0:00:02 > 0:00:05Some of the nation's favourite celebrities...
0:00:05 > 0:00:06Why have I got such expensive taste?
0:00:06 > 0:00:09..one antiques expert each...
0:00:13 > 0:00:15..and one big challenge -
0:00:15 > 0:00:19who can seek out and buy the best antiques at the very best prices...
0:00:19 > 0:00:21Answers on a postcard.
0:00:21 > 0:00:26..and auction for a big profit further down the road?
0:00:26 > 0:00:28We shake your hand and send you a big kiss for that.
0:00:28 > 0:00:30Who will spot the good investments?
0:00:30 > 0:00:32Who will listen to advice?
0:00:32 > 0:00:34Do you like it? No, I think it's horrible.
0:00:34 > 0:00:35Maybe not.
0:00:35 > 0:00:56For today's show, we'll be travelling through the leafy lanes of Herefordshire
0:00:56 > 0:00:59and through time, in the company of our two celebrities.
0:01:00 > 0:01:05A Time Lord, Colin Baker, and Dr Who's one-time companion, Peter Purves.
0:01:05 > 0:01:07This is going to be fun, I think.
0:01:07 > 0:01:10Each will be given a classic car,
0:01:10 > 0:01:12and antiques expert and ?400 to spend.
0:01:12 > 0:01:16They must provide their own sonic screwdriver.
0:01:16 > 0:01:18What is there not to look forward to?
0:01:18 > 0:01:22Driving through leafy lanes with a television god... You're very kind!
0:01:22 > 0:01:23..in search of antiquity.
0:01:23 > 0:01:26Colin Baker was the sixth man to play Dr Who,
0:01:26 > 0:01:29fighting Daleks and Cybermen across many millennia,
0:01:29 > 0:01:33but mainly from 1984 to 1986.
0:01:33 > 0:01:36How do you do? I am known as the Doctor.
0:01:37 > 0:01:39ZZZAAAP!
0:01:39 > 0:01:42Peter Purves played Steven Taylor,
0:01:42 > 0:02:02companion to the first Dr Who, in 1965.
0:02:02 > 0:02:05The one thing we must do - one very important thing -
0:02:05 > 0:02:08before we leave is to make sure our animals are going to be as happy
0:02:08 > 0:02:10as we're going to be when we're on holiday.
0:02:10 > 0:02:11Ooh, get off me foot!
0:02:11 > 0:02:13The first time I appeared on Blue Peter,
0:02:13 > 0:02:15I was terrified.
0:02:15 > 0:02:17No autocue, no safety net...
0:02:17 > 0:02:20So, where did these two old pals meet -
0:02:20 > 0:02:25battling sea monsters in the outer reaches of cyberspace, perchance?
0:02:25 > 0:02:28I directed you in the pantomime. Of course you did!
0:02:28 > 0:02:32We did Aladdin in Hayes in Middlesex.
0:02:32 > 0:02:35And you were Wishee Washee and you were very funny.
0:02:35 > 0:02:37And what part was I playing?
0:02:37 > 0:02:39BOTH LAUGH
0:02:40 > 0:02:42You're still very funny!
0:02:45 > 0:02:47Do these old pals have the competitive spirit?
0:02:47 > 0:02:50I think I am competitive. I mean, I'm going to win this.
0:02:50 > 0:02:52No question about that.
0:02:52 > 0:02:54It seems they do.
0:02:54 > 0:03:12Our celebrity pair are off to meet another duo of experts
0:03:12 > 0:03:16James has 25 years of experience in the antiques game.
0:03:16 > 0:03:20He says that quality and design are what set his pulse racing.
0:03:20 > 0:03:23And he has a penchant for a nice piece of jewellery.
0:03:23 > 0:03:27Blood to the brain, blood to the brain... Right, I'm ready.
0:03:27 > 0:03:29Will Axon was born in Newmarket
0:03:29 > 0:03:32and wanted to be a jockey before he became an auctioneer.
0:03:32 > 0:03:36He started his career valuing rugs, works of art
0:03:36 > 0:03:39and furniture, and can spot a bargain anywhere.
0:03:39 > 0:03:41There's a silver tankard down here.
0:03:41 > 0:03:43Who are we on our way to meet, James?
0:03:43 > 0:03:46Peter Purves, Colin Baker.
0:03:46 > 0:03:50Oh, it's a Dr Who theme?
0:03:50 > 0:03:52Ethereal, celestial...
0:03:52 > 0:03:55Are they going to arrive in a TARDIS?
0:03:55 > 0:03:56Oh, I hope so!
0:03:56 > 0:03:58The very opposite, actually -
0:03:58 > 0:04:01it's a 1970 Morris Minor,
0:04:01 > 0:04:04smaller on the inside than on the outside.
0:04:23 > 0:04:26That's why I like watching you act.
0:04:26 > 0:04:28Oh! Oh, Peter!
0:04:28 > 0:04:31Hello! Luvvy alert.
0:04:31 > 0:04:35I'm looking forward to meeting my slim young blonde-haired...
0:04:35 > 0:04:38antique assistant.
0:04:38 > 0:04:40Well, good luck with that.
0:04:41 > 0:04:44Our team will have two days travelling in Herefordshire
0:04:44 > 0:04:47and Worcestershire, starting in Bishop's Frome.
0:04:47 > 0:04:49They'll shop for items which they hope
0:04:49 > 0:04:52will realise a handsome profit at the auction in Winchcombe.
0:04:57 > 0:05:03At the agreed meeting point, there seems to have been some kind of rift in the space/time continuum.
0:05:05 > 0:05:07In other words, our experts are late.
0:05:07 > 0:05:09Look, Doctor, this can't go on.
0:05:09 > 0:05:11What's happening?
0:05:11 > 0:05:14Without the benefit of time travel, I haven't got a clue where they are.
0:05:35 > 0:05:37about the subject we are entering into?
0:05:37 > 0:05:40I bet they do! We were going to ask you the same thing!
0:05:40 > 0:05:42How are we going to team up?
0:05:42 > 0:05:45Well, you're from Suffolk, aren't you, Peter? Yes.
0:05:45 > 0:05:48And I think there are two men here who probably like to stop for lunch occasionally.
0:05:48 > 0:05:50I heard a whisper about Scotch eggs.
0:05:50 > 0:05:54Yes. I'm a fellow devotee. Oh, are you?
0:05:54 > 0:05:56The glove box is full of them!
0:05:56 > 0:05:59So that's the Suffolk boys, Will and Peter, in the Morris
0:05:59 > 0:06:03and James and Colin, the Scotch egg connoisseurs,
0:06:03 > 0:06:05in the MG.
0:06:05 > 0:06:06We'll see you at the auction.
0:06:06 > 0:06:08Good luck! We're going to win!
0:06:08 > 0:06:10Good luck!
0:06:11 > 0:06:13Right, now they've gone - lunch?
0:06:13 > 0:06:17Perhaps we could squeeze in one shop before lunch.
0:06:17 > 0:06:20Colin and James head into Cole's Antiques
0:06:20 > 0:06:22for some pre-prandial perusal.
0:06:22 > 0:06:25Where do you stock your decaying goods?
0:06:46 > 0:06:50Far too pink and far too girly.
0:06:50 > 0:06:52Too girly. We don't want girly handbags.
0:06:54 > 0:06:56Shall we move on?
0:06:56 > 0:06:58This looks more up their street.
0:06:58 > 0:07:00You see, look at this.
0:07:00 > 0:07:02This is a mahogany fellow.
0:07:02 > 0:07:04Feel the weight of that.
0:07:04 > 0:07:06Lovely joints here.
0:07:06 > 0:07:08It's a candle box. It's rather nice.
0:07:08 > 0:07:10I do like that. It's got age.
0:07:10 > 0:07:13It hasn't been touched. It's suffered the rigours of use
0:07:13 > 0:07:15and hasn't been badly repaired.
0:07:15 > 0:07:17I know how it feels.
0:07:18 > 0:07:21Damage up there. Yes.
0:07:21 > 0:07:24Damage below, but, you know, structurally sound.
0:07:24 > 0:07:27And that's done a lot of years.
0:07:27 > 0:07:29Nice fielded panels.
0:07:29 > 0:07:31I might pay ?20 for that.
0:07:31 > 0:07:32Or you might not.
0:07:32 > 0:07:34The ticket price is ?60.
