1:00:50 > 1:00:57.
1:01:02 > 1:01:03Some of the nation's favourite celebrities.
1:01:03 > 1:01:08- Sensational! - One antiques expert each.
1:01:08 > 1:01:09- Seriously, Ann?- That's a good price.
1:01:09 > 1:01:11It's cheap and nasty.
1:01:11 > 1:01:14And one big challenge.
1:01:14 > 1:01:19Who can seek out and buy the best antiques at the very best prices?
1:01:19 > 1:01:21Meow. Goodbye.
1:01:21 > 1:01:25And auction them for a big profit further down the road.
1:01:27 > 1:01:33Who will spot the good investments? Who will listen to advice?
1:01:34 > 1:01:38And who will be first to say, "Do you know who I am?"
1:01:38 > 1:01:41Time to put your mettle to the pedal.
1:01:41 > 1:01:45This is Celebrity Antiques Road Trip. Yeah!
1:01:51 > 1:01:55It's the all new celebrity road trip, coming to a town near you,
1:01:55 > 1:02:00so buckle up, check your mirrors, don't choke on the travel sweets.
1:02:00 > 1:02:03Rummaging for us on today's show,
1:02:03 > 1:02:08we have the aggroed adversaries of the ballroom.
1:02:08 > 1:02:10She was tough to love in politics
1:02:10 > 1:02:13but then danced into the nation's heart.
1:02:13 > 1:02:16It's the outgoing Member for Maidstone, Ann Widdecombe.
1:02:16 > 1:02:19Overwhelmingly awful.
1:02:23 > 1:02:27And the man she hates to love, a hard to please judge
1:02:27 > 1:02:29but he's quite the dancer himself,
1:02:29 > 1:02:33it's Strictly's enfant terrible, Craig Revel Horwood.
1:02:33 > 1:02:37I believe you tried hard but, for me, without success.
1:02:37 > 1:02:40Lame and lacklustre.
1:02:40 > 1:02:43Of course, we can't expect a showman and politician
1:02:43 > 1:02:45to go it alone so we've given them some antiques assistance
1:02:45 > 1:02:47in this 1967 Triumph Vitesse.
1:02:47 > 1:02:51By the way, Katharine, you know that little thing you pull out there?
1:02:51 > 1:02:54That's not for putting your handbag on.
1:02:54 > 1:02:58Catherine Southon is an expert in medical and scientific antiques,
1:02:58 > 1:03:01amongst other things. She's also a fearless negotiator.
1:03:01 > 1:03:03You're giving me really scary looks.
1:03:03 > 1:03:06Now, I know what you're thinking.
1:03:06 > 1:03:09Surely Frankie Howerd is no longer with us.
1:03:09 > 1:03:13But this is Mark Stacey, esteemed valuer
1:03:13 > 1:03:16and Antiques Road Trip veteran.
1:03:16 > 1:03:17Never afraid to ask difficult questions.
1:03:17 > 1:03:21- I'm going to ask for a little sneaky favour.- What's that?
1:03:21 > 1:03:23- Can I just touch it?- Right, then.
1:03:23 > 1:03:26- How exciting is this.- I know.
1:03:26 > 1:03:28Ann Widdecombe, Craig Revel Horwood.
1:03:28 > 1:03:32The thing is I'm quite nervous about meeting Craig.
1:03:32 > 1:03:35When she was in the House of Commons,
1:03:35 > 1:03:38- she had quite strident views on things.- Are you any good at dancing?
1:03:38 > 1:03:41Absolutely not, all breakages must be paid for.
1:03:41 > 1:03:45And that goes for the vintage motors, including this 1957 Beauty,
1:03:45 > 1:03:47an Austin Metropolitan.
1:03:47 > 1:03:51- You've got to be joking!- Does that actually go?- That is a comedy car.
1:03:51 > 1:03:53Now, we have a situation here.
1:03:53 > 1:03:59Craig has no driving licence so Ann must step up to the plate.
1:04:01 > 1:04:03My knees will wrap around the windscreen.
1:04:03 > 1:04:06Now, can you drive it is the thing?
1:04:06 > 1:04:10- The real big thing is can I reach the pedals and I can't.- Oh yes.
1:04:10 > 1:04:14- Maybe I could do the footwork. - It doesn't go forward.- Doesn't it?
1:04:18 > 1:04:24I don't think you've left it with any suspension. Let's try again.
1:04:24 > 1:04:27Pull the lever, darling, and I'll push.
1:04:30 > 1:04:34Oh, darling. This isn't going to work. Put your bottom forward.
1:04:36 > 1:04:39- Is that any better?- No.
1:04:39 > 1:04:42Whilst Craig waits for a confident driver,
1:04:42 > 1:04:46and Ann waits for some platform shoes, let's look at the road ahead.
1:04:46 > 1:04:51Our fractious celebrities will take on a prickly shopping quest
1:04:51 > 1:04:55through lovely Devon before launching off to auction
1:04:55 > 1:04:57in Southend-on-Sea, Essex.
1:04:57 > 1:04:59First, on the road to Colyton,
1:04:59 > 1:05:01we must stage a pivotal meet and greet
1:05:01 > 1:05:04with their chosen antiques experts.
1:05:08 > 1:05:10Ann has refused to drive
1:05:10 > 1:05:12so the experts need to come and pick them up.
1:05:12 > 1:05:14- Darling, you are going to win. - I don't know actually.
1:05:14 > 1:05:16You've got a very good chance.
1:05:16 > 1:05:19You've been on this earth a lot longer than I have
1:05:19 > 1:05:22and you have a good eye, my darling. You have a good eye.
1:05:22 > 1:05:24That's a lovely tractor.
1:05:24 > 1:05:27Now what's going on here?
1:05:27 > 1:05:31- I'm not driving that and Craig hasn't passed his test.- A slight disaster.
1:05:31 > 1:05:34- Are you happy with me driving? - I'd be delighted, darling.
1:05:34 > 1:05:37- Anyone but Ann Widdecombe. - We'll have a go, shall we?
1:05:37 > 1:05:40I think you should give it a try.
1:05:42 > 1:05:45- Which way are you going? - We have lift-off.
1:05:45 > 1:05:49I'm really sorry, Craig.
1:05:49 > 1:05:52You've been lumbered with me. Are you going to boss me around?
1:05:52 > 1:05:56Only if I really like something and you don't like it.
1:05:56 > 1:06:00I'm really optimistic we're going to find a bargain.
1:06:00 > 1:06:02It isn't the finding a bargain, I'm sure you can do that.
1:06:02 > 1:06:05It's before we can find the bargain,
1:06:05 > 1:06:08we have to get to the shops that are selling the bargain.
1:06:08 > 1:06:11- That's true.- This is the challenge. - If you say so, Ann.
1:06:11 > 1:06:15Our celebrities have £400 each to get spending with.
1:06:15 > 1:06:18Colyton's Abbotts Antiques lies in wait.
1:06:18 > 1:06:21Catherine and Craig are racing ahead
1:06:21 > 1:06:24but Ann and Mark are having a few engine troubles.
1:06:28 > 1:06:32- Well, make a light comment then.- It could be worse, it could be raining.
1:06:32 > 1:06:37Do you know, were it to be raining, I think I might actually prefer it.
1:06:37 > 1:06:40Well, let's leave Mark to Ann's boundless enthusiasm.
1:06:40 > 1:06:45And perhaps finally get on with some shopping.
1:06:45 > 1:06:48- All of this is very Ann Widdecombe. - Is it?- Yeah.
1:06:48 > 1:06:53- I think she'd love this shop. - Quite possibly, if she ever arrives.
1:06:53 > 1:06:57However, there's rather too much fun here.
1:06:57 > 1:07:00Looks more up Craig's street to me.
1:07:00 > 1:07:03- 0h, look at this. - Are you into James Bond?
1:07:03 > 1:07:06I do like the movies, it's got to be said.
1:07:06 > 1:07:10This is from Moonraker and the things that toy collectors want,
1:07:10 > 1:07:13they want them to be in absolutely mint condition.
1:07:13 > 1:07:14It's in excellent condition.
1:07:14 > 1:07:17You could see this on a shop floor now, I think.
1:07:17 > 1:07:19Do you really want this, Craig?
1:07:19 > 1:07:22- I love it.- Do you? - I think it will sell, I really do.
1:07:22 > 1:07:25I can't be sure, like all of these things,
1:07:25 > 1:07:28but it does have all its little bits and pieces.
1:07:28 > 1:07:30If it was missing its satellite, it would be worthless.
1:07:32 > 1:07:35Bond, James Bond. People just love him, don't they?
1:07:35 > 1:07:38Even when he's played by Roger Moore in Moonraker.
1:07:38 > 1:07:43But toys are a specialist market and our celebrities are going
1:07:43 > 1:07:44to a general sale auction,
1:07:44 > 1:07:49so can Craig used his licence to thrill on the ticket price?
1:07:50 > 1:07:5495. Might have to do a bit of disco dancing.
1:07:54 > 1:07:56With this young man over here -
1:07:56 > 1:08:00you wouldn't go as far as half-price for a cha-cha-cha, would you, John?
1:08:02 > 1:08:06No, I have two left feet so it would be no good for me.
1:08:06 > 1:08:10- I'm hopeless at dancing. - I'll dance with you for half of it.
1:08:10 > 1:08:13Do we really want that though, even if we get it at half price?
1:08:13 > 1:08:15We want that for about 20, 30 quid, really.
1:08:15 > 1:08:19Unfortunately, we can't go that low.
1:08:19 > 1:08:22- Come on, my darling. We're just going to do a little salsa.- Blimey!
