0:00:02 > 0:00:07- Some of the nation's favourite celebrities.- That's the pig for you.
0:00:07 > 0:00:10- One antiques expert each. - Celebrities(!)
0:00:10 > 0:00:12Seducing you, yes!
0:00:12 > 0:00:19And one big challenge - who can seek out and buy the best antiques at the very best prices?
0:00:19 > 0:00:25- Get in, big man! - And auction for a big profit further down the road.
0:00:25 > 0:00:27It doesn't even fit!
0:00:27 > 0:00:33- Who will spot the good investments? Who will listen to advice? - It goes with your eyes.- Does it?
0:00:33 > 0:00:38And who will be the first to say, "Don't you know who I am?!"?
0:00:38 > 0:00:42Time to put your pedal to the metal.
0:00:42 > 0:00:46This is Celebrity Antiques Road Trip!
0:00:47 > 0:00:48Yeah!
0:00:50 > 0:00:57Welcome to the beautiful medieval city of York, where there's a medical feel to today's Road Trip.
0:00:57 > 0:01:03Here to diagnose some antiques bargains are Casualty and Holby City stars Charles Dale
0:01:03 > 0:01:06and Laila Rouass.
0:01:06 > 0:01:11- Do you know where we're going? - No idea!- Do you know about antiques?
0:01:11 > 0:01:19- A little. I know what Clarice Cliff is.- You're just trying to psyche me out there.- Possibly.- It won't work.
0:01:19 > 0:01:24Laila's gorgeous exotic looks once graced our television screens
0:01:24 > 0:01:27in the blingtastic Footballers' Wives.
0:01:30 > 0:01:35But it wasn't long before she showed her real mettle in the drama Spooks.
0:01:35 > 0:01:39Ouch! And then as new registrar Sahira Shah in Holby City.
0:01:39 > 0:01:43Don't interfere with my patients. I know what I'm doing.
0:01:43 > 0:01:49I wouldn't mess with her. But no matter how glamorous her TV career, she's never forgotten her roots.
0:01:49 > 0:01:53- There's nothing wrong with Essex! - "There's nothing wrong with Essex!" - Chigwell.
0:01:53 > 0:01:58Charles Dale is a well-loved actor who cut his TV teeth in Lovejoy.
0:01:58 > 0:02:02That'll come in useful today. He's the one on the right, by the way.
0:02:02 > 0:02:09- But he's best known today as the lovable porter Big Mac Chalker in Casualty...- I beg your pardon?
0:02:09 > 0:02:13..where he's very handy to have about.
0:02:13 > 0:02:19- You deserve a doughnut for that one, mate. - Anyone for a cup of tea?
0:02:19 > 0:02:21ALARM WAILS
0:02:21 > 0:02:24The ambulance - that's your lot.
0:02:24 > 0:02:27It's a bit of a new location.
0:02:27 > 0:02:32Yeah, they've been let off their ward rounds for just two days with £400 each
0:02:32 > 0:02:38to find some antiques to turn as much profit as possible. So with eyes firmly on the task ahead...
0:02:38 > 0:02:42- Oh, this is lovely.- Lovely. - I could do this all day.
0:02:42 > 0:02:46..they're setting off in a racy red 1960 Sunbeam,
0:02:46 > 0:02:51- scrubbed up and ready to go.- I'm intrigued to know who my expert is.
0:02:51 > 0:02:55- Yes, that will be interesting. - Yeah.- Aha-ha.
0:02:55 > 0:02:58Ready? Here we go.
0:02:58 > 0:03:05And talking of experts, our consultants for the operation today are heading off, too,
0:03:05 > 0:03:09in a car that would definitely meet with Laila's approval.
0:03:09 > 0:03:15They are our classy duo James Lewis and Paul Laidlaw in their iconic 1975 Ford Cortina.
0:03:18 > 0:03:22James Lewis has been an auctioneer for over 20 years
0:03:22 > 0:03:25and is an old hat on the Antiques Road Trip.
0:03:25 > 0:03:27He's known for an unusual style.
0:03:27 > 0:03:31- Come and give him a kiss. - He's the one on the left.
0:03:31 > 0:03:36- But there's method to his madness. - Bottles!
0:03:37 > 0:03:43We are terminators! I think this will be like the boxing match from The Quiet Man!
0:03:43 > 0:03:45It's going to be epic!
0:03:47 > 0:03:53Auctioneer Paul Laidlaw is a savvy Scot who's never happier than when finding a good deal.
0:03:53 > 0:03:57Until they kick us out, I'll keep scratching.
0:03:57 > 0:04:03Paul's determination knows no bounds and there's nowhere he won't look for a bargain.
0:04:06 > 0:04:10Our Road Trip today sees us on a whirlwind tour of Yorkshire,
0:04:10 > 0:04:15starting in the lovely old city of York before racing all the way down south
0:04:15 > 0:04:17for an auction in charming Chertsey,
0:04:17 > 0:04:21though first our experts and celebrities need to rendezvous.
0:04:21 > 0:04:25- There's just one small problem. - It's gone, isn't it?- It's gone.
0:04:25 > 0:04:31Oh, dear. Not even Charles is going to be able to nurse this one back to health.
0:04:31 > 0:04:33ENGINE SPLUTTERS
0:04:33 > 0:04:36- Come on, Sunbeam!- It can!- It can't.
0:04:37 > 0:04:43- So it looks like we might have to walk.- That'll mean they'll wear down some shoe leather
0:04:43 > 0:04:47and they'd better hurry up as James and Paul are on their way.
0:04:47 > 0:04:54- I tell you something I do know about Charles, in his dim and distant past.- Right...- Lovejoy.
0:04:54 > 0:04:56That's credibility with me.
0:04:56 > 0:05:00Laila is an absolute stunner, isn't she?
0:05:00 > 0:05:06- This will be Beauty and the Beast meets Antiques Road Trip. - She's going to be high maintenance.
0:05:06 > 0:05:12- She is.- It's going to be handbags. Unless you find an Yves St Laurent piece of luggage, you're doomed.
0:05:12 > 0:05:15There's no crossover in interest.
0:05:15 > 0:05:22Well, it looks like our chaps have decided already who's with who. James actually looks nervous.
0:05:23 > 0:05:27Ah, I spy! I spy two men in matching jackets.
0:05:27 > 0:05:28Hello!
0:05:28 > 0:05:30Nice to see you.
0:05:30 > 0:05:32Hello.
0:05:32 > 0:05:37Antiques dealers' jackets, indeed! Now, first things first,
0:05:37 > 0:05:43- we are auctioneers. - Certainly not car dealers. If you sold us that car, it'd be trouble.
0:05:43 > 0:05:48- We have one car to fight over now. - I know, but I'm having that one. I'm an Essex girl.
0:05:48 > 0:05:51- That is Essex.- What have you got?
0:05:53 > 0:05:55I'm with you, aren't I?
0:05:55 > 0:05:58- That's us, mate.- I'm up for it.
0:05:58 > 0:06:01We've got a car!
0:06:01 > 0:06:04I don't think we'd have fitted side by side!
0:06:04 > 0:06:09That's what I said, look! We're wider than the car!
0:06:11 > 0:06:16Right, enough larking about, you lot. Let's get this shopping sewn up.
0:06:16 > 0:06:19- See you later! - Oh, it's a bit Essex, dear!
0:06:19 > 0:06:22- Bye!- See you later!- Later, babe!
0:06:22 > 0:06:25Nothing wrong with a bit of Essex!
0:06:25 > 0:06:30Ancient York was founded by the Romans in AD71
0:06:30 > 0:06:36and this historic town is bursting with spooky old buildings and atmospheric city walls.
0:06:36 > 0:06:42It's even been named the most haunted city in Europe by the Ghost Research Foundation.
0:06:42 > 0:06:47Sounds like the perfect place to dig up interesting antiques.
0:06:47 > 0:06:51The Banana Warehouse? In Piccadilly.
0:06:51 > 0:06:58Both teams are heading to the same shop this morning, where owner Dave and assistant Warren are on hand.
0:06:58 > 0:07:02You know they're here? Charles is here, Charles and Paul.
0:07:02 > 0:07:08- Here?- They are.- Come on. - We're not having them having first dibs! No chance!
0:07:08 > 0:07:11Hi, guys! Cheers, mate.
0:07:11 > 0:07:13Oh, no, no, no.
0:07:15 > 0:07:19- We'd better go in and compete. - Let's do it.- You have £400. Start spending.
0:07:19 > 0:07:24Straight away, it's not the kind of shop that Laila's used to.
0:07:24 > 0:07:31I don't know where to start. This is completely different. I was expecting it all laid out and ready
0:07:31 > 0:07:35and almost like, you know, seducing you...! Yes!
0:07:35 > 0:07:39You're not in Knightsbridge now, dear.
0:07:39 > 0:07:47Charles and Paul are also finding it hard to find anything. Charles gets distracted with some reminiscing.