0:07:34 > 0:07:35I'd like that. Unusual to find in mahogany.
0:07:35 > 0:07:56It says mid-19th-century. I think it's older than that.
0:07:56 > 0:07:59Well, that first shop was all done and dusted double quick.
0:07:59 > 0:08:01I wonder why?
0:08:01 > 0:08:05Now, I have heard a little rumour that just round the corner from here
0:08:05 > 0:08:08they make Scotch eggs. Aah!
0:08:08 > 0:08:09Ah, that's why!
0:08:09 > 0:08:13Our Scotch egg fanatics have been shopping barely 50 yards
0:08:13 > 0:08:16from a Scotch egg emporium of some repute.
0:08:16 > 0:08:18What are the chances, eh?
0:08:18 > 0:08:20Oh, the world of Scotch eggs!
0:08:20 > 0:08:23Welcome to the Egg Shed, as we call ourselves.
0:08:23 > 0:08:25The Egg Shed!
0:08:25 > 0:08:27It's no yolk, is it?
0:08:27 > 0:08:30TIM GROANS Prepare yourselves, viewers.
0:08:32 > 0:08:35Let me give you a menu. We have, unfortunately,
0:08:35 > 0:08:37over 50 different types of Scotch egg there.
0:08:37 > 0:08:40Yes...we might be here a while.
0:08:40 > 0:08:43This is the Black Watch, the one you thought you'd like.
0:08:43 > 0:09:04This is black pudding with sausagemeat
0:09:04 > 0:09:06is said to date from 1738,
0:09:06 > 0:09:09when they were first made by Fortnum Mason.
0:09:09 > 0:09:12Colin, I'm afraid I'm going to have to drag you away.
0:09:12 > 0:09:14Start laying the trail.
0:09:14 > 0:09:15There's a Scotch egg!
0:09:15 > 0:09:18I think we got off quite lightly there.
0:09:18 > 0:09:20Right, let's see how Peter and Will are getting on.
0:09:22 > 0:09:24I'm full of anticipation
0:09:24 > 0:09:26and worry a little.
0:09:26 > 0:09:29I've got to look for things that will sell rather than things that I like.
0:09:29 > 0:09:31As long as we're pleased with what we buy,
0:09:31 > 0:09:35then, you know, I don't think we can regret anything.
0:09:35 > 0:09:39The other car, with James and the Time Lord,
0:09:39 > 0:09:43and in the Morris, the companion. Who's going to win?
0:09:43 > 0:09:45We should win.
0:09:45 > 0:09:47Oh, the gauntlet has been thrown down!
0:09:47 > 0:09:50Oh, yes. Peter and Will are pootling
0:09:50 > 0:09:53the 16 miles from Bishop's Frome
0:09:53 > 0:09:54to Leominster,
0:09:54 > 0:10:13which, back in 1809,
0:10:13 > 0:10:16There's plenty to look at. Is there? Give us an idea of the layout.
0:10:16 > 0:10:19We've got three floors and a basement and an attic.
0:10:23 > 0:10:25I must stop thinking about what I like.
0:10:25 > 0:10:27Let's see what will make a profit.
0:10:27 > 0:10:32Wise words...but Peter is finding it hard to stick to.
0:10:32 > 0:10:33Quite pretty.
0:10:35 > 0:10:38I don't think that's got legs, myself.
0:10:38 > 0:10:39No.
0:10:39 > 0:10:43I see you are being drawn to tea sets, though, and things like that.
0:10:45 > 0:10:47Will tries a gentle reminder.
0:10:47 > 0:10:49What was that you were saying, Peter?
0:10:51 > 0:10:54A hedgerow hammer!
0:10:54 > 0:10:56Will's working on a theme here.
0:10:56 > 0:10:58It's definitely hammer time!
0:10:58 > 0:11:00# You can't touch this! #
0:11:00 > 0:11:02That would make me a fine gavel.
0:11:02 > 0:11:04And SOLD!
0:11:04 > 0:11:23Smash the desk! What a great...
0:11:23 > 0:11:25have a total price of ?82.
0:11:26 > 0:11:28That's a good-looking tool. I like that.
0:11:31 > 0:11:34That's another cooper's tool. A metal-framed pick.
0:11:34 > 0:11:36Not quite the same, but the cooper's tool...
0:11:36 > 0:11:38I quite like that, though.
0:11:38 > 0:11:41That's quite unusual, with the way that frame goes all around.
0:11:41 > 0:11:42Peter Purves has picked up a pick.
0:11:42 > 0:11:45But how much is Peter Purves prepared to pay
0:11:45 > 0:11:47for the pick that he has picked?
0:11:47 > 0:11:49Who writes this stuff?!
0:11:49 > 0:11:51?50.
0:11:51 > 0:11:54I sense that Peter's going to be quite good at this Road Trip malarkey.
0:11:54 > 0:11:57We might as well have a look on the ground floor,
0:11:57 > 0:11:59then we can say we've covered all bases.
0:11:59 > 0:12:02Hello! What do we have here?
0:12:02 > 0:12:05That's caught my eye as we came in.
0:12:06 > 0:12:08A grain scoop.
0:12:08 > 0:12:10There's quite a lot of money in them.
0:12:10 > 0:12:13Someone with a bit of imagination could use that for anything.
0:12:13 > 0:12:33Scooping grain, maybe?
0:12:33 > 0:12:34and see what he can do?
0:12:34 > 0:12:36Brian, a unit owner,
0:12:36 > 0:12:39makes the call to Nigel, who owns the tools.
0:12:39 > 0:12:41You've got some cooper's tools there.
0:12:41 > 0:12:45Ticket price you've got, that adds up to 82.
0:12:45 > 0:12:48And they are making you a very generous offer
0:12:48 > 0:12:50of ?50.
0:12:52 > 0:12:53Don't laugh, Nigel!
0:12:55 > 0:12:57I just talked them up to that.
0:12:57 > 0:13:00Would you like to have a word with the legendary Peter Purves?
0:13:00 > 0:13:02This is Nigel.
0:13:02 > 0:13:06Hello, Nigel. I gather you laughed at our offer.
0:13:06 > 0:13:0760 is his best.
0:13:07 > 0:13:10The owner is prepared to come down a fair bit,
0:13:10 > 0:13:13but there is a limit, even for the legendary Peter Purves.
0:13:13 > 0:13:15OK, we'll shake your hand on 60.
0:13:15 > 0:13:19Just as business seems to be concluded on the tools,
0:13:19 > 0:13:21owner Jeremy Weston interrupts.
0:13:21 > 0:13:24You're missing a golden opportunity.
0:13:42 > 0:13:45I know that they sell, but price is everything.
0:13:45 > 0:13:47That is a seller. You can sell that.
0:13:47 > 0:13:48Get your keys out, Jeremy.
0:13:48 > 0:13:50You've pulled!
0:13:50 > 0:13:53Candle boxes seem to be today's hot ticket.
0:13:53 > 0:13:58Is there some concern about the future of Britain's power supplies, perchance?
0:13:58 > 0:14:00It'll give you a good profit.
0:14:00 > 0:14:02You could make money on this.
0:14:02 > 0:14:03I've got 85 on it.
0:14:03 > 0:14:0545 to you.
0:14:05 > 0:14:07You're on.
0:14:07 > 0:14:09That Jeremy knows what he's doing.
0:14:09 > 0:14:11That was a quick bit of business.
0:14:13 > 0:14:16We've made a deal with Jeremy on this.
0:14:16 > 0:14:18He's a fast worker, that Jeremy!
0:14:18 > 0:14:20He's a good salesman!
0:14:20 > 0:14:22I'm impressed. 45 quid.
0:14:22 > 0:14:24And wouldn't you know it -
0:14:24 > 0:14:27it turns out that Jeremy also owns the grain scoop.
0:14:27 > 0:14:29Ticket price ?32.
0:14:29 > 0:14:3018.
0:14:33 > 0:14:52Ah! The job's done!
0:14:52 > 0:14:53Hello. Hello.
0:14:53 > 0:14:56Hello there. This looks rather large. Are you Fiona?
0:14:56 > 0:14:58That's right. Hi, Fiona. I'm Peter.
0:14:58 > 0:15:00It's one of those shops -
0:15:00 > 0:15:03floor after floor, room after room,
0:15:03 > 0:15:06shelf after shelf, all stuffed with antiques.
0:15:06 > 0:15:07Lovely!
