Smith, J.

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0:00:02 > 0:00:03Welcome to Cash in the Attic,

0:00:03 > 0:00:06the show where we help people who've got a special project in mind,

0:00:06 > 0:00:08but need some funds to complete it.

0:00:08 > 0:00:11That means looking through their homes for antiques and collectables

0:00:11 > 0:00:14which hopefully we can sell at auction.

0:00:14 > 0:00:17It can be difficult to know what to part with and what to keep,

0:00:17 > 0:00:19especially if you've got a few inherited items,

0:00:19 > 0:00:23and that's the dilemma posed for today's family.

0:00:42 > 0:00:44Coming up on Cash In The Attic...

0:00:44 > 0:00:46A solitaire diamond ring

0:00:46 > 0:00:49provokes a startling proposal from our expert Jonty.

0:00:49 > 0:00:51- There you go.- Ah! Will you marry me?

0:00:51 > 0:00:54I'm already married. Couldn't possibly.

0:00:54 > 0:00:56Good advice is freely given,

0:00:56 > 0:00:59but it's up to others whether they take it or not.

0:00:59 > 0:01:01- So, have I persuaded you to keep this or not?- No.

0:01:01 > 0:01:03HE LAUGHS

0:01:03 > 0:01:06And at auction, are Jonty and I getting our hopes up?

0:01:06 > 0:01:09- We'll probably all go out for a really nice dinner, won't we?- Yeah.

0:01:09 > 0:01:12- That sounds nice.- We'll come too!

0:01:12 > 0:01:14We weren't invited, Jonty.

0:01:14 > 0:01:18Save your enthusiasm, Jonty, for when the final hammer falls.

0:01:19 > 0:01:22Today, I've come to Suffolk to meet Jane Smith,

0:01:22 > 0:01:26who's hoping to get some money together to help her son's band.

0:01:26 > 0:01:30Jane was born and has lived in Suffolk for most of her life.

0:01:30 > 0:01:32She's handled admin for many firms,

0:01:32 > 0:01:35including the building company owned by Trevor,

0:01:35 > 0:01:38her husband of 21 years.

0:01:38 > 0:01:41He already had three boys of his own when they first met.

0:01:41 > 0:01:42Their later boys,

0:01:42 > 0:01:44Josh, the drummer, who's still at school,

0:01:44 > 0:01:47and Will, a university student,

0:01:47 > 0:01:48can't be here today,

0:01:48 > 0:01:52but Will's girlfriend Scarlett has been drafted in to help.

0:01:52 > 0:01:55Youngest son Josh keeps his drum kit in there.

0:01:55 > 0:01:57It looks pretty complete. I wonder what he needs to add?

0:01:57 > 0:02:04This is a big house. It's been added to over the years.

0:02:04 > 0:02:07Trevor has even installed a garage and workshop for his boys' toys.

0:02:07 > 0:02:10We'll be grateful today for the expert advice

0:02:10 > 0:02:12of a man who has over 30 years'

0:02:12 > 0:02:15experience with antiques - Jonty Hearnden.

0:02:15 > 0:02:19While he makes a start, I'll meet our host in the kitchen dining area.

0:02:19 > 0:02:20Morning!

0:02:20 > 0:02:23- Hello!- Hi.

0:02:23 > 0:02:25- Who are these? - This is Harry, this is Jasper.

0:02:25 > 0:02:28- They're beautiful, aren't they? How old are they?- 11.

0:02:28 > 0:02:3011. Crikey. They're lovely dogs.

0:02:30 > 0:02:32They look very obedient.

0:02:32 > 0:02:34- Or is that cos you've just fed them? - No, they are good boys,

0:02:34 > 0:02:37- but they're a bit old and grumpy now. - I know someone like that!

0:02:37 > 0:02:40Jonty's with me today, just so you know.

0:02:40 > 0:02:42He's going to be your expert.

0:02:42 > 0:02:44So, Jane, you've called in Cash In The Attic.

0:02:44 > 0:02:47- What do you want to raise the money for? - I want to raise money for Josh's -

0:02:47 > 0:02:52my 16-year-old son - for a PA system to go with his drums.

0:02:52 > 0:02:56- Is this something he wants to pursue as a career?- Yeah.- It is. Right, OK.

0:02:56 > 0:03:00So, how much money are we talking about, then, for a PA system?

0:03:00 > 0:03:05Well, I think probably 500 or £600 at the lower end of the market.

0:03:05 > 0:03:07You can obviously go up to thousands of pounds.

0:03:07 > 0:03:10What do you think about this PA idea?

0:03:10 > 0:03:12It's a really good idea. Josh is really good

0:03:12 > 0:03:15and it'd be a really nice thing for him to have.

0:03:16 > 0:03:21Yes. Judging by this, I'm not convinced he really needs it!

0:03:21 > 0:03:24But £600 will provide quite a few extra decibels

0:03:24 > 0:03:26alongside Josh's drum kit.

0:03:26 > 0:03:29I'm certain, however, that any moment now,

0:03:29 > 0:03:32we'll be finding out from Jonty that he's already spotted

0:03:32 > 0:03:35something valuable that's worth a good roll on those drums.

0:03:35 > 0:03:39- Oh, Jonty. In the garage. Might have known!- Look what I've found.

0:03:39 > 0:03:43How about this? What do you think? Something for the auction sale?

0:03:43 > 0:03:46My husband said it should go straight in the skip. He doesn't like it.

0:03:46 > 0:03:49It's lived out here now for about ten years.

0:03:49 > 0:03:52- Where did it come from? - A house we were working in.

0:03:52 > 0:03:56I bought it as a bit of a job lot with a few other bits and pieces,

0:03:56 > 0:03:57and paid 70 quid for.

0:03:57 > 0:04:01If we look at the style of this particular piece of furniture,

0:04:01 > 0:04:04I would ordinarily call something like this a Davenport,

0:04:04 > 0:04:07but those were very petite, small writing tables.

0:04:07 > 0:04:10This is a little bit more substantial,

0:04:10 > 0:04:13so I'd probably call this something like a clerk's desk.

0:04:13 > 0:04:16But it's incredibly ornate, which will give us

0:04:16 > 0:04:20some indication of its age, because this is late 19th century.

0:04:20 > 0:04:23But not necessarily made in the UK.

0:04:23 > 0:04:25You can tell that by looking at the lock.

0:04:25 > 0:04:28We have a door here with a bank of drawers behind it,

0:04:28 > 0:04:31and the lock there is definitely French.

0:04:31 > 0:04:34So this piece of furniture was made in probably 1880 or 1890

0:04:34 > 0:04:39in France, and is inspired by a much earlier design.

0:04:39 > 0:04:42So it almost feels like it's a medieval piece of furniture.

0:04:42 > 0:04:46- I didn't realise it was that old. - Yeah, that's where it's come from.

0:04:46 > 0:04:48The material is oak, and it's all been stained

0:04:48 > 0:04:51to look as if it's really very ancient as well.

0:04:51 > 0:04:54- So, have I persuaded you to keep this or not?- No.

0:04:54 > 0:04:55HE LAUGHS

0:04:55 > 0:04:59Righty-oh. So, off to auction it goes.

0:04:59 > 0:05:01It does need a bit of restoration.

0:05:01 > 0:05:04If you look here, the moulding on this side here

0:05:04 > 0:05:06has completely disappeared.

0:05:06 > 0:05:10- There is some in one of the drawers somewhere.- Oh, we've got that?

0:05:10 > 0:05:13That's good. That would cost quite a bit to carve out.

0:05:13 > 0:05:16So, value at auction at the moment, in this state,

0:05:16 > 0:05:19I think we're looking at between 100 and £150.

0:05:19 > 0:05:22- I'm impressed. - So you should be, Jane.

0:05:22 > 0:05:25Thank heavens your hubby didn't throw it on the skip!

0:05:25 > 0:05:27Spurred on by this early success,

0:05:27 > 0:05:29we get stuck into our treasure hunt.

0:05:29 > 0:05:33These 17 rooms offer so many nooks and crannies worth searching.

