0:00:04 > 0:00:06This view can only mean one thing.
0:00:06 > 0:00:09Yes, we are in London but we're not at Canary Wharf today.
0:00:09 > 0:00:11We're the other side of the River Thames.
0:00:11 > 0:00:14We're here at the old Royal Naval College in Greenwich.
0:00:14 > 0:00:18This magnificent building was designed by Sir Christopher Wren and I'm
0:00:18 > 0:00:22rather pleased to say for one day only it's home to our valuation day.
0:00:22 > 0:00:25Hundreds of people have turned up from London and beyond, laden with
0:00:25 > 0:00:27antiques and collectables.
0:00:27 > 0:00:29They're here to see our experts to find out, what's it worth?
0:00:29 > 0:00:33And if you're happy with the valuation, what are you going to do?
0:00:33 > 0:00:34- ALL:- Flog it!
0:00:55 > 0:00:59Greenwich is renowned for its maritime history and it's world famous for
0:00:59 > 0:01:04the meridian that's used to set our clocks according to Greenwich Mean Time.
0:01:04 > 0:01:06Prior to the late 19th century,
0:01:06 > 0:01:08timekeeping was a local phenomenon.
0:01:08 > 0:01:14It wasn't until 1847 that the railways introduced a standardised time to
0:01:14 > 0:01:16help produce train schedules.
0:01:19 > 0:01:23Today, I'm standing on one of the most historic sites in London.
0:01:23 > 0:01:25There was once a medieval palace here,
0:01:25 > 0:01:27which was a favourite home to the royals.
0:01:27 > 0:01:30Henry VIII, Mary I and Elizabeth I
0:01:30 > 0:01:32were all born here and would have
0:01:32 > 0:01:33played in the grounds as young children.
0:01:33 > 0:01:37In the 18th century, it opened its doors as the Royal Naval Hospital
0:01:37 > 0:01:40and welcomed thousands of retired Navy pensioners
0:01:40 > 0:01:42who lived here in pleasant retirement.
0:01:42 > 0:01:45We'll be finding out more about that later on in the show but
0:01:45 > 0:01:49right now we need to get the doors open to get this massive queue inside
0:01:49 > 0:01:52because they're eager to find out the answer to that all-important
0:01:52 > 0:01:53question, which is...
0:01:53 > 0:01:55- ALL:- What's it worth?
0:01:57 > 0:02:03Our expert Mark Stacey makes sure everyone knows what his role is in the show.
0:02:03 > 0:02:06- I would like to flog it.- Oh, well, you see, that's why we're here.
0:02:06 > 0:02:09- Well, flog it.- Because that's what the show's called, isn't it?
0:02:09 > 0:02:13Although Philip Serrell seems to be shirking his responsibilities.
0:02:13 > 0:02:16I really love a man that gives you a thing like this because look,
0:02:16 > 0:02:18he's done all the work, look.
0:02:20 > 0:02:21Hello, how are you?
0:02:21 > 0:02:25And there's always a bit of drama when these two get together.
0:02:25 > 0:02:28Sorry to interrupt. I've found you a wonderful drawing you're going to love.
0:02:28 > 0:02:31- What's that?- I can't tell you that.
0:02:31 > 0:02:34But I'll show you later but I am sure you're going to want to film it.
0:02:34 > 0:02:40- All right, that's lovely.- It's right up your street.- Thank you. Life's always a mystery with Mr Stacey.
0:02:41 > 0:02:46All the action will take place in the gorgeous painted hall that has been
0:02:46 > 0:02:49described as the Sistine Chapel of the UK.
0:02:49 > 0:02:53So while we're getting everyone in, here's a quick look at what's coming up.
0:02:55 > 0:02:58Mark meets an extraordinary man with a fan.
0:02:59 > 0:03:01You took up running at 62?
0:03:01 > 0:03:03- Yes.- And then what did you do?
0:03:03 > 0:03:05I did 16 marathons.
0:03:05 > 0:03:08- 16 marathons, London marathons? - Yes.
0:03:08 > 0:03:12And Philip's valuation comes as a bit of a shock.
0:03:12 > 0:03:13GASPS
0:03:15 > 0:03:19They've been stuck in a tin, that's been stuck in a cardboard,
0:03:19 > 0:03:21- on the wall.- Do you think you'll get more?
0:03:21 > 0:03:24And later on in the show, I'll be finding out more about some of the
0:03:24 > 0:03:27pensioners who lived here, and it seems even these grand settings didn't
0:03:27 > 0:03:29stop drunkenness and bad behaviour.
0:03:31 > 0:03:34The architecture here is fantastic.
0:03:34 > 0:03:35So while everyone is settling in,
0:03:35 > 0:03:38let me show you this view from Queen's House.
0:03:40 > 0:03:42When the architect Sir Christopher Wren
0:03:42 > 0:03:46designed this refuge for retired naval veterans in 1696,
0:03:46 > 0:03:49all the plans were meticulously thought through.
0:03:49 > 0:03:51Everything was perfectly symmetrical.
0:03:51 > 0:03:56However, there was one command from Queen Mary II not to spoil the view.
0:03:56 > 0:03:58So this line was left right down the middle,
0:03:58 > 0:04:01creating a gap between the two towers,
0:04:01 > 0:04:05so the royal household could continue looking at the River Thames.
0:04:05 > 0:04:09And right now it's time to go inside and catch up with expert Philip Serrell
0:04:09 > 0:04:13and enjoy the view on his table as we take a closer look at his first item.
0:04:15 > 0:04:17- Tim, how are you? - I'm OK, thanks, how are you?
0:04:17 > 0:04:19- And are you local?- Yes, not far away, yes.
0:04:19 > 0:04:22I was desperate to do this the minute I saw this.
0:04:22 > 0:04:23Yes, I noticed you spotted it, yes.
0:04:23 > 0:04:26- I'm glad you did.- Well, not because of value.
0:04:26 > 0:04:29- No.- That's a bit of my childhood. - And mine.- Really?
0:04:29 > 0:04:32- Yes, it's my own.- And have you had that since a child?
0:04:32 > 0:04:38- Yes, I have.- Muffin the Mule started on BBC television in 1946.
0:04:38 > 0:04:43- Yes.- And was very much an icon of children's television.
0:04:43 > 0:04:48And Matchbox made this model of Muffin the Mule.
0:04:48 > 0:04:49Oh, I didn't know that.
0:04:49 > 0:04:54Yes. I look back at my childhood and I can remember the black and white
0:04:54 > 0:04:57children's television. Andy Pandy, never really got Andy,
0:04:57 > 0:04:59got on with Andy Pandy.
0:04:59 > 0:05:01I thought Bill and Ben were a bit dull, really.
0:05:01 > 0:05:02Yeah, bit more lively.
0:05:02 > 0:05:04But Muffin the Mule was a great character.
0:05:04 > 0:05:08Used to come home after school, watch Muffin the Mule, great stuff.
0:05:08 > 0:05:11- A good memory.- What do you think it's worth now?
0:05:11 > 0:05:13Not a lot, I don't suppose?
0:05:13 > 0:05:18I think we put a £30 to £50 estimate on it,
0:05:18 > 0:05:21put a reserve on it of £30 and see where we go?
0:05:21 > 0:05:24- Yeah.- There is one thing that we need to do before we go any further.
0:05:24 > 0:05:26Oh, have a little play?
0:05:26 > 0:05:28Have a little play.
0:05:28 > 0:05:30Are you ready? One, two, three, up.
0:05:31 > 0:05:33There we are. Look at that.
0:05:33 > 0:05:35We've got to try and walk a bit. We're not going anywhere.