0:15:07 > 0:15:10Now, before you come in here, make me a promise.
0:15:10 > 0:15:13Walk straight past it all.
0:15:15 > 0:15:17Come on...no, I'm not letting you...
0:15:17 > 0:15:19No tea wares, no dinner wares.
0:15:19 > 0:15:21What do you make to that?
0:15:21 > 0:15:22A bit of tribal. African, is it?
0:15:22 > 0:15:27I like bowler hats. I think we should maybe revive wearing bowler hats.
0:15:27 > 0:15:31Do you know what it's like? It's like opening a new box of chocolates.
0:15:31 > 0:15:34Come on, Forrest Gump! Concentrate.
0:15:36 > 0:15:39What about that? A student microscope, with slides.
0:15:39 > 0:15:42I wonder what the slides are.
0:15:42 > 0:16:02In its little box.
0:16:02 > 0:16:04This was the one that struck me at a distance,
0:16:04 > 0:16:06because I think...
0:16:06 > 0:16:08if I'm not mistaken...
0:16:08 > 0:16:10That's a nice shape. It's a Shelley. Oh, yes.
0:16:10 > 0:16:13And they do tend to be rather nice.
0:16:13 > 0:16:14That's rather undamaged.
0:16:14 > 0:16:19Looks all right, condition-wise, doesn't it? That's...
0:16:19 > 0:16:21I quite like that.
0:16:21 > 0:16:23Ah! Damage on the base.
0:16:23 > 0:16:24Ah.
0:16:24 > 0:16:26Peter's taking on the role of expert now,
0:16:26 > 0:16:29spotting a tiny area of damage that will affect the value
0:16:29 > 0:16:31of the jelly mould.
0:16:31 > 0:16:33How much is the jelly mould worth? ?20.
0:16:33 > 0:16:36Yeah, I mean, I'm not enamoured by the jelly mould,
0:16:36 > 0:16:39but I will follow your lead.
0:16:39 > 0:16:40Oh, crikey, don't do that!
0:16:40 > 0:16:44We'll be dead in the water! I can't, you know...
0:16:44 > 0:16:46Hello! Do I detect a bit of division in the ranks?
0:16:46 > 0:16:47Oh, that's interesting.
0:16:47 > 0:16:50Have you seen that? The sampler? I just saw that.
0:16:50 > 0:16:52Do you like samplers? I do.
0:16:52 > 0:17:12Samplers are the embroidery equivalent
0:17:12 > 0:17:15I did notice that. It hasn't got a date.
0:17:15 > 0:17:18Little bit of staining.
0:17:18 > 0:17:20And not the finest stitch in the world.
0:17:20 > 0:17:23But... That small, neat type...
0:17:23 > 0:17:26Exactly. You get that petit point, I think they call it,
0:17:26 > 0:17:27the stitching.
0:17:27 > 0:17:29It's something everybody did.
0:17:29 > 0:17:31Oh, crikey, look at the back of it.
0:17:31 > 0:17:32That's not been off in a while. It hasn't.
0:17:32 > 0:17:35We like things that turn up well, don't we? Yes.
0:17:35 > 0:17:37What's on it? Victorian. 60 quid.
0:17:37 > 0:17:40They like the sampler,
0:17:40 > 0:17:42and have also asked one of the unit owners, Fiona,
0:17:42 > 0:17:45for a closer look at the microscope.
0:17:46 > 0:17:49Oh, you've brought it to us. I'm good like that.
0:17:49 > 0:17:51Thanks, Fiona.
0:17:52 > 0:17:54Little vintage...
0:17:54 > 0:17:56Looks all there. Quite tidy.
0:17:56 > 0:17:58I quite like that.
0:17:58 > 0:17:59I quite like it.
0:18:01 > 0:18:22I'd have thought, at that sort of money, there's potential in that.
0:18:22 > 0:18:25But we're really hoping, praying, really,
0:18:25 > 0:18:27that we could get this for about 40.
0:18:27 > 0:18:29The dealer wants 50.
0:18:29 > 0:18:31Could we stretch it to 48?
0:18:31 > 0:18:33He's very good at this.
0:18:33 > 0:18:36Your husband's saying it has to be 48?
0:18:36 > 0:18:40OK, we'll shake your hand and send you a big kiss for that.
0:18:40 > 0:18:42Thank you very much. 48.
0:18:42 > 0:18:44That's lovely. Thank you very much indeed.
0:18:44 > 0:18:47Thank you. Thank you, Sheila!
0:18:47 > 0:18:49That's lovely. Thank you.
0:18:49 > 0:18:52I think you dealt with that very well.
0:18:52 > 0:18:55I think you did well there, because, like I've said to you,
0:18:55 > 0:18:58what we don't want to do is just come in and say...
0:18:58 > 0:19:03She gets no profit at all. She said to me, "I'll have made ?1.30 on that".
0:19:03 > 0:19:06It might be more than we're going to make on it.
0:19:07 > 0:19:10Come on, man, have some confidence!
0:19:10 > 0:19:12So have we bought that? We've bought that.
0:19:12 > 0:19:31Time now to tackle the owner of the microscope.
0:19:31 > 0:19:34It sounds like you're just name-dropping in every shop you go into!
0:19:34 > 0:19:38"Don't you know that I'M Peter Purves?!"
0:19:38 > 0:19:41You've got to explain he's filming the Antiques Road Trip!
0:19:41 > 0:19:44He hasn't just wandered in off the street and said, "I'm Peter Purves!"
0:19:44 > 0:19:47That's good. Cheers. Bye-bye. Did he say yes? He said yes.
0:19:47 > 0:19:49Thank you! Thank you, Mark!
0:19:49 > 0:19:52I love that - "You'll never guess who walked into the shop!"
0:19:52 > 0:19:54Peter Purves, throwing his name about!
0:19:54 > 0:19:57Well, that's two items bought.
0:19:57 > 0:19:59Good work, Peter.
0:19:59 > 0:20:00Everybody seems happy.
0:20:00 > 0:20:04?68 seems a reasonable price for the two pieces.
0:20:04 > 0:20:07Their shopping for the day is now over.
0:20:07 > 0:20:10Well, that's job done again!
0:20:10 > 0:20:12I can't believe it. We're on a roll.
0:20:14 > 0:20:16Colin and James, however, have barely started.
0:20:16 > 0:20:18They're enjoying themselves, though.
0:20:18 > 0:20:21What a lovely morning! What a lovely day!
0:20:21 > 0:20:42That's been the perfect morning. It has.
0:20:42 > 0:20:44to visit what is, in many ways,
0:20:44 > 0:20:46Colin's own personal museum.
0:20:46 > 0:20:48# Dr Who Hey!
0:20:48 > 0:20:50# The TARDIS
0:20:50 > 0:20:52# Dr Who Hey!
0:20:52 > 0:20:53# Dr Who... #
0:20:53 > 0:20:55Shall we go and visit the Time Machine?
0:20:55 > 0:20:58The Time Machine museum houses one of the biggest collections
0:20:58 > 0:21:01of screen-used Dr Who props in the galaxy.
0:21:01 > 0:21:03Is it going to be bigger on the inside?
0:21:03 > 0:21:05No, it's smaller.
0:21:05 > 0:21:07Former policeman Andy Glazzard
0:21:07 > 0:21:09has been collecting for 30 years.
0:21:09 > 0:21:12Prior to opening the museum in 1997,
0:21:12 > 0:21:15he kept the whole collection round at his mum's place.
0:21:15 > 0:21:17I'm the owner of this exhibition,
0:21:17 > 0:21:20which is approximately 80%
0:21:20 > 0:21:23Dr Who actual props and costume from the show.
0:21:23 > 0:21:24How fantastic!
0:21:24 > 0:21:28And the rest is made up from Star Wars, Star Trek...
0:21:28 > 0:21:30Sorry, Star Wars?!
0:21:30 > 0:21:54Right, time to boldly explore some of these exhibits.
0:21:54 > 0:21:57and she saw her daddy, who wasn't there with her,
0:21:57 > 0:22:01being dragged by this thing, on this box in the corner.
0:22:01 > 0:22:04She couldn't grasp it, and had nightmares for weeks.
0:22:04 > 0:22:07It must have cost the BBC a fortune.
0:22:07 > 0:22:08More than they were paying me!
0:22:08 > 0:22:10We're talking ?25,000, ?35,000. Yes.
