0:00:02 > 0:00:05Flog It! has come to the seaside, described by Charles Dickens as
0:00:05 > 0:00:08one of the prettiest watering places on the South Coast - Folkestone.
0:00:52 > 0:00:56What a stunning view that is. It is so invigorating.
0:00:56 > 0:00:58This was once one of the most
0:00:58 > 0:01:01prosperous and fashionable resorts in the country.
0:01:01 > 0:01:03It was the place to be seen in.
0:01:03 > 0:01:06Edward VII and his royal entourage came here. So did Charles Dickens,
0:01:06 > 0:01:10Noel Coward, Agatha Christie and, of course, Princess Margaret.
0:01:10 > 0:01:12They all came to the Leas to take in the sea air
0:01:12 > 0:01:16and the stunning architecture. And our venue for today's show?
0:01:16 > 0:01:19It is a stunning place, as well. It's the Leas Cliff Hall
0:01:19 > 0:01:20and it's just along the coastline.
0:01:20 > 0:01:23Let's hope we've got a massive turnout.
0:01:27 > 0:01:31Joining that illustrious list of names, we bring you our very own royalty,
0:01:31 > 0:01:35experts Mark Stacey and Nick Hall.
0:01:35 > 0:01:39Let's hope they're in the best of health and ready for the task ahead,
0:01:39 > 0:01:41in the spectacularly-located Leas Cliff Hall.
0:01:41 > 0:01:45It looks like there's going to be plenty to choose from.
0:01:45 > 0:01:47Mark is first at the tables.
0:01:47 > 0:01:51- Pearl.- Yes. - You've buzzed in to see us today.
0:01:51 > 0:01:55You have this wonderful little honey jar, here.
0:01:55 > 0:01:57Where did you get it from?
0:01:57 > 0:02:00I was helping a lady clean out her cupboards
0:02:00 > 0:02:03and she was going to throw it away.
0:02:03 > 0:02:06I said, "It's lovely", so she said, "Would you like it?"
0:02:06 > 0:02:09I said, "Yes, please" and I've had it all these years.
0:02:09 > 0:02:11When was that?
0:02:11 > 0:02:13Oh, about 20 years ago.
0:02:13 > 0:02:15Did you like it? Has it been out on display?
0:02:15 > 0:02:18- I thought it was lovely. - It is a lovely thing.
0:02:18 > 0:02:22What we have got is this little honey pot, or honey jar
0:02:22 > 0:02:25or preserve pot - whatever you want to use it for -
0:02:25 > 0:02:26in the form of a bee.
0:02:26 > 0:02:31We have this lovely silver-plated head and these lovely feet, which
0:02:31 > 0:02:36are textured on the end, as well, to show a sign of good decoration.
0:02:36 > 0:02:39The wings lift up and you keep it in there.
0:02:39 > 0:02:43You have a little gap, where a little spoon would have gone.
0:02:43 > 0:02:45We've got various marks underneath.
0:02:45 > 0:02:48It's got Mappin & Webb,
0:02:48 > 0:02:52It's princes plate, so it was made and retailed through Mappin & Webb.
0:02:52 > 0:02:57A good sign of quality and a really funky, collectible thing.
0:02:57 > 0:03:02We are looking at it being made, I guess, around the 1920s.
0:03:02 > 0:03:05In terms of value, it's a difficult one to call.
0:03:05 > 0:03:10My personal feeling is we should put 200-300 on it,
0:03:10 > 0:03:15with a 200 fixed reserve, so we don't sell it a penny below 200.
0:03:15 > 0:03:19But, I think it's going to fly. If you excuse the pun.
0:03:19 > 0:03:20Yeah!
0:03:29 > 0:03:33Hi, Sue. Thanks for bringing these two lovely Royal Worcester vases.
0:03:33 > 0:03:37I only saw one of these, first of all, in the queue, and then
0:03:37 > 0:03:39you told me you had a second one and my eyes lit up!
0:03:39 > 0:03:41Tell me about them, have you had them long?
0:03:41 > 0:03:45- They were my mother's. - They've been in the family a while.
0:03:45 > 0:03:47- Yes.- Passed to you.- When she died.
0:03:47 > 0:03:49A little bit of an heirloom there.
0:03:49 > 0:03:51What made you bring them to Flog It!?