0:05:37 > 0:05:40As puppeteers, this isn't doing it, really, is it?
0:05:40 > 0:05:42He used to sit down, didn't he, like that.
0:05:42 > 0:05:44Look at that. That's good. We've got that going really well.
0:05:44 > 0:05:46- Teamwork.- We'll finish there.
0:05:46 > 0:05:48- Teamwork.- You're happy with that, yeah?
0:05:48 > 0:05:50- Good to see you.- Thanks a lot.
0:05:50 > 0:05:52# We want Muffin
0:05:52 > 0:05:54# Muffin the Mule
0:05:54 > 0:05:59# Dear old muffin, playing the fool
0:05:59 > 0:06:02# We want Muffin, everybody sing
0:06:02 > 0:06:07# We want muffin the Mule! #
0:06:11 > 0:06:12While Philip is horsing around,
0:06:12 > 0:06:16I've made a tactical move towards this chess set.
0:06:17 > 0:06:20Barbara, an incredible chess set.
0:06:20 > 0:06:22I play chess, I love chess.
0:06:22 > 0:06:25My son plays chess as well. Do you play chess?
0:06:25 > 0:06:29- No.- But you got one of the best chess sets I've ever seen, and it's boxed,
0:06:29 > 0:06:30original box.
0:06:30 > 0:06:32So, how long have you had this?
0:06:32 > 0:06:35- Seven years.- How did you come by this?
0:06:35 > 0:06:39- In a boot sale.- Oh, don't tell me you paid next to nothing for it?
0:06:39 > 0:06:41- How much did you pay?- Well, we paid £30.
0:06:41 > 0:06:44That was quite a lot, we thought.
0:06:44 > 0:06:46It is next to nothing for what it is, though.
0:06:46 > 0:06:49£30, considering it's boxed, and it's all there.
0:06:50 > 0:06:52You know they are made by Jaques, don't you,
0:06:52 > 0:06:56a great London maker that dates to the end of the 18th century,
0:06:56 > 0:06:59like the 1790s, they started making quality games.
0:06:59 > 0:07:04They introduced this Staunton set in around 1846,
0:07:04 > 0:07:07named after the grand chess master Howard Staunton.
0:07:07 > 0:07:09There, look, you see Howard Staunton.
0:07:09 > 0:07:12You can see Jaques on the paper label.
0:07:12 > 0:07:15You can see it's got its original mahogany, Cuban mahogany box,
0:07:15 > 0:07:18original lock, hinges, escutcheon, it's all there.
0:07:18 > 0:07:20There's no damage. The right lining as well.
0:07:20 > 0:07:24That's what the collectors want. That box belongs with that set.
0:07:24 > 0:07:27Have you noticed something when you pick these up?
0:07:27 > 0:07:28Pick one up.
0:07:30 > 0:07:33- They are quite heavy.- That's boxwood, yes, it shouldn't be that heavy.
0:07:33 > 0:07:36It is weighted with a little bit of lead in there.
0:07:36 > 0:07:37What's the idea with that?
0:07:37 > 0:07:41Well, it stops them from wobbling on the board.
0:07:41 > 0:07:42These have been varnished.
0:07:42 > 0:07:46These have been ebonised, they've been stained to look like ebony.
0:07:46 > 0:07:49I have two Staunton chess sets at home.
0:07:49 > 0:07:52Now, they are not the weighted ones, they are the cheaper version of this.
0:07:52 > 0:07:56Also, they came in a cardboard box, not a wooden box.
0:07:56 > 0:07:59This is the Rolls-Royce of Staunton chess pieces.
0:07:59 > 0:08:03This is circa 1900, 1910.
0:08:03 > 0:08:05There is a bit of age to these.
0:08:05 > 0:08:07I think they are fantastic.
0:08:07 > 0:08:10One of the pawns has been replaced.
0:08:10 > 0:08:11It's not original. That one, there.
0:08:11 > 0:08:12Oh, right.
0:08:12 > 0:08:19Also, on the black bishop, it is missing a little tiny finial, there.
0:08:19 > 0:08:22- Can you see that? It's not the same as that one.- Oh, I see, yes.
0:08:22 > 0:08:25Also, on the king's crown, the king, can you see that?
0:08:25 > 0:08:28- Yes, the top.- The crown, half of the crown's missing.
0:08:29 > 0:08:32How much do you think they're worth?
0:08:32 > 0:08:35- I haven't got a clue.- Well, you paid £30 for them.
0:08:35 > 0:08:41I'd say we put them into auction with a valuation of a minimum of £300.
0:08:41 > 0:08:43Very good.
0:08:43 > 0:08:46Yes. Fixed reserve, 300, with the box.
0:08:46 > 0:08:49I'm going to say an auction guide of £300 to £500, with the box,
0:08:49 > 0:08:51as a complete set.
0:08:51 > 0:08:52Lovely, even better.
0:08:52 > 0:08:54Is it something you're prepared to sell?
0:08:54 > 0:08:58Yes. It's only been in the loft.
0:08:58 > 0:09:02- Shall we put them into auction?- Yes. - Can't wait to see who inches it.
0:09:04 > 0:09:06Barbara, you've made my day.
0:09:06 > 0:09:09Now it's time to see how the other tables are shaping up.
0:09:11 > 0:09:14- Thanks for coming to Flog It! - Thank you.
0:09:14 > 0:09:16You brought in this ridiculous little mannequin.
0:09:16 > 0:09:17- Yes.- It is wonderful, isn't it?
0:09:17 > 0:09:20- She's beautiful.- How long have you had it?
0:09:20 > 0:09:21About 20 years.
0:09:21 > 0:09:22Why did you get it?
0:09:22 > 0:09:25Because I wanted something to hang my necklaces on.
0:09:25 > 0:09:27Oh, yes, of course.
0:09:27 > 0:09:29There were too many, they all started falling off.
0:09:29 > 0:09:31- She's got to go.- You've got too many?
0:09:31 > 0:09:34You'll have to get rid of the necklaces, as well.
0:09:34 > 0:09:36- So, where did you find it? At a market or something?- Yes.
0:09:36 > 0:09:39Can you remember what you paid?
0:09:39 > 0:09:40- Around about £1.- No!
0:09:40 > 0:09:42- Yes.- Gosh, that's a bargain.
0:09:42 > 0:09:44- She's beautiful. For £1.- I think it's great.
0:09:44 > 0:09:47I can't quite work out exactly what it's for.
0:09:47 > 0:09:49- No.- It could be,
0:09:49 > 0:09:52the Stockmans are quite well known for making shop mannequins.
0:09:52 > 0:09:56Or mannequins for seamstresses, fashion designers.
0:09:56 > 0:10:01It was a young sculptor, Frederick Stockman, in Paris,
0:10:01 > 0:10:04who made the original mannequins out of papier mache.
0:10:04 > 0:10:06Oh, really?
0:10:06 > 0:10:09I wonder whether it may be a tradesman's sample.
0:10:09 > 0:10:12You know, that a travelling salesman could take along with him and show
0:10:12 > 0:10:15the quality of the stitching.
0:10:15 > 0:10:17It's really nicely made.
0:10:17 > 0:10:20- I think it probably dates from the 1930s.- Really?
0:10:20 > 0:10:22Cos it's got a nice oak base.
0:10:22 > 0:10:24This is nicely aged.
0:10:24 > 0:10:29They're very proud to put the name on there, they are proud of their...
0:10:29 > 0:10:31- Yes. - ..their items, their stock.
0:10:31 > 0:10:34I think it's great fun. You've had it a long time.
0:10:35 > 0:10:38How much do you think it's worth?