0:22:10 > 0:22:15Cor! You got a lot of intergalactic megalomaniac to the pound in those days.
0:22:15 > 0:22:17This is the well-known TARDIS, isn't it?
0:22:17 > 0:22:19That's a very big one.
0:22:19 > 0:22:20I never had one as big as that.
0:22:20 > 0:22:25No. Yours wasn't as tall, but it might have been a little bit wider.
0:22:25 > 0:22:26What are you suggesting?
0:22:26 > 0:22:29That was Jon Pertwee. Oh, trust him to have one bigger than mine!
0:22:29 > 0:22:31Lead on, Andy.
0:22:31 > 0:22:33Will I ever return?
0:22:34 > 0:22:36The museum is an old bakery.
0:22:36 > 0:22:38Plenty of the fourth dimension,
0:22:38 > 0:22:40but not much of the first three.
0:23:02 > 0:23:04Could I have it back, please? It's mine.
0:23:04 > 0:23:07I did pay an awful lot of money for it. No, it was stolen from me.
0:23:07 > 0:23:10I can attest that it's genuine, so you should have paid more for it.
0:23:10 > 0:23:14The trip back in time to the days he travelled through time
0:23:14 > 0:23:17has put Colin in a nostalgic mood.
0:23:17 > 0:23:20Late one night, after filming a Dalek story,
0:23:20 > 0:23:22I'd been in the bar and had a couple of drinks
0:23:22 > 0:23:26and I was walking back and took a short cut through the studio to my dressing room.
0:23:26 > 0:23:30They'd stripped all the sets out, but there was one Dalek
0:23:30 > 0:23:32left in the middle of the studio floor.
0:23:32 > 0:23:34And it was dimly lit with emergency lighting.
0:23:34 > 0:23:37And as I walked past, the eye stalk
0:23:37 > 0:23:39followed me round.
0:23:39 > 0:23:43And it turned out that the operator was worried, because all day it had been squeaking.
0:23:43 > 0:23:46And he was inside, oiling it.
0:23:46 > 0:23:48But I didn't know that!
0:23:48 > 0:23:50And for me, alone in a vast empty space,
0:23:50 > 0:23:52with a Dalek, for a moment,
0:23:52 > 0:24:10just one moment,
0:24:10 > 0:24:13Do you never learn?
0:24:13 > 0:24:17This is the one opportunity to finally kill the Doctor.
0:24:17 > 0:24:19EXTERMINATE!
0:24:19 > 0:24:23They don't learn. How many times have I defeated them?
0:24:23 > 0:24:26And they still come back for more. And they still come back for more.
0:24:26 > 0:24:29He's still got what it takes. Once a Doctor, always a Doctor.
0:24:31 > 0:24:33So, with that time-travelling interlude,
0:24:33 > 0:24:36day one of the road trip is done. Night-night.
0:24:36 > 0:24:39I hope the Silurian bedbugs don't bite.
0:24:44 > 0:24:47# Good morning, world It's a brand-new day... #
0:24:47 > 0:24:50It's a new day on Celebrity Antiques Road Trip
0:24:50 > 0:24:53and our two time-travelling celebrities
0:24:53 > 0:24:56of yesteryear are catching up on yesterday.
0:24:56 > 0:25:00We had a really good day. We bought five lots. What did you buy?
0:25:00 > 0:25:02I'm not telling you. Go on! No.
0:25:02 > 0:25:22Animal, vegetable or mineral?
0:25:23 > 0:25:28And over in the MG, our antiques experts swap notes on their two new pals.
0:25:28 > 0:25:31Peter does like to shop. Does he? Yeah.
0:25:31 > 0:25:35He's a natural. He needs a bit of guiding.
0:25:35 > 0:25:37He seems to like, um...
0:25:37 > 0:25:39unsalable porcelain tea sets.
0:25:39 > 0:25:41Excellent!
0:25:41 > 0:25:43Both of them seem very happy.
0:25:43 > 0:25:45Colin's a very nice fellow.
0:25:45 > 0:25:47They're both, aren't they? Yeah.
0:25:47 > 0:25:51They've seen it, they've done it. You can't teach them anything, can we?
0:25:54 > 0:25:56Look at this! How kind of you to join us(!)
0:25:56 > 0:25:58WILL: Well, do you know what?
0:25:58 > 0:26:00We can't work it out. We can't work it out.
0:26:00 > 0:26:02We don't know how you do it.
0:26:02 > 0:26:04You always get everywhere we're going before us.
0:26:04 > 0:26:09The secret's in the title - Time Lord!
0:26:09 > 0:26:10Ah!
0:26:10 > 0:26:32We have the mastery of time.
0:26:32 > 0:26:35That's job done again!
0:26:35 > 0:26:37James and Colin hardly shopped at all,
0:26:37 > 0:26:40buying just the candle holder for ?20,
0:26:40 > 0:26:45and have got a pocket-busting ?380 in their crisply ironed chinos.
0:26:45 > 0:26:48Looks even better in the daylight.
0:26:52 > 0:26:57Teamed up again, Peter and Will use the drive through the famous spa town of Malvern
0:26:57 > 0:27:00to consider their rivals' progress.
0:27:00 > 0:27:04I think Colin actually is sharper on the antiques than we think.
0:27:04 > 0:27:05He's a good actor.
0:27:05 > 0:27:07He is that. He is that.
0:27:09 > 0:27:13I shouldn't say anything nice about him - he won't be saying anything nice about me.
0:27:13 > 0:27:16And let battle recommence!
0:27:16 > 0:27:19Oh, and a space - look at that!
0:27:19 > 0:27:21Yes, and you can probably walk to the kerb from where you are.
0:27:21 > 0:27:41I bet that's a rarity in Malvern. I bet it is.
0:27:41 > 0:27:43It's the hardest bit, this bit. The browsing.
0:27:43 > 0:27:45The looking.
0:27:45 > 0:27:46Well, no-one said it would be easy.
0:27:46 > 0:27:48Backgammon set.
0:27:48 > 0:27:51Probably North African or something like that, do you think?
0:27:51 > 0:27:53A little souvenir piece.
0:27:53 > 0:27:57Satsuma ware, is it? Yes, I think it probably is, yeah.
0:27:57 > 0:28:00Will is still struggling to point Peter away from the porcelain.
0:28:00 > 0:28:02Walk on, Peter. Walk on. Walk on.
0:28:02 > 0:28:04Yes, sorry.
0:28:04 > 0:28:06Stopping at things we are not going to buy.
0:28:11 > 0:28:14Hello, what are they? This could be trouble.
0:28:15 > 0:28:17Ooh, look.
0:28:18 > 0:28:20Jelly mould. Your Shelley jelly mould.
0:28:20 > 0:28:21Yeah.
0:28:23 > 0:28:25How much have they got on that? Can't see it.
0:28:25 > 0:28:2768.
0:28:27 > 0:28:30Really? That's an interesting one, with the...
0:28:30 > 0:28:48And you've got some more down that end.
0:28:48 > 0:28:50I don't think he is.
0:28:50 > 0:28:54Shelley's Potteries, once known as Foley, were based in Staffordshire.
0:28:54 > 0:28:56They were known for their fine porcelain,
0:28:56 > 0:28:58with production peaking during the Art Deco period.
0:28:58 > 0:29:01But not for moulds.
0:29:01 > 0:29:03Go on, Peter, dive in.
0:29:04 > 0:29:06There you are. Thank you very much.
0:29:07 > 0:29:10It looks in very good condition. It does.
0:29:10 > 0:29:12What's the total?
0:29:12 > 0:29:1368. It's a lot of money, that.
0:29:13 > 0:29:15What's your budget?
0:29:15 > 0:29:17There's 116 here,
0:29:17 > 0:29:19170, 180...
0:29:19 > 0:29:214.
0:29:21 > 0:29:23184?! For the three.
0:29:23 > 0:29:26Remember those moulds they saw yesterday?
0:29:26 > 0:29:28They were ?20 a pop.
0:29:28 > 0:29:31I suppose there is a market - kitchenalia, that sort of thing.
0:29:31 > 0:29:33Yes, people will buy them.
0:29:33 > 0:29:36Is Will warming to the moulds?
0:29:36 > 0:29:40I'm not hugely aware of what the market is like for jelly moulds,
0:29:40 > 0:30:00but of their type, they are nice ones. Yes.