0:03:51 > 0:03:56My son's getting married this summer, so the funds will go towards that.
0:03:56 > 0:03:58As much as we can possibly get for these.
0:03:58 > 0:04:02The money will help pay for the wedding. This summer, is it?
0:04:02 > 0:04:03- It is, August.- Lovely.
0:04:03 > 0:04:07OK. As I said, they are made by Royal Worcester,
0:04:07 > 0:04:10lovely hand-painted designs here.
0:04:10 > 0:04:13We have fruits and leaves, and I've noticed as well, they are actually
0:04:13 > 0:04:16signed by the artist, Blake.
0:04:16 > 0:04:21Quite a good noted artist, not one of the top Worcester painters, but he is certainly up there.
0:04:21 > 0:04:23He has a good pedigree, a good name.
0:04:24 > 0:04:29Date-wise, if we pop this upside-down, we have a nice set of Worcester marks,
0:04:29 > 0:04:32with all the various model numbers, pattern numbers.
0:04:32 > 0:04:33And from that we can date them.
0:04:33 > 0:04:36They are not early, they are not Victorian period,
0:04:36 > 0:04:39they are very much into the 20th century.
0:04:39 > 0:04:41Once we come to catalogue them for auction,
0:04:41 > 0:04:47we will look that little mark up and it will be somewhere between 1920-1950, that sort of era.
0:04:47 > 0:04:50They are in excellent condition, which is important. No damage.
0:04:50 > 0:04:53The money will go to a good cause, your son's wedding.
0:04:53 > 0:04:56- I suppose we had better talk about what they are worth.- Please.
0:04:56 > 0:05:00Being a pair, in good order, they ought to make £300-400,
0:05:00 > 0:05:03possibly more. They are both signed, in good condition,
0:05:03 > 0:05:06and you're keen to get a reserve on that, aren't you?
0:05:06 > 0:05:10- Yes.- Are you happy if we use the 300 as a firm reserve and not a penny under that?
0:05:10 > 0:05:14- That'd be lovely.- They should make that. They certainly warrant it.
0:05:14 > 0:05:17The more it fetches, the more champagne will flow at the wedding!
0:05:25 > 0:05:26What a nice little globe
0:05:26 > 0:05:28you have brought in to show us today.
0:05:28 > 0:05:30- Where did you get it from? - It has been in the family,
0:05:30 > 0:05:33as far as I know, for 60-70 years.
0:05:33 > 0:05:36I don't know exactly where it came from, originally.
0:05:36 > 0:05:39It has just been sitting in the top of a pot, basically.
0:05:39 > 0:05:41- You inherited it? - I inherited it, yes.
0:05:41 > 0:05:43And it has stayed in the pot?
0:05:43 > 0:05:47In the top of the pot. I thought it's a good thing to bring along,
0:05:47 > 0:05:52- cos it is nice and small.- Wonderful. The only shame is, I have looked
0:05:52 > 0:05:54- and I can't find a maker's name.- Right.
0:05:54 > 0:05:56Which is a bit of a shame,
0:05:56 > 0:06:01because the maker's name can make a big difference to the value.
0:06:01 > 0:06:04Basically, this is a pocket-sized globe,
0:06:04 > 0:06:07something you would have carried around with you.
0:06:07 > 0:06:11It would have had either a little, hard leather case
0:06:11 > 0:06:14or a shagreen case - sharkskin case, originally.
0:06:16 > 0:06:21Looking round it, we've got all the countries. But the fascinating
0:06:21 > 0:06:25thing about it is a lot of the countries have changed name since.
0:06:25 > 0:06:28The biggest one we have got here is New Holland.
0:06:28 > 0:06:31- Which, of course, is now Australia. - That is why I brought it along
0:06:31 > 0:06:36because I wasn't sure when it changed from New Holland to Australia.
0:06:36 > 0:06:38I thought it must be a reasonable age, I suppose.
0:06:38 > 0:06:40Oh, it is. I am not 100% sure,
0:06:40 > 0:06:45but I am pretty sure that Australia has celebrated its bicentenary...
0:06:45 > 0:06:47Yes?
0:06:47 > 0:06:49..10 or 20 years ago.