0:10:38 > 0:10:40I have no idea.
0:10:40 > 0:10:43Neither do I, in fairness!
0:10:43 > 0:10:44Maybe more, if I put a necklace on it.
0:10:44 > 0:10:46Maybe, if it was a gold necklace.
0:10:46 > 0:10:49I think, actually, we've got to have a little stab at it, really.
0:10:49 > 0:10:55I think if we put it in at £40 to £60 and see what happens.
0:10:55 > 0:10:58The life-size mannequins can make hundreds of pounds.
0:10:58 > 0:11:01I think somebody would really like this.
0:11:01 > 0:11:06I think if we put £40 to £60 on it, but put a £40 reserve, fixed.
0:11:06 > 0:11:09But I think it will make a bit more than that. I think it's wonderful.
0:11:09 > 0:11:12- Let's give it a go, shall we?- Yes, please.- Thank you, Anne.- Thank you.
0:11:18 > 0:11:20Well, the atmosphere is certainly buzzing.
0:11:20 > 0:11:22We're having a fantastic day here.
0:11:22 > 0:11:26Hundreds of people are enjoying these impressive surroundings and
0:11:26 > 0:11:29our experts have worked flat out so far.
0:11:29 > 0:11:32They've found their first items to take off to the saleroom.
0:11:32 > 0:11:34I've got my favourites, you probably got yours.
0:11:34 > 0:11:37But, right now, it's going to be down to the bidders to decide.
0:11:37 > 0:11:40Here's a quick recap of all the items going under the hammer.
0:11:43 > 0:11:45Let's hope this Muffin the Mule puppet
0:11:45 > 0:11:48will pull someone's strings at the auction.
0:11:51 > 0:11:55I've made a brave move in valuing this lovely chess set that Barbara
0:11:55 > 0:11:57brought in. Let's hope we can win on the day.
0:12:02 > 0:12:04And she's used to being on display,
0:12:04 > 0:12:07so let's hope we find the right fit for Anne's mini mannequin.
0:12:14 > 0:12:16Our auction destination today is along the River Thames,
0:12:16 > 0:12:19to West London, in the district of Chiswick.
0:12:22 > 0:12:25Chiswick is a village turned desirable suburb,
0:12:25 > 0:12:28with attractive period properties and generous green space.
0:12:31 > 0:12:33Just up the road at Chiswick Auctions,
0:12:33 > 0:12:36William Rouse is putting our desirables to the test.
0:12:38 > 0:12:42Remember, you will be paying a seller's commission to the saleroom,
0:12:42 > 0:12:46which here is 15% plus VAT.
0:12:47 > 0:12:49Now, if I said Muffin the Mule,
0:12:49 > 0:12:51I bet that brings back memories to many of you.
0:12:51 > 0:12:54I've just been joined by Tim and Philip, our expert,
0:12:54 > 0:12:55who put the value on this.
0:12:55 > 0:12:57- It's great to see you.- Good to see you, too.
0:12:57 > 0:13:01I can remember, as a young lad, playing with one of these.
0:13:01 > 0:13:04I can remember seeing it in black and white on TV.
0:13:04 > 0:13:05Did you watch Muffin the Mule?
0:13:05 > 0:13:07I loved Muffin the Mule. It's one of my favourites.
0:13:07 > 0:13:11I can't remember any kind of storyline or anything like that.
0:13:11 > 0:13:15I can just remember the mule dancing up and down and the puppeteer with
0:13:15 > 0:13:17all the strings. It's iconic telly.
0:13:17 > 0:13:19That was early BBC.
0:13:19 > 0:13:21Good luck with that. Here we go, this is your lot.
0:13:21 > 0:13:23321, Muffin the Mule.
0:13:23 > 0:13:27A 1950s cold painted metal puppet.
0:13:27 > 0:13:29What's it worth to start me, £30?
0:13:29 > 0:13:32It's got to be worth that. £30 for it.
0:13:32 > 0:13:3330 is bid.
0:13:33 > 0:13:3532 in the room.
0:13:35 > 0:13:3835, 38.
0:13:38 > 0:13:4440. 42. 45. 48.
0:13:44 > 0:13:4650.
0:13:46 > 0:13:48Are we all done, then? £50 it is then.
0:13:51 > 0:13:55That's good. You were spot on, Philip. Are there many left?
0:13:55 > 0:13:56I think there can't be that many left,
0:13:56 > 0:14:00because that's why the ones that are make £50 a time, really.
0:14:01 > 0:14:04That was yours as a young lad, wasn't it?
0:14:04 > 0:14:07Do you feel a little bit sad?
0:14:07 > 0:14:10- I would be.- I think perhaps I've grown up since then.
0:14:10 > 0:14:11I haven't, nor has he.
0:14:11 > 0:14:14We definitely haven't, have we?
0:14:17 > 0:14:21Let's hope Muffin the Mule will live on for few more years to come.
0:14:21 > 0:14:24Now, I wonder how our next lot will shape up?
0:14:25 > 0:14:30Hopefully we can turn £1 into around £40 or £50.
0:14:30 > 0:14:33That's what Anne would dearly love, wouldn't you?
0:14:33 > 0:14:37Our little mini mannequin cost £1 about 20 years ago.
0:14:37 > 0:14:40You've been hanging your necklaces on it for the last 20-odd years.
0:14:40 > 0:14:42£40 - £60, I agree with that.
0:14:42 > 0:14:44Good quality, good condition, good make.
0:14:44 > 0:14:46I think it might make a bit of a profit.
0:14:46 > 0:14:48People like those quirky things.
0:14:48 > 0:14:50- They do.- They're very good to buy.
0:14:50 > 0:14:52Anyway, let's find out what this little one makes.
0:14:52 > 0:14:54It's going under the hammer right now.
0:14:55 > 0:14:58381, a miniature mannequin.
0:14:58 > 0:15:00I have not seen one of these before.
0:15:00 > 0:15:02I'm straight in at 40
0:15:02 > 0:15:05and I'm bid £40, 45... I'm bid £50.
0:15:05 > 0:15:08- £50.- 15?- 55 in the room against me.
0:15:08 > 0:15:1155, 60, 65,
0:15:11 > 0:15:1370, 75, 80.
0:15:13 > 0:15:1580 is very good.
0:15:17 > 0:15:19At £80 to my far left.
0:15:19 > 0:15:21Are you all finished? £80 for you, madam.
0:15:23 > 0:15:25- £80.- And it's going home.
0:15:26 > 0:15:28Thank you very much.
0:15:28 > 0:15:31- Thank you, we enjoyed that. We thoroughly enjoyed that.- I loved it.
0:15:31 > 0:15:34- Thank you so much.- It's a good decorator's item.
0:15:34 > 0:15:37And if you've got anything like that, we would love to flog it for you.
0:15:37 > 0:15:40Bring it along to one of our valuation days and fingers crossed we'll be
0:15:40 > 0:15:43coming to a venue near you soon, so dust them down and bring them in.
0:15:43 > 0:15:48Details of the venues are on our BBC website or the BBC Facebook.
0:15:48 > 0:15:49Check it out and join in.
0:15:52 > 0:15:53Anyone for a game of chess?
0:15:56 > 0:15:58Barbara, the big day is now upon us.
0:15:58 > 0:16:01We are here in the saleroom in Chiswick.
0:16:01 > 0:16:02We're talking about the Staunton chess set.
0:16:02 > 0:16:05It's fabulous, I love it and I'd love to buy it,
0:16:05 > 0:16:09but I tell you what, I bet 3-5 on this.
0:16:09 > 0:16:11Remind us, how much did you pay for this?