1:08:22 > 1:08:27- Nice bit of hip action, I'm going to do a dip.- Oh, my word!
1:08:27 > 1:08:31- Then a little spinette.- I wasn't ready for that.- Fantastic. Gorgeous.
1:08:31 > 1:08:34Electrifying. Seven!
1:08:34 > 1:08:36I've always wanted to say that.
1:08:37 > 1:08:41- This is a really bad idea. - Where were we on the price? £20.
1:08:41 > 1:08:4595 down to 20, it's an awful big drop.
1:08:45 > 1:08:48Come on, my heart missed a beat then
1:08:48 > 1:08:49and I think that's got to be worth something.
1:08:49 > 1:08:53- Poor Catherine was not expecting that.- No.- We have a deal then.- Yes!
1:08:53 > 1:08:58Can we shake on that, Sir? I love your work, I love your work.
1:08:58 > 1:09:03Wow! £95 down to 20, your dancing wasn't that good.
1:09:03 > 1:09:07Whilst Craig sashays off with his new partner,
1:09:07 > 1:09:10whatever became of Ann Widdecombe and her plucky sidekick?
1:09:10 > 1:09:14- Do the shops have a late-night opening?- It's in gear, that's why.
1:09:14 > 1:09:17- It's in gear, oh. - Just put the clutch down.
1:09:19 > 1:09:23This is not after all the Antiques Road Trip.
1:09:23 > 1:09:27It is the how many things can go wrong in the course of x hours.
1:09:27 > 1:09:28That's the trip it is.
1:09:28 > 1:09:32But at least you're finally getting off to a good start, Ann.
1:09:34 > 1:09:36It has been a diabolical start
1:09:36 > 1:09:39but it is better to start poorly and finish well
1:09:39 > 1:09:42than to start well and finish poorly.
1:09:42 > 1:09:46That's assuming, of course, that you do finish well.
1:09:46 > 1:09:50Team Widdecombe now gets its turn at Abbotts Antiques.
1:09:50 > 1:09:54- What do you know about stamps? - Not an awful lot.
1:09:54 > 1:09:56Looking at the cover,
1:09:56 > 1:10:01it looks like a sort of typical schoolboy stamp album,
1:10:01 > 1:10:02that we all had.
1:10:02 > 1:10:05There's quite a range of stamps in there, isn't there?
1:10:05 > 1:10:09They have a collection of things here and they require £85 for them.
1:10:09 > 1:10:13Sounds an awful lot, it doesn't get my stamp of approval at the moment.
1:10:13 > 1:10:16I think this little charmer...
1:10:16 > 1:10:20Don't say too much if you think it's a bargain, we don't want to alert the shopkeeper.
1:10:20 > 1:10:22Yes! Keep your voice down.
1:10:22 > 1:10:25- Oh, well, I don't think this is worth much.- No, I don't either.
1:10:25 > 1:10:28I quite agree. You're picking this up, Ann.
1:10:28 > 1:10:32Stamp collecting is, of course, the most exciting...
1:10:32 > 1:10:34HE YAWNS
1:10:34 > 1:10:36Excuse me.
1:10:36 > 1:10:39So many people enthusiastically gala
1:10:39 > 1:10:43these mini works of design craftsmanship from around the world.
1:10:43 > 1:10:46The old, rarer, more exotic they are, the more money they're worth
1:10:46 > 1:10:51but could there be anything old, rare or exotic here? Ann?
1:10:51 > 1:10:58You only need to strike lucky once. You only need to have one stamp that a collector really wants.
1:10:58 > 1:11:01Even if all the others aren't worth 5p,
1:11:01 > 1:11:04he will pay over the odds for that stamp.
1:11:04 > 1:11:06Shall we see what the dealer will take?
1:11:06 > 1:11:09Adrian, we're quite intrigued by these, but we are wondering
1:11:09 > 1:11:14why you're charging £85 for schoolboy books of stamps.
1:11:14 > 1:11:16What sort of price were you thinking of?
1:11:16 > 1:11:19- The maximum we would ever give would be 20%.- 20%.
1:11:19 > 1:11:23That's not the absolute maximum though, is it?
1:11:23 > 1:11:25Not like on the James Bond toys.
1:11:27 > 1:11:31We were rather hoping for around the £50 mark to give us a chance.
1:11:31 > 1:11:36- Is there anyway we could twist you on that?- Well, um...
1:11:36 > 1:11:42- I think we could go as far as 55. - 55? What do you think, Ann?
1:11:42 > 1:11:45I would buy at 55 but you probably won't, knowing you to be a hard man.
1:11:45 > 1:11:50I'm a very hard man and I feel awful for doing it, but we can't tease you down that fiver.
1:11:50 > 1:11:54- I know you want to really. - We can go for 50.- Marvellous!
1:11:54 > 1:11:55I think we've got a deal.
1:11:55 > 1:11:56He looks petrified.
1:11:56 > 1:12:00First Widdecombe swag in the bag and she's straight into a secondary rummage.
1:12:00 > 1:12:06Adrian's wares are getting thorough handled by many a celebrity today, especially the toys.
1:12:06 > 1:12:11- Now, what have we got here? Mark?- Yes?
1:12:11 > 1:12:13Come and tell me why I'm a fool to like this?
1:12:13 > 1:12:17- You're a fool to like that, Ann. - I thought so.- Put it away.
1:12:17 > 1:12:22To me if looks the sort of thing a child would have had in the 1960s.
1:12:22 > 1:12:26- Yes.- You know, with the fashion of the clothes.
1:12:26 > 1:12:29And, it's got its box which is very unusual these days.
1:12:29 > 1:12:33If it's post-war collectors are not going to buy this.
1:12:33 > 1:12:37- They're looking for Victorian sets. - That's not true. This'll appeal to a doll collector.
1:12:37 > 1:12:41It will appeal to a collector who likes collecting juvenilia,
1:12:41 > 1:12:43things to do with childhood.
1:12:43 > 1:12:45- Yeah, yeah, me speak Latin.- Sorry.
1:12:45 > 1:12:47SHE LAUGHS
1:12:47 > 1:12:48Show off!
1:12:48 > 1:12:5420th Century toys can sell very well indeed and this set has added kudos,
1:12:54 > 1:12:56hailing from the now defunct East German Republic.
1:12:56 > 1:12:59- Is it cheap, Ann? - Yeah, it's only 24.
1:12:59 > 1:13:01I mean, if you could get that for..
1:13:01 > 1:13:05- Ten quid?- I like it.
1:13:05 > 1:13:08Right, I like it but your first reaction was I was a fool to like it
1:13:08 > 1:13:10and that I should put it back.
1:13:10 > 1:13:12Let me help you up because I was teasing.
1:13:12 > 1:13:15- No, no, no.- You're all right? - I did Strictly Come Dancing.
1:13:15 > 1:13:17Yes, you did. I bet your pardon.
1:13:17 > 1:13:20Yes, but you didn't do that well, Ann,
1:13:20 > 1:13:24especially with strictly getting up off the floor.
1:13:24 > 1:13:29Now, Adrian, when I showed this to Mark his reaction was that
1:13:29 > 1:13:32I was a fool and I should put it away.
1:13:32 > 1:13:36Now I want to prove him wrong. But, you see, this costs £24.
1:13:36 > 1:13:42I don't actually think that a kid's tea set in a faintly battered box
1:13:42 > 1:13:45is going to turn us a profit.
1:13:45 > 1:13:50- So, we'd like to offer you £10.- As much as that, I was going to say!
1:13:50 > 1:13:55- As much as that.- I'd probably be looking at about £20.- 20!
1:13:55 > 1:13:57I'm not giving you 20 for this.
1:13:57 > 1:14:03- The very best I will go down to is 18 for you.- 15?
1:14:03 > 1:14:0515?
1:14:05 > 1:14:08£16 and we have a deal, Ann.
1:14:08 > 1:14:12I think you're being very generous at 15, actually.
1:14:14 > 1:14:17We couldn't go to 14?
1:14:17 > 1:14:19I don't think we could even meet in the middle.
1:14:19 > 1:14:21At 14.50?
1:14:21 > 1:14:25- Not at all, I think we've got to stick with this one, I'm afraid.- 15?
1:14:25 > 1:14:27Not on this one.
1:14:29 > 1:14:30You do like it, Ann?
1:14:30 > 1:14:33Looks like Mark's doing a U-turn on the tea set.
1:14:33 > 1:14:36Let's hope the lady's not for turning!
1:14:36 > 1:14:38I love it, let's go for it.
1:14:38 > 1:14:42- Take it.- Adrian, you have a deal. - Thank you, Ann.- Thank you, Adrian.
1:14:44 > 1:14:50After a slow start, Ann now has two auction lots to create one.
1:14:50 > 1:14:54Catching up on her dance floor disparager, as it's time to get moving again.
1:14:54 > 1:14:59- Our troubles are over. - Do you know what I think that is, it's called "famous last words".
1:14:59 > 1:15:01HE LAUGHS
1:15:01 > 1:15:05We need to work miracles today. I think it's going to be really tricky.
1:15:05 > 1:15:08- Yeah.- If anyone can charm them it's you.
1:15:08 > 1:15:12I'll use my charm, charm, charm, shall I?
1:15:12 > 1:15:18Lovely Colyton is consigned to memory as the road opens before us,
1:15:18 > 1:15:21skipping a mere ten miles northeast to Tytherleigh.
1:15:21 > 1:15:26The well stocked trading post lies in wait,
1:15:26 > 1:15:30but will it be big enough for our titans of tea time dance and their shopping partners?