0:06:49 > 0:06:53I think this is probably towards the end of the 18th century, just before
0:06:53 > 0:06:57- it became a British protectorate, if you like.- Yes.
0:06:57 > 0:07:00These are now very collectible.
0:07:00 > 0:07:03Are they? Who would have had something like that?
0:07:03 > 0:07:06I immediately think of a seaman. Something like that.
0:07:06 > 0:07:11No, I think this would have been a part of the middle classes.
0:07:11 > 0:07:16You have to remember that the mid-18th century was almost the enlightenment. People wanted to
0:07:16 > 0:07:18learn about sciences and the arts
0:07:18 > 0:07:23and somebody would have had this to show their interest.
0:07:23 > 0:07:27You think of the Royal Society, formed in the late 18th century,
0:07:27 > 0:07:31it was all part of this education movement, I suppose.
0:07:31 > 0:07:34I would probably advise you to put,
0:07:34 > 0:07:36how should we say this,
0:07:36 > 0:07:38a "come and get me" estimate?
0:07:38 > 0:07:40I know what you mean.
0:07:40 > 0:07:45Put a tempting estimate on it. I would probably put 200-300 on it.
0:07:45 > 0:07:48- Good heavens. Blimey! - Really? Does that please you?
0:07:48 > 0:07:50That is amazing, that is!
0:07:50 > 0:07:52It really is, yeah. I would never have thought that.
0:07:52 > 0:07:57If we put 200-300 on it, I would hope it would go past that.
0:07:57 > 0:08:02I think it probably will. If we put a reserve of 200, to protect it.
0:08:02 > 0:08:05- We shouldn't give it away for less than that.- No.
0:08:05 > 0:08:08I can see two specialist collectors really wanting it.
0:08:08 > 0:08:12- I think it is a fascinating object. - That is really pleasing, thank you.
0:08:20 > 0:08:25Janet, hello. Welcome to Flog It! and thanks for bringing in this nice little object.
0:08:25 > 0:08:30- Is it something you have had for a long time? - Yes, well, it has been in my family.
0:08:30 > 0:08:32My grandmother, my mum and now me.
0:08:32 > 0:08:35I have had it about 20 years.
0:08:35 > 0:08:38About 20 years. Why have you brought it in today?
0:08:41 > 0:08:43Because...I'm more into cut glass
0:08:43 > 0:08:46and I've got a granddaughter now
0:08:46 > 0:08:49and I can see this is going to be broken!
0:08:49 > 0:08:52It would be a crying shame because it's in this immaculate condition.
0:08:52 > 0:08:54It is quite a fragile bit of porcelain.
0:08:54 > 0:08:57My mum was good at keeping things. I'm not quite so good!
0:08:57 > 0:09:01What do you know about it, before I tell you about its history?
0:09:01 > 0:09:04Nothing, other than that I realise it's lustreware.
0:09:04 > 0:09:09- That's all.- That is a generic term for all this ceramic and pottery
0:09:09 > 0:09:12which has this lovely, lustrous sheen within the glaze.
0:09:12 > 0:09:16If we dismantle it and look at the stand and we see...
0:09:16 > 0:09:19it has the factory mark. It is Carlton Ware.
0:09:19 > 0:09:24Carlton Ware were making a different number of ranges of this lustreware
0:09:24 > 0:09:28back in the 1930s. Very collectible today.
0:09:28 > 0:09:31The prices haven't quite reached the heights of the Wedgewood,
0:09:31 > 0:09:33but still make a lot of money.
0:09:33 > 0:09:38A lot of the price depends on the quality of the gilding
0:09:38 > 0:09:40and the condition of the gilding.
0:09:40 > 0:09:43Once this lovely giltware gets worn, or rubbed, or washed,
0:09:43 > 0:09:46and it starts to lose that sheen,
0:09:46 > 0:09:49you can't replicate it. You can't reproduce it.
0:09:49 > 0:09:54The various materials used were toxic, to produce this colour, so you can't make that now.
0:09:54 > 0:09:56Once that has gone, it has gone for life.
0:09:56 > 0:10:01- The price drops and never comes back up again.- Right.
0:10:01 > 0:10:04Although there is one or two areas of wear here and there,
0:10:04 > 0:10:06overall, beautiful condition.
0:10:06 > 0:10:08- That's good. - Fascinating patterns, as well.