0:07:47 > 0:07:49At home, I have several 78s.
0:07:49 > 0:07:54The only reason I have them is because my dad has had a record shop since 1964,
0:07:54 > 0:08:00previously my grandfather's piano shop. He sold and tuned pianos.
0:08:00 > 0:08:05- So I have a couple. Where's the position with 78s? - 78s are a nightmare!
0:08:05 > 0:08:09An absolute nightmare. You can't give them away.
0:08:09 > 0:08:13Meanwhile, Laila puts Warren on the spot.
0:08:13 > 0:08:19- Have you not got something stashed away?- I don't know what you want. - It doesn't matter. Just something...
0:08:19 > 0:08:21Something to make us some money.
0:08:21 > 0:08:27- Let's keep wandering. - But wait - shop assistant Warren has an unusual suggestion.
0:08:27 > 0:08:29Wow! Look at that.
0:08:30 > 0:08:36- What in God's name is it? - A fire extinguisher.- I really like that.- There's 35 on it.
0:08:36 > 0:08:43- We'll do it for you for 20. - I like it. It's the kind of thing I would buy.- It's bonkers.
0:08:43 > 0:08:49This fire extinguisher probably dates from the 1960s, but as a novelty item it's a bit pricey,
0:08:49 > 0:08:51even at £20.
0:08:51 > 0:08:58- Now the thing is...- What? - ..it's not whether you like it. - That's the thing.
0:08:58 > 0:09:04- Is it going to make us any money? It's only £15, isn't it? - No, he said 10.
0:09:04 > 0:09:08- It's not that big of a risk. - For £10, it's not a big risk.
0:09:08 > 0:09:12I'll go from 20 to 15. Not quite as far as 10.
0:09:12 > 0:09:15- What about 12?- Go on, then.
0:09:15 > 0:09:19- You've bought your first deal. Shake the man's hand.- Thank you!
0:09:19 > 0:09:25- We've got to make a profit at 12! - It's certainly quirky. I hope this isn't setting the tone
0:09:25 > 0:09:30for the rest of your purchases. Charles and Paul have also found something novel
0:09:30 > 0:09:36That looks to me... cherries, something else, cocktail sticks.
0:09:36 > 0:09:41So take yourself back to the '70s with your pineapple hedgehog.
0:09:41 > 0:09:44There we go. There we are.
0:09:44 > 0:09:46Wow. Look at that.
0:09:46 > 0:09:51- I'm loving this. Absolutely loving it.- If you do that really quickly, it takes off.
0:09:51 > 0:09:56And in case you're a complete numpty, it tells you what to do - press!
0:09:56 > 0:10:02This ingenious cocktail nut or nibbles server actually dates from the 1950s
0:10:02 > 0:10:06and was manufactured in France. Weird.
0:10:06 > 0:10:10I like the geometry, I like the proportion, the form.
0:10:10 > 0:10:13Yep, Paul, it's a pretty piece.
0:10:15 > 0:10:19But it's a pretty price, too, at £35.
0:10:19 > 0:10:24- I'm not interested at anywhere near that.- 15.- Nah.
0:10:24 > 0:10:30- This is our first purchase.- I shall be led by you in all things when it comes to valuations.- A tenner.
0:10:30 > 0:10:34- Meet me in the middle at 12. - I want to shake this guy's hand.
0:10:34 > 0:10:40- Absolutely fine.- Good man. Thank you very much. - Cheers. Thank you. Marvellous.
0:10:40 > 0:10:44A deal for £12, but wait - they've not finished.
0:10:44 > 0:10:47You need something to serve the drinks.
0:10:47 > 0:10:49Now...here we go.
0:10:49 > 0:10:53- That is funky. Expensive. - It's very expensive.
0:10:53 > 0:10:57- Worn plate. - So is that plate recoverable?
0:10:57 > 0:11:02- Harsh application of elbow grease. - Right.- I want to see the bottom.
0:11:02 > 0:11:06- OK.- I assume it's moulded, mass produced.
0:11:06 > 0:11:09Oh, now we know who made it.
0:11:09 > 0:11:12This decanter is Italian and dates from the 1960s.
0:11:12 > 0:11:20Its body is made of ribbed glass, but its spout is silver plate and a bit stained. Is £85 too much?
0:11:20 > 0:11:23Now then, young Warren...
0:11:23 > 0:11:27We would like to buy that from you, but it's not the be all and end all to us.
0:11:27 > 0:11:32If I polish it for you, to save you the hassle, 30 quid.
0:11:32 > 0:11:37- If you can get that to our mutual satisfaction, I will go to 25.- Deal.
0:11:37 > 0:11:41- Good man. That's fair enough. - Charles, you're a natural.
0:11:41 > 0:11:45- Beautifully handled, may I say? Compadre. Partner.- Absolutely.
0:11:46 > 0:11:50Laila and James have also spotted something else.
0:11:50 > 0:11:53African. Am I right or not?
0:11:53 > 0:11:57- I think...it's actually English. - Oh, is it?
0:11:57 > 0:11:59But it's known as Tigo ware.
0:11:59 > 0:12:02I think it's Denby pottery.
0:12:02 > 0:12:06- If it is Tigo ware, then it is quite sought after.- Right.
0:12:06 > 0:12:12Denby Tigo ware was popular in the 1960s and inspired by the oriental.
0:12:12 > 0:12:17It's a classic design where thick, black glaze is incised through with a sharp tool
0:12:17 > 0:12:20to reveal the white clay underneath.
0:12:20 > 0:12:23It's priced at a modest £12.
0:12:23 > 0:12:27- But we've got a chip.- OK.- Tiny, won't make a lot of difference.
0:12:27 > 0:12:32It's very easy to cover that without any evidence at all.
0:12:32 > 0:12:39One of the biggest problems, though, is that we're not taking it to an area that knows about Tigo ware.
0:12:39 > 0:12:43- Do you think we ought to...?- Make him an offer of a fiver.- Come on.
0:12:43 > 0:12:47- Don't look too keen.- No, I won't.
0:12:47 > 0:12:53On the way to haggle with the shop owner, Laila can't stop herself from doing a bit of personal shopping.
0:12:53 > 0:13:00- I quite like this. - You're not here to buy accessories, Laila! Concentrate!- Looks good!
0:13:00 > 0:13:05- This shop owner isn't going to give up easily.- Cheap pot.- Cheap pot.
0:13:05 > 0:13:09- A fiver.- Is that all? I mean... Come on!- It's 12 quid.
0:13:09 > 0:13:13- Five quid, come on!- No. No way. - Come on.- It's chipped.
0:13:13 > 0:13:18- You didn't notice.- A slight little... You can't even see it.
0:13:18 > 0:13:23- A chip is a chip.- I reckon that's been done since you priced it. - Has it?
0:13:23 > 0:13:29- You didn't know it was there. - No, I didn't.- So you stuck 12 on. - I'll take 8 for it, then.
0:13:29 > 0:13:33- Deal! Eight.- Well done. Well done, boys.
0:13:33 > 0:13:36Nicely handled, you two.
0:13:36 > 0:13:41- With the fire extinguisher, that makes two items in the old bag for £20.- Bye!
0:13:41 > 0:13:47- Bye! Come again! - He must like them. He's even given Laila a free hat.
0:13:47 > 0:13:53- He's such a businessman.- Laila and James are off to pastures new, but Charles and Paul have spotted
0:13:53 > 0:13:58- something hidden away up high. - Can you see what's up there?
0:13:58 > 0:14:02That is a 1920s hobbyist's treadle-operated jigsaw.
0:14:03 > 0:14:06That mad tool up there, the jigsaw.
0:14:10 > 0:14:13I will have to find out what he wants for it.
0:14:13 > 0:14:17- I don't think anyone's ever asked! - It's free!- Not quite.
0:14:17 > 0:14:22- Do you like, though? It's a boy's toy.- A boy's toy.
0:14:22 > 0:14:26And it'll end up back in the shed where it came from.
0:14:26 > 0:14:33Hiding up there on the shelf, it's difficult to really see this 1920s fretsaw, but Paul's intrigued.
0:14:33 > 0:14:40- That's the treadle across the table. (But the condition, that looks original.)- It does.
0:14:40 > 0:14:45The chap I've just asked, the retail value they have at £100.
0:14:45 > 0:14:48- Nah.- But...- That's why it's still sitting up there!
0:14:48 > 0:14:50He'd be willing to take 40 off you.
0:14:50 > 0:14:55They'd abandoned hope of selling it. They'd put those lamps.
0:14:55 > 0:15:01- So 20 quid in your sky is a lot better than nothing. - 20 quid's where I'd pitch it.
0:15:01 > 0:15:07- I will ask for you, but I'm not sure of the response! - If it begins with F, don't tell us!
0:15:07 > 0:15:14- £20 seems a good price for something they'd forgotten they had! - It could make 120 quid.
