!
0:09:49 > 0:09:52I heard a whisper about a man in a wall or something?
0:09:52 > 0:09:55Yes, there is. Would you like to see him? I'd love to.
0:09:55 > 0:09:58The minster is full of amazing sights
0:09:58 > 0:10:01and there's always another wonder lurking just around the corner.
0:10:04 > 0:10:07The Man in the Wall was an eminent local barrister and magistrate,
0:10:07 > 0:10:11well known for his cantankerous and argumentative nature,
0:10:11 > 0:10:14who had a falling out with the church.
0:10:16 > 0:10:18This is the Man in the Wall. The Man in the Wall.
0:10:18 > 0:10:22Anthony Etricke fell out with everybody in the town
0:10:22 > 0:10:27and he declared that when he died, no way was he ever going to be buried in nor out of the minster
0:10:27 > 0:10:31and certainly not in the ground or above the ground.
0:10:31 > 0:10:34So, Mr Awkward? Absolutely! I like him for that.
0:10:39 > 0:10:43In later life, he changed his mind. But in order to save face and keep his promise,
0:10:43 > 0:10:47he relented and got permission to be buried in the wall.
0:10:47 > 0:10:50So he's buried half inside the church and half outside,
0:10:50 > 0:10:53half above ground and half below.
0:10:53 > 0:10:55How weird!
0:10:55 > 0:10:59What is the material? Apparently, it's slate. Right.
0:10:59 > 0:11:03He had this made, and he had the date he was going to die
0:11:03 > 0:11:07because the Bible told him he would live three score years and ten.
0:11:07 > 0:11:11But he lived another ten years, so when he did die it all had to be altered.
0:11:11 > 0:11:16Interestingly, I think stubborn people live slightly longer, don't they? He did, obviously!
0:11:16 > 0:11:19Well, it's a theory.
0:11:21 > 0:11:25James Lewis has left Bournemouth and made his way to Branksome Antiques,
0:11:25 > 0:11:27a couple of miles further west.
0:11:27 > 0:11:32He's no sooner through the door before he makes an interesting discovery.
0:11:36 > 0:11:40It looks as if it could almost be a tomb guardian
0:11:40 > 0:11:42from a crypt or something like that,
0:11:42 > 0:11:45and the hands may well have been resting on a sword.
0:11:45 > 0:11:48Interesting.
0:11:48 > 0:11:50I think that's quite early.
0:11:50 > 0:11:52Go and ask Brian for his best price.
0:11:52 > 0:11:54Hello. James. Hi.
0:11:54 > 0:11:57You've got a stone figure in the window.
0:11:57 > 0:12:01Very best - 50 quid. 50 quid?! Yes.
0:12:01 > 0:12:05Wow, 50 pounds. Obviously charging by weight.
0:12:05 > 0:12:07Best have a closer look.
0:12:07 > 0:12:10It's a weird sort of thing. It is weird.
0:12:10 > 0:12:13It's the way it's been hewn out,
0:12:13 > 0:12:16I think it's a tomb figure. Do you? Yes.
0:12:16 > 0:12:19Look, it's got a flattened side
0:12:19 > 0:12:22that would've been at the base of a tomb.
0:12:22 > 0:12:26If you get ten grand for it, you'll get a phone call from me!
0:12:26 > 0:12:29Ten grand?! He'll get a call from all of us!
0:12:39 > 0:12:42That's a funny shaft, isn't it? Yes.
0:12:42 > 0:12:45Palmwood. Do you reckon that's what it is?
0:12:45 > 0:12:48It could be, yes.
0:12:48 > 0:12:51Something exotic, isn't it, that? Yes!
0:12:52 > 0:12:54What could that be?
0:12:55 > 0:12:58?70. 70...
0:12:58 > 0:13:03I think it would have an estimate of 50 to 70 at auction. Yes.
0:13:03 > 0:13:04I'll give you the 50 for it.
0:13:04 > 0:13:07You can have it for 60 and that's it.
0:13:07 > 0:13:10100 quid the two. Come on.
0:13:10 > 0:13:13Oh, what the...! Go on, then. You've got a deal. OK.
0:13:13 > 0:13:15100 quid the two. Yes. There you go.
0:13:16 > 0:13:20Splendid work, James. Now he's met up with the other James
0:13:20 > 0:13:22to set off on an adventure across the Channel.
0:13:22 > 0:13:25I hope you've got your sea legs, boys, as it's "all aboard!"
0:13:25 > 0:13:27and off to Jersey.
0:13:29 > 0:13:32There we go. HUMUROUS GROANING
0:13:32 > 0:13:36Taking in the refreshing sea air from the deck,
0:13:36 > 0:13:40this is not so much a road trip as a relaxing boat trip,
0:13:40 > 0:13:43as it takes the boys five hours to cross the Channel
0:13:43 > 0:13:47and dock in much warmer climes.
0:13:47 > 0:13:50This is fabulous! I spied some mighty...
0:13:50 > 0:13:53..Bond-like pads on the cliff tops. Really?
0:13:53 > 0:13:56The sun is really warm.
0:13:56 > 0:13:59I can feel it now. Feel the difference.
0:13:59 > 0:14:02Basking in the sunshine, the island of Jersey has everything,
0:14:02 > 0:14:06from glorious beaches and scenery, to its own currency.
0:14:06 > 0:14:09Abroad, but British...
0:14:09 > 0:14:12The boys are definitely going to enjoy this trip.
0:14:13 > 0:14:17After alighting in Jersey's capital, St Helier,
0:14:17 > 0:14:20they set off northwest to the parish of St Mary,
0:14:20 > 0:14:24where James Braxton hopes an antique fair will provide rich pickings
0:14:24 > 0:14:28to match his meagre budget of ?43.34.
0:14:28 > 0:14:31Can I look at the bracelet at the back? Certainly.
0:14:31 > 0:14:35There we go. Help yourself. Thank you. That's very kind.
0:14:36 > 0:14:39Ah, that looks rather more in keeping with his budget.
0:14:39 > 0:14:42We've got a big old maker there.
0:14:42 > 0:14:45"David Andersen. Norway. Sterling."
0:14:45 > 0:14:48It has a sort of '50s, '60s look about it.
0:14:48 > 0:14:50It's by a Norwegian silversmith.
0:14:50 > 0:14:54Yes, it's sort of two stylised leaves, really.
0:14:54 > 0:14:56And it's quite attractively done.
0:14:56 > 0:15:01Are you open to offers on this? Good start. You've made him laugh.
0:15:01 > 0:15:05We're waiting, sir. Come on. You're waiting for the killer blow, are you?
0:15:05 > 0:15:06Don't hold your breath.
0:15:06 > 0:15:09Now, you've got 35 on this.
0:15:09 > 0:15:12Would 25 buy it? No. No.
0:15:12 > 0:15:15That was a quick response! You've been practising!
0:15:15 > 0:15:20I've seen you. You've seen these programmes! I've had a chance to rehearse.
0:15:20 > 0:15:23I'll take 30. I'll give you 30 for that.
0:15:23 > 0:15:25That's really kind. Thank you, sir. Thank you.
0:15:25 > 0:15:29Hello. James. Pleased to meet you. I'm Julie. Hello, Julie.
0:15:29 > 0:15:33I like your chess set. Yes, it's unusual, isn't it?
0:15:33 > 0:15:37Can't see a price on it. She might be open to persuasion.
0:15:37 > 0:15:41Very, very strong, erm, crucifix there. Mm.
0:15:41 > 0:15:44Do you know the materials? No, I don't.
0:15:44 > 0:15:46I don't know whether it might be ebony or...
0:15:46 > 0:15:49..it could be just a resin, I suppose.
0:15:49 > 0:15:55I don't think it's resin because I've got a grain here, and resin is very easy to turn.
0:15:55 > 0:15:58Quite nice turning there. It isn't ivory.
0:15:58 > 0:16:01It's bone, with the open grain down there.
0:16:01 > 0:16:05In that case, I think these will be ebony, won't they? Definitely.