0:10:08 > 0:10:12We have these big, gory, horrible spider's webs
0:10:12 > 0:10:17and you have these frightening, big tarantula looking ones, as well.
0:10:17 > 0:10:19Not small, little house-spiders.
0:10:19 > 0:10:23You have a wonderful array of all these moths and butterflies.
0:10:23 > 0:10:26You've got a lot of foliage there, blossoming trees.
0:10:26 > 0:10:29- Yeah.- A wonderful thing. Wonderful.
0:10:29 > 0:10:32Have you ever wondered what it might be worth?
0:10:32 > 0:10:35I haven't got any idea.
0:10:35 > 0:10:37I would think it should make
0:10:37 > 0:10:40a good £300 or £400.
0:10:40 > 0:10:42Safeguard it with a reserve,
0:10:42 > 0:10:45I would suggest £250. Are you happy with that?
0:10:45 > 0:10:49- Yes, that's... - OK, we will put it to auction
0:10:49 > 0:10:53and see where we go from there. Thank you for bringing it in.
0:10:53 > 0:10:55It has brightened up my day and everyone's day.
0:10:55 > 0:10:57How lovely! Thank you.
0:11:03 > 0:11:06Before we take our rich booty of items to auction,
0:11:06 > 0:11:09I've come up the coast to Ramsgate, to find out more
0:11:09 > 0:11:13about the great 19th-Century architect, Edward Pugin.
0:11:13 > 0:11:16Throughout the 17th and 18th century,
0:11:16 > 0:11:20classical themes reigned supreme among the fashion-conscious world
0:11:20 > 0:11:23of architecture and design.
0:11:23 > 0:11:26And rows of terraced houses, very much like these ones in Ramsgate,
0:11:26 > 0:11:30were a common sight in cities and towns, all over Britain.
0:11:30 > 0:11:33But, fashions come and go and the first half of the 19th century
0:11:33 > 0:11:39saw a definite change in people's styles, taste and attitude.
0:11:40 > 0:11:44By the early to mid-Victorian period, the so-called Gothic revival
0:11:44 > 0:11:49reflected this new fashion in many areas of art and culture.
0:11:50 > 0:11:53Although Victorian Gothic Architecture is a familiar
0:11:53 > 0:11:59and well loved feature on a British cityscape, it wasn't always the architects that were responsible.
0:11:59 > 0:12:04Some of the prime movers and shakers were philosophers and social commentators.
0:12:04 > 0:12:10Men, like John Ruskin, who believed the Middle Ages were the defining moment in human achievement
0:12:10 > 0:12:15and that Gothic design represented the ideal marriage
0:12:15 > 0:12:18between spiritual and artistic values.
0:12:25 > 0:12:31An early proponent of this new style was Augustus Pugin, the son of a French emigre.
0:12:35 > 0:12:39At the age of 17, Pugin had already set up his own business,
0:12:39 > 0:12:42designing furniture and fittings for houses throughout Britain.
0:12:42 > 0:12:45He is most famous for his magnificent interiors
0:12:45 > 0:12:47in the Houses of Parliament.
0:12:49 > 0:12:54Pugin absolutely hated the neo-classical style and form,
0:12:54 > 0:12:57so strongly associated with the Georgian period.
0:12:57 > 0:13:02But his vitriol went well beyond pure design considerations.
0:13:02 > 0:13:07He was a committed Christian, but converted to Catholicism in 1835,
0:13:07 > 0:13:12and he considered neo-classicism to be a form of paganism,
0:13:12 > 0:13:15drawing, as it did, on all its influences
0:13:15 > 0:13:17from ancient Rome and Athens.
0:13:19 > 0:13:22So Pugin decided to design and build his own house,
0:13:22 > 0:13:25according to those Gothic principles.
0:13:25 > 0:13:28He acquired some land, here in Ramsgate,
0:13:28 > 0:13:31where he spent many a happy childhood holiday.
0:13:31 > 0:13:36And work began on The Grange there in 1843.
0:13:36 > 0:13:39The house, now owned and lovingly restored by the Landmark Trust,
0:13:39 > 0:13:43was a radical departure from the conventions of the day.
0:13:43 > 0:13:46It became a prototype for what we now consider
0:13:46 > 0:13:49a typical Victorian middle-class home.