0:15:14 > 0:15:17- If two...- Or nothing.- Yeah.
0:15:17 > 0:15:22- Deal.- Seriously?- Seriously. - Get in! Good man, Warren.
0:15:22 > 0:15:24Warren, cheers, mate. Thank you.
0:15:24 > 0:15:26Lovely. Thank you!
0:15:26 > 0:15:30- Now I've got to get it down! - Can you wrap it?
0:15:30 > 0:15:34Right, let's have a proper look at this thing, then.
0:15:34 > 0:15:38Back in the 1920s, amateur craftmaking was very popular
0:15:38 > 0:15:44and fretsaws like this would have been advertised in hobbyist magazines. Operated by foot pedal,
0:15:44 > 0:15:50it works like an old sewing machine and it's not long before Charles reveals a hidden talent
0:15:50 > 0:15:55- with mechanics and gets the jigsaw up and running.- We'll get there.
0:15:55 > 0:15:59From a ticket price of £100 down to just £20, good work, chaps.
0:15:59 > 0:16:02You two are a dream team.
0:16:03 > 0:16:09With the decanter and nibbles server they bought earlier, that makes a total spend of £57.
0:16:09 > 0:16:13Right. Sun's shining(!) Make the most of it.
0:16:13 > 0:16:17- And we don't have a car roof. - There's your change.- Ah, Warren!
0:16:17 > 0:16:23- Mate, thank you ever so much. - You're welcome. See you again. - Take it easy. See you now.
0:16:23 > 0:16:28Feeling flushed with success, they waste no time heading to the next shop.
0:16:28 > 0:16:35Laila's favourite pastime might be shopping, but James has persuaded her to take the afternoon off.
0:16:36 > 0:16:41He's taking her and her nice new hat on a little excursion.
0:16:41 > 0:16:46They're leaving Charles and Paul in York and heading south-west to Wakefield.
0:16:49 > 0:16:53- So where are we going? - We are going to Wakefield.
0:16:53 > 0:16:59- Oh, are we? What are we doing there? - Do you really want to know?!
0:16:59 > 0:17:02No, you can surprise me!
0:17:02 > 0:17:07Known as the Merry City in the medieval ages, this jolly town made much of its money
0:17:07 > 0:17:12from glass and textile industries in the Industrial Revolution.
0:17:12 > 0:17:16Today it's still a busy, bustling place and a centre of commerce,
0:17:16 > 0:17:20but it's not the shops that have brought Laila and James here.
0:17:21 > 0:17:27- Well, here we are. - OK, I'm a bit... I'm intrigued. I can see it's, you know...
0:17:30 > 0:17:33- It's a hospital, right? - It's a hospital.
0:17:33 > 0:17:36You'll feel right at home.
0:17:36 > 0:17:39- OK, OK.- You thought you'd got rid of Holby City.
0:17:39 > 0:17:46- You've come straight to a hospital! - What are we doing here?- We're going to a mental health museum.
0:17:48 > 0:17:52They've come to the Stephen G Beaumont Museum of Mental Health,
0:17:52 > 0:18:00based at Fieldhead Hospital. It's in the grounds of what was once the Stanley Royd Lunatic Asylum.
0:18:00 > 0:18:04This asylum was one of the earliest ever built in Britain, in 1818,
0:18:04 > 0:18:08and was closed in 1995.
0:18:08 > 0:18:12- Wow.- Is there anybody inside? Oh, yes, Rob Ellis is here.
0:18:12 > 0:18:18- I'm James. Hi, Rob.- Hi. - I have to say this was the last place I expected to find a museum.
0:18:18 > 0:18:20On a hospital site.
0:18:20 > 0:18:26Before institutions like Stanley Royd, mentally ill people had nowhere to go to get help.
0:18:26 > 0:18:32A new belief in the early 1800s that mental illness could be cured
0:18:32 > 0:18:36led to the building of lunatic asylums as places of treatment,
0:18:36 > 0:18:40but sadly they often became places of incarceration.
0:18:40 > 0:18:45Patients found themselves in asylums with all manner of problems,
0:18:45 > 0:18:49many we wouldn't consider to be mental health issues today.
0:18:49 > 0:18:54These are the people who came and the places they came from.
0:18:54 > 0:18:58What's interesting here is "By whose authority sent".
0:18:58 > 0:19:04What we have to recognise about these places is that asylums don't pick people off the street.
0:19:04 > 0:19:08People are pushed into the asylum, very often by family members.
0:19:08 > 0:19:13What kind of specific things were people admitted for?
0:19:13 > 0:19:18- It's very often things like depression.- It says jealousy here! - Jealousy!
0:19:18 > 0:19:24- Loss of a leg! That's not a mental health issue.- No, but we're taking a step back and working out
0:19:24 > 0:19:28- what has driven these people to act...- The loss of the leg. OK.
0:19:28 > 0:19:31Infidelity. Seduction.
0:19:31 > 0:19:37And you can understand the social mores of the time. If you've been seduced and people find out,
0:19:37 > 0:19:41you could maybe understand why that might drive you over the edge.
0:19:41 > 0:19:45As attitudes towards mental illness improved during the 20th century
0:19:45 > 0:19:52and doctors searched for new treatments, ECT or electro-convulsive therapy
0:19:52 > 0:19:55was thought initially to be a new miracle cure.
0:19:55 > 0:19:59So, OK, we know what it is, but how exactly is it used?
0:19:59 > 0:20:04- Is it attached to some part of the body?- This is a modern version.
0:20:04 > 0:20:10It goes into the mains and it's like a pair of headphones attached to the temple
0:20:10 > 0:20:16- and a current passed between the two lobes.- God.- You're given something to stop you swallowing your tongue.
0:20:16 > 0:20:22I'm not to sure what the date of this machine is, but ECT really takes off in the 1940s.
0:20:22 > 0:20:28In the 1940s, this is progressive. This is one of the reasons why these places no longer exist.
0:20:28 > 0:20:34It's seen as the way of treating people as outpatients. This seems to work. Only on small groups initially
0:20:34 > 0:20:40but it seems to say, "Positive results. We can close this down."
0:20:40 > 0:20:46Thousands of patients underwent electro-shock treatments with various degrees of success.
0:20:46 > 0:20:50One of my earliest memories as a child, I must have been five or six,
0:20:50 > 0:20:55was going down to Bath where my grandmother and grandfather lived.
0:20:55 > 0:21:01- And going out onto a big, wide lawn and people in white coats coming out.- Yeah, yeah.
0:21:01 > 0:21:07And...oh. It's awful memories. My grandmother coming out, being very upset,
0:21:07 > 0:21:11and she suffered from depression quite seriously.
0:21:11 > 0:21:16And they treated her with this. It's the first time I saw an adult cry.
0:21:16 > 0:21:21She came down, sat down and just burst into tears and talked about this.
0:21:21 > 0:21:26- And I've actually hated these machines ever since.- Yeah.
0:21:26 > 0:21:30But they do good as well. And it works.
0:21:30 > 0:21:34This is still a hospital site and a form of ECT is still used.
0:21:34 > 0:21:39Today, many of the mentally ill can be treated as outpatients,
0:21:39 > 0:21:44but 200 years ago, inmates were kept almost as prisoners,
0:21:44 > 0:21:47watched over by an army of attendants.
0:21:47 > 0:21:52If you escaped and you were away for two weeks, you were written off.
0:21:52 > 0:21:58- Do they go searching for you? - They can. The attendants will be fined. If you lose a patient,
0:21:58 > 0:22:02you will be fined. So the attendants really want to capture you.
0:22:02 > 0:22:07- They will knock on people's doors, but if you're not found after two weeks...- That's it.
0:22:07 > 0:22:13- I think it's about time we escaped. - Yes!- If we don't come back for at least two weeks...
0:22:13 > 0:22:19- We were never here. Thank you so much.- I don't think we're going to be discharged!
0:22:19 > 0:22:23You won't be! We've got a two-week window to get out.
0:22:23 > 0:22:26Yes, chaps. Time to leave.
0:22:26 > 0:22:30But out of the door, not over the wall for you.
0:22:32 > 0:22:36Working, walking, working.
0:22:36 > 0:22:39Back in York and up for a bit of exercise,
0:22:39 > 0:22:46- Charles and Paul are walking briskly to the next shop.- It'll do me. - Shall we?- I hope our luck stays in.
0:22:46 > 0:22:52- They may be on foot, but with three items bought already, they're making good time.- Oh, look!
0:22:52 > 0:22:55A veritable grotto.
0:22:55 > 0:22:57Here we go.
0:22:57 > 0:23:01- Right...- This shop is rather aptly called BBC Antiques.
0:23:01 > 0:23:03I bet they find something here.
0:23:03 > 0:23:08- And it's owned by local Yorkshireman Martin Stothard.- Ah!
0:23:08 > 0:23:14It's a real Aladdin's cave. The boys must be able to dig up something.
0:23:15 > 0:23:18This is something.