0:05:33 > 0:05:37Jane suddenly recalls some silver pieces

0:05:37 > 0:05:40in a chest of drawers in the hall.

0:05:40 > 0:05:43The cigarette case belonged to George Elliott, her great-uncle,

0:05:43 > 0:05:46who'd been a prisoner of war in the 1940s.

0:05:46 > 0:05:48The chunky necklace comes from nearby Bury St Edmunds,

0:05:48 > 0:05:52and together with the bracelet, Jonty values them at £40-80.

0:05:52 > 0:05:54They aren't the only family heirlooms

0:05:54 > 0:05:58- in this house, as Scarlett has discovered.- Look at that.

0:05:58 > 0:06:00- It's massive, isn't it?- Yeah.

0:06:00 > 0:06:04So, what's this doing in this house? Any idea?

0:06:04 > 0:06:08This is a butter churn that was passed down from Jane's great-auntie

0:06:08 > 0:06:10and then inherited to Jane's mum

0:06:10 > 0:06:13- and then given down to Jane.- OK.

0:06:13 > 0:06:16Well, it's not a butter churn. It should say it's a water filter

0:06:16 > 0:06:18on the front. Let's have a look.

0:06:18 > 0:06:20So let's see exactly what it says on here.

0:06:20 > 0:06:23Silicated Carbon Filter Company, Ltd.

0:06:23 > 0:06:25Not exactly does it say "water filter",

0:06:25 > 0:06:28but that's really what we're looking at.

0:06:28 > 0:06:31This massive great big Victorian water filter.

0:06:31 > 0:06:35So, in here, it wasn't milk that you put in here to turn into butter.

0:06:35 > 0:06:39In here, you would have poured ordinary water.

0:06:39 > 0:06:44If you think about it, in London or any other major city 100 years ago,

0:06:44 > 0:06:48- the water wasn't as pure as it is coming out of our taps today.- Yeah.

0:06:48 > 0:06:52You see the hole at the bottom there? There would have been a tap.

0:06:52 > 0:06:55We're missing a base. There's no way you could have a tap on the floor.

0:06:55 > 0:06:57- Also, can you see those rings on the inside?- Yeah.

0:06:57 > 0:07:01That means that this would have been hand-thrown

0:07:01 > 0:07:05on a massive great big potter's wheel.

0:07:05 > 0:07:07So that's all hand-done,

0:07:07 > 0:07:10and all of this is applied at a later date.

0:07:10 > 0:07:14- Now, this...feel the coldness of that.- Yeah.

0:07:14 > 0:07:17The material that's used is known as salt glaze,

0:07:17 > 0:07:20which is fired at a very high temperature.

0:07:20 > 0:07:23An object like this, there's not a lot you can use it for,

0:07:23 > 0:07:26so it is valued purely for its decorative reasons only.

0:07:28 > 0:07:31- So, at auction we're looking at £40-60.- Yeah, that's brilliant.

0:07:31 > 0:07:32- Really good.- Yeah?

0:07:32 > 0:07:35Yeah, she'll be really happy with that.

0:07:35 > 0:07:38You'll have to tell her it's not a butter churn now! Come on.

0:07:39 > 0:07:42Let's hope we can filter the timewasters from the serious bidders

0:07:42 > 0:07:46when the Victorian stoneware goes to auction.

0:07:46 > 0:07:49In the hallway, I'm intrigued by a beautiful Art Deco lamp,

0:07:49 > 0:07:53with a striking female fencer poised at the ready.

0:07:53 > 0:07:56But she seems to have lost her foil. No matter -

0:07:56 > 0:07:59Jonty feels this could still do well at auction,

0:07:59 > 0:08:01and suggests an estimate of £50-80.

0:08:03 > 0:08:06Now, this is a wonderful place. How long have you been here?

0:08:06 > 0:08:11- About 21 years.- So, was it like this when you bought it?

0:08:11 > 0:08:13No, it's grown somewhat since we've been here.

0:08:13 > 0:08:17We've extended two or three times.

0:08:17 > 0:08:19So how did you and Trevor meet?

0:08:19 > 0:08:23- It was all down to a broken water pump.- Sounds romantic(!)

0:08:23 > 0:08:26- Carry on.- It does, doesn't it(?)

0:08:26 > 0:08:32I was working in a Daihatsu franchise years ago, and his water pump broke.

0:08:32 > 0:08:34So he broke down, and he had to spend

0:08:34 > 0:08:37two or three hours in the garage where I worked,

0:08:37 > 0:08:39in the reception area,

0:08:39 > 0:08:42so we got chatting,

0:08:42 > 0:08:45and one of my friends said, "I think Mr Smith is going to ask you out."

0:08:45 > 0:08:49So I kept hiding away then, cos I was just too embarrassed.

0:08:49 > 0:08:52When he finally called, I said, "Yes, we'd like to go for lunch."

0:08:52 > 0:08:54- August 1, 1989.- Really?- Yeah.

0:08:54 > 0:08:57So what was he doing when you met him?

0:08:57 > 0:08:59He'd just started his own building business.

0:08:59 > 0:09:01He trained as a carpenter, and I think he'd been

0:09:01 > 0:09:04on his own for about a year and a half to two years

0:09:04 > 0:09:06before I met up with him.

0:09:06 > 0:09:09- And is that something you're involved in?- Yes.

0:09:09 > 0:09:11I do all the administration and Trevor goes out

0:09:11 > 0:09:13and meets people and gets the jobs.

0:09:13 > 0:09:17So, how do you find that? Because not everyone can work with their...

0:09:17 > 0:09:21Do you know what? As long as we're not in the office together, it works.

0:09:21 > 0:09:24- What happens if you are in the office together?- One of us leaves!

0:09:24 > 0:09:25LORNE LAUGHS

0:09:25 > 0:09:27But that's how it goes.

0:09:27 > 0:09:29Whichever way works for you is a good way.

0:09:29 > 0:09:33Tell me a little bit about Josh's music thing. When did you realise

0:09:33 > 0:09:35he had quite a talent for the drums?

0:09:35 > 0:09:40Well, he was only about six when we bought him his first drum kit,

0:09:40 > 0:09:45which is a common thing for a six-year-old boy to want, isn't it?

0:09:45 > 0:09:48He was eight or nine when he started having proper lessons,

0:09:48 > 0:09:49and he still has them now.

0:09:51 > 0:09:53Not only has he learnt a lot over the years,

0:09:53 > 0:09:57he's also definitely got a natural talent for them.

0:09:57 > 0:09:59It's quite dedicated, isn't it?

0:09:59 > 0:10:02Cos most little boys go through a stage of wanting a drum kit,

0:10:02 > 0:10:04- but it's just one of the phases, isn't it?- Yeah.

0:10:04 > 0:10:06This isn't a phase.

0:10:06 > 0:10:11So when did you become aware that he needed to have this PA system?

0:10:11 > 0:10:14It was when he was practising for one of his gradings,

0:10:14 > 0:10:16and I was listening to him practise,

0:10:16 > 0:10:19and I could see that he couldn't really hear the music

0:10:19 > 0:10:21above his drums, and that's when he said,

0:10:21 > 0:10:25- "Really, I need a decent PA system." - I don't want to get his hopes up

0:10:25 > 0:10:27and then let him down, so shall we see whether

0:10:27 > 0:10:30- Jonty's found some more stuff to go in the pot?- Yeah.

0:10:32 > 0:10:35Talk of the devil - here he is, in one of the bedrooms.

0:10:35 > 0:10:38He's located a large collection of costume jewellery

0:10:38 > 0:10:41which originally belonged to Jane's great-grandmother.

0:10:41 > 0:10:46Jonty puts an estimate of £50-70 on this little box of treasure.

0:10:48 > 0:10:51Costume jewellery's all very well,

0:10:51 > 0:10:52but I like to go one bit further.

0:10:52 > 0:10:55And hey, I think I've just found some real bling.

0:10:55 > 0:10:58Jonty, Scarlett, are you there?

0:10:58 > 0:11:01Oh, look at that!