0:30:00 > 0:30:02How did you buy them? Where did you get them?
0:30:02 > 0:30:06They came from a local house clearance. Did they?
0:30:06 > 0:30:10We've got to try and turn a profit on these at auction.
0:30:10 > 0:30:13Obviously, we don't want you to make a loss on them, but...
0:30:13 > 0:30:15She's bought them well, Peter.
0:30:15 > 0:30:18They've come out of a clearance.
0:30:18 > 0:30:21You're probably already in profit for the whole clearance. Not really.
0:30:21 > 0:30:23Um...
0:30:23 > 0:30:26Shall we give you a figure that we were thinking of? Go on, then.
0:30:27 > 0:30:29We were thinking of, maybe, for the three...
0:30:29 > 0:30:3180 quid.
0:30:31 > 0:30:34That's a trifling ?100 off the jelly moulds.
0:30:36 > 0:30:38I was thinking more of ?100, really.
0:30:38 > 0:30:42Hmm.
0:30:42 > 0:30:44Hmm. Meet you halfway on that - 90?
0:30:46 > 0:30:47Go on, then. Yeah.
0:30:47 > 0:30:49Peter, you've done the deal, mate!
0:30:49 > 0:30:50Peter's done the deal.
0:30:50 > 0:31:10That's very nice from my point of view. That's lovely.
0:31:10 > 0:31:12Definitely. Without a question.
0:31:12 > 0:31:16And how does Will feel about his partner's work?
0:31:16 > 0:31:18Well, Peter finally got his jelly moulds.
0:31:18 > 0:31:23You know, he does seem to like his little sort of ceramic-y knick-knacks and so on,
0:31:23 > 0:31:26and, well, the proof will be in the selling, won't it?
0:31:26 > 0:31:29Hmm. Still, you're both in it together, aren't you?
0:31:29 > 0:31:32Nothing to do with me, guv. It's all Peter.
0:31:32 > 0:31:34Well, maybe not.
0:31:34 > 0:31:3560, 80, 100.
0:31:35 > 0:31:38That's a very nice deal.
0:31:38 > 0:31:41Thank you very much. Not at all. Thank you, Bridget.
0:31:45 > 0:31:48Over in the MG, also in Malvern,
0:31:48 > 0:31:51James Braxton gives Colin a few insider tips.
0:31:51 > 0:31:53The person whose shop it is
0:31:53 > 0:31:55knows his stock a lot better than we do.
0:31:55 > 0:31:58We want to buy something that's come from a house clearance.
0:31:58 > 0:32:19It's been in a house for the last 30 or 40 years... Lovely.
0:32:23 > 0:32:26You know your stock a lot better than we do.
0:32:26 > 0:32:28Have you done any clearances recently?
0:32:28 > 0:32:29Fresh goods, we're after.
0:32:29 > 0:32:33We don't want to buy something everybody's seen.
0:32:35 > 0:32:38You've got to put the work in.
0:32:38 > 0:32:40You've got to walk around a couple of times.
0:32:40 > 0:32:43Lovely item, that. 35 quid.
0:32:43 > 0:32:45What? A chair.
0:32:45 > 0:32:47That is an interesting item.
0:32:47 > 0:32:49What on earth is this...
0:32:49 > 0:32:51stoneware item here?
0:32:51 > 0:32:53A chicken feeder. Put it out in the fields.
0:32:53 > 0:32:55Chicken feed.
0:32:55 > 0:32:58Made of? Stoneware.
0:32:58 > 0:33:00It's salt-glazed.
0:33:00 > 0:33:02Salt-glazed stonewares -
0:33:02 > 0:33:06they're very often referred to as an orange-peel glaze.
0:33:06 > 0:33:07Oh!
0:33:07 > 0:33:28Chimney pots and things like that.
0:33:28 > 0:33:29A particular variety or not? No.
0:33:29 > 0:33:32Egg-laying ones. Egg-laying ones.
0:33:32 > 0:33:34That certainly is an unusual item, isn't it?
0:33:34 > 0:33:36It is funny.
0:33:36 > 0:33:40He's trying to look casual, but I think James has taken a fancy to the chicken feeder.
0:33:41 > 0:33:44Mark, what price would you put on this?
0:33:44 > 0:33:46Think cheap, Mark.
0:33:46 > 0:33:49Colin is the meanest man I think I have ever come across.
0:33:49 > 0:33:53Colin, how would you price something like that? 20.
0:33:53 > 0:33:56Ouch! It was priced at 75.
0:33:56 > 0:33:59You can't have it for 20, I'm afraid.
0:33:59 > 0:34:02Can't have it for 20? I'll do 22 and there we're...
0:34:02 > 0:34:06The best I can do is ?40 on that, I'm afraid.
0:34:06 > 0:34:08Back in your court, then, Colin.
0:34:08 > 0:34:11I promised myself I wouldn't go above 25, but I'll do 30.
0:34:11 > 0:34:14Really? That much?
0:34:14 > 0:34:16I still won't bite, I'm afraid.
0:34:16 > 0:34:18OK. Fair enough.
0:34:18 > 0:34:21We'll pass on that, then.
0:34:21 > 0:34:39I can see it now. Yes.
0:34:39 > 0:34:41Very stylised.
0:34:41 > 0:34:44It's quite nice. It gives a three-dimensional feel to it.
0:34:44 > 0:34:46And this sort of opalescence. Yes.
0:34:46 > 0:34:50Typical French. Typical French, isn't it?
0:34:50 > 0:34:52The chap who sort of...
0:34:52 > 0:34:56forefronted this was Lalique.
0:34:56 > 0:34:59Good design, get somebody else to manufacture it
0:34:59 > 0:35:00and then retail it.
0:35:00 > 0:35:02Lalique bowls are very collectable.
0:35:02 > 0:35:05This, however, is by Andre Hunebelle,
0:35:05 > 0:35:09a less well-known glassmaker who became a film director.
0:35:09 > 0:35:11How much have you got on that? 45.
0:35:13 > 0:35:16You can have it for your 25 or your 20.
0:35:16 > 0:35:18Ah! Ah!
0:35:18 > 0:35:22I can feel him softening up a bit.
0:35:22 > 0:35:25And Colin decides to pounce.
0:35:25 > 0:35:28You wanted 35, you said, for that.
0:35:28 > 0:35:30Wasn't it 35 you said?
0:35:30 > 0:35:49I think I said 40, but...I will...
0:35:49 > 0:35:51I thought you were in haggling mode!
0:35:51 > 0:35:53No, no, we've already beaten him down.
0:35:53 > 0:35:56That's very good.
0:35:56 > 0:35:58That's the chicken feeder. Thank you. Done.
0:35:58 > 0:36:00Thank you. Well done, Colin.
0:36:00 > 0:36:03I think we've bought two very different objects. Yes.
0:36:03 > 0:36:05For different people.
0:36:05 > 0:36:07They won't be paying chicken feed for it either.
0:36:07 > 0:36:10Well, if a joke works once...
0:36:10 > 0:36:12Thank you very much.
0:36:12 > 0:36:13Thanks a lot. Thank you very much.
0:36:13 > 0:36:16Really kind. You've looked after us very well. Thank you.
0:36:19 > 0:36:23With their shopping completed, Peter and Will are heading to Worcester.
0:36:23 > 0:36:26And whereas Colin explored the world of science fiction,
0:36:26 > 0:36:30Peter is looking into the history of science fact.
0:36:32 > 0:36:34What about this, eh? Lovely.
0:36:34 > 0:36:36Worcester has a rich medical history,
0:36:36 > 0:36:39and has two museums of medicine.
0:36:39 > 0:36:59One of them is housed in an old infirmary,
0:36:59 > 0:37:02It was at a time when they were doing model hospitals.
0:37:02 > 0:37:04So, as you can see from the design of it,
0:37:04 > 0:37:06it had very large windows.
0:37:06 > 0:37:10The beds were laid out in the form of Florence Nightingale's style.
0:37:10 > 0:37:13The nurses could get up and down the...
0:37:13 > 0:37:17The windows haven't changed, have they? The windows haven't changed.
0:37:17 > 0:37:19So this is the actual room we're in? It is.
0:37:19 > 0:37:21In fact, there you are!
0:37:21 > 0:37:23I've slightly changed!
0:37:23 > 0:37:25Aged well.