1:15:30 > 1:15:32Who writes this stuff?
1:15:32 > 1:15:35When I first looked at this I thought it was an apprentice piece.
1:15:35 > 1:15:37But I think it's a toolbox.
1:15:37 > 1:15:42E Harris. It would be perfect for someone called E Harris.
1:15:42 > 1:15:48Sadly, they just sold the B Forsythe box and they're all out of A Widdecombes too.
1:15:48 > 1:15:51Still, here she comes any way. Look out.
1:15:52 > 1:15:57Now, we have both celebrities and their dancing shopping partners
1:15:57 > 1:16:02worryingly in the same shop at the same time. Let's get ready to rumba.
1:16:02 > 1:16:04Look what the cat has dragged in, darling.
1:16:04 > 1:16:06Oh, we've got a couple of good purchases!
1:16:06 > 1:16:08How are you getting on?
1:16:08 > 1:16:10- It broke down twice.- Oh, did it? - Not once but twice.
1:16:10 > 1:16:13You look a bit hot and flustered, Mark.
1:16:13 > 1:16:16- No. We're having a wonderful time.- It's psychological.
1:16:16 > 1:16:18- She's trying to undermine you. - I know what she's up to.
1:16:18 > 1:16:20Don't you listen to that!
1:16:20 > 1:16:22What a nightmare!
1:16:22 > 1:16:26Well, this is Celebrity Antiques Road Trip, and the gloves are off.
1:16:26 > 1:16:29All's fair in love and war and competitive shopping.
1:16:29 > 1:16:31Let's get on with it.
1:16:31 > 1:16:34That is a beautiful colour, isn't it?
1:16:34 > 1:16:37It is gorgeous. Be nice for the suites and things like that.
1:16:37 > 1:16:40I think that might be a possibility, actually.
1:16:40 > 1:16:42£12. Oh, lucky.
1:16:42 > 1:16:44Craig, that's a bargain.
1:16:44 > 1:16:46I was in that show, darling.
1:16:46 > 1:16:49- Aww!- It could've been your mug.
1:16:49 > 1:16:50I'm glad it's here.
1:16:50 > 1:16:55Mark is fantastic because he doesn't pour scorn. Like that tea set,
1:16:55 > 1:16:59his first reaction was, "Ann, you're a fool, put it back."
1:16:59 > 1:17:05But when he saw I was actually enthusing over it, he didn't pour scorn.
1:17:05 > 1:17:08He made it sound as if I'd said something quite intelligent.
1:17:08 > 1:17:12I know I didn't, he knows I didn't, but let's pretend.
1:17:12 > 1:17:14No surprise she's still single! You're right, Ann.
1:17:14 > 1:17:16Mark really is a lovely young man,
1:17:16 > 1:17:21selflessly content to let you make your mistakes...I mean, decisions.
1:17:21 > 1:17:23There's a heck of a trunk, Ann. Isn't that amazing?
1:17:23 > 1:17:26- Look at that.- Yeah.
1:17:26 > 1:17:31Mahogany. And this all lifts up.
1:17:31 > 1:17:35- That really is top quality. - Isn't that extraordinary?
1:17:35 > 1:17:38- £450.- Oh, ho, ho!
1:17:38 > 1:17:41- Wonderful thing, though, isn't it? - Wonderful thing.
1:17:41 > 1:17:45Gorgeous, and a worthy antique. But out of your league.
1:17:45 > 1:17:46Move along now, please.
1:17:48 > 1:17:50I don't believe this.
1:17:50 > 1:17:54That is going to be a sea trunk because of the handles.
1:17:54 > 1:17:58It's a travelling chest, probably for seamen or something. Sailor.
1:17:58 > 1:18:02- Look...- Isn't that lovely? - Look. Oh, oh, look.
1:18:02 > 1:18:06I've seen the price and I can tell you are not having it.
1:18:06 > 1:18:09- It's £450.- Really?- Too much.
1:18:09 > 1:18:12If I can get him down to £200...
1:18:12 > 1:18:16He's a punter, isn't he? £200 is a chancy offer
1:18:16 > 1:18:20and a very large slice of the Revel-Horwood fighting fund.
1:18:20 > 1:18:23Brave talk. I like it.
1:18:23 > 1:18:28It's an antique centre so I'm guessing the owner's not going to be here.
1:18:28 > 1:18:32They're going to have to phone him. But you won't be able to charm him.
1:18:32 > 1:18:35- I know.- Unless you talk to him on the phone.- That's true.
1:18:35 > 1:18:39- Go have a word. Go and work your magic.- I will do that.- Yeah.
1:18:39 > 1:18:42- Am I being bossy? - Yes, and it's about time.
1:18:42 > 1:18:44Not as bossy as some!
1:18:44 > 1:18:48I was hoping this might be Mouseman, this table.
1:18:48 > 1:18:50You know Mouseman, with the carved mouse on the leg?
1:18:50 > 1:18:54No. He produced a lot of simple furniture like this,
1:18:54 > 1:18:59normally with octagonal legs, and on each of his piece there's a little carved mouse.
1:18:59 > 1:19:00- You haven't found the mouse?- No.
1:19:00 > 1:19:04- No, it was too good to expect. - Are you sure there's no mouse?
1:19:04 > 1:19:09As far as I can see. I'm going to have another look. If it was it'd be worth several hundred.
1:19:09 > 1:19:14Ann, where are you going, love? The man's just talking to you.
1:19:14 > 1:19:18Robert Thompson began making lovely furniture in the early 20th Century,
1:19:18 > 1:19:23following the vogue for simple, traditional arts and craftsmanship.
1:19:23 > 1:19:25Sadly, this is not one of his signature Mouseman pieces
1:19:25 > 1:19:27but it's OK to dream, Mark.
1:19:27 > 1:19:28It's marked at 39.
1:19:28 > 1:19:34If we can get it for under £30 I think there's a reasonable chance of a profit in that.
1:19:34 > 1:19:37- OK, shall we see if we can get it for 25? Go and call him.- I will.
1:19:37 > 1:19:41- You rest there a moment, Ann. - I'll rest here a moment.
1:19:42 > 1:19:46Boring, but I always listen to a man who knows his job.
1:19:46 > 1:19:51If I'm told, although I think this is boring, somebody else might go,
1:19:51 > 1:19:56"Ooh, ahh" and pay money to do so, then I can be convinced.
1:19:58 > 1:20:04It's marked at £39. I was hoping for around 25 because it's very simple.
1:20:04 > 1:20:07- I'll give them a ring and see what they say.- OK.
1:20:07 > 1:20:10Andrew's been kept busy today.
1:20:10 > 1:20:13Phoning dealers with offers from both our celebrities.
1:20:13 > 1:20:18The man with the ship's trunk is first to press "hash" and return the call.
1:20:19 > 1:20:21Hello, Mike. I'm very well.
1:20:21 > 1:20:24You're not going to be pleased, though, about my offer.
1:20:24 > 1:20:27I literally have £200 to spend
1:20:27 > 1:20:31and I have fallen in love with your delicious box.
1:20:31 > 1:20:33- BOTH:- We are on our knees!
1:20:33 > 1:20:39We literally are, darling. 360, we can't go with that much money.
1:20:39 > 1:20:43- Let me have a word. - I'm going to put Catherine on now.
1:20:43 > 1:20:46Hello, hi. What is your rock bottom on this?
1:20:48 > 1:20:51Can we do three?
1:20:51 > 1:20:56Please could you do 300 for us. We are really, really desperate.
1:20:56 > 1:20:59310 then, that's our final offer.
1:21:01 > 1:21:06OK, I think we'll have to say "goodbye". Farewell. All right.
1:21:07 > 1:21:10He came down another £10 in the end.
1:21:10 > 1:21:13- To what?- 350.
1:21:13 > 1:21:15Oh, what shall we do?
1:21:15 > 1:21:16Oh, gosh!
1:21:18 > 1:21:24- He decreased to 350, did he?- Mmm. - So if we throw in the vase, the shop'll stand you another £10.
1:21:24 > 1:21:27- That's the best we can do. - OK, let's just recap.
1:21:27 > 1:21:32You're being very kind and saying you would throw in the Swedish vase
1:21:32 > 1:21:38and put another £10 in from the shop so that it would be 340,
1:21:38 > 1:21:40plus a free vase.
1:21:40 > 1:21:44- I think we should do it.- Do you? - I know it's scary...
1:21:44 > 1:21:47I can't believe we're both like... I know.
1:21:47 > 1:21:49I scarcely know what to say.
1:21:49 > 1:21:53That's a massive risk and a very, very brave investment.
1:21:53 > 1:21:58But you've got to love it, as ships trunks go, this one is a beaut.
1:21:58 > 1:22:00We should go for it, we should go for it.
1:22:00 > 1:22:03- We said £200, didn't we? Oh! - Fantastic.
1:22:03 > 1:22:08Craig can walk away with his head held high with just £40 left in his pocket,
1:22:08 > 1:22:13whilst Ann plonks herself on the floor, sitting patiently.
1:22:13 > 1:22:18OK, I'll let them know, Peter. All right, bye.
1:22:19 > 1:22:22- Andrew, hi. - I've spoken with the dealer.- Yes.
1:22:22 > 1:22:28- He can't go as far as 25.- Oh. - But he would let it go at 30.
1:22:28 > 1:22:33- I don't know if we want it for 30, do we, Ann? Unfortunately...- 28.
1:22:36 > 1:22:39- Yeah, go on, I'll do it. - 28.- Are you happy with that?
1:22:39 > 1:22:42- I'm happy with that.- Well, let's shake hands on it, shall we?