0:16:11 > 0:16:13£30.
0:16:13 > 0:16:15You're going to be in the money.
0:16:15 > 0:16:17She's going to be in the money. I'd like 550.
0:16:17 > 0:16:20I'd like the top end of my estimate, that's what I'd like.
0:16:20 > 0:16:22- Just that little bit more.- I'd like that as well!
0:16:22 > 0:16:25I bet you would. Well, let's keep our fingers crossed, OK,
0:16:25 > 0:16:29because it's an auction and anything can happen and that's why they are such great fun.
0:16:29 > 0:16:32And this chess set is going under the hammer right now.
0:16:32 > 0:16:35401 is a Staunton chess set and,
0:16:35 > 0:16:38goodness me, lots of interest in this.
0:16:38 > 0:16:40Lots of interest and a phone bid.
0:16:40 > 0:16:43Straight in at the reserve of 300 and 320.
0:16:43 > 0:16:45I'll take elsewhere, with me at 300.
0:16:45 > 0:16:49340, 360, 380,
0:16:49 > 0:16:53380. 400 on the telephone, 420 with me.
0:16:53 > 0:16:56440, 460, 480, 500.
0:16:58 > 0:17:02550, 600, 620.
0:17:02 > 0:17:06No, I've got £600 and the next bid is 20 if you want it.
0:17:06 > 0:17:09At £600 it's a commission bid.
0:17:09 > 0:17:12With me, then, 600, all done and finished.
0:17:13 > 0:17:15Yes, 600!
0:17:15 > 0:17:19You see, that's quality, a great name, beautiful weight,
0:17:19 > 0:17:22beautifully modelled pieces. What are you going to do with that £600?
0:17:22 > 0:17:24There is commission to pay, everyone has to pay that.
0:17:24 > 0:17:27We'll probably go on a holiday.
0:17:27 > 0:17:29OK? And thank you so much for coming in.
0:17:29 > 0:17:32- It's been a real pleasure because that item was dear to my heart. - Thanks so much. Yes.
0:17:36 > 0:17:37300...340 in the room.
0:17:38 > 0:17:41Well, that's it, that's our first lots under the hammer.
0:17:41 > 0:17:43We are coming back here later in the show, so don't go away.
0:17:43 > 0:17:46We could have that big surprise. Meanwhile,
0:17:46 > 0:17:50back in Greenwich at the old Royal Naval College, I had the opportunity
0:17:50 > 0:17:54to visit the painted hall and find out more about the pensioners who once lived there.
0:17:54 > 0:17:57So, just before the valuation day I took a guided tour,
0:17:57 > 0:17:59but this was no ordinary tour.
0:17:59 > 0:18:03This was an 18th-century tour with the artist as my guide.
0:18:13 > 0:18:19King William III granted this site as a refuge for old and wounded naval veterans.
0:18:19 > 0:18:22He wanted a Royal Hospital for seamen to be built in memory of
0:18:22 > 0:18:27his late wife Queen Mary II who strongly believed that the country
0:18:27 > 0:18:31owed a debt of gratitude to the sailors who had served.
0:18:31 > 0:18:37Sir Christopher Wren's grand design would show the nation's true appreciation.
0:18:37 > 0:18:38Oh, hi, thank you very much.
0:18:38 > 0:18:40There's your money. Thank you.
0:18:41 > 0:18:44This is just spectacular.
0:18:44 > 0:18:45Look at this!
0:18:47 > 0:18:49Wow! It's breathtaking.
0:18:50 > 0:18:52Imagine a life at sea.
0:18:52 > 0:18:54It's dangerous, it's rough and ready,
0:18:54 > 0:18:57and then you spend your retirement here.
0:18:57 > 0:19:01Originally, this was intended as the dining hall for naval pensioners but
0:19:01 > 0:19:04it was rarely used as one.
0:19:04 > 0:19:08When Sir James Thornhill created his masterpiece on the ceiling there and
0:19:08 > 0:19:12on the walls, everybody just wanted to come in here and look at it.
0:19:12 > 0:19:15I don't blame them because it's jaw-dropping.
0:19:15 > 0:19:20So this quickly became Greenwich's first tourist attraction and many of
0:19:20 > 0:19:23the pensioners that lived here became tour guides.
0:19:25 > 0:19:28The first naval pensioners arrived in 1705
0:19:28 > 0:19:31before building work had even been completed.
0:19:32 > 0:19:36Many of the residents who lived here would have literally seen this room
0:19:36 > 0:19:39take shape and watched Thornhill while he worked.
0:19:39 > 0:19:44The lower hall was finally completed in 1712 and opened to the public
0:19:44 > 0:19:46a couple of years later.
0:19:47 > 0:19:51Now, upon entry, you would pay sixpence for the tour and be given
0:19:51 > 0:19:52a printed booklet.
0:19:54 > 0:19:56I have a copy of one.
0:19:56 > 0:19:59It was produced by Thornhill and it gave a wonderful explanation
0:19:59 > 0:20:02of his work and I'll read you a little bit.
0:20:04 > 0:20:06"Out of all that is given for showing these halls,
0:20:06 > 0:20:11"only three pence in the shilling is allowed to the person that shows it.
0:20:11 > 0:20:17"The rest makes an excellent fund for the yearly maintenance of 140 poor boys
0:20:17 > 0:20:21"who are the sons of mariners that have either been slain or disabled
0:20:21 > 0:20:24"in their service to the country."
0:20:24 > 0:20:27And it goes on to say how this fund keeps "the boys", as he calls them,
0:20:27 > 0:20:30clothed and fed.
0:20:30 > 0:20:31Now, I like that.
0:20:33 > 0:20:37Well, I've paid my sixpence and now I'm meeting with curator Will Palin
0:20:37 > 0:20:40who will explain a bit more about the 18th-century tour.
0:20:41 > 0:20:45So, Will, if I came here as a visitor, let's say, back in 1714,
0:20:45 > 0:20:48is this exactly what I would see?
0:20:48 > 0:20:50Well, you would have had a lot of scaffolding here
0:20:50 > 0:20:54because James Thornhill had just finished the first phase.
0:20:54 > 0:20:56I mean, it is quite impressive, isn't it?
0:20:56 > 0:20:59It really is. There's a lot of detail up there.
0:20:59 > 0:21:05A huge amount of detail and if you stand here and look and spend time
0:21:05 > 0:21:09unravelling the imagery here, you can be here for hours.
0:21:09 > 0:21:13The fact that he produced this little printed booklet - that meant a lot to him.
0:21:13 > 0:21:15He needed to explain what was going on?
0:21:15 > 0:21:19Absolutely. I think people imagine that at the time all this imagery
0:21:19 > 0:21:23would have been easy for the average visitor to understand,
0:21:23 > 0:21:24but of course it wasn't.
0:21:24 > 0:21:27So he thought it was very important to make sure
0:21:27 > 0:21:31that the visitor was armed with a guide so he could decipher and penetrate
0:21:31 > 0:21:35some of the complex allegories and mythology in the painting itself.
0:21:35 > 0:21:38In the booklet, he talks about peace and liberty.
0:21:38 > 0:21:42That's right, the centrepiece shows William III and Mary II,
0:21:42 > 0:21:46who were the founders of the Royal Hospital, under a canopy of state,
0:21:46 > 0:21:49surrounded by the virtues
0:21:49 > 0:21:55and he is trampling on a figure of arbitrary power and tyranny
0:21:55 > 0:21:56and that is Louis XIV,
0:21:56 > 0:22:01so we have William and Mary bringing peace and liberty to Europe and
0:22:01 > 0:22:04triumphing over the Catholic monarchs
0:22:04 > 0:22:05and the tyranny they represent.