0:23:18 > 0:23:22Poking around in the gloom, Paul thinks he's made a discovery.
0:23:22 > 0:23:26- Yeah, I'm liking that. - That's a good item.
0:23:26 > 0:23:30Now, look, the light's not great. Let's retreat to a corner.
0:23:36 > 0:23:40- Well...- It's the solidity of the colour. I like the shape.
0:23:40 > 0:23:45- It shouts to you. There's a little bit of damage.- Don't say that!- Yes.
0:23:45 > 0:23:52Dating from the 1930s, this is an example of Pilkington Lancastrian art pottery.
0:23:52 > 0:23:57The designers at Pilkington experimented with glazes and colours to great effect
0:23:57 > 0:24:01and this vase has a subtle, speckled lapis blue glaze.
0:24:02 > 0:24:05It may be lovely, but it's a hefty £85.
0:24:05 > 0:24:08Selling this at auction, my estimate, £30-£50.
0:24:08 > 0:24:09Mm.
0:24:09 > 0:24:15- So, seriously, 80 quid down to 30, to be in safe territory.- Yeah.
0:24:18 > 0:24:23- But I'm up for it! - This is over to you, this one. This is a tough haggle.
0:24:23 > 0:24:26I'll leave that one to the experts.
0:24:26 > 0:24:31With some straight talking, can Paul persuade Martin to knock the ticket price down?
0:24:31 > 0:24:33Can you slaughter that price or not?
0:24:33 > 0:24:39- I can work on it for you. - I'm looking at 20 or 30 quid. - Ooh...- I know. It's the damage.
0:24:39 > 0:24:47- He gets all Scottish when he's haggling, did you notice?- Do I?! - To give the impression he's tight!
0:24:47 > 0:24:51- Are you saying our savvy Scot is stingy?- "There you go!"
0:24:51 > 0:24:53We could do that for £40.
0:24:53 > 0:24:59- Well, the dull truth is... you're not going to lose much on that.- Yeah.
0:24:59 > 0:25:05But, unfortunately, you're not going to make much on it, either. I think it's a hedge.
0:25:05 > 0:25:12I tell you what, sir, and I know it's very cheeky, but do you think you could give us another fiver?
0:25:12 > 0:25:16- I'll say yes. Another fiver off it. - Sir, thank you very much.
0:25:16 > 0:25:20Very kind of you. You have made a Scotsman very happy.
0:25:20 > 0:25:24It's very hard to do that.
0:25:24 > 0:25:28- Nothing like a cheap bargain to keep a Scotsman cheerful.- Thank you, sir.
0:25:28 > 0:25:32And another item in the bag for just £35.
0:25:32 > 0:25:38These boys are on a roll. After all that shopping, though, they must need a rest,
0:25:38 > 0:25:43so for our stars of the ER, it's time for some R'n'R. Nighty night.
0:25:43 > 0:25:45Who writes this stuff?
0:25:51 > 0:25:56Beginning of Day Two and James and Paul have wrestled Laila out of the Cortina
0:25:56 > 0:26:00and are on their way to meet up with their celebrity team-mates.
0:26:00 > 0:26:06Both teams are on their way to the next stop on our Road Trip, the vibrant city of Leeds.
0:26:06 > 0:26:11On the way, Paul gets the lowdown on Laila.
0:26:11 > 0:26:13- Can she rap?- Rap?!
0:26:13 > 0:26:16Listen to me!
0:26:16 > 0:26:20Y'all gettin' down. You're sick, man. That sort of stuff?
0:26:20 > 0:26:24- You are so down with the kids. Do that again.- I is, yeah.
0:26:24 > 0:26:29- What sort of rap? - Can she manipulate men?
0:26:29 > 0:26:32- Oh, wrap around your finger! - You get it.
0:26:32 > 0:26:36Yes, James. Laila is your secret weapon.
0:26:36 > 0:26:39With their car in need of some emergency treatment,
0:26:39 > 0:26:43Laila and Charles have hitched a lift with the crew,
0:26:43 > 0:26:50but on a fine morning like this, they're taking a stroll to the next rendezvous. Laila's confident.
0:26:50 > 0:26:56- I'm most definitely going to make a lot more money than you. - I'm sure you will(!)
0:26:59 > 0:27:05Leeds is a bustling city, with the third largest population in the UK, after London and Birmingham.
0:27:05 > 0:27:12It has such a diverse range of shops and department stores, it's called the Knightsbridge of the North,
0:27:12 > 0:27:16- which should keep Laila happy. - Can I go for a chocolate bar?
0:27:16 > 0:27:20- No, we haven't got time.- We're supposed to be shopping!- We are.
0:27:20 > 0:27:22I hope we're not in the same shop.
0:27:22 > 0:27:27So far, Laila and James have only spent a fraction of their £400 budget.
0:27:27 > 0:27:33They've used just £20 of their cash on a Denby vase and a fire extinguisher,
0:27:33 > 0:27:36- leaving them £380. - £15, isn't it?
0:27:36 > 0:27:43Charles and Paul, however, have splashed out a much more impressive £92 on their hobbyist jigsaw,
0:27:43 > 0:27:49- their decanter and nibbles server... - Nuts, anyone?- ..and a lovely Pilkington blue vase.
0:27:49 > 0:27:53This gives them £308 in their pockets to spend.
0:27:53 > 0:27:58Both teams will start by fighting it out at Swiss Cottage Antiques.
0:27:58 > 0:28:02Sounds charming, but doesn't look Swiss to me.
0:28:02 > 0:28:08- James, we've got lots to do today. - A bit of catching up to do. - It's not! Just shopping.
0:28:08 > 0:28:12We've had to walk here. It's not funny!
0:28:12 > 0:28:16- You guys have had my Cortina. - But we've got it first today.- Good!
0:28:16 > 0:28:20You're walking again. Go on, then.
0:28:20 > 0:28:22We'll give you half an hour.
0:28:24 > 0:28:31This antiques emporium is a veritable treasure trove, owned by Sandy and John.
0:28:32 > 0:28:36- Have you spotted anything? - Not yet.- No?
0:28:36 > 0:28:40- Just there's so much stuff. - You don't know where to start.
0:28:40 > 0:28:45There's so much to choose from, James has had a rush of blood.
0:28:45 > 0:28:50- What do you think of that massive champagne bottle?- Forget it.
0:28:50 > 0:28:55- Are you sure?- That's not going to sell. Come on, it's ugly.- It's fun.
0:28:55 > 0:29:01James, you're mistaking Laila for her character Amber in Footballers' Wives. She'd love that.
0:29:01 > 0:29:05Imagine holding that up and making £60, £70 at the auction.
0:29:05 > 0:29:10Who'll buy that for £70? It's not even good-looking.
0:29:10 > 0:29:14I watch this show and I think, "Why did they buy that?"
0:29:14 > 0:29:20Now I'm one of those people that's buying something. Someone else is going, "Why did she buy that?"
0:29:20 > 0:29:23- OK, we won't buy it. - I know you'll convince me.
0:29:23 > 0:29:28I'll walk out of this shop carrying a huge champagne bottle, going, "What am I doing?"
0:29:28 > 0:29:31Wouldn't it be great fun in the back of the Cortina?
0:29:31 > 0:29:35OK, if you can get it for 15 quid or less, then we can buy it.
0:29:35 > 0:29:36All right.
0:29:36 > 0:29:42Having a beautiful woman next to you, James, has made you go potty, mate.
0:29:42 > 0:29:46There's something in this shop that's completely insane.
0:29:46 > 0:29:49- It's taking up so much space... - What's that?
0:29:49 > 0:29:54- ..that not another mad fool on the planet, apart from us... - Speak for yourself!
0:29:54 > 0:29:58- ..me, right, me, would ever look at. - What's that?
0:29:58 > 0:30:00- That's that giant...- The bottle!
0:30:00 > 0:30:06Well, I've been given a limit that if I don't get it for this, we can't have it at all.
0:30:06 > 0:30:11- Would something stupid like a tenner buy it?- No.- What would be your best?
0:30:11 > 0:30:1420 would be the absolute best.
0:30:15 > 0:30:19- Oh, we're almost there! - You couldn't make it for that.
0:30:19 > 0:30:21- You know what my limit is on it.- OK.
0:30:21 > 0:30:28I'll leave you with our Sandy to discuss, then just let me know how it goes, I guess.
0:30:28 > 0:30:30All right, I'll do you a deal.
0:30:30 > 0:30:34- Go on then.- I'll go £16, then I'm over her limit and we pay with my...
0:30:34 > 0:30:36I can hear you, James!
0:30:36 > 0:30:38LAUGHTER
0:30:38 > 0:30:42- What have you decided?- Do you want the great news or the great news?
0:30:42 > 0:30:44You're so cheeky! What?
0:30:44 > 0:30:46We own it.
0:30:46 > 0:30:50Shut up! Are you serious? Oh, my God!