0:11:01 > 0:11:04Do you know any of the history of this at all, Scarlett?

0:11:04 > 0:11:07- I think it all belongs to Jane. - Have you ever seen her wearing gold?

0:11:07 > 0:11:08Not really.

0:11:08 > 0:11:10She's more into the silver, I think.

0:11:10 > 0:11:13Can I have a look at this one first of all?

0:11:13 > 0:11:16What we're looking for is hallmarks, because, of course,

0:11:16 > 0:11:18you can have gold metal, but the big difference is

0:11:18 > 0:11:21it has to be hallmarked. What you need is a little glass

0:11:21 > 0:11:25like this, because hallmarks are very difficult to find sometimes.

0:11:25 > 0:11:28Now, what can I see?

0:11:29 > 0:11:32It says 375. Can you see that?

0:11:32 > 0:11:34You hold that up to your eye there.

0:11:34 > 0:11:37- Can you see 375?- Yeah.- Yeah?

0:11:37 > 0:11:41That means that this bracelet here is nine-carat gold. Hurrah!

0:11:41 > 0:11:42Cos that's fabulous.

0:11:42 > 0:11:44OK. That's wonderful there.

0:11:44 > 0:11:47Let's have a look at this one here.

0:11:48 > 0:11:51Now, this is really faint. Very tiny marks.

0:11:51 > 0:11:55They're actually worn, as well. But that is nine-carat gold.

0:11:55 > 0:11:58In fact, most of it looks like it's nine-carat,

0:11:58 > 0:12:00cos when you get to 18 or 22, it gets

0:12:00 > 0:12:03a lot of a warmer honey colour, whereas this is all quite yellow,

0:12:03 > 0:12:06- isn't it?- Yeah. - So this all looks like

0:12:06 > 0:12:09- it's more or less the same colour, doesn't it?- Absolutely.

0:12:09 > 0:12:11Can you see all of that is the same colour there?

0:12:11 > 0:12:13Could we put all that into auction?

0:12:13 > 0:12:16Yeah, I think you'd do well at auction with all of this.

0:12:16 > 0:12:17We've got bracelets,

0:12:17 > 0:12:21- we've got another bracelet there. - It's a good mixture of things.- Yeah.

0:12:21 > 0:12:24One earring! Now, gold like this

0:12:24 > 0:12:27is more often than not sold by its weight.

0:12:27 > 0:12:31Right now, gold is selling incredibly well,

0:12:31 > 0:12:33so I suspect in front of us, we've easily got

0:12:33 > 0:12:35between £200 and £300 worth of gold.

0:12:35 > 0:12:38- Yeah, that's brilliant. - It's the perfect time

0:12:38 > 0:12:40to put this on the market, so well-spotted, Lorne,

0:12:40 > 0:12:42- that's wonderful news.- Good.

0:12:42 > 0:12:44We're confident this nine-carat jewellery

0:12:44 > 0:12:47will be worth its weight in gold in the auction room.

0:12:47 > 0:12:49220, 230, 240,

0:12:49 > 0:12:51250, 260,

0:12:51 > 0:12:54270, 280, 290,

0:12:54 > 0:12:55300, 320...

0:12:55 > 0:12:58But crikey! Just how far can it possibly go?

0:12:58 > 0:12:59400...

0:12:59 > 0:13:02We've all that excitement still to come.

0:13:02 > 0:13:06But we're continuing in Suffolk today to scour this rambling house

0:13:06 > 0:13:09for more knick-knacks to add to the fund for the PA system.

0:13:09 > 0:13:13Drummer boy Josh is lucky his big brother's girlfriend Scarlett

0:13:13 > 0:13:15is here to help, and with Jonty's advice,

0:13:15 > 0:13:18she might have cottoned on to another object

0:13:18 > 0:13:21which could further boost our good fortune.

0:13:21 > 0:13:25This dilapidated Victorian nursing chair in Jane's dressing room

0:13:25 > 0:13:30has seen better days, certainly. But with a little TLC,

0:13:30 > 0:13:33it could be reupholstered and restored to its former glory.

0:13:33 > 0:13:35Estimate - £30-50.

0:13:35 > 0:13:37Downstairs in the dining room,

0:13:37 > 0:13:39Jonty has found some faded artwork.

0:13:40 > 0:13:41Hi, Jonty.

0:13:41 > 0:13:45- I see you're having a look at my old picture.- I know!

0:13:45 > 0:13:47How long have you had this?

0:13:47 > 0:13:49I've had it since my grandma died,

0:13:49 > 0:13:53which was over 30 years ago now, and it's been travelling with me

0:13:53 > 0:13:55- wherever I went, house-wise. - Let's have a look

0:13:55 > 0:13:58at the picture itself. Do you notice here that

0:13:58 > 0:14:01- all the tones are really quite tobacco-ey?- Mm-hm.

0:14:01 > 0:14:03Well, once upon a time, this watercolour

0:14:03 > 0:14:06would probably have been in a technicolour, so the river

0:14:06 > 0:14:09would have been blue, the sky would have had definition.

0:14:09 > 0:14:13But what has happened is that everything has just faded,

0:14:13 > 0:14:16so you've got this sepia tone that runs all the way through it.

0:14:16 > 0:14:18But the picture itself is really quite old.

0:14:18 > 0:14:22I would suggest that this picture is probably over 200 years old.

0:14:22 > 0:14:24- Wow, really?- Yeah.

0:14:24 > 0:14:27- That's amazing.- So this is a Georgian watercolour.

0:14:27 > 0:14:29And if you have a look at the scene itself,

0:14:29 > 0:14:33we have this lovely stone bridge.

0:14:33 > 0:14:36And look at the size of the hills at the top there.

0:14:36 > 0:14:38Something tells me this could well be

0:14:38 > 0:14:41either from the north of England or could even be Scottish.

0:14:41 > 0:14:44- That's really interesting.- That's the scene we're looking at there.

0:14:44 > 0:14:46If you look at the style of the tree and the way

0:14:46 > 0:14:49the picture has been executed, that's how I can tell

0:14:49 > 0:14:51that it's probably 18th rather than 19th century.

0:14:51 > 0:14:54It's a style of painting, essentially.

0:14:54 > 0:14:57And I've been chucking it around the house for the last 30 years!

0:14:57 > 0:15:01Well, it's a lovely picture, but I think it's of faded grandeur.

0:15:01 > 0:15:05The other interesting fact about the whole picture here is,

0:15:05 > 0:15:08the frame itself is only about 100 years old.

0:15:08 > 0:15:11So at some point in its life, it's been put into this frame,

0:15:11 > 0:15:16and if you look at the frame, it's been chipped and damaged as well.

0:15:16 > 0:15:18It was actually like that when I found it.

0:15:18 > 0:15:22- Absolutely, I'm sure. - So it's not me that's damaged it!

0:15:22 > 0:15:24Well, it's still worth putting into the auction sale.

0:15:24 > 0:15:28- We're looking at £30-£50. Are you happy with that?- Yeah, I am.

0:15:28 > 0:15:29I think it's lovely.

0:15:29 > 0:15:31I still think it's charming.

0:15:31 > 0:15:35It is charming, but it's not right for here any more, I don't think.

0:15:35 > 0:15:38- Right. So one for the sale room? - Yes, definitely.- Good!

0:15:38 > 0:15:41- One ticked off the list.- Yeah.

0:15:41 > 0:15:44I'm all for a bit of faded grandeur,

0:15:44 > 0:15:49and that £30-50 is a welcome boost to our list of auction items.

0:15:49 > 0:15:51Looking round other people's homes is part of the fun

0:15:51 > 0:15:56on Cash In The Attic, and this place certainly has plenty to discover.

0:15:56 > 0:15:59Wow, look at this. Crikey.

0:15:59 > 0:16:02- Is this the garage, then?- Yes.

0:16:02 > 0:16:05So they've got all the courtyard, two garages and this workshop thing?

0:16:05 > 0:16:10- Boys and their toys, you know? - Good grief. So, whose is this?

0:16:10 > 0:16:14- That's Will's racing Mini. - Does he race it very often?