0:22:05 > 0:22:09So it's more of a political statement going on up there?
0:22:09 > 0:22:13Absolutely. And of course it's interesting reading between the lines.
0:22:13 > 0:22:17It's a show of confidence and also there's an element of insecurity
0:22:17 > 0:22:21because we were in the ascendancy in Europe,
0:22:21 > 0:22:23certainly in terms of our naval power,
0:22:23 > 0:22:27- but there were still big threats... - Sure.- ..from Spain, from France.
0:22:27 > 0:22:33So this is asserting a certain world view that we hoped would come to fruition.
0:22:37 > 0:22:44At a staggering 5,683 square feet, the painted hall ceiling was,
0:22:44 > 0:22:48and still is, the largest figurative painting in the country.
0:22:48 > 0:22:51This was Thornhill's greatest achievement
0:22:51 > 0:22:53and he was given a knighthood for his work.
0:22:58 > 0:23:00We know that when he wrote the booklet
0:23:00 > 0:23:03there were around 140 live-in naval pensioners.
0:23:03 > 0:23:08By 1820, there were more than 3,000 residents.
0:23:11 > 0:23:14Let's talk about some of the pensioners who lived here
0:23:14 > 0:23:16and who possibly became tour guides.
0:23:16 > 0:23:19Sure. It must have been a funny thing if you arrived here
0:23:19 > 0:23:22as a sort of naval veteran, a decades-old seaman...
0:23:22 > 0:23:24- Rough and ready. - ..and see this palace.
0:23:24 > 0:23:27It must have been completely overwhelming and slightly absurd.
0:23:27 > 0:23:31But they inhabited these buildings and they lived here,
0:23:31 > 0:23:34quite a boring existence at the time, there was very little to do.
0:23:34 > 0:23:37They were kept going with a very large beer ration.
0:23:37 > 0:23:40There was one particular individual called John Worley who lived until
0:23:40 > 0:23:43- he was 90-plus. - That's a ripe old age, isn't it?
0:23:43 > 0:23:45Absolutely. He was a real troublemaker
0:23:45 > 0:23:47and he caught Thornhill's eye
0:23:47 > 0:23:50and Thornhill thought this mischievous man was rather amusing
0:23:50 > 0:23:53- and he painted him into the ceiling. - Did he?
0:23:53 > 0:23:58So, you see the figure with the white beard representing winter.
0:23:58 > 0:24:00That is John Worley himself.
0:24:00 > 0:24:03So it's a nice reference to the pensioners themselves.
0:24:03 > 0:24:06- I think it was the booze that kept him going.- I'm sure it was.
0:24:09 > 0:24:13In 1824, the painted hall became the National Gallery for Naval Art.
0:24:14 > 0:24:18Paintings covered Thornhill's painted walls, and pensioners
0:24:18 > 0:24:20could earn extra pocket money by giving tours.
0:24:22 > 0:24:26All of these naval paintings are now held at the National Maritime Museum.
0:24:27 > 0:24:31This is a print of an oil painting by Andrew Morton,
0:24:31 > 0:24:33titled United Services 1845.
0:24:33 > 0:24:37It shows us the Chelsea army pensioners in their familiar red coats
0:24:37 > 0:24:41with the Greenwich naval pensioners with their blue coats on.
0:24:41 > 0:24:46But it also shows us a veteran black sailor here, look, Deman,
0:24:46 > 0:24:49who served with Nelson in the West Indies.
0:24:49 > 0:24:53As a boy aged around 13, he came to England and joined the Navy
0:24:53 > 0:24:57and he served in Admiral Lord Nelson's fleet on various ships
0:24:57 > 0:25:00and it's believed he was injured at the Battle of the Nile.
0:25:03 > 0:25:07Being unfit for active duty, he entered Greenwich Hospital
0:25:07 > 0:25:10around the turn of the century, where he gave tours.
0:25:10 > 0:25:13Deman's death was recorded in 1847,
0:25:13 > 0:25:16two years after this painting was displayed at the Royal Academy.
0:25:20 > 0:25:26It really is quite surprising that during the 1850s more than 350 of
0:25:26 > 0:25:30the seamen that lived here came from overseas, including Europe, Africa,
0:25:30 > 0:25:35Asia and the Caribbean, all of whom served Britain in battles at sea.
0:25:39 > 0:25:43Applications to the hospital fell rapidly during the 19th century,
0:25:43 > 0:25:45thanks to a long period of peace
0:25:45 > 0:25:48after the victory in the Napoleonic Wars.
0:25:51 > 0:25:54The hospital closed in 1869.
0:25:54 > 0:25:58The buildings were then taken over by the Royal Naval College for
0:25:58 > 0:26:01officers' training until 1998.
0:26:05 > 0:26:07Although the pensioners are long gone,
0:26:07 > 0:26:10the doors have been opened to the public
0:26:10 > 0:26:11and it is free for all, for everyone
0:26:11 > 0:26:17to come and look around and gaze in wonder at this incredible hall.
0:26:25 > 0:26:28That was yesterday. Today, the hall is packed with people enjoying
0:26:28 > 0:26:32the lovely backdrop and waiting for valuations,
0:26:32 > 0:26:33so we had better get on with it.
0:26:35 > 0:26:39Let's see if Philip is on the right track.
0:26:39 > 0:26:41- Rob, how are you doing? All right? - Yes.
0:26:41 > 0:26:44So you've come by train today, have you?
0:26:44 > 0:26:47- Not exactly, no.- So, was this yours originally?
0:26:47 > 0:26:49Yeah, it was mine.
0:26:49 > 0:26:52This box was the first present and every Christmas I'd get another box
0:26:52 > 0:26:55- with bits and pieces added.- If we pick it up,
0:26:55 > 0:26:59it's got the name that you want to see, hasn't it? Hornby.
0:26:59 > 0:27:02What's interesting for me is that this was bought for you in the '50s.
0:27:02 > 0:27:04You can kind of work out
0:27:04 > 0:27:06that you must be somewhere between 63 and 67.
0:27:06 > 0:27:10- Yes, spot on.- Good detective work, eh?
0:27:10 > 0:27:12And is this something that you've always treasured?
0:27:12 > 0:27:15Yes, I enjoyed it for years and years and years. I played the living
0:27:15 > 0:27:18daylights out of it and that's why it's in such a rough state.
0:27:18 > 0:27:19Played with it and played with it.
0:27:19 > 0:27:21- Yeah.- We've got to say that this isn't all of it.
0:27:21 > 0:27:24We've got a box over here with a lot more in it.
0:27:24 > 0:27:26- Tonnes of track.- Tonnes and tonnes of track.
0:27:26 > 0:27:27So, what's your background?
0:27:27 > 0:27:30Have you always been around here?
0:27:30 > 0:27:32- Where have you been?- No, I come from here,
0:27:32 > 0:27:34but I've travelled the world a few times.
0:27:34 > 0:27:35- Really? A few times?- Yes.
0:27:35 > 0:27:37- How many?- I just got the travel bug.
0:27:37 > 0:27:39I've been around two or three times.
0:27:39 > 0:27:43- And how long were you away for at a time?- Years, decades sometimes.
0:27:43 > 0:27:45I spent years in America, India, Australia.
0:27:45 > 0:27:48You've been bought this, you've played with it
0:27:48 > 0:27:50and then you've been away for ten years at a time
0:27:50 > 0:27:51but you still kept this.
0:27:51 > 0:27:53It must have had a real thing for you.
0:27:53 > 0:27:55When my parents sold their house
0:27:55 > 0:27:59when I was out of the country my brother rescued it.