0:16:05 > 0:16:07Definitely. Yes.
0:16:07 > 0:16:11Julie, I ain't got a lot of money! That's an understatement.
0:16:11 > 0:16:13Can I show you what I have... Go on, then.
0:16:13 > 0:16:17..and see if we've got a deal? Let's see if we've got a deal.
0:16:17 > 0:16:20I've got a ten. Yes. I've got...
0:16:20 > 0:16:24I've got ?13.34 left.
0:16:24 > 0:16:27If I have this and you have that, would that be a deal?
0:16:27 > 0:16:31That would be very kind. Thank you. You're welcome. Thank you.
0:16:31 > 0:16:36Result! One chess set, and he's still got 34p left!
0:16:42 > 0:16:45Leaving James Braxton at the antiques fair in St Mary,
0:16:45 > 0:16:49James Lewis has driven ten miles back across the island to St Martins.
0:16:51 > 0:16:54His final destination is Brown's Antiques,
0:16:54 > 0:16:57where its proprietor Mick awaits.
0:16:57 > 0:17:01Ahh! Hello. Hello! Welcome. I'm James. Nice to see you. Mick.
0:17:01 > 0:17:03Dear me, you've got everything!
0:17:03 > 0:17:05I'm looking for something
0:17:05 > 0:17:10that might be more common here but rarer in the UK.
0:17:10 > 0:17:13Something like a little bit of Jersey silver? OK.
0:17:13 > 0:17:15I've got some in the shed. Brilliant.
0:17:15 > 0:17:19The Channel Islands have a long history of silver manufacture,
0:17:19 > 0:17:22with more than 150 makers having either worked on
0:17:22 > 0:17:25or been associated with the islands.
0:17:25 > 0:17:30James is going to enjoy a rummage through Mick's drawers... in the shed.
0:17:30 > 0:17:34They're 1825, 1830, but mint.
0:17:34 > 0:17:36That's the kind of thing that in a UK sale
0:17:36 > 0:17:40would make a few more quid than it would here.
0:17:40 > 0:17:43So, how much are they? 100 quid.
0:17:43 > 0:17:46You've got a good chance of making a profit on that.
0:17:47 > 0:17:48100 quid...
0:17:48 > 0:17:53I mean, if we were to put a little package together,
0:17:53 > 0:17:55erm...
0:17:59 > 0:18:04Little silver box... Not any great age, but pretty.
0:18:04 > 0:18:06Sweet, though, isn't it? Mm-hm.
0:18:08 > 0:18:12And a lady's rouge pot with enamel...
0:18:12 > 0:18:14That's pretty, too. Mm-hm.
0:18:14 > 0:18:18I think they're quite interesting, those silver spoons. Right.
0:18:18 > 0:18:21And I think they're quite nice.
0:18:21 > 0:18:24They're a standard pair, but they're a nice size,
0:18:24 > 0:18:27aren't they? Yes. Usable.
0:18:27 > 0:18:28Er, so 130 and 100...
0:18:28 > 0:18:32What about the little pair of bon-bons?
0:18:32 > 0:18:35Let's go into the shop, have a look in there
0:18:35 > 0:18:39and see what we can find. OK. No problem.
0:18:39 > 0:18:42What about a bundle price, a group price?
0:18:42 > 0:18:44The whole lot? Yes.
0:18:44 > 0:18:45Phew... Geez!
0:18:45 > 0:18:49What about 250 on the lot? JAMES SIGHS
0:18:49 > 0:18:51I couldn't. I'd be nearer 150.
0:18:51 > 0:18:54No. We can't do any business at 150.
0:18:54 > 0:18:55220?
0:18:55 > 0:18:57Go on, James, don't give up.
0:18:57 > 0:19:02180 any good? 200 quid. That's it. Dead.
0:19:04 > 0:19:05If that's your best, I'll take it.
0:19:05 > 0:19:08Thank you, sir. Thank you. Thanks very much.
0:19:08 > 0:19:11Gosh, Jimmy, you're giving it away today.
0:19:11 > 0:19:16200. There we go. Thank you. Thank you very much. Thank you.
0:19:16 > 0:19:18With nearly all his money spent
0:19:18 > 0:19:20but clutching his newly acquired silver,
0:19:20 > 0:19:24it looks like James Lewis has finished his shopping for the day.
0:19:24 > 0:19:27James Braxton will definitely be pushing his luck at his next shop,
0:19:27 > 0:19:30Cohu Antiques in St Lawrence.
0:19:30 > 0:19:32Ahh!
0:19:32 > 0:19:35This looks a fabulous antique shop.
0:19:35 > 0:19:38But I've only got 34p to spend.
0:19:38 > 0:19:43I wonder what 34p buys you in a very splendid antiques shop.
0:19:43 > 0:19:45Yes, it is rather splendid, isn't it?
0:19:45 > 0:19:48And far more splendid than you can afford, I suspect.
0:19:48 > 0:19:51Best to come clean with the owner from the start, James.
0:19:51 > 0:19:56Hello. James. Hi. Steve Cohu. Very nice to meet you, Steve.
0:19:56 > 0:19:59This is a very splendid antique shop. Thank you.
0:19:59 > 0:20:01Come on. There's no point fiddling around.
0:20:01 > 0:20:05We could browse and browse and everything will be too expensive.
0:20:05 > 0:20:10Do you have something you want to get rid of for the principal sum of 34p?
0:20:10 > 0:20:1234 pence? 34 pence. Right. Erm...
0:20:12 > 0:20:17This could be the winner for me! I'm sure we could find something for you for 34 pence.
0:20:17 > 0:20:20So honesty is the best policy.
0:20:20 > 0:20:22But what's he going to offer?
0:20:22 > 0:20:27A job-lot of Chinese porcelain bits and pieces, mostly damaged.
0:20:27 > 0:20:29I bought a big lot from one place,
0:20:29 > 0:20:34stripped out all the perfect pieces and jobbed all this lot together.
0:20:34 > 0:20:36It's Chinese, is it? It's all Chinese, yes.
0:20:36 > 0:20:39There's two bits of New Hall. Oh, New Hall? OK.
0:20:39 > 0:20:42Didn't they use bone or something?
0:20:42 > 0:20:46New Hall actually invented the bone china.
0:20:46 > 0:20:51They sort of... I think Bristol did the first hard-paste in England
0:20:51 > 0:20:54and then New Hall prospered with it
0:20:54 > 0:20:56and were the first successful producer.
0:20:56 > 0:21:00And just such a similar design, as well, isn't it?
0:21:00 > 0:21:03How much have you got on that? 20 for the lot.
0:21:03 > 0:21:06?20? I thought you told him you'd only got 34p!
0:21:06 > 0:21:08Think fast here, James.
0:21:08 > 0:21:13You stay there, Steve. I think I've got something that might help you.
0:21:13 > 0:21:16Funnily enough, I bought this earlier.
0:21:16 > 0:21:20Right. Now, I've got this and some money.
0:21:20 > 0:21:24Here it is. It's not an ivory fellow, but it's a bone one.
0:21:24 > 0:21:27But what I liked about it is,
0:21:27 > 0:21:29it comes from Mayfair, West 1,
0:21:29 > 0:21:33and anything that generally retailed in Mayfair can't be all that bad.
0:21:33 > 0:21:35I bought it for ?13, that.
0:21:35 > 0:21:39I don't think Steve quite believes this.
0:21:39 > 0:21:41Barter is obviously the way forward.
0:21:41 > 0:21:44Now, would you do a trade?
0:21:44 > 0:21:46The chess set plus 34p?
0:21:46 > 0:21:51OK. That's slightly more than my usual discount, but...
0:21:51 > 0:21:52..I suppose.
0:21:52 > 0:21:55Does this owe you a lot of money, then? It doesn't.
0:21:55 > 0:21:57So, it's sort of free. Yes.
0:21:57 > 0:22:01Am I yielding you too much? You're probably getting a deal!
0:22:01 > 0:22:04I actually probably could do without your 34p!