0:16:14 > 0:16:18He races it quite a lot, but he had a bit of a crash in his last race,

0:16:18 > 0:16:21so that hasn't really been on the road.

0:16:21 > 0:16:23So, are you a racing widow, then,

0:16:23 > 0:16:26when he comes home and decides to go for this?

0:16:26 > 0:16:28No, I usually go with him and support him,

0:16:28 > 0:16:30so it's quite nice to go and see him.

0:16:30 > 0:16:33What hobbies do you have, then, to compete with this?

0:16:33 > 0:16:34I do quite a lot of sport,

0:16:34 > 0:16:37and I did a Duke of Edinburgh expedition recently,

0:16:37 > 0:16:40but none of mine really match up to how extravagant

0:16:40 > 0:16:43or expensive Will's are, really.

0:16:43 > 0:16:46So he's into racing. Your other half's more into the restoring,

0:16:46 > 0:16:48- is that right?- He loves restoring old cars.

0:16:50 > 0:16:53He started in the last four or five years.

0:16:53 > 0:16:55The first one he did was a beach buggy.

0:16:55 > 0:16:57I can't remember how old it was.

0:16:57 > 0:17:00I think it was a '72 beach buggy which he bought

0:17:00 > 0:17:03for just a few hundred pounds, and he did it up so it was immaculate.

0:17:03 > 0:17:06It probably broke his heart a little, but I said,

0:17:06 > 0:17:09"We have to get rid of something," and it went to auction this year.

0:17:09 > 0:17:13He doesn't make money out it, he just enjoys doing it.

0:17:13 > 0:17:15He must have a bit of an eye for it, then?

0:17:15 > 0:17:19He's just taught himself, really, with that particular vehicle.

0:17:19 > 0:17:22Now he's got a new baby which he's lovingly restoring,

0:17:22 > 0:17:25- which I don't think'll ever go, because he loves it.- Which is this?

0:17:25 > 0:17:28- The TR6.- Right, OK. So, is the idea

0:17:28 > 0:17:30from his point of view that he'll buy these,

0:17:30 > 0:17:33restore them and sell them on, I mean in theory?

0:17:33 > 0:17:35No, in theory he'd like to keep everything!

0:17:35 > 0:17:37So, is it always a bit of a surprise

0:17:37 > 0:17:40when he comes home from work with the odd car here and there?

0:17:40 > 0:17:43It has been known, yes. Usually with a bunch of flowers

0:17:43 > 0:17:46- in his hands as well. - Right, I'm with you!

0:17:46 > 0:17:49I imagine racing or even restoring cars must be expensive.

0:17:49 > 0:17:51The racing car can be quite expensive,

0:17:51 > 0:17:54the meetings can be quite expensive. The restoration,

0:17:54 > 0:17:57he does all the work himself,

0:17:57 > 0:17:59so it doesn't cost huge amounts.

0:17:59 > 0:18:02I'm assuming you'll never be able to leave this property,

0:18:02 > 0:18:04- are you?- It'd be difficult.

0:18:04 > 0:18:06They'll never get anywhere with all this space

0:18:06 > 0:18:10- and a garage like this, are they? - It would be tricky, I think.

0:18:10 > 0:18:12And what about you? Do you have any hobbies?

0:18:12 > 0:18:16Until recently I kept a horse, but unfortunately,

0:18:16 > 0:18:18I sold him in spring,

0:18:18 > 0:18:22because I became a little bit frightened of him.

0:18:22 > 0:18:23To do with age, I think.

0:18:23 > 0:18:26OK, well, it's fantastic out here, but I think we should

0:18:26 > 0:18:29get back in the house, cos if Jonty sees this,

0:18:29 > 0:18:32we may never get him back into the house, all right?

0:18:34 > 0:18:35No need to worry about Jonty.

0:18:35 > 0:18:38He's spent the time working hard, looking for

0:18:38 > 0:18:40more keepsakes for our auction.

0:18:40 > 0:18:42This is his newest discovery - a late 19th century

0:18:42 > 0:18:45American wall clock.

0:18:45 > 0:18:48The town of Thomaston, Connecticut, was named after Seth Thomas,

0:18:48 > 0:18:51who established his clock-making company in that area.

0:18:51 > 0:18:54This late 19th century example of his company's craft is

0:18:54 > 0:18:57not so rare, and is looking a bit shabby around the edges,

0:18:57 > 0:19:00so Jonty marks it down at £40-60.

0:19:00 > 0:19:04Next, Jane is upstairs in the second bedroom,

0:19:04 > 0:19:07where she's got another item for Jonty to inspect,

0:19:07 > 0:19:09which is also in need of some attention.

0:19:09 > 0:19:11Jonty, I'd like you to look at this chair.

0:19:11 > 0:19:13- This one here?- Yeah.- OK.

0:19:13 > 0:19:15So, where's this from?

0:19:15 > 0:19:17Do you remember

0:19:17 > 0:19:20when we were talking about the little writing desk,

0:19:20 > 0:19:23I said that we bought some other items with it for the £70?

0:19:23 > 0:19:25- Oh, yeah.- This was one of them.

0:19:25 > 0:19:26OK, right.

0:19:26 > 0:19:29- So, do you know the age of this one? - No, haven't got a clue.

0:19:29 > 0:19:31This is an Edwardian chair.

0:19:31 > 0:19:33You can tell by the style of the legs,

0:19:33 > 0:19:36and this barrel-back was

0:19:36 > 0:19:39very popular on small, low occasional chairs like this

0:19:39 > 0:19:42about 100 years ago.

0:19:42 > 0:19:45The frame is walnut, and walnut is a much lighter colour than mahogany,

0:19:45 > 0:19:48- so for me it's a more nutty-brown colour.- Mm-hm.

0:19:48 > 0:19:52Mahogany has a red colour that runs through it as well, so darker reds.

0:19:52 > 0:19:57And this chair here would be part of a whole suite of furniture.

0:19:57 > 0:19:58- You'd have a chaise longue.- Oh, OK.

0:19:58 > 0:20:02You might have even had a settee, and maybe another chair

0:20:02 > 0:20:05slightly bigger than this, like a ladies' and gents' chair as well.

0:20:05 > 0:20:09This was the time when everything would be bought in suites.

0:20:09 > 0:20:11You could buy a whole bedroom suite

0:20:11 > 0:20:14as well as sitting furniture suites as well.

0:20:14 > 0:20:17I'd like to have seen that in its original form, that'd be lovely.

0:20:17 > 0:20:20- Yes, how spectacular would that have been?- Yeah.

0:20:20 > 0:20:23Originally, chairs like this would have been covered in very fine silk,

0:20:23 > 0:20:27which is naturally worn, and what has happened,

0:20:27 > 0:20:31- throughout its life, it's been re-covered maybe several times.- OK.

0:20:31 > 0:20:34I did actually think, knowing nothing about these things,

0:20:34 > 0:20:37that because that looked so old to me, I thought that was original.

0:20:37 > 0:20:41OK, yeah. It has that sort of antique feel to it.

0:20:41 > 0:20:44I suppose that's the reason this fabric was chosen.

0:20:44 > 0:20:47But of course, today you can cover a chair like this

0:20:47 > 0:20:51in any fabric that you wish and it will revitalise it.

0:20:51 > 0:20:53It will completely transform the chair

0:20:53 > 0:20:56into something that's relatively modern.

0:20:56 > 0:21:01But at auction at the moment, this chair is worth between £30-50.

0:21:01 > 0:21:02Is that too cheap for you?

0:21:02 > 0:21:06- How do you feel about that? - I'm not sure, because you've given me

0:21:06 > 0:21:10the idea now of revamping it to actually fit in somewhere.

0:21:11 > 0:21:15Well, that cost could actually be £200-300.

0:21:15 > 0:21:18And then what would it be worth at the end of that?

0:21:18 > 0:21:24Well, it's not worth your while spending £300 on the chair

0:21:24 > 0:21:27- and then putting it back into auction.- No.

0:21:27 > 0:21:29You may not necessarily get that back.