0:30:50 > 0:30:53Yes, it's all yours for £16, you lucky girl.
0:30:53 > 0:30:59- Then I think what you need to do is you need to sign it straight across that label.- Oh, yeah.- OK.
0:30:59 > 0:31:03We get a camera and have you with the person that buys it.
0:31:03 > 0:31:06- And that's the deal.- OK, cool.
0:31:06 > 0:31:11Let's hope there's someone equally mad at the auction or someone with a very big straw.
0:31:11 > 0:31:14In the sane part of the shop, Charles and Paul are delving around.
0:31:14 > 0:31:18They're even looking at the things used to display the antiques on.
0:31:18 > 0:31:23How about the thing you're draping your bangles on?
0:31:23 > 0:31:26- The stand?- Yeah.- Winding stand?
0:31:26 > 0:31:29- What do you call it? A whining...? - Wool winding.- Right.
0:31:30 > 0:31:33- It's all there, a bit of turned wood.- Mm-hm.
0:31:33 > 0:31:36Distinctive object.
0:31:36 > 0:31:38I think it's...
0:31:40 > 0:31:42..slightly mad.
0:31:44 > 0:31:47- It's a Sputnik.- It's a Sputnik.
0:31:47 > 0:31:49John thinks it's a wool-winder,
0:31:49 > 0:31:53but Paul has spotted that it's a genuine antique cat stand
0:31:53 > 0:31:57that was used to hold plates or bowls to warm in front of the fire.
0:31:57 > 0:32:01It dates from the Georgian period and is pretty fab.
0:32:01 > 0:32:04- What's the price on that?- 35 quid.
0:32:04 > 0:32:06No, what's the best...
0:32:06 > 0:32:13At £35, Paul and Charles convince John to sell it to them for a much more reasonable £25.
0:32:13 > 0:32:17Lovely, sir. £25 as agreed. There's a five and a 20.
0:32:17 > 0:32:21- Lovely job. A pleasure doing business with you.- And with you, sir.
0:32:21 > 0:32:23These two don't hang about, look.
0:32:23 > 0:32:29- Job done.- Job done, sir. All our items and we have a cat. - A proper antique.- Aye.
0:32:29 > 0:32:32Our chaps have finished their shopping already,
0:32:32 > 0:32:36so they're setting off for a little sightseeing this afternoon.
0:32:36 > 0:32:39- Laila!- I'm here!- Laila...
0:32:39 > 0:32:44Meanwhile, over in the crazy corner, they've just got the simple task now
0:32:44 > 0:32:50of fitting a six-foot, fibreglass champagne bottle into the back of a Cortina, like you do in Essex!
0:32:50 > 0:32:55- Are you kidding me? It doesn't even fit. We'll have to put it on its side.- Hang on, hang on.
0:32:57 > 0:33:00I'm not giving up my seat for a champagne bottle!
0:33:01 > 0:33:03You can drive.
0:33:03 > 0:33:07- What are you going to do, just hold it?- In the back.
0:33:08 > 0:33:10What is he doing?
0:33:10 > 0:33:13- It won't go in there either.- No!
0:33:13 > 0:33:17- Luckily, Laila has a local mate she can call.- Hello, Terry?- Terry.
0:33:17 > 0:33:18It's Laila.
0:33:18 > 0:33:21I've got a massive champagne bottle.
0:33:22 > 0:33:23Done.
0:33:23 > 0:33:28- Yeah?- Yeah. Go on, leave it here. They'll come and collect it. Let's go.
0:33:28 > 0:33:34We haven't got much time. Let's try and find something that's going to make us some money.
0:33:34 > 0:33:39That's right, Laila. Please keep him in order. It was all getting a bit out of hand in there.
0:33:40 > 0:33:44Whilst Laila and James head off to the next shop,
0:33:44 > 0:33:48Charles and Paul are taking some time out for an educational trip.
0:33:48 > 0:33:52Like Laila, Charles isn't going to escape the hospital for his visit.
0:33:54 > 0:33:57They've come to the Thackray Medical Museum,
0:33:57 > 0:34:02so fresh from the set of Casualty, Charles should feel right at home.
0:34:02 > 0:34:06- Hello, sir.- Hi there. - How are you?- Very well, thank you.
0:34:06 > 0:34:11- Charlie.- Hello there.- Hi. Paul. - I'm Alan, the librarian. Welcome to the Thackray Museum.
0:34:11 > 0:34:16Guide Alan Humphries is here to take our chaps on a journey back in time
0:34:16 > 0:34:21through all the fascinating medical artefacts held in the museum.
0:34:21 > 0:34:27We take modern medicine for granted today, but in the beginning, it was very rudimentary.
0:34:27 > 0:34:30Alan, what on earth are we looking at here?
0:34:30 > 0:34:35It's an early 1700s, orthopaedic demonstration frame.
0:34:35 > 0:34:38It was made, so that a surgeon or doctor could show you
0:34:38 > 0:34:42what appliances were available for your particular orthopaedic problem.
0:34:42 > 0:34:47I'd hate to have the complaint that made you wear that round your head.
0:34:47 > 0:34:53This rather gruesome-looking apparatus was built to demonstrate all the splints and supports
0:34:53 > 0:34:57doctors could offer people suffering with breaks and sprains.
0:34:57 > 0:35:02Obviously, this is very helpful if you had an existing injury,
0:35:02 > 0:35:06but not much use if that particular limb was missing.
0:35:06 > 0:35:10Yes, for that you needed a prosthetic of some sort.
0:35:10 > 0:35:15The oldest known ones are actually Roman. They go back an awfully long way.
0:35:16 > 0:35:21But the modern artificial limb comes in in about 1815.
0:35:21 > 0:35:27It was produced for the Marquess of Anglesey after he had his leg shot off at Waterloo.
0:35:27 > 0:35:31That actually allowed him to walk normally with a flexing knee
0:35:31 > 0:35:33and also a flexing ankle.
0:35:33 > 0:35:36With the advent of new technologies and materials,
0:35:36 > 0:35:42it wasn't long before doctors began to experiment with imitating how our bones work
0:35:42 > 0:35:45and even replacing them when they got worn out.
0:35:45 > 0:35:49These are all examples of hip joints made by Sir John Charnley,
0:35:49 > 0:35:56a highly skilled orthopaedic surgeon who began experimenting with new designs in 1947.
0:35:56 > 0:36:02They started off using large heads to match the natural ones in the body,
0:36:02 > 0:36:05but John Charnley came up with the idea
0:36:05 > 0:36:10of using small heads because it reduced the amount of friction.
0:36:10 > 0:36:13He also started using plastic instead of metal.
0:36:14 > 0:36:19One of the very first he produced was in about 1958 to 1960.
0:36:19 > 0:36:21It has quite a short neck.
0:36:21 > 0:36:27The later ones, he extended the neck because when you actually have that in there...
0:36:28 > 0:36:33..with the narrow neck, you've got a good amount of movement,
0:36:33 > 0:36:37which you don't have with the shorter neck or the larger head.
0:36:37 > 0:36:41Feel the weight of that one. It's quite a considerable weight.
0:36:41 > 0:36:47How does that compare to the body in its natural form in that particular part of the body?
0:36:47 > 0:36:52It will be heavier, but as it's part of the weight-bearing system, you don't notice the weight.
0:36:52 > 0:36:58Charnley had quite eccentric methods when it came to creating some of his new designs.
0:36:58 > 0:37:03But the actual hip cups were made by Charnley himself.
0:37:03 > 0:37:08The day before the operations, he would go down to the shed
0:37:08 > 0:37:14and using this, he would actually turn out the hip cups for tomorrow's work.
0:37:14 > 0:37:18"Got a couple of fresh hips to do this morning, dear.
0:37:18 > 0:37:20"I'll be an hour or so
0:37:20 > 0:37:24"and then we'll have some people not hobbling any more."
0:37:24 > 0:37:30Charnley's hip replacement procedures have gone on to benefit hundreds of thousands of patients.
0:37:30 > 0:37:36- So have we gone anywhere from there? - There are many, many different sorts of hip implant.
0:37:36 > 0:37:40They're using ceramic hips now because the ceramic doesn't wear.
0:37:40 > 0:37:47- You get a little bit of wear for two or three years, then nothing for 10, 20 years.- Really?- Hmm.
0:37:47 > 0:37:52- So you're looking at a potential life expectancy now of a hip of up to 20 years?- At least.
0:37:52 > 0:37:56The longest record they've got for the Charnley is 37 years.
0:37:56 > 0:38:00I'll get mine done now. I'll get the knees done at the same time,
0:38:00 > 0:38:06the back and all the other bits that don't work thanks to rugby. We'll get it done. Stop mucking about.
0:38:06 > 0:38:08I can get out of bed in the mornings.
0:38:08 > 0:38:11With his hip, knee and ankle replacements booked in,
0:38:11 > 0:38:15Charles limps out of the museum after Paul.