0:22:04 > 0:22:06But it's been offered now, so...
0:22:06 > 0:22:08You take it! ..I'll take it.
0:22:08 > 0:22:1334p... Thank you very much. I'm not even going to ask for a box!
0:22:13 > 0:22:17You want me to bubble-wrap each piece individually! I'm not!
0:22:17 > 0:22:20Well done, James. Going for broke, but still grinning.
0:22:20 > 0:22:23Fingers crossed for the auction.
0:22:24 > 0:22:28Here's a quick reminder of how the boys have been spending their money.
0:22:28 > 0:22:33James Braxton started out with ?123.34 and has spent the lot,
0:22:33 > 0:22:39giving him three auction lots on which his fortunes are now pinned.
0:22:40 > 0:22:44James Lewis started this leg with ?421.94
0:22:44 > 0:22:49and bought various items for ?370, now organised into six lots.
0:22:51 > 0:22:54And were they impressed by one another's selections?
0:22:54 > 0:22:57Without question, James is on the comeback.
0:22:57 > 0:23:01He has picked up some wonderful little bits there.
0:23:01 > 0:23:03I think he's done really well.
0:23:03 > 0:23:06James has bought six good lots, I think.
0:23:06 > 0:23:09I like his sculptural lot, the sandstone lot.
0:23:09 > 0:23:11Well, we'll see.
0:23:11 > 0:23:16Sadly, the time has come to leave the idyllic shores of Jersey,
0:23:16 > 0:23:19make the return voyage back to the mainland, and journey up-country
0:23:19 > 0:23:22to the auction showdown in Wokingham, Berkshire.
0:23:23 > 0:23:26Wokingham has been a market town for over 700 years,
0:23:26 > 0:23:29but was a settlement long before that.
0:23:30 > 0:23:35The boys will now settle their score today at the auction house of Martin and Pole.
0:23:35 > 0:23:39The man with the hammer is Garth Lewis.
0:23:39 > 0:23:40First up for James Lewis,
0:23:40 > 0:23:45it's the 19th-century French Champleve items.
0:23:45 > 0:23:46?30 to start, please.
0:23:46 > 0:23:48?30 if you like.
0:23:48 > 0:23:5220? 20 bid. Thank you. Is there any further?
0:23:52 > 0:23:53At ?20?
0:23:53 > 0:23:56Are you all done at ?20? No! For two?
0:23:56 > 0:23:5922. Thank you. 25.
0:23:59 > 0:24:0228? 30 now. 32.
0:24:02 > 0:24:0435. 38.
0:24:04 > 0:24:0938. It's on my left here at 38. Are you all done?
0:24:09 > 0:24:12What? Small profit of about a fiver, maybe.
0:24:12 > 0:24:17A small profit, but still a profit. First blood to James Lewis.
0:24:17 > 0:24:19Next is this walking stick.
0:24:19 > 0:24:23James Lewis again, with the Edwardian novelty walking cane.
0:24:23 > 0:24:27The old palmwood shaft! Yes! A good bit of palmwood shaft.
0:24:27 > 0:24:30May I say ?100 for it, please? 100?
0:24:30 > 0:24:3580 if you will? Not looking good, palmwood shaft or not.
0:24:35 > 0:24:39Nobody wants it. Try 60, perhaps. No interest at all?
0:24:39 > 0:24:43At 50 we'll go. Start me somewhere. Nobody wants it.
0:24:43 > 0:24:45What? 40 bid. "20, sir!"
0:24:45 > 0:24:49On my extreme left here at 40. Is there any further?
0:24:49 > 0:24:53I can sell it at 40. All done? No way!
0:24:53 > 0:24:56That is insane! 40 pounds...
0:24:56 > 0:25:00Wake up, everyone! LAUGHTER
0:25:00 > 0:25:03Did you feel you'd spotted a right old rip-roaring bargain? I really did.
0:25:03 > 0:25:05Apparently not.
0:25:05 > 0:25:09But it's still a novelty to see James Lewis making a loss.
0:25:09 > 0:25:13Third leg, first item about to come up to the rostrum.
0:25:13 > 0:25:15Your turn next, Brackers,
0:25:15 > 0:25:18with your collection of damaged Chinese porcelain
0:25:18 > 0:25:20and the New Hall bowl.
0:25:20 > 0:25:23Any little profit and I'm there.
0:25:23 > 0:25:27Condition a bit of an issue. They are as viewed. Yep.
0:25:27 > 0:25:29Can I say ?20 for them, please?
0:25:29 > 0:25:31Go on, say ?20. 20 anywhere?
0:25:31 > 0:25:3415 if you like, I don't mind. Come on.
0:25:34 > 0:25:36No interest?
0:25:36 > 0:25:40Ten will do. Start me off at ten, then. Cheeky.
0:25:40 > 0:25:44I have ten. Is there any further? 12 now. Yes, 15.
0:25:44 > 0:25:48In profit. ?15 only, then. On my left at 15, if you're done.
0:25:48 > 0:25:50I'll have to sell at 15, then.
0:25:50 > 0:25:54HE BANGS GAVEL Story of my life. A break even.
0:25:54 > 0:25:56A story with an unhappy ending.
0:25:56 > 0:25:59After auction costs, that's actually a loss.
0:25:59 > 0:26:01Happy with that?
0:26:01 > 0:26:04Am I happy with that? No, I'm not!
0:26:04 > 0:26:08Now, will the tooth fairy shift the desk weight into profit
0:26:08 > 0:26:10for James Lewis?
0:26:10 > 0:26:15Here we go. Elephant desk stand on a colourful canted base.
0:26:15 > 0:26:17Sweet little thing.
0:26:17 > 0:26:21What can I say to start? ?30 for it, please? 30?
0:26:21 > 0:26:26Surely? Oh, dear. I've seen more excitement at the dentist.
0:26:26 > 0:26:2720 if you like, I don't mind.
0:26:27 > 0:26:31Yes, in the front row. 22 now. 22.
0:26:31 > 0:26:3525. 28. 30.
0:26:35 > 0:26:3732. New place.
0:26:37 > 0:26:4035. 38. 40. 42?
0:26:40 > 0:26:4542. Standing on the aisle at 42. Are we all done?
0:26:45 > 0:26:47That's more like it!
0:26:48 > 0:26:50That's all right. Pleased with that.
0:26:50 > 0:26:54So you should be. A clean extraction of a tidy profit!
0:26:54 > 0:26:57Will James Lewis stay on a roll
0:26:57 > 0:27:01as his Japanese Kutani vases go under the hammer?
0:27:01 > 0:27:05Any damage? Yes. Really? Damage, as well. Yes.
0:27:05 > 0:27:0820, if you like. There's 20 on the aisle.
0:27:08 > 0:27:11Any further? Just ?20?
0:27:11 > 0:27:1422. 25. 28. 30.
0:27:14 > 0:27:16?30. Still on the aisle.
0:27:16 > 0:27:19Selling at 30, if you're done...
0:27:19 > 0:27:22Very poor. Very poor.
0:27:22 > 0:27:26Crash and burn. Don't worry, you've banked some big money.
0:27:26 > 0:27:28Don't sound too cocky.
0:27:29 > 0:27:34Next, it's the 1960s Norwegian silver bracelet for James Braxton.
0:27:34 > 0:27:37I can start the bidding here at ?30.
0:27:37 > 0:27:39Is there any further? 32 in the doorway.
0:27:39 > 0:27:4135 here. 38.
0:27:41 > 0:27:45Takes me out. 38. Keep going. 40, halfway down. 42.
0:27:45 > 0:27:4745. 48. 50.
0:27:47 > 0:27:52Lady's bid at ?50, halfway down, if you're done...
0:27:54 > 0:27:57Yes! Well done!
0:27:57 > 0:27:59That is a result for me.
0:27:59 > 0:28:0350 pounds. Well done. Profit. Profit!
0:28:03 > 0:28:08A profit, indeed. Just what James needs to boost his flagging morale.