1:22:42 > 1:22:43You have a deal.
1:22:43 > 1:22:46No huge risk there for team Widdecombe today
1:22:46 > 1:22:49but a healthy addition to the auction arsenal.
1:22:49 > 1:22:55Now we just need that gentleman, Mark Stacey, to carry the lady's purchase to the car.
1:22:55 > 1:22:56Isn't he lovely?
1:22:56 > 1:22:59- We did find something out. - We certainly did.
1:22:59 > 1:23:01I'm pleased with this little beauty.
1:23:01 > 1:23:06The age of chivalry is as dead as a door knob. Now, let's get moving.
1:23:06 > 1:23:11- Are you excited?- I am. As long as we win I don't care.
1:23:11 > 1:23:14You're holding on, why are you holding on. Are you worried about my driving?
1:23:14 > 1:23:16HE LAUGHS
1:23:18 > 1:23:21The road trip whisks us on, spinning away from Tytherley,
1:23:21 > 1:23:25four miles eastwards to Chard in Somerset.
1:23:28 > 1:23:33If I make a loss I will be a little bit demolished.
1:23:33 > 1:23:38I can't say my life would be in ruins if I didn't beat Craig today.
1:23:38 > 1:23:41I'd like to, mark you, I'd like to.
1:23:41 > 1:23:44Just to pay him back for all those rude comments on Strictly.
1:23:44 > 1:23:46HORN BLOWS
1:23:46 > 1:23:47Oh, sorry.
1:23:47 > 1:23:51It's been an emotionally challenging day for Mark, at least.
1:23:51 > 1:23:56So a rather indulgent division has been seized upon by the Widdecombe camp.
1:23:56 > 1:24:00Oh, yes. Beautiful.
1:24:00 > 1:24:03Really wonderful.
1:24:03 > 1:24:06Forde Abbey has a long history.
1:24:06 > 1:24:11From monastic head office to civil war HQ to family home.
1:24:11 > 1:24:15There are tales of religion, art, money, politics, power
1:24:15 > 1:24:18and double entry book-keeping within these walls.
1:24:18 > 1:24:22Since 1905, the Roper family have lived here.
1:24:22 > 1:24:27Current owner, Mark Roper, is waiting with Whiskers to welcome the Widdecombe party.
1:24:27 > 1:24:29Nervously.
1:24:29 > 1:24:32- Hello.- Hello.- Welcome.
1:24:32 > 1:24:34Thank you. I'm Mark Stacey.
1:24:34 > 1:24:37- I'm Ann Widdecombe.- And who's this?
1:24:37 > 1:24:40- Whiskers.- Hello, Whiskers. - Whiskers, hello.
1:24:40 > 1:24:42Bite her!
1:24:42 > 1:24:46Built in the mid-12th Century on land bequeathed to the monasteries,
1:24:46 > 1:24:53from 1191 Abbot John of Forde used his favour with King John
1:24:53 > 1:24:59to increase the wealth of Forde Abbey, growing its estate over 30,000 acres.
1:24:59 > 1:25:02Once a centre of mediaeval commerce and Church authority,
1:25:02 > 1:25:06this could be a tricky journey for devout Catholic, Ann Widdecombe.
1:25:06 > 1:25:08Stand by.
1:25:08 > 1:25:11When did it cease to be an abbey, was it the dissolution of the monasteries?
1:25:11 > 1:25:15- 1539.- Did the ghastly Puritan leave everything alone.
1:25:15 > 1:25:17The Puritans created the inside.
1:25:17 > 1:25:19They caused a lot of havoc to religious buildings.
1:25:19 > 1:25:22- I think we should move on with the history.- You know that.
1:25:22 > 1:25:25- And what happened after that, Mark? - ANN LAUGHS
1:25:25 > 1:25:30I mean, you had Sir Edmund Prideaux chopping the King's head off.
1:25:30 > 1:25:34- You're selling him to me so well.- He was a good man.
1:25:34 > 1:25:39Regicide? I think we're on opposite sides of the civil war!
1:25:39 > 1:25:41It's had a chequered history, then.
1:25:41 > 1:25:46A well-timed interjection from Mark the peacemaker.
1:25:46 > 1:25:51The Abbey changed hands in 1539 with the dissolution of the monasteries
1:25:51 > 1:25:55and in 1649 became home to the parliamentarian, Edmund Prideaux,
1:25:55 > 1:25:57Cromwell's solicitor general.
1:25:57 > 1:26:02In fact, Edmumd had resigned his post before Charles I's execution
1:26:02 > 1:26:07and set upon the refurbishment of this rather stunning abode.
1:26:07 > 1:26:10- This is rather...- This is the grand staircase.- Oh, yes.
1:26:10 > 1:26:15This is beautiful. Where did these tapestries come from, Mark?
1:26:15 > 1:26:18The cartoons were drawn by Raphael.
1:26:18 > 1:26:22Rubens persuaded Charles I to buy the cartoons
1:26:22 > 1:26:28and these were made for Prideaux almost certainly in about 1650.
1:26:28 > 1:26:33These tapestries depict the lives of St Peter and St Paul,
1:26:33 > 1:26:41copied from cartoons by the great Master, Raphael for his work on the Sistine Chapel.
1:26:41 > 1:26:47Edmund Prideaux commissioned them but sadly died before they were hung in this grand room.
1:26:47 > 1:26:52- Aren't they beautiful?- They are. - The faces are so alive, aren't they?
1:26:52 > 1:26:53Fantastic.
1:26:54 > 1:26:57Forde Abbey today is a well-furnished home
1:26:57 > 1:27:01with the spoils of civil war and political manoeuvring.
1:27:01 > 1:27:05However, it's also a living testament to its distant past.
1:27:05 > 1:27:12This is the monastic cartulary that, I think, records all their land holdings
1:27:12 > 1:27:19which extended, I believe, to 30,000 or 40,000 acres across Somerset and Dorset.
1:27:19 > 1:27:24It probably dates from the 13th, 14th Century.
1:27:24 > 1:27:27A fascinating historical document,
1:27:27 > 1:27:31thank goodness we have a Latin reader in the Widdecombe party. Stand by.
1:27:31 > 1:27:34I can't read this because it's Medieval Latin
1:27:34 > 1:27:36and my Latin was classical.
1:27:36 > 1:27:39Also I would struggle with this script quite considerably.
1:27:39 > 1:27:43Quisquis vos narro, Ann?
1:27:43 > 1:27:46Indulgeo, indulgeo.
1:27:46 > 1:27:51You're touching the very page that that monk 500 years ago...
1:27:51 > 1:27:54..sat and wrote out under his candle.
1:27:54 > 1:27:55This is a link with history.
1:27:55 > 1:28:02It was important, of course, because the monasteries were quite powerful in that time.
1:28:02 > 1:28:03I mean...
1:28:03 > 1:28:04Steady, Mark.
1:28:04 > 1:28:07They became very strong, very financially powerful.
1:28:07 > 1:28:10But we've got to put ourselves in that...
1:28:10 > 1:28:14I completely agree, Ann, you also have to put the other side.
1:28:14 > 1:28:18- A lot of the peasants still had to pay their charges to the church. - I don't deny any of that.
1:28:21 > 1:28:24Of course, they say never discuss religion or politics.
1:28:24 > 1:28:28That's a bit tricky with Ann Widdecombe, she's full of it!
1:28:28 > 1:28:32Still, this is a fascinating document of ancient monastic power.
1:28:32 > 1:28:35Those monks certainly knew a profit from a loss.
1:28:35 > 1:28:38Let's hope our competitive antique shoppers can do the same.
1:28:38 > 1:28:41That was absolutely wonderful.
1:28:41 > 1:28:44That manuscript, I'm going to see it in my sleep tonight.
1:28:44 > 1:28:47I shan't be able to read it in my sleep tonight
1:28:47 > 1:28:50but I'm going to see it in my sleep tonight.
1:28:50 > 1:28:52I think it's about time you all turned in.
1:28:52 > 1:28:55Good night antiques road trippers.
1:28:55 > 1:28:57Dulcis somnium.
1:28:57 > 1:28:58I think that's right.
1:29:03 > 1:29:04Up and at 'em!
1:29:04 > 1:29:07Teams Widdecombe and Revel-Horwood
1:29:07 > 1:29:10are straight back at it for the last tango in Devon.
1:29:10 > 1:29:14- Are we going to win? - I suspect not.
1:29:14 > 1:29:17I'm relying on you to prevent us making a loss.
1:29:17 > 1:29:21Don't shift the blame on me, Ann Widdecombe.
1:29:21 > 1:29:26So far, Ann and Mark have spent £94 on three auction lots.
1:29:26 > 1:29:28The exciting stamp collection, the East German tea set
1:29:28 > 1:29:30and the arts and crafts table.
1:29:30 > 1:29:35Team Widdecombe has a buoyant £306 left to spend.
1:29:35 > 1:29:37I'm pleased with this little beauty.
1:29:37 > 1:29:41- We have to be fierce. - I'm going to be fierce.
1:29:41 > 1:29:43In my run-offs with Catherine in the past,
1:29:43 > 1:29:48I've won pretty much all of them, so I'm going to keep that record going.
1:29:48 > 1:29:49Craig and Catherine meanwhile,
1:29:49 > 1:29:53launched wildly into the first day's shopping,
1:29:53 > 1:29:58spending a reckless £360 on just two lots:
1:29:58 > 1:30:04the risky James Bond toy and the really, really risky mahogany trunk.
1:30:04 > 1:30:07However, they got a third lot thrown in free,
1:30:07 > 1:30:10the 1960s Scandinavian vase.