0:37:25 > 0:37:29This really tells you about when medicine was starting up,
0:37:29 > 0:37:32prior to...well, really in the 1700s.
0:37:32 > 0:37:36So, before the 1800s, it was based on the four humours theory,
0:37:36 > 0:37:39which were blood, bile - yellow bile, black bile -
0:37:39 > 0:37:41and phlegm.
0:37:41 > 0:37:46So that, if they thought you were perhaps a bit too red or had a fever,
0:37:46 > 0:37:49they'd actually let your blood into the bowl here.
0:37:49 > 0:37:50Cut you and let your blood.
0:37:50 > 0:38:08I really hope you're not eating your tea at home.
0:38:08 > 0:38:10Well, I suppose it probably is.
0:38:10 > 0:38:13It's not quite gory enough, because funnily enough,
0:38:13 > 0:38:16people that collect this sort of medical memorabilia
0:38:16 > 0:38:18and so on, surgical equipment,
0:38:18 > 0:38:21the sort of gorier the better, really.
0:38:21 > 0:38:24Because the scarifiers and similar
0:38:24 > 0:38:27that you actually use to cut the skin, there's a market for those.
0:38:27 > 0:38:28Have you got any about here?
0:38:28 > 0:38:30Not in this, no.
0:38:30 > 0:38:35They do have some fairly gruesome exhibits, however.
0:38:35 > 0:38:38So obviously, we've got a bone saw here.
0:38:38 > 0:38:40Scalpel. Scalpel.
0:38:40 > 0:38:44We've got a trephine, used for boring into the head
0:38:44 > 0:38:46to relieve pressure on the brain.
0:38:46 > 0:38:48A cauterising iron.
0:38:48 > 0:38:52And the horsehair, used for stitching people up.
0:38:52 > 0:38:55I didn't know they used horsehair for the stitching.
0:38:55 > 0:38:57And the bones are examples of...?
0:38:57 > 0:38:59Bones that were cut at that time?
0:38:59 > 0:39:20Yes, it's a really interesting story behind these bones.
0:39:20 > 0:39:24from the jail opposite and bring them in a tunnel
0:39:24 > 0:39:25through to the infirmary,
0:39:25 > 0:39:29so a very macabre story of carrying bodies underneath...
0:39:29 > 0:39:32Research bodies for... Developing techniques. Yes.
0:39:32 > 0:39:34An endless supply of...
0:39:34 > 0:39:37Criminals. Oh, dear!
0:39:37 > 0:39:40Well, they didn't really have enough bodies,
0:39:40 > 0:39:42so that's where you get the Burke and Hare
0:39:42 > 0:39:47and all that body-snatching, because they just didn't have enough bodies.
0:39:47 > 0:39:50With its interactive keyhole surgery display,
0:39:50 > 0:39:54the museum also marks some of the more recent developments
0:39:54 > 0:39:56in medical technology,
0:39:56 > 0:39:58so Peter finally gets to play the doctor.
0:39:58 > 0:39:59Oh, crikey!
0:39:59 > 0:40:02It's a lot more sensitive than you'd think.
0:40:02 > 0:40:04I think you just severed an artery.
0:40:04 > 0:40:07Now, you see, I nearly got that little bit.
0:40:07 > 0:40:10Yes, you are doing very well, in fact, Peter.
0:40:10 > 0:40:29Left a bit...
0:40:29 > 0:40:32So how's the real Doctor getting on?
0:40:33 > 0:40:37James and Colin are also on their way from Malvern to Worcester
0:40:37 > 0:40:38and their final shop of the trip.
0:40:38 > 0:40:41We now have three items.
0:40:41 > 0:40:44Three items I would be happy to put my name to.
0:40:44 > 0:40:46Yes, absolutely.
0:40:46 > 0:40:49And we've got one more shop to go to.
0:40:49 > 0:40:51So are we downhearted, James?
0:40:51 > 0:40:53No, we're chipper!
0:40:53 > 0:40:55We're chipper. We know we're going to find something.
0:40:55 > 0:40:57That's the spirit!
0:40:59 > 0:41:02We need a win. It's good for the soul. We do.
0:41:05 > 0:41:10James and Colin's final shop is another place just packed full of desirable items.
0:41:10 > 0:41:12It's like Aladdin's cave in here!
0:41:12 > 0:41:17Unfortunately, not much of this is at a price the lads can afford.
0:41:18 > 0:41:20?3,500.
0:41:20 > 0:41:38Maybe not.
0:41:38 > 0:41:41I'm slightly regretting passing that chair now, Colin.
0:41:43 > 0:41:45Oh, dear!
0:41:45 > 0:41:47Woe!
0:41:47 > 0:41:51James decides that they might have better luck outside in the gardening section.
0:41:53 > 0:41:55This is better out here, isn't it?
0:41:55 > 0:41:58Bonaparte has a naive charm, doesn't he?
0:41:58 > 0:42:01Naive? Definitely.
0:42:01 > 0:42:03Charm?
0:42:03 > 0:42:04Not so much.
0:42:04 > 0:42:06Is Boney cheap?
0:42:06 > 0:42:08Is he nice or is he hideous?
0:42:08 > 0:42:10Would you like my opinion?
0:42:10 > 0:42:12Is that the companion figure? Yes.
0:42:12 > 0:42:14Let's have a look at her.
0:42:15 > 0:42:17I quite like the pair.
0:42:18 > 0:42:20Well, I never!
0:42:20 > 0:42:21He's thinking of buying TWO of them!
0:42:21 > 0:42:23Where do these come from, then?
0:42:23 > 0:42:26We just bought from a house.
0:42:26 > 0:42:29They were in the grounds of an old property. They're not old.
0:42:49 > 0:42:51I'm going to bring the lady up to him.
0:42:51 > 0:42:54And then we can view them at a proper height.
0:42:54 > 0:42:56They are different. They're going to divide people.
0:42:56 > 0:42:58You'll either love them or loathe them.
0:42:58 > 0:43:02It's a "Not tonight, Josephine" from me.
0:43:02 > 0:43:04Look at her face!
0:43:04 > 0:43:05They're 150 the pair.
0:43:05 > 0:43:07150? Yes.
0:43:07 > 0:43:09It's a price thing, you see.
0:43:09 > 0:43:11I don't think you'll get ?100 for them at auction.
0:43:11 > 0:43:1375. That's cheap.
0:43:13 > 0:43:14That's cheap for those. The pair?
0:43:14 > 0:43:16The pair.
0:43:16 > 0:43:1855 would be more my...
0:43:18 > 0:43:19The measure of it.
0:43:19 > 0:43:22It's giving me chest pains.
0:43:22 > 0:43:2565, and I'm losing on those.
0:43:25 > 0:43:26Actually losing money.
0:43:26 > 0:43:29Now we've established you're prepared to lose money...
0:43:29 > 0:43:31will you lose a little more?
0:43:31 > 0:43:32LAUGHTER
0:43:32 > 0:43:35Let's have some fun and have them at 60.
0:43:35 > 0:43:3660, sir. 65.
0:43:36 > 0:43:3965? Do you want to do it? Go on.
0:43:39 > 0:44:0065. Well done.
0:44:01 > 0:44:03Have you recovered from our visit?
0:44:03 > 0:44:05That chair - is it still there?
0:44:05 > 0:44:06Little nursing chair.
0:44:06 > 0:44:08Walnut one, wasn't it? Yes.
0:44:08 > 0:44:10With the nice feet.
0:44:10 > 0:44:11Would you take 30 on it?
0:44:13 > 0:44:14Really got to be 35, has it?
0:44:16 > 0:44:19Mark, let me save you the grief - we would love it at 35.
0:44:19 > 0:44:21Thank you very much indeed, Mark.
0:44:21 > 0:44:23Cor! They made hard work of it,
0:44:23 > 0:44:25but James and Colin's shopping is now done.
0:44:25 > 0:44:28They join Peter and Will at the infirmary
0:44:28 > 0:44:29to compare their wares.
0:44:31 > 0:44:32Ooooh!
0:44:32 > 0:44:35Oh, my goodness!
0:44:35 > 0:44:36Goodness me!
0:44:36 > 0:44:38Heavens to Betsy!
0:44:38 > 0:44:40A lot of wood involved. There is.
0:44:40 > 0:44:42I'll let Peter talk you through it.
0:44:42 > 0:44:43What's that?
0:44:43 > 0:44:44That's a candle box.