0:21:29 > 0:21:31The reupholstering could be an expensive job,

0:21:31 > 0:21:35so the value has to reflect its current state.

0:21:35 > 0:21:38Scarlett has found another hoard of treasure

0:21:38 > 0:21:40in the dining room - a set of Aynsley china.

0:21:40 > 0:21:45John Aynsley founded his pottery company in Staffordshire in 1775,

0:21:45 > 0:21:50and the brand survives today as part of the Belleek Pottery Group.

0:21:50 > 0:21:52The Aynsley name was trademarked in 1928,

0:21:52 > 0:21:55and this collection is from around that period.

0:21:55 > 0:21:59Jonty prices this set at £20-30, which is not bad,

0:21:59 > 0:22:02considering it was rescued from an old house renovation.

0:22:02 > 0:22:06Now, for our final item, I found something very special.

0:22:06 > 0:22:08So where's this from?

0:22:08 > 0:22:11I've had it for years and years - about 30-odd years.

0:22:11 > 0:22:14It belonged to either my grandmother or my great-grandmother.

0:22:14 > 0:22:16I'm not sure which, cos I never saw it

0:22:16 > 0:22:19- until after they both died. - Oh, it was left to you, was it?

0:22:19 > 0:22:21- Yeah.- Have you ever worn it?

0:22:21 > 0:22:24I used to wear it at one time. I haven't worn it for years now.

0:22:24 > 0:22:27Obviously, with two boys, not likely to hand it on to them, really?

0:22:27 > 0:22:31- No.- I think we need to get Jonty to give his valuation on this.

0:22:31 > 0:22:33Jonty? Scarlett? Are you there?

0:22:33 > 0:22:36- Oh, hi, Scarlett.- Hello.- Hello.

0:22:36 > 0:22:37There you go.

0:22:37 > 0:22:40- Ah! Will you marry me?- I'm already married, couldn't possibly.

0:22:40 > 0:22:42THEY LAUGH

0:22:42 > 0:22:44Wow, what a lovely solitaire diamond ring we've got.

0:22:44 > 0:22:46Look at the size of that stone!

0:22:46 > 0:22:48Lovely.

0:22:48 > 0:22:51- Have you ever had this looked at by any jewellers, at all?- No.

0:22:51 > 0:22:55OK, well, let's have a jolly good look at this.

0:22:55 > 0:23:00Now, on first inspection, there are few inclusions.

0:23:02 > 0:23:06So it's not the most perfect of diamonds that I've ever seen,

0:23:06 > 0:23:09but what's so impressive is actually the size.

0:23:09 > 0:23:12We're looking well in excess of a carat there, which is wonderful.

0:23:12 > 0:23:14Do you know how old it is?

0:23:14 > 0:23:17Well, date-wise, one could have told the age of this ring

0:23:17 > 0:23:21by looking at the hallmarks, but they've worn,

0:23:21 > 0:23:24so you've just got to look at the style of the setting itself.

0:23:24 > 0:23:26So I would suggest quite possibly,

0:23:26 > 0:23:28we're looking between the wars, 1920s, 1930s.

0:23:28 > 0:23:31Does that make sense to you?

0:23:31 > 0:23:34Yes, in the sense that it probably would have

0:23:34 > 0:23:36belonged to my grandmother,

0:23:36 > 0:23:38rather than my great-grandmother.

0:23:38 > 0:23:42A big plus to this ring is the simplicity of its setting, as well.

0:23:42 > 0:23:44It really is very charming.

0:23:44 > 0:23:47So, as we all know, diamonds are a girl's best friend.

0:23:47 > 0:23:50They're also auctioneers' and jewellers' best friends,

0:23:50 > 0:23:52because they're so easy to trade with.

0:23:52 > 0:23:54So, as far as value is concerned,

0:23:54 > 0:23:58it's going to be between 500 and £700.

0:23:58 > 0:24:01- Really?- For that ring, yeah. - How do you feel about possibly

0:24:01 > 0:24:04selling it? Or is it something you want to keep for the family?

0:24:04 > 0:24:06- I think I'd have to think about it. - That's fair enough.

0:24:06 > 0:24:10That's not a problem. Let's exclude that for the moment,

0:24:10 > 0:24:13because you wanted £600,

0:24:13 > 0:24:16didn't you, towards the whole PA system for the drums?

0:24:16 > 0:24:19Well, the value of everything that's definitely going to auction

0:24:19 > 0:24:23comes to £630.

0:24:23 > 0:24:25- Oh, that's good.- Wow, yeah. - Very impressive.

0:24:25 > 0:24:29But obviously, if you did then decide to let the ring go,

0:24:29 > 0:24:32that'd be another £500-700 on top.

0:24:32 > 0:24:36- Yeah.- So, next time we'll see you ladies will be at the auction.

0:24:36 > 0:24:38- Yep.- Absolutely.- Look forward to it.

0:24:39 > 0:24:41It's been a very rewarding day here in Suffolk

0:24:41 > 0:24:44with Jane and Scarlett, and even without

0:24:44 > 0:24:46grandma's beautiful solitaire diamond ring,

0:24:46 > 0:24:48we've done extremely well.

0:24:51 > 0:24:54There's all that gold jewellery,

0:24:54 > 0:24:57and what with the price of gold rising all the time at auction,

0:24:57 > 0:25:01we're expecting it to beat the £200-300 estimate.

0:25:01 > 0:25:06Then there's the 19th-century French oak desk, originally picked up

0:25:06 > 0:25:09among a few other items for £70,

0:25:09 > 0:25:12and left gathering dust in the garage for years.

0:25:12 > 0:25:16Can it really attract £100-150?

0:25:16 > 0:25:19And will this rare piece of Art Deco manage to fight her way

0:25:19 > 0:25:23around the sale room at £50-80?

0:25:23 > 0:25:25Stick around and we'll see.

0:25:25 > 0:25:27Still to come at the auction -

0:25:27 > 0:25:31just what is that Victorian stoneware?

0:25:31 > 0:25:33Well, let's see what the plantholder-stroke-

0:25:33 > 0:25:36water filter-stroke-butter churn makes, shall we?

0:25:36 > 0:25:41But, we're certainly in harmony over the sale of the Art Deco lady lamp.

0:25:41 > 0:25:44You were saying, "You know, I do quite like her now..."

0:25:44 > 0:25:46BOTH: Do you like her even more?

0:25:46 > 0:25:47THEY LAUGH

0:25:47 > 0:25:51All together now for the final bang of the gavel.

0:25:55 > 0:25:59Well, Jane had a lovely property, but unfortunately,

0:25:59 > 0:26:01a lot of her antiques and collectables

0:26:01 > 0:26:04no longer fit into the home, so we've brought them here

0:26:04 > 0:26:07to Sworders auction house in Stansted Mountfitchet.

0:26:07 > 0:26:10Remember, she's looking to raise around £600

0:26:10 > 0:26:14so she can get a PA system for her son's drum kit.

0:26:14 > 0:26:17Let's just hope that today there are plenty of bidders in the room

0:26:17 > 0:26:19ready to flash the cash.

0:26:20 > 0:26:23This Essex auction house holds general weekly sales

0:26:23 > 0:26:25every Wednesday. Before we hook up with

0:26:25 > 0:26:27Jane and Scarlett, Jonty and I browse

0:26:27 > 0:26:30among the early bidders in the sale room.

0:26:30 > 0:26:33I wonder what they'll make of Jane's eclectic mix of items,

0:26:33 > 0:26:35some of which are very attractive.

0:26:35 > 0:26:38I think one thing that might be a bit of a dark horse

0:26:38 > 0:26:40here today is your lamp.

0:26:40 > 0:26:41- Do you think so?- Yes, I do.

0:26:41 > 0:26:44I really like that, and it's proper Art Deco,

0:26:44 > 0:26:46which is quite hard to come by now, isn't it?

0:26:46 > 0:26:48Yeah, it's a nice quality thing.

0:26:48 > 0:26:51We've got some really interesting items come up for sale.