1:30:10 > 1:30:15Team Revel Horwood has just £40 left, but apparently no regrets.
1:30:15 > 1:30:16He's just revelling in it.
1:30:16 > 1:30:19Well, as long as we win, I don't care.
1:30:19 > 1:30:21I just hope we can charm them
1:30:21 > 1:30:26and get everything for half the price that it's ticketed for. (LAUGHS)
1:30:26 > 1:30:32Our novice celebrities have taken to this challenge with great courage and conviction,
1:30:32 > 1:30:35and perhaps just a little hastiness.
1:30:35 > 1:30:38Now the good ship Antique Celebrity Road Trip,
1:30:38 > 1:30:41is about to lurch into the westward wind.
1:30:41 > 1:30:43- You're coming up to traffic lights. - Yes.
1:30:43 > 1:30:46- I can see those. I'll slow down. - We need to brake.
1:30:46 > 1:30:47ENGINE SPLUTTERS
1:30:47 > 1:30:55Ford Abbey forgotten, our celebrities and experts cross the county line
1:30:55 > 1:31:01and travel 35.5 miles to Devon's cathedral city of Exeter.
1:31:01 > 1:31:04Having blown nearly all their money,
1:31:04 > 1:31:07it's time for Craig and Catherine to go back to school,
1:31:07 > 1:31:10or university, to be precise.
1:31:10 > 1:31:17Within the campus of Exeter's learning establishment stands the Bill Douglas Centre,
1:31:17 > 1:31:19a museum to the glory days and genesis
1:31:19 > 1:31:22of the 20th century's greatest art form - cinema.
1:31:22 > 1:31:26- Hello.- Hi, Craig.- I'm Catherine Southon, nice to meet you.
1:31:26 > 1:31:29I'm Phil, the curator of the Bill Douglas Centre.
1:31:29 > 1:31:33- Welcome. Come inside and see what we've got.- Lovely, thank you. - Fantastic.
1:31:33 > 1:31:37The eponymous Bill Douglas Centre began from the personal artefacts
1:31:37 > 1:31:42of a little-known maverick British filmmaker and passionate collector,
1:31:42 > 1:31:48coincidentally, Bill's first student film was called Come Dancing.
1:31:48 > 1:31:52(LAUGHS) I've got £40 that says Craig is going to love it here.
1:31:52 > 1:31:56This is an amazing collection. I love Marlene Dietrich.
1:31:56 > 1:31:59- I dressed as her in drag. - Did you? (THEY LAUGH)
1:31:59 > 1:32:05There's well over 70,000 items, right from the beginning of moving images
1:32:05 > 1:32:09with shadow puppets, right up to the present day film.
1:32:09 > 1:32:15This amazing collection was donated to the university and opened to the public in 1997
1:32:15 > 1:32:18for the centenary of cinema celebrations,
1:32:18 > 1:32:23from antique contraptions to golden era Hollywood memorabilia.
1:32:23 > 1:32:27- That is absolutely brilliant. - "Sincerely, Fred Astaire".- Love it.
1:32:27 > 1:32:31He was one of the most amazing dancers of all time.
1:32:31 > 1:32:35There is no-one that can match what he did. He worked so hard.
1:32:35 > 1:32:36- Is he your idol?- Yes.
1:32:36 > 1:32:41A pure genius but none of his work came to him.
1:32:41 > 1:32:45It came to him through hard, hard work and rehearsal
1:32:45 > 1:32:48and he was a perfectionist.
1:32:48 > 1:32:49You can see that in the films.
1:32:49 > 1:32:53- There are some amazing routines and they are so ambitious. - Flying Down To Rio.
1:32:53 > 1:32:58Fred Astaire was famous, really, for doing, sort of this move.
1:32:58 > 1:33:01He did a lunge and it was very jazzy at the time.
1:33:01 > 1:33:06Allegedly, Fred Astaire's first screen test
1:33:06 > 1:33:09was reported as "can't sing, can't act, can dance a little."
1:33:09 > 1:33:12So, there's hope for Craig yet.
1:33:12 > 1:33:15Further into this amazing collection,
1:33:15 > 1:33:21we journey back through cinematic history to a time before mass entertainment.
1:33:21 > 1:33:25This is from the 1870s. It's a French original made by Emile Renard.
1:33:25 > 1:33:29Amazingly good condition and then you have these little reels
1:33:29 > 1:33:31in this case, a jockey on a horse.
1:33:31 > 1:33:36But you're looking at the mirror, so if you hold this closely,
1:33:36 > 1:33:38you just move this round like this.
1:33:38 > 1:33:42- That is brilliant. - Beautiful, isn't it? - Isn't that fantastic?
1:33:42 > 1:33:45- If we found one of these, Craig... - I know.
1:33:45 > 1:33:47These are so rare, aren't they?
1:33:47 > 1:33:50I'll give you a tenner for it.
1:33:53 > 1:33:57'All these things are fascinating'
1:33:57 > 1:34:01and I think once upon a time, when we didn't have television, before Strictly,
1:34:01 > 1:34:06these are what people bought and made to entertain themselves, really.
1:34:06 > 1:34:10Catherine, I do hope you're not daring to suggest
1:34:10 > 1:34:13that life was better before Strictly Come Dancing?!
1:34:13 > 1:34:17Filmed mass entertainment didn't develop overnight.
1:34:17 > 1:34:19There were many false dawns,
1:34:19 > 1:34:24technological cul-de-sacs and one or two dark alleys on the way.
1:34:24 > 1:34:28Quite a few people are credited with being involved in the birth of cinema,
1:34:28 > 1:34:30one of which is Edison, Thomas Edison,
1:34:30 > 1:34:34who had already famous invented the light bulb, the phonograph...
1:34:34 > 1:34:37He had a British inventor called Dixon
1:34:37 > 1:34:40and he put together the kinetoscope.
1:34:40 > 1:34:43This is the machine that it turned into, often called the mutoscope,
1:34:43 > 1:34:46but most people know it as the What The Butler Saw machine.
1:34:46 > 1:34:51- The what, sorry? - A What The Butler Saw machine.
1:34:51 > 1:34:55These were common on British seasides, I suppose, until the 70s,
1:34:55 > 1:34:59and it does give an impressive film experience, if you'd like to have a go.
1:34:59 > 1:35:05- Do you put your money in? - You don't have to here, but that would have been the idea.
1:35:05 > 1:35:11- Can I have a go?- Just turn it to the right quite fast.
1:35:11 > 1:35:14'Oh, that is absolutely brilliant.'
1:35:16 > 1:35:19- Are they naughty images? - Sort of, mildly.
1:35:19 > 1:35:20Mildly. I'd say very mildly.
1:35:20 > 1:35:24I don't know, looks pretty racy to me.
1:35:24 > 1:35:27Certainly not for a lady's eyes.
1:35:27 > 1:35:31- Can I have a quick peek? - Oh. Here we go.
1:35:31 > 1:35:33Oh, it's quite saucy.
1:35:33 > 1:35:39- There's a bit of dancing. - That's not really dancing. That's more...
1:35:39 > 1:35:41..OK, let's move on.
1:35:41 > 1:35:45What is missing from what we understand by cinema is the audience.
1:35:45 > 1:35:49That's why in the battle to become the fathers of film,
1:35:49 > 1:35:51the Lumiere brothers in France are really the winners,
1:35:51 > 1:35:56because they always had the idea of projecting films to a paying audience
1:35:56 > 1:35:59and they did that first in Paris in 1895
1:35:59 > 1:36:03and that is usually the dates we say cinema started.
1:36:03 > 1:36:07The Lumiere brothers presented their first film of a train arrival
1:36:07 > 1:36:11to a much startled Parisian audience in 1895.
1:36:11 > 1:36:13They were true pioneers,
1:36:13 > 1:36:16without whom, modern entertainment would just not be the same.
1:36:16 > 1:36:19Sadly, we've had to wait all these years
1:36:19 > 1:36:24for today's marvellous spectacle that is the Celebrity Antiques Road Trip.
1:36:24 > 1:36:29The lure of antiques shopping is drawing us on once more.
1:36:29 > 1:36:33- Do you miss the House of Commons? - I don't miss it at all.
1:36:33 > 1:36:37I miss bits of the constituency but I certainly don't miss the Commons.
1:36:37 > 1:36:39Please slow down, you're on a sharp bend.
1:36:39 > 1:36:42I must say, I was a bit nervous about meeting you, Craig.
1:36:42 > 1:36:46But you seem a bit softer than you are on the telly.
1:36:46 > 1:36:49When I'm not having my judge's hat on,
1:36:49 > 1:36:51to be honest, I'm a very nice person.
1:36:51 > 1:36:55I think if you put bad dancing in front of me, I kick off.
1:36:55 > 1:36:59- I bet you are pretty competitive. - No, I am, I like it.
1:36:59 > 1:37:04I think a bit of competition is fuel for the soul, darling.
1:37:04 > 1:37:09We're heading eastwards and leaving Exeter for the moment
1:37:09 > 1:37:12for a quick rummage in the nearby seaside town of Sidmouth.
1:37:14 > 1:37:18Our entertainers have finally made it to the end of the pier,
1:37:18 > 1:37:19or the seaside, at least.
1:37:19 > 1:37:23They say you play Sidmouth twice in your career,
1:37:23 > 1:37:26once on the way up and once on the way down.
1:37:26 > 1:37:28It's good to be back!
1:37:30 > 1:37:34Sidmouth Antiques has opened its doors for our Strictly shoppers.
1:37:34 > 1:37:37But are they getting the second day itch?