0:44:44 > 0:44:47A candle box! What a novel idea(!)
0:44:47 > 0:45:07And it's got the original staple hinges.
0:45:07 > 0:45:08And they were actually priced quite high.
0:45:08 > 0:45:12We managed to get those down to rather a nice price.
0:45:12 > 0:45:14Shelley jelly moulds. Shelley jelly moulds.
0:45:14 > 0:45:18That one's perfect. That one's perfect.
0:45:18 > 0:45:21That's got the tiniest bit of damage on the side.
0:45:21 > 0:45:22That was Peter's doing!
0:45:22 > 0:45:25The lot there was...
0:45:25 > 0:45:28?180? We didn't pay that, did we? No, we didn't.
0:45:28 > 0:45:30We got them for 90.
0:45:30 > 0:45:32Those three moulds? Those three.
0:45:32 > 0:45:35Come on, then! I think...very good.
0:45:35 > 0:45:37Well, it's a nice little mix, isn't it?
0:45:37 > 0:45:39Nice variation.
0:45:39 > 0:45:40Which one first?
0:45:40 > 0:45:42Oh, I say!
0:45:42 > 0:45:43Go, go, go!
0:45:43 > 0:45:46Look what I've spotted at the front there!
0:45:46 > 0:45:48Oh, yes!
0:45:48 > 0:45:49Nice candle box again.
0:45:49 > 0:45:51Is it a candle box? Yes.
0:45:51 > 0:45:53Different one, with a sliding top.
0:45:53 > 0:45:55Nice that they're different models.
0:45:55 > 0:45:57That's a more...
0:45:57 > 0:46:17Less rustic than ours.
0:46:17 > 0:46:19Good work! You did well with that.
0:46:19 > 0:46:22And WHAT are these horrors?!
0:46:22 > 0:46:23I don't like those.
0:46:23 > 0:46:26You either love them or hate them, don't you?
0:46:26 > 0:46:28They are very mysterious.
0:46:28 > 0:46:31Napoleon looks like... Oh, my days, look at her!
0:46:31 > 0:46:32He looks like Spike Milligan.
0:46:32 > 0:46:35SHE looks like Spike Milligan!
0:46:35 > 0:46:37They may fall on deaf ears, those.
0:46:37 > 0:46:39And the chair at the end.
0:46:39 > 0:46:41Oh, yes, the last-minute chair.
0:46:41 > 0:46:43Well, it's rather elegant.
0:46:43 > 0:46:45WILL: You've gone for a piece of furniture.
0:46:45 > 0:46:47We've gone for a piece of furniture - I don't know why.
0:46:47 > 0:46:51It's lovely quality. It's walnut. Carved walnut. It's a nursing chair.
0:46:51 > 0:46:53Did you do that stain? No, I left that to others.
0:46:53 > 0:46:57But we bought it on price.
0:46:57 > 0:46:5925 quid? Almost.
0:46:59 > 0:47:0035.
0:47:00 > 0:47:02I mean...
0:47:02 > 0:47:05We say it all the time - how cheap is that?
0:47:05 > 0:47:27Yes. For a piece of Victorian furniture. Look at those legs
0:47:27 > 0:47:29What do they really think?
0:47:29 > 0:47:32It'll be interesting, those jelly moulds. That's quite a price, ?90.
0:47:32 > 0:47:34I was staggered when I heard that.
0:47:34 > 0:47:38I mean, I clearly don't know the value of jelly moulds!
0:47:38 > 0:47:40Even Shelley jelly moulds.
0:47:40 > 0:47:43But I can't see them making money on those at auction.
0:47:43 > 0:47:46Seeing those two gargoyles on the end, I think they're horrendous.
0:47:46 > 0:47:50They're awful, aren't they? Absolutely horrendous. I wouldn't give those house room.
0:47:50 > 0:47:52They could make...20 quid. If they're lucky.
0:47:52 > 0:47:55All together, I wouldn't swap.
0:47:55 > 0:47:57No. Nor would I.
0:47:59 > 0:48:02So both teams approach the auction confident of victory.
0:48:02 > 0:48:05For the sale, our celebrities and experts are travelling the 25 miles
0:48:05 > 0:48:09from Worcester to Winchcombe.
0:48:09 > 0:48:12What out of your lots do you think might struggle today?
0:48:12 > 0:48:14Are you worried about any of them? Struggle?!
0:48:14 > 0:48:16How DARE you!
0:48:16 > 0:48:36My lots don't struggle! They don't walk, they don't run, they fly!
0:48:36 > 0:48:39I'm going to smile very sweetly at everybody
0:48:39 > 0:48:44and hope that I'm more appealing to them than you smiling very sweetly at them.
0:48:52 > 0:48:56The auction house is British Bespoke Auctions in Winchcombe.
0:48:56 > 0:48:59Before we get underway, auctioneer Nicholas Granger
0:48:59 > 0:49:02casts his eye over the team's lots.
0:49:02 > 0:49:04I quite like the terracotta heads of Napoleon.
0:49:04 > 0:49:06They're quite stylised, a bit quirky,
0:49:06 > 0:49:07They're quite stylised, a bit quirky,
0:49:07 > 0:49:09and people like quirky things. Quirky things sell.
0:49:09 > 0:49:12I like the Art Deco bowl. That's one of my favourite pieces.
0:49:12 > 0:49:16I'm a great lover of Lalique, because Lalique's best bit has budgerigars on it.
0:49:16 > 0:49:18As you can see, I quite like parrots.
0:49:18 > 0:49:20So, Lalique-style, it's got a good chance.
0:49:22 > 0:49:25Sadly, the expert opinion of the parrot was not recorded,
0:49:25 > 0:49:28although he did think that Napoleon looked like a pretty boy.
0:49:48 > 0:49:51spending ?175 on their five lots.
0:49:51 > 0:49:54Now we've established you're prepared to lose money...
0:49:54 > 0:49:56will you lose a little more?
0:49:56 > 0:49:58Locals and internet bidders are ready
0:49:58 > 0:50:02and profits made by our teams go to Children In Need,
0:50:02 > 0:50:04so let's get on with it, shall we?
0:50:04 > 0:50:06Good luck. Good luck.
0:50:06 > 0:50:08First in the pecking order
0:50:08 > 0:50:11is James and Colin's salt-glazed chicken feeder.
0:50:11 > 0:50:13It's lovely, isn't it?
0:50:13 > 0:50:1620 on the net we have straight away.
0:50:16 > 0:50:18I'm looking for ?30. 32. Now looking for 35.
0:50:18 > 0:50:20We're looking for ?35 on the internet.
0:50:20 > 0:50:2335 we've got. And 8. I'm looking for 40.
0:50:23 > 0:50:24?40 on the internet.
0:50:24 > 0:50:26Come on!
0:50:26 > 0:50:28We're looking for 42. I've got 40 on this.
0:50:28 > 0:50:30Fair warning.
0:50:30 > 0:50:31Are there no chickens here?
0:50:31 > 0:50:34At ?40. Going once, twice... Sold.
0:50:34 > 0:50:37That's ?5 more than they paid.
0:50:37 > 0:50:39Not a bad start.
0:50:39 > 0:50:58I can't believe it went for as little as that.
0:50:58 > 0:50:59At 30 there, sir. At 30, with you.
0:50:59 > 0:51:02?30 I've got. Looking for 32.
0:51:02 > 0:51:06Do you have relatives here? No! If only!
0:51:07 > 0:51:09At ?30. Fair warning at ?30.
0:51:09 > 0:51:12Going once, twice, at ?30, to the room.
0:51:12 > 0:51:15Peter and Will paid twice that.
0:51:18 > 0:51:21The French apres Lalique bowl is next.
0:51:21 > 0:51:24I wish I was allowed to bid.
0:51:24 > 0:51:27Straight away, I'm looking for ?22 on that. 22 I've got. And 5.
0:51:27 > 0:51:28Looking for 28.
0:51:28 > 0:51:3128. Now I'm looking for 30. 30 I've got.
0:51:31 > 0:51:32Looking for ?32 on this.
0:51:32 > 0:51:34For ?32... I've got 30 on this.
0:51:34 > 0:51:35Looking for ?32 in the room or at home.
0:51:35 > 0:51:37It's worth hundreds!
0:51:37 > 0:51:40It's worth hundreds, he says. We'll take his word for it,
0:51:40 > 0:51:42but we've only got 30
0:51:42 > 0:51:43and we're looking for 32 now.