0:26:51 > 0:26:53- What about the ring? - I didn't bring it.

0:26:53 > 0:26:55- You didn't?- No.- OK.

0:26:55 > 0:26:59I got all sentimental about it and decided I didn't

0:26:59 > 0:27:01- want to sell it after all. - That's fair enough.

0:27:01 > 0:27:03It's better that you decide to keep something than

0:27:03 > 0:27:05have second thoughts after it's sold.

0:27:05 > 0:27:07..Or worry about selling it, yeah.

0:27:07 > 0:27:10- Shall we get in position to start? - Yeah.- Follow Jonty.- This way.

0:27:10 > 0:27:16Jane and Scarlett have also decided to leave one of the chairs at home.

0:27:16 > 0:27:19Jane wants to apply Jonty's advice regarding reupholstering

0:27:19 > 0:27:22to the little Victorian nursing chair which Scarlett found.

0:27:22 > 0:27:26This means our potential auction takings are down by around £30,

0:27:26 > 0:27:29but hopefully that won't jeopardise our chances too much.

0:27:29 > 0:27:31The auctioneer is already at work,

0:27:31 > 0:27:34and our first lot on the list is the late '20s

0:27:34 > 0:27:39to early '30s Aynsley crockery, which we hope will make £20-30.

0:27:39 > 0:27:41- So, have you ever used this? - No, never.

0:27:41 > 0:27:43OK. Where did it come from?

0:27:43 > 0:27:46My son found it in an old house that we were renovating

0:27:46 > 0:27:48and carted it home and washed it up,

0:27:48 > 0:27:51- and it's lived in a cupboard ever since.- At least he did that!

0:27:51 > 0:27:54- Yeah.- Hats off to him, for a boy.- Absolutely!

0:27:54 > 0:27:57- He's after the money for it, though! - Ah, the £20-30.- Yeah.

0:27:57 > 0:27:59- Let's see what it makes.- £10.

0:28:01 > 0:28:0210, 12,

0:28:02 > 0:28:0415, 18, 20.

0:28:04 > 0:28:06Looking good, Lorne.

0:28:06 > 0:28:09£22 in the hat. Take five. Anyone else now?

0:28:09 > 0:28:10Selling at £22.

0:28:10 > 0:28:12All finished at 22.

0:28:13 > 0:28:16- £22, that's all right, isn't it? - Yeah.- Yeah.

0:28:16 > 0:28:19- Have you got to hand over the cash when you get home?- Probably!

0:28:19 > 0:28:20THEY LAUGH

0:28:20 > 0:28:22- We'll just keep quiet about it, shall we?- All right.

0:28:22 > 0:28:25Good luck with that plan, Jane! Anyway, at £22,

0:28:25 > 0:28:26just above our lowest estimate,

0:28:26 > 0:28:30the Aynsley crockery has found another new home.

0:28:30 > 0:28:33Next up, it's that French oak writing desk.

0:28:33 > 0:28:37Back in the garage at Jane's home,

0:28:37 > 0:28:40our expert reckoned it was worth £100-150.

0:28:40 > 0:28:43But he's just spotted a slight modification.

0:28:43 > 0:28:46Some repairs have been made since we last saw it.

0:28:46 > 0:28:49Will they get Jonty's seal of approval?

0:28:49 > 0:28:53Am I right in thinking that a few extra bits have been stuck on?

0:28:53 > 0:28:56Yeah, my husband decided after about 15 years to actually repair it,

0:28:56 > 0:28:58because it was coming to auction.

0:28:58 > 0:29:00Cos some loose bits of moulding

0:29:00 > 0:29:01were on top, weren't they?

0:29:01 > 0:29:03- Yeah. He's made a good job of it.- Excellent.

0:29:03 > 0:29:06- It's a shame he didn't do it previously!- Exactly.

0:29:06 > 0:29:08We're going to start right away at £100.

0:29:08 > 0:29:12£100 is bid. I see 110 in the room now.

0:29:12 > 0:29:13120.

0:29:13 > 0:29:14130.

0:29:14 > 0:29:16It's here with me at £130.

0:29:16 > 0:29:17140 anywhere?

0:29:17 > 0:29:19140. 150.

0:29:19 > 0:29:22160, sir.

0:29:23 > 0:29:25160, I have it there.

0:29:25 > 0:29:28160. Gentleman's bid in the room at £160.

0:29:28 > 0:29:31We're selling at 160.

0:29:31 > 0:29:35- Now, did you ever think it was worth £160?- No.

0:29:35 > 0:29:38- Did Trevor ever think it was worth £160?- Definitely no!

0:29:38 > 0:29:40- Did you think it was worth £160?- No.

0:29:40 > 0:29:42- You must be pleased with that, then. - BOTH: Yeah.

0:29:42 > 0:29:46Jane's husband Trevor once served an apprenticeship in carpentry,

0:29:46 > 0:29:50so his skilful repair on the desk clearly added some real extra value.

0:29:50 > 0:29:55Up next is the lamp with the unusual figure of a female fencer.

0:29:55 > 0:29:59Original Art Deco pieces like this are highly sought after.

0:29:59 > 0:30:01Now, this, I must admit, is my favourite,

0:30:01 > 0:30:05cos I love the Art Deco style, and this is an original Art Deco piece.

0:30:05 > 0:30:08It's missing a sword, but nevertheless,

0:30:08 > 0:30:10these are increasingly hard to find.

0:30:10 > 0:30:13But you couldn't really find a space for it anywhere in the house?

0:30:13 > 0:30:14Not really, no.

0:30:14 > 0:30:17It moved around and around and never looked right anywhere, really.

0:30:17 > 0:30:19- Do you like it, Scarlett? - Yeah, it's nice.

0:30:19 > 0:30:21It's really different.

0:30:21 > 0:30:24Good-looking lot there. Let's start with £60 bid.

0:30:24 > 0:30:26I have £60, I'll take five.

0:30:26 > 0:30:28Where now? 65,

0:30:28 > 0:30:2970, 75,

0:30:29 > 0:30:3280. 85, 90. 95,

0:30:32 > 0:30:34- 100.- Ooh!- 105, 110.

0:30:34 > 0:30:36120, 130.

0:30:36 > 0:30:38140, 150.

0:30:38 > 0:30:39160, 170.

0:30:39 > 0:30:40170 here.

0:30:40 > 0:30:43Do I see 180 anywhere?

0:30:43 > 0:30:45- Wahey!- Do I see 180?

0:30:45 > 0:30:46180 takes it away from me.

0:30:46 > 0:30:50- I am excited now.- £180, all done.

0:30:50 > 0:30:52£180!

0:30:52 > 0:30:55- That's amazing.- That's £100 more than our top estimate.- Yeah.

0:30:55 > 0:30:57When we spoke earlier, of course,

0:30:57 > 0:31:00you were saying, "Well, I do quite like her now..."

0:31:00 > 0:31:02BOTH: Do you like her even more?

0:31:02 > 0:31:03THEY LAUGH

0:31:03 > 0:31:04Snap!

0:31:04 > 0:31:09In a strange kind of way, I almost wish I hadn't sold it,

0:31:09 > 0:31:12because obviously people are really interested in it.

0:31:12 > 0:31:14It makes you like it more then, doesn't it?

0:31:14 > 0:31:16Great minds think alike, Jane.

0:31:16 > 0:31:19Yes, this lady was positively radiant in the sale.

0:31:19 > 0:31:22She's off to grace a new residence,

0:31:22 > 0:31:26and we're very grateful for the £180 she's left behind.

0:31:26 > 0:31:28Now then, that hoard of gold jewellery

0:31:28 > 0:31:32we found in the dining room is up next before the auctioneer.

0:31:32 > 0:31:35Estimated at £200-300, this really could be

0:31:35 > 0:31:36the highlight of the sale,

0:31:36 > 0:31:39considering the current sky-high price for gold.

0:31:40 > 0:31:42Let's start at £130.

0:31:42 > 0:31:43130, 140, 150.

0:31:43 > 0:31:45160, 170.

0:31:45 > 0:31:47180, 190.