0:27:59 > 0:28:01- Really? - And kept it for me.- Really?
0:28:01 > 0:28:04- Yes.- He must have known it was something special to you.- Yeah.
0:28:04 > 0:28:07What makes toys valuable is when people don't play with them.
0:28:07 > 0:28:10- I know.- And when they're in the original box.
0:28:10 > 0:28:14- I know.- You have got reams of tape holding this lot together.
0:28:14 > 0:28:16I should never have opened it.
0:28:16 > 0:28:19Absolutely right, but then it would have been dull, wouldn't it,
0:28:19 > 0:28:23and boring? But this is all tin plate
0:28:23 > 0:28:25and here's the track.
0:28:25 > 0:28:27I'm guessing most of these are sort of O-gauge,
0:28:27 > 0:28:29but it's just a bit of fun, isn't it?
0:28:29 > 0:28:32It's not going to make a huge amount of money because of its condition.
0:28:32 > 0:28:36Have you ever given a thought as to what it might be worth?
0:28:36 > 0:28:38No, I'd like it to be worth something
0:28:38 > 0:28:40but, you know, what can you do?
0:28:40 > 0:28:44I think you need to put this in with an estimate of £60-£90,
0:28:44 > 0:28:47put a fixed reserve on it of £50.
0:28:47 > 0:28:49- Are you happy with that?- Yeah.
0:28:49 > 0:28:51Could you make it 60 minimum?
0:28:51 > 0:28:53If you want me to, I could happily do that for you.
0:28:53 > 0:28:55So that's a first-class ticket for £60.
0:28:55 > 0:28:57- Thank you, sir.- Thank you very much.
0:28:59 > 0:29:01With that sorted,
0:29:01 > 0:29:04let's exercise our minds and bodies over on Mark's table.
0:29:06 > 0:29:07Charles, it's lovely to see you.
0:29:07 > 0:29:11- Nice to be here.- Before we talk about your item I want to learn a bit about you.
0:29:11 > 0:29:14You said you weren't terribly energetic as a youngster.
0:29:14 > 0:29:18- No.- But you took up running at 62.
0:29:18 > 0:29:20- Yes.- And then what did you do?
0:29:21 > 0:29:23I did 16 marathons.
0:29:23 > 0:29:25- 16 marathons? London Marathons?- Yes.
0:29:26 > 0:29:28From the age of 62?
0:29:28 > 0:29:29- Yes.- Good Lord.
0:29:29 > 0:29:32That's why you look so young and healthy!
0:29:32 > 0:29:33Because how old are you now, John?
0:29:33 > 0:29:35- 90.- 90?- Yeah.
0:29:35 > 0:29:38Do you know that's very nearly an antique?
0:29:38 > 0:29:39HE LAUGHS
0:29:39 > 0:29:41I am, yeah. I've been told that.
0:29:43 > 0:29:45- But you have brought a genuine antique in.- Yes.
0:29:45 > 0:29:47A charming fan.
0:29:47 > 0:29:49How long have you had the fan?
0:29:49 > 0:29:50Oh, just over 11 years.
0:29:50 > 0:29:52And was it in your family?
0:29:52 > 0:29:55No, I inherited it from a friend.
0:29:55 > 0:29:58So it's been in their family, maybe, for a long time?
0:29:58 > 0:30:00I don't know how long, no.
0:30:00 > 0:30:02It actually comes from China.
0:30:02 > 0:30:05They are generally referred to as Cantonese carved ivory fans.
0:30:05 > 0:30:09Because they were largely exported from the port of Canton.
0:30:10 > 0:30:13You've got this beautiful carving here.
0:30:13 > 0:30:17These are known as brise, because each of the spokes is individual.
0:30:17 > 0:30:23So when you open it, it's individual spokes, all so delicately carved.
0:30:23 > 0:30:25It's absolutely wonderful. Very elegant.
0:30:26 > 0:30:31And you can imagine a very elegant Victorian or Edwardian lady,
0:30:31 > 0:30:35in the summer, using this to keep herself cool, can't you?
0:30:35 > 0:30:39- I can, yes.- Somewhere like here, at a ball.
0:30:39 > 0:30:41- Yes.- Well, we're having a ball, aren't we?
0:30:41 > 0:30:43We are indeed, yes.
0:30:43 > 0:30:47In terms of the date, we're probably looking at the late 19th,
0:30:47 > 0:30:48early 20th century.
0:30:48 > 0:30:50So, around 1900.
0:30:50 > 0:30:52It's well over 100 years old.
0:30:52 > 0:30:56- Even older than you, Charles. - HE CHUCKLES
0:30:56 > 0:30:59- Thank you! - But it is wonderful quality.
0:30:59 > 0:31:00The condition is very good.
0:31:00 > 0:31:04There are a few little breaks that you can spot along there.
0:31:04 > 0:31:09Considering the delicacy of it, I think it's in very good condition.
0:31:09 > 0:31:10Now, we are safe to sell this,
0:31:10 > 0:31:14because it's before 1947 and it's all beautifully carved.
0:31:14 > 0:31:17- Charles, have you thought about the value?- No, I've no idea.
0:31:17 > 0:31:20I think we've got to keep it realistic in this market.
0:31:20 > 0:31:23So I would suggest £150 to £200.
0:31:23 > 0:31:26- Great.- Something like that.
0:31:26 > 0:31:30We'll put a reserve - we can have a fixed reserve of 150,
0:31:30 > 0:31:31or a discretionary reserve.
0:31:31 > 0:31:33- Which one would you prefer?- I think a fixed reserve.
0:31:33 > 0:31:35We'll put a fixed reserve of 150.
0:31:35 > 0:31:39I think a lot of collectors would want this.
0:31:39 > 0:31:42What would you do with the money if you did make a lot of money?
0:31:43 > 0:31:46I'm going to give it to one of my charities.
0:31:46 > 0:31:48- You're going to support one of your charities?- Yes.- That's wonderful.
0:31:48 > 0:31:51- Let's hope it really makes a lot of money.- I hope so.
0:31:51 > 0:31:53- Thank you so much, Charles. - Thank you very much.
0:31:53 > 0:31:54It's been a pleasure.
0:31:56 > 0:31:58Before we go back to the valuations,
0:31:58 > 0:32:01I want to share with you a recent discovery
0:32:01 > 0:32:03about the painting on the back wall.
0:32:05 > 0:32:09A few years ago, the ceilings and the walls in the upper hall here
0:32:09 > 0:32:12underwent conservation and cleaning.
0:32:12 > 0:32:14It was a test, really, to see if it could be done
0:32:14 > 0:32:18throughout the whole of the lower hall, and it did work.
0:32:18 > 0:32:21They wanted to make the image brighter, more vibrant and crisper.
0:32:21 > 0:32:24You can see, with a lot of due care and attention
0:32:24 > 0:32:26it was cleaned off gradually.
0:32:26 > 0:32:29The colours are more vivid and there is clarity there.
0:32:29 > 0:32:31In the next few years, they're going to carry on
0:32:31 > 0:32:32doing the rest of the hall.
0:32:32 > 0:32:37But what the conservators didn't bank on was finding one or two new discoveries.
0:32:37 > 0:32:39I'll just quickly tell you about them.
0:32:39 > 0:32:43Now you can see the dome up there, it looks slightly squashed down.
0:32:43 > 0:32:45But you can also see, now it has been cleaned,
0:32:45 > 0:32:47an outline of an earlier dome that was drawn in
0:32:47 > 0:32:50which is slightly higher.
0:32:50 > 0:32:53Why that one was lowered nobody knows.
0:32:53 > 0:32:55The one I like is just here.