0:13:50 > 0:13:53The Grange is asymmetrical.
0:13:53 > 0:13:55It is designed from the inside out.
0:13:55 > 0:14:01This represented a brand-new approach, while, seemingly, it evolved naturally
0:14:01 > 0:14:05over the centuries and everything in here articulates so beautifully.
0:14:12 > 0:14:16The floor tiles which I'm standing on, in the entrance hall,
0:14:16 > 0:14:21the staircase, with this magnificent balustrade. In fact, every bit of architectural detail in here,
0:14:21 > 0:14:26is of the medieval style which Pugin was so in love with.
0:14:28 > 0:14:32Since his conversion to Catholicism, Pugin had harboured a desire
0:14:32 > 0:14:35to build a church, next door to The Grange.
0:14:35 > 0:14:38Ramsgate was the ideal location for his church,
0:14:38 > 0:14:42as it was where St Augustine brought Christianity to southern England.
0:14:54 > 0:14:59Everything in here, the windows, the pointed arches, the cluster columns,
0:14:59 > 0:15:01they are all of Gothic design.
0:15:05 > 0:15:11With his ideas about faith and conduct in life and in building, that form follows function,
0:15:11 > 0:15:15Pugin can be seen as the pre-cursor to the Arts and Crafts movement.
0:15:15 > 0:15:19The Grange and St Augustine's are fine excess examples
0:15:19 > 0:15:22of Victorian Gothic architecture. But Pugin's greatest legacy
0:15:22 > 0:15:26has to be that he revolutionised architectural thinking,
0:15:26 > 0:15:28in Britain and beyond.
0:15:34 > 0:15:37For our auction, we've left Folkestone and travelled inland
0:15:37 > 0:15:42to the historic city of Canterbury. Here is today's venue, the Canterbury Auction Galleries.
0:15:42 > 0:15:47Let's go in and catch up with today's auctioneer, Tony Pratt, the man with the local knowledge.
0:15:47 > 0:15:50See what he's got to say about some of our owners' items.
0:15:52 > 0:15:57Pearl is hoping her honey pot won't leave a sting in the tail, at auction.
0:15:57 > 0:16:00Sue's pair of Royal Worcester vases are magnificent.
0:16:00 > 0:16:03I'm sure champagne will be flowing, at the wedding.
0:16:04 > 0:16:08It's another one of those Flog It! pieces of pottery, Carlton Ware.
0:16:08 > 0:16:10Our experts have lots of experience in this area
0:16:10 > 0:16:13and I think Nick is right on the money.
0:16:13 > 0:16:15Finally, Rob may be surprised at the high valuation
0:16:15 > 0:16:19on his tiny globe, but it is very collectible.
0:16:19 > 0:16:21Auctioneer Tony Pratt has a good feeling about it.
0:16:29 > 0:16:33The world is your oyster, but this is a pretty little world, isn't it?
0:16:33 > 0:16:36It's not a big world! This belongs to Rob.
0:16:36 > 0:16:3919th-Century pocket globe.
0:16:39 > 0:16:43I think very late 19th...could possibly be early 20th century.
0:16:43 > 0:16:46We have a valuation put on it by Mark Stacey of £200-300.
0:16:46 > 0:16:48I like it. It is missing its case.
0:16:48 > 0:16:50It stands a chance of doing well.
0:16:50 > 0:16:53One of those collectors markets that is still buoyant at the moment.
0:16:53 > 0:16:56It is an academics' toy and something for them to muse over.
0:16:56 > 0:16:58It is a scientific object, really.
0:16:58 > 0:17:03It is probably from a schoolboy's collection, because it is not very detailed.
0:17:03 > 0:17:06- Regrettably, it is not dated. - No, that's a shame.
0:17:06 > 0:17:08Will it get the top end or the lower end?
0:17:08 > 0:17:10I think it stands a good chance of hitting top end.
0:17:10 > 0:17:12I'm quite confident of that.
0:17:19 > 0:17:23I've been joined by Alan and Susan. We have two Royal Worcester vases.
0:17:23 > 0:17:27Ivory Blush, going under the hammer. Signed "Blake", £300-400.
0:17:27 > 0:17:30They've got to do that, haven't they?
0:17:30 > 0:17:34They should do. In good condition, nicely painted, the signature.