1:37:37 > 1:37:41- Oh, look.- Marilyn. - Are you a Marilyn fan?
1:37:41 > 1:37:43Well, yes. Look at that.
1:37:43 > 1:37:47That doesn't look quite Marilyn, does it?
1:37:47 > 1:37:51- The only thing they have got right is the dress.- Her legs look a bit chunky too.- Yes.
1:37:51 > 1:37:53She was quite chunky, wasn't she?
1:37:53 > 1:37:57Don't you know that gentlemen prefer chunky?
1:37:57 > 1:38:01Now, can everyone please get on with it?
1:38:01 > 1:38:04Lovely Samantha is just waiting to help you haggle with the dealers.
1:38:04 > 1:38:07Or possibly hoping for a dance.
1:38:07 > 1:38:10What's that big flat spoon thing?
1:38:10 > 1:38:13- What's that for?- It's an anoint... - I will anoint you.
1:38:13 > 1:38:15That sort of thing.
1:38:15 > 1:38:18I don't know. Most unusual, isn't it?
1:38:18 > 1:38:23It is a lovely shape, actually. It is a lovely clear hallmark, isn't it?
1:38:23 > 1:38:25- Yes, really clear.- 1896.
1:38:25 > 1:38:28But is it really going to get everyone excited...
1:38:28 > 1:38:32..in the same way that our chest will?
1:38:32 > 1:38:35The original anointing spoon dates from the 12th century
1:38:35 > 1:38:39and is kept with the Crown Jewels in the Tower of London.
1:38:39 > 1:38:43It's used to anoint the newly crowned sovereign.
1:38:43 > 1:38:46This one dates from 1895, and at £100,
1:38:46 > 1:38:50is a bit beyond their £40 budget.
1:38:50 > 1:38:53I've spoken to the dealer and he says he'll do 30.
1:38:53 > 1:38:57You're worried and you're smiling.
1:38:57 > 1:38:59- No, I like it. - How much have we got left, 40?
1:38:59 > 1:39:03- And that is it. - Do you want to go for that?- Yes.
1:39:03 > 1:39:06- Come on, let's have a dance.- Dance!
1:39:06 > 1:39:07LAUGHTER
1:39:07 > 1:39:10- I've got two left feet. - So have I!
1:39:10 > 1:39:13I'm just going to spin you into place, into position.
1:39:13 > 1:39:17- Oh, look at that!- And a kiss.
1:39:17 > 1:39:20You just need to do a slight back bend here, darling. That's it.
1:39:20 > 1:39:23- And around you go.- Whee!- Gorgeous!
1:39:23 > 1:39:28And one, two, three, back, two three.
1:39:28 > 1:39:30- Yes, you're right, you can't dance. - LAUGHTER
1:39:30 > 1:39:32- But you're gorgeous. - Oh, thank you.
1:39:32 > 1:39:37Look at that. He's rude, yet charming and the dirty dancer's done it again.
1:39:37 > 1:39:42Can no-one resist the Revel-Horwood charms?
1:39:42 > 1:39:45Now, Ann's spotted something rather fancy for £85.
1:39:45 > 1:39:49- She's obviously an Indian goddess, isn't she?- Yes.
1:39:49 > 1:39:51And she's sitting on a lotus blossom here.
1:39:51 > 1:39:55But if you think this is carved from one piece of ivory,
1:39:55 > 1:39:57even at the back it's carved.
1:39:57 > 1:40:01There is one thing we have to be very careful about
1:40:01 > 1:40:05when we are dealing with ivory or tortoise shell or things like that.
1:40:05 > 1:40:11It's completely illegal to sell anything that was made after or carved after 1947.
1:40:11 > 1:40:16- After the year of my birth, you couldn't carve ivory.- No.
1:40:16 > 1:40:17An easy way to remember.
1:40:17 > 1:40:21Ivory items are legal to trade from pre-1947.
1:40:21 > 1:40:25However, I think you should keep looking. Can you see anything else?
1:40:25 > 1:40:30This is quite interesting. It's mother of pearl, isn't it?
1:40:30 > 1:40:32It's got the sort of silvered metal on it.
1:40:32 > 1:40:36I quite like the haft, it's sort of an anchor with a rope,
1:40:36 > 1:40:38and again, it's a little letter opener or something.
1:40:38 > 1:40:43I think we should put those together, I really do.
1:40:43 > 1:40:46- I'm sorry, I do.- It's like a cheap souvenir.- It's not.
1:40:46 > 1:40:50That reasonable quality for £12.
1:40:50 > 1:40:53- What would they do on that? - £10 would be the best.
1:40:53 > 1:40:55I'm not paying £10.
1:40:55 > 1:40:59Ann Widdecombe. Are you going to listen to my advice or not?
1:40:59 > 1:41:04I can take your advice into account, as they say in politics.
1:41:04 > 1:41:06Or even, I hear what you say.
1:41:06 > 1:41:10Oh, dear. How is Mark going to persuade the dealer
1:41:10 > 1:41:13for a discount on this pair, if he can't even talk Ann into it?
1:41:13 > 1:41:17- Shall we do it? Come on, go with me.- 60 for the two.
1:41:17 > 1:41:24- Hello, I've got an Widdecombe with me, and Mark...- Stacey.- ..Stacey.
1:41:24 > 1:41:26Who's he, then?
1:41:26 > 1:41:30And they're interested in your ivory letter opener. You've got £85 on it.
1:41:30 > 1:41:32Tell him to be generous.
1:41:35 > 1:41:37OK. He says he'll take an extra fiver off
1:41:37 > 1:41:40if Ann Widdecombe just says hello to him.
1:41:41 > 1:41:45- Hello. Would you like to dance? - That's 50 quid!
1:41:48 > 1:41:50Nice try, Mark.
1:41:50 > 1:41:52Best offer seems £55 for the page turner
1:41:52 > 1:41:56and £10 for the letter opener. How do you like them apples?
1:41:56 > 1:41:59We've got plenty of money, we got plenty of cash.
1:41:59 > 1:42:03- OK, I'll take you're advice. - 65 for the two.- 240.- £241 left.
1:42:03 > 1:42:06- I want to find a big time.- Me too.
1:42:06 > 1:42:09- I want to spend most of that money on one item.- So do I.
1:42:09 > 1:42:11I want to spend all of it on one item.
1:42:11 > 1:42:14Now, shall we write that down, Ann, because we've agreed on something?
1:42:14 > 1:42:18That's something we can all be grateful for,
1:42:18 > 1:42:21and whilst this pair has a beautiful moment,
1:42:21 > 1:42:25what inspired antiques investment could be whetting Craig's appetite?
1:42:27 > 1:42:30Yes, this doesn't look much like antique shopping to me.
1:42:30 > 1:42:32Is that a vanilla?
1:42:33 > 1:42:36What I've always wanted to know is, what about Ann?
1:42:36 > 1:42:39You were a bit harsh on her, but she was a tremendous sport, wasn't she?
1:42:39 > 1:42:43What came across to me she put her heart and soul in that, didn't she?
1:42:43 > 1:42:45She really went for it.
1:42:45 > 1:42:49Yes, just a shame she didn't put her feet into it, darling!
1:42:49 > 1:42:51- You're so mean.- No, I'm not mean.
1:42:51 > 1:42:53She was great when she was flying,
1:42:53 > 1:42:57but as soon as her feet touched the ground, it all went horribly wrong.
1:42:57 > 1:43:01Miaow. Let's not forget that Ann's still working, Craig.
1:43:01 > 1:43:06She's still shopping, she's still focused, and... Ooh, I like that.
1:43:06 > 1:43:09Solid silver from 1908,
1:43:09 > 1:43:12and it's a traditional nurse's graduation buckle,
1:43:12 > 1:43:17worn proudly on the ward with an elasticated belt. Ooh, matron.
1:43:17 > 1:43:21Look what I can see. Two people dancing.
1:43:21 > 1:43:25Craig Revel Horwood would have liked that, I reckon.
1:43:25 > 1:43:30- What are you hoping to get for it, may we ask?- £100.
1:43:30 > 1:43:34- Oh! We've shown her we want it. - Too much, haven't we? Bad move.
1:43:34 > 1:43:38And you're the professional. You should have looked po-faced
1:43:38 > 1:43:40and said it was rotten and not worth tuppence.
1:43:40 > 1:43:44- If you say so, Ann.- Do think we could do a deal on 85?
1:43:44 > 1:43:47- OK. It's a deal.- Thank you so much. - That is very much a deal.
1:43:47 > 1:43:52- Brilliant.- I think I'm about to dance on air.- Shall we?
1:44:02 > 1:44:05Thank you very much.
1:44:05 > 1:44:10Oh, dear. Short, slow, tame, dull, dull, dull. Two!
1:44:10 > 1:44:12However, Team Widdecombe
1:44:12 > 1:44:16valiantly kept shopping until the dying moments of the day,
1:44:16 > 1:44:21with a fine selection of choice antiques to carry on down the road.
1:44:21 > 1:44:25Now it's all back to Exeter, to the cathedral green,
1:44:25 > 1:44:29where Ann and Craig can show each other what they've bought,
1:44:29 > 1:44:33starting with big kid Craig's new toy.
1:44:33 > 1:44:36- Look at that, darling. - Moonraker.- Moonraker 007.
1:44:36 > 1:44:40- They don't look very impressed. - Original packaging.
1:44:40 > 1:44:45You may know something that I don't. How much did you pay?
1:44:45 > 1:44:49- £95, and we got it down to 20 quid. - Yes, that's more like it.
1:44:49 > 1:44:52We haven't managed anything quite as dramatic as that.