0:28:08 > 0:28:10Next for James Lewis
0:28:10 > 0:28:12is his assorted collection of silver.
0:28:12 > 0:28:16I can start here at ?160 against you.
0:28:16 > 0:28:19170, 180, 190.
0:28:19 > 0:28:22Takes me out at 190. 200 in the doorway.
0:28:22 > 0:28:26200. 220. 240.
0:28:26 > 0:28:30250 I'll take. Ten more. 260. 260.
0:28:30 > 0:28:34280. 300. 320. 340.
0:28:34 > 0:28:39360. Halfway down at 360. Are we all done at 360?
0:28:39 > 0:28:42It's in the room here at 360...
0:28:42 > 0:28:44Well done. OK.
0:28:44 > 0:28:47360... That's good. ?100 profit.
0:28:47 > 0:28:52Slightly more than ?100, actually, Mr B, but who's counting?
0:28:52 > 0:28:56And now the sandstone carving, bought by James Lewis.
0:28:56 > 0:29:00Problematic because it's dated between 200 and 700 years old,
0:29:00 > 0:29:02which makes it mighty difficult to value.
0:29:02 > 0:29:04Let's see.
0:29:04 > 0:29:08I can start at ?150 against you. That's good.
0:29:08 > 0:29:12Is there any further at 150? 160. Thank you. 170. 180.
0:29:12 > 0:29:16190. 200. 220. 220.
0:29:16 > 0:29:19240. 260.
0:29:19 > 0:29:22260. 280. 300.
0:29:22 > 0:29:24At ?300, then. It's with me, against you.
0:29:24 > 0:29:27320. That's not a 19th-century price, is it?
0:29:27 > 0:29:30340. 360. 380.
0:29:30 > 0:29:34At 380, then. Are you all done? I'm selling at 380.
0:29:34 > 0:29:38Well done, well done, well done. That's good. Not a bad profit.
0:29:38 > 0:29:42I'm pleased with that. I bet you are. ?330 profit.
0:29:42 > 0:29:44Thanks, James. Well done.
0:29:44 > 0:29:46A fantastic result, that!
0:29:46 > 0:29:49Well done, James! That puts you well in the lead.
0:29:49 > 0:29:52However, next up is James Braxton's portrait miniature,
0:29:52 > 0:29:55with a lot of interest in it, according to our auctioneer.
0:29:55 > 0:29:58The miniature. It's going to happen. I think it will.
0:29:58 > 0:30:02I can start the bidding here at ?95. Straight into profit.
0:30:02 > 0:30:04Is there any further?
0:30:04 > 0:30:07100. Thank you. 120. Telephone, as well!
0:30:07 > 0:30:09130. 140.
0:30:09 > 0:30:13Takes me out at ?140. Any further?
0:30:13 > 0:30:18150. It's on the telephone now at 150. Keep going!
0:30:18 > 0:30:21Go on!
0:30:21 > 0:30:24150. I'm happy with that. Brilliant.
0:30:24 > 0:30:29Doubled your money, James. Double your money! Well done! Great!
0:30:29 > 0:30:30An excellent profit.
0:30:30 > 0:30:33But will it be enough to snatch victory from James Lewis?
0:30:33 > 0:30:36Let's do the maths.
0:30:36 > 0:30:40James Braxton started this leg with ?123.34.
0:30:40 > 0:30:44After auction costs, he's made a profit of ?52.96,
0:30:44 > 0:30:50sending him through to the next leg with ?176.30.
0:30:52 > 0:30:56James Lewis started with ?421.94.
0:30:56 > 0:31:00After costs, he's made a profit of ?359.80,
0:31:00 > 0:31:05taking his total to a whopping ?781.74
0:31:05 > 0:31:08and giving him his third victory in a row.
0:31:11 > 0:31:13Well done, James. Well done, you!
0:31:13 > 0:31:17Good results all round, isn't it? Yes.
0:31:19 > 0:31:21And they're off again.
0:31:21 > 0:31:23It's the fourth leg of our road trip
0:31:23 > 0:31:26and experts James Lewis and James Braxton
0:31:26 > 0:31:30are once again hitting the highways in their 1983 Beetle convertible
0:31:30 > 0:31:33as they discuss their fortunes so far.
0:31:33 > 0:31:36I think there is a small ocean between us.
0:31:36 > 0:31:41You're on the up, though. You're on the up. Comeback. Hot on your heels.
0:31:41 > 0:31:45This road trip takes our happy campers from Ampthill in Bedfordshire
0:31:45 > 0:31:47over the channel to Jersey and back,
0:31:47 > 0:31:49to the final destination in Leamington Spa,
0:31:49 > 0:31:54covering almost 1,000 miles. Wow.
0:31:56 > 0:31:58We begin in Barham in Kent
0:31:58 > 0:32:01and ends up in auction at Tring, Hertfordshire.
0:32:05 > 0:32:09The two Jameses are en route to their first shop of the day,
0:32:09 > 0:32:14Stablegate Antiques, but the old Beetle isn't meeting Lord Braxton's very high standards.
0:32:14 > 0:32:18Why can't we have a bloody Bentley like normal people?
0:32:18 > 0:32:20Normal people, James?
0:32:20 > 0:32:25Champagne tastes on a bare income. I'll say no more.
0:32:25 > 0:32:29Antiques. Come on, then. Stablegate Antiques is a family affair based on a farm
0:32:29 > 0:32:33and run by Michael Giuntini and his son, Christian.
0:32:33 > 0:32:36Right, let's have a look in here. The Aladdin's cave.
0:32:36 > 0:32:39He'd better rub an old lamp and hope for a genie, then. Go for it, James.
0:32:41 > 0:32:44James is positively weighed down by his winnings
0:32:44 > 0:32:47with ?781.74!
0:32:50 > 0:32:54What could that be? ?70.
0:32:54 > 0:32:56How about a cheeky 50?
0:32:57 > 0:33:00Oh, I might have to consult the management about that.
0:33:00 > 0:33:03By management, he means his dad.
0:33:03 > 0:33:06Whilst he does that, why don't you enlighten us on your find, James?
0:33:06 > 0:33:09It's a clock that is in the French style.
0:33:09 > 0:33:13This brass and tortoiseshell
0:33:13 > 0:33:15is known as Boulle work,
0:33:15 > 0:33:18that was invented by a chap called Andre Charles Boulle,
0:33:18 > 0:33:21who was cabinetmaker for Louis XIV.
0:33:21 > 0:33:24This one has the brass laid into the tortoiseshell.
0:33:24 > 0:33:26I've said it before and I'll say it again,
0:33:26 > 0:33:31it's been illegal to work with tortoiseshell since new laws were introduced in 1947,
0:33:31 > 0:33:35but anything produced before that time can still be traded. There we go.
0:33:35 > 0:33:37Just in case the first clock is too expensive,
0:33:37 > 0:33:40he's found a second one, and this one in lacquered walnut.
0:33:42 > 0:33:46All right. What news?
0:33:46 > 0:33:51It'll be 60, ?60 possibly. 60. How about that one?
0:33:51 > 0:33:54About the same sort of figure, around the ?60 mark. ?60.
0:33:54 > 0:33:59What's happened here at the front? Is it just... Is that doable, do you think, that lacquer?
0:33:59 > 0:34:01It's a bit of water damage.
0:34:01 > 0:34:06Maybe a little bit of polish on there, maybe. Let's just...
0:34:06 > 0:34:09A good bit of spit normally... HE LAUGHS Spit's always good!
0:34:09 > 0:34:12If in doubt, spit on it! HE LAUGHS
0:34:12 > 0:34:16Disgusting! Stop spitting and start buying. He's thinking, though.
0:34:17 > 0:34:20Something's ticking. He's thinking. Yes.
0:34:20 > 0:34:25No! He's sunk. Don't drop it. I think I'm going to leave that one.
0:34:25 > 0:34:27Well, that was worth the wait, wasn't it?