0:17:34 > 0:17:35It has all the ingredients for collectors.
0:17:35 > 0:17:39A great name, great condition, everything is there to invest in.
0:17:39 > 0:17:41We always say, "When you invest in antiques,
0:17:41 > 0:17:43"invest in the top, a good maker's name and good quality."
0:17:43 > 0:17:4843, a pair of Royal Worcester, Blush Ivory porcelain vases.
0:17:48 > 0:17:50Decorated by K Blake.
0:17:50 > 0:17:52Who will start me at £200?
0:17:54 > 0:17:59Even better, we have several commission bids. £440. 460?
0:18:01 > 0:18:05460 on the phone. Who is 460? 460 where?
0:18:05 > 0:18:08460 in the room. 480, 500?
0:18:08 > 0:18:10And 20, 540...
0:18:10 > 0:18:12- Brilliant. I like this. - ..560, 560 where?
0:18:12 > 0:18:13560 where?
0:18:13 > 0:18:18Selling at 540. Bid's in the room. All done at £540?
0:18:18 > 0:18:20Yes, that is good, isn't it?
0:18:20 > 0:18:22That will get the hat.
0:18:31 > 0:18:37Next up for grabs, we have that wonderful stylised honey bee, made by Mappin & Webb.
0:18:37 > 0:18:42We have a valuation put on by our expert, Mark Stacey, £200-300 and it belongs to Pearl.
0:18:42 > 0:18:46Unfortunately she can't be with us today, but her husband can.
0:18:46 > 0:18:49He's standing next to me and his name is Ray. Pleased to meet you.
0:18:49 > 0:18:53I love this little bee and I hope it will put a sting in the tail today.
0:18:53 > 0:18:58I love them. This really shows the invention of those late Victorians.
0:18:58 > 0:19:01They started to have this imagination
0:19:01 > 0:19:05and combine that lovely amber glass with the silver plating.
0:19:05 > 0:19:09Those lovely lift-up wings where you put the spoon. A fantastic object.
0:19:09 > 0:19:14269, the plated novelty honey pot in a stylised bee by Mappin & Webb.
0:19:14 > 0:19:16269. £100. Unusual item here.
0:19:16 > 0:19:18Who will give me £100?
0:19:18 > 0:19:21100 I have. 110 where?
0:19:21 > 0:19:23110 for someone?
0:19:23 > 0:19:25110 I have, on the phone. 120...
0:19:25 > 0:19:30- Good. That's a good sign. - ..130, 140, 150,
0:19:30 > 0:19:33160, 170.
0:19:33 > 0:19:35- We're going to sell this.- 180, 190.
0:19:35 > 0:19:39200, 210.
0:19:39 > 0:19:41220. 220 where?
0:19:41 > 0:19:46Selling at £210, bid's on the phone. £210, then.
0:19:46 > 0:19:51That's it, the hammer has gone down. £210. Just in.
0:19:51 > 0:19:54I was disappointed. Thought it might make more than that.
0:19:54 > 0:19:57I thought it'd do the top end. It's so unique.
0:19:57 > 0:20:00You probably won't find another one for sale for a long time.
0:20:00 > 0:20:04Nevertheless, Pearl will be happy with that. £210. She didn't like it.
0:20:04 > 0:20:08- What's she going to spend the money on, do you know?- No idea.- No idea.
0:20:08 > 0:20:10Not until she comes back home!
0:20:14 > 0:20:17I've just been joined by Janet. We have some Deco china for you.
0:20:17 > 0:20:22- Carlton Ware bowl, with butterflies and spider webs all over it.- Yes.
0:20:22 > 0:20:25We have a value of £300-400 put on by our expert, Nick.
0:20:25 > 0:20:27You like this kind of thing, don't you?
0:20:27 > 0:20:31I do. I have a penchant for the Deco era. But apart from that,
0:20:31 > 0:20:35it is a nice jazzy lump of pottery and I think collectors will love it.
0:20:35 > 0:20:39And it has the original stand. How often does that happen? Not very.
0:20:39 > 0:20:4258 is a Carlton Ware pottery, lustre-bowl and stand.
0:20:42 > 0:20:44£100. 100, I have.
0:20:44 > 0:20:48- 110 where?- Come on.- 110, I have.