0:38:16 > 0:38:20Two items behind and with some catching up to do,
0:38:20 > 0:38:24Laila and James are wasting no time getting to their next shop.
0:38:24 > 0:38:27So how did you get into acting to start with?
0:38:27 > 0:38:32- I went to Lee Strasberg...- Oh, nice. - All the method acting.- Very nice.
0:38:32 > 0:38:34So that's where I started drama,
0:38:34 > 0:38:38then my first sort of proper job
0:38:38 > 0:38:43was a pilot that we were filming in Mumbai for two months.
0:38:43 > 0:38:47While I was out there, I was approached by a music channel
0:38:47 > 0:38:50and asked if I wanted to be a VJ, a video jockey.
0:38:50 > 0:38:55- I started off as a presenter. It was great fun.- We're here.- Oh, are we?
0:38:55 > 0:39:00- So this is your chance to not do presenting, but to do antiques dealing.- Yeah.
0:39:01 > 0:39:05Right, guys, back on the job and finding a bargain at the next shop,
0:39:05 > 0:39:07owned by Peter McGlade.
0:39:07 > 0:39:11- Gosh!- You don't know where to start, do you?
0:39:11 > 0:39:17There's an awful lot to see here, but Laila is not feeling very inspired by this shop.
0:39:17 > 0:39:20However, James spots something of interest.
0:39:22 > 0:39:24How about the brass lamp?
0:39:24 > 0:39:2660.
0:39:26 > 0:39:29OK, 50.
0:39:29 > 0:39:35This brass and copper standard lamp was made in the 1880s in the Arts and Crafts style.
0:39:35 > 0:39:37Very popular around that time.
0:39:37 > 0:39:42It's not looking so chic now and it's a little bit pricey at £50.
0:39:42 > 0:39:44What do you think?
0:39:44 > 0:39:49I'm not convinced, but I want you to make the decision.
0:39:49 > 0:39:54I'd be careful how you deal with this shop owner. He heard you were coming!
0:39:54 > 0:39:58- I've heard about the champagne bottle.- Have you?- Yes.
0:39:58 > 0:40:00- Word has got round? - Somebody told me.
0:40:00 > 0:40:02Already?
0:40:02 > 0:40:05You see, it's because it's so wonderful.
0:40:05 > 0:40:08It's not. It's because we're so stupid!
0:40:08 > 0:40:12I'll make you a cheeky offer to try and buy something.
0:40:12 > 0:40:14For the lamp, 20 quid?
0:40:14 > 0:40:18It gives us a chance. It might make 30, 35 at the auction.
0:40:18 > 0:40:21Make it 30 and we've got a deal.
0:40:21 > 0:40:24What do you think? I don't know.
0:40:25 > 0:40:28Um... I don't know.
0:40:28 > 0:40:30How about 25?
0:40:30 > 0:40:33Go on. Deal. Is that...?
0:40:33 > 0:40:35It's up to you.
0:40:35 > 0:40:38- It's worth a gamble.- Yeah?- Yeah.
0:40:38 > 0:40:44- On your head be it.- Come on then, deal.- Deal.- Shake the man's hand. - Thank you, Peter.- Thank you.
0:40:44 > 0:40:46It's a deal at £25.
0:40:46 > 0:40:48- Come on. Money, money.- There you go.
0:40:48 > 0:40:53Even with their new lamp, James and Laila have only spent £61
0:40:53 > 0:40:57and have still got £339 burning a hole in their pockets.
0:40:59 > 0:41:02Laila has never been so bad at spending money.
0:41:02 > 0:41:05So with ten minutes before the shops shut,
0:41:05 > 0:41:10they've decided to dash back to the first shop they visited this morning.
0:41:12 > 0:41:16- Have you ever spent less than £61? - No, no.
0:41:16 > 0:41:21- This is the least... Are you serious?- It's the least I've ever spent.- Oh, my God!
0:41:21 > 0:41:24I mean, I'm embarrassed.
0:41:24 > 0:41:28Let's hope fresh eyes and desperation help you spot something.
0:41:33 > 0:41:35- OK, come on then.- Right...
0:41:35 > 0:41:41Back at Swiss Cottage Antiques, James spots something that he walked right past this morning.
0:41:41 > 0:41:45- Look! What about that? I didn't even see that last time.- What is it?
0:41:45 > 0:41:49- A boot jack.- What's a boot jack? - For putting your riding boots on...
0:41:49 > 0:41:52- Pull your wellies off. Shall we have a look at that?- Yeah.
0:41:52 > 0:41:58This Victorian boot jack is just the thing a country gent would have needed by his front door
0:41:58 > 0:42:02to help him out of his riding boots, but it's £45
0:42:02 > 0:42:05and you've only got minutes to spare. Better strike that deal!
0:42:05 > 0:42:08- How much could this be?- Um...
0:42:08 > 0:42:14- 40?- Oh, what?!- Come on! Just cos we're desperate, don't take the mick, Sandy!
0:42:14 > 0:42:16It's an old piece.
0:42:16 > 0:42:20I'm an old piece, but I'm not worth 40 quid.
0:42:20 > 0:42:23No, seriously, what could you do that for?
0:42:24 > 0:42:27- 38.- What?- No less.
0:42:27 > 0:42:31Honestly. It only went up there yesterday.
0:42:31 > 0:42:34- Nobody's seen it yet. - I was thinking about 25.- No!
0:42:35 > 0:42:39- 28 quid. - Come on, that's fair, Sandy.
0:42:39 > 0:42:44- John, we are being bid £28 on this. - Are we?
0:42:44 > 0:42:4735, I think, Sandy.
0:42:47 > 0:42:50- How about 31?- I can't do it. - You're running out of time, James.
0:42:50 > 0:42:53Time to resort to other methods.
0:42:53 > 0:42:55Aaagh!
0:42:56 > 0:42:57Aaaagh!
0:42:57 > 0:43:00I've jammed my finger in it. Aaagh!
0:43:00 > 0:43:0315 quid and I won't sue!
0:43:03 > 0:43:06- Is it stuck in there? Seriously? - It's stuck in there!
0:43:06 > 0:43:09- Are you serious?- Of course not. - Oh, my God!
0:43:09 > 0:43:13Leave the acting to Laila, James, and give the lady her £35.
0:43:13 > 0:43:1520. There's 20.
0:43:15 > 0:43:1730.
0:43:17 > 0:43:1935.
0:43:19 > 0:43:23- Brilliant.- I'll get you a receipt. - Thank you very much.
0:43:23 > 0:43:28And that's it - a thrilling ride, non-stop drama, excitement
0:43:28 > 0:43:31and some of the most novel purchases yet.
0:43:31 > 0:43:33We've seen it all now.
0:43:33 > 0:43:38So with the shopping over, it's time for our teams to show each other what they've bought.
0:43:38 > 0:43:42- Come on then.- One, two, three!
0:43:42 > 0:43:43Ah!
0:43:43 > 0:43:46I didn't know you'd been to the jumble sale!
0:43:46 > 0:43:52- I see you've been down to the scrapyard!- Is that what I think it is? Is that a Pilkington?
0:43:52 > 0:43:55- Yes.- Where did you find that? - Basement.
0:43:55 > 0:43:58Oh! And how much was it?
0:43:58 > 0:44:00- Cheapsie, cheapsie.- 35.
0:44:00 > 0:44:0235.
0:44:03 > 0:44:06- Anyway...- That, I love. - What is that?- It's a cat.
0:44:06 > 0:44:10- It's a what?- A cat. It's a rare thing.
0:44:10 > 0:44:12How much did you pay for it?
0:44:12 > 0:44:1425.
0:44:14 > 0:44:16Oh, no, you didn't!
0:44:16 > 0:44:18What's that thing there?
0:44:18 > 0:44:21That's us going out on a limb, I would say.
0:44:21 > 0:44:25'50s, more likely '60s, French pickle dish.
0:44:25 > 0:44:29- Check out the action. And "atomic" being the theme.- Cocktail...
0:44:30 > 0:44:32- It's broken. - LAUGHTER
0:44:32 > 0:44:38- That's why it was free(!) - It wasn't broken before.- Was it free? - No.- No, it was £12.
0:44:38 > 0:44:41- I like that.- That's funky. I like it.- It is funky.
0:44:41 > 0:44:44Biggest profit?
0:44:44 > 0:44:47- Lancastrian.- Yeah... - That could have a one in front of it.
0:44:47 > 0:44:53Oh, dear. The vase and the Georgian cat have got James and Laila starting to look a bit worried.
0:44:53 > 0:44:57- So what do you think to this lot? - 19th century boot jack...
0:44:57 > 0:45:00- Not a fantastic one.- No, no, no.
0:45:00 > 0:45:05But I suspect you got that cheap. Did you steal that at £20 or £30?
0:45:05 > 0:45:06- 35.- Can't go wrong.
0:45:06 > 0:45:11The fire extinguisher, you're going to have a problem selling that.