1:44:52 > 1:44:56No, but we haven't bothered to look at anything quite like that.
1:44:57 > 1:45:05- We bought a collection of stamp albums.- Oh!- How dull.- How dull?
1:45:05 > 1:45:09If you look through those, you will see quite a magnificent array,
1:45:09 > 1:45:13and as you know, you only need one stamp to catch somebody's eye...
1:45:13 > 1:45:16- Have you got that one stamp? - We've got many of them.
1:45:16 > 1:45:19I can see they're priced at £85, how much did you get them for?
1:45:19 > 1:45:23- We didn't pay that. 50.- Ooh!
1:45:25 > 1:45:27I'd describe the reaction as underwhelmed.
1:45:27 > 1:45:32Can Craig and Catherine excite with their silver anointing spoon?
1:45:32 > 1:45:36Well, I think it looks nice, but I'm not convinced. Was this your choice again?
1:45:36 > 1:45:40I rather like it because it's an anointing spoon,
1:45:40 > 1:45:44and I thought you would have liked that? One can be anointed by it.
1:45:44 > 1:45:47It can also be used for ice cream. I just rather liked it.
1:45:47 > 1:45:50I'm going to make no bones about this, Ann. This is your choice.
1:45:52 > 1:45:58This is the most wonderful 1960s child's tea set,
1:45:58 > 1:46:01made in the German Democratic Republic.
1:46:01 > 1:46:06- I am astonished that Mark let you buy it.- I am unashamed about this.
1:46:06 > 1:46:11- I think it's naff, actually. - Mark agrees with you.
1:46:11 > 1:46:13Come on, men, you agree with each other.
1:46:13 > 1:46:16It's going to look lovely when you have to take it home
1:46:16 > 1:46:19- and put it on your own shelf. - Well, I'm not going to.
1:46:19 > 1:46:20Well, another muted response.
1:46:20 > 1:46:24Let's hope Ann and Mark's fine table will blow them away.
1:46:24 > 1:46:28Be prepared.
1:46:30 > 1:46:34- What is it?!- Well, let me just pop it up here, because actually...
1:46:34 > 1:46:38- Catherine will understand this. - Actually...- Catherine, I'm speaking.
1:46:38 > 1:46:42Ann and I both liked it for its simplicity, didn't we?
1:46:42 > 1:46:45Catherine, what are you going to give us for that?
1:46:45 > 1:46:49She's not giving YOU anything, Ann. You're taking it to auction, remember?
1:46:49 > 1:46:53- 60-80.- We'd be very happy with that. - We would be very happy.- We paid 28.
1:46:53 > 1:46:58- No! Did you? I mean, it's a bit... - Oh, here we go.
1:46:58 > 1:47:02- It's functional. - And you're going to give us twice as much as we paid for it,
1:47:02 > 1:47:06because you've just said so, so, fine, we're happy with that.
1:47:06 > 1:47:11Well, I think I'm going to get out of my pocket this rather nice...
1:47:11 > 1:47:14- Oh, that's nice. - She said it was nice.- I know.
1:47:14 > 1:47:17- You know what I said about it.- I do.
1:47:17 > 1:47:21I think it's a nice little mother of pearl paper knife,
1:47:21 > 1:47:25- what would you say, as an auction estimate for that, Catherine? - 60 to 80?
1:47:29 > 1:47:33Well, we didn't just buy that. We actually bought that
1:47:33 > 1:47:39as an afterthought, to go with this, which is a carved ivory page turner.
1:47:39 > 1:47:41- Oh, that's quite nice, and they all go into one.- How much?
1:47:41 > 1:47:46- This one, we only paid 10 quid for. - We paid 65 for the two.
1:47:46 > 1:47:50If you're prepared to give me 60 to 80 for a £10 purchase, I don't think that's bad.
1:47:50 > 1:47:54- You don't care. You're rubbing your hands. - Over to you, Miss Widdecombe.
1:47:54 > 1:47:57I'm going to ask you two to close your eyes.
1:47:58 > 1:48:04- A pair of dancers. - And it's solid silver. Solid silver.
1:48:04 > 1:48:07- Oh, that's lovely. - What is that dance, Craig?
1:48:07 > 1:48:13- It looks to me like a harvest dance. - The scrap value alone is £70. - That's great.
1:48:13 > 1:48:17- But it was the dancers that sold it. - Yes, that's perfect.
1:48:17 > 1:48:23- And now a double bill finale from Craig and Catherine.- OMG!
1:48:23 > 1:48:29- They gave us that for free. - That, you would have been silly to have paid any money for at all.
1:48:29 > 1:48:34- We love this. - When you open it up and you see this wonderful compartmented interior...
1:48:34 > 1:48:38- It's beautiful.- ..we fell in love with it, Ann.- They wanted 450.
1:48:38 > 1:48:42- We paid 340. - It's a lot of money.
1:48:42 > 1:48:48- Actually, you've taken a chance. - Yes. We were frightened. You were up all night, weren't you?
1:48:48 > 1:48:50I hope there's been no such stupid emotion.
1:48:50 > 1:48:52Hopefully, no emotions at all.
1:48:52 > 1:48:59- The stamp albums.- D-U-double L, dull. - Very.
1:48:59 > 1:49:02The 007 Moonraker thing,
1:49:02 > 1:49:05I can't see it making more than about £25 at the most.
1:49:05 > 1:49:07We have put our souls
1:49:07 > 1:49:12and your professional integrity on the line, sadly.
1:49:12 > 1:49:18- Thanks!- And... I think that's going to be...
1:49:18 > 1:49:21- I think that's going to make...- Or break us.- ..lots and lots of money.
1:49:21 > 1:49:25I hope you're right, I really hope you're right.
1:49:25 > 1:49:31I'm afraid it's too late for hope, Catherine. The hour of reckoning will soon be upon us.
1:49:31 > 1:49:37I call my car "he". Maybe it's because I manipulate it, so I call him he.
1:49:37 > 1:49:39I don't normally call them anything.
1:49:39 > 1:49:42Probably cos this car is so difficult, I thought it was a woman.
1:49:42 > 1:49:46Ah, because it was so stubborn and unreliable, I thought it was a man.
1:49:46 > 1:49:50- We could go on like this all day, Ann.- We could, couldn't we?
1:49:50 > 1:49:55Onwards we ride. Once more into the breach, dear friends.
1:49:55 > 1:50:00On a monumental arch across southern England,
1:50:00 > 1:50:05252 miles eastwards, to gorgeous Southend-on-Sea.
1:50:05 > 1:50:11- I just love the way you say auction. - Auction. What is it?
1:50:11 > 1:50:12- Auction.- Auction.
1:50:12 > 1:50:17- Have you been to an auction like this before?- No.
1:50:17 > 1:50:19I'm sure you've been to a lot of charity auctions.
1:50:19 > 1:50:21Yes, but I mean, it's rubbish.
1:50:21 > 1:50:25I do have some concern about you know what, the box,
1:50:25 > 1:50:28but as you say, it is a beautiful piece.
1:50:28 > 1:50:30I loved it. You loved it.
1:50:30 > 1:50:36So I'm hoping that the wonderful Southend-on-Sea audience loves it
1:50:36 > 1:50:38- and then pays a fortune for it. - Absolutely.
1:50:38 > 1:50:42Oh dear, there's that "hope" word again.
1:50:42 > 1:50:46These celebrities will never learn!
1:50:46 > 1:50:51And we're here and the rain's just..
1:50:51 > 1:50:53What was that bang?
1:50:53 > 1:50:58- Oh dear.- Oh!
1:50:58 > 1:51:02I'm getting out. No, I'm not staying in this rain. Come on, Ann, let's go in.
1:51:02 > 1:51:05Come on, I'll close the door. You run in.
1:51:05 > 1:51:07Don't just leave me!
1:51:09 > 1:51:14Southend's Chalkwell auctions have been selling all sorts here since 1989.
1:51:14 > 1:51:18Today's gavel-bashing auctioneer is Trevor Cornforth
1:51:18 > 1:51:22and he's taken a wee look-see at Ann and Craig's items.
1:51:22 > 1:51:27The Bond toy, if they paid a tenner for it, I can see a good profit.
1:51:27 > 1:51:32Ann's tea set, it has its original box, although there's a small amount of damage,
1:51:32 > 1:51:36so I think that will carry some weight in its saleability
1:51:36 > 1:51:39I think the chest probably should make £300 or £400.
1:51:39 > 1:51:445, if we're lucky, but you never know if it's a good day with a following wind.
1:51:46 > 1:51:50Both our celebrity teams began with £400.
1:51:50 > 1:51:56The outgoing member for Maidstone spent just £244 on five auction lots.
1:51:57 > 1:52:01The Lord of the Dance, meanwhile nearly spent the lot,
1:52:01 > 1:52:05an impressive £390 on just four lots.
1:52:05 > 1:52:11Ann and Mark steady their nerves. Craig and Catherine feel the stress.
1:52:11 > 1:52:15And I'm coming out in blotches. The auction is about to begin.
1:52:15 > 1:52:18It's a bit nerve-wracking, isn't it?
1:52:18 > 1:52:20Just getting started and it's a tea break already,
1:52:20 > 1:52:23but before Ann can blame the unions,
1:52:23 > 1:52:27her east German child's set faces the bidders.
1:52:27 > 1:52:30Start me at £20. £10 on this set.
1:52:30 > 1:52:32Look at this. Hands everywhere.
1:52:32 > 1:52:39I've got 10, 15, 20, 25, 30, 35, 40. £40 at the back.