0:20:48 > 0:20:50120, 130, 140,
0:20:50 > 0:20:53- 150...- Steady climb.- ..160 where?
0:20:53 > 0:20:56- 160, coming in?- It's slowing up.
0:20:56 > 0:21:00160, 170, 180, 190.
0:21:00 > 0:21:02Painful, isn't it?
0:21:02 > 0:21:04We've got a phone bidder.
0:21:04 > 0:21:08200, 210, 220, 230,
0:21:08 > 0:21:10240?
0:21:10 > 0:21:12240.
0:21:12 > 0:21:13250, 260?
0:21:15 > 0:21:18260, 270? Against you. Selling at £260.
0:21:18 > 0:21:21On the phone at £260. Are we all done, then?
0:21:21 > 0:21:25He has used his discretion. Hammer has gone down. £260.
0:21:25 > 0:21:26That is fair enough.
0:21:26 > 0:21:28It is OK. You'll take that, won't you?
0:21:28 > 0:21:31- I'd have liked a little more, but it's fair enough.- It was fun.
0:21:31 > 0:21:35It wasn't a rare pan, it was a nice big jazzy piece of pottery.
0:21:35 > 0:21:38- I understand.- It has got the look. It has got the look.
0:21:45 > 0:21:50They say the world is a big place, but this little world, you can hold in the palm of your hand.
0:21:50 > 0:21:54It belongs to Rob. It's going under the hammer and we have £200-300 on this.
0:21:54 > 0:21:58- Absolutely.- It is a lovely little item. Something I'd like to own.
0:22:00 > 0:22:04It's a "come and get me". We will find out what happens. Good luck. This is it.
0:22:04 > 0:22:08The miniature pocket-globe, the 19th-Century pocket-globe.
0:22:08 > 0:22:11Lot 316. Who will start me at £150? Any interest?
0:22:11 > 0:22:17160 I am bid, 170, 180, 190, 200, 210?
0:22:17 > 0:22:21210. 220, anybody at 220?
0:22:21 > 0:22:25220, 230, 240, 250,
0:22:25 > 0:22:27260, 270...
0:22:27 > 0:22:29- It's good.- It's getting there.
0:22:29 > 0:22:32..280, 290, 300,
0:22:32 > 0:22:36320, 340, 360?
0:22:36 > 0:22:38Anybody at 360? The bid stands at 340.
0:22:38 > 0:22:42360, 380, 400,
0:22:42 > 0:22:44420.
0:22:44 > 0:22:46It is finding its level now.
0:22:46 > 0:22:49- Good heavens.- 460, 480.
0:22:49 > 0:22:53I can't believe the grandchildren rolled it around the lounge floor.
0:22:53 > 0:22:56500, 520,
0:22:56 > 0:22:59540, 560,
0:22:59 > 0:23:02580, 600.
0:23:02 > 0:23:04This is great.
0:23:04 > 0:23:06Heavens!
0:23:06 > 0:23:07Anybody at 600?
0:23:07 > 0:23:11The bid is standing at £580 and selling at 580, if we are all done?
0:23:11 > 0:23:13Back in at 600.
0:23:13 > 0:23:15- Yes!- 620, 640?- Fresh legs.
0:23:15 > 0:23:21No? £620, it is, in the room. Are we all done?
0:23:21 > 0:23:22Yes. That's more like it.
0:23:22 > 0:23:25- Thank you very much.- Not bad!
0:23:25 > 0:23:27That is brilliant! It found its level.
0:23:27 > 0:23:31I think you are right, it was 18th century, to command that sort of money.
0:23:31 > 0:23:35No name and no case, otherwise it would have pushed over the thousand.
0:23:35 > 0:23:39What are you going to put the money towards? Less commission, don't forget.
0:23:39 > 0:23:43Towards a winter holiday. Take the kids and the grandkids away.
0:23:43 > 0:23:46Fantastic. Anywhere in the world!
0:23:46 > 0:23:48Anywhere around the globe that he's just sold!
0:23:48 > 0:23:52You are spinning me round already.
0:23:52 > 0:23:54Sadly, that is all the time we have on today's show.
0:23:54 > 0:23:57I hope you enjoyed it. Until the next time
0:23:57 > 0:24:00we'll see you for more surprises on Flog It!, cheerio.