0:45:11 > 0:45:14- Why will we have a problem? - Is this one of your choices?
0:45:14 > 0:45:18You just keep it in the corner. It's just like retro, isn't it?
0:45:18 > 0:45:22- I'll cut right to the chase. What did you pay for it?- £12.
0:45:22 > 0:45:26- You can't go wrong.- It's got to be 25, 30.- It's got to be that.
0:45:26 > 0:45:31- But wait, they've not finished. - Where is he going now? - They've saved the best till last.
0:45:31 > 0:45:33Oh, my God!
0:45:33 > 0:45:35LAUGHTER
0:45:38 > 0:45:40Did you get a straw with that?
0:45:40 > 0:45:44Did he suffer any sort of breakdown during this process?
0:45:44 > 0:45:48- He convinced me to buy it.- There's not enough alcohol in the world.
0:45:48 > 0:45:51All the alcohol in that bottle would not make me buy that!
0:45:51 > 0:45:53- It is completely mad.- Yeah.
0:45:53 > 0:45:59But I reckon somebody is going to be laughing so much in the saleroom
0:45:59 > 0:46:03that they will pay more than £16 for that.
0:46:03 > 0:46:07- Well done, guys. Good luck. - Fantastic.- Well done.- Well done.
0:46:07 > 0:46:10- Well done. It's been a pleasure. - Well done.
0:46:10 > 0:46:14- I'm not kissing you. - Well done. Come here, you!
0:46:15 > 0:46:21You're going to need it. Now, come on, chaps. Give us the lowdown on what you really think.
0:46:21 > 0:46:25I really like their stuff, but it's made me like our stuff more.
0:46:25 > 0:46:28It's done exactly the same thing for me.
0:46:28 > 0:46:31- I wouldn't swap. - No, neither would I.
0:46:31 > 0:46:33LAUGHTER
0:46:33 > 0:46:36Or this is smugness before a fall!
0:46:36 > 0:46:41- I saw your eyes light up with the cat.- That cat could do really well.- Right.
0:46:41 > 0:46:45The boot jack is quite a nice thing if you have boots.
0:46:45 > 0:46:48- I think ours has got a lot of humour in it.- I do.
0:46:48 > 0:46:55I think the thing that will make the big difference, that might win it or lose it for us, is the bottle.
0:46:55 > 0:46:57That could scupper everything.
0:46:57 > 0:47:01- It's going to be really close. - It's going to be fun to see.
0:47:01 > 0:47:03- It could go any way.- Absolutely.
0:47:03 > 0:47:06But no matter how it goes, you and I did a good job.
0:47:06 > 0:47:12- Sir, thank you for all your assistance and experience. - Double act!- Absolutely, sir.
0:47:12 > 0:47:15- All right?- Pleasure. - Let's go have a pint.- Aye-aye.
0:47:15 > 0:47:19Oi! No slacking. You've got an auction to go to.
0:47:19 > 0:47:22And so it's time to leave the hustle and bustle of Leeds
0:47:22 > 0:47:25and race 200 miles down south to reconvene in Surrey.
0:47:25 > 0:47:30Here our Celebrity Road Trip comes to an end with an auction in charming, rustic Chertsey.
0:47:32 > 0:47:36It's a pretty little place and one of the oldest towns in Britain.
0:47:36 > 0:47:43But there's no time to enjoy the scenery as our two teams have come to do battle at Wellers Auctioneers.
0:47:45 > 0:47:51Reunited with their wheels at last, Charles is explaining auction etiquette to Laila.
0:47:51 > 0:47:56Have you been to an auction house before? I haven't and I'm terribly excited.
0:47:56 > 0:48:01Don't scratch your nose at the wrong moment or you could end up buying something you don't want.
0:48:08 > 0:48:10- After you, ma'am.- Thank you.
0:48:10 > 0:48:13- Have you been upstairs? - We've had a wee shufty.
0:48:13 > 0:48:15Busy...?
0:48:15 > 0:48:18- There are some people there. - LAUGHTER
0:48:18 > 0:48:25- Not many.- Do you think it will get busier?- As soon as that champagne bottle appears, the room will fill.
0:48:25 > 0:48:28- There's going to be a rush. - Shall we?
0:48:28 > 0:48:30Come on, Paul.
0:48:31 > 0:48:35Wellers have been auctioneers and valuers since 1866
0:48:35 > 0:48:40and they sell everything from fine art to agricultural products.
0:48:40 > 0:48:4418, 18, 18. £20, £20, 2. 22, 5. At £28.
0:48:44 > 0:48:46At £28. At £28.
0:48:46 > 0:48:53Today is a general antiques sale, so what does auctioneer Rupert Stevens think of our competitors' items?
0:48:53 > 0:48:57- Let's hope he's open-minded.- The George III cat is my favourite item.
0:48:57 > 0:49:01We don't see many of these and I think it's going to do very well.
0:49:01 > 0:49:06The nuts and nibbles dish is quite unusual. I expect it will do reasonably well.
0:49:06 > 0:49:12A massive novelty champagne bottle, most unusual. I've never sold a bottle quite that large before.
0:49:12 > 0:49:15I don't know quite what it's going to make.
0:49:15 > 0:49:18The least favourite of all the items is the decanter.
0:49:18 > 0:49:23It's really quite worn, it's not the prettiest thing and it's going to be tough to sell.
0:49:23 > 0:49:26It looks like this could go either way.
0:49:26 > 0:49:31- Come on.- Come on. - Both teams began this journey with £400 in the coffers.
0:49:31 > 0:49:37Shopaholic Laila and James, against all the odds, spent only a paltry £96
0:49:37 > 0:49:42and staked their reputations on a very unusual selection of five lots.
0:49:42 > 0:49:50Meanwhile, steady hands Charles and Paul spent a more respectable £117 also on five lots.
0:49:51 > 0:49:53- Job done.- Job done, sir.
0:49:53 > 0:49:57The tension is mounting and our teams are beginning to feel nervous.
0:49:57 > 0:50:00Into your seats as it's the first lot already.
0:50:00 > 0:50:05Straight up, it's Charles and Paul's 1950s cocktail nibble dish.
0:50:05 > 0:50:08Most unusual thing. 30? 20?
0:50:08 > 0:50:1010. 12. 15.
0:50:10 > 0:50:1415. £15. The web's gone quiet. At 15. 18, sir.
0:50:14 > 0:50:1620, sir. 20...
0:50:16 > 0:50:18- Well done.- £20. £20.
0:50:18 > 0:50:21Quite sure at £20? At £20, I'm selling...
0:50:22 > 0:50:25That's a profit of £8 before commission
0:50:25 > 0:50:27and a good start for the boys.
0:50:28 > 0:50:32Next up, the china pot that James thinks is Denby Tigo Ware.
0:50:32 > 0:50:35The auction house aren't convinced, however,
0:50:35 > 0:50:38and have only given it a guide price of £5.
0:50:38 > 0:50:42They think it's Marks & Spencer's and came free with an orchid.
0:50:42 > 0:50:45Is that what they really think?
0:50:45 > 0:50:48In the style of Denby Tigo Ware. Pretty, pretty thing.
0:50:48 > 0:50:52- We've got interest in this thing at £20.- Ooh!- Straight in at £20.
0:50:52 > 0:50:54£20. £20. £20.
0:50:54 > 0:50:56£20. 2. 22. £22.
0:50:56 > 0:51:00£22. £22. It's going to be sold at £22.
0:51:00 > 0:51:02All done and away at £22.
0:51:02 > 0:51:06Tigo Ware or not, it still made a nice price.
0:51:06 > 0:51:08- You can't argue with that.- Profit.
0:51:10 > 0:51:13The hobbyist jigsaw is next.
0:51:13 > 0:51:15Will that cut the boys another profit?
0:51:15 > 0:51:18Unusual thing. 50? 30? 20?
0:51:18 > 0:51:21- £20? 10? - 10, 10...
0:51:21 > 0:51:2512. 15. At 15. At 15. At £15 now.
0:51:25 > 0:51:27- 15 bid. - He's going to sell it for £15!
0:51:27 > 0:51:31At £15, the gavel's up and poised. Are you all done...?
0:51:33 > 0:51:37- And that's the first loss of the day.- Oh, your face!- Beam me up!
0:51:37 > 0:51:43You'll have to make it up out of your own pocket. You chose it. Nothing to do with me.
0:51:44 > 0:51:49Can Laila's fire extinguisher set the room alight?
0:51:50 > 0:51:54I'm bid straight in at 15. 18 bid. 18, 18, 18.
0:51:54 > 0:51:57At £18 now. £18. £18.
0:51:57 > 0:51:59£18 bid. £20, £20, £20. Internet bidder.
0:51:59 > 0:52:02At 20. £20 now. 20 bid.
0:52:02 > 0:52:04- 20!- On the internet.
0:52:04 > 0:52:07- Come on! - 22. Back of the room at 22.