0:34:27 > 0:34:32That's worth about ?40 to me, but I can understand if you don't want to take that.
0:34:32 > 0:34:35I'll give you 50 for that, though, if that's any good to you.
0:34:35 > 0:34:39OK, we'll do it for 50. 50, you've got yourself a deal.
0:34:39 > 0:34:42Thank you very much. Brilliant. Thank you. There you go.
0:34:42 > 0:34:44Thank you very much, sir. Thank you.
0:34:44 > 0:34:48I've got 40 in hand. Is 40 any good for you on the other?
0:34:48 > 0:34:51I think we can do that for 40. Could you? With the water damage, yeah.
0:34:51 > 0:34:55In that case, hang on, I won't put that back in my pocket.
0:34:55 > 0:34:57There's some more. Thank you very much! All right.
0:34:57 > 0:35:01Elsewhere James Braxton is slumming it in a barn
0:35:01 > 0:35:04with Christian's dad, Michael, and he's got a rather paltry
0:35:04 > 0:35:07?176.30 to spend.
0:35:07 > 0:35:08What about this fella?
0:35:08 > 0:35:11Well, I wrap myself at night in that just to keep warm. JAMES SNEEZES
0:35:11 > 0:35:14Bless you. Well, it would keep you warm. Yes.
0:35:14 > 0:35:18Yes, it's a... Is that the moth or the dust playing with me?
0:35:18 > 0:35:21I should say it's the dust probably. But nice colours.
0:35:21 > 0:35:27Kilims are produced by nomads for use as carpets, bags and tent curtains,
0:35:27 > 0:35:30with different tribes doing different designs.
0:35:30 > 0:35:32Nice but dusty.
0:35:32 > 0:35:35It's just raw wool, isn't it, totally unbleached.
0:35:35 > 0:35:37You've got a bit of damage there. Yeah.
0:35:37 > 0:35:41Terrible old damage. But I did notice... Here we are.
0:35:41 > 0:35:44Magic carpet beater. Oh, yeah. See, look.
0:35:44 > 0:35:47You keep a well-stocked garden shed, I must say.
0:35:47 > 0:35:50I used to get hit with that one. MICHAEL LAUGHS
0:35:50 > 0:35:54No, we don't want to know about your hobbies, Michael.
0:35:54 > 0:35:57Cheeky! How much is a blanket these days?
0:35:57 > 0:36:02I don't know, something like that, 10... Fiver? Yeah, ?5, ?10, I suppose.
0:36:02 > 0:36:04Yeah. I think I'd be happy to give you a fiver for this.
0:36:04 > 0:36:08Good. I am known for my generosity.
0:36:08 > 0:36:10Yeah, well, I'm sure you are. JAMES LAUGHS
0:36:11 > 0:36:14From Barham, our boys travel 16 miles across country
0:36:14 > 0:36:18to Faversham in the Swale district of Kent.
0:36:20 > 0:36:22First, James Braxton has some shopping to do
0:36:22 > 0:36:26at Squires Antiques, run by Anne and her son, Connor.
0:36:26 > 0:36:29Little Mouseman.
0:36:29 > 0:36:31God, that's a well-used breadboard, that, isn't it?
0:36:31 > 0:36:35And it's still fabulous. There's the little mouse.
0:36:35 > 0:36:39Thompson of Kilburn was a very famous maker in Yorkshire
0:36:39 > 0:36:43and he created furniture
0:36:43 > 0:36:46and these were more his novelty things, breadboards,
0:36:46 > 0:36:49but his signature was putting a mouse on an item
0:36:49 > 0:36:53and that's how the name was coined, Mouseman.
0:36:53 > 0:36:56And is there some dramatic movement on the price, Connor?
0:36:56 > 0:36:59Oh, I'm sure there can be, yes. Really? What would you...
0:36:59 > 0:37:03You can have that for 45. There's a good chance you'll...
0:37:03 > 0:37:06Yeah, it's nice, isn't it? Yeah. It's a lovely piece, that.
0:37:06 > 0:37:10Have you got anything market-fresh? Something you've bought recently
0:37:10 > 0:37:14snuggled away? I'm going to let you look at... It's very small.
0:37:14 > 0:37:18Very small. A little locket,
0:37:18 > 0:37:21believed to be gold, but it's not marked,
0:37:21 > 0:37:23but it's a pretty little thing.
0:37:23 > 0:37:28It's very pretty, isn't it? How much do you want for that, Anne?
0:37:28 > 0:37:32I think if you had it for ?35, there might be a profit.
0:37:32 > 0:37:34It's sweet and tiny
0:37:34 > 0:37:37and its size is a novelty, isn't it? Mm.
0:37:37 > 0:37:41Very pretty. Anything else market-fresh?
0:37:41 > 0:37:46Erm, well, we've just put this out this morning. This is collectable because it's LNER.
0:37:46 > 0:37:50Oh, yeah, that's the London North Eastern Railway to you and me.
0:37:50 > 0:37:52It's a railwayman's lamp.
0:37:52 > 0:37:54We have Cheshunt.
0:37:54 > 0:37:57Do you think that might be the man who owned this?
0:37:57 > 0:38:01I suggest it's probably the name of the station.
0:38:01 > 0:38:03Ah. Is there a station there?
0:38:03 > 0:38:06Could be, couldn't it? It's on a plate that's been put on after the event.
0:38:06 > 0:38:09It has, hasn't it?
0:38:09 > 0:38:13I might just see if there's a train station. Don't you just love smartphones?
0:38:13 > 0:38:17New technology to research the old - good move, James.
0:38:17 > 0:38:20He's our modern man, you know? Cheshunt.
0:38:20 > 0:38:23Cheshunt Station, Hertfordshire.
0:38:23 > 0:38:25Which is where the auction is.
0:38:25 > 0:38:27Spooky!
0:38:27 > 0:38:30It's funny how the stars align occasionally, isn't it?
0:38:30 > 0:38:33Stars align.
0:38:33 > 0:38:37And what did you think on that? It could be a similar price to the locket.
0:38:37 > 0:38:40It could be 35, as well. Do you a good discount on that. Yeah.
0:38:40 > 0:38:44Yeah. Right, could I do the whole lot for ?110?
0:38:44 > 0:38:48Give me 115, then. 115, I'm very happy to do that. Yes.
0:38:48 > 0:38:51That's really kind. Thank you very much indeed, Anne.
0:38:51 > 0:38:55So, that's the rail lantern at ?40, the Mouseman cheeseboard at ?40
0:38:55 > 0:38:59and the gold locket for ?35. Nice work!
0:38:59 > 0:39:03Back on the road, though, James Lewis has Beetled into Herne Bay
0:39:03 > 0:39:06for some bracing sea air and hopefully some more antiques.
0:39:06 > 0:39:10James is having a nosy in Interior Interiors,
0:39:10 > 0:39:13run by Roger and Lynne Hampshire.
0:39:15 > 0:39:17So what's James got his eye on now?
0:39:18 > 0:39:24This is what you need for piles, a good suppository mould. I'll have to take your word for it.
0:39:24 > 0:39:29Uh-huh. Apparently, the guy that had those in the war was making lipsticks.
0:39:29 > 0:39:33Was he really? Suppository-shaped lipstick, eh?
0:39:33 > 0:39:36You wouldn't need a handbag to carry them around, would you?
0:39:36 > 0:39:40Instead, what about a vintage sewing machine by makers Wheeler and Wilson?
0:39:40 > 0:39:44It's got those bits
0:39:44 > 0:39:47and it's got a belt drive on it,
0:39:47 > 0:39:49which is very unusual.
0:39:49 > 0:39:52Right. And it's very rare.
0:39:52 > 0:39:54I'd let you have that for 150 quid.
0:39:54 > 0:39:58Cor. That is rare. Yeah.
0:39:58 > 0:40:00Well, make me a bid. Make me a sporting bid.
0:40:00 > 0:40:02I could see that making 50 quid at auction.
0:40:02 > 0:40:06Someone's playing the long game.