0:51:43 > 0:51:45Great taste.
0:51:45 > 0:51:47I'm looking for 35 now.
0:51:47 > 0:51:49At ?32 with you, madam.
0:51:49 > 0:52:08Oh, surely more than that!
0:52:08 > 0:52:09Well done.
0:52:09 > 0:52:12A profit's a profit.
0:52:12 > 0:52:15Now, Peter and Will need to get going.
0:52:15 > 0:52:19Will the joint grain scoop and candle box do it for them?
0:52:19 > 0:52:22We travel back in time, ladies and gentlemen, with this one.
0:52:22 > 0:52:26This is a 19th century candle box.
0:52:26 > 0:52:28At ?45 we've got.
0:52:28 > 0:52:30I'm looking for 48 on these two.
0:52:30 > 0:52:3250 now.
0:52:32 > 0:52:33I've got ?50 on these.
0:52:33 > 0:52:36Looking for 52. And 5 we've got now, commission.
0:52:36 > 0:52:38We need 60.
0:52:38 > 0:52:40They know there's a better candle box coming later!
0:52:40 > 0:52:43?55, going once, twice...
0:52:43 > 0:52:45At ?55.
0:52:45 > 0:52:49Sold for ?55, and bought for ?63.
0:52:49 > 0:52:52The joint lot policy just doesn't pay off.
0:52:52 > 0:52:54It's a shame.
0:52:55 > 0:52:59Will James and Colin's candle box fare any better?
0:52:59 > 0:53:00Commission bid on this. I'm looking for ?42.
0:53:00 > 0:53:18Sold.
0:53:18 > 0:53:20They've doubled their money there.
0:53:20 > 0:53:22James and Colin are doing OK.
0:53:22 > 0:53:24Well done, gentlemen. Well done.
0:53:24 > 0:53:26The candle war is yours.
0:53:28 > 0:53:31Peter and Will will need something to turn a profit.
0:53:31 > 0:53:34Could the 19th-century needlework sampler do it for them?
0:53:34 > 0:53:36We're looking for ?20 only on this.
0:53:36 > 0:53:3920 on the net. We've got 20 bid straight away.
0:53:39 > 0:53:40In the room now, we've got 22.
0:53:40 > 0:53:42With you at 22 in the room.
0:53:42 > 0:53:44At 22. 25, do we have?
0:53:44 > 0:53:46And 5 on the internet. At 25.
0:53:46 > 0:53:48And 30, sir? And 30 in the room.
0:53:48 > 0:53:51And 2, sir? We'd like to go ?30.
0:53:51 > 0:53:5332 on the net now.
0:53:53 > 0:53:54And 5, sir?
0:53:54 > 0:53:57At 35 in the room now. Looking for 38.
0:53:57 > 0:53:5935, I'm going to sell, then.
0:53:59 > 0:54:02At ?35, going once, twice, then.
0:54:02 > 0:54:05At ?35 to the room. Sold.
0:54:05 > 0:54:07Peter and Will are nought for four at the moment.
0:54:07 > 0:54:09That's another painful loss.
0:54:09 > 0:54:27This is very disappointing.
0:54:27 > 0:54:29?30. At 30 here. And 2, sir?
0:54:29 > 0:54:31And 5?
0:54:31 > 0:54:3332 here with you, sir.
0:54:33 > 0:54:35Looking for 35 elsewhere.
0:54:35 > 0:54:37At ?35. I've got ?32 bid already.
0:54:37 > 0:54:39Come on - it's lovely!
0:54:39 > 0:54:41?32. Going once... And 5 over there.
0:54:41 > 0:54:42CHEERING
0:54:42 > 0:54:445 on the net.
0:54:44 > 0:54:45?35.
0:54:45 > 0:54:48Obviously, the TARDIS is a bit slow. Took a bit of time to bid.
0:54:48 > 0:54:50We've got 35.
0:54:50 > 0:54:52And 38 bidding in the room.
0:54:52 > 0:54:5338 in the room. We're looking for 40.
0:54:53 > 0:54:56Just pull the plug!
0:54:56 > 0:54:58Going once, twice at ?38.
0:54:58 > 0:55:00Sold.
0:55:00 > 0:55:03The last-minute purchase makes a last-minute profit,
0:55:03 > 0:55:06although probably a small loss after auction costs.
0:55:06 > 0:55:09A small loss is better than a big loss.
0:55:11 > 0:55:14Could the student's microscope be the item that makes a profit
0:55:14 > 0:55:15for Peter and Will?
0:55:15 > 0:55:17Let's get it going at ?15.
0:55:17 > 0:55:39Any takers at ?15 in the room or at home? At ?15.
0:55:39 > 0:55:40I'm surprised.
0:55:40 > 0:55:44?20, then. Going once, twice. At ?20.
0:55:44 > 0:55:47Which is exactly what they paid for it.
0:55:48 > 0:55:51I thought that would have made a bit more than 20 quid.
0:55:51 > 0:55:54What do I know?!
0:55:56 > 0:55:58Colin and James are doing well,
0:55:58 > 0:56:00but this pair might be their Waterloo.
0:56:00 > 0:56:04I can see at least three people out here who look just like that.
0:56:04 > 0:56:07Start the bidding at ?40. They've got to be worth ?40.
0:56:07 > 0:56:10At 40. At ?40.
0:56:10 > 0:56:12Come on! What's wrong with you?
0:56:12 > 0:56:14At ?40. At 30.
0:56:14 > 0:56:15Let's start them off at ?30.
0:56:15 > 0:56:19Have we got ?30? We're looking for 30, then.
0:56:19 > 0:56:20At 30.
0:56:20 > 0:56:23Let's start them off at 15, then. Got to be a giveaway at 15.
0:56:23 > 0:56:26And all the hands go up. They all want them.
0:56:26 > 0:56:27At 18. At 20.
0:56:27 > 0:56:29Don't get carried away.
0:56:29 > 0:56:49And 5. That's nothing - that's ?12.50 each.
0:56:49 > 0:56:51Unlucky, gentlemen, unlucky.
0:56:51 > 0:56:54That could work to our favour, Peter.
0:56:56 > 0:56:57Finally, it's Peter's -
0:56:57 > 0:57:00sorry, that should be Peter AND Will's - jelly moulds.
0:57:00 > 0:57:02They need a big win here.
0:57:02 > 0:57:04At ?40, a commission bid.
0:57:04 > 0:57:06At ?40 I've got.
0:57:06 > 0:57:07At 45. And 48.
0:57:07 > 0:57:09And 50. ?50 we've got now.
0:57:09 > 0:57:12At 50. We're looking for ?55.
0:57:12 > 0:57:14We've got 50 here. We're looking for 55.
0:57:14 > 0:57:16?50, going once, twice...
0:57:16 > 0:57:20At ?50, the three Shelley jelly moulds. And sold.
0:57:20 > 0:57:23I could try and put a positive spin on it,
0:57:23 > 0:57:27but not one of Peter and Will's items made a profit.
0:57:27 > 0:57:29You paid what? 90.
0:57:29 > 0:57:31COLIN HOOTS WITH LAUGHTER
0:57:31 > 0:57:33That's cheered him up!
0:57:33 > 0:57:34Oh, dear!
0:57:34 > 0:57:36Not a good day at auction, eh?
0:57:36 > 0:57:57Peter and Will lost ?125.20
0:57:57 > 0:57:59Making them the winners.
0:57:59 > 0:58:01I'd like to say...I'm not bitter.
0:58:03 > 0:58:05Just a little bit twisted!
0:58:05 > 0:58:06Just a little bit.
0:58:06 > 0:58:08Before he gets any more ideas.
0:58:08 > 0:58:11I could get used to this winning lark - it's rather good!
0:58:11 > 0:58:13Very good.
0:58:13 > 0:58:14Hooray!
0:58:15 > 0:58:17Off we go! Cheerio, guys.
0:58:22 > 0:58:23Colin and Peter...
0:58:23 > 0:58:27Colin and Peter - lovely, lovely, lovely people.
0:58:27 > 0:58:28We had a lovely day.
0:58:28 > 0:58:30I've thoroughly enjoyed this.
0:58:30 > 0:58:33It's been good seeing you again. It's been a brilliant three days.
0:58:48 > 0:59:10Subtitles by Red Bee Media Ltd