1:52:39 > 1:52:45Standing at £40. This seems very cheap to me. 45 fresh place. 50.
1:52:45 > 1:52:5060 back in. 60 seated at the front. Sit down, Ann!
1:52:50 > 1:52:53You carry on.
1:52:53 > 1:52:55I've got 60 at the front.
1:52:55 > 1:52:59- I'm glad I found that now. - I found that.
1:52:59 > 1:53:02Mm. An excellent start.
1:53:02 > 1:53:07Those old Eastern Bloc Communists really made great toys. Right, Ann?
1:53:07 > 1:53:10- Are we a bit bitter, do you think? - And twisted.
1:53:10 > 1:53:12And now for some free market bidding
1:53:12 > 1:53:14on Craig and Catherine's Scandinavian vase.
1:53:17 > 1:53:20Do I have a starting bid of a pound on this one?
1:53:20 > 1:53:22Oh lovely, look.
1:53:22 > 1:53:25I have a bid of ten straight away. It's in the room at 15.
1:53:25 > 1:53:29- Oh, good. I'm going to do the Ann bounce.- £20.
1:53:29 > 1:53:31I give you one, darling. One.
1:53:31 > 1:53:34- I've got £20.- Oh, come on. 25.
1:53:34 > 1:53:36- 25.- Oh, I love it.
1:53:36 > 1:53:4030 with the lady. There's more money than sense in this room!
1:53:40 > 1:53:42Yes!
1:53:42 > 1:53:46I think that's all your hard work. I think you did extremely well.
1:53:46 > 1:53:49I bet it's been a long time since he's had to work so hard for £35.
1:53:49 > 1:53:52Actually, Craig danced. Not really work, is it?!
1:53:52 > 1:53:57Now a labour of love from Ann and Mark's swag bag.
1:53:57 > 1:54:03Start me at £20 on it. Straight away we're in the room at £20. 30?
1:54:03 > 1:54:0835. There are hands everywhere now. 40, 45. 50 with a hand at the back.
1:54:08 > 1:54:10£50, all done.
1:54:10 > 1:54:15Another nice little profit means Ann and Mark take an early lead.
1:54:15 > 1:54:17Now, from Collerton with love.
1:54:17 > 1:54:22The Moonraker toy needs some Goldfingered bidders.
1:54:22 > 1:54:23It's rubbish.
1:54:23 > 1:54:28- No.- OK. Start me at £10. 15. 20. 25.
1:54:28 > 1:54:31- 30. 35. 40.- Gentleman's bid at £40.
1:54:31 > 1:54:34- At the front and selling. - Perfect condition.
1:54:34 > 1:54:37Well done.
1:54:37 > 1:54:38A better profit than expected.
1:54:38 > 1:54:43But Craig and Catherine are still lingering just behind Ann and Mark.
1:54:44 > 1:54:48And now, childhood keepsakes come before the bidders.
1:54:48 > 1:54:54- Here we go, Ann. - There might be many rare stamps in there. You never know.- Might not.
1:54:54 > 1:54:55There will be.
1:54:55 > 1:55:02Start me at £20 on the lot. £20, I have. 25. 30. 35, 40.
1:55:02 > 1:55:04- 45. 50.- Come on! - 45, I have, at the very back.
1:55:04 > 1:55:07You might have a Penny Black in there, you never know.
1:55:07 > 1:55:10- I've got 50 on the internet now. - Ooh, yes.- The internet, yes.
1:55:10 > 1:55:12Any advance?
1:55:12 > 1:55:13Just one more bid. Come on.
1:55:13 > 1:55:16We're at 50 on the internet. Sorry.
1:55:16 > 1:55:22- Oh.- Pity. What a shame.- Yeah.
1:55:22 > 1:55:25An ill-timed postal strike for Ann,
1:55:25 > 1:55:29as Craig and Catherine wait to be anointed with profits.
1:55:29 > 1:55:31We're in the room at £50.
1:55:31 > 1:55:34We're selling at £50. Are we all finished?
1:55:34 > 1:55:37- You can melt it down. - 50, 60. 70 standing.
1:55:37 > 1:55:3980 with the lady seated now.
1:55:39 > 1:55:42At £80, all done. 28.
1:55:42 > 1:55:46- Well, that was enough, that 50. - Well done.
1:55:46 > 1:55:48Does she mean it?
1:55:48 > 1:55:52Fantastic. Craig and Catherine have now nosed into the lead.
1:55:52 > 1:55:53But what can Ann and Mark achieve
1:55:53 > 1:55:57with their delightful nurse's graduation buckle?
1:55:57 > 1:56:00Start me at £50 on this one to get it going. 60 behind.
1:56:00 > 1:56:0370. 80? We're at 80. Is that going to be it?
1:56:03 > 1:56:05The piece de resistance, this one.
1:56:05 > 1:56:08We've got 90 on the internet. Are you £100, sir?
1:56:08 > 1:56:09£100 in the room.
1:56:09 > 1:56:12I'm selling - no, I've got 110.
1:56:12 > 1:56:15On the internet now and we're selling at 110.
1:56:15 > 1:56:18I was slightly worried at one point.
1:56:18 > 1:56:23Fine work again, but Team Widdecombe needs more to regain the lead.
1:56:23 > 1:56:25Can their last lot seal the deal?
1:56:28 > 1:56:29Oh no. No.
1:56:29 > 1:56:30Fresh at the back.
1:56:30 > 1:56:34Anything's possible now, after tea sets flying.
1:56:34 > 1:56:38I sense some bitterness there, Ann, don't you?
1:56:38 > 1:56:39Start me at £50, see where we go.
1:56:39 > 1:56:41Oh, come on, guys.
1:56:43 > 1:56:46- We have £60 bid on the internet. - Oh, come on, just 70.
1:56:46 > 1:56:48She's not whipping up a storm at the moment.
1:56:48 > 1:56:53I tell you what, I'll dance a Charleston... Yes!
1:56:53 > 1:56:56Well, we all know what desperate times calls for.
1:56:56 > 1:56:59Are we finished at £70?
1:56:59 > 1:57:03No. Well, I'm very disappointed now.
1:57:03 > 1:57:07- We should have bought more tea sets. - We should have.
1:57:07 > 1:57:11A rather small profit, but it's neck and neck,
1:57:11 > 1:57:13barely a tenner between them.
1:57:13 > 1:57:17So what's left to steal ultimate victory for Team Revel Horwood?
1:57:17 > 1:57:21- Good luck.- This is it.- Good luck.
1:57:21 > 1:57:23Lot 11 is this superb 19th century pitch pine
1:57:23 > 1:57:25ship's cabinet maker's chest.
1:57:25 > 1:57:28Absolutely superb. I love the way the drawers slide.
1:57:28 > 1:57:30The whole thing is lovely.
1:57:30 > 1:57:32- Me too. All the knobs are lovely. - Get on with it!
1:57:32 > 1:57:36Oh yes, the lovely mahogany cabinet.
1:57:36 > 1:57:39A very brave purchase indeed, but a risky finale.
1:57:39 > 1:57:46Start me at £100 on this one. I have bids of £100. 120, 140, 160. 180?
1:57:46 > 1:57:49This is 180, 200 with the lady. 220.
1:57:49 > 1:57:53We're at £200. This seems very, very cheap to me. At £200.
1:57:53 > 1:57:55Are you all finished at £200?
1:57:55 > 1:57:59No! Come on, there's got to a cha-cha-cha in there somewhere.
1:57:59 > 1:58:02There has to be a cha-cha-cha in there. All done at 200.
1:58:02 > 1:58:04It's a disaster.
1:58:04 > 1:58:06It's yours at 200, madam.
1:58:06 > 1:58:11Oh, Craig, if only you'd unleashed your tango in Devon.
1:58:11 > 1:58:12I don't believe that.
1:58:12 > 1:58:15I'll never come to another auction as long as I live.
1:58:15 > 1:58:16Craig, I'm so sorry.
1:58:16 > 1:58:23Kind words, Mark, but sometimes it's best to say nothing.
1:58:23 > 1:58:25- I think Ann takes it.- How dare you.
1:58:26 > 1:58:29Our novice celebrities began with £400 each.
1:58:29 > 1:58:34After paying auction costs, Craig and Catherine made a rather sad
1:58:34 > 1:58:40loss of £103 and limped to the finish line with just £297.
1:58:43 > 1:58:48Meanwhile, Ann and Mark dismissed the expensive ship's trunk to make
1:58:48 > 1:58:53a simpering profit of - wait for it - £34.80.
1:58:53 > 1:59:00Finishing their road trip with - you guessed it - £434.80.
1:59:00 > 1:59:04All the money the celebrities make goes to Children In Need,
1:59:04 > 1:59:08but how will our experts rate their students' prowess on the shopping field?
1:59:08 > 1:59:11You did very, very well.
1:59:11 > 1:59:13We've got to give you a ten.
1:59:13 > 1:59:15Ten, darling. Well done.
1:59:15 > 1:59:18Gosh, I think that's rather generous, don't you?
1:59:18 > 1:59:21OK. Let's get in the car. I'm out of here, darling. You won.
1:59:21 > 1:59:26However, your hard-earned runner's up prize is one last stylish burn up the road ahead.
1:59:26 > 1:59:30- Where am I going? - You haven't got the handbrake off!
1:59:36 > 1:59:40Looks like Ann CAN drive the car after all.
1:59:40 > 1:59:42Just not very fast.
1:59:42 > 1:59:43Bye-bye, everyone.
1:59:56 > 1:59:58Subtitles by Red Bee Media Ltd
1:59:58 > 2:00:00E-mail subtitling@bbc.co.uk