0:32:56 > 0:33:00There's a very faint image of a hand.
0:33:00 > 0:33:04It's just there, you can see the fingers and the thumb.
0:33:04 > 0:33:07It is possible this whole image has been raised up
0:33:07 > 0:33:10so everybody in the lower hall can see it.
0:33:10 > 0:33:13But the conservators also have another theory.
0:33:13 > 0:33:19Thornhill asked George I if he would like his wife painted in the image.
0:33:19 > 0:33:22Now, George I had his wife in prison for adultery.
0:33:22 > 0:33:26So when Thornhill said, "Can I represent her in the picture?"
0:33:26 > 0:33:27he said, "I don't care what you do.
0:33:27 > 0:33:31"You can paint her under the carpet for all I care."
0:33:31 > 0:33:35So, this could be George I's ex-wife's hand.
0:33:37 > 0:33:38How funny!
0:33:38 > 0:33:42Now, Philip's bagged a special treat with some cards by one of Britain's
0:33:42 > 0:33:45best-known and most sought-after painters.
0:33:45 > 0:33:48Christine, these are lovely. You've made my day with these.
0:33:48 > 0:33:50- Have I?- Well, Mary Fedden,
0:33:50 > 0:33:54she's one of the iconic 20th-century artists.
0:33:54 > 0:33:58- Yes.- So, your mum and Mary were great mates?
0:33:58 > 0:34:00Yes. Mum used to go and visit Mary
0:34:00 > 0:34:05and sometimes take me as a child over to see her.
0:34:05 > 0:34:07- So you knew Mary Fedden?- Oh, yes.
0:34:07 > 0:34:11Did you realise what a sort of iconic person she was?
0:34:11 > 0:34:12Not really, because...
0:34:12 > 0:34:14She was just your mum's mate?
0:34:14 > 0:34:16- Yes.- Mary was a Bristolian, wasn't she?
0:34:16 > 0:34:18And she taught at the Slade.
0:34:18 > 0:34:21She taught at the Royal College of Art.
0:34:21 > 0:34:24Wasn't she the first lady to teach at the Royal College of Art?
0:34:24 > 0:34:28- I believe so.- I think that, in time to come,
0:34:28 > 0:34:33people will look at Mary Fedden as being sort of a mover and a shaker
0:34:33 > 0:34:35of the 20th-century art world, really.
0:34:35 > 0:34:38Well, let's just establish what we have got here.
0:34:38 > 0:34:42- We've got a watercolour here, typical Mary Fedden.- Yeah.
0:34:42 > 0:34:43It's a birthday card.
0:34:43 > 0:34:47- We've almost got this still life of fruit and flowers.- Yeah.
0:34:47 > 0:34:50What I love about this, because I had a peep earlier,
0:34:50 > 0:34:53- "Happy birthday dear Ina," - that's your mum?- Yeah.
0:34:54 > 0:34:56"Lots of love, Mary."
0:34:57 > 0:35:01That's just brilliant. Here we've got another little card,
0:35:01 > 0:35:04- typical Mary Fedden cat. - Cats, yeah.
0:35:04 > 0:35:06And here we've got a little engraving.
0:35:06 > 0:35:10- Mary's just added that blob of colour there.- Yeah.
0:35:10 > 0:35:14What makes it so personal is all these things you've got here.
0:35:14 > 0:35:19- Yes.- I think what I would do is I would put that as one lot,
0:35:19 > 0:35:21and I would put this here as another lot.
0:35:21 > 0:35:25Let's just say what we're not going to do is sell these bits, are we?
0:35:25 > 0:35:29- No.- So we've got one lot of the cat and the engraving.
0:35:29 > 0:35:32Another lot of the watercolour. What do you think they might make?
0:35:32 > 0:35:35- You must have some idea?- I haven't got a clue.
0:35:35 > 0:35:38The two together, you should get
0:35:38 > 0:35:40- about £1,000. - SHE GASPS
0:35:42 > 0:35:44They've been stuck in a tin.
0:35:44 > 0:35:47That's been stuck in cardboard on the wall.
0:35:47 > 0:35:50In fact, I think you'll get more. We're going to put this one at £800-£1200.
0:35:50 > 0:35:53- Oh, my God.- With a reserve of £700.
0:35:53 > 0:35:56And these two here, we're going to put at £600 to £900,
0:35:56 > 0:35:59with a reserve of £500.
0:35:59 > 0:36:01Or you can take my £100 now.
0:36:03 > 0:36:06- I can't believe that. - I think that's a no, then, isn't it?
0:36:06 > 0:36:08We'll have an estimate on this of £800 to £1,200,
0:36:08 > 0:36:10- fixed reserve at 700, right?- God...
0:36:10 > 0:36:14And on these two, we will have an estimate of £600 to £900,
0:36:14 > 0:36:16fixed reserve of £500.
0:36:16 > 0:36:18I nearly didn't bring these.
0:36:18 > 0:36:20Well, let's keep our fingers crossed
0:36:20 > 0:36:24and let's hope we've got every Mary Fedden fan in the world at the auction.
0:36:24 > 0:36:27- You know what? I think we might have.- Yeah.
0:36:27 > 0:36:29Thank you for bringing these. You made my day.
0:36:29 > 0:36:31I can't believe that.
0:36:38 > 0:36:42Well, that's it. What a day and what an honour to be filming here
0:36:42 > 0:36:44in such an historic setting.
0:36:44 > 0:36:48I know hundreds of Londoners have thoroughly enjoyed themselves today
0:36:48 > 0:36:50and so have the entire team.
0:36:50 > 0:36:54Sadly, it's time to say goodbye to the old Royal Naval College in Greenwich,
0:36:54 > 0:36:58as we go over to the auction for the very last time for some unfinished business.
0:36:58 > 0:37:02Here are the three final items that are going under the hammer.
0:37:03 > 0:37:06Let's hope there'll be light at the end of the tunnel
0:37:06 > 0:37:08for this Hornby train set.
0:37:11 > 0:37:12And if it gets too hot,
0:37:12 > 0:37:15we can use Charles's Cantonese fan to cool us down.
0:37:19 > 0:37:21And these Mary Fedden cards
0:37:21 > 0:37:24will definitely draw in the art collectors.
0:37:29 > 0:37:33We're back at Chiswick Auctions and William Rouse is on the rostrum.
0:37:33 > 0:37:36Now, we're just about to sell Robert's Hornby train set.
0:37:36 > 0:37:39I like this. I had a Hornby train set, I bet you did.
0:37:39 > 0:37:40Why are you selling this, Robert?
0:37:40 > 0:37:43Well, I gave it to my son, he played with it and...
0:37:43 > 0:37:46He's finished with it now? So pass it on?
0:37:46 > 0:37:48- While it's still there in one piece? - That's right.
0:37:48 > 0:37:51- OK.- There's a lot of it.- There is. - It takes up a lot of room.
0:37:51 > 0:37:53You had a chat to the auctioneer, didn't you?
0:37:53 > 0:37:55- You've dropped the reserve?- I took away the reserve.
0:37:55 > 0:37:58- I didn't want to carry it home! - The pressure's off, OK?
0:37:58 > 0:38:00But I think we'll still do that within estimate.
0:38:00 > 0:38:02I think it's a cracking lot. Hopefully we're going to find
0:38:02 > 0:38:04someone that's going to be chuffed to bits with it today.
0:38:04 > 0:38:06- This train is going to be on time. - It is.
0:38:06 > 0:38:09Let's find out what the auctioneer thinks and what the bidders think.
0:38:09 > 0:38:10It's going under the hammer right now.