0:40:06 > 0:40:09Keep looking. Yep. Keep looking.
0:40:09 > 0:40:10So, he does.
0:40:17 > 0:40:23But he ends up right back where he started for another look at the suppository mould.
0:40:23 > 0:40:2520 quid.
0:40:27 > 0:40:30I can do you 30 quid for these folders.
0:40:30 > 0:40:34Roger's thrown some other pharmaceutical items into the mix.
0:40:34 > 0:40:39The cork crusher would've been used to mould corks into the right size for medicine bottles
0:40:39 > 0:40:44and the paper folders were for, well, folding medical papers.
0:40:44 > 0:40:46And what about the sewing machine?
0:40:46 > 0:40:49All right, I'll offer you ?100 for the sewing machine and these.
0:40:49 > 0:40:53120 it's got to be. I'll give you 105. Hm.
0:40:53 > 0:40:58This is where you say, "Split the difference," I think. OK, all right, how about 110?
0:40:58 > 0:41:01Go on, then, you've worn me down.
0:41:01 > 0:41:04So, that's the three pharmaceutical items for ?30,
0:41:04 > 0:41:07but has he got himself stitched up with that sewing machine at ?80?
0:41:10 > 0:41:14Travelling on from Herne Bay, James Lewis is heading for Rochester
0:41:14 > 0:41:17on the River Medway to continue his shopping.
0:41:17 > 0:41:21Rochester is best known for its cathedral and castle and an epic siege in 1215.
0:41:21 > 0:41:25But the only person likely to be under siege today
0:41:25 > 0:41:30is Bill Mcskimming of Cottage Style Antiques once James starts bargaining with him.
0:41:30 > 0:41:34Ah, hello! Hello. I'm James. Nice to see you. I'm Bill. Nice to meet you.
0:41:34 > 0:41:36Gosh, what a place!
0:41:41 > 0:41:44Eventually, James is caught in a pile of tribal art.
0:41:44 > 0:41:46Can you guess what it is yet?
0:41:46 > 0:41:50You look at the shape and you think immediately Aboriginal, Australian.
0:41:50 > 0:41:53It's called a throwing stick,
0:41:53 > 0:41:55and they were like a boomerang but not quite the same.
0:41:55 > 0:41:59Not all of them were designed to come back.
0:41:59 > 0:42:03This has a much nicer feel to it. It's much heavier.
0:42:05 > 0:42:10Sort of a lignum vitae feel, which is the only wood that doesn't float.
0:42:10 > 0:42:13But the little bits of decoration there
0:42:13 > 0:42:16still feel fairly sharp.
0:42:16 > 0:42:21That might just be pre-war, but those two are certainly later.
0:42:21 > 0:42:24You don't think that's a shield, do you? Or do you?
0:42:24 > 0:42:26No. Cos if you held it, they'd hit your hand and you'd drop it.
0:42:26 > 0:42:31Yeah, there's no way of... Or something to knead the dough?
0:42:31 > 0:42:34Yeah, it could be, couldn't it? Something like that.
0:42:36 > 0:42:39I do like my tribal stuff. How much are they?
0:42:39 > 0:42:42They could be 50.
0:42:42 > 0:42:46Mid-haggle James spies a tiny tortoiseshell snuff box.
0:42:46 > 0:42:49And you know what we say about tortoiseshell.
0:42:49 > 0:42:54It's classic George II, sort of 1720, 1740.
0:42:54 > 0:42:59That lovely flattened hinge. And the shape is typical.
0:42:59 > 0:43:05You often see these with silver piquet decoration in the top, which make a fortune.
0:43:05 > 0:43:13But a moulded edge. And, again, the way it just shuts so perfectly.
0:43:13 > 0:43:17300 years of shutting and it still works.
0:43:17 > 0:43:20That's a lovely little box.
0:43:21 > 0:43:24How much would that be? 20. 20.
0:43:26 > 0:43:29You say 15 and I'll say OK.
0:43:29 > 0:43:32In that case, 15. HE LAUGHS
0:43:32 > 0:43:34Yes? You've got a deal.
0:43:34 > 0:43:36And then he goes back to the boomerang.
0:43:36 > 0:43:39Funny - shouldn't it come back to him?
0:43:39 > 0:43:41Would 20 quid be all right for those bits of tribal art?
0:43:41 > 0:43:45Yeah. Yeah? In that case, you've got a deal on those.
0:43:45 > 0:43:49Well done. Brilliant. Thank you. It's...
0:43:49 > 0:43:52I don't think they're greatly old, but you never know.
0:43:55 > 0:43:59Having completed all his shopping, James Lewis is travelling on to Yalding near Maidstone
0:43:59 > 0:44:03to take a well-earned tea break. As you do.
0:44:03 > 0:44:06He's here to meet Sue Blazye
0:44:06 > 0:44:08who's just warmed up one of her many teapots.
0:44:08 > 0:44:11Hi, how are you? Hi! Welcome to Teapot Island.
0:44:11 > 0:44:12Hi. Thank you very much.
0:44:12 > 0:44:15Sue is absolutely teapotty.
0:44:15 > 0:44:19She bought the tea room in 2002 and has since transformed it
0:44:19 > 0:44:24into a treasure trove of novelty teapots, over 6,000 of them!
0:44:24 > 0:44:26JAMES LAUGHS My goodness!
0:44:26 > 0:44:29Oh, and you sell them, too! Oh, yes.
0:44:29 > 0:44:32The first one of everything belongs to me and then we sell them.
0:44:32 > 0:44:35They're completely mad, aren't they?
0:44:35 > 0:44:39HE LAUGHS I think they're lovely. In the nicest sort of way!
0:44:39 > 0:44:42Britain is a nation of tea-brewing eccentrics,
0:44:42 > 0:44:47drinking an estimated 165 million cups of tea every day,
0:44:47 > 0:44:49a heck of a lot of tea, calling for a heck of a lot of teapots.
0:44:49 > 0:44:52When did it all start? It started in 1983
0:44:52 > 0:44:55when my grandmother gave me a teapot.
0:44:55 > 0:44:57And that's how it started.
0:44:57 > 0:45:00So all these are just in 30 years? Yes. But this is not part of the collection.
0:45:00 > 0:45:05The collection is through that door. Come on, then. Go through the door.
0:45:06 > 0:45:09Originally, teapots were tiny
0:45:09 > 0:45:12and it's said that tea was drunk directly from the spout.
0:45:12 > 0:45:16In the mid-18th century, makers such as Wedgwood and Whieldon
0:45:16 > 0:45:20produced pots shaped like pineapples, cabbages and cauliflowers.
0:45:20 > 0:45:23So the novelty teapot was born.
0:45:23 > 0:45:25Wow.
0:45:26 > 0:45:28They are crazy. Crazy designs.
0:45:28 > 0:45:32Fairly modern or... Yes. 1950s.
0:45:32 > 0:45:37Oh, OK. Not very old ones, just different shapes. We just wanted to collect the different shapes.
0:45:37 > 0:45:43Just ones that you liked. Yes. I love them, but now it's become our life.
0:45:43 > 0:45:46Really? How many have you got altogether?
0:45:46 > 0:45:48Over 6,800 now.
0:45:48 > 0:45:50So this is only the first little bit of it.
0:45:52 > 0:45:55That is a life. These three are really rare.
0:45:55 > 0:45:57By somebody called James Erin.
0:45:57 > 0:46:00So we've got the walrus, rhino...
0:46:00 > 0:46:04And the rain bird. The rain bird's the most expensive.
0:46:04 > 0:46:08She's the rarest. And cost Sue ?1,000.
0:46:08 > 0:46:12So when was James Erin? In the 80s. In the 80s, was he?
0:46:12 > 0:46:16Most of the novelty ones started, I think, 70s, 80s, 90s.
0:46:16 > 0:46:21That was the heyday. And that's what I know more about, the novelty.
0:46:21 > 0:46:24They're more fun than the 18th century ones. They are. They're really exciting.