0:52:07 > 0:52:1022. 22. 22. 22. 22.
0:52:10 > 0:52:13Don't miss out on this once-in-a-lifetime opportunity!
0:52:13 > 0:52:16£22. £22. £22... 5.
0:52:16 > 0:52:18- Yeah!- Yeah!
0:52:18 > 0:52:22- 25. £25. £25.- Oh, my God! - £25. 28 if you like?
0:52:22 > 0:52:25- Go on! - At £25. At £25.
0:52:25 > 0:52:29On the web wins this time at £25. The gavel's up and away...
0:52:30 > 0:52:33- Yeah!- Well done, you. - Well done.- Well done.
0:52:33 > 0:52:37Well done, Laila. Another nice profit for them.
0:52:37 > 0:52:42The boys are pinning their hopes on the decanter.
0:52:42 > 0:52:4410. 12. 15 bid. 18 down.
0:52:44 > 0:52:4618, 18, £20, £20, £20, 2.
0:52:46 > 0:52:5022. 25. 25. 28. £28.
0:52:50 > 0:52:52Can we go to 30? 30.
0:52:52 > 0:52:54£30 now. 35.
0:52:54 > 0:52:5735. On the web at £35. 35.
0:52:57 > 0:52:59On the web now at £35. 35. 35.
0:52:59 > 0:53:02Numbers 3 and 5, are we all done? At £35...
0:53:02 > 0:53:05That's more like it - another modest profit.
0:53:05 > 0:53:09That's surprising. Those mad, modern things have done all right.
0:53:09 > 0:53:15- Yeah, it's a bit retro.- Fashionable. - Yeah, it's fashionable. - But the traditional...
0:53:17 > 0:53:21Let's see if your next item takes a nose dive.
0:53:21 > 0:53:23It's the Lancastrian vase.
0:53:23 > 0:53:26Straight in we go at £35. 35.
0:53:26 > 0:53:2740. £45.
0:53:27 > 0:53:3045. It's going for £45. 45.
0:53:30 > 0:53:32- No internet.- 45. 45.
0:53:32 > 0:53:36The gavel's up, make no mistake, and it's away at £45...
0:53:37 > 0:53:41Well, it's a profit, but only a small one after commission.
0:53:41 > 0:53:43I'm not coming again!
0:53:44 > 0:53:47Laila and James are beginning to streak ahead,
0:53:47 > 0:53:50but with traditional lots not doing so well,
0:53:50 > 0:53:54will their Victorian standard lamp be their undoing?
0:53:54 > 0:53:575. 8 bid. At 8. At 8.
0:53:57 > 0:53:59£8. Look at that lantern! 10. 12.
0:53:59 > 0:54:0415, madam. 15. 18. 18, 18, 18, 18. The gents are in, the ladies are out.
0:54:04 > 0:54:06£18. £18. Is that 20?
0:54:06 > 0:54:08£20, £20, £20. At 20.
0:54:08 > 0:54:12- 22. 22. 22. 22. 22. 22.- Let's just break even on this, please.
0:54:12 > 0:54:17You're even getting the lampshade, madam, at £22. Doesn't that swing it?
0:54:17 > 0:54:20At £22. All sure and away at £22...
0:54:20 > 0:54:22Oh, no!
0:54:22 > 0:54:27Oh, dear! This doesn't bode well for the other Victorian items.
0:54:27 > 0:54:30- I think it would have made more without the shade.- Really?
0:54:31 > 0:54:35Will the Georgian cat bring them a whisker of a profit?
0:54:35 > 0:54:3730? 20 bid.
0:54:37 > 0:54:4025. 30 got. At 30.
0:54:40 > 0:54:43£35. £35. At £35.
0:54:43 > 0:54:46It goes for £35 to the internet bidder. At £35.
0:54:46 > 0:54:49I want to bid too!
0:54:51 > 0:54:54Can we not bid?
0:54:54 > 0:54:58Well, it's a profit, but not as much as the boys were expecting.
0:54:58 > 0:55:02I was thinking of finding the main fuse box and just pulling the plug.
0:55:02 > 0:55:05Or starting a small fire at the back of the room.
0:55:06 > 0:55:10Will James and Laila's 19th century boot jack trip them up as well?
0:55:10 > 0:55:12Surely 60? 40?
0:55:12 > 0:55:14- £20? - Oh, no!
0:55:14 > 0:55:1710. 12. 15. 18. 18, 18.
0:55:17 > 0:55:19£20, £20, £20. 20.
0:55:19 > 0:55:2222. £22. 22. 25.
0:55:22 > 0:55:2525. 25. 25. 25.
0:55:25 > 0:55:28- Come on! - At 25. At £25. 28. £28 on the web.
0:55:28 > 0:55:31- It's over. - At £28. Gavel's on the top at £28.
0:55:31 > 0:55:35I'll sell at numbers 2 and 8. Are you all done? At £28, thank you.
0:55:35 > 0:55:38Oh, dear, that's feet first down the Swanee!
0:55:39 > 0:55:43So it's all down to the giant fibreglass champagne bottle.
0:55:43 > 0:55:48Will it burst their bubble or could it give them that kick they need?
0:55:48 > 0:55:50Look at this! It's got to be £100?
0:55:50 > 0:55:5250?
0:55:52 > 0:55:5450? 30?
0:55:54 > 0:55:57- Look at it... At £25.- Come on!
0:55:57 > 0:55:59- 28. 30. - Come on!
0:55:59 > 0:56:02- 30. 35.- Yay!
0:56:02 > 0:56:0535. 35. 40. 40. 40.
0:56:05 > 0:56:0845. 45. 45. 45.
0:56:08 > 0:56:10It's worth it, madam. £45.
0:56:10 > 0:56:14Come on. 50. At 50. On the web now, 50 bid.
0:56:14 > 0:56:18- 50 bid. One more, madam? At 50. - Come on!
0:56:18 > 0:56:22There's no pressure! 50 bid. 50 bid.
0:56:22 > 0:56:27On the web now at £50. I'm selling now at £50. Are you all done?
0:56:27 > 0:56:30Yeah! That's brilliant.
0:56:32 > 0:56:34Is that right?
0:56:34 > 0:56:36Break out the real bubbly, guys.
0:56:36 > 0:56:41That's given you a whopping profit of £34 before commission.
0:56:41 > 0:56:43- Sorry, guys.- Oh, dear.
0:56:43 > 0:56:49- Congratulations, guys. - If I'd predicted that a couple of hours ago, I'd have been a rich man.
0:56:49 > 0:56:53- Unbelievable. - Dear me!- Unbelievable.
0:56:53 > 0:56:56Both teams started with a £400 budget.
0:56:56 > 0:57:01After auction costs, James and Laila made an overall profit of £24.54
0:57:01 > 0:57:06which means they wind up their road trip with £424.54.
0:57:07 > 0:57:13Meanwhile, Charles and Paul only made a profit of £6 after auction costs,
0:57:13 > 0:57:16so take away just £406.
0:57:16 > 0:57:21So, James and Laila, the real champagne is on you as you are today's winners
0:57:21 > 0:57:26and all the profits generated from the auction will go to Children In Need.
0:57:26 > 0:57:31I couldn't believe what I was hearing. It's just crazy.
0:57:31 > 0:57:33That's why people go to auctions.
0:57:33 > 0:57:38If everything made its money on every occasion, auctions would be dull affairs.
0:57:38 > 0:57:44- It's just the things that DID make money. They were a shocker.- I knew.- Oh, all right!
0:57:44 > 0:57:47You all... You all dissed me about that bottle.
0:57:47 > 0:57:51You can have your moment of glory because we did!
0:57:51 > 0:57:54- Sorry it didnae go better. - It's a shame.
0:57:54 > 0:57:59- You were brilliant. Thank you so much.- That was very enjoyable. Congratulations, guv'nor.
0:57:59 > 0:58:03- Well done, everyone. - Come on, sweetheart.
0:58:03 > 0:58:08The champagne took you to glory, but will your car take you home?
0:58:08 > 0:58:13- I'd better get you home. - Back to your Ford Cortina. Have fun.- Here we go.
0:58:13 > 0:58:16- - Hold your breath! - You like that Cortina.- Essex style!
0:58:16 > 0:58:18- ENGINE SPLUTTERS - No way!
0:58:18 > 0:58:21Come on. Come on, quick.
0:58:21 > 0:58:23- Come on.- Oh, no!- Cheers, guys. Bye!
0:58:23 > 0:58:25Oh, it's started!
0:58:25 > 0:58:28We're leaving. We're going now.
0:58:28 > 0:58:30- So long!- Farewell!
0:58:34 > 0:58:40I've got a feeling we're going to pass them on the side of the road in about half an hour.
0:58:40 > 0:58:45- Give me those keys.- I'll shake your hand first. You're not driving! - I am. It's my turn!
0:59:08 > 0:59:11Subtitles by Red Bee Media Ltd