0:38:10 > 0:38:12Lot 331.
0:38:12 > 0:38:17A Hornby Meccano clockwork train set, with all the accessories,
0:38:17 > 0:38:18lots of bits and pieces here.
0:38:18 > 0:38:21There we go, what's it worth? Start me...£50 for this lot.
0:38:21 > 0:38:23It's got to be worth that. 40, then?
0:38:25 > 0:38:2640 is bid in front of me.
0:38:26 > 0:38:2745.
0:38:27 > 0:38:29£50?
0:38:29 > 0:38:31£50 here.
0:38:31 > 0:38:33At £50. Are you all done?
0:38:34 > 0:38:35At £50, it's going.
0:38:37 > 0:38:39- Sold.- It's gone within estimate.
0:38:39 > 0:38:42- You said 50.- You did. Spot on, Philip.- It's something.
0:38:42 > 0:38:44- Someone to enjoy it. - I hope so, yes.
0:38:45 > 0:38:46I did.
0:38:47 > 0:38:51It's the ivory fan next, and I want to reiterate
0:38:51 > 0:38:55that because it was crafted well before 1947,
0:38:55 > 0:38:56it is legal to be sold.
0:38:58 > 0:39:01I have to say, I'm also a fan of the owner.
0:39:02 > 0:39:05Charles, your fan is just about to go under the hammer,
0:39:05 > 0:39:07the Cantonese ivory fan.
0:39:07 > 0:39:09I've got to say, you look very dapper.
0:39:09 > 0:39:12You look absolutely fabulous.
0:39:12 > 0:39:13Thank you very much.
0:39:13 > 0:39:15And you're 92, are you?
0:39:15 > 0:39:16- 90.- 90 - don't stretch it.
0:39:16 > 0:39:19I was bigging you up, then.
0:39:20 > 0:39:22Only 90.
0:39:22 > 0:39:24Well, you look absolutely fantastic.
0:39:24 > 0:39:28- And that's because you used to run, didn't you? You've done a lot of marathons.- Yep.
0:39:28 > 0:39:30- It's never too late.- Oh, thank you!
0:39:30 > 0:39:32It's never too late! Come on, get fit.
0:39:32 > 0:39:33He's pulling his tummy in.
0:39:33 > 0:39:35Trying to, it's not working.
0:39:35 > 0:39:37I know the feeling. Anyway,
0:39:37 > 0:39:41you were given this fan by a friend about 12 years ago, 11 years ago.
0:39:41 > 0:39:42The condition is good.
0:39:42 > 0:39:45Yes, a tiny bit of damage on some of the fronds.
0:39:45 > 0:39:48But basically it's in jolly good condition.
0:39:48 > 0:39:50Let's put this fan to the test.
0:39:50 > 0:39:52It's going under the hammer right now.
0:39:52 > 0:39:55Lot 291 is a Cantonese fan.
0:39:55 > 0:39:57With me I'm bid £100.
0:39:57 > 0:39:59100, 110, 120.
0:39:59 > 0:40:00300 on the internet.
0:40:00 > 0:40:01300?
0:40:01 > 0:40:03320 on the telephone.
0:40:03 > 0:40:05320 on the telephone, is that it?
0:40:05 > 0:40:08We all done? Got there very quickly at...
0:40:08 > 0:40:09340 in the room.
0:40:09 > 0:40:11360.
0:40:11 > 0:40:13Thank you, sir. 360, still on the telephone.
0:40:13 > 0:40:16All done at 360?
0:40:16 > 0:40:18£360!
0:40:18 > 0:40:20Oh, thanks!
0:40:20 > 0:40:22- Thank Mark, he picked it up. - Thank you.
0:40:22 > 0:40:24- Lovely thing.- It's been wonderful meeting you.
0:40:24 > 0:40:27- It really has.- That's very kind of you, thank you so much.
0:40:27 > 0:40:28A good result, wasn't it?
0:40:28 > 0:40:30Well done. Well done, boys.
0:40:33 > 0:40:35Now it's the Mary Fedden cards.
0:40:37 > 0:40:40I'm so excited, so excited these came in.
0:40:40 > 0:40:43- It's just brilliant.- Every now and then you see something on "Flog It!"
0:40:43 > 0:40:45that makes the hairs on the back of your neck stand on end.
0:40:45 > 0:40:49Here we go. Mary Fedden, under the hammer, on "Flog It!".
0:40:49 > 0:40:51And start me... £500 to start me.
0:40:52 > 0:40:55500 is bid. I've got one more, 550.
0:40:55 > 0:40:57Yours for 600?
0:40:58 > 0:41:00650.
0:41:00 > 0:41:01700.
0:41:01 > 0:41:03On the telephone at 700.
0:41:03 > 0:41:05Selling for 700.
0:41:05 > 0:41:06700?
0:41:06 > 0:41:08Gone.
0:41:08 > 0:41:10That's the cat and the boat done.
0:41:10 > 0:41:12Now I wonder how this watercolour will do.
0:41:12 > 0:41:15It's valued at £800 to £1,200.
0:41:17 > 0:41:19I think this is the best of the lot.
0:41:19 > 0:41:21I want a big surprise on this one.
0:41:21 > 0:41:23OK, Lot 505.
0:41:23 > 0:41:24Mary Fedden.
0:41:24 > 0:41:28Goodness me, there's been lots and lots of interest in this picture
0:41:28 > 0:41:30over the last couple of days, on the viewing.
0:41:30 > 0:41:33I'm straight in at £1,000.
0:41:33 > 0:41:36- 1,100, 1,200, 1,300. - £1,000, straight in!
0:41:36 > 0:41:38- With me at 1,300. - 1,300.
0:41:38 > 0:41:39- SHE GASPS - Oh, my God!
0:41:39 > 0:41:411,400 is the next bid.
0:41:41 > 0:41:431,400 on the telephone.
0:41:43 > 0:41:44- 1,400.- 1,500.- 1,500.
0:41:45 > 0:41:471,600.
0:41:47 > 0:41:48Now I've got 1,650.
0:41:48 > 0:41:51- Oh, yes!- 1,700?- 1,650.
0:41:51 > 0:41:53At £1,700, beats me.
0:41:53 > 0:41:55That beats the commission bid.
0:41:55 > 0:41:57£1,700.
0:41:58 > 0:42:01- This is great.- 1,800 seated.
0:42:01 > 0:42:031,900.
0:42:03 > 0:42:041,900...
0:42:05 > 0:42:08It is, then, standing at 1,900. You all done?
0:42:08 > 0:42:11- Selling... 2,000 seated.- Oh!
0:42:11 > 0:42:132,100.
0:42:13 > 0:42:152,200.
0:42:15 > 0:42:17Christine!
0:42:17 > 0:42:212,200 seated it is. At 2,200.
0:42:21 > 0:42:23Anybody else?
0:42:23 > 0:42:262,200, then, it goes.
0:42:26 > 0:42:29£2,200! And you're crying.
0:42:30 > 0:42:33That's a lot of money. Was that exciting?
0:42:33 > 0:42:36- I'm just gobsmacked, gobsmacked. - What an end.
0:42:36 > 0:42:38That was in a tin, I kept it in a tin.
0:42:38 > 0:42:41Good for you, it was in immaculate condition, wasn't it?
0:42:41 > 0:42:43- I think you can have another look in the tin.- Yeah!
0:42:43 > 0:42:44What a name to end with.
0:42:44 > 0:42:47Christine and Mary Fedden, under the hammer.
0:42:47 > 0:42:49Join us again soon for many more surprises.
0:42:49 > 0:42:53Until then, from Chiswick in west London, it's goodbye.