0:46:24 > 0:46:27I wouldn't be surprised that if one day
0:46:27 > 0:46:30this is in one of the big museums of our country
0:46:30 > 0:46:37as an important catalogued collection of teapots of this generation.
0:46:37 > 0:46:42And with that, it's time for James to wave goodbye to Teapot Island.
0:46:44 > 0:46:48James Braxton has made his way to Charing, 20 miles away.
0:46:48 > 0:46:51His final shop of the day is SV Antiques,
0:46:51 > 0:46:54managed by Nigel Mullarkey. Hello.
0:46:54 > 0:46:57Nigel. Good to see you. Good to see you again.
0:46:57 > 0:47:00You find me at the end of my buying phase.
0:47:00 > 0:47:03I've been to Faversham, bought some quite nice things.
0:47:03 > 0:47:06Have you got any odds and things?
0:47:06 > 0:47:10Yeah, I think if you look out the side there, we might find something. There? I think so. OK, brilliant.
0:47:10 > 0:47:16That's where your cheaper items are. They'll need to be cheap. He's only got ?56.30 to spend.
0:47:20 > 0:47:22Jungle.
0:47:23 > 0:47:27Oh, that looks cheap. Onyx from the Atlas Mountains.
0:47:27 > 0:47:31There's something really comforting about the shape.
0:47:31 > 0:47:33Yeah, if you happen to be a chicken.
0:47:33 > 0:47:39Hasn't quite got enough in there. But if we just pepper them up a bit.
0:47:39 > 0:47:43He's padding out the odd little lot with some old glass bottle stoppers.
0:47:44 > 0:47:48Now, Nigel, how much for that lot? Make it cheap.
0:47:48 > 0:47:5320 quid the lot. 20 quid the lot. Is anybody going to buy that?
0:47:53 > 0:47:57Or am I the stupidest man in antiques?
0:47:57 > 0:47:59'Er, no comment.'
0:47:59 > 0:48:02Could you do 15, Nigel? I thought I was a bad buyer.
0:48:02 > 0:48:05THEY LAUGH
0:48:05 > 0:48:08Go on, let's have a deal. 15, go on. Let's put it there.
0:48:08 > 0:48:11I think the joke could be on me. Or me.
0:48:11 > 0:48:13THEY LAUGH
0:48:13 > 0:48:18With shopping completed, here's a quick reminder of how much they've spent.
0:48:18 > 0:48:23James Braxton started this leg of the road trip with ?176.30
0:48:23 > 0:48:26and has spent ?135 on five lots,
0:48:26 > 0:48:31leaving him with a cash reserve of ?41.30. Tight!
0:48:32 > 0:48:36James Lewis started with ?781.74 and bought six lots
0:48:36 > 0:48:39costing ?235,
0:48:39 > 0:48:44leaving him with a seriously healthy balance of ?546.74.
0:48:44 > 0:48:50So come on, let's hear what they really thing of one another's antique booty.
0:48:50 > 0:48:52I love that little book locket.
0:48:52 > 0:48:57It's one of those things that appeals to more than one collecting angle.
0:48:57 > 0:49:00I think that is probably the star lot for him.
0:49:00 > 0:49:03I don't think James has much to fear with a boxed sewing machine,
0:49:03 > 0:49:05belt-driven, which is very unusual.
0:49:07 > 0:49:11There's only one way to find out who will be victorious in today's competition.
0:49:13 > 0:49:18From Charing, our experts embark on the final 100 miles of today's trip
0:49:18 > 0:49:20to the auction in Tring in Hertfordshire.
0:49:21 > 0:49:24This is it. Righty-ho!
0:49:25 > 0:49:28Whoa! How about that?
0:49:28 > 0:49:30Perfect! Perfick! Well done.
0:49:30 > 0:49:36See, I haven't lost my technique of stopping this damn car. I'm hoping for better luck in there.
0:49:36 > 0:49:40Today our experts are going head-to-head at Tring Market Auctions.
0:49:40 > 0:49:45Established in 1832, it's one of the best-known salerooms in the home counties.
0:49:45 > 0:49:50Auctioneer Stephen Hearn is in charge.
0:49:52 > 0:49:56What's your first lot? Aboriginal club. G'day! G'day!
0:49:56 > 0:50:00First up for James Lewis, it's the selection of tribal objects,
0:50:00 > 0:50:03boomerang, club and carved bowl.
0:50:03 > 0:50:06I'd like to see 100 for it. 50 or 40?
0:50:06 > 0:50:10Yes, 40 we've got for that one, surely. Yes. And 5.
0:50:10 > 0:50:1250. 5. 60. 5. 70.
0:50:12 > 0:50:155. 80. 5. 90.
0:50:15 > 0:50:18At ?90 on my left, then. At ?90. Thank you.
0:50:18 > 0:50:21GAVEL BANGS Good job!
0:50:21 > 0:50:24That was quick and easy, wasn't it? Tribal art - it's the future.
0:50:24 > 0:50:28Strewth! A bonza start for James Lewis.
0:50:29 > 0:50:31It's the first lot now for James Braxton,
0:50:31 > 0:50:33the gold and enamel book pendant.
0:50:33 > 0:50:36A nice lot. It's worth ?70.
0:50:36 > 0:50:38Or 50. Or 40.
0:50:38 > 0:50:4030. 5. 40. 5.
0:50:40 > 0:50:4350. And 5. 60. And 5 now.
0:50:43 > 0:50:47Sitting down. ?60 if there's no further bids, then.
0:50:47 > 0:50:50It's yours, sir, at ?60. Thank you. GAVEL BANGS
0:50:50 > 0:50:53Not quite what I was hoping for.
0:50:53 > 0:50:59But, but still a profit. Well done, Brackers!
0:50:59 > 0:51:03Time for the first of James Lewis's clocks to go under the hammer.
0:51:03 > 0:51:06The red Boulle work jobbie.
0:51:06 > 0:51:10What about 100 for it? Or 50 for it? Yes, 50 I've got for that one.
0:51:10 > 0:51:13Thank you. 5. 60. 5.
0:51:13 > 0:51:1570. 5. 80.
0:51:15 > 0:51:19Shall we go 90. Yes. And 100?
0:51:19 > 0:51:23No more? ?90. 5. Just a fiver. It all helps, you know?
0:51:23 > 0:51:2995, then, I'm selling it. It's going to sell for ?95, then.
0:51:29 > 0:51:32GAVEL BANGS Thank you. It's a working profit.
0:51:32 > 0:51:35Double your money, isn't it? Yeah.
0:51:35 > 0:51:37Yeah. I thought that might have made a bit more.
0:51:37 > 0:51:39Don't get too excited, will you, James?
0:51:39 > 0:51:42There's nothing wrong with a ?45 profit.
0:51:44 > 0:51:48James Lewis's other timepiece now, the walnut jobbie.
0:51:48 > 0:51:515. 60. 5.
0:51:51 > 0:51:5570. Well done. 5 now. At 70, and 5 it is.
0:51:55 > 0:51:58At ?70, then, you're out at ?70. And 5.
0:51:58 > 0:52:0175. 80. 5.
0:52:01 > 0:52:04See? At ?80. It's doing well. And I shall sell.
0:52:04 > 0:52:06For ?80 then, thank you. GAVEL BANGS
0:52:06 > 0:52:09?80. Yeah. Another profit, which is good.
0:52:09 > 0:52:12That's good! That's good!
0:52:12 > 0:52:14No time to celebrate, though.
0:52:14 > 0:52:17Victory for James Lewis isn't a foregone conclusion.
0:52:17 > 0:52:20Next it's James Braxton's pine bowl
0:52:20 > 0:52:25with the green onyx eggs and the glass stoppers. Groovy.
0:52:25 > 0:52:28There you are. Useful lot to somebody.
0:52:28 > 0:52:31Where will we start? ?20 for them? Tenner for them?
0:52:31 > 0:52:348 for them. 9 for them. 10 for them.
0:52:34 > 0:52:36Madam, you're missing that... 12!