0:31:47 > 0:31:49200. In the room at £200.

0:31:49 > 0:31:52Do I see £210 anywhere else now? 210. 220.

0:31:52 > 0:31:53230. 240.

0:31:53 > 0:31:55250. 260.

0:31:55 > 0:31:56- Great.- 270.

0:31:56 > 0:31:59280, 290, 300.

0:31:59 > 0:32:01320. 340.

0:32:01 > 0:32:02360. 380.

0:32:02 > 0:32:04- 400.- Goodness!- 420.

0:32:04 > 0:32:06440.

0:32:08 > 0:32:10460. 480. 500.

0:32:10 > 0:32:12LORNE GASPS

0:32:12 > 0:32:14520. 540, sir?

0:32:14 > 0:32:15530. 540.

0:32:15 > 0:32:18- £540.- I'm really amazed.

0:32:18 > 0:32:19£540.

0:32:19 > 0:32:24Selling at £540, all done.

0:32:24 > 0:32:27- That's extraordinary.- £540! - I was actually holding my breath.

0:32:27 > 0:32:29Well, you're breathing now. £540!

0:32:29 > 0:32:31That is quite extraordinary.

0:32:31 > 0:32:32It's made my heart go!

0:32:32 > 0:32:35When the gold kept going up,

0:32:35 > 0:32:37I literally was holding my breath.

0:32:37 > 0:32:40That was quite amazing. Didn't expect it at all.

0:32:40 > 0:32:43Wasn't that a treat? I love it when we get a run like that.

0:32:43 > 0:32:47Very exciting. £540 is a massive boost to our total.

0:32:47 > 0:32:49Next up is the silver collection,

0:32:49 > 0:32:53which Jane found and which Jonty priced at £40-80.

0:32:53 > 0:32:57We've done the gold... silver time now.

0:32:57 > 0:33:00And silver is also rising in price rapidly.

0:33:00 > 0:33:02It's going up by the day, practically.

0:33:02 > 0:33:07- Could be good timing, then.- It's the perfect time to sell. I put £40-80.

0:33:07 > 0:33:10- Let's see where the market is today.- Yeah.

0:33:10 > 0:33:12There we are. We'll start with £25.

0:33:12 > 0:33:1425, 30,

0:33:14 > 0:33:1535, 40,

0:33:15 > 0:33:1645, 50.

0:33:16 > 0:33:19£50 is bid in the room. Commissions lost at £50.

0:33:19 > 0:33:2155, anyone else now?

0:33:21 > 0:33:25Gentleman's bid at £50 and selling. No more than £50? Holding at 50.

0:33:25 > 0:33:29- Well, I think £50 is pretty good for that lot. Do you?- Yeah.

0:33:29 > 0:33:31I'm a bit disappointed after the gold.

0:33:31 > 0:33:35- But that was gold and this is silver.- I know, I know.

0:33:35 > 0:33:37Well, perhaps that's a bit of a come-down

0:33:37 > 0:33:40after the gilt-edged result earlier.

0:33:40 > 0:33:42But £50 is above our lowest estimate,

0:33:42 > 0:33:45so Jane shouldn't feel too bad. I wonder how much

0:33:45 > 0:33:47we've made so far?

0:33:47 > 0:33:52So far, you've raised £952.

0:33:52 > 0:33:54- Wow!- Seriously.- That's brilliant.

0:33:54 > 0:33:58That is a good result, isn't it? And we're only halfway through!

0:33:58 > 0:34:02So we've got time to take a bit of a break. Come follow me.

0:34:02 > 0:34:05With our original target now safely assured,

0:34:05 > 0:34:08it's just a case of seeing how well

0:34:08 > 0:34:11those auction items we have left can perform.

0:34:11 > 0:34:14Before that, Jonty's on the hunt again for treasures,

0:34:14 > 0:34:18and finds this stunning Gothic-inspired chair.

0:34:18 > 0:34:22Now, that's what I call a beautiful chair, Jonty.

0:34:22 > 0:34:23Very handsome, isn't it?

0:34:23 > 0:34:27This is a mid-19th century Gothic revival low chair.

0:34:27 > 0:34:29It's an oak frame.

0:34:29 > 0:34:32the reason I was really having a close look at it is because,

0:34:32 > 0:34:34do you remember the bureau in our sale?

0:34:34 > 0:34:37It's never been cleaned

0:34:37 > 0:34:39and it's never really been repolished at all,

0:34:39 > 0:34:43which some people like, because when you repolish oak,

0:34:43 > 0:34:47particularly, sometimes it almost looks over-clean.

0:34:47 > 0:34:50And I suppose if I have any criticism of this chair,

0:34:50 > 0:34:53it's the fact that it has been repolished.

0:34:53 > 0:34:55If you look closely down the side here,

0:34:55 > 0:34:58all the timberwork here has been redone.

0:34:58 > 0:35:01I just wonder what you think of it, cos it's all down to personal taste.

0:35:01 > 0:35:04I'd be worrying more about getting it reupholstered,

0:35:04 > 0:35:06- to be honest with you!- Yes.

0:35:06 > 0:35:10- I know that's so expensive, to have these things reupholstered.- Yeah.

0:35:10 > 0:35:13To do that properly, you could be looking at £3-400

0:35:13 > 0:35:14for this chair without any problem.

0:35:14 > 0:35:18And how much do you expect it to go in this state?

0:35:18 > 0:35:19Well, in this state,

0:35:19 > 0:35:24this chair is still worth, I suppose, £400-600.

0:35:24 > 0:35:27You see, in my mind, I'm thinking that's nearly £1,000

0:35:27 > 0:35:30- for one chair by the time we've finished.- It'd be worth it.

0:35:30 > 0:35:32This is a really good quality chair.

0:35:32 > 0:35:34I'm not disputing it's worth £1,000,

0:35:34 > 0:35:37it's just that I haven't got £1,000! Come on.

0:35:38 > 0:35:41Clearly, reupholstery is a serious consideration,

0:35:41 > 0:35:43but for the right piece.

0:35:43 > 0:35:45If you've been inspired to try and sell

0:35:45 > 0:35:49some of your belongings this way, it's worth bearing in mind that auction houses

0:35:49 > 0:35:53charge various fees, including commission and VAT.

0:35:53 > 0:35:56Your local sale room will advise you on these extra costs.

0:35:56 > 0:35:59Plenty still to come in our sale - for instance,

0:35:59 > 0:36:01that haul of fabulous costume jewellery

0:36:01 > 0:36:03which belonged to Jane's great-grandma.

0:36:03 > 0:36:05Despite the auctioneer's best attempt

0:36:05 > 0:36:08to drum up business, there's just one bidder.

0:36:10 > 0:36:13Five in the room takes it. 55.

0:36:13 > 0:36:1660, anyone else? 5.

0:36:17 > 0:36:21It's often down to who's there in the room on the day, but at least

0:36:21 > 0:36:24the costume jewellery just pipped its lower estimate of £55.

0:36:24 > 0:36:28A dealer will no doubt find new homes for those beads,

0:36:28 > 0:36:30bangles, fake pearls and paste stones.

0:36:30 > 0:36:35The following lot is one of the most bizarre pieces on sale here today.

0:36:35 > 0:36:37I saw this piece earlier. You can't really miss it.

0:36:37 > 0:36:39It's a stoneware water filter.

0:36:39 > 0:36:42- Yeah, the one I always called a butter churn.- Yes.- Why?

0:36:42 > 0:36:45- I don't know. - What did you use it for?

0:36:45 > 0:36:46It belonged to my great-aunt.

0:36:46 > 0:36:49She would turn the top upside down and put a plant on it.

0:36:49 > 0:36:52- OK.- Oh, good idea.

0:36:52 > 0:36:54Let's see what the plantholder- stroke-water filter-

0:36:54 > 0:36:57stroke-butter churn makes, shall we?

0:36:57 > 0:36:58£20, a water filter.

0:37:00 > 0:37:02It's an end one. 20, 22.

0:37:02 > 0:37:0325. 28.

0:37:03 > 0:37:0730. Do I see two? It's tempting.

0:37:07 > 0:37:08Lady's bid at £30.

0:37:08 > 0:37:10Do I see two anywhere else, now?

0:37:10 > 0:37:15£30. Lady's bid selling at £30, all done and finished at £30.

0:37:15 > 0:37:18£30. Might have got more if it had been a butter churn, you never know.

0:37:18 > 0:37:19THEY LAUGH

0:37:19 > 0:37:22For £30 towards their kitty,

0:37:22 > 0:37:25I'm sure Jane won't mind how the new owners use it.

0:37:25 > 0:37:28The Victorian stoneware now becomes a talking point

0:37:28 > 0:37:29in someone else's home.

0:37:29 > 0:37:32How much time is left? Perhaps we should consult the next lot,

0:37:32 > 0:37:37the late 19th-century Seth Thomas wall clock which Jonty found.

0:37:37 > 0:37:40It's in poor condition, so will that affect our sale?

0:37:40 > 0:37:43- Now, to be polite, it looks rather tired.- Mmm.

0:37:43 > 0:37:44Where was it from?

0:37:44 > 0:37:48A friend of ours bought it from a car-boot sale and took it home,

0:37:48 > 0:37:51and his wife absolutely detested it, so he gave it to us.

0:37:51 > 0:37:53I've put £40-60 on it.

0:37:53 > 0:37:57- Please don't be disappointed if we don't get that.- I won't.

0:37:57 > 0:37:59Start at £20 for it.

0:37:59 > 0:38:04A Seth Thomas American wall clock for £20. Who wants that at £20?

0:38:04 > 0:38:05Any interest at £20?

0:38:05 > 0:38:0810? £10 for it?

0:38:08 > 0:38:10- Ohhh.- Any interest at all?

0:38:10 > 0:38:12No?

0:38:12 > 0:38:15I think we'll just leave that. No bid.

0:38:15 > 0:38:17- Are you disappointed with that? - No, not really.

0:38:17 > 0:38:20The wall clock can now go back to my friend,

0:38:20 > 0:38:25because his wife didn't like it, I'm not sure I do,

0:38:25 > 0:38:27and nobody else obviously did.

0:38:27 > 0:38:29Easy come, easy go.

0:38:29 > 0:38:32It's not the finest example of the clockmaker's art.

0:38:32 > 0:38:34And we're doing very well anyway,

0:38:34 > 0:38:36so let's not dwell on where it might wind up next.

0:38:36 > 0:38:39Moving swiftly on, we've reached the framed Georgian watercolour

0:38:39 > 0:38:43of a bridge in a rural setting. It's faded over time,

0:38:43 > 0:38:47but at £30-50, it could possibly be to someone's taste.

0:38:47 > 0:38:49So where did you get this from?

0:38:49 > 0:38:52- That was my grandmother's.- Oh, OK.

0:38:52 > 0:38:54So you don't mind parting with it?

0:38:54 > 0:38:58No, because again, it doesn't look right in my house.

0:38:58 > 0:39:00It's moved around every 30 years

0:39:00 > 0:39:02and never really found a right place for it.

0:39:02 > 0:39:04And we're going to start at £20.

0:39:04 > 0:39:07£20 is bid. Do I see five anywhere in the room?

0:39:07 > 0:39:09No? I'll take five. Where now?

0:39:09 > 0:39:1025. 30.

0:39:10 > 0:39:1235, 40.

0:39:12 > 0:39:1445, 50.

0:39:14 > 0:39:17£50 is bid here with me and we're selling at £50.

0:39:17 > 0:39:19All done and finished at £50.

0:39:19 > 0:39:23- £50.- That's not bad, is it?- Happy with that?- Yeah, definitely.- Good.

0:39:23 > 0:39:26Nicely matching our top estimate,

0:39:26 > 0:39:29the rural scene goes off to pastures new.

0:39:29 > 0:39:32Finally, the last item of our sale today.

0:39:32 > 0:39:35It's the Edwardian walnut-framed tub chair

0:39:35 > 0:39:39that Jane discussed with Jonty, who priced it at £30-50.

0:39:39 > 0:39:40We'll start straight away at £20.

0:39:40 > 0:39:42£20 is bid. Do I see two?

0:39:42 > 0:39:4422, 25. 28.

0:39:44 > 0:39:46£28 is bid, a gentleman's bid received.

0:39:46 > 0:39:4830. 32.

0:39:48 > 0:39:4935. 38.

0:39:49 > 0:39:5140. 42.

0:39:51 > 0:39:5245. 48.

0:39:52 > 0:39:55Rounded up, madam. Gentleman's bid at £48.

0:39:55 > 0:39:57Do I see 50 anywhere?

0:39:57 > 0:39:59At £48, gentleman's bid.

0:39:59 > 0:40:02We're selling at £48, all done.

0:40:02 > 0:40:07- £48. Is that OK?- That's OK, isn't it?- Yeah.- Yes. We got that sold.

0:40:07 > 0:40:08Well, we have indeed.

0:40:08 > 0:40:11It's now someone else's job to oversee

0:40:11 > 0:40:14any refurbishment it may require,

0:40:14 > 0:40:17while Jane takes care of the other Victorian chair at home.

0:40:17 > 0:40:19That's it for the auction for us today.

0:40:19 > 0:40:21All that remains is to tot up the figures

0:40:21 > 0:40:23and reveal our grand total.

0:40:23 > 0:40:25Right. Did you enjoy the auction?

0:40:25 > 0:40:27- I did, yeah. - Yeah, it was really good.

0:40:27 > 0:40:29And what were the best surprises for you?

0:40:29 > 0:40:33Probably the gold, as it got so much money and interest on it.

0:40:33 > 0:40:35That was really good.

0:40:35 > 0:40:39- You wanted to raise £600, didn't you, for the PA system?- Yeah.

0:40:39 > 0:40:42Well, you know that we more or less made your target figure

0:40:42 > 0:40:43just with the gold.

0:40:43 > 0:40:48You might be pleased to know that the grand total comes to £1,135.

0:40:48 > 0:40:51- Wow.- That's brilliant. - Congratulations.- That's really good.

0:40:51 > 0:40:52Yeah, that's impressive.

0:40:52 > 0:40:55- You pleased with that?- Very pleased.

0:40:55 > 0:40:57- What will you spend the extra money on?- Oh, I don't know.

0:40:57 > 0:40:59You've more or less doubled your figure.

0:40:59 > 0:41:02We'll probably all go out for a really nice dinner.

0:41:02 > 0:41:05- Oh, that sounds nice.- We'll come too!- We weren't invited, Jonty.

0:41:05 > 0:41:07THEY LAUGH

0:41:11 > 0:41:12It's a few weeks later,

0:41:12 > 0:41:14and Jane has brought her youngest son Josh

0:41:14 > 0:41:17to Cambridge to look for a new PA system.

0:41:17 > 0:41:20But, faced with a shop full of new drum kits,

0:41:20 > 0:41:23he simply can't resist.

0:41:23 > 0:41:25I love that Josh is such a good drummer. He's brilliant.

0:41:25 > 0:41:28He's stuck with his drumming from about age six.

0:41:28 > 0:41:31I've been drumming for ten years now. I enjoy it.

0:41:31 > 0:41:33Just cos I felt I picked it up so well.

0:41:34 > 0:41:37I have to say, he does practise practically every day.

0:41:37 > 0:41:41After that spectacular result at the auction,

0:41:41 > 0:41:44Josh is now able to consider a far wider selection of equipment.

0:41:44 > 0:41:47£500 is usually a good ballpark figure to work around.

0:41:47 > 0:41:49Obviously you've got to consider

0:41:49 > 0:41:51if there's anything else like speaker stands.

0:41:51 > 0:41:56So, these interfaces here, you can mix each line in, I suppose.

0:41:56 > 0:42:01Well, let's just hope that Josh goes on to have a huge musical career.

0:42:01 > 0:42:05I do hope that fame and success will follow, but who's to tell?

0:42:05 > 0:42:08Just keep practising. Practice makes perfect.