0:52:36 > 0:52:3915 anywhere? 15 I'm bid for those.
0:52:39 > 0:52:4118 I've got for them!
0:52:41 > 0:52:45Oh, go on! Go on! 20?
0:52:45 > 0:52:49No, 18's got them, then. I'll sell them for ?18, then.
0:52:49 > 0:52:52A tiny profit, but at least it's not a loss.
0:52:52 > 0:52:54HE LAUGHS
0:52:54 > 0:52:56No wonder he's still smiling.
0:52:57 > 0:53:01James Lewis's Georgian tortoiseshell snuff box is up next.
0:53:01 > 0:53:06It's smaller than I remember it. It is.
0:53:06 > 0:53:10Have I got ?70 for it? Or 50? I'd give you 70. Oh, no!
0:53:10 > 0:53:12Come on! 40, yes.
0:53:12 > 0:53:1540 we're bid, then. 5 now. At ?40. No!
0:53:15 > 0:53:1945. 50. 5. 60. And 5.
0:53:19 > 0:53:23And 70. And 5. And 80.
0:53:23 > 0:53:25And 5. 90?
0:53:25 > 0:53:30At ?85. I want it! 5, is it? Too much.
0:53:30 > 0:53:33No more, then, at ?95. Are you out, madam?
0:53:33 > 0:53:37Sir's got it for ?95. Thank you. GAVEL BANGS
0:53:37 > 0:53:43A good profit, but... ?80 profit. That's a great profit. Yeah. Yeah.
0:53:43 > 0:53:46A great profit on the snuff box. ?80 is not to be sneezed at.
0:53:47 > 0:53:50Next for James Braxton, it's the railwayman's lantern
0:53:50 > 0:53:55from Cheshunt Station, just over 30 miles away from the auction.
0:53:55 > 0:53:59There you are, local object there. ?80 for it. 80.
0:53:59 > 0:54:01Railway piece. Yes, 80 or 50?
0:54:01 > 0:54:0340. 5. 50.
0:54:03 > 0:54:065. 60.
0:54:06 > 0:54:095. 70. Well done. 5. No more?
0:54:09 > 0:54:13OK, then, ?75. That's all right, isn't it?
0:54:13 > 0:54:17At ?75. Thank you! Well done.
0:54:17 > 0:54:20Pleased with that. Yeah, that's a find.
0:54:20 > 0:54:24James Braxton's fortunes have really taken a turn for the better.
0:54:24 > 0:54:28He'll struggle to win the war, but at this rate, he could still take the battle.
0:54:29 > 0:54:32Next up for James Lewis is the collection of pharmaceutical items,
0:54:32 > 0:54:35including paper folders and suppository mould.
0:54:35 > 0:54:37Now, no jokes about this being a bum deal.
0:54:37 > 0:54:40There you are. You can take that one home and do as you please.
0:54:40 > 0:54:44What about ?60 for them? ?40?
0:54:44 > 0:54:475. ?50. 5. ?60.
0:54:47 > 0:54:505. ?70. 5. ?80. Really?
0:54:50 > 0:54:53Madam, one more.
0:54:53 > 0:54:55No? At ?80, then, they're going to be sold.
0:54:55 > 0:54:57That's good, isn't it?
0:54:57 > 0:54:59For ?80, then. Very good. GAVEL BANGS
0:54:59 > 0:55:02Thank you very much. It's really good, really good. Well done him.
0:55:02 > 0:55:05And how much did you buy those for? 30.
0:55:06 > 0:55:09Piles of profit from the suppository mould.
0:55:09 > 0:55:13If that doesn't leave James Lewis smiling, nothing will.
0:55:13 > 0:55:17It's time for James Braxton's next item, the Mouseman breadboard.
0:55:17 > 0:55:21There you are, what about ?80 for it? 80? Or 50? Or 40?
0:55:21 > 0:55:2440 I'm bid for it. Not a lot of money, you know?
0:55:24 > 0:55:275. 50. 5. 60.
0:55:27 > 0:55:315. 70. 5. 80. 5. 90 now.
0:55:31 > 0:55:3385. 90 is it?
0:55:33 > 0:55:3690 I'm bid for it! Are you five?
0:55:36 > 0:55:40Sorry, no. No? 90 has it, then. THEY SNIGGER
0:55:40 > 0:55:43I shall sell it. Down it goes. We sell at ?90, then.
0:55:43 > 0:55:46?32. More than double your money.
0:55:46 > 0:55:49Double your money, gosh. Braxton's back!
0:55:49 > 0:55:51Brackers is indeed back with a vengeance.
0:55:51 > 0:55:55This is his best auction so far.
0:55:56 > 0:56:00Next it's James Lewis's Victorian sewing machine.
0:56:00 > 0:56:04We ought to be talking ?100 for it, surely.
0:56:04 > 0:56:08100 or 50? I thought so. At 50. Yes, 50 I'm bid.
0:56:08 > 0:56:1260 I'm bid. 70. 80. Hey? One more. 90.
0:56:12 > 0:56:16It's got to be ?100. 100 I've got, there you go.
0:56:16 > 0:56:19100 we're bid. 10 is it? Yes.
0:56:19 > 0:56:22And 20. Are you 30? 130.
0:56:22 > 0:56:26Consultation. Yes? 140!
0:56:26 > 0:56:28There you go, then, at ?140.
0:56:28 > 0:56:33And 50. You've lost it, then. At ?140, then.
0:56:33 > 0:56:35Thank you. Well done!
0:56:35 > 0:56:38I'm stunned at that.
0:56:38 > 0:56:42I was absolutely convinced that was going to make 30 quid. Get away!
0:56:42 > 0:56:45He seems to have surprised himself with that one, then,
0:56:45 > 0:56:47but he doesn't have the competition stitched up yet.
0:56:48 > 0:56:52Last for James Braxton is his kilim rug.
0:56:52 > 0:56:54It needs to sell for more than ?232
0:56:54 > 0:56:57if he stands a chance of winning this leg.
0:56:57 > 0:57:00Nice rug, that one. Lovely.
0:57:00 > 0:57:03What about ?100 for it? 50 for it?
0:57:03 > 0:57:0640, surely, then! Yes, it's 40.
0:57:06 > 0:57:09Oh, well done! Well done!
0:57:09 > 0:57:12We're not there yet, surely. 50 I'm bid. 60. And 5. 70.
0:57:12 > 0:57:145. And 80 from madam.
0:57:14 > 0:57:17?80. Never mind the hole.
0:57:17 > 0:57:19Shh! Shh! 5, anyone?
0:57:19 > 0:57:22At ?80 then, madam.
0:57:22 > 0:57:25I shall sell it, then, for ?80. GAVEL BANGS
0:57:25 > 0:57:29Well done. Very pleased with that. Well done, James. Brilliant!
0:57:29 > 0:57:31That really is a magic carpet,
0:57:31 > 0:57:36giving Brackers a ridiculous 1,500% profit!
0:57:36 > 0:57:40Not enough to win today's auction, though, but it's a victory of sorts.
0:57:40 > 0:57:43It's the first time on this road trip that he hasn't made a loss!
0:57:45 > 0:57:49James Braxton started the show with ?176.30,
0:57:49 > 0:57:53and after auction costs, he's made a profit of ?129.86,
0:57:53 > 0:57:58Sending him through to the next round with ?306.16.
0:57:59 > 0:58:04However, James Lewis started with ?781.74,
0:58:04 > 0:58:08and after auction costs, he's made a profit of ?240.60,
0:58:08 > 0:58:13taking his total to an almighty ?1022.34
0:58:13 > 0:58:16and his fourth victory in a row.
0:58:18 > 0:58:21Ah, pleased with that. Well done, you.
0:58:21 > 0:58:23Very pleased with that. Yeah, that's good.
0:58:23 > 0:58:28You take the leg, but I am definitely showing better performance.
0:58:28 > 0:58:31Healthy profits. Healthy profits. Come on. Good.
0:58:31 > 0:58:35So, it's onwards and upwards!